Podcasts about Bride of Frankenstein

Send us a textTo a new world of gods and monsters! Al & Siena are conjuring creatures and slipping into something a little less visible in this episode on Universal horror staples THE INVISIBLE MAN (1933) x BRIDE OF FRANKENSTEIN (1935)! Hear how black velvet helped Claude Rains vanish, learn what a studio psychiatrist contributed to the screenwriting process, and discover the trick behind those disembodied snowy footprints on this creature feature classics edition of Splice & Splatter. Splice & Splatter is presented by the Jean Cocteau Cinema in Santa Fe, New Mexico with new episodes out every other Monday!Hosts: Al LaFleur and Siena Sofia BergtProducer: Warren LangfordTheme Song: Theodore SchaferFollow us on social media at linktr.ee/spliceandsplatterpodEnjoy full length video episodes and behind-the-screams on Youtube!Support the show

This week on the Pod we try and create a mate for our monster in Bride of Frankenstein. We unwrap what has made the Bride such and iconic image in Pop Culture despite so having so little screen time, Frankenstein finding warmth in the company of a friend, and what ever the Hell Dr. Pretorius was doing with those little people in bottles. An early and beautiful sequel to one of the greatest horror films of all time. Synopsis: Mary Shelley reveals the main characters of her novel survived: Baron Henry Frankenstein, goaded by an even madder scientist, builds his monster a mate. Starring: Boris Karloff, Elsa Lanchester, Colin Clive, Ernest Thesiger Director: James Whale Youtube: https://youtu.be/DnsuxmobHKM Join the Misfit Parade: https://www.misfitparade.com/  Support the show on the Patreon: https://www.patreon.com/messedupmoviespod Watch our newest short film Sugar Tits Now! https://www.youtube.com/watch?v=Sz7leFqqo4g

In Episode 31, hosts Drew Lyon & Door Man discuss the upcoming films within the February 2025 Revival Program at the Academy Theater.Feb 7-13: PULP FICTION (1994) // MY BLOODY VALENTINE (1981) [Deep Cut Series] // HAPPY TOGETHER (1997) [International Series].Feb 14-20: BRIDE OF FRANKENSTEIN (1935) [Horror Series] // BOYZ N THE HOOD (1991) // WILD AT HEART (1990).Feb 21-27: MENACE II SOCIETY (1993) // CASABLANCA (1942) [Classics Series] // ETERNAL SUNSHINE OF THE SPOTLESS MIND (2004).Take a listen and get excited to see these movies on our Big Screen! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit academyrevivalpodcast.substack.com

Today, we conquered the Universal classics Frankenstein and Bride of Frankenstein and boy do we have a lot of thoughts... → Patreon: https://www.patreon.com/Barelybookish → Merch: https://barelybookish.threadless.com/ → Instagram: https://www.instagram.com/barelybookish/ → TikTok: https://www.tiktok.com/@barelybookish?lang=en → Twitter: https://twitter.com/barelybookish → Twitch: https://www.twitch.tv/barelybookish/profile → Barely Book Club: https://discord.gg/RpznKHq   About Us: Barely Bookish is a book podcast where Rachel reads through classic literature and modern classics to see if they hold up to modern readers. In this, Rachel and a guest take deep dives into the novels you know and love, making it perfect for people who have read these books in school or those who have never read them before. New episodes come out every Wednesday. Find out more about the podcast over at https://barelybookish.com/.     → Book Recommendations: https://bookshop.org/shop/BarelyBookish

THE BRIDE OF FRANKENSTEIN (1935), directed by James Whale, is the acclaimed sequel to Frankenstein (1931). The film follows the Monster (Boris Karloff) as he demands that Dr. Frankenstein (Colin Clive) create a female companion for him. As the Doctor reluctantly complies, the Bride (Elsa Lanchester) is brought to life, but her rejection of the … Continue reading Ep. 07-15: Bride of Frankenstein (1935) →

This year's Halloween special of the podcast goes back to 1930s Hollywood with this look at Bride of Frankenstein (James Whale, 1935), the follow-up to Universal Pictures' 1931 feature Frankenstein also directed by James Whale. To discuss the horror and humour of this most monstrous and macabre sequel, Chris and Alex are joined by special guest David Sandner, author and editor of multiple works on fantasy literature and a Professor at California State University. David has published widely on histories of fantasy, including the books The Fantastic Sublime: Romanticism and Transcendence in Nineteenth-century Children's Fantasy Literature (Westport, 1996) and Critical Discourses of the Fantastic, 1712-1831 (Routledge, 2011), alongside the edited collections Fantastic Literature: A Critical Reader (Praeger, 2004) and The Treasury of the Fantastic with Jacob Weisman (Tachyon, 2013). Topics for this spooky instalment include the film's status as a work of fantasy and horror, and the framing of Frankenstein's original author Mary Shelley as a practitioner of the fantastic; early cartoon exhibition practices, the notion of “theatre animation,” and the influence of the twentieth century's pervasive culture of animation on Bride of Frankenstein's special effect technologies; questions of adaptation and the new invitations to fantasise made by director James Whale; the film's self-reflexivity around film production; links between size and the sublime, and how an uncanny portrayal of homunculi sites the film's story within screen histories of the miniature; and how Bride of Frankenstein negotiates a pleasure in agency, creation, reanimation, and restoration. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot's 25 Best London Education Podcasts**

Danny returns to the show to close out Spooky Month with Bride of Frankenstein! He and the boys chat about candy, sequels, and special effects. Happy Halloween! Movie discussed: Bride of Frankenstein (1935) If you enjoy the Overtalking Podcast, please RATE and especially REVIEW on Apple Podcasts, Spotify, or wherever you listen! Visit our website at overtalkingpod.party Follow us on Facebook, Twitter, and Instagram @overtalkingpod Email us at overtalkingpod@gmail.com or give us a call and leave us a message at (872) 228-1591 Theme song by Justin Peters Logo by Nate Richards, check him out on Instagram @naterichardsdesigns

Episode 174: Our final week of Universal Monsters month and we celebrate Elsa Lanchester's birthday by covering the 1935 classic, Bride of Frankenstein. A marriage of the macabre.Enduldge with us next week at The Feast from 2021.Become a supporter of this podcast: https://www.spreaker.com/podcast/a-cut-above-horror-review--6354278/support.

In this electrifying Halloween episode, we resurrect The Bride of Frankenstein (1935), the brilliant sequel that's often hailed as the crowning jewel of classic horror cinema. Prepare to explore the fascinating history of this bold follow-up, where director James Whale and Boris Karloff returned to expand on the tale of Frankenstein's monster—but this time, he's not alone. The sequel brings new life (literally) with the creation of the iconic Bride, played by Elsa Lanchester in a brief yet unforgettable role. Patreon: https://www.patreon.com/MummyMoviePodcast Email: mummymoviepodcast@gmail.com BibliographyBuehrer, Beverley B. (1993). Boris Karloff: A bio-bibliography. Westport, Conn: Greenwood Press. DeLong, A. (2018). Classic horror: a historical exploration of literature. Bloomsbury Publishing USA. IMDB. (2024). Bride of Frankenstein 1935. Retrieved from https://www.imdb.com/?ref_=nv_home Horton, R. (2014) Frankenstein. New York & Chichester: Wallflower Press & Columbia University Press Peirse, A. (2013). After dracula: The 1930s horror film. Bloomsbury Publishing. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Zo learns that Dr. Frankenstein hadn't perished after all, in spite of being tossed off of a three story windmill by his monstrous creation. Shockingly, the monster also survived! The Monster, being harassed and tormented by the populous, is more dangerous than ever and lashing out at almost anyone who approaches him. Over time the Fiend learned human speech and had a chance meeting with the unscrupulous Dr. Pretorius. Together they plot to blackmail Dr. Frankenstein into continuing his work of bringing dead flesh to life, this time with the purpose of making a Bride for the demanding Monster. Episode Segment Time Stamps  Opening Credits . . . . . . 00:04:54Favorite Parts . . . . . . . . 00:18:50Trivia . . . . . . . . . . . . . . . .01:23:28Critics' Thoughts . . . . . .01:34:47 Please leave a comment, suggestion or question on our social media: Back Look Cinema: The Podcast Links:Website: www.backlookcinema.comEmail: fanmail@backlookcinema.comYouTube: https://www.youtube.com/@backlookcinemaTwitter: https://twitter.com/backlookcinemaFacebook: https://www.facebook.com/BackLookCinemaInstagram: https://instagram.com/backlookcinemaThreads: https://www.threads.net/@backlookcinemaTikTok: https://www.tiktok.com/@backlookcinemaTwitch https://www.twitch.tv/backlookcinemaBlue Sky: https://bsky.app/profile/backlookcinema.bsky.socialMastodon: https://mstdn.party/@backlookcinemaBack Look Cinema Merch at Teespring.comBack Look Cinema Merch at Teepublic.com Again, thanks for listening.

If you think you have trouble finding a mate on the apps, imagine being Frankenstein's monster! Everyone that sees you screams in your face and chases you with torches and pitchforks. The only way to find love is to build your mate in the lab. This week's film is “Bride of Frankenstein.”

It would seem that the monster created by Dr. Frankenstein has survived!  As the town hides in terror, Henry Frankenstein is approached by mad scientist Dr. Pretorius to create a new creature.  After he refuses, Protorius kidnaps the Doctor's wife forcing his hand as the two mad geniuses create a new horrifying creature!  Did they go to far this time?  Find out as we discuss the classic, The Bride Of Frankenstein! We also discuss This Month In Pop Culture History, Godzilla's upcoming 70th Anniversary and talk some things we watched including the Mr. McMahon documentary and more.  Plus a preview of our final Halloween Horrors Month film, Critters! Visit us for all episodes & more at the www.therebelradiopodcast.com Please leave us a 5-Star review on iTunes! You can also find us on Spotify iHeartRadio Follow us on Facebook

Welcome to Monst-ober! We are heading back to our Frankenstein days with James Whales's incredible sequel The Bride of Frankenstein! We are joined by the one and only Kelly Harris to discuss creatures, Una O'Connor, the changing tone from the first film and what was going on during the quarantine that birthed science fiction, and why we all need more of Dr. Pretorius.  Also: Michelle is alone with her minis, Seth explains his take on the religious allegory and Kelly explains how to make an alien kissable by Sabrina Carpenter. Check it out! Follow Kelly on Instagram! For all of our bonus episodes and to vote on upcoming episodes check out our Patreon Patreon supporters help pick episodes, monthly themes and get access to all of our additional shows and our Patron exclusive Discord. It's only the price of a single cup of coffee ($5 a month!) Visit our website and send us an email! Follow Movie Friends on Twitter and Instagram You scrolled this far? That's impressive.

We kicked off our Halloween programming with James Whale's masterpiece from the Universal monsters cycle. We talked about religious imagery, the queer reading, and learning about the beauty of life through music and smoking. Get the full episode and a whole lot more for $5/mo at: https://www.patreon.com/Extended_Clip

The monster returns! As does our annual celebration of horror as the Spooktober Spooktacular is upon us once more! Witness as we ask if the Bride of Frankenstein holds up!

Vote for My Championed Film "Bride of Frakenstein!" flick got mad visions babe! if I win, I get to host the umbrella episode on the Lambcast. it'll be fun because "Friend" goooood. Alone bad? nah. not if you enjoy your own company mosny as I do. Alone is all there really ever is anyway. Book a Zoom hour with me and I'll prove it to you. do forget to vote for my movie "Bride of Frankenstein. I'll try and not be cranky that day when I host, no promises babe. Here's the text to my review of this sexy horror film that I love!?!? Can I call this charming? A friend who is mentally disabled is cute in a way. We have the protagonist, the monster, We se the monster in this early incarnation desiring a friend. The mad scientist has grand plans. We get to see the monster develop language. We also ss he is sort of capable of making another human happy. I'm thinking of the blind man who gives him food and shelter to heal. In this epic blockbuster horror film, we see a human undead monster and he's still got the drives for companionship.It has the usual mob trying to kill the monster. Through this exciting segment of about 1/2 way we see him as a flawed, even brain damaged human. I couldn't help but feel sorrow for the monster. Bela Lugosi is a prefect actor for this human creature (or is it?). Some of my favorite scenes are the ones with the blind man. They are kindred spirits in that each wants a friend. I got the impression one would get watching a toddler find something shiny and becoming enraptured with it. Putting the monster through torture is what had me glued to the screen. I'm not into torture but I find myself relating with the yearning, longing, and even lusting after a woman or otherwise partner. They are such fine and wonderful creatures those partners. I also related with the block of communication that is present throughout. Did you know the Bible teaches the Tower of Babel was why God confused language for all humankind. It tried to be higher than God so God humbled them. The monster illustrates how horrible it would be to not be able to communicate. There are not many scenes of the actual author Mary Wollstonecraft Shelley. The film however does open with she and Lord Byron commenting on the lovely ghastly storm outside. We see clearly based on the title and the plot, she is to be made into a female monster, for the creature. I love the way they weaved the real life couple into this. Is raises the verisimilitude and leaves us actually wanting to see them together. Unfortunately we don't see much of the female. The latter portion of the film is where we see only her transformation but not much detail. She looks just plain freaky, I like that. I get from her character that she too is unable to communicate. She is quicker moving than the monster. In conclusion, this is to date one of my favorite classic series films. I really enjoy the writing, especially the writing of Byron and Shelley, The film is a delightful hodgepodge of suspenseful orchestra music and top shelf acting. The result is a mind ride to understand why we should never bring the dead back to life. This is an incredibly atmospheric class A horror film. I can give it no lower than a 10/10.

"I hope we can still be friends (not even)!"  Eric & Ser examine how love can be so cruel.  And how classics can be so ... divisive.Send us a text

Bride of Frankenstein (1935):  Directed by James Whale, this classic horror film stars Boris Karloff as the Monster and Colin Clive as Dr. Henry Frankenstein. The story follows Henry Frankenstein, who is coerced by his former mentor, Dr. Pretorius (played by Ernest Thesiger), and his original creation, the Monster, to create a mate for the Monster. Despite his initial reluctance, Henry eventually constructs the Bride (portrayed by Elsa Lanchester). However, the Bride rejects the Monster, leading to a tragic and fiery conclusion. The Bride (1985):  Directed by Franc Roddam, this film reimagines the Frankenstein story and stars Sting as Baron Charles Frankenstein and Jennifer Beals as Eva. Unlike the original Monster, Eva is physically perfect and human-like. However, she is repulsed by the Monster (played by Clancy Brown) and rejects him, leading to a series of dramatic events. The cast also includes Geraldine Page and David Rappaport. To check out more information about That Horrorcast, take a look at our website: ⁠⁠⁠⁠https://thathorrorcast.com⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠https://twitter.com/horrorpod666⁠⁠⁠⁠ Art and other work done by host, Dmitry Samarov can be found on his site: ⁠⁠⁠⁠https://www.dmitrysamarov.com⁠⁠⁠⁠ Mallory Smart's writing and random publishing projects can be checked out here: ⁠⁠⁠⁠https://mallorysmart.com⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/thathorrorshow/support

Dave and Christian talk about The Irishman, Indie Films, Found Footage, Streaming vs. Physical Media, who played Michael Myers in H20, and then eat another link of summer sausage with The Bride of Frankenstein (1935) & Hellraiser: Inferno (2000). Intro 0:00 - 1:29:52 The Bride of Frankenstein (1935) 1:29:52 - 1:51:26 Hellraiser: Inferno (2000) 1:51:26 - 2:26:39 Thanks for Listening!

We go back to the source of many cinematic scares- the old Universal monster movies! And we check out the Bride of Frankenstein... right? She's in this movie, isn't she? Eventually?

Get your Free 30 day trial and first book FREE!https://www.audibletrial.com/voidThis week we talk about The Bride of Frankenstein! Youtube: https://www.youtube.com/@neonicvoidInquiries can be sent to hausofthevoid@gmail.comCheck out the NeonicVoid Productions network of podcasts! --https://linktr.ee/neonicvoidproductionsBecome a supporter of this podcast: https://www.spreaker.com/podcast/spookocalypse--5342254/support.

Bryan and Dave are joined by Tyler Hyde, co-host of the That's Spooky podcast to close out their 2024 Pride series and talk about James Whale's 1935 Magnum Opus, Bride of Frankenstein. It's an absolutely gonzo gothic horror from the dawn of the talkies featuring more thrills and excitement in one of the earliest sequels that somehow manages to end up a better movie than the original. Bride of Frankenstein is a high-energy affair packed with unbelievable characters and performances from some a-list weirdos of their era such as Ernest Thesiger as the sinister Doctor Praetorius and the lovely Elsa Lanchester playing duo roles and Mary Shelley and the iconic Bride who, despite your expectations, occupies the screen for a scant few minutes but still manages to leave a powerful mark on the history of film. There is also a deeply queer interpretation of the movie which begs the question, was this subtext intended by James Whale? Was it purely subconscious? Are we just reaching? --- Send in a voice message: https://podcasters.spotify.com/pod/show/bring-me-the-axe/message

Hosts Josh and Jamie and special returning guest Oliver Leach discuss a double feature of gory doctor themed 70s B-horror movies with a double feature of Herschell Gordon Lewis protege J.G. Patterson Jr.'s strange and inept 70s grindhouse BRIDE OF FRANKENSTEIN riff DOCTOR GORE (1973) and Hollywood assistant director Eddie Saeta's campy and theatrical supernatural serial killing magician TV movie DOCTOR DEATH (1973). Next week's episode is a patron-exclusive bonus episode on the dark underbelly of the suburbs in David Lynch's BLUE VELVET (1986) and John Waters' SERIAL MOM (1994), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-15:20 DOCTOR GORE // 15:20-1:10:15 DOCTOR DEATH // 1:10:15-2:06:36 Outro // 2:06:36-2:10:28 MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

Join the squad as they review the iconic sequel to the amazing original movie that deals with scientists trying to play God.   Follow us on Twitter @AllentownPod www.twitter.com/AllentownPod Email us at AllentownPresents@gmail.com

Arguably the greatest sequel of all-time, as the Monster learns to speak and experience human emotions.  Starring Boris Karloff, Elsa Lanchester, Colin Clive and Ernest Thesiger.  Directed by James Whale.

She's alive...alive!! Join Reneé, John Paul, and Travis as they discuss James Whale's 1935 science-fiction horror classic "Bride of Frankenstein."   Please consider supporting the show on Patreon: https://www.patreon.com/thepodmortem    Pod Mortem would like to thank Original CINematic for sponsoring this week's episode! https://www.ogcinpro.com/  Feel free to contact: William Rush: wrush@ogcinpro.com Xxena Rush: xrush@ogcinpro.com    Where to listen to the podcast and follow us on social media: https://allmylinks.com/thepodmortem   Follow us on Twitter: https://twitter.com/thepodmortem https://twitter.com/bloodandsmoke https://twitter.com/realstreeter84 https://twitter.com/travismwh Follow us on Instagram: https://www.instagram.com/thepodmortem https://www.instagram.com/travismwh https://www.instagram.com/bloodandsmoke https://www.instagram.com/juggalodaddy84   What would you rate Bride of Frankenstein and what should we watch next? Email us at thepodmortem@gmail.com    "Pod Mortem Theme" written and performed by Travis Hunter. https://youtube.com/travismwh

We're back from Spring Break, discussing James Whale's 1935 classic featuring Boris Karloff, Elsa Lanchester, Colin Clive, Valerie Hobson, and Ernest Thesiger. Our guests are the authors of the new book Peggy Webling and the Story Behind Frankenstein: The Making of a Hollywood Monster, about the woman who wrote the stage play from which Universal's Frankenstein (1931) was adapted. Also: a new superlative honoring one of our favorite actors, the inimitable Béatrice Dalle. Intro, Debate Society, To Sir With Love (spoiler-free): 00:00-27:40 Honor Roll and Detention (spoiler-heavy): 27:41-56:04 Superlatives (spoiler-heavier): 56:05-1:16:04 Director James Whale Screenplay William Hurlbut, adapted from the novel by Mary Shelley by John Balderston & Hurlbut Featuring Colin Clive, E.E. Clive, Dwight Frye, Gavin Gordon, O.P. Heggie, Valerie Hobson, Boris Karloff, Elsa Lanchester, Una O'Connor, Ernest Thesiger, Douglas Walton Bruce Graver has taught British Romantic literature and art at Providence College since 1985.  He has prepared scholarly editions of the works of the Wordsworth family, has a special interest in 19th-century 3D photography (The Stereoscopic Picturesque is about to be published), and is a classically trained pianist and tenor who has performed with various New England choirs and chamber ensembles. In good weather, Bruce can be found hiking along the Appalachian Trail, or across the mountains of the English Lake District, where the Wordsworths and Beatrix Potter once lived. Dorian Gieseler Greenbaum is an ancient historian who teaches postgraduates at the University of Wales, Trinity Saint David, and writes on the history of astrology, divination, and ancient medicine. She has been an amateur genealogist for the past 23 years. Peggy Webling is Dorian's great-grandaunt, and she grew up hearing family tales about her writing of the play Frankenstein. In 1991, she and her mother discovered a large cache of letters that Peggy and her sisters wrote to Dorian's great-grandmother over almost 30 years, and Dorian now owns an unpublished archive of Peggy's letters, papers, manuscripts, and photographs. To find out more about Bruce and Dorian's book, click here. Our theme music is by Sir Cubworth, with embellishments by Edward Elgar.  Music from Bride of Frankenstein by Franz Waxman. For more information on this film, essays from your hosts (including why the Professor chose it, on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Our Blog⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), and other assorted bric-a-brac, visit our website, scareupod.com. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Please subscribe to this podcast via Apple Podcasts, Spotify, or wherever you get your podcasts. If you like what you hear, please leave us a 5-star rating. Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook group. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

The smash success of Universal's 1931 Frankenstein adaptation made a sequel practically mandatory. Director James Whale felt that it'd be impossible to top the first film and was therefore reluctant to return, but the studio eventually lured him back with a juicy paycheck, a promise to greenlight one of Whale's passion projects, and nigh-total creative control over what eventually became Bride of Frankenstein. Still assuming that the gothic atmosphere and graphic scares of Frankenstein couldn't be replicated, Whale chose to go in a more campy, theatrical, and melodramatic direction with the follow-up. While the production did run overbudget, Bride did strong box office and is now considered one of the few movie sequels to surpass the quality of its predecessor. Ryan is joined by Cheryl and Sylvan for a close read of this beloved sci-fi horror comedy. Talking points include the story's approach to scientific advancement, the movie's very self-aware use of Christian allegory, and whether Bride's heavy application of queercoding was a conscious filmmaking choice by Whale (and whether or not that matters). --- Support this podcast: https://podcasters.spotify.com/pod/show/ryan-valentine3/support

Welcome to an altogether new show here at Cinema Degneration we are calling "Without Warning." The theme for this show is unlike any other in our lineup. Hosted by Cinema Degeneration CEO Cameron Scott and his co-host, author, voiceover artist, and host of 'The Diabolical Index' Korey Dawson. The theme is simple: Scott calls Dawson out of the blue with no warning as to what the topic of conversation will be...without warning if you will. Scott will continuously test the overall skill and level of pop culture and movie expertise of Mr. Dawson with totally random topics including movies, literature, pop culture, music, art, comics and more. Dawson has absolutely no prior knowledge to these show topics and is going into the discussions totally blind. These shows are a hoot to record, and we hope as much fun for the audience to listen back to. The 6th episode show topic is on "UNIVERSAL MONSTERS". Essentially you are all in for a deep dive discussion on a multitude of films that were based on some of the classic and iconic black and white era of Hollywood Killers. Topics range from a lengthy debate on Boris Karloff and Bela Lugosi and the 'Fearsome Five' cavalcade of maniacs with Dracula, Frankenstein, The Wolfman, The Invisible Man, and The Creature. Some of the other films covered range from Bride Of Frankenstein, The Black Cat, THEM!, The Raven, Frankenstein VS The WolfMan, plus more. Included in the festivities are various rants and segways into topics such as the Atomic Age of Horror, Vincent Price, This Island Earth, Hammer Horror, Monolith Monsters, and many more.  Join us!   "Listen to them! Children of the Night. What music they make!"

Today, I welcome back Tim McGregor, to chat about his newest book EYNHALLOW, a Bride of Frankenstein retelling that was so good I didn't want to pick up anything else for a while. I think about this book a lot since I've read it, and I can't wait to hear your thoughts once you've read it too. I have EYNHALLOW and Tim's other work in my Bookshop if you want to support both the podcast as well as independent bookstores nationwide at bookshop.org/shop/sheworeblack. If you want another way to help out my show, you can follow me on Instagram, Facebook, and Threads, and leave me a review wherever you get your podcasts. You can also join my Patreon community, buy merch, or make a Ko-fi donation through the links available on my on my website at sheworeblackpodcast.com. Thanks for joining me today. --- Send in a voice message: https://podcasters.spotify.com/pod/show/sheworeblack/message

New month means new theme with the month of February's being, "Here comes the bride...who's actions were justified" where I will focus on movies with the word "bride" in them. Starting the month of love off with the classic, 1935's "Bride of Frankenstein" with special guest, Ruby Tombsday. The Mistress of the Menagerie and Ruby discuss the need for power, manipulation, and loneliness. Come check it out!

In pursuit of teaching young Vince the true meaning of Valentine's Day, the FREAKQUELS gang revisits the gothic horror masterpiece “BRIDE OF FRANKENSTEIN” only to disillusion the lad with its themes of romantic rejection and paternal abandonment.  Mission accomplished?

After weeks of anticipation, we finally talk Poor Things and experience our biggest disagreement in ages. Ethan Thompson joins Dave and Joe with The Bride of Frankenstein and two great beers from Turning Point Brewing. Listen to After Hours on Patreon: patreon.com/beerandamoviepodcast    

"We belong dead!" Join us as we discuss Bride of Frankenstein! We talk about James Whale's feelings about a sequel, the ridiculous restrictions applied by the censors, the many different storylines this movie almost had and MUCH MORE!

We're back to finish our discussion on THE BRIDE OF FRANKENSTEIN. We had a lot to talk about this week, including the abundance of religious iconography present in this film, along with the myriad of ways the Hays Code took a hatchet to this movie but a ton of cheeky humor and themes still slipped through. We discuss the first true villain, the absolutely delicious Doctor Pretorious (Doctor Pretorius?) and how he offers the gateway to the many queer themes and suggestions that are front and center here. We talk the lovely Elsa Lanchester and how she makes a meal out of her five minutes of screentime as the Bride remains one of the most iconic fixtures in horror history. It's the second part of massive episode so make sure you go back and listen to part one. Mike is joined by cohosts Brian and Stephen along with special guest Ygraine from the What a Scream podcast, Ghouls Magazine, and the Moving Pictures Film club.   Please read Brian's Frankenstein's columns including Faces of Frankenstein / The Universal Years on Manor Vellum    If you like what you're listening to make sure to subscribe wherever you get your podcast feeds.    Please take a moment to rate and review us on the Apple Podcast app, or rate us on the Spotify app. Reviews and five star ratings help new listeners find us every day, and we greatly appreciate the feedback and support.    Check out our website for easy access to our full catalog of shows, with hundreds of hours of free content. You can search the catalog, leave a review and even leave us feedback all from the site. Go to www.podandthependulum.com to check it out.    If you have the means, consider becoming a patron today and support the show. Patreon members get exclusive full length episodes, audio fan commentaries, exclusive mini-sodes and more. Join today at patreon.com/podandthependulum. 

There's so much horror news this week, it takes up the whole damn episode! Brett and Jesse discuss all of it, some of it at great length! Before summarizing the news below, over on Patreon, the Oscars prediction episode is up. More bonus eps coming each week, including one on MEAN GIRLS the musical. https://www.patreon.com/posts/bonus-123-oscar-96505211 David Gordon Green exits EXORCIST! Neve Campbell talks the future of the SCREAM franchise! Zach Cregger loses Pedro Pascal! Danny Boyle and Alex Garland are doing 28 YEARS LATER, and it's allegedly the start of a new trilogy! Maggie Gyllenhaal is shooting BRIDE OF FRANKENSTEIN with an insanely stacked cast! SMILE 2 has a new cast! David Bruckner is remaking THE BLOB! The Predator won an Emmy! Cronenberg movie update! Tom Cruise at WB!

This week we're back to discuss what some have called the greatest horror movie of all time, and what might be the birth of queer cinema: THE BRIDE OF FRANKENSTEIN. In the years following Frankenstein's success, James Whale would go on to put his campy, humorous touch on horror classics The Old Dark House and The Invisible Man before returning to create his masterpiece. Meanwhile Boris Karloff elevated from a struggling bit player to receiving top-of-the-bill status in a string of successes. Of course, no discussion would be complete without discussing the immeasurable impact Elsa Lanchester made with mere minutes of screen time as the titular Bride. With her lightning bolt updo, and a hiss inspired by protective swans, Lanchester delivered one of the most memorable monsters i Universal cannon. The sequel adds humor to the gothic horror, and goes bigger in every way: there's a larger body count, a larger cast, more elaborate sets, and even more fantastical special effects. We're joined by guest Ygraine (What a Scream Podcast) for the first half of our two-parter on Bride.  Please read Brian's "Faces of Frankenstein: The Innovation and Influence of James Whale's Frankenstein" or more information on this seminal film.     If you like what you're listening to make sure to subscribe wherever you get your podcast feeds.    Please take a moment to rate and review us on the Apple Podcast app, or rate us on the Spotify app. Reviews and five star ratings help new listeners find us every day, and we greatly appreciate the feedback and support.    Check out our website for easy access to our full catalog of shows, with hundreds of hours of free content. You can search the catalog, leave a review and even leave us feedback all from the site. Go to www.podandthependulum.com to check it out.  If you have the means, consider becoming a patron today and support the show. Patreon members get exclusive full length episodes, audio fan commentaries, exclusive mini-sodes and more. Join today at patreon.com/podandthependulum.

We are joined by The More Deadly Podcast hosts Rachel and Ariel to review one of Ariel's favorite films!! If you have listened to many cross over episodes, you know that this one goes! Check out their podcast at https://open.spotify.com/show/7lypsflzCiiPGUm72gkUZK?si=d45917dcae0c4f78

Wedding Crashers Elsa Lanchester dons the most famous beehive hairdo in movie history to walk down the aisle with Boris Karloff in The Bride of Frankenstein. Can director James Whale marry his campy sense of humor with the unused parts of Mary Shelley's darkly philosophical novel and create an even more outrageous 1935 sequel?  And will the Monster finally give a piece of his mind to the madman who made him now that he's gained the ability to talk?  Stuart, Arnie, and Jakob request your attendance as they discuss one of cinema's most unholy unions. Listen Now!

Wedding Crashers Elsa Lanchester dons the most famous beehive hairdo in movie history to walk down the aisle with Boris Karloff in The Bride of Frankenstein. Can director James Whale marry his campy sense of humor with the unused parts of Mary Shelley's darkly philosophical novel and create an even more outrageous 1935 sequel?  And will the Monster finally give a piece of his mind to the madman who made him now that he's gained the ability to talk?  Stuart, Arnie, and Jakob request your attendance as they discuss one of cinema's most unholy unions. Listen Now!

Yorgos Lanthimos' POOR THINGS is many things, among them a whimsical retelling of the story of Frankenstein's monster as codified in James Whale's iconic 1930s classics FRANKENSTEIN and BRIDE OF FRANKENSTEIN. But there's a lot of other stuff animating POOR THINGS' surface pleasures and just-below-the-surface ideas, which we parse before moving into Connections to compare these three films' depictions of playing God and twisted parent-child relationships; mad science and the mad scientists who practice it; and stylized, unnatural versions of reality as perceived by stylized, unnatural creatures. And in Your Next Picture Show we give a brief nod to two other POOR THINGS pairing possibilities, Francois Truffaut's THE WILD CHILD and Werner Herzog's THE ENIGMA OF KASPAR HAUSER.  Please share your comments, thoughts, and questions about FRANKENSTEIN, BRIDE OF, POOR THINGS or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tan larga, fecunda y variada ha sido la descendencia fílmica de Frankenstein (1931) y sus secuelas —La novia de Frankenstein (1934), El hijo de Frankenstein (1939), para sólo hablar de las protagonizadas por Boris Karloff— que, al acudir a los filmes en cuestión, lo primero que sorprende es que no se trata de obras maestras ni de productos particularmente fueles al libro escrito por Mary Wollstonecraft Shelley en los albores del romanticismo. A su manera, la trilogía es producto de multitud de factores combinados: el desenfreno de la ficción victoriana, el fervor melodramático de principios del Siglo XX, la voluntad escapista gatillada por la Gran Depresión y la insospechada consecuencia del gran éxodo de técnicos alemanes a Hollywood a fines de los años 20. Fueron estos últimos quienes llevaron consigo la sensibilidad expresionista y la fundieron con multitud de relatos fantásticos del centro de Europa, produciendo así el intoxicante mix de los "Monstruos de la Universal", mitad espanto mitad entretencion, que incluso hoy, casi cien años más tarde, continúa fascinando a espectadores que, instintivamente, abrazan la obsesión prometeica del científico loco y se conduelen del destino de su criatura, mientras se dejan atrapar por viejos trucos de experimentado narrador. Ahí radica el milagro y de eso, precisamente, se habla en este podcast.

Yorgos Lanthimos's POOR THINGS is so open in its allusions to Frankenstein — both scientist and monster — that it inspired us to stitch together our first dual pairing, of James Whale's 1931 classic, which established the on-screen language of Mary Shelley's monster, and his 1935 follow-up THE BRIDE OF FRANKENSTEIN, which set up nearly a century of expectations for sequels in Hollywood. But despite many commonalities, chief among them a literally iconic Boris Karloff performance, these films are two distinct creatures, so we're dissecting them both to talk through their different tones, relationships to their source material, and legacies.  Please share your comments, thoughts, and questions about FRANKENSTEIN, BRIDE OF, POOR THINGS or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices

All-time great character actor Stephen Tobolowsky might be best known as Ned Ryerson from GROUNDHOG DAY, but his film and television credits number in the hundreds. His thoughtful character choices for today are appropriately iconic -- George Bailey from It's a Wonderful Life and the Monster from Bride of Frankenstein. But the real highlight of this episode are Stephen's riveting storytelling and invaluable wisdom about the hidden gifts a seeming catastrophe can bring.***With Jordan Crucchiola and Stephen Tobolowsky

Oh, Schnitzel and sauerkraut! Gather ’round, mein freunde, because Clay and Amanda are serving up a monstrous feast for your ears in the latest episode of The Rotten Horror Picture Show Podcast! However, I find myself in a most lamentable predicament: I am desperately late […] Find all of our content at The Pensky File Links! • https://thepenskyfile.com/links • e-Mail : thepenskyfilevideo@gmail.com

This bonus Out Now with Aaron & Abe breathes, sees, hears, and walks – but can it love? Professor Mike Dillon joins Aaron and Abe to talk about the Universal Monster Movie classic, The Bride of Frankenstein. Hear what the group has to say about the film, as they provide overall thoughts on its legacy, followed by a complete breakdown of the story, beat by beat, and all they have to say about the productions, the themes, the actors, and director James Whale. So now, if you've got an hour or so to kill… Get yourself a free audiobook and help out the show at AudibleTrial.com/OutNowPodcast! Follow all of us on Twitter: @Outnow_Podcast, @AaronsPS4, @WalrusMoose Check out all of our sites and blogs:  TheCodeIsZeek.com, Why So Blu?, We Live Entertainment Check out Monsterpalooza The original trailer for The Bride of Frankenstein #TheBrideOfFrankenstein #Frankenstein #MaryShelley #JamesWhale #BorisKarloff #ElsaLanchester #ColinClive #ErnestThesiger #ValerieHobson #MonsterMovie #UniversalMonsters #Horror #HorrorMovie #movie #film #entertainment #podcast #outnowpodcast #outnowwithaaronandabe #monsterpalooza

This week Carissa and I come through with another double feature episode. We're talking James Whales classic Universal monster movies, "Frankenstein" and "Bride of Frankenstein"

In this episode of Weirdhouse Cinema, Rob and Joe discuss the amazingly weird and wonderful 1935 horror classic “The Bride of Frankenstein.” Has the doctor put his monster-making days behind him, or can he be tempted to even greater crimes of mad science by an even madder scientist? Find out… See omnystudio.com/listener for privacy information.

HAPPY (almost) HALLOWEEN! Today we are covering Bride of Frankenstein (1935) with our horror-movie expert guest: Dr. Solberg! This film is the sequel to the original that started it all. Boris Karloff returns as the monster unwittingly brought to life by Colin Clive's portrayal of the eponymous mad scientist. But this time, the scheming Dr. Pretorius plots to create him a mate... Dr. Solberg breaks down this film in its entirety and helps us discover why this is one of the most iconic horror films ever made -an absolute must watch for anyone who loves spooky season (or wants to appreciate the humor of Young Frankenstein even more). Stay tuned til the very end where Dr. Solberg will reveal what he considers the top 12 horror films ever made! Dr. Solberg's top 12 horror movie list starts at 1:35:09Please Comment, Rate, and Share our episodes and tell us what you like and what you want to hear more of!*Alas, we could not find Dr. Solberg's recommendation Terrified (Aterrorizados) (2017) on a platform other than YouTube-- but we shall keep searching!—Be sure to check us out onOur website: https://the-old-soul-movie-podcast.simplecast.com/

This month, we're re-releasing our discussion of 1931's Frankenstein to accompany our latest episodes on Evil Dead II and What We Do In The Shadows. Stay tuned for another Franken-film we'll be covering very soon!  Amy & Paul reanimate 1931's literary creature feature Frankenstein! They learn Boris Karloff's real name, discuss what the film has to say about the human act of creation, and ask why "burgermaster" is no longer a public title. Plus: A quick look at the follow-up "Bride Of Frankenstein."