Podcasts about Terence Fisher

This week we have a look at the 1966 Hammer film DRACULA: PRINCE OF DARKNESS.  This is Episode #460! Dracula: Prince of Darkness is a 1966 British gothic supernatural horror film directed by Terence Fisher. The film was produced by Hammer Film Productions, and is the third entry in Hammer's Dracula series, as well as the second to feature Christopher Lee as Count Dracula, the titular vampire. It also stars Andrew Keir, Francis Matthews, and Barbara Shelley.The film was photographed in Techniscope by Michael Reed, designed by Bernard Robinson and scored by James Bernard.Become a supporter of this podcast: https://www.spreaker.com/podcast/castle-of-horror-podcast--4268760/support.

Jim reflects on one of the first Hammer Monster Movies he ever watched - 1958's "The Revenge Of Frankenstein," starring Peter Cushing, Francis Matthews, Eunice Grayson, Oscar Quitak, Michael Gwynn, John Welsh, Richard Wordsworth, George Woodbridge, and Michael Ripper. Directed by Terence Fisher and written by Jimmy Sangster, this film picjs up where "The Curse Of Frankenstein" left off. The Baron is operating a clinic under a new name and building another human. But things just cannot seem to go his way. Find out more on MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.

Jim reflects on one of the first Hammer Monster Movies he ever watched – 1958’s “The Revenge Of Frankenstein,” starring Peter Cushing, Francis Matthews, Eunice Grayson, Oscar Quitak, Michael Gwynn, John Welsh, Richard Wordsworth, George Woodbridge, and Michael Ripper. Directed by Terence Fisher and written by Jimmy Sangster, this film picjs up where “The Curse […] The post The Revenge Of Frankenstein | Episode 462 appeared first on The ESO Network.

D'abord synonyme d'exploitation à petit budget, le cinéma de la Hammer a redéfini l'horreur sur grand écran, modernisant les mythes classiques et ouvrant la porte à un érotisme et à une violence plus explicites. Influence majeure pour toute une génération de cinéastes, le studio a également créé une approche musicale aussi inéluctable que les morsures du comte Dracula. Entrez maintenant dans l'antre de la Hammer…Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

El demonio está entre nosotros... o, como poco, sus acólitos. Al menos así es en el mundo que pintan las tres películas de las que hablamos en este podcast. La afable pareja de vejetes que vive en el piso de al lado o una reunión social de gente educada y elegante pueden ser el disfraz bajo el que se ocultan miembros de una secta satánica. «La séptima víctima» (The Seventh Victim, Mark Robson, 1943), «La novia del diablo» (The Devil Rides Out, Terence Fisher, 1968) y «La semilla del diablo» (Rosemary's Baby, Roman Polanski, 1968) coinciden en mostrar una trama de conspiraciones para extender por el mundo la sombra del Maligno que se destapa bajo una apariencia de normalidad social. De paso, cada una de ellas constituye una lección cinematográfica, ya sea en el sugerir sin mostrar absolutamente nada («La séptima víctima»), en el fascinar aun mostrándolo todo («La novia del diablo») o en el hacernos reconstruir una turbia historia que corre paralela e invisible a la de la protagonista («La semilla del diablo»). Participan en este humilde aquelarre Miguel Muñoz Garnica, Érica Couto y José Luis Forte.

The Horror 101 crew finally spotlights a Hammer film.  A Terence Fisher film by a Richard Matheson script from a Dennis Wheatley novel.  This is a rare time Christopher Lee is the hero in a Hammer Horror.,  We hope you enjoy our coverage of The Devil Rides Out.  Show Highlights:01:00 Prelude to Terror...05:00 The Life and Deaths of Christopher Lee...06:00 Our First Rated G film...07:30 Favourite Lee films...13:30  Where's Simon?17:00  A Most Dangerous Game...21:15  Don't Look at the Eyes...24:24  Pursuing Tanith...29:00  The Goat of Mended...38:10  Mocata's Visit...45:00  The Circle of Protection...52:00  Scarcely in the Name of God...54:15  Zero Consequences...58:30  Scoring the film...70:00  Conclusion!  Thanks for Listening!

Is escaping from Hammerland a good idea? Ian and AC are starting to wonder, as they take a look at Terence Fisher's lavish 1962 period piece, The Phantom of the Opera!Herbert Lom stars as the titular mystery man who lives beneath a prestigious opera house, plotting revenge against the ne'er do well composer who stole his life's work (Michael Gough).In today's spoilerific discussion, the guys dig into this surprisingly modern take on a film that had the unenviable task of following two iconic predecessors--and whose heightened production design and drama offered moviegoers more than just a rehash!So why isn't this Phantom more fondly remembered? And how can it be so...bad...yet so impactful?Yes, this episode is a veritable landmine of Ian and AC's tripping over the numerous story problems while simultaneously praising Fisher and company's brilliant overall presentation!Subscribe, like, and comment on Kicking the Seat here on YouTube, and check us out at:kickseat.comXBlueSkyInstagramFacebookShow LinksWatch the Phantom of the Opera (1962) trailer.Read AC's written review of The Phantom of the Opera at Horror 101 with Dr. AC!Order AC's books on essential and obscure horror movies, Horror 101 and Hidden Horror!Subscribe to AC's YouTube channel, Horror 101 with Dr. AC.Grab only what you can carry as we "Escape from Hammerland"! Hitch a ride with our entire 2024 series in the "Return to Hammerland" Playlist!It's not too late to catch up with our 2023 trip “Beyond Hammerland”!Check out 2022's year-long journey, "Son of Hammerland"!And watch the series that started it all: "Hammerland"

Eric & Ser Hammer it out and dive back into Satanic horror.  They debate Lee vs.  Gray, Corbus vs. Mocata, Rain vs. Rides... it will all become clear as you tune in and succumb to our will... our will.  Just listen.Send us a text

This week on the Talk Without Rhythm Podcast I'm fulfilling another Patreon Pick, this time from TWoRP Legionnaire Tom B. Tom requested I take a look at 1966's Island of Terror and I decided to make it a Terence Fisher double-feature by pairing it with the 1959 Hammer film The Stranglers of Bombay. [00:00] INTRO [01:39] Trick or Treat Radio Promo [02:56] RANDOM CONVERSATION [08:35] The Stranglers of Bombay (1959) Brian Trenchard-Smith on Trailers from Hell [33:46] Island of Terror (1966) [55:34] FEEDBACK [01:17:31] ENDING MUSIC: Maha Kali by Dissection Buy The Stranglers of Bombay (1959) Buy Island of Terror (1966) Support TWoRP Contact Us talkwithoutrhythm@gmail.com

Hace ya más de 170 años que nació el personaje del detective más conocido de la historia, Sherlock Holmes, en una historia del médico Arthur Conan Doyle, publicada en 1887 e ilustrada por su propio padre, que había sido trasladado de un centro de recuperación de alcohólicos a una residencia psiquiátrica. Es en este libro, "Estudio en Escarlata", que Holmes dice que "el cerebro de un hombre al principio es como un pequeño desván vací­o que cada cual va amueblando como elige". La habilidad consiste en "no guardar más que los útiles que puedan ayudarle a hacer su trabajo". Nacido en una familia católica de origen irlandés, Doyle (1859-1930) se crí­a en Edimburgo. Su padre trabajaba de funcionario en la oficina escocesa de obras públicas, a la vez que hací­a ilustraciones de libros -entre ellos el famoso "Progreso del Peregrino" del predicador bautista John Bunyan o "La vida y sorprendentes aventuras de Robinson Crusoe" del presbiteriano Daniel Defoe-, para mantener a sus nueve hijos. Cuando aumentan los problemas del padre con el alcohol, Doyle es mandado interno a un colegio. El último año lo hace en una escuela jesuita de Austria, donde renuncia a su fe católica. Doyle estudió medicina en Edimburgo con el famoso doctor Bell, autor de un manual de operaciones quirúrgicas, pero también inspirador de Holmes. Dice que "sabí­a más del paciente con unas cuantas miradas rápidas, que con cualquier pregunta". Tras servir como médico en un ballenero, navega a África, donde conoce la brutalidad del tráfico de esclavos en el Congo, que luego denunciarí­a. Al regresar a Inglaterra, tiene su primer contacto con la teosofí­a, poco antes de casarse con una viuda que era paciente suya. Tras el nacimiento de su primera hija, Doyle se traslada con su familia a Londres para trabajar de oculista, pero enseguida se dedica profesionalmente a la literatura. En este programa de radio, "Al Trasluz", escuchamos fragmentos de su libro más conocido, "El sabueso de los Baskerville" (1902), leído por Eugenio Barona y algunas escenas de la película de la Hammer por Terence Fisher en 1959, que convierte a Peter Cushing en la figura canónica del detective en el cine. Los comentarios de José de Segovia son sobre el fondo la banda sonora original de la versión televisiva por Michael J. Lewis en 1983. La composición de la cantautora británica nacida en Alemania de madre malaya y padre de Fiyi, Tanita Tikaram (Twist In My Sobriety 1988) aparece en la reciente adaptación que hizo para la BBC, Benedict Cumberbatch. Y el tema de la pelirroja canadiense de ascendencia escocesa e irlandesa, Loreena McKennitt (The Mummer Dance 1997) está en la película "Fotografiando hadas" (1987), que escuchamos una escena en la que aparece Doyle. El diseño sonoro y la dirección técnica es de Daniel Panduro.

They say all good things must come to an end, "Hammerland" is no exception.But not quite yet!Ian and AC still have another terrifying year ahead as they wind down their half-decade mission to explore all the weird, chilling corners of the Hammer Films universe.Today, they look at 1960's offbeat thriller, The Two Faces of Dr. Jekyll! Paul Massie stars as the titular doctor whose obsession with the duality of human nature drives him to unleash a dashingly handsome, psychotic id named Edward Hyde.What sets Terence Fisher's adaptation apart from many others is the emphasis on Hyde's mind games, as he manipulates, seduces, and murders his way through Jekyll's social circle.In this spoilerific review, Ian and AC talk about screenwriter Wolf Mankowitz's bold take on the Robert Louis Stevenson novel, and how it differs from previous stabs at the material. The guys also marvel at Massie's performance, which suggests a bloodthirsty beast more than grotesque makeup ever could.So pack your bags and make for the passenger's seat: We're gettin' outta town before sundown! Subscribe, like, and comment on Kicking the Seat here on YouTube, and check us out at:kickseat.comXBlueSkyInstagramFacebookShow LinksWatch the Two Faces of Dr. Jekyll (1960) trailer.Follow along with all of AC's macabre musings at Horror 101 w/ Dr. AC!Order AC's books on essential and obscure horror movies, Horror 101 and Hidden Horror!Subscribe to AC's YouTube channel, Horror 101 with Dr. AC.Grab only what you can carry as we "Escape from Hammerland"! Hitch a ride with our entire 2024 series in the "Return to Hammerland" Playlist!It's not too late to catch up with our 2023 trip “Beyond Hammerland”!Check out 2022's year-long journey, "Son of Hammerland"!And watch the series that started it all: "Hammerland"

At last, your deadicated hosts make it to the first werewolf picture in colour: it's THE CURSE OF THE WEREWOLF (1961) from Terence Fisher! Starring Oliver Reed and adapting Guy Endore's THE WEREWOLF OF PARIS (1933), how does the film's lycanthropy stack up against the tried-and-true formula in past iterations? Context setting 00:00; Synopsis 44:28; Discussion 58:14; Ranking 1:25:52

Eric & Serling take on the real werewolf of London, Oliver Reed, in one of Hammer Film's more handsome contributions to horror lineage.  Find out what scene freaked Eric out as a young tot and whether Serling had a similar reaction.  (The suspense is killing you.)Send us a text

What's up, revellers and weirdos! This episode we discuss not one, but two Hammer Horror movies, THE CURSE OF FRANKENSTEIN (1957) and THE HORROR OF DRACULA (1958), both directed by Terence Fisher. Did these movies forever convince Americans us Brits have bad teeth? Please rate and review us, it's always appreciated. And of course... stay safe out there tonight. follow us: @scaringsampod

Robert, Nat, and Cody grapple with Terence Fisher's 3rd outing with the Hammer Frankenstein series with 1967's FRANKENSTEIN CREATED WOMAN. Time tracks: 0:00:00 - FRANKENSTEIN CREATED WOMAN Discussion 1:08:10- Next Movie and Outro

Welcome back for our penultimate episode of Season 2! This week we return to the British-horror masterworks of Terence Fisher. Blending Hammer's gothic vamp trademarks w/some bold character decisions, 1960's Brides leaves its (bite) mark & inspires additional 60s & 70s vampire flicks that feature a collection of bloody baddies in place of a primary antagonist.

Hosts Josh and Jamie and special returning guest Meg Shields conclude Noirvember by discussing the rare subgenre of black plague pandemic noirs via Terence Fisher's gothic disappearing hotel room gaslighting thriller (with an infectious twist!) SO LONG AT THE FAIR and Elia Kazan's merging of manhunt procedural with epidemic-thriller PANIC IN THE STREETS. Next week's episode is a patron-exclusive bonus episode on BRINGING OUT THE DEAD (1999) + THE AMBULANCE (1990), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-12:42 SO LONG AT THE FAIR // 12:42-1:02:54 PANIC IN THE STREETS // 1:02:54-2:17:22 Outro // 2:17:22-2:23:30 MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

 DownloadWlecome to episode 402 of LOTC. This week is a Director's Spotlight show of one of the Directors who made Hammer Films popular in the late 50's through the 70's. Terence Fisher is the man who brought to the audiences a different take of some of the classic monsters such as Frankenstein, Dracula and Mummy to name a few. If you are not familiar with Terence or even if you are, we hope you will enjoy our look into his career as well as fully reviewing 1959 The Man Who Could Cheat Death as well as 1964 The Earth Dies Screaming. Also during the show we play calls from listeners and wow did they crush it this week. If that wasn't enough GregaMortis also brings a mini review of 2024 Street Trash. We thank you each and everyone for all the love and support each and every episode. Sit back and grab your favorite snacks and beverages as you journey with us through the Land Of The Creeps.HELP KEEP HORROR ALIVE!!MOVIE REVIEWS1959 THE MAN WHO COULD CHEAT DEATHDAVE : 7.5BILL : 7GREG : 7.51964 THE EARTH DIES SCREAMINGBILL : 8GREG : 7.5STREET TRASH 2024TIME STAMP: 1:31:28 - 1:37:54GREG : 7.5LOTC Links :Land Of The Creeps InstagramGregaMortisFacebookTwitterLand Of The Creeps Group PageLand Of The Creeps Fan PageJay Of  The Dead's New Horror Movie PodcastYoutubeInstagramEmailLetterboxdHaddonfield HatchetTwitterDr. ShockDVD Infatuation TwitterDVD Infatuation WebsiteFacebookHorror Movie PodcastJay Of The Dead's New Horror Movies PodcastYouTube ChannelLetterboxdDVD Infatuation PodcastThe Illustrated Fan PodcastBill Van Veghel LinkFacebookLetterboxdPhantom Galaxy PodcastTwisted Temptress LinkLetterboxdIAN IRZA LINKSBLOG SITEFACEBOOKTWITTERINSTAGRAMLOTC Hotline Number1-804-569-56821-804-569-LOTCLOTC Intro is provided by Andy Ussery, Below are links to his social mediaEmail:FacebookTwitterOutro music provided by Greg Whitaker Below is Greg's Twitter accountTwitterFacebookLespecial FacebookLespecial Website

Está no ar mais um episódio do Especial Gótico do Livros em Cartaz! Neste episódio dedicado a Drácula de Bram Stoker Andreia D'Oliveira e Gabi Idealli tentam entender como um escritor irlandês encontrou um conde da Valáquia e o transformou no sinônimo de vampiro. O que está esperando? Vem ouvir! Comentado no episódio Drácula, romance de Bram Stoker O Hóspede de Drácula e outros contos estranhos, coletânea de contos de Bram Stoker Nosferatu (1922 ‧ Terror/Fantasia ‧ 1h 34m), dirigido por F.W. Murnau com Max Schreck como Conde Drácula Drácula (1931 ‧ Terror/Fantasia ‧ 1h 15m), dirigido por Tod Browning com Béla Lugosi como Conde Drácula O Vampiro da Noite (1958 ‧ Terror/Fantasia ‧ 1h 22m), dirigido por Terence Fisher com Christopher Lee como Conde Drácula e Peter Cushing como Van Helsing Drácula (1979 ‧ Terror/Romance ‧ 1h 49m), dirigido por John Badham com Frank Langella como Conde Drácula e Laurence Olivier como Van Helsing Drácula (2020 ‧ Terror ‧ 1 temporada) de Mark Gattis e Steven Moffat com Claes Bang como Conde Drácula e Dolly Wells como Van Helsing Sherlock (2010 ‧ Mistério ‧ 4 temporadas)

Ce jeudi 31 octobre, c'est Halloween. À cette occasion, spéciale Frankenstein, à l'occasion de la sortie du livre "Le Cinéma de Frankenstein : La créature et son créateur à travers les âges et les films" de Jean-Pierre Andrevon (Lettmottif). On en parle Dick Tomasovic, chargé de cours en histoire et esthétique du cinéma et des arts du spectacle à l'ULg. En écrivant Frankenstein ou le Prométhée moderne à 19 ans, Mary Shelley ne s'attendait sûrement pas à ce que son livre connaisse un succès tel qu'il serait adapté plus d'une centaine de fois au cinéma et à la télévision. Le Cinéma de Frankenstein revient sur ces œuvres filmiques et sur ce qu'elles ont apporté au mythe originel, l'enrichissant pour certaines, le trahissant pour d'autres : du travail fondateur de James Whale avec Boris Karloff dans les années 30 à la toute récente vision de Yórgos Lánthimos avec Pauvres créatures, en passant par la période Hammer où Frankenstein abandonne le noir et blanc des origines pour la couleur flamboyante du Technicolor. L'histoire de Shelley a inspiré de grands cinéastes (Terence Fisher, Tim Burton, Kenneth Brannagh, bientôt Guillermo del Toro) mais aussi toute une foule de réalisateurs de série B, voire de série Z, qui ont pensé que cette histoire légendaire leur garantirait le succès. Mis à toutes les sauces, Frankenstein a viré à la parodie, est devenu prétexte à des scènes érotiques, alors que le monstre prenait les traits d'une femme, d'un ado, d'un chien. Travail malicieux et érudit, Le Cinéma de Frankenstein ressuscite des films totalement oubliés (comme l'égyptien Ismail Yassin Meets Frankenstein), revient sur des scénarios cocasses (comme Frankenstein conquiert le monde du Japonais Ishiro Honda où se croisent des criminels nazis, un dinosaure cornu et un poulpe géant). Ce livre remet également en lumière les œuvres de cinéma qui, tout en puisant leur force chez Mary Shelley, ont su créer leur propre grandeur. Mythe éternellement renouvelé, tout Frankenstein est ici… ou presque. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 16h à 17h30 sur www.rtbf.be/lapremiere Retrouvez l'ensemble des épisodes et les émission en version intégrale (avec la musique donc) de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Abonnez-vous également à la partie "Bagarre dans la discothèque" en suivant ce lien: https://audmns.com/HSfAmLDEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Vous pourriez également apprécier ces autres podcasts issus de notre large catalogue: Le voyage du Stradivarius Feuermann : https://audmns.com/rxPHqEENoir Jaune Rouge - Belgian Crime Story : https://feeds.audiomeans.fr/feed/6e3f3e0e-6d9e-4da7-99d5-f8c0833912c5.xmlLes Petits Papiers : https://audmns.com/tHQpfAm Des rencontres inspirantes avec des artistes de tous horizons. Galaxie BD: https://audmns.com/nyJXESu Notre podcast hebdomadaire autour du 9ème art.Nom: Van Hamme, Profession: Scénariste : https://audmns.com/ZAoAJZF Notre série à propos du créateur de XII et Thorgal. Franquin par Franquin : https://audmns.com/NjMxxMg Ecoutez la voix du créateur de Gaston (et de tant d'autres...)

Allá por 1886, el escritor Robert Louis Stevenson tuvo una pesadilla. Un hombre que se transformaba en una especie de doble maligno. Impresionado por la imagen, un Stevenson gravemente enfermo se encerró a escribir sin descanso. Tres días después, había terminado la primera versión de «El extraño caso del Dr. Jekyll y Mr. Hyde». Tras las críticas de su esposa, arrojó al fuego el manuscrito y volvió a escribir la historia. Tardó solo tres días más. Y en poco más de dos meses, el libro estaba revisado, corregido y publicado. De forma casi inmediata, causó sensación en todo el mundo angloparlante. Stevenson consiguió por fin el éxito que tanto se le había resistido. De esta fascinación arrebatada por una imagen de la dualidad humana nació uno de los mayores mitos literarios del siglo XIX... y del XX. Y es que la historia nunca ha cesado de ser reinterpretada. Entre el teatro y el cine cuenta con más de 120 adaptaciones. La primera sobre las tablas apenas dos años después de su publicación, y la primera para la gran pantalla en 1908. Los creadores no se cansan de explorar, desde perspectivas muy diversas, esta lucha (o complementariedad) entre el bien y el mal dentro del ser humano. Para este podcast, hemos seleccionado tres de esas adaptaciones. El clásico absoluto «El hombre y el monstruo», dirigida por Rouben Mamoulian en 1931; la fiel versión que Jean Renoir realizó para la TV en 1959, «El testamento del Doctor Cordelier»; y «Las dos caras del Dr. Jekyll», la inversión a la que Terence Fisher sometió a la novela en 1960. Además, traemos leído y analizado el libro de Stevenson. Con ello, analizamos ocho de los cientos de caras que el Dr. Jekyll ha tenido en su larga estirpe de dobles. Tras los micros, Miguel Muñoz Garnica, José Luis Forte, Lourdes Esqueda... y puede que algún doble inesperado. Música: Messer Chups - Dracula Hates Killer Icicles

En uno de los cantos de cisne de la Hammer y última peli de Terence Fisher nos encontramos con el carisma del barón de nuevo encarnado por Peter Cushing. Mala baba, sangre a borbotones y un asqueroso monstruo interpretado de nuevo por David Prowse.

‍♂️ ¡Esto es INICIATIVA VAMPIROS de @IniciativasPod! Disfruta de 30 podcasts tratando la figura del vampiro en el cine y otras plasmaciones. #️⃣ Apóyanos siguiendo el hashtag #IniciativaVampiros en X e Instagram. ✅ https://linktr.ee/IniciativaVampiros A través de los ventanales del castillo la luz se hace cada vez más tenue. La efigie del no muerto de pronto abre los ojos ensangrentados, las tres notas del compositor James Bernard invocan las tres sílabas del conde Drácula. Un hito en el cine vampírico, el primer Drácula que se nos viene a la mente es el Christopher Lee de la Hammer, sus ojos y colmillos inyectados en sangre, atormentado, elegante, sus movimientos animalescos congelarían el aliento al público en los cines en Technicolor. La sangre es roja, no en blanco y negro, y el erotismo mucho más marcado que en los films de la Universal. Estas vampiras duermen de día en camisón, por la noche esperan ávidas al príncipe de las tinieblas. Bastantes críticos de la época (1958) tildaron el film de pornográfico, los colmillos abyectos desvirgaban los cuellos pálidos de las doncellas, y las estacas penetraban el pecho a martillazo limpio. Terence Fisher y su guionista Jimmy Sangster transforman al negociante Jonathan Harker de la novela original de Stoker en un cazavampiros. El invitado repara en algo extraño, en los alrededores del castillo no se escucha el canto de los pájaros. Fisher nos encierra en la alcoba entre elipsis y saltos vertiginosos. Nos dejamos llevar por un montaje sincopado y dinámico, saltando los escalones de tres en tres. Peter Cushing parece un galgo, se arroja contra las cortinas del castillo, para que entre el sol y el monstruo se desmorone. Las fuerzas del bien y del mal en eterno conflicto continuarán la saga del conde en la británica Hammer, la casa de la sangre, secuelas como “Las novias de Drácula” “Drácula, príncipe de las tinieblas” o “Las cicatrices de Drácula”. Esta noche adornamos con ajo las ventanas de Lucy… Salvador Limón, Raúl Gallego y Zacarías Cotán Blog: cinemalagranevasion.blogspot.com Instagram: la_gran_evasion1_ https://www.instagram.com/la_gran_evasion1_/ En INICIATIVA VAMPIROS participan: Bibliocracia, Café Con Podcast, CronoCine, Doble Sesión, El Café De Rick, El Calabozo Del Reverendo Wilson, El Secreto Del Pentagrama, El Terror No Tiene Podcast, Estación Caladan, Familia Asimétrica, Just Live It, La Camarilla, La Gran Evasión, La Nevera De La Sra. Baker, La Taberna Del Irlandés, Los Archivos Secretos Del Dr. Orloff, Maniatic Podcast, +QCine, No Apaguen El Proyector, Pinkerton Podcast, Planeta Bob, Planeta Terror, Podcastwood, Policías Pelis, Puro Vicio, Rancho Drácula, Recamera Horror Podcast Show, Saco De Dados, The Majestic Podcast y Universo Enmascarado. ‍ El apartado visual y las miniaturas son obra de Rediseña (The Majestic Podcast). INICIATIVA VAMPIROS ha sido coordinada por Rafa Gambín (Doble Sesión) y Fran Maestra (Podcastwood) con la colaboración de Gonzalo Cuélliga (Podcastwood) y Luis Millán (Just Live It). ✅ https://linktr.ee/IniciativaVampiros

El cine de terror no pasaba por su mejor momento en los años cincuenta. Había bajado su producción, perdido parte del interés del público y, si bien la década nos dio clásicos absolutos del género, ninguno inició una corriente renovadora. Hasta que llegó 1957. Fue en ese año cuando Europa tomó el relevo. Desde Italia, Riccardo Freda intentó actualizar el terror gótico con «Los vampiros». Desde Reino Unido, la mítica Hammer hizo su primera incursión en el horror con «La maldición de Frankenstein», dirigida por el gran Terence Fisher. La película de Freda fracasó, pero el éxito rotundo del nuevo Frankenstein abrió el camino. Un año después, la Hammer lanzaba su igualmente exitosa «Drácula». A la vez, en otros lugares del mundo, las historias de vampiros resucitaron del olvido. Y en Italia, «La máscara del demonio» (1960) triunfó allí donde había fracasado «Los vampiros». Dirigida por el genial Mario Bava (que fue director de fotografía y asumió en parte la dirección del filme de Freda), su tirón en las salas de Estados Unidos dio el pistoletazo de salida a décadas de esplendor del terror italiano. Entre las productoras del país transalpino y la Hammer, espectadores de todo el mundo asistieron a la edad de oro del vampirismo y el terror gótico. En el podcast de EAM abrimos un nuevo especial pre-Hallowen zambulléndonos en esta época apasionante para cualquier aficionado al terror. Tras los micros, Miguel Muñoz Garnica y José Luis Forte.

Charles Skaggs & Xan Sprouse watch Horror of Dracula, the 1958 gothic horror film directed by Terence Fisher, featuring Peter Cushing as Dr. Van Helsing, Christopher Lee as Count Dracula, and Michael Gough as Arthur Holmwood! Find us here:X/Twitter:  @DrunkCinemaCast, @CharlesSkaggs, @udanax19  Facebook:  @DrunkCinema Email:  DrunkCinemaPodcast@gmail.com Listen and subscribe to us on Apple Podcasts and leave us a review!

Protagonizada por Peter Cushing como el Dr. Van Helsing, y con Sir Chistopher Lee como el icónico vampiro, Hammer Film presenta esta adaptación de Dracula (1897) dirigida por Terence Fisher. #halloween2024 #dracula #horror #review #reseña #película COPYRIGHT DISCLAIMER Copyright disclaimer under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. --- Support this podcast: https://podcasters.spotify.com/pod/show/cine-pr/support

And we're back! After an unexpected hiatus, we're excited to kick off our return with THE TWO FACES OF DR. JEKYLL (1960) directed by Terence Fisher and starring Paul Massie, Dawn Addams and Christopher Lee. Thank you for your patience! Context setting 00:00; Synopsis 50:56; Discussion 1:05:25; Ranking 1:44:58

HALLOWEEN HUMPFEST has officially begun and last year we tackled some Hammer Horror starring ( mostly) Christopher Lee. This year, every Wednesday, we're rocking even more Hammer Horror movies with another actor that will (mostly) appear. We're talking about Mr. Funtimes himself, Oliver Reed. Today we discuss an emotional Oliver Reed performance in the 1961 film “THE CURSE OF THE WEREWOLF” directed by the prolific Terence Fisher and also starring Clifford Evans, Yvonne Roman & Catherine Feller. A young boy, whose conception is from a sexual assault, is born on Christmas Day. Apparently anybody who is born on this day, that isn't Jesus, is cursed. If that's not sad enough his mother dies after going through labor. A kind man and his housekeeper raise the boy as his own. A good kid is given a chance but fate says “fuck them kids” because the man's feral curse is bigger than any kindness. Actual wolves are easier to tame than this poor Werewolf who becomes a serial killer every full moon by no fault of the man inside. Our first of three werewolf features this month and they're all pretty much tragedies. We found a link to this one right here: https://archive.org/details/the-curse-of-the-werewolf Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

A DEAD WOMAN WITH THE SOUL OF A MAN! A MURDEROUS MAN WHO CAN TRANSFORM INTO A WOMAN! PROBABLY JUST A COINCIDENCE!   Have you ever noticed that Hammer Studios made two horror films that work as trans allegories? Well, technically three, but I forgot about one of them. Anyway, I've been curious for a while as to what an actual trans person might think of Terence Fisher's Frankenstein Created Woman (1967) and Roy Ward Baker's Dr. Jekyll and Sister Hyde (1971), so I invited back my friend and the co-host of the Defend Your Trash Movie podcast, Luana Saitta, in order to pick her brain (Frankenstein-related wordplay intended).   This was originally going to be a look at multiple horror movies with a trans/genderqueer slant, but we ultimately had more than enough to talk about with just these two films. Are they really trans allegories? Have they aged well? Are they good outside of the allegory? I hope you agree, enjoy this angle on a couple of Hammer classics, and have a happy Halloween season!   00:00 – Intro 13:55 – Frankenstein Created Woman (and other Hammer Frankenstein movies)  50:32 – Dr. Jekyll and Sister Hyde (and other Hyde and Jack the Ripper movies) 1:42:26 – Outro and sections from Luana's ‘trans canon'   If you are in a position to make the world a better place, please consider the following fundraisers: Trans Lifeline: https://translifeline.org/ Hope Mill Inc's Hurricane Relief:  https://www.gofundme.com/f/support-hope-mill-incs-hurricane-relief Florida Disaster Fund (PayPal):  https://www.paypal.com/fundraiser/119147482333313104/charity/1521272 Palestine Children's Relief Fund:  https://pcrf1.app.neoncrm.com/forms/gaza-relief  

It's Hammer Time for your hosts as they immerse themselves in THE REVENGE OF FRANKENSTEIN (1958). In glorious Technicolor, it's the second in the Hammer Frankenstein series, starring Peter Cushing and directed by Terence Fisher. “We dare you to see it. We double dare you to forget it!” (Blurb from lobby poster) LINKSWee Freekz FBUnsane … Continue reading "Unsane Radio 0274 – The Revenge of Frankenstein"

It's Hammer Horror time! Dr Ethan joins us to review a couple of perhaps lesser-celebrated classics from the famous British production house: The Devil Rides Out (1968), directed by Terence Fisher, and Captain Kronos: Vampire Hunter (1974), directed by Brian Clemens. We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for The Devil Rides Out by skipping ahead to the 1:27:32 mark, and for Captain Kronos: Vampire Hunter by skipping ahead to 2:00:05. Want to get in touch? You can reach us on caliber9fromouterspace@gmail.com Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

We're back! This week we have a look at the horror film Island of Terror.  This is Episode #434! Island of Terror directed by Terence Fisher, also known as Night of the Silicates, is a 1966 British horror film released by Planet Film Productions. The film was released in the United States by Universal Studios on a double bill with The Projected Man (1967). Island of Terror was filmed right after Fisher's Dracula: Prince of Darkness (1966).Become a supporter of this podcast: https://www.spreaker.com/podcast/castle-of-horror-podcast--4268760/support.

In this episode Paul reviews one of his most notable favorite directors Terence Fisher. A director well know for his work with Hammer Films with such films as The Curse of Frankenstein, Brides of Dracula and The Devil Rides Out to name a few. Working with well known stars Peter Cushing and Christopher Lee, Paul discusses his many great achievements and notes his own book on the subject: Terence Fisher: Horror, Myth and Religion. --- Support this podcast: https://podcasters.spotify.com/pod/show/gwendolyn-black/support

We return to Hammer Productions with Frankenstein and the Monster From Hell, filmed at Elstree Studios in 1972. It marked the final chapter in the Hammer Frankenstein saga and director Terence Fisher's last film. The Film Features: Peter Cushing in his sixth and final portrayal of Baron Victor Frankenstein, a part he originated in 1957's The Curse of Frankenstein. Despite being 59 and apparently in poor health when he made this film, Cushing still insisted on performing a stunt requiring him to leap from a tabletop onto the hulking creature's back, spinning wildly in circles to subdue the monster gone amok with a sedative. Shane Briant as Dr. Simon Helder, best known for his four Hammer appearances, including this film and Demons of the Mind, Straight on Till Morning, and Captain Kronos - Vampire Hunter (coming soon from General Witchfinders). He reprised the role of Simon Helder years later in the film Sherlock Holmes vs. Frankenstein. Madeline Smith as Sarah "Angel" Klauss. Also seen in Hammer's The Vampire Lovers, Taste the Blood of Dracula, Tam-Lin, and Theatre of Blood, she went on to become the first Bond girl of the Roger Moore era, Miss Caruso, in the post-opening titles sequence of Live and Let Die (infamous for the scene where Bond unzips her dress with a magnetic wristwatch). After taking a break from acting to raise her daughter, she is still working now at the age of 74, recently appearing in Mark Gatiss's The Amazing Mr. Blunden. And of course, the main event... the feature creature... we have Dave ("Dave Prowse IS Darth Vader") Prowse as the Creature / Herr Schneider. Actor, bodybuilder, and strongman Dave Prowse carved a unique path in film history. He's best known for portraying Darth Vader (voiced by American actor James Earl Jones) in the original Star Wars trilogy. However, his career stretched far beyond that iconic role. He was a familiar face in the UK as the Green Cross Man, promoting road safety for children. However, in a recurring snub to the beautiful West Country accent, the first two adverts in the series had Prowse's voice dubbed by another actor. Thankfully, he appeared using his own voice in the third advert. Dave won the British heavyweight weightlifting championship for three consecutive years (1962-1964). Leading him to compete for England in the 1962 Commonwealth Games. During his bodybuilding training, he befriended future action stars Arnold Schwarzenegger and Lou Ferrigno. His role as the manservant in Stanley Kubrick's 1971 film, "A Clockwork Orange," caught the eye of Star Wars director George Lucas, which led him to the defining role of Darth Vader. Throughout his film and TV career, Prowse was often typecast with parts such as the circus strongman in Vampire Circus, a Minotaur in (Doctor Who Klaxon)'The Time Monster,' and an android named Coppin in The Tomorrow People.  He supposedly came close to iconic roles, claiming to have nearly landed the part of Jaws in James Bond and being considered for Conan the Barbarian before those parts went to other actors. We are told that Prowse lobbied for the role of Superman in Richard Donner's 1978 film. In a television interview, he recounted his response to being told "we've found our Superman" with a simple "Thank you very much," only to then learn Christopher Reeve had been chosen and Prowse would be his trainer. Finally, it's worth noting that David Prowse made his second appearance as a Frankenstein laboratory creation in this film, his first being in The Horror of Frankenstein (uncredited cameo in 1967's Casino Royale aside). He holds the distinction of being the only actor to play a Hammer Frankenstein's monster more than once. Get bonus content on PatreonSupport this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

Welcome back, film aficionados, to another riveting episode of the I Hate Critics Movie Review Podcast! This week, we're diving into a captivating array of films that promise to ignite your imagination and keep you on the edge of your seat. Strap in and join us as we dissect the latest releases and revisit a timeless classic. Feature Films: The People's Joker (2024) Directed by: Vera Drew Written by: Vera Drew Starring: Vera Drew Synopsis: Meet a law-breaking comedian grappling with gender identity, forming an anti-comedy troupe with a friend, and battling a fascistic caped crusader. Vera Drew's "The People's Joker" promises a thought-provoking journey through the complexities of identity and societal norms. Sasquatch Sunset (2024) Directed by: Nathan and David Zellner Written by: Nathan Zellner Starring: Riley Keough, Jesse Eisenberg Synopsis: Journey into the misty forests of North America with a family of Sasquatches as they navigate a changing world. Nathan and David Zellner's "Sasquatch Sunset" promises a heartwarming tale of family, survival, and the beauty of nature. The Ministry of Ungentlemanly Warfare (2024) Directed by: Guy Ritchie Written by: Paul Tamasy, Guy Ritchie, Eric Johnson, Arash Amel Starring: Henry Cavill, Allen Ritchson, Eiza Gonzalez, Alex Pettyfer Synopsis: Join British Prime Minister Winston Churchill and a motley crew of rogues in a daring plan to neutralize Hitler's fleet of German U-boats during World War II. Guy Ritchie's "The Ministry of Ungentlemanly Warfare" promises a thrilling ride through history with unconventional heroes and high-stakes action. Abigail (2024) Directed by: Matt Bettinelli-Olpin, Tyler Gillette Written by: Stephen Shields, Guy Busick Starring: Dan Stevens, Melissa Barrera, Kathryn Newton Synopsis: A group of criminals kidnaps the daughter of a powerful underworld figure, only to discover she's a bloodthirsty vampire. Matt Bettinelli-Olpin and Tyler Gillette's "Abigail" offers a chilling twist on the classic kidnapping tale, blending horror and suspense into a gripping narrative. Classic Revisited: Horror of Dracula (1958) Directed by: Terence Fisher Written by: Jimmy Sangster Starring: Christopher Lee, Peter Cushing, David Gough Synopsis: Enter the world of vampire hunter Dr. Van Helsing as he battles the infamous Count Dracula in a fight for survival. Terence Fisher's "Horror of Dracula" remains a timeless classic, captivating audiences with its blend of horror, suspense, and iconic performances. Join us as we delve deep into these cinematic gems and share our thoughts, critiques, and recommendations. Don't forget to follow us on social media for all the latest updates and exclusive content! Connect with Us: Website: www.ihatecritics.com Facebook: EveryoneisaCriticPodcast Twitter: criticspod Instagram: criticspod Patreon: patreon.com/criticspod Tee Public: criticspod YouTube: I Hate Critics Podcast Jeff's Art: jefflassiter.com Sean's Reviews: seanatthemovies.blogspot.com Tune in and join the conversation as we explore the wonderful world of cinema together!

1952's Stolen Face was an early Hammer Films production.  The British studio, which would later become synonymous with thrillers and horror films, also churned out it's fair share of melodramas and comedies. This film, about a heartbroken plastic surgeon who physically transforms a prisoner into the woman who jilted him, stars Lizabeth Scott, Paul Henreid, Andre Morell and Mary Mackenzie and set the stage for films like Vertigo, Eyes Without a Face and The Skin I Live In.   Dan and Vicky discuss their thoughts on Stolen Face along with some recently seen:  Tina Fey and Amy Poehler's Restless Leg Tour, Feud: Capote and the Swans, Lisa Frankenstein, and several more films on the Sight & Sound best films ever list.  Check us out on all our socials:  hotdatepod.com FB:  Hot Date Podcast Twitter: @HotDate726 Insta:  hotdatepod  

Jim discusses the last "Frankenstein" film produced by Hammer Films - 1974's "Frankenstein & The Monster From Hell," starring Peter Cushing, Shane Briant, Madeline Smith, David Prowse, John Stratton, Michael Ward, and Patrick Troughton. Directed by Terence Fisher, this film would also be Fisher's last feature film. Find out more on this episode of MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.

Jim discusses the last “Frankenstein” film produced by Hammer Films – 1974’s “Frankenstein & The Monster From Hell,” starring Peter Cushing, Shane Briant, Madeline Smith, David Prowse, John Stratton, Michael Ward, and Patrick Troughton. Directed by Terence Fisher, this film would also be Fisher’s last feature film. Find out more on this episode of MONSTER […] The post Frankenstein & The Monster From Hell | Episode 395 appeared first on The ESO Network.

On this episode of The Movies Made Us Do It, Durs and Matt discuss Terence Fisher's The Mummy (1959). Find links to all of our shows here: Linktr.ee/DursProductions #TerenceFisher # PeterCushing #ChristopherLee #HammerHorror #ClassicHorror #YvonneFurneaux #dursproductions #dursproductionspodcasts #filmpodcast #moviepodcast #moviereview #filmreview

Nosferatu November 2023 continues with a revisit with the film Horror of Dracula (dir. Terence Fisher) with Beth Koch. Plus Mark Matzke's Beta Capsule Review (The Return of Ultraman), Listener Feedback, and Kenny's Look at Famous Monsters of Filmland! Team Deth YouTube Channel -  Voicemail: (360) 524-2484‬ Email: Monster Kid Radio's Discord Server - Monster Kid Radio on Reddit - Monster Kid Radio on Twitch! - - Monster Kid Radio on YouTube - Follow Mark MatzkeMonster Fest 2024 - Monsteropolis - Monster Study Group - Small Town Monsters - Monster Fest - Small Town Monsters YouTube Channel (Home of SasWatch) - Monster Kid Radio Amazon Wishlist -      Monster Kid Radio on TeePublic -  Next time on Monster Kid Radio:Zandor Vorkov Q&A from Monster Bash October 2023 The opening and closing song () provided courtesy of  - - All original content of Monster Kid Radio by is licensed under a .

"Dracula the Damned" is a 1960 British supernatural horror film produced by Hammer Film Productions starring ‘Big' Christopher Lee… Scratch that…Rather, the original sequel to the first Hammer Dracula film was cancelled without explanation, although Christopher Lee's decision not to return due to fear of typecasting probably led to The Brides of Dracula taking its place. #BigChrisLee did return five years later, however, when he starred in Dracula, Prince of Darkness.The Brides of Dracula is a 1960 British supernatural horror film produced by Hammer Film Productions. Directed by Terence Fisher, the film stars Peter Cushing, David Peel (who wore lifts in his shoes to make him the same height as actor Peter Cushing in the film. Peel, according to his bio at the time, was 5 foot 10. Cushing was six feet tall. To make his vampire look distinguishable from Christopher Lee's, Peel wore a full blonde hairpiece), Yvonne Monlaur, Andrée Melly, Miles Malleson (the hearse driver in the Ealing chiller compendium Dead of Night), Martita Hunt (known for her rich cluster of queens, dowagers, shrews, and evildoers—but it was her brilliant performance as the mad, reclusive Miss Havisham in the classic Great Expectations that earned her international recognition), and Freda Jackson (also an alumna of Great Expectations). Although, the character of Count Dracula does not appear in the film, and is instead mentioned only twice.After the success of Dracula, Hammer commissioned Jimmy Sangster to write a sequel titled Disciple of Dracula, about an acolyte of the vampire, with Count Dracula himself only making a cameo appearance. Sangster's script was rewritten by Peter Bryan to remove references to Dracula, while adding the character of Van Helsing. The screenplay was then further revised by Edward Percy. Filming began on January 16, 1960, at Bray Studios, and the film premiered at the Odeon Marble Arch on July 6. It was distributed theatrically on a double bill with The Leech Woman.The ending was originally planned to have the vampires destroyed by a swarm of bats, but this proved too expensive to stage and shoot, and was also vetoed by Peter Cushing, who did not think his character would perform the black magic required to summon the bats. However, the idea was recycled three years later for the climax of Hammer's The Kiss of the Vampire. The prop department put a lot of effort into making a realistic model bat, but it was lost and had to be replaced on short notice. This explains the unconvincing model bat in the movie.The front doors of Oakely Court served as the main entrance to Meinster Castle. Oakley Court has been featured in a number of classic horror films, including The Curse of Frankenstein, The Horror of Dracula, The Evil of Frankenstein, Die, Monster, Die, and The Rocky Horror Picture Show.$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$Just in case anyone has too much money and wants to give a bit to us to help with our hosting n stuff. It would be amazing if you fancied sending us some pennies - thank you.https://supporter.acast.com/general-witchfinders$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£ Get bonus content on PatreonSupport this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

Nosferatu November 2023 continues with a look at the film Slaughter of the Vampires (dir. Roberto Mauri) with Monster Kid Irregular Tom Gurganus. Plus Mark Matzke's Beta Capsule Review (The Return of Ultraman), Listener Feedback, and Kenny's Look at Famous Monsters of Filmland! Team Deth YouTube Channel -  Voicemail: (360) 524-2484‬ Email: Monster Kid Radio's Discord Server - Monster Kid Radio on Reddit - Monster Kid Radio on Twitch! - - Monster Kid Radio on YouTube - Follow Mark MatzkeMonster Fest 2024 - Monsteropolis - Monster Study Group - Small Town Monsters - Monster Fest - Small Town Monsters YouTube Channel (Home of SasWatch) - Monster Kid Radio Amazon Wishlist - Carolina Theatre - Kaiju-Quest -      Monster Kid Radio on TeePublic -  Next time on Monster Kid Radio: Horror of Dracula (dir. Terence Fisher) with Beth Koch The opening and closing song () provided courtesy of  - - All original content of Monster Kid Radio by is licensed under a .

Day 12: In our penultimate 13 Days of Hallowtober episode for 2023, the Prince Regent of EDM, Dantes Alexander, joins Re-Gor to discuss the classic Hammer film, “Curse of the Werewolf,” starring Oliver Reed and directed by Terence Fisher. We noticed many elements borrowed in other films, and discussed what a badass Reed was in real life! Movie ads are also available on the web link! Enjoy! Dantes can be found at: https://www.Instagram.com/dantesalexander https://www.facebook.com/dantesalexanderme His hit single “She's a Lady” can be found at: https://open.spotify.com/album/60E0fha71jq0UtRV7GQuoQ?si=SopqbrplTESBj5GrNbP2qQ Re-Gor can be found at: http://www.havenpodcasts.com

Every year we include a Hammer Horror classic in our 13 Days of Halloween, and today's episode is all about this year's entry! We welcome Sara to her inaugural episode on the podcast as we discuss The Devil Rides Out.

We're returning for our penultimate Hammer Films Dracula feature this month and we aren't with Terence Fisher this week, instead we check out an early director work by the acclaimed cinematogrpaher, Freddie Francis. Last we saw Dracula, his sad-ass fell into some ice. How does he get out of that pickle? Well, a sadder-ass priest slips on some rocks right outside of the castle and bleeds into cracks in the ice which happens to be right over Dracula's mouth. That's more than enough to bring our most tragic fuckboy back into the fold. We're going on about Hammer Film's third Christopher Lee Dracula portrayal in 1968's “DRACULA HAS RISEN FROM THE GRAVE”. Dracula is definitely looking for love and he's found the right girl, but he will have to contend with her Monsignor Uncle and her hunky atheist boyfriend. Will Atheist Paul's experience in dealing with Dracula lead him to to understand that a lifetime of guilt and self loathing is the way to go? Dracula actually might be Catholic if you think about it. He fears the faith just as those within it do. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

With the Hammer Horror triumvirate of Peter Cushing, Christopher Lee and director Terence Fisher, The Gorgon is a turn of the 20th century take on a classic figure from Greek mythology. Join Juliet and Theresa for their first podcast exploration of a Hammer film and their conversation about monster movie science, the power of a firmly worded "Good Day" and more. Content warnings: rape and sexual assault, brief mentions of mental illness/mental healthFurther listening:For all of your modern Greek mythology needs, including LOTS of thoughts, study, and conversation about Medusa, we recommend listening to Let's Talk About Myths Baby on your favorite podcast app.Support us on Patreon!Theme music: "Book of Shadows" by Houseghost (Rad Girlfriend Records) Hosted on Acast. See acast.com/privacy for more information.

“Please Hammer, don't hurt ‘em”. That line is from an M.C. Hammer song. I typed it because every Monday for HALLOWEEN HUMPFEST we are discussing a Hammer Films vampire classic and since that film company is called “Hammer” and then you got the musician “M.C. Hammer”, I just thought that would be an interesting thing to type but it's not. I'm sorry. It's grasping. Another thing I wish was grasping are these Vampire vixens at my penis after they've been turned. Nothing like the glow-up that vampirism provides courtesy of one of cinema's saddest ever fuckboys. Christopher Lee returns to the role of Dracula in Terence Fisher's “DRACULA: PRINCE OF DARKNESS” from 1966. Eight years since Lee last helmed the role and he does so with zero words and with intensely forlorn expressions. Not to be confused with the John Carpenter film “Prince of Darkness” that we discussed last week and is available to hear now. Great tips on how to resurrect vampire lords if you're ever needing to do so. We could all use a good Klove by our side. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

We're continuing our weekly vintage reviews of some Hammer Horror of the vampiric kind and we miss out on Christopher Lee's Dracula this week because, well, he died at the the of “Horror of Dracula” but his cult lives on as Peter Cushing's Van Helsing comes across a strange case of a weird little Baron and his mother who keeps him chained up until a little French hottie sets him free. The Baron Meister is a vampire, of course, and he's got a couple of hungry baddies our there under his thrall. Terence Fisher directs another in “The Brides of Dracula” from 1960 and Christopher Lee wouldn't return to his role for another six years. The Baron is a bit of a twerp. I don't think Dracula would respect his game. Dracula would have never gotten caught in the shadow of a windmill cross. The character of Greta is amazing, though. Peter Cushing stays right even if the movie gets strange. Peter Cushing. More “Cushing” for the pushing, amiright? Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

Your hosts are incredibly excited for the next highly anticipated horror from Hammer Film Productions... it's THE MUMMY (1959) from director Terence Fisher, writer Jimmy Sangster, and starring Peter Cushing, Christoper Lee and George Pastell! Will these legends of horror continue with their winning streak, or will the mummy's curse of tepid horror strike again? Context setting 00:00; Synopsis 33:35; Discussion 46:48; Ranking 1:13:36

In this episode of Weirdhouse Cinema, Rob and Joe discuss the 1968 Hammer horror film “The Devil Rides Out,” directed by Terence Fisher and adapted by Richard Matheson from the novel by Dennis Wheatley. It stars Christopher Lee and Charles Gray as dueling occultists in a tale of high-stakes Satanism.  See omnystudio.com/listener for privacy information.