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Cinematic Sound Radio - Soundtracks, Film, TV and Video Game Music
Welcome to Cinematic Sound Radio's celebration of the 35th anniversary of Film Score Monthly. In 1990, a young film music fan named Lukas Kendall began what was to become Film Score Monthly with a Xeroxed newsletter sent to a handful of fans who signed up to receive the snail mail newsletter. From there, the newsletter turned into one of the biggest soundtrack publications in the world. The magazine's run ended in 2005 at 150 issues. It ceased printing due to budgetary reasons. The magazine, however, still lives on in the digital world as FSM On-Line. A byproduct of the magazine was a record label, which began in 1998 with the release of Jerry Goldsmith's STAGECOACH / THE LONER. Lukas would go onto produce 250 FSM CDs, many of them long-sought-after "holy grails." The label would cease production in 2013. The website and popular message board are still running, but are in desperate need of updating. That's where you come in. Lukas is currently raising money on Kickstarter to help fund a brand-new website, message board, book, CD and more! As of the release of this episode on June 20th, 2025, the Kickstarter has reached its initial goal of $25,000 and is currently in its stretch run to raise an additional $25,000. If you've already pledged, thank you, but if you haven't, then please head over to the Kickstarter by CLICKING HERE and donate what you can to help keep this film music institution running smoothly for the next 35 years! To celebrate FSM's 35 years, I'm going to play for you my top five favourite Film Score Monthly CDs of all time, featuring the music of Franz Waxman, Bronislau Kaper, Johnny Green, Stu Phillips, Elmer Bernstein, Alexander Courage and Jerry Goldsmith. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com
This week, we talk about Alfred Hitchcock's 1941 mystery Suspicion. Joan Fontaine plays a woman who suspects her husband, played by Cary Grant, may be more sinister than she may have at first realized.***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.Details: An RKO Radio Picture, produced by Alfred Hitchcock and Harry E. Edington. Screenplay by Samson Raphaelson, Joan Harrison, and Alma Reville, based on the novel Before the Fact by Francis Iles. Starring Joan Fontaine, Cary Grant, Nigel Bruce, Sir Cedric Hardwicke, and Dame May Whitty. Cinematography by Harry Stradling Sr. Music by Franz Waxman.Ranking: 22 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines Suspicion got 1,881 ranking points.
durée : 00:25:07 - Hollywood, l'âge d'or de la musique de film (3/5) : Les compositeurs : Un triumvirat venu d'Europe - par : Anne-Charlotte Rémond - Pour comprendre comment s'est façonné le fameux "Style Hollywood", nous poursuivons notre voyage avec Anne-Charlotte Rémond en compagnie de trois compositeurs européens qui ont travaillé dans les studios californiens. Max Steiner, Erich Wolfgang Korngold et Franz Waxman sont sous nos projecteurs ! - réalisé par : Philippe Petit
Dana and Tom with returning guest, VP Morris (an award-winning thriller and horror writer and podcaster; vpmorris.com, @teawriterepeat on IG and X, The Dead Letters Podcast; previously on Scream and The Shining) discuss the 1950s mystery classic, Rear Window for its 70th Anniversary: directed by Alfred Hitchcock, written by John Michael Hayes, music by Franz Waxman, starring James Stewart, Grace Kelly, Raymond Burr, and Thelma Ritter.Plot Summary: In Alfred Hitchcock's "Rear Window," we find ourselves confined within the claustrophobic confines of a Greenwich Village apartment, peering through the lens of LB Jefferies (James Stewart), a wheelchair-bound photographer. His summer pastime is a voyeuristic venture into the lives of his neighbors, a cross-section of urban archetypes played out in the building's courtyard. Each window frames a fragment of humanity, from the lonely Miss Lonelyhearts to the tantalizing Miss Torso.The plot pivots on Jeff's suspicion that a neighbor, Lars Thorwald (Raymond Burr), has murdered his wife. This suspicion, shared and fueled by his glamorous girlfriend Lisa (Grace Kelly) and his nurse Stella (Thelma Ritter), drives the narrative forward. Hitchcock masterfully crafts tension not through action, but through the act of watching—turning the audience into voyeurs complicit in Jeff's obsessions."Rear Window" is not merely a suspense thriller; it is a meditation on isolation and the ethics of observation. Stewart's performance, marked by vulnerability and determination, anchors the film's exploration of human curiosity and its consequences. Grace Kelly, in her role, adds a layer of sophistication and intrigue, embodying the tension between adventure and domesticity. "Rear Window" remains a timeless classic, a window not just into the lives of its characters, but into the genius of Hitchcock's cinematic vision.Chapters:00:00 Introduction and Background01:29 Background, Cast, and Recognition for Rear Window02:20 Recognition for Rear Window04:14 Relationship(s) to Rear Window09:13 What is Rear Window About?24:54 Plot Summary for Rear Window26:53 Did You Know?31:47 First Break32:29 Ask Dana Anything41:12 Best Performance(s)50:16 Best/Favorite/Indelible Scene(s)54:34 Second Break55:33 In Memoriam56:32 Remembering Bob Newhart01:01:54 Best/Funniest Lines01:05:31 The Stanley Rubric - Legacy01:10:20 The Stanley Rubric - Impact/Significance01:15:38 The Stanley Rubric - Novelty01:26:20 The Stanley Rubric - Rewatchability01:29:06 The Stanley Rubric - Audience Score and Final Total01:31:31 Remaining and Listener Questions01:47:02 Thank You to VP Morris01:48:05 Final Thoughts for the Week01:50:04 CreditsYou can now follow us on Instagram, Twitter, or TikTok (@gmoatpodcast) or find our Facebook page at Greatest Movie of All-Time Podcast.For more on the episode, go to:
Un dernier tour de piste en compagnie du grand Franz Waxman pour l'équipe de Total Trax, avec rien de moins que le chef d'œuvre absolu du compositeur, qualifié par son ami Bernard Herrmann de "partition d'une vie", parmi les nombreuses merveilles qui parsèment cet ultime chapitre.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
On vous le dit depuis le premier épisode, Franz Waxman disposait d'une palette musicale incroyablement diverse. La preuve par l'exemple avec ce troisième volet dans lequel vous trouverez mélodrame, exotisme, péplum, thriller, aventure, guerre, comédie, jazz et swashbuckling... pour le plus grand bonheur d'une équipe de Total Trax toujours aussi enthousiaste !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
Jakob Stegelmann og Ida Rud fortæller om store filmkomponister og spiller det bedste af deres musik.
Préparez-vous à être possédés par le procès Paradine, à suivre les furies au long du boulevard du crépuscule, à explorer, en compagnie de la flibustière des Antilles, une place au soleil, là où les musiques de Franz Waxman brillent de mille feux... Bref, un second épisode débordant de merveilles à découvrir !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
Dès son arrivée aux USA, Franz Waxman contribue plus que largement à la création du son typique du cinéma hollywoodien, avec audace et modernité. Pour l'équipe de Total Trax, il est le candidat idéal pour initier cette nouvelle série d'épisodes consacrée aux Légendes d'Hollywood. Venez découvrir en notre compagnie la carrière de ce géant !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
En la recta final de la temporada i del programa de m
durée : 00:25:07 - Musicopolis - par : Anne-Charlotte Rémond - Pour comprendre comment s'est façonné le fameux "Style Hollywood", nous poursuivons notre voyage avec Anne-Charlotte Rémond en compagnie de trois compositeurs européens qui ont travaillé dans les studios californiens. Max Steiner, Erich Wolfgang Korngold et Franz Waxman sont sous nos projecteurs ! - réalisé par : Philippe Petit
We're back from Spring Break, discussing James Whale's 1935 classic featuring Boris Karloff, Elsa Lanchester, Colin Clive, Valerie Hobson, and Ernest Thesiger. Our guests are the authors of the new book Peggy Webling and the Story Behind Frankenstein: The Making of a Hollywood Monster, about the woman who wrote the stage play from which Universal's Frankenstein (1931) was adapted. Also: a new superlative honoring one of our favorite actors, the inimitable Béatrice Dalle. Intro, Debate Society, To Sir With Love (spoiler-free): 00:00-27:40 Honor Roll and Detention (spoiler-heavy): 27:41-56:04 Superlatives (spoiler-heavier): 56:05-1:16:04 Director James Whale Screenplay William Hurlbut, adapted from the novel by Mary Shelley by John Balderston & Hurlbut Featuring Colin Clive, E.E. Clive, Dwight Frye, Gavin Gordon, O.P. Heggie, Valerie Hobson, Boris Karloff, Elsa Lanchester, Una O'Connor, Ernest Thesiger, Douglas Walton Bruce Graver has taught British Romantic literature and art at Providence College since 1985. He has prepared scholarly editions of the works of the Wordsworth family, has a special interest in 19th-century 3D photography (The Stereoscopic Picturesque is about to be published), and is a classically trained pianist and tenor who has performed with various New England choirs and chamber ensembles. In good weather, Bruce can be found hiking along the Appalachian Trail, or across the mountains of the English Lake District, where the Wordsworths and Beatrix Potter once lived. Dorian Gieseler Greenbaum is an ancient historian who teaches postgraduates at the University of Wales, Trinity Saint David, and writes on the history of astrology, divination, and ancient medicine. She has been an amateur genealogist for the past 23 years. Peggy Webling is Dorian's great-grandaunt, and she grew up hearing family tales about her writing of the play Frankenstein. In 1991, she and her mother discovered a large cache of letters that Peggy and her sisters wrote to Dorian's great-grandmother over almost 30 years, and Dorian now owns an unpublished archive of Peggy's letters, papers, manuscripts, and photographs. To find out more about Bruce and Dorian's book, click here. Our theme music is by Sir Cubworth, with embellishments by Edward Elgar. Music from Bride of Frankenstein by Franz Waxman. For more information on this film, essays from your hosts (including why the Professor chose it, on Our Blog), and other assorted bric-a-brac, visit our website, scareupod.com. Please subscribe to this podcast via Apple Podcasts, Spotify, or wherever you get your podcasts. If you like what you hear, please leave us a 5-star rating. Join our Facebook group. Follow us on Instagram.
This week, Bryan and Dave are ready for their close-up as they address a listener request to explore Billy Wilder's Sunset Boulevard through the lens of horror and cult and, well, they don't exactly pull it off but they do turn in a deep dive into Hollywood's silent era, the golden age of sound, and how it manages to keep up the fabulous illusion of fantasy with a ruthless stranglehold on every piece of machinery that surrounds it and supports it, including the very people that make it all possible. Sunset Boulevard is a drag queen's dream come true. Silent star, Gloria Swanson returns to the screen to portray the larger-than-life fallen star, Norma Desmond with grand sweeping gestures and some of the most quotable dialog in Hollywood history. Every aspect of this movie is lifted up and supported by every other piece. From Billy Wilder's writing and direction, to the photography of John Seitz, to the costuming of Edith Head, to the score provided by Franz Waxman. Join us for a deep dive into one of the greatest movies ever produced by Hollywood. --- Send in a voice message: https://podcasters.spotify.com/pod/show/bring-me-the-axe/message
Els quatre compositors protagonistes del programa de bandes sonores de Catalunya R
Jackie and Greg pull into the crumbling mansion of Hollywood's past for Billy Wilder's SUNSET BLVD. from 1950. Topics of discussion include the film's gothic atmosphere and pulpy narration, which actors came close to playing the lead roles, Gloria Swanson's larger-than-life performance, and how it set the stage for the acidic anti-Hollywood films that would follow in its wake.#63 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#78 on Sight & Sound's 2022 "The Greatest Films of All Time" list. https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: https://www.instagram.com/sceneandheardpodCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe
"L'audiovisual", el programa de bandes sonores de Catalunya R
Nova entrega del programa de les bandes sonores de Catalunya R
Primer programa de l'any dedicat a les bandes sonores de cinema. Aquest nou cap
Un nou programa de bandes sonores, amb quatre protagonistes d'excepci
Dana and Tom with returning guest, Kieran B (Host of the Best Picture Cast), discuss the WW2 prison camp comedy, Stalag 17 (1953): written and directed by Billy Wilder, co-written with Edwin Blum, music by Franz Waxman, starring William Holden, Don Taylor, Otto Preminger, Robert Strauss, and Peter Graves.Plot Summary: "Stalag 17," directed by Billy Wilder, is a gripping and darkly comedic exploration of camaraderie and suspicion within a German prisoner of war camp during World War II. The film follows the lives of American POWs, whose unity is shattered when they suspect a traitor in their midst.Wilder skillfully blends tension and humor, weaving a narrative that keeps the audience guessing until the final reveal. The film's standout performance comes from William Holden as the cynical and resourceful J.J. Sefton, a character who encapsulates the moral ambiguity of survival in the face of adversity. "Stalag 17" is a masterclass in storytelling; balancing suspense, wit, and a poignant exploration of the human condition in the crucible of war.You can now follow us on Instagram, Twitter, or TikTok (@gmoatpodcast) or find our Facebook page at Greatest Movie of All-Time Podcast.For more on the episode, go to: https://www.ronnyduncanstudios.com/post/stalag-17-1953-ft-kieran-bFor the entire rankings list so far, go to:Full Graded List - Greatest Movies of All-Time Ronny Duncan Studios
El programa de bandes sonores de Catalunya R
Un nou programa de bandes sonores del cicle de quatre compositors magn
Segona setmana dels programes dedicats als compositors de bandes sonores Franx Waxman, Bernard Herrmann, Jerry Goldsmith i James Horner. En el programa d'avui retrocedim als seus comen
Music composed for television had, until recently, never been taken seriously by scholars or critics. Catchy TV themes, often for popular weekly series, were fondly remembered but not considered much more culturally significant than commercial jingles. Yet noted composers like John Williams, Henry Mancini, Jerry Goldsmith and Lalo Schifrin learned and/or honed their craft in television before going on to major success in feature films.Oscar-winning film composers like Bernard Herrmann, Franz Waxman and Maurice Jarre wrote hours of music for television projects, and such high-profile jazz figures as Duke Ellington, Dave Brubeck and Quincy Jones also contributed music to TV series. Concert-hall luminaries from Aaron Copland to Leonard Bernstein, and theater writers from Jerome Moross to Richard Rodgers, penned memorable scores for TV.Music for Prime Time is the first serious, journalistic history of music for American television. It is the product of 35 years of research and more than 450 interviews with composers, orchestrators, producers, editors and musicians active in the field. Based on, but vastly expanded and revised from, an earlier book by the same author, this wide-ranging narrative not only tells the backstory of every great TV theme but also examines the many neglected and frequently underrated orchestral and jazz compositions for television dating back to the late 1940s.Covering every series genre (crime, comedy, drama, westerns, action-adventure, fantasy and sci-fi), it also looks at music for animated series, news and documentary programming, TV-movies and miniseries, and how music for television has evolved in the era of cable and streaming options. It is the most comprehensive history of television scoring ever published.Jon Burlingame is one of the nation's leading writers on the subject of music for films and television. He writes regularly for Variety and has also written for The New York Times, Los Angeles Times, Washington Post, The Hollywood Reporter and Premiere magazine. He teaches film-music history at the University of Southern California, hosts the "For Scores" podcast, and is the author of five books including the best-selling and Deems Taylor Award-winning The Music of James Bond.Buy the book from Wellington Square Bookshop - https://wellingtonsquarebooks.indiecommerce.com/book/9780190618308
Socialite divorcee Tracy Lord is engaged again to the nouveau riche George Kittredge, which puts her back in the spotlight of Spy Magazine's writer and photographer, who've been put on the scent by Tracy's ex-husband in a transparent bid to win her back. THE PHILADELPHIA STORY helped reverse Katharine Hepburn's slumping career, but it's also a fun rom-com that leverages class politics (old money, new money, and no money) in punchy scenes with writing matched only by its delivery. PROTOTYPES FOR THE ROM-COM (Dec 2022 at the Trylon): https://www.trylon.org/films/category/prototypes-for-the-rom-com/ As of this recording, THE PHILADELPHIA STORY is available to stream on HBO Now. If you don't have that or don't want to use it, click here: https://archive.org/details/nupcias-de-esandalo_1940 Follow us on Twitter at https://twitter.com/trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Buy tickets and support the Trylon at https://www.trylon.org/. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: Title sequences by Franz Waxman from the THE PHILADELPHIA STORY soundtrack. Timestamps 0:00 - Episode 203: THE PHILADELPHIA STORY (1940) 4:24 - The Patented Aaron Grossman Summary 7:29 - Dialogue, writing, and the unraveling performance of class 15:35 - Meeting messy and nuanced characters 38:20 - The ending 46:00 - The Junk Drawer 57:42 - Cody's Noteys: Trylibs – Cukorian Romance (ad libs)
Synopsis “This highway leads to the shadowy tip of reality: you're on a through-route to the land of the different, the bizarre, the unexplainable... Go as far as you like on this road. Its limits are only those of mind itself. Ladies and Gentlemen, you're entering the wondrous dimension of imagination…” Next stop The DATEBOOK Zone. OK, all kidding aside, but “submitted for your approval” as Rod Serling would say, this is the COMPOSERS DATEBOOK for September 30th. I'm John Birge. On today's date in 1960, the second season of “The Twilight Zone,” — the legendary TV series created by Mr. Serling — began airing on CBS. For this, the producers added a new signature theme written by Marius Constant, a Romanian-born French composer. Constant had studied composition with Olivier Messiaen, Arthur Honegger, and Nadia Boulanger and had a very respectable career as a composer and teacher, but he's best known for his brief, but iconic, “Twilight Zone” theme. During its five-season run, that show also employed the talents of other famous composers, including Jerry Goldsmith, Leonard Rosenman, Fred Steiner, and Franz Waxman. And in case you're wondering who wrote the theme for the FIRST season of “The Twilight Zone,” well, that was another famous Hollywood composer by the name of Bernard Herrmann. Music Played in Today's Program Marius Constant (1925-2004): The Twilight Zone Main Theme (2nd version) –Orchestra; Joel McNeely, cond. (Varese-Sarabande VSD2-6087) Bernard Herrmann (1911-1975): The Twilight Zone Main Theme (1st version) –Orchestra; Joel McNeely, cond. (Varese-Sarabande VSD2-6087)
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