Podcast appearances and mentions of Charles Laughton

Abbott & Costello 44-02-10 (051) Robinson Crusoe with Charles Laughton

Our salute to Radio on D-Day, 1944, 81 years agoFirst,  a look at this day in History.Then The Red Skelton Show, originally broadcast June 6, 1944, 81 years ago.  A mostly music program to salute Red's leaving.  He had been drafted into the Army.  Junior prays for D-Day. Ozzie Nelson and his orchestra handle most of the entertainment.  Fibber McGee and Molly come in to wish Red best of luck, but they get cut off before they can speak. Followed by HV Kaltenborn and the news, originally broadcast June 6, 1944, 81 years ago. Then Fibber McGee and Molly, originally broadcast June 6, 1944, 81 years ago. Special D-Day broadcast. An all-music program featuring the Billy Mills Orchestra plus news bulletins.  Followed by Bob Hope, originally broadcast June 6, 1944, 81 years ago. The program originates from the Van Nuys Airdrome.  Bob has appropriate inspirational words with the singing of Francis Langford and the great music of the Stan Kenton Orchestra.Then Columbia Presents Corwin, originally broadcast June 6, 1944, 81 years ago.  "Sandburg" ("An American Trilogy").  Charles Laughton stars.  A radio portrait of the poet as painted by his writings.Followed by The Passing Parade with John Nesbitt, originally broadcast June 6, 1944, 81 years ago. A look at a history class in the year 2044 as they study the ancient history of the 1944 invasion. Finally. The Ginny Sims Show, originally broadcast June 6, 1944, 81 years ago. Ginny Simms sings, a wounded G.I. with a message to his wife, a U.S. Navy Commander describes how the wounded are treated, a chaplain from the Navy. Thanks to Honeywell for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.stream

Our journey back through the years of Suspense continues with my favorite episodes from 1944. Lucille Ball is a taxi dancer who hopes to avoid a murderous dance partner in “Dime a Dance” (originally aired on CBS on January 13, 1944), and Charles Ruggles suspects his new housekeeper may be too good to be true in “Suspicion” (originally aired on CBS on February 10, 1944). Orson Welles stars in a rare two-part Suspense science fiction drama “Donovan's Brain” (originally aired on CBS on May 18 and May 25, 1944), and Vincent Price and Ida Lupino co-star in “Fugue in C Minor,” a Gothic horror drama from the pen of Lucille Fletcher (originally aired on CBS on June 1, 1944). Charles Laughton encounters a strange man who claims to have invented an undetectable method for murder in “The Man Who Knew How” (originally aired on CBS on August 10, 1944), and Gene Kelly enjoys a seemingly supernatural streak of luck…until he doesn't in “The Man Who Couldn't Lose” (originally aired on CBS on September 28, 1944).

Join me on a trip back to 1943 and my favorite episodes of Suspense from that year. It was the year production of the show moved from New York to Hollywood, which meant it was easier for film stars to make appearances, and it picked up a sponsor in the form of Roma Wines. We'll hear Maureen O'Hara as a debutante turned detective in “The White Rose Murders” (originally aired on CBS on July 6, 1943), and Warren William reprise his big screen role as The Lone Wolf - a reformed jewel thief turned sleuth - in “Murder Goes for a Swim” (originally aired on CBS on July 20, 1943). Agnes Moorehead cements her status as the “first lady of Suspense” in the legendary “Sorry, Wrong Number” (originally aired on CBS on August 21, 1943), and Orson Welles plays a hunter who tracks human prey in “The Most Dangerous Game” (originally aired on CBS on September 23, 1943). Finally, Charles Laughton is a patriarch whose family reputation may be sullied by murder in “Wet Saturday” (originally aired on CBS on December 16, 1943), and Peter Lorre finds his foolproof murder scheme had an unexpected complication in “Back for Christmas” (originally aired on CBS on December 23, 1943).

Front Row Classics is taking a look at one of the most popular courtroom mysteries ever made. Brandon is joined by friend of the podcast, Matt Duffy, to celebrate Billy Wilder's Witness for the Prosecution. Brandon and Matt celebrate the wit, drama and humor of this movies based on a play by Agatha Christie. The standout performances of Charles Laughton and Marlene Dietrich are especially praised.

We're kicking PRIDE off a little early because comics librarian Jack Phoenix is here and we are ready to talk about the very straight story of a man showing up to another man's house and pulling him away from his wife so that the two of them can make a human life together! Very straight. So straight. Not gay at all. Doctor Pretorius, we love you and the tiny people you've been cloning and dressing. And Una O'Connor, you and your ridiculous accent are the real MVP!Alicia really wants it to be known that we didn't talk nearly enough about Elsa Lancaster, her marriage to Charles Laughton, and that she was in Mary Poppins. All apologies.Who made it?Director: James WhaleWriters: William Hurlbut, John L. Balderston, Mary ShelleyStarring:Boris KarloffColin CliveValerie HobsonElsa LanchesterErnest ThesigerE. E. CliveOliver Peters HeggieUna O'ConnorRecs:Jack - Queer for Fear / The Ex-Wives of FrankensteinEmily- Junji Ito Frankenstein / #DRCL mangaBen - Young FrankensteinJeremy - Invisible Man / Old Dark House Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Jaume Segalés y su equipo hablan de cine clásico y de la obra La Norma. Hoy en Km0, tras repasar la actualidad informativa y deportiva, profundizamos en los siguientes asuntos: "La Norma", espectáculo de poesía clown En Km0 damos cabida a las Artes Escénicas asiduamente, repasando la cartelera madrileña. Pero hoy vamos a hablar de una obra programada en la Ciudad Condal: "La Norma". Este fin de semana, sábado y domingo (24 y 25 de mayo) a las 20:30 en el Espai Piluso (Carrer de Salvà, 68 bajos – Barcelona), Metro Paral.lel. Jaime, el único personaje en escena, regresa al adorable patio de su abuela en el que pasó su niñez. Recuerda cómo allí los trapos colgaban al sol y el perfume de las flores se mezclaba con el eco de un tango lejano. Busca un adiós que no duela, una despedida que transforme o que modifique la muerte. "La Norma", mediante el universo poético y simbólico del clown, nos invita a acompañar al protagonista en este viaje tan especial. Entrevistamos al encargado de la dramaturgia, Ramiro Sureda Muñoz, que también es el actor que interpreta a Jaime, y a la directora de la obra, Soledad Cardigni. Sección de cine clásico "Es sesión continua" Antolín de la Torre hoy nos habla sobre El hombre de la torre Eiffel (The Man on the Eiffel Tower). Película estadounidense de 1949 dirigida por Burgess Meredith y protagonizada por Charles Laughton, Franchot Tone, Burgess Meredith, Belita y Robert Hutton. La inspectora de policía francesa Maigret investiga la muerte de una acaudalada viuda de París y termina persiguiendo al asesino en las vigas de la Torre Eiffel.

“OLD HOLLYWOOD's TOXIC TRIANGLE” - 5/19/2025 (088) Hollywood in the mid-20th century was a world of glitz and glamour, a realm where dreams could be made or destroyed in an instant. It was an era when the silver screen crafted illusions of romance and perfection, yet behind the scenes, the personal lives of its stars often unraveled into chaos, scandal, and tragedy. Few stories exemplify this dark side of Hollywood better than the volatile love triangle involving actress BARBARA PEYTON and actors FRANCHOT TONE and TOM NEAL. What began as a passionate romance descended into obsession, violence, and ultimate ruin—forever marking the three as cautionary tales of unchecked desire and self-destruction. In this episode, we explore this explosive love triangle and its aftermath. SHOW NOTES:  AVA GARDNER MUSEUM: If you would like to make a donation to help support the Ava Gardner Museum in Smithfield, N.C. (Ava'a hometown!), please click on the following link: https://ava-gardner-museum.myshopify.com/products/donations Sources: Kiss Tomorrow Goodbye: The Barbara Payton Story (2012), by John O'Dowd; I Am Not Ashamed (1963), by Barbara Payton; “Tone, Payton, & Neal: Hollywood's Most Toxic Triangle,” January 29, 2022, by Burt Kearns, legsville.com; “Blazing Blonde Bombshell: Barbara Payton's Boulevard of Broken Dreams,” January 6, 2021, by Hadley Hall Meares, Vanity Fair; “The Bottle and Barbara Payton,” November 16, 2018, Travelanche.com; “Notes From The Unashamed,” May 19, 2016, by Kim Morgan, sunsetgun.com; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned:  Once More My Darling (1949), starring Robert Montgomery & Ann Blyth; Trapped (1949), starring Lloyd Bridges & Barbara Payton; Kiss Tomorrow Goodbye (1950), starring James Cagney & Barbara Payton;  Dallas (1950), starring Gary Cooper, Ruth Roman, Steve Cochran, & Barbara Payton; Only The Valiant (1951), starring Gregory Peck & Barbara Payton; Dancing Lady (1933), starring Clark Gable, Joan Crawford, & Franchot Tone; Mutiny on the Bounty (1935), starring Clark Gable, Charles Laughton, & Franchot Tone; Detour (1945), starring Tom Neal & Ann Savage; Another Thin Man (1939), starring William Powell & Myrna Loy; Crime, Inc (1945), starring Tom Neal & Martha Tilton; Blonde Alibi (1946), starring Tom Neal & Martha O'Driscoll; I Shot Billy The Kid (1950), starring Don “Red” Barry, Robert Lowery, & Tom Neal; The Great Jesse James Raid (1953), starring Tom Neal & Barbara Payton; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Cineversary podcast episode #82, host ⁠Erik Martin⁠ hunts on horseback for the perfect film and finds it in Charles Laughton's The Night of the Hunter, which celebrates a 70th birthday this year. Joining him on this journey is Imogen Sara Smith, author of In Lonely Places: Film Noir Beyond the City, editor-in-chief of Noir City Magazine, and frequent contributor to the Criterion Collection. Together, they travel upriver to explore what makes this movie a masterpiece, the filmmakers it inspired, key thematic takeaways, and much more.Learn more about the Cineversary podcast at www.cineversary.com and email show comments or suggestions to cineversarypodcast@gmail.com.

Chicago's Trap Door Theatre presentation of “Galileo,” stays close to the heart of Bertolt Brecht's script but is a revised challenging and thought-provoking interpretation. Fragments of the original dialogue featuring translation by Charles Laughton are there but the production has been reshaped and reimagined by director Max Truax into a postmodern avant-garde effort.This theater review by Reno Lovison includes information about the play, the performance, where to eat nearby and some information about the neighborhood.

This episode delves into the themes of suspense and crime, exploring the nature of murder and the psychological aspects of criminality. Through a dramatic narrative featuring Charles Lawton, the discussion transitions from the introduction of suspense to the intricacies of murder, the implications of inquests, and the mysterious character of Mr. Smith. The dialogue raises ethical questions about crime and morality, culminating in a final confrontation that leaves the audience reflecting on the nature of justice and human behavior.TakeawaysSuspense is built through intriguing storytelling.The nature of murder is often romanticized in fiction.Real-life criminals can be less imaginative than fictional ones.Conversations about murder can reveal deeper psychological insights.The setting of a story can enhance its suspenseful elements.Inquests serve as a critical turning point in crime narratives.Characters often reflect societal views on morality and crime.The use of poison in murder plots raises ethical questions.The interplay between characters can reveal hidden motives.The conclusion often leaves the audience questioning morality.Chapters00:00 Introduction to Suspense and Roma Wines02:01 The Art of Murder: A Theoretical Discussion05:55 The Peculiarities of Bath Deaths10:13 The Inquest and Its Implications14:11 The Encounter with Mr. Smith18:04 The Revelation of the Poison21:51 The Pursuit of Justice25:57 The Final Confrontation and ResolutionKeywordsSuspense, murder, crime, Charles Lawton, storytelling, drama, inquest, mystery, death, bath

Keep Retro Radio going… buy us a coffee here! https://www.buymeacoffee.com/retroradioIf you like what you hear, consider giving this show a like! Liking these shows helps us to know what you like to hear more of.Take Retro Radio wherever you go! Subscribe today, and share it with your friends!———————As these shows have been in the public domain for quite some time, the audio quality of these episodes can vary. So don't adjust your dial… it's most likely the audio file itself :)Disclaimer: The content featured here originated from the “Golden Age of Radio” (1920-1962), and may contain racial, ethnic, and gender stereotypes that are incompatible with our values today. They were wrong then, as they are today. These representations do not reflect the views of Retro Radio and are presented here solely for historical, educational, and/or entertainment purposes. We denounce any form of discrimination and aim to foster a respectful and inclusive atmosphere, while still respecting the talent, entertainment value, and historical value these recordings may bring. Please approach this material with sensitivity, recognizing that they may reflect attitudes of its time. Your engagement with this content is appreciated, and we encourage thoughtful consideration and discussion.——————Vintage radio classic radioshow OTR old time radio Hollywood movie stars shows suspense detective comedy sci-fi science fiction variety music guest star

Elsa Lanchester achieved cinematic immortality with her iconic portrayal of the Bride of Frankenstein in the Universal horror classic. But her work in the realm of monsters was just a part of her long career on the stage and screen - a career that included two Oscar nominations and a dozen films where she co-starred with her husband Charles Laughton. We'll hear the couple in a Suspense adaptation of "The ABC Murders" (originally aired on CBS on May 18, 1943) and in a true crime historical drama from Columbia Presents Corwin ("The Moat Farm Murder," originally aired on CBS on July 18, 1944). Plus, Elsa Lanchester leads an all-female cast in a Suspense thriller set at a girls schoool - "Finishing School" (originally aired on CBS on December 30, 1943).

"Você vai falar sobre ele, mas por favor, não conte o final" isso era o que dizia o pôster promocional do filme Testetemunha de Acusação baseado no conto e na peça teatral de Agatha Christie. Contrariando não só o aviso do cartaz, mas a narração final do longa "A administração deste cinema sugere que, para que seus amigos que ainda não viram o filme possam melhor desfrutá-lo, você não divulgue para ninguém o segredo do final de Testemunha de Acusação" Andreia D'Oliveira, Gabi Idealli e Brunão vão falar, com spoiler liberado, desta obra prima estrelada por Charles Laughton, Marlene Dietrich e Tyrone Power e dirigida por Billy Wilder. Vem ouvir… por sua conta e risco! Comentado no episódio Crepúsculo dos Deuses (1950 ‧ Noir/Drama ‧ 1h 55m) Se Meu Apartamento Falasse (1960 ‧ Romance/Drama ‧ 2h 5m) Quanto Mais Quente Melhor (1959 ‧ Musical/Romance ‧ 2 horas) Farrapo Humano (2000 ‧ Drama/Drama jurídico ‧ 2h 11m) A Montanha dos Sete Abutres (1951 ‧ Noir/Thriller ‧ 1h 51m) O Pecado Mora ao Lado (1955 ‧ Romance/Drama ‧ 1h 45m) O Sol é para Todos (1955 ‧ Romance/Drama ‧ 1h 45m) Tempo de Matar (1996 ‧ Thriller/Ficção policial ‧ 2h 29m) Anatomia de uma Queda (2023 ‧ Thriller/Crime ‧ 2h 31m) O Vento Será Tua Herança (1960 ‧ Drama/Drama ‧ 2h 8m) O Veredicto (1982 ‧ Thriller/Drama ‧ 2h 9m) As Duas Faces de um Crime (1996 ‧ Thriller/Crime ‧ 2h 10m) Filadélfia (1993 ‧ Drama/Drama judicial ‧ 2h 6m) Os 7 de Chicago (2020 ‧ Thriller/Crime ‧ 2h 9m) Argentina, 1985 (2022 ‧ Thriller/Drama ‧ 2h 20m) O Segredo dos Seus Olhos (2009 ‧ Crime/Thriller ‧ 2h 7m) Acima de Qualquer Suspeita (1990 ‧ Thriller/Mistério ‧ 2h 7m) Acima de Qualquer Suspeita (2024 ‧ Thriller ‧ 1 temporada) O Mentiroso (1997 ‧ Drama/Fantasia ‧ 1h 27m) Questão de Honra (1992 ‧ Thriller/Crime ‧ 2h 18m) Erin Brockovich - Uma Mulher de Talento (2000 ‧ Drama/Drama jurídico ‧ 2h 11m)

The Big Clock (1948) Ray Milland, Charles Laughton, Maureen O' Sullivanhttps://archive.org/download/the-big-clock-1948/The%20Big%20Clock%20%281948%29%20Ray%20Milland%2C%20Charles%20Laughton%2C%20Maureen%20O%27Sullivan.ia.mp4Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967

Episode 133: The 1930s series has been held over! For the fourth installment, the boys revisit ISLAND OF LOST SOULS (1932), the chilling, atmospheric and genuinely disturbing adaptation of H.G. Wells' novel starring Charles Laughton and Bela Lugosi Sorry about the April Fool's joke on Bill Maher's PIZZA MAN (1991), we couldn't help ourselves... Sign up for the OFH Patreon: ⁠https://www.patreon.com/onefuckinghour ⁠

“RICHARD CARLSON: CLASSIC CINEMA STAR OF THE MONTH” (081) - 3/31/2025 Tall, dark-haired, and handsome, RICHARD CARLSON was always a welcomed addition to any cast. From the beginning, when he was playing preppy college students opposite LANA TURNER, to his reign in the 1950s as the King of Sci-Fi thrillers, Carlson brought believability and authority to each role but also a sense of introspective thoughtfulness. You looked into his deep blue eyes and chiseled face and believed him. Whatever he was selling, we were buying. And while he never became an A-list leading man, he enjoyed a long and steady career and enhanced many a mediocre film with his special appeal. This week, we celebrate RICHARD CARLSON as our Star of the Month.  SHOW NOTES:  Sources: Monsters in the Machine (2016), by Steffen Hantke; Keep Watching the Skies (2009), by Bill Warren; “Richard Carlson: Albert Lea's Other Film & Television Star,” December 24, 2016, by Ed Shannon; “Today's Underrated Actor Spotlight: Richard Carlson,” June 24, 2105, by Bynum, www.thetinseltoentwins.com; “A Tribute To Richard Carlson,' January 9, 2014, www.scififilmfiesta.com; “Richard Carlson, Actor, Dies at 65,” November 27, 1977, New York Times; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Desert Death (1935), starring Raymond Hatton; The Young in Heart (1938), starring Janet Gaynor, Roland Young, Douglas Fairbanks, Jr & Paulette Goddard; The Duke of West Point (1938), starring Louis Hayward & Joan Fontaine; Winter Carnival (1939), starring Ann Sheridan, Richard Carlson, & Robert Mitchum; These Glamour Girls (1939), starring Lana Turner & Lew Ayres; Dancing Co-Ed (1939), starring Lana Turner & Richard Carlson; Beyond Tomorrow (1940), starring Haley Carey & Charles Winning; No, No, Nanette (1940), starring Anna Neagle; The Howards of Virginia (1940), starring Cary Grant & Martha Scott; Back Street (1941), starring Margaret Sullavan & Charles Boyer; The Little Foxes (1941Ol staring Bette Davis & Teresa Wright; The Affairs of Martha (1942), starring Marsha Hunt & Richard Carlson; My Heart Belongs to Daddy (1942), starring Richard Carlson & Martha O'Driscoll; Fly By Night (1942) starring Richard Carlson & Nancy Kelly; Hold That Ghost (1941), starring Bud Abbot & Lou Costello; White Cargo (1942), staring Hedy Lamarr& Walter Pidgeon; Presenting Lily Mars (1943), starring Judy Garland & Van Heflin; The Man From Down Under (1943), starring Charles Laughton & Donna Reed; So Well Remembered (1947), starring John Mills & Martha Scott; Behind Locked Doors (1948), starring Richard Carlson & Lucille Bremer; The Amazing Mr. X (1948), starring Turban Bey, Lynn Bari, & Cathy O'Donnell; King Solomon's Mines (1950), starring Stewart Granger & Deborah Kerr; The Sound of Fury (1950), starring Frank Lovejoy; The Blue Veil (1951), starring Jane Wyman, Charles Laughton, & Joan Blondell; The Magnetic Monster (1953), starring Richard Carlson; It Came from Outer Space (1954), starring Richard Carlson & Barbara Rush; The Maze (1953), starring Richard Carlson & Hillary Brooke; The Creature from The Black Lagoon (1954), starring Richard Carlson & Julie Adams; All I Desire (1953), starring Barbara Stanwyck & Richard Carlson; Riders To the Stars (1954), starring William Lundigan; Appointment with a Shadow (1957), starring George Nadar; The Saga of Hemp Brown (1957), starring Rory Calhoun; Johnny Rocco (1958), starring Richard Evers & Coleen Gray; Tormented (1960), starring Richard Carlson; Kid Rodelo (1966), starring Broderick Crawford & Janet Leigh; Change of Habit (1969), starring Elvis Pressly, Mary Tyler moore, & Richard Carlson; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jim discusses a cult classic psychological thriller from 1955 - "The Night Of The Hunter," starring Robert Mitchum, Shelley Winters, Lillian Gish, Peter Graves, Billy Chapin, Sally jane Bruce, James Gleason, Evelyn Varden, Don Beddoe, Gloria Castillo and directed by Charles Laughton. A conman posing as a preacher terrorizes a family in Appalachia during The Great Depression. Find out more about this heralded classic on MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.

Jim discusses a cult classic psychological thriller from 1955 – “The Night Of The Hunter,” starring Robert Mitchum, Shelley Winters, Lillian Gish, Peter Graves, Billy Chapin, Sally jane Bruce, James Gleason, Evelyn Varden, Don Beddoe, Gloria Castillo and directed by Charles Laughton. A conman posing as a preacher terrorizes a family in Appalachia during The […] The post The Night Of The Hunter | Episode 457 appeared first on The ESO Network.

This week we're examining two directorial debuts by actors - and boy what a line up. The seminal Orson Welles debut Citizen Kane and the Robert Mitchum-starring, Charles Laughton film The Night of the Hunter Timings for this week are: Citizen Kane: (02:20) The Night of the Hunter: (36:40) Next episode our theme will be Alienated Pianist Films. Follow us on social media: Instagram Twitter Threads Bluesky Letterboxd Facebook Email: frame.to.frame250@gmail.com Join our Discord: Frame to Framers or that of the wider Film Stories Podcast Network Support Film Stories Podcast Network on Patreon: https://www.patreon.com/simonbrew Twitter: @filmstories Facebook/Instagram/Threads: Film Stories Website: https://filmstories.co.uk/ Gothamlicious by Kevin MacLeod Link License Leave us a review on Podchaser or Apple Podcasts! Learn more about your ad choices. Visit megaphone.fm/adchoices

En esta entrega del podcast abrimos capítulo de Hollywood canalla de la mano de Mary Carmen Rodríguez para hablar de Jean Harlow, una de las “femme fatale” de la década de los 30 del siglo pasado cuya vida y muerte siguen rodeadas de enigmas. En Recordando clásicos con Mónica Balboa “La noche del cazador” de Charles Laughton, una parábola sobre el bien y el mal que sigue inquietando hoy en día y que se sitúa en el olimpo de mejores debuts detrás de las cámaras. En Leer cine, la biblioteca sonora de Carlos López-Tapia, “La escritura de los dioses. Descifrando la piedra de Rosetta” de Edward Dolnick, las recomendaciones en Colgados de la plataforma y la crítica de las favoritas “A complete unknown”, “Aún estoy aquí”, “La tutoría” y “Vermiglio”. Spooky a los mandos técnicos. ¡Muchas gracias por escucharnos!

Blue Ribbon Town 44-01-08 (x) Guest - Charles Laughton

Ginger Rogers and Fred Astaire blew the roof off in Top Hat, while Charles Laughton and Clark Gable were showered with critical acclaim for their parts in Frank Lloyd's naval epic Mutiny on the Bounty. Connect with us:Never Did It on YouTube: https://www.youtube.com/@neverdiditpodNever Did It on Letterboxd: https://letterboxd.com/bradgaroon/list/never-did-it-podcast/Brad on Letterboxd: https://letterboxd.com/bradgaroon/Jake on Letterboxd: https://letterboxd.com/jake_ziegler/Never Did It on Facebook: https://www.facebook.com/neverdiditpodcast Hosted by Brad Garoon & Jake Ziegler

On this episode, get out your big ol' shotgun, sing some old-timey hymns and keep the wolf from the door as the Refresher crew takes a look at Charles Laughton's deathless gothic noir Night of the Hunter.

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review!This episode is setting sail for adventure as we discuss legendary sailors in film and animation, take an inspiring look at True Spirit (2023), and revisit an iconic animated classic with Popeye the Sailor Meets Sinbad the Sailor (1936). So, grab your sea legs and join us on this nautical journey!Top 5 Sailors in Film and AnimationCaptain Jack Sparrow (Pirates of the Caribbean series, 2003–2017)The ultimate swashbuckler, Johnny Depp's eccentric pirate is as cunning as he is chaotic, bringing a mix of humor and adventure to the high seas.Captain Haddock (The Adventures of Tintin, 2011)A hard-drinking but loyal seafarer, Captain Haddock provides comic relief and heroics in equal measure in Spielberg's motion-capture adventure.Captain Bligh (Mutiny on the Bounty, 1935 & 1962)One of cinema's most infamous naval officers, portrayed memorably by Charles Laughton and Trevor Howard, highlighting themes of tyranny and rebellion.The Old Man (The Old Man and the Sea, 1958)Spencer Tracy's masterful performance in this adaptation of Hemingway's classic captures the resilience and solitude of a lifelong fisherman.Moana (Moana, 2016)A bold and determined navigator, Moana defies tradition to restore balance to the ocean, proving that great sailors aren't just grizzled old men with beards!Main Feature: True Spirit (2023)Directed by Sarah Spillane, True Spirit tells the incredible true story of Jessica Watson, played by Teagan Croft, a determined 16-year-old Australian sailor who set out to become the youngest person to sail solo, non-stop, and unassisted around the world.Jessica Watson faces treacherous weather, isolation, and self-doubt as she embarks on her 210-day journey at sea. Through perseverance, skill, and an unbreakable spirit, she overcomes the odds, proving that age is no barrier to greatness.At its core, True Spirit is about self-belief, perseverance, and the pursuit of the impossible. It's a perfect film for families, offering not just adventure but valuable life lessons.Popeye the Sailor Meets Sinbad the Sailor (1936)A classic piece of animation history, this Popeye the Sailor short film, directed by Dave Fleischer, showcases Popeye in a legendary battle against Sinbad the Sailor (played by Bluto).Sinbad boasts about being the greatest sailor, but Popeye isn't having any of it. With a mix of humor, action, and spinach-fueled strength, Popeye takes on monstrous creatures and Sinbad's minions in an epic showdown.Set sail with us as we navigate through legendary sailors in film and animation, the real-life journey of Jessica Watson, and the timeless charm of Popeye. Whether you're looking for inspiration, adventure, or some good old-fashioned spinach-powered brawls, there's something in this episode for everyone.

Hey everybody! This week we are beginning our End Of Season Series, where we are discussing films by directors that make only one film with Charles Laughton's The Night Of The Hunter. Listen as we breakdown this dream-like, fairy tale nightmare demonstrating some of the most subversive techniques filmmaking of its time, while not shying away from the dark and twisted story it's adapting. Enjoy!

“HITCHCOCK's COLLABORATORS FROM THE GOLDEN AGE” - (068) ALFRED HITCHCOCK, the iconic “Master of Suspense,” loved to work with certain actors over and over again. Often, he had very complicated relationships with his actors. (Just ask TIPPI HEDREN!) However, he managed to form great working relationships with stars like JAMES STEWART, GRACE KELLY, INGRID BERGMAN, and CARY GRANT. This week, we take a fun look at some of the actors who he loved to work with. So, which actor did he put in more of his films than anyone else? The answer may surprise you. SHOW NOTES:  Sources: Cary Grant (2020), by Scott Eyman;  Hitchcock's Heroines (2018), by Caroline Young; Hitchcock's British Films (2010), by Maurice Yacowar; It's Only A Movie: Alfred Hitchcock a Personal Biography (2006), by Charlotte Chandler; Alfred Hitchcock: A Life in Darkness and Light (2003), by Patrick McGilligan; Ingrid Bergman: My Story (1980), by Ingrid Bergman and Alan Burgess; "Alfred Hitchcock & Cary Grant Together: Twisted image,” by Kevin Maher, www.top10filmlists.com; “Alfred Hitchcock's Most Frequent Collaborators, Ranked,” January 21, 2024, by Alice Caswell, ScreenRant.com; “The Relationship Between Alfred Hitchcock and Cary Grant, Explained,” January 16, 2023, by Heather Lawton, MovieWeb; “Leo G. Carroll,” Actor, 80, Dead, October 19, 1972, New York Times; “Miss Clare Greet, Actress, 47 Years; British Stage Favorite Dies,” February 15, 1939, New York Times; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; RogerEbert.com; Movies Mentioned:  The Ring (1927), starring Carl Brisson & Ian Hunter; Blackmail (1929), starring John Longden; The Manxman (1929), starring Anne Ondra; Murder! (1930), starring Herbert Marshall; Ellstree Calling (1930), starring Will Fyffe; Juno and the Paycock (1930), starring Sara Allgood & Barry Fitzgerald; The Skin Game (1931), starring Edmund Gwenn; The Man Who Knew Too Much (1934), starring Peter Lorre; Sabotage (1936), starring Sylvia Sidney; Young and Innocent (1937), starring Nova Pilbeam; Jamaica Inn (1939), starring Charles Laughton & Maureen O'Hara; Rebecca (1940), starring Joan Fontaine, Laurence Olivier, & Judith Anderson; Suspicion (1941), starring Cary Grant & Joan Fontaine; Shadow of a Doubt (1943), starring Joseph Cotten & Teresa Wright; Spellbound (1945), starring Gregory Peck & Ingrid Bergman; Notorious (1946), starring Ingrid Bergman & Cary Grant; The Paradine Case (1947), starring Gregory Peck, Alida Valli, & Ann Todd; Under Capricorn (1949), starring Ingrid Bergman, Joseph Cotten & Michael Wilding; Stage Fright (1950), starring Marlene Dietrich & Jane Wyman; Strangers on a Train (1951), starring Farley Granger, Robert Walker & Ruth Roman; To Catch A Thief (1955), starring Cary Grant & Grace Kelly; Anastasia (1956) starring Ingrid Bergman, Yul Brynner, & Helen Hayes; North by Northwest (1959), starring Cary Grant & Eva Marie Saint; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 66 - “WHEN CLASSIC FILM'S SUPPORTING ACTORS STEAL THE SHOW” - 12/16/2024 There is nothing quite like watching a film when suddenly a supporting character comes in and walks away with the film. (Think THELMA RITTER, S.Z. SAKALL, or GALE SONDERGAARD in almost every one of their films!) This week we are focusing on some of our favorite supporting charters who come in and snatch that scene right about from under the big stars. From JOANNA BARNES' Gloria Upson declaring, “It was just ghastly!” in “Auntie Mame” to the impassioned monologue about love that BEAH RICHARDS delivers to SPENCER TRACY in “Guess Who's Coming To Dinner,” we take a fun look at these powerful performances that we're still talking about today. SHOW NOTES:  Sources: The Life and Death of Peter Sellers (1997) by Roger Lewis; But Darling, I'm Your Auntie Mame!: The Amazing History of the World's Favorite Madcap Aunt (1998), by Richard Tyler Jordan; Tennessee Williams & Company: His Essential Screen Actors (2010), by John DiLeo; “Judy Holiday, Winner of Oscar, Does of Cancer,” June 8, 1965, Los Angeles Times; “Mildred Natwick, 89, Actress Who Excelled at Eccentricity,” October 26, 1994, by Peter B. Flint, New York Times; “Steve Franken, Actor in ‘Dobie Gillis,' Dies at 80,” August 29, 2012, by Daniel E. Slotnik, New York Times;  “Madeleine Sherwood, 93, Actress on Stage, Film and ‘Flying Nun,' Dies,” April 26, 2016, by Sam Roberts, New York Times; “The Making of ‘TheParty',” January 13, 2017, by FilMagicians, Youtube.com; “Beah Richards, 80, Actress in Stalwart Roles,” September 16, 2000, by Mel Gussow, New York Times; “Joanna Barnes, Actress in ‘The Parent Trap' and its Sequel. Dies at 87,” May 12, 2022, by Richard Sanomir, New York Times; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Roger Ebert.com; Movies Mentioned:  Adams's Rib (1949), starring Katharine Hepburn, Spencer Tracy, Judy Holiday, David Wayne, Hope Emerson, Jean Hagen, and Tom Ewell; Born Yesterday (1950), starring Judy Holiday, Broderick Crawford, & William Holden; Auntie Mame (1958), starring Rosalind Russell, Forrest Tucker, Fred Clark, Roger Smith, Jan Handzlik, Corale Brown, Pippa Scott, Lee Patrick, Willard Waterman, Joanna Barnes, Connie Gilchrist, Patric Knowles, and Yuki Shimudo;  Cat On A Hot Tin Roof (1958), starring Elizabeth Taylor, Paul Newman, Burl Ives, Judith Anderson, Jack Carson, and Madeleine Sherwood; Spartacus (1960), starring Kirk Douglas, Laurence Olivier, Jean Simmons, Charles Laughton, Tony Curtis, & Joanna Barnes; The Parent Trap (1961), starring Haley Mills, Maureen O'Hara, Brian Keith, Joanna Barnes, Charles Ruggles, Ana Merkel, Leo G. Carroll, & Cathleen Nesbitt; The Americanization of Emily (1963), starring Julie Andrews & James Garner; The Time Traveler (1964), starring Preston Foster; Goodbye Charlie (1964), starring Tony Curtis, Debbie Reynolds, Ellen Burstyn, Pat Boone, & Joanna Barnes; Barefoot In The Park (1967), starring Jane Fonda, Robert Redford, Mildred Natwick, Charles Boyer, Herb Edelman, and Mabel Albertson; Don't Make Waves (1967) starring Tony Curtis, Claudia Cardinale, Sharon Tate, and Joanna Barnes; Guess Who's Coming To Dinner (1967), starring Katharine Hepburn, Spencer Tracy, Sidney Poitier, Katharine Houghton, Beah Richards, Roy E. Glen Sr, Cecil Kellaway, Isabelle Sanford, and Virginia Christine; The Party (1968), starring Peter Sellers, Claudine Longet, Denny Miller, Carol Wayne, Gavin MacLeod, Faye McKenzie, Marge Champion, Steve Frankel, Jean Carson, Corine Cole, J. Edward McKinley, and Herb Ellis; The Parent Trap (1998), starring Lindsay Lohan, Dennis Quaid, Natasha Richardson, Elaine Hendrix, & Lisa Ann Walter.  --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are back to Christmas comedy today with one of radio's most popular couples, George Burns and Gracie Allen. Their special guests in this Christmas episode are Charles Laughton and Elsa Lanchester, as Gracie uses some backhanded manipulation to get Charles to be Santa Claus in an amateur theatre production. Also, we are doing a Baby Snooks skit about Snooks getting caught raiding the Christmas gifts. It's a double-bill of merry mayhem. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

The 628th edition of Have You Ever Seen has Ryan doing a monologue about The Hunchback Of Notre Dame. William Dieterle directs this adaptation of Victor Hugo's tragic novel as a strange love triangle, with both Cedric Hardwicke's Frollo and Charles Laughton's Quasimodo falling hard for Maureen O'Hara's Esmeralda. Perc Westmore's makeup and many other technical aspects of this production are quite impressive, but the huge Notre Dame set and Laughton's performance as the title character are A+. A theme of persecution by both the fickle masses and by the bloodthirsty powers-that-be was timely when Hunchback was made in the late '30s, but it unfortunately remains relevant today. And while the Hunchback Of Notre Dame is not a fun film, it's a pretty terrific one. Try Sparkplug Coffee. They give our listeners a 20% discount just by using our "HYES" promo code. The website is "sparkplug.coffee/hyes". Rate and review our podcast on your app. Subscribe to us. And give us feedback. We like emails (haveyoueverseenpodcast@gmail.com) and buzzes on Twi-X (@moviefiend51 and @bevellisellis). Bev uses that same @ on Threads/ We're both on Bluesky (ryan-ellis and bevellisellis). Also, find our shows on YouTube (@hyesellis in your browser). Comment, like and subscribe.

Sword and Sandals Month concludes with Stanley Kubrick's blockbuster 1960 collaboration with Kirk Douglas, Spartacus! Ben and Patrick break down the vaugely-historical epic to decide once and for all: sword OR sandals?! Directed by Stanley Kubrick, adapted by Dalton Trumbo, and starring Kirk Douglas, Laurence Olivier, Charles Laughton, Peter Ustinov, Jean Simmons, and Tony Curtis.

After our prior episode about No Way Out, a 1987 adaptation of the novel The Big Clock, this time we talk about the original 1948 adaptation of The Big Clock called... THE BIG CLOCK.

Our 200th Episode! 200 episodes of Hot Dates and Hot Takes on some of the weirdest, most beautiful and just plain bad movies. We've covered Oscar Winners and Razzie Winners, blockbusters and indie films, classics and guilty pleasures.   To celebrate this milestone, we've invited Alexandra Kopko from the Film Bros Podcast to discuss our favorite directorial debuts.  Dan and Vicky and Alex offer their top tens and a fun list of alternates.  From the Gerwigs to the Raimis to the Lumets, hear the films that paved the way for some of the greatest careers in film - and some that were one and done!  It's an epic chat, out longest show EVER! Dan and Vicky also discuss their usual recently seen - a bevy of great TV and film offerings.   Our socials:  hotdatepod.com https://thefilmbros.podbean.com FB:  Hot Date Podcast Twitter: @HotDate726 Insta:  hotdatepod

Josh and Drusilla recorded this the day before the election. Yikes! From wiki: “The Night of the Hunter is a 1955 American film noir thriller directed by Charles Laughton and starring Robert Mitchum, Shelley Winters and Lillian Gish. The screenplay by James Agee was based on the 1953 novel of the same name by Davis Grubb. The plot involves a serial killer (Mitchum) who poses as a preacher and pursues two children in an attempt to get his hands on $10,000 of stolen cash hidden by their late father.”Also discussed: Conclave (2024), 12 Angry Men, dad movies, Gentlemen Prefer Blondes, Anora, Scream (2022), Promising Young Woman, A Series of Unfortunate Events, Lilian Gish, busy bodies of cinema, The Dark Crystal, Cape Fear, King of the Hill, Don Bluth kids, Over the Garden Wall, NEXT WEEK: Green Room (2015)Follow them across the internet:Bloodhaus: https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/ Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/ Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/

In this week's episode of Unqualified Observers, Kelham and Thomas, sit down to discuss Charles Laughton's only entry in the world of film, 1955's "The Night of the Hunter". Does this greatly revered classic stand the test of time? Only one way to find out, and that is by tuning in to the latest episode. From the stunning lighting and camera work, to Robert Mitchum's ominous presence as Harry Powell, this movie will have you wondering if the people in your life are harboring dark secrets and intentions. So what are you waiting for, come join in the conversation and see why this film is considered a classic in the film community. As always, please rate, review, subscribe, and share this podcast so it can continue to grow and find new audiences. Contact Us: Email - unqualifiedobservers@gmail.com Socials - @observecast @unqualifiedobservers Kelham - @coolgollum Thomas - @stimpyisking

We kick off Noirvember 2024 in style with Charles Laughton's exceptional directorial effort: The Night of the Hunter, starring Robert Mitchum as a fire and brimstone "preacher" who preys on widows in Depression-era West Virginia, but meets his match in two small children hiding an expensive secret. The Night of the Hunter was Laughton's only film as a director, in which he employed a blend of silent film and stage techniques that make it one of the most unique and effective noirs in cinematic history.

Support Breaking Walls at https://www.patreon.com/thewallbreakers Much ink has been spilled on Breaking Walls this year talking about Suspense. For more information on the series in 1944, please tune into Breaking Walls episode 154. The Thanksgiving 1944 episode was called “The Fountain Plays” starring Charles Laughton. It's a story filled with murder, blackmail, and cover-up. The original tale was penned by Dorothy L. Sayers adapted by Robert L. Richards. Richards is famous for having written “The House in Cypress Canyon,” a noted Suspense classic. This is the first of twenty-nine weeks of Roma commercials featuring society figure and entertaining expert Elsa Maxwell. She offers her hard-earned wisdom about wine and other beverage selections. Maxwell was a gossip columnist and writer with occasional movie appearances, but known for her elaborate parties. She is credited with adding games to parties, such as scavenger hunts, to make them more interesting beyond the idle chatter of who was seen with whom or who was invited and who wasn't. Maxwell rose from a lower middle class life in San Francisco to being the host of parties that included big stars and royalty. Elsa Maxwell does not play herself, instead she's played by noted radio actress Lucille Meredith.

Five strangers gather in a spooky house filled with secrets during a terrible storm, and meanwhile two podcasters gather in different time zones to discuss it- join Borgo Pass host Jim Towns and Ian Bates of The Monster Archives podcast as they discuss James Whale's Frankenstein follow-up: 1932's THE OLD DARK HOUSE, starring Boris Karloff, Ernest Thesiger, Melvyn Douglas, Gloria Stuart, Lilian Bond, Raymond Massey and Charles Laughton. 

Americans can't look away from horror stories, whether it's slasher films on the big screen, true crime on the TV screen, or viral videos on the small screens of our phones. And in a lot of ways, as the historian Jeremy Dauber argues, American history is one horror story after another—from the terror the Puritans felt and wrought in the dark of New England, through the atrocities of Native American genocide and enslavement, down to modern fears of nuclear war. Dauber's new book, American Scary: A History of Horror, from Salem to Stephen King and Beyond, plumbs the depths of the nation's past to draw unexpected parallels between contemporary terrors and older ones, whether Frankenstein's connection to Black history or Charlotte Perkins Gilman's veiled xenophobia. Dauber, a professor of Jewish literature and American studies at Columbia University, joins the podcast to talk about old standbys, forgotten gems, and new classics of the horror genre.Go beyond the episode:Jeremy Dauber's American Scary: A History of Horror, from Salem to Stephen King and Beyond Read Charles W. Chestnutt's story about a white master's worst fear, “Mars Jeems's Nightmare,” from the collection The Conjure Woman (1899)Watch The Night of the Hunter (1955), Charles Laughton's only feature and arguably the most American horror filmRead Alice Sheldon's story “The Screwfly Solution,” first published under the pseudonym Raccoona Sheldon in 1977You know we love horror—visit our website for a list of our spookiest episodesSubscribe: iTunes/Apple • Amazon • Google • Acast • Pandora • RSS FeedHave suggestions for projects you'd like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Hosted on Acast. See acast.com/privacy for more information.

Jamaica Inn was Alfred Hitchcock's last British movie before going to Hollywood. It's a rare period piece and the first of three adaptations of a Daphne du Maurier book. Set in the wild moorish landscape of 19th Century Cornwall, Maureen O'Hara plays the young heroine with Charles Laughton chewing the scenery as the colorful magistrate. Details: Produced by Erich Pommer, released in 1939. Written by Sidney Gilliat and Joan Harrison. Starring: O'Hara, Laughton, Leslie Banks, Marie Ney, Emlyn Williams. Cinematography by Harry Stradling and Bernard Knowles. Ranking: 36 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranking lists from critics, fans, and magazines, and will be going through Alfred Hitchcock's films from “worst” to “best.” Jamaica Inn got 930 ranking points and is in last place.

Book Vs. Movie: The Night of the HunterThe 1953 Novel Vs. the 1955 Classic MovieDavis Grubb's 1953 novel *The Night of the Hunter* and its 1955 film adaptation by Charles Laughton offer haunting interpretations of a sinister preacher, Harry Powell, and two children fleeing him. The novel delves deeper into Powell's twisted morality and religious fanaticism. At the same time, the film, featuring Robert Mitchum, presents him as a symbolic figure of evil with striking visual elements, including his "LOVE" and "HATE" tattoos. The book maintains a grounded, psychological tone, while the movie employs a surreal, expressionist style to illustrate the battle between good and evil. Which version did we (the Margos) prefer? Have a listen to find out. In this ep, the Margos discuss:The creepy origin story of the book.Charles Laughton's excellent direction and why he never helmed a picture again. The differences between the novel and the 1955 film. The Movie Cast: Robert Mitchum (Harry Powell,) Shelley Winters (Willa Harper,) Lillian Gish (Rachel Cooper,) Billy Chapin (John Harper,) Sally Jane Bruce (Pearl Harper,) James Gleason (Uncle “Birdie” Steptoe,) Evelyn Varden (Icey Spoon,) Don Beddoe (Walt Spoon,) Peter Graves (Ben Harper,) Gloria Castillo (Ruby,) and Paul Bryar as Bart the Hangman. Clips used:“Harry Speaks to the Lord”The Night of the Hunter (1955 trailer)“John Promises His Dad”“Love and Hate”“He Ain't My Dad” “Leaning”The Night of the Hunter soundtrack by Walter SchumannBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog  https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Book Vs. Movie: The Night of the HunterThe 1953 Novel Vs. the 1955 Classic MovieDavis Grubb's 1953 novel *The Night of the Hunter* and its 1955 film adaptation by Charles Laughton offer haunting interpretations of a sinister preacher, Harry Powell, and two children fleeing him. The novel delves deeper into Powell's twisted morality and religious fanaticism. At the same time, the film, featuring Robert Mitchum, presents him as a symbolic figure of evil with striking visual elements, including his "LOVE" and "HATE" tattoos. The book maintains a grounded, psychological tone, while the movie employs a surreal, expressionist style to illustrate the battle between good and evil. Which version did we (the Margos) prefer? Have a listen to find out. In this ep, the Margos discuss:The creepy origin story of the book.Charles Laughton's excellent direction and why he never helmed a picture again. The differences between the novel and the 1955 film. The Movie Cast: Robert Mitchum (Harry Powell,) Shelley Winters (Willa Harper,) Lillian Gish (Rachel Cooper,) Billy Chapin (John Harper,) Sally Jane Bruce (Pearl Harper,) James Gleason (Uncle “Birdie” Steptoe,) Evelyn Varden (Icey Spoon,) Don Beddoe (Walt Spoon,) Peter Graves (Ben Harper,) Gloria Castillo (Ruby,) and Paul Bryar as Bart the Hangman. Clips used:“Harry Speaks to the Lord”The Night of the Hunter (1955 trailer)“John Promises His Dad”“Love and Hate”“He Ain't My Dad” “Leaning”The Night of the Hunter soundtrack by Walter SchumannBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog  https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

We head to court this week for Hitchcock's 1947 courtroom drama, The Paradine Case. Gregory Peck leads the cast as a famed London lawyer who defends a notorious widow accused of poisoning her husband. Charles Laughton costars as a lascivious judge, and a very young Louis Jourdan appears as a French heartthrob who was valet for the victim. Details: A David O. Selznick/Vanguard Film. Released in 1947. Produced by Selznick. Screenplay by Selznick, based on Robert Hitchens' novel. Starring Gregory Peck, Ann Todd, Valli, Charles Coburn, Charles Laughton, Louis Jourdan, Ethel Barrymore, and Joan Tetzel. Cinematography by Lee Garmes. Ranking: 38 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines The Paradine Case got 854 ranking points.

[School of Movies 2024] For this rather special episode, we firstly welcome to the show for the first time, director Alfred Hitchcock, as we examine his most famous and most revisited film, Psycho (1960). This became the wellspring from which modern-day detective thrillers emerged. But it also has tangled roots in Horror and the grubby stepchild of its sub-genres, the slasher. While other films like Charles Laughton's Night of the Hunter (1955) and John Lee Thompson's Cape Fear (1962) -both weirdly starring Robert Mitchum- were also hugely important, Psycho was less about the stalking killer as it was a torrid dive into the swampy waters of their mind. Deriving from a 1959 novel by Robert Bloch, who lived down the road from Ed Gein as he was being arrested for trying to make a woman-suit, this story, along with Tobe Hooper's The Texas Chainsaw Massacre (1974) and Thomas Harris' Silence of the Lambs (1988) assisted greatly in the lurid, pulp sensationalism of the twisted deviant killer-man-in-a-dress mythology. Despite quiet, clear, firm, researched and experienced protestations from trans folk and their allies who keep having to remind the world at large that they aren't toilet-lurking monsters. We also look at the stunningly ill-advised shot-for-shot remake of the Hitchcock film, directed in 1998 by Gus Van Sant. Superficially, these are exactly the same film, but the devil is in the details. Next week we will be returning to Bates Motel with the far less well-known, but actually pretty good Psycho II, which more pronouncedly paints Norman as a victim.

EPISODE 55 - “Favorite Classic Films of the 1950s ” - 09/30/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** The 1950s was a real transitional decade for classic films. As we got further away from WW2, and the Cold War began to rise up prominently, there was a cynicism across the land that influenced the content of many Hollywood movies. Films took on a grittier, more realistic feel, and the subject matters were darker and more controversial. It was the decade that sparked masterpieces like “Sunset Boulevard,” “All About Eve,” “From Here To Eternity,” “Cat On A Hot Tin Roof,” “A Streetcar Named Desire,” “Anatomy of a Murder,” “ Strangers on a Train,” “Shane,” and “High Noon.” Listen as Steve and Nan talk about some special 1950s films that inspire them. SHOW NOTES:  Sources: TCM.com; IMDBPro.com; Wikipedia.com; NewYorkTimes.com RogerEbert.com Movies Mentioned:  No Man of Her Own (1950), starring Barbara Stanwyck, John Lund, and Richard Denning; In A Lonely Place (1950), starring Humphrey Bogart and Gloria Grahame; A Place In The Sun (1951), starring Montgomery Cliff, Elizabeth Taylor, and Shelley Winters; Pick Up On South Street (1953), starring Richard Widmark, Jean Peters, Thelma Ritter, and Richard Kiley; Witness For the Prosecution (1957), starring Charles Laughton, Tyrone Power, Marlene Dietrich, and Elsa Lanchester; A Face In The Crowd (1957), starring Andy Griffith, Patricia Neal, Lee Remick, Walter Matthau, and Anthony Franciosa; Big Country (1958), starring Gregory Peck, Jean Simmons, Carroll Baker, Burl Ives, Charles Bickford and Charlton Heston; Indiscreet (1959), starring Cary Grant and Ingrid Bergman; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Konrad Bercovici's The Algonquin Round Table: 25 Years With the Legends Who Lunch (SUNY Press, 2024) is a previously unpublished manuscript exploring the rich history of a New York City landmark. Located in New York's theatre district, the Algonquin Hotel became an artistic hub for the city and a landmark in America's cultural life. It was a meeting place and home away from home for such luminaries as famed wits/authors Alexander Woollcott and Dorothy Parker; Broadway and Hollywood stars, including Tallulah Bankhead and Charles Laughton; popular raconteurs like Robert Benchley; and New York City mayors Jimmy Walker and Fiorello LaGuardia. Observing it all was celebrated author and journalist Konrad Bercovici. Born in Romania, Bercovici settled in New York, where he became known for reporting on its rich cultural life. While digging through an inherited trunk of family papers, his granddaughter, Mirana Comstock, discovered this previously unpublished manuscript on Bercovici's years at the Algonquin Round Table. Lovers of New York lore and fans of American culture will enjoy his vivid, intimate accounts of what it was like to be a member of this distinguished circle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Konrad Bercovici's The Algonquin Round Table: 25 Years With the Legends Who Lunch (SUNY Press, 2024) is a previously unpublished manuscript exploring the rich history of a New York City landmark. Located in New York's theatre district, the Algonquin Hotel became an artistic hub for the city and a landmark in America's cultural life. It was a meeting place and home away from home for such luminaries as famed wits/authors Alexander Woollcott and Dorothy Parker; Broadway and Hollywood stars, including Tallulah Bankhead and Charles Laughton; popular raconteurs like Robert Benchley; and New York City mayors Jimmy Walker and Fiorello LaGuardia. Observing it all was celebrated author and journalist Konrad Bercovici. Born in Romania, Bercovici settled in New York, where he became known for reporting on its rich cultural life. While digging through an inherited trunk of family papers, his granddaughter, Mirana Comstock, discovered this previously unpublished manuscript on Bercovici's years at the Algonquin Round Table. Lovers of New York lore and fans of American culture will enjoy his vivid, intimate accounts of what it was like to be a member of this distinguished circle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Konrad Bercovici's The Algonquin Round Table: 25 Years With the Legends Who Lunch (SUNY Press, 2024) is a previously unpublished manuscript exploring the rich history of a New York City landmark. Located in New York's theatre district, the Algonquin Hotel became an artistic hub for the city and a landmark in America's cultural life. It was a meeting place and home away from home for such luminaries as famed wits/authors Alexander Woollcott and Dorothy Parker; Broadway and Hollywood stars, including Tallulah Bankhead and Charles Laughton; popular raconteurs like Robert Benchley; and New York City mayors Jimmy Walker and Fiorello LaGuardia. Observing it all was celebrated author and journalist Konrad Bercovici. Born in Romania, Bercovici settled in New York, where he became known for reporting on its rich cultural life. While digging through an inherited trunk of family papers, his granddaughter, Mirana Comstock, discovered this previously unpublished manuscript on Bercovici's years at the Algonquin Round Table. Lovers of New York lore and fans of American culture will enjoy his vivid, intimate accounts of what it was like to be a member of this distinguished circle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

"Suspense" was a radio drama series that captivated audiences from 1940 through 1962 during the Golden Age of Radio. Often subtitled "radio's outstanding theater of thrills," this program was a shining example of suspense thriller entertainment. It specialized in delivering heart-pounding stories, typically featuring some of the leading Hollywood actors of its era. With an impressive total of approximately 945 episodes aired over its lengthy run, "Suspense" remains an enduring classic, with over 900 episodes still in existence. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

GGACP marks the 45th anniversary of the 1979 release of Nicholas Meyer's terrific sci-fi- adventure film, "Time After Time" by revisiting this mini-ep from 2015. In this episode: Charles Laughton chases skirts, Gilbert tears down "Regarding Henry," Malcolm McDowell meets his future wife and the boys pay tribute to a lesser-known Lugosi classic. PLUS: "Jack the Stripper"! "The Night of the Hunter"! The brilliance of David Warner! And Marlon Brando inspires Mike Myers! Learn more about your ad choices. Visit megaphone.fm/adchoices