Podcast appearances and mentions of Charles Laughton

Good evening. Welcome to Dial P for Podcast, Patrick Ripoll's year-long chronological voyage through the films of Alfred Hitchcock. Every month Patrick will be watching four Hitchcock features and talking about them here, from The Pleasure Garden to Family Plot, all across the year of 2026, examining the life and work of England's most famous cinema pervert.In this episode Alfred Hitchcock finally escapes the confines of the British film industry, only to once again find himself a small fish in a large pond. With The Lady Vanishes (1938) he takes the 39 Steps formula into dizzying new heights of paranoia and sophistication, in Jamaica Inn (1939) he clashes with the ego of producer/star Charles Laughton, in Rebecca (1940) he breaks ground in Hollywood with a career high gothic romance classic and Foreign Correspondent (1940) finds him back to the thriller, but with greater production values and a more urgent plea for intervention than ever.One of the most important stretches of Alfred Hitchcock's career, producing some of the greatest works in his filmography! Check it out!0:00 - 0:33 - Intro0:34 - 46:00 - The Lady Vanishes (1938)46:01 - 1:18:20 - Jamaica Inn (1939)1:18:21 - 2:34:24 - Rebecca (1940)2:34:25 - 3:43:14 - Foreign Correspondent (1940)3:43:15 - 3:44:04 - Outro

Lux Radio Theater "The Sidewalks of London" February 12, 1940 CBS starring Charles Laughton and Elsa Lanchester 

Our exit today has us stepping through the door and we're floating in a most peculiar way. This week, we are talking about Mr. Deeds, written by Tim Herlihy and directed by Steven Brill. And we have brought along our most frequent passenger, Mitchell Beaupre!Along the way, we of course compare the film to Tripp's beloved 1936 original, talk a lot of Adam Sandler and Winona Ryder, think about the purpose of remakes, and even talk The Coen Brothers, Charles Laughton, John Woo, Richard Pryor, Billie Eilish, shoplifting, DVD collecting, Tripp's childhood goldfish, and a little David Bowie.And listen to some behind the scenes exploits where we finally learn if Ross actually listens to what Tripp is saying!Theme music by Jonworthymusic.Powered by RiversideFM.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies Recommended on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

Blamison is back with another spectacular episode! We welcome friend of the podcast Brad Kelly, host of Method and Madness podcast and author of the new book, The Earthen Dark, to the show! In this episode we discuss the classic 1955 film The Night of the Hunter starring Robert Mitchum and Lilian Gish. We discuss how one-time director Charles Laughton took some risks in his cinematography and how it ends up making this film standout among its peers. We are dig into who the real bad guy is, the dream logic of the film and many other elements.Also talked about: A.I., tarot cards & Brad's new book.Clip: Academia Humor by Jeff AcuriSound Engineering: Justin Wiechic

A STATUE of the goddess Athena has been discovered among the ruins of Laodicea—the site of the church Jesus said he would vomit out of his mouth. This is a fitting symbol for the world today. Athena is one manifestation of the ancient Sumerian goddess Inanna, a gender-fluid entity of sex and violence. If you've paid attention to the news over the last decade, you can see why we believe Inanna is the spirit of the age. Further, her descriptions in Sumerian texts are consistent with that of the woman in scarlet called Babylon the Great in Revelation 17. Although there has been pushback against the woke gender agenda by the Trump administration and a few other places around the world, Donald Trump won't be president forever. It's our mission to use this reprieve to share the gospel while we can.  We also discuss the ever-increasing calls for “disclosure” of government UFO files and the tragic death of paranormal writer and broadcaster David Wilcock this week at the age of 53. Here's the video we referred to of the legendary Charles Laughton reciting the story of Shadrach, Meshech, and Abednego from the third chapter of Daniel on The Ed Sullivan Show: https://www.youtube.com/watch?v=vmIcQTA1iu0 Sharon's niece, Sarah Sachleben, is fighting stage 4 bowel cancer, and the medical bills are piling up. If you are led to help, please go to GilbertHouse.org/hopeforsarah. Follow us! X (formerly Twitter): @pidradio | @sharonkgilbert | @derekgilbert | @gilberthouse_tvTelegram: t.me/gilberthouse | t.me/sharonsroom | t.me/viewfromthebunkerSubstack: gilberthouse.substack.comYouTube: @GilbertHouse | @UnravelingRevelationFacebook.com/pidradio JOIN US IN ISRAEL! We will tour the Holy Land October 11–23, 2026 with an optional three-day extension to Jordan. For more information, log on to GilbertHouse.org/travel. Thank you for making our Build Barn Better project a reality! Our 1,200 square foot pole barn has a new HVAC system, epoxy floor, 100-amp electric service, new windows, insulation, lights, and ceiling fans! If you are so led, you can help out by clicking here: gilberthouse.org/donate. Get our free app! It connects you to this podcast, our weekly Bible studies, and our weekly video programs Unraveling Revelation and A View from the Bunker. The app is available for iOS, Android, Roku, and Apple TV. Links to the app stores are at pidradio.com/app. Video on demand of our best teachings! Stream presentations and teachings based on our research at our new video on demand site: gilberthouse.org/video! Think better, feel better! Our partners at Simply Clean Foods offer freeze-dried, 100% GMO-free food and delicious, vacuum-packed fair trade coffee from Honduras. Find out more at GilbertHouse.org/store/.

For April, I'm featuring some of my favorite movies with their stars appearing in tales well calculated to keep you in Suspense. First up is Witness for the Prosecution, Billy Wilder's engrossing courtroom drama adapted from the story by Agatha Christie. We'll hear the stars of the film - Charles Laughton, Elsa Lanchester, Marlene Dietrich, and Tyrone Power - in radio thrillers as well as a recreation of the Christie story. Real-life husband and wife Charles Laughton and Elsa Lanchester star in "The ABC Murders" - another Christie story (originally aired on CBS on May 18, 1943). Ms. Dietrich stars in "Murder Strikes Three Times" (originally aired on CBS on February 16, 1950), and Mr. Power headlines "The Guilty Always Run" (originally aired on CBS on March 22, 1954). Then we'll hear "Witness for the Prosection" presented on The Mollé Mystery Theatre (AFRS rebroadcast from May 31, 1946).

https://daredaniel.com/wp-content/uploads/2026/03/CANON-FODDER_S01_E58.mp3 The Night of the Hunter (1955; Dir.: Charles Laughton) Canon Fodder Episode 58 Daniel and Corky are leaning… leaning… leaning on the everlasting charms of Robert Mitchum in Charles Laughton’s stone-cold masterpiece The Night of the Hunter. Unquestionably the greatest film directed by someone who only made one movie, The Night of the Hunter influenced filmmakers from David Lynch to Spike Lee to Guillermo del Toro. But did your hosts go gentle into that great Night, or do they possess the hearts of a lonely Hunter? THE NIGHT OF THE HUNTER FACTS & FIGURES Sight & Sound 2022 Critics Poll Ranking: #25 [tied] World premiere: July 26, 1955 (Des Moines, IA) IMDB synopsis: “A self-proclaimed preacher marries a gullible widow whose young children are reluctant to tell him where their real dad hid the $10,000 he’d stolen in a robbery.” CLIPS & CLIPPINGS Original theatrical trailer for The Night of the Hunter The story of right-hand left-hand Harry and God The Devil wins sometimes Daniel’s 2010 review of The Night of the Hunter NEXT EPISODE’S MOVIE A Touch of Zen (1971; Dir.: King Hu) IMDB synopsis: “A lady fugitive on the run from corrupt government officials is joined in her endeavors by an unambitious painter and skilled Buddhist monks.” Our review of A Touch of Zen comes out Tuesday, April 14! Follow Dare Daniel & Canon Fodder on Facebook and Instagram. Be sure to listen, rate, review and subscribe to the show on Pandora, Apple Podcasts, Spotify, Listen Notes, Castbox and more. New episodes every other Tuesday! Please help support the show by clicking the Donate button on the homepage or find “Support the Show” in the main menu. Read more of Daniel’s movie reviews at Dare Daniel and Rotten Tomatoes. The post Canon Fodder – The Night of the Hunter appeared first on Dare Daniel Family of Podcasts.

José Egea relata su reciente experiencia sensorial de cinco días a bordo del submarino Galerna, una inmersión necesaria para su futuro proyecto documental titulado COTA 14, el cual surgió tras una inspiradora charla con el director John McTiernan. En este contexto, Egea aprovecha para profundizar en el análisis de la película "Testigo de cargo", calificándola como una obra de escuela dirigida magistralmente por Billy Wilder, donde sobresalen las interpretaciones de Charles Laughton, en un papel que recuerda a Winston Churchill, y Marlene Dietrich. La cinta destaca por un guion excepcional basado en la obra de Agatha Christie, el uso innovador de los flashbacks y un giro final tan impactante que en su estreno original se pedía al público no revelarlo. Finalmente, el productor reflexiona sobre el proceso de adaptación de la literatura al cine, señalando que, aunque se debe respetar la esencia de la obra original, el cine es un lenguaje distinto que juega con los tiempos, los sonidos y los silencios para construir su propia narrativa y conectar con el espectador.

I discuss and review the 1957 Billy Wilder firm starring Charles Laughton. 4/5

Las películas dirigidas por actores pueden ser un acto de vanidad, un intento de búsqueda, un ejercicio personal y obras de arte únicas. Lo que las impulsa no se enmarca en la lógica tradicional del director y su carrera creativa o comercial: el actor suele ponerse detrás de la cámara para explorar algo y transformarse él mismo en camino. Y lo que salga de ahí puede ser totalmente original, como sucedió en su tiempo con La noche del cazador, de Charles Laughton, y claro El apóstol, un proyecto que Robert Duvall arrastraba consigo desde fines de los años 60, y que atravesó por muchas fases antes de plasmarse, por fin, en la pantalla en la única era en que algo así podría haber sido posible: fines de los 90, en el corazón de la explosión del cine independiente estadounidense. Duvall narra la historia de Sonny, un predicador que tras ser expulsado de su parroquia por su esposa y el amante de ésta, agrede gravemente a este último y escapa con lo puesto hacia el camino y hacia una vaga idea de redención, vinculada a un minúsculo pueblo de Louisiana, donde —convertido en apóstol, es decir, alguien cuya tarea es fundar nuevas iglesias— intentará revivir una congregación y esperar que el destino le alcance. Brillante como filme de personajes, genial como retrato de una comunidad donde la fe juega un rol articulador, The Apostle es el legado central de una carrera insuperable. De eso y más se habla en este podcast.

Episode 155: Evan, Rémy and Marcus go one f'n hour on Charles Laughton's THE NIGHT OF THE HUNTER (1955), a nightmarish and macabre American fairy tale where Mother Goose collides with Southern Gothic horror. From Robert Mitchum's preacher of hate to the film's eerie storybook imagery, we break down how this singular masterpiece became one of the most haunting movies ever made. If you are able to support Tom Fitzgerald, please sign up for the OFH Patreon (⁠https://www.patreon.com/onefuckinghour⁠)

Today on another encore episode of the Rarified Heir Podcast we are talking to actor Christopher Murray, son of the acting dynamo parents, Don Murray and Hope Lang. Born into show business – his grandparents we in show business too, Christopher tells us all about his life growing up with two famous parents. When both your father are Academy Award nominated actor for his first film, Bus Stop with Marilyn Monroe and your mother earns one at age 24 for Peyton Place, it's probably likely, acting will be your calling. So on part one of our conversation with Christopher, we get quite a bit of background on both of his amazing parents. Like what you ask? Well, how about the work his parents helped displaced Europeans during WWII and the Korean War that still is making inroads to this day? Or possibly how his mother provided a safe haven for good friends and gay Hollywood couples during his youth? Or maybe it's how after his parents' divorce, his step-father became iconic film director Alan J. Pakula? And that's just the beginning. If Elvis Presley, Roddy McDowell, Charles Laughton, Sean Connery, Kathleen Turner and Eleanor Roosevelt mean something to you, then this is your episode. The Rarified Heir Podcast. Everyone has a story. This one has two. And we haven't even mentioned his parents Broadway yet, have we?   

Released in 1932, The Old Dark House is one of the earliest and most influential horror films of the Universal era, directed by Frankenstein filmmaker James Whale. Starring Boris Karloff, Gloria Stuart, Melvyn Douglas, and Charles Laughton, this eerie gothic tale blends macabre humor, atmospheric terror, and unforgettable performances. In this review and discussion, Chris and Gerry explore The Old Dark House as both a horror classic and a proto-dark comedy, examining its themes, visual style, and place in the early sound-era cinema. We'll also discuss James Whale's directing, the film's cult reputation, and why it still resonates with classic horror fans today.

To untold millions of people she will always be bright-eyed Jane Banks in the original Mary Poppins (1964). The real-life Karen Dotrice is the mother of three who grew up in a show-business family. Her father Roy was a member of the Royal Shakespeare Company and her godfather was Charles Laughton! Luckily for us, Karen cherishes the memory of making Poppins and has especially fond recollections of Walt Disney, who lavished personal attention on her and her family while they were in Los Angeles. Jessie and Leonard were tickled pink to engage in conversation with a woman they've known and admired for years. (Karen even attended Jessie's bat mitzvah!) This interview first aired in 2022.

Welcome to It's A Wonderful Podcast!Happy New Year to you all! We hope 2026 brings you all you could wish for! We are incredibly excited for everything we have planned for the upcoming year, including celebrating our 400th episode of the main show NEXT WEEK!We're starting 2026 with an insightful, and important series highlighting PRE-CODE HOLLYWOOD, kicking things off with Cecil B. DeMille's THE SIGN OF THE CROSS (1932) starring Fredric March, Elissa Landi, Claudette Colbert & Charles Laughton!Our YouTube Channel for all our video content: ⁠⁠⁠⁠⁠⁠(17748) It's A Wonderful Podcast - YouTube⁠⁠⁠⁠⁠⁠The It's A Wonderful Podcast Theme by David B. Music.Donate:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IT'S A WONDERFUL PODCAST STORE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Morgan:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jeannine:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_Keep being wonderful!!

Archie's latest scheme is to turn the tavern into an exclusive actor's club. Charles Laughton is to be the first member.Originally aired on April 18, 1944. This is episode 126 of Duffy's Tavern.Please email questions and comments to host@classiccomedyotr.com.Like us on Facebook at facebook.com/classiccomedyotr. Please share this podcast with your friends and family.You can also subscribe to our podcast on Spreaker.com, Spotify, iTunes, Stitcher, TuneIn, iHeartRadio, and Google podcasts.This show is supported by Spreaker Prime.Become a supporter of this podcast: https://www.spreaker.com/podcast/classic-comedy-of-old-time-radio--5818299/support.

Steve Turek and Kevin Slick get stalked by Robert Mitchum as they try to survive The Night of the Hunter (dir. Charles Laughton). Plus Mark Matzke's Beta Capsule Review (Ultraman Taro)! Voicemail: (360) 524-2484‬ Email: monsterkidradio@gmail.com Deth Designs - https://dethdesigns.bigcartel.com/ Monster Kid Radio on Patreon - https://www.patreon.com/c/monsterkidradio Monster Kid Radio on Twitch! - https://www.twitch.tv/monsterkidradio Monster Kid Radio on YouTube - http://youtube.com/monsterkidradio Follow Mark MatzkeMonster Study Group - https://podcasts.apple.com/us/podcast/monster-study-group/id1526013554 Small Town Monsters - https://www.smalltownmonsters.com Follow Steve TurekDieCast Movie Podcast - https://www.facebook.com/profile.php?id=100063695340771 Follow Kevin SlickMusic, Photography, and More - https://kevinslick.com/ Kevin Slick on YouTube - https://www.youtube.com/@kgslick50 Follow Monster Bash Creepy Classic - https://creepyclassics.com/ Classic Horror Film Board - https://classichorrorfilmboard.com/ Executive Producer - https://www.podcascadia.com/ "el Oasis" (Porsaguera) provided courtesy of Porsaguera https://porsaguera.bandcamp.com/ Bride of Monster Kid Radio is a Team Deth Production. All original content of Bride of Monster Kid Radio is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 International License. You can learn more about Team Deth, our other projects like Deth Merchant, Mail Order Zombie, Deth Writer, and more at www.teamdeth.com. Please rate and review Monster Kid Radio wherever you download your favorite podcasts. Next time on Bride of Monster Kid Radio: Follow us on Patreon to find out!

Show Notes This week, bafflement abounds as we discuss the 1996 film The Hunchback of Notre Dame. We watched it, I dare say we enjoyed it a lot, we still are not sure how or why this movie exists. Beautiful animation, fantastic music, great voice acting (mostly) and yet, why is this? Is it a kid's movie? No. Does Disney think it is? Yes? But I don't think there is another G rated movie with the antagonist smelling a woman and then trying to murder her for giving him pants feelings. WHAT IS THIS? Recommendations: The Pillars of the Earth by Ken Follett (book) The Hunchback of Notre Dame, a 1923 silent film starring Lon Chaney as Quasimodo The Hunchback of Notre Dame, a 1939 sound film starring Charles Laughton as Quasimodo and Maureen O'Hara as Esmeralda The Hunchback of Notre Dame, a 1956 French film starring Anthony Quinn as Quasimodo and Gina Lollobrigida as Esmeralda Next up: Hercules (1997)

This week we cover the sole directing credit for Charles Laughton, "The Night of the Hunter." We cover the development from book to screen of this film, discussing casting, production, and conception. We then dive into the film itself, and lovingly describe everything that makes this a special film. Finally, we each pair the film with another for a pair of double bills for your viewing pleasure.Thank you so much for listening! Support us at Patreon at https://www.patreon.com/DoubleBillChill Created by Spike Alkire & Jake KelleyTheme Song by Breck McGoughFollow us on Instagram: @DoubleBillChillLetterboxd: FartsDomino44

Chris and Gerry step back into merry old Pariee as they revisit The Hunchback of Notre Dame (1939), one of the most iconic and emotionally powerful films of Hollywood's Golden Age. In this video, we break down Charles Laughton's unforgettable performance as Quasimodo, explore the film's groundbreaking makeup and set design, and discuss how this adaptation of Victor Hugo's novel shaped the future of classic cinema.  We'll look at the film's themes of compassion, justice, and superstion vs. reality. Whether you're a longtime fan of classic Hollywood or discovering this masterpiece for the first time, this review offers fresh insight into why the 1939 Hunchback of Notre Dame still resonates today.

"It's a hard world for little things." For Episode 385, Brandon and David finish their series of Horror Noir with one of the greatest films of all time, THE NIGHT OF THE HUNTER. Listen as they discuss why led Charles Laughton to direct the Southern Gothic film, how Laughton's sexuality played a factor in the film's themes, why Robert Mitchum wanted to take on the lead role, how they captured some of the film's iconic shots, the immediate aftermath of the film's release, and so much more! Get your tickets for CineNation's upcoming screening of THE NIGHT OF THE HUNTER: https://bit.ly/3K60vIZ Use the code cinenation10 on thecinevault.com to get a 10% discount on your online purchase! Also, don't forget to join our Patreon for more exclusive movie content: https://www.patreon.com/cinenation The Night of The Hunter Screening (00:00:00 Opening - Nouvelle Vague and French New Wave - (00:29:07v) Recap of Horror Noir (00:07:44) Intro to The Night of the Hunter (00:12:11) How The Night of the Hunter Got to Production (00:20:02) Favorite Scenes (00:43:30) On Set Life - (01:15:57) Aftermath: Release and Legacy (01:27:10) What Worked and What Didn't (01:35:39) Awards (01:42:41) Final Questions on the Movie (01:47:03) Final Genre Questions (01:53:58) Wrapping Up the Episode (02:00:26) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

Step into the shadows of early Hollywood horror as Chris and Gerry explore The Island of Lost Souls (1932) - the chilling pre-Code adaptation of H.G. Well' The Island of Dr. Moreau. In this video, Chris and Gerry break down the film's unsettling atmosphere, unforgettable performances (including Charles Laughton as Dr. Moreau), and the bold themes that pushed boundaries before the Hays Code began restricting Hollywood. 

We've got a Halloween Hangover on this week's episode, with two Universal 1932 horror movies, James Whale's The Old Dark House (based on a novel by J. B. Priestley) and Karl Freund's The Mummy, starring Karloff. We explore the curious tone, social themes, and stellar cast (including Charles Laughton, Ernest Thesiger, Eva Moore, Melvyn Douglas, and the excellent Lilian Bond) of Whale's Gothic oddity and The Mummy's connection to Dracula movie history. Then the hangover continues in Fear and Moviegoing in Toronto: we discuss our latest theatrical viewing of the great Dead of Night (1945) as well as a Canadian Thanksgiving viewing of the boomer classic The Big Chill (1983) for a different kind of grappling with mortality and confrontation with horror.  Time Codes: 0h 00m 35s:      THE OLD DARK HOUSE (1932) [dir. James Whale] 0h 35m 45s:      THE MUMMY (1932) [dir. Karl Freund] 0h 58m 08s:      Fear & Moviegoing in Toronto – Dead of Night (1945) by Basil Dearden, Cavalcanti, et al and The Big Chill (1983) by Lawrence Kasdan Studio Film Capsules provided by The Universal Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joel W. Finler 1932 Information from Forgotten Films to Remember by John Springer                                 +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join!           

Charles_Laughton

EPISODE 204: First-Time Filmmakers.  Some directors arrive fully formed, kicking down the door with a debut that rewrites the rules. In this episode, we rank the first films from some of cinema's boldest voices: Charles Laughton's haunting The Night of the Hunter (1955), Peter Bogdanovich's Targets (1968), Paul Schrader's blue-collar nightmare Blue Collar (1978), The Coen Brothers' breakout Blood Simple (1984), and Philip Ridley's surreal The Reflecting Skin (1990). Five debuts. Five filmmakers announcing themselves to the world. Which one deserves to be preserved for all time? New Season: Slashers Season 2 Shop the Show: Limited Run Merch Credits Host: Jason Produced by: Binge Movies Franchisees: Heather, Dan, Jason, Matt, Pete Support: patreon.com/bingemovies

In what might be a first, Dean will offer up both a point and a counterpoint (all on his own) about the merits and deficits of Charles Laughton's The Night of the Hunter. Then, Phil will discuss the long career of the great cinematic surrealist Luis Buñuel and take a deep dive into one particular […]

Original Release Date: Monday 27 October 2025    Description:   In what might be a first, Dean will offer up both a point and a counterpoint (all on his own) about the merits and deficits of Charles Laughton's The Night of the Hunter. Then, Phil will discuss the long career of the great cinematic surrealist Luis Buñuel and take a deep dive into one particular masterpiece of his, the 1950 Los Olividados ("The Young and the Damned"). Buñuel's famous collaborations with Catherine Deneuve will lead Phil and Dean to discuss this legendary star's almost unparalleled status as the "face" of 1960s cinema. Jacque Demy's singular The Umbrellas of Cherbourg gets celebrated as a result. If Ms. Deneuve was NOT the face of global cinema at that time, then that title belonged to the late, great Claudia Cardinale, who gets remembered in "Celebrity Deaths".

The deep dive of class Universal Horror Movies continues with a deep cut, The Old Dark House (1932). From wiki: “The Old Dark House is a 1932 American pre-Code comedy horror film directed by James Whale. Based on the 1927 novel Benighted by J.B. Priestley, the film features an ensemble cast that includes Boris Karloff, Melvyn Douglas, Gloria Stuart, Charles Laughton, Lilian Bond, Ernest Thesiger, Raymond Massey and Eva Moore.[5][6] Set in interwar Wales, the film follows five travellers who seek shelter from a violent storm in the decaying country house of the eccentric Femm family.”Also discussed: feeling good and self-improvement, Jacob's Ladder, The Exorcist II: The Heretic, The People Under the Stairs and other Wes Craven deep cuts, and more. NEXT WEEK: The Creature from the Black Lagoon (1954) Bloodhaus:https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/‪@sisterhyde.bsky.socialJoshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

This week's episode picks up where last week's show left off with a deep dive into Charles Laughton's 1955 masterpiece The Night of the Hunter the ending to which Dean greatly misunderstood. In fact, a special guest stops by to help explain the ending and to discuss the film through the prisms of expressionism, surrealism […]

Original Release Date: Monday 13 October 2025    Description:   This week's episode picks up where last week's show left off with a deep dive into Charles Laughton's 1955 masterpiece The Night of the Hunter the ending to which Dean greatly misunderstood. In fact, a special guest stops by to help explain the ending and to discuss the film through the prisms of expressionism, surrealism and absurdism. Then, Dean, Phil, and (frequent collaborator) Jon Lawlor discuss several filmmaking and film distribution and film marketing topics pertaining to Paul Thomas Anderson's One Battle After Another. In 1964, the United Nations produced four movies for television. One of them featured an all-star cast and a script by Rod Serling. Carol for Another Christmas gets discussed. Finally, the recent conversation the gents had about Carl Theodore Dreyer's The Passion of Joan of Arc inspired a thoughtful email from a loyal listener.

King Henry VIII is best known for his tempestuous marriages and his penchant for cutting off people's heads. But where does fiction meet fact?In this special episode, Professor Suzannah Lipscomb is joined by a panel of experts to discuss Henry on screen and what those portrayals got right or wrong. Who gave the most convincing performance? Was it Damien Lewis in Wolf Hall, Robert Hardy in A Man for All Seasons, Jude Law in Firebrand, or Charles Laughton in The Private Life of Henry VIII?Dr Joanne Paul, Jessie Childs and Alex von Tunzelmann join Suzannah to explore why this towering figure continues to fascinate us more than 500 years after he came to the throne.More:Thomas More on Film: The Historians' Verdict Mary Queen of Scots on Film: The Historians' Verdict Presented by Professor Suzannah Lipscomb. The audio editors are Alex Elkins and Amy Haddow and the producers are Fiona Turnock and Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcast.Sign up to History Hit to see Suzannah and her guests debate Henry VIII on film, and for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here Hosted on Acast. See acast.com/privacy for more information.

Dana and Tom with 5x Club member, Peterson W. Hill (Co-Host of the War Starts at Midnight podcast) discuss Spartacus (1960) for its 65th Anniversary: directed by Stanley Kubrick, written by Dalton Trumbo, Cinematography by Russell Metty, Music by Alex North, starring Kirk Douglas, Jean Simmons, Tony Curtis, Laurence Olivier, Charles Laughton, and Peter Ustinov.Plot Summary: Spartacus tells the story of a slave in ancient Rome who refuses to accept a life of cruelty and injustice. Born into slavery, Spartacus is forced to fight as a gladiator for the entertainment of wealthy Romans. However, his strength, courage, and sense of dignity inspire other slaves to follow him when he leads a massive revolt, freeing thousands of men, women, and children. Spartacus dreams of escaping Rome's control and living freely. However, the Roman army is powerful and relentless. Despite many victories, Spartacus and his followers cannot escape Rome's reach. In the end, Spartacus is captured and crucified, but his spirit of resistance lives on. The film shows how his fight for freedom challenged the might of an empire and became a symbol of courage against oppression.Chapters:00:00 Introduction, Cast, and Background for Sparatacus03:24 Relationship(s) to Spartacus09:00 Kirk Douglas' Crowning Achievement?15:59 Plot Summary for Spartacus17:04 What is Spartacus About?21:54 Where is Spartacus in the Kubrick Rankings?26:16 Did You Know?31:39 First Break32:28 What's Happening with Peterson?38:19 The Cinema Legacy Poll - #79-7150:50 Best Performance(s)01:05:45 Best Scene(s)01:14:59 Second Break01:15:45 Best/Funniest Lines01:18:07 The Stanley Rubric - Legacy01:25:43 The Stanley Rubric - Impact/Significance01:32:12 The Stanley Rubric - Novelty01:37:53 The Stanley Rubric - Classicness01:42:10 The Stanley Rubric - Rewatchability01:45:11 The Stanley Rubric - Audience Score and Final Total01:47:20 Remaining Questions for Spartacus01:52:21 Thank You Peterson and Final Thoughts02:01:53 CreditsGuest:Peterson W. Hill - Co-Host of the War Starts at Midnight podcast@petersonwhill on IG, Letterboxd, and TwitterPrevious Guest on Gone Girl (2014), Parasite (2019), Fight Club (1999), Ben-Hur (1959), Up in the Air (2009), The Shop Around the Corner (1940),

Original Release Date: Monday 6 October 2025    Description:   In what might be our longest episode ever, but is certainly an epic installment in any event, your friends in podcasting delve into the potential new relevancy of late night television, the frightening potential merger of Paramount/CBS/Skydance with Warner Bros/Discovery, and the power of TikTok (and other social media platforms) in turning this year's Superman into a box office hit. Four of the all-time great films (Carl Thodore Dreyer's 1928 The Passion of Joan of Arc, Luis Bunuel's 1961 Viridiana, Jean Vigo's 1934 L'Atalante, and Charles Laughton's 1955 The Night of the Hunter) receive deep-dive analyses. With pal of the show Jon Lawlor adding support, the influence of Robert Redford's training as a painter on his work as an actor and filmmaker gets discussed as does Burt Bacharach's (terrible) music score for (the great) Butch Cassidy and the Sundance Kid.

In this haunting episode of Scene Missing, we dive deep into Charles Laughton's singular directorial masterpiece, The Night of the Hunter (1955). From its expressionist visual style to Robert Mitchum's chilling performance as the murderous preacher Harry Powell, we break down what makes this Southern Gothic thriller a one-of-a-kind cinematic experience.We explore the film's dreamlike atmosphere, the fairy tale overtones, and how it slipped through the cracks in its time — only to be recognized decades later as one of the most influential American films ever made. Join us as we unpack its themes of good vs. evil, childhood innocence, and religious hypocrisy, all framed by some of the most striking black-and-white cinematography ever put on screen.

Robert Mitchum's sinister preacher, Charles Laughton's only directorial effort, and one of cinema's most haunting thrillers — The Night of the Hunter (1955) went unappreciated in its day. Ed and Melanie explore its striking imagery, Shelley Winters' fate, and Lillian Gish's quiet strength. More at melanieanded.substack.com

The first lady of Suspense, comedy legends, Oscar-winning stars, and some of radio's best character actors fill out the casts of my favorite Suspense shows from 1951. Agnes Moorehead races across town to save a stranger from a date with a killer in “The Death Parade” (originally aired on CBS on February 15, 1951), and Ronald Colman is a nightclub psychic who discovers his act may no longer be a fake in “A Vision of Death” (originally aired on CBS on March 8, 1951). Jack Benny plays a piano tuner who ends up with a bag of stolen money in “Murder in G-Flat” (originally aired on CBS on April 5, 1951), and Phil Harris and Alice Faye face a lynch mob in “Death on My Hands” (originally aired on CBS on May 10, 1951). A cast of veteran radio actors star in a tale of atomic espionage in “The Case for Dr. Singer” (originally aired on June 28, 1951), and Agnes Moorehead returns as a phony spiritualist who may be too convincing for her own good in “The Murder of Adelaide Winters” (originally aired on CBS on September 10, 1951). Charles Laughton plays a notorious murderer from the history books in “Neal Cream, Doctor of Poison” (originally aired on CBS on September 17, 1951). And we close with a double dose of Richard Widmark. He stars in the tale of a bloody post-Civil War Texas feud in “The Hunting of Bob Lee” (originally aired on CBS on October 29, 1951) and as a radio mystery writer who plots an on-air murder in “A Murderous Revision” (originally aired on CBS on December 3, 1951).

In this gripping episode of "Suspense," we delve into the enigmatic tale of "The Fountain Plays," starring Charles Laughton. Set against the backdrop of a quaint English country estate, the story unfolds around Mr. Archibald Spiller, whose seemingly idyllic life is overshadowed by a dark secret. As tensions rise and the fountain's waters conceal more than just their reflections, listeners are drawn into a web of intrigue, deception, and unexpected twists. Will the truth surface, or will it remain hidden beneath the ripples? Tune in to uncover the chilling mystery that lies within the garden's heart.TakeawaysSuspense is a key element in storytelling.Character dynamics can create tension and conflict.The setting plays a crucial role in the narrative.An alibi is essential in a murder mystery.Deception can lead to unexpected consequences.The investigation process is critical in uncovering the truth.The use of a fountain symbolizes both beauty and danger.Dialogue reveals character motivations and relationships.The conclusion often ties back to the beginning themes.Suspense, Roma Wines, The Fountain Plays, Charles Laughton, murder mystery, alibi, investigation, character dynamics, tension, drama

TVC 701.4: Part 2 of a conversation that began last week with actor, author, playwright, and Emmy Award-winning producer Laurence Luckinbill (The Boys in the Band, The Delphi Bureau, Star Trek V: The Final Frontier, Lyndon, Hemingway, Teddy Tonight!, Clarence Darrow Tonight!). Topics this segment include how Larry and Mart Crowley, author of The Boys in the Band, had more in common with each other than either had realized; and the night when Larry saw actor Charles Laughton perform passages from the classics—a transformative experience that helped Larry on his path to becoming an actor. Larry's autobiography, Affective Memories: How Chance and The Theater Saved My Life, is available wherever books are sold through Sunbury Press.

"La noche del cazador" es un clásico de Hollywood, pero de esos clásicos que corren por otro carril: los que inspiran desde una mirada oscura, distinta. Esta obra, impulsada y dirigida por el actor Charles Laughton, muestra una lucha entre el bien y el mal que salta las barreras de las fábulas y los cuentos infantiles: lo que de verdad ocurre cuando termina la historia.

Dana and Tom with returning guest, Ryan Luis Rodriguez (Host of One Track Mind, Co-Host of Reels of Justice Podcast) discuss The Night of the Hunter (1955), celebrating its 70th anniversary: directed by Charles Laughton, written by James Agee, cinematography by Stanley Cortez, music by Walter Schumann, starring Robert Mitchum, Shelley Winters, Lillian Gish, and Peter Graves.Plot Summary: The Night of the Hunter is a suspenseful drama about a dangerous man (Robert Mitchum) posing as a preacher. Set during the Great Depression, the story follows Harry Powell, a charismatic and unsettling figure who travels the countryside, claiming to be a man of God. In reality, he's a con artist and killer.When Harry hears about a man who hid $10,000 from a bank robbery, he marries the man's widow (Shelly Winters) to try to find the money. However, the only people who know its location are her two young children, John and Pearl. As Harry becomes increasingly violent and threatening, the kids flee down the river to escape him.They find safety with a kind woman named Rachel Cooper (Lillian Gish) who protects lost and abandoned children. Ultimately, Rachel stands up to Harry and helps bring him to justice.The movie mixes horror, mystery, and beautiful black-and-white visuals. It's a story about good versus evil—and how bravery can come from even the smallest and quietest people.Chapters:00:00 Introduction and Welcome Back Ryan02:37 Why The Night of the Hunter?04:25 Background for The Night of The Hunter06:27 Why Has The Night of the Hunter Become a Classic Only Recently?10:17 Relationship(s) with The Night of the Hunter17:30 Did Dana Like It?22:18 What is The Night of the Hunter About?25:34 Cinematic Villain Rankings: Harry Powell29:05 Plot Summary for The Night of the Hunter31:13 Did You Know?36:22 First Break37:13 What's Happening with Ryan Luis Rodriguez40:00 GMOAT Hall of Fame - July 202546:54 Best Performance(s)57:20 Best Scene(s)01:06:12 Second Break01:06:54 In Memoriam01:15:19 Best/Funniest Lines01:19:38 The Stanley Rubric - Legacy01:29:29 The Stanley Rubric - Impact/Significance01:32:09 The Stanley Rubric - Novelty01:36:21 The Stanley Rubric - Classicness01:40:13 The Stanley Rubric - Rewatchability01:43:28 The Stanley Rubric - Audience Score and Final Total01:45:06 Remaining Questions for The Night of the Hunter01:46:47 Thank You to Ryan and Remaining Thoughts01:51:19 CreditsGuest:Ryan Luis RodriguezHost of One Track Mind (IG, Letterboxd, Bluesky, Patreon)Co-Host of Reels of Justice Podcast (

Episode 427: The Crew's giving the LOVE hand to Charles Laughton's The Night of the Hunter. This hugely influential film is the only time Charles Laughton got behind the camera. It's often categorized as a horror film or a film noir, but it's more in line with a dark kids fantasy (think Labyrinth, replacing muppets with an evil preacher). The Crew discusses… If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: moviecrewpod@gmail.com

Would you like us to tell you the little story of Arlo and Paul? A-R-L-O! It was with this pretentious film buff that a That Was Then episode on Charles Laughton's sole directorial feature, 1955's The Night of the Hunter, was chosen. P-A-U-L! Do you think he's apt to enjoy a cinephile fave? Now listen, and we'll tell you the story of Gobbledygeek. Those co-hosts, dear hearts, is always a-disagreein' and a-bickerin', one agin t'other. Now hear ‘em! Ol' Paul, he's a-doubtin' the perverse noir his buddy won't shut up about it, and it looks like Arlo's rec is a goner. But wait a minute! With Robert Mitchum's towering and ridiculous performance as a murderous preacher, Arlo's a-winnin'! Yessirree, it's Arlo's love of Looney Tunes gothic horror that's won, and ol' Paul has found something to admire in one more cinematic classic!   NEXT: it's gonna be a hot time at the Smokestack twins' juke in Ryan Coogler's vampire musical Sinners. BREAKDOWN 00:00:35  -  Intro / The Year That Was… 00:31:23  -  The Night of the Hunter 01:34:48  -  Outro / Next MUSIC “Leaning On the Everlasting Arms” by George Beverly Shea, Our Recollections (1996) “Leaning On the Everlasting Arms (Guitar)” by Pierre Fablet, The Night of the Hunter Project (2008)  

James and Thomas discuss one of their favorite films, The Night of the Hunter, directed by Charles Laughton. It's about the sacred innocence of children, and discerning true vs. false prophets. A unique mix of fairy tale, horror, and Southern gothic with expressionist visuals, The Night of the Hunter contains some of the most striking and poetic sequences ever filmed. SIGN UP for Catholic Culture's newsletter: https://www.catholicculture.org/newsletters DONATE to keep this podcast going: https://www.catholicculture.org/donate/audio Music is The Duskwhales, “Take It Back”, used with permission. https://theduskwhales.bandcamp.com

Today on our shorter-than-usual episode we have a rare rehearsal recording of "The Pursuit of Happiness," a radio program written by Norman Corwin and starring Charles Laughton and Elsa Lanchester from December 8, 1939, showcasing Laughton's performance and even capturing a moment where he realizes he is missing script pages, providing a unique glimpse into the unscripted reality of radio rehearsal. And John tells a story about the loss of countless 1930s radio transcriptions from the CBS network.  Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

Continuing our short tribute to radio writer/director/producer Norman, we present an episode of "Columbia Presents Corwin," features Charles Laughton and Elsa Lanchester in a Corwin comedy about Charles E. Gumpert, a seemingly ordinary man who experiences sudden, dramatic personality shifts, believing himself to be various historical figures like Niccolo Paganini, Julius Caesar, Sigmund Freud, and even Samson. These transformations lead to bizarre and humorous situations, causing chaos for his wife, Elsa, who struggles to cope with his constantly changing identities. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

Our journey back through the years of Suspense continues with my favorite episodes from 1944. Lucille Ball is a taxi dancer who hopes to avoid a murderous dance partner in “Dime a Dance” (originally aired on CBS on January 13, 1944), and Charles Ruggles suspects his new housekeeper may be too good to be true in “Suspicion” (originally aired on CBS on February 10, 1944). Orson Welles stars in a rare two-part Suspense science fiction drama “Donovan's Brain” (originally aired on CBS on May 18 and May 25, 1944), and Vincent Price and Ida Lupino co-star in “Fugue in C Minor,” a Gothic horror drama from the pen of Lucille Fletcher (originally aired on CBS on June 1, 1944). Charles Laughton encounters a strange man who claims to have invented an undetectable method for murder in “The Man Who Knew How” (originally aired on CBS on August 10, 1944), and Gene Kelly enjoys a seemingly supernatural streak of luck…until he doesn't in “The Man Who Couldn't Lose” (originally aired on CBS on September 28, 1944).

Join me on a trip back to 1943 and my favorite episodes of Suspense from that year. It was the year production of the show moved from New York to Hollywood, which meant it was easier for film stars to make appearances, and it picked up a sponsor in the form of Roma Wines. We'll hear Maureen O'Hara as a debutante turned detective in “The White Rose Murders” (originally aired on CBS on July 6, 1943), and Warren William reprise his big screen role as The Lone Wolf - a reformed jewel thief turned sleuth - in “Murder Goes for a Swim” (originally aired on CBS on July 20, 1943). Agnes Moorehead cements her status as the “first lady of Suspense” in the legendary “Sorry, Wrong Number” (originally aired on CBS on August 21, 1943), and Orson Welles plays a hunter who tracks human prey in “The Most Dangerous Game” (originally aired on CBS on September 23, 1943). Finally, Charles Laughton is a patriarch whose family reputation may be sullied by murder in “Wet Saturday” (originally aired on CBS on December 16, 1943), and Peter Lorre finds his foolproof murder scheme had an unexpected complication in “Back for Christmas” (originally aired on CBS on December 23, 1943).

Front Row Classics is taking a look at one of the most popular courtroom mysteries ever made. Brandon is joined by friend of the podcast, Matt Duffy, to celebrate Billy Wilder's Witness for the Prosecution. Brandon and Matt celebrate the wit, drama and humor of this movies based on a play by Agatha Christie. The standout performances of Charles Laughton and Marlene Dietrich are especially praised.

“OLD HOLLYWOOD's TOXIC TRIANGLE” - 5/19/2025 (088) Hollywood in the mid-20th century was a world of glitz and glamour, a realm where dreams could be made or destroyed in an instant. It was an era when the silver screen crafted illusions of romance and perfection, yet behind the scenes, the personal lives of its stars often unraveled into chaos, scandal, and tragedy. Few stories exemplify this dark side of Hollywood better than the volatile love triangle involving actress BARBARA PEYTON and actors FRANCHOT TONE and TOM NEAL. What began as a passionate romance descended into obsession, violence, and ultimate ruin—forever marking the three as cautionary tales of unchecked desire and self-destruction. In this episode, we explore this explosive love triangle and its aftermath. SHOW NOTES:  AVA GARDNER MUSEUM: If you would like to make a donation to help support the Ava Gardner Museum in Smithfield, N.C. (Ava'a hometown!), please click on the following link: https://ava-gardner-museum.myshopify.com/products/donations Sources: Kiss Tomorrow Goodbye: The Barbara Payton Story (2012), by John O'Dowd; I Am Not Ashamed (1963), by Barbara Payton; “Tone, Payton, & Neal: Hollywood's Most Toxic Triangle,” January 29, 2022, by Burt Kearns, legsville.com; “Blazing Blonde Bombshell: Barbara Payton's Boulevard of Broken Dreams,” January 6, 2021, by Hadley Hall Meares, Vanity Fair; “The Bottle and Barbara Payton,” November 16, 2018, Travelanche.com; “Notes From The Unashamed,” May 19, 2016, by Kim Morgan, sunsetgun.com; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned:  Once More My Darling (1949), starring Robert Montgomery & Ann Blyth; Trapped (1949), starring Lloyd Bridges & Barbara Payton; Kiss Tomorrow Goodbye (1950), starring James Cagney & Barbara Payton;  Dallas (1950), starring Gary Cooper, Ruth Roman, Steve Cochran, & Barbara Payton; Only The Valiant (1951), starring Gregory Peck & Barbara Payton; Dancing Lady (1933), starring Clark Gable, Joan Crawford, & Franchot Tone; Mutiny on the Bounty (1935), starring Clark Gable, Charles Laughton, & Franchot Tone; Detour (1945), starring Tom Neal & Ann Savage; Another Thin Man (1939), starring William Powell & Myrna Loy; Crime, Inc (1945), starring Tom Neal & Martha Tilton; Blonde Alibi (1946), starring Tom Neal & Martha O'Driscoll; I Shot Billy The Kid (1950), starring Don “Red” Barry, Robert Lowery, & Tom Neal; The Great Jesse James Raid (1953), starring Tom Neal & Barbara Payton; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Elsa Lanchester achieved cinematic immortality with her iconic portrayal of the Bride of Frankenstein in the Universal horror classic. But her work in the realm of monsters was just a part of her long career on the stage and screen - a career that included two Oscar nominations and a dozen films where she co-starred with her husband Charles Laughton. We'll hear the couple in a Suspense adaptation of "The ABC Murders" (originally aired on CBS on May 18, 1943) and in a true crime historical drama from Columbia Presents Corwin ("The Moat Farm Murder," originally aired on CBS on July 18, 1944). Plus, Elsa Lanchester leads an all-female cast in a Suspense thriller set at a girls schoool - "Finishing School" (originally aired on CBS on December 30, 1943).