Podcasts about Bloomsbury Publishing

What does 2026 hold for indie authors and the publishing industry? I give my thoughts on trends and predictions for the year ahead. In the intro, Quitting the right stuff; how to edit your author business in 2026; Is SubStack Good for Indie Authors?; Business for Authors webinars. If you'd like to join my community and support the show every month, you'll get access to my growing list of Patron videos and audio on all aspects of the author business — for the price of a black coffee (or two) a month. Join us at Patreon.com/thecreativepenn. Joanna Penn writes non-fiction for authors and is an award-winning, New York Times and USA Today bestselling thriller author as J.F. Penn. She's also an award-winning podcaster, creative entrepreneur, and international professional speaker. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. (1) More indie authors will sell direct through Shopify, Kickstarter, and local in-person events (2) AI-powered search will start to shift elements of book discoverability (3) The start of Agentic Commerce (4) AI-assisted audiobook narration will go mainstream (5) AI-assisted translation will start to take off beyond the early adopters (6) AI video becomes ubiquitous. ‘Live selling' becomes the next trend in social sales. (7) AI will create, run, and optimise ads without the need for human intervention (8) 1000 True Fans becomes more important than ever You can find all my books as J.F. Penn and Joanna Penn on your favourite online store in all the usual formats, or order from your local library or bookstore. You can also buy direct from me at CreativePennBooks.com and JFPennBooks.com. I'm not really active on social media, but you can always see my photos at Instagram @jfpennauthor. 2026 Trends and Predictions for Indie Authors and Book Publishing (1) More indie authors will sell direct through Shopify, Kickstarter, and local in-person events — and more companies like BookVault will offer even more beautiful physical books and products to support this. This trend will not be a surprise to most of you! Selling direct has been a trend for the last few years, but in 2026, it will continue to grow as a way that independent authors become even more independent. The recent Written Word Media survey from Dec 2025 noted that 30% of authors surveyed are selling direct already and 30% say they plan to start in 2026. Among authors earning over $10,000 per month, roughly half sell direct. In my opinion, selling direct is an advanced author strategy, meaning that you have multiple books and you understand book marketing and have an email list already or some guaranteed way to reach readers. In fact, Kindlepreneur reports that 66% of authors selling direct have more than 5 books, and 46% have more than 10 books. Of course, you can start with the something small, like a table at a local event with a limited number of books for sale, but if you want to consistently sell direct for years to come, you need to consider all the business aspects. Selling direct is not a silver bullet. It's much harder work to sell direct than it is to just upload an ebook to Amazon, whether you choose a Kickstarter campaign, or Shopify/Payhip or other online stores, or regular in-person sales at events/conferences/fairs. You need a business mindset and business practices, for example, you need to pay upfront for setup as well as ongoing management, and bulk printing in some cases. You need to manage taxes and cashflow. You need to be a lot more proactive about marketing, as you won't sell anything if you don't bring readers to your books/products. But selling direct also brings advantages. It sets you apart from the bulk of digital only authors who still only upload ebooks to Amazon, or maybe add a print on demand book, and in an era of AI rapid creation, that number is growing all the time. If you sell direct, you get your customer data and you can reach those customers next time, through your email list. If you don't know who bought your books and don't have a guaranteed way to reach them, you will more easily be disrupted when things change — and they always change eventually. Kindlepreneur notes that “45% of the successful direct selling authors had over 1,000 subscribers on their email lists,” with “a clear, positive correlation between email list size and monthly direct sales income — with authors having an email list of over 15,000 subscribers earning 20X more than authors with email lists under 100 subscribers.” Selling direct means faster money, sometimes the same day or the same week in many cases, or a few weeks after a campaign finishes, as with Kickstarter. And remember, you don't have to sell all your formats directly. You can keep your ebooks in KU, do whatever you like with audiobooks, and just have premium print products direct, or start with a very basic Kickstarter campaign, or a table at a local fair. Lots more tips for Shopify and Kickstarter at https://www.thecreativepenn.com/selldirectresources/ I also recommend the Novel Marketing Podcast on The Shopify Trap: Why authors keep losing money as it is a great counterpoint to my positive endorsement of selling direct on Shopify! Among other things, Thomas notes that a fixed monthly fee for a store doesn't match how most authors make money from books which is more in spikes, the complexity and hassle eats time and can cost more money if you pay for help, and it can reduce sales on Amazon and weaken your ranking. Basically, if you haven't figured out marketing direct to your store, it can hurt you.All true for some authors, for some genres, and for some people's lifestyle. But for authors who don't want to be on the hamster wheel of the Amazon algorithm and who want more diversity and control in income, as well as the incredible creative benefits of what you can do selling direct, then I would say, consider your options in 2025, even if that is trying out a low-financial-goal Kickstarter campaign, or selling some print books at a local fair. Interestingly, traditional publishers are also experimenting with direct sales. Kate Elton, the new CEO of Harper Collins notes in The Bookseller's 2026 trend article, “we are seeing global success with responsive, reader-driven publishing, subscription boxes and TikTok Shop and – crucially – developing strategies that are founded on a comprehensive understanding of the reader.” She also notes, “AI enables us to dramatically change the way we interact with and grow audiences. The opportunities are genuinely exciting – finding new ways to help readers discover books they will love, innovating in the ways we market and reach audiences, building new channels and adapting to new methods of consuming content.” (2) AI-powered search will start to shift elements of book discoverability From LinkedIn's 2026 Big Ideas: “Generative engine optimization (GEO) is set to replace search engine optimization (SEO) as the way brands get discovered in the year ahead. As consumers turn to AI chatbots, agentic workflows and answer engines, appearing prominently in generative outputs will matter more than ranking in search engines.” Google has been rolling out AI Mode with its AI Overviews and is beginning to push it within Google.com itself in some countries, which means the start of a fundamental change in how people discover content online. I first posted about GEO (Generative Engine Optimisation) and AEO (Answer Engine Optimisation) in 2023, and it's going to change how readers find books. For years, we've talked about the long tail of search. Now, with AI-powered search, that tail is getting even longer and more nuanced. AI can understand complex, conversational queries that traditional search engines struggled with. Someone might ask, “What's a good thriller set in a small town with a female protagonist who's a journalist investigating a cold case?” and get highly specific recommendations. This means your book metadata, your website content, and your online presence need to be more detailed and conversational. AI search engines understand context in ways that go far beyond simple keywords. The authors who win in this new landscape will be those who create rich, authentic content about their books and themselves, not just promotional copy. As economist Tyler Cowen has said, “Consider the AIs as part of your audience. Because they are already reading your words and listening to your voice.” We're in the ‘organic' traffic phase right now, where these AI engines are surfacing content for ‘free,' but paid ads are inevitably on the way, and even rumoured to be coming this year to ChatGPT. By the end of 2026, I expect some authors and publishers to be paying for AI traffic, rather than blocking and protesting them. For now, I recommend checking that your author name/s and your books are surfaced when you search on ChatGPT.com as well as Google.com AI Mode (powered by Gemini). You want to make sure your work comes up in some way. I found that Joanna Penn and J.F. Penn searches brought up my Shopify stores, my website, podcast, Instagram, LinkedIn, and even my Patreon page, but did not bring up links to Amazon. If you only have an author presence on Amazon, does it appear in AI search at all? Do you need to improve anything about what the AI search brings up? Traditional publishers are also looking at this, with PublishersWeekly doing webinars on various aspects of AI in early 2026, including sessions on GEO and how book sales are changing, AI agents, and book marketing. In a 2026 predictions article on The Bookseller, the CEO of Bloomsbury Publishing noted, “The boundaries of artificial intelligence will become clearer, enabling publishers to harness its benefits while seeking to safeguard the intellectual property rights of authors, illustrators and publishers.” “AI will be deeply embedded in our workflows, automating tasks such as metadata tagging, freeing teams to focus on creativity and strategy. Challenges will persist. Generative AI threatens traditional web traffic and ad revenue models, making metadata optimisation and SEO critical for visibility as we adjust to this new reality online.” (3) The start of Agentic Commerce AI researches what you want to buy and may even buy on your behalf. Plus, I predict that Amazon does a commerce deal with OpenAI for shopping within ChatGPT by the end of 2026. In September 2025, ChatGPT launched Instant Checkout and the Agentic Commerce Protocol, which will enable bots to buy on websites in the background if authorised by the human with the credit card. VISA is getting on board with this, so is PayPal, with no doubt more payment options to come. In the USA, ChatGPT Plus, Pro, and Free users can now buy directly from US Etsy sellers inside the chat interface, with over a million Shopify merchants coming soon. Shopify and OpenAI have also announced a partnership to bring commerce to ChatGPT. I am insanely excited about this as it could represent the first time we have been able to more easily find and surface books in a much more nuanced way than the 7 keywords and 3 categories we have relied on for so long! I've been using ChatGPT for at least the last year to find fiction and non-fiction books as I find the Amazon interface is ‘polluted' by ads. I've discovered fascinating books from authors I've never heard of, most in very long tail areas. For example, Slashed Beauties by A. Rushby, recommended by ChatGPT as I am interested in medical anatomy and anatomical Venuses, and The Macabre by Kosoko Jackson, recommended as I like art history and the supernatural. I don't think I would have found either of these within a nuanced discussion with ChatGPT. Even without these direct purchase integrations, ChatGPT now has Shopping Research, which I have found links directly to my Shopify store when I search for my books specifically. Walmart has partnered with OpenAI to create AI-first shopping experiences, and you have to wonder what Amazon might be doing? In Nov 2025, Amazon signed a “strategic partnership” with OpenAI, and even though it's focused on the technical side of AI, those two companies in a room together might also be working on other plans … I'm calling it for 2026. I think Amazon will sign a commerce agreement with OpenAI sometime before the end of the year. This will enable at least recommendation and shopping links into Amazon stores (presumably using an OpenAI affiliate link), or perhaps even Instant Checkout with ChatGPT for Amazon. It will also enable a new marketing angle, especially if paid ads arrive in ChatGPT, perhaps even integrating with Amazon Ads in some way as part of any possible agreement, since ads are such a good revenue stream for Amazon anyway. The line between discovery, engagement, and purchase is collapsing. Someone could be having a conversation with an AI about what to read next, and within that same conversation, purchase a bookwithout ever leaving the chat interface. This already happens within TikTok and social commerce clearly works for many authors. It's possible that the next development for book discoverability and sales might be within AI chats. This will likely stratify the already fragmented book eco-system even more. Some readers will continue to live only within the Amazon ecosystem and (maybe) use their Rufus chatbot to buy, and others will be much wider in their exploration of how to find and discover books (and other products and services). If you haven't tried it yet, try ChatGPT.com Shopping Research for a book. You can do this on the free tier. Use the drop down in the main chat box and select Shopping Research. It doesn't have to be for your book. It can be any book or product, for example, our microwave died just before Christmas so I used it to find a new one. But do a really nuanced search with multiple requirements. Go far beyond what you would search for on Amazon. In the results, notice that (at the time of writing) it does not generally link to Amazon, but to independent sites and stores. As above, I think this will change by the end of 2026, as some kind of commerce deal with Amazon seems inevitable. (4) AI-assisted audiobook narration will go mainstream I've been talking about AI narration of audiobooks since 2019, and over the years, I've tried various different options. In 2025, the technology reached a level of emotional nuance that made it much easier to create satisfying fiction audio as well as non-fiction. It also super-charges accessibility, making audio available in more languages and more accents than ever before. Of course, human narration remains the gold standard, but the cost makes it prohibitive for many authors, and indeed many small traditional publishers, for all books. If it costs $2000 – $10,000 to create an audiobook, you have to sell a lot to make a profit, and the dominance of subscription models have made it harder to recoup the costs. Famous narrators and voice artists who have an audience may still be worth investing in, as well as premium production, but require an even higher upfront cost and therefore higher sales and streams in return. AI voice/audio models are continuing to improve, and even as this goes out, there are rumours on TechCrunch that OpenAI's new device, designed by Jony Ive who designed the iPhone, will be audio first and OpenAI are improving their voice models even more in preparation for that launch. In 2026, I think AI-narrated audio will go mainstream with far-reaching adoption across publishing and the indie author world in many different languages and accents. This will mean a further stratification of audiobooks, with high quality, high production, high cost human narrated audio for a small percentage of books, and then mass market, affordable AI-narrated audio for the rest. AI-narrated audiobooks will make audio ubiquitous, and just as (almost) every print book has an ebook format, in 2026, they will also have an audio format. I straddle both these worlds, as I am still a human audiobook narrator for my own work. I human-narrated Successful Self-Publishing Fourth Edition (free audiobook) and The Buried and the Drowned, my short story collection. I also use AI narration for some books. ElevenLabs remains my preferred service and in 2025, I used my J.F. Penn voice clone for Death Valley and also Blood Vintage, while using a male voice for Catacomb. I clearly label my AI-narration in the sales description and also on the cover, which I think is important, although it is not always required by the various services. You can distribute ElevenLabs narrated audiobooks on Spotify, Kobo Writing Life, YouTube, ElevenReader, and of course your own store if you use Shopify with Bookfunnel. There are many other services springing up all the time, so make sure you check the rights you have over the finished audio, as well as where you can sell and distribute the final files. If they are just using ElevenLabs models in the back-end, then why not just do that directly? (Most services will be using someone's model in the back-end, since most companies do not train their own models.) Of course, you can use Amazon's own narration. While Amazon originally launched Audible audiobooks with Virtual Voice (AVV) in November 2023, it was rolled out to more authors and territories in 2025. If your book is eligible, the option to create an audiobook will appear on your KDP dashboard. With just a few clicks, you can create an audiobook from a range of voices and accents, and publish it on Amazon and Audible. However, the files are not yours. They are exclusive to Amazon and you cannot use them on other platforms or sell them direct yourself. But they are also free, so of course, many authors, especially those in KU, will use this option. I have done some for my mum's sweet romance books as Penny Appleton and I will likely use them for my books in translation when the option becomes available. Traditional publishers are experimenting with AI-assisted audiobook narration as well. MacMillan is selling digital audiobooks read by AI directly on their store. PublishersWeekly reports that PRH Audio “has experimented with artificial voice in specific instances, such as entrepreneur Ely Callaway's posthumous memoir The Unconquerable Game,” when an “authorized voice replica” was created for the audiobook. The article also notes that PRH Audio “embrace artificial intelligence across business operations—my entire department [PRH Audio] is using AI for business applications.” And while indie authors can't use AI voices on ACX right now, Audible have over 100 voices available to selected publishing partnerships, as reported by The Guardian with “two options for publishers wishing to make use of the technology: “Audible-managed” production, or “self-service” whereby publishers produce their own audiobooks with the help of Audible's AI technology.” In 2026, it's likely that more traditional publishers — as well as indie authors — will get their backlist into audio with AI narration. (5) AI-assisted translation will start to take off beyond the early adopters Over the years, I've done translation deals with traditional publishers in different languages (German, French, Spanish, Korean, Italian) for some fiction and non-fiction books. But of course, to get these kinds of deals, you have to be proactive about pitching, or work with an agent for foreign rights only, and those are few and far between! There are also lots of languages and territories worldwide, and most deals are for the bigger markets, leaving a LOT of blue water for books in translation, even if you have licensed some of the bigger markets. I did my first partially AI-translated books in 2019 when I used Deepl.com for the first draft and then worked with a German editor to do 3 non-fiction books in German. While the first draft was cheap, the editing was pretty expensive, so I stopped after only doing a couple. I have made the money back now, but it took years. In 2025, AI Translation began to take off with ScribeShadow, GlobeScribe.ai, and more recently, in November 2025, Kindle Translate boosting the number of translated books available. Kindle Translate is (currently) only available to US authors for English into Spanish and also German into English, but in 2026, this will likely roll out to more languages and more authors, making it easier than ever to produce translations for free. Of course, once again, the gold standard is human translation, or at least human-edited translations, but the cost is prohibitive even just for proof-reading, and if there is a cheap or even free option, like Kindle Translate, then of course, authors are going to try it. If the translation gets bad reviews, they can just un-publish. There are many anecdotal stories of indie success in 2025 with AI-translated genre fiction sales (in series) in under-served markets like Italian, French, and Spanish, as well as more mainstream adoption in German. I was around in the Kindle gold-rush days of 2009-2012 and the AI-translation energy right now feels like that. There are hardly any Kindle ebooks in many of these languages compared to how many there are in English, so inevitably, the rush is on to fill the void, especially in genres that are under-served by traditional publishers in those markets. Yes, some of these AI translated books will be ‘AI-slop,' but readers are not stupid. Those books will get bad reviews and thus will sink to the bottom of the store, never to be seen again. The AI translation models are also improving rapidly, and Amazon's Kindle Translate may improve faster than most, for books specifically, since they will be able to get feedback in terms of page reads. Amazon is also a major investor in Anthropic, which makes Claude.ai, widely considered the best quality for creative writing and translation, so it's likely that is used somewhere in the mix. Some traditional publishers are also experimenting with AI-assisted translation, with Harlequin France reportedly using AI translation and human proofreaders, as reported by the European Council of Literary Translators' Associations in December 2025. Academic publisher Taylor and Francis is also using AI for book translation, noting: “Following a program of rigorous testing, Taylor & Francis has announced plans to use AI translation tools to publish books that would otherwise be unavailable to English-language readers, bringing the latest knowledge to a vastly expanded readership.” “Until now, the time and resources required to translate books has meant that the majority remained accessible only to those who could read them in the original language. Books that were translated often only became available after a significant delay. Today, with the development of sophisticated AI translation tools, it has become possible to make these important texts available to a broad readership at speed, without compromising on accuracy.” (6) AI video becomes ubiquitous. ‘Live selling' becomes the next trend in social sales. In 2025, short form AI-generated video became very high quality. OpenAI released Sora 2, and YouTube announced new Shorts creation tools with Veo 3, which you can also use directly within Gemini. There are tons of different AI video apps now, including those within the social media sites themselves. There is more video than ever and it's much easier to create. I am not a fan of short form video! I don't make it and I don't consume it, but I do love making book trailers for my Kickstarter campaigns and for adding to my book pages and using on social media. I made a trailer for The Buried and the Drowned using Midjourney for images and then animation of those images, and Canva to put them together along with ElevenLabs to generate the music. But despite the AI tools getting so much easier to use, you still have to prompt them with exactly what you want. I can't just upload my book and say, “Make a book trailer,” or “Make a short film.” This may change with generative video ads, which are likely to become more common in 2026, as video turns specifically commercial. Video ads may even be generated specifically for the user, with an audience of one, maybe even holding your book in their hands (using something like Cameos on Sora), in the same way that some AI-powered clothing stores do virtual try-ons. This might also up-end the way we discover and buy things, as the AI for eCommerce and Amazon Sellers newsletter says about OpenAI's Sora app, “OpenAI isn't just trying to build a TikTok competitor. They're building a complete reimagining of how we discover and buy things …” “The combination of ChatGPT's research capabilities and Sora's potential for emotional manipulation—I mean, “engagement”—could create something we've never seen before: an AI ecosystem that might eventually guide you through every type of purchase, from the most considered to the most impulsive.” In 2026, there will be A LOT more AI-generated video, but that also leads to the human trend of more live video. While you can use an AI avatar that looks and sounds like you using tools like HeyGen or Synthesia, live video has all the imperfect human elements that make it stand-out, plus the scarcity element which leads to the purchase decision within a countdown period. Live video is nothing new in terms of brand building and content in general, but it seems that live events primarily for direct sales might be a thing in 2026. Kim Kardashian hosted Kimsmas Live in December 2025 with a 45 minute live shopping event with special guests, described as entertainment but designed to be a sales extravaganza. Indie authors are doing a similar thing on TikTok with their books, so this is a trend to watch in 2026, especially if you feel that live selling might fit with your personality and author business goals. It's certainly not for everyone, but I suspect it will suit a different kind of creator to those who prefer ‘no face' video, or no video at all! On other aspects of the human side of social media, Adam Mosseri the CEO of Instagram put a post on Threads called Authenticity after Abundance. He said, “Everything that made creators matter—the ability to be real, to connect, to have a voice that couldn't be faked—is now suddenly accessible to anyone with the right tools.” “Deepfakes are getting better and better. AI is generating photographs and videos indistinguishable from captured media. The feeds are starting to fill up with synthetic everything. And in that world, here's what I think happens.Creators matter more.” It's a long article so just to pick a few things from it: “We like to talk about “AI slop,” but there is a lot of amazing AI content … we are going to start to see more and more realistic AI content.” I've talked to my Patreon Community about this ‘tsunami of excellence' as these tools are just getting better and better and the word ‘slop' can also be applied to purely human output, too. If you think that AI content is ‘worse' than wholly human content, in 2026, you are wrong. It is now very very good, especially in the hands of people who can drive the AI tools. Back to Adam's post: “Authenticity is fast becoming a scarce resource, …The creators who succeed will be those who figure out how to maintain their authenticity [even when it can be simulated] …” “The bar is going to shift from “can you create?” to “can you make something that only you could create?” He talks about how the personal content on Instagram now is: “unpolished; it's blurry photos and shaky videos of people's daily experiences … flattering imagery is cheap to produce and boring to consume. People want content that feels real… Savvy creators are going to lean into explicitly unproduced and unflattering images of themselves. In a world where everything can be perfected, imperfection becomes a signal. Rawness isn't just aesthetic preference anymore—it's proof. It's defensive. A way of saying: this is real because it's imperfect.” While I partially love this, and I really hope it's true, as in I hope we don't need to look good for the camera anymore I would also challenge Adam on this, because pretty much every woman I know on social media has been sent sexual messages, and/or told they are ugly and/or fat when posting anything unflattering. I've certainly had both even for the same content, but I don't expect Adam has been the target for such posting! But I get his point. He goes on:“Labeling content as authentic or AI-generated is only part of the solution though. We, as an industry, are going to need to surface much more context about not only the media on our platforms, but the accounts that are sharing it in order for people to be able to make informed decisions about what to believe. Where is the account? When was it created? What else have they posted?” This is exactly what I've been saying for a while under my double down on being human focus. I use my Instagram @jfpennauthor as evidence of humanity, not as a sales channel. You can do both of course, but increasingly, you need to make sure your accounts at places have longevity and trust, even by the platforms themselves. Adam finishes: “In a world of infinite abundance and infinite doubt, the creators who can maintain trust and signal authenticity—by being real, transparent, and consistent—will stand out.” For other marketing trends for 2026, I recommend publicist Kathleen Schmidt's SubStack which is mostly focused on traditional publishing but still interesting for indies. In her 2026 article, she notes: “We have reached a social media saturation point where going viral can be meaningless and should not be the goal; authenticity and creativity should. She also says, “In-person events are important again,” and, “Social media marketing takes a nosedive… we have reached a saturation point … What publishers must figure out is how to make their social media campaigns stand out. If they remain somewhat uninspired, the money spent on social ads won't convert into book sales.” I think this is part of the rise of live selling as above, which can stand out above more ‘produced' videos. Kathleen also talks about AI usage. “AI can help lighten the burden of publicity and marketing.” “A lot of AI tools are coming to market to lessen the load: they can write pitches, create media lists for you, send pitches for you, and more. I know the industry is grappling with all things AI, but some of these tools are huge time savers and may help a book more than hurt it.” On that note … (7) AI will create, run, and optimise ads without the need for human intervention Many authors will be very happy about this as marketing is often the bane of our author business lives! As I noted in my 2026 goals, I would love to outsource more marketing tasks to AI. I want an “AI book marketing assistant” where I can upload a book and specify a budget and say, ‘Go market this,' then the AI will action the marketing, without me having to cobble together workflows between systems. Of course, it will present plans for me to approve but it will do the work itself on the various platforms and monitor and optimize things for me. I really hope 2026 is the year this becomes possible, because we are on the edge of it already in some areas. Amazon Ads launched a new agentic AI tool in September 2025 that creates professional-quality ads. I've also been working with Claude in Chrome browser to help me analyse my Amazon Ad data and suggest which keywords/products to turn off and what to put more budget into. I'll do a Patreon video on that soon. Meta announced it will enable AI ad creation by the end of 2026 for Facebook and Instagram. For authors who find ad creation overwhelming or time-consuming, this could be a game-changer. Of course, you will still need a budget! (8) 1000 True Fans becomes more important than ever Lots of authors and publishers are moaning about the difficulty of reaching readers in an era of ‘AI slop' but there is no shortage of excellent content created by humans, or humans using AI tools. As ever, our competition is less about other authors, or even authors using AI-assisted creation, we're competing against everything else that jostles for people's attention, and the volume of that is also growing exponentially. I've never been a fan of rapid release, and have said for years that you can't keep up with the pace of the machines. So play a different game. As Kevin Kelly wrote in 2008, If you have 1000 true fans, (also known as super fans), “you can make a living — if you are content to make a living but not a fortune.” [Kevin Kelly was on this show in 2023 talking about Excellent Advice for Living.] Many authors and the publishing industry are stuck in the old model of aiming to sell huge volumes of books at a low profit margin to a massive number of readers, many of them releasing ever faster to try and keep the algorithms moving. But the maths can work for the smaller audience of more invested readers and fans. If you only make $2 profit on an ebook, you need to sell 500 ebooks to make $1000, and then do it again next month. Or you can have a small community like my patreon.com/thecreativepenn where people pay $2 (or more) a month, so even a small revenue per person results in a better outcome over the year, as it is consistent monthly income with no advertising. But what if you could make $20 profit per book? That is entirely possible if you're producing high quality hardbacks on Kickstarter, or bundle deals of audiobooks, or whole series of ebooks. You would only need to sell to 50 people to make $1000. What about $100 profit per sale, which you can do with a small course or live event? You only need 10 people to make $1000, and this in-person focus also amplifies trust and fosters human connection. I've found the intimacy of my live Patreon Office Hours and also my webinars have been rewarding personally, but also financially, and are far more memorable — and potentially transformative — than a pre-recorded video or even another book. From the LinkedIn 2026 Big Ideas article: “In an AI-optimized world, intentional human connection will become the ultimate luxury.” The 1000 True Fans model is about serving a smaller, more personal audience with higher value products (and maybe services if that's your thing). As ever, its about niche and where you fit in the long long long long long tail. It's also about trust. Because there is definitely a shortage of that in so many areas, and as Adam Mosseri of Instagram has said, trust will be increasingly important. Trust takes time to build, but if you focus on serving your audience consistently, and delivering a high quality, and being authentic, this emerges as part of being human. In an echo of what happened when online commerce first took off, we are back to talking about trust. Back in 2010, I read Trust Agents: by Julien Smith and Chris Brogan, which clearly needs a comeback. There was a 10th anniversary edition published in 2020, so that's worth a read/listen. Chris Brogan was also on this show in 2017 when we talked about finding and serving your niche for the long term. That interview is still relevant, here's a quick excerpt, where I have (lightly edited) his response to my question on this topic back in 2017: Jo: The principle of know, like, and trust, why is that still important or perhaps even more important these days? Chris: There are a few things that at play there, Joanna. One is that the same tools that make it so easy for any of us to start and run a business also allow certain elements to decide whether or not they want to do something dubious. And with all new technologies that come, you know, there's nothing unique about these new technologies. In the 1800s, anyone could put anything in a bottle and sell it to you and say, this is gonna cure everything. Cancer — gone. And the bottle could have nothing in. You know, it could be Kool-Aid. And so, the idea of trying to understand what's behind the business though, one beautiful thing that's come is that we can see in much more dimensions who we're dealing with. We can understand better who's the face behind the brand. I really want people to try their best to be a lot clearer on what they stand for or what they say. And I don't really mean a tagline. I mean, humans don't really talk like that. They don't throw some sentence out as often as they can that you remember them for that phrase. But I would say that, we have so many media available to us — the plural of mediums — where we can be more of ourselves. And I think that there's a great opportunity to share the ‘you' behind the scenes, and some people get immediately terrified about this, ‘Ah, the last thing I want is for people to know more about me,' but I think we have such an opportunity. We have such an opportunity to voice our thoughts on something, to talk about the story that goes behind the product. We were all raised on overly produced material, but I think we don't want that anymore. We really want clarity, brevity, simplicity. We want the ability for what we feel is connection and then access. And so I think it's vital that we connect and show people our accessibility, not so that they can pester us with strange questions, but more so that you can say, this person stands with their product and their service and this person believes these things, and I feel something when I hear them and I wanna be part of that.” That's from Chris Brogan's interview here in 2017, and he is still blogging and speaking at writing at ChrisBrogan.com and I'm going to re-listen to the audiobook of Trust Agents again myself as I think it's more relevant than ever. The original quote comes from Bob Burg in his 1994 book, Endless Referrals, “All things being equal, people will do business with, and refer business to, those people they know, like and trust.” That still applies, and absolutely fits with the 1000 True Fans model of aiming to serve a smaller audience. As Kevin Kelly says in 1000 True Fans, “Instead of trying to reach the narrow and unlikely peaks of platinum bestseller hits, blockbusters, and celebrity status, you can aim for direct connection with a thousand true fans.” “On your way, no matter how many fans you actually succeed in gaining, you'll be surrounded not by faddish infatuation, but by genuine and true appreciation. It's a much saner destiny to hope for. And you are much more likely to actually arrive there.” In 2026, I hope that more authors (including me!) let go of ego goals and vanity metrics like ranking, gross sales (income before you take away costs), subscribers, followers, and likes, and consider important business numbers like profit (which is the money you have after costs like marketing are taken out), as well as number of true fans — and also lifestyle elements like number of weekends off, or days spent enjoying life and not just working! OK, that's my list of trends and predictions for 2026. Let me know what you think in the comments. Do you agree? Am I wrong? What have I missed? The post 2026 Trends And Predictions For Indie Authors And The Book Publishing Industry with Joanna Penn first appeared on The Creative Penn.

At Frost, a small liberal arts college in Massachusetts, the runners on the women's cross country team have their sights set on the 1992 New England Division Three Championships and will push themselves through every punishing workout and skipped meal to achieve their goal. But Kristin, the team's star, is hiding a secret about what happened over the summer, and her unpredictable behavior jeopardizes the girls' chance to win. Team Captain Danielle is convinced she can restore Kristin's confidence, even if it means burying her own past. As the final meet approaches, Kristin, Danielle, and the rest of the girls must transcend their individual circumstances and run the race as a team.Told from the perspective of the six fastest team members, We Loved to Run (Hogarth, 2025) deftly illuminates the intensity of female friendship and desire and the nearly impossible standards young women sometimes set for themselves. With startling honesty and boundless empathy, Stephanie Reents reveals how girls—even those in competition—find ways to love one another and turn feelings of powerlessness into shared strength and self-determination. Stephanie Reents is the author of The Kissing List, a collection of stories that was an Editors' Choice in The New York Times Book Review, and I Meant to Kill Ye, a bibliomemoir chronicling her journey into the strange void at the heart of Cormac McCarthy's Blood Meridian. She has twice received an O. Henry Prize for her short fiction. Reents received a BA from Amherst College, where she ran on the cross country team all four years; a BA from the University of Oxford as a Rhodes Scholar; and an MFA from the University of Arizona. She was a Stegner Fellow at Stanford University. Recommended Books: Marisa Crane, A Sharp Endless Need Charlotte Wood, Stone Yard Devotional Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

At Frost, a small liberal arts college in Massachusetts, the runners on the women's cross country team have their sights set on the 1992 New England Division Three Championships and will push themselves through every punishing workout and skipped meal to achieve their goal. But Kristin, the team's star, is hiding a secret about what happened over the summer, and her unpredictable behavior jeopardizes the girls' chance to win. Team Captain Danielle is convinced she can restore Kristin's confidence, even if it means burying her own past. As the final meet approaches, Kristin, Danielle, and the rest of the girls must transcend their individual circumstances and run the race as a team.Told from the perspective of the six fastest team members, We Loved to Run (Hogarth, 2025) deftly illuminates the intensity of female friendship and desire and the nearly impossible standards young women sometimes set for themselves. With startling honesty and boundless empathy, Stephanie Reents reveals how girls—even those in competition—find ways to love one another and turn feelings of powerlessness into shared strength and self-determination. Stephanie Reents is the author of The Kissing List, a collection of stories that was an Editors' Choice in The New York Times Book Review, and I Meant to Kill Ye, a bibliomemoir chronicling her journey into the strange void at the heart of Cormac McCarthy's Blood Meridian. She has twice received an O. Henry Prize for her short fiction. Reents received a BA from Amherst College, where she ran on the cross country team all four years; a BA from the University of Oxford as a Rhodes Scholar; and an MFA from the University of Arizona. She was a Stegner Fellow at Stanford University. Recommended Books: Marisa Crane, A Sharp Endless Need Charlotte Wood, Stone Yard Devotional Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

At Frost, a small liberal arts college in Massachusetts, the runners on the women's cross country team have their sights set on the 1992 New England Division Three Championships and will push themselves through every punishing workout and skipped meal to achieve their goal. But Kristin, the team's star, is hiding a secret about what happened over the summer, and her unpredictable behavior jeopardizes the girls' chance to win. Team Captain Danielle is convinced she can restore Kristin's confidence, even if it means burying her own past. As the final meet approaches, Kristin, Danielle, and the rest of the girls must transcend their individual circumstances and run the race as a team.Told from the perspective of the six fastest team members, We Loved to Run (Hogarth, 2025) deftly illuminates the intensity of female friendship and desire and the nearly impossible standards young women sometimes set for themselves. With startling honesty and boundless empathy, Stephanie Reents reveals how girls—even those in competition—find ways to love one another and turn feelings of powerlessness into shared strength and self-determination. Stephanie Reents is the author of The Kissing List, a collection of stories that was an Editors' Choice in The New York Times Book Review, and I Meant to Kill Ye, a bibliomemoir chronicling her journey into the strange void at the heart of Cormac McCarthy's Blood Meridian. She has twice received an O. Henry Prize for her short fiction. Reents received a BA from Amherst College, where she ran on the cross country team all four years; a BA from the University of Oxford as a Rhodes Scholar; and an MFA from the University of Arizona. She was a Stegner Fellow at Stanford University. Recommended Books: Marisa Crane, A Sharp Endless Need Charlotte Wood, Stone Yard Devotional Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

The Irish filmmaker Neil Jordan (“The Crying Game”, “Interview with The Vampire”) is also an author of several novels. Jordan has recently released an autobiographical work called “Amnesiac: A Memoir” (Bloomsbury Publishing, 2024) which is currently available where books are sold. In this vivid, moving and strange memoir, Neil Jordan – the author of classic fiction like “The Past”, “Sunrise with Sea Monster” and “Night in Tunisia”, and the creator of celebrated movies like “Angel,” “Mona Lisa,” “The Crying Game” and “Interview with the Vampire” – reaches deep into his own past and that of his family. His mother was a painter, his father an inspector of schools who was visited by ghosts, and Jordan grew up on the edge of an abandoned aristocratic estate in north Dublin whose mysterious ruins fed his imagination. Passionate about music, he played in bands and theatre groups and met, at University College Dublin, a young radical called Jim Sheridan. Together they staged unforgettable dramatic productions that hinted at their future careers. His first collection of stories and first novel, “Night in Tunisia” and “The Past”, were met with acclaim, but Jordan was also drawn to the freedom and visual richness of film, and worked with the great English director John Boorman on his Arthurian epic “Excalibur”. His own first movie with Stephen Rea, “Angel”, was a brilliant angular take on the horrific violence of the Troubles, and in the years since then his films have combined in a unique way, intense supernatural elements with reflections on violence and sexuality. Jordan describes his work with Stephen Rea, Jaye Davidson, Bob Hoskins, Tom Cruise and many others, but this is not a conventional story of life in the movies. The book is an eerie meditation on loss, love and creativity, on inspiration and influence, by one of the most unusual artists Ireland has produced.

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you.  At the end of each year, we revisit  the Shakespeare plays we covered over the past twelve months. We've gone back and re-read both Henry V and The Tempest, and we will discuss what has changed in our readings of these plays after completing our research as well as what we would like to see more (or less) of in future productions or research relating to these two plays.  Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. For updates: Join our email list Follow us on Instagram at @shakespeareanyonepod Visit our website at shakespeareanyone.com Support the podcast: Become a patron at patreon.com/shakespeareanyone  Buy us a coffee Bookshop.org: Since 2020, Bookshop.org has raised more than $38 million for independent bookstores. Shop our Shakespeare Anyone? storefront to find books featured on the podcast, books by our guests, and other Shakespeare-related books and gifts. Every purchase on the site financially supports independent bookstores. Libro.fm: Libro.fm makes it possible to purchase audiobooks through your local bookshop of choice. Use our link for 2 free audiobooks when you sign up for a new Libro.fm membership using our link. Find additional links mentioned in the episode in our Linktree. Works referenced: Shakespeare, William. King Henry V. Edited by T. W. Craik, Arden Shakespeare, 1995. Shakespeare, William, et al. The Tempest. Bloomsbury Publishing, 2011.

This time we discussed Bog Queen, written by Anna North, and narrated by Lily Newmark. Thank you to Libro.fm ALC Program and Bloomsbury Publishing for providing review copies of Bog Queen, for today's episode. Bog Queen [Libro.fm] Bones (2005-2017) [IMDb] The Invisible Wild [Libro.fm]

Wir springen in dieser Folge ins frühe 19. Jahrhundert. Inmitten der Wirren des postrevolutionären Frankreichs macht sich hier ein Mann einen Namen, der die frühe französische Küche prägen wird wie kaum ein anderer: Antonin Carême. Aus ärmsten Verhältnissen kommend, arbeitet er sich zum Patissier empor, um schließlich unter die Fittiche des berühmten Diplomaten und Politikers Talleyrand genommen zu werden. Wir sprechen darüber, welchen Einfluss seine Kochkunst nicht nur auf die französische Küche, sondern auch auf die französische Diplomatie hatte. // Erwähnte Folgen * GAG60: Wie das Essengehen erfunden wurde – https://gadg.fm/60 * GAG67: Palladio, der erfolgreichste Architekt aller Zeiten – https://gadg.fm/67 * GAG395: Barbe-Nicole Ponsardin und die Begründung eines Champagnerimperiums – https://gadg.fm/395 * GAG431: Auguste Escoffier, Kaiser der Köche – https://gadg.fm/431 * GAG470: Alexis Soyer – Koch, Innovator und Philanthrop – https://gadg.fm/470 // Literatur * Ian Kelly. Cooking for Kings: The Life of Antonin Carême, the First Celebrity Chef. Bloomsbury Publishing, 2009 * Marie-Pierre Rey. Le Premier Des Chefs: L'exceptionnel Destin d'Antonin Carême. Flammarion, 2021 * Susan Pinkard. A Revolution in Taste: The Rise of French Cuisine, 1650-1800. Cambridge University Press, 2011 Das Episodenbild zeigt eine Darstellung Carêmes aus dem Jahr 1833. //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Geschichten aus der Geschichte jetzt auch als Brettspiel! Werkelt mit uns am Flickerlteppich! Gibt es dort, wo es auch Becher, T-Shirts oder Hoodies zu kaufen gibt: https://geschichte.shop // Wir sind jetzt auch bei CampfireFM! Wer direkt in Folgen kommentieren will, Zusatzmaterial und Blicke hinter die Kulissen sehen will: einfach die App installieren und unserer Community beitreten: https://www.joincampfire.fm/podcasts/22 //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Felicia is joined by Ben Turnbull to talk about the male ego in Douglas Sirk's Written on the Wind (1956). We chat about the earnest approach Sirk takes to all of his films and specifically a high tense story such as this one. This is the series finale and one of my favourite month's of the show so far. It was fascinating learning more about Sirk's life and I hope we encouraged you to seek out more of his work. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow Ben Here: The Franchisees Podcast on Spotify: @TheFranchisees Letterboxd: @ben_turnbull Twitter: @FartonFink IG: @benjamin.turnbull Sources: Sirk, D., & Halliday, J. (2018). Sirk on sirk: Conversations with Jon Halliday. Bloomsbury Publishing. https://www.criterion.com/current/posts/7680-written-on-the-wind-no-good-end https://www.criterion.com/current/posts/97-written-on-the-wind https://www.sensesofcinema.com/2005/feature-articles/sirk-2/ https://www.filmcomment.com/article/melodrama-and-the-new-woman/ https://www.filmcomment.com/article/sirkumstantial-evidence/ https://www.newyorker.com/culture/richard-brody/movie-of-the-week-written-on-the-wind Outro Song: Main Title from Written on the Wind by Frank Skinner Films Mentioned: Saw (Franchise) Interview With a Vampire (Neil Jordan 1994) Queen of the Damned (Michael Rymer 2002) Through a Glass Darkly (Ingmar Bergman 1961) Winter Light (Ingmar Bergman 1963) The Silence (Ingmar Bergman 1963) Dogville (Lars von Trier 2003) Manderlay (Lars von Trier  2005) Imitation of Life (Douglas Sirk 1959)  Magnificent Obsession (Douglas Sirk 1954) My Winnipeg (Guy Maddin 2007) There's Always Tomorrow (Douglas Sirk 1956) Mulholland Drive (David Lynch 2001) Rebel Without a Cause (Nicholas Ray 1955) Ali: Fear Eats the Soul (Rainer Werner Fassbinder 1974) May December (Todd Haynes 2023) The Go-Between (Joseph Losey 1971) Far From Heaven (Todd Haynes 2002) Lured (Douglas Sirk 1947) The Tarnished Angels (Douglas Sirk 1957) Battle Hymn (Douglas Sirk 1957) A Time to Love and a Time to Die (Douglas Sirk 1958) Airplane! (David Zucker, Jerry Zucker, Jim Abrahams 1980) Lust for Life (Vincente Minnelli 1956) Double Indemnity (Billy Wilder 1944) Psycho (Alfred Hitchcock 1960) The Ascent (Larisa Shepitko 1977) Peyton Place (Mark Robson 1957) Bigger Than Life (Nicholas Ray 1956) Murder By Decree (Bob Clark 1979) Lolita (Stanley Kubrick 1962) What Ever Happened to Baby Jane (Robert Aldrich 1962) What Ever Happened to Aunt Alice? (Lee H. Katzin 1969)

Paul Cornell is one of only two people in the whole of human existence to be nominated for Hugo Awards in prose, comics, and TV. He's written episodes of Elementary, Coronation Street, and Doctor Who, and Marvel fans will know him from his runs on Captain Britain and MI:13, Fantastic Four: True Story, and Wolverine. His latest book, The Mighty Avengers vs. The 1970s, has just been released as part of Bloomsbury Publishing's Marvel Age of Comics line.For MORE THAN TWO HOURS of bonus content — including our coverage of infamous "is this a comic?" Howard the Duck #16, plus 20 more Marvel comics in the Mighty MBTM Checklist — support us at patreon.com/marvelbythemonth. $5 a month gets you instant access to our bonus feed of over 180 extended and exclusive episodes. $10 a month lets you help pick the comics we cover in depth and gets you a shout-out at the end of the episode! Stories Covered in this Episode:"KISS Comics" - Marvel Comics Super Special #1, written by Steve Gerber with Alan Weiss, art by Alan Weiss, Sal Buscema, John Buscema, and Rich Buckler with Al Milgrom, letters by John Costanza and Irv Watanabe, colors by Marie Severin, edited by Sean Delaney, ©1977 Marvel Comics "Marvel by the Month" theme v. 4 written and performed by Robb Milne. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Felicia is joined by Jane Waldner to discuss the underlying feminist and queer themes in Douglas Sirk's All That Heaven Allows (1955). We chat about the tropes in so-called women's pictures and how Sirk takes those concepts and elevates them into high art. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Listen to our previous episodes: Faces Place (Agnès Varda & J.R. 2017) Funny Games (Michael Haneke 1997 & 2007) Sources: Sirk, D., & Halliday, J. (2018). Sirk on sirk: Conversations with Jon Halliday. Bloomsbury Publishing. https://www.criterion.com/current/posts/96-all-that-heaven-allows-an-articulate-screen https://www.criterion.com/current/posts/3200-jane-wyman-and-all-that-heaven-allows https://hollywoodsuite.ca/all-that-heaven-allows-1955-melodrama-as-cultural-critique/ https://medium.com/feverdreams/beneath-the-surface-all-that-heaven-allows-1955-7ef8a3f0f0a7 https://cinema-cities.com/2016/06/17/falling-for-rock-hudson-in-all-that-heaven-allows-1955/ https://www.sensesofcinema.com/2005/feature-articles/sirk-2/ Outro Song: Main Theme in All That Heaven Allows by Frank Skinner Films Mentioned: Faces Places (Agnès Varda & J.R. 2017) Funny Games (Michael Haneke 1997 & 2007 Imitation of Life (Douglas Sirk 1959) One Battle After Another (Paul Thomas Anderson 2025) 10 Things I Hate About You (Gil Junger 1999) Blue Velvet (David Lynch 1986) Polyester (John Waters 1981) The Graduate (Mike Nichols 1967) Sorry, Baby (Eva Victor 2025) The Tarnished Angels (Douglas Sirk 1957) Licorice Pizza (Paul Thomas Anderson 2021) Ali: Fear Eats The Soul (Rainer Werner Fassbinder 1974) Edward Scissorhands (Tim Burton 1990)

In Lonely Crowds (Little, Brown and Co., 2025) Ruth, an only child of recent immigrants to New England, lives in an emotionally cold home and attends the local Catholic girl's school on a scholarship. Maria, a beautiful orphan whose Panamanian mother dies by suicide and is taken care of by an ill, unloving aunt, is one of the only other students attending the school on a scholarship. Ruth is drawn forcefully into Maria's orbit, and they fall into an easy, yet intense, friendship. Her devotion to her charming and bright new friend opens up her previously sheltered world. While Maria, charismatic and aware of her ability to influence others, eases into her full self, embracing her sexuality and her desire to be an artist, Ruth is mostly content to follow her around: to college and then into the early-nineties art world of New York City. There, ambition and competition threaten to rupture their friendship, while strong and unspoken forces pull them together over the years. Whereas Maria finds early success in New York City as an artist, Ruth stumbles along the fringes of the art world, pulled toward a quieter life of work and marriage. As their lives converge and diverge, they meet in one final and fateful confrontation. Ruth and Maria's decades-long friendship interrogates the nature of intimacy, desire, class and time. What does it mean to be an artist and to be true to oneself? What does it mean to give up on an obsession? Marking the arrival of a sensational new literary talent, Lonely Crowds challenges us to reckon honestly with our own ambitions and the lives we hope to lead. Stephanie Wambugu was born in Mombasa, Kenya and grew up in Rhode Island. She lives and works in New York. Stephanie is an editor at Joyland magazine. Recommended Books: Do Everything in the Dark, Gary Indiana Sula, Toni Morrison Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Lonely Crowds (Little, Brown and Co., 2025) Ruth, an only child of recent immigrants to New England, lives in an emotionally cold home and attends the local Catholic girl's school on a scholarship. Maria, a beautiful orphan whose Panamanian mother dies by suicide and is taken care of by an ill, unloving aunt, is one of the only other students attending the school on a scholarship. Ruth is drawn forcefully into Maria's orbit, and they fall into an easy, yet intense, friendship. Her devotion to her charming and bright new friend opens up her previously sheltered world. While Maria, charismatic and aware of her ability to influence others, eases into her full self, embracing her sexuality and her desire to be an artist, Ruth is mostly content to follow her around: to college and then into the early-nineties art world of New York City. There, ambition and competition threaten to rupture their friendship, while strong and unspoken forces pull them together over the years. Whereas Maria finds early success in New York City as an artist, Ruth stumbles along the fringes of the art world, pulled toward a quieter life of work and marriage. As their lives converge and diverge, they meet in one final and fateful confrontation. Ruth and Maria's decades-long friendship interrogates the nature of intimacy, desire, class and time. What does it mean to be an artist and to be true to oneself? What does it mean to give up on an obsession? Marking the arrival of a sensational new literary talent, Lonely Crowds challenges us to reckon honestly with our own ambitions and the lives we hope to lead. Stephanie Wambugu was born in Mombasa, Kenya and grew up in Rhode Island. She lives and works in New York. Stephanie is an editor at Joyland magazine. Recommended Books: Do Everything in the Dark, Gary Indiana Sula, Toni Morrison Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Lonely Crowds (Little, Brown and Co., 2025) Ruth, an only child of recent immigrants to New England, lives in an emotionally cold home and attends the local Catholic girl's school on a scholarship. Maria, a beautiful orphan whose Panamanian mother dies by suicide and is taken care of by an ill, unloving aunt, is one of the only other students attending the school on a scholarship. Ruth is drawn forcefully into Maria's orbit, and they fall into an easy, yet intense, friendship. Her devotion to her charming and bright new friend opens up her previously sheltered world. While Maria, charismatic and aware of her ability to influence others, eases into her full self, embracing her sexuality and her desire to be an artist, Ruth is mostly content to follow her around: to college and then into the early-nineties art world of New York City. There, ambition and competition threaten to rupture their friendship, while strong and unspoken forces pull them together over the years. Whereas Maria finds early success in New York City as an artist, Ruth stumbles along the fringes of the art world, pulled toward a quieter life of work and marriage. As their lives converge and diverge, they meet in one final and fateful confrontation. Ruth and Maria's decades-long friendship interrogates the nature of intimacy, desire, class and time. What does it mean to be an artist and to be true to oneself? What does it mean to give up on an obsession? Marking the arrival of a sensational new literary talent, Lonely Crowds challenges us to reckon honestly with our own ambitions and the lives we hope to lead. Stephanie Wambugu was born in Mombasa, Kenya and grew up in Rhode Island. She lives and works in New York. Stephanie is an editor at Joyland magazine. Recommended Books: Do Everything in the Dark, Gary Indiana Sula, Toni Morrison Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Paula Bomer is the author of The Stalker (Soho Books, 2025), which received a starred Publisher's Weekly, calling it “dark and twisted fun”. She is also the author of Tante Eva and Nine Months, the story collections Inside Madeleine and Baby and other Stories, and the essay collection, Mystery and Mortality. Her work has appeared in Bomb Magazine, The Mississippi Review, Fiction Magazine, Los Angeles Review of Books, Green Mountain Review, The Cut, Volume 1 Brooklyn and elsewhere. Her novels have been translated in Germany, Argentina and Hungary. She grew up in South Bend, Indiana and has lived for over 30 years in Brooklyn. Recommended Books: Chris Kraus, The Four Spent the Day Together Stephanie Wambugu, The Lonely Crowds Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paula Bomer is the author of The Stalker (Soho Books, 2025), which received a starred Publisher's Weekly, calling it “dark and twisted fun”. She is also the author of Tante Eva and Nine Months, the story collections Inside Madeleine and Baby and other Stories, and the essay collection, Mystery and Mortality. Her work has appeared in Bomb Magazine, The Mississippi Review, Fiction Magazine, Los Angeles Review of Books, Green Mountain Review, The Cut, Volume 1 Brooklyn and elsewhere. Her novels have been translated in Germany, Argentina and Hungary. She grew up in South Bend, Indiana and has lived for over 30 years in Brooklyn. Recommended Books: Chris Kraus, The Four Spent the Day Together Stephanie Wambugu, The Lonely Crowds Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Paula Bomer is the author of The Stalker (Soho Books, 2025), which received a starred Publisher's Weekly, calling it “dark and twisted fun”. She is also the author of Tante Eva and Nine Months, the story collections Inside Madeleine and Baby and other Stories, and the essay collection, Mystery and Mortality. Her work has appeared in Bomb Magazine, The Mississippi Review, Fiction Magazine, Los Angeles Review of Books, Green Mountain Review, The Cut, Volume 1 Brooklyn and elsewhere. Her novels have been translated in Germany, Argentina and Hungary. She grew up in South Bend, Indiana and has lived for over 30 years in Brooklyn. Recommended Books: Chris Kraus, The Four Spent the Day Together Stephanie Wambugu, The Lonely Crowds Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Felicia is joined by Darragh McGrath to discuss why The Tarnished Angels (1957) may be the most Sirkian at its core. We chat about the beauty of the black and white photography, and why Sirk was so good at portraying the lives of broken people. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Listen to our previous episodes: Ace in the Hole (Billy Wilder 1951) Straight Time (Ulu Grosbard 1978) Minnie and Moskowitz (John Cassavetes 1971) Sources: Sirk, D., & Halliday, J. (2018). Sirk on sirk: Conversations with Jon Halliday. Bloomsbury Publishing. https://criterioncast.com/reviews/blu-ray-reviews/scott-reviews-douglas-sirks-the-tarnished-angels-masters-of-cinema-blu-ray-review https://www.popmatters.com/tarnished-angels-douglas-sirks-2630900330.html https://www.cineaste.com/fall2019/the-tarnished-angels https://www.newyorker.com/goings-on-about-town/movies/the-tarnished-angels http://www.storyenthusiast.com/rock-hudson-blogathon-tarnished-angels-1957/ https://filmnoirfoundation.org/noircitymag/Tarnished-Angels.pdf Outro Song: Main Title from The Tarnished Angels by Frank Skinner Films Mentioned: Ace in the Hole (Billy Wilder 1951) Straight Time (Ulu Grosbard 1978) Minnie and Moskowitz (John Cassavetes 1971) Far From Heaven (Todd Haynes 2002) All That Heaven Allows (Douglas Sirk 1955) Magnificent Obsession (Douglas Sirk 1954) Written on the Wind (Douglas Sirk 1956) Imitation of Life (Douglas Sirk 1959) Giant (George Stevens 1956) The Big Country (William Wyler 1958) Jubal (Delmer Daves 1956) Interlude (Douglas Sirk 1957) Summertime (David Lean 1955) A Time to Love and a Time to Die (Douglas Sirk 1958) Blue Velvet (David Lynch 1986) Twin Peaks: Fire Walk With Me (David Lynch 1992) Has Anybody Seen My Gal (Douglas Sirk 1952) Seconds (John Frakenheimer 1966) Ali: Fear Eats The Soul (Rainer Werner Fassbinder 1974) Lonelyhearts (Vincent J. Donehue 1958) The Gypsy Moths (John Frankenheimer 1969) Dodsworth (William Wyler 1936)

When Cora meets Sam at a baby group in their small town, the chemistry between them is undeniable. Both are happily married young parents with two kids, and neither sees themselves as the type to engage in an affair. Yet their connection grows stronger, and as their lives continue to intertwine, the romantic tension between them becomes all-consuming—until their worlds unravel into two parallel timelines. In one, they pursue their feelings. In the other, they resist.As reality splits, the everyday details of Cora's life—her depressing marketing job, her daughter's new fascination with the afterlife, her husband's obsession with podcasts about the history of rope—gain fresh perspective. The intersecting and diverging timelines blur the boundaries of reality and fantasy, questioning what might have been and what truly matters.The Ten Year Affair is a witty, emotionally-charged exploration of marriage, family life, and the roads not taken, that ultimately asks: do we really want our fantasies to come true? Erin Somers is a reporter and news editor at Publishers Lunch. Her first novel, Stay Up with Hugo Best was a Vogue Best Book of the Year in 2019. Her writing has appeared in The New Yorker, The Paris Review, The New York Times Book Review, The New Republic, New York Magazine, The Atlantic, Esquire, GQ, The Best American Short Stories, and many other publications. She lives in Beacon, New York, with her family. Recommended Books: Flesh, David Szlay Loved and Missed, Susie Boyt Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Cora meets Sam at a baby group in their small town, the chemistry between them is undeniable. Both are happily married young parents with two kids, and neither sees themselves as the type to engage in an affair. Yet their connection grows stronger, and as their lives continue to intertwine, the romantic tension between them becomes all-consuming—until their worlds unravel into two parallel timelines. In one, they pursue their feelings. In the other, they resist.As reality splits, the everyday details of Cora's life—her depressing marketing job, her daughter's new fascination with the afterlife, her husband's obsession with podcasts about the history of rope—gain fresh perspective. The intersecting and diverging timelines blur the boundaries of reality and fantasy, questioning what might have been and what truly matters.The Ten Year Affair is a witty, emotionally-charged exploration of marriage, family life, and the roads not taken, that ultimately asks: do we really want our fantasies to come true? Erin Somers is a reporter and news editor at Publishers Lunch. Her first novel, Stay Up with Hugo Best was a Vogue Best Book of the Year in 2019. Her writing has appeared in The New Yorker, The Paris Review, The New York Times Book Review, The New Republic, New York Magazine, The Atlantic, Esquire, GQ, The Best American Short Stories, and many other publications. She lives in Beacon, New York, with her family. Recommended Books: Flesh, David Szlay Loved and Missed, Susie Boyt Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

When Cora meets Sam at a baby group in their small town, the chemistry between them is undeniable. Both are happily married young parents with two kids, and neither sees themselves as the type to engage in an affair. Yet their connection grows stronger, and as their lives continue to intertwine, the romantic tension between them becomes all-consuming—until their worlds unravel into two parallel timelines. In one, they pursue their feelings. In the other, they resist.As reality splits, the everyday details of Cora's life—her depressing marketing job, her daughter's new fascination with the afterlife, her husband's obsession with podcasts about the history of rope—gain fresh perspective. The intersecting and diverging timelines blur the boundaries of reality and fantasy, questioning what might have been and what truly matters.The Ten Year Affair is a witty, emotionally-charged exploration of marriage, family life, and the roads not taken, that ultimately asks: do we really want our fantasies to come true? Erin Somers is a reporter and news editor at Publishers Lunch. Her first novel, Stay Up with Hugo Best was a Vogue Best Book of the Year in 2019. Her writing has appeared in The New Yorker, The Paris Review, The New York Times Book Review, The New Republic, New York Magazine, The Atlantic, Esquire, GQ, The Best American Short Stories, and many other publications. She lives in Beacon, New York, with her family. Recommended Books: Flesh, David Szlay Loved and Missed, Susie Boyt Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Nick Jeffery and John Granger do a Compare and Contrast test of the latest Cormoran Strike novel, The Hallmarked Man, and the previous seven books in Rowling-Galbraith's longest series of novels. Adapting a list of ‘Greatest Hits' moments from the first ‘Reading, Writing, Rowling' podcast John did with Katie McDaniel and a panel of Potter Pundits in Roanoke, Virginia, Nick and John share their favorite moments first from the series and then from Strike 8 before contrasting the quality of these highlights.The point of the exercise? Besides being a fun review of Strike-Ellacott adventures, a Greatest Hits collection of their highs and lows, Agency cases and sub-contractors included, the absence of any Hallmarked Man moments that merit a ‘Best in Series' badge suggests that Strike 8 will be remembered best for how it set up Strikes 9 and 10.Whatever your thoughts about that thesis, please share the scenes on your Greatest Hits list, both for the series and Hallmarked Man, per the numbered categories below. Nick and John have a few more to run through that they couldn't get to on their first ‘go' at this; feel free to share categories they should discuss in addition to the ones listed here:* Top Strike-Ellacott Moments* Ellacott taking care of wrecked Strike* Strike taking care of wrecked Ellacott* The Two having a frank conversation about the Agency, their vocation* The Two having a frank conversation about life and their relationship* Top Mystery Reveal* Top Agency Subcontractor moment* Top Agency case not the focus of the novel* Top Strike Confront-the-Killer moment,* Top “Magical” Moment (heart-rending/opening)* Top Moment-that-We-didn't-know-was-a-Moment-until-later* Top Saving People MomentJohn is working on his charting of Hallmarked Man for the paid subscriber list as well as reviewing and revising his 2017 online course, ‘Wizard Reading Formula.' More on those projects and the Kanreki Series in his next conversation with Nick; stay tuned!Links to Ideas, Posts, and Theories Mentioned* Roanoke ‘Reading, Writing, Rowling' Harry Potter Review[‘reading, Writing, Rowling's] first episode was recorded at CoLab in Roanoke, Virginia, at the May 2017 Roanoke Harry Potter Fest and celebrates 20 years of Harry Potter. Listen to a stellar crew of Hogwarts professors discuss [with hosts John Granger and Katy McDaniel] their favorite moments in the Harry Potter series, inspired by Bloomsbury Publishing's recent reader poll. Guests Louise Freeman, Elizabeth Baird Hardy, Emily Strand, and Lana Whited identify the best moments featuring the trio friendship, surprises and narrative misdirection, wizard magic, Snape, texts-within-the-text, and those inspirational messages that make the Harry Potter series profound and emotionally resonant to readers worldwide.* Rowling's Favorite Painting and What It Suggests about Her Artistry and Meaning: Caravaggio's ‘Supper at Emmaus'Professor Groves suggests strongly that what Rowling took away from her “mesmerised” “slow mining” of Caravaggio's Supper at Emmaus was the central Mystery of the Incarnation of Christ, the “guiler beguiled” idea of Aulen's Christus Victor. I find that argument compelling and want to build on it. There are embedded symbols in Supper at Emmaus that I think the fascinated Rowling would have noticed as she looked at the painting in the National Gallery, at the print on her wall in Exeter and London, and at the image on her first website, symbols beyond the “realism” of the Christ as imagined by Caravaggio and the revelation at the breaking of bread of His divinity.* Robin is Sterile Prediction: Chlamydia to Ectopic Pregnancy (December 2023)The thesis of this Hogwarts Professor essay — what I hope will be the subject of our second ‘Rowling Studies' podcast here — is that Robin Venetia Ellacott will not have children with Murphy, Strike, or any other partner, because she cannot, at least not without some extraordinary efforts via in vitro conception and surrogacy. I will attempt to explain how this infertility is possible, to detail the ‘Lake' suggestions from Rowling's life and personal experience that shows she is more than familiar with this condition among women, and to share the ‘Shed' literary markers in Running Grave and Rowling's other novels that this is indeed what she has in mind for Strike's partner Robin.Means Before Motive: How is it Possible that Robin is Sterile?In a word, “Chlamydia.”* The Hallmarked Man's Mythological Template ‘Cupid and Psyche's importance for grasping the depths of Strike 8, from the “necessity” of the Silver Vault and the three men in Robin's life, to spaghetti carbonara and ‘Maid of the Silver Sea' (links list to previous posts, 2021-present on this subject)* Charlotte Was Murdered, Mate; It Wasn't a Suicide* The Strange Death of Charlotte Campbell: Could the Psycho-Ex be the Focus of a Murder Investigation in Strike 8? (Nick Jeffery, November 2023)* Strike8: The Charlotte Campbell Murder Mystery: Nick Jeffery's Idea Checks a Lot of Boxes (John Granger, November 2023)* The Mysterious Death of Charlotte Campbell: Was It Suicide or Was It Murder? The ‘Rowling Studies' Pilot Episode (December 2023)* J. S. Maleksen's Re-read of Running Grave in Search of Ryan MurphyAfter reading HM twice, I re-read ‘Running Grave' with this theory in mind. It occurred to me that RFM might have read Charlotte's suicide note because it was in the police file. He might have even read through statements made by Charlotte's family members about Charlotte's relationship with Strike. At the very least, he would have read that Strike was in love with Robin and may have even bought into the ‘Strike was abusive to Charlotte' narrative and the ‘Strike has been in a romantic relationship with Robin since he broke up with Charlotte' narrative. This would explain why RFM is significantly more chippy towards Strike after Robin returns from Chapman Farm than he was at the beginning of ‘Running Grave.' Come to think of it, if Nick's theory is right and the suicide was a murder, it's quite possible that RFM may have been the lead investigator because, as we now know, he kinda sucks at his job. RFM would have had no reason to disclose any of this information to Robin because “she gets ratty every time he says anything against Strike.” Details identifying the investigating officer may not have been published. Alternatively, Iverson could have been the investigating officer and she could have shared this information with RFM and RFM can't tell Robin how he got the information because he had a fling with Iverson while Robin was at Chapman Farm.This might lead to an explanation as to why/how RFM fell off the wagon (guilt about having cheated on Robin and/or fear that Robin hasn't been honest about her relationship with Strike and/or his perception that Robin is being cowed by an abusive Strike)It makes sense to me that the period of time when Robin was at Chapman Farm is the most plausible and likely spot for JKR to have buried details about RFM, and his true character and motivations. The story as told from Robin and Strike's respective points of view intentionally distracted us from what RFM was up to during Robin's time at Chapman Farm. Indeed, he was often an afterthought of Robin's if she even thought about him at all.Incidentally, this makes the ‘RFM as gorilla man theory' more plausible because walking around with all of this information in his head could have motivated RFM to take extreme measures to get Robin to abandon Strike and the agency.I love your Substack and Podcast. Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe

Felicia is joined by Josh Cooley to discuss why it's important to consider melodrama in a positive light through Douglas Sirk's Magnificent Obsession (1954). We chat about why Sirk was considered a ‘woman's picture' director, and why that work lead to some of the most beautiful imagery put on screen. This is the first installment in the Sirk series and an important one to listen to as we give a lot of background into his life in Germany, and how he ended up in Hollywood. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Listen to our previous episode: Naked Lunch (David Cronenberg 1991) Sources: Sirk, D., & Halliday, J. (2018). Sirk on sirk: Conversations with Jon Halliday. Bloomsbury Publishing. https://calgarycinema.org/blog/2021/8/magnificent-obsession-1954-douglas-sirk https://inreviewonline.com/2024/08/19/magnificent-obsession/ https://scenebygreen.com/2022/04/20/magnificent-obsession-1954/ https://www.criterion.com/current/posts/1006-magnificent-obsessions https://www.criterion.com/current/posts/6549-sirk-in-the-sun https://criterionreflections.blogspot.com/2010/04/magnificent-obsession-1954-457.html https://www.sensesofcinema.com/2014/feature-articles/obsessions-imitations-subversions-on-magnificent-obsession-part-one/ https://thatshelf.com/guy-maddin-talks-magnificent-obsession-at-tiff/ Outro Song: Theme from Magnificent Obsession by Frank Skinner Films Mentioned: Naked Lunch (David Cronenberg 1991) Written on the Wind (Douglas Sirk 1956) Imitation of Life (Douglas Sirk 1959) All That  Heaven Allows (Douglas Sirk 1955) The Tarnished Angels (Douglas Sirk 1957) Far From Heaven (Todd Haynes 2002) Magnificent Obsession (John M. Stahl 1935) Dead Ringers (David Cronenberg 1988) Her (Spike Jonze 2013) The Wizard of Oz (Victor Fleming 1939) Lola Montès (Max Ophüls 1955) Meet Joe Black (Martin Brest 1998) Taza, Son of Cochise (Douglas Sirk 1954) Giant (George Stevens 1956) Sign of the Pagan (Douglas Sirk 1954) The Client (Joel Schumacher 1994) Flatliners (Joel Schumacher 1990) A Time to Kill (Joel Schumacher 1996) Falling Down (Joel Schumacher 1993) St. Elmo's Fire (Joel Schumacher 1985) The Incredible Shrinking Woman (Joel Schumacher 1981) Ocean's Eleven (Steven Soderbergh 2001) Amélie (Jean-Pierre Jeunet 2001) Pay It Forward (Mimi Leder 2000) Pollyanna (David Swift 1960) Citizen Kane (Orson Welles 1941) Peter Ibbetson (Henry Hathaway 1935) Eyes Wide Shut (Stanley Kubrick 1999)

Marcy Dermansky is the author of the critically acclaimed novels Hurricane Girl, Very Nice, The Red Car, Bad Marie, and Twins. She has received fellowships from McDowell and the Edward F Albee Foundation. She lives with her daughter in Montclair, NJ. Today we are discussing Hot Air (Knopf, 2025) Recommended Books: Emily Adrian, Seduction Theory Jessica Francis King, Fonseca Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marcy Dermansky is the author of the critically acclaimed novels Hurricane Girl, Very Nice, The Red Car, Bad Marie, and Twins. She has received fellowships from McDowell and the Edward F Albee Foundation. She lives with her daughter in Montclair, NJ. Today we are discussing Hot Air (Knopf, 2025) Recommended Books: Emily Adrian, Seduction Theory Jessica Francis King, Fonseca Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Marcy Dermansky is the author of the critically acclaimed novels Hurricane Girl, Very Nice, The Red Car, Bad Marie, and Twins. She has received fellowships from McDowell and the Edward F Albee Foundation. She lives with her daughter in Montclair, NJ. Today we are discussing Hot Air (Knopf, 2025) Recommended Books: Emily Adrian, Seduction Theory Jessica Francis King, Fonseca Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Maggie Gram is a writer, cultural historian, and designer. She leads an experience-design team at Google. She has taught at the Maryland Institute College of Art, Ca' Foscari University of Venice, and Harvard University, and she has written for N+1 and the New York Times. She lives in New York. The Invention of Design: A Twentieth-Century History (Basic Books, 2025) Recommended Books: Henry Dreyfuss, Designing for People Dolly Alderton, Ghosts Rob Franklin, Great Black Hope Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Maggie Gram is a writer, cultural historian, and designer. She leads an experience-design team at Google. She has taught at the Maryland Institute College of Art, Ca' Foscari University of Venice, and Harvard University, and she has written for N+1 and the New York Times. She lives in New York. The Invention of Design: A Twentieth-Century History (Basic Books, 2025) Recommended Books: Henry Dreyfuss, Designing for People Dolly Alderton, Ghosts Rob Franklin, Great Black Hope Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Brandon Taylor is the author of the novels Minor Black Figures (Riverhead, 2025), The Late Americans and Real Life, which was shortlisted for the Booker Prize and the National Book Critics Circle John Leonard Prize, and named a New York Times Book Review Editors' Choice and a Science + Literature Selected Title by the National Book Foundation. His collection Filthy Animals, a national bestseller, was awarded The Story Prize and shortlisted for the Dylan Thomas Prize. He is the 2022-2023 Mary Ellen von der Heyden Fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers. Recommended Books: Jordan Castro, Muscle Man Grace Byron, Herculine Edith Warton, Ethan Frome Emile Zola, Germinal The History of Sound (Film) Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brandon Taylor is the author of the novels Minor Black Figures (Riverhead, 2025), The Late Americans and Real Life, which was shortlisted for the Booker Prize and the National Book Critics Circle John Leonard Prize, and named a New York Times Book Review Editors' Choice and a Science + Literature Selected Title by the National Book Foundation. His collection Filthy Animals, a national bestseller, was awarded The Story Prize and shortlisted for the Dylan Thomas Prize. He is the 2022-2023 Mary Ellen von der Heyden Fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers. Recommended Books: Jordan Castro, Muscle Man Grace Byron, Herculine Edith Warton, Ethan Frome Emile Zola, Germinal The History of Sound (Film) Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Brandon Taylor is the author of the novels Minor Black Figures (Riverhead, 2025), The Late Americans and Real Life, which was shortlisted for the Booker Prize and the National Book Critics Circle John Leonard Prize, and named a New York Times Book Review Editors' Choice and a Science + Literature Selected Title by the National Book Foundation. His collection Filthy Animals, a national bestseller, was awarded The Story Prize and shortlisted for the Dylan Thomas Prize. He is the 2022-2023 Mary Ellen von der Heyden Fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers. Recommended Books: Jordan Castro, Muscle Man Grace Byron, Herculine Edith Warton, Ethan Frome Emile Zola, Germinal The History of Sound (Film) Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Maggie Gram is a writer, cultural historian, and designer. She leads an experience-design team at Google. She has taught at the Maryland Institute College of Art, Ca' Foscari University of Venice, and Harvard University, and she has written for N+1 and the New York Times. She lives in New York. The Invention of Design: A Twentieth-Century History (Basic Books, 2025) Recommended Books: Henry Dreyfuss, Designing for People Dolly Alderton, Ghosts Rob Franklin, Great Black Hope Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Maggie Gram is a writer, cultural historian, and designer. She leads an experience-design team at Google. She has taught at the Maryland Institute College of Art, Ca' Foscari University of Venice, and Harvard University, and she has written for N+1 and the New York Times. She lives in New York. The Invention of Design: A Twentieth-Century History (Basic Books, 2025) Recommended Books: Henry Dreyfuss, Designing for People Dolly Alderton, Ghosts Rob Franklin, Great Black Hope Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Maggie Gram is a writer, cultural historian, and designer. She leads an experience-design team at Google. She has taught at the Maryland Institute College of Art, Ca' Foscari University of Venice, and Harvard University, and she has written for N+1 and the New York Times. She lives in New York. The Invention of Design: A Twentieth-Century History (Basic Books, 2025) Recommended Books: Henry Dreyfuss, Designing for People Dolly Alderton, Ghosts Rob Franklin, Great Black Hope Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Maggie Gram is a writer, cultural historian, and designer. She leads an experience-design team at Google. She has taught at the Maryland Institute College of Art, Ca' Foscari University of Venice, and Harvard University, and she has written for N+1 and the New York Times. She lives in New York. The Invention of Design: A Twentieth-Century History (Basic Books, 2025) Recommended Books: Henry Dreyfuss, Designing for People Dolly Alderton, Ghosts Rob Franklin, Great Black Hope Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Olivia Wolfgang-Smith is the author of the novels Mutual Interest (2025) and Glassworks, which was longlisted for the Center for Fiction First Novel Prize and named a Best Book of the Year by NPR, Apple, and Good Housekeeping. She is a 2024 NYSCA/NYFA Artist Fellow in Fiction and lives in Brooklyn with her partner. Recommended Books: Hugh Ryan, When Brooklyn Was Queer Michael Koresky, Sick and Dirty Damon Runyon, Guys and Dolls and Other Writings Anna North, Bog Queen Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Olivia Wolfgang-Smith is the author of the novels Mutual Interest (2025) and Glassworks, which was longlisted for the Center for Fiction First Novel Prize and named a Best Book of the Year by NPR, Apple, and Good Housekeeping. She is a 2024 NYSCA/NYFA Artist Fellow in Fiction and lives in Brooklyn with her partner. Recommended Books: Hugh Ryan, When Brooklyn Was Queer Michael Koresky, Sick and Dirty Damon Runyon, Guys and Dolls and Other Writings Anna North, Bog Queen Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Olivia Wolfgang-Smith is the author of the novels Mutual Interest (2025) and Glassworks, which was longlisted for the Center for Fiction First Novel Prize and named a Best Book of the Year by NPR, Apple, and Good Housekeeping. She is a 2024 NYSCA/NYFA Artist Fellow in Fiction and lives in Brooklyn with her partner. Recommended Books: Hugh Ryan, When Brooklyn Was Queer Michael Koresky, Sick and Dirty Damon Runyon, Guys and Dolls and Other Writings Anna North, Bog Queen Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Yiming Ma holds an MBA from Stanford and an MFA from Warren Wilson College, where he was the Carol Houck Smith Scholar. His stories and essays appear in the New York Times, The Guardian, The Florida Review, and elsewhere. Born in Shanghai, he now lives in Toronto, New York, and Seattle. Recommended Books; Rita Bullwinkle, Headshot Aube Rey Lescure, River East, River West Kazuo Ishiguro, Never Let Me Go R.O. Kwon, Exhibit Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Yiming Ma holds an MBA from Stanford and an MFA from Warren Wilson College, where he was the Carol Houck Smith Scholar. His stories and essays appear in the New York Times, The Guardian, The Florida Review, and elsewhere. Born in Shanghai, he now lives in Toronto, New York, and Seattle. Recommended Books; Rita Bullwinkle, Headshot Aube Rey Lescure, River East, River West Kazuo Ishiguro, Never Let Me Go R.O. Kwon, Exhibit Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Yiming Ma holds an MBA from Stanford and an MFA from Warren Wilson College, where he was the Carol Houck Smith Scholar. His stories and essays appear in the New York Times, The Guardian, The Florida Review, and elsewhere. Born in Shanghai, he now lives in Toronto, New York, and Seattle. Recommended Books; Rita Bullwinkle, Headshot Aube Rey Lescure, River East, River West Kazuo Ishiguro, Never Let Me Go R.O. Kwon, Exhibit Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Emily Adrian is the author of Seduction Theory (Little, Brown, 2025) Daughterhood, The Second Season, and Everything Here Is Under Control, as well as two critically acclaimed novels for young adults. Her work has appeared in Granta, The Point, Joyland, EPOCH, Alta Journal, Los Angeles Review of Books, and The Millions. Originally from Portland, Oregon, Emily currently lives in New Haven, Connecticut. Recommended Books: Muriel Spark, Loitering with Intent Justin Taylor, Reboot Erin Somers, Ten Year Affair Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Emily Adrian is the author of Seduction Theory (Little, Brown, 2025) Daughterhood, The Second Season, and Everything Here Is Under Control, as well as two critically acclaimed novels for young adults. Her work has appeared in Granta, The Point, Joyland, EPOCH, Alta Journal, Los Angeles Review of Books, and The Millions. Originally from Portland, Oregon, Emily currently lives in New Haven, Connecticut. Recommended Books: Muriel Spark, Loitering with Intent Justin Taylor, Reboot Erin Somers, Ten Year Affair Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Emily Adrian is the author of Seduction Theory (Little, Brown, 2025) Daughterhood, The Second Season, and Everything Here Is Under Control, as well as two critically acclaimed novels for young adults. Her work has appeared in Granta, The Point, Joyland, EPOCH, Alta Journal, Los Angeles Review of Books, and The Millions. Originally from Portland, Oregon, Emily currently lives in New Haven, Connecticut. Recommended Books: Muriel Spark, Loitering with Intent Justin Taylor, Reboot Erin Somers, Ten Year Affair Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Venerable Chokyi is resident teacher at Hayagriva Buddhist Centre. Ordained in 2006 by Kyabje Lama Zopa Rinpoche, she has held several senior posts at FPMT centres in Australia and international positions within the FPMT. Before coming to Perth, Venerable Chokyi was Spiritual Program Coordinator at the FPMT Centre in Sydney, Vajrayana Institute, for 10 years and in 2018 was appointed the resident western teacher at Chenrezig Institute, an FPMT Centre in Queensland.   - Unless otherwise noted, this shared collection of photographs was supplied by Vikas Kumar, Helen Richardson, Sharon Thrupp, Kathy Uno, Deanne McKenzie, Sandra Henville and Venerable Thubten Chokyi who travelled together from 1 – 15 June 2025, to the place mapped in this presentation. - Maps produced using ESRI © OpenStreetMap contributors - Videos of chanting nuns at Dormaling Nunnery and traditional Tibetan dancers near Norbilingka and were recorded by Sandra Henville 10 June 2025 - Vicki Mackenzie (1998) Cave In The Snow, Bloomsbury Publishing, 1998 - Khyentse Norbu (2000) The Cup Film Release date: 20 April 2000 (Australia); Director: Khyentse Norbu, Producers: Raymond Steiner, Malcolm Watson - Geleck Palsang (2022) Amala - The Life and struggle of Dalai lama's sister (2022) Director: Geleck Palsang. https://youtu.be/nkkb7hkRRCY?si=qbrfcR0MSBY_O-F9 - Tenzin Yankyi (2025) Golden Flowers of Dhamma. Director: Tenzin Yankyi 2025. https://www.youtube.com/watch?v=7_IftsyDwFk - Presentation compiled by Sandra Henville Every year, the monastic community (Monks and nuns) go on a three month retreat called the “Rains Retreat” from mid July to mid October. During this period, they do not visit our centres for teachings as it's a time for deepening their own practice. While the monks and nuns are away, we will have some interesting guest speakers coming in to give the Friday Night talk. Dust in Our Eyes 2025 (Rains Retreat Speakers' Series 2025) Hear stories of everyday dhamma as told by monastics and lay practitioners from various Buddhist traditions. Support us on https://ko-fi.com/thebuddhistsocietyofwa BSWA teachings are available: BSWA Teachings BSWA Podcast Channel BSWA DeeperDhamma Podbean Channel BSWA YouTube

Jonas Hassen Khemiri is the author of six novels, seven plays, and a collection of short stories and essays. His work has been translated into more than thirty-five languages. The Family Clause was a finalist for the National Book Award for translated literature, and Invasion! Won an Obie Award for best script. His work has appeared in The New York Times, The New Yorker, and numerous other publications. He lives in Brooklyn with his family and teaches creative writing at New York University. In this interview we discuss his latest book, The Sisters (FSG, 2025). Recommended Books: Brian Boyd, Nabokov: The American Years Selma Lagerlöf, The Treasure Dantiel Moniz, Milk, Blood, Heat Junichiro Tanizaki, The Makioka Sisters Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jonas Hassen Khemiri is the author of six novels, seven plays, and a collection of short stories and essays. His work has been translated into more than thirty-five languages. The Family Clause was a finalist for the National Book Award for translated literature, and Invasion! Won an Obie Award for best script. His work has appeared in The New York Times, The New Yorker, and numerous other publications. He lives in Brooklyn with his family and teaches creative writing at New York University. In this interview we discuss his latest book, The Sisters (FSG, 2025). Recommended Books: Brian Boyd, Nabokov: The American Years Selma Lagerlöf, The Treasure Dantiel Moniz, Milk, Blood, Heat Junichiro Tanizaki, The Makioka Sisters Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1964, Stanislavo, a zealous young man devoted to his ideals, turns his back on his privilege to join the leftist movement in the jungles of Venezuela. There, as he trains, he meets Emiliana, a nurse and fellow revolutionary. Though their intense connection seems to be love at first sight, their romance is upended by a decision with consequences that will echo down through the generations.Almost forty years later, in a poor barrio of Caracas, María, a single mother, ekes out a precarious existence as a housekeeper, pouring her love into Eloy, her young son. Her devotion will not be enough, however, to keep them from disaster. On the eve of the attempted coup against President Chávez, Eloy is wounded by a stray bullet, fracturing her world. Amid the chaos at the hospital, María encounters Stanislavo, now a newspaper editor. Even as the country itself is convulsed by waves of unrest, this twist of fate forces a belated reckoning for Stanislavo, who may yet earn a chance to atone for old missteps before it's too late.With its epic scope, gripping narrative, and unflinching intimacy, Freedom Is a Feast announces a major new talent. Alejandro Puyana has delivered a wise and moving debut about sticking to one's beliefs at the expense of pain and chaos, about the way others can suffer for our misdeeds even when we have the best of intentions, and about the possibility for redemption when love persists across time. Alejandro Puyana moved to the United States from Venezuela at the age of twenty-six. In 2022, he completed his MFA at the Michener Center for Writers at the University of Texas. His work has appeared in Tin House, American Short Fiction, The American Scholar, New England Review, Idaho Review, among others, and his story “The Hands of Dirty Children” was selected by Curtis Sittenfeld for Best American Short Stories 2020. He lives with his wife and daughter in Austin, Texas. Recommended Books: John Hickey, Big Chief Ibrahim Nasrallah, Time of White Horses Julio Cortázar, Literature Class Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sandra is a long-time BSWA member who enjoys holding space for group meditations. She has led the Spiritual Education Group at BSWA and Mindfulness Meditation sessions at her workplace. She also enjoys bringing people together for a good yarn and has suppported the Kalyana Friendship Group at BSWA. These days she collaborates with others at the Buddhist Council of WA and volunteers at Sakyadhita Australia Perth Chapter. Credits: - Thank you to Tour Leader Vikas Kumar and all the team at Ekno Travels who made our journey possible. - Unless otherwise noted, this shared collection of photographs was supplied by Vikas Kumar, Helen Richardson, Sharon Thrupp, Kathy Uno, Deanne McKenzie, Sandra Henville and Venerable Thubten Chokyi who travelled together from 1 – 15 June 2025, to the place mapped in this presentation. - Maps produced using ESRI © OpenStreetMap contributors - Videos of chanting nuns at Dormaling Nunnery and traditional Tibetan dancers near Norbilingka and were recorded by Sandra Henville 10 June 2025 - Vicki Mackenzie (1998) Cave In The Snow, Bloomsbury Publishing, 1998 - Khyentse Norbu (2000) The Cup Film Release date: 20 April 2000 (Australia); Director: Khyentse Norbu, Producers: Raymond Steiner, Malcolm Watson - Geleck Palsang (2022) Amala - The Life and struggle of Dalai lama's sister (2022) Director: Geleck Palsang. https://youtu.be/nkkb7hkRRCY?si=qbrfcR0MSBY_O-F9 - Tenzin Yankyi (2025) Golden Flowers of Dhamma. Director: Tenzin Yankyi 2025. https://www.youtube.com/watch?v=7_IftsyDwFk - Presentation compiled by Sandra Henville Every year, the monastic community (Monks and nuns) go on a three month retreat called the “Rains Retreat” from mid July to mid October. During this period, they do not visit our centres for teachings as it's a time for deepening their own practice. While the monks and nuns are away, we will have some interesting guest speakers coming in to give the Friday Night talk. Dust in Our Eyes 2025 (Rains Retreat Speakers' Series 2025) Hear stories of everyday dhamma as told by monastics and lay practitioners from various Buddhist traditions. Support us on https://ko-fi.com/thebuddhistsocietyofwa BSWA teachings are available: BSWA Teachings BSWA Podcast Channel BSWA DeeperDhamma Podbean Channel BSWA YouTube  

Sommerzeit! Wir springen daher in dieser Folge an den Beginn des 20. Jahrhunderts, als jenes Objekt erfunden wird, das uns in dieser Jahreszeit ständig begleitet: die Sonnenbrille. Wir sehen uns an, wann die wissenschaftliche Grundlage dafür geschaffen wurde und welche kulturelle Bedeutung die Sonnenbrille seither eingenommen hat. // Erwähnte Folgen - GAG494: Der Serumlauf nach Nome – https://gadg.fm/494 - GAG460: Lorenzo Da Ponte oder Wie ein Librettist entsteht– https://gadg.fm/460 - GAG475: Eine kleine Geschichte des Anzugs– https://gadg.fm/475 - GAG391: Celia Cooney, die Banditin mit der Kurzhaarfrisur– https://gadg.fm/391 - GAG458: Wie wir die Nacht zum Tag machten– https://gadg.fm/458 - GAG501: Wie die Jeans entstand– https://gadg.fm/501 - GAG389: Spieglein, Spieglein an der Wand– https://gadg.fm/389 // Literatur - Brock, William H. „The Royal Society's Glass Workers' Cataract Committee; Sir William Crookes and the Development of Sunglasses“. Notes and Records of the Royal Society of London 61, Nr. 3 (2007): 301–12. - Hartewig, Karin. Der verhüllte Blick: Kleine Kulturgeschichte der Sonnenbrille. Marburg: Jonas Verlag, 2009. - Vanessa Brown. Cool Shades: The History and Meaning of Sunglasses. Bloomsbury Publishing, 2014. Das Folgenbild zeigt Miles Davis im Jahr 1984, mit Sonnenbrille //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte // Wir sind jetzt auch bei CampfireFM! Wer direkt in Folgen kommentieren will, Zusatzmaterial und Blicke hinter die Kulissen sehen will: einfach die App installieren und unserer Community beitreten: https://www.joincampfire.fm/podcasts/22 //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer Becher, T-Shirts oder Hoodies erwerben will: Die gibt's unter https://geschichte.shop Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio