Podcasts about Bloomsbury Publishing

Well, that's about it for the story of planet Earth, poor Earth, reduced to not much more than a piece of burnt coal. But, as Deb Olin Unferth shows in her latest electrifying novel, life and love persist, even in the most unexpected, inhospitable places.Two women meet on a beach of artificial sand. One was raised in a pod in the ocean and the other may or may not be a robot. Their love—or any love—seems so unlikely. Earth is severely depopulated. Some people have given up, gone off to Mars. Others pursue eternal life as digital code. And yet others, like Dylan and Melanie, are holdouts—and some of those holdouts are constructing a vast molecular collection in hopes that a future person may be alive to make a new Earth. Foolhardy? Misguided? Quixotic? Probably. But what can a human (or a robot) do?By the end of Unferth's wild, poetic, revelatory, and slyly philosophical novel, the reader has traveled to the very edges of the cosmos as a “soul globule” and between grains of sand as a microscopic tardigrade. A slim book tackling big questions (is all matter conscious? will we tech ourselves into salvation, or out of existence?), Earth 7 (Graywolf Press 2026) is a poignant inquiry into death, mourning, and indefatigable life, the most exhilarating work to date by one of our most original and beloved writers. Deb Olin Unferth is the author of seven books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and four Pushcart Prizes, and was a National Books Critics Circle Award finalist. Her work has appeared in Harper's, The Paris Review, Granta, and McSweeney's. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Recommended Books: Victor Pelevin, Omon Ra Jean Stafford, A Mother in History Tanya Tagaq, Split Tooth Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Well, that's about it for the story of planet Earth, poor Earth, reduced to not much more than a piece of burnt coal. But, as Deb Olin Unferth shows in her latest electrifying novel, life and love persist, even in the most unexpected, inhospitable places.Two women meet on a beach of artificial sand. One was raised in a pod in the ocean and the other may or may not be a robot. Their love—or any love—seems so unlikely. Earth is severely depopulated. Some people have given up, gone off to Mars. Others pursue eternal life as digital code. And yet others, like Dylan and Melanie, are holdouts—and some of those holdouts are constructing a vast molecular collection in hopes that a future person may be alive to make a new Earth. Foolhardy? Misguided? Quixotic? Probably. But what can a human (or a robot) do?By the end of Unferth's wild, poetic, revelatory, and slyly philosophical novel, the reader has traveled to the very edges of the cosmos as a “soul globule” and between grains of sand as a microscopic tardigrade. A slim book tackling big questions (is all matter conscious? will we tech ourselves into salvation, or out of existence?), Earth 7 (Graywolf Press 2026) is a poignant inquiry into death, mourning, and indefatigable life, the most exhilarating work to date by one of our most original and beloved writers. Deb Olin Unferth is the author of seven books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and four Pushcart Prizes, and was a National Books Critics Circle Award finalist. Her work has appeared in Harper's, The Paris Review, Granta, and McSweeney's. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Recommended Books: Victor Pelevin, Omon Ra Jean Stafford, A Mother in History Tanya Tagaq, Split Tooth Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Well, that's about it for the story of planet Earth, poor Earth, reduced to not much more than a piece of burnt coal. But, as Deb Olin Unferth shows in her latest electrifying novel, life and love persist, even in the most unexpected, inhospitable places.Two women meet on a beach of artificial sand. One was raised in a pod in the ocean and the other may or may not be a robot. Their love—or any love—seems so unlikely. Earth is severely depopulated. Some people have given up, gone off to Mars. Others pursue eternal life as digital code. And yet others, like Dylan and Melanie, are holdouts—and some of those holdouts are constructing a vast molecular collection in hopes that a future person may be alive to make a new Earth. Foolhardy? Misguided? Quixotic? Probably. But what can a human (or a robot) do?By the end of Unferth's wild, poetic, revelatory, and slyly philosophical novel, the reader has traveled to the very edges of the cosmos as a “soul globule” and between grains of sand as a microscopic tardigrade. A slim book tackling big questions (is all matter conscious? will we tech ourselves into salvation, or out of existence?), Earth 7 (Graywolf Press 2026) is a poignant inquiry into death, mourning, and indefatigable life, the most exhilarating work to date by one of our most original and beloved writers. Deb Olin Unferth is the author of seven books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and four Pushcart Prizes, and was a National Books Critics Circle Award finalist. Her work has appeared in Harper's, The Paris Review, Granta, and McSweeney's. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Recommended Books: Victor Pelevin, Omon Ra Jean Stafford, A Mother in History Tanya Tagaq, Split Tooth Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction

Well, that's about it for the story of planet Earth, poor Earth, reduced to not much more than a piece of burnt coal. But, as Deb Olin Unferth shows in her latest electrifying novel, life and love persist, even in the most unexpected, inhospitable places.Two women meet on a beach of artificial sand. One was raised in a pod in the ocean and the other may or may not be a robot. Their love—or any love—seems so unlikely. Earth is severely depopulated. Some people have given up, gone off to Mars. Others pursue eternal life as digital code. And yet others, like Dylan and Melanie, are holdouts—and some of those holdouts are constructing a vast molecular collection in hopes that a future person may be alive to make a new Earth. Foolhardy? Misguided? Quixotic? Probably. But what can a human (or a robot) do?By the end of Unferth's wild, poetic, revelatory, and slyly philosophical novel, the reader has traveled to the very edges of the cosmos as a “soul globule” and between grains of sand as a microscopic tardigrade. A slim book tackling big questions (is all matter conscious? will we tech ourselves into salvation, or out of existence?), Earth 7 (Graywolf Press 2026) is a poignant inquiry into death, mourning, and indefatigable life, the most exhilarating work to date by one of our most original and beloved writers. Deb Olin Unferth is the author of seven books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and four Pushcart Prizes, and was a National Books Critics Circle Award finalist. Her work has appeared in Harper's, The Paris Review, Granta, and McSweeney's. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Recommended Books: Victor Pelevin, Omon Ra Jean Stafford, A Mother in History Tanya Tagaq, Split Tooth Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

From Pulitzer and National Book Award finalist Anand Gopal, an epic and enthralling account of six Syrians fighting for a better world, in the tradition of classic works by Philip Gourevitch and Katherine Boo.In 2011, in a northern Syrian city, a small group of men and women began a movement that overthrew a brutal dictatorship. For the next eighteen months, many of the citizens of Manbij carried out one of the most remarkable experiments in democracy in modern times.Days of Love and Rage (Viking, 2026) details the powerfully intimate narratives of the men and women who led this struggle, and who experienced the highs of camaraderie and the lows of betrayal. Among them: a pair of best friends torn apart by political polarization, a mother who stands up to male dominance, and a worker who risks everything for the dream of equality.Anand Gopal immerses you in the world of a single city in the throes of revolution, and lays bare the danger that inequality poses to democracy. But this book transcends the particulars of one terrible conflict to tell the broader story of rising authoritarianism in our times. Days of Love and Rage has the force, sweep, and artistry of a great novel, and is ultimately a story of our enduring human need for dignity and hope. Anand Gopal is a writer for The New Yorker. He is the author of No Good Men Among the Living and writes about democracy, inequality, and conflict. Recommended Books: Loubna Mrie, Defiance Walter Ang, Orality and Literacy Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

From Pulitzer and National Book Award finalist Anand Gopal, an epic and enthralling account of six Syrians fighting for a better world, in the tradition of classic works by Philip Gourevitch and Katherine Boo.In 2011, in a northern Syrian city, a small group of men and women began a movement that overthrew a brutal dictatorship. For the next eighteen months, many of the citizens of Manbij carried out one of the most remarkable experiments in democracy in modern times.Days of Love and Rage (Viking, 2026) details the powerfully intimate narratives of the men and women who led this struggle, and who experienced the highs of camaraderie and the lows of betrayal. Among them: a pair of best friends torn apart by political polarization, a mother who stands up to male dominance, and a worker who risks everything for the dream of equality.Anand Gopal immerses you in the world of a single city in the throes of revolution, and lays bare the danger that inequality poses to democracy. But this book transcends the particulars of one terrible conflict to tell the broader story of rising authoritarianism in our times. Days of Love and Rage has the force, sweep, and artistry of a great novel, and is ultimately a story of our enduring human need for dignity and hope. Anand Gopal is a writer for The New Yorker. He is the author of No Good Men Among the Living and writes about democracy, inequality, and conflict. Recommended Books: Loubna Mrie, Defiance Walter Ang, Orality and Literacy Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From Pulitzer and National Book Award finalist Anand Gopal, an epic and enthralling account of six Syrians fighting for a better world, in the tradition of classic works by Philip Gourevitch and Katherine Boo.In 2011, in a northern Syrian city, a small group of men and women began a movement that overthrew a brutal dictatorship. For the next eighteen months, many of the citizens of Manbij carried out one of the most remarkable experiments in democracy in modern times.Days of Love and Rage (Viking, 2026) details the powerfully intimate narratives of the men and women who led this struggle, and who experienced the highs of camaraderie and the lows of betrayal. Among them: a pair of best friends torn apart by political polarization, a mother who stands up to male dominance, and a worker who risks everything for the dream of equality.Anand Gopal immerses you in the world of a single city in the throes of revolution, and lays bare the danger that inequality poses to democracy. But this book transcends the particulars of one terrible conflict to tell the broader story of rising authoritarianism in our times. Days of Love and Rage has the force, sweep, and artistry of a great novel, and is ultimately a story of our enduring human need for dignity and hope. Anand Gopal is a writer for The New Yorker. He is the author of No Good Men Among the Living and writes about democracy, inequality, and conflict. Recommended Books: Loubna Mrie, Defiance Walter Ang, Orality and Literacy Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

From Pulitzer and National Book Award finalist Anand Gopal, an epic and enthralling account of six Syrians fighting for a better world, in the tradition of classic works by Philip Gourevitch and Katherine Boo.In 2011, in a northern Syrian city, a small group of men and women began a movement that overthrew a brutal dictatorship. For the next eighteen months, many of the citizens of Manbij carried out one of the most remarkable experiments in democracy in modern times.Days of Love and Rage (Viking, 2026) details the powerfully intimate narratives of the men and women who led this struggle, and who experienced the highs of camaraderie and the lows of betrayal. Among them: a pair of best friends torn apart by political polarization, a mother who stands up to male dominance, and a worker who risks everything for the dream of equality.Anand Gopal immerses you in the world of a single city in the throes of revolution, and lays bare the danger that inequality poses to democracy. But this book transcends the particulars of one terrible conflict to tell the broader story of rising authoritarianism in our times. Days of Love and Rage has the force, sweep, and artistry of a great novel, and is ultimately a story of our enduring human need for dignity and hope. Anand Gopal is a writer for The New Yorker. He is the author of No Good Men Among the Living and writes about democracy, inequality, and conflict. Recommended Books: Loubna Mrie, Defiance Walter Ang, Orality and Literacy Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

From Pulitzer and National Book Award finalist Anand Gopal, an epic and enthralling account of six Syrians fighting for a better world, in the tradition of classic works by Philip Gourevitch and Katherine Boo.In 2011, in a northern Syrian city, a small group of men and women began a movement that overthrew a brutal dictatorship. For the next eighteen months, many of the citizens of Manbij carried out one of the most remarkable experiments in democracy in modern times.Days of Love and Rage (Viking, 2026) details the powerfully intimate narratives of the men and women who led this struggle, and who experienced the highs of camaraderie and the lows of betrayal. Among them: a pair of best friends torn apart by political polarization, a mother who stands up to male dominance, and a worker who risks everything for the dream of equality.Anand Gopal immerses you in the world of a single city in the throes of revolution, and lays bare the danger that inequality poses to democracy. But this book transcends the particulars of one terrible conflict to tell the broader story of rising authoritarianism in our times. Days of Love and Rage has the force, sweep, and artistry of a great novel, and is ultimately a story of our enduring human need for dignity and hope. Anand Gopal is a writer for The New Yorker. He is the author of No Good Men Among the Living and writes about democracy, inequality, and conflict. Recommended Books: Loubna Mrie, Defiance Walter Ang, Orality and Literacy Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

From Pulitzer and National Book Award finalist Anand Gopal, an epic and enthralling account of six Syrians fighting for a better world, in the tradition of classic works by Philip Gourevitch and Katherine Boo.In 2011, in a northern Syrian city, a small group of men and women began a movement that overthrew a brutal dictatorship. For the next eighteen months, many of the citizens of Manbij carried out one of the most remarkable experiments in democracy in modern times.Days of Love and Rage (Viking, 2026) details the powerfully intimate narratives of the men and women who led this struggle, and who experienced the highs of camaraderie and the lows of betrayal. Among them: a pair of best friends torn apart by political polarization, a mother who stands up to male dominance, and a worker who risks everything for the dream of equality.Anand Gopal immerses you in the world of a single city in the throes of revolution, and lays bare the danger that inequality poses to democracy. But this book transcends the particulars of one terrible conflict to tell the broader story of rising authoritarianism in our times. Days of Love and Rage has the force, sweep, and artistry of a great novel, and is ultimately a story of our enduring human need for dignity and hope. Anand Gopal is a writer for The New Yorker. He is the author of No Good Men Among the Living and writes about democracy, inequality, and conflict. Recommended Books: Loubna Mrie, Defiance Walter Ang, Orality and Literacy Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

From Pulitzer and National Book Award finalist Anand Gopal, an epic and enthralling account of six Syrians fighting for a better world, in the tradition of classic works by Philip Gourevitch and Katherine Boo.In 2011, in a northern Syrian city, a small group of men and women began a movement that overthrew a brutal dictatorship. For the next eighteen months, many of the citizens of Manbij carried out one of the most remarkable experiments in democracy in modern times.Days of Love and Rage (Viking, 2026) details the powerfully intimate narratives of the men and women who led this struggle, and who experienced the highs of camaraderie and the lows of betrayal. Among them: a pair of best friends torn apart by political polarization, a mother who stands up to male dominance, and a worker who risks everything for the dream of equality.Anand Gopal immerses you in the world of a single city in the throes of revolution, and lays bare the danger that inequality poses to democracy. But this book transcends the particulars of one terrible conflict to tell the broader story of rising authoritarianism in our times. Days of Love and Rage has the force, sweep, and artistry of a great novel, and is ultimately a story of our enduring human need for dignity and hope. Anand Gopal is a writer for The New Yorker. He is the author of No Good Men Among the Living and writes about democracy, inequality, and conflict. Recommended Books: Loubna Mrie, Defiance Walter Ang, Orality and Literacy Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

This episode engages with both the thought and practice of interconnectivity and collective consciousness in Indigenous theory. Niu/Knew/Neo Tā-Vā is framed as a talanoa/tzijonïk/storying conversation between Tāvāism, critical and global Indigenous theory. Mayan philosophy of time space is introduced and demonstrated to have overlaps with ideas of reality and life in Tā-Vā, which is explored along with critical thought. Some themes include: apocalyptic thought and response to change; cross cultural connections of shared social values; temporality beyond linearity; and calibrating actions. The role of sacrifice in sharing time-space is also considered in this emerging project, which is one of shifting the hoa (pairing) of Tā-Vā from dominant to global Indigenous philosophical traditions.   References: Giovanni Batz. The Fourth Invasion. University of California Press, 2024. Floridalma Boj Lopez. Indigenous Archives. Duke University Press, 2026. Octavia E. Butler. Parable of the Sower. Four Walls Eight Windows, 1993. Octavia E. Butler. Parable of the Talents. New York: Warner Books, 1998. Lewis Gordon. A philosophical look at Black music. Quinnipiac University (26 Sep 2019). Epeli Hau‘ofa. We are the ocean: Selected works. University of Hawaii Press, 2008. Tēvita Kaʻili. “Ancestral Voices of the Sea: Hearing the Past to Lead the Future.” In Anne Perez Hattori and  Jane Samson (Eds.), The Cambridge History of The Pacific Ocean Volume II: The Pacific Ocean Since 1800. Cambridge University Press, 2023. Miguel León-Portilla. Time and Reality in the Thought of the Maya. University of Oklahoma Press, 1990. Alexus McLeod. Philosophy of the ancient Maya: Lords of time. Bloomsbury Publishing, 2017. Manulani Aluli Meyer. “Holographic epistemology: Native common sense.” China Media Research, 9(2), 2013. Victor Montejo. Mayalogue: An Interactionist Theory of Indigenous Cultures. State University of New York Press, 2021. Arcia Tecun, ‘Inoke Hafoka, Lavinia ‘Ulu ‘ave, and Moana ‘Ulu ‘ave-Hafoka. "Talanoa: Tongan epistemology and Indigenous research method." AlterNative: An International Journal of Indigenous Peoples 14, no. 2 (2018): 156-163. Teresia Teaiwa. “On analogies: Rethinking the Pacific in a global context.” The Contemporary Pacific 18 (1), 2006: 71-87. Victor Turner. The Ritual Process: Structure and Anti-Structure. Aldine Publishing, 1969. Sione Vaka. A Tongan approach of integrating mental health care. TedxNuku'alofa (2 Dec 2021).

This week on ‘The Write Question,' host Lauren Korn speaks with Miriam Toews, author of the memoir ‘A Truce That Is Not Peace' (Bloomsbury Publishing). Note: This conversation contains explicit references to suicide. If you or someone you love is struggling with a mental health crisis or in immediate danger, please call or text 988 to reach the Suicide & Crisis Lifeline.

This week Zach is joined by author & film journalist Kristen Lopez to dive into a subject matter oft neglected in film discourse as they chat about  her new book ‘Popcorn Disabilities: The Highs and Lows of Disabled Representation in the Movies’ Join them as they discuss how the book came to be,  examine a slate of Golden Age Hollywood films and how they handle dramatizing disabled stories  & finding space for disabled creatives, analyze the pitfalls that can befall films and filmmakers with lack of disabled participation, and settle upon how these stories and images are vital talking points to both engage in proper film literacy & understanding the disabled community. To Buy POPCORN DISABILITIES, head over to Amazon: https://www.amazon.com/Popcorn-Disabilities-Disabled-Representation-Movies/dp/149308633 Barnes and Nobles:https://www.barnesandnoble.com/w/popcorn-disabilities-kristen-lopez/1147523323 Or at Bloomsbury Publishing: https://www.bloomsbury.com/us/popcorn-disabilities-9781493086344/   To follow Kristen's journalism endeavors, check out and consider signing up at THE FILM MAVEN https://thefilmmaven.com/ Kitten Sale for Yearly Subscription: https://thefilmmaven.com/kitten-sale (Ends at the end of May)   You can also check out Kristens Film Podcast, Ticklish Business wherever you get your podcasts Apple: https://podcasts.apple.com/us/podcast/ticklish-business/id1129352801 Spotify:https://open.spotify.com/show/2v9YsVqLuXnwAoXSlIAAVc You can also support the show on Patreon: https://www.patreon.com/cw/TicklishBiz   And follow her many adventures on Social Media! Instagram: https://www.instagram.com/kristenlopez88?igsh=MWh1OTQ4ODRwbGswbg== Threads: https://www.threads.com/@kristenlopez88?igshid=NTc4MTIwNjQ2YQ== BlueSky: https://bsky.app/profile/kristenklopez.bsky.social

This week on ‘The Write Question,' host Lauren Korn speaks with Miriam Toews, author of the memoir ‘A Truce That Is Not Peace' (Bloomsbury Publishing). Note: This conversation contains explicit references to suicide. If you or someone you love is struggling with a mental health crisis or in immediate danger, please call or text 988 to reach the Suicide & Crisis Lifeline.

In Canon (Viking, 2026), two unlikely heroes embark on quests to win God's favor in this outrageously entertaining, profoundly heartfelt novel that announces an ingenious new voice in the tradition of Chain-Gang All-Stars, No One Is Talking About This, and Martyr!Yara can't comprehend why God has chosen them to slay Dominic, the ruthless leader of the army of Bad Guys. Cast out by their family and reeling from a destructive relationship, Yara has never felt weaker—but with nothing left to lose, they strike a deal. Abandoning their solitary days of embroidery and obsessive cleaning, Yara reluctantly embarks on a perilous odyssey designed to prepare them for the daunting mission ahead.Meanwhile, Adrena, a disillusioned prophet with a terrifying secret power, is determined to become the hero of this story. Desperately seeking the glory of God's approval and the promise of heaven, where she hopes to reunite with her beloved mother, Adrena must first persuade Harpo, the leader of the Good Guys, that her plan is God's will.As their journeys unfold in a series of unforgettable adventures, Yara and Adrena are propelled toward each other and transformative revelations about life, death, and destiny in this intensely captivating, irreverent epic from a singularly brilliant new voice in fiction.  Paige Lewis is the author of the poetry collection Space Struck (Sarabande Books, 2019) and the novel Canon (Viking Press, 2026). They co-edited Another Last Call: Poems on Addiction and Deliverance (Sarabande Books, 2023) with Kaveh Akbar. Paige teaches creative writing at the University of Iowa.Recommended Books: Tom Lin, Babylon, South Dakota Layli Long Soldier, We Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Canon (Viking, 2026), two unlikely heroes embark on quests to win God's favor in this outrageously entertaining, profoundly heartfelt novel that announces an ingenious new voice in the tradition of Chain-Gang All-Stars, No One Is Talking About This, and Martyr!Yara can't comprehend why God has chosen them to slay Dominic, the ruthless leader of the army of Bad Guys. Cast out by their family and reeling from a destructive relationship, Yara has never felt weaker—but with nothing left to lose, they strike a deal. Abandoning their solitary days of embroidery and obsessive cleaning, Yara reluctantly embarks on a perilous odyssey designed to prepare them for the daunting mission ahead.Meanwhile, Adrena, a disillusioned prophet with a terrifying secret power, is determined to become the hero of this story. Desperately seeking the glory of God's approval and the promise of heaven, where she hopes to reunite with her beloved mother, Adrena must first persuade Harpo, the leader of the Good Guys, that her plan is God's will.As their journeys unfold in a series of unforgettable adventures, Yara and Adrena are propelled toward each other and transformative revelations about life, death, and destiny in this intensely captivating, irreverent epic from a singularly brilliant new voice in fiction.  Paige Lewis is the author of the poetry collection Space Struck (Sarabande Books, 2019) and the novel Canon (Viking Press, 2026). They co-edited Another Last Call: Poems on Addiction and Deliverance (Sarabande Books, 2023) with Kaveh Akbar. Paige teaches creative writing at the University of Iowa.Recommended Books: Tom Lin, Babylon, South Dakota Layli Long Soldier, We Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Canon (Viking, 2026), two unlikely heroes embark on quests to win God's favor in this outrageously entertaining, profoundly heartfelt novel that announces an ingenious new voice in the tradition of Chain-Gang All-Stars, No One Is Talking About This, and Martyr!Yara can't comprehend why God has chosen them to slay Dominic, the ruthless leader of the army of Bad Guys. Cast out by their family and reeling from a destructive relationship, Yara has never felt weaker—but with nothing left to lose, they strike a deal. Abandoning their solitary days of embroidery and obsessive cleaning, Yara reluctantly embarks on a perilous odyssey designed to prepare them for the daunting mission ahead.Meanwhile, Adrena, a disillusioned prophet with a terrifying secret power, is determined to become the hero of this story. Desperately seeking the glory of God's approval and the promise of heaven, where she hopes to reunite with her beloved mother, Adrena must first persuade Harpo, the leader of the Good Guys, that her plan is God's will.As their journeys unfold in a series of unforgettable adventures, Yara and Adrena are propelled toward each other and transformative revelations about life, death, and destiny in this intensely captivating, irreverent epic from a singularly brilliant new voice in fiction.  Paige Lewis is the author of the poetry collection Space Struck (Sarabande Books, 2019) and the novel Canon (Viking Press, 2026). They co-edited Another Last Call: Poems on Addiction and Deliverance (Sarabande Books, 2023) with Kaveh Akbar. Paige teaches creative writing at the University of Iowa.Recommended Books: Tom Lin, Babylon, South Dakota Layli Long Soldier, We Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Innovation is not just a stroke of luck or lightning in a jar. It is a strategic engine driven by specific KPIs and metrics that can be activated to shape the future of nations. In this episode, we sit down with Edoardo Giglio, a partner at Deloitte and author of Tech Tides, to explore how technological innovation has become the primary driver of global power. Edoardo shares his unique journey from Scotland Yard and high-tech crime intelligence to advising governments on digital sovereignty. We dive deep into why some ecosystems like Silicon Valley thrive while others struggle, and what the European problem means for the future of the continent. From the military-civilian symbiosis in Israel to the asymmetric strategies of Iran, this conversation provides a new lens through which to view today's geopolitical maneuvers. Key discussion points include the difference between research and development versus true innovation, the impact of the Draghi report, and why a federated model might be the only way for Europe to remain competitive on the world stage. Whether you are interested in cyber strategy, defense policy, or the future of digital sovereignty, this interview offers a masterclass in how technology shapes the modern world. If you enjoyed this deep dive into the intersection of technology and power, please hit the like button and subscribe to our channel for more expert interviews on risk management and global strategy. You can find Edoardo's book, Tech Tides, through Bloomsbury Publishing or major online retailers.

Hämnden är farlig och ociviliserad. Men det gäller också brotten och systemen som inte ger kvinnor upprättelse, konstaterar Maria Andersson Vogel. Lyssna på alla avsnitt i Sveriges Radios app. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna. För en tid sedan besökte jag Aten för första gången. Det visade sig vara omöjligt att befinna sig där utan att förhålla sig till Akropolis, den klippa i centrala Aten där Parthenon, templet som tillägnades gudinnan Athena, Atens beskyddare, tronar allra högst. Vart man än vänder sig i staden är templet och de andra ruinerna synliga, något som förstärks om kvällen då mörkret lägger sig över bebyggelsen men inte över Akropolis som lyses upp av enorma strålkastare.Egentligen var jag där för att gå på konferens, men tanken på att åka hem från Aten utan att ha bestigit den där klippan var otänkbar. Eftersom det var mycket varmt gick jag en morgon upp extra tidigt och promenerade uppåt genom stadens gränder. Utanför ingången till tempelområdet var det redan fullt av människor trots att klockan ännu inte slagit åtta. När grindarna öppnade vallfärdade jag tillsammans med de andra uppåt längs slingrande stigar, andäktig.Och så, på den södra sidan av klippan, i en dal nedanför, bredde Dionysosteatern ut sig. Åsynen av den fick det att svindla i mig. Där hade, för mer än två tusen år sedan, människor samlats för att bevittna uppföranden av de tragedier som nu är en helt självklar del av vår kultur. Dramer, myter och karaktärer som vi alla refererar och förhåller oss till, ibland utan att vi ens är medvetna om det.Men när vi ser en modern uppsättning av dessa klassiker är det ofta en ofullständig rest. Tragedierna var från början mer eller mindre sammanhängande trilogier, och bara en har överlevt med alla delar intakta – Aischylos ”Orestien” från 458 före Kristus. Det är berättelsen om kung Agamemnon som offrar sin dotter Ifigenia för att kunna segla och kriga mot Troja, men som vid hemvändandet möts av hustrun Klytaimnestras mödravrede och hämnd. Den blodiga familjekonflikten trappas upp av att Orestes, sonen, i sin tur hämnas mordet på fadern genom att döda sin mor.I den sista delen av trilogin jagas han av Erinnyerna, hämndgudinnorna som i allmänt tal är mer kända under sitt romerska namn, Furierna. Men dramat tar en annan vändning när Athena kliver in och ställer Orestes inför en jurydomstol, i vilken han frikänns. De fruktade hämndgudinnorna förlorar sin rättskipande makt och blidkas genom att Athena utnämner dem till stadens skyddsgudinnor.Det är en episk berättelse om hämnd och rättvisa, och den brukar tolkas som en gestaltning av civilisationens triumf, av övergången från blodshämnd till ett rättskipande system. Men är det hela sanningen?Den amerikanska professorn i klassiska studier, Emily Wilson, menar att vad Orestien mer än något annat handlar om är kvinnlig vrede och förlust. Till skillnad från många andra läser hon inte dramat som en triumf för ett mer civiliserat rättssystem, utan som en berättelse om hur det manliga politiska systemet förtrycker det kvinnliga. Genom att pacificera Furierna pacificeras också den kvinnliga vreden.Finns det en särskild kvinnlig vrede, och en specifikt kvinnlig hämnd? Den frågan har jag grubblat över ett tag nu. Egentligen tror jag ju inte att kön har så mycket med saken att göra. Varför skulle kvinnors ilska över oförrätter vara annorlunda än mäns? På samma sätt är det svårt att förstå varför kvinnors hämndlystnad skulle vara väsensskild.Men skälen till att vreden börjar koka, de händelser som väcker hämndlystenheten, de tycks mig ibland vara specifika. Och ofta, såväl i litteraturen som i verkligheten, vara förknippad med patriarkalt våld – mot kvinnorna och deras barn. För rättskipande system som bygger på argumentation istället för våld i all ära, men när systemet inte ger de utsatta upprättelse, vad gör man då?Den amerikanska journalisten Elizabeth Flock tar sig an den frågan i sin bok betitlad just ”The furies” – Furierna. Hon följer tre kvinnor som alla tagit saken i egna händer. En av dem är Brittany i USA, som under en natt utsätts för grov våldtäkt och till sist dödar sin förövare i vad hon menar är självförsvar. Här finns också Angoori i Indien, en kastlös kvinna som får hus och mark konfiskerade och startar ett kvinnoseparatistiskt gäng med syfte att hjälpa andra utsatta. Och vi har Cicek i den kurdiska delen av Syrien, som tar till vapen och ansluter sig till YPG och kampen för ett fritt Kurdistan.Gemensamt för berättelserna är hur samhällssystemen brustit både när det kommer till skydd mot våld och möjligheten till upprättelse. De tre kvinnornas våldsamma motstånd är rakt igenom intimt sammantvinnat med mäns våld och patriarkalt förtryck. Det är stundtals omöjligt att skilja trådarna som spinner fram ett offer från de som spinner fram en förövare.Där Brittany ställs inför rätta för mordet på sin förövare, liksom i ett flertal av amerikanska stater, finns en lagstiftning som tillåter våldsamt, också dödligt, motstånd om du blir attackerad. För kvinnor i Brittanys situation hjälper den dock föga. Lagen stammar från 1800-talet med ett ursprungligt syfte att tillåta män skydda sin egendom, i vilken kvinnor och barn vid den tiden ingick. Inte heller dagens lagstiftning är utformad för att omfatta den verklighet som Brittany delar med alltför många kvinnor. Amerikanska forskare pekar på hur lagen är skapad utifrån ett manligt perspektiv med fokus på hot utifrån medan den ignorerar våld i hemmet, vilket kvinnor oftare utsätts för. Med ens är det som att vi är tillbaka vid Dionysosteatern, där det manliga politiska systemet vann och den kvinnliga vreden tystades.Det är talande att Athena, som i Aischylos drama har utslagsrösten, inte hänvisar till neutralitet eller det allmänna bästa när hon friar Orestes, utan till att hon är född ur Zeus huvud, och inte av en mor, sätter mannens rätt framför kvinnans.Men gör vi rätt att som Elizabeth Flock använda epitetet furier för dagens kvinnor som, när samhällets system brister, möter förtryck med våld? Utifrån en traditionell tolkning av Aischylos drama innebär epitetet att deras vrede och försök till upprättelse blir något förhistoriskt och förlegat, ett agerande som med förnuftig blick kan avfärdas som barbariskt. Kanske är frågan felställd. För inte är det i första hand kvinnornas strategier för upprättelse som bör tolkas som barbariska, utan det systematiska våld de utsätts för, av såväl enskilda individer som samhällssystem?Parallellt med att jag läser Orestien arbetar jag med ett intervjumaterial med unga kvinnor i och omkring den så kallade gängmiljön. Utsattheten är så omfattande att det stundtals är svårt att andas, samtidigt som gränsdragningarna mellan offer och förövare ibland är helt utsuddade. De unga kvinnornas berättelser är fulla av sexuellt våld, men få berättar om hjälp till upprättelse. Några har istället tagit saken i egna händer. Givetvis är det ingenting att uppmuntra, men där jag sitter med flödet av berättelser om våldsutsatthet är det omöjligt att fördöma.Så länge de rättskipande systemen inte klarar av att ge kvinnor som utsätts för barbariskt våld, just för att de är kvinnor, skydd och upprättelse hoppas jag att furierna stannar. Inte för att legitimera våldsam hämnd, men som en garant för att kvinnors rättmätiga vrede får ta plats. Det är inte de utsatta som bör pacificeras, det är våldsutövarna.Maria Andersson Vogelskribent och doktor i socialt arbete LitteraturAischylos: Orestien – Agamemnon, Gravoffret och Eumeniderna. Översättning av Emil Zilliacus. Geber, 1929– 1930.Flock, Elizabeth (2024). The furies. Three women and their violent fight for justice. Penguin Books.Light Caroline, Thomas Janae, Yakubovich Alexa (2023). Gender and Stand Your Ground Laws: A Critical Appraisal of Existing Research. J Law Med Ethics, 51 (1): 53-63.Naffine, Ngaire (2020). Criminal Law and the Man Problem. Bloomsbury Publishing.Wilson, Emily (2020). Ah how miserable! London Review of Books, 42 (19).

Da na na na da na na na Batman! Batman!A delusional Egyptologist, a straight-faced superhero in a colourful world, and some questionable representations of ancient Egypt. In this bat episode of the bat Mummy Movie Podcast, we bat examine the bat history of Adam West bat Batman.In this bat episode of the bat Mummy Movie Podcast, we bat jump into the bat history behind two bat episodes, the Curse of King Tut and the Pharaoh's in a Rut. On top that we do a bat review.I hope you bat enjoy!… bat.Email: mummymoviepodcast@gmail.comPatreon: patreon.com/MummyMoviePodcastBibliographyDodson, A. (2009). Amarna Sunset: Nefertiti, Tutankhamun, Ay, Horemheb, and the Egyptian Counter-Reformation. Oxford University Press.Ezzy, D. (2015). Reassembling religious symbols: The pagan god Baphomet. Religion, 45(1), 24-41.Ikram, S. (2001). The iconography of the hyena in Ancient Egyptian art. Mitteilungen des deutschen archaologischen instituts abteilung Kairo, 127-140James, T. G. H. (2012) Howard Carter: the path to Tutankhamun. Bloomsbury Publishing.Peet, T. E. (1930). The great tomb-robberies of the twentieth Egyptian dynasty. Georg Olms Verlag. Hosted on Acast. See acast.com/privacy for more information.

Sarah Jean Grimm is the author of Soft Focus (Metatron, 2017) and the chapbook Hog Lagoon (blush, 2023). She was a founding editor of Powder Keg Magazine (2014-2019) and currently edits the small poetry press After Hours Editions. She lives in upstate New York and works as a book publicist with Broadside PR. Book Recommendations: Niina Pollari Paths of Totality Song Cave Press, Emily Skillings, Tantrums in Air Michael Earl Craig, Thin Kimono Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sarah Jean Grimm is the author of Soft Focus (Metatron, 2017) and the chapbook Hog Lagoon (blush, 2023). She was a founding editor of Powder Keg Magazine (2014-2019) and currently edits the small poetry press After Hours Editions. She lives in upstate New York and works as a book publicist with Broadside PR. Book Recommendations: Niina Pollari Paths of Totality Song Cave Press, Emily Skillings, Tantrums in Air Michael Earl Craig, Thin Kimono Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Sarah Jean Grimm is the author of Soft Focus (Metatron, 2017) and the chapbook Hog Lagoon (blush, 2023). She was a founding editor of Powder Keg Magazine (2014-2019) and currently edits the small poetry press After Hours Editions. She lives in upstate New York and works as a book publicist with Broadside PR. Book Recommendations: Niina Pollari Paths of Totality Song Cave Press, Emily Skillings, Tantrums in Air Michael Earl Craig, Thin Kimono Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Growing up in the San Francisco Bay Area in the 1980s, Jane Kim and her brother, Kevin, dutifully embodied the model minority myth as their parents demanded: both stellar tennis players and academically gifted, they worked hard to make their parents proud. Jane went on to law school. Kevin came close to becoming a professional tennis player. But where they started is nowhere near where they have ended up: Jane has stopped going to her law school classes, and Kevin, now a policeman, has become increasingly distant. Their parents, each on their own path toward the elusive American Dream (their mother hell-bent on having the perfect house and the perfect family, their father obsessed with working his way up from one successful business to the next), don't want to see the family unraveling. When Kevin goes missing, no one recognizes his absence as the warning sign it is until it erupts, forcing them all to come to terms with their past and present selves in a country that isn't all it promised it would be. Both deeply serious and wickedly funny, American Han (Algonquin Books, 2026) is a profound story about striving and assimilation, difficult love, and family fidelity. A searing portrait that challenges assumptions about the immigrant experience, Lisa Lee's debut introduces a powerful new voice on the literary landscape. Lee is the recipient of the Marianne Russo Emerging Writer Award from the Key West Literary Seminar, an Emerging Writer Fellowship from the Center for Fiction, and a Pushcart Prize. She has received additional fellowships and awards from Kundiman, Millay Arts, Hedgebrook, the Rona Jaffe Foundation, Tin House, Jentel Artist Residency, the Korea Foundation, and others. Her work has appeared in Ploughshares, VIDA: Women in Literary Arts, North American Review, Sycamore Review, Gulf Coast, Tusculum Review, Reed Magazine, New World Writing, and elsewhere. She holds an MFA from the University of Houston and a PhD in Creative Writing and Literature from the University of Southern California. She lives in Los Angeles and grew up in Napa, California. Recommended Books: Giada Scodellaro, Ruins, Child Morgan Day, The Oldest Bitch Alive Elaine H. Kim, “Home is Where the Han Is” Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Growing up in the San Francisco Bay Area in the 1980s, Jane Kim and her brother, Kevin, dutifully embodied the model minority myth as their parents demanded: both stellar tennis players and academically gifted, they worked hard to make their parents proud. Jane went on to law school. Kevin came close to becoming a professional tennis player. But where they started is nowhere near where they have ended up: Jane has stopped going to her law school classes, and Kevin, now a policeman, has become increasingly distant. Their parents, each on their own path toward the elusive American Dream (their mother hell-bent on having the perfect house and the perfect family, their father obsessed with working his way up from one successful business to the next), don't want to see the family unraveling. When Kevin goes missing, no one recognizes his absence as the warning sign it is until it erupts, forcing them all to come to terms with their past and present selves in a country that isn't all it promised it would be. Both deeply serious and wickedly funny, American Han (Algonquin Books, 2026) is a profound story about striving and assimilation, difficult love, and family fidelity. A searing portrait that challenges assumptions about the immigrant experience, Lisa Lee's debut introduces a powerful new voice on the literary landscape. Lee is the recipient of the Marianne Russo Emerging Writer Award from the Key West Literary Seminar, an Emerging Writer Fellowship from the Center for Fiction, and a Pushcart Prize. She has received additional fellowships and awards from Kundiman, Millay Arts, Hedgebrook, the Rona Jaffe Foundation, Tin House, Jentel Artist Residency, the Korea Foundation, and others. Her work has appeared in Ploughshares, VIDA: Women in Literary Arts, North American Review, Sycamore Review, Gulf Coast, Tusculum Review, Reed Magazine, New World Writing, and elsewhere. She holds an MFA from the University of Houston and a PhD in Creative Writing and Literature from the University of Southern California. She lives in Los Angeles and grew up in Napa, California. Recommended Books: Giada Scodellaro, Ruins, Child Morgan Day, The Oldest Bitch Alive Elaine H. Kim, “Home is Where the Han Is” Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Growing up in the San Francisco Bay Area in the 1980s, Jane Kim and her brother, Kevin, dutifully embodied the model minority myth as their parents demanded: both stellar tennis players and academically gifted, they worked hard to make their parents proud. Jane went on to law school. Kevin came close to becoming a professional tennis player. But where they started is nowhere near where they have ended up: Jane has stopped going to her law school classes, and Kevin, now a policeman, has become increasingly distant. Their parents, each on their own path toward the elusive American Dream (their mother hell-bent on having the perfect house and the perfect family, their father obsessed with working his way up from one successful business to the next), don't want to see the family unraveling. When Kevin goes missing, no one recognizes his absence as the warning sign it is until it erupts, forcing them all to come to terms with their past and present selves in a country that isn't all it promised it would be. Both deeply serious and wickedly funny, American Han (Algonquin Books, 2026) is a profound story about striving and assimilation, difficult love, and family fidelity. A searing portrait that challenges assumptions about the immigrant experience, Lisa Lee's debut introduces a powerful new voice on the literary landscape. Lee is the recipient of the Marianne Russo Emerging Writer Award from the Key West Literary Seminar, an Emerging Writer Fellowship from the Center for Fiction, and a Pushcart Prize. She has received additional fellowships and awards from Kundiman, Millay Arts, Hedgebrook, the Rona Jaffe Foundation, Tin House, Jentel Artist Residency, the Korea Foundation, and others. Her work has appeared in Ploughshares, VIDA: Women in Literary Arts, North American Review, Sycamore Review, Gulf Coast, Tusculum Review, Reed Magazine, New World Writing, and elsewhere. She holds an MFA from the University of Houston and a PhD in Creative Writing and Literature from the University of Southern California. She lives in Los Angeles and grew up in Napa, California. Recommended Books: Giada Scodellaro, Ruins, Child Morgan Day, The Oldest Bitch Alive Elaine H. Kim, “Home is Where the Han Is” Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Toni Morrison, Nobel Laureate and one of our most beloved writers, has inspired generations of readers. But her artistic genius is often overshadowed by her monumental public persona, perhaps because, as Namwali Serpell puts it, “she is our only truly canonical black female writer—and her work is highly complex.” In On Morrison (Hogarth, 2026), Serpell brings her unique experience as both an award-winning writer and a professor who teaches a course on Morrison to illuminate her masterful experiments with literary form. This is Morrison as you've never encountered her before, a journey through her oeuvre—her fiction and criticism, as well as her lesser-known dramatic works and poetry—with contextual guidance and original close readings. At once accessible and uncompromisingly rigorous, On Morrison is a primer not only on how to read one of the most significant American authors of all time but also on how to read great works of literature in general. This dialogue on the page between two black women artist-readers is stylish, edifying, and thrilling in its scope and intelligence. Namwali Serpell was born in Lusaka and lives in New York. Her debut novel, The Old Drift, won an Anisfield-Wolf Book Award, the Arthur C. Clarke Award for Science Fiction, and the Los Angeles Times's Art Seidenbaum Award for First Fiction. Her second novel, The Furrows, was a finalist for National Book Critics Circle Award for Fiction and was selected as one of The New York Times Ten Best Books of the Year. Her book of essays, Stranger Faces, was a finalist for a National Book Critics Circle Award for Criticism. She is a recipient of the Windham-Campbell Prize for Fiction, the Caine Prize for African Writing, and a Rona Jaffe Foundation Award. She is a professor of English at Harvard University. Derek Adams is Associate Professor of African American literature at Ithaca College and is currently teaching an upper-level seminar on Toni Morrison titled Across the Decades that challenges the origins of an assumed mythic status generally applied to her. Recommended Books: Maya Binyam, Hangmen Akwaeke Emezi, Freshwater Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Toni Morrison, Nobel Laureate and one of our most beloved writers, has inspired generations of readers. But her artistic genius is often overshadowed by her monumental public persona, perhaps because, as Namwali Serpell puts it, “she is our only truly canonical black female writer—and her work is highly complex.” In On Morrison (Hogarth, 2026), Serpell brings her unique experience as both an award-winning writer and a professor who teaches a course on Morrison to illuminate her masterful experiments with literary form. This is Morrison as you've never encountered her before, a journey through her oeuvre—her fiction and criticism, as well as her lesser-known dramatic works and poetry—with contextual guidance and original close readings. At once accessible and uncompromisingly rigorous, On Morrison is a primer not only on how to read one of the most significant American authors of all time but also on how to read great works of literature in general. This dialogue on the page between two black women artist-readers is stylish, edifying, and thrilling in its scope and intelligence. Namwali Serpell was born in Lusaka and lives in New York. Her debut novel, The Old Drift, won an Anisfield-Wolf Book Award, the Arthur C. Clarke Award for Science Fiction, and the Los Angeles Times's Art Seidenbaum Award for First Fiction. Her second novel, The Furrows, was a finalist for National Book Critics Circle Award for Fiction and was selected as one of The New York Times Ten Best Books of the Year. Her book of essays, Stranger Faces, was a finalist for a National Book Critics Circle Award for Criticism. She is a recipient of the Windham-Campbell Prize for Fiction, the Caine Prize for African Writing, and a Rona Jaffe Foundation Award. She is a professor of English at Harvard University. Derek Adams is Associate Professor of African American literature at Ithaca College and is currently teaching an upper-level seminar on Toni Morrison titled Across the Decades that challenges the origins of an assumed mythic status generally applied to her. Recommended Books: Maya Binyam, Hangmen Akwaeke Emezi, Freshwater Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Toni Morrison, Nobel Laureate and one of our most beloved writers, has inspired generations of readers. But her artistic genius is often overshadowed by her monumental public persona, perhaps because, as Namwali Serpell puts it, “she is our only truly canonical black female writer—and her work is highly complex.” In On Morrison (Hogarth, 2026), Serpell brings her unique experience as both an award-winning writer and a professor who teaches a course on Morrison to illuminate her masterful experiments with literary form. This is Morrison as you've never encountered her before, a journey through her oeuvre—her fiction and criticism, as well as her lesser-known dramatic works and poetry—with contextual guidance and original close readings. At once accessible and uncompromisingly rigorous, On Morrison is a primer not only on how to read one of the most significant American authors of all time but also on how to read great works of literature in general. This dialogue on the page between two black women artist-readers is stylish, edifying, and thrilling in its scope and intelligence. Namwali Serpell was born in Lusaka and lives in New York. Her debut novel, The Old Drift, won an Anisfield-Wolf Book Award, the Arthur C. Clarke Award for Science Fiction, and the Los Angeles Times's Art Seidenbaum Award for First Fiction. Her second novel, The Furrows, was a finalist for National Book Critics Circle Award for Fiction and was selected as one of The New York Times Ten Best Books of the Year. Her book of essays, Stranger Faces, was a finalist for a National Book Critics Circle Award for Criticism. She is a recipient of the Windham-Campbell Prize for Fiction, the Caine Prize for African Writing, and a Rona Jaffe Foundation Award. She is a professor of English at Harvard University. Derek Adams is Associate Professor of African American literature at Ithaca College and is currently teaching an upper-level seminar on Toni Morrison titled Across the Decades that challenges the origins of an assumed mythic status generally applied to her. Recommended Books: Maya Binyam, Hangmen Akwaeke Emezi, Freshwater Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Toni Morrison, Nobel Laureate and one of our most beloved writers, has inspired generations of readers. But her artistic genius is often overshadowed by her monumental public persona, perhaps because, as Namwali Serpell puts it, “she is our only truly canonical black female writer—and her work is highly complex.” In On Morrison (Hogarth, 2026), Serpell brings her unique experience as both an award-winning writer and a professor who teaches a course on Morrison to illuminate her masterful experiments with literary form. This is Morrison as you've never encountered her before, a journey through her oeuvre—her fiction and criticism, as well as her lesser-known dramatic works and poetry—with contextual guidance and original close readings. At once accessible and uncompromisingly rigorous, On Morrison is a primer not only on how to read one of the most significant American authors of all time but also on how to read great works of literature in general. This dialogue on the page between two black women artist-readers is stylish, edifying, and thrilling in its scope and intelligence. Namwali Serpell was born in Lusaka and lives in New York. Her debut novel, The Old Drift, won an Anisfield-Wolf Book Award, the Arthur C. Clarke Award for Science Fiction, and the Los Angeles Times's Art Seidenbaum Award for First Fiction. Her second novel, The Furrows, was a finalist for National Book Critics Circle Award for Fiction and was selected as one of The New York Times Ten Best Books of the Year. Her book of essays, Stranger Faces, was a finalist for a National Book Critics Circle Award for Criticism. She is a recipient of the Windham-Campbell Prize for Fiction, the Caine Prize for African Writing, and a Rona Jaffe Foundation Award. She is a professor of English at Harvard University. Derek Adams is Associate Professor of African American literature at Ithaca College and is currently teaching an upper-level seminar on Toni Morrison titled Across the Decades that challenges the origins of an assumed mythic status generally applied to her. Recommended Books: Maya Binyam, Hangmen Akwaeke Emezi, Freshwater Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Daniel Poppick is a poet and novelist. He is the author of the poetry collections Fear of Description, selected for the National Poetry Series, and The Police. His work appears in The New Yorker, The Paris Review Daily, The Drift, Harper's, BOMB, The New Republic, Chicago Review, and other journals. The recipient of awards from MacDowell and Yaddo and a graduate of the Iowa Writers' Workshop, he has taught at the University of Iowa, Victoria University (New Zealand), Coe College, and the Parsons School of Design. He currently lives in Brooklyn, where he works as a copywriter and coedits the Catenary Press. Recommended Books: Joy Williams, Pelican Child Leah Flax Barber, The Mirror of Simple Souls Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Daniel Poppick is a poet and novelist. He is the author of the poetry collections Fear of Description, selected for the National Poetry Series, and The Police. His work appears in The New Yorker, The Paris Review Daily, The Drift, Harper's, BOMB, The New Republic, Chicago Review, and other journals. The recipient of awards from MacDowell and Yaddo and a graduate of the Iowa Writers' Workshop, he has taught at the University of Iowa, Victoria University (New Zealand), Coe College, and the Parsons School of Design. He currently lives in Brooklyn, where he works as a copywriter and coedits the Catenary Press. Recommended Books: Joy Williams, Pelican Child Leah Flax Barber, The Mirror of Simple Souls Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Daniel Poppick is a poet and novelist. He is the author of the poetry collections Fear of Description, selected for the National Poetry Series, and The Police. His work appears in The New Yorker, The Paris Review Daily, The Drift, Harper's, BOMB, The New Republic, Chicago Review, and other journals. The recipient of awards from MacDowell and Yaddo and a graduate of the Iowa Writers' Workshop, he has taught at the University of Iowa, Victoria University (New Zealand), Coe College, and the Parsons School of Design. He currently lives in Brooklyn, where he works as a copywriter and coedits the Catenary Press. Recommended Books: Joy Williams, Pelican Child Leah Flax Barber, The Mirror of Simple Souls Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

It starts with an itch.In homes across the country, women ages eighteen to thirty-five begin to slow down.Tired. Blank. Restless.Drawn to the Pacific Ocean like it's calling them home. They abandon their lives—jobs, families, their very selves. And once they reach the West, they vanish forever.At the center of the story are three young women caught in the pull of something unstoppable.Aimee follows the trail of her missing best friend to a man called the Piper—known for leading infected women West.Teenie, afflicted and unraveling, clings to a single memory as she looks out the window of the Piper's van.And Eve, a former journalist, is chasing the story that might just consume her. Alice Martin holds a PhD in Literature from Rutgers University. She is an Assistant Professor of English Studies at Western Carolina University, where she teaches fiction writing and American literature. She lives outside of Asheville, North Carolina with her husband, her son, and too many typewriters. She is the author of Westward Women (St. Martins Press, 2026) Recommend Books: Butcher's Crossing, John Williams I Who Have Never Known Men, Jacqueline Harpman Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

It starts with an itch.In homes across the country, women ages eighteen to thirty-five begin to slow down.Tired. Blank. Restless.Drawn to the Pacific Ocean like it's calling them home. They abandon their lives—jobs, families, their very selves. And once they reach the West, they vanish forever.At the center of the story are three young women caught in the pull of something unstoppable.Aimee follows the trail of her missing best friend to a man called the Piper—known for leading infected women West.Teenie, afflicted and unraveling, clings to a single memory as she looks out the window of the Piper's van.And Eve, a former journalist, is chasing the story that might just consume her. Alice Martin holds a PhD in Literature from Rutgers University. She is an Assistant Professor of English Studies at Western Carolina University, where she teaches fiction writing and American literature. She lives outside of Asheville, North Carolina with her husband, her son, and too many typewriters. She is the author of Westward Women (St. Martins Press, 2026) Recommend Books: Butcher's Crossing, John Williams I Who Have Never Known Men, Jacqueline Harpman Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

It starts with an itch.In homes across the country, women ages eighteen to thirty-five begin to slow down.Tired. Blank. Restless.Drawn to the Pacific Ocean like it's calling them home. They abandon their lives—jobs, families, their very selves. And once they reach the West, they vanish forever.At the center of the story are three young women caught in the pull of something unstoppable.Aimee follows the trail of her missing best friend to a man called the Piper—known for leading infected women West.Teenie, afflicted and unraveling, clings to a single memory as she looks out the window of the Piper's van.And Eve, a former journalist, is chasing the story that might just consume her. Alice Martin holds a PhD in Literature from Rutgers University. She is an Assistant Professor of English Studies at Western Carolina University, where she teaches fiction writing and American literature. She lives outside of Asheville, North Carolina with her husband, her son, and too many typewriters. She is the author of Westward Women (St. Martins Press, 2026) Recommend Books: Butcher's Crossing, John Williams I Who Have Never Known Men, Jacqueline Harpman Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Jenna Todd of Time Out Bookstore in Auckland reviews This Is Where the Serpent Lives by Daniyal Mueenuddin, published by Bloomsbury Publishing.

Joe Mungo Reed is the author of the novels Hammer and We Begin Our Ascent, one of the best novels about sport that I've ever read. He Teaches creative writing at the University of Cambridge and lives in London. Recommended Books: Flesh, David Szalay Tokyo These Days, Taiyo Matsumoto White River Crossing, Ian McGuire Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Joe Mungo Reed is the author of the novels Hammer and We Begin Our Ascent, one of the best novels about sport that I've ever read. He Teaches creative writing at the University of Cambridge and lives in London. Recommended Books: Flesh, David Szalay Tokyo These Days, Taiyo Matsumoto White River Crossing, Ian McGuire Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Joe Mungo Reed is the author of the novels Hammer and We Begin Our Ascent, one of the best novels about sport that I've ever read. He Teaches creative writing at the University of Cambridge and lives in London. Recommended Books: Flesh, David Szalay Tokyo These Days, Taiyo Matsumoto White River Crossing, Ian McGuire Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Eliot and his wife Claire have been happily married for nearly four decades. They've raised two children in their sleepy Connecticut town and have weathered the inevitable ups and downs of a long life spent together. But eight years after Claire was diagnosed with cancer, the end is near, and it's time to gather loved ones and prepare for the inevitable. Over the years of Claire's illness, Eliot has willingly—lovingly—shifted into the role of caregiver, appreciating the intimacy and tenderness that comes with a role even more layered and complex than the one he performed as a devoted husband. But as he focuses on settling into what will be their last days and weeks together, Claire makes an unexpected request that leaves him reeling. In a moment, his carefully constructed world is shattered. What if your partner's dying wish broke your heart? How well do we know the deepest desires of those we love dearly? As Eliot is confronted with this profound turning point in his marriage and his life, he grapples with the man and husband he's been, and with the great unknowns of Claire's last days. Ann Packer makes a triumphant return with this powerful novel that is tender and raw, visceral and unexpected. Emotionally vibrant and complex, Some Bright Nowhere (Harper Books, 2026) explores the profound gifts and unexpected costs of truly loving someone, and the fears and desires we experience as the end of life draws near. Ann Packer is the author of two best-selling novels, Songs Without Words and The Dive from Clausen's Pier, the latter of which received a Great Lakes Book Award, an American Library Association Award, and the Kate Chopin Literary Award. Her short fiction and essays have appeared in The New Yorker, The Washington Post, Vogue, and Real Simple. Also the author of Mendocino and Other Stories, she lives in northern California with her family. Recommended Books: Loved and Missed, Susie Boyt The Spare Room, Helen Garner Everything/Nothing/Someone, Alice Carrier Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eliot and his wife Claire have been happily married for nearly four decades. They've raised two children in their sleepy Connecticut town and have weathered the inevitable ups and downs of a long life spent together. But eight years after Claire was diagnosed with cancer, the end is near, and it's time to gather loved ones and prepare for the inevitable. Over the years of Claire's illness, Eliot has willingly—lovingly—shifted into the role of caregiver, appreciating the intimacy and tenderness that comes with a role even more layered and complex than the one he performed as a devoted husband. But as he focuses on settling into what will be their last days and weeks together, Claire makes an unexpected request that leaves him reeling. In a moment, his carefully constructed world is shattered. What if your partner's dying wish broke your heart? How well do we know the deepest desires of those we love dearly? As Eliot is confronted with this profound turning point in his marriage and his life, he grapples with the man and husband he's been, and with the great unknowns of Claire's last days. Ann Packer makes a triumphant return with this powerful novel that is tender and raw, visceral and unexpected. Emotionally vibrant and complex, Some Bright Nowhere (Harper Books, 2026) explores the profound gifts and unexpected costs of truly loving someone, and the fears and desires we experience as the end of life draws near. Ann Packer is the author of two best-selling novels, Songs Without Words and The Dive from Clausen's Pier, the latter of which received a Great Lakes Book Award, an American Library Association Award, and the Kate Chopin Literary Award. Her short fiction and essays have appeared in The New Yorker, The Washington Post, Vogue, and Real Simple. Also the author of Mendocino and Other Stories, she lives in northern California with her family. Recommended Books: Loved and Missed, Susie Boyt The Spare Room, Helen Garner Everything/Nothing/Someone, Alice Carrier Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Eliot and his wife Claire have been happily married for nearly four decades. They've raised two children in their sleepy Connecticut town and have weathered the inevitable ups and downs of a long life spent together. But eight years after Claire was diagnosed with cancer, the end is near, and it's time to gather loved ones and prepare for the inevitable. Over the years of Claire's illness, Eliot has willingly—lovingly—shifted into the role of caregiver, appreciating the intimacy and tenderness that comes with a role even more layered and complex than the one he performed as a devoted husband. But as he focuses on settling into what will be their last days and weeks together, Claire makes an unexpected request that leaves him reeling. In a moment, his carefully constructed world is shattered. What if your partner's dying wish broke your heart? How well do we know the deepest desires of those we love dearly? As Eliot is confronted with this profound turning point in his marriage and his life, he grapples with the man and husband he's been, and with the great unknowns of Claire's last days. Ann Packer makes a triumphant return with this powerful novel that is tender and raw, visceral and unexpected. Emotionally vibrant and complex, Some Bright Nowhere (Harper Books, 2026) explores the profound gifts and unexpected costs of truly loving someone, and the fears and desires we experience as the end of life draws near. Ann Packer is the author of two best-selling novels, Songs Without Words and The Dive from Clausen's Pier, the latter of which received a Great Lakes Book Award, an American Library Association Award, and the Kate Chopin Literary Award. Her short fiction and essays have appeared in The New Yorker, The Washington Post, Vogue, and Real Simple. Also the author of Mendocino and Other Stories, she lives in northern California with her family. Recommended Books: Loved and Missed, Susie Boyt The Spare Room, Helen Garner Everything/Nothing/Someone, Alice Carrier Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In Crux (Riverhead Books, 2025), Dan and Tamma are two teenagers in their last year of high school in the southern Mojave Desert. One is a gifted golden child, the other a mouthy burnout. Climbing boulders in trash-strewn parking lots during cold desert nights, they seal their unique bond and dream of a life of adventure.As the year progresses and adult reality looms, they are rocked by change and pulled apart by irreconcilable obligations. Differences of class, talent, and prospects take on new importance; options dwindle, and their decisions grow ever more consequential and perilous. It feels inevitable, finally, that something must give.With a magnificent gift for nature writing and a joyful appreciation for the redemptive power of friendship, Gabriel Tallent gives readers a rollicking, adrenaline-filled, and soul-searching novel about risking everything to change your life. Gabriel Tallent is the author of My Absolute Darling, which was a New York Times bestseller and a New York Times Notable Book, as well as a finalist for the LA Times Book Prize and the John Leonard Prize. Gabriel was born in New Mexico and raised on the Mendocino coast by two mothers. He studied English at Willamette University, with a focus on eighteenth-century cultural history. After graduation, he led trail crews, scrubbed toilets at Target, worked in the dining room at the Alta Lodge, and bussed tables at the Copper Onion. He now lives in Salt Lake City with his wife, Hattie, and their three rambunctious boys. Recommended Books: R.O. Kwon, Exhibit Rufi Thorpe, Margo's Got Money Troubles Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Crux (Riverhead Books, 2025), Dan and Tamma are two teenagers in their last year of high school in the southern Mojave Desert. One is a gifted golden child, the other a mouthy burnout. Climbing boulders in trash-strewn parking lots during cold desert nights, they seal their unique bond and dream of a life of adventure.As the year progresses and adult reality looms, they are rocked by change and pulled apart by irreconcilable obligations. Differences of class, talent, and prospects take on new importance; options dwindle, and their decisions grow ever more consequential and perilous. It feels inevitable, finally, that something must give.With a magnificent gift for nature writing and a joyful appreciation for the redemptive power of friendship, Gabriel Tallent gives readers a rollicking, adrenaline-filled, and soul-searching novel about risking everything to change your life. Gabriel Tallent is the author of My Absolute Darling, which was a New York Times bestseller and a New York Times Notable Book, as well as a finalist for the LA Times Book Prize and the John Leonard Prize. Gabriel was born in New Mexico and raised on the Mendocino coast by two mothers. He studied English at Willamette University, with a focus on eighteenth-century cultural history. After graduation, he led trail crews, scrubbed toilets at Target, worked in the dining room at the Alta Lodge, and bussed tables at the Copper Onion. He now lives in Salt Lake City with his wife, Hattie, and their three rambunctious boys. Recommended Books: R.O. Kwon, Exhibit Rufi Thorpe, Margo's Got Money Troubles Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Crux (Riverhead Books, 2025), Dan and Tamma are two teenagers in their last year of high school in the southern Mojave Desert. One is a gifted golden child, the other a mouthy burnout. Climbing boulders in trash-strewn parking lots during cold desert nights, they seal their unique bond and dream of a life of adventure.As the year progresses and adult reality looms, they are rocked by change and pulled apart by irreconcilable obligations. Differences of class, talent, and prospects take on new importance; options dwindle, and their decisions grow ever more consequential and perilous. It feels inevitable, finally, that something must give.With a magnificent gift for nature writing and a joyful appreciation for the redemptive power of friendship, Gabriel Tallent gives readers a rollicking, adrenaline-filled, and soul-searching novel about risking everything to change your life. Gabriel Tallent is the author of My Absolute Darling, which was a New York Times bestseller and a New York Times Notable Book, as well as a finalist for the LA Times Book Prize and the John Leonard Prize. Gabriel was born in New Mexico and raised on the Mendocino coast by two mothers. He studied English at Willamette University, with a focus on eighteenth-century cultural history. After graduation, he led trail crews, scrubbed toilets at Target, worked in the dining room at the Alta Lodge, and bussed tables at the Copper Onion. He now lives in Salt Lake City with his wife, Hattie, and their three rambunctious boys. Recommended Books: R.O. Kwon, Exhibit Rufi Thorpe, Margo's Got Money Troubles Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Jenny Mustard is a writer and content creator, born in Sweden but living in London. Jenny and her work have featured in the Observer, the Independent, Vogue, Stylist, the Evening Standard and elsewhere. She has over 600k followers, and more than 50 million views on YouTube. Her acclaimed debut novel, OKAY DAYS, was published in 2023 and her novels have been translated to ten languages. What a Time to Be Alive (Pegasus Books, 2025) was a New York Times Editors Pick. Recommended Books: Yiyun Li, Things in Nature Merely Grow Joy Williams, 99 Stories of God; --“After the Haiku Period,” Paris Review Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Iida Turpeinen is a literary scholar writing a dissertation on the intersection of the natural sciences and literature. Her short stories exploring the relationship between humans and animals won the J. H. Erkko Young Writers' Competition in 2014. Her 2023 debut novel, Beasts of the Sea (Little, Brown, 2025), was published in Finland to wide acclaim, won the Helsingin Sanomat Literature Prize for best debut novel, and was a finalist for Finland's biggest literary award, the Finlandia Prize. Translation rights have been sold in twenty-six territories to date. Iida is currently writer in residence at the Helsinki Natural History Museum writing her second novel not far from the skeleton of sea cow. Turpeinen lives in Helsinki, Finland. Recommended Books: Marlene Haushofer, The Wall Julian Barnes, Flaubert's Parrot Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

What does 2026 hold for indie authors and the publishing industry? I give my thoughts on trends and predictions for the year ahead. In the intro, Quitting the right stuff; how to edit your author business in 2026; Is SubStack Good for Indie Authors?; Business for Authors webinars. If you'd like to join my community and support the show every month, you'll get access to my growing list of Patron videos and audio on all aspects of the author business — for the price of a black coffee (or two) a month. Join us at Patreon.com/thecreativepenn. Joanna Penn writes non-fiction for authors and is an award-winning, New York Times and USA Today bestselling thriller author as J.F. Penn. She's also an award-winning podcaster, creative entrepreneur, and international professional speaker. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. (1) More indie authors will sell direct through Shopify, Kickstarter, and local in-person events (2) AI-powered search will start to shift elements of book discoverability (3) The start of Agentic Commerce (4) AI-assisted audiobook narration will go mainstream (5) AI-assisted translation will start to take off beyond the early adopters (6) AI video becomes ubiquitous. ‘Live selling' becomes the next trend in social sales. (7) AI will create, run, and optimise ads without the need for human intervention (8) 1000 True Fans becomes more important than ever You can find all my books as J.F. Penn and Joanna Penn on your favourite online store in all the usual formats, or order from your local library or bookstore. You can also buy direct from me at CreativePennBooks.com and JFPennBooks.com. I'm not really active on social media, but you can always see my photos at Instagram @jfpennauthor. 2026 Trends and Predictions for Indie Authors and Book Publishing (1) More indie authors will sell direct through Shopify, Kickstarter, and local in-person events — and more companies like BookVault will offer even more beautiful physical books and products to support this. This trend will not be a surprise to most of you! Selling direct has been a trend for the last few years, but in 2026, it will continue to grow as a way that independent authors become even more independent. The recent Written Word Media survey from Dec 2025 noted that 30% of authors surveyed are selling direct already and 30% say they plan to start in 2026. Among authors earning over $10,000 per month, roughly half sell direct. In my opinion, selling direct is an advanced author strategy, meaning that you have multiple books and you understand book marketing and have an email list already or some guaranteed way to reach readers. In fact, Kindlepreneur reports that 66% of authors selling direct have more than 5 books, and 46% have more than 10 books. Of course, you can start with the something small, like a table at a local event with a limited number of books for sale, but if you want to consistently sell direct for years to come, you need to consider all the business aspects. Selling direct is not a silver bullet. It's much harder work to sell direct than it is to just upload an ebook to Amazon, whether you choose a Kickstarter campaign, or Shopify/Payhip or other online stores, or regular in-person sales at events/conferences/fairs. You need a business mindset and business practices, for example, you need to pay upfront for setup as well as ongoing management, and bulk printing in some cases. You need to manage taxes and cashflow. You need to be a lot more proactive about marketing, as you won't sell anything if you don't bring readers to your books/products. But selling direct also brings advantages. It sets you apart from the bulk of digital only authors who still only upload ebooks to Amazon, or maybe add a print on demand book, and in an era of AI rapid creation, that number is growing all the time. If you sell direct, you get your customer data and you can reach those customers next time, through your email list. If you don't know who bought your books and don't have a guaranteed way to reach them, you will more easily be disrupted when things change — and they always change eventually. Kindlepreneur notes that “45% of the successful direct selling authors had over 1,000 subscribers on their email lists,” with “a clear, positive correlation between email list size and monthly direct sales income — with authors having an email list of over 15,000 subscribers earning 20X more than authors with email lists under 100 subscribers.” Selling direct means faster money, sometimes the same day or the same week in many cases, or a few weeks after a campaign finishes, as with Kickstarter. And remember, you don't have to sell all your formats directly. You can keep your ebooks in KU, do whatever you like with audiobooks, and just have premium print products direct, or start with a very basic Kickstarter campaign, or a table at a local fair. Lots more tips for Shopify and Kickstarter at https://www.thecreativepenn.com/selldirectresources/ I also recommend the Novel Marketing Podcast on The Shopify Trap: Why authors keep losing money as it is a great counterpoint to my positive endorsement of selling direct on Shopify! Among other things, Thomas notes that a fixed monthly fee for a store doesn't match how most authors make money from books which is more in spikes, the complexity and hassle eats time and can cost more money if you pay for help, and it can reduce sales on Amazon and weaken your ranking. Basically, if you haven't figured out marketing direct to your store, it can hurt you.All true for some authors, for some genres, and for some people's lifestyle. But for authors who don't want to be on the hamster wheel of the Amazon algorithm and who want more diversity and control in income, as well as the incredible creative benefits of what you can do selling direct, then I would say, consider your options in 2025, even if that is trying out a low-financial-goal Kickstarter campaign, or selling some print books at a local fair. Interestingly, traditional publishers are also experimenting with direct sales. Kate Elton, the new CEO of Harper Collins notes in The Bookseller's 2026 trend article, “we are seeing global success with responsive, reader-driven publishing, subscription boxes and TikTok Shop and – crucially – developing strategies that are founded on a comprehensive understanding of the reader.” She also notes, “AI enables us to dramatically change the way we interact with and grow audiences. The opportunities are genuinely exciting – finding new ways to help readers discover books they will love, innovating in the ways we market and reach audiences, building new channels and adapting to new methods of consuming content.” (2) AI-powered search will start to shift elements of book discoverability From LinkedIn's 2026 Big Ideas: “Generative engine optimization (GEO) is set to replace search engine optimization (SEO) as the way brands get discovered in the year ahead. As consumers turn to AI chatbots, agentic workflows and answer engines, appearing prominently in generative outputs will matter more than ranking in search engines.” Google has been rolling out AI Mode with its AI Overviews and is beginning to push it within Google.com itself in some countries, which means the start of a fundamental change in how people discover content online. I first posted about GEO (Generative Engine Optimisation) and AEO (Answer Engine Optimisation) in 2023, and it's going to change how readers find books. For years, we've talked about the long tail of search. Now, with AI-powered search, that tail is getting even longer and more nuanced. AI can understand complex, conversational queries that traditional search engines struggled with. Someone might ask, “What's a good thriller set in a small town with a female protagonist who's a journalist investigating a cold case?” and get highly specific recommendations. This means your book metadata, your website content, and your online presence need to be more detailed and conversational. AI search engines understand context in ways that go far beyond simple keywords. The authors who win in this new landscape will be those who create rich, authentic content about their books and themselves, not just promotional copy. As economist Tyler Cowen has said, “Consider the AIs as part of your audience. Because they are already reading your words and listening to your voice.” We're in the ‘organic' traffic phase right now, where these AI engines are surfacing content for ‘free,' but paid ads are inevitably on the way, and even rumoured to be coming this year to ChatGPT. By the end of 2026, I expect some authors and publishers to be paying for AI traffic, rather than blocking and protesting them. For now, I recommend checking that your author name/s and your books are surfaced when you search on ChatGPT.com as well as Google.com AI Mode (powered by Gemini). You want to make sure your work comes up in some way. I found that Joanna Penn and J.F. Penn searches brought up my Shopify stores, my website, podcast, Instagram, LinkedIn, and even my Patreon page, but did not bring up links to Amazon. If you only have an author presence on Amazon, does it appear in AI search at all? Do you need to improve anything about what the AI search brings up? Traditional publishers are also looking at this, with PublishersWeekly doing webinars on various aspects of AI in early 2026, including sessions on GEO and how book sales are changing, AI agents, and book marketing. In a 2026 predictions article on The Bookseller, the CEO of Bloomsbury Publishing noted, “The boundaries of artificial intelligence will become clearer, enabling publishers to harness its benefits while seeking to safeguard the intellectual property rights of authors, illustrators and publishers.” “AI will be deeply embedded in our workflows, automating tasks such as metadata tagging, freeing teams to focus on creativity and strategy. Challenges will persist. Generative AI threatens traditional web traffic and ad revenue models, making metadata optimisation and SEO critical for visibility as we adjust to this new reality online.” (3) The start of Agentic Commerce AI researches what you want to buy and may even buy on your behalf. Plus, I predict that Amazon does a commerce deal with OpenAI for shopping within ChatGPT by the end of 2026. In September 2025, ChatGPT launched Instant Checkout and the Agentic Commerce Protocol, which will enable bots to buy on websites in the background if authorised by the human with the credit card. VISA is getting on board with this, so is PayPal, with no doubt more payment options to come. In the USA, ChatGPT Plus, Pro, and Free users can now buy directly from US Etsy sellers inside the chat interface, with over a million Shopify merchants coming soon. Shopify and OpenAI have also announced a partnership to bring commerce to ChatGPT. I am insanely excited about this as it could represent the first time we have been able to more easily find and surface books in a much more nuanced way than the 7 keywords and 3 categories we have relied on for so long! I've been using ChatGPT for at least the last year to find fiction and non-fiction books as I find the Amazon interface is ‘polluted' by ads. I've discovered fascinating books from authors I've never heard of, most in very long tail areas. For example, Slashed Beauties by A. Rushby, recommended by ChatGPT as I am interested in medical anatomy and anatomical Venuses, and The Macabre by Kosoko Jackson, recommended as I like art history and the supernatural. I don't think I would have found either of these within a nuanced discussion with ChatGPT. Even without these direct purchase integrations, ChatGPT now has Shopping Research, which I have found links directly to my Shopify store when I search for my books specifically. Walmart has partnered with OpenAI to create AI-first shopping experiences, and you have to wonder what Amazon might be doing? In Nov 2025, Amazon signed a “strategic partnership” with OpenAI, and even though it's focused on the technical side of AI, those two companies in a room together might also be working on other plans … I'm calling it for 2026. I think Amazon will sign a commerce agreement with OpenAI sometime before the end of the year. This will enable at least recommendation and shopping links into Amazon stores (presumably using an OpenAI affiliate link), or perhaps even Instant Checkout with ChatGPT for Amazon. It will also enable a new marketing angle, especially if paid ads arrive in ChatGPT, perhaps even integrating with Amazon Ads in some way as part of any possible agreement, since ads are such a good revenue stream for Amazon anyway. The line between discovery, engagement, and purchase is collapsing. Someone could be having a conversation with an AI about what to read next, and within that same conversation, purchase a bookwithout ever leaving the chat interface. This already happens within TikTok and social commerce clearly works for many authors. It's possible that the next development for book discoverability and sales might be within AI chats. This will likely stratify the already fragmented book eco-system even more. Some readers will continue to live only within the Amazon ecosystem and (maybe) use their Rufus chatbot to buy, and others will be much wider in their exploration of how to find and discover books (and other products and services). If you haven't tried it yet, try ChatGPT.com Shopping Research for a book. You can do this on the free tier. Use the drop down in the main chat box and select Shopping Research. It doesn't have to be for your book. It can be any book or product, for example, our microwave died just before Christmas so I used it to find a new one. But do a really nuanced search with multiple requirements. Go far beyond what you would search for on Amazon. In the results, notice that (at the time of writing) it does not generally link to Amazon, but to independent sites and stores. As above, I think this will change by the end of 2026, as some kind of commerce deal with Amazon seems inevitable. (4) AI-assisted audiobook narration will go mainstream I've been talking about AI narration of audiobooks since 2019, and over the years, I've tried various different options. In 2025, the technology reached a level of emotional nuance that made it much easier to create satisfying fiction audio as well as non-fiction. It also super-charges accessibility, making audio available in more languages and more accents than ever before. Of course, human narration remains the gold standard, but the cost makes it prohibitive for many authors, and indeed many small traditional publishers, for all books. If it costs $2000 – $10,000 to create an audiobook, you have to sell a lot to make a profit, and the dominance of subscription models have made it harder to recoup the costs. Famous narrators and voice artists who have an audience may still be worth investing in, as well as premium production, but require an even higher upfront cost and therefore higher sales and streams in return. AI voice/audio models are continuing to improve, and even as this goes out, there are rumours on TechCrunch that OpenAI's new device, designed by Jony Ive who designed the iPhone, will be audio first and OpenAI are improving their voice models even more in preparation for that launch. In 2026, I think AI-narrated audio will go mainstream with far-reaching adoption across publishing and the indie author world in many different languages and accents. This will mean a further stratification of audiobooks, with high quality, high production, high cost human narrated audio for a small percentage of books, and then mass market, affordable AI-narrated audio for the rest. AI-narrated audiobooks will make audio ubiquitous, and just as (almost) every print book has an ebook format, in 2026, they will also have an audio format. I straddle both these worlds, as I am still a human audiobook narrator for my own work. I human-narrated Successful Self-Publishing Fourth Edition (free audiobook) and The Buried and the Drowned, my short story collection. I also use AI narration for some books. ElevenLabs remains my preferred service and in 2025, I used my J.F. Penn voice clone for Death Valley and also Blood Vintage, while using a male voice for Catacomb. I clearly label my AI-narration in the sales description and also on the cover, which I think is important, although it is not always required by the various services. You can distribute ElevenLabs narrated audiobooks on Spotify, Kobo Writing Life, YouTube, ElevenReader, and of course your own store if you use Shopify with Bookfunnel. There are many other services springing up all the time, so make sure you check the rights you have over the finished audio, as well as where you can sell and distribute the final files. If they are just using ElevenLabs models in the back-end, then why not just do that directly? (Most services will be using someone's model in the back-end, since most companies do not train their own models.) Of course, you can use Amazon's own narration. While Amazon originally launched Audible audiobooks with Virtual Voice (AVV) in November 2023, it was rolled out to more authors and territories in 2025. If your book is eligible, the option to create an audiobook will appear on your KDP dashboard. With just a few clicks, you can create an audiobook from a range of voices and accents, and publish it on Amazon and Audible. However, the files are not yours. They are exclusive to Amazon and you cannot use them on other platforms or sell them direct yourself. But they are also free, so of course, many authors, especially those in KU, will use this option. I have done some for my mum's sweet romance books as Penny Appleton and I will likely use them for my books in translation when the option becomes available. Traditional publishers are experimenting with AI-assisted audiobook narration as well. MacMillan is selling digital audiobooks read by AI directly on their store. PublishersWeekly reports that PRH Audio “has experimented with artificial voice in specific instances, such as entrepreneur Ely Callaway's posthumous memoir The Unconquerable Game,” when an “authorized voice replica” was created for the audiobook. The article also notes that PRH Audio “embrace artificial intelligence across business operations—my entire department [PRH Audio] is using AI for business applications.” And while indie authors can't use AI voices on ACX right now, Audible have over 100 voices available to selected publishing partnerships, as reported by The Guardian with “two options for publishers wishing to make use of the technology: “Audible-managed” production, or “self-service” whereby publishers produce their own audiobooks with the help of Audible's AI technology.” In 2026, it's likely that more traditional publishers — as well as indie authors — will get their backlist into audio with AI narration. (5) AI-assisted translation will start to take off beyond the early adopters Over the years, I've done translation deals with traditional publishers in different languages (German, French, Spanish, Korean, Italian) for some fiction and non-fiction books. But of course, to get these kinds of deals, you have to be proactive about pitching, or work with an agent for foreign rights only, and those are few and far between! There are also lots of languages and territories worldwide, and most deals are for the bigger markets, leaving a LOT of blue water for books in translation, even if you have licensed some of the bigger markets. I did my first partially AI-translated books in 2019 when I used Deepl.com for the first draft and then worked with a German editor to do 3 non-fiction books in German. While the first draft was cheap, the editing was pretty expensive, so I stopped after only doing a couple. I have made the money back now, but it took years. In 2025, AI Translation began to take off with ScribeShadow, GlobeScribe.ai, and more recently, in November 2025, Kindle Translate boosting the number of translated books available. Kindle Translate is (currently) only available to US authors for English into Spanish and also German into English, but in 2026, this will likely roll out to more languages and more authors, making it easier than ever to produce translations for free. Of course, once again, the gold standard is human translation, or at least human-edited translations, but the cost is prohibitive even just for proof-reading, and if there is a cheap or even free option, like Kindle Translate, then of course, authors are going to try it. If the translation gets bad reviews, they can just un-publish. There are many anecdotal stories of indie success in 2025 with AI-translated genre fiction sales (in series) in under-served markets like Italian, French, and Spanish, as well as more mainstream adoption in German. I was around in the Kindle gold-rush days of 2009-2012 and the AI-translation energy right now feels like that. There are hardly any Kindle ebooks in many of these languages compared to how many there are in English, so inevitably, the rush is on to fill the void, especially in genres that are under-served by traditional publishers in those markets. Yes, some of these AI translated books will be ‘AI-slop,' but readers are not stupid. Those books will get bad reviews and thus will sink to the bottom of the store, never to be seen again. The AI translation models are also improving rapidly, and Amazon's Kindle Translate may improve faster than most, for books specifically, since they will be able to get feedback in terms of page reads. Amazon is also a major investor in Anthropic, which makes Claude.ai, widely considered the best quality for creative writing and translation, so it's likely that is used somewhere in the mix. Some traditional publishers are also experimenting with AI-assisted translation, with Harlequin France reportedly using AI translation and human proofreaders, as reported by the European Council of Literary Translators' Associations in December 2025. Academic publisher Taylor and Francis is also using AI for book translation, noting: “Following a program of rigorous testing, Taylor & Francis has announced plans to use AI translation tools to publish books that would otherwise be unavailable to English-language readers, bringing the latest knowledge to a vastly expanded readership.” “Until now, the time and resources required to translate books has meant that the majority remained accessible only to those who could read them in the original language. Books that were translated often only became available after a significant delay. Today, with the development of sophisticated AI translation tools, it has become possible to make these important texts available to a broad readership at speed, without compromising on accuracy.” (6) AI video becomes ubiquitous. ‘Live selling' becomes the next trend in social sales. In 2025, short form AI-generated video became very high quality. OpenAI released Sora 2, and YouTube announced new Shorts creation tools with Veo 3, which you can also use directly within Gemini. There are tons of different AI video apps now, including those within the social media sites themselves. There is more video than ever and it's much easier to create. I am not a fan of short form video! I don't make it and I don't consume it, but I do love making book trailers for my Kickstarter campaigns and for adding to my book pages and using on social media. I made a trailer for The Buried and the Drowned using Midjourney for images and then animation of those images, and Canva to put them together along with ElevenLabs to generate the music. But despite the AI tools getting so much easier to use, you still have to prompt them with exactly what you want. I can't just upload my book and say, “Make a book trailer,” or “Make a short film.” This may change with generative video ads, which are likely to become more common in 2026, as video turns specifically commercial. Video ads may even be generated specifically for the user, with an audience of one, maybe even holding your book in their hands (using something like Cameos on Sora), in the same way that some AI-powered clothing stores do virtual try-ons. This might also up-end the way we discover and buy things, as the AI for eCommerce and Amazon Sellers newsletter says about OpenAI's Sora app, “OpenAI isn't just trying to build a TikTok competitor. They're building a complete reimagining of how we discover and buy things …” “The combination of ChatGPT's research capabilities and Sora's potential for emotional manipulation—I mean, “engagement”—could create something we've never seen before: an AI ecosystem that might eventually guide you through every type of purchase, from the most considered to the most impulsive.” In 2026, there will be A LOT more AI-generated video, but that also leads to the human trend of more live video. While you can use an AI avatar that looks and sounds like you using tools like HeyGen or Synthesia, live video has all the imperfect human elements that make it stand-out, plus the scarcity element which leads to the purchase decision within a countdown period. Live video is nothing new in terms of brand building and content in general, but it seems that live events primarily for direct sales might be a thing in 2026. Kim Kardashian hosted Kimsmas Live in December 2025 with a 45 minute live shopping event with special guests, described as entertainment but designed to be a sales extravaganza. Indie authors are doing a similar thing on TikTok with their books, so this is a trend to watch in 2026, especially if you feel that live selling might fit with your personality and author business goals. It's certainly not for everyone, but I suspect it will suit a different kind of creator to those who prefer ‘no face' video, or no video at all! On other aspects of the human side of social media, Adam Mosseri the CEO of Instagram put a post on Threads called Authenticity after Abundance. He said, “Everything that made creators matter—the ability to be real, to connect, to have a voice that couldn't be faked—is now suddenly accessible to anyone with the right tools.” “Deepfakes are getting better and better. AI is generating photographs and videos indistinguishable from captured media. The feeds are starting to fill up with synthetic everything. And in that world, here's what I think happens.Creators matter more.” It's a long article so just to pick a few things from it: “We like to talk about “AI slop,” but there is a lot of amazing AI content … we are going to start to see more and more realistic AI content.” I've talked to my Patreon Community about this ‘tsunami of excellence' as these tools are just getting better and better and the word ‘slop' can also be applied to purely human output, too. If you think that AI content is ‘worse' than wholly human content, in 2026, you are wrong. It is now very very good, especially in the hands of people who can drive the AI tools. Back to Adam's post: “Authenticity is fast becoming a scarce resource, …The creators who succeed will be those who figure out how to maintain their authenticity [even when it can be simulated] …” “The bar is going to shift from “can you create?” to “can you make something that only you could create?” He talks about how the personal content on Instagram now is: “unpolished; it's blurry photos and shaky videos of people's daily experiences … flattering imagery is cheap to produce and boring to consume. People want content that feels real… Savvy creators are going to lean into explicitly unproduced and unflattering images of themselves. In a world where everything can be perfected, imperfection becomes a signal. Rawness isn't just aesthetic preference anymore—it's proof. It's defensive. A way of saying: this is real because it's imperfect.” While I partially love this, and I really hope it's true, as in I hope we don't need to look good for the camera anymore I would also challenge Adam on this, because pretty much every woman I know on social media has been sent sexual messages, and/or told they are ugly and/or fat when posting anything unflattering. I've certainly had both even for the same content, but I don't expect Adam has been the target for such posting! But I get his point. He goes on:“Labeling content as authentic or AI-generated is only part of the solution though. We, as an industry, are going to need to surface much more context about not only the media on our platforms, but the accounts that are sharing it in order for people to be able to make informed decisions about what to believe. Where is the account? When was it created? What else have they posted?” This is exactly what I've been saying for a while under my double down on being human focus. I use my Instagram @jfpennauthor as evidence of humanity, not as a sales channel. You can do both of course, but increasingly, you need to make sure your accounts at places have longevity and trust, even by the platforms themselves. Adam finishes: “In a world of infinite abundance and infinite doubt, the creators who can maintain trust and signal authenticity—by being real, transparent, and consistent—will stand out.” For other marketing trends for 2026, I recommend publicist Kathleen Schmidt's SubStack which is mostly focused on traditional publishing but still interesting for indies. In her 2026 article, she notes: “We have reached a social media saturation point where going viral can be meaningless and should not be the goal; authenticity and creativity should. She also says, “In-person events are important again,” and, “Social media marketing takes a nosedive… we have reached a saturation point … What publishers must figure out is how to make their social media campaigns stand out. If they remain somewhat uninspired, the money spent on social ads won't convert into book sales.” I think this is part of the rise of live selling as above, which can stand out above more ‘produced' videos. Kathleen also talks about AI usage. “AI can help lighten the burden of publicity and marketing.” “A lot of AI tools are coming to market to lessen the load: they can write pitches, create media lists for you, send pitches for you, and more. I know the industry is grappling with all things AI, but some of these tools are huge time savers and may help a book more than hurt it.” On that note … (7) AI will create, run, and optimise ads without the need for human intervention Many authors will be very happy about this as marketing is often the bane of our author business lives! As I noted in my 2026 goals, I would love to outsource more marketing tasks to AI. I want an “AI book marketing assistant” where I can upload a book and specify a budget and say, ‘Go market this,' then the AI will action the marketing, without me having to cobble together workflows between systems. Of course, it will present plans for me to approve but it will do the work itself on the various platforms and monitor and optimize things for me. I really hope 2026 is the year this becomes possible, because we are on the edge of it already in some areas. Amazon Ads launched a new agentic AI tool in September 2025 that creates professional-quality ads. I've also been working with Claude in Chrome browser to help me analyse my Amazon Ad data and suggest which keywords/products to turn off and what to put more budget into. I'll do a Patreon video on that soon. Meta announced it will enable AI ad creation by the end of 2026 for Facebook and Instagram. For authors who find ad creation overwhelming or time-consuming, this could be a game-changer. Of course, you will still need a budget! (8) 1000 True Fans becomes more important than ever Lots of authors and publishers are moaning about the difficulty of reaching readers in an era of ‘AI slop' but there is no shortage of excellent content created by humans, or humans using AI tools. As ever, our competition is less about other authors, or even authors using AI-assisted creation, we're competing against everything else that jostles for people's attention, and the volume of that is also growing exponentially. I've never been a fan of rapid release, and have said for years that you can't keep up with the pace of the machines. So play a different game. As Kevin Kelly wrote in 2008, If you have 1000 true fans, (also known as super fans), “you can make a living — if you are content to make a living but not a fortune.” [Kevin Kelly was on this show in 2023 talking about Excellent Advice for Living.] Many authors and the publishing industry are stuck in the old model of aiming to sell huge volumes of books at a low profit margin to a massive number of readers, many of them releasing ever faster to try and keep the algorithms moving. But the maths can work for the smaller audience of more invested readers and fans. If you only make $2 profit on an ebook, you need to sell 500 ebooks to make $1000, and then do it again next month. Or you can have a small community like my patreon.com/thecreativepenn where people pay $2 (or more) a month, so even a small revenue per person results in a better outcome over the year, as it is consistent monthly income with no advertising. But what if you could make $20 profit per book? That is entirely possible if you're producing high quality hardbacks on Kickstarter, or bundle deals of audiobooks, or whole series of ebooks. You would only need to sell to 50 people to make $1000. What about $100 profit per sale, which you can do with a small course or live event? You only need 10 people to make $1000, and this in-person focus also amplifies trust and fosters human connection. I've found the intimacy of my live Patreon Office Hours and also my webinars have been rewarding personally, but also financially, and are far more memorable — and potentially transformative — than a pre-recorded video or even another book. From the LinkedIn 2026 Big Ideas article: “In an AI-optimized world, intentional human connection will become the ultimate luxury.” The 1000 True Fans model is about serving a smaller, more personal audience with higher value products (and maybe services if that's your thing). As ever, its about niche and where you fit in the long long long long long tail. It's also about trust. Because there is definitely a shortage of that in so many areas, and as Adam Mosseri of Instagram has said, trust will be increasingly important. Trust takes time to build, but if you focus on serving your audience consistently, and delivering a high quality, and being authentic, this emerges as part of being human. In an echo of what happened when online commerce first took off, we are back to talking about trust. Back in 2010, I read Trust Agents: by Julien Smith and Chris Brogan, which clearly needs a comeback. There was a 10th anniversary edition published in 2020, so that's worth a read/listen. Chris Brogan was also on this show in 2017 when we talked about finding and serving your niche for the long term. That interview is still relevant, here's a quick excerpt, where I have (lightly edited) his response to my question on this topic back in 2017: Jo: The principle of know, like, and trust, why is that still important or perhaps even more important these days? Chris: There are a few things that at play there, Joanna. One is that the same tools that make it so easy for any of us to start and run a business also allow certain elements to decide whether or not they want to do something dubious. And with all new technologies that come, you know, there's nothing unique about these new technologies. In the 1800s, anyone could put anything in a bottle and sell it to you and say, this is gonna cure everything. Cancer — gone. And the bottle could have nothing in. You know, it could be Kool-Aid. And so, the idea of trying to understand what's behind the business though, one beautiful thing that's come is that we can see in much more dimensions who we're dealing with. We can understand better who's the face behind the brand. I really want people to try their best to be a lot clearer on what they stand for or what they say. And I don't really mean a tagline. I mean, humans don't really talk like that. They don't throw some sentence out as often as they can that you remember them for that phrase. But I would say that, we have so many media available to us — the plural of mediums — where we can be more of ourselves. And I think that there's a great opportunity to share the ‘you' behind the scenes, and some people get immediately terrified about this, ‘Ah, the last thing I want is for people to know more about me,' but I think we have such an opportunity. We have such an opportunity to voice our thoughts on something, to talk about the story that goes behind the product. We were all raised on overly produced material, but I think we don't want that anymore. We really want clarity, brevity, simplicity. We want the ability for what we feel is connection and then access. And so I think it's vital that we connect and show people our accessibility, not so that they can pester us with strange questions, but more so that you can say, this person stands with their product and their service and this person believes these things, and I feel something when I hear them and I wanna be part of that.” That's from Chris Brogan's interview here in 2017, and he is still blogging and speaking at writing at ChrisBrogan.com and I'm going to re-listen to the audiobook of Trust Agents again myself as I think it's more relevant than ever. The original quote comes from Bob Burg in his 1994 book, Endless Referrals, “All things being equal, people will do business with, and refer business to, those people they know, like and trust.” That still applies, and absolutely fits with the 1000 True Fans model of aiming to serve a smaller audience. As Kevin Kelly says in 1000 True Fans, “Instead of trying to reach the narrow and unlikely peaks of platinum bestseller hits, blockbusters, and celebrity status, you can aim for direct connection with a thousand true fans.” “On your way, no matter how many fans you actually succeed in gaining, you'll be surrounded not by faddish infatuation, but by genuine and true appreciation. It's a much saner destiny to hope for. And you are much more likely to actually arrive there.” In 2026, I hope that more authors (including me!) let go of ego goals and vanity metrics like ranking, gross sales (income before you take away costs), subscribers, followers, and likes, and consider important business numbers like profit (which is the money you have after costs like marketing are taken out), as well as number of true fans — and also lifestyle elements like number of weekends off, or days spent enjoying life and not just working! OK, that's my list of trends and predictions for 2026. Let me know what you think in the comments. Do you agree? Am I wrong? What have I missed? The post 2026 Trends And Predictions For Indie Authors And The Book Publishing Industry with Joanna Penn first appeared on The Creative Penn.