Podcast appearances and mentions of eloise ross

Eloise Ross jumped into the host seat this week to interview Australia's unofficial Merle Oberon expert, Rohan Spong. In light of the recent book, Love, Queenie: Merle Oberon, Hollywood's First South Asian Star and a new creative project Rohan is working on, they discuss Oberon's contribution to Hollywood. She was the first person of South Asian decent to be nominated for the Academy Award for Best Actress, though she spent her life pretending to be born in Australia and her heritage was only made public after her death.Thomas Caldwell also joined the show to discuss misanthropic critic of contemporary culture, Michael Haneke. The Austrian filmmaker's body of work is deceptively humanistic and will be celebrated in upcoming seasons from both the Melbourne Cinémathèque and ACMI, starting Wednesday 16 April and Thursday 17 April respectively.They review Tim Mielants's Small Things Like These, based on Claire Keegan's Booker Prize nominated novel. Starring Oscar-winner Cillian Murphy, the absorbing slow burn reveals the uncomfortable horrors lurking just below the surface of a small Irish town controlled by the Catholic Church.Tune in to Primal Screen each week at 7pm Mondays on Triple R 102.7FM.Triple R's April Amnesty is on now! Subscribe and donate to help keep our beloved community radio station on the airwaves for another year!When you support Triple R, you're supporting Really Real Radio – that means no algorithms, no playlists, no nonsense. Triple R is a champion of local culture and community, and a voice for music and ideas that may not be heard anywhere else. Best of all, when you subscribe during April Amnesty, you'll go into the draw to win a stack of amazing prizes! Subscribe and donate at rrr.org.au.

Incidentally, the theme for Primal Screen this week was volunteer-run organisations that make it possible to watch films on the big screen with an audience, that you otherwise mightn't.The small but mighty teams behind both Melbourne Women in Film Festival (MWFF) and the Melbourne Cinémathèque do extraordinary work to bring unique films to the cinema.Our guest host Cerise Howard speaks with Sian Mitchell, Artistic Director of MWFF, about the festival's mission to champion the work of Australian filmmakers and showcase stories about and by women and gender-diverse folk.Cerise and Eloise Ross, both co-curators of the Melbourne Cinémathèque, also discuss the upcoming season “Out of the Past and Into Flares: Neo-Noir in ‘70s America”, which explores how America's fractured psyche was reflected on screen during this vibrant and chaotic period. If you're wondering what the difference between "noir" and "neo-noir" is, you'd best listen back.MWFF runs 20-24 March.“Out of the Past and Into Flares: Neo-Noir in ‘70s America” runs 26 March-9 April.Thanks to Karl Chapman for working the panel this week.

[Due to our last-minute addition of two episodes, the podcast feed mistakenly had S5E09a queued here for a few hours this morning - it should now be fixed!] How Would Lubitsch Do It comes to a close with a grand finale. Tim Brayton returns to discuss Cluny Brown and look back on both Ernst Lubitsch's career and the past five seasons of this show. First, we discuss everything Cluny Brown: the film's generosity and humanism, its commentary on British class society, its relationship with the second world war, its full-throated embrace of absurdism, the title character's magnetism, Adam Belinski's status as a revision on a stock villain, and the film's somewhat autobiographical and wonderfully optimistic ending. Second, we close out the show with a look back: we debate our respective rankings (Tim, Devan) of Lubitsch's filmography, highlight our favourite cast members, crew members and collaborators, discuss subsequent filmmakers who bear distinct marks of Lubitsch's influence, discuss whether or not the show's structure accurately reflects the ebbs and flows and our subject's career, and answer the key questions: why Lubitsch? Why a podcast? Edited by Griffin Sheel. A Thanks I started this quixotic project two years ago with the hope of making something that spoke to me and, if anyone else was interested, so be it. Turns out some other people were interested, and if you're reading this now, that's probably you. My endless and sincere thanks for sticking it through. Thanks to the many guests who lent their time and support throughout the show: Lauren Faulkner Rossi, Fran Hoepfner, Bram Ruiter, Luci Marzola, Jaime Rebenal, Maddie Whittle, Paul Cuff, Kristin Thompson, Stefan Droissler, Molly Rasberry, Sarah Shachat, James Penco, Dave Kehr, Julia Sirmons, David Neary, Patrick Keating, Jennifer Fleeger, Katharine Coldiron, Jonathan Mackris, Will Sloan, Lea Jacobs, Tanya Goldman, Krin Gabbard, Jordan Fish, Ray Tintori, Z Behl, Eric Dienstfrey, Scott Eyman, Imogen Sarah Smith, Chris Cassingham, Olympia Kiriakou, Griffin Newman, Kevin Bahr, Whit Stillman, Adrian Martin, Jose Arroyo, Lance St. Laurent, Tim Brayton, William Paul, Dara Jaffe, Gary Jaffe, Peter Labuza, Willa Harlow Ross, Eloise Ross, David Cairns, Noah Isenberg, Matt Severson, Mateusz Pacewicz, and Charlotte Garson. Our editors: Griffin Sheel, Gloria Mercer, Willa Harlow Ross, Sophia Yoon, Rylee Cronin, Brennen King, & Eden Cote-Foster Our location sound engineer, Anna Citak-Scott. And others who lent valuable counsel and support: the Margaret Herrick Library, the Museum of Modern Art, the Academy Museum of Motion Pictures and most of all to Ernst Lubitsch, who taught me more than it could possibly take the sixty-eight episodes of this podcast to describe. This entire experience - hundreds of hours of research, recording, and editing - has been among the great pleasures of my life, and everyone's contributions have meant a great deal to me. Onwards to whatever's next!

How Would Lubitsch Do It comes to a close with our grand finale. Tim Brayton returns to discuss Cluny Brown and look back on both Ernst Lubitsch's career and the past five seasons of this show. First, we discuss everything Cluny Brown: the film's generosity and humanism, its commentary on British class society, its relationship with the second world war, its full-throated embrace of absurdism, the title character's magnetism, Adam Belinski's status as a revision on a stock villain, and the film's somewhat autobiographical and wonderfully optimistic ending. Second, we close out the show with a look back: we debate our respective rankings (Tim, Devan) of Lubitsch's filmography, highlight our favourite cast members, crew members and collaborators, discuss subsequent filmmakers who bear distinct marks of Lubitsch's influence, discuss whether or not the show's structure accurately reflects the ebbs and flows and our subject's career, and answer the key questions: why Lubitsch? Why a podcast? Edited by Griffin Sheel. A Thanks I started this quixotic project two years ago with the hope of making something that spoke to me and, if anyone else was interested, so be it. Turns out some other people were interested, and if you're reading this now, that's probably you. My endless and sincere thanks for sticking it through. Thanks to the many guests who lent their time and support throughout the show: Lauren Faulkner Rossi, Fran Hoepfner, Bram Ruiter, Luci Marzola, Jaime Rebenal, Maddie Whittle, Paul Cuff, Kristin Thompson, Stefan Droissler, Molly Rasberry, Sarah Shachat, James Penco, Dave Kehr, Julia Sirmons, David Neary, Patrick Keating, Jennifer Fleeger, Katharine Coldiron, Jonathan Mackris, Will Sloan, Lea Jacobs, Tanya Goldman, Krin Gabbard, Jordan Fish, Ray Tintori, Z Behl, Eric Dienstfrey, Scott Eyman, Imogen Sarah Smith, Chris Cassingham, Olympia Kiriakou, Griffin Newman, Kevin Bahr, Whit Stillman, Adrian Martin, Jose Arroyo, Lance St. Laurent, Tim Brayton, William Paul, Dara Jaffe, Gary Jaffe, Peter Labuza, Willa Ross, Eloise Ross, David Cairns, Noah Isenberg, Matt Severson, Mateusz Pacewicz, and Charlotte Garson. Our editors: Griffin Sheel, Gloria Mercer, Willa Ross, Sophia Yoon, Rylee Cronin, Brennen King, & Eden Cote-Foster Our location sound engineer, Anna Citak-Scott. And others who lent valuable counsel and support: the Margaret Herrick Library, the Museum of Modern Art, the Academy Museum of Motion Pictures and most of all to Ernst Lubitsch, who taught me more than it could possibly take the sixty-eight episodes of this podcast to describe. This entire experience - hundreds of hours of research, recording, and editing - has been among the great pleasures of my life, and everyone's contributions have meant a great deal to me. Onwards to whatever's next!

Eloise Ross and Emma Westwood host Primal Screen this week. They're joined by Felix Hubble and Kai Perrignon to discuss Static Visions's latest festival 'Neo-Intimacies', and also review Bill Mousoulis' Australian Musical My Darling in Stirling (2023) and the Netflix limited-series The Perfect Couple.

This week Flick Ford is joined by guest reviewers, Silvi Vann Wall and Eloise Ross. Together they tackle the question: what happens when you revive a cult classic? Tim Burton's sequel Beetlejuice Beetlejuice is on the reviewing table for this episode, along with French erotic drama, Last Summer, directed by Catherine Breillat.Plus, Elyse from ACCA and Hudson from FFFA and Umbrella discuss Friday the 13th: Ozploitation at the Drive-In event at Lido Cinemas. Come geared for a mega-marathon of Australian gothic horrors… tickets are selling fast! Get them here.

Writer and film historian Eloise Ross joins us to discuss noted Lubitsch disciple Otto Preminger and his 1944 noir Laura. We cover Preminger's past and parallels with Lubitsch, the tumultuous story of Laura's production, the film's highly unusual tone, its memorable characters and dialogue, and the majesty of Clifton Webb. Edited by Brennen King We have a Discord! Listen on: Apple Podcasts | Spotify NEXT WEEK: David Cairns returns to discuss A Royal Scandal, Dragonwyck, That Lady in Ermine, and the death of Ernst Lubitsch. WORKS CITED: The World and Its Double: The Life and Work of Otto Preminger by Chris Fujiwara

Willa Ross returns for a lively discussion about Heaven Can Wait. We cover Lubitsch and Raphaelson's opposing views on the film's unusual protagonist, its counterintuitive structure and elisions, the film's theological implications, argue about whether or not the production code negatively impacted the film, and discuss what happened at Fox in the early 1970s and why it matters for technicolor pictures such as this. Edited by Griffin Sheel. We have a Discord! Listen on: Apple Podcasts | Spotify NEXT WEEK: Writer and film historian Eloise Ross joins us to discuss Otto Preminger and his 1944 noir Laura. For information as to where to find this film, check out our resources page. WORKS CITED: Eloise Ross's Writeup for HEAVEN CAN WAIT in Senses of CInema Heaven Can Wait: The Simple Act of Living by William Paul Robert Harris's “KNIGHTS OF FILM PRESERVATION” Forum Post

Free Palestine This week we play Pantheon by Harpoon Gun! Four Gods ask a trio of heroes to eliminate the greatest threat in all the land: a guy who sucks. Watch in horror and awe as FOUR game masters lead THREE players! This week's cast! Grant Nordine as Loosieus Alejandra as Gri, Mo, and Ra Aun as Atlas Extell as Timothy Mariah as Accordia Rosie as Eloise Ross as Magtinda Pantheon was created by Harpoon Gun and can be purchased right here! This week we are happy to feature the upcoming Tabletop Spinners podcast MAGNIFICENCE. For fans of high fantasy, intense drama, and wonderful character work THIS IS THE SHOW FOR YOU! Episode 1 drops THIS FRIDAY! We are also gleefully telling you to check out Tales of Y'Vard for a super fun adventure being told in the Mythcraft system! All the fun of a great dnd podcast without the dnd! AND we're also featuring our pals at An Unwavering Force! Listen today for a diverse, queer centric Star Wars story being told in Pathfinder! One of the Star Wars things to come out in a VERY long time! Take THAT [redacted]

It's a full house at Primal Screen to celebrate the start of Radiothon at Triple R! Flick invites special guests Cerise Howard, Thomas Caldwell, Emma Westwood, Will Cox, Eloise Ross, Stuart Richards, and Maya Rizkyvianti to share what Triple R means to them, reminisce the show's humble beginnings, and why you should subscribe.  Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen

Flick Ford is joined by Melbourne Cinematech lecturer Eloise Ross, and film journalist/Greta Gerwig scholar, Claire White, to discuss the cinematic phenomenon “Barbenheimer”. Together, they compare Barbie and Oppenheimer through the lens of gender and also review them as standalone films. Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen

Flick Ford discusses the writer's strike happening in the states with cultural researcher Clem Bastow and chats about what's hotly anticipated at MIFF with screen lecturer Eloise Ross. Filmmaker Jessie Scott is also in the studio to talk about her film Rainbow Video which explores the nature and importance of video stores.Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/ Twitter: https://twitter.com/primal_screen

Hosts Stuart Richards and Eloise Ross chat to lecturer in screen and cultural studies Dr Janice Loreck about her forthcoming book ‘Provocation in Women's Filmmaking: Authorship and Art Cinema'. Then, Stuart and Eloise are joined by Frances Barrett to discuss ALL THE BEAUTY AND THE BLOODSHED (2022), the documentary exploring the life and career of Nan Goldin.

Guest host Paul Anthony Nelson is joined by Stuey Richards and Eloise Ross for a countdown of the best films and TV shows of 2022, voted by all the Primal Screen reviewers!Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen

Guest host Eloise Ross talks to veteran director Bill Mousoulis about his project 'Unknown Pleasures', a series of screenings featuring classic and contemporary Australian independent cinema. Then, guest critics Vyshnavee Wijekumar and Anders Furze join Eloise to review the new satirical drama OFFICIAL COMPETITION and DREAMING WALLS.Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen

Guest presenter Eloise Ross chats to film critic Cerise Howard, who has programmed Melbourne Cinémathèque's new season ‘Masterpieces of Ukrainian Cinema'. Eloise is then joined by guest reviewers Anders Furze and Paul Anthony Nelson to look at the new TV series THE OLD MAN starring Jeff Bridges; and they pay tribute to the late James Caan by revisiting his oscar-nominated performance in THE GODFATHER.Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen

Flick Ford is back in the studio chatting live with Gillian Armstrong, one of Australia's most celebrated filmmakers, who will be the subject of upcoming Melbourne Cinémathèque screenings. Flick and film critic Cerise Howard ask Gillian about her diverse filmography and the changes she has seen in Australian cinema over her extensive career. Film critic Eloise Ross then joins Flick and Cerise to review Armstrong's films STARSTRUCK, her 1982 musical comedy, as well as her 1987 drama HIGH TIDE.Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen

It's fright night on Primal Screen! Stuart Richards is joined by guest critics Will Cox and Eloise Ross. We hear from Perri Cummings and Paul Anthony Nelson of Cinema Viscera about their new Melbourne-based horror APPARITIONS, peer into the dark side of college campuses in Mariama Diallo's psychological horror MASTER and discuss Ti West's new American slasher X.Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen

Paul Anthony Nelson is joined by special guest reviewers, Lee Gambin and Eloise Ross to review a trio of classic films from 1941: The Lady Eve dir. Preston Sturges (1941), The Wolf Man dir. George Waggner (1941) and You'll Never Get Rich dir. Sidney Lanfield (1941). Program Page: https://www.rrr.org.au/explore/programs/primal-screenTwitter: @primal_screenFacebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/

The Meat Sheet was created by Eloise Ross to better help dry any type of meat, fish, and poultry while the sheets absorb the water or liquids that seep from them. They also remove moisture off the meat, fish, or poultry for those who want to vacuum seal their meat. In addition, they help to soak up oil off fried foods all while not sticking to the meat without leaving pieces of material when drying. Most Importantly, the Meat Sheet is disposable and used to prevent cross-contamination.

Eloise Ross is a Professional Health Aide Caregiver from Old Bridge, New Jersey who invented the Meat Sheet. What a great name for a new product you might be thinking, but what are they? The Meat Sheet was created to better help dry any type of meat, fish, and poultry while the sheets absorb the... The post Episode 113…Eloise Ross and the Meat Sheet appeared first on Invention Stories.

A spotlight on the Melbourne Documentary Film Festival (MDFF) 2020, and an interview with director Ursula Woods about her MDFF film CLOCKUMENTARY. Plus reviews of MDFF films FORMAN VS. FORMAN dir. Jakub Hejna, Helena Trestíková (2019); MAN ON THE BUS dir. Eve Ash (2019); and SMALL ISLAND BIG SONG dir. Tim Cole (2019). With presenters Paul Anthony Nelson, Stuey Richards and Eloise Ross.Website: https://www.rrr.org.au/explore/programs/primal-screenFacebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen

The Bologna suntans are fading but the Il Cinema Ritrovato memories are still vivid. So Peter Baran and I were delighted to be joined on our latest podcast by academic and film programmer Eloise Ross, as well as filmmaker Ian Mantgani and writer Philip Concannon from the Badlands Collective. We’re chatting about our highlights, discoveries and duds … Continue reading Ritrovato Roundtable: Il Cinema Ritrovato 2019 podcast →

In the May episode of the Senses of Cinema podcast, Kirsten and Mark tackle the final season of Game of Thrones and debate who indeed deserved to be seated on the Iron Throne. Then we are joined by our third chair, the wonderful Eloise Ross, who returns to help us discuss the life and career of Doris Day, who died this month at the age of 97. And then we talk the Netflix series Dead to Me where two best friends are drawn together by one dead husband. We finish as always with our recommendations for the month of May, and in our bonus for our patrons, Michelle Carey files a special report from the Cannes Film Festival. It's a great show, so download, subscribe and enjoy.

Emma Shortis came in to talk about the latest in US politics and the significance of Brett Kavanaughs appointment to the Supreme Court. Actor Barry McGovern and Director Tom Creed joined Amy to discuss their stage adaptation of Samuel Becketts novelWattnow showing at the Melbourne International Arts Festival. Film academic and Co-Programmer of the Melbourne Cinmathque, Eloise Ross, came in to talk about the Cinmathque's new season which highlights the work of trailblazing Hollywood actor and director Ida Lupino, whose multifaceted career spanned the 1930s-1970s.

This talk celebrated International Women’s Day with local filmmakers telling powerful and revealing stories. Filmmakers Sari Braithwaite, Chloe Brugale and Santilla Chingaipe were in conversation with Eloise Ross about their craft and processes, key collaborations and career pathways. About the speakers Santilla Chingaipe is an award-winning journalist and documentary filmmaker. She spent nearly a decade working for SBS World News which saw her report from across Africa and interview some of the continent's most prominent leaders. Her work explores cultural identities, contemporary migration and politics. Last year she presented a one-off documentary for SBS, Date My Race. Santilla is currently directing and writing documentary on the complexities of Australia’s South Sudanese community. Her latest film, Black As Me, is a short documentary exploring the perception of beauty and race in Australia. She writes regularly for The Saturday Paper. Chloe Brugale is a screen practitioner with more than fifteen years' experience working across drama and factual productions, distribution, events and festival programming. As the General Manager of Robert Connolly’s company, Arenamedia, Chloe has contributed to many culturally and artistically innovative features, including The Turning, Spear and the box office hit Paper Planes. She also oversaw the successful release campaign of the documentary Chasing Asylum. Chloe’s producer credits include [CENSORED], an experimental documentary by director Sari Braithwaite, and Black As Me, a short film by director Santilla Chingaipe. Prior to Arenamedia, Chloe held positions at the Melbourne International Film Festival as Next Gen and Short Films programmer, the education department of the Cannes Film Festival and the avant-garde Utopia Cinemas in Avignon, France. Sari Braithwaite is a filmmaker who works across the disciplines of history and film. Her documentary films have played at MIFF, SFF, Adelaide Film Festival, Canberra Film Festival, Antenna Film Festival, and BFI London. She was a recipient of the 2015 AFTRS Creative Fellowship to create an experimental work about Australian censorship. In addition to her own practice, Sari has also worked as a professional researcher on a wide variety of film and television documentaries, and continues to work in universities as a researcher. Eloise Ross (host) is a writer, critic, and lecturer with a range of experience working with Melbourne film culture, both in organisational roles and as a qualified speaker. She has a PhD in cinema studies from La Trobe University and her research specialises in sound studies, Hollywood history, and the phenomenological experience of the cinema. Eloise has been widely published as a film critic, cultural commentator, and academic. She is a co-curator of the Melbourne Cinémathèque, currently teaches in the film department at Swinburne University, is co-host of the Senses of Cinema podcast.

For our second roundtable discussion of The Return we take a final lap through the characters and places before dropping in for a chat with long-time David Lynch sound collaborator John Neff, John talks about their song No Stars, their band Bluebob and why he thinks he's seen The Return before. Special guests this week include film theorist Eloise Ross, composer and music therapist Bec Blakeney and Christian McCrae, writer of the forthcoming book 'Dune'. All this and analysis that has listeners saying "more please", and friends saying "you're STILL doing that?" Find us at @TPSeason3 Music by: Harry Dean Stanton, Bluebob and @theblackhundred Music

We wrap up discussion of the first four parts of Twin Peaks the Return before they begin their weekly assault on our psyches. In this episode, Cooper welcomes a poker machine, Naomi Watts pours coffee, DoppleCoop gives Cole the thumbs up, Albert is rude, and we're very enthused. All this and analysis reviewers are still calling "gripping" and "poetic". Music courtesy of @theblackhundred. Red room intro courtesy of Bismuth Hoban. Find us on Twitter and Facebook at TPseason3 This week Hayley baked: Pikelets with lemon curd

We tackle Part 3 of Twin Peaks: The Return with some help from Eloise Ross who brings her sonic nous to disembodied voices and the sounds of nature, Hayley bemoans the show's diversity issues and Andy does a woeful Gordon Cole impression. All this and analysis reviewers are calling "gripping" and "poetic". Music courtesy of @theblackhundred. Find us on Twitter and Facebook at TPseason3 This week Hayley baked: Pikelets with lemon curd

Andy and Hayley are joined by film noir expert and sound design enthusiast Eloise Ross to discuss Part 2 of Twin Peaks: The Return, from that figure in the jail cell to the Chromatics at the Roadhouse. Also, the "David Bowie klaxon" mentioned at 31:02 goes off at 31:48. That alarm sound is not coming from outside of your headphones. Theme music: A Strange and Difficult Path (The Radium Age remix) by @theblackhundred Find us on Twitter and Facebook at TPseason3 This week Hayley baked: Pikelets with lemon curd

Our feature interview this week is with Eloise Ross, co-programmer of theMelbourne Cinmathque, discussing their retrospective on feminist 1930s Hollywood film director Dorothy Arzner.

This week, our regular guest Ben Elthamjoins Amy to discuss the latest in federal politics. Amber Jamiesondials in from New York to talk Trump's America. Mark Wakehamjoins us in the studio to delve into the energy and environmental implications of the Hazelwood coal plant closure. Eloise Ross, co-programmer of theMelbourne Cinmathquediscusses their retrospective on feminist 1930s Hollywood film director Dorothy Arzner.

ONE HEAT MINUTE is the podcast examining Michael Mann's 1995 crime epic HEAT minute by minute. It's the 77th minute (1:16:00-1:17:00) - host Blake Howard joins program coordinator and co-curator at the Melbourne Cinémathèque and co-host of the Cultural Capital Podcast, Eloise Ross. Blake and Eloise discuss the strange Elliott Goldenthal score choice to emphasise Sizemore's "lug" of a character agonising over this crucial decision; Eloise's yearning for uncharacteristic silence in this sequence; the fatalism of noir films; and the chicken wire dead ends connecting CHINATOWN, VERTIGO, L.A CONFIDENTIAL and HEAT.Support this podcast at — https://redcircle.com/one-heat-minute-productions/donations

ONE HEAT MINUTE is the podcast examining Michael Mann's 1995 crime opus HEAT minute by minute. It's the 146th minute (2:25:00 -2:26:00) - host Blake Howard joins program coordinator and co-curator at the Melbourne Cinémathèque and co-host of the Cultural Capital Podcast, Eloise Ross. Blake and Eloise discuss adoring inscrutable gangster dialogue, the heartbreaking realisation that Vincent is already certain that he's going to leave and the cold truth of a professional "comfort" embrace.Support this podcast at — https://redcircle.com/one-heat-minute-productions/donations