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The Halloweenies continue their Universal Monsters coverage with George Waggner's 1941 werewolf classic The Wolf Man starring Lon Chaney Jr.
The Halloweenies continue their Universal Monsters coverage with George Waggner's 1941 werewolf classic The Wolf Man starring Lon Chaney Jr. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week on Friday Night Frightfest, we're howling at the moon with a classic monster movie double feature! We'll be comparing two takes on the werewolf legend: The Wolf Man (1941) and Wolf Man (2025). The Wolf Man (1941) Directed by George Waggner, this classic Universal Monsters film tells the tragic tale of Lawrence Talbot, an American actor who returns to his ancestral home in England and becomes cursed by a werewolf. This film is renowned for its atmospheric cinematography, iconic imagery (like the memorable "Even a man who is pure at heart can become a wolf-man" line), and its exploration of themes like guilt and the primal nature of man. Wolf Man (2025) Directed by Leigh Whannell from a screenplay he co-wrote with Corbett Tuck, this reboot of The Wolf Man franchise, follows a family man seeking to protect his wife and daughter from a werewolf, only to become infected and slowly transform into the creature. Jason Blum produces alongside his Blumhouse Productions banner. Join us as we dissect these two films, exploring their different approaches to the werewolf legend, their visual styles, and their impact on the horror genre. Spoilers start around 6:06.
Episode 410: The Crew's pretty sure this is Tarantino's favorite werewolf movie (cause the transformation scene is just feet) while watching George Waggner's The Wolf Man. This atmospheric 1941 film is missing some of the famous werewolf lore (no full moon), but adding to it as well (needing silver to kill the beast). The Crew discusses… If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: moviecrewpod@gmail.com
Grab your walking stick (or is it a cane?), make sure your heart is pure and say your prayers by night because we're talking George Waggner's 1941 classic The Wolf Man! Join us as we discuss all things Larry Talbot, from his creep factor (by 2025 standards) to his tragic end. Plus: Jack Pierce's outstanding make-up effects, marshes vs. moors, and lots and lots of fog. Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, BlueSky, Youtube, Letterboxd, Facebook, or join the Facebook Group to get in touch with other listeners > Trace: @tracedthurman > Joe: @bstolemyremote Be sure to support the boys on Patreon! Theme Music: Alexander Nakarada Learn more about your ad choices. Visit megaphone.fm/adchoices
Even a man who is pure in heart and says his prayers by night, may become a wolf when the wolfbane blooms and the autumn moon is bright! Join Reneé, John Paul, and Travis as they discuss George Waggner's 1941 horror classic "The Wolf Man." Please consider supporting the show on Patreon: https://www.patreon.com/thepodmortem Pod Mortem / Stairhole Productions Merch: https://www.teepublic.com/user/thepodmortem Pod Mortem would like to thank Original CINematic for sponsoring this week's episode! https://www.ogcinpro.com/ Feel free to contact: William Rush: wrush@ogcinpro.com Xxena Rush: xrush@ogcinpro.com Where to listen to the podcast and follow us on social media: https://allmylinks.com/thepodmortem Follow us on Instagram: https://www.instagram.com/thepodmortem https://www.instagram.com/travismwh https://www.instagram.com/bloodandsmoke https://www.instagram.com/juggalodaddy84 Follow us on Twitter: https://twitter.com/thepodmortem https://twitter.com/bloodandsmoke https://twitter.com/realstreeter84 https://twitter.com/travismwh What would you rate The Wolf Man and what should we watch next? Email us at thepodmortem@gmail.com "Pod Mortem Theme" written and performed by Travis Hunter-Sayapin. https://youtube.com/travismwh
Jim discusses the sequel to "Son Of Frankenstein with 1942's "The Ghost Of Frankenstein," starring Lon Chaney Jr, Cedricke Hardwicke, Ralph Bellamy, Lionel Atwill, Bela Lugosi, Evelyn Ankers, Janet Ann Gallow, Barton Yarborough, and Olaf Hytten. Produced by George Waggner and directed by Erle C. Kenton, this sequel picks up where "Son" left off except Ygor seeks out the "second" son of Frankenstein for help reviving "The Monster." Find out more on this episode of MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.
Jim discusses the sequel to “Son Of Frankenstein with 1942’s “The Ghost Of Frankenstein,” starring Lon Chaney Jr, Cedricke Hardwicke, Ralph Bellamy, Lionel Atwill, Bela Lugosi, Evelyn Ankers, Janet Ann Gallow, Barton Yarborough, and Olaf Hytten. Produced by George Waggner and directed by Erle C. Kenton, this sequel picks up where “Son” left off except […] The post The Ghost Of Frankenstein | Episode 436 appeared first on The ESO Network.
Wrapping up our DOG DAYS OF SUMMER triple feature, we're strolling through the foggy woods of a nondescript European village with Chris Cooney from DEAD NOISE to meet the creature formerly known as Larry Talbot in George Waggner's THE WOLF MAN, starring Lon Chaney Jr., Claude Rains, Evelyn Ankers, Maria Ouspenskaya, and Bela Lugosi.Find DEAD NOISE at https://deadnoise.substack.com/Follow DEAD NOISE on Instagram at https://instagram.com/deadnoiseblog Make sure to subscribe on Apple Podcasts, Spotify, or anywhere you get your podcasts.Want to support the show and save 20% on Fangoria? Visit shop.fangoria.com/howimetyourmonster and enter PROMO CODE: HOWIMETYOURMONSTER at checkout!Looking for How I Met Your Monster merch? Check out TeePublic https://bit.ly/howimetyourmonstermerchQuestions and comments: howimetyourmonsterpodcast@gmail.com
Un front protubérant, des boulons enfoncés dans le cou et une couleur de peau verdâtre : c'est ainsi que nous nous figurons le plus souvent le monstre créé par le savant Henry Frankenstein, dans le célèbre roman de Mary Shelley. C'est comme cela, en tous cas, qu'il apparaît, sous les traits de Boris Karloff, dans le film fameux de James Whale, "Frankenstein", produit en 1931 par la Universal. Mais cette apparence ne correspond pas du tout à la manière dont la créature est décrite, en 1818, par Mary Shelley. En effet, la romancière lui donne une peau jaune, un visage ridé, des dents très blanches et une abondante chevelure noire. Autre différence notable : le monstre de Frankenstein est assez disert chez Mary Shelley, alors qu'au cinéma il est incapable de parler, ne proférant que des sons inarticulés. Le chef-d'œuvre d'un grand maquilleur Mais, quelques années après la parution du roman, l'aspect physique du monstre s'est déjà modifié. En effet, dans la première adaptation théâtrale de l'œuvre de Mary Shelley, due à l'auteur dramatique Richard Brinsley Peake, en 1823, l'épiderme de la créature prend une coloration tirant sur le bleu et le gris. Et, par ailleurs, c'est le premier auteur à rendre le monstre muet. Au fil des représentations du monstre de Frankenstein, la peau du personnage prend des teintes diverses, dont le vert. Mais si cette dernière couleur s'est définitivement imposée dans l'imagination populaire, c'est grâce au film de James Whale, qui aura plusieurs suites. L'inoubliable maquillage de la créature, et la couleur verte de sa peau, sont dus au talent d'un maquilleur de génie, Jack Pierce. On lui doit bien d'autres remarquables maquillages, comme celui du grand prêtre égyptien, toujours incarné par Boris Karloff, dans "La momie" (1932), de Karl Freund, ou celui du loup-garou, interprété par Lon Chaney Jr, dans le film homonyme, réalisé en 1941 par George Waggner. Si ce choix a été fait, c'est que ce maquillage vert donnait au monstre, dans le noir et blanc de l'époque, la pâleur cadavérique recherchée. Learn more about your ad choices. Visit megaphone.fm/adchoices
Un front protubérant, des boulons enfoncés dans le cou et une couleur de peau verdâtre : c'est ainsi que nous nous figurons le plus souvent le monstre créé par le savant Henry Frankenstein, dans le célèbre roman de Mary Shelley.C'est comme cela, en tous cas, qu'il apparaît, sous les traits de Boris Karloff, dans le film fameux de James Whale, "Frankenstein", produit en 1931 par la Universal.Mais cette apparence ne correspond pas du tout à la manière dont la créature est décrite, en 1818, par Mary Shelley. En effet, la romancière lui donne une peau jaune, un visage ridé, des dents très blanches et une abondante chevelure noire.Autre différence notable : le monstre de Frankenstein est assez disert chez Mary Shelley, alors qu'au cinéma il est incapable de parler, ne proférant que des sons inarticulés.Le chef-d'œuvre d'un grand maquilleurMais, quelques années après la parution du roman, l'aspect physique du monstre s'est déjà modifié. En effet, dans la première adaptation théâtrale de l'œuvre de Mary Shelley, due à l'auteur dramatique Richard Brinsley Peake, en 1823, l'épiderme de la créature prend une coloration tirant sur le bleu et le gris.Et, par ailleurs, c'est le premier auteur à rendre le monstre muet. Au fil des représentations du monstre de Frankenstein, la peau du personnage prend des teintes diverses, dont le vert.Mais si cette dernière couleur s'est définitivement imposée dans l'imagination populaire, c'est grâce au film de James Whale, qui aura plusieurs suites. L'inoubliable maquillage de la créature, et la couleur verte de sa peau, sont dus au talent d'un maquilleur de génie, Jack Pierce.On lui doit bien d'autres remarquables maquillages, comme celui du grand prêtre égyptien, toujours incarné par Boris Karloff, dans "La momie" (1932), de Karl Freund, ou celui du loup-garou, interprété par Lon Chaney Jr, dans le film homonyme, réalisé en 1941 par George Waggner.Si ce choix a été fait, c'est que ce maquillage vert donnait au monstre, dans le noir et blanc de l'époque, la pâleur cadavérique recherchée. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
We're headed back to our roots this week with a lesser-known original Universal Pictures film. The gang's all here! Lon Chaney Jr., Lionel Atwill, well, just those two actually. But still, it's nice to see old friends. Join us as we take pride in our mad scientist status, give new meaning to the term "electric fence", and discuss an unfamiliar novel: uh, *checks notes* Frankenstein? By Mary Shelley? Have you head of this? Please rate, review, and tell your fiends. And be sure to subscribe so you don't miss future installments. Join us on Patreon at patreon.com/thefrankencast. Follow us on Twitter or Instagram @thefrankencast or send us a letter at thefrankencast@gmail.com. We'd love to hear from you! Your Horror Hosts: Anthony Bowman (he/him) & Eric Velazquez (he/him). Cover painting by Amanda Keller (@KellerIllustrations on Instagram).
In this episode the guys watch George Waggner's 1941 hour film The Wolf Man.
linktr.ee/CatchingUpOnCinema It's October, so that means it's once again time for Catching Up On Cinema's annual, “Kyle's Killer October” event month! All month long, Catching Up On Cinema's resident horror enthusiast, Kyle, will be taking creative control of the program, offering up new reviews for a wide variety of horror flicks from week to week. First up, Kyle and Trevor review the Universal horror classic, George Waggner's, The Wolfman (1941)! Featuring horror legend Lon Chaney Jr. as the titular Wolfman, as well as featuring fellow horror icon and frequent co-star, Bela Lugosi, The Wolfman (1941) is a handsome and briskly paced monster flick whose stellar reputation is well deserved. Follow us on Instagram @catchinguponcinema Follow us on Twitter @CatchingCinema
This week on S&A Lindsay is joined by author and story teller Hayden Gilbert. Which is fitting because this Double is all about story telling. We are alone in the woods looking for a friend, with a double of Charles B. Pirece's The Legend of Boggy Creek (1972) & George Waggner's The Wolf Man (1941) This is all about being hairy and alone in the woods. Listen to Schlock & Awe on your favourite Podcast App.
This week we watched the film "The Howling from 1981 J - 6.5 M - 7 Each week we choose a movie from one of the horror genre to discuss the following week. Follow along each week by keeping up with the movies we are watching to stay in the loop with the movie club! Check out other podcasts, coffee and pins at www.darkroastcult.com ! THANKS TO ANDREW FOR MAKING THE INTRO SONG. (soundcloud.com / andoryukesuta)@andoryukesuta The Howling 1981 In a red light district, newswoman Karen White is bugged by the police, investigating serial killer Eddie Quist, who has been molesting her through phone calls. After police officers find them in a peep-show cabin and shoot Eddie, Karen becomes emotionally disturbed and loses her memory. Hoping to conquer her inner demons, she heads for the Colony, a secluded retreat where the creepy residents are rather too eager to make her feel at home. There also seems to be a bizarre connection between Eddie Quist and this supposedly safe haven. And when, after nights of being tormented by unearthly cries, Karen ventures into the forest and makes a terrifying discovery The Howling is a 1981 American horror film directed by Joe Dante. It is based on the novel of the same name by Gary Brandner. The film stars Dee Wallace, Patrick Macnee, Dennis Dugan, and Robert Picardo. The Howling was released in the United States on March 13, 1981, and became a moderate success, grossing $17.9 million at the box office. It received generally positive reviews, with praise for the makeup special effects by Rob Bottin. The film won the 1980 Saturn Award for Best Horror Film while still in development, and was one of the three high-profile werewolf-themed horror films released in 1981, alongside An American Werewolf in London and Wolfen. Its financial success aided Dante's career, and prompted Warner Bros. to hire Dante (as director) and Michael Finnell (as producer) for Gremlins. A series consisting of seven sequels arose from the film's success. A remake is in development, with Andy Muschietti set to direct. Karen White is a Los Angeles television news anchor who is being stalked by serial killer Eddie Quist. In cooperation with the police, she takes part in a scheme to capture Eddie by agreeing to meet him in a sleazy porn theater. Eddie forces Karen to watch a video of a young woman being bound and raped, and when Karen turns around to see Eddie, she screams. The police enter and shoot Eddie, and although Karen is safe, she suffers amnesia. Her therapist, Dr. George Waggner, decides to send her and her husband, Bill Neill, to the "Colony", a secluded resort in the countryside where he sends patients for treatment. The Colony is filled with strange characters, and one, a sultry nymphomaniac named Marsha, tries to seduce Bill. When he resists her unsubtle sexual overtures, he is attacked and scratched on the arm by a werewolf while returning to his cabin. After Bill's attack, Karen summons her friend, Terri Fisher, to the Colony, and Terri connects the resort to Eddie through a sketch he left behind, having previously discovered that Eddie's body disappeared from the morgue. Karen begins to suspect that Bill is hiding a secret far more threatening than marital infidelity. Later that night, Bill meets Marsha at a campfire in the woods. While having sex in the moonlight, they undergo a frightening transformation into werewolves. While investigating the next morning, Terri is attacked by a werewolf in a cabin, though she escapes after cutting the monster's hand off with an ax. She runs to Wagner's office and places a phone call to her boyfriend Chris Halloran, who has been alerted about the Colony's true nature.
Torna in puntata Fabio “Wolf” Gorini per parlare dell'uomo lupo, un mutaforma che per secoli ha mantenuto inalterato il suo fascino di creatura bestiale, un essere leggendario rappresentato nel cinema da una serie infinita di pellicole, ripercorriamo in questo episodio alcuni dei tanti titoli dove la il lupo mannaro diventa protagonista: “L'uomo lupo” (The Wolf Man) di George Waggner (1941), “L'ululato” (The Howling) di Joe Dante (1981), “Un lupo mannaro americano a Londra” (An American Werewolf in London) di John Landis (1981), “In compagnia dei lupi” (The Company of Wolves) di Neil Jordan (1984), “Unico indizio la luna piena” (Silver Bullet) di Daniel Attias (1985), “Voglia di vincere” (Teen Wolf) di Rod Daniel (1985), “Wolf - La belva è fuori” (Wolf) di Mike Nichols (1994), “Underworld” di Len Wiseman (2003), “Van Helsing” di Stephen Sommers (2004), “Wolfman” (The Wolfman) di Joe Johnston (2010) e con qualche accenno nel finale a: “Il patto dei lupi” (Le Pacte des loups) (2001) di Christophe Gans, “Il bacio della pantera” (Cat People) dii Paul Schrader (1982), “Thriller” - Michael Jackson (il videoclip) di John Landis (1984), “Twiligh” la saga.
A curse on you and your family! JK JK That'd be pretty terrible wouldn't it? This month, the Cadaver Dogs explore two films dealing with ancient curses in which main characters trade their humanity - or lose it - and become a beast of vengeance! Starting way back to the classic Universal horror movie that started Hollywood's love for werewolves with THE WOLF MAN (1941, dr. George Waggner). David, Devin, and Rob look at how WWII influenced the tragic figure of Larry Talbot and dig into the history of the Romani people. We also gawk at the stars that pack this film: Lon Chaney Jr., Bela Lugosi, AND Claude Raines?? Then, fast forward to the f*ed up 80s with creature feature (or slasher?) PUMPKINHEAD (1988, dir. Stan Winston). No Reagan talk this time, but we do touch on the Rust Belt. Do we find curses more tragic or vilifying? How are they a source of “othering” in horror? And why are werewolves so damn awesome!? 03:49 - Carrie 30:30: - The Exorcism of Emily Rose 57:05 - Comparisons 1:05:55 - Bone Reviews . Up Next: GET OUT (2017) / THE SKELETON KEY (2005) . Follow us at: instagram.com/cadaverdogspod twitter.com/cadaverdogspod facebook.com/cadaverdogspod . “Fascination and Hatred: The Roma in European Culture '” by The National WWII Museum https://www.nationalww2museum.org/war/articles/roma-european-culture “Under A Swastika Moon: 80 Years Of THE WOLF MAN” by Rich Johnson https://www.fangoria.com/original/under-a-swastika-moon-80-years-of-the-wolf-man/ . Send us your film suggestions at: cadaverdogspodcast@gmail.com . Cover art by Omri Kadim. Theme by Adaam James Levin Areddy. Music featured in this episode: “Lurking in the Shadows” by Liam Seagrave and HCN.
Au sommaire de cette spéciale fantastique et horreur : -Une foultitude de films éditée par Elephant Films, à savoir, LA CITE PETRIFIEE de John Sherwood, ALERTE LA NUIT de Lloyd Corrigan, L'ECHAPPE DE LA CHAISE ELECTRIQUE de George Waggner, LE RAYON INVISIBLE de Lambert Hillyer, SHOCK WAVES (LE COMMANDO DES MORTS VIVANTS) de Ken Wiederhorn, L'ENTERREE VIVE de Jack Smight ainsi que MASSACRE AU DORTOIR de Stephen Carpenter et Jeffrey Obrow ;-LE VAMPIRE A SOIF et LA MAISON ENSORCELEE de Vernon Sewell, CANDYMAN de Bernard Rose, URBAN LEGEND de Jamie Blanks, trois titres parus chez ESC Editions ;-LES TRAQUES DE L'AN 2000 de Brian Trenchard-Smith disponible chez Rimini Editions. Bonne écoute à toutes et tous !
Announcing next month's films: THE WOLF MAN (1941, dir. George Waggner) - available for rent on all platforms. PUMPKINHEAD (1988, dir. Stan Winston) - available for free on Tubi and Pluto TV. . . Get into the Halloween spirit as the Cadaver Dogs take a deep dive on curses! From the golden age of Universal monsters to the 80s boom of slasher and B-horror, doom, gloom, and premonition have persevered... but why? Why do these myths of curses remain so prevalent? What makes these concepts scary? And what does any of this have to do with goddamn Nazis? . Follow us at: instagram.com/cadaverdogspod twitter.com/cadaverdogspod facebook.com/cadaverdogspod . Send us your film suggestions at: cadaverdogspodcast@gmail.com . . Cover art by Omri Kadim. Music featured in this episode: 80s Synth by White Bat Audio. Licensed under Creative Commons: By Attribution 3.0 License.
A hora tão aguardada chegou, caros e caras ouvintes: no penúltimo dia de 2021 o RdMCast segue firme em sua maratona anual de American Horror Story! Neste episódio focamos nas temporadas 4, 5 e 6 da série criada por Ryan Murphy: Freakshow, Hotel e Roanoke. Nos acompanhe enquanto levantamos pontos positivos e negativos de Freakshow, nos surpreendemos com Hotel e perdemos a compostura falando sobre Roanoke. Então prepare a cartelinha de bingo pra contar quantas vezes Ryan Murphy se distrai com a própria trama e vem com a gente! O RdMCast é produzido e apresentado por: Thiago Natário, Gabi Larocca e Gabriel Braga. ARTE DA VITRINE: Estúdio Grim ESTÚDIO GRIM - Design para conteúdo digital Portfólio: https://www.behance.net/estudiogrim Instagram @estudiogrim designgrim@gmail.com PODCAST EDITADO POR Felipe Lourenço SEJA UM(A) APOIADOR(A) Apoie o RdM a produzir mais conteúdo e ganhe recompensas exclusivas! Acesse: https://apoia.se/rdm ou https://picpay.me/republicadomedo Conheça a Sala dos Apoiadores: http://republicadomedo.com.br/sala-dos-apoiadores/ CITADOS NO PROGRAMA Monstros (dir. Ted Browning, 1932) O Parque Macabro (dir. Herk Harvey, 1962) American Horror Story: temporadas 4 a 6 (2014 - 2016) Crítica | American Horror Stories (1ª Temporada) Crítica | American Horror Story: Double Feature Off topic O Lobisomem (dir. George Waggner, 1941) Episódios RdMCast #229 -John Wayne Gacy – Killer Clown RdMCast #270 - American Horror Story (Temporadas 1-3) RdMCast #271 - A Maldição da Mansão Bly Tem algo para nos contar? Envie um e-mail! contato@republicadomedo.com.br Twitter: @RdMCast Instagram: Republica do Medo Learn more about your ad choices. Visit podcastchoices.com/adchoices
Paul returns to the podcast to help Lee talk about the classic 1941 Universal horror film "The Wolf Man", directed by George Waggner, starring Claude Rains, and Lon Chaney Jr. as the beast itself. Much of the conversation revolves around Chaney and his performance, and the possible hidden layers in the script that don't always clearly come out in the finished product. Is this the best of the classic Universal horror films? The hosts also talk about recent watches and purchases. "The Wolf Man" IMDB Check out Paul's horror podcast Maniacs Meat Buy a painting from Paul here. Featured Music: Excerpts from the score for "The Wolf Man" by Hans J. Salter, Frank Skinner, and Charles Previn.
For part 3 of our series on classic Universal Monster movies (and the last to actually post before Halloween!), we're taking a look at The Wolf Man (1941), directed by genre-filmmaking stalwart George Waggner. Lon Cheney Jr. (following in his famous father's footsteps) plays Larry Talbot, who has returned home following his brother's death in a hunting accident. Shortly after doing so, he's bitten by a werewolf, and subsequently becomes one himself (but only when the moon is full and the wolf's bane is in bloom, of course). He then finds himself in the position of trying to convince his father he's not crazy, and protecting his romantic interest from himself. The Wolf Man comes as part of the second cycle of Universal Monster movies, after a hiatus following the change in ownership at the studio. Most of the movies in this second cycle are charming but silly B-movies; typically, they were gimmicky cross-over films trying to cash in on the fading memories of the original 1930s films. The Wolf Man, then, is perhaps the last hurrah for the sort of elegant and more serious horror films that were the legacy of the pre-code Universal horrors. It is also a masterclass in the use of photography and set design to create atmosphere, with beautifully tactile and spine-tingling imagery that's as iconic as the titular monster itself.
I'm joined in episode 26 by Tommy Goodwin from the podcast Rewatch, Relive, Repeat to celebrate two werewolf movie classics - the 80th anniversary of 1941's The Wolf Man directed by George Waggner and starring Lon Chaney, Jr. and the 40th of An American Werewolf in London, directed by John Landis and starring David Naughton! We quiz each other, discuss the movies, and have great conversation. Plus, the usual fun facts, poll results, trivia segment, and shout-outs to listeners!
Download the episode Front Row Classics is celebrating the 80th anniversary of George Waggner’s The Wolf Man from 1941. Our editor-in-chief Jeremy Goeckner joins us for our first edition of MonsterCast 2021. This movie began the modern take on werewolf mythology and still is an effective horror film eight decades later. The hosts cover the … Continue reading Ep. 87- The Wolf Man →
Front Row Classics is celebrating the 80th anniversary of George Waggner's The Wolf Man from 1941. Our editor-in-chief Jeremy Goeckner joins us for our first edition of MonsterCast 2021. This movie began the modern take on werewolf mythology and still is an effective horror film eight decades later. The hosts cover the performance of Lon Chaney Jr. who excels as both the monster and his human counterpoint, Larry Talbot. The eerie visuals and top notch supporting cast are also on display. Lastly, we also mention how the politics of the early forties also play a larger role in the storytelling of the film.
Download the episode Front Row Classics is celebrating the 80th anniversary of George Waggner’s The Wolf Man from 1941. Our editor-in-chief Jeremy Goeckner joins us for our first edition of MonsterCast 2021. This movie began the modern take on werewolf mythology and still is an effective horror film eight decades later. The hosts cover the … Continue reading Ep. 87- The Wolf Man →
The 3rd annual The Season of Spoop™ (TM TM TM!) begins! This October, Derek and Aaron cover "werewolves" for their horror cinematic theme. To start things off, they tackle 1941's classic horror film "The Wolf Man" directed by George Waggner and written by Curt Siodmak. They briefly describe some history behind the folklore of the werewolf, and they talk about the creature's early appearances in cinema. They also get into how this film fits in with the Universal Monsters, the theme of a doomed protagonist, what contributed to the movie's success, and several other topics. Aaron and Derek may become wolves when the wolfsbane blooms and the autumn moon is bright. We are on PodBean, Apple Podcasts, Podchaser, Amazon Music, Google, Stitcher, Spotify, and CastBox. Please rate, review, subscribe, and share our show. Also, check out our Spotify Music playlist, links on our Twitter and Podbean page. Our socials are on Facebook and Twitter @WatchIfYouDare
Where the crew and I decide to tackle this 1941 masterpiece of Werewolf film mythos let's just listen in shall we? Enjoy! --- Support this podcast: https://anchor.fm/inside-movies-galore/support
Questa volta Houssy e Carfa vi portano a spasso tra le pellicole che si sono occupate di LICANTROPIA. Avete capito bene, i protagonisti di questa puntata monografica sono proprio i LUPI MANNARI. Brivido, Terrore, Raccapriccio... Buon Ascolto.Elenco dei film citati:Il segreto del Tibet (Stuart Walker, 1935)I Was a teenage werewolf (Gene Fowler, 1957)L'uomo lupo (George Waggner, 1941)Voglia di vincere (Rod Daniel, 1985)Licantropia (Grant Harvey, 2004)Licantropia Evolution (John Fawcett, 2001)Licantropia Apocalypse (Brett Sullivan, 2004)Scuola di mostri (Fred Dekker, 1987)Un lupo mannaro americano a Londra (Landis, 1981)L'ululato (Joe Dante, 1981)Dog soldiers (Neil Marshall, 2002)Howl (Paul Hyett, 2015)Il bacio della pantera (Jacques Tourneur, 1942)Il bacio della pantera (Paul Schrader, 1982)A cena con il lupo (Josh Ruben, 2021)I tre volti del terrore (Sergio Stivaletti, 2004)Underworld (Len Wiseman, 2002)In compagnia dei lupi (Neil Jordan, 1984)Unico indizio la luna piena (Daniel Attias, 1985)Wolfen la belva immortale (Michael Wadleigh, 1981)Cursed (Wes Craven, 2005)Wolfman (Joe Johnston, 2010)Wolf (Mike Nichols, 1994)Van Helsing (Stephen Sommers, 2004)Cappuccetto Rosso sangue (Catherine Hardwicke, 2011)
Paul Anthony Nelson is joined by special guest reviewers, Lee Gambin and Eloise Ross to review a trio of classic films from 1941: The Lady Eve dir. Preston Sturges (1941), The Wolf Man dir. George Waggner (1941) and You'll Never Get Rich dir. Sidney Lanfield (1941). Program Page: https://www.rrr.org.au/explore/programs/primal-screenTwitter: @primal_screenFacebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/
Episode #50 - We're celebrating our 5OTH Episode! Thank you all for all your support! This week, your hosts Robert Massetti and Don Fisher review the classic Universal Monster Movie 'THE WOLF MAN' directed by George Waggner! The film stars Lon Chaney Jr., Bela Lugosi, and Claude Rains! Keep listening all the month of April as we also celebrate our 1 year anniversary! We have all kinds of surprises in store for you guys! Visit our Official Website at HorrorVein.com Hosts: Robert Massetti and Don Fisher Produced by Robert Massetti Published by FEAR FILM Studios Podcast Network Support this podcast
Howard and Aiden discuss the 1941 classic directed by George Waggner. Does it hold up? Find out in this episode!
In this episode, we’re talking Werewolves. Starting with George Waggner’s The Wolfman from 1941 along with the 1985 Rod Daniel film, Teen Wolf starring Michael J Fox. We had a great time with these movies with a surprisingly positive reaction to the original Wolfman and the sweet familiar embrace of Teen Wolf. Don’t forget to follow us on social media, @filmjoypodcast, or write to us at filmjoypodcast@gmail.com. And if you like our podcast, feel free to subscribe and leave us a review.
Programa conducido por Darío Lavia y Chucho Fernández, especial Licantropía. Acto I: "El lobisón" (Horacio Quiroga) 0:00:02 El mito de la licantropía 0:07:50 "El lobisón" (Horacio Quiroga) -conclusión- 0:13:23 Acto II: Saludos y recomendaciones 0:17:40 Columna de Eduardo Manola 0:21:38 Acto III: "El hombre lobo de Londres" (Juan-Jacobo Bajarlía) 0:28:02 "El lobo humano de Londres" de Stuart Walker 0:32:45 "El lobo humano" de George Waggner 0:34:57 Acto IV: "La marca del hombre lobo" Enrique López Eguiluz 0:43:43 Entrevista a Paul Naschy 0:48:34 Acto V: "Nazareno Cruz y el lobo" de Leonardo Favio 0:58:20 Acto VI: "Un hombre lobo americano" de John Landis 01:07:26 "Aullidos" de Joe Dante 1:11:54 "En compañía de lobos" de Neil Jordan 1:12:37 "El fantasmagórico hombre lobo" (Montague Summers) 1:13:49 Splatter House https://www.facebook.com/galeriasplatterhouse/ The Movie Scores http://themoviescores.com/ Niko Cortese Tattoo https://www.instagram.com/nikocortesetattoo/ Cineficción http://www.cinefania.com/cineficcion Fan Page de Cineficción https://www.facebook.com/revista.cineficcion/ Imdb https://www.imdb.com/title/tt12779960/reference
Monster Kid Radio has been tackling some 1970s monster movies lately, and since Derek misses the bonafide classics, it's time to howl at the moon with Stephen D. Sullivan as they discuss The Wolf Man (dir. George Waggner). One of the icons of classic Universal monsters, Lon Chaney's portrayal of Larry Talbot is affecting and effecting, and Steve and Derek just can't enough. Kenny's Look at Famous Monsters of Filmland shows us how that magazine covered The Wolf Man. Professor Frenzy has a Bedtime Story. Dr. Tongue takes us to the World of Monster Collectibles. And MORE. Voicemail: 503-479-5MKR (503-479-5657) Email: Monster Kid Radio on Twitch! - Monster Kid Radio on YouTube - Diecast Movie Review Podcast - - Orphaned Entertainment - The Uninvited at the Hollywood Theatre - The Joy Cinema - Professor Frenzy - Dr. Tongue's World of Monster Collectibles Dr. Tongue's I HAD THAT SHOPPE! - - Dr. Tongue's Personal Instagram - Artist Spotlight - The Art of Mad Monster Lady - Alter Ego #43 - Lord Blood-Rah's Nerve Wrackin' Theatre LIVE at the Landmark Cinemas! - Monster Hunter for Hire (Supernatural Solutions: The Marc Temple Casefiles - Volume 1) - Monster Kid Radio on TeePublic - Music Credit: OurMusicBox (Jay Man) Track Name: "Riding Waves" Music By: Jay Man @ https://ourmusicbox.com/ Official "OurMusicBox" YouTube Channel: http://www.youtube.com/c/ourmusicbox License for commercial use: Creative Commons Attribution 4.0 International (CC BY 4.0) https://creativecommons.org/licenses/... Music promoted by NCM Bill Watches Movies - The opening and closing song "" () appears by permission of - All original content of Monster Kid Radio by is licensed under a .
What do you do with a sequel-not-sequel? What happens when your deadicated hosts disagree on what makes a horror film? Take a listen to THE CLIMAX (1944) from director George Waggner & starring Boris Karloff in full technicolor! Susanna Foster, Turhan Bey, and Gale Sondergaard also star in this musical melodramatic....horror? Context setting 00:00; Synopsis 25:52; Discussion 39:10; Ranking 1:03:23
The Universal horror film that solidified werewolf myths and movies to come. It's 1941's THE WOLF MAN directed by George Waggner, written by Curt Siodmak, starring Lon Chaney Jr, Claude Rains, Ralph Bellamy, & Bela Lugosi. We review how the werewolf myth has developed and was solidified by THE WOLF MAN, the history and cultural context around Rromani people, the Nazi allegories in the film crafted by Siodmak, and the effect World War II had on this film. All this and more in this (wolf)packed episode! Context Setting 00:00; Synopsis 1:00:11; Discussion 1:12:25; Ranking 1:50:25
It's a surprise double feature from Scream Scene for Halloween! If that wasn't enough to entice you, your hosts cover MAN-MADE MONSTER (Waggner, 1941) featuring Lon Chaney Jr's horror film debut! George Waggner writes and directs this Universal Studios' horror starring returning icon Lionel Atwill. We had a trick earlier today with HORROR ISLAND, but here's a real treat! Context Setting 00:00; Synopsis 21:46; Discussion 31:06; Ranking 54:18
Trick or treat, it's Halloween! Universal Studios takes another swing at horror with 1941's HORROR ISLAND, starring Dick Foran, Peggy Moran, Leo Carrillo and Fuzzy Knight. Duelling singing cowboys and more characters you can count feature in this low-budget film directed by George Waggner. But do those ingredients add up to a horror-filled stew? Context setting 00:00; Synopsis 17:29; Discussion 31:47; Ranking 36:36
It’s October! For season five we’ve selected four horror films from four decades to honor Halloween. We begin with episode five: The Wolf Man (1941). Most of you are familiar... Read more »
Warner Bros. released Operation Pacific to theaters on January 27, 1951. George Waggner directs the western which stars John Wayne, Patricia Neal, and Ward Bond. The post Operation Pacific (1951) appeared first on Movie House Memories.
At first glance, Stanford Sherman's draft script of Pop Goes the Joker doesn't seem to vary much from the final. A few minor oversights of Sherman's were fixed (Oh, there are signs on the Batpoles?), and there were the usual cuts to lines to keep within the allotted time. But look a little deeper, and there are places where decisions by director George Waggner hurt or helped the arc, some interesting removed bits that we would've liked to see (and a stage direction we're glad wasn't taken literally!), and some subtle but important changes in how Baby Jane Towser was portrayed. Tim and Paul explore the development of this surprisingly good late season two episode. PLUS: A possible reason for why Stanley Ralph Ross "hated" Dr. Cassandra, the Garry Tallent version of the theme, and a heaping helping of your mail! "Pop Goes the Joker" PDF script "Pop Goes the Joker" thread on the '66 Batman message board "The Joker Goes to School" PDF script "The Joker Goes to School" thread on the '66 Batman message board
Welcome back to the Blank is the Killer podcast, hosted by Josh Baker! Join Josh as he talks about the horror movies he’s watching every day in October! This episode’s lineup: 1. The Wolf Man (1941) directed by George Waggner 2. 13 Ghosts (1960) directed by William Castle Bonus – Thirteen Ghosts (2001) directed by […] The post 5 – Original Werewolves, Captured Spirits, and Spooky Specials appeared first on Sticker Fridge Studios.
In this episode, Reed and Nathan discuss George Waggner's THE WOLF MAN.
Republic Pictures released The Fighting Kentuckian to theaters on January 13, 1972; grossing $7.5 million worldwide. George Waggner directed the film which starred John Wayne, Vera Ralston, and Philip Dorn. The post The Fighting Kentuckian (1949) appeared first on Movie House Memories.
In this 2nd part of our Universal Monster coverage we talk about The Wolf Man (1941) and The Creature from the Black Lagoon (1954).
So this was supposed to be about Dracula (1931), Frankenstein (1931), The Wolfman (1941), and The Creature from the Black Lagoon (1954) but the long standing curse on this episode hits again. You'll get the first 3 and the last 1 will come in a separate podcast.
Last weekend, Derek and Monster Kid Radio spent a few hours at Portland's Hollywood Theatre. This time of year, the Hollywood is packing in all kinds of movies appropriate for the Halloween season, and some of them are even Universal classics! Monster Kid Radio crashed the Hollywood for screenings of The Wolf Man (dir. George Waggner) and Dracula's Daughter (dir. Lambert Hillyer). After each movie, Derek was joined by Chris McMillan () for a debrief of their movie-watching experience. They also discuss upcoming Monster Kid Radio crashes (including the October 8 screening of Frankenstein's Daughter (dir. Richard E. Cunha) at ). Also featured in this episode: the next installment of this year's countdown-to-Halloween series, Lugosiween. Be sure to visit our complete website at .Voicemail: 503-479-5MKR (503-479-5657)Email: monsterkidradio@gmail.com (.mp3s of every episode of Monster Kid Radio is available for download at our barebones behind-the-scenes website at )Support Monster Kid Radio on Patreon - The Joy Cinema - Hollywood Theatre - Lugosiween, Part Two"Danse Macabre - Sad Part - no violin" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ All original content of Monster Kid Radio by is licensed under a . Monster Kid Radio is a registered service mark of Monster Kid Radio LLC.
Last month, Scott and Tracey Morris (the high high-muckety-mucks of and returning guests to Monster Kid Radio) went to the Artcraft Theater's Monster Mania event in Franklin, Indiana. The 2-day event featured 35mm print screenings of six classic Universal monster films, and most of these films were first time viewings for Scott and Tracey. In Part One of their Monster Mania debrief, they tell Derek about the Artcraft and the two movies they watched on Day One of the event - Dracula (dir. Tod Browning) and The Wolf Man (dir. George Waggner). Also in this week's episode, Derek reminds listeners how they can enter the drawing for the original sculpt of the Island of Terror silicates created and donated by previous Monster Kid Radio guest Tom Biegler. (And don't forget our 50-Review Challenge!) Voicemail: 503-479-5MKR Email: monsterkidradio@gmail.com The Historic Artcraft Theatre - The opening and closing song "Surf Mummies" (from the album Radioactive Kids) appears by permission of Radioactive Kids - All original content of Monster Kid Radio by is licensed under a . Monster Kid Radio is a registered service mark of Monster Kid Radio.