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2 episodes with Lady Eve
4 episodes with Lady Eve
2 episodes with Lady Eve
2 episodes with Lady Eve
2 episodes with Lady Eve
2 episodes with Lady Eve
2 episodes with Lady Eve
2 episodes with Lady Eve
2 episodes with Lady Eve
David discusses the movies he's been watching lately, including The Seed of the Sacred Fig, All About Lily Chou-Chou, Dune: Part Two, Flowing Gold, The Lady Eve, Strangers on a Train, The Clock, The Light at the Edge of the World, Dodsworth, Manoeuvre, Il Grido, Every Which Way but Loose and Nickel Boys.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Discover the secrets behind turning lackluster sales pitches into engaging, trust-building conversations with our guest, Bob King. A seasoned sales expert and filmmaker, Bob unveils the art of genuine salesmanship in our latest episode, drawing insights from his book, "The Joy of Closing." Learn how his unique journey from the film industry to the world of sales has equipped him with the skills to transform business engagements, master the art of closing, and create meaningful customer experiences.We promise you'll gain a fresh perspective on sales, inspired by the compelling narratives of con artist movies like "The Lady Eve" and "The Sting." Bob shares how these films fueled his curiosity about persuasion and shaped his ethical approach to sales. As we dissect the psychological elements driving purchasing decisions, Bob emphasizes the power of building trust, the necessity of connecting with one's intrinsic motivation, and aligning sales strategies with a company's core values. He also discusses the often-overlooked art of closing, reminding us of its pivotal role in creating change and adding value.Engage with Bob's practical advice on crafting emotionally resonant sales pitches that captivate and commit customers. From navigating the pitfalls of competing solely on price to understanding the importance of self-belief and integrity in sales, Bob's insights are invaluable. Whether you're looking to refine your sales techniques, enhance customer satisfaction, or simply appreciate the intersection of storytelling and salesmanship, this episode is a treasure trove of wisdom and inspiration. Tune in, and take your sales game to a new level of mastery.Join the What if it Did Work movement on FacebookGet the Book!www.omarmedrano.comwww.calendly.com/omarmedrano/15min
This time we discussed Lady Eve's Last Con, written by Rebecca Fraimow and narrated by Tamika Katon-Donegal. Lady Eve's Last Con [Libro.fm] / [Overdrive/Libby] / [Audible] The Iron Children [Libro.fm] / [Overdrive/Libby] / [Audible] Discussions from Readercon 33 [Episode 266] The Expanse (Series): Leviathan Wakes [Libro.fm] / [Overdrive/Libby] / [Audible] The Vorkosigan Saga (Series) [Overdrive/Libby] / [Libro.fm] / [Audible] The Investigations of Mossa and Pleiti (Series): The Mimicking of Known Successes [Libro.fm] / [OverDrive/Libby] / [Audible] The Universe of Xuya (Series): Seven of Infinities [Libro.fm] / [Overdrive/Libby] / [Audible]
Welcome to It's A Wonderful Podcast! We're focussed on a very specific output for September on the main show as Morgan and Jeannine take a look at the varying degrees of romance in Old Hollywood in 1941! The grand finale of the series comes in perfect fashion as we end where we began, with Preston Sturges, with the purest rom-com of the whole series; the completely crazy THE LADY EVE (1941) starring Barbara Stanwyck & Henry Fonda! Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & More https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow The It's A Wonderful Podcast Theme by David B. Music. Donate: https://www.buymeacoffee.com/ItsAWonderful1 Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST STORE: https://its-a-wonderful-podcast.creator-spring.com/ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on (X) Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean_ Keep being wonderful!! --- Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support
EPISODE 48 - “STEVE & NAN'S FAVORITE CLASSIC FILMS OF THE 1940s ” - 08/12/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** The 1940s was a phenomenal times for movies. Auteurs like ALFRED HITCHCOCK, GEORGE STEVENS, WILIAM WYLER, and BILLY WILDER were coming into their own with important and personal films that changes the landscape of cinemas. Also, stars like BETTE DAVIS, KATHARINE HEPBURN, CARY GRANT, and HENRY FONDA were defining the screen roles that would make them legends. This week, Nan and Steve will discuss and dissent a few of their very favorite films of the most golden of all decades in film. SHOW NOTES: Sources: Preston Sturges By Preston Sturges: His Life in His Words (1991), by Preston Sturges and Sandy Sturges; George Cukor: A Double Life (2013), by Patrick McGilligan; Raoul Walsh: The True Adventures of Hollywood's Legendary Director (2013), by Marilyn Ann Moss; Robert Rossen: The Films and Politics of a Blacklisted Idealist (2013), by Alan Casty; Michael Curtiz: A Life In Film (2021), by Alan K. Rode; Possessed: The Life of Joan Crawford (2010), by Donald Spoto; George Stevens: The Films of a Hollywood Giant (2019), by Neil Sinyard; Wild Bill Wellman: Hollywood Rebel (2015), by Wiliam Wellman, Jr; Stanwyck (1994), by Axel Madsen; Fonda: My Life (1981), by Henry Fonda; Ingrid Bergman: My Story (1980), by Ingrid Bergman and Alan Burgess; Cary Grant: A Brilliant Disguise (2020), by Scott Eyman; Ida Lupino: A Biography (1996), by William Donati; TCM.com; IMDBPro.com; Wikipedia.com; Movies Mentioned: Christmas In July (1940), starring Dick Powell, Ellen Drew, William Demarest, Raymond Walburn, Jimmy Conlin, Rod Cameron, and Franklin Pangborn; Penny Serenade (1941), starring Cary Grant, Irene Dunne, Beulah Bondi, and Edgar Buchanan; The Lady Eve (1941), starring Barbara Stanwyck, Henry Fonda, Charles Coburn, William Demarest, and Eugene Pallette; High Sierra (1941), starring Humphrey Bogart, Ida Lupino, Joan Leslie, Cornel Wilde, Arthur Kennedy, Henry Travers, and Alan Curtis; The Ox-Bow Incident (1943), starring Henry Fonda, Dana Andrews, Harry Morgan, Mary Beth Hughes, Anthony Quinn, Jane Darwell, William Eythe, and Harry Davenport; Gaslight (1944), starring Ingrid Bergman, Charles Boyer, Joseph Cotten, Angela Landbury, and Dame May Witty; Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, Zachary Scott, Jack Carson, eve Arden, and Bruce Bennett; All The Kings Men (1949), starring Broderick Crawford, John Ireland, Joanne Dry, Anne Seymour, and John Derek; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues Aya de Leon in conversation with host Richard Wolinsky. Aya de Leon is the Poet Laureate of the City of Berkeley. She is a novelist and poet who currently teaches creative writing at U.C. Berkeley. She is the author of ten books, the most recent of which are the adult novel, “That Dangerous Energy,” and the young adult novel, “Untraceable.” Originally a hip hop artist, Aya de Leon is also a noted local activist, and the acquiring editor of Fighting Chance Books, the climate justice fiction imprint of She Writes Press. She organizes with the Black Hive, the climate and environmental justice formation of the Movement for Black Lives. Stuart Klawans, author of “Crooked but Never Common: The Films of Preston Sturges,” in conversation with host Richard Wolinsky. Stuart Klawans was film critic for the Nation from 1988 to 2021, and before that wrote a small press and poetry column for the magazine. His previous books were Film Follies: The Cinema Out of Order, and a collection of his reviews and essays from 1988 to 2001, Left in the Dark. Preston Sturges was the first in the Hollywood sound era to write and direct his own films, creating a series of movies, from The Great McGinty in 1940, through The Lady Eve, Sullivan's Travels, The Miracle of Morgan's Creek and other classics to Unfaithfully Yours in 1948, that still resonate today. All the films mentioned in the interview are available streaming either for rental via Amazon or Apple, or in the case of Unfaithfully Yours, The Sin of Harold Diddlebock and The Great Moment, free on YouTube. Complete 52-minute interview. Review of “Evita” at San Francisco Playhouse through September 7, 2024. Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. B ook Stores Bay Area Book Festival See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage. Monthly Calendar. Mix of on-line and in-store events. Books Inc. Mix of on-line and in-store events. The Booksmith. Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC). Calendar of upcoming readings. African American Art & Culture Complex. See website for calendar. Alter Theatre. See website for upcoming productions. American Conservatory Theatre Carrie, The Musical, The Reuff at The Strand, August 1-11. Noel Coward's Private Lives, September 12 – October 6, Toni Rembe Theatre. Aurora Theatre The Lifespan of a Fact by Jeremy Kareken & David Murrell and Gordon Farrell, June 21-July 21. Streaming: July 16-21. Awesome Theatre Company. Por La Noche (By Night), October 11 – 26, 2024. See website for information. Berkeley Rep. Mother Road by Octavio Solis, June 14-July 21, Peets Theatre. The Best of the Second City, July 16-29, Roda Theatre. Berkeley Shakespeare Company. See website for upcoming shows. Boxcar Theatre. New Years Eve at the Speakeasy, Jan. 1, 2025. Magic Man, Jan 3 – June 2, Palace Theatre. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Mrs. Doubtfire, July 2-28. Girl from the North Country, July 30-Aug 18, Golden Gate. See website for events at the Orpheum, Curran and Golden Gate. Broadway San Jose: Disney's Frozen, August 21 – September 1. California Shakespeare Theatre (Cal Shakes). As You Like it, September 12 – 29. Center Rep: Arsenic and Old Lace by Joseph Kesselring September 8 -29. Lesher Center for the Arts. Central Works Accused by Patricia Milton, July 13 – August 11. Cinnabar Theatre. See website for upcoming productions.. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre In Repertory: Hamlet and Rosencranz and Gildenstern Are Dead, September 7 – 22. Curran Theater: See website for special events.. Custom Made Theatre. In hibernation. Cutting Ball Theatre. See website for upcoming shows. 42nd Street Moon. Bright Star postponed. Golden Thread 11 Reflections: San Francisco, October 4-5 Brava Theatre Center. See website for other events. Hillbarn Theatre: Always…Patsy Cline, August 22 – September 15. Lorraine Hansberry Theatre. See website for upcoming productions. Lower Bottom Playaz See website for upcoming productions. Magic Theatre. Magic Gala, August 8, 2024. Richard II by William Shakespeare, August 21 – September 8. See website for other events. Marin Theatre Company Yaga by by Kurt Sondler, October 10 – November 3, 2024. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Ride the Cyclone by Jacob Richmond & Brooke Maxwell, September 20 – October 20. Oakland Theater Project. Angels in America, Parts I & II, September 27 – October 26, Odd Salon: Upcoming events in San Francisco & New York, and streaming. Pear Theater. Chaplin and Keaton on the Set of Limelight by Greg Lam, June 28 – July 21, 2024. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Legally Blonde, September 7-29, 2024, Victoria Theatre. See website for Spotlight Cabaret Series at Feinstein's at the Nikko (It's Britney, Bitch, July 24). San Francisco Playhouse. Evita, June 27-September 7. 2024. SFBATCO. See website for upcoming streaming and in- theater shows. San Jose Stage Company: See website for upcoming schedule. Shotgun Players. Collective Rage by Jen Silverman. July 20 – August 18. South Bay Musical Theatre: No, No Nanette, Sept 28 – Oct. 19. Saratoga Civic Theater. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico See website for upcoming productions. Theatre Rhino Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. King James by Rajiv Joseph, October 9 – November 3, 2024. Word for Word. See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org The post July 18, 2024: Aya de Leon – Stuart Klawans appeared first on KPFA.
UW-Madison PHD Candidate Lance St. Laurent joins us to discuss THAT UNCERTAIN FEELING, as well as some comedic theory. We discuss our mutual admiration for elements of this relatively minor divorce-and-remarriage-style comedy, Lubitsch's attempts to tackle psychoanalysis and modern art, and the film's production origins. Additionally, we go deep on comic theory: relief, superiority, and incongruity all have their day, and we discuss the ways in which comedy involves collaboration between an artist and their audience. Lastly, we apply all this to the Tom Green masterpiece FREDDY GOT FINGERED, because that's germane. We have a Discord! Listen on: Apple Podcasts | Spotify NEXT WEEK: Tim Brayton returns to discuss Preston Sturges and THE LADY EVE. For information as to where to find this film, check out our resources page. WORKS CITED: Humour: A Short Introduction by Noel Carroll
Recorded on Saturday, May 11, 2024 we talk about the weather. Whether or not Chinese companies should be allowed to operate in the US. Vaccinations the Flight of the Conchords Christine Chubbuck, the movies Saturday Night Kid. and The Lady Eve. and more.
This Preston Sturges comedy has received high praise from cinephiles for decades, but Sara was less than impressed with this one.*Spoilers Ahead* The Lady Eve (1941) - IMDb Barbara Stanwyck - Turner Classic Movies (tcm.com) Henry Fonda - Turner Classic Movies (tcm.com) The difference between beer and ale | BrewDog UK Theme Music: Happy Way to Start the Day By Pressmaster – license purchased on AudioJungle
1941's outrageous screwball romantic comedy, The Lady Eve brought together three of Hollywood's most dynamic and unstoppable forces: Barbara Stanwyck, in her peak year with five starring roles, including also Ball of Fire (Oscar nominated for Best Actress), and Meet John Doe; Henry Fonda, hot off his award-winning turns in Grapes of Wrath and Young Mr. Lincoln; and perhaps riding highest of all, Preston Sturges, who was in the middle of a run of seven giant hits as writer/director in the space of only three years – a feat that remains unequaled in Hollywood even to this day. Sturges was so hot that he became the 3rd-highest-paid employee in the world, and yet when the streak ended in 1944, his career crashed like no other. What remarkable ingredients fueled his artistic rise and fall? Why is his name only occasionally recalled when the likes of Orson Welles, Peter Bogdanovich, John Lasseter, Wes Anderson, and the Coen Brothers point to his enormous influence? And why are these cheeky, offbeat, incredibly witty films that delight critics and audiences so unfamiliar to Millennials? Can a Preston Sturges classic still resonate in today's culture? Find out in this episode of Film Generations. Hosts: Mark Netter & David Tausik Panelists: Jake Flowers, Kylee LaRue & Olive Goldberg An ElectraCast Production NY Times' Best Film of 1941 Top 100 lists: #28 AFI Greatest Romances, #55 AFI Greatest Comedies, #52 WGA Greatest Screenplays, #59 Entertainment Weekly Greatest Films Ever IMDb: https://www.imdb.com/title/tt0033804/?ref_=fn_al_tt_1 Wikipedia: https://en.wikipedia.org/wiki/The_Lady_Eve Learn more about your ad choices. Visit megaphone.fm/adchoices
The early '40s was a hugely successful time for director Howard Hawks and his Ball Of Fire stars, Barbara Stanwyck & Gary Cooper. This isn't their crowning achievement (partly because it just isn't as funny as other comedies each of them made), but it's fun and the love story is certainly enjoyable. Hawks was talented enough to excel at making movies in nearly every genre, but he was always in his element when it came to the laughs. Cooper's typical stiffness works well for this nerdy grammarian too. The great Stanwyck though is a little inconsistent as the title character, who uses Cooper and his friends before falling for him (and for them). The inconsistency might be a script problem more than something Babs is failing to do. But while she was more suited to play a lying schemer in The Lady Eve that same year, she DOES help make this rom-com parable about the 7 dwarfs a screwball time at the movies. Ryan's going solo again in this 552nd yapfest of Have You Ever Seen, kids, so get ready to learn lots of details about a screwball comedy that has remained popular for over 80 years. Sparkplug Coffee, kids! They sponsor us. They'll give you a 20% discount off your next order just by using our "HYES" promo code. Go to "sparkplug.coffee/hyes". As for how to get in touch with us, there's email (haveyoueverseenpodcast@gmail.com). You can tweet-ex too (@moviefiend51 and @bevellisellis). You can also comment on our YouTube page (@hyesellis) because we post all of our podcasts there. Rate, review, like, share, subscribe and all those things to help us get the word out there about our classic-movies chat show.
Ep 311: Allison loses her phone in Koreatown and UAW and SAG strike updates. Allison recs Blink 182's new album One More Time, Anatomy of a Fall, lukewarm recs The Holdovers, and anti-recs Five Night at Freddy's, and Allison and Meredith rec: When Evil Lurks, and Hell House LLC Origins: The Carmichael Manor, and Meredith recs The Lady Eve (1941)
An aristocrat in an eye patch, a jazz saxophonist, a crime novelist and a pioneering organic farmer. Lady Eve Balfour was born in 1898 into the political elite - her uncle was A J Balfour, who was Prime Minister from 1902-05. But from the age of 12 she wanted to be a farmer and, after studying at agricultural college, made her dream a reality. She started experimenting with organic farming, and eventually published a book called The Living Soil, which lead to her founding the organic farming body, the Soil Association. Seen as somewhat of a crank, she faced opposition from fellow farmers and politicians alike. Meanwhile, her personal life was as fascinating as her agricultural life. She lived in a run-down farmhouse with her female partner, played saxophone in a jazz band and co-authored a series of best-selling crime novels. Presenter, Matthew Parris, is joined by former Director of the Soil Association, Patrick Holden, and Sarah Langford, a farmer and author who claims a "borderline obsession" with Lady Eve. Produced for BBC Audio in Bristol by Heather Simons
Today's slow drag is with “White Knuckles” from “Trust,” released in 1981. The songwriting is credited to Elvis Costello. . . . Show Notes: Appreciation written, produced, and narrated by Remedy Robinson, MA/MFA Instagram: https://www.instagram.com/slow_drag_remedy/ Bluesky Social: https://bsky.app/profile/indoorfirewords.bsky.social Email: slowdragwithremedy@gmail.com Podcast music by https://www.fesliyanstudios.com Rate this Podcast: https://ratethispodcast.com/slowdrag References: Elvis Costello Wiki Resource, “White Knuckles” https://www.elviscostello.info/wiki/index.php?title=White_Knuckles “White Knuckles” https://www.youtube.com/watch?v=gbZ6TkpflKc Elvis Costello Wiki Resource, “Wave a White Flag” https://www.elviscostello.info/wiki/index.php?title=Wave_A_White_Flag “Wave a White Flag” https://www.youtube.com/watch?v=oJwALX5riiU “I need him like the axe needs the turkey” saying from “The Lady Eve.” https://melanienovak.com/2020/09/02/the-lady-eve-i-need-him-like-the-axe-needs-the-turkey/ Purchase “The Most Terrible Time in My Life…Ends Thursday” Listen to the audiobook for free at: https://www.youtube.com/watch?v=Kq7n1pN8D1Y "White Knuckles" Lyrics: White knuckles came down to put the frighteners on I believe she's the one that he's got his heart set on It doesn't matter if your face doesn't fit There's no charge for changing it Oooh ooh What are you doing You see right through him You don't have to take it when he gets cruel White knuckles on black and blue skin You don't have to take it so you just give in White knuckles sweatin' on the headboard Never found out what the kisser was for Losing face with the boys while she's whispering in his ear They never found out why they called it laughing gear Maybe they weren't loved when they were young Maybe they should be hung by their tongues Oooh ooh Under the blankets with the body jerk He needs her like the axe needs the turkey Thinking of après of this fancy footwork White knuckles on black and blue skin Didn't mean to hit her but she kept laughing White knuckles sweatin' on the headboard Never found out what the kisser was for There's always someone new to toy with when the penny drops in the slot Now it's a petty crime on the news at nine But it's all she's got Love on the never never dreams don't come cheap I don't close my eyes when I go to sleep Oooh ooh It gets right under your skin It makes you as miserable as sin You don't have to take it so you just give in White knuckles on black and blue skin Didn't mean to hit her but she kept laughing White knuckles sweatin' on the headboard Never found out what the kisser was for White knuckles on black and blue skin You don't have to take it so you just give in White knuckles sweatin' on the headboard Never found out what the kisser was for Why you don't come round anymore Mother said He's using you Sister said I told you so too When he goes to your head You took it to be true
David Thomson chats to Paul Burke about the completion of his fictional trilogy - SUSPECTS (film noir), SILVER LIGHT (Westerns) & CONNECTICUT (screwball comedy). We also chat the American dream, actors, how fiction sheds light on life and vice versa.SUSPECTS: Noah Cross, Norma Desmond, Norman Bates, Harry Lime - short biographies of some of the most famous characters in the history of film noir. Thomson sketches in whole lives, lives as intense as the dreams put up on the screen. Then these characters start to meet each other outside the films as if they were real people with real needs and passions. The book is becoming a novel. The names and faces are familiar to us. All these disparate characters come together to form a kind of society. SILVER LIGHT: From 1865 to 1950, the American West, its rich, colourful characters, and its many faces - historical, mythic, and cinematic - are captured in the story of a reclusive, elderly photographer and her friend, a writer of Western comic books. Two characters dominate the novel's foreground: a Georgia O'Keeffe-like figure, photographer Susan Garth, shrewd, cantankerous, reclusive, and still self-reliant at 80, and her longtime friend Bark Blaylock, a western writer/filmmaker who may be Wyatt Earp's son. Silver Light artfully juxtaposes the brimming frontier of legend against a construct of the West as a constricted wilderness of the soul.CONNECTICUT: an enchanting yet haunting celebration of screwball romantic comedies. Now a trilogy is completed with Connecticut. Why Connecticut? Because that lovely, liberal state has been set aside as the resting place for every disturbed person in the nation! At first, this seems like an opportunity for meeting up with the merry ghosts of Cary Grant, Katharine Hepburn, Carole Lombard, William Powell and Margaret Sullavan. We get glimpses of Bringing Up Baby, My Man Godfrey and The Lady Eve. But then the wild comedy darkens as we realize that Connecticut itself is on the edge of a demented and cruel war that challenges all its inmates to keep seeing the comic side of mishap and madness.The trilogy is revealed not just as a set of dazzling stories. But a commentary on how far we have all been steered towards delightful but dangerous fantasies by the movies. Aren't we all screwball now? Is Connecticut safe to visit?Recommendations: Chinatown, The Killing, In A Lonely Place, Citizen Kane, Double Indemnity, Red River, The Searchers, Bringing Up Baby, Sullivan's Travels, My Man Godfrey, The Lady Eve. Paul Burke writes for Crime Time, Crime Fiction Lover and the European Literature Network. He is also a CWA Historical Dagger Judge 2023.Produced by Junkyard DogMusic courtesy of Southgate and LeighCrime TimeCrime Time FM is the official podcast ofGwyl Crime Cymru Festival 2023CrimeFest 2023&CWA Daggers 2023
The Summer of Sturges continues with a movie that’s not in a class with The Lady Eve. But we still need to talk about it. World-renown conductor Rex Harrison suspects his much younger wife (Linda Darnell) of cheating on him, and he dreams up three different ways to punish her for it. Shelly Brisbin with Erika Ensign, David J. Loehr and Randy Dotinga.
The Summer of Sturges continues with a movie that’s not in a class with The Lady Eve. But we still need to talk about it. World-renown conductor Rex Harrison suspects his much younger wife (Linda Darnell) of cheating on him, and he dreams up three different ways to punish her for it. Shelly Brisbin with Erika Ensign, David J. Loehr and Randy Dotinga.
Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues Two from Berkeley Art Museum Pacific Film Archive Preston Sturges A scene from “The Miracle at Morgan's Creek.” Stuart Klawans, author of “Crooked but Never Common: The Films of Preston Sturges,” in conversation with host Richard Wolinsky. Stuart Klawans was film critic for the Nation from 1988 to 2021, and before that wrote a small press and poetry column for the magazine. His previous books were Film Follies: The Cinema Out of Order, and a collection of his reviews and essays from 1988 to 2001, Left in the Dark. Preston Sturges was the first in the Hollywood sound era to write and direct his own films, creating a series of movies, from The Great McGinty in 1940, through The Lady Eve, Sullivan's Travels, The Miracle of Morgan's Creek and other classics to Unfaithfully Yours in 1948, that still resonate today. A retrospective of the films of Preston Sturges runs at Pacific Film Archive July 27th through August 26th, and Stuart Klawans will be on hand to introduce The Great McGinty on July 27th, The Lady Eve on July 29th and The Miracle of Morgan's Creek on July 30th. You can find out more at bampfa.org. All the films mentioned in the interview are available streaming either for rental via Amazon or Apple, or in the case of Unfaithfully Yours, The Sin of Harold Diddlebock and The Great Moment, free on YouTube. Recorded via Zencastr July 6, 2023. Complete 52-minute interview. Luis Bunuel A scene from “The Discreet Charm of the Bourgeoisie.” Kate MacKay, Associate Film Curator at Berkeley Art Museum Pacific Film Archive, discusses a retrospective of the films of the great Spanish director Luis Bunuel playing through November 19, 2023, with host Richard Wolinsky. Luis Bunuel began his career working with Salvador Dali on the film “Un Chien Andalou,” a masterpiece of the Surrealist movement. After working on another film with Dali, “L'Age d'Or,” and creating a documentary known today as “Las Hurdes” (Land Without Bread), he spent nearly two decades in the Mexican film industry before coming to Hollywood first, and then working with European producers to create masterwork after masterwork, from Viridiana to Belle du Jour to Tristana, The Exterminating Angel, TheDiscreet Charm of the Bourgeoisie through to The Phantom of Liberty and That Obscure Object of Desire. The retrospective contains all the later films plus several rarely seen films from his Mexican period. All photos courtesy Berkeley Art Museum Pacific Film Archive. Pacific Film Archive film series listing. Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival Event calendar and links to previous events. Book Passage. Monthly Calendar. Mix of on-line and in-store events. Books Inc. Mix of on-line and in-store events. The Booksmith. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC). See website for past streams. Alter Theatre. See website for upcoming productions. Actor's Reading Collective (ARC). See website for past streams. Alter Theatre. See website for upcoming productions. American Conservatory Theatre The Hippest Trip: The Soul Train Musical, August 25 – October 1, 2023. Aurora Theatre Hurricane Diane by Madeleine George, June 16 – July 16. Streaming July 12 -16. Awesome Theatre Company. Check website for upcoming live shows and streaming. Berkeley Rep Out of Character, written and performed by Arfel Stachel, June 23 – July 30, Peets Theatre. Boxcar Theatre. See website for calendar listings. Brava Theatre Center: See website for events. BroadwaySF: Les Miserables, July 6 – 23, Orpheum. Tina: The Tina Turner Musical, August 1-27, 2023, Golden Gate. Broadway San Jose: Beetlejuice, August 1 – 6. California Shakespeare Theatre (Cal Shakes). No 2023 season scheduled. See website for events calendar. Center Rep: Crowns by Regina Taylor, September 9 – October 6, 2023. Central Works The Dignity Circle a new scheme by Lauren Smerkanich June 24 – July 23. Cinnabar Theatre. The Sound of Music, September 8 -24. Contra Costa Civic Theatre 2023-2024 season: Sondheim on Sondheim; Tintypes. Curran Theater: See website for upcoming events and streaming interview. Custom Made Theatre. Tiny Fires by Aimee Suzara, postponed to a later date in 2023. Cutting Ball Theatre. See website for upcoming season. 42nd Street Moon. See website for upcoming shows. Golden Thread New Threads staged reading series, August 20 and August 27. Landmark Musical Theater. My Unauthorized Hallmark Movie Musical, July 6 – July 30. Lorraine Hansberry Theatre. In The Evening By The Moonlight by Traci Tolmaire, co-created and directed by Margo Hall, June 15 – July 9, Young Performers Theatre, Fort Mason, San Francisco. Magic Theatre. Josephine's Feast by Star Finch, August 2 – 20, Campo Santo at the Magic. See website for other events at the Magic. Marin Theatre Company Odyssey written and directed by Lisa Peterson, August 31 – September 24. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Drag Queen Storytime Gone Wild starring the Kinsey Sicks, July 5 -16. Oakland Theater Project. Gary, a sequel to Titus Andronicus by Gaylor Mac, September 1 – 24. Pear Theater. Falsettos, June 30 – July 23. PianoFight. Permanently closed as of March 18, 2023. Presidio Theatre. See website for upcoming productions Ray of Light: Spring Awakening, streaming through July 30. Cruel Intentions: The '90s Musical, September 8 – October 1, Victoria Theatre. The Rocky Horror Show, Oasis Nightclub, October 6 – 31. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse. A Chorus Line runs through September 16, 2023. SFBATCO See website for upcoming streaming and in- theater shows. San Jose Stage Company:Sex with Strangers by Laura Eason, October 12 – 30. Shotgun Players. Summer Salon: Various artists, July 23 – August 19. Wolf Play by Hansol Jung, Performances start September 2, 2023. South Bay Musical Theatre: Rent, September 30 – October 21. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand, New performances most Wednesdays. TheatreWorks Silicon Valley. New Works Festival, August 11 – 20, Lucie Stern Theatre, Palo Alto. Word for Word. See schedule for live and streamed performances and readings. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org The post Bookwaves/Artwaves – July 13, 2023: Stuart Klawans – Kate MacKay appeared first on KPFA.
Stuart Klawans, author of “Crooked but Never Common: The Films of Preston Sturges,” in conversation with host Richard Wolinsky. Stuart Klawans was film critic for the Nation from 1988 to 2021, and before that wrote a small press and poetry column for the magazine. His previous books were Film Follies: The Cinema Out of Order, and a collection of his reviews and essays from 1988 to 2001, Left in the Dark. Preston Sturges was the first in the Hollywood sound era to write and direct his own films, creating a series of movies, from The Great McGinty in 1940, through The Lady Eve, Sullivan's Travels, The Miracle of Morgan's Creek and other classics to Unfaithfully Yours in 1948, that still resonate today. A retrospective of the films of Preston Sturges runs at Pacific Film Archive July 27th through August 26th, and Stuart Klawans will be on hand to introduce The Great McGinty on July 27th, The Lady Eve on July 29th and The Miracle of Morgan's Creek on July 30th. You can find out more at bampfa.org. All the films mentioned in the interview are available streaming either for rental via Amazon or Apple, or in the case of Unfaithfully Yours, The Sin of Harold Diddlebock and The Great Moment, free on YouTube. NOTE: There were two Preston Sturges films released after Unfaithfully Yours, which Stuart Klawans notes in his book, They are The Beautiful Blonde from Bashful Bend and a French co-production, released as The French They Are A Funny Race. The first has little to recommend it, and the latter is a bastardized version of what might have been a better film. Photos courtesy BAM/PFA. Radio Wolinsky page photo from The Lady Eve. Special thanks to AJ Fox and Kate MacKay. Recorded via Zencastr July 6, 2023. The post Stuart Klawans, “Crooked, but Never Common: The Films of Preston Sturges,” 2023 appeared first on KPFA.
The movie: The Lady Eve (1941) Ian and Joshua watch Barbara Stanwyck con a naive and rich Henry Fonda. It's the ride of his life, but who's grifting who? Did Henry learn a thing or two while spending a year up the Amazon? Or is it all just a bunch of card tricks?
In his book From Hollywood with Love: The Rise and Fall (and Rise Again) of the Romantic Comedy, Scott Meslow lays out two ways to tell if a given movie is a rom-com. First, his own definition: “A romantic comedy is a movie where (1) the central plot is focused on at least one romantic love story; and (2) the goal is to make you laugh at least as much as the goal is to make you cry.” And then, The Donald Petrie Test, named for the director of some rom-coms, like Mystic Pizza and How to Lose a Guy in 10 Days, but also some edge cases, like Miss Congeniality and Grumpy Old Men: “If you removed the love story from this [comedy], would you still have a movie? If the answer is no, it's a romantic comedy. […] If the answer is yes, it's a comedy with a romantic subplot.” So those are the litmus tests. Now, does that make Broadcast News a rom-com, or no? What about Annie Hall? Or something like Grosse Pointe Blank? How about His Girl Friday? Or even, actually, Love Actually? The Nose is off this week. In its stead, a Not Necessarily The Nose-style deconstruction — and celebration — of the romantic comedy. Some favorite rom-coms from some of the people on this show: Illeana DouglasTheodora Goes Wild (1936)Bringing Up Baby (1938)Ninotchka (1939)Too Many Husbands (1940)The More the Merrier (1943)Christmas in Connecticut (1945)Cluny Brown (1946)Pillow Talk (1959)The Apartment (1960)What's Up, Doc? (1972)Foul Play (1978)Arthur (1981) David EdelsteinTrouble in Paradise (1932)The Awful Truth (1937)Ninotchka (1939)Midnight (1939)The Lady Eve (1941)His Girl Friday (1940)The Philadelphia Story (1940)The Shop Around the Corner (1940)Cluny Brown (1946) Scott Meslow's five recommended under-seen rom-coms from the past decade Populaire (2012)A zippy, ultra-stylish French rom-com about the romance between a dapper boss and his secretary, set amid the long-forgotten craze for competitive speed typing. Sleeping with Other People (2015)Alison Brie and Jason Sudeikis are at the peak of their charms in this witty rom-com about two friends who reunite years after losing their virginities to each other — the rare rom-com to get the balance of raunchy and sweet just right. Man Up (2015)Ignore the lame title — this rom-com, in which Lake Bell plays an unlucky-in-love woman who pretends to be a man's blind date, is pure, fizzy fun (and is also the only rom-com I've seen to borrow a plot point from The Silence of the Lambs). Destination Wedding (2018)Other critics weren't as high on this extremely stripped down rom-com, in which Winona Ryder and Keanu Reeves snark their way through a wedding they'd both prefer not to be attending — but in a genre in which so many characters have “negative” qualities that are actually just adorable, I appreciated this movie's deliberately sour tone. Plus One (2019)A delightfully unapologetic throwback to the genre's '90s heyday, but with a modern touch, as two platonic friends (Jack Quaid and Maya Erskine) agree to be each other's plus-ones for a packed wedding season before realizing they may actually have a spark after all. Colin's 5 (or 6) favorite rom-coms Heaven Can Wait (1978)I realize this is assailable on the basis of Julie Christie not being an especially memorable character and getting less screen time than, say, Jack Warden. Warren Beatty is so vain, he probably thinks this movie is about him, and he's sort of right. But it is very nearly perfect and enriched by an amazing ensemble of supporting players. Silver Linings Playbook (2012)I surprised myself by ranking SLP this high, but I love the frank and funny handling of mental illness and its indistinguishability from being an Eagles fan. I've seen it quite a few times, and I invariably cry at the end. I love what J-Law does with her part, and Chris Tucker and John Ortiz are standouts among the fine supporting cast. Shout out to Kevin Lowry for his work as dolly grip on the “A” camera. The Lady Eve (1941) / Intolerable Cruelty (2003)These are both “rom-cons” involving grifts by a femme fatale who is usually a few steps ahead of the male lead. Barbara Stanwyck actually generates more sexual heat than the smoldering Catherine Zeta-Jones. She was still doing that 42 years later, hitting on a rain-streaked, bare-chested priest played by Richard Chamberlain in The Thorn Birds. But I do love Intolerable Cruelty. I think it's the only Coen brothers rom-com and definitely an homage to the '30s and '40s. Say Anything (1989)I loved John Cusack during this period. A few years later, I was seeing a psychotherapist who looked exactly like him. It was distracting. I've learned that Cusack didn't really see himself as a rom-com person and even pushed back against the iconic boombox scene. That has something to do with why this movie works so well. Bringing Up Baby (1938)Grant. Hepburn. Two leopards. Thirty pounds of sirloin. What's not to love? Some other stuff that happened this week, give or take: And Now Let's Review … A.O. Scott conducts his own exit interview as he moves to a new post after more than two decades of reviewing films. What if ‘The Daily Show' Used Guest Hosts Permanently? Fill-ins for Trevor Noah have shown how exciting the lack of a permanent replacement could be. It's an option with an illustrious history in television. David Letterman's Retirement Beard Just Keeps Getting Better And more from the week in celebrity grooming. The Oscars Aren't Where Steven Spielberg's The Fabelmans And West Side Story Needed To Win Apple to Spend $1 Billion a Year on Films to Break Into Cinemas Paramount Sets Remake Of Hitchcock's ‘Vertigo' As Potential Robert Downey Jr-Starrer; Steven Knight To Write Script & Davis Entertainment To Produce With Team Downey The Movies Of The DCEU, Ranked The Rise of Gender-Neutral Names Isn't What It Seems The desire of parents to be truly original has had a perhaps unintended effect. GUESTS: Illeana Douglas: The Official Movie Star of The Colin McEnroe Show David Edelstein: America's Greatest Living Film Critic Scott Meslow: Author of From Hollywood with Love: The Rise and Fall (and Rise Again) of the Romantic Comedy The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Stitcher, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe and Cat Pastor contributed to this show, which originally aired August 24, 2022.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.
In this episode I had a discussion with author Stuart Klawans regarding his latest book "Crooked, but Never Common: The Films of Preston Sturges". In a burst of creativity unmatched in Hollywood history, Preston Sturges directed a string of all-time classic comedies from 1939 through 1948―The Great McGinty, The Lady Eve, Sullivan's Travels, The Palm Beach Story, and The Miracle of Morgan's Creek among them―all from screenplays he alone had written.Doug Hess is the host!
In a burst of creativity unmatched in Hollywood history, Preston Sturges directed a string of all-time classic comedies from 1939 through 1948―The Great McGinty, The Lady Eve, Sullivan's Travels, The Palm Beach Story, and The Miracle of Morgan's Creek among them―all from screenplays he alone had written. Cynical and sophisticated, romantic and sexually frank, crazily breakneck and endlessly witty, his movies continue to influence filmmakers and remain popular to this day. Yet despite this acclaim, Sturges's achievements remain underappreciated: he is too often categorized as a dialogue writer and plot engineer more than a director, or belittled as an irresponsible spinner of laughs.In Crooked, but Never Common, Stuart Klawans combines a critic's insight and a fan's enthusiasm to offer deeper ways to think about and enjoy Sturges's work. He provides an in-depth appreciation of all ten of the writer-director's major movies, presenting Sturges as a filmmaker whose work balanced slapstick and social critique, American and European traditions, and cynicism and affection for his characters. Tugging at loose threads―discontinuities, puzzles, and allusions that have dangled in plain sight―and putting the films into a broader cultural context, Klawans reveals structures, motives, and meanings underlying the uproarious pleasures of Sturges's movies. In this new light, Sturges emerges at last as one of the truly great filmmakers―and funnier than ever.Support this show http://supporter.acast.com/writers-on-film. Hosted on Acast. See acast.com/privacy for more information.
Thank you for joining us for the fourth and final part of the series on the life and career of Preston Sturges. Unfortunately, he's a jerk in this one and his later films are... simply not good, so you'll find this to be a somewhat downbeat episode. We'll make sure something short and sweet is next, so look forward to that! Preston Sturges (1898 - 1959) birth name Edmund Preston Biden - writer, director, producer Part IV of IV Must see movies: Sullivan's Travels (1941) The Lady Eve (1941) Christmas in July (1940) Runner Up: Palm Beach Story (1942) Full Quote from the Title: "A pretty girl is better than a plain one. A leg is better than an arm. A bedroom is better than a living room. An arrival is better than a departure. A birth is better than a death. A chase is better than a chat. A dog is better than a landscape. A kitten is better than a dog. A baby is better than a kitten. A kiss is better than a baby. A pratfall is better than anything." -Preston Sturges Other Music: Opening credits Sullivan's Travels, The Lady Eve, and Palm Beach Story. Thank you to Powerbleeder for our theme song "Future Mind" listen here!
The Dames have an in-depth discussion about screwball comedy, sexual politics, and if snakes are necessary, focusing on It Happened One Night, His Girl Friday, and The Lady Eve. Plus: Phil Lord doesn't understand context: https://twitter.com/philiplord/status/1626391261749055490?t=OIu4aQ54pmZaoK7TWx1O0w&s=19 Andrea Riseborough has thoughts on her Oscar nod: https://www.hollywoodreporter.com/movies/movie-features/andrea-riseborough-interview-oscars-nomination-to-leslie-1235325509/
This week Harrison will be reviewing "The Lady Eve (1941)". #theladyeve #barbarastanwyck #henryfonda #prestonsturges #reelyoldmovies --- Send in a voice message: https://podcasters.spotify.com/pod/show/reelyoldmovies/message
Welcome to week four of our Stanley Kubrick retrospective! This week we are examining the first of the Kirk Douglas / Kubrick pairings; Paths of Glory from 1957. Going back to the theme of war, but with all the skills he has built up over the intervening 2 films, is this a masterpiece or misfire? We talk about authority, attention to detail and banned films. In our Trailers features we also talk about: You People (2023), Raiders of the Lost Ark (1981), Indiana Jones and the Temple of Doom (1984), The Lady Eve (1941)We hope that you enjoy the show and return in future to the congregation!Show Website: https://film-church-radio.captivate.fm/listenBranden's Letterboxd: https://letterboxd.com/selmanscope/Lewis' Letterboxd: https://letterboxd.com/walkerlewis3007/Past Episodes: https://podcasts.apple.com/us/podcast/film-church-radio/id1603164927Instagram: https://www.instagram.com/filmchurchradio/
We're revisiting all the episodes featuring Ted Walch in order of their release. Here's Ted talking about The Lady Eve (1941). Learn more about your ad choices. Visit megaphone.fm/adchoices
Preston Sturges (1898 - 1959) birth name Edmund Preston Biden - writer, director, producer Part III of IV Must see movies: Sullivan's Travels (1941) The Lady Eve (1941) Christmas in July (1940) Runner Up: Palm Beach Story (1942) Full Quote from the Title: "A pretty girl is better than a plain one. A leg is better than an arm. A bedroom is better than a living room. An arrival is better than a departure. A birth is better than a death. A chase is better than a chat. A dog is better than a landscape. A kitten is better than a dog. A baby is better than a kitten. A kiss is better than a baby. A pratfall is better than anything." -Preston Sturges Other Music: Opening credits Sullivan's Travels, The Lady Eve, and Palm Beach Story. Thank you to Powerbleeder for our theme song "Future Mind" listen here!
Preston Sturges (1898 - 1959) birth name Edmund Preston Biden - writer, director, producer Part I of IV Must see movies: Sullivan's Travels (1941) The Lady Eve (1941) Christmas in July (1940) Runner Up: Palm Beach Story (1942) Full Quote from the Title: "A pretty girl is better than a plain one. A leg is better than an arm. A bedroom is better than a living room. An arrival is better than a departure. A birth is better than a death. A chase is better than a chat. A dog is better than a landscape. A kitten is better than a dog. A baby is better than a kitten. A kiss is better than a baby. A pratfall is better than anything." -Preston Sturges Other Music: Opening credits Sullivan's Travels, The Lady Eve, and Palm Beach Story. Thank you to Powerbleeder for our theme song "Future Mind" listen here!
In a burst of creativity unmatched in Hollywood history, Preston Sturges directed a string of all-time classic comedies from 1939 through 1948--The Great McGinty, The Lady Eve, Sullivan's Travels, The Palm Beach Story, and The Miracle of Morgan's Creek among them--all from screenplays he alone had written. Stuart Klawans' Crooked, But Never Common: The Films of Preston Sturges (Columbia UP, 2023) pays close attention to Sturges' celebrated dialogue, but also to his films surprisingly intricate structures, marvelous use of a standard roster of character actors, and effective composition of shots. Klawans goes deeper than this, though, providing compelling readings of the underlying personal philosophy depicted in these films, which for all their seen-it-all cynicism nonetheless express firmly-held values, among them a fear for conformity and crowd-mentality, a dread of stasis, and a respect for intelligence, whether of a billionaire or of a Pullman porter. This is a book that will return you to these great films with new eyes. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Lux Radio Theatre, sometimes spelled Lux Radio Theater, a classic radio anthology series, was broadcast on the NBC Blue Network (1934–35) (owned by the National Broadcasting Company, later predecessor of American Broadcasting Company [ABC] in 1943–1945); CBS Radio network (Columbia Broadcasting System) (1935–54), and NBC Radio (1954–55). Initially, the series adapted Broadway plays during its first two seasons before it began adapting films. These hour-long radio programs were performed live before studio audiences. The series became the most popular dramatic anthology series on radio, broadcast for more than 20 years and continued on television as the Lux Video Theatre through most of the 1950s. The primary sponsor of the show was Unilever through its Lux Soap brand. Listen to our radio station Old Time Radio https://link.radioking.com/otradio Listen to other Shows at My Classic Radio https://www.myclassicradio.net/Podcast Service I Recommend https://redcircleinc.grsm.io/entertainmentradio7148 Remember that times have changed, and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
In a burst of creativity unmatched in Hollywood history, Preston Sturges directed a string of all-time classic comedies from 1939 through 1948--The Great McGinty, The Lady Eve, Sullivan's Travels, The Palm Beach Story, and The Miracle of Morgan's Creek among them--all from screenplays he alone had written. Stuart Klawans' Crooked, But Never Common: The Films of Preston Sturges (Columbia UP, 2023) pays close attention to Sturges' celebrated dialogue, but also to his films surprisingly intricate structures, marvelous use of a standard roster of character actors, and effective composition of shots. Klawans goes deeper than this, though, providing compelling readings of the underlying personal philosophy depicted in these films, which for all their seen-it-all cynicism nonetheless express firmly-held values, among them a fear for conformity and crowd-mentality, a dread of stasis, and a respect for intelligence, whether of a billionaire or of a Pullman porter. This is a book that will return you to these great films with new eyes. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
In a burst of creativity unmatched in Hollywood history, Preston Sturges directed a string of all-time classic comedies from 1939 through 1948--The Great McGinty, The Lady Eve, Sullivan's Travels, The Palm Beach Story, and The Miracle of Morgan's Creek among them--all from screenplays he alone had written. Stuart Klawans' Crooked, But Never Common: The Films of Preston Sturges (Columbia UP, 2023) pays close attention to Sturges' celebrated dialogue, but also to his films surprisingly intricate structures, marvelous use of a standard roster of character actors, and effective composition of shots. Klawans goes deeper than this, though, providing compelling readings of the underlying personal philosophy depicted in these films, which for all their seen-it-all cynicism nonetheless express firmly-held values, among them a fear for conformity and crowd-mentality, a dread of stasis, and a respect for intelligence, whether of a billionaire or of a Pullman porter. This is a book that will return you to these great films with new eyes. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
In a burst of creativity unmatched in Hollywood history, Preston Sturges directed a string of all-time classic comedies from 1939 through 1948--The Great McGinty, The Lady Eve, Sullivan's Travels, The Palm Beach Story, and The Miracle of Morgan's Creek among them--all from screenplays he alone had written. Stuart Klawans' Crooked, But Never Common: The Films of Preston Sturges (Columbia UP, 2023) pays close attention to Sturges' celebrated dialogue, but also to his films surprisingly intricate structures, marvelous use of a standard roster of character actors, and effective composition of shots. Klawans goes deeper than this, though, providing compelling readings of the underlying personal philosophy depicted in these films, which for all their seen-it-all cynicism nonetheless express firmly-held values, among them a fear for conformity and crowd-mentality, a dread of stasis, and a respect for intelligence, whether of a billionaire or of a Pullman porter. This is a book that will return you to these great films with new eyes. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
In a burst of creativity unmatched in Hollywood history, Preston Sturges directed a string of all-time classic comedies from 1939 through 1948--The Great McGinty, The Lady Eve, Sullivan's Travels, The Palm Beach Story, and The Miracle of Morgan's Creek among them--all from screenplays he alone had written. Stuart Klawans' Crooked, But Never Common: The Films of Preston Sturges (Columbia UP, 2023) pays close attention to Sturges' celebrated dialogue, but also to his films surprisingly intricate structures, marvelous use of a standard roster of character actors, and effective composition of shots. Klawans goes deeper than this, though, providing compelling readings of the underlying personal philosophy depicted in these films, which for all their seen-it-all cynicism nonetheless express firmly-held values, among them a fear for conformity and crowd-mentality, a dread of stasis, and a respect for intelligence, whether of a billionaire or of a Pullman porter. This is a book that will return you to these great films with new eyes. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
In a burst of creativity unmatched in Hollywood history, Preston Sturges directed a string of all-time classic comedies from 1939 through 1948--The Great McGinty, The Lady Eve, Sullivan's Travels, The Palm Beach Story, and The Miracle of Morgan's Creek among them--all from screenplays he alone had written. Stuart Klawans' Crooked, But Never Common: The Films of Preston Sturges (Columbia UP, 2023) pays close attention to Sturges' celebrated dialogue, but also to his films surprisingly intricate structures, marvelous use of a standard roster of character actors, and effective composition of shots. Klawans goes deeper than this, though, providing compelling readings of the underlying personal philosophy depicted in these films, which for all their seen-it-all cynicism nonetheless express firmly-held values, among them a fear for conformity and crowd-mentality, a dread of stasis, and a respect for intelligence, whether of a billionaire or of a Pullman porter. This is a book that will return you to these great films with new eyes. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.
Thanks for joining us again for another episode of fun project brought to you by the team of Hacking Humans, the CyberWire's social engineering podcast. Hacking Humans co-host Dave Bittner is joined by Rick Howard in this series where they view clips from their favorite movies and television shows with examples of the social engineering scams and schemes you hear Dave and co-host Joe Carrigan talk about on Hacking Humans. In this episode, Dave and Rick watch each of the selected scenes, describe the on-screen action for you, and then they deconstruct what they saw. Grab your bowl of popcorn and join us for some fantastic scams and frauds. Links to this episode's clips if you'd like to watch along: Dave's clip from the television show Better Call Saul. Rick's clip from the movie The Lady Eve.
Preston Sturges (1898 - 1959) birth name Edmund Preston Biden - writer, director, producer Part I of IV Must see movies: Sullivan's Travels (1941) The Lady Eve (1941) Christmas in July (1940) Runner Up: Palm Beach Story (1942) Full Quote from the Title: "A pretty girl is better than a plain one. A leg is better than an arm. A bedroom is better than a living room. An arrival is better than a departure. A birth is better than a death. A chase is better than a chat. A dog is better than a landscape. A kitten is better than a dog. A baby is better than a kitten. A kiss is better than a baby. A pratfall is better than anything." -Preston Sturges Other Music: Opening credits Sullivan's Travels, The Lady Eve, and Palm Beach Story. Thank you to Powerbleeder for our theme song "Future Mind" listen here!
A tonally disparate pair of great films for Paramount 1941: Preston Sturges' The Lady Eve, starring Barbara Stanwyck and Henry Fonda, one of the greatest movies ever made, according to Elise; and a real rarity, William Wellman's Reaching for the Sun, starring some important Sturges actors: Joel McCrea, Ellen Drew, and Eddie Bracken. We interrogate the strange central relationship in The Lady Eve, examining its sadistic, maternal, narcissistic, you-name-it qualities, and Sturges' masterful blending of comedy tropes, melodrama structure, and painful personal psychology. Then we turn to the interesting mixture of "universal" (20th century Western) gender tropes and modern modifications of them in Wellman's tale of a man torn between urban opportunity and Thoreauvian freedom. Then, in our Fear and Moviegoing in Toronto segment, we briefly discuss the Coen brothers' The Hudsucker Proxy (1994) and its curious misunderstandings of Capra, and Brian De Palma's brilliant Femme Fatale and its channeling of Lynch and Verhoeven, but with De Palma's peculiar mixture of sweetness and satire. Time Codes: 0h 01m 00s: THE LADY EVE [dir. Preston Sturges] 0h 46m 28s: REACHING FOR THE SUN [dir. WILLIAM A. WELLMAN] 1h 14m 35s: FEAR & MOVIEGOING IN TORONTO: THE HUDUSCKER PROXY (1994) by Joel and Ethan Coen & FEMME FATALE (2002) by Brian DePalma Studio Film Capsules provided by The Paramount Story by John Douglas Eames Additional studio information from: The Hollywood Story by Joel W. Finler +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
Ha! This week Ian and Greg laugh about moments from their favourite comedies, as Daniel, that joker, is taking the week off. So whether its satire spoofs or just stupidity, we look at the ways the movies get your funny bone. Enjoy! The Lady Eve - 5:34 This is Spinal Tap - 12:29 Monty Python and the Holy Grail - 21:10 Burn After Reading - 30:05 Austin Powers - 41:21
In his new book, From Hollywood with Love, critic Scott Meslow lays out two ways to tell if a given movie is a rom-com. First, his own definition: “A romantic comedy is a movie where (1) the central plot is focused on at least one romantic love story; and (2) the goal is to make you laugh at least as much as the goal is to make you cry.” And then, The Donald Petrie Test, named for the director of some rom-coms, like Mystic Pizza and How to Lose a Guy in 10 Days, but also some edge cases, like Miss Congeniality and Grumpy Old Men: “If you removed the love story from this [comedy], would you still have a movie? If the answer is no, it's a romantic comedy. […] If the answer is yes, it's a comedy with a romantic subplot.” So those are the litmus tests. Now, does that make Broadcast News a rom-com, or no? What about Annie Hall? Or something like Grosse Pointe Blank? How about His Girl Friday? Or even, actually, Love Actually? This hour, a deconstruction — and celebration — of the romantic comedy. Some favorite rom-coms from some of the people on this show: Illeana DouglasTheodora Goes Wild (1936)Bringing Up Baby (1938)Ninotchka (1939)Too Many Husbands (1940)The More the Merrier (1943)Christmas in Connecticut (1945)Cluny Brown (1946)Pillow Talk (1959)The Apartment (1960)What's Up, Doc? (1972)Foul Play (1978)Arthur (1981) David EdelsteinTrouble in Paradise (1932)The Awful Truth (1937)Ninotchka (1939)Midnight (1939)The Lady Eve (1941)His Girl Friday (1940)The Philadelphia Story (1940)The Shop Around the Corner (1940)Cluny Brown (1946) Scott Meslow's five recommended under-seen rom-coms from the past decade Populaire (2012)A zippy, ultra-stylish French rom-com about the romance between a dapper boss and his secretary, set amid the long-forgotten craze for competitive speed typing. Sleeping with Other People (2015)Alison Brie and Jason Sudeikis are at the peak of their charms in this witty rom-com about two friends who reunite years after losing their virginities to each other — the rare rom-com to get the balance of raunchy and sweet just right. Man Up (2015)Ignore the lame title — this rom-com, in which Lake Bell plays an unlucky-in-love woman who pretends to be a man's blind date, is pure, fizzy fun (and is also the only rom-com I've seen to borrow a plot point from The Silence of the Lambs). Destination Wedding (2018)Other critics weren't as high on this extremely stripped down rom-com, in which Winona Ryder and Keanu Reeves snark their way through a wedding they'd both prefer not to be attending — but in a genre in which so many characters have “negative” qualities that are actually just adorable, I appreciated this movie's deliberately sour tone. Plus One (2019)A delightfully unapologetic throwback to the genre's '90s heyday, but with a modern touch, as two platonic friends (Jack Quaid and Maya Erskine) agree to be each other's plus-ones for a packed wedding season before realizing they may actually have a spark after all. Colin's 5 (or 6) favorite rom-coms Heaven Can Wait (1978)I realize this is assailable on the basis of Julie Christie not being an especially memorable character and getting less screen time than, say, Jack Warden. Warren Beatty is so vain, he probably thinks this movie is about him, and he's sort of right. But it is very nearly perfect and enriched by an amazing ensemble of supporting players. Silver Linings Playbook (2012)I surprised myself by ranking SLP this high, but I love the frank and funny handling of mental illness and its indistinguishability from being an Eagles fan. I've seen it quite a few times, and I invariably cry at the end. I love what J-Law does with her part, and Chris Tucker and John Ortiz are standouts among the fine supporting cast. Shout out to Kevin Lowry for his work as dolly grip on the “A” camera. The Lady Eve (1941) / Intolerable Cruelty (2003)These are both “rom-cons” involving grifts by a femme fatale who is usually a few steps ahead of the male lead. Barbara Stanwyck actually generates more sexual heat than the smoldering Catherine Zeta-Jones. She was still doing that 42 years later, hitting on a rain-streaked, bare-chested priest played by Richard Chamberlain in The Thorn Birds. But I do love Intolerable Cruelty. I think it's the only Coen brothers rom-com and definitely an homage to the '30s and '40s. Say Anything (1989)I loved John Cusack during this period. A few years later, I was seeing a psychotherapist who looked exactly like him. It was distracting. I've learned that Cusack didn't really see himself as a romcom person and even pushed back against the iconic boombox scene. That has something to do with why this movie works so well. Bringing Up Baby (1938)Grant. Hepburn. Two leopards. Thirty pounds of sirloin. What's not to love? GUESTS: Illeana Douglas: A movie and television star David Edelstein: America's Greatest Living Film Critic Scott Meslow: The author of From Hollywood with Love: The Rise and Fall (and Rise Again) of the Romantic Comedy The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Stitcher, or wherever you get your podcasts. Subscribe and never miss an episode! Join the conversation on Facebook and Twitter. Colin McEnroe and Cat Pastor contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.
Join us as we sip a refresing watermelon agua fresca (and coconut limeaid) to discuss the equally as refreshing screwball comedy classic, the Lady Eve. This Preston Sturges masterpiece pristinely blends sophisticated banter with beloved slapstick pratfalls in an effortless, lovable, and laugh out loud comedy. This movie has it all, romance, swindling, ale, weird bonnets, fake British accents, and snakes. Starring our favorite golden age queen Barbara Stanwyck, and Henry Fonda. Cheers!
With their potent mix of horror, comedy, and social satire, the films of Jordan Peele are the rare Hollywood films that succeed in entertaining while also puzzling, sending audiences out of the theater sifting through clues in an attempt to find meaning. Peele's latest - NOPE - is no exception, with Adam and Josh sharing their own theories about the director/prophet's wild west sci-fi that's loaded with themes of trauma, spectacle, race, and the movie industry's complicity in all those things. Also, there are some scares. And some laughs. Adam and Josh get spoiler-y in the second half of the review to sort out some lingering questions. Adam also recommends the Russo Brothers' new THE GRAY MAN, and the Summer of Stanwyck continues with Preston Sturges's 1941 screwball classic THE LADY EVE, starring Stanwyck and Henry Fonda. 0:00 - Billboard 1:05 - Review: "Nope" 25:01 - "Nope" Spoilers 46:20 - "The Gray Man" 50:32 - Notes / Polls 1:09:33 - Stanwyck #3: "The Lady Eve" 1:40:22 - Outro Learn more about your ad choices. Visit megaphone.fm/adchoices
A terrific screwball comedy about a father (Charles Coburn) and daughter (Barbara Stanwyck) con-artist duo who attempt to swindle a wealthy, but very naive snake expert (Henry Fonda). Written and directed by Preston Sturges.
Bestselling author Gill Paul returns with a brilliant novel about Lady Evelyn Herbert, the woman who took the very first step into the tomb of Pharaoh Tutankhamun, and who lived in the real Downton Abbey, Highclere Castle, and the long after-effects of the Curse of Pharaohs. Jenny: We're in our second episode of Encore, the new show for Binge Reading On Patreon supporters, talking to favorite authors, people who've already been on the podcast, about their latest release. And today we've got international best seller Gill Paul who's already been on the podcast twice before talking about her latest book, The Collector's Daughter, Gill Paul: The Collector's Daughter Gill's previous JOBR shows: Gill Paul's Famous Fabulous Lives, from November 2019: https://thejoysofbingereading.com/gill-paul-famous-fabulous-lives/ And: Love and Betrayal from September 2020: https://thejoysofbingereading.com/jackie-kennedy/ I love the way Gill makes historical events come alive in her fiction, and this book is no exception. The Collector's Daughter is a dual timeline novel moving between the 1920s and the 1970s telling the story of Lady Evelyn Herbert, the English aristocrat who was involved with the opening of Tutankhamun's tomb in the 1920s, and went on to live through the long-term after-effects of the supposed Curse of the Pharaohs She's also got the claim to fame of having grown up in the ‘real' Downton Abbey, Highclere Castle, where the popular TV series was filmed. Gill, It's great to have you with us again. Jenny: So welcome to the show Gill, and tell us about Pharaoh's tomb and Lady Eve part in it all. Gill: Thanks so much for inviting me on the journey. It's lovely to talk to you. Evelyn was there with her father, the Earl of Carnarvon and Howard Carter when the tomb was discovered and opened in 1922. And all the evidence is that they sneaked in by night without the Egyptian authorities watching over them Lady Eve first to enter tomb And the Eve was the first one to crawl in and she was a young lady from the English aristocracy. And I thought ‘Gosh', what would it have been like for her, I'd always been interested in Egyptian stories from school days, but it only really came home to me in 2011 when I visited Egypt. And I went to the Valley of the Kings. We went down that long corridor that Eve and her father and Howard Carter would have gone down in 1922 and saw where his tomb had been and then went up to Cairo and saw all the artefacts in the Egyptian museum. And that was staggering. I mean the enormous wealth of all the gold tombs and the funeral masks and the jewelry, and then little personal details like Tutankhamun's had sandals that pictures of Nubians on the soles, the Nubians were the enemies of the Egyptians so every time he walked, he was walking on his enemies. I loved all the little personal touches I saw in the tomb. That's what really brought it to life for me. Jenny: It's amazing. Now, one of the themes of the story is penetrates the whole story really is the long-term belief that there was some sort of curse involved in opening the tomb and Lady Evelyn did actually suffer quite a lot of personal misfortune in her life, including being involved in a massive car accident, which resulted in a series of small TIA's, as they're called and later more serious strokes. And part of the story is her as an older lady in the 1970s, when her memory is impaired with memory loss and things, that's an interesting part of it because quite a significant part of the story is told by this older character who's impaired. That was obviously something you deliberately chose to handle that way. Two photographs bookmarked life Gill: My inspiration for this novel when I decided to write about Lady Eve's part and this huge historical event or two photographs that kind of bookmarked her life. Lady Eve at tomb entrance with her father and Howard Carter
On this episode, The Pink Smoke welcomes back podcaster and physical media maven Brian Saur to bite into the succulent apple that is The Lady Eve. The gleaming center of an unparalleled four-year, 7-movie run of masterpieces from the peerless Preston Sturges, Eve strikes an immaculate balance of comedy that is high and low brow, impressions of love both cynical and romantic, and a leading lady who's positively anything but good and positively anything but bad. With a top-to-bottom phenomenal cast including Barbara Stanwyck, Henry Fonda, Charles Coburn, Eugene Pallette and William Demarest breathing life into Sturges' brilliant dialogue and deftly executing his pratfalls, it's hard to argue against this movie being the pinnacle of Hollywood's age of slapstick. Along with co-host Elric Kane on the Pure Cinema Podcast, Brian originated the phrase "handshake film" to describe great movies that are easy for fellow cineastes to bond over and The Lady Eve is certainly that. Like Brian, hosts Christopher Funderburg and John Cribbs are huge Sturges fans who find every frame of Eve irresistible, so this episode quickly turns into a gush session in which they quote favorite lines, deconstruct favorite scenes and have a great time doing it! Just the Discs on Youtube: https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g The Pink Smoke site: www.thepinksmoke.com Brian Saur on Twitter: twitter.com/bobfreelander Pure Cinema Podcast on Twitter: twitter.com/PureCinemaPod The Pink Smoke on Twitter: twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"
Poet, translator and cultural commentator Anthony Esolen joins James and Thomas to discuss one of his favorite filmmakers in the genre of "screwball comedy", Preston Sturges. Sturges wrote and directed eight films between 1940 and 1945, seven of which are regarded as classics. This episode focuses on two of those films: Sullivan's Travels (1941) and The Miracle of Morgan's Creek (1944). Sullivan's Travels is about a director of cheap comedies who decides to go on the road as a hobo so he can make a film of true social significance, making a fool of himself in the process. It displays Sturges's ability to write and direct dialogue that is fast, sharp and snappy, but never flippant or glib. Sturges is virtuosic in navigating dark material with a light touch, and able to switch seamlessly between pathos and humor, ending up in a place of warmth and graciousness without sappy sentimentality. This is also true of The Miracle of Morgan's Creek. In an age in which even married pregnancy could not be depicted on film, Morgan's Creek pushed boundaries by depicting unwed pregnancy. It ends up being a very pro-life film as well as something of a time capsule, showing how a social stigma against unwed motherhood was not incompatible with compassion and support for such mothers and their babies. Like Sullivan's Travels, it has an outrageous, hilarious and utterly unpredictable ending. These films prompt a reflection from Esolen on how "The moral law makes mirth possible," and how the sexual revolution killed romance - two reasons great screwball comedies cannot not be made today. Other movies reccomended by Anthony Esolen: Penny Serenade, People Will Talk, and also The Lady Eve, Arsenic and Old Lace, Bringing Up Baby, Mr. Blandings Builds His Dream House, The Bachelor and the Bobby-Soxer, You Can't Take It With You, The Adventures of Ozzie and Harriet (TV series), “Walking Distance” (Twilight Zone episode) Other movies mentioned by Thomas Mirus: Hail the Conquering Hero, Unfaithfully Yours, The Awful Truth, It Happened One Night Links Joel McCrea discusses his faith https://www.guideposts.org/better-living/entertainment/movies-and-tv/guideposts-classics-joel-mccrea-on-gods-guidance Podcast about Betty Hutton's conversion to Catholicism https://americancatholichistory.org/betty-hutton/ Magdalen College of the Liberal Arts https://magdalen.edu/ Music is The Duskwhales, “Take It Back”, used with permission. https://theduskwhales.bandcamp.com This podcast is a production of CatholicCulture.org. If you like the show, please consider supporting us! http://catholicculture.org/donate/audio
This week, Kevin and Sarah grapple with their complicated feelings about Mariama Diallo's feature debut, Master. For the Watchlist segment, they compare notes on Barbara Stanwyck and Henry Fonda in the 1941 screwball comedy The Lady Eve. Sarah shares a fun fact about flowers. Music interlude by Wayne John Bradley, “Just Breathe.” Used under Creative Commons license 3.0. Check out the Seeing & Believing Patreon Learn more about your ad choices. Visit podcastchoices.com/adchoices
...and we'd all like her to step on us. Join Ada (@the_ada_rhodes) Katie (@katieofthelake) and Henry (@punkgroucho) as we discuss Preston Sturges' magnificent 1941 screwball comedy, The Lady Eve. Is she...you know...very very? Oh, she is. Music is Hard-Hearted Hannah, performed by Nesrality.Support the show
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