Podcasts about Merle Oberon

Suspense: "The Bluebeard Killer"Airing: October 29, 1946Starring: Merle OberonThis thrilling episode of Suspense plunges listeners into the dangerous world of the French underground during World War II. The narrative centers on a courageous French doctor and his equally brave wife, who are actively involved in the resistance movement against the Nazi occupation. Their latest, audacious plan involves setting a trap for a high-ranking German colonel, luring him into their home with a cunning deception.The wife, played by the talented Merle Oberon, is the key to this perilous scheme. She initiates contact with the Nazi officer, feigning desperation as she confides in him her "suspicion" that her own husband is the elusive "Bluebeard Killer." This mysterious assassin has been a thorn in the side of the Gestapo, systematically murdering their officials, thus creating a climate of fear and paranoia within their ranks. By subtly implying her husband's involvement, she skillfully manipulates the colonel's curiosity and desire to apprehend this notorious killer, drawing him into their carefully laid trap.The compelling story for "The Bluebeard Killer" was penned by Silvia Richards. A significant contributor to the Suspense anthology, Silvia Richards was not only a prolific writer for the radio series but also the wife of its esteemed editor, Robert L. Richards. Her contributions extended beyond radio, as she also wrote several screenplays, showcasing her versatility and talent across different mediums. Her ability to craft tense, engaging narratives like "The Bluebeard Killer" was a hallmark of her work, contributing significantly to the success and enduring appeal of Suspense.TakeawaysThe suspenseful narrative keeps the audience engaged.Madame Combré's fear is palpable throughout the story.The Bluebeard's identity is a shocking revelation.Themes of love and betrayal are explored.The setting in occupied France adds to the tension.The use of sound and silence enhances the suspense.The character development of Madame Combré is significant.The story reflects on the nature of evil and its disguise.The climax reveals the intertwining of personal and political conflict.The ending leaves the audience questioning morality.Suspense, Bluebeard, Merle Oberon, drama, mystery, France, psychological thriller, identity, fear, secrets

In 2022, Michelle Yeoh became the first Asian actress to win the Academy Award for Best Actress. But she wasn't the first actress of Asian origin to be nominated. In 1935, Merle Oberon was nominated for Best Actress for the role of Kitty Vane in The Dark Angel, only her second film in the U.S. film industry. But no one knew Oberon was Asian. Her public biography said she was born to white parents in Tasmania, eventually moving to India and, from there, to the UK. But Merle Oberon, in truth, was of Anglo-Indian origin, born in Bombay. She'd hidden her heritage to get around U.S. censorship and immigration laws—a secret she took to her grave, even if many in the industry suspected the truth. Mayukh Sen tackles Oberon's life in Love, Queenie: Merle Oberon, Hollywood's First South Asian Star (W.W. Norton: 2025). Mayukh Sen is the James Beard Award-winning author of Taste Makers: Seven Immigrant Women Who Revolutionized Food in America (W.W. Norton: 2021). He is a 2025 Fellow at New America, and has written on film for the New Yorker, the Atlantic, and the Criterion Collection. He teaches journalism at New York University and lives in Brooklyn, New York. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Love, Queenie. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2022, Michelle Yeoh became the first Asian actress to win the Academy Award for Best Actress. But she wasn't the first actress of Asian origin to be nominated. In 1935, Merle Oberon was nominated for Best Actress for the role of Kitty Vane in The Dark Angel, only her second film in the U.S. film industry. But no one knew Oberon was Asian. Her public biography said she was born to white parents in Tasmania, eventually moving to India and, from there, to the UK. But Merle Oberon, in truth, was of Anglo-Indian origin, born in Bombay. She'd hidden her heritage to get around U.S. censorship and immigration laws—a secret she took to her grave, even if many in the industry suspected the truth. Mayukh Sen tackles Oberon's life in Love, Queenie: Merle Oberon, Hollywood's First South Asian Star (W.W. Norton: 2025). Mayukh Sen is the James Beard Award-winning author of Taste Makers: Seven Immigrant Women Who Revolutionized Food in America (W.W. Norton: 2021). He is a 2025 Fellow at New America, and has written on film for the New Yorker, the Atlantic, and the Criterion Collection. He teaches journalism at New York University and lives in Brooklyn, New York. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Love, Queenie. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In 2022, Michelle Yeoh became the first Asian actress to win the Academy Award for Best Actress. But she wasn't the first actress of Asian origin to be nominated. In 1935, Merle Oberon was nominated for Best Actress for the role of Kitty Vane in The Dark Angel, only her second film in the U.S. film industry. But no one knew Oberon was Asian. Her public biography said she was born to white parents in Tasmania, eventually moving to India and, from there, to the UK. But Merle Oberon, in truth, was of Anglo-Indian origin, born in Bombay. She'd hidden her heritage to get around U.S. censorship and immigration laws—a secret she took to her grave, even if many in the industry suspected the truth. Mayukh Sen tackles Oberon's life in Love, Queenie: Merle Oberon, Hollywood's First South Asian Star (W.W. Norton: 2025). Mayukh Sen is the James Beard Award-winning author of Taste Makers: Seven Immigrant Women Who Revolutionized Food in America (W.W. Norton: 2021). He is a 2025 Fellow at New America, and has written on film for the New Yorker, the Atlantic, and the Criterion Collection. He teaches journalism at New York University and lives in Brooklyn, New York. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Love, Queenie. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 2022, Michelle Yeoh became the first Asian actress to win the Academy Award for Best Actress. But she wasn't the first actress of Asian origin to be nominated. In 1935, Merle Oberon was nominated for Best Actress for the role of Kitty Vane in The Dark Angel, only her second film in the U.S. film industry. But no one knew Oberon was Asian. Her public biography said she was born to white parents in Tasmania, eventually moving to India and, from there, to the UK. But Merle Oberon, in truth, was of Anglo-Indian origin, born in Bombay. She'd hidden her heritage to get around U.S. censorship and immigration laws—a secret she took to her grave, even if many in the industry suspected the truth. Mayukh Sen tackles Oberon's life in Love, Queenie: Merle Oberon, Hollywood's First South Asian Star (W.W. Norton: 2025). Mayukh Sen is the James Beard Award-winning author of Taste Makers: Seven Immigrant Women Who Revolutionized Food in America (W.W. Norton: 2021). He is a 2025 Fellow at New America, and has written on film for the New Yorker, the Atlantic, and the Criterion Collection. He teaches journalism at New York University and lives in Brooklyn, New York. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Love, Queenie. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

In 2022, Michelle Yeoh became the first Asian actress to win the Academy Award for Best Actress. But she wasn't the first actress of Asian origin to be nominated. In 1935, Merle Oberon was nominated for Best Actress for the role of Kitty Vane in The Dark Angel, only her second film in the U.S. film industry. But no one knew Oberon was Asian. Her public biography said she was born to white parents in Tasmania, eventually moving to India and, from there, to the UK. But Merle Oberon, in truth, was of Anglo-Indian origin, born in Bombay. She'd hidden her heritage to get around U.S. censorship and immigration laws—a secret she took to her grave, even if many in the industry suspected the truth. Mayukh Sen tackles Oberon's life in Love, Queenie: Merle Oberon, Hollywood's First South Asian Star (W.W. Norton: 2025). Mayukh Sen is the James Beard Award-winning author of Taste Makers: Seven Immigrant Women Who Revolutionized Food in America (W.W. Norton: 2021). He is a 2025 Fellow at New America, and has written on film for the New Yorker, the Atlantic, and the Criterion Collection. He teaches journalism at New York University and lives in Brooklyn, New York. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Love, Queenie. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In 2022, Michelle Yeoh became the first Asian actress to win the Academy Award for Best Actress. But she wasn't the first actress of Asian origin to be nominated. In 1935, Merle Oberon was nominated for Best Actress for the role of Kitty Vane in The Dark Angel, only her second film in the U.S. film industry. But no one knew Oberon was Asian. Her public biography said she was born to white parents in Tasmania, eventually moving to India and, from there, to the UK. But Merle Oberon, in truth, was of Anglo-Indian origin, born in Bombay. She'd hidden her heritage to get around U.S. censorship and immigration laws—a secret she took to her grave, even if many in the industry suspected the truth. Mayukh Sen tackles Oberon's life in Love, Queenie: Merle Oberon, Hollywood's First South Asian Star (W.W. Norton: 2025). Mayukh Sen is the James Beard Award-winning author of Taste Makers: Seven Immigrant Women Who Revolutionized Food in America (W.W. Norton: 2021). He is a 2025 Fellow at New America, and has written on film for the New Yorker, the Atlantic, and the Criterion Collection. He teaches journalism at New York University and lives in Brooklyn, New York. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Love, Queenie. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In 2022, Michelle Yeoh became the first Asian actress to win the Academy Award for Best Actress. But she wasn't the first actress of Asian origin to be nominated. In 1935, Merle Oberon was nominated for Best Actress for the role of Kitty Vane in The Dark Angel, only her second film in the U.S. film industry. But no one knew Oberon was Asian. Her public biography said she was born to white parents in Tasmania, eventually moving to India and, from there, to the UK. But Merle Oberon, in truth, was of Anglo-Indian origin, born in Bombay. She'd hidden her heritage to get around U.S. censorship and immigration laws—a secret she took to her grave, even if many in the industry suspected the truth. Mayukh Sen tackles Oberon's life in Love, Queenie: Merle Oberon, Hollywood's First South Asian Star (W.W. Norton: 2025). Mayukh Sen is the James Beard Award-winning author of Taste Makers: Seven Immigrant Women Who Revolutionized Food in America (W.W. Norton: 2021). He is a 2025 Fellow at New America, and has written on film for the New Yorker, the Atlantic, and the Criterion Collection. He teaches journalism at New York University and lives in Brooklyn, New York. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Love, Queenie. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

In 2022, Michelle Yeoh became the first Asian actress to win the Academy Award for Best Actress. But she wasn't the first actress of Asian origin to be nominated. In 1935, Merle Oberon was nominated for Best Actress for the role of Kitty Vane in The Dark Angel, only her second film in the U.S. film industry. But no one knew Oberon was Asian. Her public biography said she was born to white parents in Tasmania, eventually moving to India and, from there, to the UK. But Merle Oberon, in truth, was of Anglo-Indian origin, born in Bombay. She'd hidden her heritage to get around U.S. censorship and immigration laws—a secret she took to her grave, even if many in the industry suspected the truth. Mayukh Sen tackles Oberon's life in Love, Queenie: Merle Oberon, Hollywood's First South Asian Star (W.W. Norton: 2025). Mayukh Sen is the James Beard Award-winning author of Taste Makers: Seven Immigrant Women Who Revolutionized Food in America (W.W. Norton: 2021). He is a 2025 Fellow at New America, and has written on film for the New Yorker, the Atlantic, and the Criterion Collection. He teaches journalism at New York University and lives in Brooklyn, New York. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Love, Queenie. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

As the first Asian, and only South Asian, to be nominated for a Best Actress Oscar, Merle Oberon’s place in the pantheon of cinema is historic. But it came with enormous sacrifice as Oberon had to hide her race to stay working. Amna Nawaz sat down with writer Mayukh Sen to discuss "Love, Queenie," a new book on Oberon’s rise to fame, her groundbreaking career and eventual fade from the spotlight. PBS News is supported by - https://www.pbs.org/newshour/about/funders

As the first Asian, and only South Asian, to be nominated for a Best Actress Oscar, Merle Oberon’s place in the pantheon of cinema is historic. But it came with enormous sacrifice as Oberon had to hide her race to stay working. Amna Nawaz sat down with writer Mayukh Sen to discuss "Love, Queenie," a new book on Oberon’s rise to fame, her groundbreaking career and eventual fade from the spotlight. PBS News is supported by - https://www.pbs.org/newshour/about/funders

Eloise Ross jumped into the host seat this week to interview Australia's unofficial Merle Oberon expert, Rohan Spong. In light of the recent book, Love, Queenie: Merle Oberon, Hollywood's First South Asian Star and a new creative project Rohan is working on, they discuss Oberon's contribution to Hollywood. She was the first person of South Asian decent to be nominated for the Academy Award for Best Actress, though she spent her life pretending to be born in Australia and her heritage was only made public after her death.Thomas Caldwell also joined the show to discuss misanthropic critic of contemporary culture, Michael Haneke. The Austrian filmmaker's body of work is deceptively humanistic and will be celebrated in upcoming seasons from both the Melbourne Cinémathèque and ACMI, starting Wednesday 16 April and Thursday 17 April respectively.They review Tim Mielants's Small Things Like These, based on Claire Keegan's Booker Prize nominated novel. Starring Oscar-winner Cillian Murphy, the absorbing slow burn reveals the uncomfortable horrors lurking just below the surface of a small Irish town controlled by the Catholic Church.Tune in to Primal Screen each week at 7pm Mondays on Triple R 102.7FM.Triple R's April Amnesty is on now! Subscribe and donate to help keep our beloved community radio station on the airwaves for another year!When you support Triple R, you're supporting Really Real Radio – that means no algorithms, no playlists, no nonsense. Triple R is a champion of local culture and community, and a voice for music and ideas that may not be heard anywhere else. Best of all, when you subscribe during April Amnesty, you'll go into the draw to win a stack of amazing prizes! Subscribe and donate at rrr.org.au.

Front Row Classics welcomes author Mayukh Sen to celebrate the life of Merle Oberon. Mayukh recently penned "Love, Queenie: Merle Oberon, Hollywood's First South Asian Star". The book captures the complicated life of Oberon while also providing a picture of the political atmosphere of the first half of the 20th century. Brandon and Mayukhk discuss the origins and research process of the book as well as some of the high points of Oberon's life. "Love, Queenie: Merle Oberon, Hollywood's First South Asian Star" is available from W. W. Norton & Company wherever books are sold. Mayukh Sen is the James Beard Award-winning author of Taste Makers. He is a 2025 Fellow at New America, and has written on film for the New Yorker, the Atlantic, and the Criterion Collection. He teaches journalism at New York University and lives in Brooklyn, New York.    

Love, Queenie Front Row Classics welcomes author Mayukh Sen to celebrate the life of Merle Oberon. Mayukh recently penned “Love, Queenie: Merle Oberon, Hollywood’s First South Asian Star”. The book captures the complicated life of Oberon while also providing a picture of the political atmosphere of the first half of the 20th century. Brandon and … Continue reading Ep. 295- Love, Queenie-Interview with Mayukh Sen →

Abbott & Costello 42-11-19 (020) Knights in Shining Armor with Merle Oberon

In 1936, Merle Oberon became the first Asian woman–and person of color–to receive an Oscar nomination for best actress. She was nominated for her role in The Dark Angel and later starred in films like Wuthering Heights. But Oberon kept her mixed-race, South Asian heritage a secret, passing as white for her entire career. Mayukh Sen tells this story in Love, Queenie, the first biography of Oberon. In today's episode, Sen speaks with Here & Now's Deepa Fernandes about prejudice the actress faced during her upbringing in India, the role men played in her career, and the elaborate stories she told to keep her identity a secret.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Your eyes don't deceive you! Ticklish Business is back, kinda. Kristen sits down with author Mayukh Sen to talk all about Merle Oberon, the subject of Sen's latest book, Love, Queenie: Merle Oberon, Hollywood's First South Asian Star. Sen breaks down the stereotypes about Oberon he wanted to dispel and how she was able to rise above Hollywood racism. We appreciate everyone continuing to support us, as either a Patron or listener. Emily and I are working on doing the show monthly for now as we finish up our books. So definitely be on the lookout for some TCMFF goodness come April.

In this 1948 Studios Year by Year episode, we look at two artefacts from Dore Schary's brief tenure as Head of Production at RKO, Berlin Express (directed by Jacques Tourneur), an early Cold War curiosity in which Robert Young and Merle Oberon try to save Paul Lukas from the clutches of Nazis in war-torn Frankfurt, and The Boy with Green Hair (directed by Joseph Losey), the pacifist fantasy, starring Dean Stockwell and Pat O'Brien, over which Schary clashed with the Elon Musk of studio-era Hollywood, Howard Hughes. We discuss the films' historical context, as well as the non-political pleasures they have to offer.   Time Codes: 0h 00m 25s:      The RKO Story summary of 1948 at Radio-Keith-Orpheum 0h 05m 08s:      BERLIN EXPRESS [dir. Jacques Tourneur] 0h 24m 19s:      THE BOY WITH GREEN HAIR [dir. Joseph Losey] 0h 46m 49s:      Listener mail with Amy Studio Film Capsules provided by The RKO Story by Richard B. Jewell & Vernon Harbin   Additional studio information from: The Hollywood Story by Joel W. Finler               Link:   For 'KL': The Boy With The Green Hair   +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join!           

We end #NOvember, where we watch movies with originally said "no" to, with QUENNIE, a 1987 TV Miniseries made by New World Television and, later, released by New World Video. An adaptation of a novel by Michael Korda which told the story of his real-life aunt, the actress Merle Oberon. Now, Korda's aunt may be real, but the story is, well, let's just say Michael had fun filling in the details. What true and what's not, we may never know, but we do our best to sort it out. The series starred Mia Sara, fresh from New World's APPRENTICE TO MURDER, as Queenie, and Kirk Douglas as a movie producer based on Korda's uncle Alexander.  In a story that starts in India, travels to England and back again, Queenie  goes from a young student to a exotic dancer to actress. She could have had more jobs, but, as it turns out, it's hard for pretty people to get jobs. It's also difficult for some people to smoke cigars or play a woodwind instrument, but easy for some to know the timing of their demise. There's a lot going on, but we dig deep into it anyway, because, well, it's #NOvember! For other podcasts, t-shirts, and more, head here: https://newworldpicturespodcast.com/ For all the shows in Someone's Favorite Productions Podcast Network, head here:  https://www.someonesfavoriteproductions.com/

The OTRNow Radio Program 2024-016 The Shadow Of Fu Manchu. July 05, 1939. Program #25. Radio Attractions syndication. Sponsored by: Music fill for local commercial insert. An opium den raided, Nayland Smith rescued!. Hanley Stafford, Gale Gordon. The Shadow Of Fu Manchu. July 07, 1939. Program #26. Radio Attractions syndication. Sponsored by: Music fill for local commercial insert. The sealed chest of Dr. Fu, a trap is laid. Hanley Stafford, Gale Gordon. The Abbott and Costello Show. November 19, 1942. Red net, KFI, Los Angeles aircheck. William (Bud) Abbott and Lou Costello (born Louis Francis Cristillo) performed together as Abbott and Costello, an American comedy duo whose work on stage, radio, film and television made them the most popular comedy team during the 1940s, as well as a top ten box office draw for a full decade (1942 1952). Their iconic and influential patter routine "Who's on First?" with its rapid-fire word play and comprehension confusion set the framework for many of their best-known comedy bits. . Sponsored by: Camels, Prince Albert Pipe Tobacco. The program originates from the 6th Ferrying Group Air Transport Command, Long Beach, California. Mel does the voices of Porky Pig, Bugs Bunny, an electric organ and hiccups. Lou wants to play the romantic lead in Merle's next picture. The cast does, "The Brave Knight Cut Off The Dragon's Tail," or, "The Dragon Isn't Wagon Anymore." Costello plays, "Sir Porterhouse," Abbott plays, "Sir Loin." Bud Abbott, Lou Costello, Connie Haines, Leith Stevens and His Orchestra, Ken Niles (announcer), Merle Oberon (guest), Mel Blanc, The Camel Five.Doctor Six-Gun. September 2, 1954. Program #1. NBC net origination, AFRTS rebroadcast.DR. Karl Weber plays Dr. Ray Matson as the gun-carrying, wandering doctor known far and wide as Dr. Sixgun. Dr. Sixgun's story was told through the doctor's perpetually inebriated companion, Pablo. The show ran for one season beginning in 1954.  The first show of the series. Aaron Gault is determined to get rich off a young Indian boy with the measles. Ernest Kinoy (writer), Fred Weihe (director, transcriber), George Lefferts (writer), Karl Weber, William Griffis.Author's Playhouse. September 22, 1944. NBC net. "Cry For The Hunted". Sustaining. A man is almost crazy from his attempts to escape from the Nazis. Frederick J. Lipp (author). Sleep No More. November 21, 1956. NBC net. "Conqueror's Isle". Sustaining. A flyer is forced down on a strange island and discovers a race of superior humans preparing to take over the world. The story was previously used on "Escape" on March 15, 1949. The system cue has been deleted. Nelson Olmsted, Ben Grauer (announcer), Nelson Bond (author), Kenneth MacGregor (director). 

Merle Oberon and Vivien Leigh were Oscar nominated actresses, and most likely S. Asian. Learn about these amazing women and how Michelle Yeoh may not be the first Asian to be nominated and win the Best Actress Oscar. Major props to Michelle Yeoh and her incredible career, achievements and 2023 Best Actress Academy Award!

This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self. EPISODE 47 - “Laird Cregar (Star of the Month) ” - 08/05/2024 With his sad, dark eyes, hulking frame, and aristocratic speech, actor LAIRD CREGAR often played the complex villain tortured by a sinister past or an unrequited love that turns into an obsession. No one played characters with suppressed anguish, a tortured soul, or darkness lingering beneath the surface better than he did. While he only made 16 films in a period of five years, he is unforgettable. His desire to be thin was his achilles heel that turned tragic. This week join us as we take a deep dive into the short life and career of this amazing actor.  SHOW NOTES:  Sources: Laird Cregar: A Hollywood Tragedy (2017), by Gregory William Mank; “Atlas With A Grin,” by Fredda Dudley, December 1941, Screenland magazine; “Setbacks To Fame,” by Dorothy B.Haas, June 1942, Silver Screen magazine; “Bold, Bad, (Bluffing) Cregar,” by Barbara Berch, January 1945, Screenland magazine; “Ripping Tales: Laird Cregar: The Forgotten Ripper,” by Kevin G. Shimick, Fall 1991, Scarlett Street; “Queers In History: Laird Cregar,” December 9, 2012, by Elisa Rolle, livejournal.com; “Heavy: The Life and Films of Laird Cregar,” October 7, 2013, by Jennifer Garland, Virtual Virago; IMDBPro.com; Wikipedia.com; Movies Mentioned:  I Wake Up Screaming (1941), starring Betty Grable, Victor Mature, Carole Landis, and Laird Cregar; The Lodger (1944), starring Merle Oberon and Laird Cregar; Charley's Aunt (1941), starring Jack Benny, Kay Francis, James Ellison, and Laird Cregar; Rings On Her Fingers (1942), starring Gene Tierney, Henry Fonda, Laird Cregar, and Spring Byington; Hudson Bay (1940), starring Gene Tierney, Paul Muni, Vincent Price, and Laird Cregar; Blood and Sand (1940), starring Tyrone Power, Linda Darnell, and Laird Cregar; This Gun For Hire (1942), starring Alan Ladd, Veronica Lake, Robert Preston, and Laird Cregar; Ten Gentlemen From West Point (1942), starring George Montgomery, Maureen O'Hara, and Laird Cregar; The Black Swan (1942), starring Tyrone Power, Maureen O'Hara, and Laird Cregar; Heaven Can Wait (1943), starring Gene Tierney, Don Ameche, Charles Coburn, Marjorie Main Spring Byington, and Laird Cregar; Hello Frisco, Hello (1943), starring Alice Faye, John Payne, Lynn Bari, and Laird Cregar; Hangover Square (1945), starring Laird Cregar, Linda Darnell, and George Sanders; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tonight on "Friday Night Noir" on Vintage Classic Radio, we bring you a captivating episode from the "Lux Radio Theatre," titled "Dark Waters." Originally broadcast on November 27th, 1944, this thrilling noir drama stars the enchanting Merle Oberon in a tale of suspense and mystery. Set in the eerie backwaters of the Louisiana bayous, "Dark Waters" follows the story of Leslie Calvin, a woman who barely survives a U-boat attack, only to find herself entangled in a web of lies and danger at her aunt's plantation home. Struggling with her traumatized memories and surrounded by strangers she cannot trust, Leslie must uncover the sinister secrets lurking beneath the surface before it's too late. Alongside Merle Oberon, the episode features a stellar cast including Thomas Mitchell as the benevolent but mysterious Mr. Sydney, and Franchot Tone as the charming Dr. George Grover who becomes Leslie's ally in her quest for truth. Join us for an evening of dark twists and turns in "Dark Waters," right here on Vintage Classic Radio.

From Beneath The Hollywood Sign is thrilled to welcome our newest sponsor, www.HappyMammoth.com. Use code BENEATH at checkout for 15% off of your entire first order! EPISODE 40 - “Old Hollywood's Forbidden Love Story/ Lon McCallister & William Eythe” - 06/17/2024 As we celebrate gay pride month in June, Nan and Steve bring a special episode about 20th Century Fox contract players LON McCALLISTER and WILLIAM EYTHE. Both were handsome, talented, and on their way to becoming major film stars. But there was only one problem — the two young men had fallen in love and wanted to live their lives as a couple. This love was forbidden back then and went against the wishes of 20th Century Fox studio head DARRYL F. ZANUCK. Listen to this inspiring and heartbreaking story of their love story.  SHOW NOTES:  Sources: Behind the Scenes: How Gays and Lesbians Shaped Hollywood (2001), by William J. Mann; It Might As Well Be Spring (1987), by Margaret Whiting; “Terrific Trio,” May 1944, by Marcia Daughtrey, Modern Screen; “Keyhole Portrait: William Eythe,” June 4, 1944, by Harriet Parson, Los Angeles Examiner; “Bill Eythe's Triumph Over Pain,” April 1, 1945, New York Times; “The Role I Liked Best…” September 2, 1950, by Lon McCallister, The Saturday Evening Post; “Film Actor Eythe Jailed on Writ of Former Wife,” September 4, 1950, Los Angeles Daily News; “Actor Suffered Hangover in Durance Vile,” June 3, 1952, Los Angeles Daily News; “William Eythe, Producer, Held as Drunk Driver,” June 4, 1952, Los Angeles Times; “Eythe, McCallister Prep ‘Joy Ride' for Broadway,” March 12, 1956, Hollywood Reporter; “William Eythe Ill With Hepatitis, Condition Serious,” January 26, 1957, by Hedda Hopper, Los Angeles Times; “William Eythe Dies,” January 28, 1957, The Hollywood Reporter; Lon McCallister, 82, Actor Had Brief but Busy Career Before Becoming Investor,” June 18, 2005, by Mary Rourke, Los Angeles Times; “McCallister's Heart Outshine His Stardom,” June 21, 2005, by Robert Osborne, Hollywood Reporter; “Mars Actor Had Meteoric Career,” February 4, 2007, by Sandy Marwick, Butler-Eagle Focus; IMDBPro.com; Wikipedia.com; Movies Mentioned:  The Other Woman (1942), starring Virginia Gilmore, Dan Duryea, and Lon McCallister; Stage Door Canteen (1943), starring Katharine Hepburn, Paul Muni, Merle Oberon, and Lon McCallister; The Ox-Bow Incident (1945), starring Henry Fonda, Dana Andrews, Henry Morgan, and Mary Beth Hughes; The Moon Is Down (1936), starring Cedric Hardwicke, Henry Travers, and Lee J. Cobb; The Song of Bernadette (1943), starring Jennifer Jones, Vincent Price, Charles Bickford, and William Eythe;  The Eve of St. Mark (1943), starring William Eythe and Anne Baxter; A Wing and a Prayer (1944), starring Don Ameche, Dana Andrews, and William Eythe; Wilson (1944), starring Alexander Knox, Geraldine Fitzgerald, and William Eythe; Home In Indiana (1944), starring Lon McCallister, Jeanne Crain, and June Haver; Winged Victory (1944), starring Lon McCallister, Edmond O'Brien, and Jeanne Crain; A Royal Scandal (1945), starring Tallulah Bankhead, Lon McCallister, and Anne Baxter; The House On 92nd Street (1945), starring Signe Hasso and William Eythe; Centennial Summer (1946), starring Jeanne Crain, Cornel Wilde, Linda Darnell, and William Eythe; The Red House (1947), starring Edward G. Robinson, Lon McCallister, and Judith Anderson; Thunder in the Valley (1947), starring Edmund Gwenn, Peggy Ann Garner, and Lon McCallister; Scud Hoo! Scudda Hay! (1948), starring Lon McCallister, Walter Brennan, and June Haver; Meet Me at Dawn (1947) starring William Eythe and Hazel Court; The Big Cat (1949), starring Lon McCallister and Peggy Ann Garner; The Story of Sea Biscuit (1949), starring Lon McCallister and Shirley Temple; The Boy From Indiana (1950), starring Lon McCallister and Lois Butler; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In our April Special Subject, Part 1 of our look at the films of Samuel Goldwyn, we discuss Dark Angel (1935), These Three (1936), Dodsworth (1936), and Wuthering Heights (1939), a selection heavy on Dave favourites Merle Oberon, William Wyler, and Gregg Toland. We ask in what sense these are "quality" films, and in what ways they escape our expectations of that category, calling attention to the theme of psychological violence in These Three and Wuthering Heights and the role played by gender double standards in the tragedies of Dark Angel and Dodsworth. And in Fear and Moviegoing in Toronto we discuss Terry Zwigoff's Ghost World (2001) and draw a surprising conclusion about it.  Time Codes: 0h 00m 35s:      Brief Introduction to Samual Goldwyn 0h 12m 18s:      THE DARK ANGEL (1935) [dir. Sidney Franklin] 0h 31m 44s:      THESE THREE (1936) [dir. William Wyler] 0h 54m 40s:      DODSWORTH (1936) [dir. William Wyler] 1h 09m 24s:      WUTHERING HEIGHTS (1939) [dir. William Wyler] 1h 26m 12s:      Fear and Moviegoing in Toronto – Ghost World (2001) by Terry Zwigoff +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

The tenth episode of our season on the awesome movie year of 1939 features the New York Film Critics Circle Best Film winner, William Wyler's Wuthering Heights. Directed by William Wyler from a screenplay by Charles MacArthur and Ben Hecht and starring Laurence Olivier, Merle Oberon, David Niven, Flora Robson, Geraldine Fitzgerald and Hugh Williams, Wuthering Heights is the earliest surviving film adaptation of Emily Brontë's classic novel.The contemporary reviews quoted in this episode comes from Frank S. Nugent in The New York Times, Variety (https://variety.com/1939/film/reviews/wuthering-heights-2-1200412239/), and Graham Greene in The Spectator (http://archive.spectator.co.uk/article/5th-may-1939/16/the-cinema).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at

The Abbott and Costello Show. November 19, 1942. Lou wants to play the romantic lead in Merle's next picture.  Merle Oberon, Mel BlancDoctor Six-Gun. September 2, 1954. The first show of the series. Aaron Gault is determined to get rich off a young Indian boy with the measles.Knights Of The Road 1931-05-06 Robby Buys Instead of Selling Knights Of The Road 1931-05-07 Basket of Piesc and Bullcin BarnAuthor's Playhouse. September 22, 1944. NBC net. "Cry For The Hunted".  A man is almost crazy from his attempts to escape from the Nazis. Frederick J. Lipp (author). Crime Classics. December 3, 1952. CBS net. "The Crime Of Bathsheba Spooner". Sustaining. An audition recording. TThe story of the first woman tried and executed in the United states.Sleep No More. November 21, 1956. NBC net. "Conqueror's Isle". Sustaining. A flyer is forced down on a strange island and discovers a race of superior humans preparing to take over the world. Nelson Olmsted

EPISODE 21 - “Love Is In The Air” - 02/05/2024 Let's face it, Valentine's Day can be a mixed bag. Either you're blissfully in love and the day is a romantic dream, or, you are not in love and part of you wants to stomp all the roses and put the chocolate bon-bons in a sling shot and pummel Cupid. Whatever your head space this Valentine's Day, Steve and Nan have a movie for you. Listen in as they share some of their favorite romantic movies to get you in the mood, or give you something to aspire to next year. These movies have a perky female plumber, WWII vets returning from war, and even a wealthy dying woman aboard an ocean liner — something for everyone! SHOW NOTES:  Sources: The Great Romantic Films (1974), by Lawrence J. Quick; Halliwell's Film and Video Guide (1987), by Leslie Halliwell; The MGM Story (1982), by John Douglas Eames; The Warner Brothers Story (1980), by Clive Hirschhorn; They Dreamed of Home (1943), by Niven Busch; “Till The End of Time: The Post World War II Drama That Deserves More Recognition,” July 30, 2022, by Patrick Fogerty, www.collider.com;  IMDBPro.com; Wikipedia.com; Movies Mentioned:  'Til We Meet Again (1940), starring Merle Oberon, George Brent, Pat O'Brine, Geraldine Fitzgerald, Bonnie Barnes, and George Reeves;  Cluny Brown (1946), starring Jennifer Jones, Charles Boyer, Helen Walker, Peter Lawford, Una O'Connor, Richard Haydn, Reginald Gardiner, Reginald Own, Margaret Bannerman, Sara Allgood, C. Aubrey Smith, Florence Bates, and Ernest Cossart; The Clock (1945), starring Judy Garland, Robert Walker, James Gleason, Lucile Gleason, Keenan Wynn, Ruth Brady, and Marshall Thompson; Enchantment (1948), starring David Niven, Teresa Wright, Evelyn Keyes, Farley Granger, Jayne Meadows, Leo G. Carroll, Phillip Friend, Henry Stevenson, Shepperd Strudwick and Gigi Perreau; Till The End Of Time (1945), starring Guy Madison, Dorothy McGuire, Robert Mitchum, Bill Williams, Tom Tully, Ruth Nelson, Jean Porter, William Gargan, Selena Royale, and Johnny Sands; Brief Encounter (1945), starring Celia Johnson, Trevor Howard, Noël Coward, Joyce Carey, Cyril Raymond, Stanley Holloway, Margaret Barton, Henrietta Vincent, and Everly Gregg; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Las mentiras y el inventar historias le ha dado popularidad (o humillación) a muchas personas, en esta ocasión hablaremos de Stephen Rannazzisi, Cristhian Hova, Anna Allen, Merle Oberon, Pat Andrew y un Brad Pitt falso. ¡RATEROS!

Bob Hope welcomes special guest, Merle Oberon. Episode 601 of The Bob Hope Show. The program originally aired on May 21, 1954.Please email questions and comments to host@classiccomedyotr.com.Like us on Facebook at facebook.com/classiccomedyotr. Please share this podcast with your friends and family.You can also subscribe to our podcast on Spreaker.com, Spotify, iTunes, Stitcher, TuneIn, iHeartRadio, and Google podcasts.This show is supported by Spreaker Prime.

Sleepy Serenades from Sebastian with Dan BarkerWelcome back, dreamers! This week, The Insomnia Project welcomes back a familiar voice and Sebastian, Florida's most charming storyteller, Dan Barker. Buckle up for a cozy conversation that winds through moonlight and music, from starlit bluegrass on Marsh Landing to the secrets of Merle Oberon's closet (you read that right!).Get ready for:A harmonious trip down memory lane, complete with the toe-tapping tale of "5 Pounds of Possum" and the magic of singing your heart out in Boston.Holiday book recommendations for those quiet fireside moments and dreamy getaway ideas to melt away winter's chill.Dan's hilarious (and slightly fishy) account of a vehicle's underwater adventure – we promise, it's not what you think!This episode is guaranteed to lull you into sweet slumber with:Gentle conversation to soothe racing thoughtsCalming anecdotes to drift into dreamlandA touch of whimsy to chase away worriesSweet dreams await! And when you wake, don't forget to connect with us:Twitter: @listenandsleepInstagram: @theinsomniaprojectWeb: theinsomniaproject.comPatreon: www.patreon.com/theinsomniaprojectSleep well, friends. See you next time on The Insomnia Project.P.S. Did you catch all the hidden lullabies woven into the conversation? Let us know what you found in the comments!P.P.S. We wish you a restful holiday season filled with good books, good music, and sweet, sweet dreams. Become a member at https://plus.acast.com/s/the-insomnia-project. Hosted on Acast. See acast.com/privacy for more information.

Joey Dee and the Starliters were a hot act in 1962 with the hit “Peppermint Twist.” — The Beatles opened for them and Dee helped out a young Jimi Hendrix. Joey Dee with his group, The Starliters, helped launch the "Twist" craze in 1961 with their hit song "The Peppermint Twist". Joey is often billed as “The Godfather of The Twist.” Joey Dee started out wanting to be a history teacher. Every cent he made as a teenage Bandleader went into his studies. But bookings for his band grew and Joey decided to make music his profession. In 1958 Joey recruited David Brigati for the band and the two began to share lead vocal honours for the Starliters.  In 1960, the Starliters were noticed by an agent while performing at a New Jersey nightclub and they were booked to appear at a small venue on 45th Street in New York City called the Peppermint Lounge for what was supposed to be a one-time weekend gig. During their first appearance at the nightclub, actress Merle Oberon and Prince Serge Oblinski danced the night away together there and this was reported the next morning in the press. The following night, it took barricades and mounted police to keep the crowds in line. Celebrities like Judy Garland, John Wayne, Jackie Kennedy, Nat "King" Cole, Shirley MacLaine, Tennessee Williams, Truman Capote, and Liberace instantly became regular guests. Joey and the guys (actor Joe Pesci and Jimi Hendrix were both band members for a while) were such a sensation that they became the house band for the Peppermint Lounge for over a year. Joey wrote "Peppermint Twist," as a tribute to the lounge and the song shot to #1 in early 1962. Joey Dee and the Starliters filmed the movie Hey, Let's Twist which capitalised on the current twist craze and made the once-obscure Peppermint Lounge world famous. In 1962, Joey Dee and the Starliters starred in their second film. The following year Joey Dee recorded an album with the Ronettes as his backup group. The Starliters toured Europe, performing one extraordinary night in Stockholm with The Beatles as their opening act. In 1964. Joey Dee toured with various Starliters, including future Young Rascals Gene Cornish, Felix Cavaliere, and David's brother, Eddie Brigati. Joey Dee continued to record and issue solo recordings from the mid-1960s to the mid-1970s. Today Joey Dee and the Starliters consists of Joey sometimes performing with Bob Valli (brother of Frankie Valli) and original Starliter David Brigati. Joey continues to travel and make personal appearances with various Starliters. Joey Dee joins us this week to share his incredible story. If you'd like to know more about Joey Dee, head for his website https://joeydee.com/ and grab yourself a copy of his book, Peppermint Twist Chronicles It's Joey's story of sex, rock and roll, Jimi Hendrix, Fighting Racism and The Mob. A tell all about the Beatles, the FBI, Joe Pesci and Dick Clark. If you'd like to get in touch with me - comments, feedback or suggestions for future guests, please reach out through my website https://www.abreathoffreshair.com.au I hope you enjoy Joey Dee's story.

Our guest describes his extreme childhood experience in Appalachia involving musical enchantment, levitation, loss of time and senses and deep connection to raw nature.We hear how he was enchanted into the woods and ended up in a potentially life-threatening situation. Despite the intensity of the experience, he hold the view that it opened him up to a new way of seeing the world. A truly remarkable story and a much treasured share.A second experience was described during our conversation. It is just as amazing as the first and will be released nearer winter solstice.TRIGGER WARNINGThis story contains descriptions of a child finding themselves alone in the forest and getting into potential danger in water. Although thankfully they were not harmed, it may be a trigger point for those who are sensitive to these subjects.⭐️ BONUS EPISODE ⭐️In the bonus episode I read from Yeats' The Celtic Twilight and a story collected by 19th century folklorist, Thomas Crofton Croker. To hear that bonus, hop over to Patreon where you can join the community and support the show.✨ SHOW NOTES: https://www.scarlettofthefae.com/beckoned-by-forest-and-lake-an-appalachian-enchantment/Image on website shownotes:  'Place of Ghliocais' kindly permitted by Merle Oberon at Moth Creative https://www.instagram.com/mothcreative/Content warning: These are not fairytales and the content is unsuitable for children. Some episodes may contain details which some may find unsettling or frightening. The Modern Fairy Sightings Podcast is designed for listeners 16 years and older.Podcast intro music: Transmutate by Snowflake (c) copyright 2020 Licensed. This work is licensed under a Creative Commons Attribution 3.0 Unported License.Green Man Artwork: Peter Hall StudiosPlease like, share and subscribe and if you can, please leave a review

”No matter what I ever do or say, Heathcliff, this is me – now – standing on this hill with you. This is me, forever.”My, My, My... Those Heights, They Are A-Wuthering...Adapting Emily Brontë's novel for the big screen isn't an easy task, but it's one that many people have taken on as “Wuthering Heights” has been adapted for the big or small screen over 30 times. And that doesn't even take into account the operas, plays, musicals, radio adaptations, and more. As popular as the novel is, it's a challenging one, and that's certainly on display with William Wyler's 1939 adaptation. It used less than half the chapters and hence modified many elements for the ending. Still, it works. In fact, we might even feel it works better than the novel. Join us – Pete Wright and Andy Nelson – as we wrap up our 1940 Academy Award Best Picture Nominee series with a conversation about Wyler's 1939 film Wuthering Heights.Here's a hint at what we talk about.There's a lot left out, but the book is a challenging read and we feel that this adaptation captures the essence of the tragic romance, leaving out a lot of the more complex elements that work well on the page but not so much on the big screen. It's still not our favorite, but with director Wyler helming it, we find plenty to connect to.The performers are all delivering big but portrayals that work well with this big romance. Laurence Olivier and Merle Oberon may not have gotten along on set but they work well as Heathcliff and Cathy. We also love David Niven and Geraldine Fitzgerald. In the scope of adaptation, the film leaves in some of the framing device that's quite important for the novel. Here, we're not so sure it's needed. In fact, it largely feels like an unnecessary appendage. The cinematography by Gregg Toland paired with Wyler's effective direction bring life to the film. The black-and-white cinematography is full of darks and lights. It certainly deserved its Oscar win. And Alfred Newman's beautiful score brings the tragic romance elements to the story right to the forefront. These elements all buoy the film for us, which otherwise may not be our cup of tea as much as some of the other Best Picture nominees. Speaking of, we do walk through the 10 nominees and debate which we'd pick to win. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Apple or Amazon, or find other places at JustWatchTranscriptTheatrical trailerPoster artworkFlickchartLetterboxd(00:00) - Welcome to The Next Reel • Wuthering Heights(01:34) - Wuthering(02:38) - The Book(04:09) - Brontë Sisters(05:00) - Initial Thoughts(09:11) - Adapting It(11:56) - Laurence Olivier as Heathcliff(15:44) - Cathy and Isabella(18:21) - Framing Device(22:22) - William Wyler(28:52) - Scripting(32:45) - Who's Our Protagonist?(33:51) - Merle Oberon(35:11) - Geraldine Fitzgerald(36:11) - Flora Robson(36:48) - David Niven(39:24) - Gregg Toland(45:36) - Alfred Newman's Score(47:15) - 1940 Academy Awards(58:17) - Credits(59:13) - Other Adaptations(01:01:49) - Awards(01:03:33) - The Box Office(01:04:16) - Last Thoughts(01:04:38) - Coming Next Week • Anna and the King of Siam(01:07:38) - Letterboxd(01:09:09) - Wrap UpThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement

”No matter what I ever do or say, Heathcliff, this is me – now – standing on this hill with you. This is me, forever.”My, My, My... Those Heights, They Are A-Wuthering...Adapting Emily Brontë's novel for the big screen isn't an easy task, but it's one that many people have taken on as “Wuthering Heights” has been adapted for the big or small screen over 30 times. And that doesn't even take into account the operas, plays, musicals, radio adaptations, and more. As popular as the novel is, it's a challenging one, and that's certainly on display with William Wyler's 1939 adaptation. It used less than half the chapters and hence modified many elements for the ending. Still, it works. In fact, we might even feel it works better than the novel. Join us – Pete Wright and Andy Nelson – as we wrap up our 1940 Academy Award Best Picture Nominee series with a conversation about Wyler's 1939 film Wuthering Heights.Here's a hint at what we talk about.There's a lot left out, but the book is a challenging read and we feel that this adaptation captures the essence of the tragic romance, leaving out a lot of the more complex elements that work well on the page but not so much on the big screen. It's still not our favorite, but with director Wyler helming it, we find plenty to connect to.The performers are all delivering big but portrayals that work well with this big romance. Laurence Olivier and Merle Oberon may not have gotten along on set but they work well as Heathcliff and Cathy. We also love David Niven and Geraldine Fitzgerald. In the scope of adaptation, the film leaves in some of the framing device that's quite important for the novel. Here, we're not so sure it's needed. In fact, it largely feels like an unnecessary appendage. The cinematography by Gregg Toland paired with Wyler's effective direction bring life to the film. The black-and-white cinematography is full of darks and lights. It certainly deserved its Oscar win. And Alfred Newman's beautiful score brings the tragic romance elements to the story right to the forefront. These elements all buoy the film for us, which otherwise may not be our cup of tea as much as some of the other Best Picture nominees. Speaking of, we do walk through the 10 nominees and debate which we'd pick to win. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Apple or Amazon, or find other places at JustWatchTranscriptTheatrical trailerPoster artworkFlickchartLetterboxd(00:00) - Welcome to The Next Reel • Wuthering Heights(01:34) - Wuthering(02:38) - The Book(04:09) - Brontë Sisters(05:00) - Initial Thoughts(09:11) - Adapting It(11:56) - Laurence Olivier as Heathcliff(15:44) - Cathy and Isabella(18:21) - Framing Device(22:22) - William Wyler(28:52) - Scripting(32:45) - Who's Our Protagonist?(33:51) - Merle Oberon(35:11) - Geraldine Fitzgerald(36:11) - Flora Robson(36:48) - David Niven(39:24) - Gregg Toland(45:36) - Alfred Newman's Score(47:15) - 1940 Academy Awards(58:17) - Credits(59:13) - Other Adaptations(01:01:49) - Awards(01:03:33) - The Box Office(01:04:16) - Last Thoughts(01:04:38) - Coming Next Week • Anna and the King of Siam(01:07:38) - Letterboxd(01:09:09) - Wrap UpThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement

Book Vs. Movie: The Children's HourThe 1934 Play Vs. the 1936 ("These Three") & 1961 AdaptationLillian Hellman's first play, The Children's Hour, caused a sensation in 1934 when it debuted on Broadway with the tale of two schoolteachers accused of being lesbians when homosexuality was illegal in much of the U.S. The show was so scandalous that a Chicago run was canceled. Hellman always stated that the play's moral was about the power of lies and how they can affect an entire community. In 1936, Hellman wrote the screenplay for its first adaptation, These Three, starring Merle Oberon, Miriam Hopkins, and Joel McRea, jettisoning the lesbian subplot. It was directed by William Wyler, who reluctantly allowed the changes due to the Hays Code but was eager to take on the material again one day. In this episode, the Margos talk about the 1936 & 1961 adaptations with most of the original script intact, both directed by Wyler. The story takes place in New England with two friends who run an all-girls boarding school and have a student who gossips about their relationship. While the parents are upset about having lesbians around their children, Karen and Martha fight for their careers and reputation. What are the other differences between the original play and the film? Which version did the Margos like better? Have a listen!In this ep the Margos discuss:Playwright Lillian Hellman and her politicsThe censoring of the original work to filmThe cast of the 1961 film: Audrey Hepburn (Karen,) Shiley MacLaine (Martha,) James Garner (Joe,) Miriam Hopkins (Lily,) Fay Bainter (Amelia,) Karen Balkin (Mary,) Veronica Cartwright (Rosalie,) and Mimi Gibson as Evelyn.Clips used:Aunt Lily confronts MarthaThese Three trailer (1936)The Children's Hour (1961 trailer)BBC 1971 playMary and Cousin Joe talkThe coming-out sceneKaren announces her wedding dayMusic: Alex NorthBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5406542/advertisement

Book Vs. Movie: The Children's HourThe 1934 Play Vs. the 1936 ("These Three") & 1961 AdaptationLillian Hellman's first play, The Children's Hour, caused a sensation in 1934 when it debuted on Broadway with the tale of two schoolteachers accused of being lesbians when homosexuality was illegal in much of the U.S. The show was so scandalous that a Chicago run was canceled. Hellman always stated that the play's moral was about the power of lies and how they can affect an entire community. In 1936, Hellman wrote the screenplay for its first adaptation, These Three, starring Merle Oberon, Miriam Hopkins, and Joel McRea, jettisoning the lesbian subplot. It was directed by William Wyler, who reluctantly allowed the changes due to the Hays Code but was eager to take on the material again one day. In this episode, the Margos talk about the 1936 & 1961 adaptations with most of the original script intact, both directed by Wyler. The story takes place in New England with two friends who run an all-girls boarding school and have a student who gossips about their relationship. While the parents are upset about having lesbians around their children, Karen and Martha fight for their careers and reputation. What are the other differences between the original play and the film? Which version did the Margos like better? Have a listen!In this ep the Margos discuss:Playwright Lillian Hellman and her politicsThe censoring of the original work to filmThe cast of the 1961 film: Audrey Hepburn (Karen,) Shiley MacLaine (Martha,) James Garner (Joe,) Miriam Hopkins (Lily,) Fay Bainter (Amelia,) Karen Balkin (Mary,) Veronica Cartwright (Rosalie,) and Mimi Gibson as Evelyn.Clips used:Aunt Lily confronts MarthaThese Three trailer (1936)The Children's Hour (1961 trailer)BBC 1971 playMary and Cousin Joe talkThe coming-out sceneKaren announces her wedding dayMusic: Alex NorthBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

Welcome to Season 3, Episode 11! We definitely want to celebrate Everything Everywhere All At Once and their huge wins at the Academy Awards. Before that, we focus on the first Asian ever to be nominated for an Academy Award, Merle Oberon… not just the first Asian woman nominated for best actress. Her 1935 nomination for playing Kitty Vane in Dark Angel was the first Academy Awards nomination for any Asian Pacific Islander ever. Her life was a little wild, and not just because she was white passing and never admitted to being part South Asian and part Maori, a secret that she kept to her grave. We do take plenty of time to celebrate the Daniels, Ke Huy Quan, Michelle Yeoh, and the entire cast and crew of Everything Everywhere All At Once and their 7 Academy Award Wins! For previous episodes and information, please visit our site at https://asianamericanhistory101.libsyn.com or social media links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com. Segments 00:25 Intro 02:03 The History of Merle Oberon 18:25 Celebrating Everything Everywhere All At Once

Before Michelle Yeoh's historic win at the Oscars, there was another Asian actress nominated for the prize. Merle Oberon, the famous Golden Age actress, was the first Asian woman to ever be nominated for her performance in the 1935 film, “The Dark Angel.” The only thing was - no one knew she was Asian... In this episode we get into Merle's complicated but fascinating story and learn about the problematic systems within Hollywood that caused Merle Oberon to hide her Asian identity to get cast in leading roles.  A Sony Music Entertainment and Somethin' Else production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Abbott and Costello | Knights in Shining Armor with Merle Oberon | This episode aired, November 19, 1942.The Abbott and Costello Show was broadcast from July 3, 1940 to June 9, 1949, first on NBC radio and later on ABC radio.: : : : :My other podcast channels include: DRAMA X THEATER -- SCI FI x HORROR -- MYSTERY X SUSPENSE -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESEnjoy my podcast? You can subscribe to receive new post notices. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr

A major figure behind his nephew Philip's marriage to Queen Elizabeth II and instrumental in the royal family taking the Mountbatten name, Dickie Mountbatten's career included being Supreme Allied Commander of South East Asia during World War Two and the last Viceroy of India. Once the richest woman in Britain and a playgirl who enjoyed numerous affairs, Edwina Mountbatten emerged from World War Two as a magnetic and talented charity worker loved around the world. From the prize-winning and best-selling historian Andrew Lownie comes a nuanced portrayal of two very unusual people and their complex marriage to mark the 40th anniversary of Lord Mountbatten's assassination by the IRA. From British high society and the South of France to the battlefields of Burma and the Viceroy's House, this is a rich and filmic story whose characters include all the key figures of the Second World War. From Churchill and Montgomery to Roosevelt and Eisenhower; the Royal Family, including the Duke of Windsor, George VI, the Queen, Prince Philip and Prince Charles; to Charlie Chaplin, Noel Coward, Salvador Dali, George Gershwin, Grace Kelly and Merle Oberon.

A major figure behind his nephew Philip's marriage to Queen Elizabeth II and instrumental in the royal family taking the Mountbatten name, Dickie Mountbatten's career included being Supreme Allied Commander of South East Asia during World War Two and the last Viceroy of India. Once the richest woman in Britain and a playgirl who enjoyed numerous affairs, Edwina Mountbatten emerged from World War Two as a magnetic and talented charity worker loved around the world. From the prize-winning and best-selling historian Andrew Lownie comes a nuanced portrayal of two very unusual people and their complex marriage to mark the 40th anniversary of Lord Mountbatten's assassination by the IRA. From British high society and the South of France to the battlefields of Burma and the Viceroy's House, this is a rich and filmic story whose characters include all the key figures of the Second World War. From Churchill and Montgomery to Roosevelt and Eisenhower; the Royal Family, including the Duke of Windsor, George VI, the Queen, Prince Philip and Prince Charles; to Charlie Chaplin, Noel Coward, Salvador Dali, George Gershwin, Grace Kelly and Merle Oberon.

A major figure behind his nephew Philip's marriage to Queen Elizabeth II and instrumental in the royal family taking the Mountbatten name, Dickie Mountbatten's career included being Supreme Allied Commander of South East Asia during World War Two and the last Viceroy of India. Once the richest woman in Britain and a playgirl who enjoyed numerous affairs, Edwina Mountbatten emerged from World War Two as a magnetic and talented charity worker loved around the world. From the prize-winning and best-selling historian Andrew Lownie comes a nuanced portrayal of two very unusual people and their complex marriage to mark the 40th anniversary of Lord Mountbatten's assassination by the IRA. From British high society and the South of France to the battlefields of Burma and the Viceroy's House, this is a rich and filmic story whose characters include all the key figures of the Second World War. From Churchill and Montgomery to Roosevelt and Eisenhower; the Royal Family, including the Duke of Windsor, George VI, the Queen, Prince Philip and Prince Charles; to Charlie Chaplin, Noel Coward, Salvador Dali, George Gershwin, Grace Kelly and Merle Oberon.

Lux Radio Theatre episode 86 is this weeks post, The Dark Angel. The cast includes Merle Oberon and Herbert Marshall. An adaptation of the 1935 film of the same name, also starred Merle and Herbert. This episode aired June 22, 1936. Plot: Kitty Vane, Alan Trent, and Gerald Shannon have been inseparable friends since childhood. Both Alan and Gerald are in love with Kitty, who in turn has been infatuated with Alan her entire life. : : : : : My other podcast channels include: MYSTERY x SUSPENSE -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLES Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot. Thank you for your support. https://otr.duane.media/ (https://otr.duane.media) | Instagram https://www.instagram.com/duane.otr/ (@duane.otr)

In the fifth installment in our “People You Should Know” series, we discuss Merle Oberon, an actress born under the British Raj who spent most of her life concealing her true identity. Follow @thescoopwsam across all socials. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/thescoopwsam/support

DANCE, DOROTHY, DANCE, the Dorothy Arzner podcast, has arrived at its penultimate episode as Marc and B discuss Arzner's final film, the 1943 dramatic war thriller FIRST COMES COURAGE (1943). Finished by Charles Vidor after Arzner fell ill during production, the film stars Merle Oberon as a British spy undercover in Nazi Europe as the girlfriend of a Nazi officer. We hope you enjoy, and thank you for your time. NOTE: This podcast was recorded on June 8th, 2021.

We're finding commonalities, folks! We dig deep into Katie's all-time favorite film, Wuthering Heights (1939) starring Merle Oberon and Laurence Olivier, and we find out EVERYTHING about ALL the universes EVER! Come get to this!! Shoutout to our amazing friend Alex Goldman for the wonderful theme song, "Love Theme from Anything But That." Check out Alex's other work on Soundcloud: https://soundcloud.com/thealexgoldman  Find us on Instagram at @anythingbutthatpod Email us any feedback and tell us things your spouse/partner/roommate loves that you hate at anythingbutthatpodcast@gmail.com. --- Support this podcast: https://podcasters.spotify.com/pod/show/anything-but-that/support

Director:  William Wyler Producer:  Samuel Goldwyn Screenplay:  Charles MacArthur, Ben Hecht Photography:  Gregg Toland Music:  Alfred Newman Cast:  Merle Oberon, Laurence Olivier, David Niven, Flora Robson, Donald Crisp Rotten Tomatoes:  Critics: 95%/Audience: 85%

In this episode, we talk about Elizabeth's feelings towards Wickham and Colonel Fitzwilliam, the married life of the Collinses, why we find Lady Catherine de Burgh more funny than Mr Collins, and what we know about Anne de Burgh.We discuss Mr Darcy in some detail, and then Ellen talks about the the presentation of livings to country rectors. Harriet looks at how the film and television adaptations present Mr Darcy, and also which is her favourite screen version of Lady Catherine de Burgh.Things we mention: Books: The character of Uriah Heep in Charles Dickens, David Copperfield (1850) Amanda Grange, Mr Darcy's Diary (2005) Phyllis Ferguson Bottomer, So Odd a Mixture: Along the Autistic Spectrum in ‘Pride and Prejudice' (2007) Sheila Kaye-Smith and G.B. Stern, Talking of Jane Austen (1943) and More Talk of Jane Austen (1950) Robert Rodi, Bitch In a Bonnet: Reclaiming Jane Austen From the Stiffs, the Snobs, the Simps and the Saps, Volume 1 (2011)The character of Heathcliff in Emily Brontë, Wuthering Heights (1847) The character of Rochester in Charlotte Brontë, Jane Eyre (1847) Jilly Cooper, Prudence (1978)Anthony Trollope, Barchester Towers (1857)The works of Charlotte M. YongeLaurence Olivier, On Acting (1986) The works of Georgette Heyer Sue Birtwistle, Sue Conklin, Susie Conklin, The Making of Pride and Prejudice (1995) Movies and television:MGM, Pride and Prejudice (1940) – starring Greer Garson and Laurence Olivier The Samuel Goldwyn Company, Wuthering Heights (1940) – starring Merle Oberon and Laurence Olivier BBC, Pride and Prejudice (1980) – starring Elizabeth Garvie and David RintoulBBC, Pride and Prejudice (1995) – starring Jennifer Ehle and Colin FirthFocus Features, Pride & Prejudice (2005) – starring Keira Knightley and Matthew MacfadyenPathé Pictures International, Bride and Prejudice (2004) – starring Aishwarya Rai and Martin HendersonYouTube, Lizzie Bennet Diaries (2012) – starring Ashley Clements and Daniel Vincent Gordh Creative commons music used:Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić,