Podcast appearances and mentions of Otto Preminger

“STEVE & NAN CELEBRATE MARILYN MONROE'S 100th BIRTHDAY” - 6/22/2026 (145) In honor of what would have been Marilyn Monroe's 100th birthday, From Beneath the Hollywood Sign celebrates the enduring magic of one of Hollywood's most beloved and influential stars. In this special episode, we revisit some of our favorite Marilyn Monroe films, exploring the performances, charisma, comedic brilliance, and screen presence that made her a timeless icon. From sparkling comedies to memorable dramatic turns, we discuss the movies that continue to enchant audiences and showcase the remarkable talent behind the legend. Join us as we celebrate Marilyn's centennial and reflect on the cinematic legacy that keeps her shining brightly a century after her birth. SHOW NOTES: Sources: Goddess: The Secret Lives of Marilyn Monroe (2012), by Anthony Summers; Robert Mitchum: ‘Baby, I Don't Care' (2002), by Lee Server; A Director's Cut: A Memoir of 60 Years in Film and Television (2000), by Roy Ward Baker; Marilyn Monroe: The Biography (1993), by Donald Spoto; Preminger: An Autobiography (1977), by Otto Preminger; Wikipedia.com TCM.com; IMDBPro.com; IBDB.com; Brittanica.com; Movies Mentioned: Ladies of the Chorus (1948), starring Adele Jergens, Marilyn Monroe, Rand Brooks, Nana Bryant, Eddie Garr, & Steven Geray; Don't Bother To Knock (1952), starring Marilyn Monroe, Richard Widmark, Elisa Cook Jr, Anne Bancroft, Jim Backus, Lurene Tuttle, Donna Corcoran & Jeanne Cagney; River of No Return (1954), starring Robert Mitchum, Marilyn Monroe, Rory Calhoun, & Tommy Rettig; Niagara (1953), starring Marilyn Monroe, Jean Peters, Joseph Cotten, Max Showalter, Denis O'Dea, Richard Allan, Don Wilsion, Lurene Tuttle & Will Wright; Bus Stop (1956), starring Marilyn Monroe, Don Murray, Arthur O'Connell, Betty Field, Eileen Heckart, Hope Lange, Robert Bray & Max Showalter; The Seven Year Itch (1955), starring Marilyn Monroe, Tom Ewell, Evelyn Keyes, Sonny Tufts, Robert Strauss, Oscar Holmolka, Marguerite Chapman & Victor Moore; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Vamos llegando al final de a temporada y ni confirmamos ni desmentimos que nos este afectando, peeeeero este capítulo del Deforme se llama DESTROZADAS. Isabel nos heal hoy de la historia de JEAN SEBERG, la legendaria actriz de 'Al final de la escapada' entre otros hitazos. Empezó a los 17 años siendo la elegida de entre, atentas, 18.000 jovenes, por Otto Preminger para protagonizar a Juana de Arco, película en la que oh, sorpresa lo pasó fatal. Posteriormente se casó con un francés que abría botellas de champagne con un látigo y tenía una tortuga amaestrada. OK. Y a partir de ahí, todo para arriba… O para abajo, según se mire: pelis buenas, pelis malas, Clint Eastwood, hipismo a tope, los Panteras Negras, amenazas del FBI… Seguimos con mujeres destrozadas y Lucia nos presenta a WALLIS FRANKEN, la mujer de un famosísimo diseñador de moda gay Claude Montana, que era otro prenda. El maltrato comenzó justo cuando se casaron y la dependencia de él que ella tenía hizo que la cosa se prolongara: no podía dejarle. El caso es que Wallis se suicidó con 48 años tirándose a un patio peeeeero la noticia prácticamente no sé contó. Tuvo un funeral casi privado a los 15 días y poco mas. Surgieron algunos rumores pero en general nadie hablaba de esto: fue la omertá de la moda. Este capítulo contiene una promo del largometraje Mallorca Confidencial. _____________________________________________ Este programa y todo lo demás es posible gracias a personas como tú. Accede a todos los programas íntegros y a contenido extra en nuestro Patreon: https://patreon.com/deformesemanal Y ven a vernos a los teatros: https://linktr.ee/deformesemanalidealtotal Gracias. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan Mail In this episode, Frank Dietz joins the podcast. He brings along the movie Breakheart Pass. Marty and Clif give Frank the movie Anatomy of a Murder to watch. First is Anatomy of a Murder.  A gripping courtroom drama from Otto Preminger starring James Stewart. With standout performances from George C. Scott and Lee Remick, the film pushes boundaries with its themes, sharp dialogue, and unforgettable trial sequences.Then it's on to Breakheart Pass, where Charles Bronson leads a western that turns into a full-on murder mystery. Set aboard a snowbound train, it's less shootout and more whodunit. Think Agatha Christie meets the Old West, with paranoia, twists, and a killer hiding in plain sight.#TalkingPondo #FilmPodcast #MovieReview #ClassicCinema #AnatomyOfAMurder #BreakheartPass #CharlesBronson #JamesStewart Support the showFind our films here:The Love Song of William H ShawRevenge of ZoeWriting Fren-ZeeMaking Pondo on FacebookX (formerly Twitter):@MakingPondoInstagramMaking Pondo on Letterboxd:Season OneSeason TwoSeason ThreeSeason FourTheme Song "The Rain" by Russ PacePhotos by Geoffrey Notkin

Welcome to The Reel Schmooze with ToI film reviewer Jordan Hoffman and host Amanda Borschel-Dan, where we bring you all the entertainment news and film reviews a Jew can use. This week, before diving into the nuts and bolts of the iconic epic Hollywood adventure, we learn how the 1960 film "Exodus" is part of Hoffman's genesis story. Hoffman lays out the film's plot, which is based on a 1958 Leon Uris novel. We learn about director Otto Preminger, who was a very big deal in Tinsel Town during his era, which is how he managed to capture an all-star cast including a dashing Paul Newman, high-heeled Eva Marie Saint, Sal Mineo's fury and the "good Arab" John Derek, whom we recently saw in "The Ten Commandments." We give a big shoutout to Ernest Gold's soundtrack -- as well as the many covers of it. We then hear a sharp criticism from Borschel-Dan on the poor historical accuracy of the film: The real boat, the Exodus 1947, never weighed anchor in Cyprus, where the first third of the film takes place. Hoffman notes that the film raises abiding issues, including ideology pitting brother against brother and the everlasting hope of coexistence in the land. Stick around to see if "Exodus" got an "oy," "meh" or "not bad" in this week's The Reel Schmooze. The Reel Schmooze is produced by Ari Schlacht and can be found wherever you get your podcasts.See omnystudio.com/listener for privacy information.

Send us Fan MailWe do enjoy discussing the foundational effect modern directors have on their films --- the whole auteur theory of the style and technique of a director in producing idiosyncratic work. And in film noir, there are plenty of directors who made their reputation in film and the establishment of their hallmark style within the genre. In the last few months, we've visited several such directors who drove deep into the style of film noir --- some later branched out into other work while keeping their significant style. Others plowed a furrow mostly in noir and in retrospect furthered the recognition of the genre itself. To name but a few, we've recently clocked in Fritz Lang, Anthony Mann, Robert Siodmack, and Jules Dassin. You might add Otto Preminger, Jacques Tourneur, and the great Billy Wilder. They brought their characteristic feel to noir and contributed to the idea of the director as author of the entirety of the film --- all else subsumed to their vision. But one of the more impactful and deeply moving of films noir was authored by a director who was an auteur before the phrase was created. A director who was famous and notorious in film – making from his first feature onward. The first feature delivered, by the way, at age 25. A proclaimed genius of film. Many have recognized his first film as perhaps among if not the greatest film in history. He had a nodding acquaintance with films that would be known as noir in later years --- but they merely reflected the fantastic and magical way he saw film and created with cinema. His style was seen across many genres and subject areas --- but it was especially valid for film noir. He was a natural in the movement. His name --- George Orson Welles.Website and blog: www.thosewonderfulpeople.comBluesky: @wonderfulpeople.bsky.social

El reportaje biográfico de esta semana está dedicado a Otto Preminger, uno  de los directores más versátiles y talentosos del cine clásico. También uno de los más coléricos y explosivos. En su haber películas como “Laura”, “Anatomía de un asesinato”, “Carmen Jones” o “Éxodo”. Hace 75 años Luis Buñuel ganaba el premio al mejor director en el festival de Cannes por su película mejicana “Los olvidados”. Aprovechando este aniversario le damos un repaso a este film que devolvió el prestigio internacional al director aragonés. Hablamos del gran Alfredo Landa a través de un documental sobre su figura que han dirigido Gracia Querejeta y Miguel Olid y en la sección de Jack Bourbon tenemos esta semana “Capitanes intrépidos” de Victor Fleming, una de las películas más hermosas y conmovedoras del cine clásico de aventuras, por la que Spencer Tracy ganó el Oscar al mejor actor.

Movie reviews number fifty nine!
Diving in with the heavy today we have Otto Preminger's (Tell me that you love me, Junie Moon 1970)
Starring Liza Minnelli and Pete Seeger. A very brave and early film with Queer content, and like Boys in the Band, it can get a bit rough.
next is (The Neon Ceiling 1971) “Your Turning Violet, Violet!” Denise Nickerson, Lee Grant, and Gig Young star in this hot mess of a made for tv film. 
On to (Sleuth 1972) Two extremely British men talk and meanly prank each other for 2 hours and twenty minutes.
Next up is (Day for Night 1973) Here is a film we are told by all film connoisseurs on the planet that we must love, and fine I guess I do just leave me alone about it. This film reminds me of Opening Night 1977 and I am then reminded how much more I liked that film.
Oh look what's next (Rafferty and the Gold dust Twins 1975) Spoiler alert, if you want a free meal at a fine restaurant, just eat all ya want, walk to another table and gently set it on fire. 
Two more left in this batch and here's (Abba the movie 1977) another concert film that got a theatrical release, this one had some big money put into it, annnnnd an actual plot, though it is of the “Freebox” variety.
Finally today we review (Long Journey Back 1978)
Train versus school bus and one students long journey back. So it's obviously light and fun. Cloris mother f'n Leachman is in this films Haus!!!!
thanks for listening friends and if yer new
please write us a review, why not?

“MAGGIE McNAMARA: CLASSIC CINEMA STAR OF THE MONTH” - 4/06/2026 (134) The history of Hollywood is filled with stories of actors who experienced meteoric rises and then faded into obscurity just as quickly. Among the most poignant examples of this is the life of MAGGIE McNAMARA, an actress whose career began with remarkable promise but ended in obscurity and tragedy. With her pixie haircut, big doe eyes, lithe frame, and graceful moves, MAGGIE McNAMARA was poised to join the likes of AUDREY HEPBURN and LESLIE CARON as the new stylish gamine that was fashionable in movies in the 1950s. McNamara, who had one of the most auspicious starts in Hollywood history, earning an Academy Award nomination for her very first film, The Moon Is Blue, was a talented, intelligent young woman who had a mind and opinions of her own. And it might have been her strong-willed nature that contributed to her downfall. Join us this week as we discuss her life and career, as we celebrate her as our Star of the Month.  SHOW NOTES:  Sources: Breaking the Code: Otto Preminger verses Hollywood's Censors (2022), by Arnie Reisman & Nat Segaloff; Richard Burton: Prince of Players (2008), by Michael Munn; Otto Preminger: The Man Who Would Be King (2007), by Foster Hirsh; Preminger (1977) by Otto Preminger; “The Ding-A-Ling Girl: the Deceptive Lightness of Maggie's McNamara,” March 26, 2015, Sister Celluloid; “Maggie McNamara, Actress, Dies: In ‘Moon Is Blue' on Stage, Screen,” March 16, 1978, New York Times; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Oscars.org; Movies Mentioned: The Moon is Blue (1953), starring William Holden, Maggie McNamara, & David Niven; King of the Khyber Rifles (1953), starring Tyrone Power & Terry Moore; Three Coins in the Fountain (1954), starring Dorothy McGuire, Jean Peters, Maggie McNamara, Clifton Webb, Louis Jourdan, & Rosano Brazzi; Prince of Players (1955), starring Richard Burton, Maggie McNamara, John Derek, Raymond Massey & Charles Bickford; The Cardinal (1963), starring Tom Tyron, John Huston, Romy Scheider, Carol Lynley & Maggie McNamara; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the boys drink and keep it positive as they head back to 1959 to discuss Otto Preminger's “Anatomy of a Murder”. We discuss how it aged, how they wrote and directed a difficult female character, and whether Jimmy Stewart was the best choice for the lawyer in this courtroom drama based on a true story. Before that conversation, we have some spoiler-free mini-reviews of “She Dances”, “Pretty Lethal”, and “Project Hail Mary”. Grab a drink and give us a listen! linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 7:28 “She Dances” mini-review; 9:56 “Pretty Lethal” mini-review, 12:55 “Project Hail Mary” mini-review; 27:35 1959 Year in Review; 50:57 Films of 1959: “Anatomy of a Murder”; 1:26:20 What You Been Watching?; 1:35:08 Next Week's Episode Teaser Additional Cast/Crew: Otto Preminger, Wendell Mayes, John D. Voelker, James Stewart, Lee Remick, Ben Gazzara,  George C. Scott, Murray Hamilton, Orson Bean, Eve Arden, Kathy Grant, Arthur O'Connell, Steve Zahn, Mackenzie Ziegler, Rick Gomez, Ethan Hawke, Rosemarie DeWitt, Audrey Zahn, Wynn Everett, Sonequa Martin-Green, Sonny Valicenti, Amy Weaver, Haley Fish, Vicky Jewson, Kate Freund, Maddie Ziegler, Lana Condor, Uma Thurman, Lydia Leonard, Iris Apatow, Millicent Simmonds, Ryan Gosling, Lorde & Miller, Sandra Hüller, Lionel Boyce, James Ortiz, Ken Leung. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Fallout, Star Trek: Starfleet Academy, They Live, Paradise, Parenthood, The Pitt, Six Feet Under. Additional Tags: Amazon Studios, Warner Discovery, Paramount Skydance, Conan O'Brien, Weapons, Sinners, One Battle After Another, Frankenstein, Annapurna Films, Old Man Marley, Home Alone, Shawshenk Redemption, Gordon Ramsay, Thelma Schoonmaker, Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars 2026, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.   

River of No Return directed by Otto Preminger and Jean Negulesco and starring Robert Mitchum, Marilyn Monroe and Rory Calhoun. Episode Roundup: The Cowpunchers take a trip down the infamous river of no return! Amy gives full marks for the Mark in this movie. Stu wants Robert Mitchum to show some kind of emotion. Mel recounts the dangers of filming this movie!

durée : 00:50:48 - La muse de Saint-Germain-des-Prés fut aussi une vedette de cinéma auprès de Jean Cocteau, Jean-Pierre Melville, Henry King, Otto Preminger, Richard Fleischer ou encore Claude Barma. - réalisation : Susana Poveda, Denis Soula Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Amy and Sakana chat Otto Preminger's WHIRLPOOL (and LAURA and BUNNY LAKE IS MISSING, et al.) in attempt to hone in on domestic expectations and how far we've (maybe not) progressed since.

The final podcast on Have You Ever Seen in Black History Month talks for the 4th time about a movie with a primarily black cast. Otto Preminger often directed Issues Movies and here he's dealing with the Gershwin opera that's all about murder, rape, drug addiction, fishing and poverty…with some racism thrown in there too. Porgy And Bess is set-bound and melodramatic though. Bad print aside, the story and the execution often feel phony. The actors DO sell the passion better than the script or maybe even the original opera does. Sidney Poitier, Dorothy Dandridge, Brock Peters, Diahann Carroll and Sammy Davis Jr. actually do a terrific job with this not-always-effective material. So tune in for this 721st episode as I tackle yet another musical here in 2026: Porgy And Bess. Well, Actually: George Gershwin DID write the song "Summertime" for the 1935 opera, but DuBose Heyward came up with the lyrics. Also, for those interested in my quest to see absolutely, positively everything AFI-related, there are developments on that front (other nominated films on various lists) that will be discussed in future shows. Subscribe to the channel in your podcasting app. Rate the show with a delightful 5 stars, but also write a little complimentary review. And on the note of reviews, I talk about various flicks on Letterboxd: RyanHYES. Contacting suggestions: email (haveyoueverseenpodcast@gmail.com), Twi-X (@moviefiend51) and Bluesky (ryan-ellis).

Belated but better late than never: Ticket Stubs officially kicks off 2026 with a double feature of icy, unnerving thrillers. This time around, we pair Otto Preminger's paranoid vanishing act Bunny Lake Is Missing (1965) with David Fincher's bleak, meticulous adaptation of The Girl with the Dragon Tattoo (2011). Across decades and continents, both films ask the same quietly terrifying question: what happens when no one believes you? Join us as we unravel questions of identity, credibility, obsession, and the cold machinery of institutions that would rather look away than look closer. Before the mystery deepens, our Blue Plate Special returns with the usual cinematic smorgasbord. We share thoughts on new releases Send Help and Crime 101, take time to remember the lives and careers of Catherine O'Hara and Bud Cort, and hear Levi's early-stage reflections on diving into David Foster Wallace's Infinite Jest. We also offer what are almost certainly already-outdated predictions for Super Bowl 60—because what's a new year without at least one confidently incorrect take? Whether you're here for missing children, hackers with dragons tattooed on their backs, or just the comfortable chaos of our opening chatter, we're glad to be starting 2026 with you. As always, please like, subscribe, rate, and review us on Apple Podcasts, Spotify, YouTube, and wherever else you listen! Got thoughts or questions? Email us at huffmanbrothersproductions@gmail.com.

To kick off Black History Month 2026 (which, contrary to the current US administration, is still a thing, and not just on Countermelody, either!), I present to you another Zwischenfach singer, the (mezzo-)soprano Inez Matthews. She was born in Ossining, NY on 23 August 1917 and died in the Bronx on 28 March 2004. She is probably most famous for singing the role of Serena on the legendary 1951 (nearly) complete recording of Porgy and Bess (as well as lending her voice to the 1959 Otto Preminger film) which was conducted by Lehman Engel and starred icons Lawrence Winters and Camilla Williams. She also created the role of Irina in Kurt Weill's Lost in the Stars (opposite Todd Duncan, who created the role of Porgy in 1935). She also sang in the 1952 revival of Virgil Thomson and Gertrude Stein's Four Saints in Three Acts, alongside her brother Edward, who created the role of Saint Ignatius in the work's 1934 premiere. In spite of these impressive credentials, Inez Matthews today is not nearly as well-remembered as, say, either Winters or Williams. In addition to these accomplishments, Matthews also recorded in 1954 Schubert's two major song cycles Schöne Müllerin and Winterreise as well as the posthumous Schwanengesang collection. That as early the mid-1950s Inez Matthews was the first Black artist (and only the second woman after Lotte Lehmann) to record those Schubert cycles, is extroardinary; that her performances are so exceptionally good, lends these recordings more than mere historical value. However, until the song cycles were recently reissued by Parnassus Records as part of their “Black Swans” series, these remained virtually inaccessible to listeners. Today's episode includes selections from almost all the above-mentioned recordings, as well as an exceptional 1953 recording of spirituals accompanied by Jonathan Brice, brother of the esteemed contralto Carol Brice. And let us also tip our hats to Herr Schubert, who just celebrated his 229th birthday! Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Today On Word Balloon Scene Missing takes a deep dive into Otto Preminger's Anatomy of a Murder, the landmark courtroom drama that shattered Hollywood taboos and rewrote how adult themes could be portrayed on screen.Joining me is Chicago radio legend Dan McNeil, known to generations of listeners from WSCR and WMVP, bringing his sharp perspective and cultural memory to the conversation. We break down why Anatomy of a Murder was so controversial in 1950.From its frank sexual dialogue and moral ambiguity to Duke Ellington's groundbreaking jazz score, and why it still feels modern today. McNeil and I examine James Stewart's career-defining performance, George C. Scott's volcanic debut, and Preminger's fearless refusal to spoon-feed the audience easy answers. This isn't just a film-school autopsy. It's a conversation about censorship, masculinity, truth versus storytelling, and how a supposedly “old” movie still punches harder than most modern courtroom dramas. Smart, opinionated, and unapologetically adult.

How's this for a holiday treat? Multi-award winning singer and actor Andra Day shares her love of Dorothy Dandridge's iconic lead performance in Carmen Jones,  as well as her perspectives on wading deeper into movie-stardom (with her latest role opposite Bradley Cooper and alongside Laura Dern and Will Arnett in IS THIS THING ON?), turning 40, and why you should never stop transforming.Then, Jordan has one quick thing about a festive little holiday picture called BLACK CHRISTMAS (the 2006 version). Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

Send us a textWoHos! Q-Balls!This week we look at the bonkers Otto Preminger 1965 joint, BUNNY LAKE IS MISSING. Quinn and I had a lovely chat! Gerry Entriken: WoHo Outro ThemeSupport the showOpening Theme "Bucket" by Gerry EntrikenClosing Theme "Mop" by Gerry Entriken Interstitial Musicalso by Gerry Entriken. We love you, Gerry!Subscribe to the Podcast for a Special shout-out!World of Horror's InstagramMom's InstagramMac's InstagramDonate to Translifeline

EPISODE NOTE: Apologies for the late release of this episode. We wanted to release a while ago after recording the episode in late November. As Anders has recently started a new job, there was a delay getting the episode out in time. We will try to be better with this in the future. Enjoy the episode."There are two people in this barracks who know I didn't do it. Me and the guy that did do it."Welcome to the eighth episode of our ongoing series: Fascism On Film. Each episode of this series, the Holmes Brothers look and review a film that has to do with fascism. During the episodes, the brothers look and see how the aspects and portrayal of fascism shown in the film relate to current and/or past events.On this Fascism on Film episode, the Holmes Brothers look at Stalag 17, directed by the great Billy Wilder. It stars William Holden who heads an all-star cast that includes Otto Preminger. Holden won his first and only Oscar for the film. An award he should have already won for Sunset Boulevard and he also should have won for Network. The film is set in a German P.O.W Camp during 1944. We focus on one barracks where American prisoners try to stay sane while the war carries on in the background. They get up to various shenanigans and plan numerous escape plans. Their German captors start to know all their secrets and the prisoners begin to believe one of the men in the barracks is an informant for the Germans. Suspicion falls on Sefton, Holden's character, a cynical man who makes bets and openly barters with the Germans for special privileges. We hope you enjoy this episode and stay tuned for more episodes of this Fascism On Film series.Be sure to check out our Monument Valley Film on our YouTube Channel.Anders's screenwriter work can also be seen at work in the horror, car chase thriller Delivery Run, co-written with & directed by Joey Palmroos. The film has been released digitally and also in select cinemas in the US. In Finland, it will be released in cinemas on November 5th. You can read a review about it here on the Fangoria website.Follow us on our Instagram page. For obvious reasons, we are no longer on Twitter. You won't find us there. Perhaps we will make a BlueSky account, so keep an eye out for that.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic.Check out our blog and read Anders's recent review on The Hitcher, starring Rutger Hauer.Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

In this episode, The 24 Frames Cast dives deep into one of cinema's most fascinating and overlooked revolutions: the rise of the 70mm blow-up. Beginning with Otto Preminger's The Cardinal in 1963—an ordinary 35mm film that stunned audiences when projected in 70mm—the episode explores how Panavision, Eastman Kodak, and Technicolor worked together to create a process so convincing that even seasoned projectionists mistook it for true 65mm photography.From the widescreen arms race of the 1950s to the golden era of roadshow presentations, we trace how exhibitors' demand for spectacle drove the development of blow-up technology. The episode examines the birth of Dolby 70mm six-track magnetic sound, the introduction of the famous “baby boom” bass channels, and how these innovations laid the foundation for the 5.1 and 7.1 systems we use in home cinemas today.The Movie Collector You Tube Channel:https://www.youtube.com/watch?v=KBss6hGjKeMIn 70mm Website:https://www.in70mm.comMusic: https://www.musicbed.com

Send us a textHi, WoHos!This week filmmaker and friend Stefan MacDonald-Labelle stopped by to have a ramble with me about one of my favorite horror films, WE ARE STILL HERE. From IMDb: In the cold, wintery fields of New England, a lonely old house wakes up every thirty years - and demands a sacrifice.Next up on the podcast we have a couple bonus shows. Quinn and I discuss the Otto Preminger joint, BUNNY LAKE IS MISSING and then Chrissy Champagne returns to discuss DO NOT GO TO SLEEP, a truly bonkers film from 1982.On the main show, Mac and I discuss GRAFTED from New Zealand and THE SUBSTANCE from the US.Thank you for all your support. It means the World of Horror™ to us, truly!Remember we love you and especially this week, WoHos, DON'T go into the basement! Gerry Entriken: WoHo Outro ThemeSupport the showOpening Theme "Bucket" by Gerry EntrikenClosing Theme "Mop" by Gerry Entriken Interstitial Musicalso by Gerry Entriken. We love you, Gerry!Subscribe to the Podcast for a Special shout-out!World of Horror's InstagramMom's InstagramMac's InstagramDonate to Translifeline

Guest is Yonatan Green, a Fellow at the Georgetown Center for the Constitution, author of a new book about the seizure of political power by the Israeli Supreme Court, a foreshadowing of what is happening in America with our partisan rogue judges.Classic movie review of the 1966 film, “Cast a Giant Shadow,” directed by Otto Preminger and starring Kirk Douglas as the real life American Army veteran who went to Israel to help train the fledgling Israeli Defense Force to defend the new nation in the 1948 Arab Israeli War.

Listen up, Hobbitses! An adventure is knocking at your door! Will you answer it? Even if it's a musical?It's the first actual Tolkien adaptation of our series this week, and we are so confused that it exists. Rankin and Bass? The dudes who make the Rudolph and Frosty movies? Yes. And for some reason, Otto Preminger is in it.Next week it's Ralph Bakshi's THE LORD OF THE RINGS animated spectacular! Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Middle-Earth Envisioned: The Hobbit and The Lord of the Rings: On Screen, On Stage, and Beyond by Brian J. Robb and Paul SimpsonJ. R. R. Tolkien: A Biography by Humphrey CarpenterThe New York Times Production HistoryTolkien Hates DisneyCinefantastique Production HistoryCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Pour Monsieur by Chanel (1955) +  Otto Preminger's Anatomy of a Murder (1959) + Sidney Lumet's The Verdict (1982)  with Grant James 9/25/25 S7E68 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

Jean Seberg, actrice américaine née dans l'Iowa en 1938, est propulsée à 17 ans sous les projecteurs grâce à Otto Preminger, mais débute par deux échecs. C'est en France qu'elle devient une icône grâce à À bout de souffle de Jean-Luc Godard. Elle vit une histoire d'amour secrète et passionnée avec l'écrivain Romain Gary, avec qui elle a un fils, Diego, et qu'elle épouse discrètement en Corse en 1963. Très engagée politiquement, elle soutient les droits civiques et les Black Panthers, ce qui lui vaut d'être harcelée par le FBI. En 1970, la fausse rumeur orchestrée par le FBI sur la paternité de son bébé entraîne un drame : la mort de sa fille prématurée et une grave dépression. Sa santé mentale décline, marquée par des tentatives de suicide et une relation abusive. Le 30 août 1979, elle disparaît ; son corps est retrouvé 11 jours plus tard. Romain Gary, dévasté, la défend publiquement avant de se suicider à son tour en 1980. Leur fils Diego, orphelin, témoignera plus tard de ce destin brisé. Merci pour votre écoute Vous aimez l'Heure H, mais connaissez-vous La Mini Heure H https://audmns.com/YagLLiK , une version pour toute la famille.Retrouvez l'ensemble des épisodes de l'Heure H sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/22750 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : Un jour dans l'Histoire : https://audmns.com/gXJWXoQL'Histoire Continue: https://audmns.com/kSbpELwAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvVous aimez les histoires racontées par Jean-Louis Lahaye ? Connaissez-vous ces podcast?Sous le sable des Pyramides : https://audmns.com/rXfVppv36 Quai des orfèvres : https://audmns.com/eUxNxyFHistoire Criminelle, les enquêtes de Scotland Yard : https://audmns.com/ZuEwXVOUn Crime, une Histoire https://audmns.com/NIhhXpYN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Michael continues the current round of retro reviews with Otto Preminger's 1959 courtroom drama, Anatomy of a Murder. Joe revisits a signature Claire Denis picture, while Michael recommends the second season of a Netflix docuseries.

We're kicking off our series on DC Onscreen with a look at the romance of Otto Preminger's 1962 Senate drama Advise & Consent! Join in as we discuss the movie's deployment of star Henry Fonda, the tension between Preminger's liberalism and Allen Drury's Pulitzer-winning novel, and the real-life incidents that inspired the story. Plus: What stunt castings did Preminger want (and get) for the movie? How effective is its then-controversial depiction of gay people? And, most importantly, is Gene Tierney's Dolly Harrison the coolest woman we'll see in this series? Make sure to rate, review, and subscribe! Next week: D.C. Cab (1983) - available here via the Internet Archive!-----------------------------------------------------Key sources and links for this episode:Bosley Crowther's review of Advise & Consent (New York Times)"Hollywood's Biggest Washington Movie Goofs" (Washingtonian Magazine)"Otto Preminger, 1960-1979 (The Old Man is Still Alive, Part 7)" (You Must Remember This)"1961: Starring Martin Luther King, Jr. (And Henry Fonda)" (New York Times)"Just How Gay is the Right?" by Frank Rich (New York Times)"Allen Drury and the Washington Novel" (Hoover Institute)"Uniquely Nasty: The Blockbuster Novel that Haunted Gay Washington" (Yahoo News)"The 1959 Novel that Convinced a Young Barney Frank Not to Come Out" (Washington Post)"Trump Allies Pressure GOP Senators to Back Cabinet Picks - Or Else" (Washington Post)"The Week Trump Finally Broke the Senate" (Politico)"Takeaways from Doug Liman's Secret Brett Kavanaugh Documentary" (Washington Post)

This month, we're talking about 60s and 70s Hollywood; the old masters giving their last efforts for a dying system, and the new filmmakers who changed everything. Today's episode is on Otto Preminger's Skidoo, a tragically unhip 1968 acid comedy featuring the comedy and TV stars of the previous 30 years. We talked about why it's great even if the jokes themselves aren't that funny, and what a modern Skidoo would be like. Plus, some deep podcast lore. Join us on the patreon for $5/mo to get an extra episode every week, plus the back catalog. patreon.com/extended_clip

⭐Laura (1944): The Film Noir Masterpiece That Will Keep You Guessing ⭐

Ep. 308: Karina Longworth on You Must Remember This: The Old Man Is Still Alive – Capra, Ford, Donen, Wyler, and Co. Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Karina Longworth's You Must Remember This podcast needs no introduction for her erudite, wildly popular considerations of Hollywood film history, and in her latest season of episodes, she looks at the late-career work of major directors through a variety of lenses. I was delighted to welcome Longworth to the latest episode of The Last Thing I Saw to discuss her selection of filmmakers and their often idiosyncratic later works, including Frank Capra, Stanley Donen, John Ford, Otto Preminger, and William Wyler. She also makes a pick or two of contemporary directors we might consider in their twilight today... Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Forrest, Conan Neutron, and Kristina Oakes talk about Otto Preminger's Anatomy of a Murder. We are doing Justice Night Extravaganza, a full month of Justice related movies! #ottopreminger #hollywood #justice #court #courtroomdrama #anatomyofamurder #jimmystewart #classicmovies Conan's former Protonic Reversal cohost Brenna has thryoid cancer and is raising money for her treatment, if you can help please donate https://www.gofundme.com/f/support-brennas-fight-against-thyroid-cancer Join our discord: https://discord.gg/ZHU8W55pnh The Movie Night Extravaganza Patreon helps us keep the show going.. become a Patron and support the show!! https://patreon.com/MovieNightExtra

Best novel about Washington D.C. and first movie to openly depict homo is a harrowing, eternal tale of the lonely gay man who stands up to the communist blob. Jack Mason of The Perfume Nationalist joins for a state of the union spurred by Allen Drury and Otto Preminger's ADVISE AND CONSENT.   For the full 3.5 hour bull session (plus double the adventures and exclusive mini eps on hot topics of the day) subscribe to the show at patreon.com/filthyarmenian for as little as $5   Follow us on X/insta @filthyarmenian and, if touched, spread the word  

Long an antagonist to Hollywood's norms (not to mention its actresses), Preminger began the 1960s by directing a massive blockbuster (Exodus) and earning his second Oscar nomination (for directing The Cardinal). But towards the end of the decade, with 1967's Hurry, Sundown, he began a run of six films which attempted to respond to changing times, all of which flopped. We'll focus primarily on two of these: the much-maligned Skidoo, an indictment of both hippies and the true American establishment which Preminger prepared for by dropping acid with Timothy Leary; and the unfairly forgotten Such Good Friends, the rare sex comedy of the era to understand the extent to which the sexual revolution did little to liberate women from the expectations of men. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This episode was originally released on July 4, 2017. Listen to help prep for the next episode of our new season, The Old Man is Still Alive. Jean Seberg made her first two films, Saint Joan and Bonjour Tristesse, for director Otto Preminger, a tyrannical svengali character whose methods would traumatize Jean for the rest of her life and career. No wonder she rebelled against this bad dad figure by marrying a handsome French opportunist. Meanwhile, Jane Fonda moves to New York, joins the Actors Studio, takes up with her own hyper-controlling male partner, and tries to define herself as something other than Henry Fonda's daughter. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

durée : 00:58:38 - Otto Preminger, le goût de la musique - par : Thierry Jousse - Maître du Hollywood d'après-guerre, Otto Preminger a travaillé avec de grands compositeurs, de David Raksin à Harry Nilsson, en passant par Duke Ellington et quelques autres. Voyage dans une œuvre majeure et profondément musicale.

We stick with a black & white film, but go back to the 1940s and our noir roots to discuss the Otto Preminger film “Laura”. The 1001 by 1 crew is joined by Britt's sister, Erin, to discuss the noir tropes, interesting characters, and how innovative the storytelling was. Also, this week Erin recommends “The Muppet Christmas Carol” (currently on Disney+), Britt recommends “The Big Lebowski” (available on most VOD platforms), Joey recommends “Anora” (currently still in cinemas), and Adam recommends “Miracle” (currently on Disney+). You can listen to us wherever you listen to podcasts! You can find us on Twitter: x.com/1001by1 You can find us on Instagram: https://www.instagram.com/1001by1/ You can find us on Bluesky: https://bsky.app/profile/1001by1.bsky.social You can find us on Letterboxd - https://letterboxd.com/1001by1/ You can find us on Facebook: facebook.com/1001by1 You can find us on TikTok: https://www.tiktok.com/@1001by1pod You can send us an email at 1001by1@gmail.com. Intro/Outro music is “Bouncy Gypsy Beats” by John Bartmann.

This week's podcast is on Otto Preminger's thriller, Bunny Lake is Missing. The London-set mystery is a stylish and psychologically probing return to the noirs Preminger was making at Fox in the 40s. 00:00 - Bunny Lake is Missing 49:30 - Milk Join us on patreon to get an extra episode every week, for $5/mo https://www.patreon.com/c/Extended_Clip Send us your questions and concerns to be read on the air at extendedclippodcast@gmail.com And don't forget to rate/review us wherever you listen!

Sensual Amber by Marilyn Miglin (19--?) + Forever Amber by Kathleen Winsor (1944) + John M. Stahl and Otto Preminger's Forever Amber (1947) 12/6/24 S6E91 To hear the compete continuing story of The Perfume Nationalist please subscribe on Patreon. 

In this episode, we step into the shadowy world of Otto Preminger's Laura, a 1944 film noir classic that has captivated audiences for decades. Starring Gene Tierney as the enigmatic Laura Hunt and Dana Andrews as the detective unraveling her mystery, this tale of obsession, deception, and love blurs the lines between reality and illusion. From Clifton Webb's acerbic wit as Waldo Lydecker to Vincent Price's surprising turn as a charming cad, we dissect how Laura became a hallmark of the noir genre. Join us as we analyze its themes of identity, desire, and perception, and discuss why Laura remains a cornerstone of cinematic storytelling. Link is below for all our social media. https://linktr.ee/silverscreenvideo Thanks for stopping by. Feel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast, Twitter @SilverVideo, and TikTok silver.screen.vid. --- Support this podcast: https://podcasters.spotify.com/pod/show/silverscreenvideo/support

Noirvember 2024 shines a spotlight on Otto Preminger's Angel Face (1952), a twisted tale of obsession and betrayal. Robert Mitchum stars as Frank Jessup, an ambulance driver entangled with the wealthy Tremayne family. Torn between the dangerously alluring Diane Tremayne (Jean Simmons) and his steadfast girlfriend Mary (Mona Freeman), Frank is drawn into a deadly web of manipulation and deceit.Jedidiah Ayers and Lexi Van Dyke join Mike to discuss this gripping exploration of desire and duplicity.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Noirvember 2024 shines a spotlight on Otto Preminger's Angel Face (1952), a twisted tale of obsession and betrayal. Robert Mitchum stars as Frank Jessup, an ambulance driver entangled with the wealthy Tremayne family. Torn between the dangerously alluring Diane Tremayne (Jean Simmons) and his steadfast girlfriend Mary (Mona Freeman), Frank is drawn into a deadly web of manipulation and deceit.Jedidiah Ayers and Lexi Van Dyke join Mike to discuss this gripping exploration of desire and duplicity.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Welcome to It's A Wonderful Podcast! IT'S NOIRVEMBER 2024 and Morgan and Jeannine have five episodes for the month, covering the vast array of Film Noir, in the way only they can! We love Noir more than anything else on this show! An archetypal femme fatale Noir to centre the series as the ever fascinating Otto Preminger takes the directors chair with Morgan and Jeannine talking ANGEL FACE (1952) starring Robert Mitchum & Jean Simmons! Mitchum's trademark laidback approach is on full display opposite Simmons icy cold and stiff demeanour! Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & More ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The It's A Wonderful Podcast Theme by David B. Music. Donate: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join our Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ IT'S A WONDERFUL PODCAST STORE:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://its-a-wonderful-podcast.creator-spring.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on (X) Twitter: Podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Morgan: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jeannine: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_ Keep being wonderful!! --- Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support

Agents Scott and Cam go undercover as bicycle-riding mannequins while reuniting with Bob Hope for the 1943 espionage comedy They Got Me Covered.  They Got Me Covered can be streamed on YouTube. Directed by David Butler. Starring Bob Hope, Dorothy Lamour, Lenore Aubert, Otto Preminger, Eduardo Ciannelli, Marion Martin and Donald Meek.  Become a SpyHards Patron and gain access to top secret "Agents in the Field" bonus episodes, movie commentaries and more! Purchase the latest exclusive SpyHards merch at Redbubble. Social media: @spyhards View the NOC List and the Disavowed List at Letterboxd.com/spyhards Podcast artwork by Hannah Hughes. Theme music by Doug Astley.

Front Row Classics is celebrating the 65th anniversary of Otto Preminger's Anatomy of a Murder. Brandon is joined by Dominic Cellini to discuss this controversial courtroom drama. Jimmy Stewart stars in one of his most underrated performances as a country lawyer who is much sharper than he lets on. The film also includes sharp performances from Ben Gazzara, Lee Remick, George C Scott, Arthur O'Connell and Eve Arden. Brandon and Dominic discuss the intelligent script featuring dialogue and language that audiences weren't used to hearing in the late fifties. We also pay tribute to amazing opening credit sequence designed by Saul Bass and the jazz score by Duke Ellington.

Irresistible Impulse Front Row Classics is celebrating the 65th anniversary of Otto Preminger’s Anatomy of a Murder. Brandon is joined by Dominic Cellini to discuss this controversial courtroom drama. Jimmy Stewart stars in one of his most underrated performances as a country lawyer who is much sharper than he lets on. The film also includes … Continue reading Ep. 238- Anatomy of a Murder →

David Cairns returns to discuss the end of Ernst Lubitsch's career and life: a period in which, after a heart attack left him debilitated, he produced a series of films directed by the likes of Joseph L. Mankiewicz and Otto Preminger. We cover Dragonwyck, cinema's foremost depiction of the Dutch patroonship system in what is now upstate New York; A Royal Scandal, a remake of Forbidden Paradise; andThat Lady in Ermine, Lubitsch's final unfinished project later completed to little effect by Otto Preminger. Throughout the episode, we discuss the gap in worldviews between Lubitsch and Preminger, our dream Lubitsch/actor pairings that never came to pass, Billy Wilder's tall tales, Ernst Lubitsch's death, and what comes next. Edited by Brennen King. We have a Discord! Listen on: Apple Podcasts | Spotify NEXT WEEK: A reading of Freundschaft, Samson Raphaelson's eulogy for Ernst Lubitsch. WORKS CITED: The World and Its Double: The Life and Work of Otto Preminger by Chris Fujiwara

In 1960, Otto Preminger provoked controversy with his movie Exodus. Based on Leon Uris’s novel, it provides a fictional account of Jewish refugees emigrating to Palestine after World War II. The film concludes with the bodies of a young European-Jewish girl and an Arab man, both murder victims, buried in the same grave in what will soon be the nation of Israel. Preminger leaves the conclusion to us. Is this a metaphor for despair, a dream forever buried? Or is it a symbol of hope, as two peoples with a history of hatred and hostilities come together—in death and in life? Perhaps the sons of Korah, credited with writing Psalm 87, would take the latter view of this scene. They anticipated a peace we still await. Of Jerusalem, they wrote, “Glorious things are said of you, city of God” (v. 3). They sang of a day when nations—all with a history of warring against the Jewish people—will come together to acknowledge the one true God: Rahab (Egypt), Babylon, the Philistines, Tyre, Cush (v. 4). All will be drawn to Jerusalem, and to God. The conclusion of the psalm is celebratory. People in Jerusalem will sing, “All my fountains [springs] are in you” (v. 7). Who are they singing of? The One who is the Living Water, the Source of all life (John 4:14). Jesus is the only one who can bring lasting peace and unity.

Writer and film historian Eloise Ross joins us to discuss noted Lubitsch disciple Otto Preminger and his 1944 noir Laura. We cover Preminger's past and parallels with Lubitsch, the tumultuous story of Laura's production, the film's highly unusual tone, its memorable characters and dialogue, and the majesty of Clifton Webb. Edited by Brennen King We have a Discord! Listen on: Apple Podcasts | Spotify NEXT WEEK: David Cairns returns to discuss A Royal Scandal, Dragonwyck, That Lady in Ermine, and the death of Ernst Lubitsch. WORKS CITED: The World and Its Double: The Life and Work of Otto Preminger by Chris Fujiwara

Willa Ross returns for a lively discussion about Heaven Can Wait. We cover Lubitsch and Raphaelson's opposing views on the film's unusual protagonist, its counterintuitive structure and elisions, the film's theological implications, argue about whether or not the production code negatively impacted the film, and discuss what happened at Fox in the early 1970s and why it matters for technicolor pictures such as this. Edited by Griffin Sheel. We have a Discord! Listen on: Apple Podcasts | Spotify NEXT WEEK: Writer and film historian Eloise Ross joins us to discuss Otto Preminger and his 1944 noir Laura. For information as to where to find this film, check out our resources page. WORKS CITED: Eloise Ross's Writeup for HEAVEN CAN WAIT in Senses of CInema Heaven Can Wait: The Simple Act of Living by William Paul Robert Harris's “KNIGHTS OF FILM PRESERVATION” Forum Post

GGACP celebrates the recent release of actor-producer Griffin Dunne's book, "The Friday Afternoon Club: A Family Memoir" by revisiting this memorable interview from 2019. In this episode, Griffin talks about blending horror and comedy, teaming with Martin Scorsese and Sidney Lumet, the cynical cinema of Billy Wilder and the lives (and work) of Joan Didion and Dominick Dunne. Also, Jerry Lewis adapts Gore Vidal, Otto Preminger takes a bad trip, Griffin sneaks onto the set of “Gilligan's Island” and Tim Burton (almost) directs “After Hours.” PLUS: Howdy Doody! “Who's That Girl”! “The Panic in Needle Park”! The genius of Harry Nilsson! And the artistry of GGACP guest Rick Baker! Learn more about your ad choices. Visit megaphone.fm/adchoices