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This week we welcome back our beloved host, Flick Ford! Joined by guests Thomas Caldwell and Cerise Howard.We review Levan Akin's deeply touching film Crossing, about a retired teacher searching for her estranged niece, a trans woman, with the help of a young man as her translator. It raises challenging issues – particularly around people whose identity has meant they have been isolated from family – and yet it is such a warm, inviting film.Then we compare Stanley Kubrick's frighteningly hilarious Dr. Stranglove or: How I Learned to Stop Worrying and Love the Bomb with its filmed theatrical adaptation from London's National Theatre, NT Live: Dr. Strangelove. In the latter, Steve Coogan plays four roles in the world premiere stage adaptation of Stanley Kubrick's comedy masterpiece, often described as the best political satire of the century, about a rogue U.S. General who triggers a nuclear attack.Triple R's April Amnesty is on now!Subscribe and donate to help keep our beloved community radio station on the airwaves for another year!When you support Triple R, you're supporting Really Real Radio – that means no algorithms, no playlists, no nonsense. Triple R is a champion of local culture and community, and a voice for music and ideas that may not be heard anywhere else.Best of all, when you subscribe during April Amnesty, you'll go into the draw to win a stack of amazing prizes! Subscribe and donate at rrr.org.au.Tune in to Primal Screen each week at 7pm Mondays on Triple R 102.7FM.
Incidentally, the theme for Primal Screen this week was volunteer-run organisations that make it possible to watch films on the big screen with an audience, that you otherwise mightn't.The small but mighty teams behind both Melbourne Women in Film Festival (MWFF) and the Melbourne Cinémathèque do extraordinary work to bring unique films to the cinema.Our guest host Cerise Howard speaks with Sian Mitchell, Artistic Director of MWFF, about the festival's mission to champion the work of Australian filmmakers and showcase stories about and by women and gender-diverse folk.Cerise and Eloise Ross, both co-curators of the Melbourne Cinémathèque, also discuss the upcoming season “Out of the Past and Into Flares: Neo-Noir in ‘70s America”, which explores how America's fractured psyche was reflected on screen during this vibrant and chaotic period. If you're wondering what the difference between "noir" and "neo-noir" is, you'd best listen back.MWFF runs 20-24 March.“Out of the Past and Into Flares: Neo-Noir in ‘70s America” runs 26 March-9 April.Thanks to Karl Chapman for working the panel this week.
On Primal Screen we review three films that have just hit cinemas!THE BRUTALIST is the epic period drama following a visionary architectwho (Adrian Brody) has fled post-war Europe to America for the chance of a new life. Everything changes once he meets a wealthy industrialist (Guy Pierce) who commissions his work. A COMPLETE UNKNOWN is the Bob Dylan musical biopic we've all been waiting for. Directed by James Mangold (WALK THE LINE) and Timothee Chalamet, the film has been topping the box office in Australia and around the world. BABYGIRL, the steamy erotic thriller starring Nicole Kidman and Harris Dickinson, follows the consequences of when a high powered CEO puts everything on the line for a torrid affair with a much younger intern.Flick Ford is joined by Thomas Caldwell and Cerise Howard to share thoughts and reviews for these three very different, yet equally compelling, new release films.Primal Screen 7pm Monday on @3rrr 102.7 ⚡️
We're celebrating the Melbourne Cinémathèque's 40th anniversary this week, with two of the pre-eminent film society's co-curators in the studio. Primal Screen favourite Cerise Howard and Associate Professor Adrian Danks (making his PS debut!) join Flick Ford to reflect on Melbourne Cinémathèque's vital contribution to cinema and to talk about their upcoming program on Australian documentary filmmaker Tom Zubrycki. A hugely important filmmaker in his own right, but also a key mentor and producer for many other Australian filmmakers that have followed. They also review Polish filmmaker Agnieszka Holland's latest film Green Border, a brutalising drama rooted in deep research that is so urgently of the moment, its potency is manifold. It tells the story of refugees from the Middle East and Africa trying to reach the European Union court in a geopolitical crisis triggered by the Belarusian dictator Lukashenko.Listen back for more on this discussion of how Zubrycki's and Holland's films remain committed to social justice, human rights and the ethics of filmmaking.
This week's episode dives into the Melbourne Queer Film Festival (MQFF), taking place 14–24 November 2024. We're joined by special guest and former co-host Cerise Howard, program director at MQFF and Patrick Kelly, screen academic at RMIT University. Cerise and Patrick share their top picks of the MQFF program, which this year celebrates queer music culture through the theme Formative Sound and Vision.
Buckle in for another ride of the SmartArts-coaster! Richard Watts OAM, is here to guide you through all the twists, turns and thrills of this weeks episode… Kicking off with a Melbourne Queer Film Festival (MQFF) program overview with program director Cerise Howard and CEO David Martin Harris. MQFF is screening across Melbourne from November 14-24, tickets available now.Visual artist, Dominic Kavanagh, is in the studio to talk about his work ‘The Blooming'. It's a Lennox award-winning artwork, on display now at The Lennox, 208 Lennox Street Richmond, until November 3rd.Spinning Plates Co-founders, Jess Stanley and James Cerche discuss working once more with the team behind The Crocodile to create Rhinoceros at Fortyfivedownstairs. Plus, we get a Sydney Festival 2025 program overview with Festival Director Olivia Ansell https://www.sydneyfestival.org.au/
Two stories for Showreel today. It is the 40th anniversary of the MQFF which runs from 14-24 November. We get a sneak preview of the program from CEO David Martin and MQFF Program Director, Cerise Howard here. Full program available 16th OctWe then get to talk here with collaborators on Flicker Fest winner Yeah the Boys. It follows six young Aussie men as they sink beers over an afternoon and well into the night. No words just an extraordinary expose in movement. Director Stefan Hunt and Writer/ choreographer Vanessa Marian Varghese talk with us about the project. Available on Youtube release 15th Oct.
We conclude Czechtember 2024 with a film from Frantiscek Vlacil, Adeliheid. Released in 1970, the film stars Petr Čepek as Viktor, a former Czech soldier turned caretaker of a confiscated German estate where he encounters the titular Adelheid (played by Emma Černá), who is being held as a prisoner. Their evolving relationship forms the core of the film, set against a backdrop of post-war displacement and political tension.Cerise Howard and Jonthan Owen join Mike to discuss this underseen Vlacil film.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
We conclude Czechtember 2024 with a film from Frantiscek Vlacil, Adeliheid. Released in 1970, the film stars Petr Čepek as Viktor, a former Czech soldier turned caretaker of a confiscated German estate where he encounters the titular Adelheid (played by Emma Černá), who is being held as a prisoner. Their evolving relationship forms the core of the film, set against a backdrop of post-war displacement and political tension.Cerise Howard and Jonthan Owen join Mike to discuss this underseen Vlacil film.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
Join host Flick Ford with reviewers Cerise Howard and Thomas Caldwell, as they chat to founder and artistic director of Hear My Eyes, Hayden Green, and guitarist Lachlan Stuckey from 5-piece band Surprise Chef. They delve into the collaborative inner workings of their reinterpretation of Australian film Wake in Fright (1971), to create a cinematic and musical reimagining. Flick, Cerise and Thomas also discuss their top film picks for this year's Melbourne International Film Festival (MIFF).
Flick is joined by reviewers Cerise Howard, Programme Director of the Melbourne Queer Film Festival and Writer, Chris Dite. They shine a retro spotlight on SNOWPIERCER on its 10th anniversary, and S/HE IS NOT HER/E.
#3cr Radiothon this week Grand Total for station $275,000 & Showreel needs to raise $900 Donate hereToday's program features a chat with Cerise Howard about MQFF Pride Month Screenings.
In this week's episode of Primal Screen, Flick Ford is accompanied by Cerise Howard, as they delve into Alice Rohrwacher's newest film, La Chimera. The movie features a compelling cast including Josh O'Connor, Carol Duarte, Alba Rohrwacher, and Isabella Rossellini. Alice Rohrwacher's latest 2023 film LA CHIMERA. Additionally, Sally Christie engages in a revealing conversation with Marisa Abela, exploring her portrayal in the biographical drama Back to Black, which reflects on the tumultuous life of the iconic British singer-songwriter Amy Winehouse.Next up, we look at Alex Garland's latest film, Civil War. Set against a backdrop of a war-torn United States, this dystopian narrative follows a cadre of photojournalists chronicling the harrowing escalations of conflict. The film stars Kirsten Dunst, Wagner Moura, Stephen McKinley Henderson, and Cailee Spaeny, and offers a stark examination of the implications of war through the lens of those who document its realities. Alex Garland's 2024 release, CIVIL WAR. Subscript to the pod and follow Primal Screen on socials: Facebook: https://www.facebook.com/primalscreenshow/ Instagram: https://www.instagram.com/primal_screen_show/ Twitter: https://twitter.com/primal_screen
Fiona and Paul talk to Cerise Howard, Program director, Melbourne Queer Film Festival, Midsumma Movies. Melbourne Queer Film Festival and Midsumma Festival Present: The inaugural Midsumma Movies will hit the... LEARN MORE The post Saturday, 27th January 2024: Cerise Howard, Program director, Melbourne Queer Film Festival, Midsumma Movies appeared first on Saturday Magazine.
Following our October 23rd "Spark-centric" episode, Cerise Howard is in the driver's seat once again as we continue this extraordinary SPARK-TACULAR EXTRAVAGANZA. This time, guest presenter Maudie Osbourne rides "shotgun" in the passenger seat, so you'd best buckle up as this episode brings more than slightly irrelevant car puns. This week our hosts hone in on the vast creative journey of the electric Mael brothers, providing context into their bold, ever-mutating, decade-long musical stylings and their connection to cinema. We'll shine a light on some key moments from the iconic pop-rock duo and explore the band's many influences and collaborations over the years.Want more? Listen back to the October 23rd interview with Ron And Russell From Sparks On Cinema And Music.You can listen to it here: https://www.rrr.org.au/on-demand/segments/primal-screen-ron-and-russell-from-sparks-on-cinema-and-musicFacebook: https://www.facebook.com/primalscreenshow/ Instagram: https://www.instagram.com/primal_screen_show/ Twitter: https://twitter.com/primal_screen Sparks - The Seduction of Ingmar Bergman Sparks - Edith Piaf (Said It Better Than Me) Sparks - The Director Never Yelled 'Cut' Sparks - When Do I Get To Sing 'My Way' Katherine Hepburn (feat. Christi Haydon) Sparks - The Calm Before The Storm Sparks - Minnie Mouse Sparks - It's a Knock Off
We continue our Czechtember month of murder and mayhem with Oldrich Lipsky's 1971 film Four Murders are Enough, Darling. The film stars Oldrich's brother, Lubomir, as George Camel, a teacher who is mistaken for a murderer by two rival gangs who are fighting for a million dollar check.The movie is the second filmed adaptation of the book by Ninad Brixy, Entry Forbidden to the Dead.Cerise Howard and Rahne Alexander join Mike to discuss this wacky CzechBecome a supporter of this podcast: https://www.spreaker.com/show/the-projection-booth-podcast_2/support.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5513239/advertisement
We continue our Czechtember month of murder and mayhem with Oldrich Lipsky's 1971 film Four Murders are Enough, Darling. The film stars Oldrich's brother, Lubomir, as George Camel, a teacher who is mistaken for a murderer by two rival gangs who are fighting for a million dollar check.The movie is the second filmed adaptation of the book by Ninad Brixy, Entry Forbidden to the Dead.Cerise Howard and Rahne Alexander join Mike to discuss this wacky CzechThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5513239/advertisement
Join us in an unconventional yet fabulous episode as Flick Ford takes the passenger seat, inviting self-proclaimed film fanatic and program director for the upcoming Melbourne Queer Film Festival, Cerise Howard. The prime structure of this unique episode follows an exclusive interview with Cerise and legendary, absurd, and cinematic American pop-rock duo, Sparks who are here in Melbourne for the first time since 2001 playing at Palais Theater October 27th. Cerise and Sparks discuss a wide range of topics; from an out-of-pocket Cate Blanchett appearance in their track The Girl is Crying in Her Latte, Mickey Mouse/Minnie Mouse, and the Sparks Brothers Documentary (2021).
It's a full house at Primal Screen to celebrate the start of Radiothon at Triple R! Flick invites special guests Cerise Howard, Thomas Caldwell, Emma Westwood, Will Cox, Eloise Ross, Stuart Richards, and Maya Rizkyvianti to share what Triple R means to them, reminisce the show's humble beginnings, and why you should subscribe. Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen
Melbourne/Naarm-based non-binary trans woman Cerise Howard has been announced as the Melbourne Queer Film Festival's new program director. The festival's upcoming November program will be its 33rd edition. Howard tells Nick Sarlos-Welsh it's important to showcase queer community's storied cultural history through the festival. Keep up with the Melbourne Queer Film Festival @melbqueerfilmfest on Instagram. Tune in to 90.7FM or SYN DAB+ in Melbourne/Naarm or Geelong to listen locally. Stream Australia-wide on the SYN website or the Community Radio Plus app. And catch up with Loud + Queer anytime on your preferred podcast platform.More from us: https://linktr.ee/loudandqueersynSee omnystudio.com/listener for privacy information.
Tass and Macca are joined live on air by Cerise Howard, MQFF New Program Director, as they discuss the up coming Melbourne Queer Film Festival and so much more. The post Saturday May 20th May 2023: Cerise Howard, MQFF New Program Director appeared first on Saturday Magazine.
The team speaks about speeches; Foodie Michael Harden chats about the Parisian bistro and its Melbourne counterparts; Tech expert Vanessa Toholka reflects on the lifespan of Buzzfeed News; Newly appointed festival director Cerise Howard talks about her aspirations for Melbourne Queer Film Festival; Dr. Liam Donaldson from Werribee Vet Hospital stresses the importance of pet blood donations; Book reviewer Fi Wright shares her thoughts on Stephanie Bishop's new novel The Anniversary; Nat has a theory on colouring competition; and Zero-G's Megan McKeough reviews the new star-studded movie Book Club: The Next Chapter. With presenters Simon Winkler, Daniel Burt & Nat Harris. Website: https://www.rrr.org.au/explore/programs/breakfasters/Facebook: https://www.facebook.com/Breakfasters3RRRFM/Twitter: https://twitter.com/breakfasters
Flick Ford and guest reviewer Cerise Howard dig into Eva Vitija's Loving Highsmith documentary. Plus a meaty conversation about The British Film Institute's list of the greatest films of all time and the No.1 film on that list, Jeanne Dielman, 23 Quai du Commerce, 1080 Buxelles before reviewing Beau is Afraid.Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/ Twitter: https://twitter.com/primal_screen
Host Flick Ford and guest reviewer Cerise Howard discuss all things Europa Europa Film Festival with the program's Artistic Director Thomas Caldwell; the three also discuss what they've been enjoying watching over summer. Then, Flick interviews filmmaker Clara Law about a retrospective of her films 'Focus on Clara Law' which is currently screening at ACMI.Facebook: https://www.facebook.com/primalscreenshow/ Instagram: https://www.instagram.com/primal_screen_show/ Twitter: https://twitter.com/primal_screen
Flick Ford chats to Melbourne based director Sara Kern about her debut feature MOJA VESNA before speaking to guest reviewer Cerise Howard about the upcoming screening series at Melbourne Cinematheque, GENRE NONCONFORMITY AND EAST SIDE STORIES: DECENTRING THE MUSICAL.
Host Flick Ford and guest presenter Cerise Howard are joined by British director Peter Strickland to discuss his new film FLUX GOURMET. Then, Dr. Stuart Richards joins Flick and Cerise to review the film.Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen
Host Flick Ford is joined by author and journalist Jenny Valentish to talk about her piece ‘Love and Other Catastrophes' which can be found in the new book ‘Melbourne on Film: Cinema That Defines Our City', out via Black Inc. Then, guest reviewer Cerise Howard joins Flick to discuss some of the films they're most excited about at this year's MIFF.Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen
Guest presenter Eloise Ross chats to film critic Cerise Howard, who has programmed Melbourne Cinémathèque's new season ‘Masterpieces of Ukrainian Cinema'. Eloise is then joined by guest reviewers Anders Furze and Paul Anthony Nelson to look at the new TV series THE OLD MAN starring Jeff Bridges; and they pay tribute to the late James Caan by revisiting his oscar-nominated performance in THE GODFATHER.Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen
Flick Ford is back in the studio chatting live with Gillian Armstrong, one of Australia's most celebrated filmmakers, who will be the subject of upcoming Melbourne Cinémathèque screenings. Flick and film critic Cerise Howard ask Gillian about her diverse filmography and the changes she has seen in Australian cinema over her extensive career. Film critic Eloise Ross then joins Flick and Cerise to review Armstrong's films STARSTRUCK, her 1982 musical comedy, as well as her 1987 drama HIGH TIDE.Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen
Melbourne trans arts base (including bass player) Cerise Howard talks about the upcoming performance of Queen Kong and the Homosapiens at Castemaine next Saturday 2 April. Also Sally gets on her trans soapbox re being proactive about the TGD agenda.#transdayofaudibility2022
Host Flick Ford discusses the European Film Festival Europa Europa with Artistic Director Thomas Caldwell and film critic Cerise Howard. They also review Pedro Almodóvar's PARALLEL MOTHERS and Michael Showalter's Christian Evangelist biopic THE EYES OF TAMMY FAYE.Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen
Flick Ford is joined by guest critic Cerise Howard. Cerise interviews BAD LUCK BANGING OR LOONY PORN (2021) director Radu Jude, and the team review TITANE (Julia Ducournau, 2021).Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen
Flick Ford and Cerise Howard are joined by Japanese Film Festival Programmer Simonne Goran for a chat about this year's event. Plus, reviews of two titles in Melbourne cinemas now: NO TIME TO DIE (Cary Joji Fukunaga, 2021), where Flick and Cerise are joined by panel master Karl Chapman for the 101 on 007, and THE POWER OF THE DOG (Jane Campion, 2021) - an examination of toxic masculinity with a score from Jonny Greenwood.
Flick Ford and Cerise Howard are joined by Melbourne Queer Film Festival Program Director Spiro Economopoulos for a chat about this year's event. Cerise and Spiro pick out some of their festival highlights, discussing FINLANDIA (Horacio Alcalá, 2021), INSTRUCTIONS FOR SURVIVAL (Yana Ugrekhelidze, 2021), THE HILL WHERE LIONESSES ROAR (Luàna Bajrami, 2021), THE NOWHERE INN (Bill Benz, 2020), and FANNY: THE RIGHT TO ROCK (Bobbi Jo Hart, 2021). Finally, Flick and Cerise chat with Tali Polichtuk, the co-founder and editor of queer screen culture digital magazine Sissy Screens.Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen
Flick Ford talks with directors Eddie Martin and Jeff Daniels about their respective new documentaries THE KIDS and TELEVISION EVENT, both screening at this year's Sydney Film Festival, and their nominations for the Documentary Australia Foundation Award for Australian Documentary. Flick and guest critic Cerise Howard also discuss music documentary THE VELVET UNDERGROUND (Todd Haynes, 2021) and a strange new film about sheep farmers in Iceland called LAMB (Valdimar Jóhannsson, 2021).Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen
Flick Ford, special guest critic Cerise Howard and Melbourne film creative Kelsey Pettifer spotlight the Environmental Film Festival of Australia – including a live chat with Screen Manager Natalie May – and the Czech and Slovak Film Festival of Australia. They also review ANNETTE dir. Leos Carax (2021) and ATHANOR: THE ALCHEMICAL FURNACE dir. Adam Ol'ha, Jan Daňhel (2020). Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen
Flick Ford and Cerise Howard are joined by filmmaker Grace Moore for a music documentary special. Includes reviews of THE MAGIC VOICE OF A REBEL dir. Olga Sommerová (2014), GURRUMUL dir. Paul Damien Williams (2018) and MATANGI/MAYA/MIA dir. Steve Loveridge (2018).Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen
Part 2 of a Melbourne International Film Festival (MIFF) 2021 review special. Presenter Paul Anthony Nelson invites special guest reviewers Cerise Howard and Emma Westwood to share their highlights from this year's program, streaming Australia-wide, until 22 August. Films reviewed include: DEAR COMRADES! dir. Andrei Konchalovsky (2021), THE NOWHERE INN dir. Bill Benz (2021), HOPPER/WELLES dir. Orson Welles (2020), THE NIGHT dir. Kourosh Ahari (2019), COMING HOME IN THE DARK dir. James Ashcroft (2021), RIDERS OF JUSTICE dir. Anders Thomas Jensen (2021) and WORD IS OUT: STORIES OF SOME OF OUR LIVES dir. Nancy Adair, Andrew Brown, Rob Epstein (1977). Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen
Part 1 of a Melbourne International Film Festival (MIFF) 2021 review special. Presenter Paul Anthony Nelson invites special guest reviewers Cerise Howard and Emma Westwood to share their highlights from this year's program, streaming Australia-wide, until 22 August. Films reviewed include: SISTERS WITH TRANSISTORS dir. Lisa Rovner (2020), POLY STYRENE: I AM A CLICHÉ dir. Celeste Bell and Paul Sng (2021), NO ORDINARY MAN dir. Aisling Chin-Yee and Chase Joynt (2020), ROSE: A LOVE STORY dir. Jennifer Sheridan (2020), THE VILLAGE DETECTIVE: A SONG CYCLE dir. Bill Morrison (2021) and FRESHMAN YEAR dir. Cooper Raiff (2020).Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen
Reviews of new releases THE FATHER dir. Florian Zeller(2020), THE PAINTER AND THE THIEF dir. Benjamin Ree (2020) and NOBODY dir. Ilya Naishuller (2021). With presenters Flick Ford, Paul Anthony Nelson, Lisa Kovacevic, and Cerise Howard. Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen
In this week's episode, presenters Paul Anthony Nelson, Sally Christie and Cerise Howard are joined by Artistic Director of the Melbourne Queer Film Festival, Spiro Economopoulos, for a chat about this year's MQFF. They also review Roy Andersson's latest effort ABOUT ENDLESSNESS (2020).Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen
Reviews of Robert Altman's 1977 dreamy desert drama, 3 Women and a new release in Chloe Zhao's highly anticipated Nomadland (2020). With presenters Flick Ford, Sally Christie, and Cerise Howard.Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen
An interview one of the world's most exciting filmmakers, UK writer-director Peter Strickland, followed by reviews of Strickland's films KATALIN VARGA (2009), BERBERIAN SOUND STUDIO (2012), THE DUKE OF BURGUNDY (2015) and IN FABRIC (2018). With presenters Paul Anthony Nelson, Flick Ford, Sally Christie, and special guest co-host Cerise Howard.Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen
A director's spotlight with a focus on two films from Warwick Thornton; Samson & Delilah (2009) and Sweet Country (2017). Also includes an interview with Cerise Howard, Amelia Leonard and Jaie McGuiness, from the New Normal International Film Festival. With presenters Flick Ford, Sally Christie, and Cerise Howard.Website: https://www.rrr.org.au/explore/programs/primal-screenFacebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen
In this episode of PRIMAL SCREEN, Paul Anthony Nelson, Sally Christie and Cerise Howard disuccsed THE LIGHTHOUSE (2019) dir. Robert Eggers, WHAT DID JACK DO? (2019) dir. David Lynch, UNCUT GEMS (2019) dir. The Safdie Brothers & COLOUR OUT OF SPACE (2019) dir. Richard Stanley.
We look back on our Top Ten Films of 2019, including some festival favourites. With Paul Anthony Nelson, Cerise Howard, Emma Westwood and Felicity Ford.
The Irishman, Pain and Glory and Possession (1981) were discussed. With Paul Anthony Nelson, Cerise Howard and Sally Christie.
Dolemite Is My Name, The Texas Chainsaw Massacre (1974) and Ready Or Not were discussed. With Paul Anthony Nelson, Cerise Howard and Sally Christie.
Birds of Passage and E.T. the Extra-Terrestrial (1982) were discussed, along with a breakdown of the many films which recently premiered at TIFF. With Sally Christie, Cerise Howard, Emma Westwood and Alexandra Heller-Nicholas.
Buoyancy, Dogtooth (2009) and Scary Stories to Tell in the Dark were discussed. With Paul Anthony Nelson, Cerise Howard and Sally Christie.