Podcast appearances and mentions of Catherine Breillat

Posvečamo se dvema grozljivkama – Ritualu in Vrni mi jo. Poleg tega poročamo o festivalu Cinehill v Gorskem kotarju, ki sta ga med drugim obiskala Jafar Panahi in Catherine Breillat, dve veliki imeni svetovnega filma.

The movie of the week is Stephen Sayadian's Dr. Caligari (1989). From wiki: “Dr. Caligari is a 1989 American avant-garde horror erotic film co-written and directed by Stephen Sayadian and starring Madeleine Reynal, Laura Albert, Gene Zerna, David Parry, Fox Harris and Jennifer Balgobin.[2] It is a quasi-sequel to the 1920 film The Cabinet of Dr. Caligari.[citation needed] The film details a disturbed doctor (the granddaughter of the original Dr. Caligari) and her illegal experiments on her patients.”Also discussed: Happy Birthday, Edie, the occupation of Los Angeles, Wes Anderson's The Phoenician Scheme, Catherine Breillat's A Real Young Girl, the posters of Brian De Palma, Forbidden Zone, Shock Treatment, Frank Zappa, Pink Narcissus, Querelle, fonts, and more!NEXT WEEK: Night of the Living Dead (1964)Bloodhaus:https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/‪@sisterhyde.bsky.social Joshua Conkelhttps://www.joshuaconkel.com/https://bsky.app/profile/joshuaconkel.bsky.socialhttps://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

durée : 01:21:32 - Les Nuits de France Culture - par : Philippe Garbit - L'émission "Ciné club" consacrée à "Monika" d'Ingmar Bergman en mai 1999 proposait des analyses de Catherine Breillat, Alain Bergala, Harriet Anderson, Jean Breschand, Michèle Humbert, Antoine de Baecque, N.T. Binh et la comédienne Harriett Andersson. - réalisation : Virginie Mourthé - invités : Catherine Breillat Cinéaste et romancière; Alain Bergala Critique de cinéma, essayiste, scénariste et réalisateur français; Antoine de Baecque Professeur d'histoire du cinéma à l'École normale supérieure; N.T. Binh Journaliste, critique, enseignant de cinéma (Université Paris 1 Panthéon-Sorbonne)

XG and I review "Fat Girl" (À ma sœur!) written and directed by Catherine Breillat that was released in 2001. It's a coming-of-age film from France. The French do coming-of-age films very differently from the USA. This is a film that's meant to break the human spirit and eliminates hope. It's a film about two sisters who sort of compete and talk about "girl stuff" to keep it PG. Their family are in vacation and the older sister secretly wreaks havoc in which shatters the innocence of the little sister. It's a film that's aimed for a mature audience and it barely holds back. Just barely. XG Guerrero joins me again on this episode as we discuss what the film centers at consent, which is keeping your children on check regardless of who and cultural background. It is a slice of life of the human experience and it doesn't spoon-feed you at all. Breillat and the cast all together made a brave film about discovering yourself, the trials and tribulations that females at a young age go through. We discuss the tension that the film develops throughout the course of its story time and it's done differently than from a traditional American film. We also talk about if the film is even worth-watching to begin with and what the director was trying to say concerning the subject at hand which is something I feel is important to take notice. No rating on the review but three & a half out of four tokes.

Do you know how much of A Real Pain it is to keep the years straight with us straddling three different global release windows? We do! We got Caught by the Tides and are a little late with this one but nevertheless, join our Conclave for the fifth (!) time as we huddle around the Ghostlight to talk about the films of the last year! We cover award-winning films (Anora, The Brutalist, No Other Land), notable blockbusters (Dune: Part Two, Wicked), blitz through some honorable Challengers to our top picks, and then Look Back on our personal top fives. You know podcast favorite Luca Guadagnino is going to feature in Wilson's favorite films… but how Queer will it be?? If you're A Different Man, you'll have different faves, so enter our Red Rooms and tell us your favorite 2024 films on our FREE patreon, discord server, and our socials @ www.deepcutpod.comLinks:Ben's 2024 ListEli's 2024 ListWilson's 2024 ListTimestamps:(00:00:00) Intro(00:03:21) 2024 in general(00:17:06) Obligatory mentions(00:17:28) Anora (dir. Sean Baker)(00:22:55) Conclave (dir. Edward Berger)(00:25:14) The Brutalist (dir. Brady Corbet)(00:33:53) Nickel Boys (dir. Ramell Ross)(00:36:53) Hit Man (dir. Richard Linklater)(00:39:45) All We Imagine as Light (dir. Payal Kapadia)(00:43:02) Flow (dir. Gints Zilbalodis) (00:46:14) Emilia Perez (dir. Jacques Audiard)(00:50:29) Sing Sing (dir. Greg Kwedar)(00:52:01) The Substance (dir. Coralie Fargeat)(00:55:26) Wicked (dir. Jon M. Chu)(00:59:09) Deep Cut Coverage of 2024(00:59:20) All Shall Be Well (dir. Ray Yeung)(01:00:19) The People's Joker (dir. Vera Drew)(01:02:37) Happyend (dir. Neo Sora)(01:05:13) Deep Cut Upkeeps of 2024(01:08:55) Honorable mentions(01:08:57) Megalopolis (dir. Francis Ford Coppola)(01:12:43) Trap (dir. M. Night Shyamalan)(01:14:13) An Unfinished Film (dir. Lou Ye)(01:14:26) The Monk and the Gun (dir. Pawo Choyning Dorji)(01:16:02) Hard Truths (dir. Mike Leigh)(01:17:41) Not Friends (dir. Atta Hemwadee)(01:19:08) Fly Me to the Moon (dir. Sasha Chuk)(01:20:38) Black Box Diaries (dir. Shiori Ito)(01:24:06) A Traveler's Needs / By the Stream (dir. Hong Sang-soo)(01:25:56) Look Back (dir. Kiyotaka Oshiyama)(01:27:34) The Room Next Door (dir. Pedro Almodovar)(01:30:10) Didi (dir. Sean Wang)(01:31:22) Last Summer (dir. Catherine Breillat)(01:32:33) Hundreds of Beavers (dir. Mike Cheslik)(01:33:43) The Diarrhea Brothers Save the Day (dir. Joel Haver)(01:35:09) Rap World (dir. Conner O'Malley)(01:37:11) Janet Planet (dir. Annie Baker)(01:38:43) Ben's #5(01:41:06) SKIP ELI'S BIT!!(01:42:19) Wilson's #5(01:46:33) Eli's #5(01:50:14) Ben's #4(01:52:54) Wilson's #4(02:00:50) Eli's #4(02:01:47) Ben's #3(02:03:16) Wilson's #3(02:08:22) Eli's #3(02:12:30) Ben and Wilson's #2(02:23:46) Eli's #2(02:27:19) Ben's #1(02:31:50) Wilson's #1(02:38:39) Eli and ???'s #1(02:43:34) Upcoming from Deep Cut(02:46:32) Outro

Throughout April the New Beverly Cinema proudly presents a collection of film treasures projected in glorious 35mm, including a stunning new film print of Richard Kelly's cult classic Donnie Darko, a triple feature of rarities starring pioneering icon Anna May Wong, and a pair of Rosanna Arquette comedies celebrating their 40th anniversaries. Plus, ‘70s rock operas, Schrader & Spielberg, The Dead End Kids, world cinema favorites directed by Luchino Visconti and Catherine Breillat, midnights, matinees, and much, much more. Brian, Elric and Phil are here to talk about all of it! Check out all things New Beverly here: https://thenewbev.com/ If You Enjoy the show, You can help support us at Pure Cinema by going to: https://www.patreon.com/purecinemapod Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts The show is now on BlueSky: https://bsky.app/profile/purecinemapod.bsky.social As are Brian: https://bsky.app/profile/bobfreelander.bsky.social Elric: https://bsky.app/profile/elrickane.bsky.social and the New Beverly: https://bsky.app/profile/newbeverly.bsky.social

This week we delve into the relentless and perverted mind of Catherine Breillat, the French filmmaker and novelist who has disturbed audiences for 50 years. Broadly consideredcinéma du corps,Catherine's movies explore the grotesqueness of sex and the body, depraved sexual longing, petulant, manipulative, and erratic women, and fraught and often violent sexual encounters.In this episode, we explore Breillat's ability to craft characters we can't stand, invert the expected power dynamics between men and women, and engender such a visceral response from her audience. We also review her many capital-c Controversies and discuss how her insistence on women's manipulative tendencies works so well in art and… less well in real life. Plus! More on Ripe / Dead psychology, a rant on Margaret Qualley from Holly, and a rave on Eileen Kelly / @killerandasweetthang from Linnea Grace. Mentioned:STARGIRL Episode 50: The Body Series with Eloise Skinner CRUSH Rachel Antonoff SS 2014 short (Margaret Qualley prototype foreshadowing…) Movies by Catherine Breillat:A Real Young Girl(1976),36 Fillette(1988),Romance(1999),Fat Girl(2001),Sleeping Beauty(2011),Abuse of Weakness(2013),Last Summer(2024)“Catherine Breillat's Unselling Cinema of Desire” Victoria Uren (2025)Catherine Breillat's response to allegations of sexual misconduct“State of Grace: Catherine Breillat on Last Summer” interview with Grace Byron inScreen Slate(2024)

Last summer is the story of forbidden love between a confident teenager and his stepmother. But writer-director Catherine Breillat (2009's Bluebeard) offers more than one twist in the tale before it finishes. Starring Léa Drucker (Close).

This week Flick Ford is joined by guest reviewers, Silvi Vann Wall and Eloise Ross. Together they tackle the question: what happens when you revive a cult classic? Tim Burton's sequel Beetlejuice Beetlejuice is on the reviewing table for this episode, along with French erotic drama, Last Summer, directed by Catherine Breillat.Plus, Elyse from ACCA and Hudson from FFFA and Umbrella discuss Friday the 13th: Ozploitation at the Drive-In event at Lido Cinemas. Come geared for a mega-marathon of Australian gothic horrors… tickets are selling fast! Get them here.

Breakfast host Pamela Boland has summoned the Blockbuster Babes from their underworld realm for the latest edition of the Movie Squad podcast. First up this week, Tristan Fidler shares a review of Tim Burton's long-awaited Beetlejuice Beetlejuice, once again starring Michael Keaton as the ghost with the most, and Winona Ryder as Lydia Deetz. Then, Simon Miraudo shares his thoughts on Catherine Breillat's latest provocative effort, Last Summer, about a woman who starts a taboo affair with her teenage stepson. Both films are now in Australian cinemas. Stay tuned for Simon and Tristan's extended, pod-exclusive thoughts on Last Summer! If you're turbo for Movie Squad or RTRFM, send us a signal and subscribe at support.rtrfm.com.au or by calling 9260 9210! https://rtrfm.com.au/wp-content/uploads/2024/09/MovieSquad6SepBeetlejuiceBeetlejuiceLastSummer.mp3

Dans un livre intitulé "La Prédation (nom féminin)", l'actrice affirme avoir été violée lors du tournage d'une scène film "Romance", sorti en 1999. Des accusations démenties par la réalisatrice Catherine Breillat. Caroline Ducey se confie longuement à RTL.

durée : 00:38:47 - Affaires culturelles - par : Arnaud Laporte - Retour, en sa présence, sur le parcours d'une franc-tireuse du cinéma français qui a fait de l'intimité le fil rouge de sa filmographie. - invités : Catherine Breillat Cinéaste et romancière

Erin and Paul review the irreverent superhero blockbuster DEADPOOL & WOLVERINE, Catherine Breillat's sexual potboiler LAST SUMMER, the Canadian cheerleading drama BACKSPOT, and movies about women named MAXXXINE, THELMA and FAYE. Plus: a look back at JAWS, GIRLS JUST WANT TO HAVE FUN, PARTY GIRL, SERIAL MOM, and BOB ROBERTS.

Alex and Nick cover nearly every film genre as they review a bunch of new films and shows including M. Night Shyamalan's “Trap,” “The Bear Season 3,” “Baby Reindeer,” “A Family Affair”, “MaXXXine,” “Longlegs,” Yorgos Lanthimos' “Kinds of Kindness,” “Catherine Breillat's “Last Summer,” Frank Perry's “The Swimmer” starring Burt Lancaster, and more.Later, Dan joins Alex to review Kevin Costner's “Horizon,” and the outrageous new animated comedy, “Hundreds of Beavers.”Follow @WAYW_Podcast on Twitter and Instagram and Letterboxd.Watch Alex's films at http://alexwithrow.com/Watch Nick's films at https://www.nicholasdostal.com/Send us mailbag questions at whatareyouwatchingpodcast@gmail.com

Joshua is dressed to kill with Ken Russell's 1984 Psycho-sexual thriller/satire/melodrama Crimes of Passion, his pick for the new Contemporary Costumes program. Before digging into the Big Performances of Kathleen Turner and Anthony Perkins in full drag(s), he, Katharine, and Andrew are Now Showing yet another crime of passion with Catherine Breillat's latest, Last Summer. Finally, they've all got One More Thing: a new Elaine May biography, an old No Man's Sky, and the old/new of Les Vampires. Next up is a special guest, critic Brandon Streussnig, and his pick of Josie and the Pussycats! Until then, please share, subscribe, and review! Read on at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTake-Up.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and follow us @thetakeupstl on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Twitter, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Special thanks to editor Jessica Pierce and Social Media Manager Kayla McCulloch. Theme music by AMP.

"Last Summer" had its world premiere at the 2023 Cannes Film Festival, where it received positive reviews for its direction, writing, and performances from Léa Drucker, Olivier Rabourdin, Samuel Kircher & Clotilde Courau. Legendary French director Catherine Breillat was kind enough to spend some talking with us about her first film in over a decade, a remake of the 2018 film "Queen Of Hearts," which you can listen to below. Please be sure to check out the film, which is now playing in limited release in New York from Sideshow & Janus Films. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we're excited to present a conversation with Last Summer director Catherine Breillat and lead actress Léa Drucker from the 61st New York Film Festival. An NYFF61 Main Slate selection, Last Summer opens Friday at FLC, featuring Q&As with Breillat on Friday, Saturday, and Sunday. Get tickets at filmlinc.org/summer One of the world's most consistently provocative filmmakers for nearly 50 years, Catherine Breillat proves with her incendiary, compelling new drama that she is not through toying with viewers' comfort levels. In Last Summer, Léa Drucker stars as Anne, a lawyer who specializes in cases of sexual consent and parental custody. Seemingly happily married to kind-hearted businessman Pierre (Olivier Rabourdin) with adopted twin daughters, Anne inexplicably finds herself drawn to Pierre's estranged 17-year-old son Théo (Samuel Kircher) after the boy returns home to live with them. Embarking on a passionate affair with the teenager, Anne all too willingly thrusts herself into a maelstrom of attraction, intimidation, and manipulation. Breillat's incisive screenplay—cannily altered from the Danish erotic thriller Queen of Hearts on which it's based—elegantly surveys the situation's extreme power dynamics while giving the brilliant Drucker the chance to create a character who exists entirely within her own moral boundaries. A Sideshow/Janus Films release. This conversation was moderated by NYFF Artistic Director Dennis Lim.

From the Bay of Angels to the School of Flesh, Stark Raving Cinema is joined by French actress and producer Roxane Mesquida (Sex is Comedy, Rubber, Gossip Girl). In this episode, we explore Roxane's early years in the film industry, from working with Manuel Pradal, Benoît Jacquot and Catherine Breillat. We explore her Pop Culture picks, how Disney's Lady and The Tramp reduced her to tears as well as discussing some of the world's longest movies.   For more information on Roxane Mesquida, visit www.starkravingcinema.com

Listen, spending the summer in Paris isn't in the cards for us, but spending an episode with Glynnis MacNicol talking about 1) her summer in Paris 2) her book about it, I'm Mostly Here to Enjoy Myself and 3) her Thingies…a surprisingly close second.Glynnis MacNicol's memoir I'm Mostly Here to Enjoy Myself is out this week! We also love her previous book No One Tells You This and her podcast Wilder, about the life and times and lasting impact (for better and/or worse!) of Laura Ingalls Wilder.Glynnis's Thingies include VIO2 Mouth Tape, not putting moisturizer on after retinol (she likes La Roche-Posay Retinol B3 Serum, ideally purchased in France!), Last Summer directed by Catherine Breillat, and Garnier Ombrelle Face Sun Protection.The books she mentioned: Speedboat by Renata Adler, Middlemarch by George Eliot, The Guest by Emma Cline, Swimming in Paris by Colombe Schneck, and The Cost of Living by Deborah Levy. Re: the golden age of podcasts, we're very excited about A.J. Daulerio's The Small Bow Podcast, Nice Talk with Nikki Ogunnaike, Lemme Say This with Hunter Harris and Peyton Dix, and Fashion People with Lauren Sherman. What are your Thingies? Share ‘em with us at with us at 833-632-5463, podcast@athingortwohq.com, @athingortwohq, or our Geneva! Prepare your wardrobe for summer with Johnny Was and use the code ATHINGORTWO for 20% off your order.Give your nails polish with Olive & June—20% off your first Mani System when you use our link.YAY.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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We're thrilled to welcome Hit Factory hosts Aaron & Carlee to discuss the films of French provocateur Catherine Breillat. Breillat never met a male/female relationship she couldn't dissect in harrowing fashion, often with explicit or downright shocking content. We tackle two of her hardest to stomach films: 2001's pitch-black coming of age tale FAT GIRL, and 2004's graphic arthouse provocation ANATOMY OF HELL. You can find more from Aaron and Carlee at https://open.spotify.com/show/2bwSvn4H3airk00IYCwaoa Unwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus. You can support us on Patreon at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/unwatchables⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to get access to exclusive bonus content and weigh in on what we watch next. Find us online at www.unwatchablespod.com or shoot us an email at unwatchablespodcast@gmail.com. We're on Instagram and Twitter under @unwatchablespod. --- Send in a voice message: https://podcasters.spotify.com/pod/show/unwatchablespod/message

“Hay una película española llamada La mesita del comedor (…). Apuesto a que nunca, en toda vuestra vida, habéis visto una película tan negra como esta. Es horrible, y horriblemente divertida. Pensad en el sueño más oscuro de los hermanos Coen”. Este tuit lo escribió Stephen King y cambió radicalmente el destino de una película que iba directa al cajón del olvido. "La mesita del comedor" la rodó el director Caye Casas en 10 días, con poco presupuesto, en casa de una amiga. No la quería en Sitges, le recomendaron dejar de hacer cine y solo una plataforma de streaming compró la película. Se puede ver en Filmin, pero Javier Ocaña no lo recomienda. Sumamos la c´ritica de "Back to black" el biopic de Amy Winehouse y "El último verano" un drama familiar sobre los límites del deseo dirigido por la francesa Catherine Breillat.

Empezamos con Furiosa, la película más esperada de la saga Mad Max el primer spin-off de la franquicia como su primera precuela con la que George Miller vuelve a profundizar en la historia y que tiene lugar 15 años antes de la cinta original: Mad Max, furia en la carretera. Elio además un repaso por la saga nos cuenta los orígenes de la Imperator.Repasamos dos de los títulos del Festival de Málaga que llegan a las salas: Segundo premio, la película sobre la leyenda del grupo granadino Los Planetas, dirigida por Isaki Lacuesta con el que charlamos y Pol Rodríguez. Una película que ganó la Biznaga de Oro a la mejor película española, y la Biznaga a Mejor Dirección y Mejor Montaje.Historias, un largometraje de 90 minutos con 11 historias cortas sobre la vida, desde el nacimiento hasta la vejez de Paco Sepúlveda con él y uno de sus actores protagonistas, Fernando Tejero hablamos de lo mucho que nos parecemos, aunque no nos demos cuenta.Ángeles González-Sinde nos acerca otro de los estrenos de la semana: Jugando con fuego, una cinta francesa dirigida y protagonizado por Yvan Attal que nos muestra un interesante enredo de parejas y no dejamos las infidelidades ni el cine francés, porque otra de las películas en la que nos detenemos es el último Verano de la directora Catherine Breillat, Una cinta que se aleja de lo que es políticamente correcto, dónde la atracción el deseo y el placer son los protagonistas.Todo esto además del resto de la cartelera, las mejores series con Pedro Calvo y las últimas noticias cinematográficas. Escuchar audio

It's officially 2024...Happy New Year? We're not getting our hopes up! While everyone nursed their hangovers and tried desperately to get back to "normal" everyday life, we decided to take a look back at all the things we watched in the past year and talk about some stuff that falls outside the usual scope of the show. Join us as we each count down our individual top five new-to-us watches of the past year, take time to reflect on your own highs and lows, and add some new recommendations to your watchlist.Lots of links to share from this episode: Check out The Carlee Canon (Carlee's Top 20 Films of the 1990s)Check out The Aaron Canon (Aaron's Top 20 Films of the 1990s)Read Carlee's piece, 'The Puritanical Eye: Hyper-Mediation, Sex on Film, and the Disavowal of Desire' at Lo Specchio ScuroRead benzostraydogs' Letterboxd Review of Sam Esmail's 'Leave the World Behind'Listen to Our Junk Filter Episode on Jim McBride's 1983 Remake of 'Breathless'Check Out Aaron's List of His Top 75 Non-2023 Watches of Last Year.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

Den kontroversiella franska filmregissören Catherine Breillat är känd för explicita sexscener i sina filmer. Hennes senaste film, En sommar, handlar om en kvinna som inleder en relation med sin styvson. Lyssna på alla avsnitt i Sveriges Radio Play. Reporter: Björn JanssonProgramledare: Lisa Bergström.Producent: Mattias Berg.

In this episode, Neil and Dario go deep on a couple of favourite titles each from this year's excellent London Film Festival. Neil eulogises Pat Collins' That They May Face The Rising Sun and Shujun Wei's Only The River Flows, while Dario waxes lyrical on Hirokazu Koreeda's Monster and Tran Anh Hung's The Taste of Things.  Elsewhere they briefly discuss some of their honourable mentions including Catherine Breillat's Last Summer and Moin Hussain's Sky Peals. Neil also mentions a not so honourable title. They compare the experiences of seeing films in the cinema, at press and public screenings, versus the online platform and Dario shares an experience of encountering a bad faith audience member following a screening of Andrew Haigh's lauded All of us Strangers, which Dario loved. To listen to Neil's bonus episodes on LFF2023, find them collected here on The Cinematologists' Patreon page, available free for anyone to listen to. You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. _____ Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.

Novos filmes de Pedro Almodóvar, Eduardo Brito e Catherine Breillat

John Cribbs & Christopher Funderburg are back with their rundown of the 2023 Toronto International Film Festival! From the highest highs (The Boy and the Heron) to the lowest lows (Limbo) and the poutine in between, they take a look at the state of cinema as explicated by one of the world's premiere film festivals. They discuss new films by Wim Wenders, Anna Kendrick, Ethan Hawke, Hayao Miyazaki, Errol Morris, Victor Erice, Catherine Breillat, Richard Linklater, Shinya Tsukamoto and so much more - they discuss not just the highlights, but every single goddamn film they saw while in the Queen City! Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg John Cribbs on X: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

durée : 00:55:09 - Le masque et la plume - par : Jérôme Garcin - Pour une rentrée cinéma réussie, faut-il aller voir "L'Eté dernier" de Catherine Breillat, "Le Ciel rouge" de Christian Petzold, "Un métier sérieux" de Thomas Lilti, "Visions" de Yann Gozlan, "Le Livre des solutions" de Michel Gondry et "Les Secrets de la princesse de Cadignan" d'Arielle Dombasle ? - réalisé par : Xavier PESTUGGIA

durée : 00:58:19 - Plan large - par : Antoine Guillot - Aujourd'hui dans Plan Large, les cinéastes Catherine Breillat pour le "L'été dernier", et Pham Thiên Ân pour "L'arbre aux papillons d'or", et aussi Mathieu Macheret. - invités : Catherine Breillat Cinéaste et romancière; Pham Thiên Ân cinéaste; Mathieu Macheret Critique de cinéma, journaliste au Monde et aux Cahiers du Cinéma

durée : 00:58:19 - Plan large - par : Antoine Guillot - Aujourd'hui dans Plan Large, les cinéastes Catherine Breillat pour le "L'été dernier", et Pham Thiên Ân pour "L'arbre aux papillons d'or", et aussi Mathieu Macheret. - invités : Catherine Breillat Cinéaste et romancière; Pham Thiên Ân cinéaste; Mathieu Macheret Critique de cinéma, journaliste au Monde et aux Cahiers du Cinéma

durée : 00:57:42 - Affaires culturelles - par : Arnaud Laporte - Catherine Breillat nous avait quitté avec le très autobiographique "Abus de faiblesse" en 2014. Près de dix ans plus tard, nous la retrouvons avec "L'Été dernier", en salles le 13 septembre, et un livre d'entretien. Place au nôtre, d'entretien ! - invités : Catherine Breillat Cinéaste et romancière

durée : 00:49:29 - Grand Canal - par : Eva Bester - "L'été dernier" de Catherine Breillat sort en salles le 20 septembre. Léa Drucker y incarne l'avocate, épouse d'un homme avec lequel elle vit un quotidien harmonieux. Tout bascule quand l'adolescent que son mari a eu avec une autre femme fait irruption, suscitant un désir aussi pur que brutal.

durée : 00:43:43 - Signes des temps - par : Marc Weitzmann - Femmes entre innocence et transgression - invités : Murielle Joudet Critique de cinéma; Samuel Blumenfeld Journaliste au Monde, critique de cinéma.; Guillaume Orignac Cinéaste et critique de cinéma; Ariane Allard Critique.

durée : 02:59:09 - Le 7/10 - La refondation de l'école, l'histoire du conflit politique en France, une série consacrée à Bernard Tapie et le nouveau film de Catherine Breillat au menu du 7/10 du 6 septembre 2023.

John Cribbs & Christopher Funderburg return to the Queen City for the 48th annual Toronto International Film Festival to watch all the best in the current world of le cinema. With a line-up seemingly handcrafted to get us excited, we talk our must-see films, wildcards, and the ones we're dreading. Included in this year's slate are new movies by Hayao Miyazaki, Errol Morris Victor Erice, Catherine Breillat, Richard Linklater, Shinya Tsukamoto and more …choosing which titles among the 300+ entries to see is going to be tough. Get psyched! Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg John Cribbs on X: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

This week, we've somehow stumbled into a sorta marathon thanks to Dustin who is reviving host picks. His choice is Catherine Breillat's updated take on Charle's Perrault's classic fairy tale, The Sleeping Beauty—hard article. This week, we're talking gender and femininity, auteurism, TV movies, French television distribution, and much, much more! Join us this week as we head to France for The Sleeping Beauty.  TIMESTAMPS 00:30 - Introductions and Synopsis 05:10 - Quick The Sleeping Beauty Reviews 18:23 - Expanding the Syllabus 29:29 - Analysis 58:41 - Shelf or Trash 1:02:03 - Wrap Up and Next Week's Film

Montreal-based film programmer, writer, and critic Justine Peres Smith joins us to discuss Catherine Breillat's 1999 film 'Romance'. It's a fascinating film that challenges patriarchal views of intimacy and desire, exploring the interiority of one woman's sexuality with a bracing level of nuance and honesty. We discuss the film's graphic depictions of (purportedly unsimulated) sexual encounters and the fearless performer who gives these raw scenes life, Caroline Ducey. Then, we examine the film's uncommon embrace of the textures of feminine sexuality, subverting reductive and confining depictions in the mainstream, and offering an alternative to the capitalist impulses of "productive sexuality". Finally, we explore sex in film more broadly, and many audience's troubling aversion to exploring sexuality in ways that consider its emancipatory power. Follow Justine on Twitter. Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

La 76e édition du festival de Cannes est terminée : on vous propose le bilan de la rédaction ! Le 27 mai dernier, le festival s'est conclu sur un discours percutant de Justine Triet, nouvelle Palme d'Or pour Anatomie d'une chute. Retour sur les temps forts de cette édition, sur nos coups de coeur, et sur les réalisatrices qui ont apporté de la lumière à ce festival. Chapitrage : Les temps forts du festival : 1:49 / Les grands thèmes de la sélection : 9:01 / Nos coups de coeur - Anatomie d'une chute : 35:42 - Le Ravissement : 38:55 - A Song Sung in Blue : 42:01 - Les Filles d'Olfa : 43:04 Participantes : Léon Cattan, Mariana Agier, Alicia Arpaïa, Diane Lestage Réalisation : Léon Cattan, Hugo Cardona Montage : Mariana Agier  Son : Hugo Cardona Générique : (c) Sorociné Musique : (c) Antonin Agier Retrouvez toute l'actualité de Sorociné sur nos réseaux sociaux, Twitter, Facebook et Instagram : @Sorociné Si l'épisode vous a plu, n'hésitez pas à liker et à le partager

Ep. 186: Cannes #14 with Manohla Dargis of The New York Times Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. The 2023 Cannes Film Festival series joyously concludes with our traditional grand finale: a discussion with Manohla Dargis, chief film critic of The New York Times, live from Cannes. Dargis reveals what might be her favorite film of the festival, and then we discuss too many titles to list here in full, ranging from Catherine Breillat's Last Summer and Wang Bing's Youth to Wes Anderson's Asteroid City and Sean Price Williams's The Sweet East. Thank you to all our listeners! And please support the production of this podcast by signing up at: rapold.substack.com Music: “Monserrate” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Patrick and Eliana wrap up our coverage of the 76th Cannes Film Festival and discuss the closing ceremony, Justine Triet's Palme d'Or winner- Anatomie d'une Chute (Anatomy of a Fall), Catherine Breillat's L'été Dernier (Last Summer), and Alice Rohrwacher's La Chimera.Palme d'Or winning Anatomy of a Fall (Justine Triet) & L'été Dernier (Catherine Breillat) and La Chimera (Alice Rohrwacher)0:00 Intro End of Cannes + Closing Ceremony13:26- Justine Triet's Anatomy of a Fall36:46 - Catherine Breillat's L'été Dernier58:46 - Alice Rohrwacher's La ChimeraYou can follow Patrick and Eliana on Letterboxd!~Until next time!Sound:EFF Open Audio License for Le Carnaval des Animaux (Saint-Saëns, Camille - Aquarium) by Neal O'Doan (Piano) Nancy O'Doan (Piano), and Seattle Youth Orchestra Pandora Records/Al Goldstein Archive

durée : 00:53:35 - L'Heure bleue - Après une longue absence, Catherine Breillat revient avec "L'été dernier", un film en compétition au prestigieux Festival de Cannes 2023. L'Heure Bleue fête son retour.

If you've been following the podcast and the Film Comment Letter, you'll know that for the last two weeks, we've been reporting from the 2023 Cannes Film Festival. Before the festival ended last Sunday, Devika Girish, Co-Deputy Editor of FC, gathered Justin Chang, Dennis Lim, and Rachel Rosen—all of whom serve on the selection committee of the New York Film Festival—for a look back at the Cannes that was. As experienced festival veterans, the three reflected on the trends of this year's festival, including the preponderance of long films, experiments with historical representation, and hybrids of fiction and documentary. They also discussed some of the festival's late premieres, including films by Catherine Breillat and Hong Sangsoo. We hope you enjoy the conversation—and keep your eyes on filmcomment.com for more Cannes wrap coverage, coming later this week: https://www.filmcomment.com/blog/category/festivals/cannes/cannes-2023/

With her latest film Jethica freshly streaming on Fandor, Callie Hernandez (Blair Witch, La La Land, Under the Silver Lake, Shotgun Wedding) traps us in a room with Catherine Breillat's Anatomy of Hell, the 2004 chamber piece starring Amira Casar and Rocco Siffredi as two people confronting one another's bodies. Your genial host Norm Wilner is braced for provocation.

C'est une actrice à part. Elevée dans le Var, loin du cinéma, ROXANE MESQUIDA a d'abord travaillé comme mannequin, avant d'éclore chez Catherine Breillat, puis d'enchaîner les rôles pour Kim Chapiron, Quentin Dupieux ou Gregg Araki, et même de faire un détour par la série "Gossip Girl". Aujourd'hui, ROXANE MESQUIDA est à l'affiche du premier long-métrage de Sophie Levy, "Méduse", en salles le 26 octobre.Dans cet épisode sans filtre et rafraîchissant, ROXANE MESQUIDA raconte un parcours stylistique sinueux, marqué par l'amour du reggae, la passion du noir ou le complexe de la petite taille. Ici, ROXANE MESQUIDA confie surtout l'importance du vêtement dans la construction de ses rôles, et son incapacité à se mettre dans la peau d'une autre en portant ses propres habits. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Alex and Nick have done a lot of lists on the podcast, but none have featured films by this many incredible directors. This episode is all about female-driven stories, from filmmakers such as Sofia Coppola, Greta Gerwig, Claire Denis, Lynne Ramsay, Catherine Breillat, Patty Jenkins, Julia Ducournau, Agnes Varda, Jane Campion, and more.Follow @WAYW_Podcast on Twitter and Instagram.Watch Alex's films at http://alexwithrow.com/Watch Nick's films at https://www.nicholasdostal.com/Send us mailbag questions at whatareyouwatchingpodcast@gmail.com

Movies are sex! Toronto movie critic and filmmaker Chandler Levack joins hosts Gemma and Slim ahead of the world premiere of I Like Movies—her debut indie dramedy about a narcissistic teenage cinephile that had Slim weeping-laughing and Gemma hoping it'll win the TIFF People's Choice Award—to talk about four films she loves: Almost Famous, Fat Girl, The Apartment and Crime Wave. Plus: Chandler and Slim reminisce about their glittering careers in the video store industry; everything Cameron Crowe means to us; Catherine Breillat and her brutal realism; the joys of making a film about an insufferable cinephile; how to nail an audition (hint: wear a t-shirt for The Lighthouse); we're all in love with Shirley MacLaine; why Gemma wants to live in old movies; John Paizs' absurdist brilliance and his lasting legacy—that you can make anything you want!; Funny Pages' sweaty basement apartment; is this the greatest year for cinema made just for Slim? Possibly yes. Did Steven Spielberg make The Fabelmans in homage to I Like Movies? Maybe. See both films at TIFF (8—18 September) to find out! Credits: This episode was recorded in Auckland, Toronto and Pennsylvania, and edited by Slim. Facts by Jack. Booker: Brian Formo. Transcript by Sophie Shin. Art by Samm. Theme: ‘Vampiros Dancoteque' by Moniker. Lists and links: The Letterboxd list of films mentioned; Fat Girls on Film by Kate Hagen; Conversations with Wilder by Cameron Crowe; Jack Facts' interview with Owen Kline; ‘Stillwater Runs Deep'—William Miller's $1000 essay for Rolling Stone; When you're feeling a little lost by yazz!; Coming-of-age movies by andrea; Films that took an already amazing and well-known song by starboy; Movies that are like I Like Movies by Chandler Levack; Male Protagonists that I Could Easily Beat Up in a Fight by Claira Curtis; Manic Pixie Dream Girl by Melissa; Punk by Sally Jane Black; Weirdo Watchlist by Tyler; Chandler's Movies I can't wait to see at TIFF.

---ARTICLES AND LINKS DISCUSSEDFat Girl [2001] Trailer:https://www.youtube.com/watch?v=nau7Rwi9Ceg---Fat Girl – Review (David Stantton):https://variety.com/2001/film/reviews/fat-girl-1200466760/---FOLLOW THE CONVERSATION ON reddit:https://www.reddit.com/r/sideboobcinema/---SUPPORT THE NEW FLESHPatreon:https://www.patreon.com/user?u=61455803Buy Me A Coffee:https://www.buymeacoffee.com/thenewflesh---Instagram: @thenewfleshpodcast---Twitter: @TheNewFleshpod---Follow Ricky: @ricky_allpike on InstagramFollow Jon: @thejonastro on InstagramFollow AJ: @_aj_1985---SIDEBOOB CINEMA produced by Sheila EhksLogo Design by Made To Move: @made.tomoveTheme Song: Dreamdrive "Good In Red"

58 - Anatomy of Hell (2004) / How I Ended This Summer (2010) This week we locked ourselves in for a two-hander, as Catherine Breillat helps us get under each other's skin and Alexei Popogrebski cools us down with a bucket of Russian Arctic water.

New French Extremity is more than gore and violence; it is controversial, it is taboo and it is shocking. This episode looks at Catherine Breillat's FAT GIRL (2001) and Bruno Dumont's TWENTYNINE PALMS (2003). Host Zoë is joined by academic and author, Ali Taylor to discuss these boundary pushing films. You can find Ali Taylor in the following places: - Twitter: https://twitter.com/preferenepas - Buy Possession book: https://liverpooluniversitypress.co.uk/books/id/55126/  - Trouble Everyday book: https://www.amazon.com/Troubled-Everyday-Aesthetics-Violence-European/dp/1474440983 If you'd like to send over some feedback, support the podcast, inquire about being a guest on the show, send over your extreme film or just ask weird shit you can do so at the following: - Email: zobowithashotgun@gmail.com - Twitter: twitter.com/ZoboWithShotgun - Facebook: www.facebook.com/zobowithashotgun/ - Instagram: www.instagram.com/zobowithashotgun/?hl=en - Web: www.zobowithashotgun.com - Ko-Fi: ko-fi.com/zobowithashotgun Theme music & all editing by Emanuele Bellini www.emanuelebellini.com @ebmusicproductions Logo and artwork design by Ben Errington (twitter.com/ben_errington) / Blinded By Faith design (twitter.com/blindedby_faith)