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Episode 679: March 17, 2024 playlist: Dead Pioneers, "Bad Indian" (Dead Pioneers) 2023 [self-released] Casa Ukrania, "Kobzar" (Kobzar) 2024 [self-released] loscil // lawrence english, "Indigo" (Chroma) 2024 Room40 Jim White and Marisa Anderson, "Bitterroot Valley Suite I: Water" (Swallowtail) 2024 Thrill Jockey Kevin Drumm, "Part One (excerpt)" (OG23) 2024 Streamline KMRU, "Wind Bags" (Windbags/Lune) 2023 Byrd Out Moonshake, "Blister" (Secondhand Clothes) 1992 Too Pure / 2023 Beggars Arkive DJ Anderson do Paraiso, "Paty Trem Barbie (Feat. MC MAGRELLA)" (Queridao) 2024 Nyege Nyege Sandwell District, "Disaffected (w/Function)" (Where Next?) 2024 Point of Departure The Bevis Frond, "Big Black Sky" (Focus On Nature) 2024 Fire serpentwithfeet, "Safe Word" (GRIP) 2024 Secretly Canadian Dean McPhee, "The Sediment of Creation" (Astral Gold) 2024 Bass Ritual Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.
Episode 94 Electronic Drone Music Playlist Yves Klein, “Monotone-Silence Symphony” written in 1947. I could not find any recorded versions of this piece, so I produced this realization of my own to capture the feel and nature of this drone work. Klein conceived this as performance art in which an orchestra would only play a single note, continuously, for 20 minutes followed by another 20 minutes of silence. I've examined the score and can see that Klein also intended that the same note could be played in different octaves. The playing would have been staged so that one group of musicians could overlap another, both for reasons of fatigue but also to allow smooth transitions for the wind instruments because players would need to take a breath. My version includes electronic instruments for multiple parts, each part playing the same note, often in different octaves. The introduction of instrumental groups was planned in stages, each overlapping the previous grouping, gradually shortening in duration as the piece goes on. La Monte Young and Marian Zazeela, “31 VII 69 10:26 - 10:49 PM” from 31 VII 69 10:26 - 10:49 PM / 23 VIII 64 2:50:45 - 3:11 AM The Volga Delta (1969 Edition X). Eponymous untitled album popularly known as "The Black Record" or "The Black Album" Mine is an original copy. The cover is black gloss print on matt black and very hard to read. Numbered edition limited to 2800 copies of which numbers 1-98 are dated and signed by the artists. This work “was recorded at the date and time indicated in the title, at Galerie Heiner Friedrich, München. The work “31 VII 69 10:26-10:49 PM” is a section of the longer work: Map Of 49's Dream The Two Systems Of Eleven Sets Of Galactic Intervals Ornamental Lightyears Tracery. Play this side at 33 1/3 rpm only.” Early work employing electronic drones. By the mid-sixties, Young and his partner Marian Zazeela were creating music for electronic drones as an extension of their group, The Theatre of Eternal Music. Using a Heathkit sine wave oscillator and later Moog modules as sources, they created drone pieces that employed “extended duration time signatures” and “long sustained tones, intervals, triads and chords to create the musical texture.” A reissue has now occurred on the label Super Viaduct. Tony Conrad, “Process Four of Fantastic Glissando” from Fantastic Glissando (2006 Table of The Elements). Dating from 1969, this recording contains various versions of the same sound piece, each processed slightly differently. “Process Four” accumulates the processed applied to the previous three processes. The first glissando recording was made using a sine wave oscillator processed through pump counter with a stereo-phase glissando. Recorded December 12, 1969, on a Revox reel-to-reel tape recorder set at 3¾ ips. Conrad was in LaMonte Young's circle of friends and performers and joined him on many productions of The Theatre of Eternal Music. Teresa Rampazzi , “Duodeno normale” and “Duodeno Patologico” from Musica Endoscopica (1972). Here we have two short electronic works from this remarkable women composer that emphasize the drone. The pulsing tones and textures were played manually using audio oscillators. Music produced by the N.P.S. (Nuove Proposte Sonore) group for the documentary entitled "Gastroscopia" (Gastroscopy) realized in 1972 by Prof. Domenico Oselladore, University of Padova, in collaboration with Istituto De Angeli s.p.a., Milan. This documentary was presented at the Scientific Film Festival, Policlinico Universitario di Padova, 1972. “Duodeno Normale” begins with a drone consisting of two continuous tones: a low-pitched buzz from a sawtooth wave accompanied by a pulsating higher-pitched tone. The drone is joined at the 11-second mark by a high-pitched ringing tone played on a third oscillator. This ringing tone is repeated every 5–8 seconds and sustained for two or more seconds each time. The irregular timing of the tone suggests that Rampazzi was manually playing it by turning the dial of an oscillators. The ringing tone is sustained for the duration of the piece, creating a three-part drone. The drones fade out, beginning with the lower buzzing tone. “Duodeno Patologico” uses a similar process. The Taj-Mahal Travelers, “The Taj-Mahal Travelers Between 6:20~6:46P.M.” from July 15, 1972 (1972 CBS/Sony). Released in Japan. Early album by the group founded by experimental electronic musician and violinist Takehisa Kosugi. Electronic Contrabass, Suntool, Harmonica, Performer Sheet Iron, Ryo Koike; Guitar Electronic Quiter, Percussion, Michihiro Kimura; Electronic Trumpet, Harmonica, Castanets, Seiji Nagai; Vibraphone, Santoor Suntool, Yukio Tsuchiya; Electronic Violin, Electronics, Radio Oscillators, Voice, Takehisa Kosugi; Vocals, Tokio Hasegawa. This album was recorded live at Sohgetsu Hall, Tokyo, Japan, July, 1972. Originally released using Sony's SQ quadraphonic system. Yoshi Wada, “Earth Horns with Electronic Drone”(1974) from Earth Horns with Electronic Drone (2009 EM Records). Recorded at Everson Museum of Art, Syracuse, New York, February 24, 1974. Electronics, Liz Phillips; Pipehorn Players, Barbara Stewart, Garrett List, Jim Burton, Yoshi Wada; Electronic equipment designed by, Liz Phillips, Yoshi Wada; Pipehorns constructed by, composed by, recorded by, Yoshi Wada. Combining four of Wada's self-made "pipehorns" (constructed of plumbing materials, over three meters in length), with an electronic drone tuned to the electrical current of the performance space, this is a lost masterpiece of early drone/minimalism. The performance filled the space with complex overtones generated by the ever-shifting interplay of the breathing horns and the constant electronic drone. Lou Reed, “Metal Machine Music” (1975 RCA). All music and electronics by Lou Reed. Inspired by LaMonte Young, this is what I would call a noise drone! Reed himself points to the influence of Young in his lean liner notes. "SPECIFICATIONS: No Synthesizers, No ARP, No Instruments?” Sony 1/2 track; Uher 1/4 track; Pioneer 1/4 track; 5 piggyback Marshall Tube Amps in series; Arbitor distortor (Jimi's); Marantz Preamps; Marantz Amps; Altec Voice of America Monitor Speakers; Sennheiser Headphones; Drone cognizance and harmonic possibilities vis a vis Lamont Young's Dream Music; Rock orientation, melodically disguised, i.e. drag; Avoidance of any type of atonality.; Electro-Voice high filter microphones; Fender Tremolo Unit; Sunn Tremolo Unit; Ring Modulator/Octave Relay Jump; Fender Dual Showman Bass Amp with Reverb Unit (Pre-Columbia) white. Eliane Radigue, “Triptypch” Part 2” (1978). (2009 Important Records). Electronic Instrumentation: ARP 2500 modular synthesizer and analog, multitrack tape composition. The piece uses real-time ARP programming, tape loops, and recorded acoustic sounds. This piece is characteristic of Radigue's fervent exploration of gradually changing layers of harmonically intersecting tones. It is the kind of drone work that can easily dip the listener into a pool of trance and is one of the composer's many works grounded by her dedication to Tibetan Buddhism. Note the overall slowly evolving changes formed by overlapping sustained tones presented without any clearly articulated beginnings and endings. John Cage, Gary Verkade, “Organ2/ASLSP” from The Works for Organ (2013 Mode). John Cage composed “Organ2/ASLSP” in 1987 for solo organ. This piece has been realized at a variety of lengths, from about 30 minutes, to 8 hours, and what is arguably the longest interpretation of music ever played, now 23 years into its projected run of 639-years being performed now in Halberstadt Cathedral, Germany where a special organ was created to perform the piece unattended until a chord change is called for. This work is not electronic, although the pipe organ may be thought of by some, including me, as the first synthesizer. Although I won't be playing this work except in the background of this introduction, I needed to mention it because of its significance in the canon of drone music. “This composition consists, like Cage's ASLSP, of 8 pieces. Unlike ASLSP, however, all pieces here should be played. Any of the 8 pieces may be repeated, and these repetitions may be played subsequent to any of the other pieces. The published score consists of a title page, brief instructions, and 4 leaves with music. Each page contains 2 pieces.” Phill Niblock, “Guitar, too, for four—The Massed Version” from G2,44+/x2 (2002 Moikai). 24-track mix of guitar samples from Rafael Toral, Robert Poss, Susan Stenger, David First. Guitarists adding 2 live parts each to the 24 track mix version: Kevin Drumm, Lee Ranaldo, Thurston Moore, Robert Poss, Alan Licht. Niblock's usually works with acoustic instruments, so this venture with electric guitar is somewhat unique in his body of work. He asks musicians to play parts that are first recorded and then reworked in the mixing and editing process, largely to eradicate pauses and silences so that the sounds can be blended without such interruptions. Pauline Oliveros and Reynols, "Half a Dove in New York, Half a Dove in Buenos Aires" (1999) (2022 Smalltown Supersound). Reynols is an Argentinian experimental band that began in 1993 as Burt Reynols Ensamble. Band member Alan Courtis wrote to me, saying, “First of all, thanks a lot for mentioning our Pauline Oliveros in the arms of Reynols collaboration in your book Electronic & Experimental Music. She was a great musician/composer and friend.” After which he pointed me to a “recent release of an old project we made with Pauline back in 1999.” This is it! Opening background music: Tony Conrad, Arnold Dreyblatt, Jim O'Rourke, “Side 1” from Tonic 19-01-2001 (2023 Black Truffle). Performers, Arnold Dreyblatt, Jim O'Rourke, Tony Conrad. Recorded January 19,2001 at Tonic, New York City. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.
We welcome YOU back to America's leading higher education podcast, The EdUp Experience! It's YOUR time to #EdUp In this episode, President Series #178, YOUR guest is Dr. Kevin Drumm, President of SUNY Broome Community College, YOUR guest cohost is Dr. Chuck Lloyd, President of White Mountains Community College, YOUR host is Dr. Joe Sallustio, & YOUR sponsor is Unmudl! What does Kevin mean when he says that college presidents need to be creative? How does Kevin & his team market their college? What does Kevin see as the future of higher Ed? Listen in to #EdUp! Thank YOU so much for tuning in. Join us on the next episode for YOUR time to EdUp! Connect with YOUR EdUp Team - Elvin Freytes & Dr. Joe Sallustio ● Join YOUR EdUp community at The EdUp Experience! We make education YOUR business! --- Send in a voice message: https://anchor.fm/edup/message
Tune in as we gauge the public view on all things that have to do with the Southern Tier
Die Brainwashed - Radio Edition ist eine einstündige Show mit Musik von den Künstlern und Labels auf Brainwashed.com. 1. The Legendary Pink Dots, "Celine's Surprise" (Legendary Pink Dots' Hallowe'en Special 2019) 2019 self-released 2. Six Organs of Admittance, "Two Forms Moving" (Companion Rises) 2020 Drag City 3. Deathprod, "Occultation 6" (Occulting Disk) 2019 Smalltown Supersound 4. Sandy, "Holy One" (Traces) 2019 Geographic North 5. Kevin Drumm, "And Another Thing (excerpt)" (Fall) 2019 self-released 6. SPC ECO, "Work It Out" (Work It Out) 2019 self-released 7. Big Blood, "Stars Sewn Into Our Skies" (The Daughters Union) 2017 Don't Trust the Ruin / 2019 Feeding Tube 8. Ohio, "Rows, Barns, Fields" (Upward, Broken, Always) 2019 12k * Sendung vom 27. Oktober 2019 == Brainwashed - Radio Edition Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening. * http://brainwashed.com
Monolithian matter, melting Arvo Pärt in a pan, finding the hidden trumpets. The Tehran-based composer discusses three important albums.
Headboggle, Kevin Drumm and Adam Golebiewski, Kortiko, Tuesday Night Machines, 43 Odes, Claire Rousay, Atlantis Morrissey, Alien Trap Lords, Vyto B + Mazes, The High Sheriffs, Post Moves, and Boy Sets Fire.
Headboggle, Kevin Drumm and Adam Golebiewski, Kortiko, Tuesday Night Machines, 43 Odes, Claire Rousay, Atlantis Morrissey, Alien Trap Lords, Vyto B + Mazes, The High Sheriffs, Post Moves, and Boy Sets Fire.
Episode 440: November 3, 2019 playlist: The Legendary Pink Dots, "Celine's Surprise" (Legendary Pink Dots' Hallowe'en Special 2019) 2019 self-released Six Organs of Admittance, "Two Forms Moving" (Companion Rises) 2020 Drag City Deathprod, "Occultation 6" (Occulting Disk) 2019 Smalltown Supersound Sandy, "Holy One" (Traces) 2019 Geographic North Kevin Drumm, "And Another Thing (excerpt)" (Fall) 2019 self-released SPC ECO, "Work It Out" (Work It Out) 2019 self-released Big Blood, "Stars Sewn Into Our Skies" (The Daughters Union) 2017 Don't Trust the Ruin / 2019 Feeding Tube Ohio, "Rows, Barns, Fields" (Upward, Broken, Always) 2019 12k Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.
"Valedictorian" by Dan Friel from Total Folklore; "Sugar Tots" by Karen Gwyer from Needs Continuum; "Precession" from Anthroprophh's self-titled album; "Escopolamina" by Lucrecia Dalt from Commotus; "Neu Weld" by Staingrass Agaric from his self-titled album; "You Don't Need a Weatherman" by Darkstar from News from Nowherel; "Summit Expedition" from the self-titled album by Arp Navigators; "Civivic" by Hav Lyfe from the self-titled CD; "Towers" by Grouper from The Man Who Died In His Boat; "The Immortal Mr. Tease" by LA Vampires with Maria Minerva from The Integration; "Dimming the Gas Lights" by Kevin Drumm from Tannenbaum.
"Valedictorian" by Dan Friel from Total Folklore; "Sugar Tots" by Karen Gwyer from Needs Continuum; "Precession" from Anthroprophh's self-titled album; "Escopolamina" by Lucrecia Dalt from Commotus; "Neu Weld" by Staingrass Agaric from his self-titled album; "You Don't Need a Weatherman" by Darkstar from News from Nowherel; "Summit Expedition" from the self-titled album by Arp Navigators; "Civivic" by Hav Lyfe from the self-titled CD; "Towers" by Grouper from The Man Who Died In His Boat; "The Immortal Mr. Tease" by LA Vampires with Maria Minerva from The Integration; "Dimming the Gas Lights" by Kevin Drumm from Tannenbaum.
Playliste de Joseph Ghosn pour webSYNradio : UN SPECTRE D'EMOTIONS VERTIGINEUSES. Avec des oeuvres de John Cale, La Monte Young, Takehisa Kosugi, C. Spencer Yeh, Steve Roden, Andy Warhol, Joseph Ghosn, Robert Desnos, Delia Derbyshire, William Burroughs, Kevin Drumm, Angus McLise , Luc Ferrari, Alan Licht + Bridget O'Riley, Phil Niblock, Bernard Parmegiani, Sun Ra, Eliane Radigue, Isidore Isou, Tim Hecker, Allen Ginsberg, Momus...
Rare Frequency Podcast 30: Hot Stuff Note: Yes, I play the same Philip Jeck piece in consecutive podcasts. What excuse can I possibly offer? Well, uh, it really is hot. (opening music: Warner Jepson, “Skate Date,” Totentanz And Other Electronic Work 1958-1973 (Disc Two) (Expanding Melon) 2CD) 1 Alva Noto, "u_07" Unitxt (Raster-Noton) CD 2008 2 Frank Bretschneider, "Rand" Rand (Mille Plateaux) CD 2000 3 Philip Jeck, "Shining" Sand (Touch) CD 2008 4 DJ /Rupture vs. Badawi Quintet, "Ipanema Under Fire" Unit of Resistence (Roar) CD 2008 5 Asmus Tietchens, "Rosenkranz" Mysteries of the Organ (Die Stadt) CD 2008 6 Burning Star Core, "Challenger" Challenger (Hospital Productions) CD 2008 7 Kevin Drumm, "Snow" Imperial Distortion (Hospital Productions) CD 2008 8 Byetone, "Heart" Death of a Typographer (Raster-Noton) CD 2008 9 Gas, "Zauberberg 6" Nah und Fern (Kompakt) 4CD 2008
This second RF podcast, titled simply "Some Toys Never Lern," features music by Blutsiphon, Satanicpornocultshop, Christian Marclay & Gunter Müller, Felix Kubin, Douglas Lilburn, Don't Dolby 05, and Lasse Marhaug & Kevin Drumm. What happened to the first? You may never know... Oh wait, it's here. Rare Frequency Podcast 2