Podcasts about henry kaiser

DURING THE FIRST year of the Second World War, the conflict in the Pacific was all about aircraft carriers. With a carrier, one could take the fight to the enemy. Without one, one could only huddle on an island as a passive target, waiting for an enemy carrier's aircraft to arrive and attack. When the war broke out, the U.S. had seven of these precious warships, but only three were in the Pacific. They were the actual targets of the attack on Pearl Harbor — the Japanese knew if they could get them out of the way, they'd have a free hand for at least a year. It had taken an average of more than three years to build a regular full-size aircraft carrier before the war. Mobilization would cut that timeframe to under a year, but that was still a long wait. The Japanese almost had a free hand for that year anyway. Much of their equipment was just more advanced in 1942, especially airplanes. By the end of that year the U.S. was down to one carrier. Both sides were hurriedly converting existing ships to bolster their fleets, but it certainly looked, from far away, as if the U.S. was not too far from ending up in that helpless position that the Japanese had hoped to put it in with the Pearl Harbor attack. Carriers were rare, complicated ships, hard and time-consuming to build. Japan had lost four of their best ones at Midway, but they still had at least six left. And that's about the point at which Henry Kaiser decided to go into the aircraft-carrier business.... (Vanport, Multnomah County; 1940s) (For text and pictures, see https://offbeatoregon.com/22-07.kaiser-aircraft-carriers-611.html)

WWII Innovation Machine: Freedom's Forge and the Arsenal of Democracy - Interview with Bill ConleyHow did America transform from a peacetime economy to the "arsenal of democracy" before entering WWII? In this compelling interview, Dr. Bill Conley—former Director of Electronic Warfare at DARPA and current CTO at Mercury Systems—delves into the insights from Freedom's Forge by Arthur Herman. The book chronicles how industrial leaders like William Knudsen and Henry Kaiser revolutionized U.S. defense production.​

This week, hosts Casey Handmer and Christine Corbett Moran share stories from their recent family road trip to Las Vegas for a cousin's wedding. They discuss the efficiency of Vegas weddings, touring the Hoover Dam and its impressive Art Deco design, and experiencing the technological marvel of The Sphere. The conversation explores engineering history through the lens of Henry Kaiser's accomplishments, biohacking experiments, professional achievements, and Casey's ongoing Mars terraforming project. Sure Thing Wedding Chapel in Las VegasTouring the Hoover Dam and learning about its Art Deco architectureVisiting the Great Unconformity geological formationExploring the National Atomic Testing MuseumExperiencing The Sphere and its "Postcard from Earth" show by Darren AronofskyDiscussion of Western Colossus (Kaiser biography)Fourth Wing by Rebecca Yarros (book club selection; Christine does not recommend though)Bayesian Conspiracy podcast - "Super Babies" episodeFounders Podcast - Henry Kaiser EpisodeCost of Glory PodcastModern Relationships podcast with Eric Weinstein

"House Of Steam" Putting it simply the L.A.-born Nels Cline's resume' is so deep, to quote Mark Eitzel, it "would make the ocean proud." The guitarist and composer is one of the most respected names in the business and though he's perhaps best known these days for being the guitarist of Wilco, let's not single story Mr. Cline, because his body of work is varied and extensive. Aside from his early jazz work with his twin brother Alex, he's played with everyone from the Geraldine Fibbers to Mike Watt to Thurston Moore. But that doesn't even scratch the surface. Cline has played on close to 200 albums in jazz, pop, rock, country, and experimental music. Let me give you a few of those 200 to play with: Yoko Ono, Henry Kaiser, Firehose, Wayne Kramer, Rickie Lee Jones, John Zorn, Ramblin' Jack Elliot, Neil Finn, Lee Ranaldo and Chris Stamey. And belive me when I tell you that's a heavily expurgated list. Over the years Cline has been in bands with his pal Mike Watt Floored By Four, band with his wife Yuka Honda of Cibo Matto and he's had the Nels Cline Singers, the Nels Cline Trio, and the Nels Cline 4. Now comes The Consentrik Quartet, which is Cline along with saxophonist Ingrid Laubrock, bassist Chirs Lightcap and drummer Tom Rainey. Improvisational, experimental and downright wonderful, the band's debut album is a profound blend of rich cycle grooves, unexpected rhythmic excursions, and subtle meter innovations. It's marvelous work. Filled with delicate percussive brushes, virtuoso sax fills, prowling bass lines idiosyncratic sax melodies and Cline's nimble guitar lines moving through each composition with dextrous finesse, it's hard to think of a richer listening experience in recent memory. It's hard to think of a nicer guy as well--Nels is a lovely fellow and now you get to meet him. www.nelscline.com (http://www.nelscline.com) www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers The Podcast IG & Bluesky: @emberspodcast Email: editor@stereoembersmagazine.com

Send us a textGuitarist, improviser and research diver Henry Kaiser visits YMAAA and introduces Al to Captain Beefheart's 1972 album The Spotlight Kid. Henry talks about his personal connections to Captain Beefheart's backing ensemble, The Magic Band, and particularly his connection to Elliot Ingber, who passed away just days before this episode was recorded. Henry recalls how seeing a live performance of one of the tracks from The Spotlight Kid led to him taking up the guitar, and how he developed as both a fan and a colleague of Captain Beefheart and the Magic Band. Henry also talks about his deployments as a research diver in Antarctica, as well as some of his recent musical projects, including his work on Two Views of Steve Lacy's The Wire.Henry had mentioned that he found a video of the Captain Beefheart and the Magic Band performance at Tufts University that inspired him to become a guitarist. You can find it here: https://www.youtube.com/watch?v=fzDaFDhkv9A. The specific moment that Henry mentioned begins at 5:19.You can find Henry's music on his website, http://www.henrykaiserguitar.com/, as well as on the Cuneiform Records YouTube channel (https://www.youtube.com/@CuneiformRecords). Among many other videos, that's where you can find Henry's recent Elliot Ingber tribute video (https://www.youtube.com/watch?v=WpoVA6qkEX0).Al is on Bluesky at @almelchior.bsky.social. This show has an account on Instagram at @youmealbum. Subscribe for free to You, Me and An Album: The Newsletter! https://youmealbum.substack.com/. You can also support the show on Buzzsprout at https://www.buzzsprout.com/1542814/episodes or at the link at the bottom of these show notes.1:24 Henry joins the show1:45 Henry talks about the important role that Elliot Ingber played in his life8:58 Henry explains why The Spotlight Kid was not loved by The Magic Band10:49 Henry recounts the first time he met Ingber and other members of The Magic Band12:52 Henry talks about his first experience with listening to The Spotlight Kid16:15 Henry discusses his YouTube videos, including his tribute performances18:48 Henry talks about how The Spotlight Kid was a different kind of album for Captain Beefheart20:00 Henry explains why he chose The Spotlight Kid for this episode and what it's like for him to listen to it now22:15 Al picks his favorite tracks from the album and explains what he gets out of them29:10 The Spotlight Kid gets overshadowed by several other Captain Beefheart albums29:54 Henry cites his favorite tracks from the album31:36 The Spotlight Kid had some commercial success32:41 Henry's Captain Beefheart fandom was shaped by his inside knowledge of the band's workings36:01 Henry identifies what makes The Spotlight Kid unique among blues rock albums38:05 Henry talks about becoming a diver and his path to becoming a scientific diver in Antarctica43:00 Henry discusses his recent Steve Lacy cover album collaboration46:33 Henry enjoys reworking some of his favorite music48:13 Henry talks about his recent projectsOutro music is from “Esteem” by Ackley-Chen-Centazzo-DeGruttola-Kaiser-Manning.Support the show

In this episode of the Level Up Claims Podcast, Galen Hair chats with Derrick Mains, an Emmy winner known for his unique take on business innovation. Derrick shares how shifting focus from traditional KPI-driven models to empowering frontline workers can skyrocket efficiency. His insights, rooted in personal stories and historical examples, challenge the status quo, offering fresh perspectives for contractors, adjusters, and law firms amidst the influx of private equity. Tune in for a transformative discussion on building better business processes!   Highlights Derrick's Emmy-winning show “Riding Phat” Discussion on societal nostalgia The emergence of Process Fixer in 2022 Derrick's early inspiration for systems thinking Henry Kaiser's innovative management during WWII Critique of modern KPI-driven management Importance of human interaction in the workplace Visualizing goals for effective team collaboration   Episode Resources Connect with Galen M. Hair https://insuranceclaimhq.com hair@hairshunnarah.com https://levelupclaim.com/ Connect with Derrick Mains https://theprocessfixer.com/  

Fosforo 1710: I brani della striscia numero 2 della settimana: Tandem Playlist; Mats / Morgan - La Baratte; Cure - Give Me It; John Cale - Scotland Yard; Ce´dric Hanriot - La source (feat Arthur H, Tony Moreau); Morgan Ågren, Henry Kaiser, Trey Gunn - Take A Bath With Lenin; David Gilmour - Between Two Points (with Romany Gilmour); Fosforo va in onda ogni giorno alle 01:20 e alle 18:00. Puoi ascoltare le sequenze musicali di Rufus T. Firefly sulla frequenza di Radio Tandem, 98.400FM, o in streaming e anche in podcast.Per info: https://www.radiotandem.it/fosforo

A household name for many decades amongst those with an interest in challenging, forward-thinking music, Fred Frith initially gained an audience through his work as the guitarist with 60's group Henry Cow, and has since had a prolific career as a player on many recordings under his own name as well as collaborations with players ranging from Henry Kaiser, to The Residents, to Richard Thompson, to John Zorn. He has appeared on over 400 recordings and continues to push forward artistically with each new release. We spoke to Frith in front of a live audience at the Big Ears Festival in Kn0xville in March of 2024.See omnystudio.com/listener for privacy information.

Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/dixie-dregsSubscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeSteve Morse and Andy West are legendary players. In addition to co-founding the Dixie Dregs together in Augusta, Georgia, in 1970, both virtuosos have colorful personal resumes. Guitar giant Morse's is more high-profile. He remains the leader of the Steve Morse Band, who opened the Dregs's late April show at Nashville's CMA Theater, where this Rundown was filmed, with 45 minutes of smart shred. He's also been a member of Kansas and Deep Purple, as well as another instrumental powerhouse, Flying Colors.Besides his tenure in the Dregs, West has recorded with Vinnie Moore, the Steve Morse Band, Paul Barrere, and Henry Kaiser, with whom he's been a member of the Mistakes, Crazy Backwards Alphabet, and Five Time Surprise, which also includes Messthetics guitarist Anthony Pirog. (Full disclosure: I recorded a version of Steppenwolf's “The Pusher” with Kaiser and West as part of Kaiser's Moods & Modes of Halloween video quarterly in 2023.)The Music City show was classic Dixie Dregs, with more than two hours of high-wire playing, all anchored by the bold melodies that mark their compositions. Joined by longtime Dregs drummer Rod Morgenstein, violinist Allen Sloan, and keyboard player Steve Davidowski, the concert was an affirmation of Morse and West's vitality and musical partnership after sharing stages for more than 50 years. In the video, Steve and Andy explain their rigs in person and in detail.Shop Dixie Dregs' Gear:Roland GK-3 Divided Pickup - https://sweetwater.sjv.io/R5MGOvEngl Steve Morse Signature 100-Watt Amps - https://sweetwater.sjv.io/vNJP4LENGL Amplifiers E412VSB 240-watt 4 x 12-inch Amplifier Cabinet - https://sweetwater.sjv.io/daMO92Roland GR-55 Synthesizer - https://sweetwater.sjv.io/NkM9Q1Keeley Compressor - https://sweetwater.sjv.io/B0drY9TC Electronic Flashback - https://sweetwater.sjv.io/y2XqeGTC Electronic Hall of Fame Reverb - https://sweetwater.sjv.io/MmMANnErnie Ball 2023 Super Slinky Paradigm Electric Guitar Strings - .009-.042 - https://sweetwater.sjv.io/75vaJ5Line 6 Helix Guitar Multi-effects Floor Processor - https://sweetwater.sjv.io/Qy6LnzElectro-Voice ZLX-12P-G2 1000W 12-inch Powered Speaker Pair - https://sweetwater.sjv.io/LXMKZ0Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/dixie-dregsSubscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeWin Guitar Gear: https://bit.ly/GiveawaysPG Don't Miss a Rundown: http://bit.ly/RIgRundownENLMerch & Magazines: https://shop.premierguitar.comPG's Facebook: https://facebook.com/premierguitarPG's Instagram: https://www.instagram.com/premierguitar/PG's Twitter: https://twitter.com/premierguitarPG's Threads: https://threads.net/@premierguitarPG's TikTok: https://www.tiktok.com/@premierguitar[Brought to you by D'Addario: https://ddar.io/wykyk-rr]0:00 - D'Addario & Joe Glaser0:15 - Steve Morse Intro0:56 - Steve Morse's No.1 Ernie Ball Music Man Guitar2:29 - Steve Morse's Custom String Mute4:08 - Steve Morse's Custom Pickup Switching6:07 - Recreating Dixie Dregs' Back Catalog7:31 - Steve Morse's Signature Engl Amps & Cabs8:18 - Steve Morse's Pedalboard11:19 - Designing the Engl Steve Morse Signature13:56 - Steve Morse's Roland GR-5515:45 - Steve Morse's No. 2 Ernie Ball Music Man Guitar18:19 - Andy West's Gould Basses22:09 - Andy West's Line 6 Helix Floor & EV Speakers© Copyright Gearhead Communications LLC, 2024#guitar #guitarist #rigrundown #guitarplayer #bass #bassist #guitargear #stevemorse

Artist Album Track Label Year Time Morgan Ågren, Henry Kaiser & Trey Gunn Invisible Rays The Magic Ring of Invisibility 7D Media 2011 6:50 Present No. 6 The Limping Little Girl (Part 3) Carbon 7 1999 5:18 Present No. 6 The Limping Little Girl (Part 4) 4:54 Kilter The Suspended Woman Limbo – A Place […]

Andrew and Vieves look at commercials that take the battle for market share literally with ads that throw down over everything from cookies to office conduct. Plus, an Ad Councilor updates a jingle for the modern era, and it slaps! Here are links to the ads that we talked about in this week's show: Aspercreme - Brawl https://www.ispot.tv/ad/bTwc/aspercreme-arthritis-pain-reliever-brawl Molson - I am Canadian https://youtu.be/T5KufaaOPwI?si=IdYFoxXZnyJOPTO9 Molson - sequel https://youtu.be/ZVmgAcaPE8o?si=4sKuE-oVDiW1LNcI Oreo - Whisper fight https://youtu.be/ueqbTJhmXH4?si=IsmMCRTgrnfhxv_u At Cause Law Office - Chaotic office https://youtu.be/59XxJ6elYpg?si=1YvNH_03tX2T1ujz The Fighting Okra - Dining hall https://youtu.be/aR5HAWX5IdA?si=-HMPp98oVuC1j2tW The Fighting Okra - Swimming pool https://youtu.be/pS589zKAlnY?si=hTi9NcODOF9rjXS4 SportsCenter - The Fighting Okra https://youtu.be/z-cUn-yhnow?si=KqEHT-dAcxCVdrUG Mentos - Spider https://youtu.be/Lc9_H7mZxCI?si=qs9uy0M6EszePTeC Bud Light - Pillow Fight https://youtu.be/Ju88tEm4SOI?si=_yJngoBspu4wmsBq Nokia Lumia Windows Phone https://youtu.be/0-U4Yr9UNBo?si=JZeMpG_ssDC9PXYl Ruffles “Eskimo” (Inuit?) Commercial https://www.youtube.com/watch?v=KriSjhnox7o Armour Hot Dogs - Kids Love Hot Dogs https://youtu.be/3fQwJdXFQlU?si=4Fn99JupH3Gn9ir4 Worst Guitarist Ever, Henry Kaiser https://youtu.be/2PpAG8gTURw?si=AmG5kWeb5pKwDHCn

SELECCIÓN 28 2023 BLUES SYNDICATE 1- CUYAN – CHUBBY CARRIER 2- JUSK LIKE A WOMAN – KID RAMOS 3- CRYIN´FOR THE MOON – THE SMOKIN´JOE KUBEK BAND 4- RIDIN´HIGH – DAVE SPECTER 5- LITTLE WALTER´S BLUES – CHARLIE SAYLES 6- WALKING IN THE DARK – MICK CLARKE 7- WHITE ROCK BEER 8 CENTS – ROBBEN FORD 8- LAST CALL – JOHN STEPHAN BAND 9- MELANCHOLY BLUES – LOUIS ARMSTRONG 10- LITTLE TOUGH GUY BLUES – BOB BROZMAN 11- GUITAR BLUES – RORY BLOCK & STEFAN GROSSMAN 12- THAT KATE ADAMS JIVE – ALVIN YOUNGBLOOD HART 13- LAGUNA SECA – SAM MITCHELL 14- HEADING UPTOWN – BOB BROZMAN & WOODY MANN 15- HANGIN´BLUES – PAUL LENART 16- SLOW BLUES – CEPHAS & WIGGINS 17- PONY BLUES – STEFAN GROSSMAN & RORY BLOCK 18- BUT ON THE OTHER HAND BABY – ETTA BAKER 19- HAPPY CAMPERS – HENRY KAISER & DAVID LINDLEY 20- TEXAS HOP – PEE WEE CRAYTON 21- BLUE WALLS – MATT GUITAR MURPHY

Interview with guitarist Mike Baggetta on his new album with mssv mssv is releasing their second studio album Human Reaction in their typical style: with a 58-show tour in the U.S. and parts of Canada (dates below). The band, composed of guitarist Mike Baggetta, Stephen Hodges (Tom Waits, David Lynch) on drums and avant-punk icon mike watton bass, creates music that is a heretofore unimagined hybrid of a punk power-trio and a dreamy experimental rock band, though they prefer the term “post-genre.” Human Reaction is being released by BIG EGO Records as a digital download, 12” LP vinyl, and via streaming platformson September 1. Recorded mostly on May Day immediately following that last tour, Human Reaction traverses a deeply broad sonic landscape, as expected from this nearly unclassifiable group, though with even deeper twists and turns. With inventively churning drum textures from Hodges (an instantly identifiable sound honed in his days with Tom Waits and David Lynch) and the full-steam-ahead all-in attitude from watt, (as he's displayed throughout his storied career with MINUTEMEN, fIREHOSE, and Iggy & The Stooges), there is still the impression of “pressure, combustion,power, and hissing clouds of sonic poetry,” as Premier Guitar said. Also evident is the more fearless exploring that comes from a band that has spent a lot of time together crafting their vision, as well as making room for guests like J Mascis, Petra Haden and Nels Cline on some of their previous releases. Baggetta has had the pleasure of working all over the world with a wide range of visionary musicians across many generations, including David Torn, Jim Keltner, Nels Cline, Psychic Temple, Jeff Coffin, Henry Kaiser, Petra Haden, Rev. Fred Lane, Donny McCaslin, Darcy James Argue's Secret Society, Joseph C. Philips' Numinous, Imani Uzuri, Viktor Krauss, David Wax Museum, Julian Lage, Jon Irabagon, Jerome Harris, Tom Harrell, Eivind Opsvik, Jeremy Udden,and Ruth Brown among many others. mikebaggetta.com https://mainsteamstopvalve.com Tickets to OCT 7th mssv at Beachland Tavern Cleveland OH https://www.beachlandballroom.com/e/13205278/mssv-c-level/  

THIS WEEK's BIRDS: cha'abi from Guerouabi; Roma sng from Rromnano Dives, B ajrami Selime, Trio Zajaze, and others; Kudsi Ergúner with jazz ensemble; Simon Barker, Henry Kaiser, Bill Laswell & Rudresh Mahanthappa; Sambeco (from Grande Camore); from Senegal: Kine Lam & Youssou n'Dour; from Haïti: Ensemble Etoile du Soir, Les frères Déjean; Horace Tapscott & the Pan_African People's Orchestra (vintage); Jacaques Coursil Unit (vintage); Other Dimensions in Music live in France; Peter Brötzman (RIP)( with Oxbow; much, much more ...! LISTEN LIVE: Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI: 88.1FM Ithaca, 89.7FM Odessa, 91.9FM WINO Watkins Glen. and WORLDWIDE online at WRFI.ORG.  via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/17592129/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

T.C.The Deadcast is honored to welcome Tom Constanten to discuss his remarkable tenure as Grateful Dead keyboardist from late 1968 through early 1970, his work on 3 classic albums, & his adventures before & after the Dead, including his current band Dose Hermanos.Guests: Tom Constanten, Bob Bralove, Henry Kaiser, David LemieuxSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The conventional narrative about the economic history of World War II says that new learning from wartime mobilization jumpstarted a postwar golden age of fast economic growth. But, economist Alexander Field writes in his 2011 book, A Great Leap Forward, "It was not principally the war that laid the foundation for postwar prosperity. It was technological progress across a broad frontier of the American economy during the 1930s." Field develops that argument in his new book, The Economic Consequences of U.S. Mobilization for the Second World War, released last fall. In this episode of Faster, Please! — The Podcast, I'm joined by Alex to discuss his argument.Alex is the Michel and Mary Orradre Professor of Economics at Santa Clara University's Leavey School of Business.In This Episode* Depression-era technological progress* Economic detective work (8:04)* What about the scientific advances of WWII? (13:23)* The US economy if WWII never happened (17:39)Below is an edited transcript of our conversationDepression-era technological progressJames Pethokoukis: You write in A Great Leap Forward, a book that I consult frequently and mention frequently in my writings: “The years 1929-1941 were, in the aggregate, the most technologically progressive of any comparable period in U.S. economic history. … It was not principally the war that laid the foundation for postwar prosperity. It was technological progress across a broad frontier of the American economy during the 1930s.” Your new book builds upon that argument, but could you, just for a moment, give a quick summary of A Great Leap Forward, and then how that moves into your new book?Alexander Field: The basic argument of A Great Leap Forward was that behind the backdrop of double-digit unemployment for at least a decade, potential output was growing by leaps and bounds during the Great Depression. It wasn't really recognized until Simon Kuznets had to try to do a back-of-the-envelope calculation of what the potential of the economy could be. But the contributors to that were, I think, several. Number one was the last third of the conversion of the internal transmission of power within American factories from the shafts and belts, which was a signature of the 19th-century factory, to fractional-horsepower electric motors and electric wiring. And the second part was just an enormous amount, surprisingly, of research and development spending. Just astounding, if you think of the Depression as being so disastrous macroeconomically, but in terms of the number of people employed growing by leaps and bounds, number of labs established. And then finally, although it's widely accepted that the New Deal spending was too small in a Keynesian sense to immediately bring the economy out of the Depression, nevertheless, that spending on streets and highways and bridges and hydropower and so on had very strong positive supply-side effects. I think it's the combination of those three factors that I see as responsible for making potential output so much larger in 1941 than people thought it was.For the layman, your finding in that book, your thesis, is extraordinarily counterintuitive. You would never expect that underneath that sky-high unemployment number and the failing banks and the breadlines, there was this sort of innovative ferment happening and foundations laid for future progress. Similarly, to the extent that people would have an economic opinion about World War II, I would guess: 1) that it brought us out of the Great Depression, and 2) that it was a period of key advances, key technologies and the fact maybe we learned how to do things more efficiently during the war, whether it's build boats or what have you. Those two things are what played a huge role in postwar prosperity—I think that might be sort of the everyman way they would conceive of it. That is not exactly what you found.I think you've done a very good job characterizing what I see as the two key themes in the conventional wisdom about the Second World War. Basically, the argument that fiscal and monetary stimulus rapidly closed the output gap, the unemployment rate went from under 10 percent in ‘41 to unimaginably low, below 2 percent, in ‘43 and '44. That's accepted and I'm not challenging that. But the second part of the conventional wisdom is what the economists call learning by doing: the emphasis on the decline in unit costs with accumulated output as a result of producing military durables. And the argument is exactly as you stated it. The argument is that learning spilled over into the postwar period and kind of underlined the supply side foundations for the golden age, which is ‘48 to ‘73. Now, my argument is different.I see the Second World War from a productivity history perspective as a detour. My argument is that the progress, the growth of potential output up through 1941, that's essentially most of the reason why the US stands astride the world economy in '48, not what happened between ‘41 and '48. It might have been different if the US had persisted in producing a hundred thousand piston-driven aircraft a year. But we didn't. We didn't produce piston-driven aircraft. Most of the products that we got very good at making, we stopped making them fairly soon after Victory over Japan Day. And I view most of that specific human capital as not really having a great deal of relevance after the war.As you mentioned, the things we got good at making were not just the instruments of war, but the instruments of war at a particular period. They were not going to be applicable to future conflicts, but they're also not applicable to a civilian economy that, once the war was over, began to expand very quickly. You mentioned the airplanes. I would also assume the kind of ship building that was done in the war was also not particularly applicable to the post-war era.That's right. That's exactly right. I see basically, the success of US industry under government leadership in producing the military ordinance that supplied our armies, as well as those of Britain and the Soviet Union, our allies, and so on — I see that basically as the application of technologies that had been honed in the ‘20s and particularly in the 1930s, producing automobiles and refrigerators, and applying that management experience to mass producing military durables, rather than the view that it was experience producing military durables that laid the foundations for the postwar period in terms of the supply side.Economic detective workI think people would think that we didn't need to look anymore at the Great Depression or World War II, that this is, they would say, settled science. We know exactly what happened and why it happened. Apparently the role of the World War II, what happened there, is not settled science. So what were people missing previously? What did you find that presents a different perspective?I think, as you say, it began with the findings about the Great Depression. I think what we're doing in the business of research, particularly academic research, is we're researching things: We're trying to find something new to say. But finding something new to say is only part of it; it also has to be something that actually might be true. And so it really it came out of really deep immersion in a variety of sources, both statistical and documentary: reading the minutes of the War Production Board, reading the minutes of the planning committee. And as this happened, a lot of preconceptions that I had about the war began to fall away. For example, the central empirical finding, surprising finding, in this book, or the argument, is that the productivity of American manufacturing—and it is within manufacturing that we would expect to see the effects of learning by doing—actually dropped dramatically between 1941 and 1945.And one of the things that I kind of picked up from this immersion in the sources was, rather than a view of American industry during the war as 24/7, 365 days a year, I get a picture of really profound production intermittency. In other words, essentially the need to shut down production lines, because it's a shortage economy. You've moved from a surplus economy to a shortage economy; sub-assemblies and raw materials and ultimately labor are being rationed. And if you can't get the heat exchanger you need, then the whole line is going to sit there. It's a very different view. And then you see this being said. In [War Production Board chairman Donald] Nelson's biography he talks about destroyer escorts: “Well, they were sitting there for six months because they couldn't get the part that they needed to complete it.” And those are kind of throwaway lines. They're there, but they're not part of the kind of standard narrative; they're kind of overlooked as anomalies. And I don't want to get too Thomas Kuhn-ian about that, but if you start kind of pulling those anomalies together and assembling them and so on, then you get a different picture. And that's what I've tried to articulate in the book.I love your role as a kind of economic detective. It's not just about going to the BLS website and pulling up the data and then off you go. There's some real detective work as a historian, as much as an economist, going on here. It's really interesting thinking about the narrative because I think you're right that I picture December 7th, 1941, we head off to war and then it's all hands on deck, the production lines are never quiet, the steel mills are never cool, and it's all that way until August 1945. But perhaps now having gone through this pandemic, we're a little more aware of what happens when you have a shortage economy, which is what you found.Yeah, it's absolutely the case. I mean, ‘42 was absolutely a chaotic, terrible year. I would say there was no consensus in Washington that the United States was going to win the war, and it wasn't just the problems of suddenly having to produce a radically different set of products and making all this transition. The Japanese and the Germans weren't making it any easier for us, and I talk about that in the book as well. I think also vastly overlooked: I had absolutely no idea of the severity of what I call the rubber famine in the United States. When the Japanese overran Singapore in February '42 and then rapidly shut off all of the exports, they cut off over 95 percent of the one strategic material in which the United States had effectively no domestic sourcing. And they were panicked, absolutely panicked about this, the Rubber Survey Committee. So that was another negative supply shock. And then the Germans were enormously successful in torpedoing what I call the tanker pipeline that was bringing petroleum and petroleum products from east Texas and Louisiana to the eastern seaboard. That's how it was moved and so forth. And between January and June of ‘42, they torpedoed 400 ships in the Atlantic and the Caribbean and just completely shut that down. And there were also serious consequences about that.What about the scientific advances of WWII?Was the war a time of great science productivity? Or is that also a detour toward science that was not as applicable to the postwar period, and we were not able to build on the gains and science of the ‘20s and ‘30s and so forth?The evidence is pretty clear, and I would cite James Conant, former president of Harvard and also a member of the Rubber Survey Committee, basically saying, “During the war, basic scientific research was shut down.” This was an all-hands-on-deck, we're going to essentially exploit our existing larder of scientific knowledge to fight the war. Now, sure, obviously there were developments in terms of technology and science during the war. I can talk about some of them. We could talk about jet engines. It's clear that jet-engine technology did advance during the war. But look, aircraft and aircraft-engine technology was advancing very rapidly in the 1930s. And you have to ask the counterfactual: What would've happened without that? As far as the United States, we never flew any jet engines in the Second World War.Nuclear power: We spent $2 billion on the Manhattan project and so on. And I think the first nuclear power plant was in England in ‘56, I think. And we obviously have relied to some degree on nuclear power. I think the jury is kind of still out on the extent to which that was a big plus. And it's operated only with enormous subsidies in terms of government accepting the liability limits and so on. So we could talk about other factors. There were some significant institutional consequences of the Second World War, but from a technological perspective, I do see it as a detour. And as far as basic science, I think this is one of those areas in which there is not a lot of dispute. It was shut down as was R&D development in terms of consumer durables.What sort of response have you gotten from other economists, other economic historians?There have been sort of people nibbling at the edges. They're not happy with one little thing, one or the other. But I think the reality is that World War II is not something that economic historians have given that much attention to. The time series, econometricians will typically drop the observations from World War II: “Ah, it was a controlled economy. Everything was messed up. We can't run our [models].” And so on. The basic thesis I have not gotten a lot of pushback on.When I saw that your book had come out, the first thing that popped in my head, since I write a lot about productivity growth, was a passage in Robert Gordon's book in which he very specifically writes about labor productivity in World War II and how the improved production techniques and so forth were not forgotten after the war. What you're describing is a very different view of productivity.What Bob Gordon did in chapter 16. . .Obviously you're familiar with it.I read all of the manuscript in chapters, so yes, I am quite familiar with the book. And what he did in chapter 16 was, I think, absolutely crystallized and state very clearly the second key theme, in terms of the conventional wisdom, about the war. He went beyond that. He then kind of advertised it as novel. But in the book, if you read the book carefully, I have considerable documentation because whenever you're trying to say something novel, you have to persuade people that we didn't already know this and so on. And what I think Bob is doing, basically, there is just absorbing and very clearly stating what is the received wisdom by many historians and economic historians. And I just think it's wrong.The US economy if WWII never happenedI think one of the more intriguing economic counterfactuals is what the American economy looks like in the ‘40s and in the postwar era if there was no postwar era—if all else equal, there was no need for a war. If we had not had this diversion, what does the economy of the United States in the second half of the 20th century look like?It is a counterfactual. One thing I would say is that the war did interrupt a very strong trajectory of productivity growth, both labor productivity and total factor productivity, as the output gap closed between ‘39 and ‘41. And what you're seeing there in terms of my interpretation is, number one, just a continuation of that trend during the Depression of very strong productivity growth, secular trend, combined with a boost also from closing the output gap because of the pro-cyclicality of TFP. Now, if you just were to statistically extrapolate that through the ‘41 to ‘48 period, things look pretty good. It's a questionable kind of exercise in terms of how accurate that would be.If you look the world in 1948, people, historians, everybody else is looking at that and they're seeing the United States is standing like an economic colossus astride the world. The Soviet Union has lost 20 million people. Germany: Dresden, Hamburg, they've been fire bombed. England has had to basically liquidate its overseas economic empire to pay for the war. Japan has had two atomic bombs and virtually all of the other major cities have been fire bombed with incendiaries and so on. And I think it's natural, particularly because the US was victorious and so on, and particularly because it was so successful in production—but of course, productivity is not the same as production; it's production per unit input—because it was so successful in that to say that was attributable to the war years. And again, I come back to my thesis, which is: No, I see essentially in ‘48, the US had a major productivity lead over Western Europe and Japan, and the next 30 years, what the French call “les trente glorieuses” and so forth, essentially saw living standards converging among the developed world as that productivity gap is closed. But my argument is that that productivity gap is already quite evident in 1941. It's not a function of the war. It's there in spite of the war.So even without the destruction to our competitors in World War II and our lack of destruction, the US in 1950 would still be standing astride the world as an economic colossus on the technological frontier, even without the war.Right. It's interesting to think about American industry prewar, say in the ‘30s, and postwar. Let's talk about the American automobile industry, because that was central in terms of the prosecution of the war, in terms of the conversion of those factories and the contractors operating, the automobile industry firms operating these big defense plants and so on. Economic historians basically agree that the 1930s was probably the most dynamic period in terms of innovation in American automobiles, in terms of the development of industry. Do you really want to look at the 1950s and say that those were the glory years of American US manufacturing? I mean, the tail fins and so on, and the cars lasted three years, and we essentially owned the marketplace. We weren't threatened by foreign imports yet. But I don't see a major upward progression in that direction. I do want to say, though, in terms of the legacy of the war, that there were clearly some important things that were different because of the war and maybe it wouldn't have been if we hadn't had it. Number one, we had a compression of wages. So there was essentially 30 years of reduced inequality in income and wealth in the United States. Number two, little things like, for example, the incredibly peculiar system whereby Americans provide healthcare tied to your employer. It's just an artifact of what Henry Kaiser did when, because of caps on wages, he wasn't able to raise wages, so we'll have benefits, we'll have hospitals and so on. The introduction of tax withholding, because of the high tax rates, gave the federal government greater fiscal capacity. Blacks did very well. Many American blacks essentially had the opportunity to move from unskilled to semi-skilled positions. So yes, there were some consequences. I don't want to suggest that everything was exactly the same or worse. I wanted to get that on the record. But in terms of the general trajectory of the growth of productivity and potential output, I would argue that the war was a detour.Then to what extent was the immediate postwar boom — the ‘50s, ‘60s, heading into the early ‘70s — how much of that was based on tech progress and innovation that emerged in those decades, and how much was really building substantially on the foundations from the ‘20s and ‘30s?There's a couple of things. First of all, the ‘50s and ‘60s did benefit from relatively high levels of aggregate demand, partly because of military Keynesianism and the Cold War. So that problem was not so great. As far as the technology overlap, I think if there was learning during the war, and in chapter nine of my book I talk about this—and it's somewhat speculative there—I don't think it was within manufacturing. It's not the traditional emphasis on learning by doing. It was on logistics. It was on essentially the efforts, particularly in the military, in terms of the enormous knowledge, the use of linear programming, the gradual diffusion of those techniques to the private sector, the development of containerization, multimodal transit and so on. So if I were to kind of say in the post-war period, “what's the productivity legacy?” I think maybe we've been barking up the wrong tree and maybe more emphasis needs to be placed there.I read various comments from economists at the end of World War II and maybe right at the beginning of the postwar period, and there seemed to be a lot of pessimism about what would happen. Are we going to go back into a Great Depression? What's going to happen when all of these soldiers come back? Am I overstating that, that the postwar boom seemed to have been kind of a surprise to those economists?If you're thinking about actual output, a couple of things matter. Number one, potential matters, but also the output gap matters. And the big concern among economists at the end of the Second World War was aggregate demand. In other words, they say, “Once all of this military spending stops, essentially, it's going to be back to the 1930s” and so forth. And that didn't happen. I think the conventional wisdom is probably right. It is that the balance sheets of American households were just in great shape, they couldn't buy certain stuff, they were being well fully employed. They had a large lot of deferred demand for cars and washing machines. I think you're absolutely right. There was a lot of pessimism, but it was mostly focused on aggregate demand. I mean, in one sense, who cares about potential if you're way below potential? And that was, I think, what was driving that pessimism.My last question is about your previous book. I just want to mention again the name of your current book, which is The Economic Consequences of US Mobilization for the Second World War. A book I was delighted to see land on my desk. And as I said earlier, your previous book, A Great Leap Forward, one which is well thumbed-through by me. I have one final question about that book. The cover image is the famous Futurama ride from the World's Fair of 1939, New York City. Why did you choose that image?I think because it captured the kind of technological optimism and just sort of unalloyed and uncritical confidence in the ability of science and technology to push the economy forward, which had been absorbed by the population in spite of the double-digit unemployment. And of course, that is consistent with my thesis of what was actually happening in spite of the unemployment. I think that's the reason why I put that there. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit fasterplease.substack.com/subscribe

Take a long strange trip with Ryan, Brant, David Gans and Tom Constanten! . . . . YOU DON'T KNOW MOJACK is a podcast dedicated to exploring the entire SST catalogue, in order, from start to finish. During the podcast we will discuss all the releases that are part of our core DNA, as well as many lesser-known releases that deserve a second chance, or releases that we are discovering for the very first time (we actually don't know Mojack!). First and foremost we are fans, and acknowledge that we are not perfect and don't know everything – sometimes the discussion is more about a time, place, feeling, personal experience or random tangents, and less about the facts (but we will try to get to the facts too). Facebook: www.facebook.com/mojackpod/ Twitter: @mojackpod Instagram: www.instagram.com/mojackpod/ Blog: www.mojackpod.com/ Tumblr: www.tumblr.com/blog/mojackpod Theme Song: Shockflesh

Jerry and Derek have played many forms of music and sound with each other for over 50 years beginning in Stillwater, Okla. in the 70s and then on the Central Coast in the Monterey, Calif. area during the 80s. With computer technology they have been able to continue their live collaborations with 1700 miles between them..... Inspired by the likes of The Mothers Of Invention, Jimi Hendrix, Pink Floyd, Fred Frith, Henry Kaiser, The Residents and other pioneers of new music and audio construction JerDer continues to provide an endless smorgasbord of audio delights......... A headphone session.... Enjoy!

Mike Baggetta has always loved music. It's been a constant part of his life. His dad was a guitarist who played for years! Some of his earliest memories are of his dad's guitar case and amp stacked up after a wedding gig, smelling like old cigarette smoke. He still finds that smell nostalgic. But Mike found his own path into music, writing original songs from the start. He went to Rutgers to study music and even played the Montreux Jazz Festival during that time, with George Benson holding court in the front row! But at one point, he quit music and decided to pursue other opportunities (this is where we find our Yellow Pages connection). But the guitar slowly crept back into his life and wouldn't leave. So he went with it, releasing an album of prepared guitar as his solo debut. Interesting idea. He's really big on improvisation and that has led to some killer collaborations and albums, like his latest release, Everywhen We Go. It's the second release from the trio of Mike Baggetta, Mike Watt, & Jim Keltner. The album title came from guitarist Henry Kaiser and Mike is anxious to see how many times it gets autocorrected. It's a great album filled with improvisation that is actually listenable. You'll hear clips during this episode but the songs have so much movement that you really need to go check them out in their entirety. So I recommend picking up Everywhen We Go wherever you get new music. And follow Mike @mikebaggetta on Instagram, @mabnotes on Twitter. Follow us @PerformanceAnx on both. Reach out there or email us at theperformanceanxietypod@gmail.com. Now please give a warm welcome to Mike Baggetta on Performance Anxiety, part of the Pantheon Podcast Network. 

A high energy first set for your enjoyment on this week's Deadpod comes to us from the Henry Kaiser convention center in Oakland California, on November 20, 1985.  The first night of a three night 'hometown' run, starts off with a roaring 'Jack Straw'. Jerry follows with a lovely 'Peggy O', then Bobby performs the bluesy 'CC Rider' featuring some nice effects on the Hammond from Brent. Following poor old 'Stagger Lee', Bobby boxes with the Apocalypse on 'My Brother Esau'.  Jerry brings out 'High Time', although his voice struggles a bit with it, I still enjoy the tune. They end the set with a trifecta of high energy tunes, 'Beat It On Down the Line', then 'Promised Land' into 'Don't Ease'..  Set 2 is quite interested and scheduled for next week...  Grateful Dead Henry J. Kaiser Convention Center Oakland, CA 11/20/1985 - Wednesday One     Jack Straw Peggy-O C C Rider Stagger Lee My Brother Esau High Time Beat It On Down The Line The Promised Land > Don't Ease Me In   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod111122.mp3   "Nothing's for certain, it could always go wrong, Come in when it's raining, go on out when it's gone." thanks for listening, and of course for your kind support.. be well.   

Mike's singular and very personal musical style seeks to blur the lines between song and solo, while connecting a wide range of musical genres that influence him. The press says this approach is “…beguilingly atmospheric…” (Time Out New York) and that “Baggetta's music is quietly transgressive… Even when he plays a lot of notes, his playing can sound almost static, as though ideas were being snagged out of thin air.” (Hartford Courant)   Baggetta's most recent release is the album Everywhen We Go, his second album with drummer Jim Keltner and bassist Mike Watt on the BIG EGO label. He also leads the band mssv, is a post-genre power trio featuring the iconoclastic rhythm team of drummer Stephen Hodges and bassist Mike Watt. They have just released their self-titled debut studio album, Main Steam Stop Valve, on BIG EGO Records, following up 2020's Live Flowers album on Striped Light Records, recorded live in Philadelphia, PA and Northampton, MA (with special guest J Mascis), as well as 3 limited edition 7” releases recorded solely over quarantine, featuring guest artists Petra Haden and Nels Cline. After completing their first full US tour in spring 2022 mssv recorded their second full length album for release next year. This band grew out of Baggetta's first album for BIG EGO, Wall of Flowers, which featured a reimagining of his music alongside bassist Mike Watt and drummer Jim Keltner.  Baggetta has had the pleasure to work all over the world with a wide range of visionary musicians across many generations including David Torn, Jim Keltner, Mike Watt, Nels Cline, Psychic Temple, Jeff Coffin, Henry Kaiser, Petra Haden, Rev. Fred Lane, Donny McCaslin, Darcy James Argue's Secret Society, Joseph C. Philips' Numinous, Imani Uzuri, Viktor Krauss, David Wax Museum, Julian Lage, Jon Irabagon, Jerome Harris, Tom Harrell, Eivind Opsvik, Jeremy Udden, and Ruth Brown among many others. Everywhen We Go - the new album from Mike Baggetta / Jim Keltner / Mike Watt - is available for pre-order HEREOfficially out Nov. 18 on BIG EGO Records, you can reserve your copy of the limited edition 1st vinyl pressing of 500, featuring a hand-stamped foil number, and get an immediate download of the title track/single now, and the rest of the album on release day. Mike Baggetta's Info  https://mikebaggetta.com  

From time to time the bastards do a show devoted to one artist, and this time, happenstance leads us to feted and prolific "out" trumpeter Wadada Leo Smith.  His career stretches back to the seventies and he's worked with a murderer's row of avant garde musicians, but we're focusing on more recent work with him as a leader.  Strap yourselves in for a challenging ride but don't worry - pop matters brings things firmly back to earth with looks at Van Halen's last album and more.  Wadada Leo Smith:  ROSA PARKS:  PURE LOVE AN ORATORIO OF SEVEN SONGS, GOLDEN QUARTET, YO MILES, TAO-NIJA.

What I learned from reading Pieces of the Action by Vannevar Bush.Support Founders' sponsors: Tiny: The easiest way to sell your business. Quick and straightforward exits for Founders. andCapital: Raise, hold, and spend capital all in one place. and Tegus is a search engine for business knowledge that's used by founders, investors, and executives. It's incredible what they're building. Try it for free by visiting Tegus.[7:15] Pieces of the Action offers his hard-won lessons on how to operate and manage effectively within complex organizations and drive ambitious, unprecedented programs to fruition.[8:54] Stripe Press Books:The Dream Machine by M. Mitchell WaldropThe Making of Prince of Persia: Journals 1985-1993 by Jordan Mechner.[9:24] Endless Frontier: Vannevar Bush, Engineer of the American Century by G. Pascal Zachary[10:40] Any exploration of the institutions that shape how we do research, generate discoveries, create inventions, and turn ideas into innovations inevitably leads back to Vannevar Bush.[11:26] No American has had greater influence in the growth of science and technology than Vannevar Bush.[12:23] That's why I'm going to encourage you to order this book —because when you pick it up and you read it —you're reading the words of an 80 year old genius. One of the most formidable and accomplished people that has ever lived— laying out what he learned over his six decade long career.[14:38] A Mind at Play: How Claude Shannon Invented the Information Age by Jimmy Soni and Rob Goodman (Founders #95)[15:12] Bootstrapping: Douglas Engelbart, Coevolution, and the Origins of Personal Computing by Thierry Bardini[15:48] I don't know what Silicon Valley will do when it runs out of Doug Engelbart's ideas. —  The Innovators: How a Group of Hackers, Geniuses, and Geeks Created the Digital Revolution by Walter Isaacson. (Founders #157)[18:54] Bush points out that tipping points often rest with far-seeing, energetic individuals. We can be those individuals.[20:36] I went into this book with little more than a name and came out with the closest thing to a mentor someone you've never met can be.[20:58] We are not the first to face problems, and as we face them we can hold our heads high. In such spirit was this book written.[24:38] The essence of civilization is the transmission of the findings of each generation to the next.[29:00] This is not a call for optimism, it is a call for determination.[31:12] It is pleasant to turn to situations where conservatism or lethargy were overcome by farseeing, energetic individuals.[31:34] People are really a power law and that the best ones can change everything. —Sam Hinkie[33:46] There should never be, throughout an organization, any doubt as to where authority for making decisions resides, or any doubt that they will be promptly made.[34:32] You can drive great people by making the speed of decision making really slow. Why would great people stay in an organization where they can't get things done? They look around after a while, and they're, like, "Look, I love the mission, but I can't get my job done because our speed of decision making is too slow." — Invent and Wander: The Collected Writings of Jeff Bezos by Jeff Bezos and Walter Isaacson.(Founders #155)[38:36] Rigid lines of authority do not produce the best innovations.[38:42] Research projects flowered in pockets all around the company, many of them without Steve's blessing or even awareness.They'd come to Steve's attention only if one of his key managers decided that the project or technology showed real potential.In that case, Steve would check it out, and the information he'd glean would go into the learning machine that was his brain. Sometimes that's where it would sit, and nothing would happen. Sometimes, on the other hand, he'd concoct a way to combine it with something else he'd seen, or perhaps to twist it in a way to benefit an entirely different project altogether.This was one of his great talents, the ability to synthesize separate developments and technologies into something previously unimaginable. —Becoming Steve Jobs: The Evolution of a Reckless Upstart into a Visionary Leader by Brent Schlender and Rick Tetzeli (Founders #265)[40:56] He was so industrious that he became a positive annoyance to others who felt less inclined to work.  —Pulitzer: A Life in Politics, Print, and Power by James McGrath Morris. (Founders #135)[42:22] Tuxedo Park: A Wall Street Tycoon and The Secret Palace of Science That Changed The Course of World War II by Jennet Conant. (Founders #143)[45:35] If a man is a good judge of men, he can go far on that skill alone.[46:00] All the past episodes mentioned by Vannevar Bush in this book:General Leslie Groves: The General and the Genius: Groves and Oppenheimer—The Unlikely Partnership that Built the Atom Bomb by James Kunetka. (Founders #215)J. Robert Oppenheimer: The General and the Genius: Groves and Oppenheimer—The Unlikely Partnership that Built the Atom Bomb by James Kunetka. (Founders #215)Alfred Lee Loomis: Tuxedo Park: A Wall Street Tycoon and The Secret Palace of Science That Changed The Course of World War II by Jennet Conant. (Founders #143)J.P. Morgan: The House of Morgan: An American Banking Dynasty and the Rise of Modern Finance by Ron Chernow. (Founders #139)The Hour of Fate: Theodore Roosevelt, J.P. Morgan, and the Battle to Transform American Capitalism by Susan Berfield. (Founders #142)Orville Wright: The Wright Brothers by David McCullough. (Founders #239)Birdmen: The Wright Brothers, Glenn Curtiss, and the Battle to Control the Skies by Lawrence Goldstone. (Founders #241)Edwin Land: Land's Polaroid: A Company and the Man Who Invented It by Peter C. Wensberg. (Founders #263)Instant: The Story of Polaroid by Christopher Bonanos. (Founders #264)Henry J. Kaiser: Builder in the Modern American West by Mark Foster. (Founders #66)Professional Amateur: The Biography of Charles Franklin Kettering by Thomas Boyd (Founders #125)Reluctant Genius: The Passionate Life and Inventive Mind of Alexander Graham Bellby Charlotte Gray. (Founders #138)[48:21] Difficulties are often encountered in bringing an invention into production and use.[48:47] An invention has some of the characteristics of a poem.It is said that a poet may derive real joy out of making a poem, even if it is never published, even if he does not recite it to his friends, even if it is not a very good poem.No doubt, one has to be a poet to understand this.In the same way, an inventor can derive real satisfaction out of making an invention, even if he never expects to make a nickel out of it, even if he knows it is a bit foolish, provided he feels it involves ingenuity and insight.An inventor invents because he cannot help it, and also because he gets quiet fun out of doing so.Sometimes he even makes money at it, but not by himself. One has to be an inventor to understand this.One evening in Dayton, I dined alone with Orville Wright.During a long evening, we discussed inventions we had made that had never amounted to anything. He took me up to the attic and showed me models of various weird gadgets.I had plenty of similar efforts to tell him about, and we enjoyed ourselves thoroughly.Neither of us would have thus spilled things except to a fellow practitioner, one who had enjoyed the elation of creation and who knew that such elation is, to a true devotee, independent of practical results.So it is also, I understand, with poets.[51:28] Against The Odds: An Autobiography by James Dyson (Founders #200)[52:21] When picking an industry to enter, my favorite rule of thumb is this: Pick an industry where the founders of the industry—the founders of the important companies in the industry—are still alive and actively involved. — The Pmarca Blog Archive Ebook by Marc Andreessen. (Founders #50)[57:18] If a company operates only under patents it owns, and infringes on no others, its monopoly should not be disturbed, and the courts so hold. An excellent example is Polaroid Corporation. Founded by Edwin Land, one of the most ingenious men I ever knew (and also one of the wisest), it has grown and prospered because of his inventions and those of his team.[1:00:46] I came to the realization that they knew more about the subject than I did. In some ways, this was not strange. They were concentrating on it and I was getting involved in other things.[1:01:31] P.T. Barnum: An American Life by Robert Wilson. (Founders #137)[1:05:53] We make progress, lots of progress, in nearly every intellectual field, only to find that the more we probe, the faster our field of ignorance expands.[1:11:41] All the books from Stripe Press—Get 60 days free of Readwise. It is the best app I pay for. I couldn't make Founders without it.—“I have listened to every episode released and look forward to every episode that comes out. The only criticism I would have is that after each podcast I usually want to buy the book because I am interested so my poor wallet suffers. ” — GarethBe like Gareth. Buy a book: All the books featured on Founders Podcast

What I learned from reading Am I Being Too Subtle?: Straight Talk From a Business Rebel by Sam Zell.--Support Founders' sponsors: Tiny: The easiest way to sell your business. Quick and straightforward exits for Founders. andTegus is a search engine for business knowledge that's used by founders, investors, and executives. It's incredible what they're building. Try it for free by visiting Tegus.and Get 60 days free of Readwise. It is the best app I pay for. I couldn't make Founders without it. [6:37] I have an embedded sense of urgency. What I can't figure out is why so many other people don't have it.[6:50] I was willing to trade conformity for authenticity.[8:26] Problems are just opportunities in work clothes.  —Henry J. Kaiser: Builder in the Modern American West by Mark Foster. (Founders #66)[9:36] Once I have formed my opinion, I have to trust my perspective enough to act on it. That means putting my own money behind it. My level of commitment is usually high. And I stay with my decision even when everyone is telling me I'm wrong, which happens a lot.[10:37] Long term relationships reflect the most important lesson imparted to me by my father. He taught me simply how to be. He often told me that nothing was more important than a man's honor. A good name. Reputation is your most important asset.[11:10] When I was younger my career competed with my role as a husband and father and my career often won.[11:37] Childhood does not allow itself to reconquered. — Leading By Design: The Ikea Story (Founders #104)[12:20] The personality types that stay in the game for as long as Sam has —and he's been in the game for 50 years — usually describe entrepreneurship as a calling and an obsession.[12:35] The great thing about entreprenuership is that you get to spend your time building something you enjoy. Most people don't get to do this. They are stuck in jobs they hate. I had the time of my life. —Sam Walton: Made In America by Sam Walton. (Founders #234)[13:29] Business is not a battle to be waged — it's a puzzle to be solved.[14:33] Optimize for irreverence.[16:54] Swimming Across by Andy S. Grove (Founders #159)[18:11] His family narrowly escapes the Holocaust: His train arrived at 2:00 p.m. It was a ten minute walk home and when he got there he told my mother to pack what she could carry; they were boarding the 4:00 train out that afternoon.[19:21] Every year for the rest of their lives they celebrated the date of their arrival with the toast to America. My sister and I grew up keenly aware of how fortunate we were to be in this country.[15:58] You've got to understand that the world is a hard place.[19:13] My tendency to go against conventional wisdom would later end up defining my career.[26:55] Sam Zell — Strategies for Investing, Dealmaking, and Grave Dancing on The Tim Ferriss Show[27:25] It just never occurred to me that I couldn't do it.[28:42] Indifference to rejection is a fundamental part of being an entrepreneur.[31:59] It was at this point in my career that I fully realized the value of tenacity. I just had to assume there was a way through any obstacle, and that I'd find it. This is perhaps my most fundamental principle of entrepreneurship, and to success in general.[33:44] Difference for the sake of it. —James Dyson Against The Odds: An Autobiography by James Dyson (Founders #200)[35:58] I was going to do what I love doing and I wasn't going to be encumbered by anyone else's rules.[40:35] What I find fascinating is just how many of these ideas that he got from a older, more experienced entrepreneur, that he used for the rest of his life.[41:36] Larry Ellison episodes:Softwar: An Intimate Portrait of Larry Ellison and Oracle by Matthew Symonds (Founders #124)The Billionaire and the Mechanic: How Larry Ellison and a Car Mechanic Teamed up to Win Sailing's Greatest Race, the America's Cup, Twice by Julian Guthrie (Founders #126)The Difference Between God and Larry Ellison: God Doesn't Think He's Larry Ellisonby Mike Wilson (Founders #127)[41:59] Like most oracles, Wasserman gave an opinion that was simple and sensible (but unambiguously presented, thank goodness). “It is not prudent,” replied Wasserman, “to ask people to change their nightly viewing habits. Once they are used to tuning in a given channel, they find it hard to make the move, no matter how good an alternative is being provided elsewhere.” Was that it? All of our thinking and talking and arguing and agonizing came down to the belief that Americans won't change the dial? Wasserman's advice sealed our decision.— Johnny Carson by Henry Bushkin. (Founders #183)[43:55] Zeckendorf: The autobiograpy of the man who played a real-life game of Monopoly and won the largest real estate empire in history by William Zeckendorf.[47:27] The captain of a Ludwig ship made the extravagant mistake of mailing in a report of several pages held together by a paper clip. He received a sharp rebuke: "We do not pay to send ironmongery by air mail!" — The Invisible Billionaire: Daniel Ludwig by Jerry Shields.[51:32] There's no substitute for limited competition. You can be a genius, but if there's a lot of competition, it won't matter. I've spent my career trying to avoid its destructive consequences.[52:32] Cable Cowboy: John Malone and the Rise of the Modern Cable Business by Mark Robichaux (Founders #268)[55:20] What do you do? I'm a professional opportunist.[59:31] A mantra that I would repeat regularly for decades to come: Liquidity equals value.[1:07:59] I have always believed that every day you choose to hold an asset, you are also choosing to buy it. Would I buy our buildings at the price Blackstone was quoting? Nope.[1:12:29] Fast decision making and autonomy had become like oxygen to him.—“I have listened to every episode released and look forward to every episode that comes out. The only criticism I would have is that after each podcast I usually want to buy the book because I am interested so my poor wallet suffers. ” — GarethBe like Gareth. Buy a book: All the books featured on Founders Podcast

Ryan and Brant are Tapping the Source this week and getting our Henry Kaiser fix. . . . YOU DON'T KNOW MOJACK is a podcast dedicated to exploring the entire SST catalogue, in order, from start to finish. During the podcast we will discuss all the releases that are part of our core DNA, as well as many lesser-known releases that deserve a second chance, or releases that we are discovering for the very first time (we actually don't know Mojack!). First and foremost we are fans, and acknowledge that we are not perfect and don't know everything – sometimes the discussion is more about a time, place, feeling, personal experience or random tangents, and less about the facts (but we will try to get to the facts too). Facebook: www.facebook.com/mojackpod/ Twitter: @mojackpod Instagram: www.instagram.com/mojackpod/ Blog: www.mojackpod.com/ Tumblr: www.tumblr.com/blog/mojackpod Theme Song: Shockflesh

DURING THE FIRST year of the Second World War, the conflict in the Pacific was all about aircraft carriers. With a carrier, one could take the fight to the enemy. Without one, one could only huddle on an island as a passive target, waiting for an enemy carrier's aircraft to arrive and attack. When the war broke out, the U.S. had seven of these precious warships, but only three were in the Pacific. They were the actual targets of the attack on Pearl Harbor — the Japanese knew if they could get them out of the way, they'd have a free hand for at least a year. It had taken an average of more than three years to build a regular full-size aircraft carrier before the war. Mobilization would cut that timeframe to under a year, but that was still a long wait. The Japanese almost had a free hand for that year anyway. Much of their equipment was just more advanced in 1942, especially airplanes. By the end of that year the U.S. was down to one carrier. Both sides were hurriedly converting existing ships to bolster their fleets, but it certainly looked, from far away, as if the U.S. was not too far from ending up in that helpless position that the Japanese had hoped to put it in with the Pearl Harbor attack. Carriers were rare, complicated ships, hard and time-consuming to build. Japan had lost four of their best ones at Midway, but they still had at least six left. And that's about the point at which Henry Kaiser decided to go into the aircraft-carrier business. (Vanport, Multnomah County; 1940s) (For text and pictures, see http://offbeatoregon.com/22-07.kaiser-aircraft-carriers-611.html)

This week Henry Kaiser comes to town to hang with Daniel, Randy and Jason. This week's story is another from the someone-got-something-stuck-in-them file! If you or someone you know has a gambling problem, crisis counseling and referral services can be accessed by calling 1-800-GAMBLER (1-800-426-2537) (IL/IN/LA/MI/NJ/PA/WV/WY), 1-800-NEXT STEP (AZ), 1-800-522-4700 (CO/NH), 888-789-7777/visit http://ccpg.org/chat (CT), 1-800-BETS OFF (IA), 877-8-HOPENY/text HOPENY (467369) (NY), visit OPGR.org (OR), call/text TN REDLINE 1-800-889-9789 (TN), or 1-888-532-3500 (VA). 21+ (18+ NH/WY). Physically present in AZ/CO/CT/IL/IN/IA/LA(select parishes)/MI/NH/NJ/ NY/OR/PA/TN/VA/WV/WY only. New customer offer void in NH/OR/ONT-CA. $200 in Free bets: New customers only.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Henry joins the Show with Tech Legend Jay Gunkelman who has performed well over 500,000 Brain Scans to discuss the Side Effects of Neurofeedback? Positive Side Effects? Negative Side Effects? Other Topics Discussed on the Show: Are their Down Side Risks to using Neurofeedback? What is the Government doing to make insurance increase coverage for Mental Health and Neurofeedback? What is the Neurofeedback Advocacy Project? How Much more research do we need to show that Neurofeedback is a positive drug free option to relieve mental health symptoms? Pete Jansons asks the question are there any risks using Neurofeedback and Psychotherapy. Did you see Surface Neurofeedback? Links Used in the Show: https://www.neurofeedbackadvocacyproject.com/ https://www.linkedin.com/in/matthew-fleischman-5bbb0016/ https://lifetimedevelopment.org/bio/ https://www.linkedin.com/in/henrymkaiser/ https://www.kpihp.org/bio/don-mordecai/ https://www.wyden.senate.gov/ https://www.linkedin.com/in/judy-carlson-a71752103/ --- Send in a voice message: https://anchor.fm/neuronoodle/message Support this podcast: https://anchor.fm/neuronoodle/support

We've got something special for you this week with Rome Yamilov and Henry J. Kaiser as our guests on No Simple Road. Their new album, The Lenoir Investigation, may have started as a tribute to Chicago blues great J.B. Lenoir, but the two guitarist's worldly influences carry the 11 tracks around the globe. The album is out now via Little Village.Henry Kaiser's work in psychedelic guitar playing has few parallels, as the former Psychedelic Guitar Circus ringleader has played on over 300 albums and even used the South Pole—the pole mounted on Earth's south geographic pole—as a slide to play Antarctic blues. Enter Rome Yamilov, the Russian-born guitarist who came to Little Village by way of harp player Aki Kumar through the San Jose blues scene.There's so much packed into this one! We start with a conversation with Rome about his humble beginnings, playing with Aki Kumar, and how he ended up working on this amazing project. Then, we jump into a conversation with Henry that will for sure leave you speechless. Let's just say, 45 minutes talking about how the song Dark Star is alive. You can thank us later!SONG AT THE BEGINNING OF THE INTERVIEW: 'I feel So Good' off the album "The Lenoir Investigation"No Simple Road Intro Music Created By ESCAPERFREE SHIPPING from Shop Tour Bus Use The PROMO CODE: nosimpleroadFor 20% off Sunset Lake CBD PROMO CODE: NSR20 For 25% off Electric Fish Lights PROMO CODE: NSRFOR 10% off your first month of Better Help CLICK HEREFor 20% off Grady's Cold Brew PROMO CODE: NSRMUSIC IN THE COMMMERCIALS BY AND USED WITH PERMISSION OF:CIRCLES AROUND THE SUNOUTRO MUSIC BY AND USED WITH PERMISSION OF:CHILLDREN OF INDIGONo Simple Road is part of OSIRIS MEDIA. Osiris Media is the leading storyteller in music, combining the intimacy of podcasts with the power of music.We inform and delight music fans by creating shows with leading artists, telling untold stories, and working with brands to craft compelling narratives that bring music to life.Support this show http://supporter.acast.com/nosimpleroad. See acast.com/privacy for privacy and opt-out information.

Style, media coverage, valuations - those are things we all could guess would be areas of competition between local VCs and incoming US firms, but what about talent spotting and fund structure optimization? In the third episode of Associated's miniseries, “Does This Mean A European Turf Battle?” we tackle in what ways we are competing alongside ways we refuse to compete. Note - the quote in the conclusion is from Henry Kaiser. Twitter: @Associated_pod Email: associated. podcasts@gmail.com

The Lenoir Investigation

In our last episode, we started to talk about how the United States ramped up war production. Or at least began the process of ramping up said production. This episode will take us deeper into that story. And what a story it is. Honestly, we could have spent many more than just two episodes detailing the way the US ramped up the war effort. But, the reality is, we don't need that much of a deep dive. We just want to have a decent understanding, and I believe these two episodes give us the right balance.             Episode 4.18 looks at a gentleman named Henry Kaiser and how he came to be an important figure in this story. He was the man who owned the Richmond Shipyards, famous for producing Liberty Boats in WWII. This episode is sponsored by Smile Brilliant's Dental Probiotics. For a limited time use AMERICAN for 20% OFF Smile Brilliants Dental Probiotics and their suite of dentist-grade oral care products.  Check it out at:  https://www.smilebrilliant.com/product/dental-probiotics-adults/This episode is sponsored by our official VPN, Surfshark VPN. Get Surfshark VPN at https://surfshark.deals/AMERICANHISTORY - Enter promo code AMERICANHISTORY for 83% off and 3 extra months free!Fable Beard Company is the official beard products company of the American history podcast. For great oils, beard balms and butters as well as beard wash and conditioner check out the link below. Use the coupon code: Shawn15 at checkout so you can receive 15% off all orders. https://fablebeardco.com/discount/SHAWN15Fable also has AMAZING CBD products, including CBD tinctures, beard butter, beard oil, beard balm and even beard conditioner/wash. You can get them with a 15% discount by following the link down below (or using Shawn15 at checkout!). Fable Beard Company CBD Support the show

Women From Space Festival in Toronto, new jazz. Be well all.Playlist: Calum Robertson - Noise and MusicTania Gill Quartet - Jaunty WooMarilyn Lerner - Night, MelodyNicole Rampersaud - EvermoreLorI Freedman - Bridge One: Frith of ForthSusanna Hood, Martin Tétreault - Cieux de sableSook-Yin Lee & Adam Litovitz - Wrecking HeartPiqsiq - Ahiani:ElsewhereMakaya McCraven - Wail BaitGerald Clayton - Damunt de tu Nomes les FlorsCooper-Moore Stephen Gauci - Conversations Vol 2Dana Lyn, Patricia Brennan, Noel Brennan, Daniel - If Womankind can Build this TransportationAdams, Dunn & Haas - Temple of TimeWadada Leo Smith, Henry Kaiser, Alex Varty - From Pacifica Koral ReefMas Aya - Tiempo AhoraMichael Sarian - Silent WavesDan Weiss and Miles Okazaki - The Memory Palace Part VDolman / Rossy / Jobin - Borrow A Memory

On episode 143 the hosts are joined by Mark Rubel from The Blackbird Acadamy.  Mark has taught audio, music technology, music business, and The History of Rock tothousands of students at various colleges and universities since 1985. They discuss his work in audio forensics used for legal cases determining if music was sampled or not. Mark talks about his passion for teaching, the difference between live and recording engineers, how the teaching process has evolved, and more.Mark is also in the process of writing a book called " Great American Recording Studios of the 1970' & 60's" This episode is sponsored by Audix and Allen & Heath.Join our Discord Server and our Facebook GroupMark Rubel has taught audio, music technology, music business, and the history of rock to thousands of students since 1985 at various colleges and universities. Before becoming the Director of Education for The Blackbird Academy, he served as Audio and Recording Director and Instructor at Eastern Illinois University's $70 million Doudna Arts Center.Since 1980, Mark has produced thousands of recordings at his Pogo Studio in Champaign, IL (now located in Nashville) and elsewhere, for such clients as Hum, Alison Krauss, Rascal Flatts, Jeff Coffin, Henry Kaiser, Fall Out Boy, Ludacris, Adrian Belew, Luther Allison, Jay Bennett, Melanie, Ian Hobson, Henry Butler, and many more. For the Wall to Wall/Ellnora Guitar Festival, he recorded Los Lobos, Calexico, Ani DiFranco, The National, Junior Brown, Derek Trucks, Taj Mahal, Bill Frisell, and many others.Mark has been in the same rock and roll band since 1980. He serves as a panelist, moderator, lecturer, workshop leader, and recording judge at numerous audio conferences, including national and regional Audio Engineering Society Conferences, the Tape Op, Potluck, and Welcome to 1979 Conferences, SXSW, and many more. He is a frequent guest on recording shows, podcasts, and in documentaries. Mark is on the national board of SPARS (the Society of Professional Recording Services) and belongs to NARAS, AES, ASCAP, and EARS.Mark Rubel also works as a consultant and legal expert witness in the fields of audio and copyright. He writes for such publications as Tape Op and Mix Magazine, interviewing Dave Cobb, Terry Manning, and the legendary Les Paul. Mark is currently writing a history of recording studios of the 1960s–70s for Rowman and Littlefield: “The Great American Recording Studios.”The Signal To Noise podcast series on ProSoundWeb is hosted by Live Sound/PSW technical editor Michael Lawrence and pro audio veterans Kyle Chirnside , Chris Leonard, and Sam Boone

Join Ryan and Brant on a musical journey out of history, taken beyond tomorrow... where no podcast has gone before! . . . YOU DON'T KNOW MOJACK is a podcast dedicated to exploring the entire SST catalogue, in order, from start to finish. During the podcast we will discuss all the releases that are part of our core DNA, as well as many lesser-known releases that deserve a second chance, or releases that we are discovering for the very first time (we actually don't know Mojack!). First and foremost we are fans, and acknowledge that we are not perfect and don't know everything – sometimes the discussion is more about a time, place, feeling, personal experience or random tangents, and less about the facts (but we will try to get to the facts too). Facebook: www.facebook.com/mojackpod/ Twitter: @mojackpod Instagram: www.instagram.com/mojackpod/ Blog: www.mojackpod.com/ Tumblr: www.tumblr.com/blog/mojackpod Theme Song: Shockflesh

With the 68th episode of the podcast I'm completing a 10-part series of conversations with my friend Trey Gunn. This time we're tackling these topics: - “Failure To Fracture” book - TG performance of new compositions - Tuning issues when recording - Fanned Frets, Multi-Scale, and True Temperament Frets - Composing with Tapping Instruments - Toyah's “Ophelia's Shadow” - The Music is the Score - Making quick decisions: Henry Kaiser, David Sylvian and Robert Fripp - The Precious Composer - Recording & Imagination in a Analog vs Digital Process - Sample libraries of our instruments - String Quartet writing and blending - Children, family, responsibilities and balancing energies as a musician You can find Trey here: http://www.treygunn.com Please join my mailing list at http://www.markusreuter.com Markus Reuter VIP Membership on Bandcamp: https://markusreuter.bandcamp.com/vip-membership

En este episodio 5, hemos destacado algunas de las novedades y discos que hemos escuchado recientemente. Abrimos con Sinister Hypnotization, el estupendo nuevo trabajo del Luís Lopes Lisbon Berlin Quartet, publicado por Clean Feed Records este 2021. Uno de los últimos trabajos del sello sevillano Sentencia Records, en este caso Génesis Negro, firmado por el ilustrador Antonio Ramírez y el músico Ricardo Jiménez, un disco libro sobre las crónicas de la Secta de los Hijos de Eva, basado en un texto de Alfonso Lebrón. Escuchamos también lo nuevo del trompetista Wadada Leo Smith junto a los guitarristas Henry Kaiser y Alex Varty, Pacifica Koral Reef, publicado por 577 Records este 2021. Además, lo nuevo del pianista Craig Taborn, Shadow Plays, para ECM, en este 2021 y cerramos con el nuevo trabajo del maestro Henry Threadgill, Poof, publicado también este 2021, para Pi Records.

En este episodio 5, hemos destacado algunas de las novedades y discos que hemos escuchado recientemente. Abrimos con Sinister Hypnotization, el estupendo nuevo trabajo del Luís Lopes Lisbon Berlin Quartet, publicado por Clean Feed Records este 2021. Uno de los últimos trabajos del sello sevillano Sentencia Records, en este caso Génesis Negro, firmado por el ilustrador Antonio Ramírez y el músico Ricardo Jiménez, un disco libro sobre las crónicas de la Secta de los Hijos de Eva, basado en un texto de Alfonso Lebrón. Escuchamos también lo nuevo del trompetista Wadada Leo Smith junto a los guitarristas Henry Kaiser y Alex Varty, Pacifica Koral Reef, publicado por 577 Records este 2021. Además, lo nuevo del pianista Craig Taborn, Shadow Plays, para ECM, en este 2021 y cerramos con el nuevo trabajo del maestro Henry Threadgill, Poof, publicado también este 2021, para Pi Records.

Basta scorrere la discografia di David Torn (1953), tra pubblicazioni come leader e collaborazioni, per intuire che sia un musicista poco etichettabile: Jan Garbarek, David Sylvian, David Bowie, Don Cherry, Ryūichi Sakamoto, Ravi Shankar, Bill Bruford sono solo alcuni dei musicisti con cui ha lavorato.Statunitense, originario dello stato di New York, è considerato come uno dei massimi chitarristi sperimentali, stilisticamente situabile ad un ipotetico punto d'incontro tra Robert Fripp, Henry Kaiser e Bill Frisell.Riccardo Bertoncelli ci guida in un possibile percorso dentro la sua affascinante, sfaccettata musica. 

This week on Comes A Time, Gary Lambert joins Oteil and Mike to talk about the eclectic range of influences of the Grateful Dead, the ways that art can reflect the state of a society, and why it's important to take healthy breaks from “the earth clock,” as Mike cleverly describes it. You'll hear Gary tell the guys a serendipitous story about how Phil Lesh directly influenced him to become a bass player, discuss Bill Graham's incredible attention to detail and his greatness as a promoter, and a jazz concert that Gary saw in 1972 that left the audience quite literally steaming. Gary has witnessed some of the greatest musicians of all time take the stage, and in this episode he tells Oteil and Mike all about his decorated musical life. Gary Lambert has worked in music for most of what he laughingly calls his “adult life,” including jobs with the late legendary impresario Bill Graham, and a 15-year stint as founding writer/editor of the Grateful Dead's official newsletter, The Grateful Dead Almanac. Since 2008, Gary has co-hosted Tales From The Golden Road, a weekly talk and listener-participation show on SiriusXM Radio's Grateful Dead Channel. In 2021 the show took the conversation into the video streaming realm with Dead Air with Lambert & Gans, an interview segment that streamed on nugs.net during the set breaks at shows on Dead & Company's summer and fall tours. As a musician Gary has played live and recorded with Phil Lesh, Bob Weir, Henry Kaiser, Richard Thompson and many other revered musicians, and in this episode he shares some of his incredible musical experiences with listeners. ----------- *DISCLAIMER: This podcast does NOT provide medical advice. The information contained in this podcast is for informational and entertainment purposes only. No material in this podcast is intended to be a substitute for professional medical advice, diagnosis or treatment. Always seek the advice of your physician or other qualified health care provider with any questions you may have regarding a medical condition or treatment and before undertaking a new health care regimen* ----------- This podcast is available on Apple Podcasts, Spotify, or wherever you get your podcasts. Please leave us a rating or review on iTunes! Comes A Time is brought to you by Osiris Media. Hosted and Produced by Oteil Burbridge and Mike Finoia. Executive Producers are Christina Collins and RJ Bee. Production, Editing and Mixing by Eric Limarenko and Matt Dwyer. Theme music by Oteil Burbridge. Production assistance by Matt Bavuso. To discover more podcasts that connect you more deeply to the music you love, check out osirispod.com ------- Visit SunsetlakeCBD.com and use the promo code TIME for 20% off premium CBD products Visit section119.com and use the promo code COMESATIME for for 15% off your next purchase of Grateful Dead apparel or accessories Visit BetterHelp.com/ComesaTime to get 10% off your first month of professional, online therapy Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

If Walk The Moon's “Shut Up And Dance” was a Christmas song, it'd be this. Produced by Local Business Comedy (Joey Clift, Nick Gligor, Stephen Perlstein)  Vocals by Henry Kaiser http://twitter.com/henrykaiser Additional Vocals by Nick Gligor Written by Stephen Perlstein http://www.StephenPerlstein.com  Produced and Engineered by Matthew Margallo & Shaun Day  Recorded at Starburns Industries.  Special thanks to Dustin Marshall https://twitter.com/DustinMartian, Noah Eberhart https://twitter.com/noaheberhart, Jason Smith, & everyone at Feral Audio  Local Business is a new sketch comedy group helmed by Joey Clift (Wabbit, Cracked), Nick Gligor (Fox ADHD, Cracked), and Stephen Perlstein (Wabbit, UCB Comedy). Corporations are not people, but Local Business is! Learn more about your ad choices. Visit megaphone.fm/adchoices

If Wiz Khalifa and Charlie Puth's “See You Again” was a Christmas song, it'd be this. Produced by Local Business Comedy (Joey Clift, Nick Gligor, Stephen Perlstein)  Vocals by Henry Kaiser http://twitter.com/henrykaiser & Carl Tart https://twitter.com/DammitCARL Additional Vocals by Nick Gligor Written by Joey Clift www.joeyclift.com Produced and Engineered by Matthew Margallo & Shaun Day  Recorded at Starburns Industries.  Special thanks to Dustin Marshall https://twitter.com/DustinMartian, Noah Eberhart https://twitter.com/noaheberhart, Jason Smith, & everyone at Feral Audio Local Business is a new sketch comedy group helmed by Joey Clift (Wabbit, Cracked), Nick Gligor (Fox ADHD, Cracked), and Stephen Perlstein (Wabbit, UCB Comedy). Corporations are not people, but Local Business is! Learn more about your ad choices. Visit megaphone.fm/adchoices

John DRUMBO French continues talking about working with Fred Frith and Henry Kaiser and presents his musical offering. New music from BENT Studios!

John DRUMBO French of Captain Beefheart's Magic Band continues his tale of madness and musical delight including working with Henry Kaiser and Fred Frith...... Brand new BENT Music !

Welcome to Episode 3 of Anechoic Chamber - free-form, "erased interviewer" dialogue on the fertile margins of art and culture. This episode's guest is Weasel Walter, restless multi-instrumentalist associated with the "brutal prog" and "punk jazz" musical idioms, whose character he has played a key role in shaping while active in three distinct geographic 'scenes.' Over the course of 200+ commercially available recordings, and collaborations with hundreds of sympathetic musicians, Walter has built an entire cottage industry upon intensity, exertion, and the wholesale rejection of tepid attitudes. Key moments have included the formation of the Flying Luttenbachers combo and their integration into the '90s Chicago scene based around 'Skin Graft' records, collaborations with numerous luminaries of avant-jazz (e.g. Roscoe Mitchell, Marshall Allen, Henry Kaiser, Evan Parker), and international touring with Lydia Lunch Retrovirus. music used in this episode: Walter / Drumm / Lonberg-Holm: "I Just Whaled on a Music Critic with a Baseball Bat" Weasel Walter "Half Death" and "Viral Humanity" cover photo: unknown photographer, please contact us to be credited. artist links: https://weaselwalter.bandcamp.com/ http://www.ugEXPLODE.com http://nowave.pair.com/weasel_walter/index.html Anechoic Chamber links: donate (Paypal): tbwb@protonmail.com other inquires: core@tbwb.net

What I learned from reading Henry J. Kaiser: Builder in the Modern American West by Mark Foster. He built giant businesses in roads, bridges, dams, housing, cement, aluminum, chemicals, steel, health care, and tourism. (0:01) starting a joint venture with Howard Hughes (6:40)learning how not to run a business (12:00)how Kaiser was able to start his own business with no money (18:00)I decided to pick one fellow I wanted most to work for and concentrate on him. (23:15)how Henry Kaiser used passion and enthusiasm to start a construction company in Vancouver (30:00)using the leverage that technology provides or how to make big jobs small (44:00)very difficult work + fewer people willing to do it = opportunity (50:40) how Kaiser goes from never building ships to having 200,000 employees building ships (1:00:00), Kaiser promoted himself as an industrialist populist (1:13:00)Kaiser's managerial style (1:15:00)

What I learned from reading Hughes: The Private Diaries, Memos and Letters; The Definitive Biography of the First American Billionaire.He was a film director, a producer, a test pilot, inventor, investor, and entrepreneur [0:01]the start of Hughes Tool Company [13:00]during a gold rush sell pickaxe's / great idea about leasing drill bits [19:00]Howard Hughes Jr is on his own at 18 years old [26:00]starting out in the movie business [32:00]his first plane crash/divorce [38:00]Howard Hughes goes broke [48:00]Howard Hughes breaks the world record for the fastest flight around the world / Hitler was always an asshole [56:00]Henry Kaiser and the birth of The Hercules [1:05:00]his 4th plane crash and descent into madness [1:14:00]Howard Hughe's M.O. on corruption and bribes [1:26:00]I am not really interested in people. I am interested in science. –Howard Hughes [1:29:00]

Drummer/multi-instrumentalist Weasel Walter is an intense and formidable figure in the world of underground music. Active since 1991, he has been touring and recording non-stop, amassing a staggering discography along the way. His long list of collaborators include Damon Smith, Henry Kaiser, Lydia Lunch, Marc Edwards and many many more. Next month Weasel is releasing the first record by his band the Flying Luttenbachers in many years, before taking the new lineup to Europe. Since starting this podcast in 2013, I have received more requests to have Weasel on than any other artist. Here we are.

Adam and Dr. Drew open the show recalling one of Lauren Sivan's jokes from Dr. Drew's birthday party which led Adam to discover Lauren's role in the popularization of the #metoo movement. They also discuss some of the crazy accomplishments of US shipbuilders during the World Wars, specifically citing Henry Kaiser and his Liberty Ships going from 230 days to build at the onset, getting that time down to around 5 days at their most efficient. The guys also turn to the phones and speak to a caller with a bone disease, another with a thought on male productivity in our society, and more. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Our Verse: “...anyone who believes in me will do the same works I have done, and even greater works...” John 14:12 In this series, we are discussing the incredible possibility that you, one human, can change the world. You are listening to this because God is calling you to change the world. Buckle up! Ears and heart open to God's adventures for you! We learned earlier that world changers do two things: they change people inside, their minds, their thoughts, or they change the physical world around them. And best of all, world changers can do both- change people and improve the world. Could this be you? Jesus said we could do “even greater works” than Him, and said later, “Ask for Anything!” That is an amazing promise! John 14:13 Let's consider one human who did both these things, RG LeTourneau. Born in 1888, he was a restless young man. He did many things- farmer, logger, iron worker, welder, designer. His life work became engineering and the invention of machinery. At a young age, he became a Christian, a Jesus follower. He made many mistakes, was often prideful, but he continued to grow, spiritually and professionally. Eventually, he designed and built gigantic machines. These machines changed the world. In many countries, Bob's machines built the roads and dams we use today. He started an engineering school, LeTourneau University. Thousands of people have built careers in engineering and affected the world for good. Mr. LeTourneau helped people around the world, always stating that God was his boss. Could you be like Bob LeTourneau in the 21st Century? For 2025? For 2085? Yes... Absolutely, Yes! Ask God for strength- both spiritual and intellectual, to leave your mark on the planet. He will be your strength! More about World Changer Bob and LeTourneau University: He was a inventor/designer in the field of earth moving. He started his work life as an iron foundry laborer. In his time, dirt was moved by men and horses. It was slow and backbreaking work, often debilitating, sometimes fatal. RG thought there must be a better way, so he decided to invent equipment that would mechanize the process. He invented the first mechanical road grader. That led to the first mechanical earth moving machine. About this time, World War II began. He was tasked with others, including Henry Kaiser, to build equipment for the war effort. He produced an amazing 50%+ of the earth moving machines for the war effort world wide, literally millions of dollars worth of equipment. He continued his work after the war, converting an A-26 surplus bomber to civilian use to increase his travel ability, even across oceans. He left a great spiritual and social legacy, building special communities and orphanages in Africa and the Far East. In 1946, he established LeTourneau Technical Institute in Longview, Texas. There are 5 schools in various disciplines with one of the best engineering schools available. In 1989 LeTourneau Tech became LeTourneau University, a SACSCOC and ABET accredited, nondenominational Christian university, offering four-year and two-year degree programs in engineering, technology, the liberal arts, business, aeronautical science, education, and the sciences, plus master's degree programs in business and education.  The school's Yellow Ribbon Program is available to “any veteran who honorably served on active duty for at least 3 years since September 11, 2001.” Details- http://www.letu.edu/opencms/opencms/_Academics/