Podcast appearances and mentions of Alfred Schnittke

Alfred Schnittke war weit mehr als "nur" ein aus der Sowjetunion emigrierter Komponist deutscher Abstammung. Seine Musik prägte das Konzertleben der frühen 1990er-Jahre wie kaum eine andere. Am 24. November wäre er 90 Jahre alt geworden.

Two years ago for Halloween, I presented the first of my “Haunted Opera House” episodes. At the time, I had such a plethora of creepy musical material that I produced a bonus episode of material that otherwise would have ended up in the dung heap (like the body of Faust at the end of Schnittke's Faust Cantata, which closes the episode). We also hear music from Damn Yankees featuring the red-hot Gwen Verdon; Dvořák's Rusalka (a stunning duet with Teresa Stratas and Gwendolyn Killebrew); Respighi's comic opera Belfagor (in which a devil [Lajos Miller] encounters his superior in a cunning young woman [Sylvia Sass]; Ernest Bloch's Macbeth (in which Inge Borkh gives a luminous performance of Lady Macbeth's Sleepwalking Scene); Willem Pijper's strange musical drama based on the medieval legend of Halewijn, a Bluebeard of the Lowlands; La Chute de la Maison Usher, (the climax of Claude Debussy's incomplete opera based on Edgar Allan Poe's Fall of the House of Usher); and Antikrist, Rued Langgaard's unique, indescribable, and nearly unstageable mystery play. But it is Iva Bittová's gleefully deranged performance of Alfred Schnittke's gruesome Faust tango which will, I predict, find its way into your nightmares! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.

Patricia Kopatchinskaja, Martin Helmchen, Sol Gabetta, Antoine Tamestit. Sie alle haben ihn schon bekommen: den UBS Young Artist Award, den das Lucerne Festival und die Wiener Philharmoniker alle zwei Jahre verleihen. Dieses Jahr war die österreichische Cellistin Julia Hagen die Glückliche. Als frischgebackene Preisträgerin hat sie vor gut einem Monat ihr Debüt mit den Wiener Philharmonikern gegeben. Wir sprechen mit ihr. Über den Cello-unfreundlichen Robert Schumann, oder den Mäzen, der ihr ein Instrument schenkte. 01:35 – Aktualität Der russische Regisseur Kirill Serebrennikow inszeniert in Zürich die Oper «Leben mit einem Idioten» von Alfred Schnittke. Dass dabei alle politischen Anspielungen eliminiert sind, hat vor einigen Tagen für Gerüchte gesorgt: geht es da um freiwillige Selbst-Zensur? Nein, sagt Serebrennikow. 12:15 – Gespräch Mit der Cellistin Julia Hagen. (Elisabeth von Kalnein) 32:30 – Neuerscheinungen Franz Schuberts Streichquintett in einer Version für 5 Saxophone (Quatuor Habanera mit Maja Lisac Barroso, Label Prospero) Und: Jan Reetze: Die Geschichte von Kraftwerks «Autobahn» (Halvmall Verlag) (Elisabeth Baureithel) 53:55 – Swiss Corner 25 Jahre La Cetra Barockorchester.

durée : 00:05:29 - "Tabula Rasa" d'Arvo Pärt : une page blanche - par : Max Dozolme - La collection New Series du label ECM fête ses 40 ans. L'occasion de réécouter le tout premier disque paru chez ce label qui réunissait pour la première fois le violoniste Gidon Kremer, le pianiste Alfred Schnittke et le compositeur Arvo Pärt autour d'une œuvre qui change notre écoute : Tabula Rasa.

Michael Berkeley's guest is the film-maker, producer and writer Mark Cousins. His documentary work includes The Story of Film, an epic 900-minute journey through the history of cinema, from the earliest moving images in the late 19th century to the digital innovations of our own times. Mark has interviewed many of the most significant directors and actors of the past half century, and with Tilda Swinton he created the Screen Machine, a large portable cinema which they and their supporters sometimes pulled by hand through the Scottish Highlands. Mark's choices of film music range from Doris Day and Henry Mancini to a score by Alfred Schnittke and a song from Neneh Cherry.

Mit dem Geiger Gidon Kremer verband Alfred Schnittke eine Seelenverwandtschaft. Zu vielen seiner Violinwerke wurde er durch ihn angeregt. Auch zu seinem Violinkonzert Nr. 4, das Kremer bei den Berliner Festwochen 1984 uraufführte. BR-KLASSIK sprach mit Kremer über dieses Starke Stück.

Larry Morrisey talks with saxophonist Adam Estes. Estes is a professor of music at the University of Mississippi in Oxford and a founding member of the Assembly Saxophone Quartet. As part of the celebration of their 20th anniversary this year, the group is releasing their third recording, which includes their arrangements of music by the contemporary composers Avner Dorman, Alfred Schnittke, and Bill Ryan. If you enjoyed listening to this podcast, please consider contributing to MPB. https://donate.mpbfoundation.org/mspb/podcast Hosted on Acast. See acast.com/privacy for more information.

„Fantasie“ heißt das neue Album des Pianisten Alexander Melnikov. Der Titel bezieht sich auf Maßstab und Modell seines Recitals: Die „Chromatische Fantasie und Fuge“, d-moll BWV 903 von Johann Sebastian Bach. Sie steht an erster Stelle des Programms, alle folgenden Werke – von Carl Philipp Emanuel Bach über Mozart, Mendelssohn, Chopin, Busoni bis zu Alfred Schnittke – berufen sich direkt oder indirekt darauf. „Eine Art Handschlag-Spiel“ sei damit gemeint, erklärt Melnikov dazu im Booklet: „Die Stücke sind so ausgewählt, dass jede Fantasie sich stilistisch oder in der Instrumentenwahl auf das zuvor erklungene Stück bezieht, während alle sich in irgendeiner Weise auf Bach berufen.“ Ist Melnikovs Experiment geglückt? Eleonore Büning findet: Ja, absolut!

In de podcastserie De Componistenkamer bezoekt Melchior Huurdeman componisten in hun werkkamer. Wat zijn hun rituelen? Hoe is hun manier van werken? Hebben ze een weids uitzicht, of koesteren ze voorwerpen in hun werkomgeving? Wat inspireert, en wat is nodig? In één van de afleveringen komt filmcomponist Matthijs Kieboom aan het woord. In deze uitzending enkele fragmenten uit de podcast, én een keuze uit de muziek die Kieboom schreef voor film en televisie. Daarnaast onder meer: de Hollandse Nieuwe, en een keuze uit de Psalms of Repentance van Alfred Schnittke, onlangs prachtig vereeuwigd op CD door Cappella Amsterdam olv Daniel Reuss. 23.04 CD Ludwig van Beethoven (Challenge Classics CC 72937) Johannes Brahms: Fantasies Opus 116 - II Intermezzo in a Georg Kjurdian [piano] 3'52” CD Wolf (Soundtrack) (eigen uitgave z.nr.) Matthijs Kieboom: Drought Matthijs Kieboom 1'57” CD Wolf (Soundtrack) (eigen uitgave z.nr.) Matthijs Kieboom: Scout discovers the pond Matthijs Kieboom 3'04” CD Wild heart of Holland (soundtrack) (PC Pictures Music Records) Matthijs Kieboom: The Veluwe Matthijs Kieboom 4'03” CD Vandervalk (soundtrack) (Company Television Ltd.) Matthijs Kieboom: You are dead to me Matthijs Kieboom 3'17” CD Vandervalk (soundtrack) (Company Television Ltd.) Matthijs Kieboom: Corruption / Dutch Detective Matthijs Kieboom 1'12” 23.36 CD An American Rhapsody (Pentatone PTC 5187 046) Moondog: New Amsterdam Calefax 4'31” 23.41 CD Schnittke Psalms of Repentance (Pentatone PTC 5187 028) Alfred Schnittke: Psalms of Repentance - I Adam sat weeping at the gates of paradise Cappella Amsterdam olv Daniel Reuss 2'23” CD Schnittke Psalms of Repentance (Pentatone PTC 5187 028) Alfred Schnittke: Psalms of Repentance - III That is why I live in poverty Cappella Amsterdam olv Daniel Reuss 2'40” CD Schnittke Psalms of Repentance (Pentatone PTC 5187 028) Alfred Schnittke: Psalms of Repentance - VII Oh my soul, why are you not afraid Cappella Amsterdam olv Daniel Reuss 4'57” CD Schnittke Psalms of Repentance (Pentatone PTC 5187 028) Alfred Schnittke: Psalms of Repentance - XII (wordless) Cappella Amsterdam olv Daniel Reuss 6'18”

Alfred Schnittke (1934-1998) – Strijkkwartet nr.1 (1966) Sonata, 2. Canon, 3. Cadenza Uitvoerenden: Kapralova Quartet CD: ArcoDiva Dmitri Sjostakovitsj (1906-1975) – Strijkkwartet nr.15, in Es-kl.t., opus 144 (1974) Elegy (Adagio), 2. Serenade (Adagio), 3. Intermezzo (Adagio), 4. Nocturne (Adagio), 5. Funeral March (Adagio molto), 6. Epilogue (Adagio) Uitvoerenden: Quatuor Danel CD: Alpha Classics Alfred Schnittke voltooide […]

Een kerstaflevering? Gaan we lekker niet doen, dachten Joris en Guido. Wordt knap voorspelbaar en saai, toch? Maar ja, toen de heren eenmaal aan het prakkiseren sloegen, gingen ze door de bocht. Want Stille Nacht, waar komt die oorwurm eigenlijk vandaan? Wie kent de eeuwenoude kerstmuziek van Mallorca? En hoe pakte de beroemde Schotse componist James MacMillan zijn Christmas Oratorio (2019) aan? Luisteren dus, want er duikt ook nog een guilty pleasure op. Iets met zingende knaapjes. En snotteren op kerstavond. Ook dat nog. Gedraaide fragmenten: · Bach, Weihnachts-Oratorium, ‘Jauchzet, frohlocket', Concentus Musicus o.l.v. Nikolaus Harnoncourt · Bach, Weihnachts-Oratorium, Sinfonia, Concentus Musicus o.l.v. Nikolaus Harnoncourt · Franz Gruber, Stille Nacht, arr. Alfred Schnittke, Gidon Kremer (viool), Christoph Eschenbach (piano) · Friedrich Schneider, Christus das Kind, ‘Ehre sei Gott in der Höhe', Sinfonieorchester Wuppertal, Kantorei Barmen Gemarke o.l.v. Alexander Lüken · James MacMillan, Christmas Oratorio, ‘Hodie Christus natus est', London Symphony Orchestra, City of Birmingham Symphony Chorus o.l.v. Mark Elder · Anoniem, El cant de la Sibil·la, Montserrat Figueras, La Capella Reial de Catalunya o.l.v. Jordi Savall · Once in Royal David's City, Choir of King's College Cambridge o.l.v. Daniel Hyde

Pianist Marnix van de Poll improviseert in antwoord op een open gesprek dat hij voert met een museumbezoeker. Componist Maxim Shalygin bracht een digitaal album uit met en werk voor twee violen en een werk voor drie cello's. Opgenomen door musici die nog altijd, onder de voortdurende dreiging van bombardementen en raketaanvallen, trachten te werken in Kiev. 23.04 CD Maurice Ravel à Moune (Challenge Classics CC 72916) Maurice Ravel: Tzigane Lina Tur Bonet [viool]; Pierre Goy [lutheal piano] 4'06” 23.13 eigen opname Marnix van de Poll: Wonderkind Marnix van de Poll [piano] 5'51” 23.20 eigen opname Marnix van de Poll: Lux Aeterna Marnix van de Poll [piano] 5'41” 23.33 CD Six Bagatelle & Suite-Homage to Alfred Schnittke (2022) Maxim Shalygin: Six Bagatelles - I Butterflies Ihor Zavhorodnii; Andrii Pavlov 0'59” CD Six Bagatelle & Suite-Homage to Alfred Schnittke (2022) Maxim Shalygin: Suite Homage to Alfred Schnittke Irina Kozlova, Sergey Kozakov & Igor Patsovsky. 16'09” 23.55 CD Quartets (Deutsche Grammophon 00028948632985) Peter Gregson: Quartets: Two - III Plainchant VI …from a memory Ashok Klouda, Peter Gregson, Warren Zielinski, Magdalena Filipczak, Laurie Anderson 4'22”

In preparation for our Dracula performances, we take a look at the music of Alfred Schnittke, first through a choreographer's eye, as Jim has a discussion with Tracy Tritz. Then podcast's producer John Dawkins has a discussion with orchestral music expert, Dr. Steven Kandow.

This is the Danish String Quartet's fourth installment in the Prism series, the group's ongoing project that will ultimately hold five volumes of recordings linking Bach fugues with Beethoven quartets and quartets by alternating later composers. While the preceding volumes presented quartets by masters who lived to experience the 20th century – these being, in order of their appearance in the series: Dmitri Shostakovich, Alfred Schnittke, and Béla Bartók – Prism IV finds the Danish musicians interpreting Felix Mendelssohn's (1809-1847) String Quartet No.2. As Paul Griffiths remarks in the liner notes, the quartet's interpretation of Mendelssohn is empowered by Beethoven's model in terms of “vivid gesture, contrapuntal energy, harmonic boldness, and formal innovation”. The piece is paired with Beethoven's String Quartet No. 15 and Bach's Fugue in G minor in the arrangement of the Austrian educator and composer Emanuel Aloys Förster.Purchase the music (without talk) at:Prism IV (classicalmusicdiscoveries.store)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Este es un programa ecléctico, haciendole honor a los protagonistas. Tan a fondo fuimos que hasta hubo un problema técnico que cambió el programa por completo. Probablemente algún oyente interfirió en la señal. Pero además, escuchamos la Sinfonia 0, de Alfred Schnittke, junto a música experimental de Frank Zappa y canciones de Leo Masliah. Fue una emisión llena de sorpresas, con un formato radial nunca antes visto.

Un programa ecléctico, cambiante, entre la comedia y la tragedia. Hablamos de la obra de Alfred Schnittke, el creador del "poliestilismo musical", junto a algunas ocurrencias de Les Luthiers.

Was macht ein glückliches Leben aus? Diese Frage stellt Igor Strawinsky in seinem Ende des Ersten Weltkriegs geschriebenen Musiktheater-Werk. Kammermusikalisch hochkarätig besetzt und kombiniert mit Alfred Schnittke verspricht die Aufführung im Rahmen des Schleswig-Holstein Musikfestivals am 31.7. in der Petruskirche in Kiel zu einem besonderen Highlight zu werden. Dominique Horwitz – sein Name ist seit jeher auch mit musikalischen oder musik-literarischen Abenden verbunden. Immer wieder bringt der Schauspieler, Sänger, Regisseur und Autor sich mit unterschiedlichsten Programmen ein. Da gibt es konzertante Lesungen mit Musik, eine musikalische Revue oder auch Abende mit französischen Chansons von Jacques Brel, mit dem der gebürtige Franzose quasi aufgewachsen ist. Mit seinen Brèl-Abenden hat er Erfolgsgeschichte geschrieben. Dominique Horwitz, 1957 in Paris geboren, lebt seit vielen Jahren in Weimar. Dort spielt auch sein literarisches Debüt, die Kriminalkomödie „Tod in Weimar“, die er vor einigen Jahren geschrieben hat.

In our year-end festivals of sacred music, we touch a human ritual whose origins are lost in time. For millennia, we've gathered in churches and sanctuaries to sing, worship, listen and renew our spirits. On this transmission of Hearts of Space, a year's end celebration of the treble voice, the massed chorus, and the sublime world of sacred sound, on a program called HYMNS and PSALMS. Music is by LIBERA, STATE OF GRACE, GIORGIA FUMANTI, HAYLEY WESTENRA, LUMINOUS WORLD ORCHESTRA, KEVIN KELLER, ARVO PART, and ALFRED SCHNITTKE. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Carlo Gesualdo liefert nicht nur brisante Schlagzeilen, sondern auch ebenso waghalsige Musik. Der komponierende italienische Fürst ging in die Geschichte ein mit kühnen Harmonien und einem brutalen Doppelmord. (Autor: Martin Zingsheim)

I have admired today's guest for a very long time! Kim Kashkashian is an internationally recognized and decorated violist who has worked tirelessly to broaden the range of technique, advocacy, and repertoire for the viola. Our conversation is absolutely filled with information and inspiration, including: Her musical journey and how her artistic path has unfolded, focusing heavily on conquering her fears and belief in chance (3:24) Why pursuing an objective view is essential to your growth (9:48) How Kim defines mindful practice... (11:26)  ...and how focusing on the entire production of your sound (including resonance, energy, and what you send out) maximizes your practice (12:51) Kim's suggestions to exercise expressive playing, including knowing exactly what a piece means to you by personifying the music (and letting how you transmit that message to an audience come second) (15:36) How the difference between intention and desire relates to the tension in performance (22:56) The distinction between being judgmental and making good differentiation, and the impact of each (29:55) Kim's advice to current music students on broadening your perspective, learning the language of music (separate from the craft of playing your instrument), and knowing the historical context of pieces (33:36) The doubt and resistance Kim has faced on her own journey (36:38) The importance of listening to yourself with love, knowing yourself and what you want to say, and knowing how to say it (37:50)   MORE ON KIM KASHKASHIAN: YouTube channel: https://www.youtube.com/results?search_query=kim+kashkashian+viola Facebook: https://www.facebook.com/profile.php?id=100063660876526   Kim Kashkashian, internationally recognized as a unique voice on the viola, was born of Armenian parents in Michigan. She studied the viola with Karen Tuttle and legendary violist Walter Trampler at the Peabody Conservatory of Music in Baltimore. Since fall 2000 she has taught viola and chamber music at New England Conservatory. Following Grammy Award nominations for several previous recordings, Kashkashian received a 2012 Grammy Award in the "Best Classical Instrumental Solo" category for Kurtág and Ligeti: Music for Viola, on the ECM Records label. Kashkashian's recording, with Robert Levin, of the Brahms Sonatas won the Edison Prize in 1999. Her June 2000 recording of concertos by Bartók, Eötvös and Kurtág won the 2001 Cannes Classical Award for a premiere recording by soloist with orchestra. In 2016, Kashkashian was elected a Fellow of the American Academy of Arts and Sciences. Kashkashian has worked tirelessly to broaden the range of technique, advocacy, and repertoire for the viola. A staunch proponent of contemporary music, she has developed creative relationships with György Kurtág, Krzysztof Penderecki, Alfred Schnittke, Giya Kancheli, and Arvo Pärt, and commissioned works from Peter Eötvös, Ken Ueno, Thomas Larcher, Lera Auerbach, and Tigran Mansurian. Marlboro and the Viennese school represented by her mentor, Felix Galimir, were major influences in developing her love of chamber music. Kim Kashkashian is a regular participant at the Verbier, Salzburg, Lockenhaus, Marlboro, and Ravinia festivals. She has long-standing duo partnerships with pianist Robert Levin and percussionist Robyn Schulkowsky, and played in a unique string quartet with Gidon Kremer, Daniel Phillips, and Yo-Yo Ma. As a soloist, she has appeared with the great orchestras of Berlin, London, Vienna, Milan, New York, and Cleveland, and in recital at the Metropolitan Museum of New York, Kaufmann Hall, New England Conservatory's Jordan Hall, as well as in Philadelphia, Pittsburgh, Cleveland, Frankfurt, Berlin, Paris, Athens, and Tokyo. Kashkashian's musicianship has been well represented on recordings through her association with the prestigious ECM label in a fruitful collaboration that has been continuous since 1985. Kim Kashkashian has taught in Bloomington, Indiana, and in Freiburg and Berlin, Germany, and now resides with her daughter in Boston. Kim is a founding member of Music for Food, an initiative by musicians to fight hunger in their home communities. B.M., Peabody Conservatory of Music; M.M., New School of Music Philadelphia. Viola with Walter Trampler and Karen Tuttle. Former faculty of University of Indiana and conservatories in Freiburg and Berlin, Germany.   LINKS: "Performing and Music Communication" Barbara Hannigan live in Berlin on Sarah´s Horn Hangouts: https://www.youtube.com/watch?v=0lFs1C_ewiE     PRACTICING FOR PEAK PERFORMANCE: I'm excited to tell you that Practicing for Peak Performance is now available for download! Go to MindOverFinger.com for access to all the tools that will help you transform your practice, gain confidence in your process, and start performing at your best.    With the purchase of PPP, you gain: Access to all recorded content - over 7 hours of instruction Guidance in effective high-performance systems Detailed handouts For a limited time only, a free 30-minute consultation with me. PPP alumnus Karmen Palusoo has this to say about it: “For a long time I have had this belief that learning an instrument is difficult and hard work or that it has to be, and there is no other way. Only a few weeks after PPP, I am starting to feel that change! My everyday practice sessions are now filled with freedom and ease!”   THANK YOU: A HUGE thank you to my fantastic producer, Bella Kelly, who works really hard to make this podcast as pleasant to listen to as possible for you. Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme.  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Thank you to pianist-singer-song-writer Louise Kelly for the introduction!  You can find out more about Kelly and her creative work by visiting louisekelly.com.    MIND OVER FINGER: As we head into this new season, I encourage you to visit MindOverFinger.com for a plethora of resources on mindful practice and information on how to work with me. Sign up for my newsletter and receive your free guide to a highly productive mindful practice using a metronome! mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/

durée : 02:57:30 - Eté Classique Matin - Mais aussi Nikolai Lugansky dans Rachmaninov, Leon Fleisher dans Brahms… Préparez-vous à vivre une matinée truffée de monstres sacrés et autres fortes personnalités !

Description Carlo Gesualdo was both a vicious murderer and brilliant composer—the two going hand in hand. Take a minute to get the scoop!Fun FactThere have been no fewer than eleven operatic works on the subject of Gesualdo's life, with Alfred Schnittke (1934-1998) premiering his Gesualdo in 1993. About StevenSteven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more.A Note To Music Students et al.All recordings and sheet music are available on my site. I encourage you to take a look and play through some. Give me a shout if you have any questions.Got a topic? Pop me off an email at: TCMMPodcast@Gmail.com Support the show (https://www.buymeacoffee.com/TCMM)

Chaque samedi, Laure Dautriche nous fait (re)découvrir un morceau qui a marqué l'histoire de la musique classique. Aujourd'hui, elle revient sur le parcours du compositeur russe Alfred Schnittke, décédé en 1998.

Eine CD von Daniel Hope und Alexej Botvinov - vorgestellt auf NDR Kultur.

Bereits im Alter von 15 Jahren war der Geiger Daniel Hope Fan von der Musik des deutsch-russischen Komponisten Alfred Schnittke und schlich sich an einem kalten Novemberabend zur Wohnung seines Idols, um mit klopfendem Herzen auf den Klingelknopf zu drücken. Nun, fast drei Jahrzehnte nach dieser ersten Begegnung ist Daniel Hope zu Schnittkes Musik zurückgekehrt: mit einer neuen Kammermusik-CD.

Daniel Hope, joined by Alexey Botvinov, has recorded an album for Deutsche Grammophon of music for violin and piano by Alfred Schnittke. James Jolly caught up with him to learn about his love for this music, how he met the composer and how he assembled this new recording. And after a 2020 like no other, Daniel Hope also talks about the life-changing series of 'Hope at Home' concerts, his work with his two chamber orchestras and his hopes and aspirations for the future.  

As the nation faces another presidential impeachment, a riot at the U.S. Capitol and rising cases of COVID-19, this week's Sound Perimeter focuses on music about better times. The segment includes Maurice Ravel's Pavane for a Dead Princess, Alfred Schnittke's Collected Songs Where Every Verse is Filled with Grief , and Michel Camilo's From Within .

Un día como hoy, 24 de noviembre: 1394, nace Carlos I de Orleans. 1583, nace Juan de Jáuregui. 1632, nace Baruch Spinoza. 1713, nace Laurence Sterne. 1826, nace Carlo Collodi. 1846, nace Ángel Lizcano. 1864, nace Henri de Toulouse-Lautrec. 1868, nace Scott Joplin. 1927, nace Alfredo Kraus. 1934, nace Alfred Schnittke. 1957, fallece Diego Rivera. Una producción de Sala Prisma Podcast. 2020

Läbi aegade ühe mõjukama Eesti kunstniku Ülo Soosteri (17.

Läbi aegade ühe mõjukama Eesti kunstniku Ülo Soosteri (17. oktoober 1924 – 25. oktoober 1970) surma saadab saladusteloor, kunstnikule on pühendanud teose tähtis vene helilooja Alfred Schnittke.

Film is a medium that incorporates audio to emphasize the visuals on screen. This is so fundamental to the craft that during the era of silent films theaters would have a pianist or even a orchestra play live during shows. On this episode, Cat and Fer showcase some of their favorite soundtracks while exploring the importance of music in film. Songs featured in this episode: 1:33 Arrival (2016) - Max Richter 2:08 Spirit: Stallion of the Cimarron (2002) - Hans Zimmer 2:40 Sherlock Holmes (2010) - Hans Zimmer 2:48 Inception (2010) - Hans Zimmer 3:02 Harry Potter (2001) - John Williams 3:15 Jurassic Park (1993) - John Williams 3:50 The Grand Budapest Hotel. (2014) - Alexandre Desplat 4:07 The Imitation Game (2014) - Alexandre Desplat 4:23 The Shape of Water (2017) - Alexandre Desplat 6:00 Titanic (1997) - James Horner & Will Jennings 7:17 Edward Scissorhands (1990) - Danny Elfman 7:33 Corpse Bride (2005) - Danny Elfman 8:27 Fight Club (1999) - The Pixies 8:43 The Road to El Dorado (2000) - Elton John 9:09 Coraline (2009) - Danny Elfman & Bruno Coulais 10:12 Howl's Moving Castle (2004) - Joe Hisaishi 10:24 La La Land (2016) - Justin Hurwitz 11:27 Pulp Fiction (1994) - Urge Overkill 12:07 Lady in the Water (2006) - James Newton Howard 12:40 Moonlight (2016) - Nicholas Britell 13:55 Insidious (2010) - Tiny Tim 14:25 - Get Out (2017) - Flanagan & Allen 14:42 Get Out (2017) - Michael Abels 15:20 Yesterday (2019) - The Beatles 15:37 Across the Universe (2007) - The Beatles 17:14 Fight Club (1999) - The Pixies 17:37 Reservoir Dogs (1992) - Stealers Wheel 17:55 Goodfellas (1990) - Cream 18:33 The Godfather (1972) - Nino Rota 18:48 The Lobster (2015) - Alfred Schnittke 19:45 Girl with a Pearl Earring (2003) - Alexandre Desplat 20:14 The Dark Knight (2008) - Hans Zimmer and James Newton Howard 20:27 Jaws (1975) - John Williams 20:38 Star Wars (1977) - John Williams 21:27 Indiana Jones (1981) - John Williams An open discussion podcast about all things film. Either take the "red pill" and face the harsh truth about your favorite movies, or, take the "blue pill" and live in blissful ignorance.

Today's episode lands square in the midst of strange back-to-school transition. Heat, murder, love, election, health and politics. Of course, Sabbath Sessions has little to do with any of these, at least not directly. But perhaps a time out in the sonic temple can help provide some relief and clarification, should you need, or enhance the colors if you're already feeling switched ON. Touchstones for this episode (in the loosest possible way) are composer Alfred Schnittke and Roland S. Howard, guitarrorista del 'The Birthday Party'. As always, this session was improvised and recorded on the spot, in real time, with love. Thank you.

Der israelische Dirigent Omer Meir eröffnet die neue Saison des Münchner Kammerorchesters - als Dirigent und Solist. Michael Atzinger hat mit ihm gesprochen, über den Sinn, Partituren abzuschreiben, über Alfred Schnittke und über die Maske.

Monolithian matter, melting Arvo Pärt in a pan, finding the hidden trumpets. The Tehran-based composer discusses three important albums.

Il 22 gennaio 1989 al Teatro dell'Opera di Amburgo va in scena per la prima volta il balletto in tre atti Peer Gynt di Alfred Schnittke. Giacomo Fronzi lo racconta a WikiMusic

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Aus einer vielschichtigen Identität heraus, die ihm in der Sowjetunion immer wieder Probleme machte, hat der 1934 in Engels geborene Alfred Schnittke seine Musik komponiert: katastrophische Sinfonien, doppelbödige Filmmusik, grelle Opern, Kammermusik am Rande des Verstummens. Autor: Michael Struck-Schloen

Seine fünfte Saison als Chefdirigent der Münchner Philharmoniker eröffnete Valery Gergiev mit der monströsen Ersten Symphonie von Alfred Schnittke - und setzte seinen Bruckner-Zyklus mit der kecksten, seiner Sechsten fort. Ein Programm der Extraklasse!

Aandacht voor het bijzondere project '24 preludia' van pianiste Jacqueline voorheen Frederique, voor het Cello Festival Zutphen, en voor de nieuwe CD van Helena Basilova, met muzikale sprookjes... Muziek van Louis Andriessen, Michael Moore, Alfred Schnittke, Johann Sebastian Bach, Manuel de Falla, Leos Janacek, Yuri Bagri.

Recente en minder recente uitgaven van bekende en minder bekende pianomuziek. Met muziek van Ginastera door Marie François; van Béla Bartók door Tamara Stefanovich; van Ernö Dohnányi door Valentina Tóth; van Alfred Schnittke door Yerin Kim; van Morton Feldman door Dante Boon; van George De Decker door Geert Callaert en Thomas Frühauf.

Mit dem Geiger Gidon Kremer verband Alfred Schnittke eine Seelenverwandtschaft. Zu vielen seiner Violinwerke wurde er durch Kremer angeregt. Auch zu seinem Violinkonzert Nr. 4, das Gidon Kremer bei den Berliner Festwochen 1984 uraufführte.

Mogens Dahl Kammerkor, Athelas Sinfonietta Copenhagen og Golden Days Festival præsenterer en række markante værker af den sovjetiske komponist, der har opnået stor berømmelse efter murens fald, hvor han valgte at flytte til Hamborg.Alfred Schnittke: Tre åndelige sange.Lebenslauf for 4 metronomer, 3 slagtøjsspillere og klaver.To stykker for orgel.Requiem.Mogens Dahl Kammerkor.Athelas Sinfonitta Copenhagen.Søren Johannesen, orgel.Dirigent: Mogens Dahl. (Christians Kirke, København 23. september). Ca. 21.30Ferdinand Ries: Klaverkoncert nr. 8. Piers Lane, klaver. The Orchestra Now, dirigeret af Leon Botstein. Vært: Max Fage-Pedersen. www.dr.dk/p2koncerten

Albumil kõlab Alfred Schnittke viimane kooriteos – Patukahetsuspsalmid. Esitab Eesti Filharmoonia Kammerkoor Kaspars Putninši juhatusel.

Albumil kõlab Alfred Schnittke viimane kooriteos – Patukahetsuspsalmid. Esitab Eesti Filharmoonia Kammerkoor Kaspars Putninši juhatusel.

Afslutningskoncerten på Ensemble Storstrøms årlige sommerfestival med musik af bl.a. Carl Nielsen, Bartók, Marcel Tournier samt de Falla, hvis værk El Amor Brujo står på programmet med Andrea Pellegrini som solist.(Fuglsang, Lolland 26. august). Ca. 21.30Violinisten Dan Wu, der er debuteret fra Det Kgl. Danske Musikkonservatorium, spiller Alfred Schnittke. Vært: Anne Bro. www.dr.dk/p2koncerten

Donald Macleod explores the strange, brilliant and occasionally nightmarish world of the Soviet composer Alfred Schnittke. The music of Alfred Schnittke (1934-1998) is like being lost in a hall of mirrors. Staring back at you is the whole of music history - from Bach to modern pop via tangos, Soviet work songs, Gregorian chant and Viennese waltzes - refracted and distorted, and woven together to create a uniquely personal style. Thrilling, grotesque, occasionally nightmarish - Schnittke creates a world where everything has a hidden meaning. Beethoven's Fifth suddenly springs terrifyingly out of the darkness in the midst of an otherwise chaotic symphony. Or a cheap Russian pop song appears inexplicably amidst a Baroque chorale. Schnittke's world of suppressed meanings perfectly captured life under the cosh of Soviet Communism. All this week, Donald Macleod unpicks the strands of a musician often seen as the heir to Shostakovich - and perhaps the last truly great composer of the 20th century. Donald begins by exploring the connections - musical, psychological and spiritual - between Alfred Schnittke and the great titan of Soviet music, Dmitri Shostakovich. He then unravels the term "polystylism", which Schnittke himself coined to describe his fusing of wildly eclectic styles - from Bach to pop to hypermodernism to Tchaikovsky. We hear about Schnittke’s intense fame in the 1970s, and how his turn to a deeply devout musical style shocked the avant-garde and won him a whole new spectrum of admirers. Donald takes us through Schnittke’s most rollicking and significant year – 1985 – which saw the creation of five acknowledged masterpieces and the first of several crippling strokes. Seemingly, Schnittke’s mortality drove him to create ever more shattering music in his final years - to compose to the very bitter end, in the face of almost unimaginable physical challenges. Music featured: Concerto Grosso No 1 (arr. for flute, oboe, harpsichord, prepared piano and strings) (2nd mvt) Violin Concerto No 1 (2nd mvt) Piano Quintet (2nd mvt - "In Tempo Di Valse") Violin Sonata No 1 Symphony No 1 (2nd mvt) The Cloak (Gogol Suite) Concerto Grosso No 3 Voices Of Nature Schnittke, arr Boguslavsky Suite In The Old Style Hymn No 3, for cello, bassoon, harp, harpsichord and tubular bells Complete This Work Which I Began (Choir Concerto - 4th mvt) Gloria - Credo - Crucifixus (Symphony No 2 "St Florian") O Master Of All Living (Choir Concerto - 1st mvt) When They Beheld The Ship That Suddenly Came; If You Wish To Overcome Unending Sorrow; I Entered This Life Of Tears A Naked Infant (Psalms Of Repentance) Moz-Art A La Haydn Viola Concerto (1st & 2nd mvts) Concerto Grosso No 4 / Symphony No 5 (2nd mvt) Doctor Faustus lamented and wept...It came to pass (Faust Cantata) Menuet, for violin, viola and 'cello Stille Nacht Symphony No 6 (3rd & 4th mvts) Piano Sonata No 1 For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Schnittke: https://www.bbc.co.uk/programmes/b0bcpr22 And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z Presenter: Donald Macleod Producer: Steven Rajam for BBC Wales

Ein Ritt durch die Abgründe und Höhen menschlicher Gefühle. Alfred Schnittkes 1986 uraufgeführtes Bratschenkonzert gehört zu dem Schönsten, das je für dieses Instrument geschrieben wurde, findet Autor Niklas Rudolph.

Tom Klaassen verrast elk weekend met nieuwe CD's en oude platen, vanavond met oa muziek van François Couperin, Alfred Schnittke en Steve Reich.

Due to the political climate in Soviet Russia of the day, Yevgeny Murzin was forced to build his synthesizer in secret with little access to electronic parts. Over next two decades (pre and post war), the ANS as it was known, was a self-financed, largely secret labour of love; Murzin had to work on it in his spare time over two decades with help from a like-minded, tight-knit circle of composers and technicians. Murzin finally completed construction of the ANS in 1958 and it was subsequently used by a number of pioneering 20th Century Russian composers such as Stanislav Kreichi, Alfred Schnittke, Edison Denisov, Sofia Gubaidulina and Edward Artemiev. The unearthly tones of the ANS were perfectly suited to the era of Soviet space exploration, and became the soundtrack instrument of choice for a series of classic Russian sci-fi films, the most famous being Andrei Tarkovsky’s Solaris released in 1972. Meet those who knew Murzin and saved his instrument from obscurity: Eduard Artemiev (celebrated soundtrack composer and Tarkovsky collaborator), Stanislav Kreichi (composer and de facto guardian of the ANS), Andrei Smirnov (Theremin Institute Moscow). Other synthesiser pioneers contribute including Suzanne Ciani (US composer) and Goldfrapp’s Will Gregory (Russian synth collector) as well as current synthesiser aficionados Kaitlyn Aurelia Smith. Presented by keyboard player and long-standing Russophile, Jon Ouin. Image: Yevgeny Murzin

Panelen diskuterar körmusik av Alfred Schnittke och Arvo Pärt, violinsonater av bl. a. Poulenc, Sjostakovitjs femma och ett projekt med Patricia Kopachinskaja. Möt också violinisten Nemanja Radulovi. I panelen Bodil Asketorp, Niklas Lindblad och Sonny Jansson som tillsammans med programledaren Johan Korssell betygsätter följande skivor: SOUNDS OF WAR Musik av Poulenc, Janácek och Prokofjev Maria Milstein, violin Hanna Shybayeva, piano Cobra Records COBRA 0045   ALFRED SCHNITTKE ARVO PÄRT Psalms of Repentance Magnificat, Nunc Dimittis Estniska filharmoniska kammarkören Kaspars Putnins, dirigent Bis BIS 2292 SACD   DEATH AND THE MAIDEN Musik av bl a. Schubert, Gesualdo och Kurtág Patricia Kopatchinskaja, violin Saint Pauls kammarorkester Alpha ALPHA 265   DMITRI SJOSTAKOVITJ SAMUEL BARBER Symfoni nr 5 d-moll Adagio för stråkar Pittsburghs symfoniorkester Manfred Honeck, dirigent Reference FR 724 SACD   Sofia möter: Nemanja Radulovi. Sofia Nyblom har träffat den serbiske violinisten på besök i Stockholm. Referensen Sjostakovitj. Johan ställer Kurt Sanderlings inspelning av Symfoni nr 5 med Berliner Sinfonie-Orchester på Berlin Classics mot veckans version med Manfred Honeck. Andra i programmet nämnda eller rekommenderade inspelningar: Sjostakovitjs Symfoni nr 5 med Leonard Bernstein och New York Philharmonic i en inspelning från 1959 på Sony. Inget Svep denna vecka.

Som korist i en operakör gäller det att bygga sin individuella rollkaraktär och fylla en scen, samtidigt som man delar det sceniska och musikaliska utrymmet med några dussin andra sångare. Veckans gäst ingår i Göteborgsoperans kör, där hon sjunger i altstämman. Tidigare har hon arbetat vid Malmö opera och har tusentals föreställningar i strupe, kropp och hjärta. I säsongens sista program lyfter vi fram den yrkeskategori som repertoarmässigt är van vid tvära kast - från att dagtid ha repeterat exempelvis en opera av Alfred Schnittke, ladda om, för att samma kväll framföra Carmen. Vi undersöker närmare hur arbetsprocessen för en korist kan se ut. Några av operahistoriens mest älskade melodier har skrivits just för kören och en del av dom dyker även upp i detta avsnitt.

In this week's episode of Music for Life, Music from DePauw...Jayme Stone and the Lomax ProjectMatt Champagne chats with Eric Edberg about his and May Phang’s recent performance of Albert Schnittke’s second cello sonata... with our fall musical right around the corner, Hannah Gauthier has a special audience with His Royal Highness Arthur, King of the Britons and his assistant, Patsy... we share some performances from the stages of Thompson Recital Hall and Kresge Auditorium... and Burke Stanton talks to series director Professor Ron Dye about this week’s Performing Arts Series guests, Jayme Stone’s Lomax Project, a group which brings together terrific roots musicians to revive, recycle and re-imagine traditional American music! SOURCES From the 2015 CD “Jayme Stone’s Lomax Project,”  “Hog Went Through the Fence Yoke,” "Lazy John," and "Sheep Sheep Don’tcha Know the Road.”From her Junior Recital on September 19th, 2015, soprano Kristin Daines and pianist Tony Weinstein perform “Willow Song” from Douglas Moore’s opera The Ballad of Baby Doe.From the original cast recording of Spamalot, we offer for your approval “Always Look on the Bright Side of Life.”From their recital of Wednesday, September 16, 2015, cellist Eric Edberg and pianist May Phang perform Alfred Schnittke’s second sonata for cello and piano.

Institute of Musical Research Celebrating the 80th anniversary of Alfred Schnittke's birth: Round Table with Mark Lubotsky, Dmitri Smirnov & Elena Firsova, chaired by Roger Redgate [PRESENTERS] Mark Lubotsky, Dmitri Smirnov & Elena Firsova, chai...

Annalisa Marí Pegrum nos acerca a las mujeres de la Beat Generation, de las que ha preparado y traducido la antología Beat Attitude, para Bartleby Editores.Viñetas musicales: Anne Waldman: Uh Oh Plutonium. Molinari Quartet: Trío de cuerda de Alfred Schnittke.

Konzert für Klavier und Streicher | Gogol-Suite | Fünf Aphorismen | Denys Proshayev (Klavier) | Nadia Mokthari (Klavier) | Streichersolisten der St. Petersburger Philharmoniker | Leitung: Alexander Dmitriev

On this week's show, we unveil our final release for 2013: the Pacifica Quartet's Soviet Experience Volume IV, containing the last 3 Quartets (Nos. 13–15) by Dmitri Shostakovich plus the String Quartet No. 3 by Alfred Schnittke. We’ll hear Shostakovich’s single-movement Quartet No. 13 in its entirety, plus excerpts from the other 3 pieces.   November 20 The Pacifica Quartet plays Shostakovich and Schnittke DMITRI SHOSTAKOVICH (1906–1975) String Quartet No. 13 in B-flat minor, Op. 138 Adagio—Doppio movimento—Tempo primo (19:15) From The Soviet Experience Volume IV: String Quartets by Dmitri Shostakovich and his Contemporaries Cedille Records CDR 90000 145 (Disc 1 Track 1) Pacifica Quartet DMITRI SHOSTAKOVICH String Quartet No. 14 in F-sharp major, Op. 142 I. Allegretto (8:41) From The Soviet Experience Volume IV: String Quartets by Dmitri Shostakovich and his Contemporaries Cedille Records CDR 90000 145 (Disc 1 Track 2) Pacifica Quartet DMITRI SHOSTAKOVICH String Quartet No. 15 in E-flat minor, Op. 144 IV. Nocturne: Adagio (4:27) V. Funeral March: Adagio molto (5:37) From The Soviet Experience Volume IV: String Quartets by Dmitri Shostakovich and his Contemporaries Cedille Records CDR 90000 145 (Disc 2 Tracks 4–5) Pacifica Quartet ALFRED SCHNITTKE (1934–1998) String Quartet No. 3 II. Agitato (8:18) From The Soviet Experience Volume IV: String Quartets by Dmitri Shostakovich and his Contemporaries Cedille Records CDR 90000 145 (Disc 2 Track 8) Pacifica Quartet