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Esta semana, en la última sesión de Rebelión Sónica de la temporada 2024, los invitamos a escuchar música del box set recopilatorio “Roedelius 90”, que celebra las nueve décadas del legendario músico alemán y figura esencial de la electrónica contemporánea, Hans-Joachim Roedelius. Lanzado por el sello Groenland Records el 25 de octubre, la caja incluye música previamente desconocida del fundador de bandas de la trascendencia de Cluster y Harmonia. La disquera explica que la mayor parte de la música incluida en “90”, que suma tres horas de música en 50 tracks, proviene de grabaciones de dos pistas de Revox realizadas entre 1968 y 1980. Agrega que las cintas de Revox, fueron creadas con su delay Echolette y su órgano Farfisa, el mismo equipo utilizado por Roedelius para grabar sus queridos discos “Selbstportrait” -serie de álbumes del músico- y gran parte de sus seminales trabajos con Dieter Moebius y Michael Rother en Harmonia. De este modo, el box “documenta los procesos y sonidos que continúan inspirando a generaciones de amantes de la música y aventureros sonoros”. “90” no pretende ser una retrospectiva completa de la obra de un artista notable. Se desconoce la cronología exacta de estas piezas, así como quién pudo haber cooperado con Roedelius en ellas. Pero el trasfondo histórico de esta música es ciertamente convincente: no parece una hipérbole afirmar que estos ciclos hipnóticos en cascada rivalizan con los mejores contemporáneos como Terry Riley, que trabajó a medio mundo de distancia en sus propias y sencillas obras maestras. “Por el momento, una celebración será suficiente: un retrato de una vida extraordinaria a los 90 años, contada a través de una música hermosa, personal y original”, remata Gröenland. Al final del programa, destacamos a la banda de Roedelius con Dieter Moebius, Cluster, con música de su influyente álbum de 1976, “Sowiesoso”. Rebelión Sónica sale al aire por radio Rockaxis los jueves a las 10 y 22 horas, con la conducción de Héctor Aravena.
This is an audio version of a presentation I deliver at Hi-Fi shows and to interest groups. It covers:ApplicationReels sizesTrack layoutTape speedsReversable machines EqNew or used machinesA transcription can be found as a blog on the Reel Resilience website.https://www.reelresilience.co.uk/post/press-play-episode-28-buying-a-reel-to-reelSupport the show
「REVOX、回転制御／プリアンプ設計技術を存分に注ぎ込んだアナログプレーヤー「STUDIOMASTER T700」」 イースタンサウンドファクトリーは、同社が取り扱うREVOXブランドから、ベルトドライブ式アナログプレーヤー「STUDIOMASTER T700」を11月15日（金）に発売する。
Reece Beard is a final-year student at Salford University in the UK. I thought he would make a great interview as to why GenX, Millenials and Gen Zeds are going back to the analogue tape format.You can also hear why it's good that a machine doesn't record sometimes and how I trashed an MRL alignment tape. Support the Show.
Episode 128 Terry Riley—Part 2, Solo Organ and Synthesizer Works Playlist Time Track Time Start Introduction –Thom Holmes 05:28 00:00 Terry Riley, “The Last Camel in Paris” from The Last Camel In Paris (2008 Elision Fields). Composed and performed on a Yamaha YC-45D combo organ custom-tuned to just intonation and outfitted with a digital delay system, Terry Riley. Concert recorded by Radio France for a France Culture program by Daniel Caux broadcast May 13, 1979, in the Atelier de Création Radiophonique series. The delay circuit was created by Chester Wood, Riley road technician. It fed stereo signals to the digital delay. The YC-45D was modified so that it had separate mono outputs for each of its two keyboards, resulting in 4-channel live performances comprising two live channels and two delayed. Riley improvised these concerts around given themes and patterns. Wood created the delay, which they called “the shadow,” out of “an ancient computer he had procured from Don Buchla and this tour was the maiden voyage to try it out,” (Riley). Previously, the analog delay Riley used on works such as the Dervishes (see previous episode) created a fixed-length delay based on the physical head gap of the tape recorders used, which consisted only of two delays of 7.5 inches per secod and 3.75 inches per second, the speeds available on his Revox tape machine. The digital delay allowed Riley to fine tune the pause before a sound would repeat, finding tape delays that worked well with the tempos he was using in his compositions. This concert came after the release of Shri Camel album on CBS, a widely known release. I thought hearing these live variations on that work would be of interest. 50:58 05:34 Terry Riley, “Eastern Man” from Songs For The Ten Voices Of The Two Prophets (1983 Kuckuck). Composed, Voice, two Prophet 5 synthesizers by Terry Riley. Recorded in concert on May 10, 1982, at Amerika-Haus in Munich. Recorded digitally on Sony PCM-100 and PCM-1610 equipment. 11:19 56:39 Terry Riley, “Aleph Part 1” from Aleph (2012 Tzadik). Composed, Korg Triton Studio 88 synthesizer, Recorded, Liner Notes, and Produced by Terry Riley. Recorded in 2008, Aleph was originally created for the Aleph-Bet sound project organized by John Zorn for the Contemporary Jewish Museum in San Francisco. 45:46 01:07:56 Opening background music: Terry Riley, “Anthem of the Trinity” from Shri Camel (1980 CBS). Produced, Composed, Performed in real-time on a modified dual-manual, Yamaha YC-45-D Electronic Organ with just intonation and digital delay, by Terry Riley. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found in iTunes and on Bandcamp.
Parcours pittoresque avec le Kiosque D'Orphée - Une épopée de l'autoproduction en France - 1973/1991 compilée par Sacha Sieff et #SessionLive avec le baroudeur Cory Seznec en guitare voix. Cory Seznec est notre 1er invité dans la #SessionLive pour présenter son nouvel album Deep Of Time.Entre baroudeur-troubadour et ethno-musicologue non-attitré, tel pourrait se définir le musicien franco-américain Cory Seznec et son unique univers. Des aventures saltimbanques avec des artistes maliens dans le métro parisien le conduisent à des bluesman Songhai à Tombouctou et à des vieux guitaristes omutibo en Western Kenya. Des tournées fébriles au Royaume-Uni avec le trio Groanbox lui donne le pied marin. Mais c'est un séjour de trois ans en Éthiopie qui fait tout basculer : une résidence hebdomadaire au club de jazz de Mulatu Astatké ; l'enregistrement de deux albums avec des musiciens d'Addis Abeba ; des voyages bruts à travers les hauts plateaux éthiopiens pour enregistrer des musiciens traditionnels… Ces expériences font de Seznec un artiste qui cherche à tracer les points communs entre les cultures musicales et dont les chansons laissent le passé se répercuter dans le présent. Franco-américain à Paris, le jeu de guitare de Seznec est syncopé, poly-rythmé, métissé. En outre, il chante, fait du banjo « old-time » et se baigne depuis longtemps dans les musiques traditionnelles américaines. Il travaille actuellement sur trois projets : un album solo intitulé Deep of Time ; Touki - une collaboration avec l'artiste sénégalais Amadou Diagne (leur album a été enregistré aux Real World Studios) ; ainsi que plusieurs projets de recherche autour de certains vieux styles de guitare acoustique africaine.Titres interprétés dans le grand studioTrailblazer Live RFIDeep Of Time, extrait de l'albumPlouk Mama Live RFILine Up : Cory Seznec, guitare-voixSon : Mathias Taylor & Jérémie Besset► Album Deep Of Time (Captain Pouch Rd 2024)Pour aller plus loin :- Documentaire Cory Seznec « Omutibo » Kenya #trailer- Cyrus Moussavi- Out Of Addis- Daniel Kachamba (Malawi)- Kachamba Bros 1967Puis nous recevons Sacha Sieff pour la sortie de la compilation KIOSQUE D'ORPHEE - Une épopée de l'autoproduction en France - 1973/1991.Texte de présentation : Dominique APendant longtemps, je tombais sur ces disques sans vraiment parvenir à comprendre ce qui les reliait, à part un macaron et ce fameux logo dessiné par René Dessirier. Puis, en fouillant un peu plus, j'ai découvert ce lien « l'auto-production ». Pour des chorales, des établissements scolaires, des chanteurs de folk, de jeunes groupes de pop, des foyers populaires et même de grands compositeurs qui gravaient des copies uniques de certaines sessions d'enregistrement…Pendant français du « Derby Service » anglais, le Kiosque d'Orphée, anciennement au 7 Rue Grégoire de Tours dans le 6ème arrondissement, est repris par Georges Batard à partir de 1967 et déménage au 20 Rue des Tournelles dans le 4ème arrondissement de Paris. L'aventure durera jusqu'en 1991. Georges Batard était un ingénieur du son qui avait un graveur Neumann à lampes, pour graver les acétates à partir des bandes qu'il recevait, avant d'en tirer les précieux vinyles, dans les usines de presse de l'époque, où il avait la possibilité de faire de tous petits tirages, entre 50 et 500 exemplaires.Vous n'aviez qu'à envoyer vos bandes et à choisir le nombre d'exemplaires de disques avec lesquels vous repartiriez sous le bras, pour pouvoir enfin partager vos créations et, d'une certaine manière, exister. Vous pouviez opter pour une pochette générique, déclinée en plusieurs couleurs, directement personnalisable avec votre nom et les crédits, ou vous pouviez concevoir vous-même votre pochette rêvée dans votre salon ou chez un imprimeur.Ce Temple du « Do It Yourself » donna naissance à de superbes pochettes. Réalisées au pochoir, écrites à la main, illustrées avec des peintures, des dessins, des illustrations d'amis ou de petites amies de l'époque, des tirages photos collées hâtivement au milieu d'une pochette vierge et blanche, sur laquelle les traces du temps viendraient laisser leurs empreintes pour que des collectionneurs et autres curieux viennent les acheter des décennies après, avec la promesse d'une découverte musicale, malheureusement pas toujours exaucée…Le point commun de la plupart de ces disques est la jeunesse de leurs auteurs-compositeurs, qu'ils aient fait carrière ou non. Des histoires de potes, de débrouille et des rêves de gloire ont constitué ce catalogue. Il s'agissait le plus souvent de production amateur, aussi bien dans le niveau des musiciens que dans la qualité d'enregistrement, fait sur un deux pistes ou, luxe ultime, sur un 4 pistes dans sa chambre d'adolescent ou dans le salon des parents.C'était le début du home studio, grâce à l'apparition du magnétophone à bande portable Revox. Du bricolage un peu bancal, mais, en contrepartie, le luxe de ne se fixer aucune limite : des morceaux d'une face entière, aucune censure extérieure, pas de directeur artistique, pas de manager, pas de logos Barclay ou EMI/Pathé Marconi …Quand on avait enfin son propre disque, on pouvait alors le donner ou le vendre aux amis, à la famille ou après des concerts. On pouvait aussi le déposer chez le disquaire de la ville la plus proche, avec une fierté non dissimulée. C'était aussi une carte de visite que l'on pouvait envoyer à des radios ou à des labels de musiques en caressant l'espoir de lancer sa carrière…Bien des protagonistes de cette histoire ont essayé de signer dans des labels mais à l'époque les ponts n'étaient pas si aisés à trouver entre sa ville de province, voir son village, et la major ou le label plus pointu qui aurait pu sortir ces disques. À l'époque, les publicités publiées dans la presse par le Kiosque d'Orphée ont ouvert le champ des possibles aux compositeurs provinciaux. C'était désormais possible de faire son disque, sans avoir à passer l'examen d'une signature dans un label.Texte de Dominique A en intégralité ► Album KIOSQUE D'ORPHEE - Une épopée de l'autoproduction en France - 1973/1991 (Born Bad Rd 2024)
Parcours pittoresque avec le Kiosque D'Orphée - Une épopée de l'autoproduction en France - 1973/1991 compilée par Sacha Sieff et #SessionLive avec le baroudeur Cory Seznec en guitare voix. Cory Seznec est notre 1er invité dans la #SessionLive pour présenter son nouvel album Deep Of Time.Entre baroudeur-troubadour et ethno-musicologue non-attitré, tel pourrait se définir le musicien franco-américain Cory Seznec et son unique univers. Des aventures saltimbanques avec des artistes maliens dans le métro parisien le conduisent à des bluesman Songhai à Tombouctou et à des vieux guitaristes omutibo en Western Kenya. Des tournées fébriles au Royaume-Uni avec le trio Groanbox lui donne le pied marin. Mais c'est un séjour de trois ans en Éthiopie qui fait tout basculer : une résidence hebdomadaire au club de jazz de Mulatu Astatké ; l'enregistrement de deux albums avec des musiciens d'Addis Abeba ; des voyages bruts à travers les hauts plateaux éthiopiens pour enregistrer des musiciens traditionnels… Ces expériences font de Seznec un artiste qui cherche à tracer les points communs entre les cultures musicales et dont les chansons laissent le passé se répercuter dans le présent. Franco-américain à Paris, le jeu de guitare de Seznec est syncopé, poly-rythmé, métissé. En outre, il chante, fait du banjo « old-time » et se baigne depuis longtemps dans les musiques traditionnelles américaines. Il travaille actuellement sur trois projets : un album solo intitulé Deep of Time ; Touki - une collaboration avec l'artiste sénégalais Amadou Diagne (leur album a été enregistré aux Real World Studios) ; ainsi que plusieurs projets de recherche autour de certains vieux styles de guitare acoustique africaine.Titres interprétés dans le grand studioTrailblazer Live RFIDeep Of Time, extrait de l'albumPlouk Mama Live RFILine Up : Cory Seznec, guitare-voixSon : Mathias Taylor & Jérémie Besset► Album Deep Of Time (Captain Pouch Rd 2024)Pour aller plus loin :- Documentaire Cory Seznec « Omutibo » Kenya #trailer- Cyrus Moussavi- Out Of Addis- Daniel Kachamba (Malawi)- Kachamba Bros 1967Puis nous recevons Sacha Sieff pour la sortie de la compilation KIOSQUE D'ORPHEE - Une épopée de l'autoproduction en France - 1973/1991.Texte de présentation : Dominique APendant longtemps, je tombais sur ces disques sans vraiment parvenir à comprendre ce qui les reliait, à part un macaron et ce fameux logo dessiné par René Dessirier. Puis, en fouillant un peu plus, j'ai découvert ce lien « l'auto-production ». Pour des chorales, des établissements scolaires, des chanteurs de folk, de jeunes groupes de pop, des foyers populaires et même de grands compositeurs qui gravaient des copies uniques de certaines sessions d'enregistrement…Pendant français du « Derby Service » anglais, le Kiosque d'Orphée, anciennement au 7 Rue Grégoire de Tours dans le 6ème arrondissement, est repris par Georges Batard à partir de 1967 et déménage au 20 Rue des Tournelles dans le 4ème arrondissement de Paris. L'aventure durera jusqu'en 1991. Georges Batard était un ingénieur du son qui avait un graveur Neumann à lampes, pour graver les acétates à partir des bandes qu'il recevait, avant d'en tirer les précieux vinyles, dans les usines de presse de l'époque, où il avait la possibilité de faire de tous petits tirages, entre 50 et 500 exemplaires.Vous n'aviez qu'à envoyer vos bandes et à choisir le nombre d'exemplaires de disques avec lesquels vous repartiriez sous le bras, pour pouvoir enfin partager vos créations et, d'une certaine manière, exister. Vous pouviez opter pour une pochette générique, déclinée en plusieurs couleurs, directement personnalisable avec votre nom et les crédits, ou vous pouviez concevoir vous-même votre pochette rêvée dans votre salon ou chez un imprimeur.Ce Temple du « Do It Yourself » donna naissance à de superbes pochettes. Réalisées au pochoir, écrites à la main, illustrées avec des peintures, des dessins, des illustrations d'amis ou de petites amies de l'époque, des tirages photos collées hâtivement au milieu d'une pochette vierge et blanche, sur laquelle les traces du temps viendraient laisser leurs empreintes pour que des collectionneurs et autres curieux viennent les acheter des décennies après, avec la promesse d'une découverte musicale, malheureusement pas toujours exaucée…Le point commun de la plupart de ces disques est la jeunesse de leurs auteurs-compositeurs, qu'ils aient fait carrière ou non. Des histoires de potes, de débrouille et des rêves de gloire ont constitué ce catalogue. Il s'agissait le plus souvent de production amateur, aussi bien dans le niveau des musiciens que dans la qualité d'enregistrement, fait sur un deux pistes ou, luxe ultime, sur un 4 pistes dans sa chambre d'adolescent ou dans le salon des parents.C'était le début du home studio, grâce à l'apparition du magnétophone à bande portable Revox. Du bricolage un peu bancal, mais, en contrepartie, le luxe de ne se fixer aucune limite : des morceaux d'une face entière, aucune censure extérieure, pas de directeur artistique, pas de manager, pas de logos Barclay ou EMI/Pathé Marconi …Quand on avait enfin son propre disque, on pouvait alors le donner ou le vendre aux amis, à la famille ou après des concerts. On pouvait aussi le déposer chez le disquaire de la ville la plus proche, avec une fierté non dissimulée. C'était aussi une carte de visite que l'on pouvait envoyer à des radios ou à des labels de musiques en caressant l'espoir de lancer sa carrière…Bien des protagonistes de cette histoire ont essayé de signer dans des labels mais à l'époque les ponts n'étaient pas si aisés à trouver entre sa ville de province, voir son village, et la major ou le label plus pointu qui aurait pu sortir ces disques. À l'époque, les publicités publiées dans la presse par le Kiosque d'Orphée ont ouvert le champ des possibles aux compositeurs provinciaux. C'était désormais possible de faire son disque, sans avoir à passer l'examen d'une signature dans un label.Texte de Dominique A en intégralité ► Album KIOSQUE D'ORPHEE - Une épopée de l'autoproduction en France - 1973/1991 (Born Bad Rd 2024)
Pink Floyd's 1967 concerts were raw, fast and unpredictable musical experiences. Many concert setlists are incomplete or missing. The best-surviving evidence exists in snippets of film, two BBC radio sessions, photographs and three audience recordings captured between September and November 1967. In this episode, we reflect on this essential cluster of amateur recordings: who taped them and how, what to listen for, the degree to which they reflect Syd's withdrawal, what's missing and the possibilities for the existing tapes and new discoveries. Seek out• September 10th at Gyllene Cirkeln, Stockholm, Sweden • September 13th at Starclub, Copenhagen, Denmark, and• November 13th at Hippy Happy Fair, De Oude-Ahoy Hallen, Ahoy Heliport, Rotterdam, The Netherlands And join us for a Reaction in G.
In part 2 of this two-part podcast we talk to Dan Labrie owner of Myriad Magnetic.Dan has been involved in professional analogue recording technology since 2010. He began his career replacing switches and capacitors on an Amek console at a recording studio in Detroit. As a result of working for analogue tape pioneer Mike Spitz, who owned ATR Services and the tape manufacturer ATR Magnetics, he has gained valuable experience in, not just the machines, but also in the tape they record and play.Support the show
El volumen 8 del magazine exótico Palmeras y Puros viene acompañado por el volumen 2 de la colección Guateque Taboo, CD recopilatorio dedicado a los sonidos de garage, surf, punk o rockabilly que moran en el underground. Con la participación de 24 bandas nacionales e internacionales que aportan canciones recientes o piezas inéditas. Para hacerte con tu ejemplar visita la web www.palmerasypuros.comPlaylist;(sintonía) DR. TRITÓN “Tormenta perfecta”LOS GUAY-A-TONES “El tuercemuelas”EL GOBIERNO “Yo me tiro al monte”TEJUELAS meets DiMARTINO “Love charms”CRAZY STACEY and THE CUSTOMS “Boss hoss”THE CAPELLAS “Greener than green”MARCOS SENDARRUBIAS “Free to choose”LORD DIABOLIK “Amar te duele”THE WYLDE TRIFLES “Yo sin ti”THE SENCES “She knocked on my door”THE GAGARINS “Space coktail”THE BLACK CHILLIES “Sexo entre bonobas”THE LIQUORICE EXPERIMENT “How many lies”THE CLEOPATRAS “Maldito”FEMUR “Sometimes good guys don’t wear White”THE REVOX “I don’t want you anymore”CAPTAIN TRASHO “Jerks all around”THE BINGUEROS “Nena písame”THE CHA-CHA-CHAS “Unfamiliar road”Escuchar audio
« C'est un grand terrain de jeu. » Bienvenue dans Caffè Croissance, le podcast qui vous parle de #Business et de transformation de soi (#SelfTransformation). Rien que ça! Parce qu'en affaires - comme dans la vie - toutes les manières de ‘croître' ne font pas toujours ‘grandir', écoutez les tribulations des 2 entrepreneurs Tony Germini (@CalypsSa) & @WarcoBrienza. Sommaire de l'émission: Pour ce tout premier épisode, présentation des 2 acolytes WarcoBrienza & Tony Germini, ainsi que des objectifs et de la structure de nos émissions. Quel rapport avec le titre de l'épisode, “Psycho Vente” ? Eh bien, 2 vendeurs vont se présenter, tous 2 convaincus qu'en vente, on apprend à connaître les gens. Digi-tales: Une action qui résume bien ce qu'aime vendre Tony: la solution d'IA CALYPS Saniia pour anticiper et gérer les flux de patients au sein des établissements hospitaliers Une action qui résume bien ce qu'aime vendre Marco: le CoolCan, 12pack de bière artisanale en canette 33cl pour le marché suisse alémanique Thème principal: - apprendre à connaître les gens grâce à la Vente ? Les profils de vendeurs recherchés: du vendeur alpha à l'artiste, en passant par le loup blanc, le scientifique [Marco] ou l'empathique [Tony] - Les phases d'un échange de vente, des mondanités à la négociation - Les mécanismes d'achat au point de vente - Les comportements d'achat sur Internet Inspirations - [EXPO] L'Association pour le Patrimoine Industriel (API) de Genève - à côté de la gare de Cornavin - met à l'honneur jusqu'au 24 mars les capteurs de son et les lecteurs de bandes magnétiques dans l'exposition rétrospective LE MICROPHONE. Honneur aux grandes marques suisses du son Revox et Nagra, Lenco et autres pionnier·es suisses de l'enregistrement! - [AI WEBINAR] Dernier épisode de la série sur le Chemin de la Maturité Data (Ve épisode) ma. 6 février à 13:00, avec un sujet qui devrait vous plaire: le customer churn ou attrition client, indicateur qui révèle la probabilité qu'un client abonné à vos services vous quitte dans les semaines/mois à venir. - [QUOTE] “Without data you're just another person with an opinion.” Edwards Deming (US), statistician Cet épisode a été enregistré dans le coworking Work'n'Share à Lausanne. Dans le prochain épisode de Caffè Croissance: “Innover et/ou mourir”
L'Ensemble Contrechamps sera sur la scène artistique de l'Association pour le Patrimoine Industriel (API), rue du Vuache, jeudi 7 et vendredi 8 décembre pour une performance inédite. Trois nouvelles créations seront dévoilées, à l'occasion de l'exposition « Le Microphone » organisée par l'API et consacrée aux lecteurs à bande tels que Revox, Nagra, Lenco et autres marques pionnières de l'enregistrement. Nous sommes avec Serge Vuille, le directeur artistique de l'Ensemble Contrechamps.
Ooh, Baby, Ooooh wee!Ooh, baby, oooooh wee!It's that Million Dollar Bash.I hear that chorus and I'm smiling. It's a celebration, a party. Dylan and the boys are off the hard road, and they're just having fun in the Big Pink basement with the Revox tape recorder. There has been some interpretative gobble dee gook about it being Dylan's satirical payback to Andy Warhol and his pretentious Factory parties, with a salvo to Edie Sedgwick - the (“big dumb blonde) -, who dumped him, but really, that feels like a stretch. Those intimations might be there, but when Bob sings:“Well, I'm hittin' it too hard, my stones won't take-I get up in the morning but it's too early to wake,First it's hello, goodbye, then push and then crash,But we're all gonna make it at that mIllion dollar bash!It feels to me like an expression of sweet release. An appreciation for the moment at hand. And, imagining where the heads of the bar band turned folk-rock players assembled in that bucolic place were at…. -, the men who, for me, comprised the greatest American band in rock history - in the chrysalis from which they were about to emerge to ignite a musical revolution - I can feel the spontaneous energy of joyous creation. Oooh baby, Oooh weeeee!
这是一期按照飞行员正式节目规格制作的老司机回归节目。我希望（但不保证）这个系列还有后续。时间轴： [00:00:03] BGM#op. Blur - The Narcissist [00:02:32] 闲聊开始；广深莞太热了； [00:04:01] 正式节目开始，大脑总回来了；老司机节目考古； [00:05:59] 都赖索尼克；关于大脑总新搓的驻极体麦克风； [00:22:11] 离开ESS 和创立BrianFay；第一个产品：电吉他无线适配模块「BF1」；关于NF Audio 宁梵声学卡祖笛KAZOO； [00:28:11] 四年创业的历程；「BF1」从无到有的过程；后续的迭代计划；全栈式设计师； [00:40:29] 「伯恩飞」的品牌定位；创业和上班的区别；「不是我们看不上烂货，而是烂货看不上我们」； [01:00:23] 关于索尼克、键盘侠、小剑这些老司机的去向； [01:04:02] 大脑最爱的冷门耳机「Revox 3100」；聊到真空管；宇宙真空管中心在河北； [01:10:59] BGM#ed. Steve Vai - Tender Surrender [01:13:12] 结束语，等待大脑总搓出更多不炸、能响、不削波的神奇事物p.s. 大脑声卡在中途爆掉了，导致节目中后段开始他的语音部分削波有些严重，敬请谅解。
Aquest mes de juny celebrem els 40 anys de Catalunya R
”Good day, dearest ‘OwlHeads'”. I pray you are all preening your feathers magnificently. I offer you here today Episode 43 of my songwriter podcast series … where my song vaults and archives are again raided for my rare demos, odds and sods and sonic misfits. This month's show features a little gem I concocted with the “Go West” boys, Richard Drummie and Peter Cox; I do remember quite special studio sessions with those lads. I'll play you a song I'm extremely proud of that I demoed with Earth, Wind and Fire's majestic vocalist Philip Bailey at the legendary EWF studios, “The Complex”, in LA. Great memories of working with a true gentleman of soul music. And I'll play you a demo of another amazing singer that I worked and wrote with, the peerless John Waite when he was leading the rock band “Bad English”. It's a spontaneous, raw, one-day home demo that, I have to say, gives the actual final master recording a damn good run for its money! There'll be a truly vintage retro playback of one of the first demos I ever wrote and recorded with my songwriter partner Brian Fairweather back in London in the late, hazy 1970s … a mono analog 2 track Revox recording of a song eventually recorded (if you can believe this) by the British “The Kenny Everett Video Show” dance troupe, “Hot Gossip”. I'm being very brave here, because the demo is as homemade and sonically compromised as can be imagined. Yet, weirdly, I still think Huey Lewis and the News back in the day could have done a great job with it!
In part 1 of this two-part podcast we talk to Dan Labrie owner of Myriad Magnetic.Dan has been involved in professional analogue recording technology since 2010. He began his career replacing switches and capacitors on an Amek console at a recording studio in Detroit. As a result of working for analogue tape pioneer Mike Spitz, who owned ATR Services and the tape manufacturer ATR Magnetics, he has gained valuable experience in, not just the machines, but also in the tape they record and play.Support the show
Episode 94 Electronic Drone Music Playlist Yves Klein, “Monotone-Silence Symphony” written in 1947. I could not find any recorded versions of this piece, so I produced this realization of my own to capture the feel and nature of this drone work. Klein conceived this as performance art in which an orchestra would only play a single note, continuously, for 20 minutes followed by another 20 minutes of silence. I've examined the score and can see that Klein also intended that the same note could be played in different octaves. The playing would have been staged so that one group of musicians could overlap another, both for reasons of fatigue but also to allow smooth transitions for the wind instruments because players would need to take a breath. My version includes electronic instruments for multiple parts, each part playing the same note, often in different octaves. The introduction of instrumental groups was planned in stages, each overlapping the previous grouping, gradually shortening in duration as the piece goes on. La Monte Young and Marian Zazeela, “31 VII 69 10:26 - 10:49 PM” from 31 VII 69 10:26 - 10:49 PM / 23 VIII 64 2:50:45 - 3:11 AM The Volga Delta (1969 Edition X). Eponymous untitled album popularly known as "The Black Record" or "The Black Album" Mine is an original copy. The cover is black gloss print on matt black and very hard to read. Numbered edition limited to 2800 copies of which numbers 1-98 are dated and signed by the artists. This work “was recorded at the date and time indicated in the title, at Galerie Heiner Friedrich, München. The work “31 VII 69 10:26-10:49 PM” is a section of the longer work: Map Of 49's Dream The Two Systems Of Eleven Sets Of Galactic Intervals Ornamental Lightyears Tracery. Play this side at 33 1/3 rpm only.” Early work employing electronic drones. By the mid-sixties, Young and his partner Marian Zazeela were creating music for electronic drones as an extension of their group, The Theatre of Eternal Music. Using a Heathkit sine wave oscillator and later Moog modules as sources, they created drone pieces that employed “extended duration time signatures” and “long sustained tones, intervals, triads and chords to create the musical texture.” A reissue has now occurred on the label Super Viaduct. Tony Conrad, “Process Four of Fantastic Glissando” from Fantastic Glissando (2006 Table of The Elements). Dating from 1969, this recording contains various versions of the same sound piece, each processed slightly differently. “Process Four” accumulates the processed applied to the previous three processes. The first glissando recording was made using a sine wave oscillator processed through pump counter with a stereo-phase glissando. Recorded December 12, 1969, on a Revox reel-to-reel tape recorder set at 3¾ ips. Conrad was in LaMonte Young's circle of friends and performers and joined him on many productions of The Theatre of Eternal Music. Teresa Rampazzi , “Duodeno normale” and “Duodeno Patologico” from Musica Endoscopica (1972). Here we have two short electronic works from this remarkable women composer that emphasize the drone. The pulsing tones and textures were played manually using audio oscillators. Music produced by the N.P.S. (Nuove Proposte Sonore) group for the documentary entitled "Gastroscopia" (Gastroscopy) realized in 1972 by Prof. Domenico Oselladore, University of Padova, in collaboration with Istituto De Angeli s.p.a., Milan. This documentary was presented at the Scientific Film Festival, Policlinico Universitario di Padova, 1972. “Duodeno Normale” begins with a drone consisting of two continuous tones: a low-pitched buzz from a sawtooth wave accompanied by a pulsating higher-pitched tone. The drone is joined at the 11-second mark by a high-pitched ringing tone played on a third oscillator. This ringing tone is repeated every 5–8 seconds and sustained for two or more seconds each time. The irregular timing of the tone suggests that Rampazzi was manually playing it by turning the dial of an oscillators. The ringing tone is sustained for the duration of the piece, creating a three-part drone. The drones fade out, beginning with the lower buzzing tone. “Duodeno Patologico” uses a similar process. The Taj-Mahal Travelers, “The Taj-Mahal Travelers Between 6:20~6:46P.M.” from July 15, 1972 (1972 CBS/Sony). Released in Japan. Early album by the group founded by experimental electronic musician and violinist Takehisa Kosugi. Electronic Contrabass, Suntool, Harmonica, Performer Sheet Iron, Ryo Koike; Guitar Electronic Quiter, Percussion, Michihiro Kimura; Electronic Trumpet, Harmonica, Castanets, Seiji Nagai; Vibraphone, Santoor Suntool, Yukio Tsuchiya; Electronic Violin, Electronics, Radio Oscillators, Voice, Takehisa Kosugi; Vocals, Tokio Hasegawa. This album was recorded live at Sohgetsu Hall, Tokyo, Japan, July, 1972. Originally released using Sony's SQ quadraphonic system. Yoshi Wada, “Earth Horns with Electronic Drone”(1974) from Earth Horns with Electronic Drone (2009 EM Records). Recorded at Everson Museum of Art, Syracuse, New York, February 24, 1974. Electronics, Liz Phillips; Pipehorn Players, Barbara Stewart, Garrett List, Jim Burton, Yoshi Wada; Electronic equipment designed by, Liz Phillips, Yoshi Wada; Pipehorns constructed by, composed by, recorded by, Yoshi Wada. Combining four of Wada's self-made "pipehorns" (constructed of plumbing materials, over three meters in length), with an electronic drone tuned to the electrical current of the performance space, this is a lost masterpiece of early drone/minimalism. The performance filled the space with complex overtones generated by the ever-shifting interplay of the breathing horns and the constant electronic drone. Lou Reed, “Metal Machine Music” (1975 RCA). All music and electronics by Lou Reed. Inspired by LaMonte Young, this is what I would call a noise drone! Reed himself points to the influence of Young in his lean liner notes. "SPECIFICATIONS: No Synthesizers, No ARP, No Instruments?” Sony 1/2 track; Uher 1/4 track; Pioneer 1/4 track; 5 piggyback Marshall Tube Amps in series; Arbitor distortor (Jimi's); Marantz Preamps; Marantz Amps; Altec Voice of America Monitor Speakers; Sennheiser Headphones; Drone cognizance and harmonic possibilities vis a vis Lamont Young's Dream Music; Rock orientation, melodically disguised, i.e. drag; Avoidance of any type of atonality.; Electro-Voice high filter microphones; Fender Tremolo Unit; Sunn Tremolo Unit; Ring Modulator/Octave Relay Jump; Fender Dual Showman Bass Amp with Reverb Unit (Pre-Columbia) white. Eliane Radigue, “Triptypch” Part 2” (1978). (2009 Important Records). Electronic Instrumentation: ARP 2500 modular synthesizer and analog, multitrack tape composition. The piece uses real-time ARP programming, tape loops, and recorded acoustic sounds. This piece is characteristic of Radigue's fervent exploration of gradually changing layers of harmonically intersecting tones. It is the kind of drone work that can easily dip the listener into a pool of trance and is one of the composer's many works grounded by her dedication to Tibetan Buddhism. Note the overall slowly evolving changes formed by overlapping sustained tones presented without any clearly articulated beginnings and endings. John Cage, Gary Verkade, “Organ2/ASLSP” from The Works for Organ (2013 Mode). John Cage composed “Organ2/ASLSP” in 1987 for solo organ. This piece has been realized at a variety of lengths, from about 30 minutes, to 8 hours, and what is arguably the longest interpretation of music ever played, now 23 years into its projected run of 639-years being performed now in Halberstadt Cathedral, Germany where a special organ was created to perform the piece unattended until a chord change is called for. This work is not electronic, although the pipe organ may be thought of by some, including me, as the first synthesizer. Although I won't be playing this work except in the background of this introduction, I needed to mention it because of its significance in the canon of drone music. “This composition consists, like Cage's ASLSP, of 8 pieces. Unlike ASLSP, however, all pieces here should be played. Any of the 8 pieces may be repeated, and these repetitions may be played subsequent to any of the other pieces. The published score consists of a title page, brief instructions, and 4 leaves with music. Each page contains 2 pieces.” Phill Niblock, “Guitar, too, for four—The Massed Version” from G2,44+/x2 (2002 Moikai). 24-track mix of guitar samples from Rafael Toral, Robert Poss, Susan Stenger, David First. Guitarists adding 2 live parts each to the 24 track mix version: Kevin Drumm, Lee Ranaldo, Thurston Moore, Robert Poss, Alan Licht. Niblock's usually works with acoustic instruments, so this venture with electric guitar is somewhat unique in his body of work. He asks musicians to play parts that are first recorded and then reworked in the mixing and editing process, largely to eradicate pauses and silences so that the sounds can be blended without such interruptions. Pauline Oliveros and Reynols, "Half a Dove in New York, Half a Dove in Buenos Aires" (1999) (2022 Smalltown Supersound). Reynols is an Argentinian experimental band that began in 1993 as Burt Reynols Ensamble. Band member Alan Courtis wrote to me, saying, “First of all, thanks a lot for mentioning our Pauline Oliveros in the arms of Reynols collaboration in your book Electronic & Experimental Music. She was a great musician/composer and friend.” After which he pointed me to a “recent release of an old project we made with Pauline back in 1999.” This is it! Opening background music: Tony Conrad, Arnold Dreyblatt, Jim O'Rourke, “Side 1” from Tonic 19-01-2001 (2023 Black Truffle). Performers, Arnold Dreyblatt, Jim O'Rourke, Tony Conrad. Recorded January 19,2001 at Tonic, New York City. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.
The resurgence of reel-to-reel, whilst great, has brought with it a few myths and misnomers and, shall we say, less than best practice in using them. In part 2 of this 3 part mini-series on supporting reel-to-reel, Iain Betson of Reel Resilience discusses with his guests, Rob Brinkworth and Gary Hedge, about looking after the audio format we love. Support the show
In the 1960s to 1980s, when tape recorders were in regular use, there were many people to fix them. Half a century down the line, the number who now do this has reduced for many reasons. So who's going to keep these recorders running for the next generation to enjoy? In part 1, of this two-part podcast, Iain Betson of Reel Resilience is in conversation with Rob Brinkworth and Gary Hedge, two UK based people who do just that. We talk "Guinea pigs", Fostex reliability and why a hit making studio of the 1980s hated their Studer A800! Support the show
In November of 1981 Soft Cell released their debut album. Made on a tight budget, the band purportedly recorded almost entirely on a ReVox tape recorder. With a borrowed drum machine, a Korg bass synth, and producer Mike Thorne's Synclavier, the band created a true synth pop classic. Let's talk Soft Cell, Non-Stop Erotic Cabaret!
Part 2 of my conversion with Rob Brinkworth. In Episode 20 we talked about Rob's collection of Revox A77 and B77 machines and we carried on talking about the other recorders in his collection too, so I thought it would be a shame not to hear it. One of the models we spoke about was the successor to the B77, Studers attempt to bridge the gap between their consumer, Revox badge products and the professional Studer line-up, the Revox PR99.Then we got onto the "fun" of owning a Revox A700 and comparing it to its Studer brother, the B67. Listen on!Support the show (https://www.reelresilience.co.uk/newsletter)
((( FREE & EASY ))) O.T.R. dab+ Live Radio Rock show épisode 117 Le Havre FRANCE Patryck Albert >>> Beware ....... Ouest Track Radio on Dab+ present " Free & Easy " live Radio Rock Show - 8PM - Sunday the 06- february - 2022 - Le Havre France - Wylcliff ( Patryck Albert ) playlist : ....intro , Gerry Bright & the Stokers , Sunny Boys , Beatnick Bandit , spot + T.Y.A . , Hellacopters , spot , Saints , Salami Lux , Rollin' Stones , Mighty Cordinis , jingle , Reverend Beat-Man , Slickee Boys , Outcrowd , Thanes , Revox , Alex Chilton , Heck , spot, 1313 Mockin' bird Lane , spot , Shake Some , Shuttle , Marie Laforet , spot , Dynamic Shakers , Sonic Preachers , Premonotions , Go-Go Killers , spot .... Rock on , so on .....
It's rare you can use the term game-changer in the world of reel-to-reel, In the genesis of the format developments came organically, with perhaps only the discovery of AC bias, to radically improve the recorded audio quality, being worthy of that title. But in terms of actual machines that title must go to a product introduced in 1968 by Studer under it's Revox brand name: The A77. 3 heads, 3 motors and tape handing that could match some professional machines. In this episode of Press Play> we talk all thing A77 (and a bit about its successor the B77) with a collector, font of knowledge about these models. and owner of an A77 that was mad eon day one of its production. We talk about our upcoming events too: The next webinar on the 29th January and the big one – the one day live attendance workshop on March 20th 2022. Both events can be found on Eventbrite.co.uk – search for Buying and Owning Revox A77 and B77 Tape Recorders and The Reel to Reel Tape Recorder Experience or go the home page on the Reel Resilience website www.reelresilience.co.uk and click on the Orange event tab on the home page. Support the show (https://www.reelresilience.co.uk/newsletter)
⦿⦿ElectriX Podcast⦿⦿ This Friday I have a great guest mix with some progressive and melodic tunes from verlustfrei. A really nice guest mixer in a previous episode recommended me to check him out. I did, really liked what I heard and decided to ask him for a podcast show. He agreed and I'm really happy about that. Enjoy an hour of great music and don't forget to support the artist! Like the Mix? Click the [Repost]
It's Dill Spears, Brent Liberty, and the newest member of the team, Anna Hartvigson!Welcome to Anna, as she officially joins the crew! We can't wait to see what her viewpoint brings to the show…Owner and Founder of Revox Social, Chris Norris is our guest this week. Chris talks all about his history, from his start as a star baseball player in high school, to his work in Minor League Baseball, both in North Carolina, then after a move to Erie, with our very own Seawolves as their promotions director from 2009-2011. From there, Chris talks about his experiences as “Web Coordinator” for Mercyhurst University before a brief stopover at Erie Insurance. ---------------------------------------------------------------------------------------------------------------------------------The Atacolypse Food Truck Beer Segment: After last week's story from Jake about his wife clobbering a guy, we couldn't let a week go by without something from Erie Brewing Company, so Brent grabbed us “Rainbow in the Park” a 7% abv. This is a 4/5 Recommended Beer for our listeners! Listen in to find out where the Atacolypse Food Truck will be serving up his magic! Don't forget, you can always catch the beer segment LIVE on our Facebook page every Wednesday at 5:30! ---------------------------------------------------------------------------------------------------------------------------------After the break: Chris talks about his time on “Undercover Billionaire” and how he got there – his neighbor is friend of the show Armando Reyes – and what happened after. Chris realized that the 9-5 life was not for him and he founded his own business: Revox Social. You can check him out at www.revoxsocial.com and look for a lot of info from Chris on Linkedin!Be sure to to check out blissfulmeads.com and use code “idiotville” at checkout for 25% off your total order! ---------------------------------------------------------------------------------------------------------------------------------Do you feel like you aren't getting enough Idiotville? Check out our Patreon for BONUS CONTENT at Patreon.com/idiotvillepodcast(c) 2021 Idiotville Podcast Universe. This content may not be used without written permission of Idiotville Podcast Universe, Inc. ================================================================================www.idiotvillepodcast.buzzsprout.com www.patreon.com/idiotvillepodcast - It's back!================================================================================Our theme song is composed and performed by Warehouse 11: Guitars by Brian Blake, drums by Dave Blake, bass by Chris Owochttps://www.facebook.com/Warehouse11Band/ http://www.warehouseelevenband.yolasite.com/================================================================================www.idiotvillepodcast.comwww.facebook.com/idiotvillepodcastinstagram: idiotvillepodcastTwitter: @BrentNLibery, @TheRealJakeNew1, @Dill_spears, @TedBrogan2, @MartyBalawkay, @Trashsportstakeidiotvillepodcast@gmail.comJoin our Facebook group!Support the show (http://Patreon.com/idiotvillepodcast)
终于要聊森海塞尔的那只耳机了吗？并没有。但是IE900 真的很棒。如果你喜欢我们的节目，欢迎在你收听的平台留言参与互动；转发与分享是对我们最大的支持。如果你想用最直接的方法支持「声波飞行员」，可以在「爱发电」搜索并为我们打赏，增加它继续飞行下去的动力，谢谢。[00:00:00] 来自试听设备提供者，森海塞尔（Sennheiser）的一条友情广告；IE900 和新时期的森海塞尔；BGM#ad. Garoad - Welcome To Va-11 Hall-A；[00:03:04] BGM#1. The Cribs - Shoot the Poets[00:04:50] 节目开始；HD26pro 是什么鬼；[00:16:05] HD26pro 声音如何；它究竟是hd25 的大哥，还只是一个名不副实的替身；[00:25:15] 上了声卡之后HD26pro 的原型毕露；森海塞尔不为人知的专业线；ActiveGuard 技术；[00:37:31] 「影子武士」耳机；竟然提到Grado PS500e；和Hemp 的对比；时隔6年call back 第一期节目继续吹HD580；再夸两分钟der糕就要买了；[00:50:21] Revox 这个品牌；拜亚动力的贴牌生产思路；[00:53:57] HD26pro 值不值得买；电视转播领域的应用；[01:02:12] HD25 节目什么时候上线；捎带聊了点版本论；不被待见的MDR-Z1000；一定要放Enter Sandman；[01:15:33] BGM#2. Metallica - Enter Sandman[01:15:51] 结束语#飞行员：地下丝贼 / 包雪龙 / 孟获
终于要聊森海塞尔的那只耳机了吗？并没有。但是IE900 真的很棒。如果你喜欢我们的节目，欢迎在你收听的平台留言参与互动；转发与分享是对我们最大的支持。如果你想用最直接的方法支持「声波飞行员」，可以在「爱发电」搜索并为我们打赏，增加它继续飞行下去的动力，谢谢。[00:00:00] 来自试听设备提供者，森海塞尔（Sennheiser）的一条友情广告；IE900 和新时期的森海塞尔；BGM#ad. Garoad - Welcome To Va-11 Hall-A；[00:03:04] BGM#1. The Cribs - Shoot the Poets[00:04:50] 节目开始；HD26pro 是什么鬼；[00:16:05] HD26pro 声音如何；它究竟是hd25 的大哥，还只是一个名不副实的替身；[00:25:15] 上了声卡之后HD26pro 的原型毕露；森海塞尔不为人知的专业线；ActiveGuard 技术；[00:37:31] 「影子武士」耳机；竟然提到Grado PS500e；和Hemp 的对比；时隔6年call back 第一期节目继续吹HD580；再夸两分钟der糕就要买了；[00:50:21] Revox 这个品牌；拜亚动力的贴牌生产思路；[00:53:57] HD26pro 值不值得买；电视转播领域的应用；[01:02:12] HD25 节目什么时候上线；捎带聊了点版本论；不被待见的MDR-Z1000；一定要放Enter Sandman；[01:15:33] BGM#2. Metallica - Enter Sandman[01:15:51] 结束语#飞行员：地下丝贼 / 包雪龙 / 孟获
Beware ... O.T.R. ( Ouest Track Radio ) on Dab+ , Le Havre - FRANCE - present " Free & Easy " .....Sunday the 28th - February - 2021 - épisode 94 - Playlist Wildcliff ( Patryck Albert ) Here's .... : intro.... , Nasdaq, Minite Snaxxx , Silver Spades , Luxirious Faux Furs , Beavers , spot! , Mal Thursday Quintet , Box Tops , jingle , Livids , Unknows , Hayley and the Crushers , Automatics , Bye Bye Theresa , Persian Rugs , Tenderfeet , Unbelieverz , Ray Charles , spot+ Who ... , Revox , Nervebreakers ,Bleach Boys, .... Kick it !
Welcome to the first-ever episode of The Truth About Recording & Mixing, hosted by Crackle & Pop!'s Johnny Sangster. To start things off, enjoy this inspired discussion of recording rock & roll with the esteemed Kurt Bloch of the Fastbacks, Young Fresh Fellows, Minus 5 and Full Toilet! Kurt doesn't want to talk about his home studio, "Strictly Vintage," but we do nonetheless. Topics: 2:20 Recent projects. 5:30 Don't talk about Strictly Vintage. 10:20 Home drum recording setup. 22:20 Kurt's early tape recorders and home recording. 30:00 Cheaters & Fastbacks first studio recordings. 45:00 Sound City modded amp. 48:25 Recording vocals in the living room. 53:42 Home recording drums, etc. 64:35 Revox tape machines 70:00 Tape tales: editing, spot erasing, window edits 77:00 Phase and drum mic'ing, polarity & phase with mics & effects. 83:00 Using multiple mics phase tricks for effect Submit your questions for Johnny by sending us a voice memo or email to podcast@fretboardjournal.com. The Truth About Recording & Mixing is a bi-weekly podcast produced by the Fretboard Journal magazine, loosely based on our Truth About Vintage Amps Q&A podcast. www.johnnysangster.com www.cracklepopstudio.com www.fretboardjournal.com
2021 has started, but frankly it still feels like a 2020 hangover. So let's not bother getting out of bed and deny 2021 with nine songs from Das Kapitans, False Heads, The Revox, Bipolar, Bob Wayne, Punky Ruckus, MC16, Hot Breath and Monty Vega & The Sittin’ Shivas.Bandcamp confusion, Comedy Suburbs, Tony has your Facebook comments, show 800, Psycho Mart, last week, Tony released his single, not a whole lot happening, Forest, Bongs of Praise, does tea go off?, From the Vaults, gigs, donations, fancy wine, this week, work work work, Tony wants to start work on his new video, 2021, PBETV, no Izzatwat this week, Trump, Biden and a reminder of the ways you can listen.Song 1: Das Kapitans - GobshiteSong 2: False Heads – Twenty NothingSong 3: The Revox – Talk About HerSong 4: Bipolar - VirusSong 5: Bob Wayne – Hell YeahSong 6: Punky Ruckus – She’s A GeezerSong 7: MC16 - AntiSong 8: Hot Breath – Who’s The OneSong 9: Monty Vega & The Sittin’ Shivas - Suddenly
In conversation with Stuart Blacklock on buying an entry-level reel-to-reel machine. Stuart has been a guest on Press Play before, and it's with good reason we welcome him back. He is a man with a wealth of reel-to-reel experience and, as you’ll hear, a tape machine collection to match. We discuss machines to consider buying when first getting into the reel-to-reel format: What's affordable. What to look out for. Pros and cons. What it will cost. Also in this podcast is exciting news of a webinar Iain Betson of Reel Resilience will be running in late January 2021 on how to line-up your open-reel recorder. Support the show (https://www.reelresilience.co.uk/newsletter)
Sleep is holy – yet we don’t always cherish the beauty of the dream world. We escape rest to run in circles, chasing goals that seem more attractive than the fragile calmness of deep sleep. In this over saturated world, we may reach a point of no return and find ourselves at the edge of sanity. We could take an honest look at ourself and step back from this sporting life. But we’re holding on to the promises of the 24/7 mentality, yet constantly looking for alternative ways to survive the pace of a modern world. Somniferum is perpetually offering options for moments of relaxation. You might want to turn down the lights with one of the most powerful mantras known to mankind. Its temptation constantly calls for the long distance runner and it is hard to beat its patience. One day you might wake up and realise that it’s too late - the holy mountain has moved and won't easily get back into place. Embodied by Samm Escobar's "Human" and lovingly put to sleep by Lee Curac-Dahl
Kostas Metaxas of Metaxas & Sins: This episode is part 2 of our two-part chat with Kostas Metaxas of Metaxas & Sins. We’ll hear about the TRX recorder, move onto discuss the new limited-edition product Papillon 15 and then about his beautiful pens. We will also hear, straight from the designers mouth, the answer to the question so many ask when they see the these new recorders: How much are they?Support the show (https://www.reelresilience.co.uk/newsletter)
Kostas Metaxas of Metaxas & Sins: Despite the resurgence of the tape format, few people, or companies, have created a new tape-recorder. Kostas has not just done this once, but twice. First with the TRX recorder, positioned as a replacement for Nagra and Stellavox field recorders, and later with the Papillion 15, a studio based, or high-end audiophile, product. In part 1 of this two-part podcast Kostas takes us through his early years in hi-end hi-fi and music recording, to the story of how the TRX, and recently the Papillon, came about.Support the show (https://www.reelresilience.co.uk/newsletter)
Tape heads: It all stops with a head when the audio is recorded on to the tape and starts with it on replay. Fortunately magnetic heads for audio recording are still manufactured by at least three companies across the World. Press Play > talks to two of them. In part 2, of this two-part podcast, we talk to Federica Galantino and Andrea Babuto, of Photovox Technology of Italy https://www.photovoxtech.it/. We talk head re-lapping, toll machines on subways and why cassette deck owners should be worried.Support the show (https://www.reelresilience.co.uk/newsletter)
Tape heads: It all stops with a head when the audio is recorded on to the tape and starts with it on replay. Fortunately magnetic heads for audio recording are still manufactured by at least three companies across the World. Press Play > talks to two of them. In part 1, of this two-part podcast, to Peter Van Rompay, of AM Beligium http://www.ambelgium.be/en and in part 2, to Federica Galantino and Andrea Babuto, of Photovox Technology of Italy https://www.photovoxtech.it/. We talk head re-lapping, butterfly heads and toll machines on subways and roads. Support the show (https://www.reelresilience.co.uk/newsletter)
Lee Dennison, Business Development Manager at White Light, and lovely chap keeps us thoroughly entertained switching between some grown-up topics, but mostly just giggling. We talk about brand building and networking; The skills of sound, the joy of splicing tape and we reminisce about clunky light stops on Revox's. Throw in a "Miss Saigon" story and we have an extended episode with one of the nicest fellas in show business.https://www.whitelight.ltd.uk/meet-the-team/lee-dennison/See Lee in action using the fabulous Smart Stage Technology, hosting a great Career advice session:https://www.whitelight.ltd.uk/white-light-careers-advice-session/( For the uber-geeky fan of our podcast you might like to check out our Production Meetings Page on Facebook, where we will post the full uncut roasting Shayley gets from Lee about the state of his beard.....)
This episode of Press Play> very much deals with the visual, which may seems strange considering open-reel is a sound format, but pretty much since the visual media started, tape machines have made an appearance. Asthetically they have just got it – those big reels turning, the meters moving, the lights flashing. The guest interview this episode is a person who addresses the visual image of the tape recorder: John Farrar runs Righteous Reels based in Dalton, Pennsylvania https://www.righteousreels.com/ where he produces a range of, well, simply awesome aluminium reels for tape machines. You can find the links to the Youtube videos mentioned in the podcast on the reelresilience blog https://www.reelresilience.co.uk/post/righteous-reelsSupport the show (https://www.reelresilience.co.uk/newsletter)
Did you understand me? Let me rephrase in order to confuse you better. I want to be misunderstood and improperly categorized. As soon as you think you know me, I shift my shape like Eglė and you will become a reptile. If you put me in a cage I will transform into a tree and my roots will be free until the end of time. Say it again, I don’t understand. Come back home, I miss you. Sometimes I need to restate in order to send a clearer message. Words can’t heal insanity but in the end it’s infinite trust that holds us together, strong like the sum of everything and nothing. We need to destroy ourselves once in a while, just to rebuild from scratch and start a new chapter of love. A ritual has opened your eyes. Departure into separate worlds, our universal language extinct slowly. Like a rainbow I can’t find you anymore. The cosmic loop of life is closing and my reincarnation is decided. Linda Westin’s visual message offers brightness to things being hidden in the dark. Her alternative view on reality has inspired me to restate and go deeper on my search for the truth.
Hoy os dejamos con la sesión de dj figa homenaje a The Haçienda. Todo empezó en la Radio Municipal de l’Hospitalet de l’Infant, por allà el 1990… Primero con unos Lenco y después con unos Technics SL 1200 Mk.2, figa se fogueó en el manejo del Vinilo y de la cinta magnetofónica “Revox”. Durante 8 años realizó diferentes programas de temáticas variadas, enorgulleciéndose especialmente de no haber realizado nunca un programa de Radio Formula. Fue allí y gracias a su “mentor técnico” Pety, donde aprendió la técnica del acompasamiento, creando (sin más interés hasta ese momento) sus sesiones, herederas directas de la Ruta Valenciana, para su uso y disfrute. Gracias a su amigo y “mentor artístico” Helmut, descubrió y profundizó sobre algunos de sus hasta todavía hoy referentes musicales: KLF, EMF, The Stone Roses, Primal Scream, Radiohead, Orbital, Underworld, Aphex Twin… A finales de los 90 es cuando empieza a pinchar en pequeños locales de l’Hospitalet de l’Infant, descubriendo que disponía de una energía interior que exteriorizaba a través de sus Sets y que el público la absorbía (de buen grado) a golpe de Beat! Durante la primera mitad de los dos mil, junto a Sine, crean el tándem Twentynails Dj’s, que en primera instancia y gracias a la confianza depositada por la “Sala El Cau” de Tarragona, revolucionan la escena de club de dicha ciudad, creando Dj Sets que han quedado gravados a golpe de beat, sudor y fiesta en la memoria de los asistentes hasta la fecha. Es en este momento cuando fichan por “Love Reactor” y los llevan de peregrinaje por toda la geografía española: Barcelona, Tarragona, Lleida, Castellón, Valencia, Alicante, Bilbao, Guadalajara… son algunas de las localizaciones en donde Twentynails Dj’s (Sine y figa), regalaron su saber hacer tras los platos al público asistente, compartiendo cabina y eventos con artistas de reputado prestigio como: Undo, Floren (Los Planetas), Peter Hook (bajista de Joy Division y New Order, hoy ya separado de la última formación), la Japonesa MU, entre otros. Algunos de los festivales y locales en donde participaron fueron: Sala El Cau, (TGN) Sala Pop Bar (Razzmataz), La Casa de la Bomba, Cotton club (LLeida), Metro dance club (Alacant), Latex undertow (Valencia) ElectroSplash (Castellón), BilboLoop (Bilbao), Kavanijazz (Guadalajara), Metro Dance Club (Alicante), Latex Undertow (Valencia)… Como buena pareja de “hecho” Twentynails se separan por allá el 2006, y es en este momento en donde nace figa “a secas”! Con una experiencia adquirida más que a tener en cuenta, figa realiza a través de sus platos y vinilos, explosivos Dj Sets que pueden conjugar diferentes temáticas musicales, o si bien lo requieren lascircunstancias, Sets puristas de una temática musical… En estos últimos años, ha tenido el placer, honor y orgullo de compartir cabina y eventos con: Tony Verdi, Omar León, Chimo Bayo, entre otros… y todos los compañeros/amigos de MiuzikNonStop, CienWatios, etc. Ha participado en diferentes festivales de la provincia de Tarragona, como los Xofars (Flix) y el Palmfest, donde ha estado presente en todas sus ediciones. En Barcelona ha paseado sus discos por las cabinas del Switch Bar, Razzmatazz, Moog y Sala Taro. En Tarragona, Sala Zero y Groove Bar. En Lleida, La Casa de la Bomba, etc etc. Cultura, técnica, Scratch, mezclas imposibles, energía! Todo esto se da la mano cuando figa se encuentra detrás de los platos, para crear una sesión única…
Hoy os dejamos con la sesión de dj figa homenaje a The Haçienda. Todo empezó en la Radio Municipal de l’Hospitalet de l’Infant, por allà el 1990… Primero con unos Lenco y después con unos Technics SL 1200 Mk.2, figa se fogueó en el manejo del Vinilo y de la cinta magnetofónica “Revox”. Durante 8 años realizó diferentes programas de temáticas variadas, enorgulleciéndose especialmente de no haber realizado nunca un programa de Radio Formula. Fue allí y gracias a su “mentor técnico” Pety, donde aprendió la técnica del acompasamiento, creando (sin más interés hasta ese momento) sus sesiones, herederas directas de la Ruta Valenciana, para su uso y disfrute. Gracias a su amigo y “mentor artístico” Helmut, descubrió y profundizó sobre algunos de sus hasta todavía hoy referentes musicales: KLF, EMF, The Stone Roses, Primal Scream, Radiohead, Orbital, Underworld, Aphex Twin… A finales de los 90 es cuando empieza a pinchar en pequeños locales de l’Hospitalet de l’Infant, descubriendo que disponía de una energía interior que exteriorizaba a través de sus Sets y que el público la absorbía (de buen grado) a golpe de Beat! Durante la primera mitad de los dos mil, junto a Sine, crean el tándem Twentynails Dj’s, que en primera instancia y gracias a la confianza depositada por la “Sala El Cau” de Tarragona, revolucionan la escena de club de dicha ciudad, creando Dj Sets que han quedado gravados a golpe de beat, sudor y fiesta en la memoria de los asistentes hasta la fecha. Es en este momento cuando fichan por “Love Reactor” y los llevan de peregrinaje por toda la geografía española: Barcelona, Tarragona, Lleida, Castellón, Valencia, Alicante, Bilbao, Guadalajara… son algunas de las localizaciones en donde Twentynails Dj’s (Sine y figa), regalaron su saber hacer tras los platos al público asistente, compartiendo cabina y eventos con artistas de reputado prestigio como: Undo, Floren (Los Planetas), Peter Hook (bajista de Joy Division y New Order, hoy ya separado de la última formación), la Japonesa MU, entre otros. Algunos de los festivales y locales en donde participaron fueron: Sala El Cau, (TGN) Sala Pop Bar (Razzmataz), La Casa de la Bomba, Cotton club (LLeida), Metro dance club (Alacant), Latex undertow (Valencia) ElectroSplash (Castellón), BilboLoop (Bilbao), Kavanijazz (Guadalajara), Metro Dance Club (Alicante), Latex Undertow (Valencia)… Como buena pareja de “hecho” Twentynails se separan por allá el 2006, y es en este momento en donde nace figa “a secas”! Con una experiencia adquirida más que a tener en cuenta, figa realiza a través de sus platos y vinilos, explosivos Dj Sets que pueden conjugar diferentes temáticas musicales, o si bien lo requieren lascircunstancias, Sets puristas de una temática musical… En estos últimos años, ha tenido el placer, honor y orgullo de compartir cabina y eventos con: Tony Verdi, Omar León, Chimo Bayo, entre otros… y todos los compañeros/amigos de MiuzikNonStop, CienWatios, etc. Ha participado en diferentes festivales de la provincia de Tarragona, como los Xofars (Flix) y el Palmfest, donde ha estado presente en todas sus ediciones. En Barcelona ha paseado sus discos por las cabinas del Switch Bar, Razzmatazz, Moog y Sala Taro. En Tarragona, Sala Zero y Groove Bar. En Lleida, La Casa de la Bomba, etc etc. Cultura, técnica, Scratch, mezclas imposibles, energía! Todo esto se da la mano cuando figa se encuentra detrás de los platos, para crear una sesión única…
We welcome back past contributor Oleg Netchaev, of Open Reel-to-Reel (facebook.com/openreel2reel), to talk about the large range, and wide genre, of pre-recorded tapes he now distributes, and to the owner of one of those companies producing them: Polish jazz musician Adam Czerwinski of AC Records. (www.acrecords.pl)Support the show (https://www.reelresilience.co.uk/newsletter)
The Bristol Hi-Fi show is one of the three big hi-fi shows in the UK each year. In spite of 30 years in the professional audio sector, this is Iain Betson's first visit to a consumer audio show. He went there in search of tape, be it open-reel or cassette. Although he found little in evidence, what he did find was a great deal of enthusiasm for the format and optimism that it's use is about to lift off greatly very soon. He also found that lacing and playing a tape is like making a cup of tea....listen on.Support the show (https://www.reelresilience.co.uk/newsletter)
Chris has launched his business Revox, where he helps people share their voice on social media. His approach to teaching is very user-friendly and if you need help I urge you to take some time to talk with him. Chris also was on the Discovery channel show Undercover Billionaire. The time he spent on the show was very interesting coming from a fan of it. So stay tuned for the bonus clip to be released...
Before we get into the news I’d like to announce that I’m going to focus the Revox podcast going forward on Amazon specifically. Amazon is the area i have the most expertise and it’s where I feel like I can provide the most value. Although there are plenty of other marketing things I do and understand, Amazon is a place where I know I can consistently perform well, and that’s where I want to help out the most.There actually wasn’t much by way of news for Amazon this week. Like other businesses, I imagine Amazon spends most of Q1 planning goals for the year and how they will execute them. Speaking of planning, the new fee structures are about the hit next month, so make sure you have your prices and logistics set for that. Most people will see a small increase in fees overall, but many products will actually see a decrease in fees.Let’s get into the meat of today’s podcast. Amazon has recently started to really crack down on buyer-seller messaging. This has been a hot topic for quite some time, but now Amazon is really bringing down the hammer. The buyer-seller messages policies have pretty much always been in a state of flux. Usually, the policies have become stricter over the years. Recently Amazon has started cracking down on sellers and revoking their privileges entirely for no apparent reason. They’ll send out an email saying that the seller violated a policy, but one say which one directly. I think this all headed towards removing any sort of request from the platform at all. You’re already no longer allowed to send external links, promotional content, discounts on future products, or anything like that. Very VERY soon, the only think you’ll be able to contact your customer about is whether or not they got their package, which, if you’re doing FBA, isn’t even your job.
Die ersten Jahres des privaten Rundfunks waren unglaublich. Viele Freiheiten die im Radio dann über die Jahre verschwunden sind und leider auch nie wieder gekommen sind. In dieser Episode spreche ich über die Rosa Welle, die Einrichtung des Senders, Rosa die Maus und den Mitschnitt von Radiosendungen in den 80ern. https://volkerpietzsch.de https://podcasthelfer.de https://0700sprecher.de
Open-reel or cassette, a tape recorder needs tape to work. Currently there are only two companies making new tape: ATR Magnetics in the US (www.atrtape.com) and Recording The Masters, or RTM, based in France (www.recordingthemasters.com). In this podcast we talk to Bette Spitz, owner of ATR and Theo Gardin, Sales Manager of RTM about their respective company ethos, the products they produce and why they love analogue audio.Support the show (https://www.reelresilience.co.uk/newsletter)
How do you know what to price your products and services for your customers? It can be difficult to know how to maximize your profit without ripping your customers off. We discuss these problems in today's episode of the Revox podcast.
In this episode our conversation is with Olog Netchaev, of Open Reel-to-Reel and UK distributor of STS Analog's range of pre-recorded quarter-inch tapes, about how the market for such tapes has naturally grown alongside the increase in interest in reel-to-reel. Oleg also tell us of how he thinks new-comers to open-reel can be helped to increase their understanding, and thus enjoyment of the format.Support the show (https://www.reelresilience.co.uk/newsletter)
We talk to Stuart Blacklock, well-known on the tape-recorder Facebook groups, about his staggering collection of tape-recorders. His passion for certain models and manufacturers and his desire to have a museum dedicated to tape. Plus we talk azimuth: What it is and why it's important to get right.Support the show (https://www.reelresilience.co.uk/newsletter)
DJsaur relegated to a pension for retired DJs after years spent spinning the records in a lot of club all around Italian boot. Since he was a puppy he was crazy for using music software to compose many videogames soundtracks. By chance a day he bumps into music tapes and Revox, until a night he listen Ben Liebrand in a club... A jump! Since then he becomes a megamix lover and learning the art of electronic “sewing” he starts to use all the kind of music to create massive megamix. Wish in a drawer: give emotions again and again… We are in peace... We come in peace...Always!
CÉREBRO: A questão é como otimizá-lo; como tirar melhor proveito e usá-lo de uma maneira mais eficiente, fazendo merecer todo o seu potencial. Entenda melhor como fazer para utilizar o cérebro!. Assuntos abordados: 1. Cérebro, esse desconhecido 2. Como ele funciona quando criamos algo 3. Como ele (não) funciona quando não criamos nada 4. Estou aqui parado, use-me! 5 - Numa maratona, condiciona-se todo o físico, e para Inovar? Condiciona-se o cérebro? Mas como? 6 - Na prática, de forma natural, dá para treinar o Cérebro?
Press Play from Reel Resilience is the podcast dedicated to all things tape and tape recorder. From cassette to open-reel and CrO2 to SM911. Each month we'll have an interview guest, tips on tape and tape machines plus what Reel Resilience is up to. This is Episode 1, an introduction Iain Betson, the face behind Reel Resilience: His professional background and his take on the resurgence of the analogue tape format.Support the show (https://www.reelresilience.co.uk/newsletter)
DJsaur relegated to a pension for retired DJs after years spent spinning the records in a lot of club all around Italian boot. Since he was a puppy he was crazy for using music software to compose many videogames soundtracks. By chance a day he bumps into music tapes and Revox, until a night he listen Ben Liebrand in a club... A jump! Since then he becomes a megamix lover and learning the art of electronic “sewing” he starts to use all the kind of music to create massive megamix. Wish in a drawer: give emotions again and again… We are in peace... We come in peace...Always!
DJsaur relegated to a pension for retired DJs after years spent spinning the records in a lot of club all around Italian boot. Since he was a puppy he was crazy for using music software to compose many videogames soundtracks. By chance a day he bumps into music tapes and Revox, until a night he listen Ben Liebrand in a club... A jump! Since then he becomes a megamix lover and learning the art of electronic “sewing” he starts to use all the kind of music to create massive megamix. Wish in a drawer: give emotions again and again… We are in peace... We come in peace...Always!
Do you have a marketing calendar for your business? If not, why not? A marketing calendar is important to your business because if you don't schedule it on the calendar it will probably never get done. Having a marketing calendar is a very important tool for your business. And, if you think because you are an artist or a performer that you're not a "business person" think again. Your art IS your business and you are the face of it. The world of business today has changed tremendously and marketing has also changed a lot since I had my first marketing job working with Polygram Diversified Entertainment (which Jon Scher ran and is no longer in business), they were the portion of the label that handled merchandise for their roster of artists. My second stint in marketing was with Redcats, USA. They owned several fashion catalogs including La Redoute, Chadwick's of Boston, Lane Bryant, Jessica London, Big & Tall for Men and Brylane Home. The one thing these jobs taught me was that it was imperative to market to the right audience and have the right products to do it. So, today's episode will cover a few tips on how you can get started and also discuss: -How to put together a marketing calendar -Why using a daily planner is key to your success. Here's a free planner you can download to get started 7 Day Daily Planner -What you should look to do in your business every day of every year. -How to begin building your email list and why it's important. -Why you should add more video to your marketing calendar and more. So grab your favorite drink, whether it's a green tea, latte or a cappuccino and enjoy. Happy Marketing!! Love, Dawn-Marie XO Remember to sign up at: www.lildrummergirl.com so that you'll be put on the VIP list for the launch of my upcoming book and online courses, you don't want to miss them! Stay in touch: Instagram: @lildrummergirl55 Facebook: dawnmariemutell Twitter: @drummergrrl99
DJsaur relegated to a pension for retired DJs after years spent spinning the records in a lot of club all around Italian boot. Since he was a puppy he was crazy for using music software to compose many videogames soundtracks. By chance a day he bumps into music tapes and Revox, until a night he listen Ben Liebrand in a club... A jump! Since then he becomes a megamix lover and learning the art of electronic “sewing” he starts to use all the kind of music to create massive megamix. Wish in a drawer: give emotions again and again… We are in peace... We come in peace...Always!
The best of Underground Deep House music and video mix as of 2017 mixed by V3NSO! New music every week. Find ALL Feel Good Episodes @ soundcloud.com/v3nso/sets/v3nsofeelgood V3NSO's Feel Good Podcast on iTunes: podcasts.apple.com/us/podcast/feel…od/id1315478467 For more info about V3NSO: instagram.com/v3nso youtube.com/c/v3nso facebook.com/V3NSO twitter.com/V3Nso mixcloud.com/v3nso Please ♥ share subscribe :) -FG - Episode 16 - Track list- #FG16 00:00 Kölsch - Grey (Janosh Rework) 05:13 MÄTE - LOOKING 09:56 Sam Goku - Kami (Original Mix) 15:48 Stranger In My Bath (Original Mix) 22:52 Ivory - Bums Of Dharma 30:17 Remcord - Sura (Original Mix) 35:30 HollisBrown5 40:45 MI.LA & A4RIA - Santura 46:16 Air - All I Need (Cemode 2017 Revox) 52:30 Super Flu - My Gut (Solomun Remix) Download for free on The Artist Union
Themen: Was haben wir gelacht... Weitere Infos: Programmhinweis: Folge #44 über "Was haben wir gelacht..." Drop-Out Revox Details zur Folge
DJ EZC Podcast | HappyHardcore | Breakbeat | Hard House | Liquid Drum & Bass | Hardcore | Rave
Tickets for "Back To The Oldskool" May 6th http://tickets-scotland.com/events.html?event_method=viewevent&event_id=4d27231f-ccc3-11e5-ba32-22000bb68fa61 Piano progression - nicky allen remix 2 Dj Jedi - utopia 3 Seduction - the twist 4 Freestyle and Djr - Ten 44 5 Seduction - here it comes 6 Tripple j - wonderful world 7 Scott brown - hypnotic 8 bass generator vs Technotrance - spaceman 9 Revox - sysex 10 Dj k2 - Russian roulette 11 Bass x - bass x 12 Revox - words of god 13 Sharky and marc smith - oh no 14 Dj Gizmo - the end of the beginning
DJ EZC Podcast | HappyHardcore | Breakbeat | Hard House | Liquid Drum & Bass | Hardcore | Rave
If you enjoy these Podcasts please donate just £2 to the NSPCC via our Justgiving fundhttps://www.justgiving.com/HWNDOr TXT "HWND69 2" to 70070 1 Revox - sysex 2 Brisk and ham - musics hypnotizin 3 Alas smith and sharkey - truth 4 GBT - better run 5 Brisk and trixxy - goodbye summertime 6 Brisk vs rebel alliance - party pumper 7 Force and styles - fire works 8 Druid and sharkey - pumpin 10 Dj chewy - rock dis place 11 Brisk - on and on 12 Eruption - reach out 13 Druid and energy - future dimensions 14 Dj ham - is there anybody out there 15 Rapido - insomniak 16 Charly loonies - stars (eufion) 17 Silk cuts 4 - bellisima 18 Demo and fade - R I P 1
This was my first visit to Copenhagen when the radio and television production were in two separate houses in the downtown area of the city. Radiohuset (literally "Radio House") was located on Rosenørns Allé in , . Vacated by DR when was inaugurated in 2006, the buildings now house the as well as the Museum of Music. On my visit to DR we went to a tiny room where a Revox tape-recorder on a time-switch was playing out the shortwave service of Radio Denmark. But there had been grander times. I also heard the story of DX Window, one of the world's first DX programmes which had more of a style of the off shore pirate stations. There was talk of working together with the Norwegians to make a Scandinavian external service. But when this was recorded, it was simply an idea.
For The Love Of House #7 - House music for house lovers mixed by Pic Schmitz: 1) Pic Schmitz - For The Love Of House Intro | 2) Kim English - Been So Long (Wamdue Remix) | 3) George Benson - Give Me The Night (DJ Meme Deep In The Night Long Mix) | 4) Jamiroquai - Seven Days In Sunny June (Steve Mac Classic Mix) | 5) Bobby Blanco & Miki Moto - 3am (Supernova 10 Years Later Mix) | 6) Michael Gray - The Weekend (Original 12" Mix) | 7) Raven Maize - Forever Together (Grant Nelson Mix) | 8) Gianni Bini & Luca Signorini - A Night In Paris (Original Mix) | 9) Harry 'Choo Choo' Romero - Night @ The Black (DJ Flex & Revox 21 Remix) | 10) Deepest Blue - Shooting Star (Full Intention Remix) | 11) Axwell - Feel The Vibe (Original Mix)
Megamix old school bidouillé en 1994. Mixé en vinyl et monté sur ReVox!!!
DJ EZC Podcast | HappyHardcore | Breakbeat | Hard House | Liquid Drum & Bass | Hardcore | Rave
1 Axis - so in love2 Revox - sysex3 12u - eurostomp4 Sandman - can can party5 Demonic - one two one two6 Eraserhead - life is a mystery7 Lockjaw - reactor8 Eko - be on your way9 Bass reaction - technophoia10 Bopgun - dream factory11 12u europcore pt212 Scott brown - deteonated 13 Dj skorp & pila - oohh god damned im great 14 Hixxy - thumper15 Gbt - Better day 16 Force & styles - simply electric
Track List: 1) The Barking Dogs – Your High feat. Tom Trago 2) Giovanni Damico – A Dream With You (Audio Soul Project Remix) 3) Roy Gilles – My Drums Don’t Laugh 4) Marcus Worgull & Frank Wiedemann – Muwekma 5) Pitto – Richklap 6) A Guy Called Gerald – Groove Of The Ghetto 7) Huxley – Can't Sleep 8) Inland Knights – Slummin It 9) Dachshund – Jokari 10) Jerome Sydenham – Free Love 11) Trus’me – Nards Biography: Federico Perulli, in art Chico Perulli, moving his first steps, as a dj, between 1993 and 1994, in Puglia (South Italy). His name is linked to an historical summer club on the Adriatic Coast, “Mediterraneo”. Chico Perulli played in all the most prestigious disco of Puglia (Metropolis, Guendalina, Praja, Living, Malè, just to name a few). From 1998 to 2005 he lives and continues his work in Bologna, boasting several appearances in the best clubs of the city, one in all, “Kinki”, and boasting several collaborations with some artists of Bologna's House scene, such as: Pastaboys, Ivan Iacobucci, Fabrizio Maurizi, Sicania Soul, etc. Since 2005, Chico Perulli is a producer, with the project "Joyfull Family" and beyond. The first single, “Da Breaker”, was pressed by one of the most popular italian labels of that period, Revox, and was remixed by Pastaboys. From this moment another adventure begins...several collaborations and parties in Italy and abroad. Chico Perulli is currently working on the "Nite Clerks" project...
Part of an extended broadcast from Thameside Radio 90.2 with Sarah taking calls. It’s so busy that we even get to hear Sarah answering the phone on air with a call from Howard for Dave, Ian Lawrence and Bernie.At this point Thameside Radio had installed a permanent transmitter in Trellick Tower and set up a live Band III link so could broadcast as long as they wanted. (Band III used to be home to low quality 405 line TV but there were a lot of clear channels. It’s now used for DAB.)The phone lines are very busy with an awful lot of dedications. Here are just a few Danny and Carrel in Swanley, Carl, Bruce Bill Dave and Anna; Andrew of Brentwood for Adam, Class 4D and Brentwood County High School; Bob Lawrence, The Royal Free Network, CMC motorcyclists, Mick of Carshalton, Carshalton 6th form, Neil Chris Arnold & Kevin. Rookie for his wife Lynne, Jim Jim, Gary, Jane, Christopher. Steve for Alex and Bamber; Alex for Rachel Inge Biddy and Rabbi; Liam Simon the quick brew kid Leon; Bamber for Susan, Alex, Amanda, the Tony Lloyd fan club, Ken of Brentwood for his mum and dad on their 31st anniversary, Claire, Johnny, Stand and the fans, Dave and Mark; Jackie Rosemund and carol; Emily for Hillam and the outdoor cat Alan; John of Beckenham for Dave Dave Barry, Beryl, Kevin Ken; Dave for Steve Bruce Carl, Harrow Motorcycle Club; Nigel Richard Sharon Tracy; Andy Martin Trevor and Alan; Renata for Hilary; Stuart of Chiswick; Steve from Stevenage and wife Sharon; Jerry for Tony and his Revox, Roger and Stuart; Dave Nicholls of North Kensington for ; Jim Clark, Leona Resumworth 5X Elizabeth; Andy Dixon , Mill Hill School Larch Nervous Complaint; Pauline to Dan and Sharon; Chris of Highbury for John Richard and Sheila; Darren to Liam, Robert of Swanely to Jim and Pam; John of Beckenham; Bruce Perkins from Martin of Brentwood; Margaret in Byfleet. That's all the people mentioned in just 45 minutes. Now I remember why I don't include all the people mentioned in the show notes each week!
For Metroline Limited Podcast number 18 we welcome a new addition to the Metroline Limited roster: up and coming Italian house producer SeHou who will be featured on forthcoming release number 40 on our label in the autumn. Born in the late 1980 in Puglia (Italy), he takes his first steps towards music as a child playin guitar and drums in different bands. He began lovin electro music during his childhood and he starts following artists such as Royksopp and The Knife, so popular around 2000, and he starts appreciating all the club scene close to this kind of sounds.thats when he feels the need to express himself behind the desks, evolving his sound trough the various undergrounds trends of the time. He has payed in many clubs, djing on the local party circuit, until 2008 - 2009 when he decides to get closer to music production. His first release is a side for PUP, an Italian young label, producing pup 01 n pup 02 and further tracks supported by international artists as Richie Hawtin, Andre Galluzzi, Federico Molinari, Paco Osuna, Felipe Venegas, DJ Wild, Boris Werner, Andrew Grant and many more. He starts a collaboration with another really appreciated young label: All Inn. His track She Makes Me Wanna Dance is regularly played by top worldwide DJs as Ricardo Villalobos, Danny Tenaglia, Matthias Tanzmann, Matt Tolfrey, Federico Molinari, Tania Vulcano, Livio and Roby, Tini and so on. This release is gonna be a great springboard for his career, infact he is gonna collaborate with international labels as Leftroom, Connect Four, 7oz, Mallory, Revox e Joyfull family and artists such as Lemos, Ekkohaus, Cristi Cons, Alejandro Vivanco, Daniel Sanchez, Lula Circus, iO, Westboy e Memorymann aka Uovo (Pastaboys). He is currently DJ resident on some parties in his home town, and collaborating with Underworld and Guendalina parties. Tracklist: SIT - Year 3000 (Jesus Loved You) Ekkohaus - Parafumadores (Cargo Edition) Rio Padice - Azimuth (Bass Culture) Penner and Muder - Wonder (Mood Music) SeHou - Crystal City (Unrelased) SeHou - She Makes Me Wanna Dance (All Inn Limited) Nick Curly - Yukon (Air London) Dario LC - Spoken Funk (Jay Bliss Remix) (Recycle Records) NoiDoi - Wicked Snare (Love Letters From Oslo) Dan Andrei - Four Sticks (Kurbits Records) Alex Niggemann - Take Control (Supernature)
Esta semana en Lost in Barcelona... nos vamos al Teatre Lliure para ver la nueva obra de Albert Espinosa, "El facinante chico que sacaba la lengua cuando hacía trabajos manuales", visitaremos la Sala Conservas para presenciar "Revox, nuevas experiencias en la poesía sonora", nos perderemos en el festival más abstracto del mundo: "Festival Punto y Raya" en el centro Arts Santa Mónica. Y por último, iremos a ver la esperada "Paranormal Activy" que llega esta semana a nuestro país. Seguro que tendrá algo que ver con lo paranormal que nos ha quedado el programa.La presentación de nuevo corre a cargo de Antònia Folguera.Una producción de Jolines Producciones para Lost in TV.Os esperamos la semana que viene, hasta entonces no paréis de disfrutar.
(Produced by Nic Beery) L o o k d e e p l y I n t o o u r e a r s . . . (it's okay, we used q-tips)Oddly, this turned out to be a nice follow-up to our last podcast, "Hello." Nic sent us this eerie "found sound" that came with a 1970's Revox reel to reel recorder that his neighbor was throwing away after a yard sale back in 2002. Unfortunately, he doesn't know the spooky guy on the tape, nor does he know Sandy. But hopefully she's either kicked her habit ... or at least ditched this scary friend."I have always been attracted to found sounds, the kinds of things you find in thrift shops with the LPs. When I heard this, I knew I had to share it with others that have this interest. It's kind of voyeuristic in a way." Nic's a video producer who's been rediscovering the joys of audio. You can hear more of Nic's recent foray's into audio at these fanfreakingtastic sites: " Check out the
MK2 is proud to announce the launch of the memekast™ audiomemetic propagation project. New episodes will be deployed monthly, under the direction of MK2 mind control technician dj_SpaceInvader. To initialize the project, dj_SpaceInvader lays down ten tracks of... uh... glitchelectrobashmenthop. We didn't make that up, that's really what he said. Enjoy. mk001 » january 2006 » dj_SpaceInvader 01. Machine Drum - Offs 02. Crunch - Crunky 03. East Flatbush Project - Tried by 12 (Phonecia mix) 04. Zion I ft. Deuce Eclipse - Radius 05. Ghislain Poirier/Seba - L'art de la Fellation (Version) 06. The Bug - Beats, Bombs, Bass, Weapons 07. Lil' Vicious - The Glock (dj_SpaceInvader Burn-Up) 08. M.I.A. - Galangrox (X*rox Rerub) 09. Viktor Vaughn - Lactose & Lecithin (Ezcac instr.) 10. Roots Manuva - Colossal Insight (Jamma Remix & Revox) memekast_mk001_200601.mp3
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