Podcasts about eliane radigue

Play Episode Listen Later Nov 12, 2023 129:54

Episode 110 Before and After Ambient, Part 1 Playlist Erik Satie, “Vexations” (1893-94), First, we will hear two piano versions (1 and 4) of this short work that was intended to be played repeatedly in one sitting 840 times in succession. The piano version was performed by Jeroen van Veen on the album Satie, Complete Piano Music (2016 Brilliant Classics). Then, we will hear an electronic version by Bhutan from Vexations (2016 Venado). Argentinean group Bhutan realized this electronic version of the Erik Satie piece in 2016. I thought it would be fitting to open the program with this because Satie's was one of the first works to be recognized in recent times as a kind of proto ambient composition. Satie preferred the term “furniture music” and thought that it would be suitable for background sound during a dinner party. The Bhutan version, realized in electronic instrumentation, is a fitting bridge of the old and the new when it comes to ambient compositions. John Cage, “In A Landscape” (1948) from In A Landscape played by Victoria Jordanova (2007 Arpaviva Recordings). This early Cage work was originally arranged either for piano or harp. It is very much the interpretation that makes this akin to ambient music. I selected this version for electric harp because it maintains the original's sense of suspended time and energy. I also like William Orbit's version but he took the orchestration to greater lengths and transforming it into something not so ambient. There is also a really quiet piano version by Stephen Drury which remains true to Cage's original intent of being “soft and meditative” with “resonances” being sustained by depressing both pedals throughout the performance. But I included this version for electric harp by Jordanova because it is more in tune with the electronic nature of the music we feature in this program. Morton Feldman, “Projection 1” (1950) from Arne Deforce, Yutaka Oya, Patterns In A Chromatic Field (2009 Aeon). Cello, Arne Deforce; Piano, Yutaka Oya; composed by, Morton Feldman. This is an acoustic work by Feldman (I couldn't find any electronic renditions) but I include it to draw similarities to the work of Harold Budd, also a pianist. In fact, Feldman was a long-standing favorite of Budd. Raymond Scott, “Sleepy Time” from Soothing Sounds for Baby, Volume 1 (1964 Epic). This legendary work is from a set of electronic and ambient records that Scott produced in the early 1960s as background music to help babies go to sleep. The electronic music was produced with his own creation, the Electronium, a from-scratch built custom synthesizer that combines electronic sequencing with tone generation and various filters. Eliane Radigue, “Vice - Versa, Etc. (Mix 1)” (1970) from (2013 Vice - Versa, Etc.). Processed tape reorder feedback. Realized at the composer's studio in Paris. Premiered in 1970 at Galerie Lara Vincy in Paris, on the occasion of a group exhibition. The stereo synthesis presented here was made in Lyon at Studio Fluorescent between 2010 and 2011 by Emmanuel Holterbach. Produced, composed, recorded using feedback by Eliane Radigue. Originally conceived as a sound installation, using several reel-to-reel tape players controlled through a mixing desk. The tapes could be played at different speeds, either forward or backward, right channel only, left channel only or simultaneously. The audience could create their own mix. Teresa Rampazzi (N.P.S.), “Environ” (1970) from Musica Endoscopica (2008 Die Schachtel). Created in 1970, this work represents a kind of reproduction in electronic sound of an ambient environment, peppered with noise and even voice. Rampazzi was a pioneering female composer of electronic music who founded the N.P.S. (Nuove Proposte Sonore) group and studio, where this was realized. Harmonia, “Hausmusik” from Harmonia (1974 Brain). Recorded and produced June - November '73 in the Harmonia home studio. Guitar, Piano, Organ, electronic percussion, Michael Rother; Organ, Keyboards, Guitar, electronic percussion, J. Roedelius; Synthesizer, Guitar, electronic percussion, D. Moebius. Brian Eno, “Discreet Music” (excerpt) from Discreet Music (1976 Obscure). Synthesizer with Digital Recall System, Graphic Equalizer, Echo Unit, Delay, Tape, Brian Eno. Brian Eno (b. 1948) worked with tape delay much in the manner defined by Oliveros for I of However, he expressed a somewhat indifferent attitude toward the outcome. He described the realization of Discreet Music (1975): “Since I have always preferred making plans to executing them, I have gravitated toward situations and systems that, once set into operation, could create music with little or no intervention on my part. That is to say, I tend toward the roles of planner and programmer, and then become an audience to the results.” Eno's composition consisted of a diagram of the devices used to generate the music. His approach was identical to that of Oliveros except that the sound material was specifically melodic and he did not modify or interact with the sound once the process was set in motion. The result in Discreet Music is the gradual transformation of a recognizable musical phrase. These 10 minutes are excerpted from the beginning of the extended work lasting 31 minutes. Brian Eno, “Through Hollow Lands (For Harold Budd)” from Before and After Science (1977 Island). Bass, Paul Rudolph; Vocals, Bell, Mini-Moog, CS80, AKS synthesizers, piano, guitar, Brian Eno. This is one of the only tracks that I would consider to be ambient from this album. Robert Ashley, “Automatic Writing” (excerpt) (1974–79) from Automatic Writing (1979 Lovely Music). This work was much talked about when it was released on record by Lovely Music Ltd. in 1979. Ashley wrote it over a five-year period after having just come back from his self-imposed exile from composing in the early 1970s. He performed it many times in various formative stages with the Sonic Arts Union before finally committing it to disc. It does indeed have a vocal, but it is also imbued with quiet, ASMR kinds of sounds that mesmerize. The basic musical material of Automatic Writing was the spoken voice, closely miked, uttering what Ashley characterized as “involuntary speech”: random, seemingly rational comments that might not make sense at all, depending on the context in which they were heard. These 10 minutes are excerpted from the beginning of the extended work lasting 46 minutes. Sri Dinesh, “Le Chant Des Étoiles” from Para Symphonie (1978 Alain Grima). French album of music to accompany meditation. It consists largely of short, repeated organ patterns and falls within the frame of mind for which ambient music was intended. Brian Eno, “2/2” from Ambient 1: Music for Airports (1978). Engineer, Conny Plank (yes, the producer of Kraftwerk). Composed, conceptualized, produced and engineered by Brian Eno. Theresa Rampazzi, “Atmen Noch” (1980) from from Musica Endoscopica (2008 Die Schachtel). Conrad Schnitzler, “Control B” from Control (1981 Dys). Edition of 1000 copies. An electronic work by Schnitzler, who played the devices, produced, and recorded the music. Opening background music: Brian Eno and Peter Chilvers, Bloom 3.2 (10) (2014 Opal Ltd.). Bloom is a generative music application that composes ambient music. This recording was made using Bloom running in “Classic” mode on a Macbook Pro running Ventura 13.5.2. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

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Musique&Synthèse 2023-10-22Découvrir BORENSTEIN & BRYARS

Radio Résonance

Play Episode Listen Later Oct 28, 2023 91:34

Evocation de deux femmes compositeurs: Editn CANA de CHIZY et l'électroacousticienne Eliane RADIGUE

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Musique&Synthèse 2023-10-22Découvrir BORENSTEIN & BRYARS

Radio Résonance

Play Episode Listen Later Oct 28, 2023 91:34

Evocation de deux femmes compositeurs: Editn CANA de CHIZY et l'électroacousticienne Eliane RADIGUE

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Electronic Drone Music

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Play Episode Listen Later Apr 9, 2023 132:04

Episode 94 Electronic Drone Music Playlist Yves Klein, “Monotone-Silence Symphony” written in 1947. I could not find any recorded versions of this piece, so I produced this realization of my own to capture the feel and nature of this drone work. Klein conceived this as performance art in which an orchestra would only play a single note, continuously, for 20 minutes followed by another 20 minutes of silence. I've examined the score and can see that Klein also intended that the same note could be played in different octaves. The playing would have been staged so that one group of musicians could overlap another, both for reasons of fatigue but also to allow smooth transitions for the wind instruments because players would need to take a breath. My version includes electronic instruments for multiple parts, each part playing the same note, often in different octaves. The introduction of instrumental groups was planned in stages, each overlapping the previous grouping, gradually shortening in duration as the piece goes on. La Monte Young and Marian Zazeela, “31 VII 69 10:26 - 10:49 PM” from 31 VII 69 10:26 - 10:49 PM / 23 VIII 64 2:50:45 - 3:11 AM The Volga Delta (1969 Edition X). Eponymous untitled album popularly known as "The Black Record" or "The Black Album" Mine is an original copy. The cover is black gloss print on matt black and very hard to read. Numbered edition limited to 2800 copies of which numbers 1-98 are dated and signed by the artists. This work “was recorded at the date and time indicated in the title, at Galerie Heiner Friedrich, München. The work “31 VII 69 10:26-10:49 PM” is a section of the longer work: Map Of 49's Dream The Two Systems Of Eleven Sets Of Galactic Intervals Ornamental Lightyears Tracery. Play this side at 33 1/3 rpm only.” Early work employing electronic drones. By the mid-sixties, Young and his partner Marian Zazeela were creating music for electronic drones as an extension of their group, The Theatre of Eternal Music. Using a Heathkit sine wave oscillator and later Moog modules as sources, they created drone pieces that employed “extended duration time signatures” and “long sustained tones, intervals, triads and chords to create the musical texture.” A reissue has now occurred on the label Super Viaduct. Tony Conrad, “Process Four of Fantastic Glissando” from Fantastic Glissando (2006 Table of The Elements). Dating from 1969, this recording contains various versions of the same sound piece, each processed slightly differently. “Process Four” accumulates the processed applied to the previous three processes. The first glissando recording was made using a sine wave oscillator processed through pump counter with a stereo-phase glissando. Recorded December 12, 1969, on a Revox reel-to-reel tape recorder set at 3¾ ips. Conrad was in LaMonte Young's circle of friends and performers and joined him on many productions of The Theatre of Eternal Music. Teresa Rampazzi , “Duodeno normale” and “Duodeno Patologico” from Musica Endoscopica (1972). Here we have two short electronic works from this remarkable women composer that emphasize the drone. The pulsing tones and textures were played manually using audio oscillators. Music produced by the N.P.S. (Nuove Proposte Sonore) group for the documentary entitled "Gastroscopia" (Gastroscopy) realized in 1972 by Prof. Domenico Oselladore, University of Padova, in collaboration with Istituto De Angeli s.p.a., Milan. This documentary was presented at the Scientific Film Festival, Policlinico Universitario di Padova, 1972. “Duodeno Normale” begins with a drone consisting of two continuous tones: a low-pitched buzz from a sawtooth wave accompanied by a pulsating higher-pitched tone. The drone is joined at the 11-second mark by a high-pitched ringing tone played on a third oscillator. This ringing tone is repeated every 5–8 seconds and sustained for two or more seconds each time. The irregular timing of the tone suggests that Rampazzi was manually playing it by turning the dial of an oscillators. The ringing tone is sustained for the duration of the piece, creating a three-part drone. The drones fade out, beginning with the lower buzzing tone. “Duodeno Patologico” uses a similar process. The Taj-Mahal Travelers, “The Taj-Mahal Travelers Between 6:20~6:46P.M.” from July 15, 1972 (1972 CBS/Sony). Released in Japan. Early album by the group founded by experimental electronic musician and violinist Takehisa Kosugi. Electronic Contrabass, Suntool, Harmonica, Performer Sheet Iron, Ryo Koike; Guitar Electronic Quiter, Percussion, Michihiro Kimura; Electronic Trumpet, Harmonica, Castanets, Seiji Nagai; Vibraphone, Santoor Suntool, Yukio Tsuchiya; Electronic Violin, Electronics, Radio Oscillators, Voice, Takehisa Kosugi; Vocals, Tokio Hasegawa. This album was recorded live at Sohgetsu Hall, Tokyo, Japan, July, 1972. Originally released using Sony's SQ quadraphonic system. Yoshi Wada, “Earth Horns with Electronic Drone”(1974) from Earth Horns with Electronic Drone (2009 EM Records). Recorded at Everson Museum of Art, Syracuse, New York, February 24, 1974. Electronics, Liz Phillips; Pipehorn Players, Barbara Stewart, Garrett List, Jim Burton, Yoshi Wada; Electronic equipment designed by, Liz Phillips, Yoshi Wada; Pipehorns constructed by, composed by, recorded by, Yoshi Wada. Combining four of Wada's self-made "pipehorns" (constructed of plumbing materials, over three meters in length), with an electronic drone tuned to the electrical current of the performance space, this is a lost masterpiece of early drone/minimalism. The performance filled the space with complex overtones generated by the ever-shifting interplay of the breathing horns and the constant electronic drone. Lou Reed, “Metal Machine Music” (1975 RCA). All music and electronics by Lou Reed. Inspired by LaMonte Young, this is what I would call a noise drone! Reed himself points to the influence of Young in his lean liner notes. "SPECIFICATIONS: No Synthesizers, No ARP, No Instruments?” Sony 1/2 track; Uher 1/4 track; Pioneer 1/4 track; 5 piggyback Marshall Tube Amps in series; Arbitor distortor (Jimi's); Marantz Preamps; Marantz Amps; Altec Voice of America Monitor Speakers; Sennheiser Headphones; Drone cognizance and harmonic possibilities vis a vis Lamont Young's Dream Music; Rock orientation, melodically disguised, i.e. drag; Avoidance of any type of atonality.; Electro-Voice high filter microphones; Fender Tremolo Unit; Sunn Tremolo Unit; Ring Modulator/Octave Relay Jump; Fender Dual Showman Bass Amp with Reverb Unit (Pre-Columbia) white. Eliane Radigue, “Triptypch” Part 2” (1978). (2009 Important Records). Electronic Instrumentation: ARP 2500 modular synthesizer and analog, multitrack tape composition. The piece uses real-time ARP programming, tape loops, and recorded acoustic sounds. This piece is characteristic of Radigue's fervent exploration of gradually changing layers of harmonically intersecting tones. It is the kind of drone work that can easily dip the listener into a pool of trance and is one of the composer's many works grounded by her dedication to Tibetan Buddhism. Note the overall slowly evolving changes formed by overlapping sustained tones presented without any clearly articulated beginnings and endings. John Cage, Gary Verkade, “Organ2/ASLSP” from The Works for Organ (2013 Mode). John Cage composed “Organ2/ASLSP” in 1987 for solo organ. This piece has been realized at a variety of lengths, from about 30 minutes, to 8 hours, and what is arguably the longest interpretation of music ever played, now 23 years into its projected run of 639-years being performed now in Halberstadt Cathedral, Germany where a special organ was created to perform the piece unattended until a chord change is called for. This work is not electronic, although the pipe organ may be thought of by some, including me, as the first synthesizer. Although I won't be playing this work except in the background of this introduction, I needed to mention it because of its significance in the canon of drone music. “This composition consists, like Cage's ASLSP, of 8 pieces. Unlike ASLSP, however, all pieces here should be played. Any of the 8 pieces may be repeated, and these repetitions may be played subsequent to any of the other pieces. The published score consists of a title page, brief instructions, and 4 leaves with music. Each page contains 2 pieces.” Phill Niblock, “Guitar, too, for four—The Massed Version” from G2,44+/x2 (2002 Moikai). 24-track mix of guitar samples from Rafael Toral, Robert Poss, Susan Stenger, David First. Guitarists adding 2 live parts each to the 24 track mix version: Kevin Drumm, Lee Ranaldo, Thurston Moore, Robert Poss, Alan Licht. Niblock's usually works with acoustic instruments, so this venture with electric guitar is somewhat unique in his body of work. He asks musicians to play parts that are first recorded and then reworked in the mixing and editing process, largely to eradicate pauses and silences so that the sounds can be blended without such interruptions. Pauline Oliveros and Reynols, "Half a Dove in New York, Half a Dove in Buenos Aires" (1999) (2022 Smalltown Supersound). Reynols is an Argentinian experimental band that began in 1993 as Burt Reynols Ensamble. Band member Alan Courtis wrote to me, saying, “First of all, thanks a lot for mentioning our Pauline Oliveros in the arms of Reynols collaboration in your book Electronic & Experimental Music. She was a great musician/composer and friend.” After which he pointed me to a “recent release of an old project we made with Pauline back in 1999.” This is it! Opening background music: Tony Conrad, Arnold Dreyblatt, Jim O'Rourke, “Side 1” from Tonic 19-01-2001 (2023 Black Truffle). Performers, Arnold Dreyblatt, Jim O'Rourke, Tony Conrad. Recorded January 19,2001 at Tonic, New York City. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

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Episode 148: Safe Passage

the memory palace

Play Episode Listen Later Jan 28, 2023 15:40

This episode was originally released in September of 2019. Music We start with the Opening of Craig Armstrong's score to Far From the Madding Crowd. Glass Houses no. 13 from Ann Southam. Earring from Julia Wolf. Occam II for Violin from Eliane Radigue. Rearranging Furniture from Gabriel Yared's score to By the Sea. A bit of Movement II from Martynov, “Come in!” by Vladimir Martynov. Notes Plenty written about the Willie D.. I found Roger Branfill-Cook's Torpedo: the Most Revolutionary Weapon in Naval History to be particularly useful. I also enjoyed stumbling upon this day-by-day breakdown of F.D.R.'s Presidency.

Intergalactic Research Institute for Sound presents BANU - TransSoundScapes

CLOT Magazine

Play Episode Listen Later Oct 23, 2022 51:37

South-east Turkey-born DJ sound artist and producer, Banu is bringing the sounds for our next mixtape. The artist uses music as a political tool. For Banu, the strong message carried through sound is a vehicle to express emotions as well as a means of fighting against oppression. Coming from a conservative family, making music has been her lifelong dream. It was the moment she had the opportunity to work with the iconic Arp 2600 synthesiser (a younger sibling to Eliane Radigue's infamous 2500 machine) that all her interests came into place to create an empowering soundscape with the aid of analogue drum machines. In her artistic practice, Banu uses participation, social design, ecology, and feminist and queer theory to create multimedia installations with sound as the main element, making her practice closer to contemporary art and activist spaces than the club realm. Banu has also been exploring her approach to sound and composition through her PhD research, focused on how to include sound in the Urban Design process. As Urban Design and Architecture concentrate mainly on the visual aspect of the urban space, other senses have never thought of or given very little consideration. For Banu, listening and hearing are essential in our daily life to understand the urban space and our surroundings. She also told us how she took the challenge and included human perception with Pauline Oliveros' Deep Listening theories and what attentive listening can bring about. She proposes sound as a participatory tool which means not only measurements and acoustics play a role but how we as users hear or listen to the urban space. Banu has also very recently released her debut album 'TransSoundScapes' (Intergalactic Research Institute For Sound, 2022). The production is an exercise in female solidarity between her as a migrant woman (she's currently based in Berlin) and her sisters from the trans community, where an artist from one marginalised group showing support towards her trans sisters, using her platform to help them amplify their voices and building a bridge towards a mutual understanding of femininity. There is also a part where she proposes urban space as a music composition - she doesn't believe in improvisation. She thinks there are rhythms in life that everyone follows, but we still create a holistic composition; this is why life goes. There are ruptures, like accidents or pandemics... But we still find harmony. This mixtape, she says, it's a bunch of secret conversations with her Arp 2600 and everything influencing what she hears and listens to. It is about synths and drums. Tracklist: Banu - When the rain drops the lake - unreleased Banu - Transitioning (Part I) / TransSoundScapes - Intergalactic Research Institute for Sound Banu - Drama - unreleased Banu - Transit - unreleased Banu - Bianka / TransSoundScapes - Intergalactic Research Institute for Sound Banu - Say her name - unreleased Banu - Arp Cry - unreleased Banu - First Time (instrumental) - unreleased Mike Dean - Whales / 4: 22 - MWA Music Pearson Sound X Clara! - Mi Cuerpo Rastronaut - Pontinha Entrañas - OetapaZ Fearz - Tundra / Street Drumz (Vol.2) Fearz - Rosalía - Motomami (Fearz Bootleg) Rosalía - A Palé (Overmono Edit) Dinemarca - Holy - Staycore Fatima Al Qadiri - Shaneera

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V Ljubljani Kasper T. Toeplitz, na Dunaju Alfred Kubin

Svet kulture

Play Episode Listen Later Apr 26, 2022 9:38

V teh dneh se v Ljubljani mudi francosko-poljski skladatelj in instrumentalist Kasper T. Toeplitz, ki bo v podhodu Ajdovščina v prostorih Društva za interdisciplinarnost, samoprodukcijo in cirkulacijo sodobne umetnosti Cirkulacija 2 v dveh dneh izvedel dve deli. Prvi večer bo interpretiral skladbo ''Elemental II'' francoske skladateljice Eliane Radigue, čez dva dni pa še lastno skladbo Burning House, ki je nastala posebej za ta dogodek. Na Dunaju pa so sredi aprila odprli razstavo ''Izpovedi trpinčene duše'' avstrijskega grafika, pisatelja in ilustratorja Alfreda Kubina. Gre za eno izmed devetih razstav, ki jih bo muzej na ogled ponudil v tekoče letu. Razstava tega pomembnega simbolista in ekspresionista poveže tudi z drugimi umetniki. (foto: Kasper T. Toeplitz)Ljubljanska Cirkulacija 2 gosti skladatelja Kasperja T. Toeplitza, v dunajskem Leopolodovem muzeju na ogled razstava Alfreda KubinaV teh dneh se v Ljubljani mudi francosko-poljski skladatelj in instrumentalist Kasper T. Toeplitz, ki bo v podhodu Ajdovščina v prostorih Društva za interdisciplinarnost, samoprodukcijo in cirkulacijo sodobne umetnosti Cirkulacija 2 v dveh dneh izvedel dve deli. Prvi večer bo interpretiral skladbo ''Elemental II'' francoske skladateljice Eliane Radigue, čez dva dni pa še lastno skladbo ''Burning House'', ki je nastala posebej za ta dogodek. Na Dunaju pa so sredi aprila odprli razstavo ''Izpovedi trpinčene duše'' avstrijskega grafika, pisatelja in ilustratorja Alfreda Kubina. Gre za eno izmed devetih razstav, ki jih bo muzej na ogled ponudil v tekoče letu. Razstava tega pomembnega simbolista in ekspresionista poveže tudi z drugimi umetniki.

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Slipping into Radigue | Culture File

RTÉ - Culture File on Classic Drive

Play Episode Listen Later Mar 29, 2022 6:23

Music writer, Liam Cagney underwent some deep immersion at a recent Berlin celebration of the pioneering French composer, Eliane Radigue.

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Phil's Jazz Disjunction Show for NTS January 2022

Ben Fawkes Show

Play Episode Listen Later Jan 12, 2022 60:06

1. The Gateway Experience - Wave 1 Discovery Orientation https://www.youtube.com/watch?v=uqlaRHyZJqU&ab_channel=Hemi-sync-Topic 2. Miri - Flyter (Johanna Knutsson Mix) 3. Eliane Radigue - https://elianeradigue.bandcamp.com/album/l-le-re-sonante (8:45 in) 4. Antarctica - At the sea edge 5. Orson Welles - ahhhh the french champagne 6. Heinz Kiessling - Einbruch 7. Fabio Frizzi - klau 8. Hildegard Knef - ich erkenne nicht dicht wieder 9. The Jamaicans - Ba Ba Boom 10. Mark Mitchel - How Can I? 11. The Supreme Jubilees - Do you Believe 12. David Snell - Gentle Moves 13. We have heaven - Feel the Power (Frizz remix) 14. Joseph Shabason - Aytche 15. Blue Heron - Paul's Blues 16. Lilipulu - b2 17. The Gateway Experience - Wave 1 Discovery Orientation

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EPSA_29_12_2021_Especial sobre la Posibilidad de lo Salvaje, con Asier Puga y Garay

Podcast El Programa de Sita Abellán

Play Episode Listen Later Dec 29, 2021 227:50

Asier Puga vuelve a EPSA para despedir el 2021 apuntando al 2022, dándonos unas pinceladas de lo que será la temporada XXVII de la Orquesta de Cámara de Zaragoza, que a lo largo del 2022 y bajo el naming de "Sobre la Posibilidad de lo Salvaje" se desarrollará en un abismo peligroso y audaz, comisariado por el propio Asier. De este modo, no sólo podremos vislumbrar el corpus de la temporada, además podremos colegir lo que supone programar y proponer este tipo de contenidos en el meta contexto de la "Alta Cultura" y la "Música Clásica". La programación se puede ver en detalle en https://www.ocazenigma.com/xxvii-temporada , y para terminar el programa me marco una sesión en la que personalidades tan opuestas como Eliane Radigue, Ruth White o Magpahi dialogan a través de décadas y sensibilidades que van desde la abstracción aparentemente otherkin a la tradición barroca desde la vanguardia clásica para hacer una regresión a la caverna primordial, húmeda como el útero, en la que la música se crea por vez primera.

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World of Echo Episode 142

World of Echo - BFF.fm

Play Episode Listen Later Dec 27, 2021

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Wax the Van by Arthur Russell on World of Echo (Audika) 3′57″ Naldjorlak I: Mouvement I by Eliane Radigue on Naldjorlak I II III (Shiiin) 18′23″ Naldjorlak I: Mouvement II by Eliane Radigue on Naldjorlak I II III (Shiiin) 29′37″ Mandala by Somei Satoh on Mandala Trilogy + 1 (WRWTFWW) 48′33″ Hare Jaya Jaya Rama I by Laraaji on Vision Songs, Vol. 1 (Numero) 54′58″ Old Melody by Beverly Glenn-Copeland on Keyboard Fantasies (Transgressive Records Ltd) Check out the full archives on the website.

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Ars sonora - Antecedentes de la música drone (I) - 04/12/21

Ars sonora

Play Episode Listen Later Dec 4, 2021 59:08

"Antecedentes de la música drone" es el título del triple programa monográfico que se inicia con este espacio, y en el que presentaremos algunas manifestaciones musicales que pudieron influir en la aparición de un género (o, más bien, una práctica compositiva) caracterizado por la presencia de sonidos que se mantienen durante largos periodos de tiempo y que, en su caso, evolucionan muy lentamente. A menudo, esos sonidos estáticos ocupan el registro más grave y, sobre ese bordón o nota pedal (expresión que nos permitiría referirnos en nuestro idioma a esta práctica como "música pedal", prescindiendo de anglicismos), los parciales superiores que completan su espectro armónico van experimentando diferentes variaciones tímbricas, texturales, rítmicas, etc. Antes de abordar la escucha de ciertos usos precursores de estas técnicas compositivas, en el inicio de esta emisión repasamos algunas de las figuras más representativas en el ámbito de la llamada "drone music", al tiempo que presentamos algunos fragmentos representativos de su trabajo (y rememoramos también las apariciones de estos autores en pasadas ediciones de Ars Sonora -para los oyentes que deseen profundizar en sus respectivas creaciones a través del podcast de nuestro espacio-). Nombres como los de Phil Niblock (con piezas como "Poure", que nos acompaña en el inicio), La Monte Young o Alvin Lucier -fallecido el pasado 1 de diciembre- se entremezclan con los de compositoras tan reconocidas como Eliane Radigue (de quien presentamos un fragmento de "Koume"), Pauline Oliveros o Ellen Fulman (cuya "Bass Song" también recordamos), en una clara muestra de cómo las artistas mujeres han destacado especialmente en este terreno creativo. Tras ese panorama, dedicamos este primer capítulo del monográfico a presentar diferentes composiciones tradicionales procedentes del subcontinente indio. En ellas es frecuente el uso de una nota pedal que sirve como base de la interpretación musical. El instrumento encargado de esta función suele ser la tampura (también conocida en nuestro idioma como tambora), instrumento de cuerda pulsada de la misma familia de la vina, que está relacionada con la diosa Saraswati, patrona y musa de las Bellas Artes en el panteón hindú. Los ejemplos que escuchamos van desde la música carnática de Veenai Dhanammal (1867-1938) hasta el trabajo de los músicos de la compañía del bailarín Uday Shankar, hermano mayor de Ravi Shankar, el conocido virtuoso del sitar (cuya música también ofrecemos), pasando por la audición de otro resultado de la influencia de estos creadores en canciones de The Beatles como "Within You Without You", integrada en el disco "Sgt. Pepper's Lonely Hearts Club Band", de 1967. Escuchar audio

radio beatles antes drones tras pepper sgt escuchar nombres bellas artes lonely hearts club band saraswati antecedentes ravi shankar pauline oliveros programas de rne alvin lucier la monte young eliane radigue phil niblock ars sonora

Jérôme Bel, chorégraphe

Musique Emoi

Play Episode Listen Later Nov 21, 2021 88:41

durée : 01:28:41 - Jérôme Bel, chorégraphe - par : Priscille Lafitte - Le chorégraphe Jérôme Bel tisse des liens entre John Cage et Oum Kalthoum, entre la danseuse de kathak Roshan Kumari et la pianiste Maria João Pires, entre les compositeurs Alban Berg et Eliane Radigue. Une curiosité tous azimuts ! - réalisé par : Catherine Prin-Le Gall

pires chor john cage maria jo graphe alban berg oum kalthoum eliane radigue

3921: Quadrat

Cities and Memory - remixing the sounds of the world

Play Episode Listen Later Aug 3, 2021 12:48

Nepal traffic reimagined by Simon Kennedy. "The more than brilliant Dillon Bastan's Emit was used for the work. There is no processing at all other than slowing time by 4000%. This study is what I am calling a Ganzfeld audial experiment. Ganzfeld is a Gestalt term describing a phenomenon of perception caused by exposure to an unstructured, uniform stimulation field. The effect is the result of the brain amplifying neural noise in order to look for the missing visual (or audial) signals. If you have seen a James Turrell environmental installation then you'll get the idea of the Ganzfeld effect. Max Neuhaus is an artist whose sound work encourages the effect. Many composers (John Cage, Pauline Oliveros and Eliane Radigue) have worked with a form of composition that combines their spiritual (often Buddhist) practise with a sonic minimalism. Many academics refer to this work as requiring a focussed, reduced, deep, layered or quantum listening. This piece offers a mandala or quadrat to stimulate reflection. Katmandu lies in the valley known as the Nepal Mandala. A mandala is known, in some faiths, to represent the spiritual journey, starting from outside, venturing to the inner core, through transitional and increasingly enlightened layers. The mandala is a meditative simulacrum to be repeatedly contemplated to the point of saturation, such that the stimulus becomes fully internalised in even the minutest detail and can then be summoned and contemplated at will as clear and vivid. A mandala traditionally has four gates. This quadrat imagines four gatekeepers offering wayfinding to, perhaps, a spiritual meditation on the four stages to enlightenment. Or the four deracinating stages of culture shock: disorientation, negotiation, adjustment and assimilation (or, often, revulsion). Maybe we follow the path from simulacra to simulation when we realise we do not experience a faithful image or copy of a place but a perversion in which our experience has no relationship to any reality or place whatsoever. The final gatekeeper suggests we reflect on the environmental and ecological consequences of our journey and our impact on this place: creation-germination; croissance-augmentation; existence and division; degradation, collapse and extinction."

buddhist nepal gestalt john cage quadrat pauline oliveros emit james turrell simon kennedy ganzfeld eliane radigue

The Woman-Machine

Seriously…

Play Episode Listen Later Jul 2, 2021 58:03

While the history of electronic music includes many notable men whose stories have been frequently celebrated, the genre has also provided a space for a wide range of extraordinary women to create a musical room of their own. Working with machines meant being able to sidestep many of the hurdles that stood in the way of women aspiring to a musical career, such as access to orchestras, commissions and concert halls, and an over-riding failure to be taken seriously by the male musical gate-keepers. Elizabeth Alker examines the connections between early pioneers such as Eliane Radigue and Daphne Oram (who gained access to studios thanks to the second world war), those musicians who followed in their immediate wake such as Suzanne Ciani and Laurie Spiegel, and today's generation of female composers. Anna Meredith, Holly Herndon, Afrodeutsche and JLin all speak with Elizabeth about their own work and the debt they owe their predecessors. Central to the story is the composer and academic Pauline Oliveros, who founded the San Francisco Tape Music Centre, and whose theories around deep-listening as a feminist act shape so much of the texture of the music created by the women and men who followed her. This is music, Elizabeth argues, which has an emphasis on tone and texture. This lends it a particular quality making it both distinct from its male equivalent and also profoundly beautiful and rich. Presenter: Elizabeth Alker Producer: Geoff Bird A Tempo & Talker production for BBC Radio 4

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Un Jour dans l'Histoire - Eliane Radigue, Colette Magny et Yma Sumac : des musiciennes underground et fascinantes - 24/06/2021

Un Jour dans l'Histoire

Play Episode Listen Later Jun 23, 2021 24:05

Nous recevons Arnaud Le Gouëfflec, auteur de la BD « Underground – Grandes prêtresses du son et Rockers Maudits », une véritable bible illustrée de la musique indépendante parue chez Glénat. Une séquence réalisée par Jonathan Remy

underground l'histoire un jour magny fascinantes yma sumac eliane radigue

Artist Spotlight: David Piazza

Source Of Uncertainty: A Buchla Podcast 4U

Play Episode Listen Later Jun 16, 2021 27:07

In the 1940's, Pierre Schaeffer realized that the electronic medium opens up music composition to the whole domain of sonic phenomena. Technology enabled the composer to work directly with sound itself as opposed to an abstraction of it, operational signals on a sheet given to performers that could interpret them and realize the piece. For him, this reversal of the compositional process meant that we would need a new vocabulary to describe the whole reality of music, that notation only rendered a part of while all the while being prescriptive ; a language based on the premise that musical sounds are most importantly perceptual realities rather than acoustic ones. His idea was that we could use this framework to describe, discuss and reflect on our perception in a more objective way instead of relying on references to the origin of the sounds or onomatopoeia. This would in turn enable composers to identify and classify their materials based on their perceptual characteristics before manipulating and combining them into a piece of music. Buchla's 200e, to me, embodies these concepts in a single, open-ended instrument that allows me to generate, shape and articulate sounds into musical objects for both composition and performance. This piece is an exercise in acknowledging my influences as well as a display of the way in which I have been using my 200e system in composition. It is organized in three parts : Part 1 : A dynamic and busy system, where the ‘humanized' noise of the 272e provides changing and unpredictable timbres accumulating in parallel to the 261e's shapeshifting waveforms. The 223e allows my hands to guide the flow of the processing and impart intentional gestures among the chaos of the patch. Sounds disintegrate, coalesce and resonate as they move around the different channels of the (mixed down) quadraphonic space. Part 2 : A pulsating drone swells and brightens as it iterates. Here, I am trying to coax the slowest movements that I can out of the 200e, as I open a filter on a rich sound being continuously shaped by the 296e. At the time of composing this section, I was listening to a lot of Eliane Radigue's electronic works, which are often based around the careful exploration and subtle control of the movement and beating that stems from phase relationships between oscillators. I chose to pay tribute to her unique form through this progressive reveal of the spectral content of the sound, making its various components gradually percolate and collide across delay lines. Part 3 : Part 2 blends into part 3, wherein sorrow gives in to a more hopeful colour. The 272e is sampled and then manipulated. Repetition, like an attempt to eternalize things I know have to die, disperses faint echoes that become more distant and fade in and out, gradually, like memories. Thank you to Kyle and Robert for the podcast and for providing me with an opportunity to share this. Thank you for listening and keep on patching! Bandcamp : https://davidpiazza.bandcamp.com

technology repetition piazza artist spotlight pierre schaeffer eliane radigue

Sisters With Transistors

Electronic Music

Play Episode Listen Later May 25, 2021 37:18

Chapters00:34 - Introduction02:06 - Summary Of The Film02:52 - Why Make The Documentary?04:15 - Not Seeking Popularity 06:08 - Gathering Archive Footage07:22 - Narration by Laurie Anderson08:34 - The Women Tell Their Own Stories 09:32 - Sound Design Instead Of A Score12:21 - Marta Salogni On Her Influences 20:53 - Defining A New Genre Of Music 23:32 - Creating New Sounds And Composing With Tape 28:26 - Sound Design For The Film31:38 - The Challenges Of Composing For Film34:41 - The Importance Of Female Role Models36:29 - EndingThe film features Clara Rockmore, Daphne Oram, Bebe Barron, Delia Derbyshire, Maryanne Amacher, Pauline Oliveros, Wendy Carlos, Eliane Radigue, Suzanne Ciani and Laurie Spiegel with commentary by Laurie Anderson.https://sisterswithtransistors.com/https://www.modernfilms.com/sisterswithtransistors (UK) https://metrograph.com/live-screenings/sisters-with-transistors/ (USA)Lisa Rovner BiogA French American artist and filmmaker, Lisa Rovner is now based in London with her work presented in art venues and theatres internationally. Her films delve into the archives and work to transform politics and philosophy into cinematic spectacle. Rovner has collaborated with some of the most internationally respected artists and brands including Pierre Huyghe, Liam Gillick, Sebastien Tellier, Maison Martin Margiela and Acne. Sisters With Transistors is her first feature documentary.www.messageisthemedium.comMarta Salogni BiogA record producer, mixer, recording engineer and tape composer, Marta Salogni launched her career in her native Italy, where she spent her early years collaborating with artists and bands across a range of musical styles. As a producer and mixer, Marta Salogni has worked with Björk, M.I.A., Factory Floor, Kelela, Liars, Alex Cameron, Daniel Blumberg, Little Boots, Temples, Insecure Men, The Orielles, HMLTD, and Django Django. Marta is the sound designer for Sisters With Transistors.www.solarmanagement.co.uk/marta-salogniCaro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album "Electric Mountain" is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This "sonic enchantress" (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/Delia Derbyshire Day Charity: https://deliaderbyshireday.com

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World of Echo Episode 142

World of Echo - BFF.fm

Play Episode Listen Later May 18, 2021

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Wax the Van by Arthur Russell on World of Echo (Audika) 3′57″ Naldjorlak I: Mouvement I by Eliane Radigue on Naldjorlak I II III (Shiiin) 18′23″ Naldjorlak I: Mouvement II by Eliane Radigue on Naldjorlak I II III (Shiiin) 29′37″ Mandala by Somei Satoh on Mandala Trilogy + 1 (WRWTFWW) 48′33″ Hare Jaya Jaya Rama I by Laraaji on Vision Songs, Vol. 1 (Numero) 54′58″ Old Melody by Beverly Glenn-Copeland on Keyboard Fantasies (Transgressive Records Ltd) Check out the full archives on the website.

world playlist vol echo bff wax numero mandala arthur russell laraaji eliane radigue

Bonus Tracks from the Archives

Play Episode Listen Later Apr 25, 2021 123:11

Episode 39 Bonus Tracks from the Archives Playlist Steve Birchall, “Summer Memories” from Reality Gates (1973 Poseidon Electronic Music Studio). Self-produced and distributed. EMS VCS-3, Eventide Clockworks Instant Phaser, EMT Reverb, Cooper Time Cube delay, Steve Birchall. 10:37. Not used in episode 38, Before “New Age” Music. Paul Bley, “Improvisie” from Improvisie, 1971. ARP 2500 synthesizer and RMI electric piano, Paul Bley; Voice, Piano, Electric Piano, Annette Peacock; Percussion, Han Bennink. 13:52. Not used in episode 15, Electronic Jazz, Part 3: Early Synthesizer Jazz. John Cage, David Tudor, “Duet For Cymbal” from John Cage, David Tudor, Christian Wolff ‎– San Francisco Museum Of Art, January 16th, 1965. Historic concert of live electronic music recorded by KPFA Radio.at San Francisco Museum of Art. "Duet for cymbal" was performed on a single cymbal with contact microphones agitated by a wide gamut of objects. 9:34. Not used in episode 12, David Tudor: From piano to electronics. Walter De Maria, “Ocean Music,” 1968, privately released. 20:30. Not used in episode 13, Electronic Jazz, Part 1: Before the Synthesizer. Toshiro Mayuzumi, “Mandara” for electronic sounds and voices (1969, Philips). 10:21. Not used in episode 16, Vintage Electronic Music from Japan, Part 1. Jacqueline Nova, “Creación De La Tierra” from Bertola / Nova / Orellana–Tres Composiciones Electroacusticas (1976 Tacuabé). Tape composition, Jacqueline Nova. Creación de la tierra (composed 1972) realized in the Studio of fonologia de la Universidad nacionál de Buenos Aires. 18:22. Not used in episode 5, Seeing and Touching Sound—Music for Magnetic Tape. Eliane Radigue, “Triptych 1” from Triptych (1978 Important RE). ARP 2500 Synthesizer, Eliane Radigue. Recorded in the composer's studio in Paris. Commissioned by Douglas Dunn for choreography. Only this part of Triptych was staged at the premiere at the Dancehall/Theatre of Nancy on February 27, 1978. 17:33. Not used in episode 5, Seeing and Touching Sound—Music for Magnetic Tape. Miki Yui, “Whisper” from the album Small Sounds (1999 BMB). Electronics, Miki Yui. “Small sounds are to merge and fuse with your acoustic environment - please play in a transparent level; in different atmosphere.” Composed and recorded in Cologne, Germany. 3:12. Not used in episode 5, Seeing and Touching Sound—Music for Magnetic Tape. Madelyn Byrne, “Winter” from Lesbian American Composers (CRI 1998). Electro-acoustic composition by Madelyn Byrne. 7:37. Not used in episode 5, Seeing and Touching Sound—Music for Magnetic Tape. Barney Wilen, “Auto Jazz: The Tragic Destiny of Lorenzo Bandini,” part 1, 1968. 5:37. Not used in episode 13, Electronic Jazz, Part 1: Before the Synthesizer. Bass, Beb Guérin; Drums,Eddy Gaumont; Piano, François Tusques; Saxophone, Barney Wilen. Soundtrack of race cars recorded at the Grand Prix de Monaco, May 7, 1967 by Barney Wilen. Opening music: Ian Boddy, “Vox Lumina” from Aurora (2002 DiN). Composed, produced, played by Ian Boddy using: Software Instruments (Logic, Metasynth, Pluggo, Absynth, Reaktor, EVP88), Analogue synthesizers (VCS3, Roland 100M, Doepfer A100, Analogue Solutions, Analogue Systems), Sounds (Radio), Digital synthesizers (Roland JD990, Roland D550, Roland JP8000), Akai S6000 Digital Sampler. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes.

art voice japan germany digital studio historic bass piano soundtracks whispers buenos aires tape archives universidad electro monaco drums grand prix din philips electronics cologne creaci duet commissioned percussion composed saxophone john cage arp analogue synthesizer rmi reaktor triptych san francisco museum bmb paul bley ian boddy eliane radigue david tudor annette peacock han bennink barney wilen kpfa radio absynth walter de maria pluggo electronic jazz tusques

#72: Ka Baird

Electro Lab - Radio C-Lab

Play Episode Listen Later Mar 13, 2021 58:36

Snot-caked pants, wild banshee shit, the cadence and emphasis of Robert Ashley. The New York-based composer and multi-instrumentalist discusses three important albums.

love new york baird snot robert ashley eliane radigue sonny sharrock rvng

LES FEMMES S'EMPARENT D'ELAB #12 : FRAVAL

Play Episode Listen Later Mar 5, 2021

Les Femmes s'emparent d'ELAB, notre programme estival dédié aux femmes DJs, devient une émission mensuelle sur C Lab, en parallèle d'Électro Lab. Et c'est la pianiste, productrice et DJ brestoise Fraval qui prend les commandes d'ELAB pour ce nouveau numéro.Électro Lab · LES FEMMES S'EMPARENT D'ELAB #12 FRAVALOn braque de nouveau les projecteurs du côté de Brest, une ville qu’on aime beaucoup et dont la scène électronique ne cesse de nous ravir. Notre nouvelle invitée est pianiste, productrice et DJ, sous l’alias Fraval. On vous en déjà parlé dans l’émission Électro Lab puisque son premier morceau signé sur un label est sorti sur la compilation Bienvenue à bord bâtard de Dans la zone. On vous présentait ça y a quelques semaines, le podcast est dispo sur le site de C lab, et son morceau “Juvenes”, est dispo à l’écoute sur notre SC, si c’est pas fait allez checker cette magistrale composition reprenant un vocal de Mademoiselle Diam’s en personne. Avant de se plonger dans la techno il y a deux ans, Fraval a commencé la musique vers 3-4 ans, elles a fait du piano pendant 12 ans, du conservatoire en composition, autant dire qu’elle a un joli bagage de musicienne, un parcours classique qui fait un peu penser à celui de Jean Terechkova, la DJ de la Tangente et productrice qu’on connaît bien dans cette émission. C’est d’ailleurs à travers le piano que Nolwen, alias Fraval, a son premier coup de foudre pour Aphex Twin, avec ses musiques instrumentales. Ce n’est que bien plus tard qu’elle découvrira tout ce que l’artiste anglais a apporté aux musiques électroniques, et il est à ce jour une des figures qui l’inspirent le plus. Elle cite aussi Eliane Radigue, pionnière de la musique électronique âgée aujourd’hui de 89 ans, et qui a participé en leurs temps aux expérimentations de musique concrète du GRM, avec Pierre Schaeffer, Henry et compagnie. Elle est une des premières femmes en France à avoir utilisé un synthétiseur.Pour revenir à Fraval, vous trouverez sur son compte SC des productions de ces deux dernières années, elle s’essaie a pas mal de styles différents, avec toujours une attention à l’harmonie, on sent bien le côté expérimentation d’une jeune productrice. Ses derniers morceaux sont plus que prometteurs, elle s’affirme dans une esthétique techno, trance, rave. Elle s’est aussi mise à mixer il y a un an et elle a pu jouer à quelques événements dans le Finistère. Ce soir elle nous propose un DJ set de 50min, une petite balade dans ses influences du moment, qui vous prend doucement par la main et vous emmène dans une danse, dans une transe les yeux fermés et les bras levés. Laissez vous bercer par la symphonie de la techno, par les mélodies de la rave, par la trance langoureuse, envolez-vous dans l’acid, vous êtes avec Fraval sur C Lab.< LES FEMMES S'EMPARENT D'ELAB >Passées une centaine d'émissions sur C Lab, il a bien fallu se rendre à l'évidence : les femmes manquent cruellement à nos micros. Sur les 35 émissions réalisées l'année dernière, seulement quatre DJs femmes... Un constat qui fait mal à la scène bretonne, pourtant super-active et fière de l'être.Cette année, afin de commencer à notre niveau, local et associatif, à contrer cette tendance structurelle de manque de visibilité des artistes femmes qui se reflète, bien malgré nous, dans notre programmation, nous avons décidé de lancer une émission mensuelle dédiée exclusivement à des femmes DJs. RDV le premier vendredi du mois.Remercions spécialement le webzine PWFM qui nous confie gracieusement pour illustrer ce programme le logo de sa branche féministe, Provocative Women For Music. On ne pouvait pas rêver meilleur visuel que celui conçu par Théo Baize, alias Hello Hello Theo, pour imager notre volonté commune de rendre visible ce qui est trop souvent tu ou ignoré dans une culture phallo-centrée : le talent féminin. Un grand merci à elleux, on vous invite à aller découvrir leur nombreux projets visant à fédérer les femmes de la musique électronique.BONNE ÉMISSION

france dj pass dans djs avant lab bienvenue ses les femmes laissez brest rdv aphex twin finist grm tangente pierre schaeffer c lab eliane radigue baize

Ailleurs 229: UVB76: A Touch Of Zen

Ouïedire

Play Episode Listen Later Dec 2, 2020

00:00:00 Eliane Radigue - 17′47'00:05:30 Pauline Oliveros, Stuart Demptser, Panaiotis - Lear00:10:30 Kevin Drumm - Taurean00:18:00 Graham Lambkin - Dumb Answer To Miracles00:22:30 Rainforest Spiritual Enslavement - Refuges From Black Magic00:24:00 Kink Gong - Tibetan Buddhism Trip, Part I00:35:30 Senyawa - Sujud (Prosternation)00:42:00 Anthony Child - Colonisation00:45:30 Psychic TV - Various Temple Bells, Gongs, Cymbals And Vibes00:52:00 The Gamelan Of The Walking Warrior - Dedari Ngindang00:57:00 Thomas Koner - Serac01:00:00 Geinoh Yamashirogumi - Primordial Germination

touch ailleurs gongs pauline oliveros eliane radigue

Darmstadt On Air #13: Collaboration as life force

Darmstadt On Air

Play Episode Listen Later Nov 10, 2020 45:21

„Collaborating is the main life force for me.“ Two inspiring harpists have met for the Darmstadt On Air podcast #13: Gunnhildur Einarsdóttir is an Icelandic harpist based in Berlin, founding member of Ensemble Adapter and harp tutor of the Darmstadt Summer Course since 2014. She invited harpist and improviser Rhodri Davies, who is a based in Swansea, South Wales. He plays harp, electric harp, live-electronics and builds wind, water, ice, dry ice and fire harp installations. Rhodri has released five solo albums and is also working in different constellations with artists like John Butcher, John Tilbury, Michael Duch and many others. Gunnhildur and Rhodri both studied with the Welsh harpist Sioned Williams and it was through her that they first heard of each other. The two harpists have both been doing pioneering work in order to invigorate the harp repertoire with new pieces. They also share an artistic approach that is very much based on collaboration and cooperation. Their conversation is about choosing collaborators, about ego and trust, about Rhodri’s collaboration with Eliane Radigue, who wrote the first of her OCCAM pieces for him, about verbal transmission of interpreters‘ knowledge, about the grey area between improvisation and composition, and about diving into a composer’s world and inhabiting in it with one’s own ideas and sounds.

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Vintage Drones and Beats

Play Episode Listen Later Oct 24, 2020 67:14

Episode 11 Vintage Drones and Beats Playlist Alan Sondheim, Day's Eye, from the album All 7-70* ‎– T'Other Little Tune (1968). For dilruba, trumpet, tabla, and Moog Modular Synthesizer. Eliane Radigue, Chry-ptus I (1971), excerpt, from the album Chry-ptus. Realized on the Buchla Synthesizer at Morton Subotnick's studio at New York University. Originally two tapes that were played simultaneously, with or without being synchronized. La Monte Young and Marian Zazeela. 31 VII 69 10:26 - 10:49 PM for sine wave drone, voice, and bowed gongs. From “the black album,” 1969. Numbered edition limited to 2800 copies, of which mine is number 661. Maggi Payne, White Night, from the album Crystal (1986). Eliane Radigue, Σ = a = b = a + b (1969), two 7” discs, we heard side a-4. Composed while she was living in Paris, just before coming to New York. “Sides A and B can be listened to separately or simultaneously, synchronously or asynchronously. Sides A and B of this disc can be combined indefinitely at any speed 78, 45, 33 or 16 turns.” 250 duplicates of this disc were made. I do not own this disc. Annette Peacock and Paul Bley, Dual Unity. From the album Dual Unity, 1972. For piano and vocal treatments with the Moog Synthesizer. Luc Ferrari, Cellule 75 (1975), excerpt, for piano, percussion and magnetic tape. Composed May - November 1975. Performed at Mills College. Recorded and Mixed by Maggi Payne. The Archive Mix in which I play two additional tracks at the same time, to see what happens. This time, however, I am playing three tracks. Two are different portions of Eliane Radigue's Vice Versa Etc., mix 1 from 1970. The third track is the ending of Cellule 75 by Luc Ferrari. Eliane Radigue, excerpt, Vice Versa Etc. Mix 1 (1970), from the opening of the mix. Eliane Radigue, excerpt, Vice Versa Etc. Mix 1 (1970), from the closing of the mix. Luc Ferrari, excerpt, Cellule 75 (1975), from the end of the piece. Read my book: Electronic and Experimental Music (sixth edition), by Thom Holmes (2020).

Seeing and Touching Sound—Music for Magnetic Tape

Play Episode Listen Later Sep 7, 2020 80:41

Playlist Delia Derbyshire, Dreaming (1971), from the album Out of This World: Atmospheric Sounds and Effects from the BBC Radiophonic Workshop (1976) Glynis Jones, Crystal City, from the album Out of This World: Atmospheric Sounds and Effects from the BBC Radiophonic Workshop (1976) Pauline Oliveros, Jar Piece (1966), from the album Electronic Essays (1968) Jacqueline Nova, Opposition-Fusion (1968), from the sound library of the Studio of fonologia de la Universidad nacionál de Buenos Aires. Micheline Coulombe Saint-Marcoux, Zones (1972), from the album Carrefour: Musique, Électro-Acoustique/electroacoustic music, (1972) Eliane Radigue, Triptych, Part 2, excerpt (1978), from the album Triptych (2009) Maggi Payne, Subterranean Network, excerpt (1985), from the album Music From Mills (1986) Miki Yui, Mong (1999) from the album Small Sounds (1999) This episode's Archive Mix. These two records are played simultaneously and are not manipulated in any way, leaving all audio and musical interactions to chance. The tracks: Veronika Wolf-Cohen, Bat David (1980) from the album Israeli Electroacoustic Music (1981) and Ann McMillan, Amber '75, excerpt (1975) from the album Gateway Summer Sound - Abstracted Animal & Other Sounds (1978) Intro and outro music, plus all incidental sounds by Thom Holmes. For information about Thom's book, Electronic and Experimental Music (6th edition) go to the book's website for a print or electronic version, or order on Amazon.

#57: J. Zunz

*DUUU - Unités Radiophoniques Mobiles

Play Episode Listen Later Aug 13, 2020 67:54

Fearless four-track improvisations, spiritual jazz recurrence, manipulations of passing time. Lorena Quintanilla discusses three important albums.

fearless zunz eliane radigue attnmagazine crucial listening

Précipités de lenteur

Play Episode Listen Later Jun 13, 2020

Précipités de lenteur - Matthieu Saladin00:00 - 24:00 Une proposition de Matthieu SaladinPrécipités de lenteur est un projet protéiforme. Conçu initialement pour une exposition personnelle au BBB centre d’art à Toulouse en 2019, il est devenu depuis un essai d’économie politique de la musique publié dans la revue Audimat, une mixtape pour un marathon confiné du festival Sonic Protest et à présent un programme radiophonique de 24 heures pour *DUUU Radio. Quelle que soit sa forme, il s’agit à chaque fois d’interroger l’idéologie de l’accélération qui gouverne nos sociétés, à travers des expérimentations sonores menées sur le ralentissement. À l’heure du trading à haute fréquence, de l’occupation 24/7 du temps de vie, de l’apologie de la mobilité et de l’augmentation généralisée du rythme des changements sociaux, ces expériences constituent autant de critiques en acte, de tentatives de temporisation, sinon de replis face aux impératifs de l’accélération. Dans le contexte actuel de pandémie, où cette fuite en avant semble avoir été – temporairement – stoppée net dans sa course, ces musiques résonnent sans doute encore autrement, tel un retard en guise de prélude, celui-là même où nous vivons.⏳ Précipités de lenteur (version programme radiophonique) ⏳ 🕛 Dj Screw, In The Air Tonight 🕛 Harry Pussy, Let’s Build a Pussy 🕐 La Monte Young, Dream House, Map Of 49's Dream, Drift Study, The Second Dream Of The High Tension Line Stepdown Transformer From The Four Dreams Of China 🕞 A$AP Rocky, Purple Swag, Been Around The World, Get Lit 🕓 John Cage, Organ2/ASLSP 🕡 Michael Prime, One Hour As A Plant 🕢 Philip Corner, Satie Slowly 🕤 Neu!, Cassetto 🕤 Dj Screw, Chapter 178 – In the Zone 🕚 Neu!, Hallo Excentrico!, Super 16 🕚 Michael Snow, Falling Starts 🕛 Kylie Minoise, You Suffer 🕐 Alvin Lucier, Nothing Is Real (Strawberry Fields Forever) 🕐 Taku Sugimoto & Radu Malfatti, Futsatsu 🕞 A$AP Rocky, Purple Swag – Chapter 2 🕞 Walter Marchetti, Natura Morta 🕟 Dj Screw, Same Ol G 🕡 Eliane Radigue, Adnos I-III 🕙 Earth, Seven Angels, Teeth of Lions Rule The Divine 🕥 Collin Olan, Rec01 🕚 Gavin Bryars, The Sinking Of The Titanic

Éliane Radigue (3/5) : "C'était une période particulièrement intense à New York"

Play Episode Listen Later Jun 10, 2020 25:06

durée : 00:25:06 - Éliane Radigue, compositrice (3/5) - par : François Bonnet - A partir du début des années 60, lors d'un séjour d'un an à New York avec Arman et leurs enfants, la compositrice Eliane Radigue découvre la scène artistique américaine. Elle rencontre John Cage, Philip Glass, Steve Reich, Morton Subotnik... - réalisé par : Christine Amado

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Éliane Radigue (2/5) : "Ça a été le début de la grande aventure de ma vie"

Play Episode Listen Later Jun 9, 2020 25:04

durée : 00:25:04 - Éliane Radigue, compositrice (2/5) - par : François Bonnet - La compositrice Eliane Radigue raconte comment elle découvre la musique concrète dans les années 50. Elle décrit sa rencontre avec Pierre Schaeffer, et Pierre Henry dont elle devient l'assistante à son retour à Paris en 1967 : "cela m'a permis de prendre pied dans la bande magnétique." - réalisé par : Christine Amado

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Eliane Radigue (1/5) : "J'étais partie à Nice pour trois semaines, j'y suis restée 17 ans !"

En pistes, contemporains !

Play Episode Listen Later Jun 8, 2020 25:10

durée : 00:25:10 - Eliane Radigue, compositrice (1/5) - par : François Bonnet - Dans ce premier volet de nos entretiens, la compositrice Eliane Radigue raconte son enfance à Paris, sa découverte de la musique avec Madame Roger ("à qui je dois tout"), une professeure de piano qui habitait dans le même immeuble que ses parents. - réalisé par : Christine Amado

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Actualité du CD de la création : Philipp Glass, Joly Braga Santos, Alejandro Delgado, Eliane Radigue...

Play Episode Listen Later Apr 26, 2020 59:57

durée : 00:59:57 - En pistes, contemporains ! du dimanche 03 novembre 2019 - par : Emilie Munera - Musique = Clapping de Steve Reich Voix = Coco Bonnier - réalisé par : Olivier Guérin

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EPISODE 74 - SPECIAL GUEST - TOBIAS SARRA

Pablo's Poppin' Podcast

Play Episode Listen Later Apr 6, 2020 33:24

Multi-instrumentalist, Improviser, Singer-songwriter, Poet, Performance artist & Shamanic healer based in Newcastle-upon-Tyne. His music drifts between experimental improvisations on failure & imperfection, and devotional, spacious folk songs devoted to source energy. Inspired by global shamanism, zen/taoist philosophy and composers such as Hiroshi Yoshimura, Eliane Radigue and Pauline Oliveros he is fascinated by stillness, exploring the power of sound to change our relationship to space and create immersive experience. Pledge to Tobias's Kickstarter >>> RIGHT HERE RIGHT HERE

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Eliane Radigue (1/5) : "J'étais partie à Nice pour trois semaines, j'y suis restée 17 ans !"

Play Episode Listen Later Nov 18, 2019 25:10

durée : 00:25:10 - Eliane Radigue, compositrice (1/5) - par : François Bonnet - Dans ce premier volet de nos entretiens, la compositrice Eliane Radigue raconte son enfance à Paris, sa découverte de la musique avec Madame Roger ("à qui je dois tout"), professeure de piano qui habitait dans le même immeuble que ses parents. - réalisé par : Christine Amado

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Éliane Radigue (2/5) : "Ça a été le début de la grande aventure de ma vie"

Play Episode Listen Later Nov 18, 2019 25:04

durée : 00:25:04 - Éliane Radigue, compositrice (2/5) - par : François Bonnet - La compositrice Eliane Radigue raconte comment elle découvre la musique concrète dans les années 50. Elle décrit sa rencontre avec Pierre Schaeffer, et Pierre Henry dont elle devient l'assistante à son retour à Paris en 1967 : "cela m'a permis de prendre pied dans la bande magnétique." - réalisé par : Christine Amado

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Éliane Radigue (3/5) : "C'était une période particulièrement intense à New York"

En pistes, contemporains !

Play Episode Listen Later Nov 18, 2019 25:06

durée : 00:25:06 - Éliane Radigue, compositrice (3/5) - par : François Bonnet - A partir du début des années 60, lors d'un séjour d'un an à New York avec Arman et leurs enfants, la compositrice Eliane Radigue découvre la scène artistique américaine. Elle rencontre John Cage, Philip Glass, Steve Reich, Morton Subotnik... - réalisé par : Christine Amado

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Actualité du CD de la création : Philipp Glass, Joly Braga Santos, Alejandro Delgado, Eliane Radigue...

Play Episode Listen Later Nov 3, 2019 59:57

durée : 00:59:57 - En pistes, contemporains ! du dimanche 03 novembre 2019 - par : Emilie Munera - Musique = Clapping de Steve Reich Voix = Coco Bonnier - réalisé par : Olivier Guérin

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Mysteries of the Deep CXI - Claudio PRC

Mysteries of the Deep

Play Episode Listen Later Oct 23, 2019 50:00

Mysteries of the Deep Podcast, Chapter CXI by Claudio PRC (@claudioprc). Cover photo courtesy of Candace Price. 'With this mix I wanted to experiment with some of the folk music that I collected during these years of traveling around the globe. I wanted to combine a certain type of traditional world music, mainly Asian, with a raw and enveloping ambient and electro-acoustic background. Inside there are aspects of Mongolian, Japanese, Taiwanese and South Korean music culture, together with field-recordings by Hafdís Bjarnadóttir from Iceland and electronic compositions by Eliane Radigue, Pete Namlook, Carlo Giustini, Loscil and Music For Sleep. My aim is to submit the listener to a different approach to listening to folk music, creating a soundscape that fully reflects the experiences and emotions during those travels.' Tracklist: 1. Hafdís Bjarnadóttir - North (Island) 2. (till end) Eliane Radigue - Adnos I 3. Pete Namlook - Music For Urban Meditation - Part II 4. Damdin Khadkhuu - Intro (Mongolia) 5. Carlo Giustini - I Cani Di Strada Ottavi 6. Splendour Of The Shakuhachi - Yamagoe (Japan) 7. Loscil - Windless 8. 大悲咒課頌 - Track 2 (Taiwan) 9. Music For Sleep - Notturna 10. Byungki Hwang - The Labyrinth (South Korea)

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Episode 148: Safe Passage

the memory palace

Play Episode Listen Later Sep 19, 2019 15:59

The Memory Palace is a proud member of Radiotopia, a collective of independently owned and operated podcasts. A note on shownotes. In a perfect world, you go into each episode of the Memory Palace knowing nothing about what's coming. It's pretentious, sure, but that's the intention. So, if you don't want any spoilers or anything, you can click play without reading ahead. Anyway... Music We start with the Opening of Craig Armstrong's score to Far From the Madding Crowd. Glass Houses no. 13 from Ann Southern. Earring from Julia Wolf. Occam II for Violin from Eliane Radigue. Rearranging Furniture from Gabriel Yared's score to By the Sea. A bit of Movement II from Martynov, "Come in!" by Vladimir Martynov. Notes Plenty written about the Willie D.. I found Roger Branfill-Cook's Torpedo: the Most Revolutionary Weapon in Naval History to be particularly useful. I also enjoyed stumbling upon this day-by-day breakdown of F.D.R.'s Presidency.

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Kate Molleson on Eliane Radigue

The Essay

Play Episode Listen Later Aug 16, 2019 13:57

Radio 3 presenter Kate Molleson celebrates a composer whose music is particularly important to her: the Frenchwoman Eliane Radigue, whose calm and long-form sense of perspective Kate finds inspirational.

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Eliane Radigue, exploratrice du son

Pionnières

Play Episode Listen Later Aug 8, 2019 5:38

1950, à Nice. Eliane Radigue n’a que 19 ans lorsqu’elle fuit une éducation stricte et une mère trop autoritaire pour aller vivre une vie bohème au milieu des artistes de ce mouvement du nouveau… See acast.com/privacy for privacy and opt-out information.

eliane radigue

Make It More Sensual

M–L–XL Occasional Radio

Play Episode Listen Later Jul 12, 2019

In the current era of festivals that curate their line-ups adhering to gender equality policies, 'me-too' social campaigns and a booming feminist literature, we decided to pay tribute to female music dedicating an entire episode to the female pioneers of electronic music, following their works with those of their contemporary successors, revealing an accurate fil rouge that connects the two generations. The episode features: Ellen Arkbro, Kali Malone, Laurie Spiegel, Caterina Barbieri, Kaitlyn Aurelia Smith with Suzanne Ciani and Eliane Radigue.

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LE CHOC DU FUTUR | [REPLAY] Mardi 18 juin 2019 | Chaos : L'intégrale

CHAOS

Play Episode Listen Later Jul 1, 2019 28:29

Durée : 00:28:29Date : mardi 18 juin 2019Que retient-on vraiment de l'avènement de la musique électronique ? Dans la droite lignée de son engagement artistique et de ses projets musicaux, l'homme derrière le label Kwaidan et les groupes Nouvelle Vague, Bristol et Ollano, Marc Collin, revient à sa première aspiration, le cinéma. Avec Le Choc du Futur, il séquence en l'espace d'une heure et dix-sept minutes, les forts doutes et les quelques succès d'une compositrice déterminée à vaincre la mysoginie du milieu musical et à faire vaincre un genre musical que personne au sein de l'industrie ne veut entendre. En créant le personnage d'Ana Klimova, interpreté par Alma Jodorowsky, Marc Collin cherche à rendre hommage aux Eliane Radigue, Suzanne Ciani et consorts, ces femmes pionnières de l'expérimentation de l'électro et voulant dépasser les codes de la musique concrète.Le Choc du Futur fait aussi une grande place à l'aspect technique, à ces lourdes machines, ces synthés modulaires difficiles d'accès sans quoi rien ne pouvait être créé. En tout cela, ce film qui se veut réaliste a tout d'une pièce historique à consulter pour mieux comprendre cette époque synonyme de carrefour vers bien des genres et sous-genres musicaux faisant aujourd'hui le bonheur du public.

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Portrait d'un régime

la vie manifeste

Play Episode Listen Later Mar 26, 2019 17:12

Inventaire des 63 intellectuels ayant participé à la mise en scène du Roi pendant 8h, diffusée en direct sur France Culture, lundi 18 mars 2019. Texte > Emmanuel Moreira. Lecture > Anna Carlier. Sons > Émeute du 16 mars sur l'avenue des Champs-Élysées, Eliane Radigue (trilogie de la mort), Silver Pennies (sunroof) Mixage, montage > Emmanuel Moreira

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Emilie Levienaise-Farrouch – An Open Landscape

Headphone Commute

Play Episode Listen Later Jul 24, 2018

One of the catalysts to the composition on my new album Époques was a 2 weeks retreat in Suffolk last year, the change of environment and soundscape, away from inner city manmade noises. Many of the pieces featured in this mix were inspired by nature in an abstract or descriptive way. It is easy to sense the heatherlands, rivers and other natural phenomena at the source of the music. Starting with what has now become a classic, John Cage's In A Landscape, and followed by Dario Marianelli's cue from the movie Jane Eyre, both for its romantic expressive beauty, but also for its relationship to the writings of the Brontë sisters, for whom open landscapes and moorlands were such an important source of inspiration, the mix meanders through richly layered works by composers such as Eliane Radigue, Richard Skelton and Claire M Singer. I would suggest listening to this music while on a walk in the countryside or seaside, keeping the volume gentle enough for the sounds of your environment to come in and blend with the drones or act as a counterpoint to Hans Otte‘s Book of Sounds. For a more detailed description, full track listing and more information about this mix, please visit headphonecommute.com

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Secret Admirers: Kate Molleson on Eliane Radigue

The Essay

Play Episode Listen Later Apr 20, 2018 13:56

Radio 3 presenter Kate Molleson celebrates a composer whose music is particularly important to her: the Frenchwoman Eliane Radigue, whose calm and long-form sense of perspective Kate finds inspirational.

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Listening to Lovely Music

M–L–XL Occasional Radio

Play Episode Listen Later Feb 23, 2018

Lovely Music is the seminal experimental record label founded by Mimi Johnson, wife of composer Robert Ashley. The label is “dedicated to releasing the best in avant-garde and experimental music, from electronics and computer music to new opera and extended vocal techniques” and, over a lap of approximately 20 years, has been the official voice through which the artist of the Sonic Arts Union and of the Mills College have been distributing their music. The episode features: Blue Gene Tyranny, Jon Hassell, Eliane Radigue, David Behrman, Meredith Monk, Alvin Lucier, Paul De Marinis and Robert Ashley.

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#15: Zachary James Watkins

Play Episode Listen Later Dec 27, 2017 67:58

High vibration resonance, nostalgia in dub, ecstatic dancing. The Oakland-based composer discusses three important albums.

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#14: Shiva Feshareki

Play Episode Listen Later Dec 13, 2017 45:56

Ever-ascending love, walls of bass, deep listening on the Northern line. The London-based composer/experimental turntablist discusses three important compositions.

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VICTORIA KEDDIE - A SIMPLE MODEL OF QUANTUM TRAJECTORIES

modus laidos pranc eliane radigue

Play Episode Listen Later Jun 2, 2016

Programme de VICTORIA KEDDIE pour webSYNradio : A SIMPLE MODEL OF QUANTUM TRAJECTORIES. Avec les sons de Laurie Spiegel, Maryanne Amacher, Kathleen Baird, Leyna Marika Papach, Maia Hardinge, Maria Chavez, Daphne Oram, Victoria Keddie, Rose Kallal, Eliane Radigue, Hiro Kone, Zaimph.

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Eliane Radigue, Xavier Veilhan Traversée du labyrinthe sonore Les Soirées Nomades - juillet 2015

Les Soirées Nomades

Play Episode Listen Later Mar 14, 2016 8:18

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Modus 2016-01-23 22:07

Modus

Play Episode Listen Later Jan 23, 2016 57:01

Prancūzų kompozitorė Eliane Radigue.Laidos vedėjai Šarūnas Nakas ir Mindaugas Urbaitis.

Modus 2016-01-23 22:07

Modus

Play Episode Listen Later Jan 23, 2016 57:01

Prancūzų kompozitorė Eliane Radigue.Laidos vedėjai Šarūnas Nakas ir Mindaugas Urbaitis.

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EPSA_03_03_2014 Especial PAM: Mystery Rimbaud - Episodio exclusivo para mecenas

Podcast El Programa de Sita Abellán

Play Episode Listen Later Mar 6, 2014 141:46

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Con la presencia de Al y los Mystery Shopper. Celebramos el 14 aniversario de la muerte de Lolo Ferrari con un Especial poético-musical, que probablemente haya llevado a Panero a la mismísima tumba. Ayudados por Ruth White y Eliane Radigue, inauguramos formato, con un Live de los Mystery Shopper que sirve de tabla salvavidas para los versos de Rimbaud y Baudelaire en boca de nuestro querido Al. Un experimento radiofónico salido del laboratorio de EPSA, el lugar donde la Cultura y la Diversión hacen cruising.

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EPSA_03_03_2014 Especial PAM: Mystery Rimbaud - Episodio exclusivo para mecenas

Podcast El Programa de Sita Abellán

Play Episode Listen Later Mar 6, 2014 141:46

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Con la presencia de Al y los Mystery Shopper. Celebramos el 14 aniversario de la muerte de Lolo Ferrari con un Especial poético-musical, que probablemente haya llevado a Panero a la mismísima tumba. Ayudados por Ruth White y Eliane Radigue, inauguramos formato, con un Live de los Mystery Shopper que sirve de tabla salvavidas para los versos de Rimbaud y Baudelaire en boca de nuestro querido Al. Un experimento radiofónico salido del laboratorio de EPSA, el lugar donde la Cultura y la Diversión hacen cruising.Escucha este episodio completo y accede a todo el contenido exclusivo de Podcast El Programa de Sita Abellán. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://www.ivoox.com/podcast-podcast-el-programa-sita-abellan_sq_f130132_1.html

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Sonic TALK 314 - Harmonic Massage Gong Bath

SONIC TALK Podcasts

Play Episode Listen Later May 23, 2013 74:39

We start with a look at the Meganome controller and Jaziri robot drumming band, then the new Hearts and Knives Visage album, then we discuss what a facillities a new recording studio should have, finally the work of esoteric electronic composer Eliane Radigue.

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Sonic TALK 314 - Harmonic Massage Gong Bath

SONIC TALK Podcasts

Play Episode Listen Later May 22, 2013 74:30

We start with a look at the Meganome controller and Jaziri robot drumming band, then the new Hearts and Knives Visage album, then we discuss what a facillities a new recording studio should have, finally the work of esoteric electronic composer Eliane Radigue.

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CHRISTOPHE CHARLES - Sculptures musicales

Spannered Radio podcast (all items)

Play Episode Listen Later Jan 31, 2013

Programme de CHRISTOPHE CHARLES pour webSYNradio : Sculptures musicales avec des oeuvres et des pièces de Harry Bertoia, John Cage, Christophe Charles, Henning Christiensen, COIL, Olivier Coupille, Walter De Maria, Marcel Duchamp, David Dunn, Max Eastley, Gerhard Eckel, Mark Fell, Bill Fontana, I8u, Inada Kozo, Joe Jones, Rolf Julius, Yves Klein, Thomas Koener, Takeshisa Kosugi, Jaki Liebezeit, Alvin Lucier, Yann Novak, Yui Onodera, Paul Panhusen, Pimmon,red Maher, Eliane Radigue, Philip Samartzis, Erik Satie, Shibuya Keiichiro & Takahashi Yuji, Tamaru, Horacio Vaggione, Stephen Vitiello, Chubby Wolf, La Monte Young.

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Surgeon - at Blackest Ever Black

Play Episode Listen Later Apr 28, 2012 75:13

Surgeon remains one of electronic music's most consistently thrilling performers. Hugely influential in techno circles since the mid nineties, his productions and DJ mixes point to constant evolution in his sound and a steady absorption of new influences. Last year's Breaking the Frame, his first album in over ten years, struck a curveball at all those anticipating a pummelling set of textured techno tracks, instead distilling some of his listening habits of recent years — the likes of Alice Coltrane, Eliane Radigue and La Monte Young — into a very personal document, one that searched for, as he put it, 'the deep spiritual essence that lay behind the surface structures of their individual music'. This set was recorded in October 2011 in London, when Surgeon performed as the mystery guest at a showcase night for the Blackest Ever Black label. Given Blackest Ever’s brooding trajectory, the event’s line-up struck a suitably shadowy tone, featuring label mainstays Raime, William Bennett's formidable Cut Hands project, and long-time Surgeon collaborator Regis (with whom Surgeon performed a surprise closing set under their British Murder Boys guise). As Surgeon himself said, there was a rather strange, tense atmosphere in the club throughout the evening, due no doubt to hosting a bill of such intensely disturbed music in the heart of London's hip Shoreditch, and this tension probably comes across on this recording from the night. This is the last set to be hosted on Spannered for the foreseeable future. Many thanks to Tony for passing the recording to us and for giving his support to the site since day one. Tracklisting: John Coltrane - Dearly Beloved Surgeon - We Are All Already Here Roly Porter - Corrin Cub - CU1 Inigo Kennedy - Scatter Surgeon - Exhibit Karenn - Chaste Down Xhin - Teeth (Surgeon remix) Swarm Intelligence - Fighting Talk VIP KiNK - Machines Don't Cry Surgeon - Presence Scorn - The Palomar Surgeon - untitled Blawan - Coronation Inigo Kennedy - Cloudless Regis - Guiltless Surgeon - those who do not Universal Indicator - Red Kraftwerk - Its More Fun To Compute (Surgeon Remake) Aphex Twin - Digeridoo (Surgeon Remake) Emptyset - Return Tomohiko Sagae - Deburring (Paul Damage + Makaton Wasps mix) Ed Rush, Optical + Fierce - Alien Girl Raudive - Over Listen to Surgeon's For Dog Faces Only mix, recorded for Spannered

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VALÉRIE VIVANCOS - Being there

Play Episode Listen Later Mar 29, 2012

Programme de VALÉRIE VIVANCOS pour webSYNradio: Being there. Avec les sons de Ricky Spontane, Cecyl Taylor, Angus Carlyle, Kassel Jager, Delia Derbyshire, Sylvain Marquis, Julia Drouhin, Robert Hampson, OttoannA, Alan Dunn, Eliane Radigue, Christian Zanesi, Virgile Novarina & Ocean Viva Silver Balade Paradoxale, Claudia Wegener, Phill Niblock, Bernard Parmegiani, Gherasim Luca, Pierre Albert Birot, Jean COcteau, Samuel Beckett, Richard Prince.

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Joseph GHOSN - Un spectre d'émotions vertigineuses

Play Episode Listen Later Sep 1, 2011

Playliste de Joseph Ghosn pour webSYNradio : UN SPECTRE D'EMOTIONS VERTIGINEUSES. Avec des oeuvres de John Cale, La Monte Young, Takehisa Kosugi, C. Spencer Yeh, Steve Roden, Andy Warhol, Joseph Ghosn, Robert Desnos, Delia Derbyshire, William Burroughs, Kevin Drumm, Angus McLise , Luc Ferrari, Alan Licht + Bridget O'Riley, Phil Niblock, Bernard Parmegiani, Sun Ra, Eliane Radigue, Isidore Isou, Tim Hecker, Allen Ginsberg, Momus...

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Paul SCHUTZE - SUMMER

Play Episode Listen Later Jul 14, 2011

Playliste de Paul Schutze pour webSYNradio : SUMMER avec Mick Jagger, Robert Ashley, Meshuggah, Nico, William Burroughs, Mr Bungle, Philip Glass, Alain Robbe-Grillet, Guitar Drag, Scott Walker, Eliane Radigue, Steve Peters, Paul Scheerbart, Taku Sugimoto, Paul Schütze, Morton Feldman, Phew, George Lewis, Charlotte Mormon, David Wojnarowicz and Doug Bressler, David Grubs, Zu, Rhys Chatham, Wendy Carlos, ...

Paul SCHUTZE - SUMMER

Play Episode Listen Later Jul 14, 2011

Playliste de Paul Schutze pour webSYNradio : SUMMER avec Mick Jagger, Robert Ashley, Meshuggah, Nico, William Burroughs, Mr Bungle, Philip Glass, Alain Robbe-Grillet, Guitar Drag, Scott Walker, Eliane Radigue, Steve Peters, Paul Scheerbart, Taku Sugimoto, Paul Schütze, Morton Feldman, Phew, George Lewis, Charlotte Mormon, David Wojnarowicz and Doug Bressler, David Grubs, Zu, Rhys Chatham, Wendy Carlos, ...

Joachim MONTESSUIS - Pneumatology