Podcast appearances and mentions of Rhys Fulber

 Communion After Dark - features the latest and best in Dark Alternative-Electronic Music. This week's show features music from Centhron, Rhys Fulber, Protokoll 19, Fractal Age, Autodafeh, and new music from many more artists worldwide. 

Canadian electro-industrial band Front Line Assembly, led by Bill Leeb with longtime collaborator Rhys Fulber, released their eighth album Hard Wired in 1995. The album blends harsh electronic beats, cinematic synth textures, distorted vocals, and heavy guitar riffs, all characteristics of the industrial and cyberpunk aesthetics of the mid-'90s (think Hackers, Strange Days, Johnny Mnemonic). Lyrically and thematically, Hard Wired explores dystopian, technological, and transhumanist topics, reflecting fears and fascinations with the digital age, surveillance, and the loss of humanity in a mechanized world. Polished yet gritty production, mixing cold mechanical rhythms with a dark, atmospheric intensity, the album bridges the gap between their earlier EBM (Electronic Body Music) roots and a heavier, more industrial rock-influenced style.   Songs In This Episode Intro - Neologic Spasm 33:47 - Condemned 40:12 - Modus Operandi 50:29 - Infra Rec Combat 1:01:52 - Circuitry Outro - Barcode   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

It's New Tunesday: new releases from the past week! Give the bands a listen. If you like what you hear, support the bands! Today's episode features new releases by Massive Ego, Current One, Rhys Fulber (ft. Qual), Volkoff, TourdeForce, Nevada Hardware, spankthenun, Freaky Mind, Protokoll 19, Hasswut, NNHMN, Bella Eterna, Distant Stares, Pure Obsessions & Red Nights, Kim Lunner, Twisted Destiny, Suburban Spell, Atlas Neon, and Bending Grid & Kero!

Canadian electro-industrial band Front Line Assembly, led by Bill Leeb with longtime collaborator Rhys Fulber, released their eighth album Hard Wired in 1995. The album blends harsh electronic beats, cinematic synth textures, distorted vocals, and heavy guitar riffs, all characteristics of the industrial and cyberpunk aesthetics of the mid-'90s (think Hackers, Strange Days, Johnny Mnemonic). Lyrically and thematically, Hard Wired explores dystopian, technological, and transhumanist topics, reflecting fears and fascinations with the digital age, surveillance, and the loss of humanity in a mechanized world. Polished yet gritty production, mixing cold mechanical rhythms with a dark, atmospheric intensity, the album bridges the gap between their earlier EBM (Electronic Body Music) roots and a heavier, more industrial rock-influenced style.   Songs In This Episode Intro - Neologic Spasm 33:47 - Condemned 40:12 - Modus Operandi 50:29 - Infra Rec Combat 1:01:52 - Circuitry Outro - Barcode   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Bill Leeb in conversation with David Eastaugh http://www.mindphaser.com/ https://frontlineassembly.bandcamp.com/album/model-kollapse Electronic musician and record producer. He is best known for being a founding member of the industrial music group Front Line Assembly and Delerium. Leeb began his musical career with industrial band Skinny Puppy in 1985 under the pseudonym Wilhelm Schroeder, contributing bass synth and occasional backing vocals to a few of their recordings and concerts. He left in 1986 and formed his own industrial project Front Line Assembly with Michael Balch, and later Rhys Fulber and Chris Peterson.

Lynette Cerezo, the multi-disciplinary artistic monolith behind Bestial Mouths, discusses the latest album and working with Rhys Fulber, upcoming shows and tour, crafting jewelry, rescuing animals, and empathy as a weakness.Featured Songs:Bestial Mouths - SLITSKINVoid Signal Intro/Outro courtesy of Processor.Visit https://bestialmouths.bandcamp.com/ for more Bestial MouthsVoid Signal is ad-free and powered by people. Visit https://VoidSignal.net to support Void Signal and enjoy exclusive episodes, series, and more.

Sabotage Q.C.Q.C. – “Goddess”, 1998. Sacha Korn – “Der König”, 2019. Mescalinum United – “We Have Arrived”, 1991. Rhys Fulber – “Misery Whip (Tommy Four Seven Remix)”, 2019. New Order – “Confusion (Pump Panel Reconstruction Mix)”, 1998. Cubanate – “Oxyacetylene”, 1994. Numb – “Wasted Sky”, 1995. Hide – “Fucked (I Found Heaven)”, 2018. Depeche Mode – “Only When I Lose Myself (Subsonic Legacy Remix)”, 1998. JG Outsider – “Necrophelim”, 2022. Israel Padilla – “Los Intrusos (Curses Remix)”, 2021. SHDWS – “Skin Blood and Bones”, 2022. Dead Zone Margin – “All Those Who Mourn”, 2020. Red Mecca – “Skin”, 2017. Website link: https://skullandcrossfades.com/you-move-into-my-line-of-fire

Ahead of Distorted Disco with Rhys Fulber and Blush Response December 9th 2023 in Downtown LA, one of the night's founding members, Jeff Swearengin aka Sleep Clinic, offers up this mix keeping his spirit and energy in the night even after relocating outside of Los Angeles. Listen now or on the way to Distorted Disco on Saturday. Tickets available at LAINDUSTRIAL.ORG Leif Elggren - Fear [excerpt] Autechre - paralel Suns Jake Mandell - Untitled 27 [Phoencia Remix] Access To Arasaka - Caeropdre Frank Bretschneider - Kippschwingungen Part II Senking - The Dance Hall Walk NHKyx featuring AthenA - Invite Only Eric B. & Rakim - I Know You Got Soul [remix] Brothomstates - Jak Got Stuck In Canada Proem - Eck The Badly Drawn John Wattermann - Still Warm Throbbing Gristle - Slugbait III AnD - 001 Shadows - Where There Is Only Light Cindytalk - Troubled Aria MCMXCI [Skogen,Flickan och Flaskan] - Untitled 2 Shifted - Telic Sleeparchive - Ronan Point One Rich Oddie - Refraction The Black Dog - Disinformationdesk Submerse - They Always Come Back TRG - Broken Heart Objekt - Porcupine GoldFFinch - Red Mask Matka - Manipulame [Ekaros Remix] Scorn - Take Someones Eye Out Scald Rougish - Bardachd Untitled 8 Dalglish - 7.3.2009 Cabaret Voltaire - Exhaust

SAMPLER & SANS REPROCHES (Radio broadcast)Playlist N° 1276 – Lundi 13 Février 2023 - Horaire : 20:00 >> 22:00EBM - SYNTHWAVE - INDUSTRIAL & RELATED MUSICGALAXIE RADIO 95.3FM www.galaxieradio.fr------------------------------------------> [ NON STOP MUSIC – NON STOP MUSIC _ NON STOP MUSIC ] PARADOX OBSCUR "Afterhours" DIG EP: Afterhours (Autoproduction) TRIAL "No Fate (Shifter Mix)" 3CD : Fur Zwei (Electro Agression Records) NNHMN "Scars" DIG EP: Shadow In The Dark (Autoproduction) HUMAN VAULT "They Will Not Wait (Peter BUZA Edit)" DIG Album : God Under Construction (Aliens Productions) AUTUMNS "Strong Man Compilation" DIG EP: Mouth Closed (Detriti Records). RHYS FULBER "As Far As Dreams" DIG Album : Collapsing Empires (Sonic Groove) JEAN-MARC LEDERMAN "Murder Sand (Running, running, work, work) DIG EP: Soul Music For Zombies (COP International) METAL DISCO "Acid Lord" DIG EP: Technoid Electronics II 2021​-​​​2022 (Werkstatt Recordings) ANGELSPLIT "Killed On Camera (IMPLANT Remix)" DIG ALBUM: Stand In Line (Black Pill Red Pill) THE OPERATING TRACKS "Daniel" DIG Album : Once For All (Progress Productions) XENTURION PRIME "Moving On" DIG Album: Prisma (Progress Productions) MORIS BLAK "Upgrade Me (Strnger Remix)" DIG EP: Irregular Visions Vol.II (Negative Gain Productions) ZEROMANCER "Terminal Love (Sniffergod Remix)" DIG Single : Terminal Love (Trisol) ALESSANDRO NERO "Black Helicopters (Schwarzer Hubschrauber Remake by HYPNOSKULL)" DIG EP: The Dying Of The Outer-Self (Brvtalist Sound Recordings) v A PROJECTION "Journeys" DIG LP: In A Different Light (Metropolis Records) SHINY DARKNESS "Another World (Recorded @ I Synth Festival 2018)" VINYL EP: Last Try (Autoproduction) BEBORN BETON "Burning Gasoline" DIG LP: Darkness Falls Again (Dependent) CHRISTINE "Error 218" DIG LP: Atom From Heart (Mouton Noir Records) BETWEEN MERMAIDS AND ME "Dreamwalker" DIG LP: Reality Cravings (hfn Music) DECOMMISSIONNED FORESTS "Drop Brick" DIG LP: Industry (Autoproduction) VÉVAKI "Hreingálknir" DIG LP: Fórnspeki (Season of Mist) MUSEAU "Poney Club (Omar EK Remix)" DIG EP: Poney Club Remixes (Mouton Noir Records) XOTOX "Ewig (Rework)" DIG EP: Erkenntnis (Infacted Recordings) ARNAUD REBOTINI "Serpenti E Cacciatori" DIG LP: Occhiali Neri (Blackstrobe Records) RIO "Serena" DIG LP: Alkyonides (Teenage Menopause Records) BRIGADE ENZEPHALON "Freiheit" DIG LP: FREIHEIT (Infacted Recordings) CAUSTIC x GRABYOURFACE "Not Your Body" DIG EP: Not Your Body (Autoproduction) DEMOKRATIE "Opaque (Radio Edit)" DIG EP: Opaque (Autoproduction) CEVIN KEY & WILHELM SCHROEDER "FlyZ" DIG LP: Brap And Forth Vol. 8 (Artoffact Records) THX TO : PARADOX OBSCUR (Toxic Razor), COP INTERNATIONAL (Christian), WERKSTATT RECORDINGS (Toxic Razor),RED SAND PR (Gary Levermore), SHINY DARKNESS (Sébastien Déruwez), DEPENDENT RECORDS (Stefan Herwig), SPKR MEDIA (Gunnar Sauermann), MOUTON NOIR RECORDS (Nicolas Lerille), S.E.N. PROMOTIONS / HFN MUSIC (Philipp Bruening), UTM Music Group (Michel Rowland), SEASON OF MIST "Laetitia Abbenes", INFACTED RECORDINGS (Torben Schmidt), TEENAGE MENOPAUSE RECORDS (François Abdel & Alice Tixier), MM PROMO (James Knights) ... PODCAST:YOUTUBE https://www.youtube.com/@SamplerEtSansReproches ITUNES :https://podcasts.apple.com/fr/podcast/sampler-sans-reproches/id1511413205 MIXCLOUD : https://www.mixcloud.com/SetSRradio/PODCLOUD :https://podcloud.fr/studio/podcasts/sampler-et-sans-reproches DEEZER :https://www.deezer.com/fr/show/1181282 GALAXIE RADIO http://galaxieradio.fr/ go to replay Sampler & Sans ReprochesAMAZON MUSIC https://music.amazon.fr/podcasts/9718c2fe-d841-4339-a3e5-82c31d018ed7/SAMPLER-SANS-REPROCHESHEARTHIS https://hearthis.at/sampler-sans-reproches/ ARCHIVE.ORG https://archive.org/download/1276_20230221/1276.mp3

Som fyraåring fick Rhys Fulber se Kraftwerk hemma i Vancouver. Som 16-åring träffade han Bill Leeb som just hoppat av Skinny Puppy och startat Front Line Assembly som snart rekryterade honom. Under nittiotalet blev de ett av världens mest inflytelserika synthband som knoppade av sig i projekt som Noise Unit och Delerium. Det senare bandet fick 1999 en oväntad hit med sitt Sarah McLachlan-samarbete "Silence" som, efter att ha remixats av bland annat Tiësto, blev en av tidernas mest populära trancelåtar. Det ledde till att Rhys Fulber, en industrisynthare som älskade SPK, blev tillfrågad om han ville producera Britney Spears. Hemma hos Strage pratar Rhys Fulber också om sin ex-svärfar som spelar piano i Beach Boys "God only knows", om heroinepidemin som tvingade honom att byta vänskapskrets, om att uppträda hos Jay Leno med Cypress Hill och om varför The Buzzcocks fortfarande är hans favoritband. Hosted on Acast. See acast.com/privacy for more information.

This week's We Have A Technical is a bit of a housecleaning episode, as we're talking about our favourite record of the year which fits just outside of our normal purview - Endure by Special Interest - and discussing how a recent live tape from Rhys Fulber got us thinking about that legendary producer's work in some new ways.

This week Jeremy interviews Sara Taylor of the band Youth Code On this episode Sara and Jeremy talk Beavis and Butthead, Depeche Mode, MTV Amp and discovering Electronica music, Deadsy, The Sunset Strip nu-metal scene, The Family Values 98 Tour, first touring experiences and traversing scenes, how Youth Code started, Heavens Blade, Commitment to Complications and working with Rhys Fulber, their first 7” on Angry Love Records, collaborating with King Yosef, and so much more!  SUBSCRIBE TO THE PATREON to hear a bonus episode where Sara answered questions that were submitted by subscribers! Follow the show on INSTAGRAM and TWITTER Want some First Ever Podcast merch? Click here!

The anarchistic beast of beats Jamie Blacker returns to the show to chat with me about the new ESA record "Designer Carnage," Texas Chainsaw Massacre, horror remakes, WGT Festival, music videos, art, Rhys Fulber, Sweden, and much more. Tracks featured in this episode:ESA - Disruption OnlyESA - I DetachESA - SaturnaliaVoid Signal Intro/Outro by SYSTEM SYN.Cover photo courtesy of Jamie Blacker. Visit https://esangp.bandcamp.com/ for more ESA.Visit https://voidsignal.net for more Void Signal.

dRWAL Dłuższe niż zwykle wydanie DdD. Ostatni tegoroczny przegląd aktualnych wydań płytowych (Phaeleh, BT, Rhys Fulber, KiNK i inni). W drugiej godzinie najnowszy SPINcast złożony wyłącznie z remiksów numerów, które przy odrobinie wysiłku można znaleźć w sieci legalnie a przede wszystkim za darmo. Pełny spis utworów w aplikacji mobilnej, w komentarzu autora i na FB: http://fb.com/groups/radiodrewutniadd http://fb.com/drewutniadd http://fb.com/drwaldj https://radiospin.pl/prezenter/jaroslaw-drwal-drazek/ https://radiospin.pl/show/drewutnia-dd-jaroslaw-drwal-drazek/

Edición Limitada - 6 de Diciembre del 2021. Producción, realización y conducción: Francisco J. Brenes. Presentando música de Saint Etienne, The National, Nick Cave & Warren Ellis, Tears For Fears, Wolf Alice, Arca, Los Bitchos, Aurora, Film School, Rid Of Me, Cults, Kim Gordon, Weakened Friends, Bloc Party, Ist Ist, Trentemøller, Tom Morello, The KVB, Blancmange, Fawns of Love, White Lies, Manchester Orchestra, Grimes, Riton, David Bowie, Soft Cell, Dead Or Alive, Robert Görl & DAF, Rhys Fulber y B12.

This week Host, Cirina Catania talks with the ever-extraordinary electronic musician, Rhys Fulber. And she shares some great news from Tim Cook and the folks at Apple...Lumafusion has been awarded "Best Video App for 2021," on the App Store. You will love this conversation with Rhys. He is a truly international musical genius who was born in Vancouver of a German father and a mother from Great Britain.  Rhys grew up with the sounds of Led Zeppelin, Kraftwerk and the local punk rockers blasting from his father's recording studio. At the age of 13 he began drumming, sometimes gigging with his Dad, and he was always at the studio. In 1984, he became interested in electronic music and once he got his first synthesizer, life changed for him! He became friends with Bill Leeb, who had just left Skinny Puppy. Rhys' early adventures included collaborations with Front Line Assembly and eventually tours with that group as well as Delirium well into the late 90's. It was fun talking with him and I found him to be quite understated when it comes to talking about himself…He mentions the time when Sara Mc Lachlan dropped in on him and liked what she heard. They collaborated on that work! And a few years later, he worked with Sinead O'Connor. Of course, we talk about the GEAR that he uses to tour and create his electronic music, and I'm sure you'll find it fascinating. For more information about our amazing sponsor, Other World Computing, go to OWCDigital.com, where you'll find hardware and software solutions and tutorial videos that will get you up and running in no time. For more about our host, filmmaker, tech maven and co-founder of the Sundance Film Festival, Cirina Catania, visit cirinacatania.com. If you enjoy our podcast, please subscribe and tell all your friends about us! We love our listeners. And, if you have ideas for segments, write to OWCRadio@catania.us. Cirina is always up for new ideas!

Chicago-based industrial, electronic, ONE WOMAN ARMY, I Ya Toyah blends the chaos and balance with a familiar vibe of industrial electronica sound. The meaning behind the name I Ya Toyah sustains these values- when spoken out loud. In Polish it means "It's Just Me." Her logo art emerging from peace and anarchy symbols highlights the rebel psyche, her true nature. Her music is a fusion of smooth, cutting edge vocals, surreal guitars, hypnotizing beats and multiple electronic synth elements arising into dark arrangements that, combined with storytelling lyrics, respond to the paranoia of everyday reality. I Ya Toyah released her self-written and produced debut album in 2018 called “Code Blue” which received immediate attention by the music industry.  In 2020 she released the remix project for the “Code Blue” album which included a  collaboration with Rhys Fulber of Conjure One and Front Line Assembly. Her latest album is called “Out of Order” released in 2021. More recently, her track called “Pray” has been remixed by Stabbing Westwardhttps://www.iyatoyah.com https://iyatoyah.bandcamp.comBe sure to subscribe to my monthly mailing list for the latest music news especially coming up for December my updates and my next interviews and events:http://eepurl.com/gtw6PP

CITR's 24 Hours of Radio Art in a snack sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something.Tonight's broadcast features JOHN OLIVER, JOHN CARPENTER, RHYS FULBER and GREY FREQUENCY.

Gary Numan – “Telekon”, 1981. Automatic – “Calling It (Peaking Lights Disco Rerub)”, 2020. MMYYLO – “Do the Robot Funk”, 2020. Book of Love – “Boy”, 1986. Talking Heads – “Psycho Killer”, 1977. Plateau – “nocruisin”, 1999. Rhys Fulber – “Slip It In”, 2020. Suicide – “Ghost Rider”, 1978. Sure – “Morrows”, 2020. Blackouts – “Everglades”, 1985. Bauhaus – “Bela Lugosi’s Dead”, 1979. INXS – “Devil Inside”, 1987. Chasms – “Shadow”, 2019. Topographies – “Speak Through Me”, 2020. Website link: https://skullandcrossfades.com/i-need-protection-from-the-likes-of-you

Edición Limitada - 26 de Julio del 2021. Producción, realización y conducción: Francisco J. Brenes. Presentando música de Atticus Ross, Leopold Ross & Nick Chuba, Meridiane, Thom Yorke, Matt Bellamy, Low, Wolf Alice, Echo Ladies, The Sisters Of Mercy, Holograph, Violence, Creux Lies, A Place to Bury Strangers, Clan Of Xymox, Cryogeyser, Lala Lala, Girlpuppy, Soccer Mommy, Munya, Le Pain, Piroshka, Julia Bardo, Torres, Chvrches, Wye Oak, Fryars, Rae Morris, Bad Bad Hats, Superstate, Vial, Blondie, Gone to Color, The Boo Radleys, Afflecks Palace, Post Punk Podge & The Technohippies, Cloud Nothings, The Goa Express, Idles, Descendents, Wavves, Shaun Ryder, Manic Street Preachers, Julia Cumming, Clinic, Tycho & Benjamin Gibbard, The KVB, Lone, Fears, Yves Tumor, Martin Gore, Suuns, Logic1000, A Certain Ratio, Xeno & Oaklander, Eomac, Lou Hayter, Sigrid, Hard Feelings, Chemical Brothers, Mike Oldfield, Marc Almond, Erasure, Patrick Cowley, Paul Weller, Boys Noize, Apoptygma Berzerk y Rhys Fulber.

Kite – “Count the Days”, 2015. Hapax – “Creature of Distance”, 2019. Automelodi – “Angoisses d’Orléac”, 2019. Shcuro – “Afterlife”, 2020. SDH – “You Pt. 12”, 2020. Lebanon Hanover – “Babes of the 80s (She Past Away Remix)”, 2016. Depeche Mode – “Behind the Wheel (EBM/Industrial Remix)”, 2020. Covenant – “If I Give My Soul”, 2016. Topographies – “An Eye, Open”, 2020. The Secret French Postcards – “Your God”, 2019. Did Virgo – “Medusa Somnium”, 2014. Twice A Man – “Decay (MontCosmik Edit)”, 2018. Rhys Fulber & Blush Response – “Dissipate”, 2019. Deadjump – “Don’t Blame Me (Remix)”, 2019. Website link: https://skullandcrossfades.com/i-should-give-in-but-i-want-to-murder-everyone

Born in Italy and raised between his homeland and Spain, in 2014 he founded HEX in Barcelona together with PØLI. Started as just a small event, in a few years it took over the city and quickly became referent in the Techno scene of the whole nation too, evolving into a full Techno movement composed by music, photography, visuals, art, design and clothing; creating experiences that go from club nights to art exhibitions and experimental sound acts. In 2019 he launched the official label of HEX, named HEX Recordings. With a first release (vinyl & digital), produced by himself along with PØLI and including remixes from Regal, Zanias, Insolate, VII Circle, VSK, Alignment and more, the brand demonstrated the wide international support received by a big amount of respected artists from the industry. Tracklist includes: Slipknot, Pantera, Lorenzo Raganzini, Paolo Ferrara, Makornik, GUS, Draugr, Bralle, Arween, SNTS, Clouds, Fractions, Magnus Opus, Pablo Bozzi, Rouge, AnD, Ephaze, Metapattern, Crystal Geometry, Ayarcana, Sara Taylor, Rhys Fulber, Swarm Intelligence, Endlec.

Kite — “Count the Days”, 2015.Hapax — “Creature of Distance”, 2019.Automelodi — “Angoisses d’Orléac”, 2019.Shcuro — “Afterlife”, 2020.SDH — “You Pt. 12”, 2020.Lebanon Hanover — “Babes of the 80s (She Past Away Remix)”, 2016.Depeche Mode — “Behind the Wheel (EBM/Industrial Remix)”, 2020.Covenant — “If I Give My Soul”, 2016.Topographies — “An Eye, Open”, 2020.The Secret French Postcards — “Your God”, 2019.Did Virgo — “Medusa Somnium”, 2014.Twice A Man — “Decay (MontCosmik Edit)”, 2018.Rhys Fulber & Blush Response — “Dissipate”, 2019.Deadjump — “Don’t Blame Me (Remix)”, 2019.

This week on “Pod Like a Hole:  Run the Gamut”  The diamond dice have kissed Intern Eric square on the forehead and blessed him with this episode's pick.  It's 1994.  The world is ablaze with the pulsating synths and stomping beats of industrial music.  Front Line Assembly (Bill Leeb and Rhys Fulber) ,one of the premiere rivet head artists, are signed to Metal label Roadrunner Records, and they are about to release one of the most lauded, and debated, releases of the genre, “Millennium.”    WATCH! Eric provide a powerpoint presentation on the 3 Phases of Industrial music and where FLA's history fits in to it.  LISTEN! as Steve shreds some mean Devin Townsend air guitar FEEL! the the strong arm of the law as Marc weighs in on the Marilyn Manson allegations.  JOIN! us as we have a Swamp Stomp dance-off under the freeway over pass.    That's right, your Pod Like a Hole Boys are going back to the cold embrace of Industrial music and you, deal listeners, are in for quite a ride.      Pod Like a Hole Links: https://podlikeahole.podbean.com/ Direct Download Facebook (The only reason to visit that site) facebook.com/podlikeahole Instagram (Unfortunately, no pics of the hosts wearing short shorts) @ pod_like_a_hole Twitter (Not run by a foreign nation bot) @podlikeahole Patreon (Until we muster up the courage for an OnlyFans site) patreon.com/podlikeahole Artwork by Greg Wolgast   MUSIC VIDEO LINKS: Millennium: https://youtu.be/dL381E4mhHY   Chunk Blower Official Trailer: https://youtu.be/_w-jYqu6ysk

The electronic music composer explores a wide range of styles through his numerous group and solo projects. When pulling away from his technological immersion, he loves to take photos, spend time in nature, and study different styles of architecture.This show is part of Pantheon Podcasts.

The electronic music composer explores a wide range of styles through his numerous group and solo projects. When pulling away from his technological immersion, he loves to take photos, spend time in nature, and study different styles of architecture. This show is part of Pantheon Podcasts.

The electronic music composer explores a wide range of styles through his numerous group and solo projects. When pulling away from his technological immersion, he loves to take photos, spend time in nature, and study different styles of architecture.This show is part of Pantheon Podcasts.

The electronic music composer explores a wide range of styles through his numerous group and solo projects. When pulling away from his technological immersion, he loves to take photos, spend time in nature, and study different styles of architecture. This show is part of Pantheon Podcasts.

She is a one woman army that blends the chaos and balance with a familiar vibe of industrial electronica sound. Her music is a fusion of smooth, cutting edge vocals, surreal guitars, hypnotizing beats and multiple electronic synth elements arising into dark arrangements that, combined with storytelling lyrics, respond to the paranoia of everyday reality. I Ya Toyah spent the majority of 2020 in her studio working on new music, as well as taking part in multiple collaborations including vocal performances with the project Featured by Julian Beeston ( Iron Man, Batman Begins movie sound design, Nitzer Ebb, Cubanate), Tear Down The Walls Tribute to Pink Floyd by Riveting Music, and many more. In March 2020 she released the remix project for the Code Blue album, including the collaboration with Rhys Fulber of Front Line Assembly and Conjure One, Tim Skold, Grendel and more. The release is available for download at . https://iyatoyah.bandcamp.com/ https://open.spotify.com/artist/5pig0rzYT7aqLkAryQjF45 https://www.facebook.com/IYaToyah https://www.instagram.com/iyatoyah/ https://www.youtube.com/c/Iyatoyah

La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Fear Factory es una banda estadounidense de heavy metal, surgida en 1990 en Los Ángeles y que ha realizado numerosos álbumes musicales. A través del paso de los años el sonido de la banda ha cambiado mucho, lo que generó varias peleas y discusiones entre los admiradores, ya que en todos sus álbumes han experimentado distintos géneros del metal extremo y alternativo, como la combinación de los estilos death metal, groove metal, thrash metal, metal industrial y nu metal. El sonido resultante de las combinaciones ha demostrado ser enormemente influyente en la escena del metal a mediados de los años 1990 y en adelante. Su álbum con el nombre de Transgression, se describe como un esfuerzo experimental y atípico, también contiene elementos de metal progresivo. En marzo de 2002, la banda se tomó un descanso disolviéndose por algunas disputas internas entre los integrantes, pero la banda retomó camino a principios del año 2003, menos el miembro de la banda Dino Cazares, quien tocaba la guitarra en la banda, lo que provocó que Christian Olde Wolbers (el bajista original de la banda), tomase el puesto de Cazares como guitarrista y se contratase a un nuevo bajista llamado Byron Stroud. Desde su reformación la banda ha logrado hacer giras con bandas como Black Sabbath, Pantera, Iron Maiden, Slayer, System of a Down, Megadeth, Dream Theater, Mastodon, Misery Index y Rammstein, también han participado en Ozzfest y el Gigantour creado por Megadeth, también han logrado entrar en los charts de Estados Unidos teniendo varios sencillos en los charts del US Mainstream Rock Top 40, estos también han tenido varios de sus álbumes los cuales han entrado en el Billboard Top 40, 100 y 200. La banda, también ha sufrido numerosos cambios de integrantes, dejando a su vocalista, Burton C. Bell, como único miembro original durante algunos años. Fear Factory se formó en 1989 en Los Ángeles bajo el nombre de "Ulceration", de la mano de Raymond Herrera y Dino Cazares. ​ Dino Cazares y Raymond Herrera compusieron la primera canción de Fear Factory, llamada "Sufferage", una noche de Halloween que pasaron juntos. A finales de 1989 entró en el grupo Burton C. Bell, ​ y el nombre fue cambiado por el de Fear Factory. Como curiosidad "Ulceration" es también el nombre de uno de los temas de su primer álbum Concrete. Fear Factory, es una de las mayores influencias de la música extrema, tanto por su técnica, como por su sonido original e independiente, que creó un estilo propio.[cita requerida] Fue la primera banda que incorporó voces limpias en una banda de death metal. Comenzaron su trayectoria musical como una banda de death metal con los discos Concrete y Soul of a New Machine, pero con grandes influencias de grupos como Napalm Death, Godflesh, Ministry, Neurosis y otras bandas industriales y grindcore/death metal. Después, pasaron a groove metal/metal industrial con Demanufacture, y posteriormente a metal industrial con influencias más marcadas por el nu metal, con los discos Obsolete y Digimortal. El inicio de su carrera profesional, tuvo como punto de partida una recomendación de Max Cavalera, de Sepultura, a la discográfica Roadrunner Records, gracias a su álbum Concrete. Previamente, Fear Factory, había enviado su material a Earache Records, que los rechazaron por parecerse demasiado a Napalm Death o a Godflesh. Con Roadrunner editaron el álbum Soul of a new machine, en 1992. Este disco no tuvo mucho éxito pero les brindó la oportunidad de hacer una gira por todo Estados Unidos con otras bandas como Sepultura, Biohazard y Sick of it all. Incluso viajaron a Europa de la mano de Brutal Truth. Para las giras contrataron a Andrew Shives como bajista, encargándose Dino Cazares de la guitarra a pesar de haber grabado el bajo para el disco. Al año siguiente editaron Fear Is the Mind Killer, un EP en el que Fear Factory se mostró más experimental que en su anterior trabajo. El disco estaba compuesto por temas que ya aparecían en Soul Of A New Machine, pero remezclados por Rhys Fulber y Bill Leeb de Front Line Assembly. Este disco, también marcó el debut en la banda del teclista Reynor Diego. Tras el despido de Andrew Shives en 1994, encontraron a Christian Olde Wolbers a través del cantante/bajista Evan Seinfeld de Biohazard. Christian estaba en ese momento de vacaciones en Los Ángeles, ya que él vivía en Bélgica, pero accedió a unirse al grupo. En el año 1995, Fear Factory, saltó a la fama de la mano del álbum Demanufacture, a través del sello Roadrunner, consiguiendo el apoyo unánime de la crítica y el público. El éxito los llevó a una gran gira durante los dos siguientes años y les abrió las puertas de grandes festivales internacionales, como por ejemplo Ozzfest, en los que compartieron escenario con grandes grupos como Black Sabbath, Iron Maiden y Megadeth. Este disco, marcó el reconocimiento de Fear Factory como una de las bandas más importantes e innovadoras del metal. En este disco, se pueden observar, claramente, los elementos que caracterizan a la banda, y que la distinguieron de las demás, ganándose un sitio dentro de los grandes del metal. Por un lado, se está la perfecta sincronización entre los potentísimos riffs de guitarra de Dino y la rápida batería de Herrera, que complementado con el bajo grabado por Dino (Christian no grabó el álbum), le daban un carácter extremo al disco. También, es muy importante agregarle el gran trabajo de Burton C. Bell, quién es capaz de mezclar voces cercanas al death metal, con coros, con una voz sumamente limpia y melódica; y los teclados y sintetizadores del coproductor Rhys Fulber. Los principales temas de este disco son "Replica" (del que incluso se grabó un vídeo), siendo y es el tema más melódico del disco, "Zero Signal", que es el máximo exponente de la fuerza y rapidez de la banda, y "Self Bias Resistor", cuyos memorables coros destacaron este tema. También, cabe destacar temas como "New Breed", donde se aprecia magistralmente la unión de elementos metaleros con música electrónica. En 1997, Fear Factory lanza Remanufacture, que consistía en remezclas de todos sus temas de Demanufacture, lo que dejaba claro las influencias de la música electrónica sobre la banda. Tres años después de Demanufacture, la banda edita el disco Obsolete, en 1998, volvieron a repetir éxito y acto seguido comenzaron nuevas giras con bandas como Slayer y Rammstein. Obsolete, en términos de ventas, fue el disco más exitoso de Fear Factory, llegando a ser disco de oro en Estados Unidos. Este disco fue uno de los grandes éxitos para ese entonces del sello Roadrunner Records. Este disco siguió el camino anterior disco, metal industrial, además de seguir mezclando voces desgarradoras con voces limpias en los coros. A pesar de esta línea general de continuidad, también se incluyeron temas más comerciales como "Edgecrusher", en que por primera vez se añadían elementos más cercanos al nu metal, aunque finalmente primó absolutamte un estilo más cercano a Demanufacture. Aunque su vena experimental se observó más controlada, en este disco se decidieron por meter violas, violines y chelos en buena parte de las canciones, dándole un toque más épico a algunos temas. Los temas más importantes del disco son “Shock”, donde se aprecia el clásico de Fear Factory, metal industrial con líneas vocales que giran para sonar bien salvajes y desgarradas o bien como himnos. A lo largo del álbum la tensión musical va creciendo, destacando entre medio temas oscuros como "Freedom or Fire" y otros más melódicos, como "Descent", hasta llegar al tema "Resurrection", la canción más sorprendente del álbum y posiblemente la más melódica de Fear Factory, hasta ese entonces. Los coros de este tema se convirtieron indudablemente en uno de los himnos más memorables de la banda. De este tema también se grabó un vídeo. De este disco se publicaría más adelante, una edición especial para coleccionistas, en la que se incluye entre otros, el tema "Cars", una versión de Gary Numan, además de ser esta la primera vez que la banda experimenta con un tema pop, aunque sin perder en ningún caso su sello característico. Tras el exitoso Obsolete, que llegó a ser disco de oro en Estados Unidos, surgieron disputas en la banda sobre el estilo que Fear Factory debía seguir. Por un lado, Dino Cazares se inclinaba por regresar a la raíces del emblemático Demanufacture, y por el otro, el resto de los miembros, quienes preferían agregar al disco elementos de rap. En una entrevista, Dino Cazares, dijo que Raymond Herrera, le pidió que dejase componer a Christian Olde-Wolbers quien, según Dino, por aquellas épocas, escuchaba mucho hip-hop y nu metal. Esto, acarreó tensiones entre miembros del grupo. Por otro lado, la discográfica, también instó al conjunto a que hicieran un estilo más comercial. Finalmente, se impuso la visión de la mayoría y, en 2001, ve la luz su siguiente álbum, Digimortal. Este trabajo, fue bastante criticado debido a las similitudes del mismo con el estilo nu metal, alejándose en cierta manera de la agresividad de sus anteriores trabajos. Aunque, a muchos les pareció que este disco era una evolución natural de una banda que ampliaba su público, a otros les pareció una verdadera decepción seguir un estilo, que consideraban excesivamente comercial y alejado de las raíces de sus grandes trabajos anteriores. A pesar de que Digimortal estuvo lejos de ser un fracaso en términos comerciales, lo cierto es que fue incapaz de igualar a su antecesor Obsolete, causando gran tensión y frustración entre los miembros de la banda y tensiones con el sello discográfico. Las influencias del nu metal están muy presentes, incluso en el tema "Back the Fuck Up", Burton C. Bell canta junto a un miembro del grupo de hip-hop Cypress Hill. Temas destacables son "Dark Bodies", que es literalmente una balada a lo Fear Factory, mezclando pasajes tranquilos con la brutalidad característica de la banda. Otras canciones importantes, son "Damaged", donde a ratos recuperan su sonido metalero habitual y "Digimortal". "Linchpin", es el indiscutido tema principal del disco, con una melodía muy llamativa, siendo uno de los temas más recordados de este disco. De este tema, se grabó un vídeo, siendo el último donde se pueden ver a los cuatro miembros originales juntos. Finalmente, tras los problemas surgidos tras Digimortal, en marzo de 2002, el grupo se disolvió. Sumado a las diferencias musicales, también existían fuertes problemas de convivencia entre Dino Cazares y Burton C. Bell, aunque también con los demás miembros. A finales de ese año, se anunció el regreso de la banda sin Dino Cazares, con lo que la formación cambió, pasando Christian Olde Wolbers a guitarra, para dar espacio al nuevo bajista, procedente de Strapping Young Lad, Byron Stroud (a pesar de que en el siguiente álbum, Archetype, fue el propio Christian quien se encargó, también, del bajo). El baterista Raymond Herrera y el vocalista Burton C. Bell, mantuvieron sus posiciones. Frente al cambio de Chirstian desde bajista a guitarrista en remplazo de Cazares, el baterista Raymond Herrera, aseguró: "Christian era mucho más capaz de hacer el trabajo. Es mucho más rápido y preciso. Es mejor guitarrista que Dino. Y puedo decirlo porque si alguien sabe lo bueno que es Dino, soy yo. He visto a Christian hacer cosas a las que Dino nunca hubiese llegado. Puede tocar abiertamente, en un estilo realmente épico. Es más multifacético que Dino. No tengo nada contra Dino. Dino era muy bueno en lo que hacía. Sólo que Christian es capaz de hacer lo mismo y otras cosas más. Creo que es interesante. Es genial, ¿quién sabe? Quizás si Christian hubiese escrito más en la guitarra en los días con Dino, las cosas hubiesen sido distintas. Nunca se nos ocurrió antes porque todo funcionaba bien". Sin embargo el exguitarrista de la banda, se defendió argumentando que el junto a Raymond fueron los compositores de los principales discos (Soul of a New Machine, Demanufacture y Obsolete) y que Christian apenas colaboró, siendo su principal aporte, el fallido Digimortal. Además acusó a Christian de imitar los riffs suyos, argumentando que su mejor trabajo es copiar bien su forma de tocar guitarra. Incluso al escuchar el disco Archetype, ironizó, diciendo que pensó que él estaba tocando. A comienzos de 2004 se conoció que el grupo estaba trabajando en un nuevo disco bajo la discográfica Liquid 8 Records. En abril lanzaron Archetype, considerado uno de los mejores álbumes de su carrera, y que los devuelve a su estilo metal industrial/groove metal con una fuerte influencia de death metal. En este disco, abandonan definitivamente el estilo nu metal, para volver a sonidos más cercanos a Demanufacture. Durante todo el disco, los temas muestran gran agresividad, destacando los temas "Slave Labor", "Archetype" y "Cyberwaste". Este trabajo, tuvo un moderado éxito que les permitió enderezar su trayectoria y les dio confianza para lanzar un segundo disco en agosto de 2005. Este fue titulado Transgression y supuso un paso adelante en la evolución del sonido de Fear Factory tomando elementos más melódicos pero intentando mantener la fuerza que los caracterizaba. Incluso en este disco se incluyó un cover de U2, la canción "I Will Follow", en la que el grupo, interpreta un tema pop, pero manteniendo su estilo. A pesar de esto el disco tuvo algunas críticas, por el peculiar cambio de estilo, sin embargo estos se defendieron argumentando que Transgression era un disco experimental. El 7 de abril de 2009, Burton C. Bell y el miembro fundador, Dino Cazares anuncian que han reformado a Fear Factory, con Byron Stroud (Strapping Young Lad, Zimmers Hole) continuando en el bajo y con la incorporación de Gene Hoglan (Death, Dark Angel, Strapping Young Lad) en la batería, reemplazando a Raymond Herrera. Tampoco Christian ha sido tomado en cuenta en esta nueva formación. Raymond Herrera y Christian Olde Wolbers formaron un nuevo proyecto, llamado Arkaea, con el cantante Jon Howard y el bajista Pat Kavanagh, de la banda Threat Signal. El disco debut de Arkaea, salió el 14 de julio de 2009 a través de E1 Music (anteriormente Koch Records). Fear Factory, lanzó otro álbum, Mechanize, en febrero de 2010, y en julio de 2012 salió su octava entrega discográfica, llamada The Industrialist. El 1 de mayo, se anunció que el ex-Static-X y bajista de Soulfly, Tony Campos, se integraría a la banda como bajista, anteriormente, Campos ya había trabajado con Cazares en la banda Asesino. El 7 de agosto de 2015 lanzaron su noveno álbum Genexus a través de la discográfica Nuclear Blast. Sobre octubre de 2019, Dino Cazares dijo que Fear Factory no sacaría un nuevo álbum y que el futuro de la banda era incierto, debido a que los exmiembros Christian Olde Wolbers y Raymond Herrera, habían puesto una demanda que les prohíbe usar el nombre Fear Factory. El 28 de septiembre de 2020, Burton C. Bell anuncia en su sitio web un comunicado titulado "En mis propias palabras" en el cual anuncia la salida de la banda. Indicando como una de las razones, que no puede seguir asociado a alguien “en quien no puede confiar ni respeta”. Este es el comunicado traducido al español: “Me considero una persona reservada, y prefiero mantener mis asuntos personales para mí y para mis seres queridos de confianza. Hago mis declaraciones públicas con intención reflexiva, sin desviarme nunca de la verdad, a pesar de la constante serie de representaciones deshonestas y acusaciones infundadas de miembros pasados ​​y presentes de la banda; un drama tóxico del que escojo no ser partícipe. Los últimos años han sido profundamente agónicos, con estos miembros desangrando mi pasión con un depravante engaño. Como consecuencia directa de su codicia, estos tres me han arrastrado por el sistema judicial injusto, lo que ha resultado en el desgaste legal que me ha paralizado financieramente. Al final, estos tres miembros se han apoderado de mi principal medio de vida. Sin embargo, nunca tomarán mi legado de 30 años como el corazón de la máquina. Un legado que ningún otro miembro, pasado o presente, puede reclamar. Así que, después de una considerable y contemplativa búsqueda del alma, me he dado cuenta de que no puedo alinearme con alguien en quien no confío ni respeto. Por lo tanto, estoy anunciando a mis fans mi salida de Fear Factory para enfocar toda mi energía y atención hacia el éxito continuo de Ascension of The Watchers y de todos mis esfuerzos futuros. Estoy muy orgulloso del último álbum de Ascension of The Watchers, ‘Apocrypha’. El proceso de composición y grabación de ‘Apocrypha’ ha sido un viaje verdaderamente catártico y artístico de exploración y crecimiento para mí. Reavivando mis pasiones por mi escritura, permitiendo que mi música florezca, que mi alma se eleve, salvándome del verdadero infierno que envolvió una parte importante de mi vida diaria. Colaborar con espíritus afines y talentosos realmente ha generado un ambiente inspirador de apoyo y respeto mutuo, un espíritu que he echado de menos durante mucho tiempo. Me gustaría agradecer a todos mis fans su continuo apoyo a lo largo de mi carrera. Estoy muy orgulloso de mis logros, pero es hora de seguir adelante. Ahora miro hacia el futuro con los ojos, la mente y el corazón abiertos, mientras mi camino artístico lucha por lograr un éxito aún mayor en la música, en la escritura y en mi arte. Es cierto, “el final es siempre el principio”. El alma se ha liberado de la máquina”. Posteriormente el comunicado fue retirado del sitio web, quedando el enlace pero sin contenido. Fear Factory, fueron unas de las primeras bandas en combinar el death metal con rock industrial teniendo un gran impacto dentro de la escena metalera desde que lanzaron su primer material en 1992. Fear Factory es notablemente reconocido por bandas contemporáneas por abarcar en su temática la ciencia ficción y la tecnología, ya que muchos de sus primeros álbumes centran en este tema, creando así una historia la cual se desarrolla a lo largo de tres álbumes conceptuales(Demanufacture, Obsolete y Digimortal). Con base en el re-lanzamiento de Soul of a New Machine, Robert Flynn, Mark Hunter y Mike Sarkisyan (vocalistas de Machine Head, Chimaira y Spineshank respectivamente) citaron a Fear Factory como una de sus más grandes influencias. Robert Flynn comentó que su estilo vocal esta fuertemente influenciado por el de Burton Bell. Mark Hunter dijo que el estilo de ejecución de la batería en Chimaira esta notoriamente influenciado por estilo de Raymond Herrera. Otras bandas han citado a Fear Factory como sus principales influencias como Disturbed, Static-X y Coal Chamber. Bandas modernas como Mnemic, Scarve, Sybreed, Threat Signal y Last Scene Ends poseen en su estilo una singular influencia de la técnica de Fear Factory y han comentado que tienen una singular admiración hacia la banda, Peter Tägtgren de Hypocrisy ha dicho que “Fear Factory está muy cerca de nuestros corazones” y que “Soul of a New Machine fue la principal influencia que le motivo a iniciar su proyecto "'Pain" , Devin Townsend de Strapping Young Lad citó que su mayor influencia para crear el álbum Heavy as a Really Heavy Thing fueron Fear Factory y Napalm Death.

Rhys Fulber, Kornel Kovacs, M Vaughan, Biome, Alex Banks, Three Oscillators, Deadmau5, Keisza, Joris Voorn, Skudge, Nikki Nair, Traka, Kessler, Origin8a, Propa, Benton.

Edición Limitada - 1 de Febrero del 2021. Producción, realización y conducción: Francisco J. Brenes. Presentando música de Insides, Jónsi, PJ Harvey, Lost Horizons, Still Corners, Eddie Vedder, Daniel Lanois, TRZTN, Mogwai, Cub Scout Bowling Pins, Yard Act, Tausend Augen, Motorama, The Notwist, Tamar Aphek, Danny Elfman, Noel Gallagher's High Flying Birds, Maximo Park, Shame, Mike Watt + The Black Gang, Bad Religion, Descendents, Years & Years, Dub Pistols vs Dubmatix, Tom Jones, Antsy, Duran Duran, Trent & Mariqueen Reznor, Atticus Ross & The Alumni Band, Tapeworms, Yellow Magic Orchestra, The Weather Station, Stereolab, Kero Kero Bonito, John Carpenter, Telex, La Femme, Same Eyes, Nation of Language, Sophie, Declan McKenna, Fontaines D.C., London Grammar, Smerz, Moby, Booka Shade, Brigitte Handley, Gary Numan, Martin Gore, Vogon Poetry, Rhys Fulber y Front Line Assembly.

If you missed Adz's interview with Rhys Fulber of Front Line Assembly who released their 17th album, Mechanical Soul on 15th January on Metropolis Records. You can now listen here

Did you miss last night Heresy? If you did and missed Adz's interview with Rhys Fulber of Front Line Assembly, who released their 17th album Mechanical Soul on Metropolis Records on 15th January, you can download the podcast now.PlaylistNosferatu - Savage KissLudovico Technique - Up To The FlamesTeminal - DeadlineLondon After Midnight - Where Good Girls Go To DieSkeletal Family - She Cries AloneProfessional Murder Music - SlowSex Gang Children - DeicheInanis Yoake - Everything BadBatavia - Fields Of Gray (UHF Mix)Christian Death - SleepwalkChildren On Stun - SidelinedChildren On Stun - EchoesFront Line Assembly - AloneInterview with Rhys FulberDelerium - IncantationLeft Spine Down - She's Lost ControlRhys Fulber ft Sara Taylor - Slip It InBlack Needle Noise ft Bill Leeb - A Shiver Of WantNoise Unit - Corroded DecayYou can catch Heresy every Saturday at 10pm (GMT)

Did you miss Heresy last night? Well, fear not the podcast is now available so you can download and listen to your hearts content.We had the usual features, Heresy's Quantum Leap with Finnish goth rockers The 69 Eyes, and Soundtrack Soundbites with Scottish alt rockers The Jesus and Mary ChainPlaylistMinistry - Burning InsideChmcl Str8jct - TexasBlack Needle Noise ft Betty X - I know What Boys LikeGary Numan - IntruderA Covenant Of Thorns - NumbThe Jesus and Mary Chain - Sugar Ray Push Button Press - Scars (within Walls)Caroline Blind - Death to SleepThe Cure - The Hanging GardenRome Burns - Coordinates of ControlEinsturzende Neubauten - La Guillotine De MagritteDogtablet - Showtime Vlimmer - VorfreudeInkubus Sukkubus Lilith RisingNick Cave and the Bad Seeds - Thirsty Dog The Mission - Butterfly On A WheelOtzi - ContagiousThe 69 Eyes - BarbarellaThe 69 Eyes - 27 & DonecEvin Key - Anger Is An Acid ft IAMX Der Prosector - You're Being Lied Too Normoria - Touch Me Plague Garden - These DreamsMephisto Walz ft Veronica Campbell - The Lost and Haunted Monoplan - Promzona You can catch Heresy every Saturday at 10pm (GMT). Next week I will be chatting with Front Line Assembly's Rhys Fulber

FLA mastermind, studio wizard, and all around industrial legend Rhys Fulber joins the Senior Staff this week for an illuminating conversation. Rhys discusses the process behind the new Front Line Assembly record, Mechanical Soul, the freedom afforded to him by his solo work, and having his passion for EBM come full circle in German clubs. This is a wide-ranging interview with one of the landmark figures in Our Thing, and we're very pleased to be able to bring it to you this week. We're also talking about forthcoming records by Cevin Key and Gary Numan!

I spoke to the Austrian record producer and songwriter Bill Leeb, a founding member of the legendary Canadian electro-industrial act, Front Line Assembly (FLA).FLA has produced over 16 studio albums, 3 live albums, numerous singles and compilations and video game soundtracks since its inception in 1986. FLA has a new album called Mechanical Soul. Official release date is January 15, 2021 from Metropolis Records. https://www.metropolis-records.com. The new album features Jean-Luc De Meyer from Belgian EBM group Front 242 and Dino Cazares from American industrial metal band Fear Factory. In addition to Front Line Assembly , Bill Leeb is also known for his myriad of other musical projects, some of which include Synaesthesia, Noise Unit, Intermix, Fauxliage, Pro Tech, Cyberaktif and the industrial pioneer act, Skinny Puppy. His most commercially successful project is called Delerium which he started in 1987 with Conjure One founder Rhys Fulber. Delerium released over 15 Albums and EPs, received two Juno Awards for Best Dance Recording in 1998 for "Euphoria, (Rabbit in the Moon Mix)" and in 2000 for "Silence." https://frontlineassembly.bandcamp.comhttp://www.mindphaser.comPhoto by Alexander Jung, 2018

Bess – “Dragonfly”, 2019. Sierra – “Gone”, 2019. Silent Runners – “Forgotten”, 2019. Tor Lundvall – “The Night Watch”, 2019. Rhys Fulber & Blush Response – “Dissipate”, 2019. Panther Modern – “Body//reaction”, 2019. Einstürzende Neubauten – “Feurio!”, 1989. Grauzone – “Eisbaer”, 1980. Individual Totem – “Subsistence”, 1997. Sabotage Q.C.Q.C. – “Les fleurs du mal”, 1995. Mascarpone – “Faceless”, 2019. Kontravoid – “Hold Nothing”, 2018. Skinny Puppy – “Tin Omen 1”, 1990. And One – “Ghama Voodoo”, 1995. Website link: https://skullandcrossfades.com/sometimes-it-s-just-better-to-let-me-go

Programa trouxe entrevista com Pedro Gabriel, tecladista da banda brasiliense Optical Faze, que havia lançado o disco "The Pendulum Burns", gravado em Los Angeles (EUA) e produzido/masterizado pelo renomado Rhys Fulber. | Produção e apresentação de Júlio Feriato e Fernanda Lira.

Become meepsensitized by the values of life as we get two key players in the making of one of the most important records of the last 25 years - Fear Factory's Demanufacture. Rhys Fulber explains how it came to be that he was involved with the project and ultimately given the wheel for it while Dino Cazares explains how his guitar tone was shaped, the cast of characters that he meets along the way to this masterpiece, and the story behind Dave McKean's artwork. Plus exclusive details on the new anniversary repressing of Demanufacture by Run Out Groove Vinyl!!! Judgement Day is here and you can't afford to miss this episode!

New Techno Podcast with the full tracklist. Please support the artists listed in this Podcast especially during this hard time. U.D.W.[r] is a collective, we are and will stay anonymous, we want to share what we believe to be good music with no barriers of genres/styles. Do not hesitate to contact us if you need any info. (@underwear-records) Thanks for listening and sharing! > SHXCXCHCXSH (@shxcxchcxsh) - Drain This Lord [Avian - 2014] Ancient Methods (@ancient-methods) – Untitled [Ancient Methods - 2008] Shifted (@shifted) - In Equal Measure [Avian - 2016] 400PPM (@shawnosullivan) - Metabolic Grift [Avian - 2017] Rhys Fulber (@rhysfulber) - Neolithic Chasm [Sonic Groove - 2019] Aurora Halal (@itsallhalal) - Eternal Blue [Mutual Dreaming Recordings - 2019] Vulkanski (@vulkanski) - Stalking Caracal [Bite - 2019] Cvlto (@cvltomusik) – Resin [Be As One Imprint - 2019] PWCCA (@pwccaofficial) - Shape B [Inducted waves – 2020] Border One (@borderone) – Radon [Token - 2020] Linkan Ray (@linkanray) - 2020 Reset [Be As One Imprint - 2020] Francesco Terranova (@francesco-terranova) – Levotus [Sasy In The Dark – 2020] Robert Hood (@roberthood) - Ignite A War [REKIDS - 2020] Blue Hour (@bluehour909) - Meridian (Truncate Remix) [Blue Hour – 2020] Hertz Collision (@hertz-collision) – Sequence [Be As One Imprint - 2019] Dornen - Plastic Surgery [The Third Room – 2020] Yan Cook (@yan_cook) – 88 mph [[R]3volution – 2020] Marcal (@laertemarcal)- Estado de Transe [REKIDS - 2020] Lewis Fautzi (@lewisfautzi)– State Of Pressure [Soma Quality Recordings - 2020] Hybrasil (@hybrasil-music) – Ikigai [REKIDS - 2020] Jokasti & Nek (@iokastinektarios)– Green Disc [Mord - 2020] Marc Faenger (@marcfaenger) - CRBN909 [The Third Room – 2020] Dawn Razor (@awnazor)& Confluence – Nightfall [Credo - 2020] Setaoc Mass (@setaoc_mass)– Exrela [SK_Eleven - 2019] Sleeparchive (@sleeparchiveofficial) – Peccant [Tresor – 2020] Avgusto (@avgusto) – 0010 [Flash – 2020] Deep Dimension (@deep-dimension-1) - Radical Wasteland [Etruria Beat - 2020] Phara (@phara-6) – FM [Planet Rhythm – 2018] A Vision Of Love (@sigha) - Hate (2/6) [Avian - 2013] Aneed (@aneed001) - Great Feticismo [Blacklapse Records - 2019] DJ Reversive (@dj-reversive) - Automatic Industrial [UKR Special Series – 2019] Lars Huismann (@lars-huismann) – Pegasus [Soma Quality Recordings - 2020] Stef Mendesidis (@stefmendesidis) - Gendarme Classe A [Klockworks - 2018] Dez Williams (@dez-williams) - Hunt The Killer (Binny Remix) [RIOT Radio Records – 2019] Vince - Swig [Abstraction – 2019] CJ Bolland – Thalysman [Ki/oon – 2001] Hadone (@hadonesector) - Glory Moves [Voltage - 2019] Scan X (@scanxofficial) – Neurotronik [F Communications - 2002] C & G Southsystem (@gaetano-parisio)- Dual Ep. B1 (Matrixxman Nihilist Mix) [Conform - 2020] Roll Dann (@rolldann) - Easy Pace [Soma Quality Recordings - 2020]

Rhys Fulber, a mainstay of Roadrunner canon and an icon of my CD player, joins me to talk about Front Line Assembly and their landmark 1994 album "Millennium." This was a bold new direction for the duo as they went from traditional electronic music to a more industrial metal sound they'd help pioneer. You'll hear about how that idea came about, working with Devin Townsend on the record, their front line assemblance into the Roadrunner family, and the beginnings of the relationship with Fear Factory! Plus a few other news and notes, some never before heard! Check out Rhys Fulber's new EP "Resolve" at http://RhysFulber.BandCamp.com

Entrevista com a banda Optical Faze, que gravou seu novo CD com o renomado produtor americano Rhys Fulber,

Bess — “Dragonfly”, 2019. Luscious femme-forward electro that echoes Switchblade Symphony but with far more emphasis on the switchblades.Sierra — “Gone”, 2019. Criminally perfect retro wave electro funk that holds you by the hair and forces you to nod along with every deep black barb-wired hook. Physicists have determined that this song’s kick drum will appear as the new heaviest element on the Periodic Table.Silent Runners — “Forgotten”, 2019. I love the metronomic build of this song, but that drop at 3 minutes, the low rolling tension and the retaliatory backhand before the curtains close is fucking auditory cinema. A highlight song from a highlight album.Tor Lundvall — “The Night Watch”, 2019. This passionate, gloomy synthpop poem feels like summer at 9 pm where the sun recedes and the ghosts shimmer at the edge of the trees.Rhys Fulber & Blush Response — “Dissipate”, 2019. The rolling bowels and bleak pad work of this song are the soundtrack to every slow-motion vampire rave. Play this over the opening scene of “Blade” instead of that trash New Order remix.Panther Modern — “Body//reaction”, 2019. The high-water mark of modern synthpunk with production so tight it could shelter life in outer space.Einstürzende Neubauten — “Feurio!”, 1989. I my love/hate for this band swings hard for “love” on this track, a sonic wall of bedlam that plows through a sound system like a heaving, steaming 18-wheeler that blew half its tires on its climb out of hell.Grauzone — “Eisbaer”, 1980. Stone classic German coldwave. Come for the gimmick, stay for the bass, collapse with that closing saxophone.Individual Totem — “Subsistence”, 1997. This track — crunchy beats, immaculate sound design, emotive singing — is mother electro’s warmest embrace. No one else except Haujobb and Forme Tadre had perfected the science of this sound in the 90s.Sabotage Q.C.Q.C. — “Les fleurs du mal”, 1995. Second only to maybe Die Form when it comes to beats, latex and sweat.Mascarpone — “Faceless”, 2019. The horror scream is a dumb trope, but the demonic acid-drenched bassline and skull-slapping kick drum more than cover for the sins of cliched sampling. The less obvious beauty is the chameleon-shifting melodies and rhythms that keep the water roiling across every moment.Kontravoid — “Hold Nothing”, 2018. It’s hard not to unclench your jaw in this tough-as-nails EBM workout. The tension between kicks hangs like blood in the air, and the ripping body blows don’t relinquish their assault until your bones hit the floor.Skinny Puppy — “Tin Omen 1”, 1990. One of the absolute gems in Puppy’s canon, this descent into hell is all three members unleashed and unhinged, a free fall of righteous fury and vengeful intent. (This version, from the “Worlock” single, removes the production muck of the album cut.)And One — “Ghama Voodoo”, 1995. A b-side to the “Deutschmaschine” single, this is the soundtrack to sinking, a long, slow immersion into a sensory-deprived abyss of grey.

Playlist: iVardensphere - where?touching god - messiah dismissedRhys Fulber - neolithic chasmStrvngers - prison of fleshTR/ST - destroyerC0ndu1t - all I wantDelain - creaturesDarkane - by darkness designedsecond phase - spiders and spiesVNV Nation - tomorrow never comesThreat Signal - to thine own self be truethy disease - inhuman formshepherds reign - concrete wallsAlien Weaponry - kai tangataforever dawn - cast awayCarach Angren - scourged ghoul undeadrise to fall - virgin landLindemann - steh aufInfidus - the human conditionBenevolent Like Quietus - mad worldHellgardeN - learn to play dirtyHohenstein - ahnengrabrage of light - lollipop (candyman)

Playlist: violent vicky - circle squareCyanotic - information overloadSeeming - the eyes of extinctionhello moth - a song about honestyConformco - supply and demandaaimon - lowrabbit junk - shadow horizonDevours - off the gridHouses Of Heaven - time apartRhys Fulber - konsumkill minus nine - #1 exportterrorlokaust - condemned to be freeFear Factor - pisschristhago - ezekiel 1.4tyrant of death - proteusSeraphim Shock - shadow realmAnonymus - maquinasBlack Pestilence - hellfire壕Trench - cosmic gravepersefone - aathma

Fun stuff & featuring a great cover of Depeche Mode's "It's no good" by I Ya Toyah and a fun Nitzer Ebb Parody. Some VNV Nation, Rhys Fulber, FLA, Ivory Frequency, Ayria, De/Vision, Evil's Toy, Accessory & more. Enjoy!

2020-05-04 blev ett lite hårdare program. Mycket EBM och Electro Industrial. Svenska band som Dockhuset och Gray Mask. Internationelt från Negant, Staticbloom, Rhys Fulber, Human Performance Lab och Phase Fatale.

New Tunesday: new releases from the last week and songs from earlier in 2019 filling in the gaps! Futurepop, Synthpop, EBM, Industrial, Darkwave, Synthwave, and so much more! Give the bands a listen and if you like what you hear then support the bands! Buy their music! Like their social media pages! Go see them on tour! Today's episode features new releases by MonoSapien, Astral Tales, Julia Bondar, Nuclear Sludge, Bedroom Talks, Cassetter, She Pleasures Herself, Extra Terra & Megan McDuffee, Heiniche vs Negant, SOLSUN, RE:Active, Paul Handley, Injustrial, Terminal Danger, smilegroup, Rhys Fulber, Omnimar, Battery Operated Orchestra, Devil-M, 64 Rockets, K-141, Cold Beat, Neuron Spectre, Berlin Taxi, Human Performance Lab, Crystalline Stricture, Dav Dralleon, Trevor Something, Charlotte Someone, and Moondragon!

New Tunesday: new releases from the last week and songs from earlier in 2019 filling in the gaps! Futurepop, Synthpop, EBM, Industrial, Darkwave, Synthwave, and so much more! Give the bands a listen and if you like what you hear then support the bands! Buy their music! Like their social media pages! Go see them on tour! Today's episode features new releases by MonoSapien, Astral Tales, Julia Bondar, Nuclear Sludge, Bedroom Talks, Cassetter, She Pleasures Herself, Extra Terra & Megan McDuffee, Heiniche vs Negant, SOLSUN, RE:Active, Paul Handley, Injustrial, Terminal Danger, smilegroup, Rhys Fulber, Omnimar, Battery Operated Orchestra, Devil-M, 64 Rockets, K-141, Cold Beat, Neuron Spectre, Berlin Taxi, Human Performance Lab, Crystalline Stricture, Dav Dralleon, Trevor Something, Charlotte Someone, and Moondragon!

New Tunesday: new releases from the last week and songs from earlier in 2019 filling in the gaps! Futurepop, Synthpop, EBM, Industrial, Darkwave, Synthwave, and so much more! Give the bands a listen and if you like what you hear then support the bands! Buy their music! Like their social media pages! Go see them on tour! Today's episode features new releases by MonoSapien, Astral Tales, Julia Bondar, Nuclear Sludge, Bedroom Talks, Cassetter, She Pleasures Herself, Extra Terra & Megan McDuffee, Heiniche vs Negant, SOLSUN, RE:Active, Paul Handley, Injustrial, Terminal Danger, smilegroup, Rhys Fulber, Omnimar, Battery Operated Orchestra, Devil-M, 64 Rockets, K-141, Cold Beat, Neuron Spectre, Berlin Taxi, Human Performance Lab, Crystalline Stricture, Dav Dralleon, Trevor Something, Charlotte Someone, and Moondragon!

Rhys Fulber's CV is pretty amazing: from his work with Front Line Assembly, Delirium, Intermix (these all with Bill Leeb), production and programming work with everyone from Fear Factory to Josh Groban, and solo recordings and performances - he's got a full platter. His most recent release - Ostalgia - is an almost perfect synthesis of old-school EBM and brittle-edge LA techno, and it's been banging around the house for the last few weeks on heavy rotation. In talking with Rhys, it turns out he's just an incredibly nice guy as well - he feels so lucky to have had the opportunities that he's had, and frame his career as being 'in the right place at the right time'. Of course, a big part of it is Rhys' willingness to be a hard worker and follow-through guy, and the breadth of his work is an indication of how respected he is in the industry. I was able to catch up with him on a drive into LA (hands-free!), and it was great to learn most about his history in Vancouver, how he got involved in remixing and production, and his current efforts in bringing his unique sound to music and performance. This was such a fun talk, and I hope that it helps reveal more about the Vancouver scene, Rhys' personal work and the current music industry. Enjoy!

In preparation for SYNTH FEST 4, Cervello Elettronico has curated a mix of Mexican artists and producers. ÑAKA ÑAKA, Machino, Turning Torso, Practice, AXKAN, Eafhm, Luis Flores Musik Dealer, Seedorf, Israel Toledo, Ultraknife, Demian Licht & Eomac SYNTH FEST 4 La cuarta edición de nuestro festival nos presentara 5 proyectos con diferentes estilos en lo que promete ser el mejor Synth Fest . SHE PAST AWAY Es una banda descrita como la "nueva ola oscura" en artículos y reseñas de todo el mundo. Su música compila elementos del lado oscuro, sensacional de los años 80, a menudo asociados con The Sister Oficina Mercy, The Cure, Joy Division, Clan Of Xymox, Grauzone, y DAF. SPA trae de vuelta esa era con el enfoque de hoy y las letras turcas que le da a la banda esa ventaja única. La banda se formó en 2006 y lanzó el EP digital "Kasvetli Kutlama" en 2010. El álbum debut "Belirdi Gece" fue lanzado en 2012 y "Narin Yalnızlık" LP in 2015. Regresa después de mas de 2 años con nueva produccion que sera lanzado en el primer semestre del 2019. Su actuacion en el 2017 en CDMX fue un exito total logrando un sold out. MR. KITTY (SELF-DESTRUCTIVE SYNTHPOP) Banda formada por los artista electrónico Forrest Lemarie e Isacc Ross con ritmos variados que van del synth pop a la música dance y con una letras cargadas de emociones se presenta por segunda ocasión en nuestro festival para enceder la pista de baile con la energía que emana este duo. CERVELLO ELETTRÓNICO Cervello Elettronico es el hijo del "cerebro eléctrico" del productor de tecno industrial David Christian, quien se ha hecho un nombre con numerosas presentaciones en vivo en todo el mundo que comparten espacios únicos y se abren en actos tan legendarios como Meat Beat Manifesto, Rhys Fulber. Adam X, y Lenny Dee. Su sonido único está profundamente arraigado en la música basada en muestras, pero ha explorado diferentes generaciones a través de los años, como EBM, Rhythmic Noise y, más recientemente, el techno minimal oscuro. WEIRD CANDLE Banda fundada en 2013 por Robert Katerwol & Kaleb Blagdon componen con una variedad de sintetizadores digitales y analógicos y cajas de ritmos. ¡Weird Candle crea ritmos pesados sobre melodías oscuras bajo un velo de temas líricos como realidades paralelas bizarras, subculturas oscuras, lo oculto y una lujuria por todo lo que es EXTRAÑO! REVERBS Banda formada por Tulus en las voces y teclado, Joy en la batería y Dion en el bajo , originarios del estado de Mexico seran los encargados de dar inico a nuestro festival. -------------------------------------------------------------------------------------- Sábado 3 de Agosto 2019 Foro Indie Rocks! Donativo preventa: $780 Día del evento: $850 Preventas físicas en: *NECROSIS METAL STORE Plaza San Cosme, Ribera de San Cosme #28 Planta Baja, locales 73 y 36 Al fondo del pasillo central. Abierto diario de 12 a 20 hrs. Excepto sábado (13 a 20 hrs). Teléfonos: 5570574059 65906444 *FORO INDIE ROCKS! Zacatecas #39 Colonia Roma Norte. Lunes a viernes de 10 a 6 pm. ------------------------------------------------------------------------------------- TRANSFERENCIA BANCARIAS -DEPOSITOS BANCO Y OXXO CLABE :012180015249591600 TARJETA :4152313491239328 BANCO : BANCOMER A NOMBRE DE : SONIA ALEJANDRA LOPEZ M https://www.facebook.com/events/698011077249866

Starting off with Orlando Fitzgerald’s recent All City release there. One warning of us of our impending extinction and the Anthropocene Then blending in and out of some Alex Jones sampalage on a track called Bohemian Grove - a reminder of the absolute empty noise of people like Gemma O’Doherty. Some bashment with a track called Catalina by Taiwan MC - its a remix by a crew called Ruckus. Tonnes of Equinoxx style sounds here, Infantry Riddim is in there and some Macka Diamond - then a track called Tek Dem with the deep vocals of Suku from Ward 21. Beardy kicks off with some v1984 off of Glacial Industries, before slipping into hyper club grime courtesy of Sega Bodega, SIlk Road Assassins, Gila, Odeka ending on technoid game bass from Rhys Fulber. Last half an hour we throw ourselves into some spacious DnB from Martsman & Mark before rolling into breaks and jungle from Dead Man's Chest, Mark Skee Mask, Sully and Ricky Force. Tracklisting: Bohemian Grove - Ipek Gorgun Showreel (Part 1) - Djrum A Different Kind Of Battlefield - Orlando Fitzgerald Banzina (E-Unity remix) - Still Zephyr - Yak8 Blue Light - Hitmakerchinx Sychronized Joy & Sorrow V1984 - 11 Defect - Silk Road Assassins Battle Of Jarama - Maelstrom Slipper - Gila NSFW - Sega Bodega Construct Conduct - Odeko Reload - Rhys Fulber Them vs Us - G36 Rough Rider (Low Jack remix) - Still Hijack - Cadenza & Equiknoxx Gully Side (feat Fox & Serocee) - Red Eye Hifi Try Wid Him - Macka Diamond Tek Dem - Cadenza & La Panga Gasworks (Itoa remix) - Comma Know No Out Only In - Mark Soundboy Ext. - Skee Mask Trip II Eclipse - Dead Man's Chest Suburban Nights - Ricky Force Digitalis - Sully Dilation - Demdike Stare

This week on the podcast we have Susan Subtract from Physical Wash, High-Functioning Flesh, and Branes. We talked about the evolution into Physical Wash after High-Functioning Flesh went on an indefinite hiatus, the writing of Culture Cut (and the gear), and meeting Sid from Schwefelgelb for the first time. Physical Wash has a show coming up: Cold Waves LA Kick Off Party (opening for previously featured guest Rhys Fulber) on September 26th! You can find Talking to Ghosts on our official website.

Interview with and Music from Rhys Fulber Songs: 1) Cognitivia 2) Creosote 3) The Sick facebook.com/rhysfulbermusic https://sonicgroove.bandcamp.com/album/your-dystopia-my-utopia Cold Waves VII: coldwaves.net/ Subscribe to Cold Waves Soundcheck: Apple Podcasts - https://itunes.apple.com/us/podcast/cold-waves-soundcheck/id1006121711?mt=2 Google Play - https://playmusic.app.goo.gl/?ibi=com.google.PlayMusic&isi=691797987&ius=googleplaymusic&link=https://play.google.com/music/m/Iot4zmbdksljqr7tbskdcnthzm4?t%3DCold_Waves_Soundcheck%26pcampaignid%3DMKT-na-all-co-pr-mu-pod-16 RSS Feed - http://feeds.soundcloud.com/users/soundcloud:users:149627566/sounds.rss

Rhys Fulber (Conjure One, Delerium, Fear Factory, Sarah McLachlan, etc..) gets deep on the pursuit of happiness, the importance of real instruments, and the gratitude and self reflection that is so often missed by musicians when they're in the moment.

This week we talk to Youth Code again! We chatted about touring with metal and beatdown bands, recording with Rhys Fulber, and how mom's in the pit!  You can find Talking to Ghosts on Facebook and Twitter! 

[ES] Blush Response es Joey Blush, artista de raíces cubanas y de procedencia americana, que actualmente reside en Berlin. Su música se caracteriza por enfrentarse al diseño sonoro mediante un enfoque exhaustivo de los sintetizadores modulares, combinando ásperos ritmos con gruesas y distorsionadas lineas de sinte para crear un sonido que difumina los limites entre géneros electrónicos. Blush se curtió en su trabajo, colaborando con artistas como Fear Factory, Rhys Fulber, Cristian Castro y haciendo giras con Joey Jordison de Sklipknot, en su proyecto Scar The Martyr. Hasta la fecha ha publicado seis álbumes: We Are Replicants (2010, autoeditado), Tension Strategies (2013, Basic Unit Productions / Tundra) y Desire Machines (2014, Desire), Night Of The Machines Live (autoeditado, 2015), Reshaper (Ant-Zen, 2016) y Rebirthed In The Sprawl (Total Black, 2016). Sus dos últimos EPs para aufnahme + wiedergabe, Future Tyrants y Body Architect, lo han puesto definitivamente en la palestra. Una singularidad en el panorama actual, que viene a Trauma a presentar su directo por primera vez a España. Lo que este chico puede ofrecer con un modular y dos elektron esta al alcance de muy pocos hoy en día. Blush Response nos ofrece este podcast en exclusiva como previo a su directo del próximo sábado 10 de diciembre, en la Sala Siroco, Madrid. Disfruten! [EN] Blush Response is Joey Blush, Berlin Based Cuban-American artist and sound designer. His music is characterized by a modular synth heavy approach to sound design, combining rough, glitch-heavy beats with thick, distorted synths to create a sound that blurs the lines between electronic genres. Blush cut his teeth doing programming work for artists such as Fear Factory, Rhys Fulber, Cristian Castro, and as a touring member of Joey Jordison (Slipknot)'s alternative rock project Scar the Martyr. He has released six albums to date, We Are Replicants (2010, self released), Tension Strategies (2013, Basic Unit Productions / Tundra) and Desire Machines (2014, Desire), Night Of The Machines Live (self released, 2015), Reshaper (Ant-Zen, 2016) y Rebirthed In The Sprawl (Total Black, 2016). His two last EPs for aufnahme + wiedergabe, Future Tyrants y Body Architect, has put him definitely under the focus. A singularity in the actual underground scene who comes to Trauma to present his live for first time in Spain. The stuff that this guy can offer with a modular and two Elektron is within reach of very few today. Blush Response delivers us this exclusive podcast as a introduction to his live act next December 10th, at Siroco Club, Madrid. Enjoy it! https://www.facebook.com/blushresponseofficial http://www.aufnahmeundwiedergabe.de/ https://soundcloud.com/blush-response https://soundcloud.com/aufnahme-wiedergabe __tracklist 01 - CYCLOBE - BIG ANIMAL - [PHANTOM CODE] 02 - 3.14 - IRONAS - [KHEMIA RECORDS] 03 - ONTAL - PI02.1 [PI ELECTRONICS] 04 - RROSE - SWALLOWS - [STROBOSCOPIC ARTEFACTS] 05 - HEADLESS HORSEMAN - GALLOWS - [ELEKTRON GRAMMOFON] 06 - FRONT LINE ASSEMBLY - FINAL IMPACT - [THIRD MIND RECORDS] 07 - ADAM X - ANTAGONISTIC - [SONIC GROOVE] 08 - GEISTFORM - MAGNETOMETER - [HANDS PRODUCTIONS] 09 - DANIEL B PROSTHESE - UB3RL4STUNG [242 V0LTS] - [ALFA-MATRIX] 10 - SARIN - AIM-54C - [AUFNAHME + WIEDERGABE] 11 - ORPHX - ZERO HOUR - [SONIC GROOVE] 12 - SCHWEFELGELB - FOKUS - [AUFNAHME + WIEDERGABE] 13 - PHASE FATALE - UNDER MARBLE - [47] 14 - VEIL OF LIGHT - MEDUSA [BLUSH RESPONSE REMIX]- [AUFNAHME + WIEDERGABE] 15 - OPERANT - INSULAR - [INSTRUMENTS OF DISCIPLINE] 16 - AIR LIQUIDE - THE CLOUDS HAVE EYES - [BLUE] http://www.traumacollective.com/

[ES] Blush Response es Joey Blush, artista de raíces cubanas y de procedencia americana, que actualmente reside en Berlin. Su música se caracteriza por enfrentarse al diseño sonoro mediante un enfoque exhaustivo de los sintetizadores modulares, combinando ásperos ritmos con gruesas y distorsionadas lineas de sinte para crear un sonido que difumina los limites entre géneros electrónicos. Blush se curtió en su trabajo, colaborando con artistas como Fear Factory, Rhys Fulber, Cristian Castro y haciendo giras con Joey Jordison de Sklipknot, en su proyecto Scar The Martyr. Hasta la fecha ha publicado seis álbumes: We Are Replicants (2010, autoeditado), Tension Strategies (2013, Basic Unit Productions / Tundra) y Desire Machines (2014, Desire), Night Of The Machines Live (autoeditado, 2015), Reshaper (Ant-Zen, 2016) y Rebirthed In The Sprawl (Total Black, 2016). Sus dos últimos EPs para aufnahme + wiedergabe, Future Tyrants y Body Architect, lo han puesto definitivamente en la palestra. Una singularidad en el panorama actual, que viene a Trauma a presentar su directo por primera vez a España. Lo que este chico puede ofrecer con un modular y dos elektron esta al alcance de muy pocos hoy en día. Blush Response nos ofrece este podcast en exclusiva como previo a su directo del próximo sábado 10 de diciembre, en la Sala Siroco, Madrid. Disfruten! [EN] Blush Response is Joey Blush, Berlin Based Cuban-American artist and sound designer. His music is characterized by a modular synth heavy approach to sound design, combining rough, glitch-heavy beats with thick, distorted synths to create a sound that blurs the lines between electronic genres. Blush cut his teeth doing programming work for artists such as Fear Factory, Rhys Fulber, Cristian Castro, and as a touring member of Joey Jordison (Slipknot)'s alternative rock project Scar the Martyr. He has released six albums to date, We Are Replicants (2010, self released), Tension Strategies (2013, Basic Unit Productions / Tundra) and Desire Machines (2014, Desire), Night Of The Machines Live (self released, 2015), Reshaper (Ant-Zen, 2016) y Rebirthed In The Sprawl (Total Black, 2016). His two last EPs for aufnahme + wiedergabe, Future Tyrants y Body Architect, has put him definitely under the focus. A singularity in the actual underground scene who comes to Trauma to present his live for first time in Spain. The stuff that this guy can offer with a modular and two Elektron is within reach of very few today. Blush Response delivers us this exclusive podcast as a introduction to his live act next December 10th, at Siroco Club, Madrid. Enjoy it! https://www.facebook.com/blushresponseofficial http://www.aufnahmeundwiedergabe.de/ https://soundcloud.com/blush-response https://soundcloud.com/aufnahme-wiedergabe __tracklist 01 - CYCLOBE - BIG ANIMAL - [PHANTOM CODE] 02 - 3.14 - IRONAS - [KHEMIA RECORDS] 03 - ONTAL - PI02.1 [PI ELECTRONICS] 04 - RROSE - SWALLOWS - [STROBOSCOPIC ARTEFACTS] 05 - HEADLESS HORSEMAN - GALLOWS - [ELEKTRON GRAMMOFON] 06 - FRONT LINE ASSEMBLY - FINAL IMPACT - [THIRD MIND RECORDS] 07 - ADAM X - ANTAGONISTIC - [SONIC GROOVE] 08 - GEISTFORM - MAGNETOMETER - [HANDS PRODUCTIONS] 09 - DANIEL B PROSTHESE - UB3RL4STUNG [242 V0LTS] - [ALFA-MATRIX] 10 - SARIN - AIM-54C - [AUFNAHME + WIEDERGABE] 11 - ORPHX - ZERO HOUR - [SONIC GROOVE] 12 - SCHWEFELGELB - FOKUS - [AUFNAHME + WIEDERGABE] 13 - PHASE FATALE - UNDER MARBLE - [47] 14 - VEIL OF LIGHT - MEDUSA [BLUSH RESPONSE REMIX]- [AUFNAHME + WIEDERGABE] 15 - OPERANT - INSULAR - [INSTRUMENTS OF DISCIPLINE] 16 - AIR LIQUIDE - THE CLOUDS HAVE EYES - [BLUE] http://www.traumacollective.com/

This week we had the chance to talk with Rhys Fulber of Conjure One, Delirium, and Frontline Assembly fame! We chatted about growing up in studio culture, getting into making electronic music, the dream location for a Conjure One show, and more! You can find Talking to Ghosts on Facebook and Twitter!

Dani interviews Rhys Fulber about two new albums, Holoscenic from Conjure One and Mythologie from Delerium. We'll be chatting about tour dates, as well as playing music from both albums! Stay Tuned!

Dani interviews Rhys Fulber about two new albums, Holoscenic from Conjure One and Mythologie from Delerium. We'll be chatting about tour dates, as well as playing music from both albums! Stay Tuned!

We're catching up with Youth Code on this week's episode of We Have a Technical! On the eve of the release of their second LP, Sara and Ryan chatted with us about the strife which drove and influenced the creation of "Commitment To Complications", working with Rhys Fulber, and the ethics of adding maple syrup to your coffee. We're also talking about Terminus' first band announcements, and the legacy of Tympanik Audio.

Caustic Feat Faderhead - White Knuckle Head Fuck Combichrist - Industrial Strength (Instro-Mental Mix) Covenant - Dynamo Clock KMFDM - Krank (Komor Kommando Mix) Heimataerde - Dark Dance (Maschinenfloor) --- Binary Park - Wiretripped Ghost & Writer - Integrity (The Alpha Conspiracy Remix) Angelspit - Princess Chaos (Metafakt Remix) Skold - Suck And One - Seven The Left Rights - White (Android Dub Remix by Rhys Fulber)