Art and the craft of printing and the arranging of layouts
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DARK MYSTERIES Tuesday and Friday at 2am CET - Wednesday and Friday at 1pm CET (podcast on Sundays). This program is hosted by Madeleine d'Este. This week, Madeleine talks about the book "Death of a Typographer" by Nick Gadd.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
Learn about the minimalist jewelry designer, Betty Cooke, from another legend, Ellen Lupton, graphic designer, educator, and author of dozens of books including "Thinking With Type"This show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasayLinks:Thinking with Type, book by Ellen LuptonExtra Bold, book co-authored by Ellen LuptonBetty Cooke's Store_________About Betty Cooke:We recently lost another design legend, Betty Cooke, whose passing marks the end of an era in modernist jewelry design. Born in 1924 in Baltimore, Maryland, Betty Cooke was a trailblazing designer celebrated for her minimalist and sculptural jewelry. Her work is defined by clean lines, geometric forms, and a timeless elegance that resonated across generations. After studying at the Maryland Institute College of Art (MICA), where she later became a beloved faculty member, Betty opened her own studio and eventually co-founded The Store Ltd., a Baltimore institution that showcased her work for over five decades. Her jewelry, often handcrafted in silver and gold with touches of wood or acrylic, is iconic for its simplicity and boldness—pieces that remain instantly recognizable as “Betty Cooke.” Cooke's influence is immortalized in museums, galleries, and in the collections of those fortunate enough to own her designs. Her legacy is one of innovation, elegance, and unwavering dedication to her craft.About Ellen Lupton:Ellen Lupton is one of the most influential voices in contemporary graphic design. Born in 1963, she is a celebrated designer, writer, curator, and educator whose work has profoundly shaped design education and practice. After graduating from Cooper Union in 1985, she became a curator at the Cooper Hewitt, Smithsonian Design Museum, where she curated groundbreaking exhibitions that connected design to culture and society. Ellen is perhaps best known for her book Thinking with Type, first published in 2004, which has become an essential guide for designers and is used in classrooms worldwide. Beyond her writing, she has played a pivotal role in shaping the Graphic Design MFA program at MICA, inspiring generations of designers with her innovative teaching methods. Her body of work extends to over 20 books, exploring topics from typography to storytelling in design. Ellen's contributions continue to influence how designers think, create, and communicate in today's visual world.Keep up with what Ellen Lupton's up to:Instagram | Website ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod
In this episode, Kirk and Andy welcome the multi-talented Vic Lee. Vic shares his incredible journey from a successful graphic designer to a renowned mural artist and storyteller. Hear about his creative process, the impact of life experiences, including a close brush with death, and his innovative travel-inspired artworks. Vic's humor shines through as he discusses his stand-up comedy and unique lettering style. This episode is a blend of inspiration, humor, and heartfelt moments, offering valuable insights into the world of design and personal growth.Connect with Vic:https://www.linkedin.com/in/vicleelondon/View Vic's work:https://viclee.co.uk/viclee.co.uk/Vic_Lee.htmlSupport the Show.About Kirk and Andy. Kirk Visola is the Creative Director and Founder of MIND THE FONT™. He brings over 20 years of CPG experience to the packaging and branding design space, and understands how shelf aesthetics can make an impact for established and emerging brands. Check out their work http://www.mindthefont.com. Andy Kurts is the Creative Director and Founder of Buttermilk Creative. He loves a good coffee in the morning and a good bourbon at night. When he's not working on packaging design he's running in the backyard with his family. Check out Buttermilk's work http://www.buttermilkcreative.com.Music for Kirk & Kurtts intro & outro: Better by Super FantasticsShow a little love. Share the podcast with those who may benefit. Or, send us a coffee:Support the show
Hello! I'm Dan Forster, an award winning lettering artist and type designer. My work ranges from custom brand marks to type design, packaging projects, book covers and anything that requires beautifully crafted bespoke lettering.
Stephen Coles is an editor and typographer living in Oakland. He is Associate Curator at Letterform Archive and co-publishes Fonts In Use and Typographica.
What I learned from reading Jan Tschichold, Master Typographer: His Life, Work, and Legacy Jan Tschichold was the author of Die Neue Typography (The New Typography), the the designer of a number of typefaces (including Sabon, Transit, Zeus and others) and a public lecturer and teacher. Join me in this conversation as we study the life, work, and mind of Jan Tschichold. --- (1:33) Call Sign Chaos: Learning to Lead by Jim Mattis (4:33) Two of Tschichold's early sources of education: Writing & Illuminating & Lettering by Edward Johnston and Unterricht in ornamentaler Schrift (Instruction in Ornamental Writing) by Rudolf von Larisch (6:22) Tschichold first visits the Bauhaus (7:37) Gropius: The Man Who Built the Bauhaus by Fiona MacCarthy (16:37) The New Typography by Jan Tschichold (20:11) Ogilvy on Advertising by David Ogilvy (25:35) Tschichold is invited by Paul Renner to teach typography and calligraphy at the Vocational School for Graphic Arts in Munich (30:09) Tschichold is offered the headmaster's post at the Department of Typography at the Berlin Higher Vocational School for Graphic Arts (31:43) Tschichold is arrested by the Nazis (36:03) Tschichold begins to reconsider his work on the New Typography (38:30) Propaganda by Edward Bernays (40:29) Letter Forms by Stanley Morison
Check out the full episode transcript on dife-site.webflow.io This is a very special episode of the Design is for Everyone Podcast. designFAO, a new design conference was kind enough to invite us to join their stage for a very special conversation with 3 amazing people, 3 amazing designers that accepted the challenge of sharing their design insights with us. They were Kate Pincott, an amazing design coach slash head of design at Mattereum. João Miranda, Typographer extraordinaire, and Benny Zuffolini, Product Design Director, Mother of Bunnies, and a great conversationist. We gathered around the topic of dealing with design in a post-democratization era. Hope you enjoy this episode. --- Send in a voice message: https://anchor.fm/dife-podcast/message
When I tell you I have wanted to have this week's guest on the show for years? LISTEN. I'm so glad to bring you this conversation with the one and only Agyei Archer — typographer, design director, and all-around creative powerhouse.We touched on a number of different topics, including his brilliant type design work, and how he built two businesses during the pandemic. He also shared how his motivation to succeed comes from his connection to the Caribbean, and talked about how he balances design, tech, his work with Unqueue, and exploring new type design projects. There are a lot of things to fix in this world, but if you've got skills like Agyei, then that just means your next project is right around the corner. Get on it!LinksAgyei Archer's WebsiteAgyei Archer on InstagramAgyei Archer on TwitterUnqueueUnqueue StudioFor extended show notes, including a full transcript of this interview, visit revisionpath.com.==========Apply to Join The Tenth CollectiveAre you a Black designer looking for work? Join The Tenth Collective, a joint effort from Revision Path and State of Black Design to connect Black professionals in the design and creative industries with companies committed to hiring Black candidates for design and creative positions!Looking for a new opportunity can be tough -- we know. Let us help! Apply today and get curated introduction requests from hiring companies vetted by Revision Path + State of Black Design. It's 100% free, and you'll only be contacted when a company is requesting to speak to you. And you can remain anonymous! Let us be your resource to find work, whether you're looking or not.Apply here: thetenthcollective.com==========Sponsored by HoverBuilding your online brand has never been more important and that begins with your domain name. Show the online community who you are and what you're passionate about with Hover. With over 400+ domain name extensions to choose from, including all the classics and fun niche extensions, Hover is the only domain provider we use and trust.Ready to get started? Go to hover.com/revisionpath and get 10% off your first purchase.==========Follow and SubscribeLike this episode? Then subscribe to us on Apple Podcasts, Google Podcasts, Spotify, or wherever you find your favorite shows.Follow us there, and leave us a 5-star rating and a review! Thanks so much to all of you who have already rated and reviewed us!You can also follow Revision Path on Instagram and Twitter.==========CreditsRevision Path is brought to you by Lunch, a multidisciplinary creative studio in Atlanta, GA.It is produced by Maurice Cherry and engineered and edited by RJ Basilio. Our intro voiceover is by Music Man Dre, with intro and outro music by Yellow Speaker. Transcripts provided by Brevity & Wit.Thank you for listening!
You don't just turn on your laptop, open the software, and click the create font button. It takes way more than that to create a font that is ready to share. This is why we created this comprehensive guide for aspiring font designers.Read full article - MasterBundles - Sell Your Deal
Product Designer, Typographer, Graphic Designer. Photographer, Illustrator, Art Director and UI/UX Specialist, there are not enough qualities to describe the talent of Mohawk AD Program Class of 2009 Marie Rupolo. Working with clients like Budweiser and NBA are in her extensive list of work, that also mix with a passion for Music Art. Tons of tips for current students.
Erik Spiekermann‘s greatest gift is that he never stopped thinking like a child. He's still driven by the same stubborn persistence, by a tireless curiosity, and the imperturbable will to find out what lies underneath the surface. The acclaimed designer and typographer, responsible for the corporate looks of brands like Audi, Bosch, and Deutsche Bahn, creator of Meta – the Helvetica of the 90s – and the man who decided that the BVG, Berlin's public transportation system, needs to be yellow, is basically still a child, just in the body of a man. As a teenage boy, Erik was already fascinated by press printing. He got his first printing machine from his father, a mechanic who Erik thinks passed his strong passion for heavy machinery and their mysteries on to him. Whenever he got the chance, he sneaked into a friend's printing firm at night, trying to figure out how all of this works. Setting type and ruining one plate after the other until he internalized the concept – letting any proof of his failed attempts vanish by dawn – but when he finally filled the white pages with his own hands and ideas he was hooked. Post-war Germany wasn't an easy playing field for a pubescent boy and young man, chances had to be made by yourself and Erik created plenty of them. First in Berlin, then he moved to London in the 60s with his young family, always managing to convince the people around him that he has the ideas that they need. It only takes a few seconds to understand how Erik always manages to get people's full attention – and their trust. He is very charming but he is also a road roller. For the podcast recording at my place, he ran up the stairs with his racing bicycle on his shoulder (mind he's born 1947), he wasn't out of breath at all but ready to dive into hours of talking about design, life, and food. Erik used to often bake with his mother, never measuring anything, but sensitively adjusting texture, taste, and smell by feeling. Even then he didn't need anyone to tell him what to do, just a mother who taught him to refine his senses and listen to them. He is still very protective of his ideas and visions, fighting for them if need be, summed up in one of his many popular quotes: “Don't work for assholes. Don't work with assholes.“ After years of designing and teaching, Erik decided to go back to his roots. All his printing equipment burnt in a severe fire in London in the 70s. A painful chapter that he never felt he had closed, a story he still wanted to continue writing, so he founded p98a a few years ago. It's a Berlin based non-profit experimental letterpress workshop stuffed with old equipment dedicated to letters, printing, and papers. Together with a group of designers, he passes his knowledge and skills on to the next generation and enjoys the play of old traditional analogue equipment and new digital technologies. You can order books, or posters and postcards with Erik's quotes and wisdoms, and join workshops with the master himself. Erik and his wife, Susanna, shared the recipe for their Lemony Mushroom Risotto with me. You can find all the blog posts about the podcast episodes including my guests' recipes on meikepeters.com under 'Meet in Your Kitchen'. INSTAGRAM: https://www.instagram.com/meetinmykitchenpodcast GUEST: https://spiekermann.com/en https://www.instagram.com/espiekermann https://www.instagram.com/p98a RECIPE: https://www.meikepeters.com/meet-in-your-kitchen-erik-spiekermanns-lemony-mushroom-risotto MUSIC: Martin Stumpf FRÜHSCHOPPEN: Ferrari Trento SOUND MIX: Kraatz Studios https://kraatzstudios.com MEIKE PETERS: Newsletter: https://www.meikepeters.com/subscribe-2 Blog: https://www.meikepeters.com Instagram: https://www.instagram.com/eatinmykitchen Facebook: https://www.facebook.com/eatinmykitchen Cookbooks: https://www.meikepeters.com/cookbooks
Highlights from the conversation:A brand is an organism composed of hundreds of elements, logos, copywriting, photography, colours, and of course, typographyBig companies spend millions of dollars on their fucking brand. Why can't they spend a little bit more money to make sure they have a font that is recognisable?They don't even have to say anything. They just have to put type on a page and people would immediately recognise the brand It's very difficult to maintain what's good about the brandThey're rooted in this idea of being digital-friendly but they're falling in line with everybody elseIf you spend $250,000 for a photo campaign, that gets used for one season. If you spend the same amount for a font that you use for 20 years, the cost is negligible More about MatteoMatteo Bologna is the Founder and Creative Director of New York-based branding studio Mucca, a singular personality whose multidisciplinary background in architecture, graphic design, illustration, and typography has helped him build one of the most respected companies in design. Over his celebrated career, Matteo's focused but fun-loving approach has earned strong client partnerships across countless industries, from startups, small retailers and beauty powerhouses to hospitality where he has designed for various renowned hotels and restaurants. This includes work for Sephora, Barnes & Noble, Target, WeWork, Whole Foods, Adobe Systems, the legendary Balthazar in NY and many others.Matteo is also a former board member of AIGA NY and president emeritus of the Type Directors Club, frequently lecturing around the world about his passion for typography. For his efforts, he has been widely recognized by industry publications, competitions and exhibitions, including: Communication Arts, Eye, Graphis, HOW, PRINT, the Art Directors Club, and the James Beard Foundation.Find Matteo here: Website | LinkedIn | Instagram Show NotesPeople:Rainer ScheichelbauerCompanies and organisations:MuccaGlyphsBalenciagaAbsolut VodkaMiscellaneous:FontographerMatteo's course – Type Design for Non-Type designersMatteo's workWhole FoodsRise by WeWorkSephoraFarmer's Fridge How you can helpThere are four ways you can help us out.Give us your thoughts. Rate the podcast and leave a comment.Share this as far and wide as you can - tell your friends, family and colleagues about us (caveat: if you own a family business, these may all be the same people)Tell us how we can create a better podcast - tell us what you liked, didn't like, or what you'd like to hear more (or less) ofTell us who you'd like to hear on the podcast. Suggest someone that you think we should interview. One More Question is a podcast by Nicework, a purpose-driven company helping people who want to make a dent in the world by building brands people give a shit about.One of the things we do best is ask our clients the right questions. This podcast came about because we want to share some of the best answers we have heard over the last 13 years. We talk to significant creators, experts and communicators we encounter and share useful insights, inspiration, and facts that make us stop and take note as we go about our work.Hosted by our founder Ross Drakes.Subscribe iTunes, Spotify, Stitcher, Google PodcastsMusic by: @dcuttermusic / http://www.davidcuttermusic.com
This week we are speaking to Jason Pamental, a design strategist, author, speaker, UX leader, technologist, an expert in web typography, and an Invited Expert on the W3C Web Fonts Working Group. He has worked with many organizations including Adobe, Audible, Condé Nast, GoDaddy, IBM—and given presentations and workshops at conferences all over the world. I also publish a newsletter on web typography. Responsive Typography Book https://www.oreilly.com/library/view/responsive-typography/9781491907085/ Jason's website https://rwt.io/ https://rwt.io/presentations https://rwt.io/resources --- Support this podcast: https://anchor.fm/designhuddle/support
Oliver Schöndorfer, a UI Designer and Typographer, who helps developers improve their websites through pimped typography joins Ari Koponen on the Frontend Greatness podcast to talk about "Better Web Typography." Oliver's YouTube Channel “Pimp my Type”: http://pimpmytype.com Newsletter with weekly font recommendations for web and app design: https://pimpmytype.com/newsletter In this episode: - How can you make typography on the web better? - Choosing fonts for your next web project - Using variable fonts to improve typography and performance --- Episode Notes Social - Oliver's Twitter: https://twitter.com/glyphe - Pimp My Type: http://pimpmytype.com - Ari's Twitter: https://twitter.com/apkoponen Show Notes - Web Almanac - Fonts: https://almanac.httparchive.org/en/2020/fonts/ - "5 steps to faster web fonts": https://iainbean.com/posts/2021/5-steps-to-faster-web-fonts/ - Prevent Faux Fonts: https://alistapart.com/article/say-no-to-faux-bold/ - Avoid Google Fonts: https://wicki.io/posts/2020-11-goodbye-google-fonts/ - Rasmus Anderssons (@rsms): https://twitter.com/rsms - The "Il1 ag" rule. Oliver's Recommendations - Zack Leatherman: https://twitter.com/zachleat - "Web Typography" by Richard Rutter: https://www.amazon.co.uk/Web-Typography-designing-typography-responsive/dp/099566420X - Typography.guru on YouTube: https://www.youtube.com/typographyguru
Our guest this week and the first guest for 2021 on MasteringMediocrity — Tuan Shehan (@tuan_shehan) is an Art Director, Typographer, and Co-Founder of 1831 Studio.
Katie Meza is a Peruvian-American Designer, Typographer, and Creative Director. She received her Bachelor of Fine Arts from Art Center College of Design. Katie’s work has been recognized by Cannes Lions, Fast Company, D&AD, One Club, and Ad age. She has worked at TBWAChiatDay, R/GA, McCann, CP&B, Wieden+Kennedy, DeutschLA, McCann 215, Argonaut, and Tonal. She is currently freelancing in San Francisco with her dog Suki. “In the end, you have to do what makes you happy. Life’s too short, and if you’re not happy at your current situation, know that you have the power to change it into whatever you want. You just have to be brave,” Katie shares in an article from Fast Company. Connect with Katie: - On IG: @kmeza - On Linked-In: https://www.linkedin.com/in/kmeza/ - Website: https://kmeza.info/ Topics mentioned: - Pepsi ad: https://www.youtube.com/watch?v=uwvAgDCOdU4 - Chicha Poster Art: https://www.youtube.com/watch?v=8UWUiW2-Ffo Follow Peruvians of USA Podcast on IG: @peruviansofusa or like our page on Facebook! Visit our website: https://anchor.fm/peruvians-of-usa Visit our Online Store and help us change the narrative with our t-shirt: “El Mejor Amigo de un Peruano es otro peruano.” Also available in feminine (“peruana”) and gender-neutral (“peruanx”) versions. Another way you can help the podcast is by giving us a review in Apple Podcast --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/peruvians-of-usa/message Support this podcast: https://anchor.fm/peruvians-of-usa/support
Craig shares about his journey from being a young designer based in London to now being a keynote speaker at design conferences. He shares how his hard work and self-belief have served him to now being a sort after designer and lettering artist.
Designer, Illustrator & Typographer Lauren Griffin is having a breakout year in her young career. Lauren quickly has hit a stride that many dream of where the work is coming in faster than you can do it, and all the clients are requesting more work in your signature style. Listen to Lauren and Mark, break down how she found this stride, and the best way to keep this career going and growing.
Wael is an award winning designer and typographer; the co-founder of 1on1projects; and a studio partner for Morcos Key, a Brooklyn-based design studio.Connect with Wael: https://www.instagram.com/WaelMorcos/Created & Hosted by: Mikey Muhanna, afikraEdited by: Ramzi RammanTheme music by: Tarek YamaniAbout the afikra conversation series:Our long-form interview series, hosted on Zoom, featuring academics and arts and media experts who are helping document and/or shape the history and culture of the Arab world through their work. Our hope is that by having the guest share their expertise and story, the community still walks away with new found curiosity - and maybe some good recommendations about new nerdy rabbit holes to dive into head first. Following the interview there is a moderated town-hall style Q&A with questions coming from the live virtual audience on Zoom. Join the live audience: https://www.afikra.com/rsvp Follow afikra:Youtube: https://www.youtube.com/c/afikra/Patreon: https://patreon.com/afikraInstagram: https://www.instagram.com/afikra_/Facebook: https://www.facebook.com/afikra.official/Twitter: https://twitter.com/afikraWebsite: afikra.comAbout afikra:afikra is a grassroots movement that has evolved into a global community dedicated to exploring the history and culture of the Arab world. Starting in 2014 in NYC, our mission has always been two-pronged: cultivate curiosity and to build community. We've hosted intimate salon-style events all over the world that feature in-depth presentations on topics related to the Arab world, given by members of our community. What makes afikra different is that our programs and platform is designed to engage our community to ask their own questions, and provide an open community of peers who support each other as we all look for the answers together. Our vision is to build a global community of curious minds who are interested in promoting intellectualism and deepening our communal knowledge of the Arab region.
Interview with Nick Gadd, author of Death of a Typographer, by Jocelyn Ceccanti for Write Around the Murray 2020. This interview was first aired on Friday 4 September on Indigo FM ahead of Nick's appearance on the Criminal Types panel at WAM in Albury. Special thanks to Indigo FM for the recording.
This week is Creative Director and graphic designer Bobby Dixon is back to talk about Design, Sneakers, appreciating the art we made as younger artist and more. All of my Podcast episodes are to be taken with a grain of salt. I make them primarily to make my friends laugh a little. My goal is to feature people from the creative fields who have something interesting to say or something valuable to bring to the discussion.#creativepodcast #creative #creativecontent #anywaywhatever #podcast #humor #youtuber #adamsandler #happymadison #moviereview© 2020 AWP Media--- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
St+art India is the brainchild of 5 co-founders all belonging to diverse backgrounds. Founded in 2014 by Arjun Bahl, Hanif Kureshi, Giulia Ambrogi, Akshat Nauriyal, and Thanish Thomas. St+art India is a not-for-profit foundation with the intent of making art more democratic. St+art explores the synergy between art and its ability to transcend socio-cultural barriers and lead to the exchange of ideas through unique and collectively shared experiences in public space. St+art has made over, 500 artworks in 10 Indian cities with more than 100 artists from over 25 countries. You can check out Episode # 78 where I spoke to Giulia Ambrogi about St+art project and insights into murals. Today I have Hanif Kureshi with us on Audogyan. Hanif is a Designer, Typographer, and the Artistic Director and Co-founder of St+art India Foundation. He is one of the most sought after artists in India. Today we are here to discuss painting on streets. Thanks, Hanif for giving your time and it's a real pleasure to have you on Audiogyan. Topic St+Art movement with Hanif Kureshi. Questions I am quoting you from one of your articles online, "While graffiti was once considered a nuisance, it is now a wonderful showcase of alternative art, a sub-culture that sometimes surpasses the mainstream in its fanbase." - I have 2 questions. 1, Why was it considered a nuisance? 2. How & why did it change? Is street art an Indian thing? Where do you see it’s rooted in India? What role does space play while making artworks of such huge sizes? Can you share any particular example/case study? Borrowing from the Startindia website, "Indian streets are very unique. They are a microcosm of the millions of diverse voices that co-exist in this vast and wonderful nation of ours." - How do you pick subject/theme of what to draw? Both in temporary and permanent structures. The cut-out type work is very dominant in the south of India. What can be learned from it and push the envelop further? Can you share a few positives and few negatives while making this street art movement? From establishments, from art creators/lovers and general audience? How does street art influence the aesthetics of the overall society/area/community? You guys are also involved with the ‘Smart Cities’ program and the ‘Swachh Bharat Mission’. Can you talk more about it? What is the long term future of St+art movement? https://st-artindia.org (https://st-artindia.org/) https://www.outlookindia.com/outlooktraveller/see/story/27477/street-art-in-delhi-i https://www.instagram.com/startindia/ https://www.youtube.com/channel/UCpEHZpPCZN2yeNTXlH41Cyw https://www.facebook.com/startindiafoundation
So You Want To Be A Writer with Valerie Khoo and Allison Tait: Australian Writers' Centre podcast
Meet Nick Gadd, author of Death of a Typographer. Hear about the demise of the Apostrophe Protection Society and discover what #authorsforfireys is all about. Plus, we have three copies of That Will Never Work: The Birth of Netflix and the Amazing Life of an Idea by Marc Randolph to give away. Read the show notes Connect with Valerie, Allison and listeners in the podcast community on Facebook Visit WritersCentre.com.au | AllisonTait.com | ValerieKhoo.com
Today's guest is Danielle Evans. She is a Dimensional Typographer at Marmalade Bleue in Columbus OH. She has worked with clients like Target, Kellogs, Disney, McDonalds, (RED), Cadillac and more.During this episode we talk about:-her experience politely pointing out to a fellow artist that she felt they were crossing the line from being inspired by Danielle's work, to copying, and how it turned into a really tough situation for her. -her writing for WorkingNotWorking Magazine.-a project she was a part of where the service of others was missed, the focus was only on making it look good, and what that caused.-the exhibit that sent her off on a personal project that involved a lot of R&D and testing to create, and the results of that. Hint, it involves Jello. There is so much in the episode. Danielle has a very unique career that comes with very unique challenges and she is open and honest about sharing them all. @marmaladebleue
Today's guest is Danielle Evans. She is a Dimensional Typographer at Marmalade Bleue in Columbus OH. She has worked with clients like Target, Kellogs, Disney, McDonalds, (RED), Cadillac and more.During this episode we talk about:-her experience politely pointing out to a fellow artist that she felt they were crossing the line from being inspired by Danielle's work, to copying, and how it turned into a really tough situation for her. -her writing for WorkingNotWorking Magazine.-a project she was a part of where the service of others was missed, the focus was only on making it look good, and what that caused.-the exhibit that sent her off on a personal project that involved a lot of R&D and testing to create, and the results of that. Hint, it involves Jello. There is so much in the episode. Danielle has a very unique career that comes with very unique challenges and she is open and honest about sharing them all. @marmaladebleue
Today's guest is Danielle Evans. She is a Dimensional Typographer at Marmalade Bleue in Columbus OH. She has worked with clients like Target, Kellogs, Disney, McDonalds, (RED), Cadillac and more.During this episode we talk about:-how she was raised in a non-privileged household with taught her to be creative and resourceful in finding things to be creative with. -her journey to find her designer identity and where she fit in the creative world.-some of the wild food and objects she has used to create typography.-a poster design contest she was a part of where some of the most memorable posters used print in a way that engaged other senses.There is so much in the episode. Danielle has a very unique career that comes with very unique challenges and she is open and honest about sharing them all. @marmaladebleue
Today's guest is Danielle Evans. She is a Dimensional Typographer at Marmalade Bleue in Columbus OH. She has worked with clients like Target, Kellogs, Disney, McDonalds, (RED), Cadillac and more.During this episode we talk about:-how she was raised in a non-privileged household with taught her to be creative and resourceful in finding things to be creative with. -her journey to find her designer identity and where she fit in the creative world.-some of the wild food and objects she has used to create typography.-a poster design contest she was a part of where some of the most memorable posters used print in a way that engaged other senses.There is so much in the episode. Danielle has a very unique career that comes with very unique challenges and she is open and honest about sharing them all. @marmaladebleue
You'll never look at a watch dial the same way again.Show Notes1:30 Abstract: The Art of Design, Season 22:20 Nom Wah2:39 Matera, Italy6:00 The Omega Seamaster Diver 300M For The 50th Anniversary Of 'On Her Majesty's Secret Service'6:15 Odell Beckham Jr. And Daniel Wellington Might Have Just Played Us All8:50 Drake's Chukka Boot9:36 Aston Martin DB513:00 The Omega Speedmaster HODINKEE 10th Anniversary Limited Edition25:08 The Patek Philippe Aquanaut Ref. 5167A For The Singapore Grand Exhibition28:00 James Bond's Watch in GoldenEye30:30 Typography.com 33:15 Helvetica Trailer50:00 Introducing Decimal, Using A Breitling Top Time56:00 HODINKEE Radio With Scott Dadich1:09:50 A Little Life1:21:45 The Zenith El Primero A384 Revival
In this episode we get to speak with Jason Pamental: Design Strategist, UX Leader, Typographer, Speaker, and Author. We discuss...
Gregor sits down with Craig Black, an award-winning typographer, lettering artist and independent designer. Craig's versatility has allowed him to work with a range of clients from local businesses and startups to globally-recognised brands. He is also the Co-Founder and Creative Director of Creative Inverclyde - a social enterprise aimed at utilising the creative sector to be the nucleus for positive social change across Inverclyde and Scotland. Craig tells us where his fascination with typography came from and discusses how making mistakes has helped him develop his ability to adapt. Find out more about Craig's work at: https://craigblackdesign.com
This Sabbatical week is from a past YouTube episode (#111) on why being a typographer is important. https://youtu.be/AJI2l4GekSE Takeaways: Typography is how someone uses their typework. Their typefaces, their fonts, the space in between letters. Typography is key to being a good designer. Train your eye to recognize typefaces. Consider the era a type comes from, the style they are created in, the kind of thing it was created for. Fall in love with type! Being a typographer sets you apart Find us on all forms of social media via @BrandiSea on Instagram, Twitter, Facebook, and you can email us any burning questions you want Brandi to answer on an episode at brandi@brandisea.com. [clear-line] TRANSCRIPTION Brandi Sea: 00:03 Hey, I'm Brandi Sea and you're listening to episode 109 of design speaks. This week is a sabbatical week. So we have a design tip for you from uh, one of my old youtube videos. So this week we're going to be talking about why it's important to be obsessed with or at least be interested in and try to get good at typography. Here you go. Brandi Sea: 00:30 Hey guys, welcome to Design Tip Tuesday. This week's design tip is, be a typographer. So I've often been asked like, how do I know a novice designer from an expert designer? Or what makes a good design and how can I tell just by looking at it? And time and time again, the answer I come back to is the typography, which is how the person used their type work, their typefaces, their fonts, the space in between letters, all of those things. That's really key to being a great designer. If you did not know how to be a typographer, you will fail. So I was, I was watching um, 101 Dalmatians with some friends the other night and I was able to identify the style of typeface that they were using in the credits as a 60s style typeface. And one of my girlfriends said, man, I wish I could do that. That's so cool. But it's, it was kind of just like, well, it is cool. But the reason that I do that and the reason I have that skill is because I've trained my eye to recognize typefaces because they're so important in your work. The era that they come from, the style that they're created in the kind of thing they're created for is all really important to know. The difference between a headline typeface and a body copy typeface will make all the difference in your work fall in love with type. I know it sounds like a really geeky thing to do, but if you can be a true topographer, your work will excel above so many hack designers out there. And I promise that you'll be really excited about things like typefaces someday if you can really get into this. So set yourself apart, be a topographer. Practice, learn, look at books and all kinds of stuff to figure this thing out. And if you have any questions on what I've used to become a typographer myself, I would love to share those things with you. So I hope to see you guys next week. Brandi Sea: 02:34 Michelle and I will be back next week with a full episode until then, check out our Patreon and share this podcast with a friend.
This Sabbatical week is from a past YouTube episode (#111) on why being a typographer is important. Takeaways: Typography is how someone uses their typework. Their typefaces, their fonts, the space in between letters. Typography is key to being a good designer. Train your eye to recognize typefaces. Consider the era a type comes from, the […]The post A Quick Tip from BrandiSea: Be A Typographer [sabbatical week] – Episode 109 appeared first on BrandiSea Design Co..Support the show (https://buymeacoffee.com/BrandiSea)
This week, Rich talks to designer and typographer Wael Morcos. They discuss Wael's upbringing in a small suburb of Beirut in Lebanon, and how he began his creative journey, from getting his undergrad at Notre Dame in Lebanon to receiving his MFA at RISD in Rhode Island, and co-founding the studio MorcosKey. Also, they get into the intersection of Identity and Academics in design, how one brings their culture into their work in a meaningful way, and the "importance" of awards. Check out FirstGenBurden.com for all the episodes. Follow us @firstgenburden and Rich Tu / @rich_tu Recorded at Listening Party (@listeningpartypresents and @canalstreetmarket) Thanks DesGin for their support. --- Send in a voice message: https://anchor.fm/firstgenburden/message Support this podcast: https://anchor.fm/firstgenburden/support
This week, Rich talks to designer and typographer Wael Morcos. They discuss Wael’s upbringing in a small suburb of Beirut in Lebanon, and how he began his creative journey, from getting his undergrad at Notre Dame in Lebanon to receiving his MFA at RISD in Rhode Island, and co-founding the studio MorcosKey. Also, they get into the intersection of Identity and Academics in design, how one brings their culture into their work in a meaningful way, and the "importance" of awards. Check out FirstGenBurden.com for all the episodes. Follow at @firstgenburden. Recorded at Listening Party (@listeningpartypresents and @canalstreetmarket) Thanks DesGin for their support.
Juan Carlos Pagan is a New York based Artist, Designer, and Typographer. Juan has been honored for his work by The Type Directors Club, Communication Arts, ADC, One Show, Cannes Lions, Clios, Fastco, and Print Magazine. He also designed the branding for the ubiquitous social media platform Pinterest. His grandfather was a political refugee in Cuba who fled to Puerto Rico, eventually arriving in New York. We talk about his beginnings and his design process. Check out FirstGenBurden.com for all the episodes Follow us @firstgenburden and Rich Tu / @rich_tu Thanks DesGin for their support --- Send in a voice message: https://anchor.fm/firstgenburden/message Support this podcast: https://anchor.fm/firstgenburden/support
In this episode, we chat with Jacky Sheridan, a Belfast-based illustrator who creates bold, colourful artwork with a message to tell. Jacky’s clients include Subway, Coca Cola, Computer Arts, VICE and The Skinny and she is represented by Northern Irish illustration agency Usfolk. You’ll hear some top advice from a practicing illustrator - on how to pick your work, to reach out to clients and make sure you are managing the business side of your business - which can be challenging at times. This episode is lots of fun, with lots of swearing, so you’ve been warned!
Kita akan diskusi soal menjadi seorang typographer, dan bagaimana cara berjualan di marketplace design. Bersama Aliv Pandu dari Yogyakarta. Music by Mosbrass from Fugue
This week we get to answer a question from a listener on how to be a better typographer, and we are so excited about it! Featured Music: Boygenius - Bite the Hand Starflyer 59 - Wake up Early [clear-line] Inspirations, Thoughts, Opinions, & Updates What We’ve Been Up To Michelle: Has limited the number of parties she’s going to this Christmas season, but is still watching many crappy Christmas movies Has been listening to girl bands on repeat And she is going to have the wrap party for the webisode series, Newclear Family, and she got to watch part of the unedited shots. Brandi: Has also been watching Christmas movies, but she didn’t cry at the end of the Christmas Chronicles which Michelle is shocked about She did watch the "The Man Who Invented Christmas", and it perfectly describes what a creative feels like when they get knocked out of their creative zone. Be listening for this topic in a future episode. *wink wink* Also watched "Into The Spiderverse" and it's an epic work of creativity--Go see it! And she also had a great conversation with Hugh Weber, but she can’t talk about it too in depth. However, Hugh will be on some future episodes! He’s a fan of is, we’re a fan of him, it’s great. Oh! And she got her hair dyed this week! It's called Oil Slick and it's basically CMYK and amazing [clear-line] Five Ways to Be a Better Typographer Research Books (always) LogoLounge & Other Logo Books 1000 Series Book Cover Design Poster Design Books Practice Being an Active Observer of Type Type is everywhere, look at it closely In one class Brandi had to do a project where she had to crop in closely on a single letter to study typefaces. Look at individual letters, spaces between lines, really see the details. Which you can use in the real world because once you know a font when you see it in the real world you can get a sense of what something is about based on the font it had. (i.e. Netflix original shows) Become an "Art Director" Look at and critique Kerning, Type Choices, and analyze every aspect of the type Brandi also suggests to plan out your hierarchy. Hierarchy is the order you want your viewers to see your design. Study the layout, the sizes the colors. Where the letters are, even the spaces between the letters. Pretend to be an art director if that helps so you can get better at studying where everything is in your designs Practice Combining Typefaces Once you understand typefaces you can start combining them together. Some fonts work really well together and can help you in design, but be aware that that also means some fonts don’t work well together. Know why you are combining typefaces together. Play Games! Brandi also has some font apps that she has on her phone to practice font recognition in a fun, interactive way. What the Font Brandi said Font Book but meant "The Font Game" Arial vs. Helvetica There’s a lot more to fonts than you may think. Type has personalities just like people do. THANKS FOR THE FEEDBACK!!!! "I started listening months before I decided to launch an independent design business and binged until I caught up. Binge listener, which at the time was only about 15 episodes only. This has been so helpful as I started my own business only a few months ago. I am constantly referring new friends to this show. I appreciate that Brandi and Michelle are always responsive to their audience. I was thrilled when I sent a question on Instagram and it was answered in an episode. I am thrilled to hear that there will be book reviews in the near future. It can be overwhelming to know what to use to continue learning because there are never ending resources out there, but this will always be one of my regular listens. Keep it up ladies." - NaoGee on iTunes
This week we get to answer a question from a listener on how to be a better typographer, and we are so excited about it! Featured Music: Boygenius – Bite the Hand Starflyer 59 – Wake up Early [clear-line] Inspirations, Thoughts, Opinions, & Updates What […]The post Five Ways to Become a Better Typographer – Episode 076 appeared first on BrandiSea Design Co..Support the show (https://buymeacoffee.com/BrandiSea)
The twists and turns in the life of one of the best designer and typographer in the UK. From professional footballer to designing the UEFA typeface Craig's journey is a story of hardship and achievements that culminates with him heading straight back from London to the small town of Gourock in Inverclyde where he services world class clients. You can find Craig on [Twitter][1]. The episode is also available on [iTunes][2] and [Spotify][3]. Opening track prod. [Rion Richard][4] [1]: [1]: https://twitter.com/_CraigBlack [2]: https://itunes.apple.com/gb/podcast/adventures-in-the-creative-industries/id1439055015?mt=2 [3]: https://open.spotify.com/show/505ebIJRui5y9y47VAHF8R?si=C3RxCGYUSxqFw9FJ_ZNTpQ [4]: https://rionrichard.com/
As something of an icon in the field of graphic design, Jonathan Barnbrook is a British-born designer and typographer. Renowned, among many other things, for his longstanding collaboration with the late David Bowie, he has been the subject of his own exhibition at the Design Museum and seen his typeface, Mason, become one of MOMA’s first digital acquisitions. Founding his self-titled design studio in 1990 and font company VirusFonts in 1997, Jonathan’s multi-faceted practice has granted him glimpses into several other fields, perhaps most notably in art and music. His work, often politically-charged and meaningfully-driven, has attracted him to like-minded collaborators including anti-corporate collective Adbusters and the Occupy Movement. Reflecting on his own career challenges, he shares his advice for emerging creatives on everything from finding like-minded collaborators, to putting together a personable portfolio and developing your own philosophy as a designer. ... This episode of Creative Lives was was presented by Marianne Hanoun and the editor was Ivor Manly. Lecture in Progress is made possible with the support of a number of brand patrons – they include ustwo, GF Smith, Squarespace and The Paul Smith Foundation. Check out lectureinprogress.com for more details.
Listen to Stefan Kunz, lettering artist & teacher, as he shares the story of how he dropped a desk job to follow the call of God at the dawn of his creative pursuit. Stefan sees himself as somewhat of a brand manager for the kingdom of God, helping to visually and creatively communicate the message of the Gospel. With more than 200k followers on Instagram and creative partnerships with industry giants such as Apple, Adobe, & Hallmark, Stefan breaks down his own process in the hope of inspiring other creatives.
Simon is a freelance designer and custom-typographer working in Austin, Texas. Some of his clients, past and present, include Nickelodeon, American Eagle, Ed Helms, Vanity Fair, Pepsi, ESPN, Brené Brown, Nike and Target.
Master on None but Jill of All Trades How many times in life have you felt that internal urge to pursue something yet you're hesitant because it differs from what you currently do? Sometimes it's okay to be a jack or jill of all trades instead of a master of one. Each one of us is a passion weaver and each passion thread we weave has a similar underlying structure to it all? Maybe it's just our job to connect the dots and see how everything aligns together? This is a deep concept but it makes so much sense if you think about it. This week I want to present to you Dominique Falla, HBIC of the Typism Global Lettering Community. It has blossomed into a massive Instagram account, a conference, a book and an online summit which you’ll hear more about in the show. She’s also a Passion Weaver, Speaker, Author, Typographer and has completed tactile string typography commissions for brands like Google, Bing, Penguin, Random House and Woolworths, among others. She will have a new book called Creative Fitness coming out in 2018. Dominique is a straight up rock star and some of the things we cover in today's episode are: Standing out with quality and doing something different Weaving together multiple passions Figuring out life's puzzle and the guiding force within you Not pressuring yourself to make your side hustle your main hustle Creativity is a muscle, exercise it every day Following your fun meter This is just the tip...of the iceberg that is of what we talk about in this episode. I have no doubt you're going to want to take on the world after listening to this one. Want to help the show grow? Consider supporting the cause on Patreon The World of Typism Typism originated from the idea that Dominique went to a conference to see Seb Lester. She found the other speakers all boring and wondered what it'd be like to host a conference of 7-8 Seb Lesters? Behold the Typism conference which started in 2013. It followed an every other year fashion following in 2015 and 2017. After speaking and teaching a workshop at Creative South in 2017, she decided she wanted to go all out and make Typism an annual event. Each Typism accompanies a book that typically is based on worldwide artists submissions. They are then put through the ringer of judges which leads to a curated book full of quality lettering and calligraphy. Typism 2018 will be held in August at the Gold Coast. You can get your tickets here. Typism Summit is now available and you can get immediate access to the library of videos for $97. Shownotes Typism Instagram Typism Website Typism 2018 Register Dominique's Website / Portfolio Dominique's Twitter / Instagram / Medium Creative Fitness Talk Episode Mentions Jasmine Dowling Seb Lester Creative South Conference Terence Tang of Tinlun Studio Dose of Inspiration: Matt Vergotis Simon Sinek Start With Why Ted Talk / Book Simon Sinek Find Your Why Book Podcast Theme Music by Blookah Want to Support the Show? Become a backer on Patreon Leave an iTunes Rating and Review Share the show on social media or follow the Perspective Podcast Instagram Subscribe on your favorite podcast player: iTunes Stitcher Google Play Radio Overcast
We're wrapping up our two-part series with a conversation with the extremely talented Tré Seals. His specialties lie in branding and illustration, but Tré is also a fantastic typographer. The interview starts off with Tré describing how he got interested in design, and talks about his time at Stevenson University (where he learned from one our former guests, Andrea Pippins). Tré also talks about his company, Vocal Type Co., and we get into a discussion on typography and fonts as he talks about the project he'd most love to do one day. You're definitely going to want to keep an eye out for Tré Seals! Tré Seals' Website Vocal Type Co. Help support Revision Path by becoming a monthly patron on Patreon! Pledges start at $1 per month, and you’ll receive special patron-only updates, early access to future episodes, and a lot more! Join today! Come join the Revision Path community on Slack! http://revisionpath.com/slack Check out the Revision Path store and buy a t-shirt or hoodie to help support the show! http://revisionpath.com/store We're on iTunes and Stitcher as well! Visit http://revisionpath.com/iTunes or http://revisionpath.com/stitcher, subscribe, and leave us a 5-star rating and a review! Thanks so much to all of you who have already rated and reviewed us! Revision Path is brought to you by Facebook Design, MailChimp, Hover, and SiteGround. Save 10% off your first purchase at Hover by visiting hover.com/revisionpath! Get 60% off all hosting plans at SiteGround by visiting siteground.com/revisionpath! Follow Revision Path on Facebook, Twitter, and Instagram!
Nerding out about fonts and the future of type with SAD Mag's typographer and organizer of Type Brigade Kenneth Ormandy. With music from The Courtneys.
Juan Carlos Pagan is a New York based Artist, Designer, and Typographer. Juan has been honored for his work by The Type Directors Club, Communication Arts, ADC, One Show, Cannes Lions, Clios, Fastco, and Print Magazine. He also designed the branding for the ubiquitous social media platform Pinterest. His grandfather was a political refugee in Cuba who fled to Puerto Rico, eventually arriving in New York. We talk about his beginnings and his design process.
Aired Wednesday, May 22, 2013. Episode 46 Zach Smith is a young and rising designer with a lot of wisdom for his years. Zach shares with us how he got started with hand lettering and design, what inspires him, and how he markets himself.
Brian interviews Brian Gartside, a typographer and graphic designer, and finds out the difference between a typeface and a font, and then forgets it the next day.
这是一台字体排印主题播客制作的一期字体排印主题节目。 文字所谓何物?字体排印怎样拆解?Typeface 和 font 如何翻译?Typographer 都干些什么?Typography 究竟还有几种译法? 欢迎《字谈字畅》首位女嘉宾。本年度最末一期,我们邀来专业译者及设计师 Mira,围炉同考「Typography」。 参考链接 「仓颉之初作书也,盖依类象形,故谓之文。其后形声相益,即谓之字。文者,物象之本;字者,言孳乳而寖多也。」——今田欣一先生借《说文解字》阐释「文」和「字」 ß (eszett) / β (beta);另可参考 Rex 所撰关于「长 S」的故事 《通用规范汉字表》于 2013 年公布 知乎上关于「typeface」和「font」语义及翻译的讨论 CSS 中的「font-family」属性及「generic family」取值 Archetype 《武英殿聚珍版程式》,乾隆三十八年(1773 年)重刊本 JIS X 4051:日本語文書の組版方法 GB/T 15834—2011 标点符号用法 GB/T 15835—2011 出版物上数字用法 House style / style guide Jan Tschichold(扬·奇肖尔德) 行长仅有两个汉字的竖排文字片段,见于民国年间刊印的某张报纸 1911 年版《大英百科全书》中对「typography」的解释 Mira 报道 Pentagram 对纽约停车指示牌的重设计 《今日文字设计》(Typography Today),Helmut Schmid 著,王子源、杨蕾译 2012 年 1 月时的 Type is Beautiful 首页,刊头下附有「字|体|排|印」字样 动态对等 / 功能对等(dynamic equivalence / functional equivalence) 嘉宾 Mira Ying:译者,平面设计师,西文书法爱好者;Type is Beautiful 撰稿人;译著有《当我们阅读时,我们看到了什么》和《西文书法的艺术》等 主播 Eric:字体排印研究者,译者,Type is Beautiful 编辑 蒸鱼:设计师,Type is Beautiful 编辑 欢迎与我们交流或反馈,来信请致 podcast@thetype.com。如果你喜爱本期节目,也欢迎用 PayPal 或支付宝向我们捐赠,账户与联络信箱一致:podcast@thetype.com。
Animated gifs, Arctic Monkeys, retreating to the sea, painting the moon, and eliminating nationalities in the name of living in harmony. In this episode, I talk to Oded Ezer, graphic artist, typographer, and conceptual artist (known as "Cat Chap"). He founded the Hebrew Typography type foundry in 2004, but is best known for his typographic design fiction projects, which have been exhibited at the V&A in London and MoMA in New York. Music Show Opener: Salt-n-Pepa, Pharrell Williams (with Justin Timberlake), Melanie and Kanye West (feat. Rhymefest) Typography – Jim Dandy Miles from Nowhere – Cat Stevens The Smile On Your Face - Little Ann Ludlow St. - Julian Casablancas Left Hand Free – alt-J Show Closer: DJ Jazzy Jeff & The Fresh Prince, Tricky, Dusty Springfield and Isaac Hayes Reading List Oded Ezer: The Typographer s Guide to the Galaxy, by Oded Ezer On Yona Wallach The Medium is the Massage, by Marshall McLuhan Cinema 1: The Movement-Image, by Gilles Deleuze Watch List 5 Films About Christo and Jeanne-Claude ** If you love my show, please subscribe, rate and review in iTunes, or wherever you get your podcasts. For more information, visit brandnewways.com --> Find the show on Twitter: @brandnewways_ --> Send me an email: show@brandnewways.com
Typographer/letter lady/artist Gemma O'Brien brought in a wonderful mix of tunes this week and in between we spoke about tombstone writing, Comic Sans, design and a whole bunch of Gemma's weird and wacky experiences.
Erik Spiekermann is one of the best-known typographers and graphic designers in the world. Not only does he represent German typeface and corporate design like no other, but his work and companies he founded—MetaDesign, FontShop, and EdenSpiekermann—have also had an unparalleled influence on contemporary graphic design around the globe.At his newly opened workshop P98A Gallery, Gestalten.tv meets with this master, who has been “suffering from typomania” all his life. We learn about the beauty of constraints, the heritage of letterpress printing, and his unusual entrepreneurship principles. This video also gives you a sneak peak into his upcoming Gestalten book “Hello, I am Erik,” the first-ever visual biography of Erik Spiekermann's life and work.
This set was recorded live at The Bunker in Brooklyn on May 16, 2008. Byetone stepped out of his role as administrator and graphic designer of Raster Noton to deliver an amazing album last year, "The Death of a Typographer". This set features a lot of the heavy industrial material from that album. Part 3 of our 4 part Raster Noton series.
Rare Frequency Podcast 30: Hot Stuff Note: Yes, I play the same Philip Jeck piece in consecutive podcasts. What excuse can I possibly offer? Well, uh, it really is hot. (opening music: Warner Jepson, “Skate Date,” Totentanz And Other Electronic Work 1958-1973 (Disc Two) (Expanding Melon) 2CD) 1 Alva Noto, "u_07" Unitxt (Raster-Noton) CD 2008 2 Frank Bretschneider, "Rand" Rand (Mille Plateaux) CD 2000 3 Philip Jeck, "Shining" Sand (Touch) CD 2008 4 DJ /Rupture vs. Badawi Quintet, "Ipanema Under Fire" Unit of Resistence (Roar) CD 2008 5 Asmus Tietchens, "Rosenkranz" Mysteries of the Organ (Die Stadt) CD 2008 6 Burning Star Core, "Challenger" Challenger (Hospital Productions) CD 2008 7 Kevin Drumm, "Snow" Imperial Distortion (Hospital Productions) CD 2008 8 Byetone, "Heart" Death of a Typographer (Raster-Noton) CD 2008 9 Gas, "Zauberberg 6" Nah und Fern (Kompakt) 4CD 2008