Podcast appearances and mentions of John Butcher

Today's sermonette based on Luke 19:29-48 is given by Rev. John Butcher. This is a rebroadcast from May 31, 2017. Hear a guest pastor give a short sermonette based on the day's Daily Lectionary New Testament text during Morning and Evening Prayer. Submit comments or questions to: listener@kfuo.org

Arena Church Mansfield 

Arena Church Mansfield 

On this episode, Martin Smith interviews John Butcher, the Procurement Director at Just Eat Takeaway. John shares his journey of building a procurement team from scratch, the challenges he faced, and the importance of hiring the right talent. He discusses the evolving procurement landscape, the importance of emotional intelligence, and the impact of technology, particularly AI, on the industry. John emphasises the need for agility in procurement and offers valuable insights for aspiring leaders in the field.TakeawaysBuilding a procurement team requires a blend of internal and external talent.Cultural fit and attitude are crucial in talent acquisition.Procurement can add value beyond just cost savings.Emotional intelligence is becoming increasingly important in procurement roles.Delegation is essential for effective leadership.Technology, including AI, is transforming the procurement landscape.Continuous learning and adaptation are necessary for success in procurement.Leadership involves pushing boundaries and extending influence.Chapters00:00 Building a Team from Scratch09:46 The Importance of Talent19:59 Procurement in 202423:52 Leadership Insights

Entra nel flusso e fatti portare dalla musica e dal suono.L'esperienza e il vissuto determinano lo sguardo e, di conseguenza, la percezione che abbiamo di ciò che osserviamo e ascoltiamo. È una condizione primordiale per comprendere e godere il mondo elettroacustico e sperimentale di Niton, un trio attivo tra il Mendrisiotto e la Lombardia e che, con il nuovo album “11”, saluta l'adolescenza artistica accogliendo la maturità.undefinedTogli 1 dal titolo e hai 10, come le tracce che contiene e come gli ospiti straordinari che, per la prima volta, sono entrati nel laboratorio di Niton e hanno dato un contributo attivo che espande il raggio d'azione dell'organismo nel quale, per un giorno, si sono immersi. È un parterre di artisti internazionali straordinari: Beatrice Graf, Julian Sartorius, John Butcher, Andy Moor, Meryem Aboulouafa e Vanni Bianconi, Boris Hauf, Peter Kernel, Olivia Louvel, Andy Bluvertigo e Achille Ateba Mvondo.Il valore “alternativo” dell'elettronica di Niton non sta nella sua definizione, ma nella tipologia di strumenti che suona: un violoncello filtrato attraverso gli effetti, gli oggetti (strumenti impropri, anche loro filtrati) e i sintetizzatori analogici.È con estremo piacere che diamo il benvenuto a Zeno Gabaglio, Luca Xelius Martegani e El Toxique sull'isola felice di Confederation Music.undefined

Arena Church Mansfield

Wow what a fascinating adventure in gardening John has had over the last few years! Highlights from the episode

Arena Church Ilkeston 

Arena Church Nottingham1st September 2024

Jeff Porter, Facilities Superintendent, and John Butcher, HVAC & Plumbing Supervisor, are our guests on the podcast this week. Tune in and learn about all of the hard work that goes into keeping the County running.

Making a Scene Brings you an Interview with Bart BryantHow does a Connecticut transplant from Baltimore grow to pull off Austin-style hard drivin' heavy Blues & Rock and Roll? While from Baltimore, his fluid vocals and Blues-Rock guitar style have entertained audiences in Connecticut and Austin, Texas since his teens. His solo acoustic and band (Current) work in New Haven, CT and the Tri-State area gained him access to producers. By the late 70s Bart started recording his original songs. Recognition also brought warm-up band gigs for national acts at Toad's Place. Work with legendary artists like The Roches, Jorma Kaukonen, Poco, Pousette-Dart Band, Jonathan Edwards, Stevie Ray Vaughan, Aztec Two-Step, Pure Prairie League, Johnny Winter, John Butcher, New Riders of the Purple Sage all had influence on Bryant's work & aspirations. http://www.makingascene.org

Today's sermonette based on Luke 19:29-48 is given by Rev. John Butcher. This is a rebroadcast from May 31, 2017.

For the Record is a conversation series where we speak with all manner of music heads — DJs, music journos, indie label captains, record shop owners, listening bar kingpins, et al — about their stories + the music that makes them. Join the Crate Coalition: https://discord.gg/sAaG6a7bv4 Born in Detroit, raised in London and now based in Kraków, Alex Roth is a composer, guitarist, producer and interdisciplinary collaborator. His diverse body of work encompasses improvised performances; a wide range of concert music from solo to orchestral compositions; scores for dance, theatre and film; leading numerous bands; and producing electronic music. He has worked with some of Europe's leading experimental musicians, such as John Butcher, Arve Henriksen, Savina Yannatou, Kit Downes, Mikolaj Trzaska and Olga Szwajgier. Alex leads the acclaimed improvising trio Cut The Sky (with Wacław Zimpel and Hubert Zemler); produces experimental electronic music as Supersigil; co-directs Sephardic music group Sefiroth; and founded the networked ensemble MultiTraction Orchestra, whose critically lauded debut album was hailed by The Guardian as "a remarkable sonic collage by an A-list of international improvisers.” Alex's compositions have been recorded by the London Symphony Orchestra and London Sinfonietta, and the 20+ releases in his discography also include collaborations with singer/songwriter Alice Zawadzki, Mercury Prize nominee Laura Jurd's Human Spirit, and Orcadian fiddler/singer/songwriter Catriona Price, among other recordings on labels such as Superpang, Edition, Diatribe and NMC. Alex is also the founder of multidisciplinary label Zyla, whose inaugural season of releases was curated around his Inpouring EP—a collaboration with experimental cellist Alice Purton—and included poetry, drawing, animation, choreography and videography. Explore more of this conversation and others: https://www.greymatter.fm/community/ftr027-alex-roth --- Send in a voice message: https://podcasters.spotify.com/pod/show/greymatterfm/message

Born in Detroit, raised in London and now based in Kraków, Alex Roth is a composer, guitarist, producer and interdisciplinary collaborator who over the last decade has earned a reputation as “one of contemporary music's most innovative and impressive talents” (musicOMH). His diverse body of work encompasses improvised performances; a wide range of concert music from solo to orchestral compositions; scores for dance, theatre and film; leading numerous bands; and producing electronic music. He has collaborated with some of Europe's leading experimental musicians, such as John Butcher, Arve Henriksen, Savina Yannatou, Kit Downes, Mikolaj Trzaska and Olga Szwajgier.Alex leads the acclaimed improvising trio Cut The Sky (whose debut album, with Waclaw Zimpel and Hubert Zemler, was selected by Polityka as one of 2023's best releases); produces experimental electronic music as Supersigil; co-directs Sephardic music group Sefiroth (for whom he also directed the multimedia performance Arvoles Lloran por Luvia); and founded the networked ensemble MultiTraction Orchestra, whose debut album Reactor One was hailed by The Guardian as "a remarkable sonic collage by an A-list of international improvisers.”mosaic: Exploring Jewish Issuesmosaic is Jewish Federation of Palm Beach County's news magazine show, exploring Jewish...Listen on: Apple Podcasts SpotifySupport the show

Today's sermonette based on Matthew 14:22-36 is given by Rev. John Butcher. This is a rebroadcast from October 19, 2017.

Today's sermonette based on Luke 19:29-48 is given by Rev. John Butcher. This is a rebroadcast from May 31, 2017.

Order and disorder, a freeform haze of garbage guitars, shorted electronics, found detritus, collage, linear songs, sounds from strange lands. Contact me at btradio85@gmail.com. Archives at brianturnershow.comDEK - Kein Grunde Bôse Zu Sein - 1981-87 Vol. 1 (Jelodanti, 2023)NAUJAWANAN BAIDAR - Isyan Dorost Ast (Ramble, 2023)SET-TOP BOX - Television - V/A: Goodbye Boozy Sampler Vol. 2 (Goodbye Boozy, 2023)DAVID & THE LYNCHED - Hey-Hee-Hay! - V/A: Your Face Is A Mess (The Best Of Rebels Volume 4) (Raving Pop Blast, 2023)VIETNAM - Game - Unreleased EP 1981ROYSTON ELLIS w/THE SHADOWS - Gone Man Squared - Live 1959CIA DEBUTANTE - The Cutout Cardboard Silhouette of the Castle - Down, Willow (Siltbreeze, 2023)BEASTVIEW MAUL - Gonna Reach out & Stab Ya - Aloha From Beastview Maul (Carbon, 2023)YUNG LEAN - Yung Lean Doer Lucifer Love World - Neal Yung 2003 (NL, 2013)HULUBALANG - Sayat - Bunyi Bunyi Tumbal (Drowned By Locals, 2023)AFRICAN HEAD CHARGE - Microdosing - A Trip To Bolgatanga (On-U Sound, 2023)GANG90 & ABSURDETTES - Luar de Havana - Demo 1982 (1982, re: Nada Nada Discos, 2019)ROXY GORDON - Living Life As a Living Target - Crazy Horse Never Died (1988. re: Paradise of Bachelors, 2023)BORZOI - Can't Resist - Neither The One Nor The Other, But A Mockery Of Both (12XU, 2023)PYREX - Neptune - Pyrex (Total Punk, 2023)SID VICIOUS - Take A Chance On Me - Sid Sings (Virgin, 1979)YFORY - Chwaer Pwy? - Yfory (BC, 2023)BLACK SHAPE - Shit Show - Shit Show (Rat Run, 2023)SHANE EMBURY/DAN MONGRAIN/DAVE WITTE/BRUCE LAMONT & FRIENDS - Tarred and Feathered (YT, Cardiacs Tribute, 2021)JOHN BUTCHER, ANDY MOOR, THOMAS LEHN - Ice In A Hot World - Thermal (Unsounds, 2023)APPLE STORE SESSIONS - Excerpt - GarageBand (cs, Histamine Tapes, 2023)AARKTICA - Celestial Transmission - We Will Find the Light (Darla, 2023)BROKENCHORD - 2 - Sonic Wasteland (cs, NL, 2023)ANGUS MACLISE - ("Tapes 2") Excerpt from Untitled - Tapes (Art Into Life, 2023)MILFORD GRAVES, ARTHUR DOYLE, HUGH GLOVER - March 11, 1976 I - Children of the Forest (1976, re: Black Editions, 2023)OXBOW & PETER BROTZMANN - The Finished Line - An Eternal Reminder of Not Today / Live at Moers (Sleeping Giant Glossolalia, 2023)HANDS UP WHO WANTS TO DIE - Ludger Sylbaris - Nil All (Sleeping Giant Glossolalia, 2023)

CITR's 24 Hours of Radio Art in a snack sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something. Friday afternoon's broadcast features new Sleep Research Facility, Sonologyst, Kodax Strophes (Martyn Bates / Eyeless in Gaza), Yannis Kyriakides, Langham Research Centre and John Butcher, Anthony Pateras' “Palimpsest Geometry“, and Marianne Svašek's “Raga Marwa“.

Today's sermonette based on Matthew 14:22-36 is given by Rev. John Butcher. This is a rebroadcast from October 19, 2017.

durée : 01:00:08 - A l'Improviste - par : Anne Montaron - A l'Improviste pose ses micros au festival Densités en Meuse Grand Est pour une édition qui mêle musique, danse et poésie, avec "des musiciens tous inventeurs et recycleurs de son " : comme ceux du rare quartet composé de Liz Allbee, John Butcher, Ignaz Schick, Marta Zapparoli à l'écoute ce soir. - réalisé par : Céline Parfenoff

Like you've never heard them before. Peter Navarro talks about Trumpworld and the mistakes they made and how to fix them. John Butcher on Education Freedom, the biggest issue in the 2022 election. Mark my words on this one, folks. And MTG like you've never heard her before. Looking forward to the future. This is the most stimulating discussion on the toughest issues yet.

“Lina Lapelytè“ The Mutesà Lafayette Anticipations – Fondation d'entreprise Galeries Lafayette, Parisdu 23 juin au 24 juillet 2022Interview de Elsa Coustou, curatrice et coordinatrice du programme Lafayette Anticipations et commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 22 juin 2022, durée 12'34.© FranceFineArt.Communiqué de presseCommissaire : Elsa Coustou, Curatrice et coordinatrice du programme Lafayette Anticipations accueille un projet musical et performatif inédit de l'artiste Lina Lapelytè, Lion d'Or à la Biennale de Venise en 2019.À travers la musique, les installations et l'orchestration de performances collectives, Lina Lapelytè s'intéresse aux structures de pouvoir, aux cultures et manières d'être contemporaines. En bouleversant les codes dominants de la tradition musicale occidentale, ses œuvres nous invitent à reconsidérer certaines constructions sociales et à ainsi repenser la place de l'individu dans la communauté. Ses ballades abordent les questions d'écologie, de genre, de vulnérabilité, d'invisibilité et d'altérité.Pour sa première exposition en France, Lina Lapelytè crée une performance musicale inédite interprétée par un chœur de personnes n'ayant pas eu de formation musicale. Allant à l'encontre des canons classiques qui excluent celles et ceux qui chantent « faux », The Mutes prend la voix comme point de départ et réunit un groupe d'interprètes non professionnel·les qui n'ont pas “l'oreille musicale”. Dans cette pièce, Lina Lapelytè questionne les notions d'harmonie et de justesse et, plus largement, les conventions et normes sociales qui entraînent des difficultés à accepter l'autre.L'espace d'exposition est transformé en un paysage d'orties, plantes aux effets urticants bien connus et aux propriétés médicinales souvent méconnues. Leur présence renforce la signification symbolique de l'œuvre, qui cherche à défaire les catégorisations. L'œuvre réfléchit également aux forces qui contraignent les corps, comme en témoignent des sculptures de chaussures à semelles obliques, conçues pour redresser le corps une fois portées sur une surface inclinée.Une bande son composée par Lina Lapelytè, avec des contributions enregistrées par les musiciens Angharad Davies, Rhodri Davies et John Butcher, accompagne les interprètes amateur·rices pendant qu'il·elle·s se déplacent et chantent dans l'espace, tout au long de l'exposition. Les paroles qu'il·elles chantent sont extraites du livre de Sean Ashton, Living in A Land, un autoportrait ambivalent dans lequel le narrateur décrit ce qu'il n'a jamais fait, ne fait plus ou ne fera jamais. Ces textes poétiques font appel à nos souvenirs, nos désirs et nos regrets. En proposant de faire entendre les voix de celles et ceux qui en ont été privés, Lina Lapelytè célèbre la polyphonie, l'écoute attentive et l'expression individuelle, tout en s'interrogeant sur la manière dont nous pouvons former un chœur et constituer une voix collective.#expoLinaLapelytè Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Today's sermonette based on Luke 19:29-48 is given by Rev. John Butcher. This is a rebroadcast from May 31, 2017.

Seatbelts are mandatory for this one! We were able to enjoy an in studio sit down with the multi-talented and quick witted Francoix Simard. His enthusiasm and passion emanates in his stories of songwriting and playing at thousands of venues . He reveals some interesting and impressive trivia including he has played for the Prime Minister of France. It is one action packed, quick paced interview with great info and funny stories. Enjoy! Mentions: Justin Hawkins, The Darkness Band, Gary Cherone, Pavarotti, Sting, Elton John, Steven Tyler, John Butcher, Eric Haines, Xavier Rod, Freddie Mercury, Steve Perry, Reds Kitchen & Tavern, Dark Dessert Eagles, Extreme, Pat Badger, Reds Group, Drew Mulholland, Ray Bourque, Boston Bruins, Sony, BMI, Universal, Prime Minister Of France, Justin Peterson & Ed Sheeran, Lawhorne & Surabian. --- Support this podcast: https://anchor.fm/musiciansandbeyond/support

Today's sermonette based on Matthew 14:22-36 is given by Rev. John Butcher. This is a rebroadcast from October 19, 2017.

See omnystudio.com/listener for privacy information.

"Nunca te rindas", dice Keith LaMar desde la prisión, recluido desde hace 28 años en una celda de aislamiento del corredor de la muerte. El trompetista Adam O'Farrill ha compuesto un tema cuya recaudación va destinada al fondo legal de LaMar, que participa recitando su historia. En el horizonte, "Freedom First", el título del que será primer trabajo del preso junto a músicos como el pianista barcelonés Albert Marquès. (En este enlace puedes recuperar nuestra reciente conversación con Keith LaMar). "desde mi cadiera" Jesús Moreno nos propone la primera parte de un monográfico dedicado al contrabajista británico Dominic Lash. La primera se concentra en trabajos publicados durante este año 2021. En "Limulus", Lash lidera un cuarteto con Javier Carmona (batería), Ricardo Tejero (saxo alto) y Alex Ward (guitarra); "Discernment" es su encuentro con tres clásicos de la improvisación británica: John Butcher (saxos), John Russell (guitarra) y Mark Sanders (batería); "Local" recoge su encuentro en Nueva York con dos improvisadores estadounidenses: Joe Morris (guitarra) y Nate Wooley (trompeta); en "Exercises and explorations", Dominic Lash es uno de los intérpretes de la música de Christian Wolff. En el tiempo de los "Ritmos Latinos" de Anxo recupera la música de dos combos latinos en los que sobresalían los punteos de guitarra y a los que, además, rodea un halo de misterio. Desde Cuba, Wilson y su combo; desde Colombia, Julián y su combo. El "Jazz Porteño" de Alberto Varela está dedicado al cuarto trabajo de Barbie Martínez, "Here and now". Junto a la cantante, el pianista Francisco LoVuolo, el guitarrista Gonzalo Beraza, el contrabajista Walter Filipelli, el baterista Sebastián Groshaus y los saxofonistas Mauro Ostinelli y Federico Álvarez. Toda la información y derechos: http://www.elclubdejazz.com

Plenty to chat about on the Country Racing Show this week with the Swan Hill Carnival fast approaching and we'll spin a yarn with John Butcher, grandson of 90-year-old trainer, Colin, who prepared a winner at Sale yesterday.

01.00 - We learnt nothing from Port's win against Freo. 08.25 - Jars says Crows have no midfield class. 09.45 - Roo on Crows new headquarters location. 10.25 - The time Jars refused to play for the Crows. 15.00 - Bernie tips no more games in Melbourne for the rest of the year. 19.50 - Player boycott if hubs come back all talk? 20.20 - Ditts Port golfing attire… Questionable! 20.55 - John Butcher's Ditts Financial Advisor Now! 22.35 - The Top 5 Indigenous players you've seen? 24.10 - The time Graham Johncock invited Bernie to his place! See omnystudio.com/listener for privacy information.

00:00 - Opener. 01.20 - We learnt nothing from Port's win against Freo. 08.40 - Jars says Crows have no midfield class. 10.05 - Who should Port & Crows pick up at the Mid-Season Draft? 12.40 - Roo on Crows new headquarters location. 13.20 - The time Jars refused to play for the Crows. 18.00 - Bernie tips no more games in Melbourne for the rest of the year. 19.50 - Player boycott if hubs come back all talk? 23.50 - At the halfway mark, will the current Top 8 remain? 26.00 - Ditts Golfing Attire, Questionable! 27.45 - Saints are right to knock back Matthew Lloyds offer to fix Max Kings goal kicking. 29.20 - John Butcher's Ditts Financial Advisor Now! 30.20 - ‘Bore & Twenty Pies', are Collingwood the worst side to watch? 32.40 - Your Top 5 Indigenous Players EVER. 34.20 - The time Graham Johncock invited Bernie to his place! See omnystudio.com/listener for privacy information.

00:00 - Opener. 01.20 - We learnt nothing from Port's win against Freo. 08.40 - Jars says Crows have no midfield class. 10.05 - Who should Port & Crows pick up at the Mid-Season Draft? 12.40 - Roo on Crows new headquarters location. 13.20 - The time Jars refused to play for the Crows. 18.00 - Bernie tips no more games in Melbourne for the rest of the year. 19.50 - Player boycott if hubs come back all talk? 23.50 - At the halfway mark, will the current Top 8 remain? 26.00 - Ditts Golfing Attire, Questionable! 27.45 - Saints are right to knock back Matthew Lloyds offer to fix Max Kings goal kicking. 29.20 - John Butcher's Ditts Financial Advisor Now! 30.20 - ‘Bore & Twenty Pies', are Collingwood the worst side to watch? 32.40 - Your Top 5 Indigenous Players EVER. 34.20 - The time Graham Johncock invited Bernie to his place! See omnystudio.com/listener for privacy information.

Today’s sermonette based on Luke 19:29-48 is given by Rev. John Butcher. This is a rebroadcast from May 31, 2017.

See omnystudio.com/listener for privacy information.

  As I type this we are getting pounded with another 9" of snow, the second pounding in less than a week. Combine that with semi-lockdown we are still under and it sort of feels like I'm in a research station outpost about to hunker down for The Long Polar Night. Most of the titles fit the theme as well as the feel of the tunes.. I added some weather radio recordings throughout the mix which I think worked out pretty well. One happy accident that happened while putting this together is I accidently left two tracks by two different artists in the same spot. I didn't even notice at first. They were playing simultaneously and it sounded like it was meant to be that way. This happens at 51:21 of the mix. Cheers and stay warm!   T R A C K L I S T : 00:00    Wind & Weather Radio 00:55    Owl - Moonshine Haze (Infinite Horizon 2021) 04:16    Esther Kokmeijer & Rutger Zuydervelt - Stillness #5 (Stillness 2013) 08:20    SineRider - Four Below Zero (Four Years Away 2018) 11:42    offthesky - cold front (studies of form in transit 2003) 14:40    John Butcher - wind piece (Resonant Spaces) 15:47    Hanno Leichtmann - wind (Nuit Du Plomb 2006) 19:00    Lauge - Icebound (Nothingness 2020) 25:30    Gailes - Surface Variations in The Snowfall (Seventeen Words 2017) 32:05    Marcus Fischer - Antarctic 3 (Arctic / Antarctic(version) 2020) 34:45    Polaroid Notes - Don't Be Afraid Of Darkness (Home Diaries 014 2020) 38:00    Rosalina Teche - Slightly Affected (Music for Another Sky 2021) 40:23    stormloop - in the frozen morning light (arctic conditions 2013) 48:25    Moss Covered Technology - Distant Station(Nocturne) (Once Hallowed 2019) 51:21    Sinderider & Polaroid Notes - Frost & Into The Black played simultaneously 55:35    Axs - Frozen Signpost (Arctic Circle 2011) 65:20    end  

Welcome to a new edition of the Neon Jazz interview series with Jazz Saxophonist John Butcher .. We Zoomed with him on July 30, 2020 during the surreal COVID-19 world about his life in music .. His  work ranges through improvisation, his own compositions, multitracked pieces and explorations with feedback, unusual acoustics and non-concert locations. Originally a physicist, he left academia in '82, and has since collaborated with hundreds of musicians. He is well known as a solo performer who attempts to engage with the uniqueness of place. Get to know him and dig this interview.Click here to listen.Neon Jazz is a radio program airing since 2011. Hosted by Joe Dimino and Engineered by John Christopher in Kansas City, Missouri giving listeners a journey into one of America's finest inventions. Take a listen on KCXL (102.9 FM / 1140 AM) out of Liberty, MO. Listen to KCXL on Tunein Radio at http://tunein.com/radio/Neon-Jazz-With-Joe-Dimino-p381685/. You can now catch Neon Jazz on KOJH 104.7 FM out of the Mutual Musicians Foundation from Noon - 1 p.m. CST Monday-Friday at https://www.kojhfm.org/. Check us out at All About Jazz @ https://kansascity.jazznearyou.com/neon-jazz.php. For all things Neon Jazz, visit http://theneonjazz.blogspot.com/

„Collaborating is the main life force for me.“ Two inspiring harpists have met for the Darmstadt On Air podcast #13: Gunnhildur Einarsdóttir is an Icelandic harpist based in Berlin, founding member of Ensemble Adapter and harp tutor of the Darmstadt Summer Course since 2014. She invited harpist and improviser Rhodri Davies, who is a based in Swansea, South Wales. He plays harp, electric harp, live-electronics and builds wind, water, ice, dry ice and fire harp installations. Rhodri has released five solo albums and is also working in different constellations with artists like John Butcher, John Tilbury, Michael Duch and many others. Gunnhildur and Rhodri both studied with the Welsh harpist Sioned Williams and it was through her that they first heard of each other. The two harpists have both been doing pioneering work in order to invigorate the harp repertoire with new pieces. They also share an artistic approach that is very much based on collaboration and cooperation. Their conversation is about choosing collaborators, about ego and trust, about Rhodri’s collaboration with Eliane Radigue, who wrote the first of her OCCAM pieces for him, about verbal transmission of interpreters‘ knowledge, about the grey area between improvisation and composition, and about diving into a composer’s world and inhabiting in it with one’s own ideas and sounds.

Today’s sermonette based on Matthew 14:22-36 is given by Rev. John Butcher. This is a rebroadcast from October 19, 2017.

Matt Turner is widely regarded as one of the world's leading improvising cellists. Equally skilled as a pianist, Turner performs in numerous styles and has shared the stage in the U.S., Canada, Europe and Asia with Cape Breton fiddle sensation Natalie MacMaster, avant-garde musicians Marilyn Crispell, Peter Kowald, Guillermo Gregorio, Scott Fields, and John Butcher, as well as country musician Wanda Vick, singer-songwriter LJ Booth, and jazz musician Bobby McFerrin to name a few. He appears on over 100 recordings on Sketch/Harmonia Mundi, Illusions, Music and Arts, Accurate, Polyvinyl, Cadence Jazz and others, recording with jazz violinist Randy Sabien, goth vocalist/pianist Jo Gabriel, singer/songwriters Mark Croft and Tret Fure, punk artist Kyle Fischer, Kitty Brazelton's chamber rockestra Dadadah, alt-country band Heller Mason, and with the Pointless Orchestra.Turner completed his undergraduate studies at Lawrence University and his Master of Music degree in Third Stream Studies (now the Contemporary Improvisation program) at the New England Conservatory of Music, where he studied with Dave Holland, Geri Allen and Joe Maneri, and where he was the recipient of a Distinction in Perfomance Award.As a leader, Turner's recordings appear on Illusions, Stellar, O.O. Discs, Asian Improv, Penumbra, Fever Pitch, Geode, Tautology and Meniscus Records. Turner is a Yamaha Performing Artist and currently performs and records with Bill Carrothers' Armistice 1918 ensemble and with the Fantastic Merlins.Over the course of the episode, Matt and Bailey outline concrete ways for teachers to start improvising with their students no matter what genre they are comfortable with. They also discuss the new degree track at Lawrence University "Jazz and Improvisational Music", and how teaching ensembles has been impacted by the pandemicMatt's website: http://improvcellist.comMatt's email: matthew.l.turner@lawrence.eduThe new degree track at LU: https://www.lawrence.edu/conservatory/areas_of_study/jazz_improvisational_music

In this episode we talk about Elaine Mitchener's many projects, improvisation, music education, Jeanne Lee and much more. Elaine Mitchener is an experimental vocalist, movement artist and composer, whose work encompasses improvisation, contemporary music theatre and performance art. Born in East London to Jamaican parents, Elaine studied voice at Trinity College of Music, London and currently studies with Jacqueline Bremar. She has performed at numerous UK and European festivals, venues and galleries including Aldeburgh Music, London Contemporary Music Festival (LCMF), 56th Venice Biennale, Wysing Arts, Café Oto (London), Bluecoat (Liverpool), SAVVY Contemporary (Berlin), Purcell Room (Southbank Centre, London), Huddersfield Contemporary Music Festival, ULTIMA Festival (Oslo), OCCUPY (St John’s Smith Square), SPILL Festival (Ipswich), La Monnaie (Brussels), Block Universe (London), White Cube (London), Whitechapel Gallery (London), Weserburg MOMA (Bremen), Wellcome Collection (London), and the Institute of Contemporary Arts (London). She has worked and performed in a wide variety of contexts with an array of leading musicians, composers, directors and visual artists including Moor Mother (Camae Ayewa), Mark Padmore, The Otolith Group, Deborah Warner, Christian Marclay, Apartment House, Steve Beresford, Pat Thomas, Irvine Arditti, Sonia Boyce, London Sinfonietta, John Butcher,Tansy Davies, George. E. Lewis, Attila Csihar, Rolf Hind, Dam Van Huynh, Lore Lixenberg, George Lewis, Alexander Hawkins, Sam Belinfante, Phil Minton, Evan Parker, Alasdair Roberts, Lucy Bailey, David Toop, Netia Jones, Matt Wright, and Jason Yarde. Elaine is co-founder of the experimental jazz quartet the Hawkins/Mitchener Quartet and a regular vocalist with the ensemble Apartment House. She created the role of Hannah/Voice singing with tenor Mark Padmore, in the opera CAVE, by composer Tansy Davies with libretto by Nick Drake, co-commissioned by the London Sinfonietta / Royal Opera House and directed by Lucy Bailey which premiered in June 2018. Her production company Elaine Mitchener Projects has researched, developed, produced and toured or staged a number of projects including Industrialising Intimacy (with choreographer Dam Van Huynh, David Toop, George Lewis); The Nude Voice (with Dam Van Huynh) commissioned for the Wellcome Collection London’s THIS IS A VOICE exhibition; ‘I back… I neck… I face… I chest’ commissioned by Sonia Boyce for her installation We Move In Her Way at London’s ICA; Of Leonardo da Vinci (with Dam Van Huynh, David Toop, Barry Lewis) for Oslo’s ULTIMA Festival; the three hour durational performance [NAMES] premiered at Ipswich’s SPILL Festival; a presentation of John Cage’s SongBooks for London’s Poetry In The City Festival; Vocal Classics of the Black Avantgarde for LCMF; and SWEET TOOTH in partnership with Bluecoat Liverpool, Stuart Hall Foundation and the International Slavery Museum. Premiered in Nov 2017, SWEET TOOTH has been described as ‘a vital black British addition to those seminal creative statements of resistance and defiance from the African Diaspora’, and was subsequently broadcast on BBC Radio 3’s Hear and Now programme (Dec 2017). Elaine has participated in residencies and symposiums including Aldeburgh Music (to develop SWEET TOOTH) and Fondazione Claudio Buziol, Venice (where she developed Of Leonardo Da Vinci supported by Muziektheater Transparant) and New Resonances organised by Theatrum Mundi. For more information about Elaine Mitchener please visit: http://www.elainemitchener.com/ © Let's Talk Off The Podium, 2020

We’re headed back down under this week with Australian group Hoodoo Gurus and their third album, Blow Your Cool!  The Gurus formed Sydney in 1981 under songwriter, guitarist, and lead singer Dave Faulkner. The group was fleshed out by Richard Grossman on bass, Mark Kingmill on drums, and Brad Shepherd on guitar, harmonica, and vocals.  Hoodoo Gurus were most popular on college radio, and this album was released at the peak of their popularity. The Gurus were influenced by B movies and pop culture of the 60's, and the similarity to the B-52's is clear.Friend of the show Joel Nabors brings us this album, which he heard at Auburn on WETL.  Enjoy this trip back to “college in the 80's!” Party Machine This upbeat song features Brad Shepherd on harmonica, and is a song about getting paid, having no obligations for the weekend, and headed out to party.  "Dig my words, it's a happening scene!  Hitch a ride on the Party Machine."The Middle of the LandThis track is a little more hard rock oriented, with heavy percussion.  It is about evangelical preachers and hypocrisy.  What's My SceneA catchy guitar riff starts this song which was the most popular one off the album.  It's about looking at life and love, and wondering when you're time will come.  "Now the stage is set, where's my Juliet, baby?"  Good TimesThis is a fun song which features The Bangles on background vocals.  There was a planned tour co-headlined between the Hoodoo Gurus and The Bangles, but the skyrocketing popularity of The Bangles at the time resulted in the Gurus being the opening act. ENTERTAINMENT TRACK:The theme from the television series “The Twilight Zone” In May 1987, "The Twilight Zone" motion picture director John Landis was found not guilty of involuntary manslaughter in the death of actor Vic Morrow and two child actors, killed in a helicopter accident. STAFF PICKS:“Holy War” by John Butcher AxisWayne's staff pick features a rocking song with an easter feel from New England songwriter John Butcher.  This song describes people who use religion to fight a holy war.  Butcher identified with Jimi Hendrix, and the name Axis comes from the Hendrix album "Axis:  Bold as Love." “Midnight Blue” by Lou GrammBrian brings us the lead single from Foreigner frontman Lou Gramm's solo debut. "Life is simple.  It's either cherry red, or midnight blue."  Cherry red is everything going well, midnight blue is dark and mysterious.  They lyrics describe a couple who are broken up, but the boy vows to come back again.“Weapons of Love” by The TruthRob's staff pick digs deep from a group formed in 1982.  This is The Truth's best selling single, and the title track from their album of the same name.  Weapons of Love peaked at number 7 on the rock charts. “Just Like Heaven” by The CureJoel rounds us out this week with a well-known song from another college rock favorite.  It sounds surprisingly upbeat, though still somehow melancholy, from ordinarily dark goth group The Cure.  "Spinning on that dizzy edge.  I kissed her face, I kissed her head." INSTRUMENTAL TRACK:"Initiation" by HelloweenThis instrumental track opens German heavy metal Helloween's album "The Keeper of the Seven Keys:  Part I."

Today’s sermonette based on Luke 19:29-48 is given by Rev. John Butcher from Good Shepherd Lutheran Church in Centralia, Missouri. This is a rebroadcast from May 31, 2017.

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