Podcasts about linked open data

AI competes for our attention because our attention has been commodified. As our entire lives revolve more and more around the attention economy, what can we do to restore our autonomy, reclaim our privacy, and reconnect with the real world.Computer scientist Fabien Gandon and research engineer Franck Michel are experts in AI, the Web, and knowledge systems. Fabien is a senior researcher at Inria (Institut national de recherche en sciences et technologies du numérique), specializing in the Semantic Web, while Franck focuses on integrating and sharing data through Linked Open Data technologies.Together, they've written Pay Attention: A Call to Regulate the Attention Market and Prevent Algorithmic Emotional Governance. Their research unpacks how digital platforms are monetizing our attention at an unprecedented scale—fueling misinformation and division and even threatening democracy and affecting our emotions and well-being.“The fact that technologies are being used and combined to capture our attention is concerning. This is currently being done with no limitations and no regulations. That's the main problem. Attention is a very private resource. No one should be allowed to extract it from us by exploiting what we know about the human mind and how it functions, including its weaknesses. We wrote this paper as a call to regulate the attention market and prevent algorithmic emotional governance.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The fact that technologies are being used and combined to capture our attention is concerning. This is currently being done with no limitations and no regulations. That's the main problem. Attention is a very private resource. No one should be allowed to extract it from us by exploiting what we know about the human mind and how it functions, including its weaknesses. We wrote this paper as a call to regulate the attention market and prevent algorithmic emotional governance.”Computer scientist Fabien Gandon and research engineer Franck Michel are experts in AI, the Web, and knowledge systems. Fabien is a senior researcher at Inria (Institut national de recherche en sciences et technologies du numérique), specializing in the Semantic Web, while Franck focuses on integrating and sharing data through Linked Open Data technologies.Together, they've written Pay Attention: A Call to Regulate the Attention Market and Prevent Algorithmic Emotional Governance. Their research unpacks how digital platforms are monetizing our attention at an unprecedented scale—fueling misinformation and division and even threatening democracy and affecting our emotions and well-being.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The fact that technologies are being used and combined to capture our attention is concerning. This is currently being done with no limitations and no regulations. That's the main problem. Attention is a very private resource. No one should be allowed to extract it from us by exploiting what we know about the human mind and how it functions, including its weaknesses. We wrote this paper as a call to regulate the attention market and prevent algorithmic emotional governance.”Computer scientist Fabien Gandon and research engineer Franck Michel are experts in AI, the Web, and knowledge systems. Fabien is a senior researcher at Inria (Institut national de recherche en sciences et technologies du numérique), specializing in the Semantic Web, while Franck focuses on integrating and sharing data through Linked Open Data technologies.Together, they've written Pay Attention: A Call to Regulate the Attention Market and Prevent Algorithmic Emotional Governance. Their research unpacks how digital platforms are monetizing our attention at an unprecedented scale—fueling misinformation and division and even threatening democracy and affecting our emotions and well-being.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

AI competes for our attention because our attention has been commodified. As our entire lives revolve more and more around the attention economy, what can we do to restore our autonomy, reclaim our privacy, and reconnect with the real world.Computer scientist Fabien Gandon and research engineer Franck Michel are experts in AI, the Web, and knowledge systems. Fabien is a senior researcher at Inria (Institut national de recherche en sciences et technologies du numérique), specializing in the Semantic Web, while Franck focuses on integrating and sharing data through Linked Open Data technologies.Together, they've written Pay Attention: A Call to Regulate the Attention Market and Prevent Algorithmic Emotional Governance. Their research unpacks how digital platforms are monetizing our attention at an unprecedented scale—fueling misinformation and division and even threatening democracy and affecting our emotions and well-being.“The fact that technologies are being used and combined to capture our attention is concerning. This is currently being done with no limitations and no regulations. That's the main problem. Attention is a very private resource. No one should be allowed to extract it from us by exploiting what we know about the human mind and how it functions, including its weaknesses. We wrote this paper as a call to regulate the attention market and prevent algorithmic emotional governance.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The fact that technologies are being used and combined to capture our attention is concerning. This is currently being done with no limitations and no regulations. That's the main problem. Attention is a very private resource. No one should be allowed to extract it from us by exploiting what we know about the human mind and how it functions, including its weaknesses. We wrote this paper as a call to regulate the attention market and prevent algorithmic emotional governance.”Computer scientist Fabien Gandon and research engineer Franck Michel are experts in AI, the Web, and knowledge systems. Fabien is a senior researcher at Inria (Institut national de recherche en sciences et technologies du numérique), specializing in the Semantic Web, while Franck focuses on integrating and sharing data through Linked Open Data technologies.Together, they've written Pay Attention: A Call to Regulate the Attention Market and Prevent Algorithmic Emotional Governance. Their research unpacks how digital platforms are monetizing our attention at an unprecedented scale—fueling misinformation and division and even threatening democracy and affecting our emotions and well-being.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

The gang talks about linked open data. What did we learn in library school? What's the future? Where does it fall off a cliff?  Media mentioned https://www.hillelwayne.com/post/graph-types/ The Ethics of Sustaining Linked Data Infrastructure https://scholarsphere.psu.edu/resources/430f30bf-e029-483d-b1c8-d7e9bb430a8e  Aaron Swartz unfinished book https://web.archive.org/web/20220512132144/https://www.morganclaypool.com/doi/abs/10.2200/S00481ED1V01Y201302WBE005  Tim Berners Lee https://www.w3.org/DesignIssues/Overview.html https://www.w3.org/DesignIssues/RDFnot.html https://neuromatch.social/@jonny/111938123937338008 https://neuromatch.social/@jonny/111939286501257910  https://neuromatch.social/@jonny/111731459659839112  https://jon-e.net/surveillance-graphs/#knowledge-graphs-a-backbone-in-the-surveillance-economy  http://microblogging.infodocs.eu/wp-content/uploads/2014/10/publishing_bnb_as_lod.pdf  https://www.oclc.org/en/news/releases/2024/20240507-introducing-oclc-meridian.html Join the Discord: https://discord.gg/zzEpV9QEAG Transcript (plaintext): https://pastecode.io/s/qundkp0n

Recorded December 1, 2023. Dr Laura Cleaver: Senior Lecturer in Manuscript Studies, School of Advanced Studies, University of London. Paper: ‘TCD MS 93: Digitisation and the Potential of Linked Open Data'.

In dieser Folge spricht Jacqueline Klusik-Eckert mit Harald Sack und Holger Simon über den Knowledge Graph und seine Bedeutung für die Kunstgeschichte. Schon jetzt finden sich viele Informationen über Kulturgüter und Geschichte digital im Netz. Datenbanken und Repositories bieten zwar verstärkt Zugang zu Informationen, sind aber oft in isolierten Silos verstreut. Institutionen nutzen unterschiedliche Systeme zur Datenbereitstellung, was zu einer fragmentierten Landschaft führt. Meta-Datenbanken wie Europeana und die Deutsche Digitale Bibliothek versuchen, diese Fragmentierung zu überwinden, aber ihr Erfolg ist begrenzt. Es scheint, als bräuchten wir eine Meta-Meta-Datenbank, um diese Silos zu durchbrechen. Die Grundidee des Internets und das Konzept Linked Open Data (LOD) versprechen hier Abhilfe zu leisten. Die Herausforderung besteht darin, dieses vernetzte Wissen digital abzubilden. Hier kommt der Knowledge Graph ins Spiel. Im Rahmen des NFDI 4 Culture Projekts entsteht ein solcher Wissensgraph. Während in anderen Bereichen die Technologie des Knowledge Graphs schon länger im Einsatz ist – Google hat seit 2012 einen solchen Graphen etabliert –, befindet sich die Kunstgeschichte möglicherweise noch am Anfang dieser Entwicklung. GLAM-Institutionen (Galleries, Libraries, Archives, Museums) haben eine wichtige Rolle bei der Datenbereitstellung, müssen aber auch Anreize für den Austausch schaffen und erhalten.Für die Forschung eröffnet der Knowledge Graph neue Horizonte. Er ermöglicht nicht nur andere Fragestellungen und Visualisierungen von Datenmassen, sondern auch eine komplexere Anreicherung von Museumsinformationen. Aber letztendlich gewinnt der Mensch durch die Erkenntnisse, die aus diesen Daten gezogen werden.Von der Modellierung im Graphen bei der Digitalisierung bis hin zur Unterstützung durch die NFDI gibt es verschiedene Wege, sich einzubringen. Doch letztendlich liegt die Herausforderung darin, wie wir als Gemeinschaft von Forschenden und Kulturerbebewahrenden diese komplexe Datenlandschaft gemeinsam gestalten und nutzen können.Prof. Dr. Harald Sack isst Bereichsleiter für Information Service Engineering bei FIZ Karlsruhe – Leibniz-Institut für Informationsinfrastruktur und Professor am Karlsruher Institut für Technologie (KIT), Institut für Angewandte Informatik und Formale Beschreibungsverfahren (AIFB) mit der Forschungsgruppe „Information Service Engineering“. Und NFDI4Culture Co-Spockesperson von FIz KarlsruheProf. Dr. Holger Simon ist Sprecher im AK Digitale Kunstgeschichte, Geschäftsführer der Pausanio GmbH & Co. KG, Er ist außerplanmäßiger Professor an der Universität zu Köln und im Culture Steering Board NFDI 4 Culture.Begleitmaterial zu den Folgen findest du auf der Homepage unter https://www.arthistoricum.net/themen/podcasts/arthistocastAlle Folgen des Podcasts werden bei heidICON mit Metadaten und persistentem Identifier gespeichert. Die Folgen haben die Creative-Commons-Lizenz CC BY 4.0 und können heruntergeladen werden. Du findest sie unterhttps://doi.org/10.11588/heidicon/1738702Bei Fragen, Anregungen, Kritik und gerne auch Lob kannst du gerne per Mail an uns schicken unterpodcast@digitale-kunstgeschichte.de

"Open Data now" - Dazu ruft der Turing Award Gewinner Sir Tim Berners-Lee in seinem Kampf um offene Daten auf.Das macht er heute. Doch bekannt ist er als Erfinder des World Wide Webs. Wofür er 2016 auch den Turing Award verliehen bekommen hat. Doch wer ist eigentlich Sir Tim Berners-Lee genau? Wie kam es dazu, dass er das “heutige Internet” erfunden hat? Welches Problem wollte er damals lösen? Wie weit ist die heutige Implementierung und Nutzung des WWW von der ursprünglichen Idee entfernt? Welche architekturelle Änderungen würde Sir Tim Berners-Lee machen, wenn er das ganze nochmal neu machen würde? Und womit verbringt er heute seine Zeit?All das und noch viel mehr klären wir in der ersten Episoden zu den Turing Award Gewinnern.Bonus: Das Internet war ein Side Project geschrieben in Objective-C und ob wir für Social Media zahlen sollten.Das schnelle Feedback zur Episode:

Moderator: Rainer Osterwalder, Director, Communication, EPO Guest: Dolores Modic, Postdoktor, Nord University Business School Innovation and IP data are prototypical “big data” troves used by organisations for informed decision making and evidence-based policy development, Dolores Modic explains in her podcast. To facilitate this usage providers such as the EPO need to openly publish their data in a standardised machine-readable form on the Internet for enabling the sets to be interlinked. The IP Linked Open Data map builds bridges by connecting the EPO's EP Linked Open Data with the Springer SCI Grass data and is available to the public.

A programme about using Linked Open Data to study the ancient world.Featuring Valeria Vitale, Maxim Romanov, Kai-Christian Bruhn, Rob Sanderson. Produced by Elton Barker and Jessica Hughes.

Dr. Leif Isaksen and Alex Dutton talk about Sebastian's inspiring leadership in the Linked Open Data movement in cultural heritage.

Mike Atherton This is not your usual UX talk. It’s a little about information architecture, a bit about content strategy, but mostly it’s about how we can use information floating around the web to build content-rich products, and how we should try harder to weave our work into the fabric of the network. Linked Open Data lets us expose, share, and connect knowledge. A single, extensible network of information stretching across an increasingly semantic web, making our products more findable, and our content more reusable. It’s happening now. Used by the BBC to build their Music pages, the New York Times to build topic pages, and by Google and Facebook to build their knowledge graphs. Where once we linked up pages, now we need to link up the underlying information and tell connected stories with the whole web.

The cultural sector is one of the UK’s strongest assets. It encompasses world-leading broadcasters and some of the best museums and art galleries globally; their collections contain objects that are as important as anything in any other collection in the world. Most institutions are looking hard at how they open up access to these collections, but in an environment where nearly every public sector institution is facing substantial funding challenges are they getting enough support? Richard Leeming talks about the work of the Research and Education Space and suggests that open data could transform the galleries, libraries, archives and museums (GLAM) sector. About Richard Leeming Richard is the external relationship manager at the Research and Education Space, a three-way partnership between the BBC, Jisc and the British Universities Film and Video Council (BUFVC). He is building a Linked Open Data platform which will power better learning experiences and make it easier and more efficient for collection holders to enable access to their precious assets. Watch a video of the presentation here https://www.youtube.com/watch?v=9pfo_sw_EQ0 find out more about ODI events here http://theodi.org/lunchtime-lectures

Digital Classics: Sharing the Wealth: Numismatics in a World of Linked Open Data

Data in natural history museums are diverse but often fragmented. By integrating data systems that included collections and research and by using Linked Open Data, museum data can be discovered and mobilized.

What role will museums and libraries play in the information technology landscape of the future? Todd Carter presents his vision of museums and libraries empowered by Web 2.0 and crowd-sourcing technologies. He will focus on improving media annotation with open-sourced anthologies, linked open data, tagging with linked data URIs, semantics, machines, and crowd-sourced human computation. Todd Carter is the CEO and co-founder of Tagasauris, Inc., a metadata curation platform that incorporates crowd-sourcing, machine learning, linked open data, and the semantic web. Todd is widely respected as a leader in the digital asset, photography, and linked open data community, with over 20 years experience working with photo archives, libraries, museums, and information technology systems. Tagasauris has been featured in The New York Times, Wired, Business Week, The Economist and others. The National Endowment for the Humanities awarded Tagasauris and The Museum of the City of New York a grant to annotate the museum's archive. Tagasauris is rolling out it's first photo product in 2012 and hopes to be a game-changer in the media industry.