Podcasts about medieval manuscripts

Shop my all-natural skincare products at Arvoti.com.Did dragons actually exist, or has history been rewritten to make sure you never ask?In this episode, I share what I found in old books, Latin dictionaries, and dragon artwork, and outline why those sources contradict what we learned in school.A 1946 dictionary defined dragons as "now rare". My 1700s Latin dictionary lists female dragons, water dragons, and baby dragons as if they were distinct animals. Medieval manuscripts placed dragons next to elephants and wolves, not in a separate section labeled fantasy.Ancient China, medieval Europe, Japan, the Vikings, and the feathered serpent cultures of Central and South America all recorded dragon-like creatures independently across thousands of years. The Chinese zodiac uses eleven real animals and one dragon. Why?My argument with Dr. Phil about carbon dating comes up. So does the Triceratops skull I once stood next to before a museum whisked it away, a 1500s book on the medicinal use of the unicorn horn, Marco Polo's writings on dragons and griffins, and why I think rare book collectors are acting as gatekeepers of a version of history most people will never see.I'm not telling you dragons existed. I'm asking why the answer feels so protected.You'll Learn:[0:00] Introduction[3:45] How a 1946 dictionary defined dragons as "now rare" instead of imaginary[5:48] Dozens of disconnected cultures recorded strikingly similar dragon creatures[9:01] Why medieval books listed dragons alongside real animals like elephants and lions[12:52] The newspaper accounts of flying reptiles that historians still debate[17:46] Why the Chinese zodiac lists only real animals, except the dragonResources Mentioned:1984 by George Orwell | BookThe Travels of Marco Polo the Venetian by Marco Polo | ArchiveDictionary, English and Latin by Robert Ainsworth (1773 edition) | ArchiveDe Unicornu Observationes Novae by Bartholin, T. et al. (Unicorn Book) | ArchiveDr. Phil Primetime episode on Conspiracy Theories – Believing Everything Yet Nothing! (featuring Gubba) | YouTubeRelated Gubba Homestead Episodes:These Secrets Hidden in Mainstream History Reveal A Dark PatternFind more from Gubba: Gubba Homestead | X | Facebook | Instagram | Pinterest | WebsiteGubba Homestead Products | Shop

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Christopher de Hamel traces his lifelong obsession with medieval manuscripts back to a childhood visit to Dunedin Public Library.

In this episode host Natalie Grueninger speaks with Dr Sara Charles about the production of medieval manuscripts, her hands-on experiments with parchment, inks and pigments, and her book 'The Medieval Scriptorium'. They explore the evidence for where manuscripts were made, the people and long supply chains behind their materials, the evolution of scripts and decoration, and the everyday details that bring medieval scribes to life. Learn more about Dr Charles https://www.teachingmanuscripts.com/about Takeaway 'The Craftman's Handbook' by Cennino d'Andrea Cennin Find out about 'Medieval Castles in Germany' by Kurt Fuchs https://www.etsy.com/au/listing/1691602354/medieval-castles-in-germany?ref=listings_manager_grid&lang_mismatch=1 Learn more about your host: https://www.nataliegrueninger.com Support Talking Tudors on Patreon!

Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture. In this beautifully illustrated account The Magic Books: A History of Enchantment in 20 Medieval Manuscripts (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne's son; The Sworn Book of Honorius, used by a secret society of trained magicians; and the highly influential Picatrix. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so. Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of Medieval Meteorology and The True History of Merlin the Magician and coauthor of Magic and Medieval Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture. In this beautifully illustrated account The Magic Books: A History of Enchantment in 20 Medieval Manuscripts (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne's son; The Sworn Book of Honorius, used by a secret society of trained magicians; and the highly influential Picatrix. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so. Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of Medieval Meteorology and The True History of Merlin the Magician and coauthor of Magic and Medieval Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture. In this beautifully illustrated account The Magic Books: A History of Enchantment in 20 Medieval Manuscripts (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne's son; The Sworn Book of Honorius, used by a secret society of trained magicians; and the highly influential Picatrix. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so. Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of Medieval Meteorology and The True History of Merlin the Magician and coauthor of Magic and Medieval Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture. In this beautifully illustrated account The Magic Books: A History of Enchantment in 20 Medieval Manuscripts (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne's son; The Sworn Book of Honorius, used by a secret society of trained magicians; and the highly influential Picatrix. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so. Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of Medieval Meteorology and The True History of Merlin the Magician and coauthor of Magic and Medieval Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices

Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture. In this beautifully illustrated account The Magic Books: A History of Enchantment in 20 Medieval Manuscripts (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne's son; The Sworn Book of Honorius, used by a secret society of trained magicians; and the highly influential Picatrix. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so. Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of Medieval Meteorology and The True History of Merlin the Magician and coauthor of Magic and Medieval Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture. In this beautifully illustrated account The Magic Books: A History of Enchantment in 20 Medieval Manuscripts (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne's son; The Sworn Book of Honorius, used by a secret society of trained magicians; and the highly influential Picatrix. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so. Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of Medieval Meteorology and The True History of Merlin the Magician and coauthor of Magic and Medieval Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices

Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture. In this beautifully illustrated account The Magic Books: A History of Enchantment in 20 Medieval Manuscripts (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne's son; The Sworn Book of Honorius, used by a secret society of trained magicians; and the highly influential Picatrix. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so. Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of Medieval Meteorology and The True History of Merlin the Magician and coauthor of Magic and Medieval Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

What did Medieval people think about rats? Did they have any idea that they were the cause of the Black Death? How did they use charms and poisons to try to get rid of them? Today we explore the world of the Black Death Rat with Kathleen Walker-Meikle, historian of Medieval pets and animals whose books include 'Medieval Pets', 'Cats in Medieval Manuscripts', 'Dogs in Medieval Manuscripts'.This episode was edited by Tom Delargy and produced by Freddy Chick. The senior producer was Charlotte Long.You can now watch After Dark on Youtube! www.youtube.com/@afterdarkhistoryhitSign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  You can take part in our listener survey here.All music from Epidemic Sounds.After Dark: Myths, Misdeeds & the Paranormal is a History Hit podcast. Hosted on Acast. See acast.com/privacy for more information.

On first glance, what might you notice about a medieval manuscript? Maybe the material it's made from, the elaborate script, or ornamental illustrations. But, look a little closer, and there's a lot more to discover. In fact, as historian and curator Michelle P Brown explains, these medieval artefacts offer a portal to the past. Emily Briffett speaks to Michelle to unravel some of their secrets and find out what they can tell us about the Middle Ages. (Ad) Michelle P Brown is the author of Illumino: A History of Medieval Britain in Twelve Illuminated Manuscripts (Reaktion, 2025). Buy it now from Waterstones: https://go.skimresources.com?id=71026X1535947&xcust=historyextra-social-histboty&xs=1&url=https%3A%2F%2Fwww.waterstones.com%2Fbook%2Fillumino%2Fmichelle-p-brown%2F9781836390374. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of Talking History: a roundup of exciting new exhibitions on the island of Ireland, including: the Irish manuscripts returning to the country for the first time in more than 1,000 years, with curator Matthew Seaver, Assistant Keeper at the National Museum of Ireland; the life, art and legacy of the husband of Constance Markievicz, with Dr Kathryn Milligan, Assistant Librarian at the Edward Murphy Library at the National College of Art & Design; and a new exhibition in Hillsborough Castle which explores the intimate bond between British royal clients and fashion designers, with Claudia Acott Williams, curator.

Send us a textNow for something completely different from tracing the development of the papacy from bishop of Rome to the papal monarchy--but, don't worry, I will be completing that series soon.  In this episode, I chat with author Garry J. Shaw about his fascinating new book from Yale University Press, Cryptic: From Voynich to the Angel Diaries, the Story of the World's Mysterious Manuscripts. The book tells the stories behind nine puzzling medieval and early Modern European texts. In our interview Garry talks about the three that fall within the chronological confines of the Middle Ages. We begin with the "unknown language" and "unknown script" concocted by the remarkable twelfth-century German abbess, mystic, polymath, and composer of sacred music, Hildegard of Bingen.  We then turn to another strange early fifteenth-century manuscript, the Bellicorum instrumentorum liber, Book of the Instruments of War, by Giovanni Fontana, whom Garry Shaw characterizes as "a true pre-Renaissance man."  Fontana was entranced with the "natural magic of mechanical creations" and the "practical knowledge gained from experiments and observation of nature." But this did nothing to lessen his belief in supernatural forces operating in the world. He was also "a world class prankster" with a fascination for ciphers. All these came together in the Bellicorum instrumentorum liber, an enciphered illustrated catalogue of imagined machines, ranging from rocket-powered chairs and fanciful siege engines to mechanical witches. We conclude with perhaps the most famous of all mysterious manuscripts, the early fifteenth-century Voynich codex, whose content has resisted decipherment by professional code-breakers and cryptographers.  (Spoiler: we won't be able to tell you what the Voynich manuscript actually says, but Dr. Shaw has a good idea what the manuscript is, why it was produced, and why no one has been able to decipher it.  If you disagree with him, just go online to Yale University library's posting of Voynich and have your own go at it!)I hope you will join us.Cryptic: From Voynich to the Angel Diaries, the Story of the World's Mysterious Manuscripts by Garry J. Shaw. Yale University Press, 2025. (https://www.amazon.com/Cryptic-Voynich-Diaries-Mysterious-Manuscripts/dp/0300266510)The manuscripts that we discuss in this episode can be viewed online at:Hildegard of Bingen's Unknown Language: An Edition, Translation and Discussion by Sarah L. Higley (Palgrave Macmillan, 2007): https://epdf.pub/hildegard-of-bingens-unknown-language-an-edition-translation-and-discussion-the-48385c392ef3ce461b6703d8f09d435e57514.htmlVoynich Manuscript. Yale University's Beinecke Rare Book and Manuscript Library:  https://collections.library.yale.edu/catalog/2002046Giovanni Fontana, Instrumentorum bellicorum liber. The Munich DigitiZation Center (MDZ) https://daten.digitale-sammlungen.de/0001/bsb00013084/images/index.html?fip=193.174.98.30&seite=54&pdfseitex=This episode includes three musical snippets: Hildegard of Bingen's votive antiphon for the dedication of a Church, "O orzchis Ecclesiam" (Ensemble Sequentia, with Barbara Thornton. Deutsche Harmonium Mundi: https://www.youtube.com/watch?)v=AGCAOf9gjBM&t=7s)O orzchis Ecclesia,armis divinis precinctaet iacincto ornata, tu es caldemiastigmatum loifolumet urbs scientiarum.O, o, tu esetiam crizantain alto sono et eschorzta gemma. (Hildegard's 'lingua igListen on Podurama https://podurama.com Intro and exit music are by Alexander NakaradaIf you have questions, feel free to contact me at richard.abels54@gmail.com

Medieval manuscripts are so wondrously beautiful they deserve comparison with the world's finest works of art. But what lay behind the book's production? We might think of rows of monks, patiently toiling away in a hushed chamber - but that would be to ignore the actual conditions of book production. Sara Charles (The Medieval Scriptorium: Making Books in the Middle Ages) takes Jacke into the dirty, smelly, boring, and back-breaking world of an actual medieval scriptorium. PLUS Dante scholar Elizabeth Coggeshall (On Amistà: Negotiating Friendship in Dante's Italy) stops by to discuss her choice for the last book she will ever read. Additional listening suggestions: 589 Dante and Friendship (with Elizabeth Coggeshall) 613 Celebrating the Book-Makers (with Adam Smyth) 569 The Man with a Passion for Medieval Manuscripts (with Christopher de Hamel) The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com.   Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we're diving into fascinating early 16th-century woodcut images and priceless medieval machzor manuscripts to see how they portray the mitzvah of blowing the shofar. We'll explore the unique details in these images that reveal interesting minhagim of the time, though some might leave us with more questions than answers. Let's uncover the stories these images tell about our tradition. Links: Book on Jewish Confession (Nuremberg 1508) https://sammlungen.ub.uni-frankfurt.de/freimann/content/thumbview/6515799   Der Juden Spiegel (Cologne 1508) https://gallica.bnf.fr/ark:/12148/bpt6k1911061m/f39.double   Luzzato Machzor https://www.sothebys.com/en/articles/the-luzzatto-high-holiday-mahzor-1   Machzor – Bavarian State Library https://www.digitale-sammlungen.de/en/view/bsb00034975?page=82   Kaufmann Machzor - Hungarian Academy of Sciences http://kaufmann.mtak.hu/en/ms388/ms388-012v.htm   Machzor – Cambridge University Library https://cudl.lib.cam.ac.uk/view/MS-ADD-00662/127 Machzor – Austrian National Library https://www.nli.org.il/en/discover/manuscripts/hebrew-manuscripts/viewerpage?vid=MANUSCRIPTS#d=[[PNX_MANUSCRIPTS990001692630205171-1,FL21854414]] Art of the Blast: Shofar Blowing Customs in Medieval Manuscripts

In many languages across the world, all nouns are classed as either male or female, or sometimes neuter. The English language, however, only signals gender in its pronouns - he, she, it or they. For inanimate objects, gender just crops up in occasional examples like ships or countries, which, for some reason, are deemed female. This lack of gender in English intrigued CrowdScience listener Stuart, since the other languages he knows all highlight whether something is male or female. Did English ever have gender, and if so, where did it go? Presenter Anand Jagatia dives into some Old English texts to uncover the idiosyncrasies of its masculine and feminine nouns, and learns why these gradually fell out of use. But why do other languages assign gender to nouns – male, female, and sometimes many more categories too? And does this affect the way we think?Contributors: Andrew Dunning, Curator of Medieval Manuscripts, Bodleian Library, Oxford University Rachel Burns, Departmental Lecturer in Old English, Oxford University Suzanne Romaine, Professor of Linguistics, Hawaii Ida Hadjivayanis, Senior Lecturer in Swahili, SOAS University Angeliki Alvanoudi, Sociolinguist, Aristotle University of Thessaloniki Amy Bahulekar, Writer, MumbaiPresenter: Anand Jagatia Producer: Eloise Stevens Editor: Cathy Edwards Production: Ishmael Soriano

Books are beloved objects, earning lots of praise as amazing pieces of technology and essential contributors to a civilized society. And yet, we often take these cultural miracles for granted. Who's been making these things for the last several centuries? How have they influenced what we've been reading? In this episode, Jacke talks to author Adam Smyth, an Oxford professor of literature who opened up his own small press, about his new work The Book-Makers: A History of the Book in Eighteen Lives. Then medieval manuscript expert Christopher de Hamel (The Manuscripts Club: The People Behind a Thousand Years of Medieval Manuscripts) stops by to discuss his choice for the last book he will ever read. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chaucer's Canterbury Tales tell the story of pilgrims 'from every shires ende / Of Engelond to Caunterbury they wende'. Experience these journeys, both real and imagined, through medieval manuscripts from the Bodleian collection live under the visualiser. Dr Alison Ray, archivist at St Peter's College, and Dr Andrew Dunning, RW Hunt Curator of Medieval Manuscripts at the Bodleian Libraries, will explore the new iconography that developed after Thomas Becket's murder, the impact of his death on Oxford's religious houses and how Canterbury became a significant pilgrimage destination.

Chaucer's Canterbury Tales tell the story of pilgrims 'from every shires ende / Of Engelond to Caunterbury they wende'. Experience these journeys, both real and imagined, through medieval manuscripts from the Bodleian collection live under the visualiser. Dr Alison Ray, archivist at St Peter's College, and Dr Andrew Dunning, RW Hunt Curator of Medieval Manuscripts at the Bodleian Libraries, will explore the new iconography that developed after Thomas Becket's murder, the impact of his death on Oxford's religious houses and how Canterbury became a significant pilgrimage destination.

with @stevenbjohnson @cdixon @rhhackettWelcome to the web3 with a16z crypto podcast. Today's episode features a conversation between Steven Johnson, a prolific author of books about technology and innovation who is also, as editorial director at Google Labs, helping to develop AI writing tools such as NotebookLM, and Chris Dixon, founding partner of a16z crypto and author of the new book Read Write Own: Building the Next Era of the Internet. The two discuss the history of their shared interests, they explore the emergent properties of decentralized networks, and they dig into the past, present, and future of the internet.Resources for references in this episode:Author page for Steven JohnsonGoogle Labs's personalized AI writing tool NotebookLM"Beyond the Bitcoin Bubble" by Steven Johnson (New York Times Magazine, January 2018)How We Got To Now: Six Innovations That Made the Modern World by Steven Johnson (Riverhead Books: 2015)Enemy of All Mankind: A True Story of Piracy, Power, And History's First Global Manhunt by Steven Johnson (Riverhead Books: 2021)Emergence: The Connected Lives of Ants, Brains, Cities, and Software by Steven Johnson (Sribner: 2002)Chris Dixon's blog at cdixon.orgThe Death and Life of Great American Cities by Jane Jacobs (Random House: 1961)The Power Broker: Robert Moses and the Fall of New York by Robert Caro (Vintage: 1975)The Cluetrain Manifesto: The End of Business as Usual (Basic Books: 2000)"A Declaration of the Independence of Cyberspace" by John Perry Barlow"1000 True Fans" by Kevin KellyIndex, a History of the: A Bookish Adventure from Medieval Manuscripts to the Digital Age by Dennis Duncan (W.W. Norton: 2022)ReadWriteWeb blog (ca. 2003)"Airbnb Proposes Giving Hosts a Stake in the Company" by Aisha Al-Muslim and Maureen Farrell (Wall Street Journal, September 2018)"Lyft Unlikely to Get SEC Pushback on Plan for Two Share Classes" by Nabila Ahmed and Ben Bain (Bloomberg, March 2019)"OpenAI Says New York Times Lawsuit Against It Is Without Merit" by Cade Metz (New York Times, January 2024)

The siblings are exploring the world of cursed and haunted objects on today's episode! We take a look at the long history of medieval book curses, a haunted wedding dress and painting, and an African Power Figure. A curse on ye who dares to not listen to this episode! If you enjoyed the show, please leave us a review or give us a 5-star rating, and please, for the love of God!!! Follow us!   Medieval Book Curses Drogin Marc. Anathema! : Medieval Scribes and the History of Book Curses. Allanheld Osmun ; A. Schram 1983. https://blogs.bl.uk/digitisedmanuscripts/2017/05/frying-pans-forks-and-fever-medieval-book-curses.html Haraszti, Zoltán. “Medieval Manuscripts.” The Catholic Historical Review, vol. 14, no. 2, 1928, pp. 237–47. JSTOR, http://www.jstor.org/stable/25012519. Accessed 12 Jan. 2024.   The Haunted Wedding Dress and "The Hands Resist Him" https://www.blairhistory.org/baker-mansion-1849.html https://factschology.com/mmm-podcast-articles/haunted-wedding-dress-anna-baker http://www.pennsylvania-mountains-of-attractions.com/real-haunted-mansion.html https://www.stonehamstudios.com/haunted https://faroutmagazine.co.uk/the-hands-resist-him-the-moving-haunted-painting-that-scares-its-owners-to-death/ https://the-line-up.com/the-hands-resist-him   Music: Nightmare by Alexander Nakarada (www.creatorchords.com) Licensed under Creative Commons BY Attribution 4.0 License https://creativecommons.org/licenses/by/4.0/    

Recorded December 1, 2023. Dr Peter Crooks: Department of History; Academic Director, Virtual Record Treasury of Ireland (virtualtreasury.ie). Paper: ‘No Good Deed Goes Unpunished? Trinity's Dublin Deeds and The Case for a Meta-Collection'.

Dr Mark Faulkner: Ussher Assistant Professor in Medieval Literature, TCD and Elisabetta Magnanti: PhD Candidate, University of Vienna. Paper: ‘Using AI to Transcribe Trinity's Manuscripts'.

Recorded December 1, 2023. Dr Niamh Pattwell: Associate Professor, School of English, Drama, and Film, UCD. Paper: ‘Sixteenth-Century Heralds: Guardians of the Manuscripts' TCD MS 505.

Recorded December 1, 2023. Dr Laura Cleaver: Senior Lecturer in Manuscript Studies, School of Advanced Studies, University of London. Paper: ‘TCD MS 93: Digitisation and the Potential of Linked Open Data'.

Recorded December 1, 2023. Dr David Woodman: Associate Professor and Fellow in History, Robinson College, Cambridge. Paper: ‘John of Worcester's Chronicula: TCD MS 503'.

Recorded December 1, 2023. Dr Colleen Curran: Marie Curie Postdoctoral Research Fellow, University of Galway and Dr Lucy McKenna: Postdoctoral Researcher, TCD. Paper: ‘The Searobend Project: Digitising the Resources'.

Recorded December 1, 2023. Dr Claire McNulty: Postdoctoral Research Fellow, TCD. Paper: ‘Mirrors, Morality, and the Virgin Mary: TCD MS 103'.

Recorded December 1, 2023. Dr Ann Buckley: Medieval History Research Centre, TCD. Paper: ‘The Many Lives of the Medieval Liturgy: The Relevance of the Carnegie Digitisation Project for Irish and Insular Studies'.

Recorded December 1, 2023. Professor Ruth Mazo Karras: Lecky Professor of History, TCD. Paper: ‘The Holy Acrobat in the Beatus Initial, TCD MS 53'

Recorded December 1, 2023. Conor McDonough: OP, St Saviour's Priory, Dublin 1. Paper: ‘TCD MS 667: A Manuscript to Change Lives'.

Jacke talks to British academic librarian Christopher de Hamel about his passion for medieval manuscripts and his new book The Manuscripts Club: The People Behind a Thousand Years of Medieval Manuscripts. PLUS Maaheen Ahmed, editor of The Cambridge Companion to Comics, stops by to select the last book she will ever read. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 1861: In the KEEN ON show, Andrew talks to Christopher de Hamel, author of THE MANUSCRIPTS CLUB, about the remarkable literary figures behind a thousand years of medieval manuscriptsChristopher de Hamel is the author of Meetings with Remarkable Manuscripts, winner of both the Wolfson History Prize and the Duff Cooper Prize. Over the course of a long career at Sotheby's he catalogued more illuminated manuscripts than any other person alive, and very possibly more than any one individual has ever done. Christopher de Hamel is now a Fellow of Corpus Christi College, Cambridge. He was the former librarian of Parker Library, which includes many, even most, of the earliest manuscripts in English language and history. De Hamel lives in London and Cambridge. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.

On "EWTN News Nightly" tonight: The countdown is on as 8 Republicans have qualified for the party's first 2024 presidential primary debate. Former President Donald Trump is the clear front-runner and said he would skip the debate in Milwaukee and called on his rivals to drop out. And as the Biden Administration continues its pro-abortion push on social media, a recent tweet by the Vice President concerning maternal mortality rates and what the administration calls “the hypocrisy” caught our attention, and we asked pro-life advocates to respond to the post. Meanwhile, the U.S. Embassy in Minsk is urging Americans traveling or living in Belarus to leave the country due to what it calls a "spillover risk" from the war in Ukraine. Republican Strategist and Former National Security Council Spokesman, John Ullyot, joins to tell us how big of a warning this is from the embassy. In the nation's capital, there are a couple of chances to see at least parts of an original Gutenberg Bible. Brian Hyland, Curator of Medieval Manuscripts for the Museum of the Bible, joins to tell us about why the printing of the Gutenberg Bible itself was so revolutionary. Finally this evening, a conference this week in Germany is examining the lasting legacy of the late Pope Benedict XVI. Theologian and speaker at the conference, Fr. Ralph Weimann, joins to tell us more about this conference and what some of the highlights have been. Don't miss out on the latest news and analysis from a Catholic perspective. Get EWTN News Nightly delivered to your email: https://ewtn.com/enn

In this episode of Talking History, Patrick Geoghegan discusses: New insights into plots and conspiracies against the life of Queen Elizabeth I with Calum Cockburn, Curator of Medieval Manuscripts at the British Library Cosmetics in the Renaissance World, with Professor Jill Burke, Chair of Renaissance Visual and Material Cultures at the University of Edinburgh, author of ‘How To Be A Renaissance Woman: The Untold History of Beauty and Female Creativity', a historian of the body and its visual representation, focusing on Italy and Europe from 1400-1700 And the female artists who blazed a trail in the Royal Hibernian Academy in Ireland, with Dr Caroline Campbell, Director, National Gallery of Ireland.

Most of us have books that we just can't finish, no matter how many times we try. This hour, a look at those books that we find unreadable, whether they're too long, too difficult, too confusing, or too dated. What makes a book unreadable? Plus: The Voynich Manuscript, an unreadable and undeciphered book housed at Yale University's Beinecke Library. We asked our listeners for their list of unreadable books. Here are those responses: The Bible Mansfield Park by Jane Austen Midnight in the Garden of Good and Evil by John Berendt Rim by Alexander Besher The Woman in White by Wilkie Collins Collapse by Jared Diamond Great Expectations by Charles Dickens A Tale of Two Cities by Charles Dickens S. by JJ Abrams and Doug Dorst The Name of the Rose by Umberto Eco The Great Gatsby by F. Scott Fitzgerald anything by William Faulkner Cold Mountain by Charles Frazier A Brief History of Time by Stephen Hawking Catch-22 by Joseph Heller Gödel, Escher, Bach: An Eternal Golden Braid by Douglas Hofstadter Les Misérables by Victor Hugo A Prayer for Owen Meany by John Irving 50 Shades of Grey by E.L. James The Dubliners by James Joyce Ulysses by James Joyce Wicked by Gregory Maguire One Hundred Years of Solitude by Gabriel García Márquez Moby Dick by Herman Melville Faithful by Stewart O'Nan and Stephen King Gravity's Rainbow by Thomas Pynchon How to Write by Gertrude Stein Grapes of Wrath by John Steinbeck A Confederacy of Dunces by John Kennedy Toole Infinite Jest by David Foster Wallace GUESTS: Ray Clemens: Curator of early books and manuscripts at the Beinecke Rare Book and Manuscript Library Rand Richards Cooper: Fiction writer, contributing editor at Commonweal, and restaurant critic for The Hartford Courant Dennis Duncan: Lecturer in English at University College London and the author of Index, A History of the: A Bookish Adventure from Medieval Manuscripts to the Digital Age Juliet Lapidos: Ideas editor for The Atlantic and the author of Talent The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Stitcher, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe, Jonathan McNicol, and Cat Pastor contributed to this show, which originally aired September 14, 2022.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

922. "A dozen of eggs" sounds weird, but why? Rabbits performing violent acts are a common scene in medieval marginalia. But why are they there? Turns out—Monty Python was on to something!| Transcript:  https://grammar-girl.simplecast.com/episodes/dozen-bunnies/transcript| Subscribe to the newsletter for regular updates.| Watch my LinkedIn Learning writing courses.| Peeve Wars card game. | Grammar Girl books. | HOST: Mignon Fogarty| VOICEMAIL: 833-214-GIRL (833-214-4475) or https://sayhi.chat/grammargirl| Grammar Girl is part of the Quick and Dirty Tips podcast network.Audio engineer: Nathan SemesEditor: Adam CecilAdvertising Operations Specialist: Morgan ChristiansonMarketing and Publicity Assistant: Davina TomlinDigital Operations Specialist: Holly HutchingsIntern: Kamryn Lacy| Theme music by Catherine Rannus.| Grammar Girl Social Media Links: YouTube. TikTok. Facebook. Instagram. LinkedIn. Mastodon.

For centuries, people have been dazzled by the illuminated manuscripts of the Middle Ages. But how much do we know about the countless makers, collectors and connoisseurs who took care of them behind the scenes? Speaking with Emily Briffett, Christopher de Hamel introduces some of these extraordinary people – from a Norman monk and a Florentine bookseller to a rabbi from central Europe, a Greek forger and an American woman with a spectacular library. (Ad) Christopher de Hamel is the author The Posthumous Papers of the Manuscripts Club (Penguin, 2022). Buy it now from Waterstones: https://go.skimresources.com?id=71026X1535947&xcust=historyextra-social-histboty&xs=1&url=https%3A%2F%2Fwww.waterstones.com%2Fbook%2Fthe-posthumous-papers-of-the-manuscripts-club%2Fchristopher-de-hamel%2F9780241304372" Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of High Theory, Dennis Duncan tells us about the history of the index. At it's simplest, an index is a table with columns that allow you to match sets of terms, most often topics and page numbers. Google is an index, as was the first bible concordance, completed in 1230 under the direction of a French Dominican scholar named Hugo de Saint-Cher. In the episode, Dennis quotes a line from Alexander Pope's Dunciad: How index-learning turns no student pale.  Yet holds the eel of science by the tail (book 1, lines 279-80) He also references Nicholas Carr's article, “Is Google Making Us Stupid?” (The Atlantic, July/Aug 2008), and the book based upon it, The Shallows: What the Internet is Doing to Our Brains (Norton, 2011), both of which make an argument against shallow reading that Dennis argues goes all the way back to medieval critiques of the index. In the longer version of our conversation, we talked about Italo Calvino's If On A Winter's Night a Traveler. Dennis Duncan is a scholar of book history, translation, and avant-garde literature at the University College London. His book about the history of the index, Index: A Bookish Adventure from Medieval Manuscripts to the Digital Age was published in the US by Norton in 2022. The book includes two indices, once made by indexing software, and the other by Paula Clarke Bain. This week's image is a portrait of Hugo de Saint-Cher, made by Tommaso da Modena. Image source: Wikimedia Commons. Full citation: Hugues de Saint-Cher († 1263), bibliste et théologien, Paris, Centre d'études du Saulchoir, Actes du colloque 13-15 mars 2000, Brepols, coll. « Bibliothèque d'histoire culturelle du Moyen Âge », n°1, Turnhout, 2004, 524 p., ISBN : 2-503-51721-8 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of High Theory, Dennis Duncan tells us about the history of the index. At it's simplest, an index is a table with columns that allow you to match sets of terms, most often topics and page numbers. Google is an index, as was the first bible concordance, completed in 1230 under the direction of a French Dominican scholar named Hugo de Saint-Cher. In the episode, Dennis quotes a line from Alexander Pope's Dunciad: How index-learning turns no student pale.  Yet holds the eel of science by the tail (book 1, lines 279-80) He also references Nicholas Carr's article, “Is Google Making Us Stupid?” (The Atlantic, July/Aug 2008), and the book based upon it, The Shallows: What the Internet is Doing to Our Brains (Norton, 2011), both of which make an argument against shallow reading that Dennis argues goes all the way back to medieval critiques of the index. In the longer version of our conversation, we talked about Italo Calvino's If On A Winter's Night a Traveler. Dennis Duncan is a scholar of book history, translation, and avant-garde literature at the University College London. His book about the history of the index, Index: A Bookish Adventure from Medieval Manuscripts to the Digital Age was published in the US by Norton in 2022. The book includes two indices, once made by indexing software, and the other by Paula Clarke Bain. This week's image is a portrait of Hugo de Saint-Cher, made by Tommaso da Modena. Image source: Wikimedia Commons. Full citation: Hugues de Saint-Cher († 1263), bibliste et théologien, Paris, Centre d'études du Saulchoir, Actes du colloque 13-15 mars 2000, Brepols, coll. « Bibliothèque d'histoire culturelle du Moyen Âge », n°1, Turnhout, 2004, 524 p., ISBN : 2-503-51721-8 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In this episode of High Theory, Dennis Duncan tells us about the history of the index. At it's simplest, an index is a table with columns that allow you to match sets of terms, most often topics and page numbers. Google is an index, as was the first bible concordance, completed in 1230 under the direction of a French Dominican scholar named Hugo de Saint-Cher. In the episode, Dennis quotes a line from Alexander Pope's Dunciad: How index-learning turns no student pale.  Yet holds the eel of science by the tail (book 1, lines 279-80) He also references Nicholas Carr's article, “Is Google Making Us Stupid?” (The Atlantic, July/Aug 2008), and the book based upon it, The Shallows: What the Internet is Doing to Our Brains (Norton, 2011), both of which make an argument against shallow reading that Dennis argues goes all the way back to medieval critiques of the index. In the longer version of our conversation, we talked about Italo Calvino's If On A Winter's Night a Traveler. Dennis Duncan is a scholar of book history, translation, and avant-garde literature at the University College London. His book about the history of the index, Index: A Bookish Adventure from Medieval Manuscripts to the Digital Age was published in the US by Norton in 2022. The book includes two indices, once made by indexing software, and the other by Paula Clarke Bain. This week's image is a portrait of Hugo de Saint-Cher, made by Tommaso da Modena. Image source: Wikimedia Commons. Full citation: Hugues de Saint-Cher († 1263), bibliste et théologien, Paris, Centre d'études du Saulchoir, Actes du colloque 13-15 mars 2000, Brepols, coll. « Bibliothèque d'histoire culturelle du Moyen Âge », n°1, Turnhout, 2004, 524 p., ISBN : 2-503-51721-8 Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Dennis Duncan tells us about the history of the index. At it's simplest, an index is a table with columns that allow you to match sets of terms, most often topics and page numbers. Google is an index, as was the first bible concordance, completed in 1230 under the direction of a French Dominican scholar named Hugo de Saint-Cher. In the episode, Dennis quotes a line from Alexander Pope's Dunciad: How index-learning turns no student pale.  Yet holds the eel of science by the tail (book 1, lines 279-80) He also references Nicholas Carr's article, “Is Google Making Us Stupid?” (The Atlantic, July/Aug 2008), and the book based upon it, The Shallows: What the Internet is Doing to Our Brains (Norton, 2011), both of which make an argument against shallow reading that Dennis argues goes all the way back to medieval critiques of the index. In the longer version of our conversation, we talked about Italo Calvino's If On A Winter's Night a Traveler. Dennis Duncan is a scholar of book history, translation, and avant-garde literature at the University College London. His book about the history of the index, Index: A Bookish Adventure from Medieval Manuscripts to the Digital Age was published in the US by Norton in 2022. The book includes two indices, once made by indexing software, and the other by Paula Clarke Bain. This week's image is a portrait of Hugo de Saint-Cher, made by Tommaso da Modena. Image source: Wikimedia Commons. Full citation: Hugues de Saint-Cher († 1263), bibliste et théologien, Paris, Centre d'études du Saulchoir, Actes du colloque 13-15 mars 2000, Brepols, coll. « Bibliothèque d'histoire culturelle du Moyen Âge », n°1, Turnhout, 2004, 524 p., ISBN : 2-503-51721-8 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

We're baaaack! Please enjoy as Hanne, Astra and Fel expand and dive deep on research practices and how to incorporate what you've researched into practicality. And again, thank you all so much for your continued support.Check out our discord!: https://discord.gg/NfefwYePyPNotes:Owen Davies Grimoires: A History of MagickMagic in Medieval Manuscripts by Sophie Page and Esoteric ArchivesGrimoire archive: http://english.grimoar.cz/?Loc=aut&Lng=2&New=374Explaining p-values: https://www.tandfonline.com/doi/full/10.1080/00031305.2019.1583913

Most of us have books that we just can't finish, no matter how many times we try. This hour is all about those books that we find unreadable, whether they're too long, too difficult, too confusing, or too dated. We ask: what makes a book unreadable? Plus, we'll learn about the Voynich Manuscript, an unreadable and undeciphered book, housed at Yale University's Beinecke Library. GUESTS:  Rand Richards Cooper: Fiction writer, contributing editor at Commonweal, and restaurant critic for The Hartford Courant Dennis Duncan: Lecturer in English at University College London and author of Index, A History of the: A Bookish Adventure from Medieval Manuscripts to the Digital Age Juliet Lapidos: Ideas Editor for The Atlantic and author of the novel Talent Ray Clemens: Curator of Early Books and Manuscripts at Yale University's Beinecke Rare Book and Manuscript Library Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

"Index, A History of the: A Bookish Adventure from Medieval Manuscripts to the Digital Age" explores the development of those things in the back of the book that many of us turn to for reference. Author Dennis Duncan joins us. And, more and more British museums are considering returning artifacts taken during the colonial era. Neil Curtis is head of Special Collections and Museums at the University of Aberdeen — which repatriated an artifact to Nigeria last year. He joins us.

Chances are you've used an index at the back of a book. But how much thought have you given to their creation, their function, their history? This hour: more than you ever thought to wonder about the role of indexes in our world. Plus, we get mixed up in the world of cookbook indexes. GUESTS: Paula Clarke Bain: Professional indexer Dennis Duncan: Author of Index, A History of The: A Bookish Adventure from Medieval Manuscripts to the Digital Age Elizabeth Parson: Professional indexer The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Stitcher, or wherever you get your podcasts. Subscribe and never miss an episode! Join the conversation on Facebook and Twitter. Colin McEnroe, Eugene Amatruda, and Jonathan McNicol contributed to this show, which originally aired March 2, 2022.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Survivors of time, neglect, and sometimes disasters, medieval manuscripts are the work of countless authors, scribes, artists, and craftspeople, many of whom remain anonymous. This week, Mary Wellesley shares the stories behind some of the most famous manuscripts of the Middle Ages and the hidden hands behind them.Thank-you to all of Medievalists.net's patrons on Patreon.com for your support each month. To get in on all the action, please visit patreon.com/medievalists

Chances are you’ve probably used an index at the back of the book at some point in your life. But how much thought have you given to their creation, their function, and their history? Our guest this hour has written a whole book on the topic. Dennis Duncan, author of Index, A History of the: A Bookish Adventure from Medieval Manuscripts to the Digital Age, joins us, along with a professional indexer, to tell you more than you ever thought to wonder about the role of indexes in our world. Plus, we get mixed up in the world of cookbook indexes. GUESTS: Dennis Duncan: Author of Index, A History of the: A Bookish Adventure from Medieval Manuscripts to the Digital Age and a lecturer in English at University College London Paula Clarke Bain: Professional indexer Elizabeth Parson: Professional indexer Join the conversation on Facebook and Twitter. The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Stitcher, or wherever you get your podcasts. Subscribe and never miss an episode! Colin McEnroe, Eugene Amatruda, and Jonathan McNicol contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.