POPULARITY
10 episodes with medieval manuscripts
4 episodes with medieval manuscripts
2 episodes with medieval manuscripts
5 episodes with medieval manuscripts
3 episodes with medieval manuscripts
3 episodes with medieval manuscripts
2 episodes with medieval manuscripts
3 episodes with medieval manuscripts
3 episodes with medieval manuscripts
Medieval manuscripts are so wondrously beautiful they deserve comparison with the world's finest works of art. But what lay behind the book's production? We might think of rows of monks, patiently toiling away in a hushed chamber - but that would be to ignore the actual conditions of book production. Sara Charles (The Medieval Scriptorium: Making Books in the Middle Ages) takes Jacke into the dirty, smelly, boring, and back-breaking world of an actual medieval scriptorium. PLUS Dante scholar Elizabeth Coggeshall (On Amistà: Negotiating Friendship in Dante's Italy) stops by to discuss her choice for the last book she will ever read. Additional listening suggestions: 589 Dante and Friendship (with Elizabeth Coggeshall) 613 Celebrating the Book-Makers (with Adam Smyth) 569 The Man with a Passion for Medieval Manuscripts (with Christopher de Hamel) The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, we're diving into fascinating early 16th-century woodcut images and priceless medieval machzor manuscripts to see how they portray the mitzvah of blowing the shofar. We'll explore the unique details in these images that reveal interesting minhagim of the time, though some might leave us with more questions than answers. Let's uncover the stories these images tell about our tradition. Links: Book on Jewish Confession (Nuremberg 1508) https://sammlungen.ub.uni-frankfurt.de/freimann/content/thumbview/6515799 Der Juden Spiegel (Cologne 1508) https://gallica.bnf.fr/ark:/12148/bpt6k1911061m/f39.double Luzzato Machzor https://www.sothebys.com/en/articles/the-luzzatto-high-holiday-mahzor-1 Machzor – Bavarian State Library https://www.digitale-sammlungen.de/en/view/bsb00034975?page=82 Kaufmann Machzor - Hungarian Academy of Sciences http://kaufmann.mtak.hu/en/ms388/ms388-012v.htm Machzor – Cambridge University Library https://cudl.lib.cam.ac.uk/view/MS-ADD-00662/127 Machzor – Austrian National Library https://www.nli.org.il/en/discover/manuscripts/hebrew-manuscripts/viewerpage?vid=MANUSCRIPTS#d=[[PNX_MANUSCRIPTS990001692630205171-1,FL21854414]] Art of the Blast: Shofar Blowing Customs in Medieval Manuscripts
In many languages across the world, all nouns are classed as either male or female, or sometimes neuter. The English language, however, only signals gender in its pronouns - he, she, it or they. For inanimate objects, gender just crops up in occasional examples like ships or countries, which, for some reason, are deemed female. This lack of gender in English intrigued CrowdScience listener Stuart, since the other languages he knows all highlight whether something is male or female. Did English ever have gender, and if so, where did it go? Presenter Anand Jagatia dives into some Old English texts to uncover the idiosyncrasies of its masculine and feminine nouns, and learns why these gradually fell out of use. But why do other languages assign gender to nouns – male, female, and sometimes many more categories too? And does this affect the way we think?Contributors: Andrew Dunning, Curator of Medieval Manuscripts, Bodleian Library, Oxford University Rachel Burns, Departmental Lecturer in Old English, Oxford University Suzanne Romaine, Professor of Linguistics, Hawaii Ida Hadjivayanis, Senior Lecturer in Swahili, SOAS University Angeliki Alvanoudi, Sociolinguist, Aristotle University of Thessaloniki Amy Bahulekar, Writer, MumbaiPresenter: Anand Jagatia Producer: Eloise Stevens Editor: Cathy Edwards Production: Ishmael Soriano
Books are beloved objects, earning lots of praise as amazing pieces of technology and essential contributors to a civilized society. And yet, we often take these cultural miracles for granted. Who's been making these things for the last several centuries? How have they influenced what we've been reading? In this episode, Jacke talks to author Adam Smyth, an Oxford professor of literature who opened up his own small press, about his new work The Book-Makers: A History of the Book in Eighteen Lives. Then medieval manuscript expert Christopher de Hamel (The Manuscripts Club: The People Behind a Thousand Years of Medieval Manuscripts) stops by to discuss his choice for the last book he will ever read. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices
Chaucer's Canterbury Tales tell the story of pilgrims 'from every shires ende / Of Engelond to Caunterbury they wende'. Experience these journeys, both real and imagined, through medieval manuscripts from the Bodleian collection live under the visualiser. Dr Alison Ray, archivist at St Peter's College, and Dr Andrew Dunning, RW Hunt Curator of Medieval Manuscripts at the Bodleian Libraries, will explore the new iconography that developed after Thomas Becket's murder, the impact of his death on Oxford's religious houses and how Canterbury became a significant pilgrimage destination.
Chaucer's Canterbury Tales tell the story of pilgrims 'from every shires ende / Of Engelond to Caunterbury they wende'. Experience these journeys, both real and imagined, through medieval manuscripts from the Bodleian collection live under the visualiser. Dr Alison Ray, archivist at St Peter's College, and Dr Andrew Dunning, RW Hunt Curator of Medieval Manuscripts at the Bodleian Libraries, will explore the new iconography that developed after Thomas Becket's murder, the impact of his death on Oxford's religious houses and how Canterbury became a significant pilgrimage destination.
with @stevenbjohnson @cdixon @rhhackettWelcome to the web3 with a16z crypto podcast. Today's episode features a conversation between Steven Johnson, a prolific author of books about technology and innovation who is also, as editorial director at Google Labs, helping to develop AI writing tools such as NotebookLM, and Chris Dixon, founding partner of a16z crypto and author of the new book Read Write Own: Building the Next Era of the Internet. The two discuss the history of their shared interests, they explore the emergent properties of decentralized networks, and they dig into the past, present, and future of the internet.Resources for references in this episode:Author page for Steven JohnsonGoogle Labs's personalized AI writing tool NotebookLM"Beyond the Bitcoin Bubble" by Steven Johnson (New York Times Magazine, January 2018)How We Got To Now: Six Innovations That Made the Modern World by Steven Johnson (Riverhead Books: 2015)Enemy of All Mankind: A True Story of Piracy, Power, And History's First Global Manhunt by Steven Johnson (Riverhead Books: 2021)Emergence: The Connected Lives of Ants, Brains, Cities, and Software by Steven Johnson (Sribner: 2002)Chris Dixon's blog at cdixon.orgThe Death and Life of Great American Cities by Jane Jacobs (Random House: 1961)The Power Broker: Robert Moses and the Fall of New York by Robert Caro (Vintage: 1975)The Cluetrain Manifesto: The End of Business as Usual (Basic Books: 2000)"A Declaration of the Independence of Cyberspace" by John Perry Barlow"1000 True Fans" by Kevin KellyIndex, a History of the: A Bookish Adventure from Medieval Manuscripts to the Digital Age by Dennis Duncan (W.W. Norton: 2022)ReadWriteWeb blog (ca. 2003)"Airbnb Proposes Giving Hosts a Stake in the Company" by Aisha Al-Muslim and Maureen Farrell (Wall Street Journal, September 2018)"Lyft Unlikely to Get SEC Pushback on Plan for Two Share Classes" by Nabila Ahmed and Ben Bain (Bloomberg, March 2019)"OpenAI Says New York Times Lawsuit Against It Is Without Merit" by Cade Metz (New York Times, January 2024)
The siblings are exploring the world of cursed and haunted objects on today's episode! We take a look at the long history of medieval book curses, a haunted wedding dress and painting, and an African Power Figure. A curse on ye who dares to not listen to this episode! If you enjoyed the show, please leave us a review or give us a 5-star rating, and please, for the love of God!!! Follow us! Medieval Book Curses Drogin Marc. Anathema! : Medieval Scribes and the History of Book Curses. Allanheld Osmun ; A. Schram 1983. https://blogs.bl.uk/digitisedmanuscripts/2017/05/frying-pans-forks-and-fever-medieval-book-curses.html Haraszti, Zoltán. “Medieval Manuscripts.” The Catholic Historical Review, vol. 14, no. 2, 1928, pp. 237–47. JSTOR, http://www.jstor.org/stable/25012519. Accessed 12 Jan. 2024. The Haunted Wedding Dress and "The Hands Resist Him" https://www.blairhistory.org/baker-mansion-1849.html https://factschology.com/mmm-podcast-articles/haunted-wedding-dress-anna-baker http://www.pennsylvania-mountains-of-attractions.com/real-haunted-mansion.html https://www.stonehamstudios.com/haunted https://faroutmagazine.co.uk/the-hands-resist-him-the-moving-haunted-painting-that-scares-its-owners-to-death/ https://the-line-up.com/the-hands-resist-him Music: Nightmare by Alexander Nakarada (www.creatorchords.com) Licensed under Creative Commons BY Attribution 4.0 License https://creativecommons.org/licenses/by/4.0/
Recorded December 1, 2023. Dr Peter Crooks: Department of History; Academic Director, Virtual Record Treasury of Ireland (virtualtreasury.ie). Paper: ‘No Good Deed Goes Unpunished? Trinity's Dublin Deeds and The Case for a Meta-Collection'.
Recorded December 1, 2023. Dr Niamh Pattwell: Associate Professor, School of English, Drama, and Film, UCD. Paper: ‘Sixteenth-Century Heralds: Guardians of the Manuscripts' TCD MS 505.
Recorded December 1, 2023. Dr Laura Cleaver: Senior Lecturer in Manuscript Studies, School of Advanced Studies, University of London. Paper: ‘TCD MS 93: Digitisation and the Potential of Linked Open Data'.
Recorded December 1, 2023. Dr David Woodman: Associate Professor and Fellow in History, Robinson College, Cambridge. Paper: ‘John of Worcester's Chronicula: TCD MS 503'.
Recorded December 1, 2023. Dr Colleen Curran: Marie Curie Postdoctoral Research Fellow, University of Galway and Dr Lucy McKenna: Postdoctoral Researcher, TCD. Paper: ‘The Searobend Project: Digitising the Resources'.
Recorded December 1, 2023. Dr Claire McNulty: Postdoctoral Research Fellow, TCD. Paper: ‘Mirrors, Morality, and the Virgin Mary: TCD MS 103'.
Recorded December 1, 2023. Dr Ann Buckley: Medieval History Research Centre, TCD. Paper: ‘The Many Lives of the Medieval Liturgy: The Relevance of the Carnegie Digitisation Project for Irish and Insular Studies'.
Recorded December 1, 2023. Professor Ruth Mazo Karras: Lecky Professor of History, TCD. Paper: ‘The Holy Acrobat in the Beatus Initial, TCD MS 53'
Dr Mark Faulkner: Ussher Assistant Professor in Medieval Literature, TCD and Elisabetta Magnanti: PhD Candidate, University of Vienna. Paper: ‘Using AI to Transcribe Trinity's Manuscripts'.
Recorded December 1, 2023. Conor McDonough: OP, St Saviour's Priory, Dublin 1. Paper: ‘TCD MS 667: A Manuscript to Change Lives'.
Jacke talks to British academic librarian Christopher de Hamel about his passion for medieval manuscripts and his new book The Manuscripts Club: The People Behind a Thousand Years of Medieval Manuscripts. PLUS Maaheen Ahmed, editor of The Cambridge Companion to Comics, stops by to select the last book she will ever read. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices
EPISODE 1861: In the KEEN ON show, Andrew talks to Christopher de Hamel, author of THE MANUSCRIPTS CLUB, about the remarkable literary figures behind a thousand years of medieval manuscriptsChristopher de Hamel is the author of Meetings with Remarkable Manuscripts, winner of both the Wolfson History Prize and the Duff Cooper Prize. Over the course of a long career at Sotheby's he catalogued more illuminated manuscripts than any other person alive, and very possibly more than any one individual has ever done. Christopher de Hamel is now a Fellow of Corpus Christi College, Cambridge. He was the former librarian of Parker Library, which includes many, even most, of the earliest manuscripts in English language and history. De Hamel lives in London and Cambridge. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.
On "EWTN News Nightly" tonight: The countdown is on as 8 Republicans have qualified for the party's first 2024 presidential primary debate. Former President Donald Trump is the clear front-runner and said he would skip the debate in Milwaukee and called on his rivals to drop out. And as the Biden Administration continues its pro-abortion push on social media, a recent tweet by the Vice President concerning maternal mortality rates and what the administration calls “the hypocrisy” caught our attention, and we asked pro-life advocates to respond to the post. Meanwhile, the U.S. Embassy in Minsk is urging Americans traveling or living in Belarus to leave the country due to what it calls a "spillover risk" from the war in Ukraine. Republican Strategist and Former National Security Council Spokesman, John Ullyot, joins to tell us how big of a warning this is from the embassy. In the nation's capital, there are a couple of chances to see at least parts of an original Gutenberg Bible. Brian Hyland, Curator of Medieval Manuscripts for the Museum of the Bible, joins to tell us about why the printing of the Gutenberg Bible itself was so revolutionary. Finally this evening, a conference this week in Germany is examining the lasting legacy of the late Pope Benedict XVI. Theologian and speaker at the conference, Fr. Ralph Weimann, joins to tell us more about this conference and what some of the highlights have been. Don't miss out on the latest news and analysis from a Catholic perspective. Get EWTN News Nightly delivered to your email: https://ewtn.com/enn
In this track, we hear exhibition curators Jane Wild and Renee Orr share impressions, selections and insights into medieval manuscripts currently on display in the Gallery - Level 2 Tāmaki Pātaka Kōrero | Central City Library. "For most of the medieval period, from the 5th to the 15th century, books were copied out and decorated by hand. These are the books we call medieval manuscripts. For this exhibition, we have selected just nine of these miraculous books to show the range of Auckland Council Libraries' exceptional collection. They include 12th century Greek Gospels, a tiny ‘Pocket Bible' and massive lectern Bibles. A Latin translation of Aristotle features extensive marginalia, including the description of a lunar eclipse in 1312. Painted and illuminated pages include dragons, saints and intricate border decorations." We invite you to explore digitised versions of our Rare Book and Manuscript Collections on Kura Heritage Collections Online or come in and get up close in person. The exhibition is open until 11 Nov 2023. https://kura.aucklandlibraries.govt.nz/digital/search/searchterm/Medieval%20Manuscripts Image: St. George. From: Rossdhu Book of Hours, between 1450 -1475. Auckland Libraries Heritage Collections, MedMS-G146
In this episode of Talking History, Patrick Geoghegan discusses: New insights into plots and conspiracies against the life of Queen Elizabeth I with Calum Cockburn, Curator of Medieval Manuscripts at the British Library Cosmetics in the Renaissance World, with Professor Jill Burke, Chair of Renaissance Visual and Material Cultures at the University of Edinburgh, author of ‘How To Be A Renaissance Woman: The Untold History of Beauty and Female Creativity', a historian of the body and its visual representation, focusing on Italy and Europe from 1400-1700 And the female artists who blazed a trail in the Royal Hibernian Academy in Ireland, with Dr Caroline Campbell, Director, National Gallery of Ireland.
Most of us have books that we just can't finish, no matter how many times we try. This hour, a look at those books that we find unreadable, whether they're too long, too difficult, too confusing, or too dated. What makes a book unreadable? Plus: The Voynich Manuscript, an unreadable and undeciphered book housed at Yale University's Beinecke Library. We asked our listeners for their list of unreadable books. Here are those responses: The Bible Mansfield Park by Jane Austen Midnight in the Garden of Good and Evil by John Berendt Rim by Alexander Besher The Woman in White by Wilkie Collins Collapse by Jared Diamond Great Expectations by Charles Dickens A Tale of Two Cities by Charles Dickens S. by JJ Abrams and Doug Dorst The Name of the Rose by Umberto Eco The Great Gatsby by F. Scott Fitzgerald anything by William Faulkner Cold Mountain by Charles Frazier A Brief History of Time by Stephen Hawking Catch-22 by Joseph Heller Gödel, Escher, Bach: An Eternal Golden Braid by Douglas Hofstadter Les Misérables by Victor Hugo A Prayer for Owen Meany by John Irving 50 Shades of Grey by E.L. James The Dubliners by James Joyce Ulysses by James Joyce Wicked by Gregory Maguire One Hundred Years of Solitude by Gabriel García Márquez Moby Dick by Herman Melville Faithful by Stewart O'Nan and Stephen King Gravity's Rainbow by Thomas Pynchon How to Write by Gertrude Stein Grapes of Wrath by John Steinbeck A Confederacy of Dunces by John Kennedy Toole Infinite Jest by David Foster Wallace GUESTS: Ray Clemens: Curator of early books and manuscripts at the Beinecke Rare Book and Manuscript Library Rand Richards Cooper: Fiction writer, contributing editor at Commonweal, and restaurant critic for The Hartford Courant Dennis Duncan: Lecturer in English at University College London and the author of Index, A History of the: A Bookish Adventure from Medieval Manuscripts to the Digital Age Juliet Lapidos: Ideas editor for The Atlantic and the author of Talent The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Stitcher, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe, Jonathan McNicol, and Cat Pastor contributed to this show, which originally aired September 14, 2022.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.
922. "A dozen of eggs" sounds weird, but why? Rabbits performing violent acts are a common scene in medieval marginalia. But why are they there? Turns out—Monty Python was on to something!| Transcript: https://grammar-girl.simplecast.com/episodes/dozen-bunnies/transcript| Subscribe to the newsletter for regular updates.| Watch my LinkedIn Learning writing courses.| Peeve Wars card game. | Grammar Girl books. | HOST: Mignon Fogarty| VOICEMAIL: 833-214-GIRL (833-214-4475) or https://sayhi.chat/grammargirl| Grammar Girl is part of the Quick and Dirty Tips podcast network.Audio engineer: Nathan SemesEditor: Adam CecilAdvertising Operations Specialist: Morgan ChristiansonMarketing and Publicity Assistant: Davina TomlinDigital Operations Specialist: Holly HutchingsIntern: Kamryn Lacy| Theme music by Catherine Rannus.| Grammar Girl Social Media Links: YouTube. TikTok. Facebook. Instagram. LinkedIn. Mastodon.
For centuries, people have been dazzled by the illuminated manuscripts of the Middle Ages. But how much do we know about the countless makers, collectors and connoisseurs who took care of them behind the scenes? Speaking with Emily Briffett, Christopher de Hamel introduces some of these extraordinary people – from a Norman monk and a Florentine bookseller to a rabbi from central Europe, a Greek forger and an American woman with a spectacular library. (Ad) Christopher de Hamel is the author The Posthumous Papers of the Manuscripts Club (Penguin, 2022). Buy it now from Waterstones: https://go.skimresources.com?id=71026X1535947&xcust=historyextra-social-histboty&xs=1&url=https%3A%2F%2Fwww.waterstones.com%2Fbook%2Fthe-posthumous-papers-of-the-manuscripts-club%2Fchristopher-de-hamel%2F9780241304372" Learn more about your ad choices. Visit podcastchoices.com/adchoices
In this episode of High Theory, Dennis Duncan tells us about the history of the index. At it's simplest, an index is a table with columns that allow you to match sets of terms, most often topics and page numbers. Google is an index, as was the first bible concordance, completed in 1230 under the direction of a French Dominican scholar named Hugo de Saint-Cher. In the episode, Dennis quotes a line from Alexander Pope's Dunciad: How index-learning turns no student pale. Yet holds the eel of science by the tail (book 1, lines 279-80) He also references Nicholas Carr's article, “Is Google Making Us Stupid?” (The Atlantic, July/Aug 2008), and the book based upon it, The Shallows: What the Internet is Doing to Our Brains (Norton, 2011), both of which make an argument against shallow reading that Dennis argues goes all the way back to medieval critiques of the index. In the longer version of our conversation, we talked about Italo Calvino's If On A Winter's Night a Traveler. Dennis Duncan is a scholar of book history, translation, and avant-garde literature at the University College London. His book about the history of the index, Index: A Bookish Adventure from Medieval Manuscripts to the Digital Age was published in the US by Norton in 2022. The book includes two indices, once made by indexing software, and the other by Paula Clarke Bain. This week's image is a portrait of Hugo de Saint-Cher, made by Tommaso da Modena. Image source: Wikimedia Commons. Full citation: Hugues de Saint-Cher († 1263), bibliste et théologien, Paris, Centre d'études du Saulchoir, Actes du colloque 13-15 mars 2000, Brepols, coll. « Bibliothèque d'histoire culturelle du Moyen Âge », n°1, Turnhout, 2004, 524 p., ISBN : 2-503-51721-8 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In this episode of High Theory, Dennis Duncan tells us about the history of the index. At it's simplest, an index is a table with columns that allow you to match sets of terms, most often topics and page numbers. Google is an index, as was the first bible concordance, completed in 1230 under the direction of a French Dominican scholar named Hugo de Saint-Cher. In the episode, Dennis quotes a line from Alexander Pope's Dunciad: How index-learning turns no student pale. Yet holds the eel of science by the tail (book 1, lines 279-80) He also references Nicholas Carr's article, “Is Google Making Us Stupid?” (The Atlantic, July/Aug 2008), and the book based upon it, The Shallows: What the Internet is Doing to Our Brains (Norton, 2011), both of which make an argument against shallow reading that Dennis argues goes all the way back to medieval critiques of the index. In the longer version of our conversation, we talked about Italo Calvino's If On A Winter's Night a Traveler. Dennis Duncan is a scholar of book history, translation, and avant-garde literature at the University College London. His book about the history of the index, Index: A Bookish Adventure from Medieval Manuscripts to the Digital Age was published in the US by Norton in 2022. The book includes two indices, once made by indexing software, and the other by Paula Clarke Bain. This week's image is a portrait of Hugo de Saint-Cher, made by Tommaso da Modena. Image source: Wikimedia Commons. Full citation: Hugues de Saint-Cher († 1263), bibliste et théologien, Paris, Centre d'études du Saulchoir, Actes du colloque 13-15 mars 2000, Brepols, coll. « Bibliothèque d'histoire culturelle du Moyen Âge », n°1, Turnhout, 2004, 524 p., ISBN : 2-503-51721-8 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
In this episode of High Theory, Dennis Duncan tells us about the history of the index. At it's simplest, an index is a table with columns that allow you to match sets of terms, most often topics and page numbers. Google is an index, as was the first bible concordance, completed in 1230 under the direction of a French Dominican scholar named Hugo de Saint-Cher. In the episode, Dennis quotes a line from Alexander Pope's Dunciad: How index-learning turns no student pale. Yet holds the eel of science by the tail (book 1, lines 279-80) He also references Nicholas Carr's article, “Is Google Making Us Stupid?” (The Atlantic, July/Aug 2008), and the book based upon it, The Shallows: What the Internet is Doing to Our Brains (Norton, 2011), both of which make an argument against shallow reading that Dennis argues goes all the way back to medieval critiques of the index. In the longer version of our conversation, we talked about Italo Calvino's If On A Winter's Night a Traveler. Dennis Duncan is a scholar of book history, translation, and avant-garde literature at the University College London. His book about the history of the index, Index: A Bookish Adventure from Medieval Manuscripts to the Digital Age was published in the US by Norton in 2022. The book includes two indices, once made by indexing software, and the other by Paula Clarke Bain. This week's image is a portrait of Hugo de Saint-Cher, made by Tommaso da Modena. Image source: Wikimedia Commons. Full citation: Hugues de Saint-Cher († 1263), bibliste et théologien, Paris, Centre d'études du Saulchoir, Actes du colloque 13-15 mars 2000, Brepols, coll. « Bibliothèque d'histoire culturelle du Moyen Âge », n°1, Turnhout, 2004, 524 p., ISBN : 2-503-51721-8 Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of High Theory, Dennis Duncan tells us about the history of the index. At it's simplest, an index is a table with columns that allow you to match sets of terms, most often topics and page numbers. Google is an index, as was the first bible concordance, completed in 1230 under the direction of a French Dominican scholar named Hugo de Saint-Cher. In the episode, Dennis quotes a line from Alexander Pope's Dunciad: How index-learning turns no student pale. Yet holds the eel of science by the tail (book 1, lines 279-80) He also references Nicholas Carr's article, “Is Google Making Us Stupid?” (The Atlantic, July/Aug 2008), and the book based upon it, The Shallows: What the Internet is Doing to Our Brains (Norton, 2011), both of which make an argument against shallow reading that Dennis argues goes all the way back to medieval critiques of the index. In the longer version of our conversation, we talked about Italo Calvino's If On A Winter's Night a Traveler. Dennis Duncan is a scholar of book history, translation, and avant-garde literature at the University College London. His book about the history of the index, Index: A Bookish Adventure from Medieval Manuscripts to the Digital Age was published in the US by Norton in 2022. The book includes two indices, once made by indexing software, and the other by Paula Clarke Bain. This week's image is a portrait of Hugo de Saint-Cher, made by Tommaso da Modena. Image source: Wikimedia Commons. Full citation: Hugues de Saint-Cher († 1263), bibliste et théologien, Paris, Centre d'études du Saulchoir, Actes du colloque 13-15 mars 2000, Brepols, coll. « Bibliothèque d'histoire culturelle du Moyen Âge », n°1, Turnhout, 2004, 524 p., ISBN : 2-503-51721-8 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
In this episode of High Theory, Dennis Duncan tells us about the history of the index. At it's simplest, an index is a table with columns that allow you to match sets of terms, most often topics and page numbers. Google is an index, as was the first bible concordance, completed in 1230 under the direction of a French Dominican scholar named Hugo de Saint-Cher. In the episode, Dennis quotes a line from Alexander Pope's Dunciad: How index-learning turns no student pale. Yet holds the eel of science by the tail (book 1, lines 279-80) He also references Nicholas Carr's article, “Is Google Making Us Stupid?” (The Atlantic, July/Aug 2008), and the book based upon it, The Shallows: What the Internet is Doing to Our Brains (Norton, 2011), both of which make an argument against shallow reading that Dennis argues goes all the way back to medieval critiques of the index. In the longer version of our conversation, we talked about Italo Calvino's If On A Winter's Night a Traveler. Dennis Duncan is a scholar of book history, translation, and avant-garde literature at the University College London. His book about the history of the index, Index: A Bookish Adventure from Medieval Manuscripts to the Digital Age was published in the US by Norton in 2022. The book includes two indices, once made by indexing software, and the other by Paula Clarke Bain. This week's image is a portrait of Hugo de Saint-Cher, made by Tommaso da Modena. Image source: Wikimedia Commons. Full citation: Hugues de Saint-Cher († 1263), bibliste et théologien, Paris, Centre d'études du Saulchoir, Actes du colloque 13-15 mars 2000, Brepols, coll. « Bibliothèque d'histoire culturelle du Moyen Âge », n°1, Turnhout, 2004, 524 p., ISBN : 2-503-51721-8 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
Registret står inte särskilt högt i kurs i Sverige, men i England finns ett eget skrå för indexmakare. Fredrik Sjöberg gör några nedslag i bokregistrets fascinerande historia. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.Den amerikanske författaren Norman Mailer sägs ha varit både fåfäng och självupptagen. Alla som känner någon författare vet att egenskaperna i fråga inte var unika för just honom, men möjligen var han ändå värre än andra. Så berättas till exempel att han brukade börja läsningen av nya böcker med att leta i registret efter sitt eget namn, vilket för yngre lyssnare kan jämföras med att googla sig själv, alltså en vederbörligen skambelagd form av självbefläckelse.Detta visste Mailers kollega William Buckley, så när han en gång på 1960-talet skickade en av sina många böcker till Mailer, skrev han ingen dedikation på försättsbladet, sådär som man brukar göra. Istället slog han upp sidan 339, tog fram sin röda kulspetspenna och plitade dit ett hurtfriskt ”Hi there!”, intill registerordet ”Mailer, Norman”. Hur denne uppfattade tilltaget är inte känt, men eftersom han behöll boken livet ut får man anta att han tog det med fattning.Själv skriver jag dedikationer med blyerts, helt enkelt av hänsyn till mottagarna. Alla äger ett suddgummi och ibland är dedicerade böcker bara ett kvitto på att ingen brydde sig om att köpa dem, varför upphovsmannen tvingades ge bort dem. Zoologen Olof Ryberg, även kallad Lopp-Olle, är ett bra exempel. Hans avhandling om de svenska fladdermössens parasitfauna är väldigt svår att få tag på utan dedikation; ibland är det flera stycken, för när böckerna kom ut på andrahandsmarknaden köpte han dem själv och gav bort dem igen.Men vi kommer bort från ämnet, som inte är dedikationer, utan själva registret, vars utveckling från medeltiden och framåt visar sig vara en intressant historia. Den som en vacker dag gör sig omaket att röja upp i mitt efterlämnade bibliotek ska upptäcka att nästan allt är fackböcker i vitt skilda ämnen, men med en sak gemensam: i alla finns register. Sådana böcker brukar jag nämligen spara. De utan register brukar jag kasta bort eller dumpa på närmsta antikvariat. Att läsa dem kan vara nog så nöjsamt, men sen är de oanvändbara.Ämnet belyses i boken Index, A History of the, av engelsmannen Dennis Duncan. Registrets historia, alltså. Lite begränsat kan tyckas, men faktum är att också de som med diagnosmanualmässig hetta verkligen älskar förteckningar i alfabetisk ordning har mycket nytt att lära. Oväntade saker, som att Erasmus av Rotterdam på 1500-talet skrev en hel bok där han strök texten och endast gav ut registret. Folk läser ändå inget annat, sa han surt.Till pjäsen hör även att boktryckare, åtminstone i England, förr kunde komponera fientliga register för att på den vägen kritisera böckernas innehåll. Många politiska strider utspelade sig i registren, och även rent litterära debatter, varav det bästa exemplet är en 1700-talsroman som hette The Man of Feeling och som senare, under den viktorianska eran, ansågs beskriva en man av alltför klent virke, så när en litteraturprofessor gav ut den där romanen igen försåg han den med ett Index of tears, ett register som förtecknar alla de ställen där huvudpersonen gråter. Den sträve professorn ville därmed visa sitt förakt för bokens, som det hette, emotionella inkontinens. Det blev ett långt register, och då var han ändå tydlig med att han bara förtecknade tårar, inte suckar och snyftningar.Här bör inflikas att vi i Sverige har lite andra traditioner, liksom enklare. Skönlitteratur har över huvud taget sällan register och fackböcker avslutas oftast bara med ett personregister som görs i all hast av redaktören eller korrekturläsaren. Den brittiska litteraturens mer avancerade sakregister har sin grund i att man där håller sig med professionella registermakare som är organiserade i Society of Indexers, en intresseorganisation som säkert har egna julfester också, då man samlas och sänker en bägare på någon avsides pub och gratulerar varandra till särskilt lyckade uppslagsord.Även fransmännen är av tradition påfallande noga, låt vara att ingen ännu har lyckats upprepa den bragd som vid mitten av 1800-talet utfördes av den katolske teologen Jacques Paul Migne. Han kom på den briljanta idén att låta trycka samtliga kyrkofäder i ett enda bokverk. Sagt och gjort. Verket Patrologia Latina gavs ut i 217 volymer, vilket oss emellan låter som ett sömnpiller för elefanter; hur som helst var det slutligen dags att skriva registret. Detta kom att omfatta fyra tjocka böcker och var så detaljerat att man till sist fann sig tvungen att även göra ett register till registret. Enligt legenden ska den fromme prästen ha hyrt in femtio registermakare som arbetade oavbrutet i tio år.Från början, före Gutenberg och boktryckarkonsten, var det naturligt nog mest kyrkans män som höll på med register och innehållsförteckningar, allt för att underlätta spridningen av Bibelns djupsinnigheter, men det hela komplicerades av att böckerna då skrevs för hand av kopister, och inte ens Bibeln var indelad i kapitel och verser på den tiden, så det var ofta svårt att hitta. Den alfabetiska ordningen upptäcktes visserligen redan under antiken, men det krävdes en helt annan innovation för att man skulle få snurr på verksamheten och vi talar nu om den litterära världens motsvarighet till uppfinningen av hjulet, nämligen sidnumreringen.Detta tekniska alexanderhugg inträffade år 1470, två år efter Gutenbergs död. Böcker tryckta på papper hade således funnits en tid, men ingen hade förut kommit på det där med paginering. Nuförtiden är sidnumren så självklara att vi inte tänker på vilken revolution de innebar.Fast det är klart, undantag finns. Det vore tjänstefel att här inte nämna Lars Norén, vars dagböcker väckte sådan uppståndelse, inte bara på grund av att författaren ansågs vara både fåfäng och självupptagen, utan också för att hans med god marginal tusensidiga böcker saknar sidnummer. Detta retade framför allt kulturjournalister. De skribenter Norén beskrev som idioter, och de var många, kunde nu inte tipsa varandra om vilken sida angreppet fanns på.Kanske, slår det mig, sitter nu den gode Norén i sin himmel och ler ikapp med Erasmus av Rotterdam under överinseende av Sankte Per, vars blick för människornas brott rimligen leder till slutsatsen att förtal av journalister ändå inte är så farligt. Förresten går väl skärselden på sparlåga av energipolitiska skäl, och i det läget får man prioritera, naturligtvis med utgångspunkt från syndaregistret – som säkerligen, tråkigt nog, är längst av alla.Fredrik Sjöberg, författare och biolog LitteraturDennis Duncan: Index, A History of the – Bookish Adventure from Medieval Manuscripts to the Digital Age. W. W. Norton Company, 2022.
We're baaaack! Please enjoy as Hanne, Astra and Fel expand and dive deep on research practices and how to incorporate what you've researched into practicality. And again, thank you all so much for your continued support.Check out our discord!: https://discord.gg/NfefwYePyPNotes:Owen Davies Grimoires: A History of MagickMagic in Medieval Manuscripts by Sophie Page and Esoteric ArchivesGrimoire archive: http://english.grimoar.cz/?Loc=aut&Lng=2&New=374Explaining p-values: https://www.tandfonline.com/doi/full/10.1080/00031305.2019.1583913
Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore's Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don't know is the story of how this everyday “broadside ballad,” one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation's one and only anthem and today's magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song's use in sports, at times of war, and for political protest, he argues that the anthem's meaning reflects―and is reflected by―the nation's quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key's song is the story of America itself. Each chapter in the book explores a different facet of the anthem's story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key's complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Jose Feliciano at the 1968 World Series. At every turn, the book goes beyond the events to explore the song's resonance and meaning. Martin's interview with Mark Clague was recorded on August 9th, 2022.
Most of us have books that we just can't finish, no matter how many times we try. This hour is all about those books that we find unreadable, whether they're too long, too difficult, too confusing, or too dated. We ask: what makes a book unreadable? Plus, we'll learn about the Voynich Manuscript, an unreadable and undeciphered book, housed at Yale University's Beinecke Library. GUESTS: Rand Richards Cooper: Fiction writer, contributing editor at Commonweal, and restaurant critic for The Hartford Courant Dennis Duncan: Lecturer in English at University College London and author of Index, A History of the: A Bookish Adventure from Medieval Manuscripts to the Digital Age Juliet Lapidos: Ideas Editor for The Atlantic and author of the novel Talent Ray Clemens: Curator of Early Books and Manuscripts at Yale University's Beinecke Rare Book and Manuscript Library Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.
"Index, A History of the: A Bookish Adventure from Medieval Manuscripts to the Digital Age" explores the development of those things in the back of the book that many of us turn to for reference. Author Dennis Duncan joins us. And, more and more British museums are considering returning artifacts taken during the colonial era. Neil Curtis is head of Special Collections and Museums at the University of Aberdeen — which repatriated an artifact to Nigeria last year. He joins us.
Chances are you've used an index at the back of a book. But how much thought have you given to their creation, their function, their history? This hour: more than you ever thought to wonder about the role of indexes in our world. Plus, we get mixed up in the world of cookbook indexes. GUESTS: Paula Clarke Bain: Professional indexer Dennis Duncan: Author of Index, A History of The: A Bookish Adventure from Medieval Manuscripts to the Digital Age Elizabeth Parson: Professional indexer The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Stitcher, or wherever you get your podcasts. Subscribe and never miss an episode! Join the conversation on Facebook and Twitter. Colin McEnroe, Eugene Amatruda, and Jonathan McNicol contributed to this show, which originally aired March 2, 2022.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.
Survivors of time, neglect, and sometimes disasters, medieval manuscripts are the work of countless authors, scribes, artists, and craftspeople, many of whom remain anonymous. This week, Mary Wellesley shares the stories behind some of the most famous manuscripts of the Middle Ages and the hidden hands behind them.Thank-you to all of Medievalists.net's patrons on Patreon.com for your support each month. To get in on all the action, please visit patreon.com/medievalists
Chances are you’ve probably used an index at the back of the book at some point in your life. But how much thought have you given to their creation, their function, and their history? Our guest this hour has written a whole book on the topic. Dennis Duncan, author of Index, A History of the: A Bookish Adventure from Medieval Manuscripts to the Digital Age, joins us, along with a professional indexer, to tell you more than you ever thought to wonder about the role of indexes in our world. Plus, we get mixed up in the world of cookbook indexes. GUESTS: Dennis Duncan: Author of Index, A History of the: A Bookish Adventure from Medieval Manuscripts to the Digital Age and a lecturer in English at University College London Paula Clarke Bain: Professional indexer Elizabeth Parson: Professional indexer Join the conversation on Facebook and Twitter. The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Stitcher, or wherever you get your podcasts. Subscribe and never miss an episode! Colin McEnroe, Eugene Amatruda, and Jonathan McNicol contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.
Most of us give little thought to the back of the book--it's just where you go to look things up. But as Dennis Duncan reveals in Index, a History of The: A Bookish Adventure from Medieval Manuscripts to the Digital Age (W.W. Norton & Company, 2022), hiding in plain sight is an unlikely realm of ambition and obsession, sparring and politicking, pleasure and play. In the pages of the index, we might find Butchers, to be avoided, or Cows that sh-te Fire, or even catch Calvin in his chamber with a Nonne. Here, for the first time, is the secret world of the index: an unsung but extraordinary everyday tool, with an illustrious but little-known past. Charting its curious path from the monasteries and universities of thirteenth-century Europe to Silicon Valley in the twenty-first, Duncan uncovers how it has saved heretics from the stake, kept politicians from high office, and made us all into the readers we are today. We follow it through German print shops and Enlightenment coffee houses, novelists' living rooms and university laboratories, encountering emperors and popes, philosophers and prime ministers, poets, librarians and--of course--indexers along the way. Revealing its vast role in our evolving literary and intellectual culture, Duncan shows that, for all our anxieties about the Age of Search, we are all index-rakers at heart--and we have been for eight hundred years. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Most of us give little thought to the back of the book--it's just where you go to look things up. But as Dennis Duncan reveals in Index, a History of The: A Bookish Adventure from Medieval Manuscripts to the Digital Age (W.W. Norton & Company, 2022), hiding in plain sight is an unlikely realm of ambition and obsession, sparring and politicking, pleasure and play. In the pages of the index, we might find Butchers, to be avoided, or Cows that sh-te Fire, or even catch Calvin in his chamber with a Nonne. Here, for the first time, is the secret world of the index: an unsung but extraordinary everyday tool, with an illustrious but little-known past. Charting its curious path from the monasteries and universities of thirteenth-century Europe to Silicon Valley in the twenty-first, Duncan uncovers how it has saved heretics from the stake, kept politicians from high office, and made us all into the readers we are today. We follow it through German print shops and Enlightenment coffee houses, novelists' living rooms and university laboratories, encountering emperors and popes, philosophers and prime ministers, poets, librarians and--of course--indexers along the way. Revealing its vast role in our evolving literary and intellectual culture, Duncan shows that, for all our anxieties about the Age of Search, we are all index-rakers at heart--and we have been for eight hundred years. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Most of us give little thought to the back of the book--it's just where you go to look things up. But as Dennis Duncan reveals in Index, a History of The: A Bookish Adventure from Medieval Manuscripts to the Digital Age (W.W. Norton & Company, 2022), hiding in plain sight is an unlikely realm of ambition and obsession, sparring and politicking, pleasure and play. In the pages of the index, we might find Butchers, to be avoided, or Cows that sh-te Fire, or even catch Calvin in his chamber with a Nonne. Here, for the first time, is the secret world of the index: an unsung but extraordinary everyday tool, with an illustrious but little-known past. Charting its curious path from the monasteries and universities of thirteenth-century Europe to Silicon Valley in the twenty-first, Duncan uncovers how it has saved heretics from the stake, kept politicians from high office, and made us all into the readers we are today. We follow it through German print shops and Enlightenment coffee houses, novelists' living rooms and university laboratories, encountering emperors and popes, philosophers and prime ministers, poets, librarians and--of course--indexers along the way. Revealing its vast role in our evolving literary and intellectual culture, Duncan shows that, for all our anxieties about the Age of Search, we are all index-rakers at heart--and we have been for eight hundred years. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Most of us give little thought to the back of the book--it's just where you go to look things up. But as Dennis Duncan reveals in Index, a History of The: A Bookish Adventure from Medieval Manuscripts to the Digital Age (W.W. Norton & Company, 2022), hiding in plain sight is an unlikely realm of ambition and obsession, sparring and politicking, pleasure and play. In the pages of the index, we might find Butchers, to be avoided, or Cows that sh-te Fire, or even catch Calvin in his chamber with a Nonne. Here, for the first time, is the secret world of the index: an unsung but extraordinary everyday tool, with an illustrious but little-known past. Charting its curious path from the monasteries and universities of thirteenth-century Europe to Silicon Valley in the twenty-first, Duncan uncovers how it has saved heretics from the stake, kept politicians from high office, and made us all into the readers we are today. We follow it through German print shops and Enlightenment coffee houses, novelists' living rooms and university laboratories, encountering emperors and popes, philosophers and prime ministers, poets, librarians and--of course--indexers along the way. Revealing its vast role in our evolving literary and intellectual culture, Duncan shows that, for all our anxieties about the Age of Search, we are all index-rakers at heart--and we have been for eight hundred years. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices
Most of us give little thought to the back of the book--it's just where you go to look things up. But as Dennis Duncan reveals in Index, a History of The: A Bookish Adventure from Medieval Manuscripts to the Digital Age (W.W. Norton & Company, 2022), hiding in plain sight is an unlikely realm of ambition and obsession, sparring and politicking, pleasure and play. In the pages of the index, we might find Butchers, to be avoided, or Cows that sh-te Fire, or even catch Calvin in his chamber with a Nonne. Here, for the first time, is the secret world of the index: an unsung but extraordinary everyday tool, with an illustrious but little-known past. Charting its curious path from the monasteries and universities of thirteenth-century Europe to Silicon Valley in the twenty-first, Duncan uncovers how it has saved heretics from the stake, kept politicians from high office, and made us all into the readers we are today. We follow it through German print shops and Enlightenment coffee houses, novelists' living rooms and university laboratories, encountering emperors and popes, philosophers and prime ministers, poets, librarians and--of course--indexers along the way. Revealing its vast role in our evolving literary and intellectual culture, Duncan shows that, for all our anxieties about the Age of Search, we are all index-rakers at heart--and we have been for eight hundred years. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language
Most of us give little thought to the back of the book--it's just where you go to look things up. But as Dennis Duncan reveals in Index, a History of The: A Bookish Adventure from Medieval Manuscripts to the Digital Age (W.W. Norton & Company, 2022), hiding in plain sight is an unlikely realm of ambition and obsession, sparring and politicking, pleasure and play. In the pages of the index, we might find Butchers, to be avoided, or Cows that sh-te Fire, or even catch Calvin in his chamber with a Nonne. Here, for the first time, is the secret world of the index: an unsung but extraordinary everyday tool, with an illustrious but little-known past. Charting its curious path from the monasteries and universities of thirteenth-century Europe to Silicon Valley in the twenty-first, Duncan uncovers how it has saved heretics from the stake, kept politicians from high office, and made us all into the readers we are today. We follow it through German print shops and Enlightenment coffee houses, novelists' living rooms and university laboratories, encountering emperors and popes, philosophers and prime ministers, poets, librarians and--of course--indexers along the way. Revealing its vast role in our evolving literary and intellectual culture, Duncan shows that, for all our anxieties about the Age of Search, we are all index-rakers at heart--and we have been for eight hundred years. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices
Most of us give little thought to the back of the book--it's just where you go to look things up. But as Dennis Duncan reveals in Index, a History of The: A Bookish Adventure from Medieval Manuscripts to the Digital Age (W.W. Norton & Company, 2022), hiding in plain sight is an unlikely realm of ambition and obsession, sparring and politicking, pleasure and play. In the pages of the index, we might find Butchers, to be avoided, or Cows that sh-te Fire, or even catch Calvin in his chamber with a Nonne. Here, for the first time, is the secret world of the index: an unsung but extraordinary everyday tool, with an illustrious but little-known past. Charting its curious path from the monasteries and universities of thirteenth-century Europe to Silicon Valley in the twenty-first, Duncan uncovers how it has saved heretics from the stake, kept politicians from high office, and made us all into the readers we are today. We follow it through German print shops and Enlightenment coffee houses, novelists' living rooms and university laboratories, encountering emperors and popes, philosophers and prime ministers, poets, librarians and--of course--indexers along the way. Revealing its vast role in our evolving literary and intellectual culture, Duncan shows that, for all our anxieties about the Age of Search, we are all index-rakers at heart--and we have been for eight hundred years. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
Renowned poet Nikki Giovanni and saxophonist Javon Jackson speak with correspondent Tonya Mosley about their new album, "The Gospel According to Nikki Giovanni." And, Dennis Duncan's new book, "Index, a History of the: A Bookish Adventure from Medieval Manuscripts to the Digital Age," explores the development of those things in the back of a book that many of us turn to for reference.
O Estudos Medievais retorna das férias para a sua terceira temporada. O primeiro episódio do ano recebe Thiago Ribeiro e Vinicius Carvalho para uma discussão sobre as fontes históricas. Os convidados explicam o que é uma fonte, como historiadores as acessam e quais os principais cuidados metodológicos no manuseio delas. Além disso, os convidados abordam o impacto da era digital na pesquisa e como o campo das Humanidades Digitais pode contribuir para o trabalho do historiador. Participantes Eric Cyon Rodrigues (http://lattes.cnpq.br/7806715411713344) Thiago Juarez Ribeiro da Silva (http://lattes.cnpq.br/0228693460351030) Vinicius Marino Carvalho (http://lattes.cnpq.br/0149644147308476) Membros da equipe Eric Cyon (edição e roteiro) (http://lattes.cnpq.br/7806715411713344) Gabriel Cordeiro (ilustração) (http://lattes.cnpq.br/7628010495040848) Isabela Silva (roteiro e revisão) (http://lattes.cnpq.br/6454497504913193) José Fonseca (divulgação) (http://lattes.cnpq.br/9553180032326054) Marina Sanchez (divulgação) (http://lattes.cnpq.br/8286053083896965) Sara Oderdenge (roteiro e revisão) (http://lattes.cnpq.br/5858827438732525) Recomendações bibliográficas ALBRITTON, Benjamin; HENLEY, Georgia; TREHARNE, Elaine (eds.). Medieval Manuscripts in the Digital Age. Abingdon: Routledge, 2020. GOLD, Matthew K. e KLEIN, Lauren F. (Org.). Debates in the Digital Humanities 2019. Mineápolis: University of Minnesota Press, 2019. NUNBERG, Geoffrey. The Future of the Book. Califórnia: University of California Press, 1996. UNSWORTH, John; SCHREIBMAN, Susan (eds.). A Companion to Digital Humanities. Oxford: Blackwell Publishing, 2004. SMIT, Johanna Wilhelmina et al. Humanidades Digitais, Big Data e Pesquisa Científica. São Paulo: Fundação Fernando Henrique Cardoso (FFHC), 2021. Links (recomendações das ferramentas digitais) Acervo digital da coleção da Monumenta Germaniae Historica: https://www.dmgh.de/ Catálogo bibliográfico de obras de História Medieval: http://opac.regesta-imperii.de/lang_en/ Repertório sobre obras medievais: http://www.geschichtsquellen.de/start Banco de dados sobre a pobreza na Idade Média: https://thirisi.github.io/Projeto-PaupeR/ Tutorial online de Paleografia: https://www.nationalarchives.gov.uk/palaeography/ Banco de dados de documentos irlandeses do final da Idade Média: https://xn--lamh-bpa.org/ Reconstrução digital dos arquivos irlandeses: https://beyond2022.ie/
In the 3rd talk in our Meet the Manuscripts series, you will learn how singers lived with change in their favourite songs, and hear carols of the Middle Ages both familiar and new. Have you ever come close to fisticuffs with a friend over the tune to which ‘O little town of Bethlehem' should be sung? You're experiencing a very old problem. The Bodleian's Selden Carol Book is a famous collection of Christmas songs that only barely made it into modern consciousness: many of them survive in no other books, but have been modified in the manuscript itself, meaning that we have more than one version to choose between. How do we deal with phenomena of scribal correction, error, and variation in late medieval carols? What can this tell us about performance and the oral culture of the late medieval period? Speakers: Micah Mackay, doctoral student in the Publication Before Print Doctoral Centre and Andrew Dunning, R. W. Hunt Curator of Medieval Manuscripts
This week Kim and Alice talk about books by Arab women writers, plus new nonfiction about gene patents, colonialism in the 1860s, and medieval manuscripts. Follow For Real using RSS, Apple Podcasts, Spotify, or Stitcher. For more nonfiction recommendations, sign up for our True Story newsletter, edited by Alice Burton. This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Nonfiction in the News Instagram: Ijeoma Oluo's new newsletter Instagram: Bachelor Nation Publishes New Nonfiction The Gilded Page: The Secret Lives of Medieval Manuscripts by Mary Wellesley The Last Emperor of Mexico: The Dramatic Story of the Habsburg Archduke Who Created a Kingdom in the New World by Edward Shawcross Concepcion: An Immigrant Family's Fortunes by Albert Samaha Best Wishes, Warmest Regards: The Story of Schitt's Creek by Daniel Levy, Eugene Levy The Genome Defense: Inside the Epic Legal Battle to Determine Who Owns Your DNA by Jorge L. Contreras Arab Women Writers Our Women on the Ground: Essays by Arab Women Reporting from the Arab World, edited by Zahra Hankir A Most Masculine State: Gender, Politics and Religion in Saudi Arabia by Madawi Al-Rasheed Headscarves and Hymens: Why the Middle East Needs a Sexual Revolution by Mona Eltahawy Daring to Drive: A Saudi Woman's Awakening by Manal Al-Sharif Reading Now Disability Visibility: First-Person Stories from the Twenty-First Century by Alice Wong She Came to Slay: The Life and Times of Harriet Tubman by Erica Armstrong Dunbar See omnystudio.com/listener for privacy information.
Listen to Georgia Prince talk about one of Auckland Libraries particularly beautiful medieval manuscripts, the Besancon missal, created in 1470. Discover how medieval manuscripts were created and why they have always been luxury objects. The process of making the vellum, sourcing the best pigments, and commissioning the best artists and apprentices were time-consuming and expensive tasks. Learn more about this manuscript: https://www.aucklandlibraries.govt.nz/Pages/meet-a-rare-book-ep1-medieval-manuscripts.aspx Enjoy other Meet a Rare Book episodes from the series playlist: https://www.aucklandlibraries.govt.nz/Pages/meet-a-rare-book.aspx Sound: Originally recorded on 3 August 2021 for the Meet a Rare Book Collection SA_0078_025 Image: Catholic Church. Besancon missal, 1470. MS G.139.017 Music: https://www.purple-planet.com; https://www.chosic.com; zapsplat.com Production Credits: Edited and presented for podcast by Mark Gosper, 2021. Staff talks presented by Georgia Prince recorded by Sue Berman [2019-2021]. Executive producer - Sue Berman Research and copywriting - Renée Orr, Zoë Colling, Georgia Prince and Jane Wild. Thanks to the Digital Assets, Web Design and Content and Development Teams. Supported by Auckland Council Libraries.
As both audience members and actors, you will learn to sing the classic Easter sequence hymn 'Victimae paschali laudes' ('Praises to the paschal victim') and see how it formed part of a medieval play. Gregorian chant is an ancient communal song tradition, much loved for its calming, meditative feel – but we are increasingly appreciating its dramatic and even emotional aspects. This workshop will showcase a play performed in medieval Wienhausen (the Wienhäuser Osterspiel), a Middle Low German drama focusing on Mary Magdalene. As both audience members and actors, you will learn to sing the classic Easter sequence hymn 'Victimae paschali laudes' ('Praises to the paschal victim') and see how it formed part of a medieval play. No experience of singing, music reading, or ancient languages required - and from the comfort of your own home, no strangers can hear you!
Matthew Holford, Tolkien Curator of Medieval Manuscripts, and Martin Kauffmann, Head of Early and Rare Collections, in conversation about the artists, patrons and significance of three extraordinary manuscripts. Some of the greatest treasures of medieval painting are not displayed on museum walls but lie hidden – relatively speaking – in manuscript books. Our experts at our introduce some of the lesser-known treasures of the Bodleian and leaf through the pages during the live event recorded on Zoom. Sessions will include manuscripts from German-speaking lands which are being shared online for the first time as part of a Polonsky Foundation digitization project.
Prof. Sophie Page Sophie Page joined UCL History as a permanent lecturer in 2002 after studying at the Warburg Institute, UCL and Cambridge. Sophie works in the area of European medieval magic and astrology, especially in relation to orthodox religion, natural philosophy, medicine, and cosmology. She is also interested in the imagery of medieval magic, especially diagrams, and in the history of animals in the Middle Ages. Sophie's publications include Magic in the Cloister: Pious Motives, Illicit Interests, and Occult Approaches to the Medieval Universe (2013), two edited collections, The Unorthodox Imagination in Late Medieval Britain (2011) and the Routledge history of Medieval Magic and two books published with the British Library: Astrology in Medieval Manuscripts and Magic in Medieval Manuscripts. Sophie is currently working on a book on animals and demons in the Middle Ages and an article on diagrams in medieval magic texts. Sophie was the curator of Spellbound: Magic, Ritual and Witchcraft (Ashmolean Museum, August 2018 –January 2019) PhD supervision Sophie is interested in receiving research proposals from prospective students on topics in medieval cultural history, especially the occult sciences (magic, astrology, and alchemy) and their relationships to mainstream religion, natural philosophy, medicine, and cosmology; and on the history of animals. Current students: Jacqueline Derrick, 'Marino Sanudo: Merchant Manuals, Crusade Proposals, and Geographical Knowledge in the Fourteenth Century', Jack Ford, 'The five senses and "affectivity" in the late Middle Ages' and Vanessa Silva Baptista, ‘A Cultural History of Magic Tricks in the Late Middle Ages' Previous students: Kathleen Walker-Meikle, 'Late Medieval Pet-Keeping: Gender, Status, and Emotions' Major publications ‘Medieval Magic Figures: Between Image and Text' in S. Page and C. Rider, eds, Routledge History of Medieval Magic (2019), pp.432-7 ‘Love in a Time of Demons: Magic and the Medieval Cosmos' in S. Page and M. Wallace, eds, Spellbound; Magic, Ritual and Witchcraft (2019), pp.19-63 Magic in the Cloister: Pious Motives, Illicit Interests, and Occult Approaches to the Medieval Universe, University Park: Pennsylvania State Press, (2013). Good Creation and Demonic Illusions: The Medieval Universe of Creatures', in B. Resl and L. Kalof, eds, A Cultural History of Animals, vol. 2, The Medieval Age (1000-1400) (2007), pp.27-57. For a full list of publications, see Sophie's Iris profile. Grants/projects 2015-18: Co-investigator on the three-year Leverhulme-funded research project Inner Lives: Emotions, Identity, and the Supernatural, 1300-1900. Media and Public Engagement Curator of the exhibition, Spellbound: Magic, Ritual and Witchcraft at the Ashmolean Museum (2018-9) UCL European Institute video, Angels, Demons and Hungry Dogs: Magic in the Middle Ages (2019) Website design and text, http://medievaluniverse.com/ Contributed text to Hayden Chisholm's musical interpretation of the medieval cosmos, The Medieval Jukebox Collaboration with artists Annie Cattrell and Katharine Dowson on a film and sculpture: https://www.ucl.ac.uk/history/magical-thinking-past-and-present Teaching The Medieval Universe (first- and second-year undergraduate survey module) Magic, Science and Witchcraft in late Medieval Europe (second-year research seminar) Magic in the Middle Ages (MA Medieval and Renaissance Studies elective module) Identity, Cosmology and the Supernatural (Special Subject: third-year paper)
This Fundrive episode, we share some petrifying, blood curdling tales about cursed media. We start with a discussion on cursed books, followed by an interview with Robert Desjardins and Francois Pageau discussing the dark side of a medieval manuscript. We end with a discussion of Roko's basilisk.
Astrology has incredibly ancient roots and wide-reaching branches that stretch across the globe and the course of human history. Although many people today believe it to be a simple or silly "superstition," in the middle ages it was understood to be a complex science. Despite current attitudes toward the subject, it has fundamentally shaped our history, and the structure of our lives today. References and further reading:Barton, Tamsyn. Ancient Astrology. London: Routledge, 1994. Bell, David. "A Cistercian at Oxford, Richard Dove of Buckfast and london BL Sloane 513." Studia Monastica 31 (1989): 69-87. Campion, Nicholas. A History of Western Astrology Volume II: The Medieval and Modern Worlds. London: Bloomsbury Academic, 2009.Kieckhefer, Richard. Magic in the Middle Ages. Cambridge: Cambridge University Press, 2000.Monroe, Willis. "Mesopotamian Astrology." Religion Compass 13, Issue 6 (2019).Page, Sophie. Astrology in Medieval Manuscripts. Toronto: University of Toronto Press, 2002.Thorndike, Lynn. The Sphere of Sacrobosco and its Commentators. Chicago: University of Chicago Press, 1949.Zerubavel, Eviatar. The Seven Day Circle: The History and Meaning of the Week. Chicago: University of Chicago Press, 1989.
We are joined by Erik Kwakkel, a professor in book history at the University of British Columbia. Erik explains the commercial trade behind medieval manuscripts, including the role of scribes in the period before the invention of movable type. We learn how these tradesmen advertised their services, where you'd find them, and about their customers.
After 6 hours of technical difficulties this episode covers an artist that creates "Pinata" sculptures of creatures from Hieronymus Bosch and Medieval Manuscripts. A guy pays $4000 to have a giant middle finger built on a 16 foot poll as a statement to his city council. In our Strange Art Fact segment we talk about the many uses for bee's wax. Other things we talked about were Google Street Views, serial killers, our Strange Dreams Surreal Artist Collective online auction, Instagram hiding likes, my skull studies are still available for only $65, Wow x Wow shows and upcoming Strange Dreams Collective theme survey, haunted places, a strange Austrian law that prevents google searches of people, Dungeon and Dragon dice making, Spider-man is kind of a dick, chain-male bikinis, and more. The PaintingLoft Podcast is about the "Dark Art" community. Exhibitions, Artists, Techniques, Ideas, Scandals & Crimes and all the things worth talking about in the realm the two host participate in. Jessica Perner and Scott Holloway are both artists exhibiting their work globally in the field of art that doesn't truly have a title but is widely accepted as "Dark Art".
Lecture 467 (9 June 2003)
“Everybody knows,” said the US senator at a Senate hearing I attended, “that before Columbus everybody was sure that the world was flat.” Regardless of what the senator believes, you'd have to go back a long, long, long time before Columbus to find people who believed the world was flat. In fact, back in about 240 BC not only was it well known that the earth was a ball, but they had managed to calculate its circumference. And by AD 150, Claudius Ptolemy created his geocentric model of the universe, a model that held sway for 1,500 years until Nicolaus Copernicus and others placed the sun rather than the earth at the center of things. In that 1,200 years Ptolemy's treatise, Almagest, was copied over and over. In addition, scholars wrote numerous commentaries on the work. All of which fascinates Wyoming Catholic College's Dr. Henry Zepeda who has a particular interested in the way medieval scholars understood the mathematical sciences that they inherited from the Greeks and Arabs. He has spent much of his adult life reading medieval manuscripts in libraries across the United States and Europe and spent this past summer in Kansas City immersed in medieval manuscripts.
Lecture 284 (25 September 1989) This is only a partial recording, but the topic is of such interest we thought it best to post it as is.
A film of a class for 'Publication Beyond Print', the Leverhulme Doctoral Training Centre. Filmed at the Weston Library, Bodleian Libraries, University of Oxford, by Natascha Domeisen. Featured manuscripts: MS Add. E. 6; MS Laud. misc. 683; MS Douce 302; MS Lat. liturg. f. 4; MS Lat. liturg. e. 18; MS Don. e. 248. With thanks to Matthew Holford, Curator of Medieval Manuscripts, and the Bodleian Library
Senator Warren proposes breaking up big tech, Airbnb buys HotelTonight, why the big platforms are taking down vaccine content, and of course, the weekend longreads suggestions. Subscribe to the Premium, Ad-Free Podcast Feed! Sponsors: Logianalytics.com/ride Metalab.co Links: Here’s how we can break up Big Tech (Warren For President) Airbnb Wanted Travelers To Stay In Homes. Now It's Buying HotelTonight. (BuzzFeed News) Three Reasons Behind Airbnb’s Deal for HotelTonight (The Information) Turnitin to Be Acquired by Advance Publications for $1.75B (EdSurge) Combatting Vaccine Misinformation (Facebook Newsroom) Weekend Longreads Suggestions: THE HYPOCRISY OF THE TECHNO-MORALISTS IN THE COMING AGE OF AUTONOMY (WarOnTheRocks) HOW ARTIFICIAL INTELLIGENCE WILL REVOLUTIONIZE THE WAY VIDEO GAMES ARE DEVELOPED AND PLAYED (TheVerge) Delete Never: The Digital Hoarders Who Collect Tumblrs, Medieval Manuscripts, and Terabytes of Text Files (Gizmodo) How Munchery’s high hopes led to its decline and fall (FastCompany) Triton is the world’s most murderous malware, and it’s spreading (MIT Technology Review)
Greetings, and welcome to Bluestocking!Helpful Links:https://www.atlasobscura.com/articles/medieval-manuscripts-embroideryhttps://www.atlasobscura.com/articles/medieval-marginalia-books-doodleshttps://www.instagram.com/uofgcodicologisthttps://medievalbooks.nl/2014/10/24/feeling-good-about-bad-skin/http://blogs.bl.uk/digitisedmanuscripts/2017/05/ready-are-you-more-medieval-yodas.htmlQuestions, comments, or ideas? Email bluestockingpod@gmail.com.
Christopher de Hamel discusses his recent book Meetings with Remarkable Manuscripts, which has just won the Wolfson History Prize. Meanwhile, we speak to Jonathan Ruffle, creator of the BBC Radio 4 drama series Tommies, about some of the fascinating wartime incidents that he has researched for the programme See acast.com/privacy for privacy and opt-out information.
Andrew Marr visits the Parker Library at Corpus Christi College in Cambridge to meet the oldest non-archaeological artefact in England, which is the oldest surviving illustrated Latin Gospel in the world - the sixth century Gospel of Saint Augustine. The Librarian Christopher de Hamel tells the stories of rare and beautiful manuscripts which have crisscrossed Europe for hundreds of years at the whim of power politics, religion and social change, but even now have secrets that are yet to be discovered. The musician and broadcaster Lucie Skeaping has also turned detective in her study of the Elizabethan jig - a popular and bawdy play set to music - where only fragments of parchment and clues to the tunes remain. Edward Brooke-Hitching uncovers the myths, lies and blunders which have plagued the cartographers of old, with his book of early maps. Mythical sea monsters, fabled mountain ranges, even phantom islands have all been written into the atlas of the world. Producer Katy Hickman.
On today's program, I talk with Scot McKendrick and Kathleen Doyle about their new book, The Art of the Bible Illuminated Manuscripts from the Medieval World, published by Thames and Hudson (and distributed in the United States by W. W. Norton) in November 2016. The book looks at 45 featured manuscripts from across the globe and through 1,000 years of history, including the Lindisfarne Gospels, the Queen Mary Psalter, the Canterbury Royal Bible, the Old English Hextateuch, the Welles Apocalypse, and the Paduan Bible Picture Book, among others. With more than 300 illustrations, which have been meticulously color corrected for this new book, the authors shed light on some of the finest but least-known paintings from the Middle Ages and on the development of art, literature, and civilization as we know it. Dr. Scot McKendrick is the head of Western Heritage Collections at the British Library. His publications include Codex Sinaiticus: New Perspective on the Ancient Biblical Manuscript; Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe; and The Bible as Book: Transmissions of the Greek Text. Dr. Kathleen Doyle is the lead curator of illuminated manuscripts at the British Library. She was the co-curator, with Dr. McKendrick, of an Arts and Humanities Research Council funded exhibition, Royal Manuscripts: The Genius of Illumination, and the lead investigator for the Royal Manuscripts follow-on project, editing with Dr. McKendrick the volume 1,000 Years of Royal Books and Manuscripts. Together the authors also edited Bible Manuscripts: 1,400 Years of Scribes and Scripture, published by the British Library in 2007. To view some of the illuminated manuscripts discussed on this program, visit the British Library's Digitised Manuscripts at https://www.bl.uk/manuscripts/. You can also follow @blmedieval on Twitter, which is linked to the authors' Medieval Manuscripts blog. Garrett Brown is the host of New Books in Biblical Studies. He is a publisher and editor and blogs at noteandquery.com. Follow the channel on Twitter @newbooksbible. Learn more about your ad choices. Visit megaphone.fm/adchoices
On today’s program, I talk with Scot McKendrick and Kathleen Doyle about their new book, The Art of the Bible Illuminated Manuscripts from the Medieval World, published by Thames and Hudson (and distributed in the United States by W. W. Norton) in November 2016. The book looks at 45 featured manuscripts from across the globe and through 1,000 years of history, including the Lindisfarne Gospels, the Queen Mary Psalter, the Canterbury Royal Bible, the Old English Hextateuch, the Welles Apocalypse, and the Paduan Bible Picture Book, among others. With more than 300 illustrations, which have been meticulously color corrected for this new book, the authors shed light on some of the finest but least-known paintings from the Middle Ages and on the development of art, literature, and civilization as we know it. Dr. Scot McKendrick is the head of Western Heritage Collections at the British Library. His publications include Codex Sinaiticus: New Perspective on the Ancient Biblical Manuscript; Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe; and The Bible as Book: Transmissions of the Greek Text. Dr. Kathleen Doyle is the lead curator of illuminated manuscripts at the British Library. She was the co-curator, with Dr. McKendrick, of an Arts and Humanities Research Council funded exhibition, Royal Manuscripts: The Genius of Illumination, and the lead investigator for the Royal Manuscripts follow-on project, editing with Dr. McKendrick the volume 1,000 Years of Royal Books and Manuscripts. Together the authors also edited Bible Manuscripts: 1,400 Years of Scribes and Scripture, published by the British Library in 2007. To view some of the illuminated manuscripts discussed on this program, visit the British Library’s Digitised Manuscripts at https://www.bl.uk/manuscripts/. You can also follow @blmedieval on Twitter, which is linked to the authors’ Medieval Manuscripts blog. Garrett Brown is the host of New Books in Biblical Studies. He is a publisher and editor and blogs at noteandquery.com. Follow the channel on Twitter @newbooksbible. Learn more about your ad choices. Visit megaphone.fm/adchoices
On today’s program, I talk with Scot McKendrick and Kathleen Doyle about their new book, The Art of the Bible Illuminated Manuscripts from the Medieval World, published by Thames and Hudson (and distributed in the United States by W. W. Norton) in November 2016. The book looks at 45 featured manuscripts from across the globe and through 1,000 years of history, including the Lindisfarne Gospels, the Queen Mary Psalter, the Canterbury Royal Bible, the Old English Hextateuch, the Welles Apocalypse, and the Paduan Bible Picture Book, among others. With more than 300 illustrations, which have been meticulously color corrected for this new book, the authors shed light on some of the finest but least-known paintings from the Middle Ages and on the development of art, literature, and civilization as we know it. Dr. Scot McKendrick is the head of Western Heritage Collections at the British Library. His publications include Codex Sinaiticus: New Perspective on the Ancient Biblical Manuscript; Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe; and The Bible as Book: Transmissions of the Greek Text. Dr. Kathleen Doyle is the lead curator of illuminated manuscripts at the British Library. She was the co-curator, with Dr. McKendrick, of an Arts and Humanities Research Council funded exhibition, Royal Manuscripts: The Genius of Illumination, and the lead investigator for the Royal Manuscripts follow-on project, editing with Dr. McKendrick the volume 1,000 Years of Royal Books and Manuscripts. Together the authors also edited Bible Manuscripts: 1,400 Years of Scribes and Scripture, published by the British Library in 2007. To view some of the illuminated manuscripts discussed on this program, visit the British Library’s Digitised Manuscripts at https://www.bl.uk/manuscripts/. You can also follow @blmedieval on Twitter, which is linked to the authors’ Medieval Manuscripts blog. Garrett Brown is the host of New Books in Biblical Studies. He is a publisher and editor and blogs at noteandquery.com. Follow the channel on Twitter @newbooksbible. Learn more about your ad choices. Visit megaphone.fm/adchoices
On today’s program, I talk with Scot McKendrick and Kathleen Doyle about their new book, The Art of the Bible Illuminated Manuscripts from the Medieval World, published by Thames and Hudson (and distributed in the United States by W. W. Norton) in November 2016. The book looks at 45 featured manuscripts from across the globe and through 1,000 years of history, including the Lindisfarne Gospels, the Queen Mary Psalter, the Canterbury Royal Bible, the Old English Hextateuch, the Welles Apocalypse, and the Paduan Bible Picture Book, among others. With more than 300 illustrations, which have been meticulously color corrected for this new book, the authors shed light on some of the finest but least-known paintings from the Middle Ages and on the development of art, literature, and civilization as we know it. Dr. Scot McKendrick is the head of Western Heritage Collections at the British Library. His publications include Codex Sinaiticus: New Perspective on the Ancient Biblical Manuscript; Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe; and The Bible as Book: Transmissions of the Greek Text. Dr. Kathleen Doyle is the lead curator of illuminated manuscripts at the British Library. She was the co-curator, with Dr. McKendrick, of an Arts and Humanities Research Council funded exhibition, Royal Manuscripts: The Genius of Illumination, and the lead investigator for the Royal Manuscripts follow-on project, editing with Dr. McKendrick the volume 1,000 Years of Royal Books and Manuscripts. Together the authors also edited Bible Manuscripts: 1,400 Years of Scribes and Scripture, published by the British Library in 2007. To view some of the illuminated manuscripts discussed on this program, visit the British Library’s Digitised Manuscripts at https://www.bl.uk/manuscripts/. You can also follow @blmedieval on Twitter, which is linked to the authors’ Medieval Manuscripts blog. Garrett Brown is the host of New Books in Biblical Studies. He is a publisher and editor and blogs at noteandquery.com. Follow the channel on Twitter @newbooksbible. Learn more about your ad choices. Visit megaphone.fm/adchoices
On today’s program, I talk with Scot McKendrick and Kathleen Doyle about their new book, The Art of the Bible Illuminated Manuscripts from the Medieval World, published by Thames and Hudson (and distributed in the United States by W. W. Norton) in November 2016. The book looks at 45 featured manuscripts from across the globe and through 1,000 years of history, including the Lindisfarne Gospels, the Queen Mary Psalter, the Canterbury Royal Bible, the Old English Hextateuch, the Welles Apocalypse, and the Paduan Bible Picture Book, among others. With more than 300 illustrations, which have been meticulously color corrected for this new book, the authors shed light on some of the finest but least-known paintings from the Middle Ages and on the development of art, literature, and civilization as we know it. Dr. Scot McKendrick is the head of Western Heritage Collections at the British Library. His publications include Codex Sinaiticus: New Perspective on the Ancient Biblical Manuscript; Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe; and The Bible as Book: Transmissions of the Greek Text. Dr. Kathleen Doyle is the lead curator of illuminated manuscripts at the British Library. She was the co-curator, with Dr. McKendrick, of an Arts and Humanities Research Council funded exhibition, Royal Manuscripts: The Genius of Illumination, and the lead investigator for the Royal Manuscripts follow-on project, editing with Dr. McKendrick the volume 1,000 Years of Royal Books and Manuscripts. Together the authors also edited Bible Manuscripts: 1,400 Years of Scribes and Scripture, published by the British Library in 2007. To view some of the illuminated manuscripts discussed on this program, visit the British Library’s Digitised Manuscripts at https://www.bl.uk/manuscripts/. You can also follow @blmedieval on Twitter, which is linked to the authors’ Medieval Manuscripts blog. Garrett Brown is the host of New Books in Biblical Studies. He is a publisher and editor and blogs at noteandquery.com. Follow the channel on Twitter @newbooksbible. Learn more about your ad choices. Visit megaphone.fm/adchoices
On today’s program, I talk with Scot McKendrick and Kathleen Doyle about their new book, The Art of the Bible Illuminated Manuscripts from the Medieval World, published by Thames and Hudson (and distributed in the United States by W. W. Norton) in November 2016. The book looks at 45 featured manuscripts from across the globe and through 1,000 years of history, including the Lindisfarne Gospels, the Queen Mary Psalter, the Canterbury Royal Bible, the Old English Hextateuch, the Welles Apocalypse, and the Paduan Bible Picture Book, among others. With more than 300 illustrations, which have been meticulously color corrected for this new book, the authors shed light on some of the finest but least-known paintings from the Middle Ages and on the development of art, literature, and civilization as we know it. Dr. Scot McKendrick is the head of Western Heritage Collections at the British Library. His publications include Codex Sinaiticus: New Perspective on the Ancient Biblical Manuscript; Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe; and The Bible as Book: Transmissions of the Greek Text. Dr. Kathleen Doyle is the lead curator of illuminated manuscripts at the British Library. She was the co-curator, with Dr. McKendrick, of an Arts and Humanities Research Council funded exhibition, Royal Manuscripts: The Genius of Illumination, and the lead investigator for the Royal Manuscripts follow-on project, editing with Dr. McKendrick the volume 1,000 Years of Royal Books and Manuscripts. Together the authors also edited Bible Manuscripts: 1,400 Years of Scribes and Scripture, published by the British Library in 2007. To view some of the illuminated manuscripts discussed on this program, visit the British Library’s Digitised Manuscripts at https://www.bl.uk/manuscripts/. You can also follow @blmedieval on Twitter, which is linked to the authors’ Medieval Manuscripts blog. Garrett Brown is the host of New Books in Biblical Studies. He is a publisher and editor and blogs at noteandquery.com. Follow the channel on Twitter @newbooksbible. Learn more about your ad choices. Visit megaphone.fm/adchoices
On today’s program, I talk with Scot McKendrick and Kathleen Doyle about their new book, The Art of the Bible Illuminated Manuscripts from the Medieval World, published by Thames and Hudson (and distributed in the United States by W. W. Norton) in November 2016. The book looks at 45 featured manuscripts from across the globe and through 1,000 years of history, including the Lindisfarne Gospels, the Queen Mary Psalter, the Canterbury Royal Bible, the Old English Hextateuch, the Welles Apocalypse, and the Paduan Bible Picture Book, among others. With more than 300 illustrations, which have been meticulously color corrected for this new book, the authors shed light on some of the finest but least-known paintings from the Middle Ages and on the development of art, literature, and civilization as we know it. Dr. Scot McKendrick is the head of Western Heritage Collections at the British Library. His publications include Codex Sinaiticus: New Perspective on the Ancient Biblical Manuscript; Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe; and The Bible as Book: Transmissions of the Greek Text. Dr. Kathleen Doyle is the lead curator of illuminated manuscripts at the British Library. She was the co-curator, with Dr. McKendrick, of an Arts and Humanities Research Council funded exhibition, Royal Manuscripts: The Genius of Illumination, and the lead investigator for the Royal Manuscripts follow-on project, editing with Dr. McKendrick the volume 1,000 Years of Royal Books and Manuscripts. Together the authors also edited Bible Manuscripts: 1,400 Years of Scribes and Scripture, published by the British Library in 2007. To view some of the illuminated manuscripts discussed on this program, visit the British Library’s Digitised Manuscripts at https://www.bl.uk/manuscripts/. You can also follow @blmedieval on Twitter, which is linked to the authors’ Medieval Manuscripts blog. Garrett Brown is the host of New Books in Biblical Studies. He is a publisher and editor and blogs at noteandquery.com. Follow the channel on Twitter @newbooksbible. Learn more about your ad choices. Visit megaphone.fm/adchoices
Medieval illuminated manuscripts are our key to European art for hundreds of years but also to political and social movements. Christopher de Hamel, keeper of possibly the oldest gospel in the Latin world, talks to Matthew about the stories these books can tell beyond their glowing illustrations. We also visit Colour: The Art and Science of Illuminated Manuscripts, currently glowing at Cambridge's Fitzwilliam Museum; Kylie Murray, expert on Scottish medieval literature and a New Generation Thinker, reviews the exhibition. Emma Donoghue author of 'Room' is back with a new novel and another child in claustrophobic setting. This room is an earth-floored room in mid-19th century Ireland, where a Florence Nightingale-trained nurse and 'The Wonder', a devout Irish girl, are locked in a potentially fatal battle over whether the girl is, as she claims, being fed by manna from heaven. Inspired by a historical phenomenon, 'the fasting girls', Donoghue's novel takes place on the battlefield between the forces of Victorian scientific rationalism and traditional religious belief Plus Dennis Duncan on the story of Boris Vian and a post-war best-seller in France - I Spit On Your Graves . Emma Donoghue's novel is called The Wonder. Meetings with Remarkable Manuscripts is by Christopher de Hamel - who has worked for Sothebys and is Fellow and librarian at Corpus Christi College Cambridge. The Fitzwilliam Museum in Cambridge is marking its first 200 year 1816 to 2016 with an exhibition called COLOUR: The Art and Science of Illuminated Manuscripts. It runs until 30th December 2016 and includes on display the Macclesfield Psalter, an alchemical scroll, a duchess' wedding gift, and the ABC of a five-year old princess.
In this podcast, Julian Harrison discusses Magna Carta's fascinating history and legacy, focusing on some of the key loans made by The National Archives to the British Library's 'Magna Carta' exhibition in 2015.Julian Harrison is a curator of Pre-1600 Historical Manuscripts at the British Library, and is also co-curator of 'Magna Carta: Law, Liberty, Legacy'. He is a specialist in medieval history, and is also editor of the Library's award-winning Medieval Manuscripts blog.
March 31, 2016. Kluge Fellow Ilya Dines discusses his current project to catalogue 150 medieval manuscripts and fragments held by the Library of Congress. He analyzes the importance of the Library's medieval manuscript collection and outlines the role it could play in expanding and deepening understandings of the medieval era. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=7313
Henrike Lähnemann’s Inaugural Lecture for the Chair in German Medieval Literature and Linguistics. Lecture delivered on Thursday 21 January 2016 in the Taylorian Institute. The subject of the lecture is a new acquisition by the Bodleian Library in Oxford, a psalter written ca. 1500 by the nun Margaret Hopes in the Cistercian convent of Medingen near Lüneburg, MS. Don. e. 248. The hypothesis advanced is that the nuns use the materiality of their prayer-book as the embodiment of their devotion.
Lecture 504 (15 October 2007)
Prof. Andrew Beeby, Durham University and Keble Senior Academic Visitor, discusses his current project on the chemical analysis through Raman spectroscopy of Medieval manuscripts, and how his work can contribute to the historical record.
Promoting Interdisciplinary Engagement in the Digital Humanities
In this presentation Kate Lindsay introduces the Oxford Community Collection Model, part of the Community Collections and Crowdsourcing Service based at the University of Oxford.
Promoting Interdisciplinary Engagement in the Digital Humanities
This talk presents an overview of the 2012 campaign that took up the story of the Bodleian First Folio (a copy of Shakespeare’s First Folio), the collaboration that made it possible, its outreach activity, and its future.
Promoting Interdisciplinary Engagement in the Digital Humanities
James surveys the kinds of support provided for digital humanities by the University of Oxford for those inside and outside the University.
Promoting Interdisciplinary Engagement in the Digital Humanities
Kathryn Eccles talks about her research around the virtual art collection Your Paintings, and talk about what interdisciplinary insights can be gleaned from crowdsourcing platforms such as Your Paintings Tagger.
Promoting Interdisciplinary Engagement in the Digital Humanities
Alfie presents an example of how existing web tools can be used to create a visualization application for poetry.
Promoting Interdisciplinary Engagement in the Digital Humanities
Pat presents Crowd Map The Crusades, a proof-of-concept transcription and mapping project, which is affiliated with the ‘Promoting Interdisciplinary Engagment in the Digital Humanities’ (dhAHRC) project and hosted at www.dhcrowdscribe.com.
Promoting Interdisciplinary Engagement in the Digital Humanities
Emma introduces the series and Crowd Map The Crusades, a proof-of-concept transcription and mapping project, which is affiliated with the ‘Promoting Interdisciplinary Engagment in the Digital Humanities’ (dhAHRC) and hosted at www.dhcrowdscribe.com.
New computational techniques show how modern digital philology is changing the way we think of the transmission of medieval manuscripts through space and time. Using the notes of the classical philologist Paul Krüger, whose manuscripts were recently rediscovered in the Law Library of Congress, complex three dimensional visualization techniques will be used to show how the medieval manuscripts making up the Codex of Justinian are spatially and temporally related to each other. The talk also highlights how these new techniques give scholars the tools to postulate what the structure of missing and destroyed manuscripts might have been--changing the face of even the most traditional of the humanities, classical philology. For captions, transcript, and more information visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=5700
Dr. Albrecht Classen teaches TRAD 104: Eroticism & Love in the Middle Ages as one of the large Centennial Hall class offerings. Dr. Classen was going to be out of the country during the second week of classes. So what could he do to cover his class while he was gone? The solution: create a special video to show students during their regular class time. For this class he and grad student James F. Howell reviewed illuminated manuscripts from the medieval ages, courtly love poetry in the wider social context, troubadours, and in particular by the first troubadour Guillaume le Neuf.
medieval_art, drawings, manuscripts, middle_ages
Howe, C (Cambridge) Tuesday 18 December 2007, 15:50-16:20 PLGw03 - Future Directions in Phylogenetic Methods and Models
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