Podcasts about rebbot

Se remet-on du deuil d'un fils ? Probablement jamais. Mais il faut essayer de vivre avec sans oublier. Matthias Mlekuz a décidé de placer ses pas dans ceux de son fils disparu. Ou plutôt de se mettre dans sa roue, en refaisant à vélo le dernier voyage effectué par Youri, de La Rochelle à Istanbul. Mlekuz, second rôle du cinéma français aussi discret que durable, embarque avec lui Philippe Rebbot, autre comédien familier, son chien et une caméra. Ce road trip funéraire aurait pu donner lieu à un home movie, un carnet de route sur le processus de deuil, de compréhension d'un geste incompréhensible. À Bicyclette est bien d'autres choses quand ce périple va se doubler de l'introspection d'une amitié, prendre le chemin d'une tragicomédie libératrice pour ces deux sexagénaires partant à l'aventure. La crainte du déballage voyeuriste s'efface vite pour cette grande vadrouille à deux, improvisée selon les cahots du parcours, les coups de blues et les fous rires, les engueulades et les embrassades. Bien sûr, le but de ce voyage est thérapeutique pour Mlekuz, mais il devient cathartique pour ces deux pieds nickelés préparés à rien. Film décidément inattendu, À Bicyclette, parvient à transformer l'impudeur de filmer sa souffrance par une mini-odyssée tout en tendresse et transcende une douleur intime en concentré d'humanité, la recherche d'une consolation en récit de transmission. Le plus émouvant n'étant pas la progression vers l'apaisement d'un père désormais orphelin de son fils, mais la conjuration de cet inextinguible chagrin par une infaillible camaraderie. À Bicyclette trouvant même une vitesse de croisière dans le mantra que s'échangent Mlekuz et Rebbot au gré de la route : "si on peut, soyons joyeux".Avec Creation of the Gods 2 : Demon Force, le cinéma chinois s'essaie à construire une route vers le public occidental. Difficile de ne pas voir dans ce blockbuster d'héroïc fantasy, un instrument de soft power pour le régime de Xi Jiping. Comme en a attesté une projection de presse affublée d'un discours d'ambassadeur, scrutée par une armada de caméras probablement chargée de rapporter la bonne parole au parti. Pour autant, il faut bien reconnaître que ce potentiel cheval de Troie commercial sait ne pas trop appuyer sur un discours propagandiste ou politique pour se concentrer sur le spectaculaire de scènes d'action ou d'un rythme digne du Seigneur des anneaux. Se payant le luxe de sous-intrigues bien écrites, évitant de bâiller devant un récit sommes toutes limité à un combat des forces du Bien contre celles du Mal, Creation of the Gods 2 parvient même à renouer avec la chair du cinéma d'aventures old school, celle qui s'est justement évaporée dans les superproductions hollywoodiennes équivalentes, toujours plus désincarnées. Plutôt maligne, cette nouvelle étape d'une volonté de conquête culturelle, s'avère efficace quand elle conjugue à la fois exotisme et reconnexion à un très plaisant divertissement populaire.À Bicyclette / Creation of the Gods 2 : Demon Force en salles le 26 février.

De l'Atlantique à la mer Noire, Mathias embarque son meilleur ami Philippe dans un road trip à bicyclette. Ce voyage a une dimension quasi existentielle : c'est celui que le fils de Mathias avait entrepris avant de disparaître tragiquement. À bicyclette, c'est le titre du film qui raconte leur histoire. Car ce n'est pas une fiction, mais un documentaire, réalisé par Mathias Mlekuz. Il sort en salles en France ce 26 février. À lire aussiMathias Mlekuz réalisateur de «Mine de rien»

De l'Atlantique à la mer Noire, Mathias embarque son meilleur ami Philippe dans un road trip à bicyclette. Ce voyage a une dimension quasi existentielle : c'est celui que le fils de Mathias avait entrepris avant de disparaître tragiquement. À bicyclette, c'est le titre du film qui raconte leur histoire. Car ce n'est pas une fiction, mais un documentaire, réalisé par Mathias Mlekuz. Il sort en salles en France ce 26 février. À lire aussiMathias Mlekuz réalisateur de «Mine de rien»

Après avoir été invité mystère il y a quelques semaines, Philippe Rebbot revient. Mais cette fois, il effectue sa première en tant que sociétaire ! Découvrez la page Facebook Officielle des "Grosses Têtes" : https://www.facebook.com/lesgrossestetesrtl/ Retrouvez vos "Grosses Têtes" sur Instagram : https://bit.ly/2hSBiAo Découvrez le compte Twitter Officiel des "Grosses Têtes" : https://bit.ly/2PXSkkz Toutes les vidéos des "Grosses Têtes" sont sur YouTube : https://bit.ly/2DdUyGg

C'est une nouveauté que vous propose l'équipe des Grosses Têtes ! A la fin de chaque émission, retrouvez en exclusivité sur les plateformes de podcast le débrief des 2h30 d'antenne qui viennent de s'écouler, en compagnie d'une des Grosses Têtes du jour... Au micro de Rachel Azria ce 25 mai, Philippe Rebbot vous donne son ressenti. Découvrez la page Facebook Officielle des "Grosses Têtes" : https://www.facebook.com/lesgrossestetesrtl/ Retrouvez vos "Grosses Têtes" sur Instagram : https://bit.ly/2hSBiAo Découvrez le compte Twitter Officiel des "Grosses Têtes" : https://bit.ly/2PXSkkz Toutes les vidéos des "Grosses Têtes" sont sur YouTube : https://bit.ly/2DdUyGg

Chaque samedi, dans CLAP !, Laurie Cholewa s'intéresse aux goûts cinématographiques d'une personnalité, en l'interrogeant sur le principe du questionnaire de Proust. Aujourd'hui, c'est au tour de Philippe Rebbot.

Chaque samedi pendant une heure, la spécialiste cinéma d'Europe 1 Laurie Cholewa et ses chroniqueurs font le tour de l'actualité du septième art.

Au micro d'Isabelle Morizet dans l'émission "Il n'y a pas qu'une vie dans la vie" dimanche, les acteurs et réalisateurs Romane Bohringer et Philippe Rebbot reviennent sur leur parcours personnels et professionnels. Et notamment sur le point commun qu'ils se sont découvert, "un physique difficile dans l'enfance".

Au micro d'Isabelle Morizet dans l'émission "Il n'y a pas qu'une vie dans la vie" dimanche, les acteurs et réalisateurs Romane Bohringer et Philippe Rebbot reviennent sur leur parcours personnels et professionnels. Et notamment sur l'inattendue (et très ccourte) carrière de mannequin de Philippe Rebbot.

Un entretien d'une heure avec un invité, pour faire tomber le masque et révéler les milles facettes de sa personnalité. Au fil de la conversation, Isabelle Morizet recueille les confidences et retrace alors une destinée entière, au-delà des évidences. 

The Bingers Assemble Horror Trio of Ashley Coffin, Karen Huffstutler and J Scotty St Clair are back at it again to provide their thoughts on the latest entry of the Halloween franchise: Halloween Kills!

durée : 00:17:58 - Action, le mag ciné - France Bleu Loire Océan - Une ancienne mine transformée en parc d'attraction, la comédie sociale "Mine de rien", ça fait penser à Nantes à un chantier naval qui accueille les machines de l'île ;-)

Dans cet épisode, nous abordons le thème des reboot et remake, existe-il encore de l'originalité dans le cinéma et les jeux vidéos...

In October's Cinefile, RFI's Rosslyn Hyams talks to Cannes award-winning director Pawel Pawlikovski about his grave love story, Cold War and talks about light-hearted but serious unlove story L'Amour Flou's success with actor-directors Romane Bohringer and Philippe Rebbot. Click on the arrow to listen to Cinefile. Cold War A lot has already been written about Pawel Pawlikovski's film, as it has travelled across the world since winning the prize for best director at the 2018 Cannes Fim Festival. Zula and Viktor fall in love just after World War Two is over. She is much younger and intrinsically unsettled. She unsettles Viktor who remains perturbed throughout the film. Joana Kulig plays opposite Tomasz Kot and they are a well-matched as ill-matched lovers, her exuberance and passion versus his smouldering desire. Although in real life, there is a mere five-year age difference. It's not surprising as when they first meet at an audition of girls and boys from the Polish countryside, ironically, supposed to be pure, Zula explains that she if she killed her father it's because she needed to explain to him that "he had confused his daughter, with his wife." Kulig explains why this line is so important in building Zula's character. "We knew that she had a problem with the father, with a really difficult situation and something really strange about her background. So in her relationship with Viktor, we knew that Zula, who is so sensitive, at the same time, she doesn't have a good example from men. Sometimes Zula fights with Viktor, but he really loves her, and she has a problem with trust. She later on realises the problem and turns to drink to help. But it doesn't." No matter that they want different things from life, Viktor and Zula are destined to be together, because of love. Contrasts are key to the director's vision in Pawlikowski's third feature film  Black and white, a powerful folk, jazz and rock and roll music score and the passage of 30 years in the space of less than two hours, sharpen the drama of Cold War, which as Pawlikovski says "is not political, although public money does go to folk culture rather than to some more contentious expressions. That being said there is freedom of expression today." Cold War is not just a clever title about an impossible love affair. It led Kulig to think about the Communist past of Poland."I knew it was difficult in those times for my parents and grandparents, and I remember my mother and grandmother talking about Walesa, and thinking this was very important. Now we can say what we think. In those days people were scared and had to be careful." *** L'amour flou (Hazy Love) In their first directing bid, the Bohringer-Rebbot team, mother-father and two children, Rose and Raoul, dish up a comedy based on the drama of separation. They make a sallient point about the blurry lines upon which so many relationships flounder, and make a success out of a situation commonly deemed a failure. Experienced actors both, they bring something refreshing to their French romp. Romane and Philippe have had enough of each other. Or so they think. It's not so easy to cut the ties and move on, or out, when you have two little ones you want to care for. Avoiding potentially stale humour about domestic love-on-the-wane, the duo lead the spectator along a bumpy path to possible contentment. Bohringer and Rebbot are at their funniest in this bundle of emotions when they feel the pull of attraction elsewhere. Rebbot's eye wanders to a much younger jogger, is thwarted by a cat-allergy, while Bohringer is led astray by lust and fantasy, hetero and homo sexual. Bravo to them for converting a family break-up into a tender un-breakup.

Happy 50th episode y'all! It's time again to talk Bluffington among other favorites. Thank you for listening, we love you!

Eleonora Tedesco & Andrea Santoro - Radio JungleCiani

The Cat, The Bat, And The SkankElliot and Tomato are joined by Linsay Powell, aka Softly Spoken Las of Comics Anonymous, to break down DCnU week #3, aka DC's week of trolling/sexy time. Among the spotlighted comics: DC Universe Presents, Batman, Wonder Woman, and Blue Beetle.Download Episode

Miami Sessions with DJ Yousef - M.U.M. Episode 153 - Miami Underground Movement The new decade sees Yousef consolidating his status as an international DJ, Producer, Club Promoter and Music aficionado with ever greater impact. Last year saw him achieve a first, the release of his debut artist album - A Collection of Scars & Situations’ finally laying down on wax a watermark of his effervescent personality. It showcased the different dynamics to his sound as a performer - heavy support from the usual rag tag ensemble of dance music greats; Sasha, Danny Tengalia, Nic Fanciulli, Carl Cox, Steve Lawler, Radio Slave and Nick Curly among them.  ‘A Collection of Scars & Situations’ was more than just your typical DJ led collection of bangers. They are catered for of course, most resplendently by the pulsating tech house monster ‘Legacy’ (bolstered by a superb archaic vocal from Derrick Carter) and the Beyer - esque ‘Equilibrium’. But it’s the haunting electronica of ‘Birthday Thoughts’ and ‘A Moment of Clarity’ that gave the album its gritty edge, two bleak almost dystopian efforts which channel the darker undercurrents of electronic music perfectly, DJs, clubbers and the Music media were universal in the praise.  “Legacy” was picked up for global single release by Renaissance. It garnered plays all over specialist dance radio worldwide (most notably John Digweed, Carl Cox and BBC Radio One’s Pete Tong), as well the coveted DMC single of the week; it was dubbed “one of the stand out tracks of 2009”. When Yousef was asked to contribute an essential mix from the world renowned Creamfields, he set about remaking the track into the ‘Terrace Edit’, taking the track into a newer and fresher direction (two further ep’s are set to drop for renaissance in 2010).  It continued the mutual love affair between Yousef and Germany, the hub of worldwide electronic music. He signed two new EP’s to Mannheim’s premier league label Plastic City, and after season long support from Sven Vath, “Come home” was released on the world’s most followed electronic music brand Cocoon. It blew up, cutting across the spectrum of house and techno, making ‘Essential new tune’ on Pete Tong’s Radio One show, with consistent support from John Digweed, Laurent Garnier and of course Vath himself. A certain dj names Sasha fell in love with the composition so much he asjked to remix it, which he has in fine style (out on cocoon in mid 2010). Yousef was then signed to Berlins’ leading DJ agency WILDE for his bookings in Germany, Austria and Switzerland, while he remains in the hands of Safehouse management for the rest of the world, also home to Carl Cox.  The international love has never been stronger for Yousef. The first international DJ to play the troubled nation of Syria. Ibiza, with its arcane hedonism and wild party ethos has always served as an adequate stomping ground for his cross genre grooves. And of course he’s back there this year... with a vengeance! South America has also shown a stronger allure for Yousef, with further ground being broken in Argentina, Uruguay and Brazil increasing his continental lustre. A recent 6 date tour on Indonesia showed how far yousefs reach is getting. Closer to home, he clocked up his first London Residency by inking a monthly deal at Matter, the brainchild of Fabric impresario Keith Reilly. Matter NYE saw another iconic Yousef DJ set, taking over from Vath at 2am for the inaugural Cocoon party and delivering a three hour onslaught of fierce and brutal house and techno to a 3500 capacity club.  In 2009 yousef remixed Dj Sneak, Fergie and Tobii to devastating effect. 2010 has already seen an earth-shattering remix of Moby’s ‘Wait for me’ completed, plus his touch gifted to Gilles Peterson’s Havana Band project and new kid “Teva” with yousef’s floor devastating circus rework of “you cant teach this”. He remixed two UK legends (X-Press 2’s ‘Say What’ and Fatboy Slim’s ‘Local Town’, the latter featuring rasp voiced rudeboy Jamie T), whilst Nic Fanciulli and his Saved Imprint continue to show their love, with the aforementioned album’s ‘I Suggest’ out now with the superb ‘Firecracker’ on the flip one of two 2010 ep’s for nic’s imprint. The other “my explanation / dis information” already championed by tong on his rather well known radio weekly as well as support from underground house dons Rebbot and Nick Curly among many others. Further Eps for renaissance and debuts on carl cox’s Intec and seminal (vath started) Harthouse records both follow this year… Of course with a follow up on cocoon too…  Yousef’s own Circus Recordings also notched up a year of releases since launching in 2008, churning out eight Yousef singles which have illustrated the madness and hedonism of the club he has created.  Yousefs monthly event celebrated seven years at the apex of Liverpool’s club scene in September last year and he is still pulling line-ups together that makes the accountants balk and the clubbers froth at the mouth. House music at its kaleidoscopic best, heavyweight names such as Laurent Garnier, Luciano, Loco Dice, Dubfire, and Eric Prydz have faced off with the of the young upstarts of the underground like; Jamie Jones, Tim Green, Sebo K and Davide Squillace have been amongst others for debut Liverpool shows. Oh and they got their thug on with Cocoon, bringing Vath and his imperial hedonism to Liverpool for the first time ever in a scintillating party that peaked on every sensory element. There’s little the club night hasn’t done or booked, and with this year already seeing return slots for John Digweed and Derrick Carter, plus debuts for Heidi, Guy Gerber and the irrepressible groove icon Ricardo Vilalobos, there’s seems little left for them to prove. So, just when things couldn’t peak any further for circus Radio One were looking for a club to host the 500th essential mix party. They considered every major club worldwide, circus was (in the words of radio one) the only choice…. Yousef and his long lasting partner Richard went to work, pulling in Richie Hawtin, Sasha, Aeroplane, of course Pete Tong and yousef himself. A 4 hour live global broadcast from circus in its original 1100 capacity club followed. Circus’ finest hour…? Maybe, we’ve thought that before.  It’s this process of constant evolution rather than reinvention which has characterised Yousef’s career, and kept him at the forefront of promoters’ thoughts across the globe. And there’s the small matter of him running the London marathon, raising cash for CALM and showcasing his serious edge to the party reputation he’s always encased. Record Label Owner and Internationally renowned club promoter, it’s a far cry from the excess which defined wilder youth, confirming his professionalism and dedication to the acid house dream.  Whether criss-crossing the globe with his arsenal of varied sounds or impregnating his own individual aural histrionics on wax, Yousef is stamping his identity on dance music and leaving a lasting impression. There’s few who come close in terms of dedication or in the variance of approach, Yousef hits each and every base with alarming regularity. And the best part yet? The journey has only just begun... it’s now a big cliché but, undeniably, but, 2010 really is Yousef’s year. www.yousef.co.uk