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Welcome to The Times of Israel's newest podcast series, Friday Focus. Each Friday, join diplomatic reporter Lazar Berman and host deputy editor Amanda Borschel-Dan for a deep dive into what's behind the news that spins the globe. This week, political correspondent Tal Schneider steps in for Berman. Unforgettable images of the Caracal's female tank unit crushing Hamas terrorists infiltrating southern Israel on October 7, 2023, brought home the realization that not only are women serving in the IDF, they're as eager -- and able -- to fight as their brothers in arms. Scheider describes a recent Knesset committee that discussed the phenomenon of the IDF's growing number of women warriors, which now make up almost 21 percent of all fighting forces. We review the history of battles to have female fighters in the IDF -- including several benchmark Supreme Court cases which paved the way for the next generation. Schneider, who has spent the past several months researching the contribution these women warriors made on October 7, talks about where the army stands today -- and what is on the horizon for other fighting units being opened up to women. Friday Focus can be found on all podcast platforms. This episode was produced by the Pod-Waves and the video was edited by Thomas Girsch. IMAGE: Mix-gender Caracal battalion troops at the end of their basic training. (IDF)See omnystudio.com/listener for privacy information.
We now enter the direct-to-video action thriller phase of Roy Scheider's career, and we begin with the first of two movies he made starring Gary Busey in 1997! Scheider is the villain of the movie, a landmine baron who kidnaps Gary Busey's daughter - it's time for PLATO'S RUN!
In 1993, Roy Scheider took on a journey to boldly go where no man had gone before... underwater! Yes, it's finally time to talk about the two-part pilot episode to Scheider's TV series, SEAQUEST DSV! We also discuss the turbulent production the show faced over the course of its three seasons.
This week, Roy Scheider plays a small but pivotal supporting role in David Cronenberg's cult classic, NAKED LUNCH! Adapted from the novel by William S. Burroughs, Scheider stars alongside Peter Weller, Judy Davis, Ian Holm, and more in what may be the strangest and one of the last great movie of his career.
This week, Roy Scheider co-stars with Bonnie Bedelia, Arliss Howard, and Andre Bruagher in a surprisingly solid HBO movie from the early '90s. Scheider is hired to photograph a death row inmate as he's being executed, but he begins to discover that there may be more to this case in 1990's SOMEBODY HAS TO SHOOT THE PICTURE!
Dunnnh dun. Dunnnh dun. Never before had two notes provoked such terror as they did in JAWS, the 1975 classic that invented the summer blockbuster, catapulted Steven Spielberg to Hollywood legend status, and inspired generational trauma about water. Actor and recognizable famous person Timothy Simons joins us to talk about this classic shark tale, and we go long on Scheider, Dreyfuss, Shaw, and the career of journeyman director Joseph Sargent (?). Which member of the Blank Check crew would be least likely to get attacked by a shark? Obviously Ben, because he respects water. What the hell did Chief Brody think he was gonna do when he apprehended the shark - arrest it? Why isn't Griffin familiar with the concept of a ferry? We dare to ask these questions, just as the citizens of Amity dared to go into the water. The Box Office Game is Sponsored by Regal Cinemas: Sign up for Regal Unlimited today and get 20% off your 3 month subscription when using code BLANKCHECK Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook! Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, Roy Scheider enters the '90s by almost starting an international incident at the end of the Cold War! Re-teaming with his 52 PICK-UP director John Frankenheimer, Scheider is joined by Jurgen Prochnow and Harry Dean Stanton in THE FOURTH WAR!
This is the semi-autobiographical musical story of Joe Gideon (Roy Scheider), a legendary choreographer/director struggling with various addictions as he juggles developing a new stage musical and editing a film he has directed. And it was directed by legendary choreographer/director Bob Fosse (Cabaret, Lenny) who at the time was dealing with many of the struggles when he wasn't winning multiple Tony Awards and Oscars. It was a true passion project which also attracted a passionate response as it did well at the box office, received mass acclaim, and was also nominated for multiple Oscars including for Best Picture. Scheider was also nominated for Best Actor that year, leading a very talented cast including Ann Reinking, Leland Palmer, Cliff Gorman, Ben Vereen, and Jessica Lange. Jam-packed with several sequences which can be described as sad, sexy, sordid, and joyous, it was quite the original cinematic experience....IT'S SHOWTIME FOLKS!Host & Editor: Geoff GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/
Scheider season comes to a not so thrilling conclusion as Sarah and MJ reluctantly talk about a 90's Scheider film that features one of the worst scripts they have seen on the show as well as some truly terrible performances, but their loss is your gain listening to them cope each other through this mess of a film!
Steven Scheider is co-founder and CEO at TrioSEO, a blog writing agency that helps online businesses drive high-intent organic traffic through bottom-of-the-funnel content. Before TrioSEO, he co-owned a portfolio of 40 blogs, managed 400 articles monthly, and scaled to 7 figures in annual revenue with his two partners. Today, TrioSEO creates content that converts browsers into buyers. Their team manages everything from strategy and outlines to writing and publishing- even offering tips and tricks to enhance user experience (UX) and conversion. Listen to this informative Sharkpreneur episode with Steven Scheider about how to scale success. Here are some of the beneficial topics covered on this week's show: - How TrioSEO specializes in creating content that drives traffic and leads while avoiding technical SEO and backlinks. - How many businesses don't know how to leverage their blogs strategically. - Why TrioSEO creates content strategies based on competitor analysis, customer intent, and marketing funnel steps. - How difficult subjects like finance and health require careful handling due to Google's strict quality guidelines. - How TrioSEO's focus on human-written content has helped clients see growth through Google updates. Connect with Steven: Guest Contact Info X: @trioseo Facebook: facebook.com/trioseo1 LinkedIn: linkedin.com/company/trioseo Links Mentioned: https://trioseo.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices
Last week when we first checked out SeaQuest DSV we learned about a man named The Regulator who had an ape friend named Verne (whom The Regulator tried to surgically install gills onto) and sold parts on the ocean's black market. He tried to steal a dolphin so that the mammal could solve the theory of spherical evolution for himNow if you just read that you probably figured there was no way this show could get weirder. Well it turns out you're wrong. DEAD WRONG. And that's because of today's episode of SeaQuest, season one's Hide and Seek, which among other weird things includes William Shatner playing a Saddam Hussein-esque dictator who believes the same dolphin The Regulator tried to steal can heal his son, who may or may not have autism. And by the way, he ends up being right about that last thingAnyway this thing is insane. I suggest you all listen in if for no other reason than for William Shatner talk about weaponized war dolphins
The Scheider express pulls into 52 Pick-Up station this week as Sarah and MJ discuss this overlooked expoloitation gem co-starring Ann Margaret and John Glover. They talk about the value of "just entertaining" movies, when low brow meets talented performers, and the history of The Cannon Group
Are you hesitant to hire a virtual assistant? In today's episode, I'm talking with business coach and systems expert Keali Scheider about hiring help and why it is the crucial piece for creating business growth. Review full show notes and resources at mollycahill.com/podcastGet access to my Marketing Roadmap Private Audio Training: mollycahill.com/privatetrainingMentioned in this EpisodeThe Content Creation Weekend Retreat: mollycahill.com/retreatKeali Scheider on Instagram: instagram.com/kealischeiderVirtual Assistant Matchmaking Service: docs.google.com/forms/d/e/1FAIpQLSevknoBOwyTyBymSj2cnot1GUOhxYB9gaB1rvwNyrH3MuIUWg/viewformFollow Molly on Instagram: instagram.com/mollyacahillHolistic Marketing Hub holisticmarketinghub.com/enrollContent Ecosystem holisticmarketinghub.com/content-planner
Scheider season travels to the one that hasn't been corrupted by capitalism: SPACE! This episode features Adam Moffett of The Bond We Share talking about 2010: The Year We Make Contact. We discuss its validity as a legacy sequel, whether it works as a companion to 2001, how great the cast is, and Roy Scheider's intensely likeable energy.
It's showtime, folks! This week, Roy Scheider closes out his 1970s run with another all-timer, Bob Fosse's existential masterpiece ALL THAT JAZZ! This haunting meditation on life, death, and show business is one of the high water marks not just of Scheider's career, but of cinema in general.
Eric Scheider Eric Scheider is an experienced enterprise architect with a background in healthcare IT. He has worked with major organizations like Humana and Optum, focusing on aligning business strategies with technology solutions. Eric’s career journey has taken him from developer roles to leadership positions, giving him a unique perspective on the challenges and opportunities...
It's the faraway year of 2018 and man has colonized every place on Earth... except for the sea! This means the BTBs head into the damp, deep, fish home that is the Ocean where they encounter the crew of the legendary Deep Sea Vehicle the Seaquest. But as Captian Nathan Bridger discovers not all is well on the massive submarine as everyone's old enemy bureaucracy has raised its ugly head causing a backlog on a very important control chipThe crew turns to less savory ways of procuring the piece and suddenly the SeaQuest and her resident talking dolphin (yes, you read that right) are in danger!Van takes Brian and Spencer on this journey through a show that the latter two didn't really know existed outside of Van's personal memories of it. And they watch as the coolest guy of 'the future' kind of turns out to be a moron. But eventually we'll all return to the circle in the end (it's from the show, just listen in, okay?)!
Scheider season continues with the film that earned Roy an Academy Award nomination! Sarah and MJ are joined by Rob Wallis to talk about the Scheider spiciness scale, the importance of not editing films to make them appear more "modern" and Sarah's future as a detective solving chicken crimes
Bruce Scheider discusses the Burnett County Ag Fair.
This week, Roy Scheider stars with Jeannie Berlin in this mostly forgotten '70s romantic comedy-drama. But this funny, earnest, heartfelt movie is ripe for rediscovery - and may just feature one of Scheider's best performances.
It's beginning to look a lot like Scheider around the LJFAM studios as Sarah and MJ kick off a season focusing on the films of Roy Scheider with 1971's Klute. They discuss how great 70's movies are, the wonderful building of tension that was created by Hitchcock and perfected by Alan J. Pakula, and heap some praise on Roy Scheider's brief, but substantial role!
It's time for us to enter the breakout year in the career of Roy Scheider! And we kick things off with Scheider's small supporting role in Alan J. Pakula's beloved thriller KLUTE - a film that won Jane Fonda the Oscar for Best Actress and kicked off Pakula's unofficial "paranoia trilogy," alongside THE PARALLAX VIEW and ALL THE PRESIDENT'S MEN.
#FactsMatter, the Citizens Research Council of Michigan podcast
State budget officials met on May 17, 2024, to finalize state revenue estimates that will be used as guideposts for ongoing FY2025 budget deliberations. The Research Council's Bob Schneider and Craig Thiel provide insights into what the new estimates mean as lawmakers wrap up the budget as well as the budget outlook for Fiscal Year 2026. Scheider said the conference experts delivered a positive outlook, stating that the forecast for the national and state economy was generally good: real GDP, the key metric to monitor the health of the national economy, is expected to continue to grow through the next few years at a normal, healthy rate. Inflation is falling back, though not quite as fast in Michigan as it is nationally; incomes are growing, and Michigan's unemployment rate remains low. The revenue conference, held in January and May each year, brings together the State Treasurer, the Michigan Legislature's top budget advisors and economists who present information on the state and national economy, workforce, wages, the auto industry, and spending patterns by businesses and the public in the aftermath of the COVID-19 pandemic. The May Revenue Estimating Conference is a key step for state lawmakers in finalizing the state budget for the upcoming fiscal year, which begins October 1. Economists and state officials determined that revenue estimates in May showed a slight increase for the state's General Fund and a slight decrease for the School Aid Fund from January estimates. Schneider says the most important takeaway is that revenues continue to grow. Revenues for the state General Fund is expected to grow about 1.5 percent, or just over $200 million. School Aid Fund revenues were adjusted down to about $160 million, or about 1 percent, from January, and that largely reflects slightly slower sales tax growth. "During COVID, people shifted their spending patterns towards goods and 'stuff.' People were buying stuff rather than services. So now, maybe we're seeing a sort of return to normal on that front, which is slowing sales tax growth."
Mike and Mike are finally kicking off Season 4 of The Complete Works and diving into the filmography of Roy Scheider! And things begin with Del Tenney's 1964 low-budget horror film THE CURSE OF THE LIVING CORPSE, featuring a substantial early role for Scheider and also starring CARNIVAL OF SOULS' Candace Hilligoss!
Just back from Ecuador, my dear friends—tired but happy, with a bag full of new experiences! Huge thanks to all the promoters and excellent dancers; you were amazing! Tracklist: Basic Instinct - Good Times Take Time Rework - Love Someone Prospa - If You want my loving Anja Schneider - Turning my Head Rework 2024 Man Power - We Trawl The Hurts ( Deetron Mix) Avison - Cant fake This Shit Odd Mob, OMNOM - All day All Night Ackermann -Und Du wa-rst gerade da (IIm This Kinda Love ) Monaco - Techno Romance Avison - Sunray Romare - Diskotheque Schneider loves you!
"Have you ever been in Poughkeepsie?" For Episode 308, Brandon and Thomas are trying something new this month by focusing solely on one actor, and its Gene Hackman. To kick off the series, they're talking about THE FRENCH CONNECTION. Listen as they discuss Hackman's early beginnings before the film, Hackman's casting in the film, and how Friedkin pulled off the famous car chase. Also, don't forget to join our Patreon for more exclusive content: Get your tickets now for our screening of LITTLE SHOP OF HORRORS - The Director's Cut at the Nuart Theatre: Announcement: Little Shop of Horrors (00:00:00) Opening Banter (00:01:01) Intro to Gene Hackman Month (00:08:33) Intro to The French Connection (00:16:53) The Early Beginnings of Gene Hackman (00:22:31) How The French Connection Got to Production (00:35:55) Favorite Scenes (00:43:13) On Set Life - (01:07:56) Aftermath: Release and Legacy (01:15:25) What Worked and What Didn't (01:24:36) Film Facts (01:29:51) Awards (01:32:40) Final Questions (01:37:44) Preview for Next Week (01:42:50) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast E-mail: cinenationpodcast@gmail.com
In celebration of our 100th episode, what better film to dissect than "JAWS," the blockbuster that redefined the summer movie experience and cemented Steven Spielberg's status as a master storyteller. Released in 1975, "JAWS" not only terrorized audiences with its portrayal of a man-eating great white shark but also demonstrated the power of cinema to evoke primal fears and unforgettable suspense. Let's dive into the depths of "JAWS" and explore what makes it a cinematic masterpiece and a cultural phenomenon.The Genesis of Fear: A Simple Premise, An Unforgettable ImpactBased on Peter Benchley's novel, "JAWS" follows the harrowing ordeal of Amity Island, a fictional New England beach town, as it faces the deadly threat of a massive shark. Chief Brody (Roy Scheider), a New York cop turned local sheriff, marine biologist Matt Hooper (Richard Dreyfuss), and grizzled fisherman Quint (Robert Shaw) set out to kill the beast. Yet, the film's genius lies not in the story it tells but in how it tells it. Spielberg's direction transforms a straightforward plot into a masterclass in tension, pacing, and fear, making the unseen and the unknown our greatest terror.The Cinematic Craft: Building Tension Beneath the SurfaceSpielberg's innovative use of camera angles, John Williams' iconic score, and Verna Fields' tight editing work in concert to create an atmosphere thick with suspense. The decision to delay the full reveal of the shark until deep into the movie amplifies the suspense, making each attack all the more terrifying. Spielberg turns the ocean itself into a character, one that's beautiful yet menacing, inviting yet treacherous. The director's ability to coax fear from the mere suggestion of danger—using the audience's imagination against them—is a testament to his understanding of the horror genre's core principles.The Iconic Score: The Sound of FearJohn Williams' score for "JAWS" is nothing short of legendary. The simple, two-note motif has become synonymous with impending doom, illustrating how powerful a soundtrack can be in driving the emotional pulse of a film. Williams' music plays a pivotal role in building tension, often acting as the shark's unseen presence. It's a prime example of how sound can be used to heighten suspense and invoke visceral reactions from the audience.Characters and Performances: The Human ElementAt its heart, "JAWS" is a story about people, and Spielberg never loses sight of this amidst the thrills and chills. The film's central trio, Brody, Hooper, and Quint, are richly drawn characters brought to life by Scheider, Dreyfuss, and Shaw's compelling performances. Their dynamics—ranging from camaraderie to conflict—add depth to the narrative, making their quest to hunt the shark as much a personal journey as it is a battle for survival. Quint's Indianapolis monologue remains one of cinema's most powerful scenes, offering a glimpse into the scars that define us.Impact and Legacy: Changing the Tide of Cinema"JAWS" didn't just scare millions of people out of the water; it revolutionised the film industry. It was the first true "blockbuster," setting new standards for marketing, distribution, and box office expectations. The summer movie season, now a staple of the film industry, was essentially born with the release of "JAWS." Its success paved the way for high-concept films that prioritize spectacle and broad appeal, shaping the modern blockbuster landscape.Moreover, "JAWS" demonstrated the potential of special effects to enhance storytelling, despite the mechanical shark's frequent malfunctions. These technical difficulties inadvertently improved the film by forcing Spielberg to rely on suggestions rather than explicit visuals, a technique that would influence horror filmmakers for generations.The Cultural Phenomenon: Beyond the ScreenThe impact of "JAWS" extended far beyond movie theatres. It entered the public consciousness like few films before or since, influencing not only pop culture but also our perception of sharks and the ocean. Unfortunately, this led to widespread fear and misunderstanding of sharks, contributing to their vilification and the decline in some shark populations.Yet, the film also inspired legions of filmmakers and cinephiles, sparking a fascination with the power of cinema to create immersive, emotionally resonant experiences. It's a testament to "JAWS"'s enduring appeal that, nearly half a century later, it remains a subject of study, admiration, and, yes, fear.The Immortal "JAWS"As we celebrate our 100th episode by looking back at "JAWS," it's clear that Spielberg's masterpiece is more than just a movie. It's a landmark in filmmaking, a cultural touchstone, and a pivotal moment in cinematic history. Its ability to blend character, story, and technical innovation into a seamless and riveting experience is unmatched."JAWS" taught us that the most profound fears lurk in the unknown and that cinema has the unique ability to tap into those fears, creating unforgettable moments of suspense, terror, and ultimately, triumph. It's a film that continues to captivate, terrify, and inspire awe, proving that great storytelling, like the ocean, is timeless and profound.In revisiting "JAWS," we're reminded of the film's raw power and its monumental impact on cinema and culture. Here's to "JAWS"—a true behemoth of the film world that still reigns supreme in the hearts of movie lovers everywhere. May its legacy continue to inspire awe and wonder for generations to come.Please follow the Podcast and join our community at https://linktr.ee/borntowatchpodcast If you are looking to start a podcast and want a host or get guests to pipe in remotely, look no further than Riverside.fmClick the link below https://riverside.fm/?utm_campaign=campaign_1&utm_medium=affiliate&utm_source=rewardful&via=matthew
Club Room 295 is here! Play loud! I am wishing you all health, love, and an amazing holiday time! With love from Berlin, Anja Tracklist: Bushwacka & Denney - Our House feat. Chuck Roberts Anja Schneider - Sanctuary feat. Stereo Mcs (SoMe 20 Version) Jennifer Loveless - Pleasure Sofian - Fakir Kretonne - Champion Owen Mandale - Juice Karotte - KROT Shlomi Aber, Kashpitzky - By Myself Decka - Potential Uncertain - Brave Tjaro - One Shoot Hyper
Closing out Season 6 with a 'Best Of" Interview. This is a Dream....Bucket List Interview for me! REBRAND UPDATE: Starting Season 7 SOMETHING came from Baltimore will be called...... Drum Roll: The Jazz, Blues & R&B Podcast and Radio Show PERIOD! --- Send in a voice message: https://podcasters.spotify.com/pod/show/somethingcame-from-baltim/message Support this podcast: https://podcasters.spotify.com/pod/show/somethingcame-from-baltim/support
This week on the Exciting & New podcast Jason Andy and Dana discuss the 1983 3D crapfest Jaws 3D. Expecting Spielberg and Scheider and Dreyfuss and Shaw and all the things that made the first one great? Well, you'll get a pinch of John Williams music and a crap load of terrible 3D effects. Watch out for that fish head floating at you. Even Lou Gossett couldn't save this turd. Enjoy the pod.
The first ever triple-bill episode, as voted for by Patrons of this podcast for Sequeltember, on the history and legacy of Jaws 2, Jaws 3-D & Jaws: The Revenge ! The sequels to the previous episode on Jaws. Just when you thought it was safe to go back into the water. JAWS 2 was wanted pretty much immediately after the success of Jaws, but Steven Spielberg wasn't interested in reprising his directorial role. The director they did find, John D. Hancock, was fired after a month, and the production had already spent huge amounts of time and money. Once Jeannot Szwarc came on board, tensions with star Roy Scheider would escalate. Not that Scheider wanted to come back...JAWS 3-D. The third dimension is terror, but it wasn't always terror. Famously, Jaws 3 started life as a National Lampoon spoof, called Jaws 3 People 0, to be directed by Joe Dante, and co-written by John Hughes. When Universal quashed that idea, it was decided to capitalise on the rise of threequels with 3D, to give Jaws 3 the edge. Jaws 3-D would be filmed at SeaWorld Orlando, and would be the first 3-D film to use ArriVision, but the increased costs meant cutting back on visual effects... JAWS: THE REVENGE. This time, it's personal. Or at least it was for Sid Sheinberg. Universal desperately needed a financial boost after a string of box office disappointments in 1986, and he decided to revive the Jaws franchise one final time. He would give director Joseph Sargent complete creative control, and Sheinberg's wife Lorraine Gary would come out of retirement to reprise her role as grieving widow Ellen Brody, in return for an effects-heavy shark movie to be released in just nine months time. It would be set in the Bahamas, feature triple Oscar-nominee Michael Caine, and have its ending changed after its US release. Trigger warning for this part of the episode for the tragic story of child actor Judith Barsi, which references child abuse and murder. I would love to hear your thoughts on Jaws 2, Jaws 3-D & Jaws: The Revenge !CONTACT.... Twitter @verbaldiorama Instagram @verbaldiorama Facebook @verbaldiorama Letterboxd @verbaldiorama Email verbaldiorama [at] gmail [dot] com Website verbaldiorama.comSUPPORT VERBAL DIORAMA....Give this podcast a five-star Rate & Review Join the Patreon | Send a Tip | Buy Merch ABOUT VERBAL DIORAMAVerbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free. Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!)...
Just when you thought you were safe from any more shark movies – we have TWO to see out the summer! Meg 2: The Trench gets dredged first, and then Jaws 2 gets lured into the shallows. All together now – sh -sh- sh- SHARK!!!!! #meg2thetrench #meg2 #jasonstatham #jaws2 #royscheider #jaws #twilightofthedead #jeannotszwarc
The 2023 Blue Jays continue to give us whiplash as they swing back and forth between good vibes and bad, and earlier this week things were bad enough that there was even chatter — though not of the particularly serious variety, as evidenced by the fact that a couple of wins and a few hits with RISP seems to have instantly quieted it — that manager John Schneider's job might be in trouble.A Scheider-focused vibe check, the potential fallout for Ross Atkins of making the rash decision to fire another manager, a hitter-by-hitter tour through the lineup giving out confidence ratings, and a painfully nostalgic philosophical question about the 2021 Jays were just some of the topics we touched on in this week's episode. (Apologies to Ernie Clement.)Have a listen!You can find us in all the usual places, such as Apple Podcasts……as well as Spotify, and others. (If you're a Google Podcasts user you should be able to add us to your app via RSS — just right click and copy this link.)THE BATFLIP is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.⚾ Be sure to follow me on Twitter // Follow the Batflip on Facebook // Want to support without going through Substack? You could always send cash to stoeten@gmail.com on Paypal or via Interac e-Transfer. I assure you I won't say no. ⚾ Get full access to THE BATFLIP at stoeten.substack.com/subscribe
In a surprisingly educational episode, the Shaw Crew learns that sharks are playful, '70s parenting was utterly irresponsible and Richard Dreyfuss was the original hipster. It's the summer blockbuster that started it all: "Jaws!" When listener Tracy C. commissioned this Steven Spielberg masterpiece, we knew we'd be talking about Big D peeing his pants, how good the movie looks in UHD, how what you don't show can be as scary as what you reveal and why good horror movies kill children. But we didn't expect to be praying for Dick's TV to die, groaning over criminal foreshadowing or praising "Jaws" for its character development. Was the shark a dick or just hungry? Were Brody, Quint and Hooper just bad at hunting great whites? Did you catch those boobs at the beginning? Dive into these questions and more, plus hear voicemail from Hot Sauce Steve, Jimmy J and a Canadian named Ryley who is definitely a man. SUBSCRIBE Android: https://shatpod.com/android Apple: https://shatpod.com/apple All: https://shatpod.com/subscribe CONTACT Email: hosts@shatpod.com Website: https://shatpod.com/movies Leave a Voicemail: Web: https://shatpod.com/voicemail Leave a Voicemail: Call: (914) 719-7428 SUPPORT THE PODCAST Donate or Commission: https://shatpod.com/support Shop Merchandise: https://shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite
For this episode of the eCom Logistics Podcast, we welcome Erin Van Zeeland, Chief Commercial Officer and Group SVP/GM of Logistics at Schneider. A lot has changed for providers of transportation and logistics services over the pandemic. Erin shares her insights on sustainability in the trucking and distribution management industries and how much the space has been evolving over time. ABOUT ERINErin Van Zeeland is the Senior Vice President and General Manager of Logistics at Schneider, a premier provider of transportation, intermodal, and logistics services. In this position, she is accountable for the strategy, execution, and growth/profitability of Schneider's fastest-growing segment including brokerage, supply chain and distribution management, and the power-only service offerings. Additionally, Van Zeeland is the company's Chief Commercial Officer. In this capacity, she is responsible for the commercial strategy and the development of the organization which includes activities relating to marketing, sales, sales force effectiveness, product development, and service that drives business growth and expanded market share. Van Zeeland started her career at Schneider in 1993 and has subsequently held several leadership roles in a variety of positions with increasing responsibility for customer growth and business expansion throughout operations, tech, business transformation, human resources, enterprise/global customer engagement, and logistics. Van Zeeland holds a bachelor's degree from Pennsylvania State University and an MBA from Silver Lake College in Manitowoc, Wis. She also received a Corporate Governance certificate from the Harvard Business School Van Zeeland was the recipient of Supply & Demand Chain Executive's first-ever Women in Supply Chain Award. Van Zeeland currently serves on the board of directors for the United Way – Green Bay. She also co-leads the Schneider Women's Network and various other women in leadership and business programs. HIGHLIGHTS03:44 How Erin's journey in Scheider started 13:29 Sustainability in trucking operations 19:54 Production costs of green products versus non-green products 27:42 How the autonomous truck industry is reshaping 33:29 Erin on the importance of relationships in the industry38:54 Erin's advice for people looking to get into logistics QUOTES19:24 We're leaning more and more into enviroment-friendly products - Erin: "They will have laundry detergent on the shelf right next to each, other one that's green one that's not green, it will be priced differentially. And they are seeing more and more of us as consumers going for the green option, the better option for the environment. And so it's good for business, people want to feel good about what they're buying and spending money on and they can prove it down to the details of their operation. So they're investing more there."33:36 The importance of connection in the industry - Erin: "The kind of work that we do with customers has changed as you have AI automation, kind of API connections with customers, there's a lot less rub or rigor between the way that our systems work together and communicate information, we now have direct lines of communication to many shippers right into their TMS or WMS so that you don't need that much friction." Find out more about Erin in the links below:LinkedIn: https://www.linkedin.com/in/erin-van-zeeland-a567317/Website: https://schneider.com
Judgment Time! Before Karl Urban's acclaimed portrayal of the character, Sly Stallone himself took a stab at playing the popular comic-book character, Judge Dredd. But it turned out to be just one of many bombs that he would suffer through in the '90s, and fans have refused to acknowledge the movie ever since.But if you look past all the Rob Scheidnerness and the golden codpieces, is there something more to this adaptation? Check out the episode to see what the verdict is.
Show Notes Dustin Hoffman is on the run this week in 1976's Marathon Man. We return to William Goldman, never disappointing, for this one as he adapted his own novel. And this thing is a rocket from beginning to end! Does it make perfect sense? Absolutely not! Did Lemuel have to tell Amity 20 minutes in that Roy Scheider and Dustin Hoffman were brothers? Yes! But she would have found out soon anyway. Do we lament the lack of a kiss between Scheider and William Devane? Of course! And finally – would we eat a diamond? Listen to see if we tell you. Recommendations: The Hatchet Wielding Hitchhiker (Netflix); The PEZ Outlaw (Netflix) Next up: Ben Hur (1959) Email us at latecomers@gmail.com Twitter: @latecomerspod Find Amity @ www.amityarmstrong.com and @AmityArmstrong on Twitter Our Facebook group is here for those who consent: https://www.facebook.com/groups/1754020081574479/
As we start to wrap up the year we wanted to look back at some of the music that made 2022 great.
Before there was "Airwolf," before there was "Fire Birds," one movie stood alone as the epitome of helicopter action: "Blue Thunder." It's the movie that inspired Big D to be a pilot, showed us how to "dust" a perp, and made JAFO a household name. It also taught a 10-year-old in the UK how to cuss. And that 10-year-old grew up to be Shat The Movies commissioner Omar, who somehow understood "Blue Thunder" was about the surveillance state and police militarization. We just thought it was about naked high-rise yoga. Starring three legitimate badasses—Roy Scheider, Warren Oates and Malcolm McDowell—"Blue Thunder" illustrated what happens when combat veterans and single moms don't reach out for help, why it's weird to sexualize machines, how to dodge a missile in a crowded urban area and why looping a helicopter isn't all that useful. Warning: Do not watch this movie while sitting between co-workers on a Southwest Airlines flight. Or, if you do, make sure your tray table is covering your lap. SUBSCRIBE Android: https://shatpod.com/android Apple: https://shatpod.com/apple All: https://shatpod.com/subscribe CONTACT Email: hosts@shatpod.com Website: https://shatpod.com/movies Leave a Voicemail: Web: https://shatpod.com/voicemail Leave a Voicemail: Call: (914) 719-7428 SUPPORT THE PODCAST Donate or Commission: https://shatpod.com/support Shop Merchandise: https://shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite
October 27, 2022 - Tom Schneider and Jim Getz of the Macon County Law Enforcement Training Center joined Byers & Co to talk about the work and developments at their facilities and their upcoming Trick or Treat event. Listen to the podcast now! See omnystudio.com/listener for privacy information.
The gang tries to process whatever they just witnessed via "Beautiful Blue Eyes," a bizarre posthumous (allegedly lost?) Roy Scheider "final film" that involved director Joshua Newton creating and donning the prosthetic face of Scheider in order to finish all of his scenes. Midway through, the discussion gets "Medieval" and turns to a film that was based on the life of Jan Žižka and, like many of his foes, seemingly tossed into the void with little fanfare. The inaugural edition of "Maltin Movie Masters" closes out this episode. "Get me a blacksmith and some nails." --- Support this podcast: https://podcasters.spotify.com/pod/show/rmmu/support
See omnystudio.com/listener for privacy information.
Mark has city hands as he tries to figure out what makes Jaws the definitive summer blockbuster, why the ending feels so satisfying, and how the best plan the scientist could come up with is 'jab the shark with a stick'.https://markoveranalysesfilm.buzzsprout.com/https://twitter.com/overanalysefilmhttps://markoveranalysesfilm.buzzsprout.com/https://www.markoveranalysesstory.com/https://twitter.com/overanalysefilm
In dieser Folge sprechen wir mit David Scheider von BTC-ECHO darüber, wieso Bitcoin häufig kritisiert wird und ob sich dies in Zukunft ändern könnte. Hierfür werfen wir zunächst einen Blick darauf, wieso Medien meist negativ über Bitcoin berichten und wie wir selbst auf Kritiken reagieren. Anschließend sprechen wir darüber, ob eine breitere Aufmerksamkeit bzw. Aufklärung über Bitcoin notwendig ist, ob Marketingkampagnen hilfreich wären und ob Bitcoin eine große Angriffsfläche bietet. Zum Abschluss schauen wir darauf, wieso Kritik an Bitcoin hilfreich ist und ob diese in Zukunft abnehmen wird. Weitere Links zu den besprochenen Themen findet ihr unter bitcoinverstehen.info/111 Diese Folge findet ihr ebenfalls im Videoformat auf YouTube unter bitcoinverstehen.info/youtube Alle weiteren Episoden und Informationen findet ihr unter bitcoinverstehen.info Ihr möchtet den Podcast unterstützen? Hier findet ihr alle Möglichkeiten bitcoinverstehen.info/unterstuetzen/ Wenn ihr weitere Fragen zu Bitcoin habt, dann schreibt gerne an fragen@bitcoinverstehen.info Folgt uns gerne auf Twitter: twitter.com/BTCVerstehenPod DAVID SCHEIDER • David bei Twitter: twitter.com/Davemeave • David bei BTC-ECHO: btc-echo.de/news/author/david-scheider/ WAS BESPRECHEN WIR? • Vorstellung 02:36 • Medienberichterstattung 04:14 • Umgang mit Kritiken 06:21 • Aufklärung 16:13 • Relevanz Bitcoins 29:09 • Ist Kritik positiv? 33:25 • Wird die Kritik weniger? 51:15 VIELEN DANK AN UNSERE SPONSOREN • Hardwarewallet BitBox02 Bitcoin-only Edition* (bitcoinverstehen.info/shift) - Mit dem Code BTCVERSTEHEN (Eingabe während des Kaufprozesses) erhaltet ihr 5 % Rabatt auf die BitBox02 Bitcoin-only Edition von Shift Crypto. • Relai App* (bitcoinverstehen.info/relai) - Mit dem Referral Code BTCVERSTEHEN (Eingabe während des Kaufprozesses) erhaltet ihr 0,5 % Ersparnis auf die Gebühren bei euren Käufen. *Die hier aufgeführten Links sind sogenannte Affiliate Links. Kommt über einen solchen Link ein Einkauf zustande, werden wir mit einer Provision beteiligt. Für euch entstehen dabei keine Mehrkosten. MUSIK "No? Yeah!" by LiQWYD soundcloud.com/liqwyd Creative Commons — Attribution 3.0 Unported — CC BY 3.0 Download / Stream: hypeddit.com/track/nwio90
In dieser Folge sprechen wir mit David Scheider von BTC-ECHO darüber, wieso Bitcoin häufig kritisiert wird und ob sich dies in Zukunft ändern könnte. Hierfür werfen wir zunächst einen Blick darauf, wieso Medien meist negativ über Bitcoin berichten und wie wir selbst auf Kritiken reagieren. Anschließend sprechen wir darüber, ob eine breitere Aufmerksamkeit bzw. Aufklärung über Bitcoin notwendig ist, ob Marketingkampagnen hilfreich wären und ob Bitcoin eine große Angriffsfläche bietet. Zum Abschluss schauen wir darauf, wieso Kritik an Bitcoin hilfreich ist und ob diese in Zukunft abnehmen wird. Weitere Links zu den besprochenen Themen findet ihr unter bitcoinverstehen.info/111 Diese Folge findet ihr ebenfalls im Videoformat auf YouTube unter bitcoinverstehen.info/youtube Alle weiteren Episoden und Informationen findet ihr unter bitcoinverstehen.info Ihr möchtet den Podcast unterstützen? Hier findet ihr alle Möglichkeiten bitcoinverstehen.info/unterstuetzen/ Wenn ihr weitere Fragen zu Bitcoin habt, dann schreibt gerne an fragen@bitcoinverstehen.info Folgt uns gerne auf Twitter: twitter.com/BTCVerstehenPod DAVID SCHEIDER • David bei Twitter: twitter.com/Davemeave • David bei BTC-ECHO: btc-echo.de/news/author/david-scheider/ WAS BESPRECHEN WIR? • Vorstellung 02:36 • Medienberichterstattung 04:14 • Umgang mit Kritiken 06:21 • Aufklärung 16:13 • Relevanz Bitcoins 29:09 • Ist Kritik positiv? 33:25 • Wird die Kritik weniger? 51:15 VIELEN DANK AN UNSERE SPONSOREN • Hardwarewallet BitBox02 Bitcoin-only Edition* (bitcoinverstehen.info/shift) - Mit dem Code BTCVERSTEHEN (Eingabe während des Kaufprozesses) erhaltet ihr 5 % Rabatt auf die BitBox02 Bitcoin-only Edition von Shift Crypto. • Relai App* (bitcoinverstehen.info/relai) - Mit dem Referral Code BTCVERSTEHEN (Eingabe während des Kaufprozesses) erhaltet ihr 0,5 % Ersparnis auf die Gebühren bei euren Käufen. *Die hier aufgeführten Links sind sogenannte Affiliate Links. Kommt über einen solchen Link ein Einkauf zustande, werden wir mit einer Provision beteiligt. Für euch entstehen dabei keine Mehrkosten. MUSIK "No? Yeah!" by LiQWYD soundcloud.com/liqwyd Creative Commons — Attribution 3.0 Unported — CC BY 3.0 Download / Stream: hypeddit.com/track/nwio90
This week's episode of Spilling the Beans is coming to you from the lively lobby of the Hotel Emeline in Charleston, SC. Today, I sit down with my friend and mastermind member Russ Scheider who owns not one, not two, not even three, but SIX different businesses. He's involved in just about every part of single family real estate from wholesaling and flipping to the creation of deal-finding software. And now he's getting into multifamily investing too! //SAY HI TO RUSS Instagram: @russ_scheider Facebook: /russ.scheider
Dr. Kirk Schneider is a licensed clinical psychologist and author of many books, including The Psychology of Existence and The Paradoxical Self. Dr. Scheider is also a leading spokesperson for contemporary existential-integrative psychology. In this conversation, we discuss existential integrative therapy, the power of presence and how to be present, the sense of awe, and more. --- Support this podcast: https://anchor.fm/psychology-is/support
There's nothing Timo Scheider won't try. A karting champion before he was even allowed to race in his native Germany, he's an endurance-race winner, a Le Mans podium-getter and a two-time DTM champion. So when Extreme E beckoned as a new challenge, Timo had to be involved, and he's now a key part of the team responsible for laying out the championship's challenging courses as well as one of two nominated ‘joker' drivers on call each weekend. Timo caught up with James and Michael to explain how he was ‘stupid and crazy' enough to reinvent himself as a track designer for Extreme E. And we hear from series scientist Professor Richard Washington, key 2015 Paris Agreement architect Christiana Figueres and UN climate ambassador Lucas di Grassi about the race to zero emissions in the Extreme E workshop Tipping Point. -- Follow Extreme E -- Website | Instagram | Facebook | YouTube | TikTok | Twitter | Snapchat -- Follow James & Michael -- James Baldwin | Michael Lamonato -- Follow Timo -- Instagram | Website #ExtremeE #XEOffTrack
Hey Everyone! Welcome back to the PodIn this episode, I had the opportunity to speak with Ryan Gavin who is currently working with Schneider Electric as a Micro Grid Business Development Rep across Canada and the US.We dove into the topic of MicroGrids from a high-level overview to discuss how MicroGrids can be used, the benefits, and some of the issues facing advancement in space. You can read a bit about Scheider's MicroGrid work here https://www.se.com/us/en/work/solutions/microgrids/To inquire about being on the podcast ping me on Twitter @silasmahner- https://twitter.com/SilasMahnerYou can reach out to Ryan @Ry4Gav on TwitterJoin the Slack Channel here- https://join.slack.com/t/cleantechies/shared_invite/zt-nz5g986t-aAK5gS4j~fS4p~~RnTQHQwSupport the show (https://www.buymeacoffee.com/silasmahner)