Podcasts about tarrega

We're back and talking hardcore. 1. Are obi strips cool or nah? What does it mean when you have more merch than songs?2. Newerish music: Steroid, Hierarkin, Tarrega 91, Exploator, Ultimate Disaster, Bulls Shitt, G*U*N*N*3. Hardest '90s demo - round 1 part 2: Merauder, Darkside NYC, Cold As Life, NJ Bloodline, Denied, Krutch, DMIZE, Kickback, Dying Breed, Irate, E.Town Concrete, Everybody Gets Hurt, Freight Train, Fury of V, Hatebreed, Full Contact4. Old school: The Clitboys - We Dont Play The Game 7"5. Interview: Steve Bruce (Cock Sparrer)Check the website for playlists, our links, and SMASH that Patreon button:185milessouth.comWe are on Substack (sometimes) writing about Punk and Hardcore:185milessouth.substack.comGet at me: 185milessouth@gmail.comIntro track: The ClitboysOutro track: SteroidSupport the show

Another beautiful interlude performed by guitarist Phineas Stolyavitch. The copyrighted photo is by Walt McCarthy

Bij het begin van deze meimaand, Mariamaand klinkt een mooi volkslied uit de Alpen Maria ter ere, als opener van deze uitzending. Dan volgt Bach met een 8-delige Cantate ‘Wir Müssen Durch Viel Trübsal’. Dan, krijgt u een getokkeld recital door Brandon Acker met werk van Tarrega, Terzi en Vivaldi, welke Klassiekuur afsluit.  

Classical guitarist and Interlochen Arts Academy alum Gohar Vardanyan visited Studio A to perform music by Ponce, Tarrega and Calleja and to answer questions from current Interlochen guitar students. She talked about her excitement about being back on the Interlochen campus, which guitarists have been most influential to her, why her fingernails are the bane of her existence and why she doesn't play the guitar for fun (really). Music performed in Studio A Manuel Ponce, Suite in A minor: Prelude (in the style of Weiss) Francisco Tarrega, Recuerdos de la Alhambra Francisco Calleja, Cancion Triste

Fr. Eric Nicolai preached this meditation on June 26, 2023 at Kintore College in Toronto. We know that Saint Josemaría Escrivá died in 1975: after stepping out of that elevator, looking at an image of our Lady, and at that moment he had accomplished his mission here on earth. Going up the elevator was like the first step towards heaven. Days after his passing, Don Alvaro had to gear himself up for what was coming, and he wrote a long letter to all of us: Nuestro padre en el Cielo. Our Father in Heaven. I remember reading it often. God granted our founder a spiritual paternity that embraced everyone he came into contact with. And since this paternity was completely supernatural, it has only been strengthened by his going to heaven. Here's an account of what it should look like. Music: Tears keep flowing, Tarrega, played by Bert Alink, 2015

Augustin Hadelich has a new album out now, called Recuerdos – featuring works by Sarasate, Prokofiev, Britten and Tarrega, brought together, perhaps surprisingly, by a Spanish theme. Augustin explains what draws these pieces together. The piece that gives the album its name, Recuerdos de la Alhambra features some rather impressive ricochet bowing on Augustin's recording. If you struggle with ricochet – let's be honest, who doesn't? – then listen out for Augustin's thoughts and approaches to this technique.  Read Augustin's interview on recording Suzuki repertoire: https://bit.ly/3o4gQPy Check out thestrad.com for the latest news, articles and reviews on all things to do with string playing. Register and subscribe to access exclusive archival content from 2010 onwards. Student discount! Get 50% off an online subscription! Check it out here: https://bit.ly/3eQ75AB  Find us on social media: Facebook.com/thestrad Twitter: @TheStradMag Instagram: @the_strad_   Britten Violin Concerto in D Minor, Op.15 - II. Vivace - Animando – Largamento Augustin Hadelich, violin / WDR Symphonie Orchestra / Christian Măcelaru, conductor   Tarrega - Recuerdos de la Alhambra (Arranged by Ricci) Augustin Hadelich, violin Recuerdos Warner Classics   Photo credit: Suxiao Yang

Milonga med en engel, minder fra Alhambra, en drøm med Linda Ronstad, et fingerknips, en prop der springer, champagnefødder og en hulens masse guitarmusik. Følelserne uden på tøjet med Tarrega, Piazolla, Maria Callas, Luis Bacalov, Bazaar og andre der tør. Vært: Minna Grooss. www.dr.dk/p2

VIAJE A ESPAÑA[00:05] Dionisio Aguado (1784 - 1849) – Introduzione e Rondo no. 2 Op. 2 in Do minoreChitarra - Jeff Sigurdson[8:59] Francisco Tárrega (1852-1909) - Capricho árabeChitarra - Andrés Segovia[14:11] Enrique Granados (1867-1916) – dalle 12 Danzas Españolas: No. 2 OrientalChitarra - Manuel BarruecoChitarra - Thomas Müller-Pering[19:02] Isaac Albeniz (1860-1909) – AsturiasChitarra - Andrés Segovia]25:59] Manuel de Falla (1876 - 1946) - Siete canciones populares españolas per voce e pianofortea.El paño moruno - Allegretto vivaceb.Seguidilla murciana - Allegro spiritosoc.Asturiana - Andante tranquillod.Jota - Allegro vivoe.Nana - Calmo e sostenutof.Canción - Allegrettog.Polo – VivoVictoria de los Ángeles, soprano.Alicia de Larrocha, piano.

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5 Tarrega - Lagrima by Ruach Breath of Life

Rudy identifies NatureNotes theme music, Tarrega's Estudio Brilliante , after an adaptation by Chet Atkins.

From Albeniz to Tarrega to the blues via John Mayall to jazz/rock...

Comencem la temporada amb una entrevista inèdita a Enric Tàrrega i Andrés, històric activista i militant per la llengua i el país dels valencians

클래식 기타와 일반 기타, 혹시 차이점을 아시나요? 클래식 기타는 일반 기타보다 작지만 부드러운 음색을 갖고 있습니다. 박규희 기타리스트의 설명에 따르면, '포근하게 안아주는' 음색이라고도 합니다. 올해로 데뷔앨범 발매 10주년을 맞은 박규희 기타리스트는 섬세한 테크닉과 뛰어난 곡 해석력으로 전 세계 리스너들의 사랑을 받고 있습니다. 험난한 귀국 과정과 슬럼프 극복 방법, 다니엘 프리드리히가 제작한 특별한 악기까지 다양한 이야기 나누어 보았습니다. 오늘 방송에서는 커튼콜 최초! 깜짝 라이브 연주가 준비되어 있습니다. 또한 아래 곡들도 함께 들으실 수 있습니다. (꼭 들어보세요!)♬ Tarrega - 알함브라 궁전의 추억 (Recuerdos De La Alhambra) 00;18;30♬ Barrios - Julia Florida 00;33;19♬ Roland Dyens - 열정 (Fuoco from 'Libra Sonatine') 00;48;27♬ 숲속의 꿈(Un Sueno En La Floresta) 00;56;08♬ 깜짝 라이브 연주 00;51;57진행: 김수현 기자, 박찬민 아나운서 | 출연: 박규희 기타리스트

durée : 02:59:55 - Été Classique Après-midi du jeudi 04 juillet 2019 - par : Rodolphe Bruneau-Boulmier - L’Espagne en majesté ! du Padre Soler à la famille Halffter, de Maria Bayo à Pepe Romero, des gitanes aux chanteurs de flamenco. - réalisé par : Pierre Willer

In this podcast, Manuel Barrueco talks to Meng Su about her CD "Meng" which was released on Tonar Music on July 1, 2016. Manuel Barrueco was the executive producer on this recording.

선곡표 1.10월의 어느 멋진 날에 - 김동규 2.Tarrega - 알함브라 궁전의 추억 3.Ravel -Pavane pour une infante défunte (죽은 공주를 위한 파반느) 4.Bruch - 바이올린 협주곡 G단조 op.26 중 1. Vorspiel, allegro moderato 5.Beethoven -피아노 소나타 23번 F단조 op.57 ‘열정' 3. Allegro ma non troppo 6.Dvorak -Prague Waltz (프라하 왈츠) 7.Mozart -교향곡 25번 G단조 K.183 중 1. Allegro con brio 8.Chopin-녹턴 op.9-2 E플랫장조 9.Shostakovich -‘Gadfly' 중 Romance 10.말러 대지의 노래 Mahler - Das Lied von der Erde - 2. Der Einsame im Herbst (Etwas schleichend. Ermüdet)

The classical guitarist Pablo Villegas has made his home in New York City for a decade, but his performances have a strong sense of his roots in La Rioja, a region in the north of Spain celebrated for its complex red wines as well as its earthy, indigenous folk music. That includes the Spanish Jota, a folk dance that is normally played with mandolins and guitars, singers and dancers. Performing solo, Villegas featured the colorfully virtuosic dance in a Café Concert performance of Tarrega's Gran Jota de Concierto, which featured a variety of strumming and percussive effects. Villegas came to WQXR on the cusp of a busy season. He's making debuts this year with seven U.S. orchestras, including the Pittsburgh, Fort Worth, San Antonio, and Oregon Symphonies. For six of those seven he'll be playing Rodrigo’s soulful and challenging Concierto de Aranjuez. He also has a new album due out in early 2015, called "Americano." But as Villegas stated at several points during his visit, "music is a journey" and for him, it began at age six when he saw the celebrated Spanish guitarist Andrés Segovia performing on television. "I was really touched by it and I told my parents I wanted to learn guitar," he recalled. Villegas's parents enrolled him in a music school and at age seven he gave his first public performance. "Music is a social tool and as a musician I assume the responsibility of connecting to the audience in a way that I can make them feel things that perhaps they've never felt before." Villegas went on to study in conservatories in Madrid and Weimar, Germany, before becoming "attracted by the multicultural nature of New York." In 2004, he began postgraduate studies with professor David Starobin at the Manhattan School of Music. Villegas paid homage to Segovia in this performance of the Prelude No. 1 by Villa-Lobos, who wrote this piece for the guitar legend. Villegas's own career took off after winning the Andrés Segovia Award at age 15. He went on to receive many more prizes, while making debuts with a number of American and European orchestras. Currently, he is a cultural ambassador to the Vivanco Foundation in Spain, which combines a winery and museum of wine culture. "Wine, art – we used the same words to lexicon to express what we are feeling," he noted. "It's about emotions, it's about getting inspired by it." For this last piece, Tarrega's Recuerdos de la Alhambra (Memories of the Alhambra), Villegas suggests pairing it with a Reserva, a red wine. "It's more calm and mature," he said. "It does go deeper into your emotions." Video: Amy Pearl; Audio: Edward Haber; Text and production: Brian Wise; Interview: Naomi Lewin

Rovshan Mamedkuliev, Russian/Azerbaijani guitarist and winner of the 2012 Guitar Foundation of America International Concert Artist Competition, stopped by to chat with All Strings Considered right towards the end of his 2013 international tour. Rovshan gave us notes on preparing for the GFA competition, talks about his choice to play the ever-popular "Capricho Árabe" in the competition final, and you'll hear that performance. He also introduces us to his arrangements of piano miniatures by Azerbaijan composer Fikret Amirov, "Ivushka" by Russian guitarist and composer Sergei Rudnev, and the GFA set piece for that year's competition, Andrew York's "Just How Funky Are You."

"I wanted to appeal to the audience that still has affection for the music that Andres Segovia made so much a part of the repertoire."

1 - "It´s bad for me" (Cole Porter). Rosemany Clooney & Benny Goodman Sextet (Benny Goodman cantando também/ also singing). 2 - "Recuerdos de la Alhambra" (Tarrega). Miloš Karadaglić, violão/guitar 3 - "Veni Sancte Spiritu" (Schoendorff). Cinquecento. 4 - "Variações sobre a Cajuína, de Caetano Veloso" (Dimitri Cervo). Ronen Marczak, violino/violin. Christian Ruvolo, piano. 5 - "Electric counterpoint version for percussion - 2 movement" (Steve Reich). Kuniko, percussão/ percussion

Here Jonathan Palevsky and Manuel Barrueco discuss the new Tarrega! recording.

Classical guitar composed by F. Tarrega. Follow the item link to download the MIDI file, to view video clips or to buy an available album. Follow the item link to listen to extracts or to buy the WhmSoft "Electric Guitar with Drum and Cymbal" electronic music album.