Podcast appearances and mentions of Luis Bacalov

In questo episodio: Ennio Morricone Detto Mariano Luis Bacalov John Williams John Williams --- Send in a voice message: https://podcasters.spotify.com/pod/show/corgiov/message

Joaquim Maria Machado de Assis (1839 – 1908) escritor carioca, considerado por muitos críticos, estudiosos, escritores e leitores um dos maiores senão o maior nome da literatura do Brasil, escreveu esse poema falando de passado e futuro e a ilusão de cada um desses caminhos. Acompanha o poema a obra Adios Tierra Mia de Luis Bacalov. Obrigado. --- Send in a voice message: https://podcasters.spotify.com/pod/show/edmundonesi/message

Ailton Krenak (1953) líder indígena, ambientalista, filósofo, poeta e escritor brasileiro, primeiro indígena a ingressar na Academia Brasileira de Letras, publicou esse texto no livro de mesmo nome e traz uma reflexão sobre as decisões que a humanidade está tomando em relação ao destino que ela quer seguir. Bonita e sóbria reflexão para esse final de ano. Acompanha o texto a obra The Grand Duel de Luis Bacalov. Obrigado. --- Send in a voice message: https://podcasters.spotify.com/pod/show/edmundonesi/message

In this episode Lee takes a brief trip to the far East to check out tracks from the soundtracks and scores of some of his favourite Asian horror films. This will most likely be followed up with more parts in the future. --Heart Sutra from "Kwaidan" (1964) --Tōru Takemitsu --Theme from "Onibaba" (1964) --Hikaru Hayashi --Oriental Melon Man from "House" (1977) --Mickie Yoshino & Godiego --Theme from "Mystics in Bali" (1981) --Gatot Sudarto --The Cursed Video from "Ring" (1998) --Kenji Kawai --Robby's Song from "Tomie" (1998) --World Famous --Theme from "Audition" (1999) --Kōji Endō --Kirie from "Uzumaki" (2000) --Tetsuro Kashibuchi & Keiichi Suzuki --Ju-On Theme - House from "Ju-On: The Grudge" (2002) --Shiro Sato --The Monster's Lair from "The Host" (2006) --Byung-woo Lee --Theme from "Cold fish" (2010) --Tomohide Harada --First Pass from "Train to Busan" (2016) --Jang Young-Gyu --Karma & Kelam Malam from "Satan's Slaves" (2017) --The Spouse (Aimee Saras & Tony Marle) Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Lee is back with the second part of his look at the soundtracks and scores of the sex comedy genre, focusing on the more lurid side of things. This time everything has gotten far bigger and far hornier as he moves into the 1980s. Much like with slasher films, and other assorted cinematic junk food, the sex comedy genre exploded in North America during this decade, getting far raunchier and problematic that it had previously been. Because of the exponentially larger amount of music to put on the playlist, Lee put out a poll to the listeners asking them if they wanted this split into two parts or if they wanted a super-sized summer blow-out. Apparently the listeners are all size queens, so enjoy this 3hr episode! --Pinball Summer & Voyeur's Motel from "Pinball Summer" (1980) --Jay Boivin & Germain Gauthier --I Don't Need To Love You & Try Not To Break My Heart from "The Beach Girls" (1982) --Linda Stevens-Foote --Better Luck Next Time from "The Last American Virgin" (1982) --Oingo Boingo --Shake it Up from "The Last American Virgin" (1982) --The Cars --Teen Angel Eyes from "The Last American Virgin" (1982) --Tommy Tutone --Girls Like Me from "Valley Girl" (1983) --Bonnie Hayes --Marina Men from "Valley Girl" (1983) --The Valley Girls --Pocket Pool from "Valley Girl" (1983) --Killer Pussy --Angst in My Pants from "Valley Girl" (1983) --Sparks --Shake that Thing & This Heart's On Fire from "Screwballs" (1983) --Johnny Dee Fury --Joysticks from "Joysticks" (1983) --Legion --My Tutor from "My Tutor" (1983) --Webster Lewis --Sleepover from "The First Turn-On!" (1983) --Shrapnel --Hungry Like the Wolf from "Hot Dog... The Movie" (1983) --Duran Duran --When You Were Mine from "Hot Dog... The Movie" (1983) --Mitch Ryder --Private School from "Private School" (1983) --Bill Wray --Rock this Town from "Private School" (1983) --The Stray Cats --I Want Candy from "Private School" (1983) --Bow Wow Wow --Da Da Da I Don't Love You, You Don't Love Me Aha Aha Aha from "Private School" (1983) --Trio --How Do I Let You Know from "Private School" (1983) --Phoebe Cates --Just a Girl from "The Party Animal" (1984) --The Convertibles --Why Can't I Touch It? from "The Party Animal" (1984) --The Buzzcocks --Manhattan from "Revenge of the Nerds" (1984) --Andrea and Hot Mink --Burning Down the House from "Revenge of the Nerds" (1984) --Talking Heads --Steel from "Rosebud Beach Hotel" (1984) --Cherie & Marie Currie --Hardbodies from "Hardbodies" (1984) --Krak --Runnin' from "Hardbodies" (1984) --Vixen --Back to Paradise from "Revenge of the Nerds II" (1984) --38 Special --Dedication from "School Spirit" (1985) --Gleaming Spires --Hard Way from "Just One of the Guys" (1985) --Tony Brock & Jay Davis --Tomboy from "Tomboy" (1985) --Souvenir --Weird Science from "Weird Science" (1985) --Oingo Boingo --Philadelphia Baby from "Porky's Revenge" (1985) --The Crawling King Snakes --Peter Gunn Theme from "Porky's Revenge" (1985) --Clarence Clemons --High School Nights from "Porky's Revenge" (1985) --Dave Edmunds --Loose Screws (Breakin' Away) from "Loose Screws" (1985) --Errol Francis and The Francis Factor --Stew School from "Stewardess School" (1986) --Keith Landry --Lookin' from "The Malibu Bikini Shop" (1986) --Naomi Delgado --Recruits (Ride Hard, Live Free) from "Recruits" (1986) --Jon Mikl Thor --Hamburgers For America from "Hamburger: The Motion Picture" (1986) --Blue Miller --Party Camp from "Party Camp" (1987) --Mark Carpenter --Let Me Be the Knight from "The Big Bet" (1987) --Rob Tro --Surfin' Bongos from "Senior Week" (1987) --The Bongo Teens --Main Title from "Not of This Earth" (1988) --Chuck Cirino --Killer Machine from "Dr. Alien" (1989) --Billy Jacoby Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Welkom terug bij een nieuwe aflevering van Kalm met Klassiek, dé podcastserie voor je dagelijkse momentje rust. Deze week is het thema 'zintuigen'. We hebben als mens namelijk vijf zintuigen. En de podcast Kalm met Klassiek heeft vijf afleveringen per week. Dat betekent dat we iedere dag even kunnen stilstaan bij een ander zintuig én daarbij passende muziek! Vandaag is dat muziek voor een zeldzame instrumentcombinatie: bandoneon en harp.

Lee is back with part one of a two-part look at the soundtracks and scores of sex comedies, specifically those of the 1970s and 1980s, the raunchier the better! There was so much material to go through that he had to split each decade into its own super-sized episode of BotT, and even then he's barely scraping the surface. In part one we start off in the decade where the sex comedy really started to take off overseas at first: the 1970s! This was especially obvious in places like Great Britain and Italy, and this trend would seemingly influence North American sex comedies to push the envelope even further later in the decade, before they totally came to dominate in the 1980s. --Up Pompeii from "Up Pompeii" (1970) --Frankie Howerd --God's Children & Lola from "Percy" (1971) --The Kinks --Au Pair Girls 2 from "Au Pair Girls" (1972) --Roger Webb --Sessomatto from "How Funny Can Sex Be" (1973) --Armando Trovajoli --Alvin Purple from "Alvin Purple" (1973) --Brian Cadd --Lovin' Is from "Alice Goodbody" (1974) --Rick Harris, Candy & Mr. D --This is Your Life Timmy Lea from "Confessions of a Window Cleaner" (1974) --Su Cheyenne --Girl from Starship Venus from "The Girl from Starship Venus" (1975) --Don Lang --Confessions of Timmy Lee from "Confessions of a Pop Performer" (1975) --Three's a Crowd --Kipper; Accidents Will Happen; Oh Sha La La & The Clapham from "Confessions of a Pop Performer" (1975) --Kipper (Dominic Bugatti & Frank Musker) --Theme from "The Ups and Downs of a Handyman" (1975) --Vic Elms (vocals by Barry Stokes) --Sq. 1 - Titoli & Seq. 3 from "The Sensuous Nurse" (1975) --Gianfranco Plenizio --My Cruisin' Casanova from "Adventures of a Taxi Driver" (1976) --Adrienne Posta --The Love Bug from "What's Up Nurse!" (1977) --Tony Burrows --Private Eye from "Adventures of a Private Eye" (1977) --Christopher Neil --The New Carioca from "The Kentucky Fried Movie" (1977) --Jonathan & Darlene Edwards --Heavy Bopper from "The Kentucky Fried Movie" (1977) --Alan Moorhouse --Give Me England from "Confessions from a Holiday Camp" (1977) --The Wurzels --It's Great to Be Here from "Come Play with Me" (1977) --Peter Jeffries (vocals by Alfie Bass & George Harrison Marks) --Come Play with Me from "Come Play With Me" (1977) --Coming Shortly (Peter Jeffries) --Chevy Van; Country Lady & Early Morning Love from "The Van" (1977) --Sammy Johns --Animal House from "Animal House" (1978) --Stephen Bishop --Lollipop from "Lemon Popsicle" (1978) --The Chordettes --Hold On, I'm Coming from "What's Up Superdoc!" (1978) --Fingers (Paul Fishman) --I'm Flying from "Adventures of a Plumbers Mate" (1978) --Christopher Neil --Love Crazy from "Carry on Emmannuelle" (1978) --Masterplan (Kenny Lynch) --Lola Langusta from "Beneath the Valley of the Ultra-Vixens" (1979) --Paul Ruhland --Van Nuys Blvd. & Mama's Car from "Van Nuys Blvd." (1979) --Ron Wright & Ken Mansfield --All of My Friends from "Gas Pump Girls" (1979) --Kirsten Baker --Theme from "Spaced Out" (1979) --Emil Zoghby --You Got Me Up There from "Spaced Out" (1979) --Tommy Hunt Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Yes indeed, Lee is swamped with work and other things, so it's time to give him a break and let him do another easy TMBDOS! Grab Bag episode. This is where he makes up a playlist based on selections from the scores and soundtracks from the films covered on previous episodes of the They Must Be Destroyed On Sight! podcast. Enjoy! --La Ragazza Con La Pistola, In Due & Shake Balera from "The Girl with the Pistol" (1968) --Peppino De Luca (Episode 236) --The Name's Bond... James Bond from "No Time to Die" (2021) --Nicholas Dodd (Episode 243) --Mask: Movement 3 from "Vampire in Venice" (1988) --Vangelis (Episode 244) --Temple of The Golden Pavilion from "Mishima" (1985) --Phillip Glass (Episode 246) --Main Title from "Sneakers" (1992) --James Horner (Episode 247) --Main Theme from "Death Screams" (1982) --Dee Barton (Intermission #38) --Keoma (Instrumental) from "Keoma" (1976) --Guido and Maurizio De Angelis (Episode 252) --Ain't that a Kick in the Head from "Goodfellas" (1990) --Dean Martin (Episode 257) --I Want You Around from "Rock 'n' Roll High School" (1979) --The Ramones (Episode 259) --I'm Waiting for the Man from "American Pop" (1981) --Lou Reed (Episode 261) --Whistle & Bells and Sheriff from "The Sheriff and the Satellite Kid" (1979) --Oliver Onions (Episode 264) Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

What is the role of music in cinema and why it is such an important part of the storytelling process? How does music increase our capacity for empathy and wonder?Fabrizio Mancinelli is an Italian-American composer, songwriter, and conductor, best known for his musical contributions to the world of cinema. As a songwriter, he has created original scores for The Land of Dreams,The Snow Queen 3, The Boat, and the upcoming animated drama Mushka, among others. In 2017, he led the orchestral recording for the Academy Award-winning Green Book, and he recently scored the documentary Food 2050, which premiered at the UN Climate Change Conference in 2022."And here I have to recall a conversation I had with one of my mentors, Luis Bacalov, who won the Oscar for the movie Il Postino, one of the biggest film composers of the 20th century and a great music arranger. He told me that he always has music in his brain, and I always had music in my brain as well. It's always there in the background. I would be concerned if there was no music for one day or even for one minute. Silence is a different kind of sound for me in the difference when I write music. Silence, a rest, is as important as a note because it prepares us for something else. It's part of the music. There is a difference between relative silence, which I put in the music, and absolute silence, which I fear."https://fabriziomancinelli.uswww.instagram.com/fabmancinelliwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Lee is back with his second part of his look at his favourite selections from the soundtracks and scores for the filmography of Quentin Tarantino, this time covering "Death Proof" to "Once Upon a Time in America". As Tarantino went forward his soundtracks got larger and larger, so this ended up being an even bigger episode than part one, even with Lee trying his best to restrain himself with his picks. "Death Proof" (2007) --Violenza Inattesa --Ennio Morricone --The Last Race --Jack Nitzsche --Jeepster --T. Rex --Riot in Thunder Alley --Eddie Beram --Italia a Mano Armata --Franco Micalizzi --Hold Tight --Dave Dee, Dozy, Beaky, Mick & Tich --Baby, It's You --Smith --Chick Habit --April March "Inglourious Basterds" (2009) --Main title from White Lightning --Charles Bernstein --Main title from Slaughter --Billy Preston --Ich Wollt Ich Wär Ein Huhn --Lillian Harvey & Willy Fritsch --Main Theme from Dark of the Sun --Jacques Loussier --Tiger Tank --Lalo Schifrin --Rabbia e Tarantella --Ennio Morricone --Un Amico --Ennio Morricone --The Devil's Rumble --Davie Allan and The Arrows --Algiers November 1, 1954 --Ennio Morricone & Gillo Pontecorvo "Django Unchained" (2012) --Django --Rocky Roberts & Luis Bacalov --The Braying Mule --Ennio Morricone --His Name Was King --Luis Bacalov & Edda Dell'Orso --I Got A Name --Jim Croce --Rito Finale --Ennio Morricone --Days of Anger --Riz Ortolani --Trinity (Titoli) --Franco Micalizzi and Lally Stott, vocals by Annibale E I Cantori Moderni "The Hateful Eight" (2015) --L'Ultima Diligenza Di Red Rock (Intro Vers.) --Ennio Morricone --Regan's Theme (Floating Sound) --Ennio Morricone --Beastiality --Ennio Morricone --Now You're All Alone --David Hess --L'inferno Bianco --Ennio Morricone --There Won't Be Many Coming Home --Roy Orbison "Once Upon a Time in Hollywood" (2019) --I Can't Turn You Loose --Wayne Cochran and The C.C. Riders --Out of Time (Strings Version) --The Rolling Stones --Hush --Deep Purple --Son of a Lovin' Man --Buchanan Brothers --Bring a Little Lovin' --Los Bravos --Ready for Action --Syd Dale --Brother Love's Traveling Salvation Show --Neil Diamond --Kicks --Paul Revere & The Raiders --Victorville Blues --Harley Hatcher Combo --Dinamite Jim (English Version) --Nico Fidenco & I Cantori Moderni di Alessandroni (vocals) --You Keep Me Hangin' On (Quentin Tarantino Edit) --Vanilla Fudge Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Regardless of if you like the work of Quentin Tarantino or not, it can not be denied that he curates killer soundtracks for his films. Much like how he borrows visually and thematically from the films of the past to create his own unique film architecture, he often layers in music from other films in other to do much the same. Sometimes the music is there just to accent a scene and make it cooler, sometimes it's a deeper meta reference. Sometimes it just doesn't work at all, but nobody always hits the target all the time. With the announcement that Tarantino is working on his (according to him) tenth and final film, "The Movie Critic", Lee decided it was time to look back at his body of work as it stands right now, and choose the tracks from his filmography that he loves best. Because there's so much to dig into, this will be part one of a two part series of super-sized episodes. "Reservoir Dogs" (1992) --Little Green Bag --The George Baker Selection --Stuck in the Middle With You --Steelers Wheel --Coconut --Harry Nilsson "Pulp Fiction" (1994) --Miserlou --Dick Dale --Ace of Spades --Link Wray --Comanche --The Revels --Bustin' Surfboards --The Tornadoes --If Love is a Red Dress (Hang Me in Rags) --Maria McKee "Jackie Brown" (1997) --Didn't I (Blow Your Mind This Time) --The Delfonics --Cissy Strut --The Meters --The Lion and the Cucumber --The Vampire's Sound Incorporation --Exotic Dance, Escape, & Aragon --Roy Ayers --Street Life --Randy Crawford --Long Time Woman --Pam Grier --Who is He (And What is He to You) --Bill Withers --Across 110th Street --Bobby Womack "Kill Bill: Volume 1" (2003) --The Flower of Carnage --Meiko Kaji --Battle Without Honor or Humanity --Tomoyasu Hotei --Theme from Ironside --Quincy Jones --The Lonely Shepherd --Gheorghe Zamfir & James Last --Twisted Nerve --Bernard Herrmann --That Certain Female --Charlie Feathers --Crane/White Lightning --RZA & Charles Bernstein --Run Faye Run --Isaac Hayes --The Grand Duel (Parte Prima) --Luis Bacalov --Bang Bang (My Baby Shot Me Down) --Nancy Sinatra "Kill Bill: Volume 2" (2004) --Motorcycle Circus --Luis Bacalov --Malagueña Salerosa --Chingon --Can't Hardly Stand It --Charlie Feathers --The Chase --Alan Reeves, Phil Steele, and Philip Brigham --A Silhouette of Doom & L'arena --Ennio Morricone Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

TRILLOQUY is made possible, in part, by Salastina: https://www.salastina.org/INTRODUCTION: “The Mandalorian” Main Theme by Ludwig Göransson (https://www.youtube.com/watch?v=62x19Bepc5s); “The Sopranos” Opening Credits by Alabama 3 (https://www.youtube.com/watch?v=mJpNmYeooQE&t=41s); “Lo Chiamavano King” by Luis Bacalov (https://www.youtube.com/watch?v=cT1BiMHTVz8); “I Got a Name” by Jim Croce (https://www.youtube.com/watch?v=wmKd_P1qGIA)MOVEMENT ONE: “‘Of The Sea' and other Black operas are changing the face of classical music” (https://www.cbc.ca/news/entertainment/of-the-sea-opera-1.6796948); ‘Of The Sea' Trailer (https://www.youtube.com/watch?v=jj2VpkOhAlo); “A Lost Operatic Masterpiece Written By White Men For An All-Black Cast Was Found And Restored. Can It Be Produced Without Controversy?” (https://www.billboard.com/pro/lost-blues-opera-harold-arlen-johnny-mercer-stage-theater/); “He's Been Faithful” performed by Angel Blue (https://www.youtube.com/watch?v=KXfBCe--kMI)MOVEMENT TWO: “Sometimes It Snows in April” performed by Shaina E & Jazz Mafia (https://www.youtube.com/watch?v=BMsPOWCYcMg); “Heartbeat” by Ryuichi Sakamoto (https://www.youtube.com/watch?v=XtvTDuTbPhU)MOVEMENT THREE: Garrett Interviews Tommy Dougherty (https://tsdoughertycomposer.com/bio/); “Restrung” by Tommy Dougherty (https://soundcloud.com/tommy-s-dougherty/restrung); “Extraordinary Instruments” by Tommy Dougherty (https://soundcloud.com/tommy-s-dougherty/extraordinary-instruments)MOVEMENT FOUR: “Prison Song” by Carlton Williams (https://www.youtube.com/watch?v=s6F37L7vtyw); Garrett and Scott Discuss Donald Trump's Arraignment  ★ Support this podcast ★

Luis Bacalov es un compositor y director de orquesta argentino, considerado uno de los artistas más importantes de la música para cine. Nació en Buenos Aires en 1933, en el seno de una familia judía, orígen que claramente influyó en su vida y obra, pues Bacalov integró elementos de la música judía en su trabajo artístico, dándole un sello distintivo a sus composiciones para cine y otros proyectos musicales. Luis Bacalov inició su carrera en Argentina, estudiando en el Conservatorio Nacional de Música de Buenos Aires. Desde 1950 trabajó como pianista y director de orquesta, enfocado en la televisión y el teatro argentino. En 1960 recibió el premio Martín Fierro por su música para la serie de televisión: “El hombre que compró la Luna”. Continuó su carrera desde Italia trabajando junto a directores reconocidos del mundo del cine. Bacalov demostró su habilidad para mezclar diversos sonidos y estilos musicales, combinando la música clásica con la música popular argentina. En 1996, recibió el Premio Oscar a Mejor Banda Sonora, por su trabajo en la película “El Cartero”, dirigida por Michael Radford. También ganó el premio Grammy en 2001 por “Misa Tango”, una obra coral en donde combinó sonidos litúrgicos con el tango argentino. Luis Bacalov falleció en Roma en 2017, dejando un legado en el cine, la música y la cultura del mundo.

Sometimes the cinematic vanity project (a film that is usually some combo of a single person writing, directing, producing and acting in a film) can be an artistic vision that's a masterpiece that stands the test of time. A good example would be Orson Welles' "Citizen Kane". Most times, however, vanity projects are created by total outsiders who have the money but no talent, but their drive and their delusions push the project through, for better or for worse. This time out Lee has put together a playlist covering some notable, and in some cases just unknown, vanity projects. This will no doubt be a thread picked up in future episodes, as there's a ton of these to cover. --World's Greatest Sinner from "The World's Greatest Sinner" (1962) --Frank Zappa --Come on Feet from "Sweet Sweetback's Baadasssss Song" (1971) --Melvin Van Peebles --Schlock Boogie from "Schlock" (1973) -- Ian Kranitz & Albin Konopka --Rage from "Stone" (1974) --Billy Green --I'll Be With You In Apple Blossom Time & Open Your Heart from "Massacre Mafia Style" (1974) --Duke Mitchell --Enuff is Enuff from "One Down, Two to Go" (1982) --Rodney Franklin --To Survive; Girl Crazy & Take it Off from "The Life and Loves of a Male Stripper" (1987) --Rafael Bethencort --Shimmy Slide from "Champagne and Bullets" (1993) --John De Hart --The Ninja from "New York Ninja" (2021) --Voyag3r Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Lee has finally dipped back into the world of rejected film scores. Due to popular demand, he's also included short snippets of the scores that were actually used in the finished film before each selection. Sit back and listen to what could have been, and maybe learn a little bit about why things didn't quite pan out the way they could have. --Suite from "Night and the City" (1950) --Benjamin Frankel --Suite from "Night and the City" (1950) --Franz Waxman --Main Title from "Forbidden Planet" (1956) --David Rose --The Mountain from "The Bible" (1966) --Ennio Morricone --Main Title from "Frenzy" (1972) --Henry Mancini --Alien Landing, Out Back & The Vial from "Alien Nation" (1988) --Jerry Goldsmith Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Lee is trying to regroup from a rough last couple of months, so he is starting off 2023 by looking at music from some of the best first-time watches of 2022 in order to conjure up some good memories for that year. --Suite from "Dr, Jekyll and Sister Hyde" (1971) --David Whitaker --Something's Mighty Mighty Wrong & That's What Love Will Do from "Three the Hard Way" (1974) --The Impressions --Suite from "Visiting Hours" (1982) --Johnathan Goldsmith --I Was Looking for You & Telescope from "Body Double" (1984) --Pino Donaggio --End Titles from "52 Pick-Up" (1986) --Gary Chang --Arrivals from "Extreme Prejudice" (1987) --Jerry Goldsmith --Scrooge from "The Muppet Christmas Carol" (1992) --Composed by Paul Williams, performed by The Muppets --Tarot from "Woodlands Dark and Days Bewitched: A History of Folk Horror" (2021) --Andrew Brown --It's in the Cloud & Arena Attack from "Nope" (2022) --Michael Abels Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

El éxito de la película "Un puñado de dólares" dirigida por Sergio Leone, desencadeno la producción de mas de 500 títulos en un periodo de apenas 15 años. El subgénero denominado Spaghetti Western siempre tuvo un elemento fundamental, su música. Maestros como Ennio Morricone, Bruno Nicolai, Francesco de Masi o Luis Bacalov compusieron impresionantes bandas sonoras, dignas de homenajear aquí y ahora con este tributo. Presenta y edita Ismael Rubio. Síguenos por nuestras RRSS y no olvidéis compartir, comentar y darle al like, gracias. ➡️ IVOOX https://cutt.ly/hAgt2qi ➡️ SPOTIFY https://cutt.ly/lAgylLF ➡️ APPLE https://cutt.ly/OLDSRzK ➡️ FACEBOOK https://cutt.ly/WLUG1LQ ➡️ INSTAGRAM https://cutt.ly/4LUGKxE ➡️ TWITTER https://cutt.ly/oLUHmtK ➡️ YOUTUBE https://cutt.ly/LLeqK2Y ➡️ INSTAGRAM CARLOS CUBO https://cutt.ly/ULBMlMt ➡️ INSTAGRAM ISMAEL RUBIO https://cutt.ly/rLUJhBZ ➡️ TWITTER CARLOS CUBO https://cutt.ly/dLBMPxW ➡️ TWITTER ISMAEL RUBIO https://cutt.ly/hLUG6Oz Descarga nuestra app ➡️ VIDEOCLUB RADIO https://cutt.ly/RKXIA02

Lee is back to end off 2022 with a playlist comprised of a mix of recent private watches, and films he screened for watch parties he's held in the last couple of months. --The Call from "Blacula" (1972) --Gene Page --There He is Again from "Blacula" (1972) --The Hues Corporation --Opening Theme from "Messiah of Evil" (1973) --Phillan Bishop --Hold on to Love from "Messiah of Evil" (1973) --Raun Mackinnon --Assault On Precinct 13 (Main Title) from "Assault on Precinct 13" (1976) --John Carpenter --San Antone from "Rolling Thunder" (1977) --Denny Brooks --Main Title & The Reckoning from "Invasion of the Body Snatchers" (1978) --Denny Zeitlin --Opening Theme from "The Boogey Man" (1980) --Tim Krog --Main Title; The Battle Begins & Destruction of Hammerhead from "Battle Beyond the Stars" (1980) --James Horner --Main Title from "The Challenge" (1982) --Jerry Goldsmith Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Emisión especial de El Sótano desde el Cine Doré de Madrid, para celebrar el comienzo de una nueva temporada del ciclo Sala:B de la Filmoteca Española. Un ciclo dedicado a la serie B, las películas de terror o ciencia ficción, paella western, cine quinqui, cortometrajes, vanguardias, experimentos y documentales bizarros del cine español. Nos acompañan Alex Mendíbil (comisario del ciclo), Jorge Muñoz Cobo (Doctor Explosion) y Marciano Pizarro (Melodías Pizarras, Mondo Brutto). Playlist; ANTÓN GARCÍA ABRIL “La noche de Walpurgis” (1971) TRAILER EL BUQUE MALDITO (1974) TRAILER EL JUEGO DEL DIABLO (1975) JOAQUÍN TORRES “Te deseo muerta” (BSO “El pantano de los cuervos”, 1974) SERGIO BARDOTTI y LUIS BACALOV “Like A play” (de “Un verano para matar”, 1972) BSO “MÁS ALLÁ DEL TERROR” (1980) TRAILER LAS GARRAS DE LORELEI (1974) TRAILER LA NOCHE DE LOS BRUJOS (1973) JUAN Y JUNIOR “Un mundo diferente” (1967, inédito) ANDRÉS PAJARES “Drácula yeyé” (1968) STELVIO CIPRIANI “El precio de un hombre” (BSO “El precio de un hombre” aka “The bounty killer”, 1966) ENNIO MORRICONE “Vamos a matar compañeros” (BSO “Vamos a matar, compañeros”, 1970) CRISTAL OSCURO (en PERRAS CALLEJERAS , 1985) FRAGMENTO “OPERACIÓN CABARETERA” TRAILER CON EL ODIO EN LA PIEL (1988) FERNANDO GARCÍA MORCILLO “Akelarre” (BSO de “El monte de las brujas”) Escuchar audio

13 septiembre 2022 - programa #143 Hoy en Sputnik Radio 105.4FM y en www.sputnikportal.com una nueva edición de Rudy Sessions Radio Show, en la que Gus y Oscar darán un paseo por el mundo de las bandas sonoras. Llegarán con las maletas cargadas de discos franceses, italianos y de blaxplotation. PLAYLIST #143: 1. NEAL HEFTI – BATMAN THEME 2. ENNIO MORRICONE – CITTÁ VIOLENTA 3. DAVID SHIRE – TALKING PELHAM ONE, TWO, THREE 4. MANFRED HÜBLER & SIEGFRIED SHAHAB – VAMPIROS LESBOS 5. ALESSANDRO ALESSANDRONI – SANGUE DI ESBIRRO 6. BBC RADIOPHONIC WORKSHOP – DOCTOR WHO 7. ROY BUUD – GET CARTER 8. SERGE GAINSBOURG – L.A. HORSE 9. LALO SCHIFRIN – ENTER THE DRAGON 10. JOHNY PATE – SHAFT IN AFRICA 11. HENRY MANCINI – PETER GUNN 12. LUIS BACALOV – ROMA BENE 13. QUINCY JONES – THE LOST MAN 14. DANIELE PATUCCHI – LA LOCA EXTRAVAGANCIA SEXI 15. HENRY MANCINI – EXPERIMENT IN TERROR 16. DIRK SANDERS - TU SERAS TERRIBLEMENTE GENTILLE 17. RY COODER – PARIS TEXAS Desde la promotora musical RUDY SESSIONS hace algún tiempo estamos intentando activar la escena musical de la isla con nuestros conciertos de carácter internacional. Todos los martes de 20 a 21 horas les haremos partícipes de nuestro amor por la música con programas en los que varios de los socios pincharán sólo buena música de variados estilos (pop, rock, rhythm & blues, power pop, garaje, groove, folk, etc.)

Vittorio De Scalzi se n'è andato il 24 luglio 2022: cantante e musicista, è stato membro fondatore dei New Trolls, gruppo genovese che ha lasciato un segno importante nella musica rock.  Rock d'autore con De Andrè (Senza orario, senza bandiera), un capolavoro di rock progressivo come "Concerto grosso con i New Trolls" con Luis Bacalov (primo crossover tra classica e rock) e una manciata di canzoni hanno accompagnato la generazione dei nati nei '50/'60.  Tra le tante composizioni c'è una canzone, "La miniera", che ricorda e descrive la tragedia di Marcinelle: l'8 agosto 1956 262 minatori persero la vita nella miniera di carbone della cittadina belga.  Vittorio De Scalzi è morto il 24 luglio 2022 a causa di una fibrosi polmonare contratta per le conseguenze del covid.

Musikkens svar på smagen af en knastør prosecco og marinerede artiskokhjerter i olie fra filmens, operaens og den italienske sangskats fineste hylde. Glæd dig til Mina, Domenico Modugno, Mancini, Cecilia Bartoli , Vivaldi, Luis Bacalov, Riz Ortolani, Morricone og andre sprøde perler. Vært: Minna Grooss. www.dr.dk/p2

Quentin Jerome Tarantino (born March 27, 1963) is an American filmmaker, actor, film critic and author. His films are characterized by frequent references to popular culture and film history, nonlinear storylines, dark humor, stylized violence, extended dialogue, pervasive use of profanity, cameos and ensemble casts. Tarantino is also known for his choice of music in his films, including soundtracks that often use songs from the 1960s and 70s. This episode features 70 tracks curated by Tarantino and that he has used within his work. It was originally published as a playlist with a popular audio streaming provider (that shall remain unnamed) in July 2019. Lineup: Nancy Sinatra, Harry Nilsson, Isaac Hayes, Luis Bacalov, Rocky Roberts, Edda Dell'Orso, Dusty Springfield, Jennifer Jason Leigh, Kurt Russell, Samuel L. Jackson, Chuck Berry, Bernard Herrmann, Randy Crawford, The Tornadoes, Santa Esmeralda, T. Rex, Al Hirt, Charlie Feathers, Chris Isaak, The Statler Brothers, David Hess, The Delfonics, The Mavericks, Peggy Simms, George Baker Selection, Joe Tex, Soundgarden, Jerome Patrick Hoban, Johnny Cash, Ennio Morricone, Dave Dee, Dozy, Beaky, Mick & Tich, The Lively Ones, Buddy Guy, HOTEI, ZZ Top, Dick Dale, Al Green, The Brothers Johnson, Meiko Kaji, Kim Circle, Malcolm McLaren, Roy Orbison, Alex Orbison, Chuck Turner, Elisa Toffoli, Ricky Nelson, Shivaree, The Soundtrack Singers, Ann O'Day, David Bowie, Smith, The Robins, Jim Croce, The Marketts, The White Stripes, Bill Withers, The Blasters, James Russo, The 5.6.7.8's, James Brown, 2Pac, Stealers Wheel, Lole Y Manuel, Bloodstone, Brother Dege, Nymphomania, Bobby Womack, Léo Delibes, Kool & The Gang, Robert Palmer, Pacific Gas & Electric

Det spirer frem igen og igen. Den samme cyklus år efter år, fra en sindstilstand til en anden, livsfasernes bevægelse. Det syder, bobler, forandrer sig, går igen, forsvinder, smelter, fryser kommer tilbage, nøjagtig som Natsværmerens færden i din radio. Denne aften til tonerne fra Uno Helmersson, Naqsh Duo, Abdul Salam Kheir, Hanggai, Luis Bacalov og gode gamle Mozart. Vært: Minna Grooss. www.dr.dk/p2

Milonga med en engel, minder fra Alhambra, en drøm med Linda Ronstad, et fingerknips, en prop der springer, champagnefødder og en hulens masse guitarmusik. Følelserne uden på tøjet med Tarrega, Piazolla, Maria Callas, Luis Bacalov, Bazaar og andre der tør. Vært: Minna Grooss. www.dr.dk/p2

With Joe Wright's new film out, inspired by the fictional Cyrano de Bergerac and with a score by Bryce and Aaron Dressner, Matthew looks at films that explore the art of wooing. He introduces music by Ilan Eshkeri, Rachel Portman, Luis Bacalov, George Fenton, and John Ottman among others, and he talks to Bryce Dressner about his new score for 'Cyrano'. The Classic Score of the Week is Roy Webb's 'Notorious'.

durée : 00:57:53 - Westerns italiens - par : Thierry Jousse - Au moment où réapparaissent deux pièces maîtresses du western italien, El Chuncho de Damiano Damiani et Django de Sergio Corbucci, Ciné Tempo vous propose un petit voyage dans les musiques chatoyantes d'un genre où se sont notamment illustrés Ennio Morricone et Luis Bacalov. - réalisé par : Lionel Quantin

Libri:..Cettina Caliò, Di tu in noi (La Nave di Teseo)..Edith Bruck, Tempi (La Nave di Teseo)..Peter Handke, Canto alla durata (trad. Hans Kitzmüller, Einaudi)..Raymond Carver, Tutte le poesie (trad. R. Duranti, F. Durante, minimum fax)..Gianni Montieri, Le cose imperfette (Liberaria)..Mario Rigoni Stern, Stagioni (Einaudi)..Musica:..Vincenzo Bellini, Casta diva, Ite sul colle (Norma)..Franco Battiato, J'entends siffler le train (Fleurs)..Erik Satie, Gnossienne n°1, Première Gymnopédie, Petite Ouverture à danser ..Nick Cave, Into My Arms (the Boatman's Call)..Luis Bacalov, In bicicletta, Metafore, I sogni del postino, Pablito (Il postino, colonna sonora)..Lucio Corsi, Trieste (Cosa faremo da grandi?)..Johann Strauss, Sul bel Danubio blu..Laura Veirs, Prairie Lullaby (Tumble Bee)..Paolo Benvegnù, Cerchi nell'acqua (Piccoli fragilissimi film)

A review for Arrow Video's release of Django (1966) featuring Kyle Bruehl of I Know Movies and You Don't. Django stars Franco Nero, Loredana Nusciak, Angel Alvarez, Eduardo Fajardo, Jose Bodalo, and many more. Music by Luis Bacalov. CInematography by Enzo Barboni. Story by Segio and Bruno Corbucci. Screeplay in collaboration with Piero Vivarelli and Franco Rossetti. Produced and Directed by Sergio Corbucci.

dźwiękościeżka - podcast o muzyce filmowej[IL Postino] reżyseria: Michael Radford || muzyka: Luis Bacalovlubię filmy / lubię je oglądać i je robić / ale ten podcast przede wszystkim jest o muzyce filmowej / bo to taka szczególna forma, która powstaje po to żeby wspierać film / ale czasem, naprawdę rzadko, nagle taki soundtrack staje się dziełem samodzielnym  i wtedy ma się do czynienia z prawdziwą sztuką / a to jest dokładnie to - czego szukam w życiu.utwory wykorzystane w dzisiejszym podcaście:1. IL Postino - Luis Bacalov | 2.442. Milonga del Poeta - Luis Bacalov | 1.163. In Bicicletta  -Luis Bacalov | 2.294. Beatrice - Luis Bacalov | 4.075. Il Postino (Guitar And Bandoneon Version) - Luis Bacalov | 3.13wszystkie utwory wykorzystane legalnie na mocy umowy z ZAiKS. 

durée : 00:58:18 - L'Italie, les années 60 - par : Thierry Jousse - La ressortie en salles du beau film de Valerio Zurlini, La Fille à la Valise, nous a donné une envie d'Italie. Plongeons donc dans le grand cinéma italien des années 1960 et ses musiques signées Nino Rota, Armando Trovaioli, Luis Bacalov ou, bien sûr, Ennio Morricone… - réalisé par : Emmanuel Benito

Uur 1 1.         My foolish heart – Margaret Whiting 2.         Loving her was easier – Kris Kristofferson 3.         Eigentlich – Ina Regen 4.         Lente – Anouk 5.         In the morning – Mathilde Santing 6.         Volver a ti – Feten Feten & Daniel Me Estas Matando 7.         If we never meet again – Elvis Presley 8.         Hou me vast – Wende & Nederlands Kamerkoor 9.         Slip slidin’ away – Paul Simon 10.       How the heart approaches what it yearns – Elaine Paige 11.       Ik zou wel eens willen weten – dirk Blanchart 12.       La califfa – Milva 13.       The killing of Georgie – Rod Stewart 14.       Il postino poeta – Luis Bacalov & Carel Kraayenhof   Uur 2 1.         Birmingham – Randy Newman 2.         Y’a pas de printemps – Edith Piaf 3.         De berge van Bob – Rowwen Heze 4.         I read a lot – Nick Lowe 5.         Lover’s will – Bonnie Raitt 6.         El marabino – Rita Payes & Elisabeth Roma 7.         Alle seizoenen – Joost Spijkers 8.         Why worry – The BlueBirds & Leonie Meijer 9.         Little girl blue – Janis Joplin 10.       Loads of love – Shirley Horn 11.       Visions – Jose Gonzalez 12.       Boa sorte – Vanessa da Mata & Ben Harper 13.       We’ll meet again – John Lee Hooker 14.       Goed koekjesjaar (1957) – Jan Rot 15.       Soul bossa nova – Quincy Jones

**Chill On Air Vol 80** Tracklist: 01. Luis Bacalov, Edda Dell'orso - Lo Chiamavano King (His Name Is King) 02. Michal Menert - Too Blind (feat. Daily Bread) 03. Mercury Rev - Sermon 04. Grimes & PAN - Darkseid 05. Yello - She's Got A Gun 06. Beshken - Grey Ghost 07. Karen O, Danger Mouse - Lux Prima 08. Kaleo - Way Down We Go 09. Goldfrapp - Pilots (On A Star) 10. Kognitif - Peace to My World 11. Mari Boine - Gula Gula (Chilluminati Mix) 12. Dead Horse Beats - Home Days 13. Golden Bug - Ground 14. Morcheeba - Undress Me Now 15. Mattiel (Mattiel) - Count Your Blessings 16. Anna Calvi - Chain

L'amaro sapore La clip è "Lontano dagli occhi" cantata da Sergio Endrigo (autore Sergio Bardotti-musiche Luis Bacalov-etichetta Cetra-1969 all rights reserved)

Listen to a PREVIEW of the sixth episode of How Did They Win, a special bonus series you can hear on the And the Runner-Up Is Patreon exclusive feed! How Did They Win is a series in which Kevin is joined by special guests in breaking down a notable Oscar category outside of Best Picture. In this episode, Kevin speaks with Tom O'Brien and Amy Thomasson about Christoph Waltz winning Best Supporting Actor for "Django Unchained" at the 2012 Oscars. This episode includes a breakdown of each nominee, a discussion of why they were nominated, why four of them lost, why Waltz won, and all the notable snubs. You can listen to more bonus episodes by going to patreon.com/andtherunnerupis and contributing at the $3 per month tier. Follow Kevin Jacobsen on Twitter:  @Kevin_Jacobsen Follow Tom O'Brien on Twitter:  @thomaseobrien Follow Amy Thomasson on Twitter:  @athomasson11 Follow And the Runner-Up Is on Twitter: @OscarRunnerUp Music included on this episode: "Django" by Luis Bacalov and Rocky Roberts Clips included on this episode from: "Argo" (Warner Bros.) "Silver Linings Playbook" (The Weinstein Company)

Grammar pill about marks that you write above certain letters, and emphasis that you put on a part of words, so that it sounds slightly louder. -Credits (Pasta Grooves remix) : “Andavo a cento all’ora” by Camucia, Toni Dori and Mario Cantini; “Go-kart twist” and “Corri corri” by Pilantra and Ennio Morricone;“Che me ne faccio del latino” by Mario Bertolazzi, Luciano Beretta and Marcello Marchesi; “Fatti mandare dalla mamma a prendere il latte” by Franco Migliacci and Luis Enriquez (1963) - “Se puoi uscire una domenica sola con me” by Bruno Zambrini and Giancarlo Guardabassi (1964) - “I ragazzi dello shake” by Franco Migliacci, Bruno Zambrini and Luis Bacalov (1966) - “Una domenica così” by Sergio Paolini, Stelio Silvestri, Riccardo Vantellini and Pippo Baudo; “Se perdo anche te” by Franco Migliacci and Neil Diamond (1967).

Massimo Troisi had a driving passion to make The Postman, so much so that he put medical care off to get it made. This lead to his death immediately after principal photography, but his passion project was able to be seen by the world. But would it have the success story it has if it wasn't for the Miramax marketing machine? Hard to say, but we don't think so, despite it being an absolutely adorable film. Join us – Pete Wright and Andy Nelson – as we continue our Foreign Language Films Nominated for Best Picture series with Michael Radford's 1994 film The Postman (Il Postino). We talk about the nature of foreign language films being left out of the Best Picture race from the early 70s to the mid 90s and why that may have been. We also talk about the nature of the Best Picture award and what a film should have intrinsically to get that nomination, but how marketing efforts really led to shifts there. We discuss Troisi's passion for this film and how it pushed him to get it made, regardless of his health. We look at the nature of a biographical story and why including Pablo Neruda in this film doesn't make it biographical. We chat about the power of Neruda's poetry and why it works so well in this film. We touch on Radford as a director and Luis Bacalov's incredible score. And we look at other films that were left out of the Best Picture race. It's a beautiful and heartwarming film. Maybe not Best Picture material, but certainly something that warmed both our hearts. We had a great time talking about it so check it out then tune in to this week's show! The Next Reel – when the movie ends, our conversation begins. Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Thank you for supporting The Next Reel Film Podcast on Patreon! Watch this film: Amazon Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd

Massimo Troisi had a driving passion to make The Postman, so much so that he put medical care off to get it made. This lead to his death immediately after principal photography, but his passion project was able to be seen by the world. But would it have the success story it has if it wasn’t for the Miramax marketing machine? Hard to say, but we don’t think so, despite it being an absolutely adorable film. Join us – Pete Wright and Andy Nelson – as we continue our Foreign Language Films Nominated for Best Picture series with Michael Radford’s 1994 film The Postman (Il Postino). We talk about the nature of foreign language films being left out of the Best Picture race from the early 70s to the mid 90s and why that may have been. We also talk about the nature of the Best Picture award and what a film should have intrinsically to get that nomination, but how marketing efforts really led to shifts there. We discuss Troisi’s passion for this film and how it pushed him to get it made, regardless of his health. We look at the nature of a biographical story and why including Pablo Neruda in this film doesn’t make it biographical. We chat about the power of Neruda’s poetry and why it works so well in this film. We touch on Radford as a director and Luis Bacalov’s incredible score. And we look at other films that were left out of the Best Picture race. It’s a beautiful and heartwarming film. Maybe not Best Picture material, but certainly something that warmed both our hearts. We had a great time talking about it so check it out then tune in to this week’s show! The Next Reel – when the movie ends, our conversation begins. Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel! Film Sundries Thank you for supporting The Next Reel Film Podcast on Patreon! Watch this film: Amazon Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd

La presentazione della Libreria dei Podcast della Corte costituzionale, dal 2 giugno sul sito e sui canali social della Corte. Con le voci della presidente Marta Cartabia e dei giudici costituzionali Mario Morelli, Giancarlo Coraggio, Luca Antonini. Musiche: Iva Zanicchi, La riva bianca la riva nera (Peermusic, Sugarmusic); Antonín Dvorák, Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World", Filarmonica di Vienna & Herbert von Karajan (Universal); Riccardo Cimino, First Appearance, Viaggio in Italia. La Corte costituzionale nelle carceri (Original Soundtrack); Luis Bacalov, Il Postino - Titoli (Creazioni Artistiche Musicali, Sugarmusic).

Even if someone has never watched an Italian Western, there's at least a good chance they've heard the soundtrack or score from one. While Lee has featured some tracks from Italian Westerns before on the show, he's never done a dedicated look at the genre. This will be part one of three shows attempting to cover the scope of music that came from the Italian Westerns. Episode one is focused on selections that have vocalists on the tracks singing a song of some sort (note: the typical chorus of unintelligible chanting found on many Italian Western scores does not count in this case). As mentioned before, in some cases, you'll encounter a track that has been featured on a previous episode, but the majority of these shows will be featuring new material. Also, although he states on the episode that he was trying to keep this episode within the usual confines of an hour runtime, he quickly discovered the folly of that, as there is too much great music to play. Expect all of the episodes in this series to be as long as they have to be. --A Gringo Like Me from "Gunfight at Red Sands" (1963) --Ennio Morricone w/Peter Tevis --The Return of Ringo from "The Return of Ringo" (1965) --Ennio Morricone w/Maurizio Graf --A Lone and Angry Man from "A Coffin for the Sheriff" (1965) --Francesco De Masi w/Peter Tevis --Ya Me Voy from "A Bullet for the General" (1966) --Luis Bacalov w/Ramon Mereles --Texas, Adios from "Texas, Adios" (1966) --Anton Garcia Abril w/Don Powell --Django from "Django" (1966) --Luis Bacalov w/Rocky Roberts --For a Gunshot from "Little Rita of the West" (1967) --Roberto Gigli w/Rita Pavone--Who Is The Man? from "A Taste of Death" (1968) --Francesco De Masi; Alessandro Alessandroni & Giulia De Mutiis w/Raoul Lovecchio --Just A Coward from "And Now... Make Your Peace with God" (1968) --Franco Bixio w/Mary Usuah --A Man Alone from "Time and Place for Killing" (1968) --Francesco De Masi w/Raoul Lovecchio --Rocks, Blood And Sand from "And God Said to Cain" (1969) --Carlo Savina w/Don Powell --Maya from "No Room to Die" (1969) --Vasco & Mancuso w/Franco Morselli --Vamos A Matar Compañeros (#4) from "Companeros" (1970) --Ennio Morricone --A King For A Day from "Sartana in the Valley of Death" (1970) --Augusto Martelli --Trinity: Titles from "They Call Me Trinity" (1970) --Franco Micalizzi & Harold Stott w/Annibale Giannarelli --They Called Him King from "His Name was King" (1971) --Luis Bacalov w/Ann Collin & Edda Dell’Orso --I'm Not Your Pony from "Shoot the Living and Pray for the Dead" (1971) --Mario Migliardi w/Ann Collin --Can Be Done from "It Can Be Done Amigo" (1972) --Luis Bacalov w/Rocky Roberts --Let it Rain, Let it Pour from "Ben and Charlie" (1972) --Gianni Ferrio w/Stefan Grossmann --Blue Eggs and Ham from "Halleluja to Vera Cruz" (1973) --Luis Bacalov --Keoma from "Keoma" (1976) --Guido & Maurizio De Angelis w/Sybil & Guy Opening and closing music: End Title from "Horror Express" by John Cacavas & In Un Altro Bar from "Revolver" by Ennio Morricone.

Hey, everyone! Mack, here, with a new episode! Join me as I take a look at select films of the infamous Italian director, Bruno Mattei! Plus, there is a new installment of the Three Teners series where I'm joined by good friend, John. Times Codes: Intro: 0:00-2:49 Private House of the SS: 2:49-7:29 Hell of the Living Dead: 7:29-13:13 The Other Hell: 13:13-17:10 Strike Commando: 17:10-21:11 Three Teners (Monsters): 21:11-44:57 Closing: 44:57-46:07 Paypal: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=UXZNDGDH4M42W Facebook: https://www.facebook.com/CinemaMack/ Twitter: @CinemaMack Instagram: mackenzielambert7928 Contact: m.j.lambert2283@gmail.com Mack & the Movies logo by masteringsounds https://www.fiverr.com/masteringsounds Intro by androzguitar https://www.fiverr.com/androzguitar Audio Clips Used: Hell of the Living Dead (dir. Bruno Mattei) Metal Gear Solid Alert sound effect (Takanari Ishiyama) Private House of the SS score (Gianni Marchetti) Hell of the Living Dead theme (Luis Bacalov) "Patrick" (Goblin) Strike Commando score (Luigi Ceccarelli) Mystery Science Theater 3000 (Best Brains) Strike Commando (dir. Bruno Mattei) "La Donna e Mobile" (The Three Tenors)

You asked and I delivered. This week's episode features a conversation between me and my Dad. We talk about the importance of embracing nuance in all aspects of life, what it was like for my Dad to grapple with the intersections of homosexuality, marriage and fatherhood plus the never-ending process of coming to terms with our authentic selves by rejecting the structures, boxes and labels dictated to by our society and culture. Songs featured: "In Bicicletta" by Luis Bacalov from the movie Il Postino and "Twin Cities" by Everything But The Girl How to support the show: Rate, review and subscribe to the podcast on iTunes! Support my work on Patreon and get access to bonus episodes & more! Find me on Instagram   Get full access to A Millennial's Guide to Saving the World at anyakaats.substack.com/subscribe

TMBDOS! Grab Bag. That's right, Lee got lazy this month and selected various tracks that have appeared on official episodes of TMBDOS! Actually, Lee just got swamped with real lif enonsense, so this was the best he could do on short notice. All said and done, he thinks this is a pretty solid playlist. --Take a Chance from "Rebus" (1969) -- Luis Bacalov; Vocals by Ann-margret (episode 90) --Maga Magò from "The Queens" (1966) -- Armando Trovajoli; Vocals by Titti Bianchi (episode 122) --In Un Altro Bar from "Revolver" (1973) -- Ennio Morricone (episode 88) --Zinskaro from "Nosferatu" (1979) -- Vocal Ansambl Gordela (episode 79) --A Flower's All You Need from "Night Train Murders" (1975) -- Ennio Morricone; Vocals by Demis Roussos (episode 77) --Stridulum Theme from "Stridulum" (1979) -- Franco Micalizzi (episode 61) --Any Day Now from "Inherent Vice" (2014) -- Chuck Jackson (episode 59) --Theme From The Friends Of Eddie Coyle from "The Friends Of Eddie Coyle" (1973) -- Dave Grusin (episode 57) --Theme From The Conversation from "The Conversaion" (1974) -- David Shire (episode 53) --'Cause I'm A Man from "Dawn of the Dead" (1978) -- The Pretty Things (episode 50) --The Lions and the Cucumber from "Vampyros Lesbos" (1971) -- Manfred Hübler & Siegfried Schwab (episode 43) --Metropolis from "Nightmare City" (1980) -- Stelvio Cipriani (episode 40) --Tenebre (Main Theme) from "Tenebre" (1982) -- Goblin (episode 37) --Hardbodies (Theme) from "Hardbodies" (1984) -- Krak (episode 66) --Why Can't I Touch It? from "The Party Animal" (1984) -- The Buzzcocks (episode 23) Opening and closing music: Downhill Decoy from "Danger Diabolik" by Ennio Morricone & Blonk Monster from "House by the Cemetery" by Walter Rizzati.

Lee is back with part 2 of his list of selections from his favourite western's soundtracks/scores. This time it's pretty much all Italian westerns. He had so much fun going down this rabbit hole that he's decided there will be a part 3 next month. Playlist: --Theme from The Magnificent Seven from "The Magnificent Seven" (1960) -- Elmer Bernstein --Django from "Django" (1966) -- Luis Bacalov /w Rocky Roberts --Durango from "Django Strikes Again" (1987) -- Gianfranco Plenizio --Ehi Amico... C'è Sabata. Hai Chiuso! from "Sabata" (1969) -- Marcello Giombini --Banjo (Single Version) from "Sabata" (1969) -- Marcello Giombini --Wolf from "Mannaja" (1977) -- Guido and Maurizio De Angelis /w Guy --Main Title from "Joe Kidd" (1972) -- Lalo Schifrin --El Deguello from "Rio Bravo" (1959) -- Dimitri Tiomkin --Il Triello (The Trio) from "The Good, The Bad and The Ugly" (1966) -- Ennio Morricone --Per un Colpo di Pistola from "Rita of the West" (1968) -- Gigli and Musy /w Rita Pavone --Theme (Long Version) from "Dead Man" (1995) -- Neil Young --Trinity (Titoli) from "They Call Me Trinity" (1970) -- Franco Micalizzi, Harold Stott /w David King/Annibale. Opening and closing music: Downhill Decoy from "Danger Diabolik" by Ennio Morricone & Blonk Monster from "House by the Cemetery" by Walter Rizzati.

Vi abbiamo parlato di Luis Bacalov, il grande compositore argentino premio Oscar per il film "Il Postino".

Daniel Bacalov e Alberto Pizzo hanno ricordato il grande Luis Bacalov, suonando e raccontando dal vivo.

Manuel Bleton rend hommage au compositeur italien Luis Bacalov décédé en novembre 2017

Emission proposée par Benoit Basirico Diffusée sur Aligre FM En Replay sur Cinezik.fr Au sommaire : - Retour sur 1 coup de coeur récent ("Coco" de Michael Giacchino). - Les B.O des films à l'affiche les 6 et 13 décembre, dont "Bienvenue à Suburbicon" de Alexandre Desplat, "Paddington 2" de Dario Marianelli, "Seule la terre" de Dustin O'Halloran et Adam Wiltzie, "Santa & Cie" de Matthieu Gonet, "Isola" de Olaf Hund, "Girls Trip" de David Newman, "Le Crime de l'Orient-Express" de Patrick Doyle, "Mariana" de Grégoire Auger, "La Deuxième étoile" de Erwann Kermorvant, "Drôles de petites bêtes" de Bruno Coulais, "Soleil Battant" de Giani Caserotto. - Invités : Fabianny Deschamps (réalisatrice), Olaf Hund (compositeur) pour ISOLA / Clara et Laura Laperrousaz (réalisatrices), Giani Caserotto (compositeur) pour SOLEIL BATTANT. - Avant-premières : "A quoi pense Mme Manet" de Hervé Le Roux (musique de Manuel Bleton) / "La Forme de l'eau" de Alexandre Desplat - Vintage Vinyle, les raretés B.O de Manuel Bleton(Hommage à Luis Bacalov)

L'actriu i dramaturga Estel Sol

LIGA DE LA JUSTICIA es el gran estreno de la semana, el intento de DC por acercarse a los éxitos de Marvel con Los Vengadores. Comentamos esta película y otras que llegan a la cartelera: EL AUTOR, JUPITER'S MOON, UNA RAZÓN PARA VIVIR. También recordamos a Luis Bacalov y repasamos taquillas.

La grande musica di Back2Back: The Clash, Drake, SZA, The Roots e tanti altri. Un omaggio a Luis Bacalov.

Bugo, Luis Bacalov, Stefano Bollani and more...

Lee and Daniel are back to cover two crime movies featuring the vocal, acting, and visual talents of Ann-Margret: one unfairly-judged, in 1964's "Kitten With a Whip", and one almost totally lost to time in 1969's "Rebus". Also covered: what the hosts have watched as of late; listener comments; and they do get into a short rant about female models and sex workers, who were often used in many of the films of this era, dropped, and then forgotten about. "Kitten With a Whip" IMDB "Rebus" IMDB Download "Kitten With a Whip" from Rarelust here Download "Rebus" from Rarelust here Featured Music: "Take a Chance" (first with Ann-Margaret vocals, and secondly without) by Luis Bacalov.

Salta il concerto di Luis Bacalov ed è subito polemica a Rovigo: abbiamo chiesto spiegazioni all'assessore alla cultura Andrea Donzelli, oltre a tutte le informazioni sulla programmazione invernale.

In this installment of the podcast's Spaghetti Western series, Daniel and Paul each have a separate conversation with Lee about three non-Leone Lee Van Cleef outings. Covered in this episode are "Death Rides a Horse" (1967); "Sabata" (1969); and "The Grand Duel" (1972). Besides just going on about what a badass Van Cleef is in these films, common tropes and themes between the three films are talked about, and the general trends of the twilight years of the genre. A lot is talked about and there's a bit more music than usual, so this is a long one. Strap yourselves in, kids. "Death Rides a Horse" IMDB: http://www.imdb.com/title/tt0064208/combined "Sabata" IMDB: http://www.imdb.com/title/tt0064916/combined "The Grand Duel" IMDB: http://www.imdb.com/title/tt0068657/combined Featured Music: "Death Rides a Horse" by Ennio Morricone; "Ehi Amico C'è Sabata (Alternate Version 2)" by Marcello Giombini; "Parte Prima" by Luis Bacalov; and "Mystic and Severe" by Ennio Morricone.

The whole gang is back together to kick-off the podcast's first look at Spaghetti westerns by talking about what is, perhaps, the second most well-known character of the genre, after Clint Eastwood's Man with No Name. Yes, on tap is Sergio Corbucci's "Django" (1966). The only true sequel, "Django Strikes Again" (1987), is also briefly talked about, and Lee gives some suggestions on which of the thirty or so unofficial sequels are worth checking out. Also covered: listener comments and Paul gets to play the There Can be Only One... Filmography game. "Django" IMDB: http://www.imdb.com/title/tt0060315/combined The Spaghetti Western Database's article on the character of Django: https://www.spaghetti-western.net/index.php/Django_(character) Featured Music: "Vamonos Muchachos" (3rd Version); "Town of Silence" by Luis Bacalov; and "Django" (Main Titles Song) by Luis Bacalov, vocals by Rocky Roberts.

Enzo Jannacci, Sergio Endrigo, Diodato and more...

After an opening where Jack and Andrew go between talking about Django Unchained (starting 3:54) and its depiction of slavery and the new rules imposed by the Academy of Motion Pictures Arts and Sciences on voting for movies (because those two topics have so much in common), there's informal talk about movies recently seen. Please note that the SPOILER discussion of THE BOY begin at 52:37 into the recording (and ends at 56:30). Andrew also asks a question that has haunted civilization for years; what does 'Camp' mean in movies? Movies discussed include: THE ROCKY HORROR PICTURE SHOW (1975) BUT I'M A CHEERLEADER (2000) DJANGO UNCHAINED (2012) DJANGO (1966) FANTASTIC FOUR (2015) THE MAN FROM U.N.C.L.E. (2015) THE TALE OF PRINCESS KAGUYA (2014) WORLD OF TOMORROW (2015) THE BOY (2016) THE FOREST (2016) The PARADISE LOST Trilogy (1996-2011) 'Django' by Luis Bacalov

This week in part four of our Italian horror series Lee talks with Daniel and Paul in separate conversations about Luigi Cozzi's 1980 gory sci-fi horror "Contamination" and then they end up having A LOT to say about the late schlock-meister Bruno Mattei's 1980 "Dawn"/"Zombi" rip-off "Hell of the Living Dead". Lee and Daniel also cover what they've watched in the last little while. This may very well be the longest anyone has talked about these two films on a podcast, so if you're into wasting two hours of your life, this might be the episode for you.  Featured music: "Zombi" by Goblin, & "Hell of the Living Dead (Main Theme)" by Luis Bacalov. Pex Lives coverage of Amicus Films.

Roberta Alloisio e Luis Bacalov Live

Repasamos la filmografía de Quentin Tarantino. Música: Luis Bacalov, George Baker y Blue Suede. Realizado por Honorio Marichal.

Episode 2 -- 8/15/13 Django Unchained ("Django" by Luis Bacalov) Silver Linings Playbook ("Goof Track" by Danny Elfman) Pacific Rim ("Gipsy Danger" by Ramin Djawadi) The Hobbit: An Unexpected Journey ("Song of a Lonely Mountain" by Howard Shore / Performed by Neil Finn) Babe ("That'll Do, Pig" by Nigel Westlake) Leland, the Singing Film Critic, hosts a podcast which showcases music from a wide variety of films. visit: www.SingingFilmCritic.com Like on Facebook: www.facebook.com/singingfilmcritic Follow on Twitter: @_Leland_ E-mail: Leland@SingingFilmCritic.com

Alors comme ça vous pensiez qu’on vous avait oubliés en janvier 2013 ? Hé bien non, même si nous étions effectivement un peu occupés le mois dernier, nous n’avions pas l’intention de laisser passer les sorties majeures du moment, et la nouvelle réalisation de Quentin Tarantino, à savoir Django Unchained, ne pouvait pas échapper au radar de 24FPS, le podcast cinéma avec ou sans spoiler !Dans le première partie (sans spoiler) de l’émission, Jérôme et Julien profitent forcément de l’occasion pour revenir sur la carrière de Quentin Tarantino avant de donner leur avis général sur le film. Et c’est seulement après le signal sonore que les deux compères décortiquent toutes les scènes marquantes du film dans une discussion remplie de spoilers.Bonne écoute et n’hésitez surtout pas à nous faire part de vos impressions sur le film dans les commentaires !Crédits musicaux : Django de Luis Bacalov, issu de l’album Django Unchained Original Motion Picture Soundtrack (2012), et Ain’t No Grave (Can Hold My Body Down) de Johnny Cash, issu de l’album American VI : Ain’t No Grave (2010).

Throw down the chains of oppression! Behold a world where monsters exist! Check out our new-ish sponsor! This week's Dread Media sees Darryll returning to take part in a Roadkill Review of Quentin Tarantino's latest Blaxploitation Western epic: Django Unchained! Then, Devil Dinosaur Jr. can't quite shake his addiction to anthology films as his latest Stay Scary is a review of Monster Club. Want some songs to help you out on your journey? Well, here you go: "Django" by Luis Bacalov and Rocky Roberts, "Freedom" by Anthony Hamilton and Elayna Boynton, "Monsters Rule OK" by The Viewers, and "An Industry of Murder" by Graveyard. Send feedback to: feedback@dreadmedia.net, or 206.203.1213. Follow @dreadmedia and @DevilDinosaurJr on Twitter! Join the Facebook group!

Throw down the chains of oppression! Behold a world where monsters exist! Check out our new-ish sponsor! This week's Dread Media sees Darryll returning to take part in a Roadkill Review of Quentin Tarantino's latest Blaxploitation Western epic: Django Unchained! Then, Devil Dinosaur Jr. can't quite shake his addiction to anthology films as his latest Stay Scary is a review of Monster Club. Want some songs to help you out on your journey? Well, here you go: "Django" by Luis Bacalov and Rocky Roberts, "Freedom" by Anthony Hamilton and Elayna Boynton, "Monsters Rule OK" by The Viewers, and "An Industry of Murder" by Graveyard. Send feedback to: feedback@dreadmedia.net, or 206.203.1213. Follow @dreadmedia and @DevilDinosaurJr on Twitter! Join the Facebook group!

Throw down the chains of oppression! Behold a world where monsters exist! Check out our new-ish sponsor! This week's Dread Media sees Darryll returning to take part in a Roadkill Review of Quentin Tarantino's latest Blaxploitation Western epic: Django Unchained! Then, Devil Dinosaur Jr. can't quite shake his addiction to anthology films as his latest Stay Scary is a review of Monster Club. Want some songs to help you out on your journey? Well, here you go: "Django" by Luis Bacalov and Rocky Roberts, "Freedom" by Anthony Hamilton and Elayna Boynton, "Monsters Rule OK" by The Viewers, and "An Industry of Murder" by Graveyard. Send feedback to: feedback@dreadmedia.net, or 206.203.1213. Follow @dreadmedia and @DevilDinosaurJr on Twitter! Join the Facebook group!

Throw down the chains of oppression! Behold a world where monsters exist! Check out our new-ish sponsor! This week's Dread Media sees Darryll returning to take part in a Roadkill Review of Quentin Tarantino's latest Blaxploitation Western epic: Django Unchained! Then, Devil Dinosaur Jr. can't quite shake his addiction to anthology films as his latest Stay Scary is a review of Monster Club. Want some songs to help you out on your journey? Well, here you go: "Django" by Luis Bacalov and Rocky Roberts, "Freedom" by Anthony Hamilton and Elayna Boynton, "Monsters Rule OK" by The Viewers, and "An Industry of Murder" by Graveyard. Send feedback to: feedback@dreadmedia.net, or 206.203.1213. Follow @dreadmedia and @DevilDinosaurJr on Twitter! Join the Facebook group!

The Nth Episode: The bishop touched him gently on the shoulder, and said:"Nisi Dominus custodierit domum, in vanum vigilant qui custodiunteam." ** Unless God protects a house, they who guard it, watch in vain.And then he changed the subject.He very often said: "There is a bravery for the priest as well asa bravery for the colonel of dragoons." "Only," added he, "ours shouldbe quiet.""Track Number","Name","Artist","Album"1,"Dialup Diddidly Diddily Doo","Giosue Etranger","Ut Supra Infra"2,"A Day in the Graveyard","Sunset Rubdown","Sunset Rubdown"3,"ABCDEFGAGFEDCBA","Giosue Etranger","Practice"4,"0.111... Introduction","Giosue Etranger","Instrumentalyst: Octagon Beats"5,"Never As Tired As When I'm Waking Up","LCD Soundsystem","LCD Soundsystem"6,"Little Tiger","tUnE-YaRdS","BiRd-BrAiNs"7,"the return of kind ropes (laku noc, dusan k)","nihiti","other people's memories"8,"the ringing in (the sun is rung)","nihiti","other people's memories"9,"Youth Knows No Pain","Lykke Li","Wounded Rhymes"10,"BOTE","Menomena","Mines"11,"Solid Ground","Maps & Atlases","Perch Patchwork"12,"Super 16 (excerpt)","Neu!","Kill Bill: Vol. 1"13,"Baby","Os Mutantes","Os Mutantes"14,"The Cave","Mumford & Sons","Sigh No More"15,"Boarded Doors","The Morning Benders","Talking Through Tin Cans"16,"The Grand Duel (Parte Prima)","Luis Bacalov","Kill Bill: Vol. 1"17,"She's Leaving","Orchestral Manoeuvres in the Dark","Architecture & Morality"18,"Mumbai","oOoOO","oOoOO"19,"Revenge (feat. The Flaming Lips)","Danger Mouse and Sparklehorse","Dark Night of the Soul"20,"The Mariner's Revenge Song","The Decemberists","Picaresque"21,"The King of Carrot Flowers, Parts Two & Three (Giosue Etranger Remix)","Neutral Milk Hotel","In the Aeroplane Over the Sea"22,"A Day in the Graveyard II","Sunset Rubdown","Sunset Rubdown"23,"Grim Augury (feat. Vic Chesnutt)","Danger Mouse and Sparklehorse","Dark Night of the Soul"24,"Bravery","Victor Hugo & “Melissa” (librivox.org)","Les Miserables"

In this Spaghetti Western special, Desmond and Darryll take a look at two very different films in the Django legacy: the original badass Django on Blu-ray, and the bizarre and puzzling Takashi Miike film Sukiyaki Western Django. Trust me, this one's fun. Of course, suitable songs are played as always: "Django" by Luis Bacalov, "Django" by Rancid, "Japanese Cowboy" by Ween, and "Carry the Coffin" by Ghoultown. So go ahead, draw first. I dare you! Send feedback to: feedback@dreadmedia.net, or 206.203.1213.

In this Spaghetti Western special, Desmond and Darryll take a look at two very different films in the Django legacy: the original badass Django on Blu-ray, and the bizarre and puzzling Takashi Miike film Sukiyaki Western Django. Trust me, this one's fun. Of course, suitable songs are played as always: "Django" by Luis Bacalov, "Django" by Rancid, "Japanese Cowboy" by Ween, and "Carry the Coffin" by Ghoultown. So go ahead, draw first. I dare you! Send feedback to: feedback@dreadmedia.net, or 206.203.1213.

In this Spaghetti Western special, Desmond and Darryll take a look at two very different films in the Django legacy: the original badass Django on Blu-ray, and the bizarre and puzzling Takashi Miike film Sukiyaki Western Django. Trust me, this one's fun. Of course, suitable songs are played as always: "Django" by Luis Bacalov, "Django" by Rancid, "Japanese Cowboy" by Ween, and "Carry the Coffin" by Ghoultown. So go ahead, draw first. I dare you! Send feedback to: feedback@dreadmedia.net, or 206.203.1213.

In this Spaghetti Western special, Desmond and Darryll take a look at two very different films in the Django legacy: the original badass Django on Blu-ray, and the bizarre and puzzling Takashi Miike film Sukiyaki Western Django. Trust me, this one's fun. Of course, suitable songs are played as always: "Django" by Luis Bacalov, "Django" by Rancid, "Japanese Cowboy" by Ween, and "Carry the Coffin" by Ghoultown. So go ahead, draw first. I dare you! Send feedback to: feedback@dreadmedia.net, or 206.203.1213.