Podcasts about Tom Pollock

Our first every crossover podcast, collaborating with North America's leading packaging podcast Cory Connors, who interviews our very own Tim Sykes, along with Olga Kachook and Tom Pollock, as we discuss the co-located events the Sustainable Packaging Summit and SPC Engage, which together make Amsterdam on 11-12-13 November the not-to-miss opportunity for strategic alignment, innovation, collaboration and disruptive ideas in the packaging sustainability space this year.Packaging Europe's podcast, featuring the leading international figures in packaging innovation, sustainability and strategy, is now weekly! Be sure to subscribe so you don't miss an episode.For more packaging news, interviews and multimedia content visit Packaging Europe.

Norah and Lena discuss mostly YA books and how weird British books get! Hear their takes on: 16 & Pregnant by LaLa Thomas, The Wrong Kind of Weird by James Ramos, Thursday Murder Club by Richard Osman, Radio Silence by Alice Oseman, and This Story is a Lie by Tom Pollock.

Stevie, Pappy, Josh and Brett review I Love You, Man — a classic comedy from the late aughts! We love you, PK, man. ******** Successful real-estate man Peter Klaven has it all: a great job, a beautiful home and a loving wife-to-be. Unfortunately, due to his devotion to both his work and fiancée Zooey, Peter has failed to make any friends. With his wedding fast approaching, the pressure is on to find a best man and so Peter embarks on several desperate attempts to find a best buddy. Release date: March 20, 2009 (USA) Director: John Hamburg Screenplay: John Hamburg, Larry Levin Producers: John Hamburg, Ivan Reitman, Donald De Line, Jeffrey Clifford, Tom Pollock, Bill Johnson, Andrew Haas

https://greenblue.org/https://sustainablepackaging.org/Dr. Ruth Maust and Mr. Tom Pollock are amazing sustainable packaging professionals and it was an honor to speak with them both. What is Green blue and how are they affecting positive change in the world? How did the How To Recycle label come to be? What is the future of sustainable packaging? https://ororapackagingsolutions.com/Looking to improve the sustainability of your packaging today? Check out: https://www.landsberg.com/The views and opinions expressed on the "Sustainable Packaging with Cory Connors" podcast are solely those of the author and guests and should not be attributed to any other individual or entity. https://specright.com/ https://www.amazon.com/dp/1329820053/ref=as_sl_pc_qf_sp_asin_til?tag=corygathttps://www.linkedin.com/in/cory-connors/I'm here to help you make your packaging more sustainable! Reach out today and I'll get back to you asap. This podcast is an independent production and the podcast production is an original work of the author. All rights of ownership and reproduction are retained—copyright 2022.

Finding Original Voices Peter Heller, Heller Highwater   – The Sharkpreneur Podcast with Seth Greene Episode 887 Peter Heller Through his company, Heller Highwater, Peter Heller manages writers and directors and produces projects for film and television. Current clients include, Jim LeBrecht (CRIP CAMP), Randall Jahnson (Oliver Stone's THE DOORS), Danny Rubin (GROUNDHOG DAY), Carroll Cartwright (MRS. HARRIS GOES TO PARIS), and Jon Crawford (THE INVISIBLE PILOT.)    Projects in development as a producer include THE HOT FLASH by Beth Dement with Amy Baer's Landline/MRC and LIVE FROM THE VATICAN with producer Matt Jackson at Paramount.    Peter produced DREAMLAND, which premiered at Sundance and was distributed by Sony. The film stars John Corbett, Kelli Garner, Justin Long and Agnes Bruckner. He also produced LIKE MIKE, starring Little Bow Wow, Morris Chestnut and a number of NBA superstars; BROWN SUGAR, starring Taye Diggs, Sanaa Lathan and Queen Latifah; BONES, starring Snoop Dogg and Pam Grier; as well as FULL RIDE, CAUGHT UP, BARB WIRE and HOTEL DE LOVE.   Before creating Heller Highwater, Peter was the Assistant Dean of Development and Industry Relations at the UCLA School of Theater, Film, and Television, had a similar position at LMU's film school, ran the film division at Propaganda; was the Executive Vice President of Production for Spring Creek; the President of John Hughes' production company, Hughes Entertainment and was the Executive Assistant to the Chairman of Universal Pictures, Tom Pollock. More recently, he has also been a visiting professor of screenwriting and producing at Academy of Art University in San Francisco and at University of North Carolina School of the Arts in Winston-Salem.    After receiving his BA in English from Wesleyan University, Peter worked in the theater in New York City first in production and then as a creative executive for Warner Theater Productions. He then attended Columbia University for his MBA before moving to Los Angeles.    Peter is a member of the Producers Branch of the Academy of Motion Picture Arts and Sciences.   Listen to this informative Sharkpreneur episode with Peter Heller about finding original voices. Here are some of the beneficial topics covered on this week's show: - How many layers are involved while writing and producing a movie. - Why writing and making movies is all about who your connections are in the industry. - How streaming services have made it difficult for original pilots to work at all. - Why the big pay days come from your producing fees, not your commissions. - How writers must know a little bit about the marketplace to develop and sell a script.   Learn more about your ad choices. Visit megaphone.fm/adchoices

My name is Tom Pollock and I am a 28 year old electronic music producer from Ontario Canada. I like to experiment with many different genres but i mostly have a focus on hard hitting progressive house and techno.

This week on the show, we remember Ivan Reitman’s producing partner and Hollywood legend Tom Pollock, who passed at age 77. From a heartfelt remembrance in Vanity Fair by Reitman himself, to hearing Pollock’s words on stage talking about Draft Day, learn how Pollock was a key figure in many of the films that are probably among your favorites. Then in the second half of the show, some Ghostbusters Afterlife news, including three product leaks from Hasbro: the Spengler Neutrona Wand, Tully’s Terrible Night, and packaging for the Afterlife Ecto-1 (and the boys trying to figure out the best way to talk about them). And what do these leaks combined with studios choosing to release two large tentpole films on digital mean for Afterlife’s March release date?

Dan Zehr & Jim Hill start off this week’s episode by paying tribute to two industry vets with ties to the Star Wars franchise that we’ve recently lost. They then talk about that TikTok video which suggests that the Skywalker Saga should be retitled Learn more about your ad choices. Visit megaphone.fm/adchoices

Dan Zehr & Jim Hill start off this week’s episode by paying tribute to two industry vets with ties to the Star Wars franchise that we’ve recently lost. They then talk about that TikTok video which suggests that the Skywalker Saga should be retitled Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode we discuss our new podcast series 'Wider Reading'. This is an educational podcast that we run in school. We give you tips on how to set one up and increase the library's presence in school. Then we review the books we have read this week: 'White Rabbit Red Wolf' by Tom Pollock (5.26), 'Company of Eight' by Harriet Whitehorn (6.53), 'Devoted' by Jennifer Mathieu (7.53), 'City of Ghosts' by Victoria Schwab (10.55). Finally, shoutouts to Will Hill and Eliza Wass (8.08) and Frances Hardinge (11.26). As always get involved in the conversation on twitter @lounge_learning. Check out Independence Educational Publishers here -> https://www.independence.co.uk/

In this episode we revisit Reading Classics. Claire discuss's how she has grown the group and evolved it since it started. Our current reading classic is Little Women. We mention great contemporary books which are similiar ft. Things a bright girl can do by Sally Nicholls and Moxie by Jennifer Mathieu We then let you kow what we have been reading this week! Including Paper & Hearts Society by Lucy Powrie, White Rabbit, Red wolf by Tom Pollock (7 mins), Percy Jackson by Rick Riordan (8 mins)and The company of eight by Harriet Whitehorn (9 mins). For Episode 6 (Reading Classics) : https://www.podomatic.com/podcasts/loungingwithbooks/episodes/2018-11-22T07_02_07-08_00 Chat to us on twitter @lounge_learning

06/07/2019: What would you do if you could live stream your emotions? Fiona Du Vivier reviews taut psychological thriller, Heartstream by Tom Pollock, about obsession, fame and betrayal follows the lives of Cat and Amy who are about to discover how far true obsession can go. She also talks about what makes a story unfilmable. This one is for the Black Mirror fans.

"I wanted to write a book where the main character was mentally ill, without making their mental illness the subject of the plot" Tom Pollock is author of the book, White Rabbit Red Wolf. Yvette chats to him about bulimia, suicide and writing mental health in a novel. Stay in touch with Mentally Yours on Twitter and our private Facebook group.

Film preservationist James Katz and Tom Pollock, former Executive Vice President of MCA and Chairman of Universal Pictures, discuss the restoration of "Vertigo" with Charles Wolfe, UCSB Professor of Film & Media Studies. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 32131]

Film preservationist James Katz and Tom Pollock, former Executive Vice President of MCA and Chairman of Universal Pictures, discuss the restoration of "Vertigo" with Charles Wolfe, UCSB Professor of Film & Media Studies. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 32131]

Text: 1 Corinthians 10:1-11

Por escrito o en audio, la reseña de Capitán Pada sobre Star Wars: The Force Awakens   Obviamente, va con spoilers. El libro “We Don´t Need Roads: The Making of the Back to the Future Trilogy” de Caseen Gaines, recoge las siguientes palabras de Robert Zemeckis sobre las películas secuela:   “La audiencia tiene una relación de amor-odio con las secuelas. ¿Qué es lo que realmente quieren? Quieres la misma película, pero diferente. Pero espérame, no tan diferente, porque entonces me va a molestar. No puedes tener contentos a todos con una secuela”   Star Wars: El Despertar de la Fuerza es más que una secuela. Si bien tiene la labor de enamorar de nuevo a varias generaciones que entraron a éste universo con la trilogía original o con la trilogía precuela, también, y quizás la más importante, era la de abrir nuevamente la puerta para más historias, más producciones, más personajes y que las letras delineadas con amarillo nunca dejen de alimentar el hambre de los fanáticos. El Episodio VII cumple con ambas misiones, para bien y para mal. Irse a la segura es a lo que Zemeckis se refiere, y es lo que su colega J.J. Abrams hizo. Se le olvidó que la historia de A New Hope nos la sabemos de memoria y entonces realizó un Episodio IVs, si habláramos en términos de Apple. Tan es así, que el más grande spoiler de la cinta es predecido varios minutos antes, pues la última vez que vimos que un grupo de héroes se separó dentro de las cámaras del arma gigante de los villanos, uno de ellos no regresó vivo. Para el VII, sólo era cuestión de saber si iba a ser Chewbacca o iba a ser Han Solo el que dejaría su asiento libre.   En la misma publicación antes citada, ahora rescatamos las palabras del co-creador de BTTF, Bob Gale:   “Tuve una discusión con Tom Pollock, el jefe de estudio, sobre el marketing de la parte II. Yo queria que la audiencia supiera que estaba comprando un boleto para la segunda entrega de tres. Pollock decía que la parte II ya era una sola pieza por sí misma, aunque sabía perfectamente que no lo era, y estaba muy equivocado. Recuerdo haberme decepcionado mucho con el final de El Imperio Contraataca. Han Solo en carbonita me decepcionó. No tenía ni idea de que habría una tercera, ni antes ni después, y mucho menos sabía cuándo saldría.Perdí esa pelea con Pollock y perdimos confianza de la audiencia”   ¿Les hizo recordar algo? Así es. Si bien sabemos que ya se cocina un Episodio VIII y IX, supongo que no soy el único que se sintío engañado por Abrams. Ahora todo tenía sentido: cuando el director dijo “Por algo no hemos mostrado la imagen de Luke Skywalker” es porque, si la mostraban, sólo le quedarían 5 segundos más de pietaje exclusivo para las funciones cinematográficas. Hay maneras de dejar en suspenso. Hay modos de terminar una cinta aún sabiendo que falta mucho por contar. Hay estilos, como el que tuvo el Episodio V, y hay decepciones, como lo hace el Episodio VII, acercándose más a cualquier final de las dos primeras entregas de El Señor de los Anillos que al propio legado de La Guerra de las Galaxias.   Sin embargo, para no quedarnos con un mal sabor de boca, voy a lo que se se hizo muy bien. Con la velocidad con la que consumismos historias en los medios de comunicación, hay poco tiempo para el cariño. Los spoilers, la teaseritis y adelantos de lo que se viene, nos hacen conocer tanto el futuro de nuestros personajes, que ya no es una cuestión de saber qué es lo que le va a pasar, sino cómo le va a pasar, con un final previamente anunciado.  El desarrollo de personajes en un breve lapso está en crisis, y sin embargo, The Force Awakens nos dispara uno, dos, tres, cuatro y hasta cinco joyas. El humor de BB8 bien balanceado y que en ningún momento pretende llevarse la película como el otro JJ, el Binks. A pesar de que tengo mis dudas sobre las muy rápidas y poco justificadas decisiones del stormtropper renegado, hacia el final de la cinta, Finn se siente agusto de éste lado de la guerra, y nosotros confiamos en él. Es Poe Dameron otro nuevo héroe que agrada, que sabíamos que ese carisma no estaba destinado a perecer en su primera gran intervención en la pantalla y que todavía puede dar mucho más. Por otra parte, el que se encuentra en una delgada tabla es Kylo Ren. A veces sí, a veces no. A veces es un digno representante del legado de los villanos a vencer por cada entrega, y a veces le falta mucho para llegarle a cualquiera que ustedes me mencionen.    Aprovecho la mención del sujeto de negro con el sable bifurcado para anotar aquí, que me parece otra falta de respeto que hay muchas dudas que han tenido que ser aclarado en otro tipo de literatura y no dentro del guión de la película, como leer a Abrams explicando que fue BB8 el que despertó a R2D2 y no “de la nada” como muchos creíamos, o que el efecto chispeante de la nueva espada roja tiene una razón de ser: que al no ser un experimentado manejador de La Fuerza, a Kylo le falta todavía mucho por hacerse de un sable con una luz parejita.   De regreso a los personajes, he dejado a propósito para el final, a nuestra adorada Rey. La chica que ha vaciado los anaqueles de sus juguetes. Un personaje que de inmediato entró y escaló en la lista de los mejores que la saga nos ha ofrecido en cualquiera de sus manifestaciones. Rey viene a demostrar, como debe de ser en pleno 2015/2016 que lo sexi no debe ser más el encorvarse para revisar el motor del automóvil. Que tanto chicas como chicos queremos más como Rey en cualquier historia que se cuente a partir de éste momento.   Star Wars: The Force Awakens tuvo una responsabilidad muy grande sobre sus hombros, una responsabilidad de demostrar que el desembolso de 4.050 millones de dólares habían valido la pena. Y por eso se fue a la segura. Eso sí, es una producción impecable, que, irónicamente, en temas visuales y de efectos especiales, envejecerá más lento que lo que ya hizo la segunda trilogía. Y sí, sí queremos saber más sobre los nuevos y sobre los viejos personajes, pero espero que lo haga a partir de la construcción y la aportación propia y única.

Director Ivan Reitman and producers Tom Pollock and Joe Medjuck discuss their new film “Draft Day” starring Kevin Costner and Jennifer Garner. On the day of the NFL Draft, general manager Sonny Weaver (Kevin Costner) has the opportunity to save football in Cleveland when he trades for the number one pick. He must quickly decide what he's willing to sacrifice in pursuit of perfection as the lines between his personal and professional life become blurred on a life-changing day for a few hundred young men with dreams of playing in the NFL. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 28372]

Director Ivan Reitman and producers Tom Pollock and Joe Medjuck discuss their new film “Draft Day” starring Kevin Costner and Jennifer Garner. On the day of the NFL Draft, general manager Sonny Weaver (Kevin Costner) has the opportunity to save football in Cleveland when he trades for the number one pick. He must quickly decide what he's willing to sacrifice in pursuit of perfection as the lines between his personal and professional life become blurred on a life-changing day for a few hundred young men with dreams of playing in the NFL. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 28372]

A conversation with "Hitchcock"director Sacha Gervasi and producer Tom Pollock.