Podcast appearances and mentions of John Corbett

Jeff really thanks you all for your prayers for him and his family during his moms passing(2024) National Sleep over day.  Entertainment from 2005.  Oldest treaty in the world, US 1st to legalize birth control pill, Englands crown jewels stolen.  Todays birthdays - Howard Carter, William Marston, Hanks Snow, Albert Finney, Candice Bergen, Billy Joel, Devin Peter Hall, John Corbett, Dave Gahan, Lisa Simpson.  Little Richard died.Intro - Pour some sugar on me - Def Leppard    http://defleppard.com/Slumber Party - Haschek SistersHallaback girl - Gwen StefaniMy give a damn's busted - Jo Dee MessinaBirthdays - In da club - 50 Cent    http://50cent.com/It don't hurt anymore - Hank SnowMurphy Brown TV themeShe's got a way - Billy JoelGood to go - John CorbettJust can't get enough - Depeche ModeGood golly Miss Molly - Little RichardExit - Its not love - Dokken   http://dokken.net/ 

EXPO Chicago is the largest art fair in the Midwest, bringing together the best of the contemporary art world every April. From seasoned gallerists to amateur art collectors, this is not an event you want to miss. Reset chats with members of the 2025 selection committee John Corbett and Jim Dempsey to learn how to navigate the massive event and maybe walk away with a piece of artwork you love. For a full archive of Reset interviews, head over to wbez.org/reset.

Any takeaways from this episode?Intrusive family members, making out in cars, fake pottery classes, and Windex...That's right! This week we are breaking down 2002 classic rom com, My Big Fat Greek Wedding, with Nia Vardalos and John Corbett. Currently streaming on Max.What happens when love crosses cultural lines—and your entire family is along for the ride? In this episode of RomCom Rescue, we're breaking down the love lessons (and boundary blunders) in the iconic 2002 rom-com My Big Fat Greek Wedding.Kira Sabin, a certified coach and healthy dating educator, and Dr. Isabel Morley, a licensed psychologist and couples therapist, unpack what this movie gets right (and very wrong) about identity, in-laws, and choosing yourself while staying connected.From overbearing relatives to unexpected romance and a whole lot of lamb, we're diving into:Why Toula's growth arc still resonatesThe psychology behind boundary-setting with familyWhat healthy compromise really looks like in relationshipsAnd whether Ian and Toula would actually make it IRLWhether you're Greek, geeky, or just tired of dodging your aunt's matchmaking attempts, this episode is for you.

What do, a talented female vocalist who attends an art school, and a young man who befriends a cynical author, have in common? This week on THE MOVIE CONNECTION:Jacob Watched: "RAISE YOUR VOICE" (4:42) (Directed by, Sean McNamara. Starring, Hilary Duff, John Corbett, Jason Ritter...)KC Watched: "FINDING FORRESTER" (31:44) (Directed by, Gus Van Sant. Starring, Rob Brown, Sean Connery, f. Murray Abraham...)Talking points include:Vocal dubbing gone wrongThe Hilary Duff brandGreat "American" novelsand more!!Send us an email to let us know how we're doing: movieconnectionpodcast@gmail.comFollow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rate and Review on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out more reviews from Jacob on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cover art by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Austin Hillebrecht⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, Letters by KC Schwartz

Tune in as Fake-Dating February kicks off on 2CC in honor of the hijinks and machinations that turn artificial love into authentic love! For this first podcast of the month, Arthur's buddy Anna (@banananna024/@formergleek) is circling back around for a review and recap of To All the Boys I've Loved Before, the 2018 Netflix rom-com whose fake-dating scheme that Lara Jean Song Covey and Peter Kavinsky cook up is based on the 2014 YA romance novel of the same name by Jenny Han. The hygienic importance of not wearing shoes in the house, the shaky state of teen media that can be found on streaming and on Netflix specifically, Arthur's rant against Jake Ryan from Sixteen Candles, and cheering for Lana Condor and Noah Centineo to have bigger careers comprise just some of the subjects for this episode. Directed by Susan Johnson, To All the Boys I've Loved Before stars Lana Condor, Noah Centineo, Israel Broussard, Madeleine Arthur, Janel Parrish, Anna Cathcart, Emilija Baranac, John Corbett, Trezzo Mahoro, and Andrew Bachelor. Spoilers start at 41:45 Create your podcast today! #madeonzencastr Here's how you can learn more about Palestine and Israel Here's how you can keep up-to-date on this genocide Here's how you can send eSIM cards to Palestinians in order to help them stay connected online Good Word: • Anna: A Real Pain • Arthur: Sleuth (1972) and Deathtrap Reach out at email2centscritic@yahoo.com if you want to recommend things to watch and read, share anecdotes, or just say hello! Be sure to subscribe, rate, and review on iTunes or any of your preferred podcasting platforms! Follow Arthur on Twitter, Goodpods, StoryGraph, Letterboxd, and TikTok: @arthur_ant18 Follow the podcast on Twitter: @two_centscritic Follow the podcast on Instagram: @twocentscriticpod Follow Arthur on Goodreads Check out 2 Cents Critic Linktree

Director Nabil Elderkin shoots music videos and films governed by vision, collaboration and diversity. While thematic similarities connect the dots between his projects, each video is different and a product of the stellar combination of the right artist, the right lighting, and maybe most importantly - the right feel. Growing up in a multi-cultural sphere, dictated by several international moves, led to an open-mindedness and an adaptability which did not hurt his transition into film. Surfing was the context which facilitated his portal in, and although he spent more time on the beach than in the water, the education he received, through direct exposure shooting his friends, was invaluable. His photography interest and experience developed further when he settled in Chicago, and came into Kanye West's orbit. Soon after, he started shooting music videos for a dossier for artists which continues to expand, and includes The Black Eyed Peas, Common, Seal, Bruno Mars, Foals, J. Cole, Travis Scott, Dua Lipa and Kendrick Lamar. For his work on Swim Good and Mercy, which feature Frank Ocean and Kanye West, respectively, Nabil received 3 VMA nominations, including Best Direction in a Video and Best Hip Hop Video for the latter. Among his feature films are the Ugandan breakdancing documentary, Bouncing Cats, and the gut-wrenching exploration of trauma - Gully - which premiered at the Tribeca Film Festival in 2019 and stars Charlie Plummer, Amber Heard, Jacob Latimore, Terrence Howard and John Corbett. In our conversation, we discussed the kernels of his film beginnings; working with actors like Willem Dafoe and Don Cheadle; collaborating with friends like John Legend; upcoming music video and narrative concepts he is developing; and a memorable encounter with Snoop Dogg.Opening Credits: HoliznaPATREON - Green Again ( LoFi) I CC BY-NC-ND 4.0; Anitek - Gnats I CC BY-NC-SA 3.0 US. Closing Credits: snoozy beats - stylish days I CC BY 4.0.

It is once again time for THE MOST WONDERFUL TIME OF THE YEAR! The climactic month of the holiday season that encompasses that yuletide feeling and Angela has picked (most) of the month's selections once again and we kick it off with a rom-com starring the king of rom-coms for much of the 90s and early 2000s. In 2001 you could put out a random John Cusack movie and make $77 million. Oh, how the movie going scene has changed and Mr. Cusack has been through his own changes as well. This 2001 flick is left to the fates as a chance romantic, if ill-timed, encounter goes amazingly well but when it ends it's left to the universe to decide if Jonathan and Sara are meant to be together. It takes a bit but the universe comes around. We're talking the 2001 Christmas rom-com directed by Peter Chelsom called “SERENDIPITY” and Bob struggles a bit with that word. It also stars Kate Beckinsdale, Jeremy Piven, Molly Shannon and John Corbett. Do our hosts get swayed into some holiday charm? Are the hosts forever doomed to suffer under the weight of their “realness”? WTF is Louis Armstrong saying in that song? Do you remember that show “Northern Exposure”? Imagine getting oral from Santa. Just imagine it. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

In the season five finale, our hosts return to an episode formerly lost to the internet ether as they discuss Serendipity (2001) ... again. (And if you're reading this, their second-chance romance had a happy ending!) Special guest Lily has qualms with the main characters' blatant disregard for their romantic commitments — although for fidelity's biggest fan, she would not hesitate to kick Madison to the curb for the coveted position of LAFS cohost #PodsBeforePals. Chelsea thinks it's absurd anyone would run back up the aisle and flee the chapel for the stranger they spent only a few hours with over a decade ago. Madison, on the other hand, would trade her favorite pair of Docs for another chance with that New York-Italian firefighter she met in 2017. Starring John Cusack and Kate Beckinsale, with memorable appearances from John Corbett, Eugine Levy, and Molly Shannon, our hosts and their guest are in for a lively discussion, where somehow, all roads lead to Mothman. Connect With Us Follow us on Instagram @loveatfirstscreening or send an email to loveatfirstscreening@gmail.com Production Hosts: Chelsea Ciccone and Madison Hill Music: Good Steph Artwork: Chelsea Ciccone Social Media: Marissa Ciccone About the Show An examination of classic tropes and iconic characters pits connoisseur against cynic—one romantic comedy at a time. The cinematic world of love and laughter had rom-com enthusiast Madison head over heels from the time Harry met Sally. For genre skeptic Chelsea, however, it's been a grueling enemies-to-lovers plot. In Love at First Screening, Madison introduces Chelsea to all the fan-favorite love stories she's never wanted to watch. One friend's passion might be the other's displeasure, but doesn't love conquer all? Tune in every Wednesday to find out.

Join Megan and Jeni as they both watch My Big Fat Greek Wedding for the first time! They talk all about the real life events that inspired Nia Vardalos to write the story, the WILD coincidence that got John Corbett the role of Ian, and all of your favorite funny parts of the movie.  Listen to WWW's Nostalgic Movie Soundtrack Playlist!  Follow us on social! Instagram: ⁠@whatwerewatchingpod⁠ TikTok: @whatwerewatchingpod

TICKETS ARE OFFICIALLY ON SALE FOR OUR FALL TOUR! GET 'EM AT WHOWEEKLY.US/LIVE. While we'll keep waiting for a jar of Meghan's jam, we'll never keep YOU waiting for a new episode of Who? Weekly — today we're talking ESPYs, 25 Things You Don't Know About [Melissa Etheridge's drinking habits] (and her #spon with OpenDoor), 2 nepo babies (Nash, Quaid) check in, Frankie Grande defends his sister from cannibalism rumors, John Corbett hates acting, Vogue Williams gets papped and Eric Roberts is [still] not allowed to talk about his daughter OR sister! Plus, the 2nd richest person in Asia's son gets married (and 'invites' all of Hollywood), Gypsy's preg, Pete Davidson's single again (but Emma Corin & Rami Malek are going strong!) Tyler Cameron's dating someone but he won't tell us WHO! A track and field runner comes out! And Eddie Murphy gets hitched... uh, for the marketing? Rita's in red! (And not THE red.) As always, call in at 619.WHO.THEM to leave questions, comments & concerns for a future episode of Who's There?. Want more of what you heard today? Get a TON of bonus content over on Patreon.com/WhoWeekly and COME SEE US LIVE THIS FALL! Get tickets at http://www.whoweekly.us/live. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Horizon: An American Saga - Chapter 1 should have been a slam dunk for box office.  Kevin Costner behind and in front of the camera for a very large scale Western released in multiple theatrical chapters.  Somehow, though, it's not a box-office success. It's absolutely worth watching on the big screen though.  The scale and scope along with the wonderful cinematography and very ambitious task- telling the story of the American West.       0:06:15 - Box Office and upcoming releases. 0:21:30 *** What's Streaming  *** HULU LORD OF WAR, Dir. Andrew Niccol – Nicolas Cage, Jared Leto, Bridget Moynahan, Ian Holm, Ethan Hawke, Eamon Walker, 2005. VOLCANO, Dir. Mick Jackson – Tommy Lee Jones, Anne Hache, Gaby Hoffmann, Don Cheadle, Keith David, John Corbett, Michael Rispoli, John Caroll Lynch, 1997. SHANGHAI NOON, Dir. Tom Dey – Owen Wilson, Jackie Chan, Lucy Liu, 2000. 0:30:00 - Trailers:  F1 – Brad Pitt, Javier Bardem, Kerry Condon, Tobias Mazies, Feature. GLADIATOR II – Joseph Quinn, Connie Nielsen, Paul Mescal, Pedro Pascal, Denzel Washington, Rory McCann, Derek Jacobi, Feature. WE LIVE IN TIME – Florence Pugh, Andrew Garfield, Feature.   0:45:00 - HORIZON: AN AMERICAN SAGA - CHAPTER 1, Dir. Kevin Costner  ( Grayson 6.5 / Roger 6 )   Hosted, produced and mixed by Grayson Maxwell and Roger Stillion.  Also hosted by Christopher Boughan.  Music by Chad Wall. Quality Assurance by Anthony Emmett. Visit the new Youtube channel, "For the Love of Cinema" to follow and support our short video discussions.  Please give a like and subscribe if you enjoy it.   Follow the show on Twitter @lovecinemapod and check out the Facebook page for updates.  Rate, subscribe and leave a comment or two.  Every Little bit helps.  Send us an email to fortheloveofcinemapodcast@gmail.com

Hollywood has a reputation of attracting individuals capable of portraying one version of themselves in front of a camera … and a very different version when no one is watching. Perhaps that's why when people learn a movie was made about my life, and they hear about the actors who participated in the film, one of the most frequently asked questions is, “So, what are they really like?”  After spending months with some well-known actors, producers, directors and leaders in the industry, my answer typically surprises them. Let me explain.

Today on The Social, rapper Busta Rhymes was ready to bust up anyone using a phone during his performance at the Essence Festival! And, “Sex and the City” actor John Corbett revealed in a podcast that he regrets his acting career. Then, 220,000 Torontonians have fled the city in the last two years. And, Elton John took a tinkle in a bottle at a shoe store! Then, how would you define a sundress?  And, "no new boyfriends" were allowed at Olivia Culpo's wedding, not even her own sister's! Then, Kevin Bacon revealed to 'Vanity Fair' that he went incognito to feel normal, and it sucked! Plus, what we need to know about menopause and mental health.

Big news this week! We finally released merch and John Corbett hates being an actor. We also discuss the Devil Wears Prada sequel, Glenn Close and Halle Berry's maiden voyage into the Ryan Murphyverse, Julia Fox's sexuality, Lena Dunham's New Yorker interview, the Fabulous Four trailer, the extremely major Diane von Fürstenberg documentary, Becoming Karl Lagerfeld, Marc Jacobs' fabulous new collection and his shocking pivot as a nail art influencer. Get warm weather ready with Quince! Go to Quince.com/outfit for free shipping on your order and 365-day returns. And try our favorite water Fiji Water!

No butts about it — behind the scenes of the glitzy Wheel of Fortune relaunch, there's trouble in paradise.  After a whopping 30 years in the spotlight, John Corbett is done with Hollywood! Jennifer Lopez is singing a different tune after realizing she picked up most of the tab for Bennifer 2.0's lavish A-list lifestyle. Rob is joined by the charming Marc Lupo. Don't forget to vote in today's poll on Twitter at @naughtynicerob or in our Facebook group.See omnystudio.com/listener for privacy information.

Today on The Social, rapper Busta Rhymes was ready to bust up anyone using a phone during his performance at the Essence Festival! And, “Sex and the City” actor John Corbett revealed in a podcast that he regrets his acting career. Then, 220,000 Torontonians have fled the city in the last two years. And, Elton John took a tinkle in a bottle at a shoe store! Plus, how would you define a sundress?

Haircuts, Hollywood stories, and picking the wrong profession with John Corbett. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Actor John Corbett talks about his path to stardom, his relationship with Bo Derek and what it's like to keep discovering yourself at various stages of your life.

Mo is joined by his friend Dr. John Corbett. John just finished a perio residency at Oklahoma and is heading to the Air Force! John explains how perio residency works: applying, matching, finishing and everything in between! Some links from the show:  OU Graduate Perio program John's email: jcorb89@gmail.com Join the Very Dental Facebook group using the password "Timmerman," Hornbrook" or "McWethy," "Papa Randy" or "Lipscomb!" The Very Dental Podcast network is and will remain free to download. If you'd like to support the shows you love at Very Dental then show a little love to the people that support us! -- Crazy Dental has everything you need from cotton rolls to equipment and everything in between and the best prices you'll find anywhere! If you head over to verydentalpodcast.com/crazy and use coupon code “VERYDENTAL10” you'll get another 10% off your order! Go save yourself some money and support the show all at the same time! -- The Wonderist Agency is basically a one stop shop for marketing your practice and your brand. From logo redesign to a full service marketing plan, the folks at Wonderist have you covered! Go check them out at verydentalpodcast.com/wonderist! -- Enova Illumination makes the very best in loupes and headlights, including their new ergonomic angled prism loupes! They also distribute loupe mounted cameras and even the amazing line of Zumax microscopes! If you want to help out the podcast while upping your magnification and headlight game, you need to head over to verydentalpodcast.com/enova to see their whole line of products! -- CAD-Ray offers the best service on a wide variety of digital scanners, printers, mills and even  their very own browser based design software, Clinux! CAD-Ray has been a huge supporter of the Very Dental Podcast Network and I can tell you that you'll get no better service on everything digital dentistry than the folks from CAD-Ray. Go check them out at verydentalpodcast.com/CADRay!  

Welcome to the daily304 – your window into Wonderful, Almost Heaven, West Virginia.   Today is Friday, May 31, 2024. Looking to change or advance your career? Register now for Workforce WV's virtual job fairs…Find your dream job in Almost Heaven -- check out Jobcase to see who's hiring…and learn how you can find work in West Virginia's exciting film industry…on today's daily304.   #1 – From WORKFORCE WV – Are you a West Virginia job seeker looking to change or advance your career? Through the Virtual Statewide Job Fairs, you can chat with multiple organizations that are hiring all across West Virginia! As an attendee, you can apply, live chat, video chat and interview virtually with employers participating in the event. Job seekers are encouraged to dress professionally and have a calm, clutter-free background, as employers may request to engage in a video interview. The next job fair is June 5. Register now! Learn more: https://workforcewv.org/individuals/job-fairs/   #2 – From JOBCASE.com/WV –  Interested in living and working in the next best thing to Heaven? Then say “yes” to a career in West Virginia! Visit Jobcase.com to learn more about the benefits of living and working in the Mountain State. You can also check out the awesome job opportunities available in the area in some of the hottest industries! Be sure to follow the Social Media hashtag #YesWV for even more trending information on jobs and growing industries in West Virginia.  Learn more: https://www.jobcase.com/ru/West-Virginia   #3 – From JOBCASE.com/WV – Since the earliest days of silent film, West Virginia has played a role in the film industry. A long list of West Virginians played pivotal roles in film and TV history, from late, great stars such as Dagmar, Soupy Sales, Peter Marshall and Don Knotts to many modern-day stars such as Jennifer Garner, Steve Harvey, John Corbett and Chris Sarandon. #YesWV has long sent talent to Hollywood to make their way - like Lawrence Kasdan, a Morgantown native who wrote Raiders of the Lost Ark, The Bodyguard, The Empire Strikes Back, Return of the Jedi, The Force Awakens and Solo: A Star Wars Story - the state is now working to reel in film, TV and creative productions to the Mountain State. Now, people here -- whether they are producers, caterers, set carpenters, stunt coordinators, hair and makeup, drone operators or electricians -- can plug into the wide range of creative and blue-collar jobs in the film and TV industry. Visit Jobcase.com to learn more about upcoming training opportunities with the West Virginia Film Office. Learn more: https://www.jobcase.com/articles/film-is-back-in-wv   Find these stories and more at wv.gov/daily304. The daily304 curated news and information is brought to you by the West Virginia Department of Commerce: Sharing the wealth, beauty and opportunity in West Virginia with the world. Follow the daily304 on Facebook, Twitter and Instagram @daily304. Or find us online at wv.gov and just click the daily304 logo.  That's all for now. Take care. Be safe. Get outside and enjoy all the opportunity West Virginia has to offer.  

This lecture was given on December 2nd, 2023, at St. Albert's Priory. For more information on upcoming events, visit us at thomisticinstitute.org/upcoming-events About the Speaker: Fr. John Corbett, O.P. (St Gertrude's Priory) is a native of Columbus Ohio. He graduated from Providence College in 1973 and was ordained a Dominican priest in 1980. He received the Doctorate in Sacred Theology from Fribourg University in Switzerland. He has taught moral theology at Providence College, The Josephinum in Columbus and the Dominican House of Studies in Washington D.C. He is currently helping both in the Novitiate with spiritual direction and in the wider parish with Mass, preaching, and confessions.

This lecture was given on December 1st, 2023, at St. Albert's Priory. For more information on upcoming events, visit us at thomisticinstitute.org/upcoming-events About the Speaker: Fr. John Corbett, O.P. (St Gertrude's Priory) is a native of Columbus Ohio. He graduated from Providence College in 1973 and was ordained a Dominican priest in 1980. He received the Doctorate in Sacred Theology from Fribourg University in Switzerland. He has taught moral theology at Providence College, The Josephinum in Columbus and the Dominican House of Studies in Washington D.C. He is currently helping both in the Novitiate with spiritual direction and in the wider parish with Mass, preaching, and confessions.

National Sleep over day.  Entertainment from 2005.  Oldest treaty in the world, US 1st to legalize birth control pill, Englands crown jewels stolen.  Todays birthdays - Howard Carter, William Marston, Hanks Snow, Albert Finney, Candice Bergen, Billy Joel, Devin Peter Hall, John Corbett, Dave Gahan, Lisa Simpson.  Little Richard died.Intro - Pour some sugar on me - Def Leppard    http://defleppard.com/Slumber Party - Haschek SistersHallaback girl - Gwen StefaniMy give a damn's busted - Jo Dee MessinaBirthdays - In da club - 50 Cent    http://50cent.com/It don't hurt anymore - Hank SnowMurphy Brown TV themeShe's got a way - Billy JoelGood to go - John CorbettJust can't get enough - Depeche ModeGood golly Miss Molly - Little RichardExit - Its not love - Dokken   http://dokken.net/ Follow Jeff Stampka on Facebook

If you're a regular listener, you'll know we often reference the benefits of casual roleplay games - from dress up to Dungeons & Dragons - for healthy child development. It can help kids better understand themselves, gain a deeper understanding of others, and build confidence. Today, Gene and Khadijah explore roleplay through a more therapeutic lens. They are joined by special guests John Corbett, MD and Terrance Dolan, MD, two MGH/McLean Child & Adolescent Psychiatry Fellows (and lovers of roleplay games) to delve deeper into how it can be used in therapy and at home to support our kids' mental health. Stay tuned to the end to hear everyone's favorite games!Media ListFollow along with the conversation.John Corbett, MD (Harvard Catalyst Profiles)Terrance Dolan, MD (Harvard Catalyst Profiles)The Child & Adolescent Psychiatry Residence of MGH/McLean (YouTube - Mass General Brigham)Role-playing (Wikipedia)The use of clinical role-play and reflection in learning therapeutic communication skills in mental health education: an integrative review (Advances in Medical Education and Practices)What Is Family Therapy? (MGH Clay Center)The Positive Value of Conflict Resolution (MGH Clay Center)The Psychology of Video Game Avatars (The Psychology of Video Games)Why do kids love Roblox? (LinkedIn - Education Next)Helping Kids With Challenging Behavior, feat. Stuart Ablon, PhD (YouTube - MGH Clay Center)The Incredible Hulk, TV series (IMDB)Thanks for joining in this conversation. We'll see you back on the THIRD Thursday of next month!Podcast music by Gene BeresinEpisode produced by Sara Rattigan Hosted on Acast. See acast.com/privacy for more information.

In this special episode of Film & Whiskey, hosts Bob and Brad dive deep into the 2002 romantic comedy sensation "My Big Fat Greek Wedding," paired with a detailed tasting of Willett Family Estate Bottled 6-Year Rye. 0:00 - Introduction 5:54 - Brad Explains 8:26 - Performances and Themes 33:25 - Whiskey Review: Willett Family Estate Bottled 6-Year Rye 46:26 - Two Facts and a Falsehood 50:36 - Final Analysis 57:58 - Let's Make it a Double: Final Scores and Wrap-Up Join Bob and Brad as they explore "My Big Fat Greek Wedding," a film that not only captured hearts worldwide but also etched a permanent mark in the romantic comedy genre. Our hosts delve into how this low-budget film became a box office phenomenon. They'll dissect the charming performances of Nia Vardalos and the chemistry with co-star John Corbett, alongside the memorable contributions of the supporting cast. Transitioning to the whiskey segment, the duo sips on the exquisite Willett Family Estate Bottled 6-Year Rye. They'll navigate through its rich flavor profile, from its deep amber color to the subtle hints of vanilla and spice that define its character. The discussion will cover the unique aspects of its production, highlighting the craft behind this celebrated American whiskey. Film & Whiskey Podcast. New episodes every Tuesday. Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For more episodes and engaging content, visit Film & Whiskey's website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.filmwhiskey.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. --- Send in a voice message: https://podcasters.spotify.com/pod/show/filmwhiskey/message Support this podcast: https://podcasters.spotify.com/pod/show/filmwhiskey/support

Big Huge Giant Family Movie Month moves away from a gaggle of children and towards a gaggle of overbearing relatives with the 2002 independent rom-com "My Big Fat Greek Wedding"!

This week we're headed to the desert in hopes the dry air will ease our sufferin'... and hell's coming with us, as we watch 1993's Tombstone, directed by George Cosmatos (or Kurt Russell, depending who you ask), and starring Kurt Russell, Val Kilmer, Sam Elliott, Bill Paxton, Powers Boothe, Michael Biehn, Charlton Heston, Dana Delany, Jason Priestley, Stephen Lang, Thomas Haden Church, Michael Rooker, Billy-Bob Thornton, Paul Ben-Victor, Billy Zane, John Corbett, Terry O'Quinn, and the voice of Robert Mitchum. It may not boast the bonafides behind the camera of a more prestige picture like Wyatt Earp, which came out almost six months to the day after Tombstone's Christmas '93 release -- but history has been much kinder to it, in large part because it's a hell of a lot of fun. Consider it redemption for both Russell and Kilmer given their recent fare on the podcast. PLUS: Would you quit your job if they made you go watch Madame Web? And Hayley can finally join in the conversation around Dune: Part 2. If you'd like to watch Tombstone before listening along to our discussion, it is currently streaming on Disney+. Or you can snag it for $3 from the thrift store like Justin did. Other works discussed in this episode include Little Women, Lady Bird, Elvis, Moulin Rouge!, Romeo + Juliet, Asteroid City, Cloud Atlas, Arrested Development, October Sky, The Room, Troll 2, Quiet On Set: The Dark Side of Kids TV, Lebanese Burger Mafia, Where'd You Go, Bernadette?, Poor Things, Late Night with the Devil, Last Voyage of the Demeter, That Thing You Do, Roadhouse, Point Break, Superman: The Animated Series, Batman: Mask of the Phantasm, Friday Night Lights, Young Guns, Deep Impact, Armageddon, Volcano, Dante's Peak, A Bug's Life, Antz, Capote, Infamous, The Prestige, The Illusionist, and Monarch, among others. We'll be back next week to wrap up the month with a much anticipated and perhaps controversial canon entry, a movie that we love quite a lot here on the show but we know is not universally beloved. Returning favourite Matt Pollock is back next week to help us induct Christopher Nolan's TENET into the pod canon. Until then, we'll see you at the movies!!

On this week's episode, I have actress Paula Marshall (Euphoria, Walker, Gary Unmarried, and many many more) and we dive into the origins of his career. We also talk about how she dealt with being a new mom and working on a sitcom at the same time. There is so much more so make sure you tune in.Show NotesPaula Marshall on Instagram: https://www.instagram.com/thepaulamarshall/?hl=enPaula Marshall IMDB: https://www.imdb.com/name/nm0005191/Paula Marshall on Wikipedia: https://en.wikipedia.org/wiki/Paula_MarshallA Paper Orchestra on Website - https://michaeljamin.com/bookA Paper Orchestra on Audible - https://www.audible.com/ep/creator?source_code=PDTGBPD060314004R&irclickid=wsY0cWRTYxyPWQ32v63t0WpwUkHzByXJyROHz00&irgwc=1A Paper Orchestra on Amazon - https://www.amazon.com/Audible-A-Paper-Orchestra/dp/B0CS5129X1/ref=sr_1_4?crid=19R6SSAJRS6TU&keywords=a+paper+orchestra&qid=1707342963&sprefix=a+paper+orchestra%2Caps%2C149&sr=8-4A Paper Orchestra on Goodreads - https://www.goodreads.com/book/show/203928260-a-paper-orchestraFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptPaula Marshall:But a lot of parents, they go to jobs and then they come home or they don't work at all, and then it's just mom 100% and they're probably exhausted and happy. Some of my friends, I feel like they're like, I'm so glad. Finally I get to whatever. And either they're retiring and they get to go travel and like, no, I'm an actor. I'm looking for a gig, whatever. I don't think actors ever truly retire. I think we don't. I don't.Michael Jamin:You are listening to What the Hell is Michael Jamin talking about conversations and writing, art and creativity. Today's episode is brought to you by my debut collection of True Stories, a paper orchestra available in print, ebook and audiobook to purchase. And to support me on this podcast, please visit michael jamin.com/book and now on with the show.Welcome everyone. My next guest is actress Paula Marshall. She has been, I worked with her years ago on a show called Out of Practice, I think it was like 2005. But Paul, before I let you get a word in edgewise, I got to tell everyone, your credits are crazy long, so your intro may take a long time. So I'm going to just give you some of the highlights to remind you of your incredible body of work here. Really these are just the highlights. She works a ton. So well, let's see. I guess we could start with One Life To Live. That might've been your first one. Grapevine Life goes on. Wonder Years Seinfeld. I heard of that one. Perry Mason diagnosis. Murder Wild Oats. I'm skipping here. Nash Bridges. You did a couple Chicago Suns Spin. City Cupid Snoops Sports Night, the Weber Show. It doesn't end.Just shoot Me, which I worked on. I didn't even know you were on that. Maybe I wasn't there. Hitting Hills and Out of Practice, which we did together. Veronica Mars, nip Tuck, shark ca Fornication. You did a bunch of Gary Unmarried House friends with Benefits, the exes CSI, the Mentalist, two and a Half Men Murder in the First Major Crimes. What else have we got here? Goer Gibbons, I dunno what that is. You have to tell me what that is. And then Modern Family Euphoria. You did a bunch of them. Walker. Paula, I'm exhausted and I'm going to steal your joke here. You can because I'm going to say you're Paula Marshall, but you may know me as Carla Gina. That's what used to tell me CarlaPaula Marshall:And I know Carla,Michael Jamin:But knowPaula Marshall:She's like the younger version of me. Slightly shorter,Michael Jamin:Bigger, bigger. Boop. But you have done so much. I'm going to jump, I'm going to jump into the hardest part. I'm wondering if this is the hardest part for you is being a guest star on a show because you have to jump in with the cast, you have to know the rules and everything. Is that harder?Paula Marshall:Yes, a hundred percent. It's harder when I guest star on any shows, if I haven't seen the show, I watch three or four on YouTube just so I know who's who and the vibe and the energy. When I guest star on Modern Family I their last season and some could say I canceled the show by being there. I've been called a show killerMichael Jamin:Before. I remember You don't let Right.Paula Marshall:I still have not let that go. I like to say I've just worked on so many different shows at its peak and then it died anyway. It's hard because they're all in a flow and depending on the other actors, how cool they are to kind of throw the ball at you.Michael Jamin:But do you have to identify who's the alpha dog on set? Is that what your plan is? It'sPaula Marshall:Pretty clear right away. Really? Yeah. I mean besides whoever's first on the call sheet, I remember one of the producers of Snoop's, David Kelly's first big bomb. That was me.Michael Jamin:It was a sure thing what happened?Paula Marshall:You know what? I'm not sure. Well, when it was supposed to be a comedy quickly turned into a drama, it was not great. But as one of the producers of Snoop said, you don't fuck with the first person on the call sheet. You don't fuck with him. And so you identify that person and depending, it's funny because I've worked with so many great people and so many assholes too. Like David Deney. Damn, is he cool? He's so nice. When I worked on fornication with him, he set a tone for just the set, the crew, the actors, this freedom just to try things. And I remember during my, it was like the first day naked throwing up,Michael Jamin:Wait, were you nervous? Why were you throwing up?Paula Marshall:Hello? Of course. But IMichael Jamin:Remember you're never nervous, Paul, let me tell you who you were. I'm totally nervous. No, you're the most self-assured person probably I've ever worked with. You're very confident.Paula Marshall:Thank you. I'm actingMichael Jamin:Acting.Paula Marshall:But California occasion, it was my first day onset naked, fake fucking. And I remember standing there, it was yesterday, and either tweaking you and touching you up. And I say to everyone, what's amazing, what I'll do for $2,900 when a strike is pending? It was the writer's strike way back in the day. And I remember getting this part on fornication and I'm like to all the girls in the audition room, when we used to have auditions in rooms with other people, I looked around, I'm like, we're not going to really have to be naked. We're not those type of actresses. And they're like, no, no, no. And I'm like standing there. Yeah, yeah. I was naked.Michael Jamin:Was that your first time in a show being naked? I meanPaula Marshall:ToplessMichael Jamin:ShowPaula Marshall:On a show?Michael Jamin:Yes. Because you were in a model, I'm sure as a model, you're doing wardrobe changes all the time.Paula Marshall:I used to model. I was naked a few things back in the day.Michael Jamin:So were you really nervous about it? I mean, I imagine you would be, butPaula Marshall:Standing there naked is one thing. You just kind of have to dive in the pool, in the cold, cold pool and let it go because you got to put on the confident jacket, I guess I obviously wore a lot around you, but I mean it's more uncomfortable, the fake sex scenes, it's more technical and awkward. It's just but nervous. I dunno. Yeah, you're excited. But I'm also excited when I walk on stage on a sitcom before, if I'm not already in the set, when they start rolling, I'm backstage. How's my hair? Shit, how am I doing? Okay? I get hyped up until you do it once and people laugh and you're like, oh,Michael Jamin:Okay. Are you worried about going up on your lines at all? Is that at all you're thinking about?Paula Marshall:Yes, especially now. Oh shit, my memory. It's just that prevagen, I'm going to look it up later, but yeah, you do. But if you in a sitcom situation, we run it, we rehearse it all week. StillMichael Jamin:The lines are changing all week. That's all IPaula Marshall:Know. But they're changing all week. But then you run it and you drill it on TV shows like euphoria or whatever. Yeah, you run it. But then again, they don't really change the lines at all. But yeah, you were a little bit, but then you got a great script supervisor that you're like, I'm up. And then they say it and then you go back and you do it. But yeah, always, I'm always really nervous until maybe the second takeMichael Jamin:Of any, the hardest thing it seems to me is just like, okay, you're naked and you have to forget that there's all these people there. You havePaula Marshall:ToMichael Jamin:Completely, it's almost like you're crazy to have to be able to forget that,Paula Marshall:Michael, when you paid $2,900.That's right. I was shocked. That's all you get for being naked. Yeah, you do. You are nervous. But I don't know. I was 40 then, so I looked pretty good naked, although I only had four days notice. Back then we didn't have ozempic, so I was like, okay, I can't, no salt, no bread. And I remember in that shot that the camera guy, they decided in the moment, Hey, can you walk over to David? And then bent over, he's on the bed and then kiss him. I'm like, well, that depends. What's your lens there? You got there? And I'm like, how wide is your lens? And he looked at me and I'm like, I'm a photographer. I like taking pictures. So I know. And I'm like, so I'm going to bend over with my white ass and I had four days notice on this and my ass is just going to be in the pretty much. And you're like, okay, I could do it. But you hope for body makeup. I don't know. Don't you think I had any, I should have demanded bodyMichael Jamin:Makeup. And this was probably even before there were, what do they call them now? IntimacyPaula Marshall:Coordinators?Michael Jamin:Yes. Right.Paula Marshall:I mean, here's the thing. I guess it helps when you're not a loud mouth person like me. And even then it's hard to go, Hey dude, keep your tongue in your mouth. You don't want it in your mouth. Sometimes you're like, damn. He's a great kisser. Jason Bateman, I enjoyed the tongue in my mouth. SoMichael Jamin:It kind of dependsPaula Marshall:On who's sticking in the tongue. But the intimacy coordinator, I think it's just so people know what's going to kind of happen and get it. But California case, no, we didn't have that. This movie I was naked on with Peter Weller called The New Age. No, I remember in the middle of the scene, I'm on the bed and he's looking down at me and during one take he decides to suck on my nipple. Shocking. I turned bright red, which is what I do when I get nervous. And I'm like, dude, what are you doing? He goes, I dunno, I just thought it'd be fun. I'm like, okay. And I don't think they used it, but if there was an intimacy coordinator back then, I probably would've known.Michael Jamin:Yeah. So it'sPaula Marshall:Good I guess. But it's corny and you feel silly.Michael Jamin:Oh my God, I'm glad you mentioned the photography thing. That was one of my memories from working together and out of practice. This was before people had camera phones and cell phones and you carried a camera everywhere. And I remember thinking, you're the star of a sitcom. You're the star. I mean, you're an artist doing her craft, and yet it's still not enough that you wanted to work on something. You wanted to do something else as well.Paula Marshall:Maybe it's my parents growing up, they always had these really cool black and white pictures of them. And I used to look at them and go, wow, that was your life then. And it was hard to even imagine when they were so young. And so it's like photos are life to me. And I guess I don't want to forget the moments of my life that are important. And so I always would bring a camera with me on set, on location more than sitcom stages aren't as conducive to really cool shots. But yeah, I like capturing life.Michael Jamin:And you're still doing it on 35Paula Marshall:Millimeter? I still do it, although I did give in and I have a digital now because it's easier. It's easier. Develop film.Michael Jamin:Many. You took my headshot from me and for many years I way too long. I used that as my headshot.Paula Marshall:Yeah, it was good. I rememberMichael Jamin:It was great. And I wore Danny's shirt, you go, yeah, put this on. You look terrible. Whatever I was wearing, stillPaula Marshall:Do that. People still come over my friends and I'm like, you need a headshot. Put Danny's shirt on. He has some nice shirts.Michael Jamin:It's so funny.Paula Marshall:Yeah, I do. I still like taking pictures.Michael Jamin:I got to share another memory I had from out of practice, which I cherish this one. So it was right before it was show night for some reason. I don't know why. I had to run up pages to the cast. And maybe you were in the green room or you were somewhere upstairs. I don't know what the hell dressing. I don't know what was going on. I knock on the door and all of you we're standing in a circle holding hands. And Henry goes, Michael, you're just in inside. Come on in. And then I go in time for what? And then he tapped. This blew my, I love this memory. And you guys were just like, I don't know what you would call it, but you were invoking a good show to be supportive of each other and to be brave and true. And I was like, I can't believe I felt so honored that I was included in, I was like, are you serious,Paula Marshall:Henry? I actually forgot that memory and thank you for reminding me of it. Henry's just, he's something special.Michael Jamin:He is.Paula Marshall:I know there's rumors. Oh, who's the nicest guy in Hollywood? Henry Winkler. It's because it is, is I could text him right now and he would literally text me. Within eight minutes he will text me back. Oh, Paula, it's been so, he's just a dear. And so he is, again, back to the, when you go on set and who creates that energy? Although Chris Gorham, I think was the first on the call sheet, not Henry Winkler, but Henry was our dad. I mean, he was such a pro and yeah, he just created this lovely energy there.Michael Jamin:Yeah. Oh wow. So that's not common then for other shows that you've worked on. People don't do that. That's not a theater thing. It seems like a theater thingPaula Marshall:You would think. I think, I don't know, maybe it was a happy days thing.Michael Jamin:Why don't you start it on your next show? Why don't you start doingPaula Marshall:It? I think I might. I'm going to make it now.Michael Jamin:I thought it was so interesting. I was like, wow. But it's getting back to that first point, even the first, the first person on the call sheet technically is the head cheese. But they might not be the most difficult by far at all. I mean, you don't know who's the boss. That's true, right?Paula Marshall:I mean sometimes the and character is an asshole. I mean, I think mostly people when they don't really want to be there, they kind of rebel. I've always wanted to be on a sitcom. IMichael Jamin:Remember. Did that change? Oh, go ahead, please.Paula Marshall:I just remember, I believe my first sitcom was Seinfeld. I may have done a guest spot on some other one that maybe never aired or I can't remember. Or maybe I just think it's cooler to say my first sitcom was Seinfeld. I'm not sure. But that show, I don't know. There's a magic. But they didn't do any of that either. But they kind of really invited me in and I dunno, I'm just thinking,Michael Jamin:Do you prefer to do sitcoms, multi-camera sitcoms? Yes. Yes. Because the audience.Paula Marshall:Because the audience, because it's a high, I've never gotten anywhere else in my life. Not that I need to be high, but damn. When you go out and you make people laugh with a look or a line or a physical movement, I mean it's magic. And working with the actor, knowing more like theater, which by the way, I've never doneMichael Jamin:Well, why don't you do theater then?Paula Marshall:I don't know. I don't know. I'll call my agent another thing I'll write down.Michael Jamin:Yeah, do that.Paula Marshall:But probably only if it's a comedy. But it's that magic that you don't have to go and do another take and then they turn around and then you got a close up again. I mean, it's boring. Like our television, there's no magic in itMichael Jamin:Ever.Paula Marshall:Except on euphoria. I have to say there's magic there.Michael Jamin:Why do you say that?Paula Marshall:Because the writing directing the story level of, I mean, when Marsha is my character, when Marsha actually had a couple things to say. I remember I called or I spoke with Sam Levinson and I was like, dude, it's me, right? You wrote an eight page monologue almost for Marsha to say. And he goes, yeah, I can't wait to see it. And I'm like, oh my God. I was so nervous. I studied for three weeks. There was no rewrites. And then it's me and Jacob all Lorde on set. And we get there and there's no rush, there's no limitation. There's just like, what do you want to do? And he's like, I kind of feel like you're doing this and then you're doing the cookies and a lot of movement. But we did it until it felt good, and then we knew it, and there was a magic there. No one's laughing at me. But there's something special about that show. I mean, I've heard rumors like, oh, and on set. And I'm like, ah, not for me. Not for me at all. Not for you. No, it's amazing.Michael Jamin:What do you do though? When you're on set and you have an idea how you want to play or speech, how you want to deliver speech, and your scene partner is just on doing something completely fucking different. How do you handle that?Paula Marshall:If you know, don't have a say, meaning you're a guest, darn. You do what they tell you to. How high do you want me to jump? That's what you do. But if you're working together and you're equal parties, you probably have run it before. But I would say if they're not doing something that I want, then I use it and I am frustrated in the scene, or I just use whatever they're giving me because that's all I got. And I try to put that into my character.Michael Jamin:How much training have you had though? That's very actor speak.Paula Marshall:It really did sound a little actory, and IMichael Jamin:Apologize for that. No, it's good. I like it.Paula Marshall:I mean, I don't know. I lived in New York City and I took acting class with this guy named Tony Aon and Jennifer Aniston was in my class and Oh wow.Just a bunch of young people, but not all that much. Not all that much. I think the comedy thing, I didn't even know I was funny with Seinfeld, the guest stars aren't usually funny in sitcoms. The lead, the main characters, the stars of the show are funny guest stars just kind of throw the ball and you know what I mean? But something happened after I was on Seinfeld and then I read for, I guess it was Wild Oats, which was with Paul Rudd and Jan Marie hpp. And Tim Conlin. It was a sitcom on Fox. It was the same year that another show called Friends was coming out. And I remember them. Someone was interviewing us saying, oh, there's another show that NBC is doing with a group of friends. It's kind of like yours. And we're all friends. What's that cut to?And ours was canceled after one season, but I think the first time I was like, oh shit, I can do this. I know how to deliver a joke. But I never learned that again. It just happened one year in pilot season just kind of happened. And my agents were like, oh, Paul is funny. Okay. And then one time I remember I read for a pilot, after you do so many comedies, then people go, well, she's a comedic actress, she can't do drama. And then you're like, the fuck. Of course I could do drama. I remember one time during this callback, no original, just the first audition. And I had heard the casting director doesn't think or only thinks you're funny, doesn't think you're as good. Dramatic. Wow.Michael Jamin:Obviously if you could do comedy, you could do drama.Paula Marshall:No, you would think it's the other way around. It never works. It is really hard to doMichael Jamin:Comedy.Paula Marshall:But literally, I was like, well, I'm so angry that she thinks I can't. Finally, they couldn't find this girl, the character for the pilot. And then they finally, okay, Paula, we'll see her. So I get in there, and it was Davis Guggenheim was the director. I love Davis. After I read, I think it was three scenes. And during the last scene, I broke down and I was in tears over something and I look up with, you couldn't have placed the tear better. And I look up and I ended the scene and Davis goes, my god, Paula Marshall, you are one fine actress. And I do this. I look at the casting drifter and I go, you see, I'm not just funny. And I grabbed my bag and I walked out and I go, well, I just fucked myself for any future director again. There was something that came over me and I was like, I need you to know that I am not just one thing or the other. And then Davis probably three weeks later, texts me, I've been fighting every day for you. And I'm like, what are you talking about when you get these weird texts from people? I'm like, did I get the part? I got the part and they didn't want to see me.Michael Jamin:It's so interesting. I mean, obviously you're a working actor, you work a lot. You're successful, and yet you still feel like you're placed in this box and you have to prove yourself and get out of it.Paula Marshall:But there's something I really love about, there's part of me that I want to read, and I want everyone to look at that tape and go, fuck, I wish we could hire her. I wish there weren't the limitations and we didn't have to pick Carla at you now or whatever. I wish we could pick Paula. I want them to go, fuck man. She was really good. I want to stick in their brain. I always would cancel auditions if I wasn't ready for it. If I really knew I wasn't going to kill it, I wouldn't go, or I won't put myself on tape. I don't have enough time to prepare for it because that's the last thing they see of you.Michael Jamin:IPaula Marshall:Want it to be the best thing they see of me. So I only want to leave them with that because they're not going to remember that other stuff.Michael Jamin:That's a good point though. Are you doing a lot of self tape now? Is there anything in person?Paula Marshall:I have not had any auditions in person yet. Wow. Her actress ever Carradine. I think she's had her third one, and she always posts about it. She's so cute. And I think she booked one. No, I have a room now in my house. It's the tape room. And I've got a nice beauty light and I've got the tripod again. It's kind of easy for me because I have photography stuff.Michael Jamin:But who are you acting again or does Danny help you out?Paula Marshall:Well, Danny will sometimes read with me. My daughter would read with me. And sometimes when I'm all by myself, I read with myself. I will have a tape of the other voice, which is, or sometimes I leave space and then I put the audio in later. I mean, it's crazy the stuff that happens during Covid. We've got very creative over here.Michael Jamin:But in some ways though, because this sometimes a casting director is like, yeah, yeah, there couldn't be more wooden. And so in some ways it's got to be easier for you, right?Paula Marshall:Yes and no. Yes, because I get to pick the take I want,Michael Jamin:Right?Paula Marshall:Two, because two, I didn't even say one a b, I don't get nervous, so there's no nerves to hold me back or Oh man, I should have done it. Or I mess up. I just do another take. But then there's also, there's something about going in and being vulnerable in front of all those people and showing them what you can do. And especially in a comedy, I, it was like a zoom callback for a comedy. And I live in the hills and maybe it was the wifi or that slight timing was off just enough or the reader wasn't funny and I'm trying to connect with this dot. It was hard. There was no magic in it and you couldn't feel the other person. And so I think in a way, it's good in a way. It's really not good. So I'm willing to do whatever to get anything because I pay for college.Michael Jamin:But also, there's also the fact the to drive across town, I mean, that's got to get old, right? Driving everywhere.Paula Marshall:But when you're an actor, everything stops. You get a script, everything stops. You're not making dinner, you're not going out, you're not watching that movie or the show. You drop everything and then you focus on it. And hopefully, thankfully, because of the strike and the new negotiations that they got for us, I think we don't have to do a self tape over the weekend. We need to have enough time to actually prepare for it, which is amazing. Most of the time. Gary unmarried, I think I got the audition at eight o'clock in the morning. It was to meet producers at 11 o'clock the next day. And you're like, ah, okay, here I go. It's really hard to put all that energy and to them something great. And I never understand why you're casting people or producers. Don't give us more time because we want to give you something great. We don't want to go in there and read. I don't. I want to perform for you. And it's hard to do when I don't have enough time to do it. I also have a life, so I have other things, but you kind of do. You really drop it. You drop everything for an audition.Michael Jamin:It's interesting though. I want to get touched on something you said. You said it's hard to be vulnerable on camera, but then you said comedy, and do you feel like it's harder to be vulnerable? Because when I think of vulnerable, I think drama, not comedy.Paula Marshall:Yes. But there's nothing funnier. I remember my husband in many situations will say, I'll be upset or crying and I'll say something really funny, but humor comes out of the reality, like your honest to goodness, open soul, like your heart. The funniest stuff I think comes out of me when I'm in a vulnerable position, if I'm angry, if I'm sad when I'm just feeling whatever. So I don't know. I think in many sitcoms I've cried. And how do youMichael Jamin:Get past that though? How do you get past that vulnerability thing? I mean, are you a hundred percent past it or is there any reservations?Paula Marshall:Ask that again. Sorry.Michael Jamin:Very clear saying, well, when you're vulnerable on camera or trying to be, can you go, I don't know. Is there a limit to your vulnerability, do you think on camera or are you willing to go there all the time? As much, as far as you want?Paula Marshall:I guess so most of the time it depends on how much tears you have. And I usually, if the writing is good, and that's the big if this thing that I ended up booking with Davis Guggenheim, it was with John Corbett, and I had to cry and it was maybe like a steady cam up the stairs and going, and I break down and I crumbled to my knees, and I swear to God, I did it. Maybe 17 takes. And then we come around and turn around on him and I end up crying again. And John, after we, they yelled cut, he goes, Paula, what are you doing? Why are you crying again? I go, I don't know. The words are making me cry. I'm just tapped in doing it. They wipe it away. But you got to be careful because I'm vain and you got to look like you're not crying, and I'm really crying.So I get red and my eyes get bloodshot. You look different and the snot and you got to fix the whatever, makeup. But no, but when it's great, when the writing is great, of course, usually you don't have to do it. 17 takes, it was just had a lot to do with the steady cam and whatever. But usually you do it in three takes and you nail it and it's good, and they're like, wow, that was great. Let's move on. So you don't really have to in a movie, if you nail it, you nail it and they move on.Michael Jamin:What do you do though when you're in it and you feel like you're slipping out of it?Paula Marshall:Okay, so that when I drink this, soI have at least one of those before every tape night, I've always drink a Coke. If I can't, the writing isn't talking to me. If I can't relate to it, I do that substitute thing. If I have to cry, and this is really not making me cry, the subject and the words I substitute for something else that makes me cry. I'm a freakishly emotional person. I cry a lot. I'm very sensitive. You wouldn't really think that because kind of like Danny calls me bottom line, Marshall, and I'm very tough and whatever and no nonsense. And I say it like it is, and I will always tell you if you look fat in that dress, I like to be honest, but I don't know.Michael Jamin:But is there a moment where you feel like you're okay? You're on, you're giving a speech, you're in a scene, and then you're like, oh, I'm acting now.Paula Marshall:Yeah, yeah, yeah. I mean, every once in a while, I mean, I'll finish the scene. I don't want to stop myself. They might like it and for whatever reason, but I'll always say, can I have another one? Can I please have another one? Or Oh my gosh, I really like the second take. Just can you make a note of that, that the second take was much better. They know it's obvious when you see someone telling the truth, it's obvious which one is better, but you can't just tell the truth once and then move on because you don't know. Maybe there was a sound issue on that take. No. So it's tricky. Every once in a while you think you have it. The crappy thing is when they come around to you or they start on you and then you finally figure something out. I remember Bette Midler, we were doing the scene and they were on us first.It was a movie, I guess Danny and I did the scene together and it was bet opposite on a table. And they go to her, they turn the camera on her, and then she goes, oh, I just figured it out. We're like, no, the opposite. We did her first. Forgive me. We did her first and then they came on us. And then she goes, oh, I just figured out the scene. Can I do it again? And Carl Reiner's like, no, we got to move. No, we're out of here. So sometimes it takes a while to figure it all out, and she just thought she didn't nail it. It's Bette Midler. She nails every take all the timeMichael Jamin:You are listening to, what the Hell is Michael Jamin talking about? Today's episode is brought to you by my new book, A Paper Orchestra, A collection of True Stories. John Mayer says, it's fantastic. It's multi timal. It runs all levels of the pyramid at the same time. His knockout punches are stinging, sincerity, and Kirks Review says, those who appreciate the power of simple stories to tell us about human nature or who are bewitched by a storyteller who has mastered his craft, will find a delightful collection of vignettes, a lovely anthology that strikes a perfect balance between humor and poignancy. So my podcast is not advertiser supported. I'm not running ads here. So if you'd like to support me or the podcast, check out my book, go get an ebook or a paperback, or if you really want to treat yourself, check out the audio book. Go to michael jamin.com/book. And now back to our show.Do you have these conversations with them? Do you have conversations with actors with more experience and I don't know, are you still trying to learn from them?Paula Marshall:I just pay attention to what they're doing. I don't think I pick their brains like that, but I just watch them and I watch and I seeMichael Jamin:What are you looking for?Paula Marshall:Well, sometimes technically how they do it. I remember my first movie, Hellraiser three, I learned a lot about continuity,Which is something they don't really teach in acting class. If I'm going to play my drink up and sip it, I have to do that every single time. If I'm going to eat in the scene, I got to do it every single time, and I have to figure that out. And you have to really, if you're really going to eat, you got to really eat. Not teeny little bites, make your choice. But I learned things from different people. I remember Robert Duvall, I played his daughter in a movie and he would act and he kept going until his body knew it was over. And I remember the director had yelled cut at one point and he got really mad. He goes, I wasn't done, but he had finished talking. And he goes, I'm still acting here. It's like, I'm still walking here. But it was like, I'm still acting.I'm still doing, there's still so much more there. I observe and I see how they deal with issues and problems in their focus. ISHKA Harte guest star on that show of hers, and we auditioned a lot in the beginning. We came up at the same time and just everything was so serious to her. She really so passionate about her show and she threw away nothing. It was really kind of impressive after a hundred seasons now that she cared so much because some people after four Seasons, they're like ready to go. They're like, I got a movie down, I'm ready to go. But there's certain people like Maka who from day one till again, I think it's 25 seasons or 24 or something crazy. I remember when I worked with her and I hadn't seen her in 15 years or something, I just am like, God, how rich is she? And so instead I was like, tacky. I'm not going to say that. So again, I walk up to her and it was emotional that we hadn't seen each other in so long. I hugged her and I said, how big is your house? She goes, I can't complain.Michael Jamin:I'm like,Paula Marshall:But she's very passionate and so many actors are, and then there's some who are not and who are ready to goMichael Jamin:And who are they? Not names, but why are they there? Are they just rock stars who became actors? You don't know. It just falls into a job like that.Paula Marshall:There was one person and he just seemed really angry all the time. I don't think he was just a happy person. If you don't like doing this, I'm not sure why you're doing it. I don't know. There's just something inside you. I mean, this is the greatest thing ever to be paid to do what you love. And again, when my daughter said she wanted to be an actress, an actor, sorry, I was so happy. I was like, that's where I found joy in my life. I grew up in Rockville, Maryland, and I didn't know anybody, and I just watched the Mary Tyler Moore show, and I went, yep, that's what I want.How do I do that? I had no idea, none. And to find joy there. So when a person is coming to set and they're angry, it could be, they don't like the words actors are very particular about. If your dialogue is not great, it's really hard. It's so much easier when you have great dialogue and the scene makes sense and the relationships you buy them. It's so easy to do it. It's effortless and it's so real and it's so honest. And then when you've got this other stuff and you have to say the name of the person to remember that it's very cookie cutter network television, which you would think at this point would look at streaming and go, yeah, there's always something right over there because the quality is just beyond Well,Michael Jamin:How did you figure it out then? Okay, you're in Maryland. How did you figure out you stopped in New York first. What was that about?Paula Marshall:Did I moved to New York? I modeled in Georgetown as a local model there, doing little ads for Montgomery reward. And I didn't really want to go to college. My parents didn't make me go to college. I think I had two grand in my pocket from doing things here and there. I started doing commercials locally. And this woman by the name of Jay Sumner, who was the booker at this modeling agency called Panache, she said, we were at Champions. It was a bar called Champions. And though how I was there drinking at the bar, I don't know, I think I was 18. She said, Paula, you're so much more interesting in person than you are in a piece of paper, meaning I'm pretty, I'm good enough on paper, but you're so much more interesting in real life. And she goes, I think you should be an actress.And I'm like, okay, really? And I'm like, well, I always used to watch Mary Taylor Moore and all of that, but I'm from Maryland, how am I going to do? And she goes, I know somebody. I know someone in New York named Dian Littlefield, who's a manager, and I can set you up with a meeting. I'm like, what? So I ended up moving to New York City. Modeling was my waitressing job. I got a lot of money. It didn't take a lot of time. It was really easy. I love photography. So there was that connection that I wasn't just sitting there like an idiot with bathing suits or lingerie or junior wardrobe or whatever. So that was kind of my waitressing job to allow me to pay for rent and acting classes. And then I was like, you know what? I think I really like it. It's true. Just a piece of paper. And it's funny, I love taking pictures. I love stopping life, but there was just, I guess more to me than just the piece of paper. So I guess that's kind of how it happened.Michael Jamin:How did LA happen then?Paula Marshall:So I would audition test for a lot of things. I would fly to LA for different pilot projects. I would read in New York, and then most of the things were shooting in la, not New York at all back then. So I would fly to LA and I think it was just one of my agents said, look, Paul, if you really want to do this, you got to live in la,Michael Jamin:Right?Paula Marshall:I was like, ah, okay. So I moved to LA and yeah, and I was young and 20, I think I was 25 when I moved here, kind of old to kind of start, but I looked really young. And when you read for enough things and enough people are interested, the head of my agency said to me after a pilot, I, or I tested for something and I didn't get it. And he told me back when we didn't have computers, we had to go pick up our scripts and there would be a box outside the script, their office, after hours, he would look through and go, these are my scripts. In the middle envelopes, it says Paula Marshall on it. Anyway, I was kind of sad and I'm like, I don't know. I'm not booking anything. And he goes, but you're testing a lot. You're very close. And I'm like, what does it take? What am I lacking? What am I missing that I'm not booking the thing? He goes, I believe in you and you need to keep doing this. And then I did. I slowly would start booking things.Michael Jamin:What were you lacking? Do you know?Paula Marshall:Maybe it was the confidence, maybe I was really nervous. I remember one time, I think it was during the Flash, it was a pilot called The Flash with John Wesley ship, and Amanda pays Amanda Paynes. Anyway, ended up booking it. But I remember in the audition room, I think it was at NBC or I don't know, one of the big three, the scene, I put my hand on my knee and I was shaking so much from being nervous that I was like, oh, stop doing that. I don't want them to know. I'm nervous because they want everyone to be fearless and confident.And I get that because it takes a lot to go stand in front of a bunch of people and say stuff over and over, or stand there and be naked and do it over and over. There's got to be part of you that's kind of cocky and confident, and not that you think that you could do that over and over with someone else's words. I mean, it's kind of crazy that I do this, but I don't know what tipped me over the scale. I never gave up. And I kept doing it and trying to figure it out and asking and asking the casting directors, and they always say nice things. They never say, well, you messed this thing. No, it's just there's a magic. If I don't book something now, I don't take it personally. Someone else just had a little bit more magic that day, and they tapped into the character and the writer saw that person that they wrote down and spent so many hours writing that Blonde Girl or Carla Gino just got it better than I did. Okay. IMichael Jamin:Know. To me, one of the hardest parts of acting, aside from the acting part is the fact that you really don't, don't have agency over your, you have to wait often. You have to wait. So what do you do in that time?Paula Marshall:Well, you find hobbies. I learned very early on to save money. You live under your means. So even if you get a gig and you're the lead in a show, you're making a lot of money per week. And like me, most of the shows, they did not go more than a season. So you have to take that and live under your means, and you can't spend money and buy fancy things. I invested my money in my house, I think maybe three or four houses now. I try to invest my money and I fill my days with other things.Michael Jamin:Do you stress about it at all or no?Paula Marshall:Yeah. Yeah. I think in the beginning, early on I was very busy all the time. There wasn't a lull. And when you do have a job on, if you're a series regular on a show, you love your weekends, you love your time off. If you're working crazy hours sitcom's, not crazy hours, you know that those areMichael Jamin:Great for writers.Paula Marshall:I mean, yes, that's true, but if you're a director, Jimmy Burroughs would be like, I got a tea time at three 30. We got to get out of here. It's a dream. And maybe that's why I love the sitcom so much, because you got to to act and have a real life. When I had my daughter, I remember going, how would I be a mom and work on a single camera show? I would never see the kid. So when I was pregnant or when I read for Out of practice, I had just had my daughter a week before I went in to test for the show over at CBS. There was a script on my doorstep when I brought her up on the baby thing. And I'm like, I'm a mom and oh, right, I'm an actress and I'm 20 pounds overweight. And oh, I thought I was going to push the, I'm not going to work for a year button.That was the plan. Then I saw the script and I read it and I'm like, oh man, it's a sitcom. I'm not going to work very many hours. I'm going to work three weeks on one week off. I'm like, maybe I'll just do it. Maybe I'll just read for it and we'll see. And I really liked it. I really liked the character. And then when I got it, I was like, oh shit, I don't even have a nanny. How do I do this? So Danny went with me tape night. He was my nanny. I remember them going home because the baby, they were cool. Once we got picked up, they allowed me to have a little trailer outside for my nanny, Mariella and Maya, and I was breastfeeding at the time. She was just born. And it allowed me to do that. And I remember Henry, Henry Winkler still was like, how's Maya? And it was just a great thing. I had my baby. You couldn't ask for a better job for a mom. I was living my dream and I was having a baby when I was 40 years old.Sitcom is the greatest thing in the world, and I'm still trying to get back on one. There's just not that many of them now. It's really sad. Multicam, I've written like three of them. Speaking of writing. Yeah, go on. The writer. So I remember, I think it was when the pilot that I did with John Corbett, when I cried 17 takes in a row, when that didn't get picked up, I remember I was dropping off my daughter at elementary school and Dave Grohl, yes, that Dave Grohl sees me. And I had just found out that the pilot wasn't picked up. It's called Murder in the First, no, sorry, different thing called something different. That was another show that I did. But anyway, so Dave Girl's like Paula Marshall, what's up? You look sad. And I'm like, oh, another pilot wasn't picked up. It just sucks.And he goes, Paula, when either his studio or something, they didn't like the music or whatever, and he goes, you know what? I did put his arm around me. We're walking down that hallway. And he goes, I just did it myself. I got this set up and I just did it myself. And he goes, you should do it yourself. Why don't you write something? And I'm like, yeah, why don't I? And I'm like, well, because one, I'm not a writer, but he goes, who cares? So because of Dave Grohl, that opened the door to getting ideas out, writing something for me. One thing actually, I mean it went kind of far an idea went very far that I ended up producing with Paul Riser and Betsy Thomas wrote it. This was a little bit before, but it's an outlet for me. I'm still not great at Final Draft. I'm still like, oh, how do I get the thing and the thing and the page? I can't even figure it out half the time. So I've written a few sitcoms, mostly from my point of view, because I want the job, because I wantMichael Jamin:To. So you wrote a single camera sitcom and then you showed it to Paul, and thenPaula Marshall:What happened? The Paul and Betsy one, I met Paul's, I believe his name was Alex, but I can't really remember. I met this guy at a wedding and he was like, oh, you're really funny and blah, blah, blah. I'm a big fan. I'm like, oh, that's nice. Thank you very much. And he goes, do you have any ideas? Do you write? And I go, no, I don't write. I go, I have this idea for a show. And he goes, really? Why don't you come pitch it to me? And my partner? I'm like, great. Okay. He goes, Hollywood. I'm like, who's your partner? He goes, who's your partner? And he goes, Paul Riser. I'm like, what? Okay. So I literally got his number and I'm like, oh my God, I'm going to go meet with Paul Riser. I go meet with Paul Riser. I give him my pitch.He really liked it. And he goes, I like it. I think let's do it. Let's work together. I was like, you couldn't have given me anything that would've made me happier than the fact that Paul Riser liked an idea of mine. It's almost like when I made Diane Keaton laugh in an audition. I literally called my agents and I was like, I'm good. I could die now. So the Paul Riser thing, it was just my idea. I had a lot of say. So I got to produce, I got to make a lot of decisions. It was probably one of theMichael Jamin:Greatest. So you shot it then.Paula Marshall:So we shot it and it wasn't picked up, butMichael Jamin:You sold it to a studio.Paula Marshall:All of them wanted it. This is great. Everyone but Fox, wow.Michael Jamin:Wanted it. That's amazing.Paula Marshall:It was crazy. But you have Paul Riser, I matter your stuff, but when you have someone like a Paul Riser or someone who is respected in Hollywood and has produced before, of course people are going to give them a shot,Michael Jamin:But not necessarily. I mean, they must've really liked it. So you wrote it and you started it?Paula Marshall:I started in it. It was my idea, but I did not write it. Later on, I ended up writing things and pitching, and a lot of people like my stuff, but I really mean should go out a little more aggressively than I do. But I have one right now that we're kind of sending around me and my buddy Jeff Melnick, that he really likes this story. And it was, I won't tell you what it is,Michael Jamin:But that's not nothing. I mean, that's a big achievement, honestly,Paula Marshall:For me. Yeah, I don't write. I still am a terrible speller. I have a reading disorder. I've got this thing where reading is hard for me because the font and the text is very contrasty, so I'm a terrible speller. Thank God for spell check, because otherwise,Michael Jamin:Well, so you're working on another piece for yourself as well then? Yes. I'm impressed.Paula Marshall:I have about three scripts that I've worked on here and there, and I remember I thought, oh, well, this is when I'm going to kill it. I'm going to knock these things out. I'm What happened with Covid? We were so scared. And my daughter was home going to now, whatever, ninth grade or 10th grade. And so it became, that whole time became about helping her find joy. I always said, every day, I'm going to help her get through this. And I really pushed all my stuff back. Any good mom does let everyone eat before you eat. Maybe the way I grew up. So I took care of her and all of that stuff before I focused on me. And then she went to college this year, and you would still think I'm like, Paula, I got to finish these things, which I did. I'm back. I'm back doing it, and I like it. I really like it. There's something about the story, but no one ever taught me to write. So I'm writing from my experience, the years of reading sitcom scripts, IMichael Jamin:HavePaula Marshall:'em in my closet. I have almost every single script, especially the ones that I loved, and I go back to it and I refer back. I'm like, how did they do this? Even setting it up, I'll go back and sneak a peek.Michael Jamin:That's really smart. Was it hard for you when she left the house?Paula Marshall:Jesus. Oh, here's the thing.Michael Jamin:Yeah, make up touching upPaula Marshall:Makeup breakMichael Jamin:Last looks.Paula Marshall:I mean, because she's not in Boston,She's down the road. It feels like if something bad happened, I could be there. I don't have to get on a plane and only one direct flight. There's one school in Connecticut that she got into, and it was a great school, and there's one direct flight at 6:00 AM I'm like, this is never going to happen. And she chose, I was like, whatever you want, wherever you want to go to college, it's your decision. I mean, I'll tell you what I, but it's all up to you. And she chose and it was something that's not too far away. And it's great. I get to see her and it's worked out. It's a win.Michael Jamin:What about the emptiness of the house? I'm going to make you cry now. That's what I feel like. The house is so empty. YouPaula Marshall:Know what? And I think though, Michael, I think if she was in anywhere else, I think if I couldn't get to her, and that's a weird thing as a mom, it's about protecting your child. But yeah, I could cry when I think about certain things. Thanks, Michael. It's about protecting them. And I think that the distance, because we are close, she's still in. She's still here. I don't like cooking dinner as much. I'm sorry, Danny, because I don't really have to. The big change is just her presence, her energy, the thought about, well, what's Maya doing? Or what does she got to do? Now it's not, and one of my scripts is, well, I'll tell you one of my scripts is about what happens when your kid goes away to college? What happens to a woman?Michael Jamin:And go ahead. Can you tell me a little bit?Paula Marshall:So it started a while ago, just like my fear of who am I? What do I do? I mean, yes, I'm an actress, but then I pulled from that and I'm like, well, if I'm not an actress and I don't have a job and everything has been bombed, there's so many places to go. Okay, you've just got to, it's like reinventing yourself, which almost every mom that I know who doesn't have a job, it's very true. I was so fortunate that I could have my cake, my baby, and also work. But a lot of parents, they go to jobs and then they come home and or they don't work at all. And then it's just mom, 100%. And they're probably exhausted and happy. Some of my friends, I feel like they're like, oh, I'm so glad. Finally I get to whatever. And either they're retiring and they get to go travel, and I'm like, no, I'm an actor. I'm looking for a gig, whatever. I don't think actors ever truly retire. I think we don't do.Michael Jamin:I guess it depends on how much you love it and how much it must come on. It's got a wear on you. The downs have to be, I don't know.Paula Marshall:Well, I think probably just like a writer,You have to be able to fill your day when you're not going to be working and making money again. It's why it's smart to save your money and invest it and not buy that fricking mansion. If you got that check. Remember one time I went to the bank and I was depositing, it was before they had the picture phone deposits, a really big check. And it was the biggest check I think I've ever gotten. The first time I got that kind of money on a show and the teller, and again, I looked very young, the teller who didn't look much older than me and took the check,And he looked at the check and he looked at me and he goes, what do you do? What do you do? And I laughed. I go, I'm an actor. I go, but trust me, this thing, this isn't forever. I know it's not forever. So I have to live my life. It's not forever. Because my goal is I never want to lose my house. I always want to be able to afford things. You hear these horror stories about these, you think you got it, and then it shows canceled, and then you can't do that. I've always been kind of smart when it comes to money, but it's hard. It's really hard. WeMichael Jamin:Spoke a little about this because your daughter's interested in acting and you were, this is before we started taping, and what's your advice for her?Paula Marshall:My advice is find a way to tap in and find the truth in anything. And if you can't, then again, you substitute. If it's not connecting, you got to figure out a way to connect to it. It's about being truthful In imaginary circumstances, it's really hard to walk into a room and pretend the thing and crying. You just really have to practice going there. I remember one time, and even in my life, life situations, I will take note of them. One time I was in San Francisco drunker than I've ever been before for whatever reason. And I remember the hotel I was, I think it was during Nash Bridges, and I was like, oh, I'm so wasted. I want to remember what I look like when I'm this wasted. So I, my, I guess I did have a cell phone then. So I took my cell phone or my camera, no cell phone, and I recorded myself being drunk.And it's like that one actor, he would always, Michael, he's an English guy, Michael, I forget his name. He would be like, you can't overdo the acting, but you're trying not to be drunk. Yes. To try to make sure that the words are coming out. And so that's what I did. I literally was like, this is me talking at my, it was the craziest thing. So in life, take advantage again, back to the advice to my daughter. Live these experiences and remember them. And if you cry, if you're sensitive and emotional, fucking use it. There's plenty of people who can't cry at the drop of a hat. I can cry. You give me something to people always know Paula can cry in a scene and even if I don't connect to it again, I substitute and I find a way. I'm an emotional person and the thing I think I have trouble doing is the angry part.I'm not great at being super angry. I don't think I play a lot of those roles like I was doing, I've worked with Steven Weber on his new Chicago Med. I was going to say new show, it is like year nine, but I play his ex-wife. I think it's airing tomorrow as a matter of fact. And there was a scene where I had to come in and I'm yelling at him and I'm like, God, this is so not me. I'm not a yeller. I don't yell even in the middle of a fight. If I'm fighting, I try to get it out and then I cry because I get frustrated because I can't say, I'm not one of those bitchy women wives who are like, I'm just not. Anyway, back to the advice from my daughter, you take life's experiences and you put a little marker on them and you remember them.So when you need them, and I didn't even think I was going to have any children because I started so late and as the actress in me, I just never thought, I dunno, mom and my mom material. I don't know. I was like, you know what? I could really learn a lot as an actress by tapping into that love. I remember you'd see my friends who had kids way, way early and I'm like, God, they love these things. What did that feel like? I never knew what that was and so I took that experience and without it, I don't think I would truly ever be able to play a mom as genuinely as I am. Love because man, I love my kid and I didn't think I'd be like a great mom. I am the best mom I am and I love her and I love being a mom and all of it. So I tell my daughter to practice. Practice, learn your lines very easy and don't go in if you're not prepared. That's kind of a big one. You're not really,Michael Jamin:Just because you said mom was there, that fear the first time you decided to play mom, they say once you play mom like, oh, now she's a mom.Paula Marshall:Well, it's just an age thing, so that was never a thing for me. I'm going to play whatever I look like for sure. So I don't care. I don't care about that at all.Michael Jamin:Interesting. Paula, this has been such a great conversation, so thank you so much. You'rePaula Marshall:Welcome. I had so much fun talking with you.Michael Jamin:Yeah, I mean, I just love talking the craft with people like you. You're a pro and you're just, I don't know, so much wisdom to share, so thank you so much. You'rePaula Marshall:Welcome.Michael Jamin:Thank you.Paula Marshall:I'm enjoying your Instagram posts.Michael Jamin:Oh, we'll talk about that, but alright, well thank you. That's it. That's you're released, but don't go anywhere now we are going to talk some more here. Alright everyone, thank you so much. What a great conversation. Paul. Should they follow you somewhere? Did they do anything or just watch you on something? What do they want 'em to do?Paula Marshall:Depends on when you get this.Michael Jamin:Venmo you the most. What do you want? Venmo? MePaula Marshall:Cash is great. I mean, my Instagram is the Paula Marshall. I guess I'm not really great at all that stuff.Michael Jamin:Are you supposed to be though? Do your agents tell you?Paula Marshall:No, agents don't. But if you have so many followers, then it used to be this thing called a TV Q, which is your TV quotes, how many people know who you are? And that's just, social media has kind of taken that over, really. So people, I think people care how many followers you have. I do notMichael Jamin:Again, but Tbq is not a thing anymore, you're saying?Paula Marshall:I don't think it is. Wow. No. I mean maybe they call it something else, but I know an actress friend of mine was early on in the Instagram thing. She's like, yeah, I got to join Instagram. Yuck. I'm like, yeah, the thing. She's like, I was told I have to have it and you got to pitch. I'm not that self-promoting and I'll say things that are inappropriate and crude and get kicked off of Twitter for it, but whatever. That's who I'm,Michael Jamin:Thank you again. Really, it was such an honor to have you on. Alright everyone, more conversations coming. Thank you so much for tuning in. Until next week, keep creating. You're an actor. Tell your friends about this. You're other actor friends. Alright, everyone, thanks so much.Wow. I did it again. Another fantastic episode of What the Hell is Michael Jamon talking about? How do I do it week after week? Well, I don't do it with advertiser supported money. I tell you how I do it. I do it with my book. If you'd like to support the show, if you'd like to support me, go check out my new book, A Paper Orchestra. It asks the question, what if it's the smallest, almost forgotten moments that are the ones that shape us most. Laura Sanoma says, good storytelling also leads us to ourselves, our memories, our beliefs, personal and powerful. I loved the Journey and Max Munic, who was on my show says, as the father of daughters, I found Michael's understanding of parenting and the human condition to be spot on. This book is a fantastic read. Go check it out for yourself. Go to michael jamin.com/book. Thank you all and stay tuned. More. Great stuff coming next week.

David Eigenberg from NBC's smash hit 'Chicago Fire' and HBO's 'Sex and the City' reboot 'And Just like That'-Sarah Jessica Parker -Family-BBQing-Taylor Kinney -John Corbett We're not sure what happened, but he was funny! To subscribe to The Pete McMurray Show Podcast just click here

Welcome to 25 Days of Y2Kristmas! This month Movies That Raised us will be exclusively covering holiday classics as voted for by listeners, so grab some hot chocolate, a fuzzy blanket, and let's get festive!            Mo and Christina take on their first Y2Kristmas classic, 2001's Serendipity! Join them as they discuss frozen hot chocolate, new york magic, and one of the only unappealing John Corbett characters known to man.          Our Patreon is LIVE! https://www.patreon.com/moviesthatraisedus We are thrilled to launch our Patreon with exciting perks such as a listener picked bonus movie episode, exclusive Discord, being added to our Close Friends, and a personalized thank you note!   Our merch shop is live! Check out our Raymond the Lifeguard design and so much more!! https://tinyurl.com/vxpbczup    Follow us on instagram @moviesthatraisedus   Follow us on tiktok @moviesthatraiseduspod  Follow us on twitter @mtru_pod     Do you have a movie you want us to cover next? Fill out our form! https://forms.gle/fU5vRfTk8K5Gb7cD8

As the Christmas celebrations continue on After Lunch, Michael and Rob welcome back Jody Collins to the show to talk about one of his favorite Christmas movies. It's Serendipity, starring John Cusack, Kate Beckinsale, Jeremy Piven, Molly Shannon, Bridget Moynahan, and John Corbett. The movie is a sweet and funny love story with some lovely surprises, but it also raises philosophical questions about fate, free will, and the romantic notion of The One. 

I couldn't help but wonder… is The Finale Pod back?! It is! In our season 2 opener, we are discussing Alex's pick: the Season 2 finale of And Just Like That. Grab your Manolos and sip your cosmopolitan while we recap the final dinner party Carrie Bradshaw throws in her apartment. Don't forget to leave a comment on our Instagram @thefinalepod and share your thoughts on And Just Like That!   We start our recap discussion at the 24:00 mark if you want to fast forward past our thoughts on the WGA and SAG-AFTRA strikes, the Co-host Quickfire Catch-up, our Love It Lately recommendations, and the Icebreaker Intermission about dream dinner party guests.   The overall TFP rating for the Season 2 finale of And Just Like That is 7.5.   Network: Max Genre: Romantic comedy; Comedy drama; Sex comedy Based on: Sex and the City by Candace Bushnell Created by: Darren Star   The next finale we will review is Lauren's pick and she chose the Season 2 finale of The Bear. Fine dining never looked so good.   Follow The Finale Pod on Instagram: https://www.instagram.com/thefinalepod/   Submit a question or comment to us at: thefinalepod@gmail.com  

Knock back a couple shots of Ouzo and spritz some Windex on that skin ailment as we take a deep Mediterranean dip with Nia Vardalos's My Big Fat Greek Wedding. Which is stronger, the Greek American cultural nostalgia emanating off this film, or the inescapable adoration for ultimate romcom lead John Corbett? Are most cultures actually based on guilt and food? And honestly, what is up with the Windex? 

This week the crew breakdown the new 2023 soon to be classic, My Big Fat Greek Wedding 3 starring Nia Vardalos, John Corbett, Louis Mandylor, and Elena Kampouris. Jesse gets into why Paris is hiding a little more than her grades in this movie. Junior really things Victory is number one. Plus Andi gets into why she hates romcoms.    Where to find the crew: @makeitacombopod on Instagram, Twitter, and TikTok Jesse @LordLenix on Instagram, Twitter, and TikTok Junior @a.jr.combo on Instagram and @ajrcombo on Twitter Andi @talesfromtheappspodcast on Instagram, Twitter, and TikTok   All Our Podcasts on Make it a Combo Productions: Tales form the Apps @talesfromtheappspodcast on Instagram, Twitter, and TikTok Dream Talk @dreamtalkthepodcast on Instagram

We're off to Greece this week with the entire Portokalos family and special guest, senior writer at Entertainment Weekly, Maureen Lee Lenker to discuss the brand new film My Big Fat Greek Wedding 3! Check out Maureen Lee Lenker's debut novel, It Happened One Fight. Signed copies available here: https://www.therippedbodicela.com/product/it-happened-one-fight-maureen-lee-lenker-signed GET VACCINATED AGAINST COVID-19 https://www.vaccines.gov/ Black Lives Matter Stop AAPI Hate Donate Directly to Stop AAPI Hate https://donate.givedirect.org/?cid=14711 Center for Anti-Racist Research: https://www.bu.edu/antiracist-center/ Colorlines: https://www.colorlines.com/ Star ratings help us build our audience! Please rate/review/subscribe to us on Spotify, Apple Podcasts or wherever you listen, and share us with your mayor! Email us at sequelrights@gmail.com with feedback or suggestions on future franchises! Special Guest: Maureen Lee Lenker.

Ronald Young Jr. reviews My Big Fat Greek Wedding III by himself. Summer is really over.RYJ talks about the difference between 90s romcom and the evolution of the caricature in a beloved propertyRYJ - 3.25 of 5 starsFollow me on IG, Threads,Twitter, and TikTok - @ohitsbigronAvailable in TheatersStarring Nia Vardalos, John Corbett, Louis Mandylor, Elena Kampouris, Lainie Kazan, Andrea Martin, Gia Carides, and Joey FatoneWritten and Directed by Nia VardalosFor more information about My Big Fat Greek Wedding III check out this linkSupport Leaving the Theater on Patreon using this link

Hey there! Sonia Mansfield, Margo D., and Adam Riske from F This Movie are back with a replay episode from 2020. They discuss the 2002 film My Big Fat Greek Wedding, starring Nia Vardalos, John Corbett, Lainie Kazan, Michael Constantine, Louis Mandylor, Joey Fatone, and Andrea Martin. They put some Windex on it and dork out about the movie.Dork out everywhere … Subscribe on Apple Podcasts, Google Play, Spotify http://dorkingout.com/https://twitter.com/dorkingoutshow https://www.facebook.com/dorkingoutshowThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5406530/advertisement

The family comedy My Big Fat Greek Wedding was a very big hit back in 2002. So it was inevitable that the movie spawned a couple of sequels – thus, we now have My Big Fat Greek Wedding 3. Writer and director Nia Vardalos is back as Toula, John Corbett is back as her husband, and this time, they're headed to Greece for a family reunion.

My Big Fat Greek Wedding 3 POCASTPromising an intimate journey behind the scenes of "My Big Fat Greek Wedding 3", this episode will touch your heart, make you laugh, and fill you with nostalgia. We sit down with the film's director, Nia Vardalos, who provides us with an up-close and personal recount of her experiences during the creation of this beloved series. She helps us understand the emotional journey of transforming personal grief into a powerful storyline, and she also shares her vision for the third installment, honoring Michael Constantine's character in a heartwarming way.Get ready to reconnect with your favorite cast as we welcome Joey Fatone, Gia Carides, and Andrea Martin to the podcast. They open up about their bond with Constantine and describe the profound impact he had on their lives and the film. We also explore the reunion of the entire cast, including John Corbett and Nia Vardalos, who share the surreal experience of returning to Greece after so many years and express their admiration for Nia's directing prowess. By the end of this episode, you'll gain a deeper appreciation for the themes of acceptance and solo journeys portrayed in the movie, and why they resonate with diverse cultures. We have a candid conversation with Nia, John, Andrea, and more about their preparation for their roles and their personal connection with the story. As a special treat, we conclude by paying tribute to the late musician Jimmy Buffett, reminiscing about his enduring impact on music. Come for the behind-the-scenes look at "My Big Fat Greek Wedding 3", stay for the heartfelt tribute to an iconic musician.

We've reached our first Greekquel! Special guest Jon Granat returns to tackle My Big Fat Greek Wedding 2 with us this week. Opa!! GET VACCINATED AGAINST COVID-19 https://www.vaccines.gov/ Black Lives Matter Stop AAPI Hate Donate Directly to Stop AAPI Hate https://donate.givedirect.org/?cid=14711 Center for Anti-Racist Research: https://www.bu.edu/antiracist-center/ Colorlines: https://www.colorlines.com/ Star ratings help us build our audience! Please rate/review/subscribe to us on Spotify, Apple Podcasts or wherever you listen, and share us with your big fat secretly not actually married parents! Email us at sequelrights@gmail.com with feedback or suggestions on future franchises! Special Guest: Jon Granat.

It's time to celebrate all things Greek with one of the ultimate early 2000s rom-coms, My Big Fat Greek Wedding. Special guest Sophia Clancy joins us to break down all the Greek traditions and family fun showcased in the film. Opa!! GET VACCINATED AGAINST COVID-19 https://www.vaccines.gov/ Black Lives Matter Stop AAPI Hate Donate Directly to Stop AAPI Hate https://donate.givedirect.org/?cid=14711 Center for Anti-Racist Research: https://www.bu.edu/antiracist-center/ Colorlines: https://www.colorlines.com/ Star ratings help us build our audience! Please rate/review/subscribe to us on Spotify, Apple Podcasts or wherever you listen, and share us with your big fat group of family & friends! Email us at sequelrights@gmail.com with feedback or suggestions on future franchises! Special Guest: Sophia Clancy.

To All The Boys I've Loved Before is a 2018 Teen Romantic Comedy directed by Susan Johnson and based on the novel by Jenny Han. To All The Boys is the story of Lara Jean Covey - LJ, played by Lana Condor. Lara Jean writes 5 letters dedicated to all the boys she's ever loved. The letters were never sent, just a way for her to express her emotions… until… somehow… the letters get mailed. Of the 5 letters sent, 3 of them are pretty notable, including one sent to Lara's older sisters ex boyfriend Josh played by Israel Broussard. There is also a letter sent to Kenny, played by Edward Kewin. And finally a letter is sent to Peter Kavinsky played by Noah Centineo.  Also want to mention Anna Cathcart who plays Lara Jean's younger sister Kitty. Janel Parrish plays the older sister Margot. John Corbett plays Dr Covey, Lara Jean's father.See omnystudio.com/listener for privacy information.

Host Reshma Gopaldas and guest journalist Jason Pham break down the finale of "And Just Like That" season 2, starring Sarah Jessica Parker, Kristin Davis, Cynthia Nixon, Sarita Choudhury, Nicole Ari Parker, Sara Ramirez, John Corbett, David Eigenberg & more. Last episode Paulina Porizkova (Model, Writer) gave her thoughts on the penultimate episode.  This time, Jason and Reshma dissect everything that happened in "The Last Supper Part Two: Entrée," with Carrie, Aidan, Miranda, Steve, Charlotte, Harry, Stanford, Anthony, and of course, the return of Samantha Jones (Kim Cattrall). Cattrall returns for the first time since the Sex & the City series and two SATC movies. "And Just Like That" is streaming now on HBO Max.Son of a Binge production credits:Hosted by: Reshma Gopaldas (TW: @reshingbull, IG @reshmago)Producer & Editor: Emily Collins (IG @emilem124)Artwork by: Laura Valencia (IG @iamlauravalencia)

Paulina Porizkova (Model, Writer) and Chris Collins (Co-Producer, "And Just Like That") join host Reshma Gopaldas to break down season 2 of "And Just Like That," starring Sarah Jessica Parker, Kristin Davis, Cynthia Nixon, Sarita Choudhury, Nicole Ari Parker, Sara Ramirez, John Corbett, David Eigenberg & more. Paulina and Chris discuss "And Just Like That" episode 10, "The Last Supper Part One: Appetizer." They also discuss Kim Cattrall's return in the "And Just Like That" finale and to the franchise since "Sex & the City." "And Just Like That" is streaming now on HBO Max.Son of a Binge production credits:Hosted by: Reshma Gopaldas (TW: @reshingbull, IG @reshmago)Producer & Editor: Emily Collins (IG @emilem124)Artwork by: Laura Valencia (IG @iamlauravalencia)

In 2004, "My Big Fat Greek Wedding" director Joel Zwick unleashed the comedy film "Elvis Has Left the Building" onto the world. Starring Kim Basinger as a makeup saleswoman whose seemingly supernatural bond to Elvis Presley leads to the accidental string of deaths of Elvis impersonators across the American Southwest. Co-starring  John Corbett, Denise Richards, Annie Potts, Sean Astin and many others, this lightweight, zany Elvis-related film is packed with stars and surprising cameos but seems only infrequently remembered nowadays, even in Elvis fan circles, despite having been given official support of Elvis' estate and record company at the time for its Elvis-laden soundtrack. While Gurdip went in blind, Justin, who'd seen the movie following its original DVD release, brought all the tidbits and trivia he could find, and together they sat down for a TCBCast Patreon bonus commentary for it back in August of 2021. "Elvis Has Left the Building" is still readily available for rental or purchase in most regions relatively inexpensively on streaming platforms, so cue it up, grab a bowl of popcorn and join the guys for this watch! If you enjoyed this, please consider supporting us with a donation at Patreon.com/TCBCast! Patrons get exclusive access to two and a half years of bonus content just like this, with more commentaries, bonus movie and album reviews and more! If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast.

'And Just Like That's' (the Sex and the City's MAX reboot) Dave Eigenberg aka Steve Brady joined us to talk:-Baby Talkers-'NO' is a complete sentence-Pete's Dick Wolf impression (save us) - creator of Chicago Fire, PD, Med, Law & Order-NBC letting Dave work BOTH 'Chicago Fire' AND 'AJLT' on HBO MAX-Golden Girls and the 'And Just Like That Girls' are the same age when filming these shows.  SWEAR - click HERE-Bea Arthur reference (she was a Marine you know)-Kim Cattrall's appearance this season-John Corbett is back -Is he bored playing Steve Brady We LOVE Eigenberg!

It's not a secret that Prince Harry and Meghan Markle are interested in a rebrand, especially on the heels of their Spotify deal collapsing. John Corbett isn't entirely sure why his character Aidan Shaw has such a loyal following. Officials from Elvis Presley's estate are criticizing the upcoming “Priscilla” biopic – based off Priscilla Presley's famous memoir, “Elvis and Me” – for being a “money grab.” Instinct magazine's Corey Andrew joins Rob with all the dish! Don't forget to vote in today's poll on Twitter at @naughtynicerob or in our Facebook group.See omnystudio.com/listener for privacy information.

Today we are joined by our spiritual mother Candace Bushnell for an intimate conversation about being Carrie Bradshaw, the origins of Sex and the City, her IRL date with John Corbett, the heyday of New York nightlife, her new one-woman show, and more! Follow Candace on InstagramSee Is There Still Sex in the City? at Cafe Carlyle 

Better late than never! The ladies are back to discuss, the new Barbie trailer, Wes Anderson's latest highly aesthetic ensemble feature, the latest casting news for their future favorite film MaXXXine, Lauren explains what John Corbett is doing on How I Met Your Father, how Next in Fashion is the best fashion competition show since Project Runway, the first few Yellowjackets episodes, the Brooke Shield's doc Pretty Baby, that time Lauren worked for her, Kourtney and Trav's wedding special, AND SO MUCH MORE! Watch the Barbie trailerWatch the Asteroid City trailerWatch How I Met Your Father (if you must) Watch Yellowjackets Watch Next In FashionWatch the doc Pretty Baby Today's episode is brought to you by, Green Chef . Go to GreenChef.com/outfit60  and use code outfit60 to get 60% off plus free shipping.”Like what you heard? Want to hear more? Like our thoughts on Clueless? Become a Patron! Go to Patreon.com/EveryOutfit

Finding Original Voices Peter Heller, Heller Highwater   – The Sharkpreneur Podcast with Seth Greene Episode 887 Peter Heller Through his company, Heller Highwater, Peter Heller manages writers and directors and produces projects for film and television. Current clients include, Jim LeBrecht (CRIP CAMP), Randall Jahnson (Oliver Stone's THE DOORS), Danny Rubin (GROUNDHOG DAY), Carroll Cartwright (MRS. HARRIS GOES TO PARIS), and Jon Crawford (THE INVISIBLE PILOT.)    Projects in development as a producer include THE HOT FLASH by Beth Dement with Amy Baer's Landline/MRC and LIVE FROM THE VATICAN with producer Matt Jackson at Paramount.    Peter produced DREAMLAND, which premiered at Sundance and was distributed by Sony. The film stars John Corbett, Kelli Garner, Justin Long and Agnes Bruckner. He also produced LIKE MIKE, starring Little Bow Wow, Morris Chestnut and a number of NBA superstars; BROWN SUGAR, starring Taye Diggs, Sanaa Lathan and Queen Latifah; BONES, starring Snoop Dogg and Pam Grier; as well as FULL RIDE, CAUGHT UP, BARB WIRE and HOTEL DE LOVE.   Before creating Heller Highwater, Peter was the Assistant Dean of Development and Industry Relations at the UCLA School of Theater, Film, and Television, had a similar position at LMU's film school, ran the film division at Propaganda; was the Executive Vice President of Production for Spring Creek; the President of John Hughes' production company, Hughes Entertainment and was the Executive Assistant to the Chairman of Universal Pictures, Tom Pollock. More recently, he has also been a visiting professor of screenwriting and producing at Academy of Art University in San Francisco and at University of North Carolina School of the Arts in Winston-Salem.    After receiving his BA in English from Wesleyan University, Peter worked in the theater in New York City first in production and then as a creative executive for Warner Theater Productions. He then attended Columbia University for his MBA before moving to Los Angeles.    Peter is a member of the Producers Branch of the Academy of Motion Picture Arts and Sciences.   Listen to this informative Sharkpreneur episode with Peter Heller about finding original voices. Here are some of the beneficial topics covered on this week's show: - How many layers are involved while writing and producing a movie. - Why writing and making movies is all about who your connections are in the industry. - How streaming services have made it difficult for original pilots to work at all. - Why the big pay days come from your producing fees, not your commissions. - How writers must know a little bit about the marketplace to develop and sell a script.   Learn more about your ad choices. Visit megaphone.fm/adchoices