Podcast appearances and mentions of Bob Gale

Johnny Mac discusses Ricky Gervais receiving his star on the Hollywood Walk of Fame and reflects on Ricky's approach to controversial comedy topics. The episode also covers Nick Kroll's experience organizing John Mulaney's intervention during the pandemic and criticism of Mulaney's show. Additionally, the tensions around bike lanes in New York City and a conversation about Bob Gale's insights into adapting 'Back to the Future' for the stage are highlighted. The episode wraps up with information on accessing commercial-free content.00:00 Ricky Gervais' Hollywood Walk of Fame Star02:54 Nick Kroll on John Mulaney's Intervention04:26 Debate on New York City Bike Lanes08:14 John Mulaney and SNL Speculations08:33 Sheng Wang on Standup Comedy09:23 Back to the Future Musical Insights10:50 Conclusion and Subscription InformationGet the show without ads. Five bucks.  For Apple users, hit the banner on your Apple podcasts app which says UNINTERRUPTED LISTENING. For Spotify or other players, visit caloroga.com/plus.    Contact John at john@thesharkdeck dot com  John's free substack about the media:  Media Thoughts  is mcdpod.substack.com DCN on Threads: https://www.threads.net/@dailycomedynews https://linktr.ee/dailycomedynews You can also support the show at www.buymeacoffee.com/dailycomedynewsBecome a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news--4522158/support.

Dana and Tom with special guests, Alex Doffek and Thomas Baches, redo their episode of Back to the Future from Season 1. Back to the Future (1985): written and directed by Robert Zemeckis with Bob Gale, cinematography by Dean Cundey, music by Alan Silvestri, starring Michael J. Fox, Christopher Lloyd, Lea Thompson, and Crispin Glover.Plot Summary: In 1985, Marty McFly, an average teenager, finds himself accidentally embarking on the most extraordinary adventure of his life. Through a twist of fate, he ends up transported back to the year 1955 in a time-traveling DeLorean. As he navigates the charming yet unfamiliar world of the 1950s, Marty must ensure his parents still fall in love, overcoming the odds of high school drama and the villainous Biff Tannen.With the clock ticking, Marty races against time, seeking Doc Brown's help to harness the power of a lightning strike to fuel the DeLorean and propel him back to the future. Through humor, heart, and a pulse-pounding sense of adventure, "Back to the Future" weaves a timeless story of self-discovery, love, and the extraordinary impact one person can have on the course of history.Guests:Alex Doffek - Thomas' UncleThomas Baches - Alex's Best FriendChapters:00:00 Introduction and Welcome Back Alex and Thomas03:14 Cast and Background for Back to the Future06:43 Relationship(s) with Back to the Future10:46 What is Back to the Future About?14:12 Whom Does Dana Understand Better?15:36 How is Back to the Future Remembered?19:26 Plot Summary for Back to the Future20:34 Did You Know?22:09 First Break22:54 Best Performance(s)33:09 Best Scene(s)44:43 Second Break45:25 In Memoriam47:49 Best/Funniest Lines51:22 The Stanley Rubric - Legacy58:16 The Stanley Rubric - Impact/Significance01:03:08 The Stanley Rubric - Novelty01:12:01 The Stanley Rubric - Classicness01:21:12 The Stanley Rubric - Rewatchability01:24:53 The Stanley Rubric - Audience Score and Final Total01:26:33 Remaining Questions for Back to the Future01:43:57 Thank You to Alex and Thomas01:45:40 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/back-to-the-future-1985-redux-ft-alex-doffek-and-thomas-bachesFor the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:Back to the Future, character analysis, cultural impact, time travel, film legacy, storytelling, performances, movie discussion, film analysis, performance, Hollywood, iconic scenes, character dynamics, political commentary, legacy, originality, cinematography, voyeurism, timelessness, favorite scenes, indelible moments, rewatchability, Michael J Fox, Christopher Lloyd, Lea Thompson, Crispin Glover, Robert Zemeckis, Bob Gale, Marty McFly, Doc Brown, BiffRonny Duncan Studios

Several weeks into production of "Back to the Future," screenwriter Bob Gale and director Robert Zemeckis had a huge problem: Eric Stoltz was not giving them the performance their Spielberg backed film desperately needed. Enter budding star Michael J. Fox, the actor they wanted from the beginning. Literally working around the clock, Fox spent his days portraying television's Alex P. Keaton and his nights as time traveling teen Marty McFly. It would quickly become the role of a lifetime. With the beloved classic turning 40, David O'Sullivan joins Dennis - and Nick Malone guests hosts - as our little podcast celebrates its 50th episode. This is heavy. Hosted on Acast. See acast.com/privacy for more information.

We have finally fulfilled our DESTINY. Episode 241 of Podcast 241 is finally here! And we're going out with STYLE. Yes, the last episode of Podcast 241 is upon us and there is no better way to go out than with our good friend and colleague, Dr. Bruce Hutchinson. In this series finale, we discuss "Back to the Future" from director Robert Zemeckis. Starring Michael J. Fox and Christopher Lloyd, "Back to the Future" has captivated audiences for forty years and the team at 241 break down the script by Zemeckis and Bob Gale. We talk about the use of foreshadowing, potential plot holes and the overall cleverness of the films narrative. So join Daniel Wingfield, Donavon Thompson and DOCTOR Bruce Hutchinson ONE LAST TIME.So make sure you get to 88mph, don't kiss your mother and lay out Biff in good ole fashion, because -- for the LAST TIME -- it's time for some 241!!To bother Bruce and learn about films things, follow him on:Instagram: @bdhutchTwitter: @bdhutchAnd checkout:thehutchfiles.comAlso, for the central hub of everything Podcast 241, check out our website!LINK: https://www.podcast241.comHave comments or questions? Click the link below and leave us a message!LINK: http://bit.ly/241mailFollow us on:Instagram: @podcast_241Twitter: @podcast241Facebook: Podcast 241Tiktok: @podcast241Twitch: twitch.tv/241studiosWE. HAVE. SPOKEN.

In Episode 1 of I'm in This Movie, Chelsea introduces the series concept and once again finds an excuse to talk about her favorite movie, Back to the Future! Adam Smith's review for Back to the Future on Empire Contact Chelsea Instagram - @ChelseaLeeH17 Letterboxd An American Workplace | A Retrospective The Office Podcast Crossroads of Destiny | An Avatar: TLA Universe Podcast Cinescope Instagram - @cinescopepodcast YouTube Website Email thecinescopepodcast@gmail.com

No 100 dudes aren't beating 1 Gorilla, you're wild for thinking otherwise. Anyway, did you get your hands on a Switch 2 preorder? Cause if you did you may have avoided the chaos. EA announced a big shakeup, cancelled games, and is bringing paid season pass to FC 25. Plus what is Call of Duty's obsession with the ganja? Hollywood is not being saved by Netflix, sequels abound, and some superhero movies lose their capes, plus will The Rock win with A24?

Fonseca, AMV and the family are live from the Orpheum Theare in San Francisco Back to the Future: The Musical is a musical with music and lyrics by Alan Silvestriand Glen Ballard and a book by Bob Gale. It is adapted from the 1985 film Back to the Future by Robert Zemeckis and Gale. The show features original music, as well as songgs featured in the film ("The Power of Love", "Earth Angel", "Johnny B. Goode" and "Back in Time").Originally planned to première in London's West End in 2015, the year to which the film trilogy's characters traveled in Part II,[a change in directors delayed the production. The musical premiered at Manchester Opera House in February 2020, ahead of a 2021 West End transfer. It starred Olly Dobson as Marty McFly and Roger Bart as "Doc" Brown, with Hugh Coles as George McFly. The production received positive reviews in London and won the Laurence Olivier Award for Best New Musical in 2022.The musical began performances on Broadway in June 2023 and ran until January 2025. Bart and Coles reprised their roles, and Casey Likes played Marty. A North American tour began in June 2024.

Episode 54 - Murdock and Marvel: 2001 Part 2 The year 2001 has a dark shadow over it, and there are elements of this year that are pretty rough, because as the year closed comic books were trying to make sense of and deal with 9/11 just like the rest of America.  But the start of the year brought a lot of great entertainment and for the first time in years sales held steady (mostly)   This is part 2 of the podcast. that will feature the year in Daredevil, the Spotlight story and the Takeaway for 2001.   The Year in Daredevil  Appearances:  Daredevil #14-26, Daredevil / Spider-Man #1-4, Daredevil: Yellow #1-5, Daredevil: Ninja #2-3, Marvel Knights #7-9 and #11-15, Black Widow #2-3, Spider-Man and Mysterio #1-3, X-Men #109, Big Town #4, Deadpool #52, Black Panther #31, Elektra #1, Ultimate Marvel Team-Up #7-8, 100 Greatest Marvels of All Time #1 and 4, Marvel Masterworks: Daredevil #2 and Marvel Masterworks: The Mighty Thor #3.  Writing: David Mack (#14-15), Brian Michael Bendis (#16-19 and #26) Bob Gale (#20-25)  Pencils: Joe Quesada and David Ross (#14), Ross (#15 and #23-25), David Mack (#16-19), Phil Winslade (#20-22), Alex Maleev (#26)  Inks: Mark Morales (#14-15) David Mack and Morales (#15) Mack and Pond Scum (#17) Mack (#18-19), James Hodgkins (#20-22), Hodgkins and Mark Pennington (#23), Pennington (#24-25), Alex Maleev (#26)  After the wrap-up of the Parts of a hole storyline that included a trail of Kingpin before he's eventually blinded by Maya Lopez aka Echo, we get our first story from Brian Michael Bendis with David Mack moving over to art. The 4-book story, Titled Wake Up, is a fantastically told and beautifully brought to page by the creative team. It doesn't really have any action and is really only loosely about Daredevil. Interesting, right? This is, without a doubt, worth spotlighting this week – so we'll talk more about it then.  The other main story we get this year is called Playing to the Camera in which Daredevil is sued by rich philanthropist Samuel Griggs and wants to retain Nelson and Murdock (specifically Matt Murdock) as his lawyer. Matt reluctantly agrees as he knows he wasn't involved with destroying the man's greenhouse and plants and wants to figure out who's behind it. As Daredevil, he hires a lawyer and they have their days in court surrounded by a media circus.   The trial ends with 3 daredevils in the courtroom - Murdock as himself holding a video tape of himself as Daredevil earlier that morning, Peter Parker in a Daredevil costume with the defense attorney and a third Daredevil who crashes a window, admits to the property damage, offers the $50k needed to fix it and then reveals his true identity as Terrance Hillman. Confused? So is Murdock and Nelson. Apparently, Hillman decided on his own to dress up as Daredevil and crash the courtroom. He then used the reveal and announced retirement to swing fame and fortune (and help out the real Daredevil). We also learn that Hillman didn't destroy the property either and that the Ringmaster was behind everything. He was testing his ability to implant false memories in people.   One interesting side note about the first issue of the Playing with Camera storyline. A second story appears in the issue “My Brother's Keeper” written by Stan Lee and Kevin Hall with art by Gene Colan. In the short story, we see Daredevil and Spider-Man during a night out.  We did get one more book in December from Brian Michael Bendis but we'll save that for next year's discussion.  Finally In Daredevil: Yellow we get a 6-book story in which Matt is writing letters to the late Karen Page about the early days of Daredevil and the Nelson and Murdock law firm as a way to find forgiveness for everything that happened between them. The story, by Jeph Loeb, artist Tim Sale and colors by Matt Hollingsworth, is another retailing of the first handful of issues from Daredevil volume 1 that ends with the Purple Man story and Matt finding the forgiveness he needs.    This Week's Spotlight: Daredevil volume 2 #16 May 2001 - #19 August 2001 “Wake Up” Recap Why We Picked This Story Daredevil Rapid Fire Questions The Takeaway Writers are the key. Questions or comments We'd love to hear from you!  Email us at questions@comicsovertime.com or find us on Twitter @comicsoftime. ------------------ THANKS TO THE FOLLOWING CREATORS AND RESOURCES  Music: Our theme music is by the very talented Lesfm.  You can find more about them and their music at https://pixabay.com/users/lesfm-22579021/.  The Grand Comics Database: Dan uses custom queries against a downloadable copy of the GCD to construct his publisher, title and creator charts.  Comichron: Our source for comic book sales data.  Marvel Year By Year: A Visual History  DC Comics Year By Year: A Visual Chronicle  https://en.wikipedia.org/wiki/List_of_films_based_on_English-language_comics  https://en.wikipedia.org/wiki/List_of_Marvel_Comics_superhero_debuts  https://comicbookreadingorders.com/marvel/event-timeline/  https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipients-1990s/ 

In deze nieuwe aflevering van Nerd Culture duiken we diep in de wereld van films, series, games en everything nerdy! We bespreken deze week onder andere The Rookie, de 9-1-1 Lonestar finale, Severance, Castlevania Nocturne en My Friendly Neighbourhood Spider-Man. Verder werpen we een blik op de nieuwste trailers, waaronder die van Jurassic World Rebirth en Fantastic Four, en bespreken we opvallende nieuwtjes zoals de mogelijke komst van Miles Morales als dé nieuwe Spider-Man en de kritiek van Deadpool-maker Rob Liefeld op Marvel. Dat en meer in episode 195!Fantastic Four trailer breekt recordsDe eerste trailer van The Fantastic Four: First Steps heeft in de eerste 24 uur 202 miljoen weergaven behaald, waarmee het een van de best bekeken Marvel-trailers is, alleen overtroffen door Deadpool & Wolverine.De cast, waaronder Pedro Pascal en Vanessa Kirby, onthulde de trailer bij het U.S. Space and Rocket Center in Alabama. Dit evenement brak records als de meest bekeken Marvel YouTube-livestream en werd de meest trending video op YouTube en X. De trailer hint naar een retro-futuristische wereld en introduceert Galactus als de grote villain. Met een release in juli 2025 is de hype voor Marvel's langverwachte Fantastic Four-reboot enorm.Robert Eggers volgt Nosferatu op met WerwulfCinematograaf Jarin Blaschke bevestigt dat hij en regisseur Robert Eggers werken aan de visuele stijl van hun middeleeuwse weerwolffilm Werwulf, die op 25 december 2026 uitkomt. Hij hint erop dat de film een unieke visuele benadering krijgt die nog nooit eerder is gedaan, maar blijft geheimzinnig over de details.Blaschke en Eggers, bekend om hun historische precisie, werkten eerder samen aan Nosferatu, The Lighthouse en The Northman. Hun kenmerkende stijl omvat symmetrische, grafische composities en een donkere, atmosferische uitstraling. Werwulf zal deze traditie voortzetten met een visueel indrukwekkende, authentieke historische aanpak.Timestamps:00:00:00 Intro00:03:11 Wat hebben we gekeken/gelezen/geluisterd?00:14:15 The Rookie00:18:13 9-1-1 Lonestar Finale00:24:40 Severance00:26:33 Castlevania Nocturne00:28:39 My Neighbourhood Spider-Man00:31:51 Jurassic World Rebirth Trailer00:38:34 Zijn Ghostbusters sneakers iets voor jou?00:41:22 Robert Eggers Werwulf gaat grenzen verleggen00:47:45 Bob Gale geeft een update over Back to the Future sequel00:50:38 Magic the Gathering Cinematic Universe in de maak00:55:24 Henry Cavill's screentest voor James Bond: Casino Royale gelekt00:58:28 Fantastic Four Trailer01:01:22 Fan theorie over Fantastic Four01:06:55 Rob Liefeld haalt uit naar Marvel's Kevin Feige01:09:49 Armor Wars lijkt opnieuw in de ijskast te verdwijnen01:11:14 Miles Morales de nieuwe Spider-Man lead na Secret Wars?01:15:00 Sinners Trailer

Unsere Gefühle, unsere Emotionen zu diesem Meisterwerk von Robert Zemeckis und Bob Gale! Viel Spaß!

We are so BACK for 2025 as we jump in Doc Brown's DeLorean to head back in time 40 YEARS to look at the wildly successful, impossibly produced, and absolute masterpiece, Back to the Future. This is our franchise of year for twenty-twenty five so squeeze in as we hit the road. But ya know, eventually we won't need roads, amirite? Thanks for tuning in. For more, follow us on Instagram & YouTube @justplayitpodcast & X (fka Twitter) @justplayitpod

In hour 1 of The Mark Reardon Show's Best Segments of 2024, Mark and Sue discuss a wild scammer story that left a lady out over half a million dollars. Mark is then joined by Garret Price to discuss his "Yacht Rock: A Dockumentary" film. In hour 2, Alexa Reardon shines bright on a Sue's News segment from last week, Bob Gale joins to discuss the creation of "Back to the Future", and Frank Cusumano remembers Whitey Herzog. In hour 3, they play Mark's interviews with Former Ferguson Mayor James Knowles, John Sailer who discusses Kansas University's new center which is meant to oppose "Anti-Trans" laws, and Susan Linn who believes smart phones should be banned in schools.

It's the final episode of the series and Vasco Emauz is In The Frame! Vasco recently took over as Marty McFly in the West End production of Back To The Future. Having opened in London in 2021, Back To The Future has a book by Bob Gale and new music and lyrics by Alan Silvestri and Glen Ballard, alongside additional songs from the film including 'The Power of Love' and 'Johnny B. Goode'.Vasco graduated from the Institute of Barcelona last year and has moved to London to make both his West End and professional debuts in Back To The Future. In this episode, recorded in his dressing room, Vasco discusses his whirlwind journey with Back To The Future so far!Back To The Future is booking at the Adelphi Theatre until 27th July 2025. Visit www.backtothefuturemusical.com for info and tickets. This podcast is hosted by Andrew Tomlins  @AndrewTomlins32  Thank you for listening to In The Frame in 2024 - it has been an amazing year! We're taking a break in January, but expect lots more episodes in 2025. Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

In hour 2 of The Mark Reardon Show's Best Segments of 2024, Alexa Reardon shines bright on a Sue's News segment from last week, Bob Gale joins to discuss the creation of "Back to the Future", and Frank Cusumano remembers Whitey Herzog.

The screenwriter of 1985's biggest box-office hit stops by the podcast to regale us with the making of a time-travel classic. Learn more about your ad choices. Visit megaphone.fm/adchoices

Title: Back to the Future [Wikipedia] [IMDb] Director: Robert Zemeckis Producers: Bob Gale, Neil Canton Writers: Robert Zemeckis, Bob Gale Stars: Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover Release date: July 3, 1985 PROMO: Anime Talk (@AnimeTalk12) SHOWNOTES: LISTENERS! WE HAVE TO TELL YOU ABOUT THE FUTURE! On the latest episode of Collateral Cinema, Robert, Beau, and Ash discuss a perennial 80s classic and a quintessential watch for any movie fan: Back to the Future! That's right, the original 1985 film that spawned Robert Zemeckis and Bob Gale's media franchise as well as helped establish an entire branch of science fiction cinema. The trilogy as a whole is a highly regarded piece of our collective childhoods, but the first movie in particular stands out for its phenomenal script, excellent performances, and unforgettable soundtrack. Preserved in the National Film Registry and widely considered one of the best films ever made, Back to the Future is a flick we're genuinely surprised we've taken eight seasons to talk about! If you enjoy our take on it, just wait for our takes on the atrocities of Bad Movie December coming soon: Neil Breen's Pass Thru and Samurai Cop 1 & 2. And if you don't, well, I guess you guys aren't ready for that yet, but your kids are gonna love it! Collateral Cinema is on Facebook, Instagram, and Twitter, and is on GoodPods, Apple Podcasts, Spotify, Podbean, Google Podcasts, YouTube, iHeartRadio, and wherever else you get your podcasts! Collateral Media merch is now available on TeePublic! Check out everything from shirts and hats, to stickers and even tapestries, at our affiliate link now: teepublic.com/stores/collateral-media-group (Collateral Cinema and Collateral Gaming are Collateral Media Podcasts. Intro song is a license-free beat. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don't sue us; we're poor!)

Is the Back to the Future Trilogy the culmination of what we think of as the Amblin Experience? Did you know that the original thought was to have Doc and Marty travel back to the groovy '60s? And what exactly happened with all that Crispin Glover stuff? All those questions and more are discussed as Vespe is joined by his Ain't It Cool compatriot and incredibly film writer Drew McWeeny as we dive into Back to the Future Part 2, a film that set the template that's still being followed to this day (looking at you, Avengers: Endgame). We bring up lots of behind the scenes stories and take a close look at Spielberg's relationship with Bob Gale and Robert Zemeckis. It's a ripper, this one. Learn more about your ad choices. Visit megaphone.fm/adchoices

¡Vótame en los Premios iVoox 2024! 21 de octubre de 2015. Fecha exacta en la que el viajero en el tiempo Marty McFly apareció en su futuro, que resulta ser nuestro presente. Hoy en La Órbita de Endor nos metemos de lleno en la saga REGRESO AL FUTURO (Back to the Future) creada por Robert Zemeckis y Bob Gale, con Michael J Fox y Christopher Lloyd como protagonistas absolutos. No sólo de datos de producción y de resúmenes va a constar este primer especial de dos dedicados a la trilogía, sino que se analizarán conceptos que se abordan en las películas, como las máquinas del tiempo y sus paradojas, los fallos de continuidad de la historia, las polémicas del rodaje, la diferencia entre generaciones de distintas décadas o la ética de la violencia como instrumento para conseguir el éxito. Un examen a conciencia como sólo aquí puede hacerse, con el Coronel Kurtz, Antonio Monfort y Antonio Runa como vuestros crononautas personales. Un podcast que no necesita carreteras. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

¡Vótame en los Premios iVoox 2024! Seguimos en La Órbita de Endor con el segundo y último monográfico de la saga REGRESO AL FUTURO (Back to the Future) creada por Robert Zemeckis y Bob Gale, con Michael J Fox y Christopher Lloyd encarnando a los inolvidables Marty McFly y Doc Brown. Seguiremos exactamente en el mismo punto donde se quedó la cosa en el anterior especial, analizando hasta el último detalle esta saga; desde su concepto “irremakeable”, pasando por el gran fallo sin solución de continuidad con Clara y la tumba, amen de un sinfín de elementos que serán repasados con criterio analítico. Conduciendo el Delorean estará Antonio Runa, siendo sus acompañantes Coronel Kurtz y Antonio Monfort. Un podcast al que nadie, nadie, llama gallina. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Great Scott! Back to the Future producer Bob Gale returns to the Lair to talk about the Broadway smash, Back to the Future: The Musical!Photo courtesy Bob Gale Get your tickets to Back to the Future: The MusicalUniversal Fan Fest NightsSubscribe to Comic Book Central's YouTube Channel

Bob Gale and Caden Brauch with Back to the Future The Musical: McGraw Show 9 - 25 - 24 by

U City native, producer Bob Gale sits down with Debbie Monterrey, discussing how he brought his vision for "Back to the Future" to the big screen, and now to musical theater.

Bob Gale, U-City native and creator of Back to the Future joined Mark in studio to talk about his career in film, inspiration for the story and how the musical differs from the movie.

Great Scott, it's been 35 years since the second instalment in one of the most beloved trilogies of all time – Back To The Future Part II, directed by the great Robert Zemeckis and co-written by our guest today, Bob Gale! Bob first guested on Script Apart in 2021, breaking down his first draft of 1985's iconic debut outing for Marty McFly and eccentric scientist Doc Brown. You may remember that episode detailing how Bob's original vision for that film was quite wildly different – Doc Brown had a pet chimp and the movie featured a huge nuclear explosion. Part II similarly went through multiple iterations, with the film initially expected to include a third act set in the 1960s. Instead, Bob landed on a story full of darkness that broke from the optimism of the first film to depict a dark future – one that in many ways, we've actually come to inherit. In the conversation you're about to hear, you'll discover what drew Bob to that darkness, the secret to Back To The Future's longevity and which of Part II's predictions he's surprised have come to pass in real life. Thanks to Bob for being a brilliant guest once again. Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on thescriptapartpodcast@gmail.com.Support for this episode comes from ScreenCraft, Final Draft and WeScreenplay.To get ad-free episodes and exclusive content, join us on Patreon.Support the show

Vic and Ken had a wonderful time talking with Bob Gale about the upcoming Live Play "Back To The Future" as well as reminisce about all of the movies of the Back To The Future franchise.   BOB GALE (Book/Co-Creator/Producer) Bob Gale is an Oscar®-nominated Screenwriter-Producer-Director, best known as co-creator, co-writer and co-producer of Back to the Future and its sequels. Gale was born and raised in St Louis, Missouri, and graduated Phi Beta Kappa with a BA in Cinema from the University of Southern California in 1973, where he met and began his association with his longtime collaborator, Robert Zemeckis. Gale has written or co-written over 30 screenplays and his other film credits include 1941, I Wanna Hold Your Hand, Used Cars, Trespass and Interstate 60, the last of which he also directed. In addition to his film and television work, and being the ‘Gatekeeper' for the BTTF franchise, Gale has written comic books including Spider-Man, Batman and IDW's Back to the Future title, thus proving to his father that he did not waste hours and hours reading comics in his youth. He has given talks on screenwriting in colleges across the USA, and enjoys meeting fans at comic conventions and Back to the Future events. He has also served as an expert witness in over 25 plagiarism lawsuits, even though this has occasionally required him to wear a suit and tie. When he's not in production, writing, or wasting time on the internet, he actually does take out the trash, even when his wife doesn't ask (well, sometimes he does). Gale lives in California with his wife and dog. Back to the Future the Musical is his first foray into writing for the stage.See omnystudio.com/listener for privacy information.

Vic and Ken had a wonderful time talking with Bob Gale about the upcoming Live Play "Back To The Future" as well as reminisce about all of the movies of the Back To The Future franchise.   BOB GALE (Book/Co-Creator/Producer) Bob Gale is an Oscar®-nominated Screenwriter-Producer-Director, best known as co-creator, co-writer and co-producer of Back to the Future and its sequels. Gale was born and raised in St Louis, Missouri, and graduated Phi Beta Kappa with a BA in Cinema from the University of Southern California in 1973, where he met and began his association with his longtime collaborator, Robert Zemeckis. Gale has written or co-written over 30 screenplays and his other film credits include 1941, I Wanna Hold Your Hand, Used Cars, Trespass and Interstate 60, the last of which he also directed. In addition to his film and television work, and being the ‘Gatekeeper' for the BTTF franchise, Gale has written comic books including Spider-Man, Batman and IDW's Back to the Future title, thus proving to his father that he did not waste hours and hours reading comics in his youth. He has given talks on screenwriting in colleges across the USA, and enjoys meeting fans at comic conventions and Back to the Future events. He has also served as an expert witness in over 25 plagiarism lawsuits, even though this has occasionally required him to wear a suit and tie. When he's not in production, writing, or wasting time on the internet, he actually does take out the trash, even when his wife doesn't ask (well, sometimes he does). Gale lives in California with his wife and dog. Back to the Future the Musical is his first foray into writing for the stage.See omnystudio.com/listener for privacy information.

Director Greg Mottola (Superbad, Paul, and Confess, Fletch) joins Wampler and Vespe to talk about a very early outing for Steven Spielberg as producer: Used Cars. Written by Bob Gale and Robert Zemeckis, produced by Spielberg and John Milius, and directed by Zemeckis, this raunchy, cynical, absurd early '80s comedy starring Kurt Russell, Jack Warden, and Gerrit Graham seems made in a lab to be one of Scott Wampler's favorite movies. But... he didn't take to it. We dive into why that is as well as trade off Larry David impersonations, find out the status of Mottola's Fletch sequel, and dive into some of our favorite scenes from the movie. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the 6th episode of our Trilogies series. We hope you enjoyed our last episode where we looked at the original three films in The Bourne Trilogy starring Matt Damon as Jason Bourne. On this episode, we look back in time at one of other favourite family films. We are looking at the Back To The Future trilogy. All three films are directed by Robert Zemeckis, a film that can be considered as his big break. It stars Michael J. Fox and Christopher Lloyd as Marty McFly and Doc Brown. The first film was released in 1985. The following two sequels, Back To The Future Parts 2 and 3 were filmed back to back and were released in 1989 and 1990. This maybe the first time in this series where we have talked about a complete trilogy that does not continue after its conclusion. Robert Zemeckis and Bob Gale have made it known that Back To The Future will never be remade in their lifetime. Let's hope they stay alive for a long time. This trilogy perfectly encapsulates the 80s and are hallmarks of that decade that filmmaker Quentin Tarantino doesn't think too highly of. They also capture Ronald Reagan's America very well and all three films are timeless bits of entertainment with great and moving scenes with quotable bits of dialogue and amazing effects. We hope you continue to enjoy this new Trilogies Series we're doing and we also hope you enjoy this episode.Stay Tuned for more!We will be returning back to our usual programming after taking it a bit easy this summer. So stay tuned for more episodes, like Liam & Noel Gallagher: we're back!Follow us on our Instagram page. We're vacating our Twitter page. Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

Comic book legend Brian Michael Bendis (creator of Miles Morales, author of House of M, The Ultimates, Torso) decided, for some reason, to talk about Steven Spielberg's 1941. This was the director's first failure, an over caffeinated live action Looney Tunes look at how the post-Pearl Harbor hysteria hit Southern California. This kitchen sink of a movie is the brainchild of Bob Gale, Robert Zemeckis, and John Milius, and the film Spielberg followed up his one-two punch of Jaws and Close Encounters with. The discussion is focused primarily on what Spielberg learned as a filmmaker from this critically panned film, how it humbled him, and what we actually like and dislike about the movie. Wampler also pulls some comic book stories out of our guest before revealing that this movie super got on his nerves.

​​Welcome to You Haven't Blanked That! It's Robert Zemeckis Month. This week we talk about Used Cars. We talk about loving this movie despite its flaws, other movies written by Zemeckis and Bob Gale, Red Cars, The Goods, Small Town, Buena Park, I Wanna Hold Your Hand, Svengoolie, spinning back the odometer, Worst Used Car Experience, wackiness, a mile of cars, 1941, it doesn't look funny, Lenny and Squiggy, Corey Feldman What We Are Blanking: Midnight Suns (videogame), Card Sharks (videogame), Ms. Pat, Mike Watt, Dark Tower, There Will Be Blood, ​​Opening theme by the Assassins ​​Closing theme by Lucas Perea ​​ For more info, click the link bio or below. https://linktr.ee/yhblankthat Email: Yhblankthat@gmail.com

Mike Collins meets Bob Gale, co-creator and screenwriter for the "Back to the Future" films — and the man who wrote the script for "Back to the Future: The Musical," now playing in Charlotte.

The 2022 Olivier Award-winning Best New Musical, "Back to the Future: The Musical" is taking off from Proctors Theatre in Schenectady, New York this week. The Broadway and West End hit show is based on the Universal Pictures legendary film. It will play Proctors from June 6 to June 8.

A time-traveling DeLorean takes center stage in "Back to the Future: The Musical," coming to Proctors in Schenectady in June. But screenwriter Bob Gale is the wind beneath its wings. His iconic franchise, co-written with filmmaker Robert Zemeckis, continues to delight audiences almost 40 years after the first movie premiered. Gale joins us on this episode of "The Eagle" to talk about the musical, the film, and the legacy of "Back to the Future." Also on this episode, reporter Rob Gavin discusses his investigation into sex trafficking in the Capital Region, which investigators say is "significant."  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we talk about the part 2 of Back to the future! Our creator profile this week is Lea Thompson! Dont forget to show us some love on the socials and come talk join the conversation on Discord!https://twitter.com/bonsai_crewhttps://www.tiktok.com/@thebonsaimoviecrewhttps://discord.gg/8jCPe8T2kT

Hey, fancy a curry? You will after this! Episode #428 brings you Curry Week on the Chris Moyles Show on Radio X Podcast and things are feeling hot hot hot. This week, creator of Back To The Future, Bob Gale, came in to celebrate the 1000th show of The Musical, and Lioness Jill Scott popped in for a catch up with Chris and the team. If that weren't enough, Chris also speaks to Green Day's Billie Joe Armstrong following their massive latest album drop. So, get your teeth into this meaty, curry-filled instalment, which also includes…James' new gamePippa mistaking Britney Spears for Lil Nas XChris' revelation about the 3 Peaks!Enjoy!The Chris Moyles Show on Radio XWeekdays 6:30am-10am

We're going back in time! Actually, forward, then backward, then... it gets a little confusing. As Sequels Month continues we check back in on Doc Brown and Marty McFly for the second installment in Robert Zemeckis's time travelling trilogy for Back to the Future Part II! We discuss the fashion, the technology, the Biffs and the single greatest line reading in film history. We also talk about jacket gangs and the surprise crossover between this and Freaks and Geeks! It's the first full on Movie Friends episode of season 2!  For all of our bonus episodes check out Patreon.com/MovieFriendsPodcast  Follow Movie Friends: Twitter @moviefriendspod Instagram @MovieFriendsPodcast Youtube Youtube.com/MovieFriendsPodcast Website https://www.moviefriendspodcast.com/ Follow Seth on Letterboxd: SethVargas Follow Michelle on Letterboxd: MichRuby Send us an E-mail at MovieFriendsPodcast@Gmail.com tell us what you think and it may end up on the show! Wouldn't that be cool? Head over to our website at MovieFriendsPodcast.com and consider supporting our Patreon. Come on, you don't need that $5, but you do need our undying love and friendship!

We embark on a fascinating journey through the history of 'Doctor Who', beginning with the First Doctor, William Hartnell.

Andrew is in his studio this week… joining Ben via satellite to talk about what is arguably his favorite artistic medium.  But first, some encouraging news about Andrew narrowly avoiding the robot / AI takeover, and how his new daughter is keeping him positively occupied during a period of union drama.  Then Ben shares his experiences with what he has been playing lately: Thirsty Suitors by OuterLoop Games, and Dead Island 2 by Dambuster Studios.  Be warned… there are a few DI2 spoilers in the conversation, so if you want to play this game at some point, you might want to consider skipping to 00:17:00.  Andrew takes yet another sensory adventure trip to Japan before the hosts dive into a discussion about the word ink.  Additional subjects include: independent comics, participating in Inktober, the pros and cons of AI generated art, the origin of Andrew's recurring character Booger Bear, and the seldom seen Mortal Kombat arcade clone from Data East… Tattoo Assassins!    00:00:21 - Sometimes Pringles, sometimes Y, not partially, buying domains, and radicalization  00:03:20 - Picketers borrowing babies, the temperament of custodians, and Skynet is at bay 00:05:13 - Ben started playing Thirsty Suitors, High Fidelity, and correction … 5 not 50 00:09:35 - Los Angeles is not an island, escape from development hell, and zombie cults 00:12:26 - Ben critiques Dead Island 2, zombie types, CHiP bursters, and an artist ruins horses 00:17:00 - Killing another can of Japanese Pringles for Andrew's Sensory Adventure! 00:22:26 - A message to the hot honey flavor designer, and a unique airport Pringles side quest 00:25:53 - Mollusk adjacent words, Admiral Ackbar gets scared, and Andrew discovers comics 00:28:34 - DC and Marvel comic book story differences, and utilizing existing infrastructures 00:31:41 - Art classes, not the shoes, the ink aesthetic, using art software, and a first Inktober 00:36:19 - AI art, outside observer perspectives, the purpose of your art, and deeper meaning 00:41:56 - The definition, the government buys highlighters, and Ben's memories of drafting 00:45:27 - Tattoo designs, the power of creating art, words as structure, and a choir of angles  00:48:03 - The origin of Booger Bear, Andrew's 1st political cartoon, and from a different angel 00:50:39 - Jake Parker, no NaNoWriMo for Andrew, Inktober controversies, and staying current    00:55:01 - Whamageddon, Six Degrees of Kevin Bacon, Googling sports things, and “real” 00:57:06 - Ben's hometown arcade "The Machine," and the dumpster fire of a test game  00:59:11 - Bob Gale, didn't make it out of COVID, MAME nostalgia, and not on VHS footage 01:02:53 - Over 2000 finishers… “eat ship and die” and the DeLorean were 100% Bob Gale 01:04:50 - The roster, the backstories, abandoned by the Army, and back to finishing moves 01:09:04 - Farting flamethrower, the Night Trap documentary, and the Hot Honey equivalent 01:11:40 - A cut above, Andrew doesn't have tattoos, help from Harryhausen, and bad tattoos 01:13:56 - Just do Inktober, maybe wait until you are 30, and the calamari episode   Follow Andrew / Partly Robot Industries on… His website: https://partlyrobot.com/ On Instagram: https://instagram.com/partlyrobot On TikTok: https://www.tiktok.com/@partlyrobot On Patreon: https://www.patreon.com/partlyrobot Follow Two Vague on… Our website: http://www.twovaguepodcast.com  On Instagram: https://www.instagram.com/two_vague_podcast On YouTube: http://www.youtube.com/@twovaguepodcast On X-Twitter: https://twitter.com/TwoVaguePodcast For show appearance and other inquiries, contact us at: twovaguepodcast@gmail.com References and Hashtags: https://www.thirstysuitors.com/ - #thirstysuitors  https://outerloopgames.com/ - #outerloop #outerloopgames https://deadisland.com/ - #DI2 https://www.dsdambuster.com/ https://www.theonion.com/cia-realizes-its-been-using-black-highlighters-all-thes-1819568147 - #theonion https://inktober.com/ - #inktober #diypodcasting, #applepodcast, #podbean, #podernfamily, #videogames, #diversity, #lgbtqplus, #twovaguepodcast, #comedy #pringles #pringles_japan

Sarah Goggin recently took over as Lorraine in the London production of Back To The Future which has entered its third year at the Adelphi Theatre.Based on the 1985 film, Back To The Future has a book by Bob Gale and new music and lyrics by Alan Silvestri and Glen Ballard, with additional songs from the film including The Power of Love and Johnny B. Goode.Some of Sarah's theatre credits include: Helen Walsingham in Half A Sixpence (Kilworth House), Monica in Friendsical (UK Tour), Sister Mary Robert in Sister Act (UK Tour & Kilworth House), Rachel in Bad Girls (The Union) and Woman 1 in I Love You You're Perfect Now Change (Battersea Barge). She played Janey and understudied Kim in the 2013 production of Taboo at Brixton Clubhouse and returned to the show to play Tart/Freak for the musical's 20th anniversary concert at the London Palladium. Back To The Future is booking at the Adelphi Theatre until 21st July 2024. Visit www.backtothefuturemusical.com for info and ticketHosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

It's the greatest time of year, BACK TO THE FUTURE TIME! Oct 21st - Party like it's 2015! Ari, Scott, and Des talk ALL Things BttF! We have covered the movies individually, now we are just talking about Back to the Future as the cultural phenomenon that it is. “Back to the Future is a 1985 American science fiction film directed by Robert Zemeckis and written by Zemeckis, and Bob Gale. It stars Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover, and Thomas F. Wilson. Set in 1985, it follows Marty McFly (Fox), a teenager accidentally sent back to 1955 in a time-traveling DeLorean automobile built by his eccentric scientist friend Emmett "Doc" Brown (Lloyd), where he inadvertently prevents his future parents from falling in love – threatening his own existence – and is forced to reconcile them and somehow get back to the future.”  - Factually Exclaims wikipedia.org “A good adventure about space travels. "Back to the future" is well acted and sometimes funny. But it's too 80's and it's quite impossible to be really amazed by our time.”  - Types Cak V. - rottentomatoes.com "Miscellaneous Immorality: Lying, dysfunctional family portrayals, marital unfaithfulness, and an actor cross dresses for a different role in movie, but it's not meant to promote a politically correct homosexual message."  - Proselytizes movieguide.org “There's a scene where a dog is sent back in time and is briefly believed to have disintegrated, but he later returns completely unharmed.”   - Warns ProfessorProcyon - doesthedogdie.com Get inspired by our  Top Ten time travel movie lists Check out @time_pop_pod on Instagram, Twitter, & TikTok Please Like, Subscribe, and tell a friend about Time Pop. Send questions and comments and movie recommendations to timepoppod@gmail.com Find more great podcasts at What Sounds Awesome from We Mixed It  Comedy Spirituality - All the Answers Fitness Nutrition    -   Truth Not Trends The Wheel of Time  - Thank the Light Awesome Women  -   Be Brave Fitness Nutrition    -    That Fitness Couple

Back to the Future Novelization Review Back to the Future, a novel by George Gipe based on the screenplay by Robert Zemeckis and Bob Gale. #backtothefuture #books #michaeljfox

In this episode I speak about watching two Broadway Musicals: MJ and Back to the Future!  I also speak about watching the HBO series, Succession and wrap it up with another addition to our legendary segment “GOATs doing GOAT $hit” where we celebrate the true champions of greatness and highlight the phenomenal achievements of extraordinary individuals.   The Spun Today Podcast is a Podcast that is anchored in Writing, but unlimited in scope.  Give it a whirl.    Twitter: https://twitter.com/spuntoday Instagram: https://www.instagram.com/spuntoday/ YouTube: https://www.youtube.com/@spuntoday    Website: http://www.spuntoday.com/home Newsletter: http://www.spuntoday.com/subscribe   Links referenced in this episode: MJ the Musical: https://newyork.mjthemusical.com/ Michael Jackson - Dangerous Diary MTV 1992 HD: https://youtu.be/OWC5uPK93fE?si=MQpzBldf_k9gqxoO   Back to the Future the Musical: https://www.backtothefuturemusical.com/new-york/   Succession: https://www.hbo.com/succession/season-1   Rebirth of a Bad Boy: Diddy Explains Handing Over Publishing Rights & Reveals His ‘Total Truth' https://www.msn.com/en-us/music/news/rebirth-of-a-bad-boy-diddy-explains-handing-over-publishing-rights-reveals-his-total-truth/ar-AA1gEX69   Get your Podcast Started Today! https://signup.libsyn.com/?promo_code=SPUN (Use Promo code SPUN and get up to 2-months of free service!)   Check out all the Spun Today Merch, and other ways to help support this show! https://www.spuntoday.com/support   Check out my Books: Make Way for You – Tips for getting out of your own way & FRACTAL – A Time Travel Tale http://www.spuntoday.com/books/ (e-Book & Paperback are now available).   Fill out my Spun Today Questionnaire if you're passionate about your craft.  I'll share your insight and motivation on the Podcast: http://www.spuntoday.com/questionnaire/    Shop on Amazon using this link, to support the Podcast: http://www.amazon.com//ref=as_sl_pc_tf_lc?&tag=sputod0c-20&camp=216797&creative=446321&linkCode=ur1&adid=104DDN7SG8A2HXW52TFB&&ref-refURL=http%3A%2F%2Fwww.spuntoday.com%2Fcontact%2F   Shop on iTunes using this link, to support the Podcast: https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewTop?genreId=38&id=27820&popId=42&uo=10   Shop at the Spun Today store for Mugs, T-Shirts and more: https://viralstyle.com/store/spuntoday/tonyortiz   Background Music: Autumn 2011 - Loxbeats   Outro Background Music: https://www.bensound.com   Spun Today Logo by: https://www.naveendhanalak.com/   Sound effects are credited to: http://www.freesfx.co.uk   Listen on: iTunes | Spotify | Stitcher | Pocket Casts | Google Podcasts | YouTube | Website   EPISODE TRANSCRIPT [00:00:00] What up? What up, folks? What's going on? Welcome to the Spun Today podcast, the only podcast that is anchored in writing, but unlimited in scope. I'm your host, Tony Ortiz, and I appreciate you listening. This is episode 243 of the Spun Today podcast. And in this episode, I speak about two Broadway musicals, which I can't believe I took this long to mention them, especially for one in particular. So definitely stay tuned for that. I also speak about watching the Succession Series. An HBO series that I was definitely late to, but had the added benefit of being late in that it allowed me to binge the entire series. And lastly, I wrap it up with another addition to our legendary segment goats doing goat shit where we celebrate the true champions of greatness and highlight the phenomenal achievements of extraordinary individuals. Stay tuned for all that good stuff. But first I wanted to tell you [00:01:00] guys about a. Quick way that you can help support the spun today podcast. Your support is greatly appreciated. Not only can it help out financially to help keep the lights on in good old spun today studios, but it definitely adds fuel to the motivational fire that I rely on to continue putting out episodes. And even more importantly, finding time to write. Nay, making time to write. So thank you. Thank you. Thank you to each and one of you, to each and every one of you that have shown your support to date. And thank in advance to each of you that will show support in the future. Here is one quick way that you can help support the Spun Today podcast. Definitely stay tuned for the outro of the episode where I'll tell you about a bunch of other ways that you can show your support. But here is one of those ways. And we'll jump right into the episode. The first musical that I wanted to tell you guys about was MJ, the [00:02:00] musical. Here is the official synopsis. He's one of the greatest entertainers of all time. Now, Michael Jackson's unique and unparalleled artistry has finally arrived on Broadway in a brand new musical centered around the making of his 1992 dangerous world tour. And created by Tony award winning director, choreographer, Christopher And two time Pulitzer Prize winner Lynn Nottage, MJ goes beyond the singular moves and signature sound of the star, offering a rare look at the creative mind and collaborative spirit that catapulted Jackson into legendary status. I went to check this out with my best friend, Steven. Shout out to Steven's Spun Today alumni, who has been on the pod several times in the past. We thought it would be cool to check out. You know, kid touching and molestation and all that, which has obviously [00:03:00] tarnished Michael Jackson and how we view him, all that aside. And I know in and of itself, it's like a controversial topic where some folks are like, no, they're all 100 percent rumors and nothing like that ever happened. Nothing was ever proven in court. And then the other folks on the other side where say. You know, the rumors have been rumors for decades for a reason. It's all true. It was even worse. I know the audience is split when it comes to that. From an artistic body of work perspective, he's obviously, as the little synopsis says there, one of the most legendary entertainers of all time. Now from attending and, you know, watching this musical, And for someone who likes going to like Broadway plays and musicals and enjoys that genre of art and acting and singing and stuff like that as a consumer, from that perspective, [00:04:00] we had a great time. And Michael Jackson in his heyday, I was a kid for that, a little kid, but I obviously know his music and his body of work and I think you'd be hard pressed not to find. Or to find someone that wasn't aware of any of it, but I obviously never saw him live or anything like that going to see this play, though, the way they did it, you definitely get that experience, albeit at a much smaller scale, but you definitely get the, like, you feel you're watching Michael Jackson. That's how good of a performance, not just the Michael Jackson characters did with it. But just the entire cast and the world that they built and created around it. And from a storytelling perspective, it was interesting how they did it. Because it is this very, and I guess, makes sense. In terms of it being like a deliberate conscious [00:05:00] move to do it this way. So you don't have to bring in a lot of like the things we know about Michael now. The allegations and court cases and... Drug abuse and, and stuff like that. So they didn't have to bring too much of that into the story because again, from a storytelling perspective, it's a very myopic focused view of his time around his 1992 dangerous world tour, which is his biggest tour ever. One of the biggest tours ever. And it was chronicling, the buildup to that, all the practice sessions. And how he was as an artist getting ready for that performance. And in the play, there is an MTV crew that was given access to chronicle this whole thing to do a, a piece on, you know, this very much anticipated world tour, which was based on true events that MTV [00:06:00] piece. Actually exists and I'll link to it in the episode notes for you guys to check out. So we got to see this interesting view of. That MTV camera crew. Trying to put together their creative vision of this documentary. While also getting close enough. Access to Michael Jackson to see his inner workings and stuff like that and picking up on. Certain things like. The beginnings of his drug addictions, which we know now ultimately led to his death in that he had a private doctor giving him shots or like IVs of trim butyral or something like that. I forget the exact medication name of what he ultimately died of, but it's supposed to be a strong ass, sleep aid. And so much so that he was getting that shit [00:07:00] injected on a nightly basis just to be able to try to get some sleep. And ultimately that's what he died of. And the doctor that was prescribing him the medication wanted him to go to jail for a few years and losing his medical license, I believe. But in the play, it shows him getting drugs from his manager or other folks like that were part of the stage team. I think it was his manager. And you get some insight into the all too common story of, you know, people in positions of power, whether it's in our music, politics, whatever, just having a circle of yes men and women around them that do what they want and don't really check them. And we saw that through the lens of, again, the beginnings of his drug addiction. And we also saw that same dynamic playing out with his financial team and how he wanted to pay for [00:08:00] this over the top concert and do like never before happened things like him being shot out of not a cannon, but something that shoots, shoots him out and onto the stage and him running out of money. And then Pushing his accountant and his financial team to mortgage Neverland Ranch, where he lived just to continue funding this artistic vision that he had, even though all the financial folks around him, lawyers, accountants, financial advisors warned him against it, he still ultimately got his way, i. e. via these yes men. So that was definitely interesting to see. They also showed. A direct correlation between his abusive childhood with how Joseph Jackson, the father was always depicted as, you know, being super, super hard stage dad, forcing them to practice [00:09:00] all the kids when they were the Jackson five for hours and hours on end, no breaks, didn't really have a childhood. You know, they had fame when they were young. So they didn't have a, you know, especially Michael being the youngest. Of them, of the Jackson 5, or second youngest, I believe. But never really having a childhood, or traditional childhood. They showed correlations of that, instilled hard work ethic. And they kind of papered over the, physical abuse in the play. With how hard Michael Jackson was on his crew and the choreographers and everything. And the dance team around him and how they were all exhausted and he would force them to to work hours on end just like his dad did to him and kind of showing that traumatic shift, trauma shift of, you know, him being the recipient of that and then dishing it out as he got older in the same exact way [00:10:00] and then seeing himself as, you know, becoming his father in that sense. But the play did a great job in also showing different. Stages within Michael Jackson's life, they showed him as a child, you know, as a flashback scene, because the entire thing again takes place around him working up to this dangerous world tour and being interviewed by the MTV crew and them filming and interviewing him in between rehearsals, etc. But while they were interviewing him, he would flash back and tell stories of childhood, of his mother and his father, Jackson 5, transitioning, going solo. And you got to see different actors, which did a phenomenal job of playing Michael Jackson. Now we did go on an off day, I think it was like a Tuesday or Wednesday. So every cast member, including Michael Jackson, wasn't necessarily the best. Number ones, if you will. I believe the young Michael [00:11:00] was, but I don't believe the middle Michael that they showed as well as the older Michael Jackson that's being interviewed. I think he was also the understudy, but I mean, these are all top tier phenomenal actors, right? All did an amazing job. And we got to hear all the hits, all Michael Jackson's hits, all Jackson five hits. And it really did feel like a Michael Jackson concert experience as a narrative choice. Again, it does seem to me to have been a deliberate choice to tell this story from a specific point in time. And in doing so not have to, or I guess they had the ability to paper over all the negatives that we know of Michael, like the drug abuse and child molestation allegations, so on and so forth. So you definitely lose something historically. From that perspective, but as a piece of [00:12:00] entertainment, we do wind up enjoying a shitload of music and just how they put the musical together. It was definitely an entertaining watch. And I definitely recommend it. MJ the musical, check it out back to the future. The musical, if you guys know anything about me, I am a huge, Back to the Future fan. I've spoken about the movie multiple times. I've highlighted how the screenplay for Back to the Future 1 is considered a perfect screenplay and I think it's taught in theater classes. It's my personal favorite trilogy of any genre, any movies, all time. And I've also said, controversial to some, that it's one of the rare occasions where the sequel, Back to the Future 2. is even better than the first movie. And I know that's blasphemous for some folks to hear. And even I myself go back and forth [00:13:00] between that thought from time to time. But just from the creativity of it alone to delve back into the first movie through the second movie and find ways to tie into the first movie, And make things that already existed within the first movie, make them that way because of the actions of the second movie, which was filmed and created. I think it was something like five years later. It's just fucking amazing from, from that standpoint. And I'm such a fan that my debut novel fractal Available now, SpunToday. com forward slash books, so you can find all the links of all the different places where you can find it. Back to the Future is an inspiration for that story. It is a time travel tale, as I like to say. Furthermore, I dedicated that book to my first [00:14:00] born Aiden, and the quote, the very first quote after the dedication section of the book, is a quote. From back to the future, part one from George McFly to Marty McFly, stating, if you put your mind to it, you can accomplish absolutely anything in him speaking to writing his first novel. So there's a complete tie in on multiple levels there. I fucking love it. I literally have a life size replica of the hoverboard immediately to my left right now. That said, I signed up, or, like, I follow all the different Back to the Future fan pages, official, unofficial. And I saw months before that they were developing the musical. I also subscribed to a bunch of different newsletters having to do with Back to the Future and the DMC newsletter, even from the DeLorean Motor Company. And I signed up to be alerted when the pre sales went on, [00:15:00] and I bought these tickets months in advance, I think something like seven months in advance. That's how much I was anticipating going. So I copped the tickets and my wife and I, shout out to Zoila, sponsored alum, went to go see it and had an amazing time. Being such a fan holding, I'm both holding the musical to a very high bar. I don't want them to fuck it up while at the same time being completely biased and knowing that I'll find a way to love it some way or another. So holding my love for the story. And the history of the film aside, as much as is humanly possible and attempting to be objective, I personally thought they knocked it out the park. Now they clearly didn't have, I'm not sure if Back to the Future, if it's old enough, I think it came out in 89, where the story itself is public domain or if they actually got the rights to [00:16:00] retell the story in this format. Because I don't believe that Robert Zemeckis and Bob Gale were involved with the musical. I could be wrong, but I don't believe they were. And I wonder if certain choices that they made throughout the musical had to do with not having the full rights, or if they had to do with just trying to retell the story on the stage. Because although it was still very, very, very true to the original Back to the Future 1 film, which was another thing that I was curious about if they were going to try to encapsulate all three films within the musical, but it wasn't. It was just a retelling of the first one. But everything is not, you know, word for word, verbatim, although it does have a lot of the same key scenes. But then... Certain other key, certain other key scenes. For example, the famous skateboard [00:17:00] scene in front of the diner, when Biff and his crew chase Marty and wind up crashing into the manure truck and Marty's getting around the skateboard, they didn't redo that scene, but in its place, they kind of extend the scene of the lunchroom where. Marty first confronts Biff, you know, where they both kind of grab each other and make fists and they're about to punch each other, but then Strickland shows up and breaks it up, essentially. And Biff tells him, why don't you make like a tree and, and get out of here. They elongated that scene instead and made that the chase scene and made it so that Biff was chasing Marty throughout the lunchroom. He was jumping over tables and hitting him with lunch trays and running through the school. And they had an original musical number there. So they took certain liberties that way. I guess it was easier to do [00:18:00] it that way. If it wasn't a licensing issue or concern, it was easier, it must have been easier to put that together versus the actual skateboard scene and having multiple cars and etc. But it was something that I was curious about. It was kind of interactive in that, you know, like they had the enchantment on the the sea dance and during it when Marvin Barry and the Starlighters are playing Earth Angel there were in the actual theater there was Bubbles, there was a bubble machine or something. There was bubbles going all throughout so we were in the first few rows and you know, we could swat the bubbles and that kind of built the atmosphere around around the whole thing And of course he did the Johnny B. Good scene in terms of the cast, all phenomenal. The gentleman who plays doc killed it. Oh, and that was another thing also, they did not do the, you know, terrorist Libyan terrorist [00:19:00] shooting scene, which I guess to make it more PG they made it that doc was using the plutonium for the 1. 21 gigawatt reaction that he needs. Within the flux capacitor to make the time travel possible, but that he was using an old radiation suit, which wasn't completely insulated. And that's how he wound up dying initially versus getting shot by the terrorists. But yeah, the gentleman who played doc amazing, super funny, steals the show. The guy who plays Marty's spot on, did a great job. But the person who played Crispin Glover's character of George McFly dead on balls accurate to quote Marissa Tomei fucking amazing spot on like they could reshoot back to the future drop this gentleman in place of [00:20:00] Kristen Crispin Glover who legend has it was like an absolute asshole on set and that's why he wasn't in part two or three, but. Drop him into that role and you wouldn't tell the difference. He was amazing. Fucking awesome. The guy who played Biff was really good. Really looked the part. Which brings me to the number one star of the show. The DeLorean. They did it so ill that it looked like an actual real DeLorean that was up there. I guess they just, you know, it's just like the outsides or whatever, but it really looked like an actual replica real DeLorean. And it's obviously the moment that all the fans are anticipating the most, you know, when they first see the DeLorean, which they did the big reveal and like the same same way at Twin Pines mall, [00:21:00] which then becomes Lone Pines mall at the end when Marty runs over. Old Man Peabody's Pine Tree. Symbolizing how the littlest change in the past could affect have a ripple effect on the future. But they did an amazing job with the car itself and then with the actual time travel sequence. So the theater, the decor of it, can't also, this is how it also immersed the, the crowd aside from the bubbles thing from, from earlier. The decor. The balconies on the sides, on the left, on the left and the right, they were also part of the decor. Like there weren't people sitting in the seats there. Instead, they had this metal widgets and circuitry spanning all of the balconies. And during the time travel sequence, like when Marty accidentally goes back to 1955, all those start lighting up in different [00:22:00] colors and it's reminiscent of the flux capacitor and the lights around the actual DeLorean, which they also show and really immerse you and bring you into it in that way. And then at the end, which was even more amazing because they could have just done that again. They with like a crane or something, something you couldn't see, but some sort of lift, they lift up the DeLorean. For the scene where, you know, the clock tower scene when he's going back to the future. They lift up the DeLorean and push it forward into the crowd. So it's hovering above us almost. Like above, the first couple rows. Not completely, but just enough for it to be off of the stage. Can you imagine the fucking lawsuit that thing would have fallen or something? But obviously it was secure and it was just so ill the way they did it. And I couldn't have been happier with Back to the Future the musical. I definitely, definitely highly recommend.[00:23:00] If I have the chance to see it again, I definitely will. Tickets should be a lot more reasonable now. That's the only issue I had with it. Although I was willing to pay, so whatever. But apparently it's not doing well, or as well as anticipated. And the. Ticket prices. I checked the day of for my same seat and it Was like 40 percent less in terms of the actual pricing But that aside it was an amazing experience. I Loved every bit of it. If you're back to the future fan as I am you will too Back to the future the musical Check it out HBO's original series succession Is a series that ran from 2018 to 2023. Like I mentioned in the intro, I didn't start watching the series until 2023. Literally while the final season was, was airing. [00:24:00] So, that came with the benefit of being able to binge it and see it all the way through. But in terms of sharing some of my personal takeaways and tidbits here. It's it shows a bit out of the zeitgeist. And some references might be dated, but we'll share them nonetheless for posterity. Here is the official synopsis. The Roy family is known for controlling the biggest media and entertainment company in the world. However, their world changes when their father steps down from the company. And as we like to do here on the Spun Today podcast, I wanted to shout out each and every one of the writers, starting with the show's creator, Jesse Armstrong. Followed by Jamie Carragher, Susan Soon Hee Stanton, Alice Birch, Miriam Batty, She a Batty, she knows she a 10. Georgia Pritchett, Tony Roche, Nathan Elston, Callie Hirshaway, [00:25:00] John Brown, Will Tracy, Lucy Preble, Jonathan Glaser, Ted Cohen, Anna Jordan, Mary Laws, and Will Arbery. Shout out to each and every one of the writers on Succession who put together an amazing show. And I particularly want to shout out the, the writers in this particular series, because they took what is the embodiment of quote unquote evil rich people, you know, just like the vile borderline sociopathic Narcissistic archetype of, you know, the greedy, quote, unquote, greedy, rich people. And they made us, the viewers, through the strong characters that they created, that the writers created, and that the actors, which were phenomenal, and I'll speak to it in a minute, brought to life. They made us, as the audience, connect [00:26:00] with those characters, and in some cases, in a lot of cases, actually root for them to win. Which, if you take a step back and look at the ruthlessness with how they navigate the world with little to no care of who or how they affected others. When you look at it objectively through that lens, it's like, fuck these people. But since they're developed so richly as characters, and it's such a character driven show in my opinion. we still connect with them and root for them on a human level. And that I think is a testament again to just amazing writing. So shout out again to the writers there. Now the cast absolutely killed it. Kieran Culkin is one of my favorite characters. He plays Roman Roy, the youngest of the four children. Brian Cox is the matriarch, the Rupert Murdoch like character who [00:27:00] created this Conglomerate multi billion dollar company. He's just amazing. Tom Wombs Gans played by Matthew McFadden. Such a cool character. Very selfish. It turns out as, as all of them have traits of selfishness, but he was in it for himself from the jump and. He plays possum throughout, so much so that he's married to Shiv Roy, the daughter, played by Sarah Snook, also does a great job, but she's like a, you know, princess, always gets what she wants, kinda has the quote unquote trophy husband, cheats on him, and he just takes it all, and his character is such that you hate him at first, so. because he's such a pushover and you're like yo stand up for yourself you fucking pussy then you wind up rooting for [00:28:00] him then you wind up finding out that either he's been running a game the entire time or he just got caught up in it and began running a game somewhere along the line and became fed up great characters both in real life British I believe it's a good job with the American accents there Same as Logan Logan Roy's character, Brian Cox. And by British, that's just my dumb American interpretation of their accent. You know, it could be Australian, Zealand, or who knows. Conroy, the eldest half brother played by Alan Ruck. Shout out to Ferris Bueller's Day Off. Really cool character. Shout out to the Conheads out there. Jeremy Strong. Not the eldest, but the eldest of the full siblings of the three, you know, Kieran Culkin's character, Sarah Snook's character, and himself, Kendall Roy. He was the heir to the throne, if you will. And in the very [00:29:00] first episode, which sets the stage for the entire series, the first half of the episode is him going through The process of getting ready to take over the company because the father had announced his retirement. He was gonna step down Kendall Roy is gonna take over and in that very first episode the father winds up Literally fucking him over and saying nah, I changed my mind. He's like, wait, what my You changed your mind. I'm supposed to take over next week. He was like now let's give it a couple more years I decided to stay on He was like, but we announced it to the world and the, you know, it's a publicly traded company and the stock and this and that and blah blah blah. He was like, yeah, that's all bullshit. Don't worry about it. And you have this tension within the family always throughout the entire series of the son trying to take over from the father, the father trying to maintain control, the father getting sick, the other siblings trying to vie for control, sometimes being on the same page with each other, most of the time not, and just like this complete [00:30:00] dysfunction. And it was such an interesting, family dynamic that really keeps you hooked. I also thought it was particularly interesting the way that the show was shot. And I got this from some of the, not behind the scenes, but the extras of the show where they, you know, interview different characters and they also have a podcast, et cetera. So I don't remember if it's from one of the extras or from the actual podcast, but one of the directors, I think the main one Mark Millard. Maybe it was Jesse Armstrong, the creator of the show, but they were breaking down how they shot in a way where they zoom in to the actual characters for emotional exclamation points. So they called it. And you notice that throughout the entire series where they'll, you know, they'll shoot a scene and then. For the character reaction, they'll zoom in to the character's face, which is pretty interesting. And he also mentioned that on set, they [00:31:00] always kept live cameras around so that the art, the actors themselves, they didn't know when they were being shot or not. So it forced them essentially to stay in character. And he likened it to filming theater, similar to when you go see a play. How all the characters, as long as they're on stage, they're in character, you know, that whether they're the main focus of a scene or not, or a background character, they're always doing something. They're always on, if you will, then I'm going to jump to in season two, episode 10, I jetted down here. There was a dope line that Logan Roy said again, the matriarch of the family played by Brian Cox, and he was speaking to money and wealth and how most things don't exist. Or companies rather. And he said that the Ford motor company hardly exists. He said that it's just a time saving expression for a collection of financial [00:32:00] interests. Again, all the Ford motor company was to this psychopath was just a time saving expression for a collection of financial interests. I thought that was such an interesting way, such a financially motivated lens to view the world through. And I just love the way that was phrased. All the four Ford Motor Company is, is just a time saving expression for a collection of financial interests. Jesus. There's a lot of double crossing in the show the siblings with each other, the father to the, to the kids, the kids to the father. There's a point in the season two finale where you think Kendall is going to rise to the occasion and, you know, be the heir to the throne that the father, [00:33:00] you know, wants him to be, that is grooming him to be. But he winds up double crossing his father again, as he did multiple times throughout the series. And I thought it was interesting that he had a lot of ups and downs, you know, he had addiction issues in the show. They reference all the time that he had a stint in rehab. And just from a mindset perspective, he was always either completely out of it and crying and in the dumps or completely manic and on the fucking ball. He reminded me a lot of Kanye. And or the public version of Kanye that we've been seeing in. You know, recent news and media cycles and all the drama around the Kardashians and all that shit and his manic episodes. That's what he was reminiscent of to me. I loved the relationship between two main characters, both outsiders of the family in their own right, which was Tom Wamskantz, which I [00:34:00] mentioned earlier, which was the husband of the daughter, Shiv Roy. His relationship with Greg Hirsch, played by Nicholas Braun, which is a second cousin, extended cousin to the family that they barely know, but that works his way into the fold and Tom brings him under his wing kind of because he sees himself in, in Greg in some ways, you know, being an outsider of the family, but also because he wants to have someone to have power over. And he finally found someone lower than him on the totem pole, if you will, within this family structure. And they just have a back and forth, funny, quippy, really interesting dynamic throughout the entire series. And I'll wrap it up with a, a line of dialogue from Alan Ruck's character, Connor Roy, when it spoiler alert, this happened in season four, episode seven. But Connor, who decides to run for president, out of all things, of the [00:35:00] United States, and Kieran Culkin's character, Roman Roy, hilariously tells him, don't you think you should try for something smaller first? You know, maybe like running a CVS or something? But Connor gets himself in a position where... essentially his actual, you know, the two rivals for, for president, the Democrat and the Republican running, they're neck and neck, like razor sharp, you know, 49 percent to 49 percent margins. And Connor is polling at like 1 percent or something like that. It's something, something sick that pretty much put him in a position to make a deal with one of the other guys where he would drop out of the race and His supporters would vote for that person, and that person would essentially become the, the president. And he's trying to see what he can get, you know, what position he could get from the person that would ultimately win. And one of them offers him to be the diplomat of Alman, which is a [00:36:00] country that I had never heard of. And he tells him that it's an interesting thought. He'll, he'll definitely mull it over. And that Oman is the poor man's Saudi Arabia and the rich man's Yemen. And again, I just thought what an interesting way to view the world and view things. But yeah, yo succession dope show. I definitely recommend you guys check it out if you're into that type of thing. It's supposed to be loosely based on Rupert Murdoch and you know, Fox news, that type of billion dollar conglomerate company and the tension and dynamics. Within his children, for example Rupert Murdoch, I think I've spoken about here on the past. One of them is like liberal, liberal leaning, which is kind of like Shiv's character in succession. And the other one is very conservative. Then they're both vying for succession of Fox, for example. So this show is loosely based on that, or at the very least, it's like one of those are imitates life imitates art type of things. [00:37:00] But that is my little recap and review on Succession, streaming now on HBO Max. Check it out. Goat doing goat shit. And I want to create a drop for, specific to this segment of the podcast because it is a recurring one. And I have some things that I've been tinkering with and working on. But speaking it aloud to see if I can hold myself to task because I've been meaning to do that, , forever. I just haven't gotten around to it, but the goats doing goat shit segment is a segment where I like to celebrate the true champions of greatness and highlight the phenomenal achievements of extraordinary individuals, especially when they do things that they do not have to do. And in this episode's edition of goats doing goat shit, I'd like to welcome none other Then Sean P. Diddy Combs to the list. Now, for the longest time, and still, [00:38:00] Puffy is known as being a ruthless businessman, if you will. Someone who hustled and busted his ass and built and created bad boy entertainment, which has brought us countless acts and music that we all love to this day. And many, many artists, but one thing that he did in building his empire from the ground up was recreate the, what some may say myself included, archaic, traditional, let's call them music artist deals, where the label that signs an artist winds up owning their publishing their masters, essentially making the lion's share of the money that is to be made from the art created by the actual artist. And the artist is often times in doing this type of bad business left fending for scraps. And music artists, [00:39:00] historically, this has happened to across different genres since the beginning of time. Some but few and far between have had more savvy, you know, teams and lawyers and sound financial advice around them and just the foresight of ownership. of your creation, being able to reap the benefits of it in perpetuity versus, you know, taking a bigger bag up front, but then never being able to profit from it down the line. So that's definitely been the biggest knock, in my opinion, on, on Puffy over the years in this respect. As of September of 2023, it became public that Puffy was returning his publishing rights. Which, by the way, he did not legally have to do. Returning the publishing rights to the artists and songwriters that helped him build Bad Boy Entertainment. Folks like Ma$e, which was the most vocal, [00:40:00] and actually recently dropped, and by recently I mean within the last year or two, diss tracks and did a lot of interviews and references to all of this, which are actually pretty good. Faith, The Locks, which is another vocal components of, you know, Puffy's business practices, 112, and the estate of Biggie, the Notorious B. I. G. They are all getting, or have gotten, their publishing back because the paperwork and agreements have all been signed and are actually finalized. And according to Puffy, in an interview that he gave to Billboard. He had a lot of offers back in like 2021 when, you know, like folks like Justin Timberlake and Shakira and a lot of folks were selling their, their publishing, their, their catalogs for like a hundred million dollars, $300 million, et cetera. He got an offer, an alleged nine figure [00:41:00] offer. To purchase his catalog, which included all the publishing that he owned, owned legally from all these artists. And that's when he supposedly decided to not sell and give the publishing back to the respective artists. It just took a lot of time between then and now to actually execute the legal documentation, etc. But I thought that was a dope move. It wasn't something that he had to legally do. Did Puffy make, over the decades, a shitload of money off everybody's catalog? Yes, of course he did. Was he legally correct to do so? Yes, he was. Whether it was ethical or moral or not, and hypocritical in some sense, those are all valid criticisms in my opinion, but he wasn't technically or legally... it wasn't something he had to do. So I definitely applaud him for doing [00:42:00] so. I'm always of the mentality of just own your shit and be of the mindset that if someone, a publishing company, a label, if you're in music, a publishing company, if you're in, you know, writing or creating different types of art, a platform, et cetera, if they're coming to you with a bag, To purchase outright, whatever it is that you created big bag, small bag, whatever. They would also pay you for just licensing it. It'll be a smaller bag, but in my opinion, and I'm not the fucking Messiah here, but in my opinion, if you're offering me a big bag to just own my shit outright, it's because you from a financial standpoint, believe that you're going to make that money back and more over time. So it would also be a sound business move from your perspective to license [00:43:00] it for a smaller bag for a shorter period of time, because you will also make your money back within that shorter period of time. And then some, and in that type of scenario, you keep your shit then afterwards, license it out to someone else, make money off of it yourself, maintain the ownership. So you could do whatever it is that you want with it in the future. Turn your book into a movie, turn it into a TV series after that, do both at the same time, turn it into a fucking VR spectacle that hasn't even been created yet, but will exist in 10, 15 years. And since you have the ownership of your IP, you could do that instead of handing it over for a bit bigger bag now, and then the company that purchased it from you. Maintains that ability moving forward. So again, with that said, I'd like to welcome Sean P. Diddy Combs officially onto the Spuntoday goats doing goat shit list. [00:44:00] And that folks was episode 243 of the Spuntoday podcast. Thank each and every one of you very much for listening. I really, really appreciate it. Before I let you go, just wanted to tell you guys about a Few quick ways that you can help support the spun today podcast. If you so choose, you continue support is amazing. I appreciate it very, very much. Whether you're using my affiliate link to shop on Amazon, which you can find that spun today. com forward slash support, or you're buying t shirts or coffee mugs or my books sponsored. com forward slash books, or using any of my affiliate links that all can be found that spun today. com forward slash support. Which will get you a discount on whatever said thing that it is that you're looking for that I have an affiliate link for. Whichever way you choose to support, it means a ton. I really, really appreciate it and just wanted to say thank you. Here's a breakdown of a few of the different ways you can help support the [00:45:00] Spun Today podcast if you so choose. And I'll check you all out next time. Peace.

Here we go! Another week and another great movie! This week we talk about Back to the future from 1985! Dont forget to like share and sub and watch out for us on X, Facebook, TikTok, Rumble, and of course YouTube! Please leave us some feedback! You know we love hearing from all of you! Thank you all for your growing support! We love all of you for it!

“Wait a minute, Doc. Are you telling me you build a Time Machine… out of a DeLorean?” Can you believe that we are 8 years past the future in “Back to the Future Part II”?! That's right. Marty and Doc went to October 21, 2015. Heavy, right?Robert Zemeckis and Bob Gale got FaceTime and flat-screen TVs right. But we still don't have flying cars or hoverboards. Or do we?This week, we welcome back Geek Girl Amelia as we discuss her Favorite Films of All Time: “Back to the Future.” We watched a couple of “documentaries” about the “Back to the Future” trilogy. First up, the real documentary: “Back in Time. This is an excellent look at the cultural impact of the “Back to the Future” trilogy in pop culture. This feature film came out in 2015 for the 30th anniversary of the original film—and in the future year that Doc and Marty went to. The other “doc” we watched was “Expedition: Back to the Future.” Not really a documentary, this was a set-up with Josh Gates and Christopher Lloyd who are tasked with finding the iconic DeLeorean Time Machine to deliver to The Michael J. Fox Foundation for a fundraiser. Totally contrived but still cute. And we do get a glimpse at the amazing collection of father-son BTTF aficionados Bill Shea and Patrick Shea. If you can imagine it, they have collected it… and then some!Finally, Amelia shares with us some of the fabulous array of BTTF memorabilia that she has collected over the years. And, yes, she can indeed quote the dialogue verbatim!Always remember: “The Future isn't written. It can be changed.”-Original music by Garrett ThompsonFollow us on Instagram @GeekGirlSoupContinue the conversation on FacebookListen to Cort's podcast with Brad at PureFandom.comCheck out Susan's movie stats on Letterboxd Email your questions and comments to GeekGirlSoup@gmail.comGeek on!

Great Scott! "Back to the Future" is now a Broadway musical! After opening on the West End two years ago and earning an Olivier Award for Best New Musical, the stage adaptation of the 1985 blockbuster opens in New York tomorrow (August 3).We discuss the show with Bob Gale,who co-created the films and wrote the book of the musical, as well asAlan Silvestri, the composer of the film series and musical. The production's director John Rando also joins the conversation, and we take your calls! *This segment is hosted by Brigid Bergin.

Ghostbusters (1984), BttF (1985), Top Gun (1986), BCH2 (1987)… This week the boys continue their Summer Blockbuster Face-Off, the challenge to determine once and for all what the greatest summer blockbuster of all time! We take the highest grossing *summer* movie of every year from 1980-2019 (plus Jaws and Star Wars), and we have them battle to the death until only one remains! Our first episode was a doozy: Empire beat Raiders, E.T. beat Jedi. Damn! Only two can advance. Please like and subscribe to keep up with our bracket!  Find all of our Socials at: https://linktr.ee/theloveofcinema. 
Our phone number is 646-484-9298, it accepts texts or voice messages. 0:00 Intro; 10:04 GB vs BTTF; 44:51 TG vs BHC2; 1:26:44 What You Been Watching Cast/Crew: Tony Scott, Jerry Bruckheimer, Tom Cruise, Steven Spielberg, Eddie Murphy, Val Kilmer, Michael J. Fox, Christopher Lloyd, Eric Stolz Stoltz, Dan Akroyd, Bill Murray, Sigourney Weaver, Rick Moranis, Harold Ramis, Ernie Hudson, Crispin Glover, Lea Thompson, Prince, Robert Zemeckis, Bob Gale, Huey Lewis, Ray Parker Jr.   Additional Tags: Australia, Melbourne, Queensland, The Philippines, Writer's Strike, WGA, Adelaide, Spotify, residuals,  Apple+, Apple TV, Netflix, Amazon Prime, TikTok, Twitch, Concord, NC, New Jersey, Method Acting, Jeremy Strong, Brando, Pacino, Dustin Hoffman, Summer Movies, Star Wars, E.T., Jaws, Raiders of the Lost Ark, Return of the Jedi, The Empire Strikes Back. 

Jason interviews writer, director, and producer, Bob Gale! They talk Tales From The Crypt: House of Horror, Back To The Future, and writing Batman, Antman, and Daredevil comics! Follow Dads From the Crypt! Twitter: @cryptdads Instagram: @dadsfromthecrypt Patreon: https://www.patreon.com/DadsFromTheCrypt Our theme was created by @HY-FY

Great scott! We're posting a very special throwback episode in honor of November 5th! The day that Doc Brown invented the flux capacitor. Last year, Back to the Future writer and producer Bob Gale graced Ray Harrington with his presence on Ray's previous podcast, Ray Harrington Must Content. We're reposting the episode here in all its glory to celebrate our love for the Back to the Future series (we also argue a bunch about time travel logistics at the beginning of the episode). Original episode description: "Bob Gale makes Content™ with Ray as they discuss all things Back To The Future! The writing process, the small details and easter eggs, making half the movie with a different actor, and a public apology for the Back To The Future Nintendo game! All this and more in a very special episode of Ray Harrington Must Content." Follow us everywhere @funbearablepod Enjoy everything Funbearable (including our new "I Pity the Ghoul" stickers) at funbearablepod.com

Jamie, Jimmy and Bob figure, what the hell, for their 50th episode there's only one script heavy enough to discuss, Robert Zemeckis and Bob Gale's Back To The Future.

This week we're talking director Robert Zemeckis' filmography. "Who's Robert Zemeckis?" Oh, nobody... just the director of Back to the Future, Forrest Gump, Contact, Cast Away, Who Framed Roger Rabbit, and much much more!Also discussed:1. Robert Zemeckis and Bob Gale's struggles in Hollywood2. Diane Thomas' Wikipedia3. We forget the name of the kid from Problem Child. It's Junior. Sorry!4. Phil actually *did* say he was "street shart"5. Judge Doom hanging outside bathroom at ILM6. We weigh in on the Little Mermaid controversy7. Kevin Sorbo's Real SurnameJoin us on our Patreon this week where we'll talking about Slasher Camp ClichesSupport the show