Podcast appearances and mentions of caseen gaines

This we're revisiting one of our most popular early episodes, where we did the unthinkable and willingly watched the worst films ever made (allegedly). The hit list includes Howard the Duck, Mommie Dearest and, of course, The Room, along with our own submission, the apex of Roger Moore's career, North Sea Hijack, in an attempt to figure out what it takes to achieve cult bad status. ReferencesHoward the Duck: An Oral History by Caseen Gaines for thedecider.comHow George Lucas' Howard the Duck movie made The Matrix possible by K. Thor JensenMommie Dearest at 40: the derided camp classic that deserves a closer look by Guy Lodge for The GuardianThe Room: how the worst movie ever became a Hollywood legend as bizarre as its creator by Aja RomanoTommy Wiseau breaks down a scene from The Disaster ArtistBTS from The Room-----------If you love what we do, please like, subscribe and leave a review!Edited and produced by Lily Austin and James BrailsfordOriginal music by James BrailsfordInstagram TikTokLetterboxdEmail us

It's October, and a perfect time to return to the scary side of writer's vile.And so, TTDS returns to episode 368 of Tell The Damn Story, "Vampires, Culture and How Coogler."It's a multi-cultural trip into horror with guest writers Caseen Gaines and Steven Van Patten, along with Alex and Chris, discussing Ryan Coogler's "Sinner." Everyone has something they fear, but how we face it and represent it is telling.Enjoy the highlighted version of the larger episode. Grab Your Free "Turn Fear Into Fiction" Cheat SheetHave any questions, comments, or suggestions?Then, please leave them in the Comments Section.Write: TTDSOnAir@gmail.comAnd follow us on ...⁠⁠⁠⁠⁠⁠@Tell The Damn Story⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠www.TellTheDamnStory.comwww.Facebook.com/Tell The Damn Story⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.com/ Tell The Damn Story⁠⁠⁠⁠⁠⁠⁠⁠Stories change lives. They always have. At *Tell The Damn Story*, we believe in lifting voices and passing stories on. Your support keeps them alive for future generations. Help us by supporting TTDS → ⁠Buy Me A Coffee⁠⁠⁠⁠!⁠⁠⁠⁠⁠

Yes, Creative Are Allowed To Nerd Out And Still be Professionals! Here's a special holiday episode from us to you. In this gathering of creatives, cohosts Alex Simmons and Chris Ryan explore the holiday classic "March of the Wooden Soldier," which has remained a Thanksgiving tradition for many. It's a 90-year-old film that found its intergenerational following, especially around the New York tri-state area. Joining us is our good friend, Caseen Gaines, a pop culture historian and author who brings his knowledge and unbridled enthusiasm. Together, we'll explore the timeless charm of "March of the Wooden Soldiers," starring the legendary comedic duo Laurel and Hardy, from their nuanced character portrayals to the film's comedic brilliance and heartwarming narrative.  We're unpacking how the film's commitment to character-driven storytelling has kept it fresh and beloved over the years. Have any questions, comments, or suggestions? Then please leave them in the Comments Section. Write: TTDSOnAir@gmail.com And follow us on ... ⁠⁠⁠⁠⁠⁠@Tell The Damn Story⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠ www.TellTheDamnStory.com www.Facebook.com/Tell The Damn Story⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Youtube.com/ Tell The Damn Story⁠⁠⁠⁠⁠⁠⁠⁠ If you're enjoying these episodes, please take a moment to help wet our whistle by clicking on the link to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Me A Coffee⁠⁠⁠⁠!⁠⁠⁠⁠

Continuing with Jim Henson Month on In Search of the Crystal Skull, Arun and Patricia look back on the 1982 fantasy film The Dark Crystal. 1000 years ago, everything was peaceful and prosperous, but then a crystal known as The Dark Crystal was cracked and a shard was missing making its guardians divided into two creatures: the Mystics and the Sketsis. The Sketsis rule the world leaving the world in disarray while living in luxury while The Mystics are awaiting a prophecy to being fulfilled. A young Gelflin named Jen is told that he is destined to find the shard of The Dark Crystal and put it together to restore the world to its former glory. When the film premiered in theaters, it made $41 million dollars out of a $25 million dollar budget with mixed reviews by critics calling it a watered down fantasy story with bland characters, a dark undertone that was out of place from Jim Henson's Muppets, and a lack of charm, whimsy, and fun. However, the critics were impressed with the puppetry and background set pieces. It currently has a 78% rating on Rotten Tomatoes. Nowadays, it has gained a cult following and in recent years, comic books, novels, a visual history book by pop culture author Caseen Gaines, a video game, and a prequel series on Netflix helped The Dark Crystal reach a new audience. What did Arun and Patricia think of the film? Listen and find out. --- Support this podcast: https://podcasters.spotify.com/pod/show/old-school-lane/support

Chef Deuki Hong and journalist Matt Rodbard discuss their new cookbook, “KOREAWORLD,” and their upcoming celebratory dinner at Chai Pani on June 25th. Plus, we listen back to Lois's 2021 conversation with author and cultural historian Caseen Gaines about the 1921 history-making musical, “Shuffle Along.” Gaine's book is “Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way.”See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, K and Warren watch and discuss Shuffle Along - a Black musical classic from 1921 by Eubie Blake, Noble Sissle, Flournoy Miller (whose name K can't pronounce), and Aubrey Lyles. K discovers their new favorite author, Caseen Gaines, we discuss the double standards in what is considered a "classic", and Warren discovers that love uh ... finds a way. Promo: One Mic Black History Help out local theatres and check out BeAnArtsHero, Arts Leaders of Color Emergency Fund, The Actor's Fund, and the Artist's Relief Tree to find out how you can help local theatres! Buy some merch at our TeePublic!  Join the Podcast Nexus (formerly Cast Junkie discord) and help support indie podcasts at https://discord.gg/ajPg3JSg6e. Follow us on Twitter, Instagram, Tumblr, Bluesky, and Facebadger @ToneDeafMusical for some dank theatre memes, check out the patreon at https://www.patreon.com/tonedeafmusical and visit our website, tonedeafmusical.com

On this week's episode, Brandon and Justin are joined by author Caseen Gaines to discuss his latest book, "When Broadway was Black" and the insane 80's film "Howard the Duck"!  Get tickets to Brandon's upcoming stand-up comedy show on Friday, September 1st here!    MP Links: - patreon.com/mediumpopcorn   - youtube.com/@MediumPopcornPodcast   - https://www.teepublic.com/stores/medium-popcorn   Guest: Caseen Gaines Hosts: Brandon Collins Justin Brown Medium Popcorn Podcast   "Medium Popcorn" is a production of Casa de Collins LLC.    Special thanks as always to our producer Lluvia Gilliam. 

Amber and Rax chat about another 90s classic, Rugrats! This weird looking show about babies getting into shenanigans was the first cartoon with truly multigenerational appeal. It first aired in 1991 and we're here to say, it still slaps. Shoutout to listener Rachel Feingersh for the topic suggestion!   Sources: The Oral History Of ‘Nicktoons', Part III: Exploring The Multigenerational Appeal Of ‘Rugrats' (Caseen Gaines and Mathew Klickstein, Decider, 2016) Talk About a Baby Boom (Paul Brownfield, LA Times, 1998) When Grownups Let Children Have a Say (Laurie Midflin, NYT, 1997) ‘Rugrats' Creative Force (Rugrats Writers, LA Times, 1996) You Dumb Babies! (Mimi Swartz, The New Yorker, 1998)

The DJ Bob Show pays tribute to the late Paul Reubens with guest Caseen Gaines, author of Inside Pee-wee's Playhouse: The Untold, Unauthorized, and Unpredictable Story of a Pop Phenomenon. They discuss Reubens' life and career, from his early days as a performer to his rise to fame with Pee-wee's Playhouse and his legacy within pop culture. DJ Bob and Caseen also share their personal memories of Pee-wee and Paul Reubens.

Shuffle Along was the Hamilton of its era, this author claims back this iconic show's place in Musical Theatre history.

Shuffle Along was the Hamilton of its era, this author claims back this iconic show's place in Musical Theatre history.

When Caseen Gaines sat in a darkened theater to watch the final performance of Shuffle Along, he had no idea that experience would lead to a book. But as soon as he heard “I'm Just Wild About Harry,” he knew he'd be doing research to figure out why he knew the song, but not the show. When Broadway was Black: The Triumphant Story of the All-Black Musical that Changed the World is the exploration of the importance of Shuffle Along and how a show so popular it changed the traffic patterns in New York could be excised from America's social and cultural memory. Caseen joins Julie to talk about the show's lasting impact, the person who surprised and delighted him most in his research, and his love of fan culture. He designs his dream dinner party, and Julie confirms that the guests' imaginary attendance is mandatory. Hosted on Acast. See acast.com/privacy for more information.

The Excelsior Journeys Podcast is proud to be part of the Once Upon a Podcast Network.On this week's episode of Excelsior Journeys, host & producer George Sirois sits down with author & pop culture historian Caseen Gaines. Fresh from his acclaimed behind-the-scenes book #ETTheExtraTerrestrial: The Ultimate Visual History (which allowed him access to #DrewBarrymore, #StevenSpielberg, #JohnWilliams, and many more), Caseen has recently launched his book When Broadway Was Black, about the first successful all-black musical in Broadway history, Shuffle Along. He's here to talk about both of these books, as well as some of his other behind-the-scenes books for #PeeWeesPlayhouse, the #BacktotheFuture trilogy, and #TheDarkCrystal.Want to get a copy of one of Caseen's books? Click HERE.Want to be an in-demand podcast guest? Join the Endless Stages Challenge and you'll become one in less than 100 days. I'm so proud to be an affiliate for this challenge, and I invite you - creatives from all walks of life - to click on this link HERE.Click HERE to learn more about the challenge, and click HERE for more information about Endless Stages.To show your support for Excelsior Journeys, An Evening with Ivonna Cadaver, and From Duck Till Dark: Outside the Marvel Studios, please click on www.hesgotit.com/podcasts to subscribe, rate & review, and access the Buy Me a Coffee link.

This week on Black and Published, Nikesha speaks with Caseen Gaines, author of When Broadway Was Black: The Triumphant Story of the All-Black Musical that Changed the World. Caseen Gaines is an author, director, educator, and pop culture historian. He is the author of We Don't Need Roads: The Making of the Back to the Future Trilogy, A Christmas Story: Behind the Scenes of a Holiday Classic and Inside Pee-wee's Playhouse, which earned Caseen a 2012 Independent Publisher Book Award. In our conversation we discuss how Caseen landed his first book deal by cold pitching presses, the value of collective memory and how it increases the incentive to erase Black history, and why no matter how many books you publish, you're never just "good" as a working writer.Support the showFollow the Show: IG: @blkandpublished Twitter: @BLKandPublished Follow Me:IG: @nikesha_elise Twitter: @Nikesha_Elise Get My Books

We've decided to do the unthinkable - willingly watch the worst films ever made (allegedly). The hit list includes Howard the Duck, Mommie Dearest and, of course, The Room, along with our own submission, the apex of Roger Moore's career, North Sea Hijack, in an attempt to figure out what it takes to achieve cult bad status. Films referenced:Howard the Duck (1986) dir. by William HuyckMommie Dearest (1981) dir. by Frank PerryThe Room (2003) dir. by Tommy WiseauNorth Sea Hijack (1980) dir. by Andrew V. McLaglenSources and resources:A Howard the Duck explainer by Alex Abad-Santos for VoxLea Thompson on Howard the Duck by Ryan Parker for The Hollywood ReporterHoward the Duck: An Oral History by Caseen Gaines for thedecider.comHow George Lucas' Howard the Duck movie made The Matrix possible by K. Thor JensenMommie Dearest at 40: the derided camp classic that deserves a closer look by Guy Lodge for The GuardianHow ‘Mommie Dearest' when from Oscar bait to cult classic by Luna Guthrie for collider.comThe Room: how the worst movie ever became a Hollywood legend as bizarre as its creator by Aja RomanoLisa exits ‘The Room' by EJ Dickson for theawl.comTommy Wiseau breaks down a scene from The Disaster ArtistBTS from The Room-----------If you love what we do, please like, subscribe and leave a review!Produced and edited by Lily AustinMusic and sound by James BrailsfordLogo design by Abby-Jo SheldonFollow usEmail us

Welcome to the mega-celebration that is episode 251 of Tell The Damn Story, featuring Caseen Gaines! That's right, Alex and Chris get to speak with pop culture author Caseen Gaines about his new paperback, "When Broadway Was Black," and about presenting, marketing, and choosing a title. Learn how designing a cover became a committee affair, and how getting out in public, connecting with an audience, and making the sale, can be a deeply personal challenge that many of you must overcome. It's all that and so much more. So, don't miss the triumphant return of our "founder," kind of, if you listen to certain people, Caseen Gaines! Have questions or comments for us? Post them in the comments section below or ...  Write: TTDSOnAir@gmail.com  And follow us on ... @Tell The Damn Story www.Facebook.com/Tell The Damn Story  #WritingSkills #writingsofig #writingtools #writingcenter #writingcorner #writingpractice #writingsforever  #writingthefuture #writinghacks #writingWednesday #caseengaines #writingblog #writingclass  #authors #novelists #eddienewell #Imagecomics #whenbroadwaywasblack

How do a Jeffrey Scott Parsons, Caseen Gaines, and Audra McDonald all make it to adulthood without knowing SHUFFLE ALONG? This isn't the beginning of a comedic bit by Miller & Lyles; it's the beginning of a wonderful conversation about a game changing musical too few people know about. Author of the new book "When Broadway Was Black" Caseen Gaines joins us this week on a trip back to 1921 and a musical theatre landscape rich in history and, possibly, modern cultural prophecies. This episode is guaranteed to build new bridges between our musical theatre past and future. Order Caseen's book "When Broadway Was Black" at whenbroadwaywasblack.com and follow him on Instagram, Twitter, and TikTok (where he's killing it!) Don't forget to follow us on Instagram, Twitter, and TikTok. If you want to be awesome, subscribe to PATREON! for only $1 a month and don't forget about our TeePublic Store, the profits of which go to Broadway Cares/Equity Fights AIDS. Most of all, thank you for being part of the wonderful podcasting community! Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a special Encore edition of Broadway Nation.  In the fall of 2021, I devoted two episodes to the remarkable book Footnotes by Caseen Gaines which was published to commemorate the 100th Anniversary of the landmark musical Shuffle Along. Now that book has just been rereleased in paperback and retitled, When Broadway Was Black — The Triumphant Story of The All Black Musical That Changed The World. So, this seemed like the perfect time to rerelease those episodes, and just like Cassen has done with his book, to include some new and updated content. First you will hear a segment of a discussion I had just last week with Caseen about this rerelease of his book, and then the first half of our original conversation.  I'll be releasing part two with even more new content as a bonus episode this coming Sunday.   Become A PATRON of Broadway Nation! If you are a fan ofBroadway Nation, I invite you to become a PATRON! For a just $7.00 a month you can receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, author and journalist Caseen Gaines discusses Eubie Blake, Noble Sissle, Flournoy Miller, and Aubrey Lyles's 1921 musical Shuffle Along, looking not just at the musical itself but how musicals can get lost to history. We also talk about the song "Skid Row (Downtown)" from the Little Shop of Horrors. Gaines's book When Broadway Was Black comes out February 7, 2023. Learn more and purchase the book. You can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow on Instagram at @ScenetoSong, on Twitter at @SceneSong, and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” And be sure to sign up for the new monthly e-newsletter at scenetosong.substack.com. Contribute to the new Patreon. The theme music is by Julia Meinwald. Music played in this episode: "I'm Just Wild About Harry" from Shuffle Along "Love Will Find a Way" from Shuffle Along "Election Day" from Shuffle Along "Skid Row (Downtown)" from the Little Shop of Horrors

We're back! Fresh from Summer hiatus, AW and Spencer are joined by rising pop-culture literary star, Caseen Gaines to discuss his upcoming book, 'When Broadway Was Black: The triumphant story of how an all-Black Broadway cast and crew changed musical theatre—and the world—forever- which dives into today's chosen musical, 'Shuffle Along' - plus, we juxtapose this classic, ground-breaking musical, with the equally classic, ground-breaking album, 'Body Count' by Body Count! Plus we discuss book tour sleeping tips, pop-culture faves, Ghostbusters, Childhood memories, and much, much more! www.twitter.com/caseengaines -- www.caseengaines.com -- Grab a copy of 'When Broadway Was Black' on Amazon: https://www.amazon.com/When-Broadway-Was-Black-Heartbreaks/dp/1728259398 www.thetonastontales.com/listen -- www.patreon.com/bloomingtheatricals - www.twitter.com/thrashntreasure linktr.ee/thrashntreasure ****************************************************************************************************** Help support Thrash 'n Treasure and keep us on-air, PLUS go on a fantastical adventure at the same time! Grab your copy of The Tonaston Tales by AW, and use the code TNT20 when you check out for 20% off eBooks and Paperbacks! https://www.thetonastontales.com/bookstore - TNT20 ******************************************************************************************************

On this episode, hear Phil's interviews that were recorded from The Great Con-Junction. Guests include James Reedie, Jaime Prater and Toby Froud, J.M. Lee, Cory Godbey, Erin Rado, Jack Caesar, Alice Dinnean, Eliane Torralba, Caseen Gaines, Kristin Dalleske and Victor Yerrid. More coverage to come from The Great Con-Junction in the future. Stay tuned for our interview with Zay next week. Contact Email – www.facebook.com/darkcrystalpodcast Twitter – www.twitter.com/darkcrystalpod Instagram – www.instagram.com/darkcrystalpodcast

L'objet Pop de Nicolas Herman : Le panneau Hollywood. Les 40 ans de la sortie de "E.T., l'extra-terrestre" de Steven Spielberg. Le film est sorti en France le 1er décembre 1982. À cette occasion, Huginn & Muninn publie « E.T. L'Extra-terrestre, l'Histoire illustrée du film culte » de Caseen Gaines. On en parle avec Dick Tomasovic, chargé de cours en histoire et esthétique du cinéma et des arts du spectacle à l'ULg. Une soucoupe volante atterrit en pleine nuit près de Los Angeles. Quelques extraterrestres, envoyés sur Terre en mission d'exploration botanique, sortent de l'engin, mais un des leurs s'aventure au-delà de la clairière où se trouve la navette. Celui-ci se dirige alors vers la ville. C'est sa première découverte de la civilisation humaine. Bientôt traquée par des militaires et abandonnée par les siens, cette petite créature apeurée se nommant E.T. se réfugie dans une résidence de banlieue. Elliot, un garçon de dix ans, le découvre et lui construit un abri dans son armoire. Rapprochés par un échange télépathique, les deux êtres ne tardent pas à devenir amis. Aidé par sa soeur Gertie et son frère aîné Michael, Elliot va alors tenter de garder la présence d'E.T. secrète. "Machins Machines" d'Hélène Maquet : « Caps Lock : comment le capitalisme s'est emparé du design graphique ».

Les 40 ans de la sortie de "E.T., l'extra-terrestre" de Steven Spielberg. Le film est sorti en France le 1er décembre 1982. À cette occasion, Huginn et Muninn publie « E.T. L'Extra-terrestre, l'Histoire illustrée du film culte » de Caseen Gaines. On en parle avec Dick Tomasovic, chargé de cours en histoire et esthétique du cinéma et des arts du spectacle à l'ULg. Une soucoupe volante atterrit en pleine nuit près de Los Angeles. Quelques extraterrestres, envoyés sur Terre en mission d'exploration botanique, sortent de l'engin, mais un des leurs s'aventure au-delà de la clairière où se trouve la navette. Celui-ci se dirige alors vers la ville. C'est sa première découverte de la civilisation humaine. Bientôt traquée par des militaires et abandonnée par les siens, cette petite créature apeurée se nommant E.T. se réfugie dans une résidence de banlieue. Elliot, un garçon de dix ans, le découvre et lui construit un abri dans son armoire. Rapprochés par un échange télépathique, les deux êtres ne tardent pas à devenir amis. Aidé par sa soeur Gertie et son frère aîné Michael, Elliot va alors tenter de garder la présence d'E.T. secrète.

L'objet Pop de Nicolas Herman : Le panneau Hollywood. Les 40 ans de la sortie de "E.T., l'extra-terrestre" de Steven Spielberg. Le film est sorti en France le 1er décembre 1982. À cette occasion, Huginn et Muninn publie « E.T. L'Extra-terrestre, l'Histoire illustrée du film culte » de Caseen Gaines. On en parle avec Dick Tomasovic, chargé de cours en histoire et esthétique du cinéma et des arts du spectacle à l'ULg. Une soucoupe volante atterrit en pleine nuit près de Los Angeles. Quelques extraterrestres, envoyés sur Terre en mission d'exploration botanique, sortent de l'engin, mais un des leurs s'aventure au-delà de la clairière où se trouve la navette. Celui-ci se dirige alors vers la ville. C'est sa première découverte de la civilisation humaine. Bientôt traquée par des militaires et abandonnée par les siens, cette petite créature apeurée se nommant E.T. se réfugie dans une résidence de banlieue. Elliot, un garçon de dix ans, le découvre et lui construit un abri dans son armoire. Rapprochés par un échange télépathique, les deux êtres ne tardent pas à devenir amis. Aidé par sa soeur Gertie et son frère aîné Michael, Elliot va alors tenter de garder la présence d'E.T. secrète. "Machins Machines" d'Hélène Maquet : « Caps Lock : comment le capitalisme s'est emparé du design graphique ».

Author and journalist Caseen Gaines has written for Rolling Stone, Vanity Fair, and NY Mag. He holds an MA from Rutgers Uni in American Studies, focusing on racial representations in popular culture. Celebrating the 40th anniversary of Steven Spielberg's classic. Foreword by Drew Barrymore! Intro by Kathleen Kennedy! ​Featuring exclusive interviews with key members of the creative team and filled with rare and never-before-seen imagery from the Amblin Entertainment archives. The definitive tribute to a movie masterpiece. Learn more about your ad choices. Visit megaphone.fm/adchoices

Friend of the pod Caseen Gaines returns to the pod to dive into part 2 of the final scene of Disney's 1985 film, “Return to Oz”! Tara, EmKay and Caseen try to catch all the character cameos in the final scene, reflect on the absence of Glinda in the film, debate the powers of the ruby slippers and more!*Recording Note: This episode was recorded August 28th, 2022.Show Notes:Down the YBP Etsy ShopPatreon - DTYBPCaseen GainesInstagram: @downtheyellowbrickpod#DownTheYBPTara: @taratagticklesEmKay: @emshray

Friend of the pod Caseen Gaines returns to the pod to dive into part 1 of the final scene of Disney's 1985 film, “Return to Oz”! Tara, EmKay and Caseen share their thoughts on the  message of the film, the meaning of goodbyes, debate whether the film is truly a sequel, celebrate "Return to Oz" author Joan D. Vinge, and shout out actors Justin Case, Deep Roy and John Alexander.Stay tuned for Part 2 dropping Wednesday!*Recording Note: This episode was recorded August 28th, 2022.Show Notes:Down the YBP Etsy ShopPatreon - DTYBPCaseen GainesWhy Return to Oz is the Most Faithful Wizard of Oz Adaptation"Return to Oz" by Joan D. VingeAnnie OrphansInstagram: @downtheyellowbrickpod#DownTheYBPTara: @taratagticklesEmKay: @emshray

July 3rd, 1985 - a day that a little time travel movie produced by Steven Spielberg and directed by Robert Zemeckis called Back to the Future was released to the public. This podcast will dive into the world of BTTF, and discuss the movies, characters, and behind-the-scenes details on one of the greatest trilogies of all time. So buckle in, make sure your flux capacitor is fluxing, and enjoy the 88 mile per hour adventure of the Back to the Future trilogy. Laker Jim's Fletchcast is your Ultimate source for everything Fletch: the books, the movies, & the latest news about our favorite journalistic reporter, Irwin M. Fletcher. Caseen Gaines is an author, director, educator, and popular culture historian. ​ His work has received praise from media outlets around the world including The New York Times, Wall Street Journal, NPR, The Hollywood Reporter, and Esquire. Order the "Back from the Future" paperback with expanded material! Amazon- https://bit.ly/BackFromTheFutureBook Bookshop- https://bit.ly/BackFromTheFuturebook Barnes and Noble- https://bit.ly/BackFromtheFutureBook Mango- https://bit.ly/BackfromTheFutureBook Chapters indigo- https://bit.ly/BackFromThefutureBook Buy the BACK FROM THE FUTURE Book. ORDER: BOND, James Bond now! CLICK HERE. Back to the Future: The Podcast is produced and presented by Brad Gilmore, and is not affiliated with the Back to the Future franchise. This show is meant for entertainment and documentary purposes only, and does not intend to infringe on any copyrights of Universal Pictures, Back to the Future, or any of its characters, clips or music. Brad Gilmore expresses views and statements which represent that of the hosts and the guests of the program alone. The statements made on this program are in no way intended to represent views of any other organization affiliated with the hosts or guests and in no way represent the views of the sponsors. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Cineversary podcast episode #48, host Erik Martin revisits suburbia circa 1982 through the lens of Steven Spielberg and arguably his best film, E.T. The Extra-Terrestrial, which marks a 40th birthday this month. Joining Erik for this installment is James Kendrick, a film professor at Baylor University who teaches courses on Spielberg and serves as the QNetwork.com movie critic; and Caseen Gaines, a director, educator, pop culture historian, and author of several books including the forthcoming E.T. The Extra Terrestrial: The Ultimate Visual History. Erik and his guests will examine how E.T. set a new template for sci-fi adventure films, why and how it has stood the test of time, reasons it's worth celebrating four decades later, its cultural impact and legacy, and more. Learn more about the Cineversary podcast at anchor.fm/cineversary and email show comments or suggestions to cineversegroup@gmail.com. --- Support this podcast: https://anchor.fm/cineversary/support

Young writers Caseen Gaines and Omar Holman are back!!! Once again Chris and Alex are following these talented young authors on their writing and publishing journey. Caseen talks about the making, publishing and promoting of his new book FOOTNOTES. And Omar shares his same experiences with, BLACK NERD PROBLEMS, co-written by him and Williams Evans. Both books have received good reviews and recognition. But writing about black representation in media, as well as being released during a pandemic, came with numerous challenges, too. So tune in and find out what, where, why and how they dealt with all of that, plus what lies ahead. Have questions or comments for us? Post in the comments section or ... Write: TTDSOnAir@gmail.com And follow us on ... @Tell The Damn Story www.Facebook.com/Tell The Damn Story Youtube.com/ Tell The Damn Story

"Shuffle Along" was the soundtrack that launched the Harlem Renaissance. Days after its debut, a group of armed white men terrorized Tulsa, Oklahoma. So why do so many of us know about Tulsa, but most of us have never heard of this musical? The answer is a little counterintuitive. Host Dexter Thomas speaks to author Caseen Gaines, actor Amber Iman, and scholar Dr Catherine M. Young about why the first successful all-black musical keeps getting buried (but still influences us, 100 years later).

Author Caseen Gaines joins Tara and EmKay for part two of Evillene's Sweatshop! The trio unpacks Mabel King's life on and off the stage, discusses the problematic portrayal of the flying monkeys, reveals the current reality of sweatshops and poor working conditions in America and shares some behind the scenes details of shooting at Shea Stadium.Show Notes:Caseen GainesBell, Book and Camera: A Critical History of Witches in American Film and Television by Heather GreeneApple 'failing to protect Chinese factory workers'Avoiding Fast Fashion: How to Get a More Sustainable WardrobeAmazon Workers Detail Disturbing Work Conditions in Complaint Filed to the National Labor Relations BoardInstagram: @downtheyellowbrickpod#DownTheYBPTara: @taratagticklesEmKay: @emshrayOriginal music by Shane ChapmanEdited by Emily Kay Shrader

Author Caseen Gaines joins Tara and EmKay as a special guest co-host to celebrate all things villainous in Evillene's Sweatshop of 1978's "The Wiz"! The trio discusses the impact of conventional beauty in determining good vs. evil, describes the longer segment of this scene in the original Broadway production and the incredible detail of Evillene's costume. Part 2 dropping Wednesday!Show Notes:Caseen GainesMake Film History More Inclusive. That's Jacqueline Stewart's Mandate at Academy MuseumInstagram: @downtheyellowbrickpod#DownTheYBPTara: @taratagticklesEmKay: @emshrayOriginal music by Shane ChapmanEdited by Emily Kay Shrader

This week, Aseelah Shareef of Cleveland's Karamu House Theater interviews author Caseen Gaines (@caseengaines) on his new book Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way. They discuss the story and legacy of the groundbreaking 1921 musical Shuffle Along, the first African-American Broadway hit, and exactly how the creators behind it became forgotten in the mainstream pop-consciousness. Purchase Footnotes from Loganberry online at: https://store.loganberrybooks.com/footnotes Loganberry elsewhere: Website: loganberrybooks.com Online store: store.loganberrybooks.com Bookshop.org affiliate page: bookshop.org/shop/loganberrybooks Hummingbird Digital Media affiliate page for eBooks: loganberry.papertrell.com Libro.fm audiobooks: Libro.fm Facebook: @loganberrybooks Twitter: @loganberrybooks; Instagram: @loganberrybooks Theme music attribution: Ambient Corporate by WinnieTheMoog Link: https://filmmusic.io/song/6188-ambient-corporate License: http://creativecommons.org/licenses/by/4.0/ --- Support this podcast: https://anchor.fm/loganberrybooks/support

This year marks the 100th Anniversary of Shuffle Along! The groundbreaking musical that kicked off a decade of vibrant black musical theatre on Broadway which included more than a dozen shows created by black songwriters, black bookwriters, black producers, black directors and choreographers -- and these shows brought hundreds of black actors, singers, dancers, and musicians to Broadway. This landmark event is being celebrated with the release of two wonderful new books – including the first full biography of Shuffle Along's composer titled -- Eubie Blake: Rags, Rhythm and Race by Richard Carlin & Ken Bloom And Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way by Caseen Gaines. I have had the great pleasure of interviewing the authors of both of these books and you have the opportunity to meet all three of them in a series of upcoming episodes.  This week it is my honor to introduce you to Caseen Gaines whose extraordinary book, Footnotes, tells the story of how four young black artists -- Noble Sissle, Eubie Blake, Flournoy Miller and Aubrey Lyles overcame poverty, racism, violence and the legacy of slavery to produce a runaway Broadway hit that ushered in both the Harlem Renascence and the “Jazz Age” on Broadway. If you pay close attention to Broadway, as I know many of my listeners do, you will remember the that in 2016, writer and director George C. Wolfe created a star-studded Broadway musical which he tittled “Shuffle Along, or, the Making of the Musical Sensation of 1921 and All That Followed”. As that title suggests, this was not a revival or revisal of the of the original show but instead it attempted to tell the behind-the-scenes story of the making of Shuffle Along. You will also remember that it closed rather abrubtly and unexpectedly less than 3 months after it opened. There was, however, at least one positive outcome from the early demise of that show -- and that's where my conversation with Caseen begins.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Caseen Gaines' Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way (Sourcebooks, 2021) is a rollicking, entertaining, and fascinating cultural history of the 1921 Broadway musical Shuffle Along. Created by Black writers and composers and performed by an all-Black cast, Shuffle Along was one of the early cultural milestones of the Harlem Renaissance, not least because it launched the career of Josephine Baker. While it was beloved in its time, the humor of Shuffle Along came to be seen as offensive in subsequent decades, and it has not been staged in its original form since it closed almost 100 years ago. Gaines makes a compelling case for Shuffle Along's place in the American musical theatre canon as a flawed but inspired work of Black creativity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Caseen Gaines' Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way (Sourcebooks, 2021) is a rollicking, entertaining, and fascinating cultural history of the 1921 Broadway musical Shuffle Along. Created by Black writers and composers and performed by an all-Black cast, Shuffle Along was one of the early cultural milestones of the Harlem Renaissance, not least because it launched the career of Josephine Baker. While it was beloved in its time, the humor of Shuffle Along came to be seen as offensive in subsequent decades, and it has not been staged in its original form since it closed almost 100 years ago. Gaines makes a compelling case for Shuffle Along's place in the American musical theatre canon as a flawed but inspired work of Black creativity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Caseen Gaines' Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way (Sourcebooks, 2021) is a rollicking, entertaining, and fascinating cultural history of the 1921 Broadway musical Shuffle Along. Created by Black writers and composers and performed by an all-Black cast, Shuffle Along was one of the early cultural milestones of the Harlem Renaissance, not least because it launched the career of Josephine Baker. While it was beloved in its time, the humor of Shuffle Along came to be seen as offensive in subsequent decades, and it has not been staged in its original form since it closed almost 100 years ago. Gaines makes a compelling case for Shuffle Along's place in the American musical theatre canon as a flawed but inspired work of Black creativity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Caseen Gaines' Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way (Sourcebooks, 2021) is a rollicking, entertaining, and fascinating cultural history of the 1921 Broadway musical Shuffle Along. Created by Black writers and composers and performed by an all-Black cast, Shuffle Along was one of the early cultural milestones of the Harlem Renaissance, not least because it launched the career of Josephine Baker. While it was beloved in its time, the humor of Shuffle Along came to be seen as offensive in subsequent decades, and it has not been staged in its original form since it closed almost 100 years ago. Gaines makes a compelling case for Shuffle Along's place in the American musical theatre canon as a flawed but inspired work of Black creativity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Caseen Gaines' Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way (Sourcebooks, 2021) is a rollicking, entertaining, and fascinating cultural history of the 1921 Broadway musical Shuffle Along. Created by Black writers and composers and performed by an all-Black cast, Shuffle Along was one of the early cultural milestones of the Harlem Renaissance, not least because it launched the career of Josephine Baker. While it was beloved in its time, the humor of Shuffle Along came to be seen as offensive in subsequent decades, and it has not been staged in its original form since it closed almost 100 years ago. Gaines makes a compelling case for Shuffle Along's place in the American musical theatre canon as a flawed but inspired work of Black creativity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Caseen Gaines' Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way (Sourcebooks, 2021) is a rollicking, entertaining, and fascinating cultural history of the 1921 Broadway musical Shuffle Along. Created by Black writers and composers and performed by an all-Black cast, Shuffle Along was one of the early cultural milestones of the Harlem Renaissance, not least because it launched the career of Josephine Baker. While it was beloved in its time, the humor of Shuffle Along came to be seen as offensive in subsequent decades, and it has not been staged in its original form since it closed almost 100 years ago. Gaines makes a compelling case for Shuffle Along's place in the American musical theatre canon as a flawed but inspired work of Black creativity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

One hundred years ago, the first all-Black musical, SHUFFLE ALONG, helped change the face of Broadway. Host Jo Reed and AudioFile's Sandi Henschel discuss author and narrator Caseen Gaines's fascinating and well-researched history of the struggles of Black actors. Noble Sissle, Eubie Blake, Flournoy Miller, and Aubrey Lyels combined their talents to write SHUFFLE ALONG, a political satire that challenged the racist norms and had Black actors portraying non-stereotypical characters. Gaines's narration brings both the period and the people to life. Read the full review of the audiobook on AudioFile's website. Published by Blackstone Audio. Find more audiobook recommendations at audiofilemagazine.com Support for AudioFile's Behind the Mic comes from PENGUIN RANDOM HOUSE AUDIO, dedicated to producing top-quality fiction and nonfiction audiobooks written and read by the best in the business. Visit penguinrandomhouseaudio.com/audiofile now to start listening. Learn more about your ad choices. Visit megaphone.fm/adchoices

Twilight, Robert Downey Jr., eight-hour lines. Time to ask the $64,000 question: Has Comic-Con become something completely different?! Why not ask those who made it all happen during the formative years of the Con? Luckily, that's exactly what we did, and their answer may surprise you.Narrated by Brinke StevensCreated and Directed by Mathew KlicksteinExecutive Produced by Rob SchulteWritten and Produced by Mathew Klickstein, Rob Schulte, and Christopher TylerEdited by Rob Shulte, and Christopher TylerMixed by James Bilodeau Original Music Composed by Max DeVincenzo and Produced by Fox Tracks MusicWith help from Brannan Goetschius and Michael FischeAll interviews (unless otherwise noted) conducted by Mathew Klickstein.Principal interviewees/contributors (in alphabetical order):Al Jean, Anthony Russo, Barry Alfonso, Barry Short, Bill Lund, Bill Mumy (provided by contributor), Bill Schanes, Bjo Trimble, Bob Arendt, Brinke Stevens, Bruce Campbell, Caseen Gaines, Chuck Graham (provided by SDSU), Clayton Moore, Dave Clark, Dave Scroggy, Erin Hanna, Gene Henderson, Greg Bear, Gregory Benford, Gus Krueger, Felicia Day, Frank Miller, Ho Che Anderson, Igor Goldkind (provided by SDSU), Jackie Estrada, Jeanne Graham (provided by SDSU), Jim Cornelius, Jim Means, Jim Valentino, Joe Russo, John Pound, John Trimble, Kevin Eastman, Linda Yeh, Lloyd Kaufman, Kevin Smith (provided by contributor), Len Wein (provided by M. Klickstein archive), Maggie Thompson, Mark Evanier, Mike Towry, Mo Alzmann, Neil Gaiman (provided by contributor), Paul M. Sammon, Phil Yeh, Richard Alf (provided by KPBS), Richard Butner, Rick Geary, Roger Freedman, Scott Aukerman, Scott Shaw!, Sergio Aragonés (provided by contributor), Stan Sakai, Tim Seeley, Trina Robbins, Wendy All.We are grateful to the family of Mary and Gene Henderson (who, sadly, passed away during the final stages of Comic-Con Begins' post-production). This production is dedicated in part to their memory, as well as the memory of the many Con contributors no longer with us but whose legacy will continue to live on for time immemorial.Archival material and additional research provided by: Mike Towry and his “Comic-Convention Memories” website.Alan Light's 1975 Comic-Con recordings Jackie Estrada and Comic-Con's 40th Anniversary Souvenir BookPamela Jackson and San Diego State University's Comic-ConKids project Maureen Cavanaugh at San Diego's KPBSMark EvanierScott Shaw!Barry AlfonsoErin Hanna and her book Only at Comic ConBjo Trimble and “The Star Trek Concordance”The works of Bill SchellyWendy AllFantagraphics' “We Told You So: Comics As Art”

Navigating throughout the ever-expanding pop culture constellation of the turbulent 1980s, we seek out intelligent new life in the final frontier: the Hollywood blockbuster machine. Meanwhile, comics go uptown, with Pulitzer Prize winners, the birth of graphic novels, and four guys named Neil, Alan, Frank, and Art.Narrated by Brinke StevensCreated and Directed by Mathew KlicksteinExecutive Produced by Rob SchulteWritten and Produced by Mathew Klickstein, Rob Schulte, and Christopher TylerEdited by Rob Shulte, and Christopher TylerMixed by James Bilodeau Original Music Composed by Max DeVincenzo and Produced by Fox Tracks MusicWith help from Brannan Goetschius and Michael FischeAll interviews (unless otherwise noted) conducted by Mathew Klickstein.Principal interviewees/contributors (in alphabetical order):Al Jean, Anthony Russo, Barry Alfonso, Barry Short, Bill Lund, Bill Mumy (provided by contributor), Bill Schanes, Bjo Trimble, Bob Arendt, Brinke Stevens, Bruce Campbell, Caseen Gaines, Chuck Graham (provided by SDSU), Clayton Moore, Dave Clark, Dave Scroggy, Erin Hanna, Gene Henderson, Greg Bear, Gregory Benford, Gus Krueger, Felicia Day, Frank Miller, Ho Che Anderson, Igor Goldkind (provided by SDSU), Jackie Estrada, Jeanne Graham (provided by SDSU), Jim Cornelius, Jim Means, Jim Valentino, Joe Russo, John Pound, John Trimble, Kevin Eastman, Linda Yeh, Lloyd Kaufman, Kevin Smith (provided by contributor), Len Wein (provided by M. Klickstein archive), Maggie Thompson, Mark Evanier, Mike Towry, Mo Alzmann, Neil Gaiman (provided by contributor), Paul M. Sammon, Phil Yeh, Richard Alf (provided by KPBS), Richard Butner, Rick Geary, Roger Freedman, Scott Aukerman, Scott Shaw!, Sergio Aragonés (provided by contributor), Stan Sakai, Tim Seeley, Trina Robbins, Wendy All.We are grateful to the family of Mary and Gene Henderson (who, sadly, passed away during the final stages of Comic-Con Begins' post-production). This production is dedicated in part to their memory, as well as the memory of the many Con contributors no longer with us but whose legacy will continue to live on for time immemorial.Archival material and additional research provided by: Mike Towry and his “Comic-Convention Memories” website.Alan Light's 1975 Comic-Con recordings Jackie Estrada and Comic-Con's 40th Anniversary Souvenir BookPamela Jackson and San Diego State University's Comic-ConKids project Maureen Cavanaugh at San Diego's KPBSMark EvanierScott Shaw!Barry AlfonsoErin Hanna and her book Only at Comic ConBjo Trimble and “The Star Trek Concordance”The works of Bill SchellyWendy AllFantagraphics' “We Told You So: Comics As Art”Michael Keaton Batman David Letterman Interview June 22 1989Alan Moore on Hollywood adaptations, The Show & NorthamptonPrisoners of Gravity: Watchmen

Some would call late Comic-Con founder Shel Dorf “controversial,” others “#$%!!,” still others their “greatest inspiration and friend.” The only thing everyone can agree on is that the Comic-Con would never have happened without Shel. And now his closest Con compadres open up about the reason why. As well as thoughtful reflections of Shel's contentious departure in 1984 … right as the Con and geek culture took a giant leap forward.Narrated by Brinke StevensCreated and Directed by Mathew KlicksteinExecutive Produced by Rob SchulteWritten and Produced by Mathew Klickstein, Rob Schulte, and Christopher TylerEdited by Rob Shulte, and Christopher TylerMixed by James Bilodeau Original Music Composed by Max DeVincenzo and Produced by Fox Tracks MusicWith help from Brannan Goetschius and Michael FischeAll interviews (unless otherwise noted) conducted by Mathew Klickstein.Principal interviewees/contributors (in alphabetical order):Al Jean, Anthony Russo, Barry Alfonso, Barry Short, Bill Lund, Bill Mumy (provided by contributor), Bill Schanes, Bjo Trimble, Bob Arendt, Brinke Stevens, Bruce Campbell, Caseen Gaines, Chuck Graham (provided by SDSU), Clayton Moore, Dave Clark, Dave Scroggy, Erin Hanna, Gene Henderson, Greg Bear, Gregory Benford, Gus Krueger, Felicia Day, Frank Miller, Ho Che Anderson, Igor Goldkind (provided by SDSU), Jackie Estrada, Jeanne Graham (provided by SDSU), Jim Cornelius, Jim Means, Jim Valentino, Joe Russo, John Pound, John Trimble, Kevin Eastman, Linda Yeh, Lloyd Kaufman, Kevin Smith (provided by contributor), Len Wein (provided by M. Klickstein archive), Maggie Thompson, Mark Evanier, Mike Towry, Mo Alzmann, Neil Gaiman (provided by contributor), Paul M. Sammon, Phil Yeh, Richard Alf (provided by KPBS), Richard Butner, Rick Geary, Roger Freedman, Scott Aukerman, Scott Shaw!, Sergio Aragonés (provided by contributor), Stan Sakai, Tim Seeley, Trina Robbins, Wendy All.We are grateful to the family of Mary and Gene Henderson (who, sadly, passed away during the final stages of Comic-Con Begins' post-production). This production is dedicated in part to their memory, as well as the memory of the many Con contributors no longer with us but whose legacy will continue to live on for time immemorial.Archival material and additional research provided by: Mike Towry and his “Comic-Convention Memories” website.Alan Light's 1975 Comic-Con recordings Jackie Estrada and Comic-Con's 40th Anniversary Souvenir BookPamela Jackson and San Diego State University's Comic-ConKids project Maureen Cavanaugh at San Diego's KPBSMark EvanierScott Shaw!Barry AlfonsoErin Hanna and her book Only at Comic ConBjo Trimble and “The Star Trek Concordance”The works of Bill SchellyWendy AllFantagraphics' “We Told You So: Comics As Art”

We forge ahead at light speed into the complex scenario of how the first San Diego Comic-Con was cobbled together by our illustrious cast of kooky characters. From there, we venture onward through the mid-1970s as the Con grows exponentially in both physical size and attendance, heralding the “golden years” at a ramshackle downtown hotel that had seen better days called the El Cortez.Narrated by Brinke StevensCreated and Directed by Mathew KlicksteinExecutive Produced by Rob SchulteWritten and Produced by Mathew Klickstein, Rob Schulte, and Christopher TylerEdited by Rob Shulte, and Christopher TylerMixed by James Bilodeau Original Music Composed by Max DeVincenzo and Produced by Fox Tracks MusicWith help from Brannan Goetschius and Michael FischeAll interviews (unless otherwise noted) conducted by Mathew Klickstein.Principal interviewees/contributors (in alphabetical order):Al Jean, Anthony Russo, Barry Alfonso, Barry Short, Bill Lund, Bill Mumy (provided by contributor), Bill Schanes, Bjo Trimble, Bob Arendt, Brinke Stevens, Bruce Campbell, Caseen Gaines, Chuck Graham (provided by SDSU), Clayton Moore, Dave Clark, Dave Scroggy, Erin Hanna, Gene Henderson, Greg Bear, Gregory Benford, Gus Krueger, Felicia Day, Frank Miller, Ho Che Anderson, Igor Goldkind (provided by SDSU), Jackie Estrada, Jeanne Graham (provided by SDSU), Jim Cornelius, Jim Means, Jim Valentino, Joe Russo, John Pound, John Trimble, Kevin Eastman, Linda Yeh, Lloyd Kaufman, Kevin Smith (provided by contributor), Len Wein (provided by M. Klickstein archive), Maggie Thompson, Mark Evanier, Mike Towry, Mo Alzmann, Neil Gaiman (provided by contributor), Paul M. Sammon, Phil Yeh, Richard Alf (provided by KPBS), Richard Butner, Rick Geary, Roger Freedman, Scott Aukerman, Scott Shaw!, Sergio Aragonés (provided by contributor), Stan Sakai, Tim Seeley, Trina Robbins, Wendy All.We are grateful to the family of Mary and Gene Henderson (who, sadly, passed away during the final stages of Comic-Con Begins' post-production). This production is dedicated in part to their memory, as well as the memory of the many Con contributors no longer with us but whose legacy will continue to live on for time immemorial.Archival material and additional research provided by: Mike Towry and his “Comic-Convention Memories” website.Alan Light's 1975 Comic-Con recordings Jackie Estrada and Comic-Con's 40th Anniversary Souvenir BookPamela Jackson and San Diego State University's Comic-ConKids project Maureen Cavanaugh at San Diego's KPBSMark EvanierScott Shaw!Barry AlfonsoErin Hanna and her book Only at Comic ConBjo Trimble and “The Star Trek Concordance”The works of Bill SchellyWendy AllFantagraphics' “We Told You So: Comics As Art”

Just because they were geeks doesn't mean our intrepid Con creators were any less impacted by the “drugs, sex, and rock-and-roll” of the 1960s. We delve deep into the intimate experiences of these colorful characters of the Comic-Con and how their passion for pop culture was affected by the volatile era's seismic cultural, political, and technological shifts. Includes a special visit from Mr. “Turn on, Tune in, Drop out” himself, Dr. Timothy Leary, along with the birth of Star Trek fandom.Narrated by Brinke StevensCreated and Directed by Mathew KlicksteinExecutive Produced by Rob SchulteWritten and Produced by Mathew Klickstein, Rob Schulte, and Christopher TylerEdited by Rob Shulte, and Christopher TylerMixed by James Bilodeau Original Music Composed by Max DeVincenzo and Produced by Fox Tracks MusicWith help from Brannan Goetschius and Michael FischeAll interviews (unless otherwise noted) conducted by Mathew Klickstein.Principal interviewees/contributors (in alphabetical order):Al Jean, Anthony Russo, Barry Alfonso, Barry Short, Bill Lund, Bill Mumy (provided by contributor), Bill Schanes, Bjo Trimble, Bob Arendt, Brinke Stevens, Bruce Campbell, Caseen Gaines, Chuck Graham (provided by SDSU), Clayton Moore, Dave Clark, Dave Scroggy, Erin Hanna, Gene Henderson, Greg Bear, Gregory Benford, Gus Krueger, Felicia Day, Frank Miller, Ho Che Anderson, Igor Goldkind (provided by SDSU), Jackie Estrada, Jeanne Graham (provided by SDSU), Jim Cornelius, Jim Means, Jim Valentino, Joe Russo, John Pound, John Trimble, Kevin Eastman, Linda Yeh, Lloyd Kaufman, Kevin Smith (provided by contributor), Len Wein (provided by M. Klickstein archive), Maggie Thompson, Mark Evanier, Mike Towry, Mo Alzmann, Neil Gaiman (provided by contributor), Paul M. Sammon, Phil Yeh, Richard Alf (provided by KPBS), Richard Butner, Rick Geary, Roger Freedman, Scott Aukerman, Scott Shaw!, Sergio Aragonés (provided by contributor), Stan Sakai, Tim Seeley, Trina Robbins, Wendy All.We are grateful to the family of Mary and Gene Henderson (who, sadly, passed away during the final stages of Comic-Con Begins' post-production). This production is dedicated in part to their memory, as well as the memory of the many Con contributors no longer with us but whose legacy will continue to live on for time immemorial.Archival material and additional research provided by: Mike Towry and his “Comic-Convention Memories” website.Alan Light's 1975 Comic-Con recordings Jackie Estrada and Comic-Con's 40th Anniversary Souvenir BookPamela Jackson and San Diego State University's Comic-ConKids project Maureen Cavanaugh at San Diego's KPBSMark EvanierScott Shaw!Barry AlfonsoErin Hanna and her book Only at Comic ConBjo Trimble and “The Star Trek Concordance”The works of Bill SchellyWendy AllFantagraphics' “We Told You So: Comics As Art”The Confessions of Robert Crumb (1987)

We plunge down the time tunnel to the earliest days of fandom: back before nerds were cool, before science fiction was taken seriously, and before comic book characters ruled Hollywood. It was a time when fans could only connect through ‘zines and specialty magazines. A time when MAD Magazine and The Twilight Zone expanded the minds of youth across the nation. And a time when a small group of high school kids in San Diego met a visionary super-fan from Detroit named Shel Dorf.Narrated by Brinke StevensCreated and Directed by Mathew KlicksteinExecutive Produced by Rob SchulteWritten and Produced by Mathew Klickstein, Rob Schulte, Christopher Tyler, and James BilodeauEdited by Rob Shulte, Christopher Tyler, and James BilodeauMixed by James BilodeauOriginal Music Composed by Max DeVincenzo and Produced by Fox Tracks MusicWith help from Brannan Goetschius and Michael FischeAll interviews (unless otherwise noted) conducted by Mathew Klickstein.Principal interviewees/contributors (in alphabetical order):Al Jean, Anthony Russo, Barry Alfonso, Barry Short, Bill Lund, Bill Mumy (provided by contributor), Bill Schanes, Bjo Trimble, Bob Arendt, Brinke Stevens, Bruce Campbell, Caseen Gaines, Chuck Graham (provided by SDSU), Clayton Moore, Dave Clark, Dave Scroggy, Erin Hanna, Gene Henderson, Greg Bear, Gregory Benford, Gus Krueger, Felicia Day, Frank Miller, Ho Che Anderson, Igor Goldkind (provided by SDSU), Jackie Estrada, Jeanne Graham (provided by SDSU), Jim Cornelius, Jim Means, Jim Valentino, Joe Russo, John Pound, John Trimble, Kevin Eastman, Linda Yeh, Lloyd Kaufman, Kevin Smith (provided by contributor), Len Wein (provided by M. Klickstein archive), Maggie Thompson, Mark Evanier, Mike Towry, Mo Alzmann, Neil Gaiman (provided by contributor), Paul M. Sammon, Phil Yeh, Richard Alf (provided by KPBS), Richard Butner, Rick Geary, Roger Freedman, Scott Aukerman, Scott Shaw!, Sergio Aragonés (provided by contributor), Stan Sakai, Tim Seeley, Trina Robbins, Wendy All.We are grateful to the family of Mary and Gene Henderson (who, sadly, passed away during the final stages of Comic-Con Begins' post-production). This production is dedicated in part to their memory, as well as the memory of the many Con contributors no longer with us but whose legacy will continue to live on for time immemorial.Archival material and additional research provided by: Mike Towry and his “Comic-Convention Memories” website.Alan Light's 1975 Comic-Con recordings Jackie Estrada and Comic-Con's 40th Anniversary Souvenir BookPamela Jackson and San Diego State University's Comic-ConKids project Maureen Cavanaugh at San Diego's KPBSMark EvanierScott Shaw!Barry AlfonsoErin Hanna and her book Only at Comic ConBjo Trimble and “The Star Trek Concordance”The works of Bill SchellyWendy AllFantagraphics' “We Told You So: Comics As Art”

Caseen Gaines is an author, director, educator, and popular culture historian. His third book, We Don't Need Roads: The Making of the Back to the Future Trilogy, hits the streets Tuesday, June 23rd and was published in 2015 to coincide with the 30th anniversary of the popular film franchise through Plume (Penguin Random House). We Don't Need Roads: The Making of the Back to the Future Trilogy Try Audible and Get Two Free Audiobooks