Podcasts about Nonesuch

The Record Store Day Podcast with Paul Myers

Play Episode Listen Later Feb 10, 2025 59:01

The Sundilla Radio Hour for the week of 02/03/2025 featuring: Rhiannon Giddens “We Could Fly” Freedom Highway (2017 Nonesuch) 4:52 Heather Maloney “Exploding Star” Exploding Star (2025 Signature Sounds) 3:40 Peter Mulvey & SistaStrings “Pray for Rain” Love Is the Only Thing (2022 Peter Mulvey) 3:21 Collide “Constellation” Union Station (2024 Collidascopic) 4:29 The Twangtown Paramours “Old Friends” The Wind Will Change Again (2025 The Twangtown Paramours) 3:08 Dom Flemons “We Are Almost Down to the Shore” Traveling Wildfire (2023 Smithsonian Folkways) 3:01 Crys Matthews “The Good Stuff” Reclamation (2025 Crys Matthews) 4:11 Donal Hinely “High on the Mountain” Everything Must Go (2024 Donal Hinely) 3:41 The Rough & Tumble “Hallelujah of the Ordinary” Hymns For My Atheist Sister & Her Friends To Sing Along To (2024 Penny Jar) 3:08 Lisa Bastoni “Rabbit Hole” The Wishing Hour (2017 Lisa Bastoni) 3:43 Tre Burt “What Good” Caught It From The Rye (2020 Oh Boy) 3:23 Mallory Chipman “Old Man River” Songs to a Wild God (2024 Tunnel Mountain) 3:26 Spencer LaJoye “Reverie” Shadow Puppets (2024 Spencer LaJoye) 3:07 Claire Lynch “I Give You the Morning” Bluegrass Sings Paxton (2024 Mountain Home) 3:11

mountain home wild god nonesuch signature sounds smithsonian folkways peter mulvey lisa bastoni

100. George Crumb

ContemporÃ¡nea

Play Episode Listen Later Feb 1, 2025 12:57

Se asocia su nombre a timbres heterodoxos, a técnicas instrumentales y vocales extendidas, a formas de notación particulares y a su monumental “Black Angels”. Para él la música es “un sistema de proporciones al servicio del impulso espiritual”._____Has escuchadoBlack Angels. I. Departure (1970). Kronos Quartet. Nonesuch (1990)Madrigals. Book I (1965). Anne-Marie Mühle, mezzosoprano; Musica Varia. BIS (1985)Mecánica celeste (Makrokosmos IV). Danzas cósmicas para piano amplificado a cuatro manos. GrauSchumacher Piano Duo. Grabación sonora realizada en directo en la sala de conciertos de la Fundación Juan March, el 22 de febrero de 2020. Archivo de Conciertos de la Fundación Juan MarchVox Balaenae (Voice of the Whale). Vocalise (… For the Beginning of Time): For Electric Flute, Electric Cello and Amplified Piano (1971). Hans Peter Frehner, flauta; Ensemble für Neue Musik Zürich; Jürg Henneberger, director. hat[now]ART (2006)_____Selección bibliográficaADAMENKO, Victoria, “George Crumb's Channels of Mythification”. American Music, vol. 23, n.º 3 (2005), pp. 324-354*BASS, Richard, “Sets, Scales, and Symmetries: The Pitch-Structural Basis of George Crumb's Makrokosmos I and II”. Music Theory Spectrum, vol. 13, n.º 1 (1991), pp. 1-20*BELLMAN, Jonathan D., “Musical Voyages and Their Baggage: Orientalism in Music and Critical Musicology”. The Musical Quarterly, vol. 94, n.º 3 (2011), pp. 417-438*BRUNS, Steven M., “In stile Mahleriano: Quotation and Allusion in the Music of George Crumb”. American Music Research Center Journal, vol. 3 (1993), pp. 9-39BRUNS, Steven y Ofer Ben-Amots, George Crumb: The Alchemy of Sound. The Colorado College Music Press, 2005CARBON, John, “Astrological Symbolic Order in George Crumb's Makrokosmos”. Sonus, vol. 10 (1990), pp. 65-80CHATMAN, Stephen, “George Crumb's Madrigals Book III: a linear analysis”. In Theory Only, vol. 1 (1976-1977), pp. 55-79COHEN, David, George Crumb: A Bio-Bibliography. Greenwood Publishing Group, 2002DOBAY, Thomas R. de, “The Evolution of Harmonic Style in the Lorca Works of Crumb”. Journal of Music Theory, vol. 28, n.º 1 (1984), pp. 89-111*FRANK, Andrew, “George Crumb: Songs, Drones, and Refrains of Death”. Notes, vol. 33 (1976-1977), pp. 694-696LABUSSIÈRE, Annie, “Ancient Voices of Children”. Traducido por Carles Guinovart. Quodlibet: revista de especialización musical, n.º 12 (1998), pp. 3-36*LAJOINIE, Vincent, “Makrokosmos de George Crumb: 24 pièces en quête d'auteur”. Revue Contrechamps: Musiques nord-américaines, n.º 6 (1986), pp. 88-101: [Web]LEWIS, Robert Hall, “George Crumb. Night Music I”. Perspectives in New Music, n.° 3-2 (1964-1965), pp. 143-151*PARDO, Carmen, “Voices in Nature: Vox Balaenae by George Crumb”. International Review of the Aesthetics and Sociology of Music, vol. 54, n.º 1 (2023), pp. 147-170*REBULLIDA, Víctor, “Ancient Voices of Children” de George Crumb”. Nassarre: Revista Aragonesa de Musicología, vol. 16, n.º 1 (2000), pp. 127-168*SHUFFETT, Robert V., "Interviews with George Crumb". Composer Magazine, vol. 10-11 (1980), pp. 29-42SHUPE, Abigail, War and death in the music of George Crumb: a crisis of collective memory. Routledge, 2022 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Jeff Parker, Julian Lage

Play Episode Listen Later Jan 7, 2025 60:01

We hope you like innovative jazz-based electric guitarists, because our first episode of 2025 focuses on two of 'em. Jeff Parker is here to talk about his recent jazz album for Nonesuch, The Way Out Of Easy, credited to Jeff Parker And The ETA IVtet. Parker talks about working with his L.A. based quartet, which features bassist Anna Butterss, drummer Jay Bellerose, and saxophone player, Josh Johnson, but we also look back at his highly musical time in the windy city of Chicago, where he first made a name for himself with groups such as Tortoise. This episode gives us an excuse to reprise our interview with prodigious jazz guitarist Julian Lage discussing his RSD Exclusive release, Live In Los Angeles, that first ran as part of our RSD Black Friday 2024 coverage. The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music. Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com) Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

chicago los angeles jazz records guitar tortoise record store day josh johnson rsd jeff parker julian lage jazz guitar paul myers nonesuch jay bellerose

92. Steve Reich

ContemporÃ¡nea

Play Episode Listen Later Jan 4, 2025 19:04

Uno de los grandes pioneros del minimalismo, escucha a Bach y se forma en el jazz antes del descubrir el gamelán y la música africana. Experto en la exploración del ritmo y la métrica a través de una instrumentación mínima, se sirve de la cinta magnética para convertir el loop en recurso narrativo._____Has escuchadoDifferent Trains. 2. Europe: During the War (1988). Kronos Quartet. Elektra Nonesuch (1989)Drumming. Part I (1971). Steve Reich and Musicians. Elektra Nonesuch (1987)Four Organs (1970). Bang on a Can. Elektra Nonesuch (2000)Music for 18 Musicians (1976). Steve Reich and Musicians. Elektra Nonesuch (1978)Proverb (1995). Theatre of Voices; The Steve Reich Ensemble. Nonesuch (1996)_____Selección bibliográficaBODON-CLAIR, Jérôme, Le langage de Steve Reich. L'exemple de “Music for 18 musicians” (1976). Harmattan, 2008COHN, Richard, “Transpositional Combination of Beat-Class Sets in Steve Reich's Phase-Shifting Music”. Perspectives of New Music, vol. 30, n.º 2 (1992), pp. 146-177*CUMMING, Naomi, “The Horrors of Identification: Reich's Different Trains”. Perspectives of New Music, vol. 35, n.º 1 (1997), pp. 129-152*FOX, Christopher, “Steve Reich's Different Trains”. Tempo, n.º 172 (1990), pp. 2-8*GOPINATH, Sumanth y Pwyll ap Siôn (eds.), Rethinking Reich. Oxford University Press, 2019HARTENBERGER, Russell, Performance Practice in the Music of Steve Reich. Cambridge University Press, 2016*HOEK, D. J., Steve Reich: A Bio-Bibliography. Greenwood, 2001JOHNSON, Timothy A., “Minimalism: Aesthetic, Style, or Technique?”. The Musical Quarterly, vol. 78, n.º 4 (1994), pp. 742-773*NYMAN, Michael, “Steve Reich”. The Musical Times, vol. 112, n.º 1537 (1971), pp. 229-231*PASTRE, Guillaume, Un art de la cohérence: “Different trains”, Steve Reich. L'Harmattan, 2018POTTER, Keith, Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass. Cambridge University Press, 2002*REICH, Steve, Writings on Music 1965-2000. Editado por Paul Hillier. Oxford University Press, 2002*—, Conversations. Hanover Square Press, 2022ROEDER, John, “Beat-Class Modulation in Steve Reich's Music”. Music Theory Spectrum, vol. 25, n.º 2 (2003), pp. 275-304*SCHWARZ, David, “Listening Subjects: Semiotics, Psychoanalysis, and the Music of John Adams and Steve Reich”. Perspectives of New Music, vol. 31, n.º 2 (1993), pp. 24-56*SCHWARZ, K. Robert, “Steve Reich: Music as a Gradual Process: Part I”. Perspectives of New Music, vol. 19, n.º 1-2 (1980), pp. 373-392*—, “Steve Reich: Music as a Gradual Process Part II”. Perspectives of New Music, vol. 20, n.º 1-2 (1981), pp. 225-286* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

The Best Albums of 2024

Play Episode Listen Later Dec 6, 2024 50:49

This week, hosts Jim DeRogatis and Greg Kot share their highly-anticipated “Best Albums” of 2024. Plus, they'll also hear selections from production staff.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Redd Kross, "Candy Coloured Catastrophe," Redd Kross, In the Red, 2024The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Beyoncé, "LEVII'S JEANS," Cowboy Carter, Parkwood and Columbia, 2024Tyler, The Creator, "Take Your Mask Off (feat. Daniel Caesar & Latoiya Williams)," Chromakopia, Columbia, 2024Chelsea Wolfe, "Tunnel Lights," She Reaches Out to She Reaches Out to She, Loma Vista, 2024Shellac, "I Don't Fear Hell," To All Trains, Touch and Go, 2024Mdou Moctar, "Oh France," Funeral for Justice, Matador, 2024English Teacher, "The World's Biggest Paving Slab," This Could Be Texas, Universal Island, 2024Shirlette Ammons, "Short (feat. Mavis Swan Poole)," Spectacles, Puddin Pie, 2024Pedro the Lion, "Spend Time," Santa Cruz, Polyvinyl and Big Scary Monsters, 2024Idles, "Roy," TANGK, Partisan, 2024Finom, "Hungry," Not God, Joyful Noise, 2024Sabrina Carpenter, "Taste," Short n' Sweet, Island, 2024Dehd, "Mood Ring," Poetry, Fat Possum, 2024Amyl and the Sniffers, "Chewing Gum," Cartoon Darkness, B2B, 2024Elucid, "THE WORLD IS DOG," REVELATOR, Fat Possum, 2024Hurray For the Riff Raff, "Buffalo," The Past Is Still Alive, Nonesuch, 2024Redd Kross, "Born Innocent," Redd Kross, In the Red, 2024Mary Timony, "The Guest," Untame the Tiger, Merge, 2024SPRINTS, "TICKING," Letter to Self, City Slang, 2024Unknown, "Santa Clause is Coming to Town," Unknown, Unknown, UnknownSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episode #160: Tigran Hamasyan

Improv Exchange Podcast

Play Episode Listen Later Nov 11, 2024 58:49

Tigran Hamasyan is considered one of the most remarkable and distinctive jazz-meets-rock pianists/composers of his generation. A piano virtuoso with groove power, Hamasyan seamlessly fuses potent jazz improvisation and progressive rock with the rich folkloric music of his native Armenia. Born in Gyumri, Armenia, in 1987, his musical journey began in his childhood home, where he was exposed to a diverse array of musical influences leading to him playing piano at the age of three, performing in festivals and competitions by the time he was eleven, and winning the Montreux Jazz Festival's piano competition in 2003. He released his debut album, World Passion, in 2004 at the age of seventeen. The following year, he won the prestigious Thelonious Monk International Jazz Piano Competition. Additional albums include New Era; Red Hail; A Fable, for which he was awarded a Victoires de la Musique (the equivalent of a Grammy Award in France); Shadow Theater; and Luys i Luso which featured the Yerevan State Chamber Choir focusing on Armenian sacred music stretching stylistically from the 5th century to the 20th century. His Nonesuch debut, Mockroot (2015), won the Echo Jazz Award for International Piano Instrumentalist of the Year; subsequent records for the label include An Ancient Observer (2017) the companion EP, For Gymuri (2018), Revisiting the Film (2021) and most recently StandArt (2022). Hamasyan was awarded the Deutscher Jazzpreis international category in Piano/Keyboards in 2021. Hamasyan has released records on France's Plus Loins, Universal France, Nonesuch and ECM. Hamasyan's new conceptual album “The Bird of a Thousand Voices” was released in August 2024 on Naïve/Believe – his debut with the label. Tigran composed, scored, and arranged the much-anticipated project blending its traditional folk footprints with rock influences. The first single from the album “The Kingdom” can also be experienced as an interactive game at www.bird1000.com. The recently released double album is inspired by an ancient Armenian tale in which a hero travels into unseen realms to find and bring back a mythical bird – whose thousand different songs will awaken people again and bring harmony to the world. The transmedia music theater piece ‘The Bird of a Thousand Voices', an intriguing immersive light installation with shadow play, digitally programmed voices, live music, and an Armenian-English libretto, premiered at the Holland Festival in June 2024. In addition to awards and critical acclaim, Hamasyan has built a dedicated following worldwide, as well as praise from Herbie Hancock, Brad Mehldau and the late Chick Corea. “With startling combinations of jazz, minimalist, electronic, folk and songwriterly elements…Hamasyan and his collaborators travel musical expanses marked with heavy grooves, ethereal voices, pristine piano playing and ancient melodies. You'll hear nothing else like this” (NPR)

The Sundilla Radio Hour #600

house heat anthology blackbird kennedys nonesuch smithsonian folkways smokejumper

Play Episode Listen Later Oct 28, 2024 59:01

The Sundilla Radio Hour for the week of 10/21/2024 featuring: Carolina Chocolate Drops “Leaving Eden” Leaving Eden (2012 Nonesuch) 4:35 Julian Taylor & Allison Russell “Pathways” Pathways (2024 Howling Turtle) 3:29 Abby Posner “Slowly” Second Chances (2023 Blackbird) 2:45 Jerron Paxton “Things Done Changed” Things Done Changed (2024 Smithsonian Folkways) 5:15 Amy Speace “Love Is Gonna Come Again” The American Dream (2024 Windbone) 3:35 Cliff Eberhardt “Dreams” Knew Things (2021 Cliff Eberhardt) 2:34 The Kennedys “Late September Breeze” Headwinds (2023 The Kennedys) 3:52 Griffin House “The Guy That Says Goodbye to You Is Out of His Mind” Flying Upside Down (2007 Evening) 3:13 Leyla McCalla “Sun Without the Heat” Sun Without the Heat (2024 Anti) 2:46 FJ McMahon “Early Blue” Spirit of the Golden Juice (2020 Anthology) 3:03 Heather Pierson Acoustic Trio” Thunderous Voices” Singin' (2017 Heather Pierson) 3:15 House of Hamill “The Highwayman” Wildfire (2024 Smokejumper) 3:27 Anna Elizabeth Laube “Please Let It Rain in California Tonight” Tree (2016 Anna Elizabeth Laube) 3:15 Benny Bleu “Buffalo Gals” Banjo Jubilations (2024 Benjamin Haravitch) 3:35

XXX. (Uptown A Remix)

The Infinite Skrillifiles: OWSLA Confidential

Play Episode Listen Later Oct 5, 2024 5:42

XXX. ft Kendrick Lamar (Uptown A Remix) [Bootleg] Uptown A The Complex Collective Original Track: XXX. (DAMN, Kendrick Lamar, 2017) “The Rescue” This hearty soup uses tumeric, garlic, and beetroot to help boost the immune system and ward off oncoming attacks. This is not a simple soup to throw together once you've already come down with a full-on cold or flu, as you may not have the energy to gather the ingredients and for preparation, however— this soup is more meant for helping to boost the immune system in the beginning stages of coming down with a seasonal bug, or as a preventative booster. This recipe's complex blend of vitamins and minerals from greens and root vegetables keeps its ingredients' wholesome nutritional value high by first oven roasting the vegetables in a medley before adding them to the pot rather than boiling them; the prep time for this recipe is about 2 hours, with an additional 1-2 hours of cook time to simmer for flavor and for the raw chickpeas to reach the ideal texture before serving— the blend of herbs and root vegetables will add a layer of immunity and protection against any oncoming disruption to your normal level of health, and is hearty enough to be served alone, or with a side dish of salad or even a half sandwich, if you're feeling up to it. You will need: ½ medium size had of cauliflower ½ medium to large yellow onion ½ red onion of the same size ½ white onion, per reference 1 whole celery heart One fresh turmeric root 1-3 beets worth of beet root and leafy greens— you will only use the root for this recipe and can save the beets for later 1 stalk baby boo choy 3-4 medium sized carrots ¼ green bell pepper ⅓ pasilla or Anaheim pepper, per preference (one is milder than the other, but for heavy sinus congestion I suggest the Pasilla pepper, which is a bit spicier and will decongest easily, especially when including some of the seeds into the medley) ⅓ red bell pepper ⅓ yellow bell pepper ⅓ orange bell pepper ½ can stewed tomatoes with onion ½ can stewed tomatoes with garlic (This is for broth flavor) One whole vine ripened tomato 5-8 cloves of garlic (per preference) About 3 tablespoons of fresh ginger root (a thumb tip's worth) 3 cups chickpeas, pre rinsed and soaked overnight ½ cup finely chopped fresh dill ½ cup finely chopped fresh cilantro ¼ cup finely chopped freshoregano ½ lime ½ lemon Crushed red pepper Sea salt Thyme Black pepper Part II Spirit says music was first, then words, and after actions—and then all of time is just acting out the stories that were told in the beginning as art and… Something tells me Something's not all the way right with my head I'm Lost in my mind, I'm All the way here, But I'm still Somewhere off a bit Velvet, the skin, I'm just as sick in my head as I ever, Recovered sex addict, and by definition of nutrition —this handsome nigga smells like red licorice. (It's actually cherry ludens with pectin.) Zeroing in and away, heroing hard For your heroine, Heroin veins, Pigs on the wing, Singing your song Hearing your cry out Fly out my miles, my son Come into my arms, mine oath The love, some trouble Heavy was her heart, Lied to cover Still shattered, Ravine ions, cosmos farm And Wanda's black eye Timmy's wishes and SpongeBob's shallow grave, Oh, how high I got That Arnold's lost love Was actually Strangely enough Also his narcissist, Probably also practicing witchcraft And exorcisms of him. Scissorman, Scissorman— Get a load of this one; Frog and toad, a couple laughs Behind the masks, For this world. Would you honor? Give your blessing, butter Different wages paying, Listen, shallow author: You would write but then not follow up About the actors? The actors! The actors have had it. I'm Just As Badly Damaged As I ever was And listen, Awesome told me Your story I chuckled All the way Up until The literal punchline Now, Go home; Go hike Runyon. For a few hours, we can pretend. That old haunts Don't boil up They always have, of course But you know Nothing quite as pungent as What's become of yours [I love my son.] There it is again, As if something had called her, There, more words But less of them than the tongue could offer Swear you, listener, Past this message sits the wilted thumbs of wilderness, and weary travelers, Song pigeons and mismatched audience appearances For pleasantries And of course, Dessert trays. Cause I wear— —We all know. If anything happens these days, It's because I'm a comic. (At some point) Sunglasses before the sun's up; Eat candies before it all melts Warm something as download comes To fight or fold, To win or die To live or lose Whatever then First time flying And I've got My mind blinding me out Deciding for once That I'm not the whole world Just to have the experience If being surrounded by others In some way. The runway lights up all blue, and I'm in love with you. The subway cars opposite collide, I wish I died already. I should give some time between myself and my writing, I think. I really shouldn't end things the way I'm thinking of ending things— But I'm thinking of ending things. How selfish of me. First time flying Sunglasses before the sun comes up Halls on my tongue And vitamins in my pocket, I shuffle over and over in my mind, The millions of dollars And all that I go through Just to skip post, And go home to no one. But—hello there No one's looking over your shoulder quite so hard as This poster is, So aware of what's there, and near you You've begun to fear it Well, then, Hands in my pocket and down Dawn to dusk, Shaking my head, Drunkenly, but stone sober Really no one told me about the poetry, But a whole world opened, Inside of your notebook— Which I stand holding. Pleasentries, sick dissent, Indecent exposure. And body odor this early in the morning; Gotta love country folk Supposedly no judgements, but as I grow I older, The slower toad I become, and discover my bird eye— Here's to hopes The Hellicopter is all I know From here to Hell and back Westward bound, The Sun rise behind us Sunglasses and no sun yet My eyes reminders of times I remember Sure you did, sir I been there Suffered the whole coast And I'm still not sure You realize you're face down, ass up at an international airport right now. They say this airport is known for its art installations. You don't say. Grandiose to escape the algorithm, Tapped in with the captains hats Fit six of my guieapigs in the business 1 transsexual, And 6 women 3 biracial non-bianaries Some accused extra terrestrials You left me home, but — Nobody washes the whites without me. It's OWSLA again. [The Festival Project ™] It's mid week in midtown I fell asleep at a business meeting, Thinking in sequences, Drinking in increments, Sweet, sweet music, Death and television Television Celebritism, star power And no wonder Early October vacations From power fortunes tied to us We want Redbones, Resonated chambers, Thankless sacraments of disaster Are you archived? Damaged and the flatline Comes at such a heavy decibel Your arms grow numb and Start to stiffen; No wonder you're not paranoid Inside of our religion The Eye See i, Excuse me miss— Did I miss it ? Plea, I Give thanks, Again for —this is our tradition Me, I, Seek I —-meaning to make sense of it but, The might, She died, I guess The center of my kitchen Distressed from attention deficit disorder Sure, Marsh —Whatever doctor . He was just the type I like Milky silky white Sunglasses Slicked back hair Thick round thighs High fashion—( l) Sun baked Pose to take a selfie, right? Just the type I like; Milky silky white There's the girl that'll do anything for ya But she's no body With nobody No good, I In fact So ugly l you could choke on just the thought of her Even with beer goggles on But she'll do anything you want And like it—and it doesn't cost She'll fall in love with you (For not even a single dollar.) [The Festival Project ™] Now that we — {Enter The Multiverse} Ahem. Part III Day trip Take a nap Change the map. Pet the cat Let the dog out Run a lap Pitty Pat Pitty Pat Pitty Pat Pitty Pat I Pitty Pat I Pitty Pat Broh what up with these Dillon Francis clones tho. How do you know they're clones? They can't all be multi dimentionals. They could! You never know; they really could. I run these robots Into dark corners Just to honor me They come scurrying and ugly to annoy and ponder upon me, all the while praying l, my mind on Don't mind those, they're broke bots I haven't l l stopped my work to finish Work on [The Festival Project ™] I'm sure by now you've noticed The only people in Champion sportswear and Jansport backpacks Are ugly, slow, And weak L E G E N D S (I have noticed.) If attention deficit is forsure your destination I'm you're designated courier, or carrier pigeon This isn't ingidgenous reparations or explicit subliminal messages, But if it is, this is suggestive your direction is correct and attentive Listen to this shit: Case dismissed; Next time I'll fly direct Hit my line if your eyes are dilated I'm miles high, So if it rejects, Just leave a message (Eject!) All of a sudden, I'm somewhere else (With him) He pulls on the rings On the back of my —what was I wearing again? I should have stayed home in the first place (You don't listen) I should have stayed home in the first place (You don't—) I should have stayed home for awhile Cause before hand, and I'm wild Random foreplay, Orgasm, Desire you, You're right, I don't listen. All of a sudden, I'm gone with you. Those women in Santa Monica, All perfect and in hoards and by the handfuls The type celebrities get Celebrities need, Celebrities want— A shrill reminder Or what I am, And can often lose focus, Drawing back on icons, Sifting through the skin I feel, Entrapped by circumstance And perhaps, even Some terrible curse, or A shield of protection. —the deathly hollows. It almost felt as if I'd never write again, but here I was Nearer somehow to a strange fame, The end of famine And feast of none— Doubling back upon Something I had recorded In this experience, Alone and awakened, Moving in automatic, Chaos and charismatic, felt, but never intertwined In the awesome circumstance Of wanting, no— Needing to be loved, And never having been; Needing to be touched, and never having felt The grip of sorts, The higher bar taste of something I had become famished, The sense of a calling so sacred, It beconed to my sea, The only one, A diamond in starry skies A night of dawn, But dark, the thought The ever present one, Never loved, And shallow kind Shallow breath, And putrid thoughts, Reckoning the wilted flower, The springing seed, The calling of another and yet, Here I was, Tolerance, At her mercy— Fearing none but knowing, By the handfuls they come, And drawn like magnets Into my being, A focus, Nonesuch art none otherwise known as My hell The bodies of women Perfect and priveleged, Sunbathed and worthy Of everything I wanted and needed Without working at all. I wondered harder, fasting. Soft lips upon his Adam's Apple, I drift away in his chest, Dreft, the smell of michielf managed, Then, the music of songs loved And garnished with sprouts of June In the coming of spring, Does form another, Again, my love I call for mercy The pain of yours needing born And my heart estranged Mercy Her eyes were darkened circles And body brittle; As I admired her courtesy, charm And delicate stature, Arose to connect this, A tune— So sung to tell a story Of Rocky Racoon Irish spring to lather his back, In bar form; His burgundy Mercedes Benz has had parked in my garage, And I, not able to trust his drunken judgements, Captured his keys, as my mother and I Had worried for him, Dissappeared again into the night, and yet— At least the keys and the car Were safe with me, at home As was his, Whenever he wished to return My strange and far love Nearly since almost nothing Screen doors and Fischer Price Office calls and casting agents, Honey bees and biopics Telephoto lenses and Semi autobiographical pornography Marriages and suits to match A name for Vegas wedded lie, A love bloomed from birth, Cherished insights in the water Reservations and yamakas, Simple and sacred, The undone village, The thought of nothing but one Until another does pull the string To which I had once known as harness, But had since cut, Only watching to strive, Seeing the dance one makes for one to distance, But only dangling, seeing not that I Had come free and was wary of All love, by now. All men, indeed. [The Festival Project.™] The Complex Collective © COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. ©

XXX. (Uptown A Remix)

[ENTER THE MULTIVERSE]

Play Episode Listen Later Oct 5, 2024 5:42

XXX. ft Kendrick Lamar (Uptown A Remix) [Bootleg] Uptown A The Complex Collective Original Track: XXX. (DAMN, Kendrick Lamar, 2017) “The Rescue” This hearty soup uses tumeric, garlic, and beetroot to help boost the immune system and ward off oncoming attacks. This is not a simple soup to throw together once you've already come down with a full-on cold or flu, as you may not have the energy to gather the ingredients and for preparation, however— this soup is more meant for helping to boost the immune system in the beginning stages of coming down with a seasonal bug, or as a preventative booster. This recipe's complex blend of vitamins and minerals from greens and root vegetables keeps its ingredients' wholesome nutritional value high by first oven roasting the vegetables in a medley before adding them to the pot rather than boiling them; the prep time for this recipe is about 2 hours, with an additional 1-2 hours of cook time to simmer for flavor and for the raw chickpeas to reach the ideal texture before serving— the blend of herbs and root vegetables will add a layer of immunity and protection against any oncoming disruption to your normal level of health, and is hearty enough to be served alone, or with a side dish of salad or even a half sandwich, if you're feeling up to it. You will need: ½ medium size had of cauliflower ½ medium to large yellow onion ½ red onion of the same size ½ white onion, per reference 1 whole celery heart One fresh turmeric root 1-3 beets worth of beet root and leafy greens— you will only use the root for this recipe and can save the beets for later 1 stalk baby boo choy 3-4 medium sized carrots ¼ green bell pepper ⅓ pasilla or Anaheim pepper, per preference (one is milder than the other, but for heavy sinus congestion I suggest the Pasilla pepper, which is a bit spicier and will decongest easily, especially when including some of the seeds into the medley) ⅓ red bell pepper ⅓ yellow bell pepper ⅓ orange bell pepper ½ can stewed tomatoes with onion ½ can stewed tomatoes with garlic (This is for broth flavor) One whole vine ripened tomato 5-8 cloves of garlic (per preference) About 3 tablespoons of fresh ginger root (a thumb tip's worth) 3 cups chickpeas, pre rinsed and soaked overnight ½ cup finely chopped fresh dill ½ cup finely chopped fresh cilantro ¼ cup finely chopped freshoregano ½ lime ½ lemon Crushed red pepper Sea salt Thyme Black pepper Part II Spirit says music was first, then words, and after actions—and then all of time is just acting out the stories that were told in the beginning as art and… Something tells me Something's not all the way right with my head I'm Lost in my mind, I'm All the way here, But I'm still Somewhere off a bit Velvet, the skin, I'm just as sick in my head as I ever, Recovered sex addict, and by definition of nutrition —this handsome nigga smells like red licorice. (It's actually cherry ludens with pectin.) Zeroing in and away, heroing hard For your heroine, Heroin veins, Pigs on the wing, Singing your song Hearing your cry out Fly out my miles, my son Come into my arms, mine oath The love, some trouble Heavy was her heart, Lied to cover Still shattered, Ravine ions, cosmos farm And Wanda's black eye Timmy's wishes and SpongeBob's shallow grave, Oh, how high I got That Arnold's lost love Was actually Strangely enough Also his narcissist, Probably also practicing witchcraft And exorcisms of him. Scissorman, Scissorman— Get a load of this one; Frog and toad, a couple laughs Behind the masks, For this world. Would you honor? Give your blessing, butter Different wages paying, Listen, shallow author: You would write but then not follow up About the actors? The actors! The actors have had it. I'm Just As Badly Damaged As I ever was And listen, Awesome told me Your story I chuckled All the way Up until The literal punchline Now, Go home; Go hike Runyon. For a few hours, we can pretend. That old haunts Don't boil up They always have, of course But you know Nothing quite as pungent as What's become of yours [I love my son.] There it is again, As if something had called her, There, more words But less of them than the tongue could offer Swear you, listener, Past this message sits the wilted thumbs of wilderness, and weary travelers, Song pigeons and mismatched audience appearances For pleasantries And of course, Dessert trays. Cause I wear— —We all know. If anything happens these days, It's because I'm a comic. (At some point) Sunglasses before the sun's up; Eat candies before it all melts Warm something as download comes To fight or fold, To win or die To live or lose Whatever then First time flying And I've got My mind blinding me out Deciding for once That I'm not the whole world Just to have the experience If being surrounded by others In some way. The runway lights up all blue, and I'm in love with you. The subway cars opposite collide, I wish I died already. I should give some time between myself and my writing, I think. I really shouldn't end things the way I'm thinking of ending things— But I'm thinking of ending things. How selfish of me. First time flying Sunglasses before the sun comes up Halls on my tongue And vitamins in my pocket, I shuffle over and over in my mind, The millions of dollars And all that I go through Just to skip post, And go home to no one. But—hello there No one's looking over your shoulder quite so hard as This poster is, So aware of what's there, and near you You've begun to fear it Well, then, Hands in my pocket and down Dawn to dusk, Shaking my head, Drunkenly, but stone sober Really no one told me about the poetry, But a whole world opened, Inside of your notebook— Which I stand holding. Pleasentries, sick dissent, Indecent exposure. And body odor this early in the morning; Gotta love country folk Supposedly no judgements, but as I grow I older, The slower toad I become, and discover my bird eye— Here's to hopes The Hellicopter is all I know From here to Hell and back Westward bound, The Sun rise behind us Sunglasses and no sun yet My eyes reminders of times I remember Sure you did, sir I been there Suffered the whole coast And I'm still not sure You realize you're face down, ass up at an international airport right now. They say this airport is known for its art installations. You don't say. Grandiose to escape the algorithm, Tapped in with the captains hats Fit six of my guieapigs in the business 1 transsexual, And 6 women 3 biracial non-bianaries Some accused extra terrestrials You left me home, but — Nobody washes the whites without me. It's OWSLA again. [The Festival Project ™] It's mid week in midtown I fell asleep at a business meeting, Thinking in sequences, Drinking in increments, Sweet, sweet music, Death and television Television Celebritism, star power And no wonder Early October vacations From power fortunes tied to us We want Redbones, Resonated chambers, Thankless sacraments of disaster Are you archived? Damaged and the flatline Comes at such a heavy decibel Your arms grow numb and Start to stiffen; No wonder you're not paranoid Inside of our religion The Eye See i, Excuse me miss— Did I miss it ? Plea, I Give thanks, Again for —this is our tradition Me, I, Seek I —-meaning to make sense of it but, The might, She died, I guess The center of my kitchen Distressed from attention deficit disorder Sure, Marsh —Whatever doctor . He was just the type I like Milky silky white Sunglasses Slicked back hair Thick round thighs High fashion—( l) Sun baked Pose to take a selfie, right? Just the type I like; Milky silky white There's the girl that'll do anything for ya But she's no body With nobody No good, I In fact So ugly l you could choke on just the thought of her Even with beer goggles on But she'll do anything you want And like it—and it doesn't cost She'll fall in love with you (For not even a single dollar.) [The Festival Project ™] Now that we — {Enter The Multiverse} Ahem. Part III Day trip Take a nap Change the map. Pet the cat Let the dog out Run a lap Pitty Pat Pitty Pat Pitty Pat Pitty Pat I Pitty Pat I Pitty Pat Broh what up with these Dillon Francis clones tho. How do you know they're clones? They can't all be multi dimentionals. They could! You never know; they really could. I run these robots Into dark corners Just to honor me They come scurrying and ugly to annoy and ponder upon me, all the while praying l, my mind on Don't mind those, they're broke bots I haven't l l stopped my work to finish Work on [The Festival Project ™] I'm sure by now you've noticed The only people in Champion sportswear and Jansport backpacks Are ugly, slow, And weak L E G E N D S (I have noticed.) If attention deficit is forsure your destination I'm you're designated courier, or carrier pigeon This isn't ingidgenous reparations or explicit subliminal messages, But if it is, this is suggestive your direction is correct and attentive Listen to this shit: Case dismissed; Next time I'll fly direct Hit my line if your eyes are dilated I'm miles high, So if it rejects, Just leave a message (Eject!) All of a sudden, I'm somewhere else (With him) He pulls on the rings On the back of my —what was I wearing again? I should have stayed home in the first place (You don't listen) I should have stayed home in the first place (You don't—) I should have stayed home for awhile Cause before hand, and I'm wild Random foreplay, Orgasm, Desire you, You're right, I don't listen. All of a sudden, I'm gone with you. Those women in Santa Monica, All perfect and in hoards and by the handfuls The type celebrities get Celebrities need, Celebrities want— A shrill reminder Or what I am, And can often lose focus, Drawing back on icons, Sifting through the skin I feel, Entrapped by circumstance And perhaps, even Some terrible curse, or A shield of protection. —the deathly hollows. It almost felt as if I'd never write again, but here I was Nearer somehow to a strange fame, The end of famine And feast of none— Doubling back upon Something I had recorded In this experience, Alone and awakened, Moving in automatic, Chaos and charismatic, felt, but never intertwined In the awesome circumstance Of wanting, no— Needing to be loved, And never having been; Needing to be touched, and never having felt The grip of sorts, The higher bar taste of something I had become famished, The sense of a calling so sacred, It beconed to my sea, The only one, A diamond in starry skies A night of dawn, But dark, the thought The ever present one, Never loved, And shallow kind Shallow breath, And putrid thoughts, Reckoning the wilted flower, The springing seed, The calling of another and yet, Here I was, Tolerance, At her mercy— Fearing none but knowing, By the handfuls they come, And drawn like magnets Into my being, A focus, Nonesuch art none otherwise known as My hell The bodies of women Perfect and priveleged, Sunbathed and worthy Of everything I wanted and needed Without working at all. I wondered harder, fasting. Soft lips upon his Adam's Apple, I drift away in his chest, Dreft, the smell of michielf managed, Then, the music of songs loved And garnished with sprouts of June In the coming of spring, Does form another, Again, my love I call for mercy The pain of yours needing born And my heart estranged Mercy Her eyes were darkened circles And body brittle; As I admired her courtesy, charm And delicate stature, Arose to connect this, A tune— So sung to tell a story Of Rocky Racoon Irish spring to lather his back, In bar form; His burgundy Mercedes Benz has had parked in my garage, And I, not able to trust his drunken judgements, Captured his keys, as my mother and I Had worried for him, Dissappeared again into the night, and yet— At least the keys and the car Were safe with me, at home As was his, Whenever he wished to return My strange and far love Nearly since almost nothing Screen doors and Fischer Price Office calls and casting agents, Honey bees and biopics Telephoto lenses and Semi autobiographical pornography Marriages and suits to match A name for Vegas wedded lie, A love bloomed from birth, Cherished insights in the water Reservations and yamakas, Simple and sacred, The undone village, The thought of nothing but one Until another does pull the string To which I had once known as harness, But had since cut, Only watching to strive, Seeing the dance one makes for one to distance, But only dangling, seeing not that I Had come free and was wary of All love, by now. All men, indeed. [The Festival Project.™] The Complex Collective © COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. ©

XXX. (Uptown A Remix)

Gerald’s World.

Play Episode Listen Later Oct 5, 2024 5:42

XXX. ft Kendrick Lamar (Uptown A Remix) [Bootleg] Uptown A The Complex Collective Original Track: XXX. (DAMN, Kendrick Lamar, 2017) “The Rescue” This hearty soup uses tumeric, garlic, and beetroot to help boost the immune system and ward off oncoming attacks. This is not a simple soup to throw together once you've already come down with a full-on cold or flu, as you may not have the energy to gather the ingredients and for preparation, however— this soup is more meant for helping to boost the immune system in the beginning stages of coming down with a seasonal bug, or as a preventative booster. This recipe's complex blend of vitamins and minerals from greens and root vegetables keeps its ingredients' wholesome nutritional value high by first oven roasting the vegetables in a medley before adding them to the pot rather than boiling them; the prep time for this recipe is about 2 hours, with an additional 1-2 hours of cook time to simmer for flavor and for the raw chickpeas to reach the ideal texture before serving— the blend of herbs and root vegetables will add a layer of immunity and protection against any oncoming disruption to your normal level of health, and is hearty enough to be served alone, or with a side dish of salad or even a half sandwich, if you're feeling up to it. You will need: ½ medium size had of cauliflower ½ medium to large yellow onion ½ red onion of the same size ½ white onion, per reference 1 whole celery heart One fresh turmeric root 1-3 beets worth of beet root and leafy greens— you will only use the root for this recipe and can save the beets for later 1 stalk baby boo choy 3-4 medium sized carrots ¼ green bell pepper ⅓ pasilla or Anaheim pepper, per preference (one is milder than the other, but for heavy sinus congestion I suggest the Pasilla pepper, which is a bit spicier and will decongest easily, especially when including some of the seeds into the medley) ⅓ red bell pepper ⅓ yellow bell pepper ⅓ orange bell pepper ½ can stewed tomatoes with onion ½ can stewed tomatoes with garlic (This is for broth flavor) One whole vine ripened tomato 5-8 cloves of garlic (per preference) About 3 tablespoons of fresh ginger root (a thumb tip's worth) 3 cups chickpeas, pre rinsed and soaked overnight ½ cup finely chopped fresh dill ½ cup finely chopped fresh cilantro ¼ cup finely chopped freshoregano ½ lime ½ lemon Crushed red pepper Sea salt Thyme Black pepper Part II Spirit says music was first, then words, and after actions—and then all of time is just acting out the stories that were told in the beginning as art and… Something tells me Something's not all the way right with my head I'm Lost in my mind, I'm All the way here, But I'm still Somewhere off a bit Velvet, the skin, I'm just as sick in my head as I ever, Recovered sex addict, and by definition of nutrition —this handsome nigga smells like red licorice. (It's actually cherry ludens with pectin.) Zeroing in and away, heroing hard For your heroine, Heroin veins, Pigs on the wing, Singing your song Hearing your cry out Fly out my miles, my son Come into my arms, mine oath The love, some trouble Heavy was her heart, Lied to cover Still shattered, Ravine ions, cosmos farm And Wanda's black eye Timmy's wishes and SpongeBob's shallow grave, Oh, how high I got That Arnold's lost love Was actually Strangely enough Also his narcissist, Probably also practicing witchcraft And exorcisms of him. Scissorman, Scissorman— Get a load of this one; Frog and toad, a couple laughs Behind the masks, For this world. Would you honor? Give your blessing, butter Different wages paying, Listen, shallow author: You would write but then not follow up About the actors? The actors! The actors have had it. I'm Just As Badly Damaged As I ever was And listen, Awesome told me Your story I chuckled All the way Up until The literal punchline Now, Go home; Go hike Runyon. For a few hours, we can pretend. That old haunts Don't boil up They always have, of course But you know Nothing quite as pungent as What's become of yours [I love my son.] There it is again, As if something had called her, There, more words But less of them than the tongue could offer Swear you, listener, Past this message sits the wilted thumbs of wilderness, and weary travelers, Song pigeons and mismatched audience appearances For pleasantries And of course, Dessert trays. Cause I wear— —We all know. If anything happens these days, It's because I'm a comic. (At some point) Sunglasses before the sun's up; Eat candies before it all melts Warm something as download comes To fight or fold, To win or die To live or lose Whatever then First time flying And I've got My mind blinding me out Deciding for once That I'm not the whole world Just to have the experience If being surrounded by others In some way. The runway lights up all blue, and I'm in love with you. The subway cars opposite collide, I wish I died already. I should give some time between myself and my writing, I think. I really shouldn't end things the way I'm thinking of ending things— But I'm thinking of ending things. How selfish of me. First time flying Sunglasses before the sun comes up Halls on my tongue And vitamins in my pocket, I shuffle over and over in my mind, The millions of dollars And all that I go through Just to skip post, And go home to no one. But—hello there No one's looking over your shoulder quite so hard as This poster is, So aware of what's there, and near you You've begun to fear it Well, then, Hands in my pocket and down Dawn to dusk, Shaking my head, Drunkenly, but stone sober Really no one told me about the poetry, But a whole world opened, Inside of your notebook— Which I stand holding. Pleasentries, sick dissent, Indecent exposure. And body odor this early in the morning; Gotta love country folk Supposedly no judgements, but as I grow I older, The slower toad I become, and discover my bird eye— Here's to hopes The Hellicopter is all I know From here to Hell and back Westward bound, The Sun rise behind us Sunglasses and no sun yet My eyes reminders of times I remember Sure you did, sir I been there Suffered the whole coast And I'm still not sure You realize you're face down, ass up at an international airport right now. They say this airport is known for its art installations. You don't say. Grandiose to escape the algorithm, Tapped in with the captains hats Fit six of my guieapigs in the business 1 transsexual, And 6 women 3 biracial non-bianaries Some accused extra terrestrials You left me home, but — Nobody washes the whites without me. It's OWSLA again. [The Festival Project ™] It's mid week in midtown I fell asleep at a business meeting, Thinking in sequences, Drinking in increments, Sweet, sweet music, Death and television Television Celebritism, star power And no wonder Early October vacations From power fortunes tied to us We want Redbones, Resonated chambers, Thankless sacraments of disaster Are you archived? Damaged and the flatline Comes at such a heavy decibel Your arms grow numb and Start to stiffen; No wonder you're not paranoid Inside of our religion The Eye See i, Excuse me miss— Did I miss it ? Plea, I Give thanks, Again for —this is our tradition Me, I, Seek I —-meaning to make sense of it but, The might, She died, I guess The center of my kitchen Distressed from attention deficit disorder Sure, Marsh —Whatever doctor . He was just the type I like Milky silky white Sunglasses Slicked back hair Thick round thighs High fashion—( l) Sun baked Pose to take a selfie, right? Just the type I like; Milky silky white There's the girl that'll do anything for ya But she's no body With nobody No good, I In fact So ugly l you could choke on just the thought of her Even with beer goggles on But she'll do anything you want And like it—and it doesn't cost She'll fall in love with you (For not even a single dollar.) [The Festival Project ™] Now that we — {Enter The Multiverse} Ahem. Part III Day trip Take a nap Change the map. Pet the cat Let the dog out Run a lap Pitty Pat Pitty Pat Pitty Pat Pitty Pat I Pitty Pat I Pitty Pat Broh what up with these Dillon Francis clones tho. How do you know they're clones? They can't all be multi dimentionals. They could! You never know; they really could. I run these robots Into dark corners Just to honor me They come scurrying and ugly to annoy and ponder upon me, all the while praying l, my mind on Don't mind those, they're broke bots I haven't l l stopped my work to finish Work on [The Festival Project ™] I'm sure by now you've noticed The only people in Champion sportswear and Jansport backpacks Are ugly, slow, And weak L E G E N D S (I have noticed.) If attention deficit is forsure your destination I'm you're designated courier, or carrier pigeon This isn't ingidgenous reparations or explicit subliminal messages, But if it is, this is suggestive your direction is correct and attentive Listen to this shit: Case dismissed; Next time I'll fly direct Hit my line if your eyes are dilated I'm miles high, So if it rejects, Just leave a message (Eject!) All of a sudden, I'm somewhere else (With him) He pulls on the rings On the back of my —what was I wearing again? I should have stayed home in the first place (You don't listen) I should have stayed home in the first place (You don't—) I should have stayed home for awhile Cause before hand, and I'm wild Random foreplay, Orgasm, Desire you, You're right, I don't listen. All of a sudden, I'm gone with you. Those women in Santa Monica, All perfect and in hoards and by the handfuls The type celebrities get Celebrities need, Celebrities want— A shrill reminder Or what I am, And can often lose focus, Drawing back on icons, Sifting through the skin I feel, Entrapped by circumstance And perhaps, even Some terrible curse, or A shield of protection. —the deathly hollows. It almost felt as if I'd never write again, but here I was Nearer somehow to a strange fame, The end of famine And feast of none— Doubling back upon Something I had recorded In this experience, Alone and awakened, Moving in automatic, Chaos and charismatic, felt, but never intertwined In the awesome circumstance Of wanting, no— Needing to be loved, And never having been; Needing to be touched, and never having felt The grip of sorts, The higher bar taste of something I had become famished, The sense of a calling so sacred, It beconed to my sea, The only one, A diamond in starry skies A night of dawn, But dark, the thought The ever present one, Never loved, And shallow kind Shallow breath, And putrid thoughts, Reckoning the wilted flower, The springing seed, The calling of another and yet, Here I was, Tolerance, At her mercy— Fearing none but knowing, By the handfuls they come, And drawn like magnets Into my being, A focus, Nonesuch art none otherwise known as My hell The bodies of women Perfect and priveleged, Sunbathed and worthy Of everything I wanted and needed Without working at all. I wondered harder, fasting. Soft lips upon his Adam's Apple, I drift away in his chest, Dreft, the smell of michielf managed, Then, the music of songs loved And garnished with sprouts of June In the coming of spring, Does form another, Again, my love I call for mercy The pain of yours needing born And my heart estranged Mercy Her eyes were darkened circles And body brittle; As I admired her courtesy, charm And delicate stature, Arose to connect this, A tune— So sung to tell a story Of Rocky Racoon Irish spring to lather his back, In bar form; His burgundy Mercedes Benz has had parked in my garage, And I, not able to trust his drunken judgements, Captured his keys, as my mother and I Had worried for him, Dissappeared again into the night, and yet— At least the keys and the car Were safe with me, at home As was his, Whenever he wished to return My strange and far love Nearly since almost nothing Screen doors and Fischer Price Office calls and casting agents, Honey bees and biopics Telephoto lenses and Semi autobiographical pornography Marriages and suits to match A name for Vegas wedded lie, A love bloomed from birth, Cherished insights in the water Reservations and yamakas, Simple and sacred, The undone village, The thought of nothing but one Until another does pull the string To which I had once known as harness, But had since cut, Only watching to strive, Seeing the dance one makes for one to distance, But only dangling, seeing not that I Had come free and was wary of All love, by now. All men, indeed. [The Festival Project.™] The Complex Collective © COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. ©

Be Here Now. ∆ Track 01- act one. [intro]

The Infinite Skrillifiles: OWSLA Confidential

Play Episode Listen Later Sep 12, 2024 1:37

“The yard woman” ** cat food is approx $21/ month My shrinking belly was almost gone; I would lose the excess quickly, with the new order of pre workout I was expecting to arrive—then, I could lay off of the MCT oils; within my limited budget, my diet still consisted of too many carbs, and I had become dependent on eating grains and high sugar to supplement with my protein. It had been a rough month, and even sort of a rough year—I wasn't sure yet what to call whatever I was in the process of, but I was in the process of something. I was becoming apathetic, but not yet stagnant— never m complacent and in the very least, not comfortable, which kept calm a sense of guilt which burned within, speaking of how no matter what, I must not deserve it—it being, a happy and fufling, love-filled life. Surely I was some sort of monster who deserved to be punished. The solitude was hardly that in New York City—surrounded play people in very corner and crevice, I never felt alone. At least I was guided by falls and doors which kept out the actual presence of others. I thought I might die having to actually be around someone I didn't like—and I realized, by now, that I really didn't like anyone—maybe not even myself, who I loved dearly, but mostly couldn't beat the thought of. Cream cheese Honey Voters Coconut shreds Dried fruit I work out. Like, a lot. So why do I feel so bad about everything I eat? I keep my cash and cards in a coffee can. I collect dust and random antiques. I just wrote a film but it has no score— Just the words to a song, As time moves on I just dry up. Stock the pantry with collectibles; The cat was coming, but nowhere as of yet to be found. I had everything for him—assuming that it would be a he, and somehow I knew it would be, my companion, just a flutter of happiness with the thoughts of his arrival and presence, however—the calculation that it would take approximately $30 a month to feed him kept me in waiting, calculating that it would be better to first finish what I had started before welcoming anymore sources of dependency, which included my own blood. I was still struggling to find balance in my own torture, the grueling process of becoming a ‘wantable woman' of substance and culture, collecting books and of course, constructing a world in which I could both live and love—in peace, and with what work I had so far done, it had become incomprehensible how much further I would have to move in order to be in the next bracket up—still, how far I had come, with some sort of pride of it all, and yet, humble— down to nothing but coins and crumbs in a figurative sense, which felt more comfortable than any low sum at all. My value was intangible—now began the process of making it all somehow add up. I swallowed my heart with the thought of l a war waging upon those of us who had wandered from other worlds into where I now resided—wherever that was, far from anything I had known before. Such simple luxuries as a couch and a kitchen table had enabled me to double my productivity level to what had at first been beyond even my own imagination— it had seemed all at once to be somehow, some way—under control. Somehow, someway. I wondered if the Cheerios and milk I had ordered would allow me to feel somehow more human than I had; if the peanut butter and jelly would allow me to sit for long periods of time chipping away at my projects without the accompanying shame from the intrusive thoughts which sometimes haunted my world—though I had increased my cardio tenfold, I still struggled with the volume of my thighs and leg muscles, and though … ‘Okay, I work out a lot…' I drifted, unable yet to dress myself— I wondered if I would be attacked at the gym again; it seemed as though last time I had visited the gym during daylight hours, a mob of slow moving, coughing, horribly smelling robot people had descended upon me just to ruin my mood and frame of mind. I had powered through it, but had sense felt impeded, then rearranging my schedule to work out in the middle of the night, and unable to rest knowing that another project had been delayed for months without any steady progression, had extended my working into the daylight hours. Something about the experience had almost traumatized me into a state of paralysis— I didn't mind certain people altogether, however, in large numbers I began to feel suffocated and trapped. I wondered it perhaps I had been attacked politically, having been under isolation and moving below the radar, mostly off the grid. My mind had been somehow altered—and I knew that I was being played with, but not in any way which seemed to be benefiting me… I could not relax for anything, and continued to drift in a faded haze. I wonder what kind of mistake I made. Could I be bought and sold again by rich and powerful and famous men at will? Was there any sense in trying? Will I ever be whole or loved again? Will I ever be worth as much to men As the idea of love is To any of us Would I consider to be moved Into my womb, A woman Would I become someone as worth it To hold, as she was born as Move. Here come the demons dressed as robots To serve the darks ones The omens come as closing doors And words against my wonder The omens come as closer racists Reptiles and borders The omens come as novels, rarely Often more in word forms I lost an army of one to belong to I stopped the stroke of the genius's tongue I could belong to a murderer, monster And yet i'm a martyr for motions uncalled for Sermons, sermons Salvage the rest of it Word form, will you Williams and Thomases, Roberts and Johns, Marks and David's, groups of them I put them all on the mothers for service I put them all up on crosses for curses Nonesuch as Martyrs But murderers, cursers— Nonsuch as martyrs, But cursers and monsters INT. TIA AND TAMERA are bringing their families to LISA and REY's for a holiday weekend—however, after a falling out between the sisters, they have not spoken to one another, and have been invited home unbeknownst the other is coming. Okay, let's see I've had… The news is a relief The chair shoudl slip from under me And I could fall Like I fall In love with you After all Is it too late to get the ice cream? Maybe. (Seems like a bad idea at first…) Getting anything with Jimmy Fallon's face on it is a bad idea. Seems like a good flavor. Unless they have half baked In non-dairy Seems like a flex. I don't know what's actually wrong with me. —Or anyone else, for that matter. For the record, it was Patrick in the noose, But it was as still disturbing to think of it As any friend's fate, At the hand of death By their own doing ‘' ‘Minimum weight— Minimum weight…' I could counter the cheerios and peanut butter jelly on rye bread with more intense cardio than even I had been administering, but surely the lack of so much MCT oil would make a difference—certainly the fiber pills were working—something seeking like a nasty stomach bug actually put me at ease that through most the day much of what I'd had was liquid, or some combination of a liquid-solid. Three blended bananas split between two protein meal replacement shakes and water; now, a hearty salad, complete with pinto beans and couscous, and the mushroom broth soup I had decided that, of all the soups so far, was certainly my favorite. I had burned almost 800 calories within my hour on the cycle—around 130 on the treadmill, and, without being able to count what I had burned during lifting, probably guessed they my short workout had totaled at about 1000 calories, in addition to the at minimum 1500 or so my body would burn just on its own doing nothing much— and without much else to add to it besides my protein shakes, coffee, the MCT oil and a couple of frozen bananas, I assumed that even with the soup and salad I was still within a safe enough calorie deficit so that I could focus, and would not shatter under the weight of eating like a normal person, or be prone to such tears that came with the bludgeoning thoughts of loneliness and not being “worthy” or “chosen”. Shut up— No laughing. I never sold my soul. Why am I being terrorized? Because you didn't sell your soul. I'd rather die Than spend my life with you Or people like you I'd rather die tonight Than write to fight you off I don't want your love Never before Have I wanted Anymore Than to be forgotten To fast forward To a world Where … {Enter The Multiverse} [Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. © -Ū.

new york city track stock roberts shut copyright cream minimum johns sermons jimmy fallon int salvage reptiles dried cheerios mct act one nonesuch thomases

Music of Bulgaria

KooperKast

Play Episode Listen Later May 7, 2024 10:34

Al has mentioned the Nonesuch album Music of Bulgaria many times in the podcast so we thought we'd devote a whole podcast to it and play some very short bits of the music in order to give listeners a glimpse of the remarkable sound and hopefully prompt many to buy the album.

music bulgaria nonesuch

Brad Mehldau redouble son Bach, option Fauré

Open jazz

Play Episode Listen Later May 7, 2024 59:40

durée : 00:59:40 - Brad Mehldau - par : Alex Dutilh - Parution simultanée de “After Bach II” et “Après Fauré” de Brad Mehldau chez Nonesuch. - réalisé par : Fabien Fleurat

option bach faur brad mehldau nonesuch mehldau fabien fleurat

Brad Mehldau redouble son Bach, option Fauré

Le jazz sur France Musique

Play Episode Listen Later May 7, 2024 59:40

durée : 00:59:40 - Brad Mehldau - par : Alex Dutilh - Parution simultanée de “After Bach II” et “Après Fauré” de Brad Mehldau chez Nonesuch. - réalisé par : Fabien Fleurat

option bach faur brad mehldau nonesuch mehldau fabien fleurat

A musical journey to Havana Jazz Festival, Nonesuch catalogs and a new game

Here & Now

Play Episode Listen Later May 3, 2024 34:42

The record label Nonesuch turns 60 this year. The label's president David Bither showcases artists including Rhiannon Giddens and Hurray for the Riff Raff. And, the 39th annual Havana Jazz Festival took place this year, and NPR's Alt.Latino hosts Felix Contreras and Anamaria Sayre report Cuba's musical culture is thriving. Then, "Tales of Kenzera: ZAU" is based on the culture of Africa's Bantu people explores the many emotions of grief. Composer Nainita Desai brings indigenous mythology to life with a globe-spanning musical ensemble.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

africa tales cuba npr latino alt havana new game catalog riff raff hurray musical journey jazz festivals bantu rhiannon giddens nonesuch felix contreras anamaria sayre

The Black Keys, Opinions on Shabaka & Hurray for the Riff Raff

new albums halvorson nonesuch mary halvorson

Play Episode Listen Later Apr 19, 2024 50:49

Hosts Jim DeRogatis and Greg Kot talk with Patrick Carney and Dan Auerbach of The Black Keys, the eclectic garage-rock duo who recently released their twelfth studio album. Jim and Greg also review new records from Shabaka and Hurray for the Riff Raff.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:The Black Keys, "Beautiful People (Stay High)," Ohio Players, Easy Eye Sound, 2024The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Shabaka, "Insecurities (feat. Moses Sumney)," Perceive Its Beauty, Acknowledge Its Grace, Impulse!, 2024Shabaka, "I'll Do Whatever You Want (feat. Floating Points, Laraaji)," Perceive Its Beauty, Acknowledge Its Grace, Impulse!, 2024Shabaka, "Body To Inhabit (feat. E L U C I D)," Perceive Its Beauty, Acknowledge Its Grace, Impulse!, 2024Shabaka, "As The Planets And The Stars Collapse," Perceive Its Beauty, Acknowledge Its Grace, Impulse!, 2024Hurray For The Riff Raff, "Snake Plant (The Past Is Still Alive)," The Past Is Still Alive, Nonesuch, 2024Hurray For The Riff Raff, "Buffalo," The Past Is Still Alive, Nonesuch, 2024Hurray For The Riff Raff, "Vetiver," The Past Is Still Alive, Nonesuch, 2024Hurray For The Riff Raff, "Ogallala," The Past Is Still Alive, Nonesuch, 2024The Black Keys, "This Is Nowhere," Ohio Players, Nonesuch, 2024The Black Keys, "You'll Pay," Ohio Players, Nonesuch, 2024The Black Keys, "Only Love Matters," Ohio Players, Nonesuch, 2024The Black Keys, "On The Game," Ohio Players, Nonesuch, 2024The Black Keys, "Forgot To Be Your Lover," Ohio Players, Nonesuch, 2024The Black Keys, "Paper Crown (feat. Beck and Juicy J)," Ohio Players, Nonesuch, 2024Cumbia en Moog, "Cumbia de Sal," The Afrosound of Colombia, Vol. 1, Discos Fuentes, 1976The Ambassadors, "I Really Love You," Cooler Than Ice: Arctic Records and the RIse of Philly Soul, Jamie, 2012R.E.M., "Radio Free Europe," Murmur, I.R.S., 1983See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Mary Halvorson Discusses Her New Album "Cloudward"

Jazz88

Play Episode Listen Later Mar 13, 2024 16:01

Mary Halvorson is widely regarded as the most exciting guitarist of her generation. She continues to cement that reputation with her new Nonesuch release "Cloudward". On this record Halvorson endeavored to not "overwrite", leaving space for the instrumentalists to find their way on their terms. Halvorson discussed her approach, her philosophy and the way that she navigated exploring music as a career.

Nathalie Joachim

Relevant Tones

Play Episode Listen Later Feb 19, 2024 58:16

Grammy-nominated Haitian-American composer, singer and flutist Nathalie Joachim's work centers an authentic commitment to storytelling and human connectivity while advocating for social change and cultural awareness. Her latest album Ki moun ou ye, is out now on Nonesuch and New Amsterdam Records. The original songs on this album ponder its title's question: “Who are you?” Host Seth Boustead talks with Joachim about the new album and her musical journey.

grammy joachim haitian american nonesuch nathalie joachim

Buried Treasures & RIP Mary Weiss of The Shangri-Las

Play Episode Listen Later Feb 2, 2024 49:02 Very Popular

This week, hosts Jim DeRogatis and Greg Kot share some new music that's flying underneath the mainstream radar - buried treasures! They'll also pay tribute to Mary Weiss of The Shangri-Las.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:La Rosa Noir, "Red Motorcycle," Red Motorcycle EP, My Grito Industries, 2023The Beatles , "With a Little Help from My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Courtney Hadwin, "Monsters," Monsters (Single), Syco, 2023Sprints, "Ticking," Letter to Self, City Slang, 2024Enhypen, "Sweet Venom (english version)," Orange Blood EP, Belift Lab, 2023Yussef Dayes, "Rust (feat. Tom Misch)," Black Classical Music, Nonesuch, 2023Katy Kirby , "Table," Blue Raspberry, ANTI-, 2024Pozi, "Pest Control," Smiling Pools, Prah, 2023Blusher, "Rave Angel," Rave Angel (Single), Atlantic, 2024Maggie Lindemann, "Hostage," Hostage (Single), SWIXXZ, 2024The Sunshine State, "Dating a Drug Dealer," In Another Life EP, Self-Released, 2022The Last Dinner Party, "Sinner," Prelude to Ecstasy, Island, 2024Kaleah Lee, "Rotting Fruit," Rotting Fruit (Single), Kaleah Lee, 2024Slow Pulp, "Cramps," Yard, Anti-, 2023Allie X, "Girl With No Face," Girl With No Face (Single), Twin, 2023The Shangri-Las, "Remember (Walking in the Sand)," Leader of the Pack, Red Bird, 1965The Shangri-Las, "Past, Present and Future," Past, Present and Future (Single), Red Bird, 1966Lindsey Buckingham, "Holiday Road," Holiday Road (Single), Warner Bros., 1983See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Larsen's symphonies

amaryllis halvorson sextet nonesuch mary halvorson

Play Episode Listen Later Jan 30, 2024 2:00

SynopsisIn 1985, the musical world was celebrating the 300th anniversary of the birth of Georg Frideric Handel. On today's date that year, Minnesota-based composer Libby Larsen, then in her mid-30s, was celebrating the premiere performance of her Symphony No. 1.Larsen titled her symphony Water Music and says its first movement was a deliberate homage to Handel's famous Water Music. As a resident composer of a state with over 10,000 lakes, Larsen admits her love of sailing also had something to do with the symphony's descriptive title.Since 1985, Larsen has gone on to write a few more symphonies, each with its own particular title. And she frequently gives individual movements of each symphony a descriptive tag. For example, one movement from her Solo Symphony (No. 5), from 1999, is titled “The Cocktail Party Effect.”Rather than the wallop of a stiff drink, Larsen says she means the ability of human hearing to pick out a single voice among the extraneous noise one encounters at a crowded cocktail party. “It's a kind of musical ‘Where's Waldo?'” she says. “In this case, Waldo is a melody, introduced at the beginning … then hidden amid the other music.”Music Played in Today's ProgramLibby Larsen (b. 1950) Symphony: Water Music; Minnesota Orchestra; Neville Marriner, cond. Nonesuch 79147; and Solo Symphony; Colorado Symphony; Marin Alsop, cond. Koch 7520

minnesota koch handel larsen waldo symphony no symphonies marin alsop water music minnesota orchestra nonesuch colorado symphony music played libby larsen neville marriner cocktail party effect

Mary Halvorson, un sextet nuageux et lumineux

Open jazz

Play Episode Listen Later Jan 19, 2024 59:33

durée : 00:59:33 - Mary Halvorson - par : Alex Dutilh - “Cloudward” de la guitariste, compositrice Mary Halvorson, basée à Brooklyn, paraît chez Nonesuch. L'album comprend huit nouvelles compositions de Mary Halvorson, interprétées avec son sextet Amaryllis.

Mary Halvorson, un sextet nuageux et lumineux

Le jazz sur France Musique

Play Episode Listen Later Jan 19, 2024 59:33

durée : 00:59:33 - Mary Halvorson - par : Alex Dutilh - “Cloudward” de la guitariste, compositrice Mary Halvorson, basée à Brooklyn, paraît chez Nonesuch. L'album comprend huit nouvelles compositions de Mary Halvorson, interprétées avec son sextet Amaryllis.

amaryllis halvorson sextet nonesuch mary halvorson

Singleton in Atlanta

Classical Music Discoveries

Play Episode Listen Later Jan 9, 2024 2:00

SynopsisIn the musical world, there are many creative people with innovative ideas, but far fewer with the ability and persistence to raise the funds necessary to realize their visions.Today, a tip of the hat to American composer John Duffy, who, in 1982, was president of Meet the Composer, an organization that secured funding from the National Endowment for the Arts and other foundations for a large-scale residency program that paired rising American composers with major American orchestras. The composers included John Corigliano, Joan Tower, Stephen Paulus, Christopher Rouse, Libby Larsen and Alvin Singleton. Each wrote special works for their orchestras, works that were premiered and recorded as part of the program — a major career boost for any young composer.For example, Singleton was the composer chosen for the Atlanta residency, and on today's date in 1988, that orchestra premiered his work After Fallen Crumbs.The unusual title doesn't refer to arts funding, however apt that might seem, but derives from an earlier choral piece by Singleton whose text dealt with world hunger and closed with the lines, “An ant can feed a family with the fallen crumbs of an elephant.”Music Played in Today's ProgramAlvin Singleton (b. 1940) After Fallen Crumbs; Atlanta Symphony; Louis Lane, cond. Nonesuch 79231

american arts composer national endowment singleton john duffy nonesuch john corigliano music played atlanta symphony libby larsen joan tower christopher rouse louis lane stephen paulus

Episode 59: Górecki - Symphony No 3 - Three Pieces in Olden Style - Totus Tuus

Play Episode Listen Later Nov 29, 2023 70:02

“My ultimate recommendation [for Górecki's Symphony No. 3] goes not to Nonesuch's success, but to the moving recording on Koch Schwann [reissued here on Alto] – this is heartfelt music-making, pure and simple, that succeeds admirably in conveying the sorrow of these aptly named songs. Koch also provides better value for money with their inclusion of the very approachable Three Pieces in Old Style. … [‘Totus Tuus' is] a simple, fetching, unaccompanied motet, written for Pope John Paul's visit to Poland.” -GramophoneTracksSymphony No. 3, Op. 36 “Symphony of Sorrowful Songs” I. Lento (24:23) II. Lento e Largo (8:34) III. Lento cantabile, semplice (12:14) Three Pieces in Olden Style I. (3:19) II. (1:56) III. (3:16) Totus Tuus, Op. 60 (10:50) Help support our show by purchasing this album at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Sean Dacy from Rosebrook Media.

style uber poland alto koch symphony downloads largo lento symphony no olden old style pope john paul nonesuch three pieces totus tuus

The Sundilla Radio Hour #549

Play Episode Listen Later Nov 6, 2023 59:01

The Sundilla Radio Hour for the week of 10/30/2023 featuring: Rhiannon Giddens “We Could Fly” Freedom Highway (2017 Nonesuch) 4:52 The Lowlies “Drink From the Well” The Lowlies (2023 Airloom)3:15 Brooks Williams “Seven Sisters” Work My Claim (2020 Brooks Williams) 3:20 Kelly Hunt “Everybody Knows” Ozark Symphony (2023 Compass) 4:57 Miles & Mafale “Remember to Be Brave” Be Brave (2023 Miles & Mafale) 3:45 Ellis Paul “Cosmos” 55 (2023 Ellis Paul) 3:07 Lilli Lewis “If It Were You” Americana (2021 Elysium House) 3:52 Davey O. “Some Days” Some Days (2023 Davey O.) 3:36 Tiffany Williams “Harder Heart” All Those Days of Drinking Dust (2022 Blue Redbird) 3:02 Pierce Pettis “Tennessee River” Moments (1984 Small World) 3:18 Low Lily “10,000 Days Like These” 10,000 Days Like These (2018 Mad River) 3:18 Dom Flemons “We Are Almost Down to the Shore” Traveling Wildfire (2023 Smithsonian Folkways) 3:01 Shawna Caspi “Love in a Moving Van” Forest Fire (2017 Shawna Caspi) 3:40 Darden Smith “Fall Apart at the Seams” Trouble No More (1990 Columbia) 3:33

columbia compass small world nonesuch smithsonian folkways mad river ellis paul shawna caspi

18. Morton Subotnick, On the Right Track

Other Minds Podcast

Play Episode Listen Later Oct 24, 2023 38:51

Morton Subotnick is an American composer of electronic music, best known for his 1967 composition Silver Apples of the Moon, the first electronic work commissioned by a record company, Nonesuch. He has worked extensively with interactive electronics and multi-media, co-founding the San Francisco Tape Music Center with Ramón Sender, and is an innovator in works involving instruments and other media, including interactive computer music systems. On the podcast, we talk about his youth growing up in Los Angeles, his co-founding of the San Francisco Tape Music Center, shifting from the clarinet to the electronic music studio to live electronic performance, and his upcoming performance of As I Live & Breathe at Other Minds 27 with video artist Lillevan. mortonsubotnick.com Follow us on Facebook, Instagram, and Twitter. otherminds.org Contact us at otherminds@otherminds.org. The Other Minds Podcast is hosted and edited by Joseph Bohigian. Intro/outro music is “Kings: Atahualpa” by Brian Baumbusch (Other Minds Records).

american los angeles moon breathe ram sender right track nonesuch silver apples morton subotnick other minds san francisco tape music center

Adams at the opera

Play Episode Listen Later Oct 22, 2023 2:00

SynopsisRoyalty was often flattered by the composers of the Baroque age. Handel wrote glorious ceremonial music for British monarchs, and Bach was not above working up an obsequiously complimentary cantata or two for some German prince. At the French Court of Versailles, King Louis XIV appeared on stage for cameo appearances during operas and ballets whose stories complemented Louis' wisdom, talent and impeccable good taste.On today's date in 1987, at the Houston Grand Opera in Texas, Richard Nixon, Henry Kissinger, and Chairman Mao didn't come on stage in their own personas, but did appear as characters in the premiere of a new opera by American composer John Adams. Nixon in China was a somewhat surreal and not necessarily flattering dramatization of a real event: President Nixon's ground-breaking trip to communist China in 1972.One can only guess at the former president's reaction to being portrayed on stage. Adams did report that Nixon's lawyer, Leonard Garment, attended a performance of Nixon in China, most likely on the former president's behalf. No lawsuit followed, and, Adams notes with some amusement, Garment even became something of a fan of his music!Music Played in Today's ProgramJohn Adams (b. 1947) Nixon in China - Orchestra of St. Luke's; Edo de Waart, cond. Nonesuch 794543

Episode 31: FREE TIME - with Andrea Belfi

Sound Propositions

Play Episode Listen Later Sep 19, 2023 59:09

Andrea Belfi discusses his latest album, Eternally Frozen, a canon-based composition for percussion, electronics, and brass ensemble. Inspired by a visit to LA's Museum of Jurassic Technology, Belfi draws upon the story of Deprong Mori, a mythological bat that could use its powers of echolocation to phase through solid matter, before being captured by an American researcher, “eternally frozen” in lead. Movement, circularity, and stasis are all terms that also describe Belfi's interests as a composer. We discuss his origins in Italy's punk scene, his time as drummer of the noisy instrumental rock band Rosolina Mar, opening for Thom Yorke, and the development of his unique approach to solo performance as a drummer. TRACKLIST Andrea Belfi - “Golden” [edit 1] (Eternally Frozen, Maple Death, 2023) SP INTRO Andrea Belfi - “Golden” [edit 2] (Eternally Frozen, Maple Death, 2023) Andrea Belfi - “Cera Persa 1” (Cera Persa, Latency, 2016) Andrea Belfi - “Wege B” (Wege, Room40, 2012) Andrea Belfi - “Ton” (Ore, Float, 2017) Thom Yorke - “Atoms for Peace” (The Eraser, XL, 2006) Four Tet - “Pyramid (Atoms For Peace remix)” (Pink Remixes, Bandcamp, 2014) Andrea Belfi - “Pulsing” (Eternally Frozen, Maple Death, 2023) Carla Bozulich - “Pissing” (Evangelista, Constellation, 2006) Andrea Belfi & Ignaz Schick - “Myth 5” (The Myth Of Persistence Of Vision Revisited, Zarek, 2011) Steve Reich / Ulrich Krieger (performer) - “Pendulum Music” (An Anthology Of Noise & Electronic Music / Fourth A-Chronology 1937-2005, Sub Rosa, 2006) Andrea Belfi - “Shale” (Strata, Float, 2019) Steve Reich - “Drumming, Part I” (Works 1965-1995 (Disc 02 - Drumming), Nonesuch, 1997) John Zorn / Ennio Morricone - “The Battle of Algiers” (The Big Gundown, Nonesuch, 1986) Ennio Morricone - “L'Attentato” (C'era una volta il west, RCA, 1969) Egisto Macchi - “Gare Spatiale” (I Futuribili, Gemelli, 1971) Egisto Macchi - “Jungla I”(Africa Minima, Anya, 1972) Vladislav Delay - “Nesso” (Multila, Chain Reaction, 2000) Vladislav Delay - “Mustelmia” (Tummaa, Leaf, 2009) Medves [Andrea Belfi, Giuseppe Ielasi, Renato Rinaldi, Riccardo Wanke, Stefano Pilia] - “Untitled” [Figures Side] (Medves, Fringes Recordings, 2004) Rosolina Mar - “Malpensa Social Club” (Rosolina Mar, Wallace, 2004) Swell Maps - “Harmony In Your Bathroom” (A Trip To Marineville, Rough Trade, 1979) Antioch Arrow - “David” (Gems Of Masochism, Amalgamated, 1995) Clikatat Ikatowi- “Science Fiction Reality” (Orchestrated And Conducted By…, Gravity, 1996) Antioch Arrow - “Date With Destiny” (Gems Of Masochism, Amalgamated, 1995) Drive Like Jehu - “If it kills you” (Drive Like Jehu, Headhunter, 1992) Clikatat Ikatowi - “Rise and Shine” (River of Souls, Gravity, 1998) Heroin - “Indecision” [rework] (All About Heroin, Vinyl Communications, 1991) Hiroshima Rocks - “Walking Like US Maple” (Around Isolation Bus Blues, NO=FI, 2001) Stereolab - “Metronomic Underground” (Emperor Tomato Ketchup, Elektra, 1996) Gastr del Sol - “Thos. Dudley Ah! Old Must Dye” (Crookt, Crackt, Or Fly, Drag City, 1995) Gastr del Sol - “The Japanese Room At La Pagode” (The Japanese Room At La Pagode / May [Split with Tony Conrad], Table of the Elements, 1995) Rosolina Mar - “La Bottega Del Krapftwerk” (Rosolina Mar, Wallace, 2004) Rosolina Mar - “Before And After Dinner” (Before And After Dinner, Wallace, 2005) Rosolina Mar - “L'ora Di Religione” (Before And After Dinner, Wallace, 2005) Rosolina Mar - “Mingozo di Mongozo (Claudio Rocchetti Remix)” (Rosolina Mar Meet Trumans Water, Robot Radio, 2007) Rhythm & Sound - “Trace” (Rhythm & Sound, Rhythm & Sound, 2001) Andrea Belfi - “Picture Burning” (...a gift for (°!°)..., Afe/Grey Sparkle/et. al, 2004) 3/4hadbeeneliminated - “Loop Recorder in the Patient with Heart Disease” (a year of the aural gauge operation, häpna, 2005) Andrea Belfi - “Iso” (Ore, Float, 2017) Andrea Belfi - “Pastorale” (Eternally Frozen, Maple Death, 2023) -—- Sound Propositions produced by Joseph Sannicandro. --- Support this podcast: https://podcasters.spotify.com/pod/show/soundpropositions/support

american sound italy movement table patients museum souls elements rhythm gravity disc bandcamp leaf float heart disease constellations xl headhunters elektra drumming rca free time thom yorke chain reaction latency gemelli sub rosa rough trade nonesuch gastr drag city amalgamated tony conrad drive like jehu zarek room40 jurassic technology andrea belfi giuseppe ielasi

The Sundilla Radio Hour #539

Play Episode Listen Later Aug 21, 2023 59:01

The Sundilla Radio Hour for the week of 08/14/2023 featuring: James Keelaghan “Cold Missouri Waters” A Recent Future (1995 Tranquilla) 4:59 Emily Barnes “Shape of You” Single is (2023 Emily Barnes) 4:33 Joe Crookston “To Keep You Warm” Darkling & the BlueBird Jubilee (2011 Joe Crookston) 2:42 Raye Zaragoza “Still Here” Hold That Spirit (2023 Rebel River) 4:16 Crowes Pasture “Diamonds” Don't Blink (2023 Crowes Pasture) 4:48 Emily Mure “Come Clean” Worth (2017 Emily Mure) 4:25 Three on a String “Best of Friends” Best of Friends (1979 Ryan Productions) 5:00 Rhiannon Giddens “Shake Sugaree” Tomorrow Is My Turn (2014 Nonesuch) 4:24 Mark Stuart “Can You Come Back?” Left of Nashville (1999 Gearle) 3:31 Abigail Lapell “Halfway to Mexico” Getaway (2019 Coax) 3:21 The Milk Carton Kids “Running on Sweet Smile” I Only See the Moon (2023 Far Cry) 3:21 Caroline Cotter “Don't Wait” Gently as I Go (2023 Caroline Cotter) 2:14 Dave Richardson “Traveling so Far” Carry Me Along (2018 Dave Richardson) 4:32

friends moon left nashville blink far cry coax nonesuch dave richardson caroline cotter emily barnes

Morton Feldman salutes his piano teacher

american france russian teacher piano orchestras john adams ninety czars duke ellington ellington salutes nonesuch morton feldman music played alexander scriabin

Play Episode Listen Later Jul 20, 2023 2:00

SynopsisToday a tip of the hat to a much-beleaguered and frequently unacknowledged species: the piano teacher. Do you, for example, remember the name of your first piano teacher?In the case of Duke Ellington, it was not a name one could easily forget. She was a certain Mrs. Clinkscales, and Ellington always gave her credit for her persistence. “Because of my enthusiasm for playing ball and racing through the street, I missed more lessons than I took,” wrote Ellington. “When she had her piano recital with all her pupils, I was the only one who could not play his part. So Mrs. Clinkscales had to play the treble, and I just played the umpy-dump bottom!”The avant-garde American composer Morton Feldman immortalized the name of HIS piano teacher in an elegiac chamber piece titled Madame Press Died Last Week at Ninety. This music was premiered in France on today's date in 1970. Madame Maurina Press had taught the children of the Czar and knew the Russian composer Alexander Scriabin. She started teaching Morton Feldman when he was twelve, and his tribute to her is scored for 12 instruments—with the piano conspicuous by its absence!Music Played in Today's ProgramMorton Feldman (1926 - 1987) Madame Press died last week at 90 Orchestra of St. Luke's; John Adams, conductor. Nonesuch 79249

Mat Osman's The Ghost Theatre Imagines the Lives of Elizabethan London's Child Actors

Folger Shakespeare Library: Shakespeare Unlimited

Play Episode Listen Later Jul 18, 2023 31:37

Mat Osman's new novel, The Ghost Theatre, takes us flying over the rooftops of Elizabethan London and down into the gritty lives of its child actors. A historical novel set in a vibrant and sensuously reimagined Elizabethan London, the book's main character is Shay, the daughter of a clairvoyant who lives among a community who worship birds. When Shay meets a charming young actor named Nonesuch, she is drawn into the world of the children's theater—that is, a theater whose actors and crew are all made up of young people, performing for an audience made of primarily of adults. Shay falls in love with performance and joins an immersive guerrilla theater troupe that gets tangled up in a violent political power struggle. Osman is more famous as the bass player in the British rock band Suede. To get the texture of Elizabethan life right in The Ghost Theatre, Osman researched as much as he could at the margins of history. Osman tells Barbara Bogaev about how he explored his young actors' lives, invented an early modern religious sect, and how his long career as a rock musician helped him write the novel.

ghosts british theater osman suede elizabethan child actors imagines nonesuch elizabethan london

Diamond and Thompson

2500 DelMonte Street: The Oral History of Tower Records

Play Episode Listen Later Jul 9, 2023 2:00

SynopsisToday we note the birth and death anniversaries of two American composers of the 20th century.On today's date in 1915, American composer David Diamond was born in Rochester, New York. In 1940, Dmitri Mitropoulos, then the music director of the Minneapolis Symphony commissioned one of Diamond's best-known works. Mitropoulos had specifically asked him for an upbeat piece of music. “Write me a HAPPY work,” asked Mitropoulos. “These are distressing times ... make me happy!” The 29-year-old composer responded with his popular “Rounds for String Orchestra,” which Mitropoulos premiered in Minneapolis in 1944.Also on today's date, in 1984, the American composer and teacher Randall Thompson died in Boston at the age of 85. Randall Thompson wrote three symphonies and some fine chamber works, but HIS best-known piece of music is this choral setting of “Allelujah” which was first performed at the opening of the Berkshire Music Center at Lenox, Massachusetts, in the summer of 1940, when Thompson was 41 years old.“[My ‘Alleujah' is] a very SAD piece,” said Thompson. “Here it is comparable to the Book of Job, where it is written, ‘The Lord giveth and the Lord has taken away. Blessed be the name of the Lord.'”Music Played in Today's ProgramDavid Diamond (1915-2005) Rounds (Los Angeles Chamber Orchestra; Gerard Schwarz, conductor.) Nonesuch 79002 Randall Thompson (1899 – 1984) Alleluia (Robert Shaw Chamber Singers; Robert Shaw, conductor.) Telarc 80461

Ep. 49 Arthur Moorhead (Columbus & Bay, ECM, Rhino & Nonesuch Records)

Play Episode Listen Later May 9, 2023 66:16

Was Arthur Moorhead the greatest jazz buyer that ever worked at Tower Records? Stan Goman believes that is the case. Growing up in Arizona, Arthur became a proficient trombone player and obsessed with jazz, movie soundtracks and orchestral music. By his own admission he was almost completely ignorant of pop music, except The Beatles. As a young teenager, his weekends consisted of hopping on a bus with a friend and making the rounds of Arizona record storeslooking for records. Eventually he worked for a local record store called Recordland in Phoenix and Mesa, Arizona.In 1975 Arthur moved to San Francisco to pursue a career as a professional trombone player, as opportunities in Phoenix were few & far between. Needing a day job, he entered Tower Records Columbus & Bay. As luck would have it the current jazz buyer was planning to leave for a job with a catering company. Arthur's interview consisted of Stan Goman and the current jazz buyer interviewing him with very basic jazz questions Arthur aced and he was hired on the spot. For the next five years, Arthur worked at Tower by day and evenings as a trombonist.Through his tenure at Columbus & Bay, Arthur got to know the heads of the record labels and was approached by the US Managing Director of ECM Records which at the time was distributed by Warner Bros. Records, to be the National Sales Manager for ECM based out of New York City. For the next 40 years, Arthur worked in the WEA family of labels spending time with Elektra, Atlantic, Rhino and Nonesuch. At Nonesuch Arthur worked with John Adams, Steve Reich, Johnny Greenwood, Pat Metheny, David Byrne, Wilco, Fleet Foxes, Bill Frisell, Randy Newman and a host of other amazing artists. Arthur was also a producer, executive producer and reissue supervisor on many projects.

The Sundilla Radio Hour #515

souls kennedys roundhouse spinsters new west misra johnny flynn nonesuch scott cook mad river

Play Episode Listen Later Mar 6, 2023 59:01

The Sundilla Radio Hour for the week of 02/27/2023 featuring: Scott Cook “Let Love Have Its Way” Tangle of Souls (2020 Scott Cook) 5:01 Sunny War “New Day” Anarchist Gospel (2023 New West) 3:21 Yasmin Williams “Sunshowers” Urban Driftwood (2021 SPINSTER) 4:14 The Bombadils “Dangling Like Keys” Dear Friend (2022 The Bombadils) 3:57 David Jacobs-Strain and Bob Beach “Rollin'” The Belfry Session (2023 David Jacobs-Strain and Bob Beach) 3:57 Rhiannon Giddens “Shake Sugaree” Tomorrow Is My Turn (2014 Nonesuch) 4:24 The Kennedys “Angels Cry” Retrospective (2012 The Kennedys) 3:07 Davey O. “Nothing Could Go Wrong” A Bright Horizon Line (2017 Davey O.) 4:25 Johnny Flynn “Detectorists” Live at the Roundhouse (2018 Johnny Flynn) 2:45 Low Lily “Good, Bad, Better” 10,000 Days Like These (2018 Mad River) 3:26 Chris Coole “Make This Day” The Old Man and the C Chord (2022 Chris Coole) 3:06 Buffalo Rose & Tom Paxton “I Give You the Morning” Rabbit (2022 Misra) 3:31 Watchhouse “Belly of the Beast” Watchhouse (Duo) (2022 Tiptoe Tiger) 3:34

"The Wound Dresser" by John Adams

american living san francisco civil war alzheimer's disease adams bay area aids wound john adams whitman walt whitman dresser nonesuch orch music played

Play Episode Listen Later Feb 24, 2023 2:00

Synopsis It's quite possible that you or someone you know is the caregiver for an ill or aging relative or friend. If so, you know the emotional rewards—and heavy emotional toll—that caretaking involves. On today's date in 1989, the American composer John Adams led the Saint Paul Chamber orchestra and baritone Sanford Sylvan in the premiere performance of a powerful new chamber work he had composed inspired by—and in honor of—caretakers everywhere. In 1988, John Adams's father had died after years of struggling with Alzheimer's, and Adams was haunted by images of his mother caring for her husband as the illness progressed. Living in San Francisco, Adams was also moved by Bay Area friends who nursed loved ones during those helpless early years of the AIDS epidemic. Adams found that these 20th century experiences resonated in certain poems by the 19th century American poet Walt Whitman, who had served as a volunteer nurse during the Civil War, initially to care for his own wounded brother, but subsequently to tend other wounded soldiers in those traumatic years. Adams chose one Whitman poem, entitled The Wound Dresser, as text and title for his new work. The Wound-Dresser, said Adams, is about the power of "human compassion that is acted out on a daily basis." This work has become one of the most-performed and most-admired of all the compositions of John Adams. Music Played in Today's Program John Adams (b. 1947) The Wound Dresser Sanford Sylvan, bar;Orch. of St. Luke's;John Adams, conductor. Nonesuch 79218

Deems Taylor and David Del Tredici in Wonderland

Play Episode Listen Later Feb 23, 2023 2:00

Synopsis In February of 1919, members of the New York Chamber Music Society gave the premiere performance of this music—an instrumental suite by the American composer Deems Taylor, titled Through the Looking Glass. A few years later, Deems Taylor landed a job as music critic for the New York World, and following that, became known coast-to-coast as the radio commentator for New York Philharmonic broadcasts, and as the host of a popular quiz-show titled Information, Please. His voice was also heard as the commentator for the 1940 Disney film, Fantasia. On today's date in 1980, another American composer premiered a musical work inspired by Alice in Wonderland. This was David Del Tredici's In Memory of a Summer's Day, first presented by the St. Louis Symphony conducted by Leonard Slatkin. By 1980, Del Tredici had already composed several successful works inspired by the Lewis Carroll books, but In Memory of Summer's Day capped the lot, and won that year's Pulitzer Prize for Music. Del Tredici was a protégé of Aaron Copland, and recalled how Copland would react to Del Tredici's compositions. "He'd say something noncommittal at first, such as 'It's very nice.' Then maybe an hour or so later, at dinner, he would turn to me, apropos of nothing, and say, 'I think the bass line is too regular, and the percussion should not always underline the main beat and would you please pass the butter.'" Music Played in Today's Program Deems Taylor (1885-1966) Through The Looking Glass Suite Seattle Symphony; Gerard Schwarz , conductor. Delos 3099 David Del Tredici (b. 1937) In Memory of A Summer Day St. Louis Symphony; Leonard Slatkin, conductor. Nonesuch 79043

Lake Street Dive

Rig Rundowns

Play Episode Listen Later Feb 22, 2023 35:00

College internships can run the gamut. They can lead you into a career or dissuade you from pursuing one altogether. In 2004, while still attending the New England Conservatory of Music in Boston, singer Rachael Price, bassist Bridget Kearney, guitarist Mike “McDuck” Olson, and drummer Mike Calabrese joined forces to perform as what they dubbed a “free country band,” where they intended to play country music in an improvised, avant-garde style. As it goes with many college-years experiments, it didn't stick, but the fervid foursome pushed forward in continuing to develop their own sound. They quickly graduated to a bona fide band cultivating a buzz with infectious concerts, creative covers, and complex, groovy originals. Through their mutual influences and complimentary counterpoints, their sound matured into a harmonious fusion, as if Berry Gordy produced the Beatles in Nashville's RCA Studio.If starting a band and shaping their sound was an internship and bachelor's degree, self-releasing records and organizing U.S. tours would be their master's and doctorate. They self-released 2007's In This Episode... and 2008's Promises, Promisesbefore joining Signature Sounds, who put out 2010's Lake Street Dive and 2014's Bad Self Portraits. (The latter slotted them on the Billboard charts—No. 18 in the 200 and No. 5 in Top Rock Albums.) They then signed to Nonesuch, where they've dropped three more albums—most notably 2016's Side Pony, which put them atop the Top Rock Albums chart, while 2021's Obviously netted them their highest single, with “Hypotheticals” hitting No. 2 on the Adult Alternative Airplay chart.And while the band has continued to evolve, experiment, and expand their signature sound, they have kept to their core identity—having fun. They seem never to miss a Halloween dress-up show, and still aren't gun-shy about covering classics and making them their own. Setlists are often littered with audience requests and reinterpretations of the Beatles, Hall & Oates, George Michael, Bonnie Raitt, Elvis, Shania Twain, the Pointer Sisters, the Jackson Five, the Kinks, Steely Dan, Annie Lennox, Sly & the Family Stone, and countless others.The afternoon before their second consecutive sellout at Nashville's Ryman Auditorium, Lake Street Dive's Bridget Kearney and James Cornelison welcomed PG's Chris Kies on stage for a casual gear chat. Kearney explained how she uses a pair of octave pedals through her standup double bass, and what she's doing with four tuners! Plus, she explains what restarted her slow-burn courtship with electric bass. Then, Cornelison walks us through his setup, which includes leftover pieces from cofounding guitarist Mike “McDuck” Olson and a ratty pickup bought off a former PGstaffer. It both honors the band's catalog and carves his own musical fingerprint.Brought to you by D'Addario Nexxus 360 Tuner.

Glass Philip Glass Philip Glass

Play Episode Listen Later Jan 31, 2023 2:00

Synopsis The American composer Philip Glass was born in Baltimore on this date in 1937. Glass says he discovered music via his father's radio repair shop, where, in addition to servicing radios, Papa Glass sold records. When certain titles sold poorly, Papa would take them home and play them for his three children, trying to discover why they didn't appeal to customers. And so the future composer rapidly became familiar with commercially unsuccessful records of Beethoven string quartets, Schubert piano sonatas, and Shostakovich symphonies. After some decades studying music, both commercially successful and not, Glass struck out on an original path. In the 1970s, he made a name for himself as both a composer and a performer of hypnotically and repetitiously patterned music for dance and theatrical events in association with Mabou Mines and avant-garde theatrical director Robert Wilson. In 1976 the Philip Glass-Robert Wilson opera Einstein on the Beach premiered in France and was subsequently staged at the Metropolitan Opera in New York. In the decades that followed, Glass has composed many more operas, symphonies, and film scores, and has the dubious distinction of generating of “Philip Glass jokes,” the most famous being: Knock-knock. Who's there? Philip Glass. Knock-knock. Who's there? Philip Glass Knock-knock. Who's there? Philip Glass Music Played in Today's Program Philip Glass (b. 1937) Symphony No. 3 Stuttgart Chamber Orchestra; Dennis Russell Davies, conductor. Nonesuch 79581

new york france baltimore beach glass papa albert einstein knock ludwig van beethoven schubert philip glass metropolitan opera symphony no shostakovich robert wilson nonesuch mabou mines

Rehearsing Monteverdi and Reich

Play Episode Listen Later Nov 21, 2022 2:00

Synopsis Today, a letter: written on this date in 1615 by the Italian composer Claudio Monteverdi to a friend at the court of the Duke of Mantua. The letter accompanied a vocal score that Monteverdi hoped would convince the Duke to commission a much larger work. After detailed instructions regarding the positioning of the singers and the instruments Monteverdi adds—almost as an afterthought—this line: “If you could let the singers and players see the music for an hour before His Highness hears it, it would be a very good thing indeed.” Talk about “authentic performance practice!” It probably took more than an hour's rehearsal for the U.S. premiere of American composer Steve Reich's intricate setting of four Hebrew psalm fragments—titled “Tehillim”—which took place in Houston, Texas, on today's date in 1981. Back then, Reich was already famous as one of America's leading “minimalist” composers, but a search for fresh directions coincided with Reich's rediscovery of his Jewish heritage, and “Tehillim” was the result. “For me,” says Reich, ”the most important aspect of a piece of music, mine or someone else's, is its emotional and intellectual effect on performers and audiences—I find it basically impossible to separate the emotional and intellectual aspects of a piece of music.“ Music Played in Today's Program Claudio Monteverdi (1567-1643) Orfeo Monteverdi Choir; English Baroque Soloists; John Eliot Gardiner, cond. Erato 88032 Steve Reich (b. 1936) Tehillim Schoenberg Ensemble; Percussion group The Hague; Reinbert De Leeuw, Cond. Nonesuch 79295

Aimee Mann on the Five Albums That Shaped Her

Play Episode Listen Later Jun 10, 2022 51:18 Very Popular

Hosts Jim DeRogatis and Greg Kot are big fans of Aimee Mann's songwriting, so they've asked her to choose five albums that shaped her artistic outlook. She shares those albums and what they meant to her at different points in her life on this episode. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Aimee Mann, "Save Me," Magnolia (Music From the Motion Picture), Warner Music, 1999Neil Young, "Heart of Gold," Harvest, Reprise, 1972Neil Young, "A Man Needs A Maid," Harvest, Reprise, 1972Neil Young, "Are You Ready For The Country," Harvest, Reprise, 1972Neil Young, "The Needle and the Damage Done," Harvest, Reprise, 1972Aimee Mann, "Burn It Out," Queens of the Summer Hotel, SuperEgo, 2021Neil Young, "Old Man," Harvest, Reprise, 1972Neil Young, "Alabama," Harvest, Reprise, 1972Steely Dan, "Do It Again," Can't Buy A Thrill, ABC, 1972Steely Dan, "Only a Fool Would Say That," Can't Buy A Thrill, ABC, 1972Steely Dan, "Reelin' In the Years," Can't Buy A Thrill, ABC, 1972Steely Dan, "Dirty Work," Can't Buy A Thrill, ABC, 1972Steely Dan, "The Boston Rag," Countdown to Ecstasy, ABC, 1973Elvis Costello And The Attractions, "Beyond Belief," Imperial Bedroom, Columbia, 1982Elvis Costello And The Attractions, "Almost Blue," Imperial Bedroom, Columbia, 1982Elvis Costello And The Attractions, "...And In Every Home," Imperial Bedroom, Columbia, 1982Elvis Costello And The Brodsky Quartet, "I Thought I'd Write to Juliet," The Juliet Letters, Warner Bros, 1993The Young Snakes, "Not Enough," Bark Along With The Young Snakes, Ambiguous, 1982Aimee Mann, "At The Frick Museum," Queens of the Summer Hotel, SuperEgo, 2021The Loud Family, "Sword Swallower," Plants and Birds and Rocks and Things, Alias, 1993The Loud Family, "Inverness," Plants and Birds and Rocks and Things, Alias, 1993Aimee Mann, "Fifty Years After the Fair," Whatever, Imago, 1993Game Theory, "Regenisraen," The Big Shot Chronicles, Enigma, 1986The Loud Family, "Slit My Wrists," Plants and Birds and Rocks and Things, Alias, 1993The Loud Family, "Jimmy Still Comes Around," Plants and Birds and Rocks and Things, Alias, 1993Elliott Smith, "Waltz, No. 2 (XO)," XO, Dreamworks, 1998Elliott Smith, "Sweet Adeline," XO, Dreamworks, 1998Aimee Mann, "Suicide Is Murder," Queens of the Summer Hotel, SuperEgo, 2021Devo, "Whip It," Freedom of Choice, Warner, 1980Devo, "Uncontrollable Urge," Q: Are We Not Men? A: We Are Devo!, Warner, 1978Wilco, "Ashes of American Flags," Yankee Hotel Foxtrot, Nonesuch, 2001Motorcade, "Static," See You In the Nothing, IDOL, 2022Galaxie 500, "Tugboat," Today, Aurora, 1988

Revisiting Yankee Hotel Foxtrot With Wilco

Play Episode Listen Later Apr 8, 2022 51:28 Very Popular

One week after the attack on the World Trade Center, Wilco played songs from their album "Yankee Hotel Foxtrot" on Sound Opinions. In honor of the album's twentieth anniversary we're revisiting that session and the band's interview with hosts Jim DeRogatis and Greg Kot. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lURecord a Voice Memo: https://bit.ly/2RyD5Ah Featured Songs:Wilco, "I'm The Man Who Loves You (Live on Sound Opinions)," Yankee Hotel Foxtrot, Nonesuch, 2002Wilco, "War On War," Yankee Hotel Foxtrot, Nonesuch, 2002Wilco, "Should've Been In Love," A.M., Reprise, 1995Wilco, "She's A Jar," Summerteeth, Reprise, 1999Wilco, "Ashes of American Flags," Yankee Hotel Foxtrot, Nonesuch, 2002Led Zeppelin, "Dazed and Confused," Led Zeppelin, Atlantic, 1969

Songs Named After Women, Ukrainian Musician Serge Tiagnyriadno & RIP Timmy Thomas