Podcasts about get no satisfaction

The Rolling Stones and Soundgarden are two of the most influential bands in the history of rock – and two new books tell their stories. The Rolling Stones by Bob Spitz is a history of the band, but also of drugs, women and feuds. In today's episode, the author gives Here & Now's Indira Lakshmanan a behind-the-scenes look at songs like “(I Can't Get No) Satisfaction” and “Gimme Shelter.” Then, Soundgarden guitarist Kim Thayil joins Morning Edition's A Martínez for a conversation about A Screaming Life, which tells the story of the band from its roots in Seattle's grunge scene.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedaySee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Send us Fan MailThe Capacity to Have and Live “Whole” - ContentmentWhat if the word you've been underestimating your whole life is the very key to what you've been reaching for? In this episode, we explore contentment — not as a lesser version of happiness, but as the deep, stabilizing foundation from which real growth, goals, and real quality of life are built.We'll walk through the “Goal Sandwich framework” for grounding your desires in what you already have. We'll unpack the concept of capacity — your internal readiness to hold good things when they arrive. And we'll close with three reflection questions designed to take you from the surface all the way to your soul.This one is foundational. This one is for you. Quote of the Week: “He who is not contented with what he has, would not be contented with what he would like to have.”— Socrates I want to leave you with three questions to carry into your week. To sit with. Let them breathe. 1.  What am I happy with right now? (The surface check-in. Start here. It's a valid place to begin.) 2.  What brings me genuine satisfaction? (Go deeper. What actually feels like enough? What do you already have that you truly wanted?) 3.  Do I have the capacity to hold this satisfaction? (The transformational question. Am I willing to let this be real? Am I home to receive what I've already been given?) That third question — that is where the work lives. That is where wellness deepens from concept into lived experience. This is where our maintenance of the good things we build remains.Let's go, let's get it done.Get more information at: http://projectweightloss.org

Time to get funky 01- FKJ - Soulmates 02- Jarrod Lawson - Smoke Me Out 03- P.H.A.T. - SUNDERLAND 04- Claudio Corona - Jump on in! 05- Outasight - Tango 06- The 7:45s - (I Can't Get No) Satisfaction (feat. Martin Connor) 07- Lucid Lucia - Lucid Juice 08- Lost World Orchestra - Funky Mechanoid (feat. Eric McCann) 09- Jalen Ngonda - Burning Temptation 10- Aves - Keep It Loose 11- Dusk Dept. - Cut You Loose (feat. Adryon De León) 12- Prince - Stone 13- Vince Esquire - Cosmic Cowboy 14- Moodssupply - Stop Holding Back 15- Delvon Lamarr Organ Trio - Chicken Leg 16- The Slices - Hypertension 17- Jungle - The Wave

In 1965, Mick Jagger, the lead singer of The Rolling Stones, and the lead guitarist, Keith Richards, wrote one of their most popular hit songs; “Can't Get No Satisfaction.” This 1965 classic perfectly captures that restless, unfulfilled endless chase for satisfaction that nothing in the world can truly provide. Many of you feel like you have tried everything, and yet you aren't satisfied. Something deep inside still feels empty, restless, and lonely. Billy Graham stood before brilliant students at Harvard when one asked, “Tell me plainly, how can I know God?” The answer hasn't changed in 2,000 years. Today we'll walk through the four simple yet powerful steps from God's Word that will answer plainly, how you can know God.1 - God's Purpose2 - Our Problem3 - God's Remedy4 - Our ResponseKey Scriptures used in today's teaching: Romans 5:6-11Other Scriptures referenced: Romans 15:13; John 10:10; Isaiah 59:2; Romans 6:23; 2 Peter 3:9; 1 Timothy 2:5-6; 1 Peter 2:24-25; John 1:12-13; Romans 10:13If you prayed with Tiff, click here https://lostlamb.org/ and let him know!  Be sure to check out the playlist “New Beginnings” - https://www.youtube.com/playlist?list=PLsX8E19Azl58_FjxELPxjnsL8CAtmama4Thank you for listening, and subscribe for new content each week. 
Connect with Tiff Shuttlesworth:Facebook: https://www.facebook.com/LostLambAssociation/ Instagram: https://www.instagram.com/tiffshuttlesworth/ X/Twitter: https://twitter.com/tiffshuttleswor Learn more about my ministry: https://lostlamb.org/ Learn more about my ministry in Canada: https://www.lostlamb.ca

Ich hab das Faxen dicke ;-) In der aktuellen Folge befassen wir uns mit Bürokratie, IT und anderen potentiellen Motivationskillern im Krankenhaus…

Cette semaine dans La Cover du #LeDriveRTL2, Margaux Lassalle met à l'honneur les légendaires Rolling Stones, qui s'apprêtent à faire leur retour le 10 juillet prochain avec l'album "Foreign Tongues". L'occasion parfaite pour se replonger dans l'un des riffs les plus célèbres de l'histoire de la musique avec l'incontournable "(I Can't Get No) Satisfaction". Sorti en 1965, ce classique a d'abord été censuré au Royaume-Uni pour ses paroles évoquant la frustration sexuelle, jugées trop provocantes à l'époque, avant de rencontrer un succès monumental, particulièrement aux États-Unis. Devenu un hymne indémodable, ce titre a traversé les soixante dernières années en inspirant des réinterprétations extrêmement variées. Quelques mois seulement après sa sortie, la légende de la soul Otis Redding s'en empare pour livrer une relecture sublimée par des cuivres puissants. En France, Eddy Mitchell l'adapte rapidement sous le titre "Rien qu'un seul mot". L'œuvre transcende ensuite toutes les frontières musicales : elle se métamorphose en salsa avec le Portoricain Frankie Ruiz en 1996, adopte des sonorités R&B très sensuelles avec Britney Spears dans les années 2000, et s'offre même un détour par la country-rock en 2023 lorsque Dolly Parton convie Pink et Brandi Carlile sur son album "Rockstar". Pour clore cette riche rétrospective, la chronique s'attarde sur l'une des réinventions les plus radicales du morceau, signée par le groupe américain Devo à la fin des années 70. En s'éloignant totalement de l'aspect sulfureux et rock de la version originale, la formation livre une adaptation surprenante, aux sonorités beaucoup plus rigides et hypnotiques, prouvant une nouvelle fois la formidable capacité de ce tube à se réinventer à l'infini. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Ecclesiastes 1:12-2:26 - What is life about? What do we gain from our labour? Jon Teasdale begins to unwrap the answer to these important questions from Ecclesiastes 1 & 2.

It's high noon. Jesus is tired, thirsty, and sitting alone at a well in territory most self-respecting Jewish men would have walked miles out of their way to avoid. And then she shows up — a Samaritan woman with a complicated past and a water jar. What happens next is one of the most remarkable conversations in all of Scripture. Today we're in John 4, verses 1 through 26. We're glad you're with us for Believe, our series through the Gospel of John. Let's get into it. Executive Producer: Dave Putnam Speaker: Pastor Jeff Thompson Sound design, mixing, and editing: Bryan Tripp Graphic Design: Wesley Cassford Social Media: Bryan Spahr Producer: Sherri Smith WE INVITE YOU TO CONNECT WITH US: • Website: https://www.harvestbible.org/ WE INVITE YOU TO FOLLOW US ON SOCIAL MEDIA: • Instagram: @harvestbiblechapel • Facebook: https://www.facebook.com/harvestbiblechapel/

Headline: DESERT HEAT, BIG MOOLAH, & HEAVY BEATS! ☀️

 They open with a bouncy "Man Smart (Woman Smarter)" before Jerry brings out one of his more poignant ballads, "To Lay Me Down." The introspective mood continues as Bobby rolls into "Lost Sailor," but things pick up speed as he moves into "Saint of Circumstance." Drums and Space follows, slowly building momentum until Phil drops a huge bass bomb leading into "The Other One" — the jamming, psychedelic rendition here is the highlight of the set. They then drift into the haunting "Stella Blue" before "Goin' Down the Road Feelin' Bad" carries us toward the close, punctuated by a high-energy "Satisfaction" led by Bobby and Brent Mydland. The "Brokedown Palace" encore is always a favorite sendoff.   Grateful Dead Community War Memorial Auditorium Rochester, NY 4/9/1982 - Friday Two     Man Smart (Woman Smarter) [6:54] ; To Lay Me Down [9:00] ; Lost Sailor [6:21] > Saint Of Circumstance [7:19] > Drums [2:34#] > Space [7:28] > The Other One [7:08] > Stella Blue [7:32] > Goin' Down The Road Feeling Bad [6:11] > (I Can't Get No) Satisfaction [6:37] Encore     Brokedown Palace [5:14] You can listen to this week's Deadpod here:   https://deadshow.blogspot.com/2026/04/dead-showpodcast-for-41026.html thanks for the love and support!  

Mick Jaggers Weg zum Weltruhm war durch eine Reihe musikalischer und persönlicher Meilensteine geprägt, die ihn zum „Inbegriff des ewig jungen Rockstars“ machten.Hier sind die entscheidenden Stationen seiner Karriere laut den Quellen:Musikalische Anfänge und Einflüsse: Nachdem er 1958 ein Konzert von Buddy Holly besucht hatte, begann Jagger selbst Musik zu machen. Stark beeinflusst wurde er zudem von Chuck Berry und später für seine extrovertierte Bühnenshow von James Brown. Seine erste Band, die Blues-Gruppe „Little Boy Blue and the Blue Boys“, gründete er noch während seiner Schulzeit.Wiederbegegnung mit Keith Richards: Ein entscheidender Wendepunkt war das zufällige Wiedersehen mit seinem ehemaligen Schulkameraden Keith Richards im Jahr 1961 an einem Bahnsteig. Da Jagger Schallplatten von Muddy Waters und Chuck Berry bei sich trug, kamen sie über ihre gemeinsame Vorliebe für Blues und Rock 'n' Roll ins Gespräch und beschlossen, gemeinsam zu musizieren.Gründung der Rolling Stones: In der Londoner Clubszene lernten sie Alexis Korner sowie Brian Jones kennen. Gemeinsam mit Jones gründeten sie 1962 die Rolling Stones, die im Juli desselben Jahres ihren ersten Auftritt im Marquee Club in London hatten. Ein erstes wichtiges Engagement folgte 1963 im Crawdaddy Club.Songwriting-Partnerschaft: Ein wesentlicher Pfeiler des Welterfolgs war die Zusammenarbeit von Jagger und Richards als Songwriter. Das Duo komponierte hunderte Lieder, darunter Welthits wie (I Can't Get No) Satisfaction, Paint It Black und Sympathy for the Devil. Das Magazin Rolling Stone führt sie auf Rang sechs der größten Songwriter aller Zeiten.Solo-Projekte und Filmkarriere: Jagger etablierte sich auch außerhalb der Band. Sein erstes Soloalbum She's The Boss (1985) war international erfolgreich. Ein denkwürdiger Moment war sein Auftritt beim Live-Aid-Konzert 1985 zusammen mit Tina Turner. Zudem wirkte er als Schauspieler in Filmen wie Performance (1968) und Ned Kelly mit.Ritterschlag: Als Anerkennung für seine Verdienste um die populäre Musik wurde Mick Jagger im Dezember 2003 von Prinz Charles zum Ritter geschlagen und darf seither den Titel „Sir“ führen.Interessanterweise befasste sich auch der Autor Anthony Scaduto intensiv mit Jaggers Leben und verfasste 1974 eine Biografie über ihn. Wie die sehr bekannte indiskrete Biographie Bob Dylan. Beide als Taschenbuch kaum noch zu finden, am besten Flohmarkt oder so. Knapp und gut und macht Freude zu lesen. Bob Dylan Deutsch: Carl Weissner. Verlag 2001. Preis damals DM 3.90, als Buecher noch erschwinglich waren.

Escucha una nueva edición de Los Ideales / The Indieals, 180 minutos de música alternativa cosidos a mano y sin algoritmos, como se hacía antes. Entrad sin llamar, aquí cabemos todos. Hoy un especial de covers. Han sonado: 1) The Jesus and Mary Chain - My Girl 2) Suede - Brass In Pocket 3) Violent Femmes - Crazy 4) Newton Faulkner - Teardrop 5) Massive Attack; Horace Andy - Light My Fire - Live From United Kingdom/1994 6) The White Stripes - Jolene 7) Alice Russell; Nostalgia 77 - Seven Nation Army 8) Pecos Hank - Common People 9) Yo La Tengo - Friday I'm in Love 10) Najwajean - I'm Gonna Be (500 Miles) 11) Supergrass - Just Dropped In (To See What My Condition Was In) 12) Kula Shaker - Hush 13) The B-52's - Downtown 14) The Creatures - Right Now 15) Les Touffes Krétiennes - Guns of Brixton 16) Bob Marley & The Wailers - Sugar Sugar 17) Grandmagneto - Night Fever 18) Nada Surf - Enjoy the Silence 19) El Petit De Cal Eril - Close To Me 20) Talking Heads - Take Me to the River 21) girl in red - Girlfriend Is Better 22) Inspiral Carpets - Tainted Love 23) The Stranglers - Walk on By 24) The Jam - In The Midnight Hour 25) Placebo - Daddy Cool 26) !!!; Meah Pace - Man On The Moon 27) The Soup Dragons; Junior Reid - I'm Free 28) Fcukers - Devils Cut 29) Beck - Leopard-Skin Pill-Box Hat 30) Nancy Whang; Drop Out Orchestra - I Was Made for Loving You 31) The Muffs - Changes 32) The Temper Trap - Under The Milky Way 33) Teenage Fanclub - Like a Virgin 34) CAKE - I Will Survive 35) Happy Mondays - Stayin' Alive - 12" Mix 36) DEVO - (I Can't Get No) Satisfaction 37) Big Black - The Model 38) Red Hot Chili Peppers - Higher Ground 39) Rage Against The Machine - Renegades Of Funk 40) Dum Dum Girls - There Is a Light That Never Goes Out 41) The Presidents Of The United States Of America - Video Killed The Radio Star 42) Franz Ferdinand - Call Me 43) Blondie - Heroes - Live 44) David Bowie - Let's Spend the Night Together 45) Sandie Shaw - Sympathy For The Devil 46) Ramones - Somebody to Love 47) Yeah Yeah Yeahs - Sheena Is A Punk Rocker 48) The Clash - I Fought the Law 49) Oasis - You've Got To Hide Your Love Away 50) The Lemonheads - Mrs. Robinson 51) PJ Harvey; Tim Phillips - Love Will Tear Us Apart 52) Echo & the Bunnymen - Ticket to Ride

Qohelet stresses the necessity of reverence when approaching the Lord, directing men to: Walk prudently when going to the house of God.  When you are near the Holy, your focus should lie on the Lord and not worldly matters. Be more ready to hear, rather than give the sacrifice of fools.  Those carelessly insulting in their approach know not the evil they do.  He then discusses the significance of Vows: Be not rash with thy mouth. For God is in heaven and thou upon earth. Remember the positions between God and man. He is everlasting with a view of all, while we have a single lifetime. The poet then gets cryptic --  for a dream comes through a multitude of activity; and a fool's voice is known by his babbling words. This may reference the confusion of ideas and images within dreams – something we all experience but cannot come close to fully understanding. Within such mystery is more than meets the eye. When thou makes a vow unto God, defer not to pay it; for He hath no pleasure in fools. Simply, live up to Your vows for the Lord does not suffer fools. It is much better to refrain from vowing, than failing to live up to a commitment.Qohelet then advices to never let your words to cause your flesh to sin. We also get another reference to the world of dreams -  for in the multitude of dreams and many words there is also vanity. Instead fear God.We can get lost in analyzing the complexity of dreams.  Instead of focusing too much on the esoteric -- revere God. The Preacher moves on to discussing the pervasive injustice that surrounds us.  If thou seest the oppression of the poor and violent perverting of justice, marvel not…for He that is highest sees all. Simply, there is a place where all are accountable and wrongs are ultimately made right.Qohelet then discusses avarice. The profit of the earth should be for all as the king himself is served by thefield. Even the King is fed from the field and connected the peasants and slaves. All such relationships must be managed with wisdom.He that loveth silver shall not be satisfied; nor he that loveth abundance, with increase. It is nearly impossible to get earthly Satisfaction. Solomon was keen to this. When material wealth increases, ultimately what good is there to the owners thereof, except the beholding of it with their eyes? One will not have long to enjoy their bounty, for life is short.  The Preacher demonstrates how the sleep of a laboring man is often sweet, while the abundance and worries of the rich often does not allow a fulfilling rest.  In Your work, envision that you toil for God and you will are likely to at least earn a good night's sleep.The Preacher moves on to discuss the uncertainty of wealth and how, at times, it only brings hurt to thebeholder.  Further, it can all be lost in an instant.  This shows the foolishness of hoarding wealth. Solomon understood that despite the customs of the pharaohs, one cannot take their wealth with them after death. Ultimately, as man came forth of his mother's womb, naked shall he return. The words are similar to Job's, when he was stripped of his wealth. Many with great wealth will come to believe that they have just labored for the wind.The Preacher has us consider how wealth does not enrich the life of each wealthy person. Instead, itoften brings much sickness and angst. Qohelet has some practical advice for those not awed by the Divine: It is good and fitting for one to eat and drink, and to enjoy the good of all his labor in which he toils under the sun all the days of his life which God grants him; for it is his heritage. Enjoy life's pleasures...if you fortunate enough to be able to. Nevertheless, such vane men will not remember much that is meaningful, or contemplate existence, because God already answered such men in the joy of their heart.

Arrancamos con Fatboy y el mashup (ya oficial) que mezcla '(I Can't Get No) Satisfaction' de The Rolling Stones con 'The Rockafeller Skank', un mashup que Norman Cook grabó hace 25 años y que, por fin, tras la autorización de la banda británica, se edita manera oficial. Además, estrenamos, junto a '180 Grados' de Virginia Díaz, un nuevo adelanto del debut de Monstruo Laberinto, y escuchamos dos cañonazos del primer disco en solitario de Thomas Raggi, guitarrista de Måneskin.Playlist:FATBOY SLIM - Satisfaction SkankTHOMA RAGGI - Keep The Pack (with Tom Morello & Matt Sorum)THOMAS RAGGI - Getcha (with Nic Cester & Chad Smith)RED HOT CHILI PEPPERS - Give It AwayNINE INCH NAILS - Shadow Over MeMONSTRUO LABERINTO - Parte de míMONSTRUO LABERINTO - Humo humanoKASABIAN - Hippie SunshineTHE WOMBATS - Love You Like RainbowTHE WOMBATS - Give Me a TryPHOENIX - 1901PULP - Got to Have LoveMANDO DIAO - GloriaOLIVIA RODRIGO & ROBERT SMITH - Friday I'm In Love (Live From Glastonbury)OLIVIA RODRIGO & ROBERT SMITH - Just Like Heaven (Live From Glastonbury)SAM FENDER - Talk To You (ft. Elton John)THE WAR ON DRUGS - PainTHE HORRORS - Something To Remember Me ByTHE HORRORS - Trial By Fire (Nick Zinner Rework)YEAH YEAH YEAHS - SacrilegeFLORENCE + THE MACHINE - Everybody ScreamMITSKI - Washing Machine HeartTHE LAST DINNER PARTY - Count The WaysDAVID BOWIE - Sweet CandidateDAVID BOWIE - CandidateDAVID BOWIE - Sweet Thing RepriseDAVID BOWIE - Rebel, RebelEscuchar audio

In music, most of us are attracted to a song's continually repeated musical rhythm, "Smoke on the Water" by Deep Purple, "(I Can't Get No) Satisfaction" by the Rolling Stones, or "Seven Nation Army" by The White Stripes, but once those were new to us. Our guest today is here to remind us of the pleasure we get when discovering a new riff.Sponsored by Visit Cincy, I am thrilled to introduce you to Mollie Lewis, the President of New Riff Distilling, which took Kentucky's leitmotif of bourbon and sprinkled in a few eighth-note surprises to create a liquid that is winning awards not only at home but around the world. Her story proves there's always room for a new tune in town.Not only am I excited to introduce Mollie to you, but also the whole Cincy Region — where North meets South and Ohio meets Kentucky. Just a bridge apart, Cincinnati's German heritage and urban energy connect with Northern Kentucky's Southern charm.While you are there, you can sip bourbon, sample craft beer, and savor award-winning cuisine. There are tons of vibrant street art, historic landmarks, and stunning architecture to explore — all along a riverfront that's buzzing with festivals year-round.You can plan your trip at visitcincy.com.Our cocktail of the week is the New Fashioned:INGREDIENTS 2 oz. New Riff Bottled in Bond Bourbon3 dashes Angostura Bitters3 dashes Orange Bitters1/4 oz. Rich Demerara Syrup*METHODAdd all the ingredients to a mixing glassAdd ice and then stir until chilledStrain over a large rock in a rocks glass or coupeGarnish with an orange peel*Rich Demerara Syrup - In a large pot, mix 12 oz of water and 24 oz of demerara sugar together on low heat. Use a spoon to slowly stir as the mixture heats up. Heat through until sugar dissolves, never allowing the mixture to come to a boil. Store in an airtight container in the fridge for up to 1 month. You'll find this recipe and all the cocktails of the week at alushlifemanual.com, plus links to most of the ingredients.Full Episode Details: https://alushlifemanual.com/new-riff-with-mollie-lewis-president/-----Become a supporter of A Lush Life Manual for as little as $5 - all you have to do is go to https://substack.com/@alushlifemanual.Lush Life Merchandise is here - we're talking t-shirts, mugs, iPhone covers, duvet covers, iPad covers, and more covers for everything! And more! Produced by Simpler MediaFollow us on Twitter and InstagramGet great cocktail ideas on PinterestNew episodes every Tuesday, usually!!

21. Magic Same / Sweet Home Chicago22. Scrapper Blackwell / Kokomo Blues 23. Son House / My Black Mama24. Bonnie Raitt / Walkin' Blues 25. Jerry Jeff Walker / Mr Bojangles26. Eric Clapton / Me and The Devil Blues 27. Muddy Waters / I Can't Be Satisfied 28. Jerry Lee Lewis & Rory Gallagher / I Can't Get No Satisfaction 29. Memphis Minnie / Caught Me Wrong Again30. Jeff Healey / Stop Breakin' Down Blues31. Son House / Preachin' Blues32. Peter Green's Fleetwood Mac Blues Band / Preaching Blues, Up Jumped the Devil 33. Keb Mo / Love in Vain 34. LeRoy Carr / When the Sun Goes Down 35. Robert Johnson / Traveling Riverside Blues 36. Led Zeppelin / The Lemon Song 

1965 may feel like an entirely different lifetime, but even if you're Gen X or a Millennial, chances are you know the songs and the icons from that incredible year. Cher! The Beatles! The Rolling Stones! The Supremes! Legends in their prime whose music continues to hold cultural cache 60 years after its release. So join the Great Pop Culture Debate as we do the time warp and try to determine the Best Song of 1965. Songs discussed: “Unchained Melody” by The Righteous Brothers, “Help!” by The Beatles, “(I Can't Get No) Satisfaction” by The Rolling Stones, “My Girl” by The Temptations, “Ticket to Ride” by The Beatles, “You've Lost That Lovin' Feeling” by The Righteous Brothers, “Stop! In the Name of Love” by The Supremes, “I Got You Babe” by Sonny & Cher, “Do You Believe in Magic?” by The Lovin' Spoonful, “How Sweet It Is (To Be Loved By You)” by Marvin Gaye, “What the World Needs Now is Love” by Jackie DeShannon, “It's Not Unusual” by Tom Jones, “I Can't Help Myself (Sugar Pie Honey Bunch)” by The Four Tops, “California Girls” by The Beach Boys, “We Got to Get Out of This Place” by The Animals Join host Eric Rezsnyak and panelists Derek Mekita, John Higgins, and Zack Derby as they discuss and debate 16 of the biggest hits from 60 years ago. Looking for more reasons to become a Patreon supporter? Check out our Top 10 Patreon Perks. Sign up for our weekly newsletter! Subscribe to find out what's new in pop culture each week right in your inbox! Vote in more pop culture polls! Check out our Open Polls. Your votes determine our future debates! Then, vote in our Future Topic Polls to have a say in what episodes we tackle next. Episode Credits Host: Eric Rezsnyak Panelists: Derek Mekita, John Higgins, Zack Derby Producer: Bob Erlenback Editor: John Higgins Theme Music: “Dance to My Tune” by Marc Torch #music #1960s #60smusic #popmusic #rockmusic #unchainedmelody #righteousbrothers #cher #sonnyandcher #igotyoubabe #thebeatles #beatles #beatleshelp #rollingstones #satisfaction #marvingaye #thefourtops #thebeachboys #beachboys #fourtops #temptations #thetemptations #thesupremes #supremes #dianaross #motown #tomjones Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

1965 may feel like an entirely different lifetime, but even if you're Gen X or a Millennial, chances are you know the songs and the icons from that incredible year. Cher! The Beatles! The Rolling Stones! The Supremes! Legends in their prime whose music continues to hold cultural cache 60 years after its release. So join the Great Pop Culture Debate as we do the time warp and try to determine the Best Song of 1965. Songs discussed: “Unchained Melody” by The Righteous Brothers, “Help!” by The Beatles, “(I Can't Get No) Satisfaction” by The Rolling Stones, “My Girl” by The Temptations, “Ticket to Ride” by The Beatles, “You've Lost That Lovin' Feeling” by The Righteous Brothers, “Stop! In the Name of Love” by The Supremes, “I Got You Babe” by Sonny & Cher, “Do You Believe in Magic?” by The Lovin' Spoonful, “How Sweet It Is (To Be Loved By You)” by Marvin Gaye, “What the World Needs Now is Love” by Jackie DeShannon, “It's Not Unusual” by Tom Jones, “I Can't Help Myself (Sugar Pie Honey Bunch)” by The Four Tops, “California Girls” by The Beach Boys, “We Got to Get Out of This Place” by The Animals Join host Eric Rezsnyak and panelists Derek Mekita, John Higgins, and Zack Derby as they discuss and debate 16 of the biggest hits from 60 years ago. Looking for more reasons to become a Patreon supporter? Check out our Top 10 Patreon Perks. Sign up for our weekly newsletter! Subscribe to find out what's new in pop culture each week right in your inbox! Vote in more pop culture polls! Check out our Open Polls. Your votes determine our future debates! Then, vote in our Future Topic Polls to have a say in what episodes we tackle next. Episode Credits Host: Eric Rezsnyak Panelists: Derek Mekita, John Higgins, Zack Derby Producer: Bob Erlenback Editor: John Higgins Theme Music: “Dance to My Tune” by Marc Torch #music #1960s #60smusic #popmusic #rockmusic #unchainedmelody #righteousbrothers #cher #sonnyandcher #igotyoubabe #thebeatles #beatles #beatleshelp #rollingstones #satisfaction #marvingaye #thefourtops #thebeachboys #beachboys #fourtops #temptations #thetemptations #thesupremes #supremes #dianaross #motown #tomjones Learn more about your ad choices. Visit megaphone.fm/adchoices

1. Inspiration Beyond the BrainThe book challenges the materialist view that creativity is a left-brain, analytical function. Instead, it presents music as a right-brain, paranormal process. Many iconic songs are received through instantaneous “downloads” or vivid dreams. Keith Richards famously dreamt the riff for “(I Can't Get No) Satisfaction,” even recording his snoring afterward. These dream-sourced compositions often arrive fully formed, with clarity unlike typical dream content.2. Musicians as ChannelsMany legendary artists describe themselves as vessels rather than creators. John Lennon said he was “just the channel” for the “music of the spheres.” Michael Jackson believed his best songs were “works of God” that dropped into his lap. Notably, Elvis Presley, The Beatles, and Jimi Hendrix couldn't read or write music—suggesting that genius may bypass formal training and arise from external sources.3. A Historical PatternThis phenomenon isn't limited to rock and pop. Classical composers also reported receiving music from beyond. Mozart described his compositions as arriving “almost complete” in dreams. Brahms spoke of entering a trance-like state where ideas flowed “directly from God.” Such accounts suggest a long-standing tradition of non-local inspiration.4. UFOs and MusiciansThe book documents a striking number of UFO encounters among musicians. If cataloged, the list would include hundreds of high-profile names. John Lennon had a daylight sighting in 1974; Mick Jagger saw a UFO over the crowd at the 1969 Altamont concert. 5. Alien OriginsSome musicians believe they are extraterrestrial in origin. John Denver referenced the constellation Lyra as his home. Elvis Presley claimed he came from Orion, saying, “I am not of this world.” Lee Scratch Perry declared, “I am an alien from outer space… from Krypton.” Kurt Cobain expressed a lifelong feeling of being “homesick,” imagining himself as an alien baby found in a spaceship.6. Messages of Oneness and LoveThe themes expressed in music often mirror those reported by UFO experiencers. The central message is Oneness—the idea that all existence is interconnected. Lennon's lyric “I am he as you are he as you are me…” reflects this unity. His slogan “Love is the Answer. What was the Question?” and the anthem “All You Need is Love” serve as spiritual propaganda for this shift from fear to love.7. Environmental and Nuclear WarningsA recurring theme is planetary survival. Musicians often channel messages warning of ecological collapse and nuclear danger. Neil Young's “After the Gold Rush” describes “silver spaceships” rescuing the chosen ones.8. Targeting YouthMusicians are seen as strategic messengers to reach younger generations—the “ultimate swing voters.” Youth are more open to ideas that transcend traditional structures like religion and politics. Carlos Santana reported that the entity Metatron told him he'd be tuned into a “radio airwave frequency” to deliver a “new menu” of existence, helping students realize they are “multi-dimensional spirits.”9. Dreams and Altered StatesSongs often arrive during altered states—dreams, meditation, or automatic writing. Sting received “Every Breath You Take” in 15 minutes through automatic writing. Billy Joel dreamt many of his songs fully formed. Music heard during near-death experiences is described as “floating,” ethereal, and profoundly beautiful—often called the “music of the spheres.”10. Music and Quantum ConsciousnessThe book concludes by challenging the materialist worldview. It suggests that the universe operates through a quantum reality where consciousness is primary. Musicians report accessing a non-local field of awareness, consistent with quantum experiments showing that consciousness precedes matter. In this view, the brain doesn't create consciousness—consciousness creates the brain. Music becomes a delivery system for awakening, love, and planetary stewardship.

"Whiter than cottage cheese", "bright as an unripe grape"? This is some world class woo-pitching, and Polyphemus the one-eyed wonder has high hopes that such romantic language will win fair Galatea, sea nymph extraordinaire, to his hirsute side. He may not be much to look at, monobrow and all, but the Cyclops boasts that he comes with many benefits: great musical skill, a cheez whiz packed man cave, and 1000 head of cattle. As Theocritus the famous Syracusan poet tells the tale, should we take it as farce? Or, is the song a serious philosophical inquiry into the healing nature of poetry? Join the guys this week as they take a close look at Idyll XI, an awkward, adolescent love song that the Alexandrian poet composes for that shaggy Cyclops as a backstory, before he encountered Odysseus. The insights of Brooks Otis, Erling Holtsmark, Robert Schmiel, and yes, Dronebrella, set the stage. So, cue your mixtape with Air Supply or Survivor, pray for gills, and don't miss this one!

Sermon Text: Ecclesiastes 6:1-12

Label: Rolling Stones 19100Year: 1971Condition: MLast Price: $18.00. Not currently available for sale.This is one of the greatest of the Stones two-sided monster hits. Well, the B side didn't actually chart, but it's so great it really should have. Presumably, radio just wasn't ready to play a song called "Bitch" yet... though they were prepared by 1975 when Elton John hit the Top 10 with "The Bitch Is Back." OK, trivia time again... "Brown Sugar" was one of eight #1 U.S. singles by the Stones. The group also had eight chart-toppers in their native England, though over there they garnered all of those hits during the 1960s. Here is the list of the Stones' #1 U.S. singles: (I Can't Get No) Satisfaction (1965) Get Off My Cloud (1965) Paint It, Black (1966) Ruby Tuesday (1967) Honky Tonk Women (1969) Brown Sugar (1971) Angie (1973), and Miss You (1978) For comparison's sake, here are their #1 U.K. hits. You'll notice that the group gained monster popularity about a year earlier than they did in the U.S., same as the Beatles. It's All Over Now (1964) Little Red Rooster (1964) The Last Time (1964) (I Can't Get No) Satisfaction (1965) Get Off My Cloud (1965) Paint It, Black (1966) Jumpin' Jack Flash (1968) Honky Tonk Women (1969) This is a second pressing with "Warner Communications" on the label. Note: This beautiful copy has no notable flaws, grading Mint across the board (Labels, Vinyl, Audio).

Pastor Matt Chavez shares a story about his sons overindulging at a dessert bar to show that while treats can be enjoyable, only God truly satisfies our deepest longings. He highlights Psalm 107:8-9, calling us to praise God for His love and to seek Him for real fulfillment.

In tamas, we're helpless. If you've ever felt helpless—for instance, if you have some addiction and you can't give up, or you feel so depressed that you can't do anything—this is the modality of tamas. Above tamas comes rajas. Rajas is the modality of intense activity. That is, we are creative. In rajas however, the setback is that no matter what we get, it's not enough, because we remain in that active and creative mode. We attain something, we create something, but it has to become more. We may attain a position—for instance, you may become a city council member, but then think, "Well, that's nothing. I want to be the mayor." When you become mayor, you may think, "Well, why don't I become governor?" And after becoming governor etc etc. There's never an endpoint. In modern parlance, it's called the hedonic treadmill; that is, no matter what I get, it's not enough. And there are plenty of songs and poems from ancient times and modern times expressing the experience of being in rajas and tamas. For instance, "I Can't Get No Satisfaction" and many, many more, like "Too Much Is Not Enough," etc. And then there's the highest of the modalities in this world, called sattva. Sattva is the modality of clarity, where we see ourselves beyond the body. Gone is the drive to attain something, because we realize we already are something. We are something that's so amazing. And as Kṛṣṇa describes in the Bhagavad Gītā, when you see yourself beyond the body, you realize that this is the most amazing thing: the soul itself. Kṛṣṇa says 'āścaryavat', he calls it amazing, 'āścaryavat.' Some see it as amazing, some hear of it as amazing. And when you analyze who you really are, you examine your consciousness, or you become introspective, then you don't feel that you have to attain anything necessarily, because you already are something, and you're here right now, and you feel tuṣṭa, or satisfaction in the self. This is sattva. But there's a modality beyond sattva, which is called śuddha-sattva, which is a completely transcendental realm—transcendental to the modes—meaning you've gone beyond any of the modalities of the material world. And this is pure consciousness. So the perfection of the teachings of Bhagavad-gītā and Śrīmad-Bhāgavatam is to come to that pure consciousness. Verse for discussion:https://vedabase.io/en/library/sb/1/2/24/ ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

Kash Patel, Dan Bongino, Tulsi Gabbard, and Jeanine Pirro are in positions of power to finally bring justice to history's greatest villains?  So why are there still no indictments of Barack Obama and Hillary Clinton?  We know why!  We trace the straight line from Bush's load-bearing lies about Iraq and Katrina to Trump's promises of revenge against Democrats, and examine what happens when the MAGA mob's expectations clash with the reality that their conspiracy theories can't survive 30 seconds in a real courtroom. From grand juries refusing to indict the "Sandwich Guy" to a federal judge calling "backpacking while Black" searches "the most illegal I've ever seen," we explore how TrumpWorld is discovering that putting people in charge based on loyalty to Fox News lies, rather than competence, has predictable consequences.Stay in Touch! Email: proleftpodcast@gmail.comWebsite: proleftpod.comSupport via Patreon: patreon.com/proleftpodMail: The Professional Left, PO Box 9133, Springfield, Illinois, 62791Support the show

Are you a frustrated malcontent? What gives you satisfaction in every sense of the word? A meal, a chore, a craft, a relationship? Some things are never satisfying, as much as we'd like them to be. Let's explore Satisfaction and scratch that itch!And now, Lysa, Shelley and Darryl!

I Can't Get No Satisfaction was released in Britain on 20th August, 1965 - having already reached No. 1 for four weeks Stateside.  With its distorted guitar riff, raw energy, and thinly veiled sexual frustration, it became the Rolling Stones' biggest global hit - but initially could only be heard on pirate radio stations in the UK, thanks to the band's label wanting the Stones back from their US tour to promote it in person; and it was banned by the BBC from mainstream airplay for being too sexually suggestive.  Satisfaction wasn't just a smash hit; it was a cultural shift, setting the Stones apart from their fellow British Invasion stars, the Beatles, by establishing them as a lurid, horny counterpoint to Lennon and McCartney's more wholesome music-hall stylings.  And the story of that famous riff? Keith Richards literally dreamed it up, woke in the middle of the night, grabbed his cassette recorder, played the now-iconic “da-da-da da-da-da-da” line, and promptly fell back asleep - leaving an hour of his own snoring on the tape. In this episode, recorded to celebrate the sixtieth anniversary of this iconic single, Arion, Rebecca and Olly reveal why Richards wanted a horn section, not a fuzzy guitar; unpick  Mick Jagger's surprising and satirical lyrics; and consider how, with Satisfaction, the Rolling Stones finally found their sound… Further Reading: • ‘The Story Behind The Song: ‘(I Can't Get No) Satisfaction', The Rolling Stones' classic they wrote in their sleep' (Far Out Magazine, 2020): https://faroutmagazine.co.uk/rolling-stones-satisfaction-story-jagger-richards-song/• ‘(I Can't Get No) Satisfaction' (Library of Congress, 2006): https://www.loc.gov/static/programs/national-recording-preservation-board/documents/CantGetNoSatisfaction_LeRoy.pdf • ‘The Rolling Stones - (I Can't Get No) Satisfaction' (ABKCO Music & Records, Inc., 1965): https://www.youtube.com/watch?v=nrIPxlFzDi0 Love the show? Support us!  Join 

Your two men on the internet telling you useless information supposed to fire your imagination are back with their 60th anniversary deep-dive into this deathless rock anthem. After a heated Beatles vs Stones debate, the TMI guys explain how the classic riff came to Keith Richards in a dream — and run down a list of other great art that came to people while they slept. They’ll explain the song’s unexpected connection to unexplained Scientology deaths, and the role it played in inadvertently breaking up the Beatles. You’ll also learn how the success of “Satisfaction” lead to a schism within the Stones themselves, which ultimately lead to the death of their founder and long-time leader, Brian Jones. Heigl delivers a stunning history of guitar distortion while Jordan explains how the Beatles delighted in trolling their friendly rivals. It’s a story of ego, electricity, obsession, and the song that turned the Rolling Stones into the most dangerous band in the world. For those interested in learning more about The Rolling Stones, here’s the podcast Jordan worked on about the sessions for ‘Exile on Main Street’ and their groundbreaking American tour in the summer of 1972: https://podcasts.apple.com/us/podcast/stones-touring-party/id1698938627 Support your friendly neighborhood TMI Guys here! https://ko-fi.com/toomuchinformationpodcastSee omnystudio.com/listener for privacy information.

It's been 25 years since Britney Spears dropped her iconic sophomore album, "Oops!... I Did It Again" and we're finally giving it the CCTV treatment. In this episode, Chris and Chantel Nicole go track by track through Britney's blockbuster follow-up, sharing our unfiltered thoughts on the vocals, lyrics, production, and pop legacy of each song. Did Britney level up from ."..Baby One More Time"? Was "Oops!" her best era? And do some of these tracks still slap in 2025? Whether you're a lifelong Britney stan or just revisiting this Y2K-era gem, this review is for you.Join us on Patreon!: https://www.patreon.com/CCTVPOPSFollow us on social media: https://linktr.ee/cctvpops0:00 - Intro1:21 - "Oops!...I Did It Again" Album Info2:11 - Album Cover3:36 - "Oops!...I Did It Again"12:42 - "Stronger"19:38 - "Don't Go Knockin' On My Door"24:48 - "(I Can't Get No) Satisfaction"28:48 - "Don't Let Me Be The Last To Know"36:59 - "What U See (Is What U Get)"41:34 - "Lucky"49:02 - "One Kiss From You"52:56 - "Where Are You Now"56:44 - "Can't Make You Love Me"1:02:00 - "When Your Eyes Say It"1:05:31 - "Dear Diary"1:10:47 - Cut or Keep1:13:38 - Overall Thoughts & Final RatingReferences:“Oops!…I Did It Again” MV https://youtu.be/CduA0TULnow?si=-tEzixdiqxoBM0pI “Oops!…I Did It Again” Live at Top of the Pops https://youtu.be/zdwjvOVUTDg?si=UGe8m69nT54Lmmgy “(I Can't Get No) Satisfaction” & “Oops!…I Did It Again” Live at the MTV VMAs 2000 https://youtu.be/aWtv_MKip8o?si=Zk9DZoHuzCdqp2Fl “Stronger” MV https://youtu.be/AJWtLf4-WWs?si=_t_GUzw2XAiZZ83D“Stronger” Live at the AMAs 2001 https://youtu.be/5f0vIeIjp5M?si=1DsGTpm9DLVbCsJE “Stronger” Live at MTV Total https://youtu.be/aDpocqhjgMs?si=qQr9uwFoIHAOuo9M “Don't Go Knockin' On My Door” Live on Oops! Tour https://youtu.be/7oz8H0nqJvs?si=chGPF_HV5AQmmV6s"(I Can't Get No) Satisfaction” Live on Oops! Tour https://youtu.be/3el5veZEv4Y?si=bhugZAIqfkfW84hQ “Don't Let Me Be The Last To Know” MV https://youtu.be/jGoM7atmJJA?si=HdqSir9GGrUYmbCT“Don't Let Me Be The Last To Know” Live at SNL https://youtu.be/IdIxB71qFxg?si=KQjxQQN-qDxhD5Av“What U See (Is What U Get)” Live on Oops! Tour https://youtu.be/IdIxB71qFxg?si=eWAvC6NwrGWntVNQ“Lucky” MV https://youtu.be/4vvBAONkYwI?si=y92S2wiF3i5R_mKf“Lucky” Live on the Today Show https://youtu.be/pWcjiL9_bWc?si=v6iiL_j8zbrQLeWH

Slapping the beanburger of news on the sizzling grill of scrutiny and served with relish by Alex Gold and Mark Ellen (David's in Spain with his bucket and spade). This week's specials include … … Springsteen's unprecedented speech onstage in Manchester about his nation's “corrupt, incompetent and treasonous administration” and the Dixie Chicks' career-popping anti-Trump manoeuvre of 2003. … John Niven's upcoming play ‘The Battle' and the Blur/Oasis soundclash it celebrates.   … the 50th anniversary of the Stones' (I Can't Get No) Satisfaction: from motel bed to finished recording in six days. … “Lennon's all about the legs”: the art of playing the Beatles, Keith Richards and all four of the Small Faces onstage (involves “ducking, bobbing and dipping”). … brilliant songs written in seconds – by Lady Gaga, the Beastie Boys, James Brown and the White Stripes.   … the tour circuit and the trouble at borders. … “the sound of dental floss being pinged by a squirrel”: Bill Bailey's impression of the Edge with a power failure. … Elvis v Cliff, Beatles v Stones, Hendrix v Clapton, Bowie v Bolan, Clash v Pistols, Duran v Spandau, Blur v Oasis: what was the last great rock rivalry? ... and Elvis Costello's inspired use of the Ansaphone.Fast Show clip ‘Mr Wells':https://www.youtube.com/watch?v=9FRAeFyBX1wHelp us to keep the conversation going by joining our worldwide Patreon community: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Slapping the beanburger of news on the sizzling grill of scrutiny and served with relish by Alex Gold and Mark Ellen (David's in Spain with his bucket and spade). This week's specials include … … Springsteen's unprecedented speech onstage in Manchester about his nation's “corrupt, incompetent and treasonous administration” and the Dixie Chicks' career-popping anti-Trump manoeuvre of 2003. … John Niven's upcoming play ‘The Battle' and the Blur/Oasis soundclash it celebrates.   … the 50th anniversary of the Stones' (I Can't Get No) Satisfaction: from motel bed to finished recording in six days. … “Lennon's all about the legs”: the art of playing the Beatles, Keith Richards and all four of the Small Faces onstage (involves “ducking, bobbing and dipping”). … brilliant songs written in seconds – by Lady Gaga, the Beastie Boys, James Brown and the White Stripes.   … the tour circuit and the trouble at borders. … “the sound of dental floss being pinged by a squirrel”: Bill Bailey's impression of the Edge with a power failure. … Elvis v Cliff, Beatles v Stones, Hendrix v Clapton, Bowie v Bolan, Clash v Pistols, Duran v Spandau, Blur v Oasis: what was the last great rock rivalry? ... and Elvis Costello's inspired use of the Ansaphone.Fast Show clip ‘Mr Wells':https://www.youtube.com/watch?v=9FRAeFyBX1wHelp us to keep the conversation going by joining our worldwide Patreon community: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Slapping the beanburger of news on the sizzling grill of scrutiny and served with relish by Alex Gold and Mark Ellen (David's in Spain with his bucket and spade). This week's specials include … … Springsteen's unprecedented speech onstage in Manchester about his nation's “corrupt, incompetent and treasonous administration” and the Dixie Chicks' career-popping anti-Trump manoeuvre of 2003. … John Niven's upcoming play ‘The Battle' and the Blur/Oasis soundclash it celebrates.   … the 50th anniversary of the Stones' (I Can't Get No) Satisfaction: from motel bed to finished recording in six days. … “Lennon's all about the legs”: the art of playing the Beatles, Keith Richards and all four of the Small Faces onstage (involves “ducking, bobbing and dipping”). … brilliant songs written in seconds – by Lady Gaga, the Beastie Boys, James Brown and the White Stripes.   … the tour circuit and the trouble at borders. … “the sound of dental floss being pinged by a squirrel”: Bill Bailey's impression of the Edge with a power failure. … Elvis v Cliff, Beatles v Stones, Hendrix v Clapton, Bowie v Bolan, Clash v Pistols, Duran v Spandau, Blur v Oasis: what was the last great rock rivalry? ... and Elvis Costello's inspired use of the Ansaphone.Fast Show clip ‘Mr Wells':https://www.youtube.com/watch?v=9FRAeFyBX1wHelp us to keep the conversation going by joining our worldwide Patreon community: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Nach ihrem großen Durchbruch Ende der 90er hat Britney Spears mit "Oops!... I Did It Again" im Jahr 2000 ihr zweites Album herausgebracht. Mit gerade mal 16 Jahren hat Britney Spears ihr Debütalbum "...Baby One More Time" herausgebracht und es damit gleich an die Spitze der Charts geschafft – in ihrer Heimat Amerika und auch bei uns. Nur ein Jahr später kam dann "Oops!... I Did It Again" raus. Der Plan für das Album – der Titel der Platte verrät es – war wieder der gleiche wie beim Debüt: Die Spitze der Charts erobern! Ganz bis nach oben hat sie es bei uns nicht geschafft, es wurde "nur" Platz zwei der Albumcharts, aber trotzdem, für "Oops!... I Did It Again" hagelt es Platin- und sogar Diamantauszeichnungen. 18 Wochen lang hält sich das Album (Quelle: Media Control) bei uns in den Charts. Das zweite Album ist für junge Künstler und Künstlerinnen oft das schwierigste, denn damit entscheidet sich oft, ob das Popsternchen am Himmel verglüht ist oder ob man sich im Popbusiness etablieren kann. Britney Spears hat sich mit "Oops!... I Did It Again" für viele Jahre ein Fundament im Musikgeschäft gegossen. Und mit diesem Album passiert noch mehr bei Britney Spears: Sie vollzieht einen Imagewandel – vom braven Schulmädchen und ehemaligen Mitglied des Micky-Maus-Klub hin zum sexy Popstar. Der Erfolg von "Oops!... I Did It Again" ist aber natürlich nicht alleine der Verdienst von Britney Spears selbst. An dem Album haben fast 100 Menschen aus der Musikwelt mitgearbeitet. Zum Beispiel auch Mutt Lange, der unter anderem auch schon beim AC/DC Album "Highway To Hell" mit dabei gewesen ist. Außerdem war aber auch das schwedische Popteam rund um den Produzenten Max Martin mit dabei. Die haben seit Ende der 1990er unglaublich viele Songs für große Popkünstler geschrieben und auch produziert. Neben Britney Spears zum Beispiel auch für die Backstreet Boys, Pink, Katy Perry, Céline Dion, Justin Timberlake, Coldplay, Taylor Swift, Ariana Grande und noch viele mehr. Insgesamt 27 Nummer-1-Hits gehen auf die Kappe von Songwriting- und Produktionstalent Max Martin. Dabei sind die Popsongs die er schreibt von der Harmonie meistens sehr einfach gehalten. Zu dem Phänomen Britney Spears gehört aber viel mehr als nur die produzierte Hochglanz-Popmusik, bei der Britney selber lediglich die Interpretin und Figur des Ganzen ist. Neben der Musik, es geht zum Beispiel auch ums Tanzen und die speziellen Moves, die die Teenies aus den Musikvideos nachahmen konnten. Mit ihrer Musik hat Britney Spears viele von den jungen Popkünstlerinnen beeinflusst, die heute in den Charts sind. Viele der aktuellen Popstars beziehen sich immer wieder auf Britney Spears, für die Britney den Weg mit geebnet hat. __________ Über diese Songs vom Album "Oops!... I Did It Again" wird im Podcast gesprochen: (15:33) – "Invaders"(16:00) – "Oops!... I Did It Again"(38:44) – "(I Can't Get No) Satisfaction"(46:36) – "Stronger"(57:09) – "Lucky"(01:01:33) – "Dear Diary"__________ Alle Shownotes und weiterführenden Links zur Folge: https://1.ard.de/britney-spears-oops-i-did-it-again __________ Ihr wollt mehr Podcasts wie diesen? Abonniert "Meilensteine – Alben, die Geschichte machten"! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

In week 3 of Ecclesiastes, we're exploring Solomon's pursuit of pleasure and its ultimate emptiness. We're challenged to consider: can earthly pleasures truly satisfy our souls? Solomon, the wisest and wealthiest man who ever lived, had it all - wine, women, wealth, and wisdom. Yet, he concluded it was all 'vanity' or meaningless. This serves as a stark warning for us today. Are we chasing after things that won't ultimately fulfill us? The message reminds us that while pleasures aren't inherently wrong, making them the center of our lives leads to emptiness. Instead, we're called to find our contentment in God, using our blessings to worship Him and serve others. This shift in perspective - from living 'under the sun' to living for the One above it - can transform how we view and enjoy life's pleasures, giving us the 'can opener' to truly savor what God has given us.

(S4-Ep.13) Otis Redding -Live In Europe with guest Rob Bowman Released July 10, 1967 and Recorded March 1967 and Volt/Atco (Stax) Otis Redding's Live in Europe is a landmark live album that captures the soul legend at the peak of his powers. Recorded during his 1967 European tour, the album showcases Redding's incredible stage presence and raw emotional depth, bringing a vibrant energy to the tracks. The album features classic songs like "Try a Little Tenderness" and "I Can't Turn You Loose," with Redding's dynamic vocals and impassioned delivery shining through. The European audience provided a perfect backdrop for Redding's electrifying performance, emphasizing his ability to connect with listeners worldwide. The album also highlights his impeccable backing band, Booker T and M.G.'s, who play with precision and soul. Live in Europe became one of Redding's most cherished records, offering fans a glimpse into his legendary live shows and solidifying his place as one of the greatest soul performers ever.Signature Tracks: "Respect" "(I Can't Get No) Satisfaction"  "Try A Little Tenderness" Full Album:  YouTube, SpotifyPlaylist YouTube, Spotify

Part 2 is here! Our resident film expert Julius dives right into their list, which is full of great music in addition to mesmerizing films that feature it. From the Lynchian "Blue Velvet" to the short but perfect party film "Lovers Rock," you will be more than satisfied checking out any of the films on this list!Songs/Movies Discussed"In Dreams" - Roy Orbison - from Blue Velvet (1986) - dir David Lynch"Love and Happiness" - Al Green  - from Menace II Society (1993) dir. Allen and Albert Hughes"(I Can't Get No) Satisfaction" - DEVO - from Casino (1995) dir. Martin Scorsese"Silly Games" - Janet Kay - from Lovers Rock (2020) (from Small Axe series) dir. Steve McQueen"Everytime" - Britney Spears - from Spring Breakers (2012) dir. Harmony KorinePlaylistsDanny: Spotify - Apple Music - YoutubeJulius: Spotify - Apple Music - YoutubeStay tuned for a bonus episode paying tribute to Quincy Jones and discussing the new Kendrick Lamar album! Menace II Society is back on in the cultural spotlight mainly because Julius chose to discuss it in this episode, but I guess Kendrick did reference it in the squabble up video. He must have hacked our Google Drive and saw our notes! He a fan, he a fan, he a fan...Send us a text message!You can follow us here: Instagram Twitter Tiktok Send us a message, we'd love to hear from you! Email is thegmspod at gmailLeave us a rating and review if you want to!Thanks for listening!

We've become obsessed with productivity, confusing it with busyness and setting unrealistic expectations to perform 24/7—leaving us feeling guilty when we're not “doing enough.” That's exactly why I'm excited to dive into the topic of toxic productivity with today's guest, Israa Nasir. Israa, a New York City-based psychotherapist, writer, and founder of WellGuide, brings deep expertise in mental health, identity formation, and healing, particularly for AAPI first- and second-generation immigrants. She has spoken at prestigious organizations like Google, Meta, and Yale University and serves on the Mental Health Advisory Board for PopSugar and August. Her new book, Toxic Productivity: Reclaim Your Time and Emotional Energy in a World That Always Demands More, offers strategies to break free from the hustle culture and reclaim what truly matters. Because at the end of the day, it won't be the hustle, emails, or to-do lists that define your life—it'll be the joy you shared, the impact you made, and the legacy you leave behind. So let's stop glorifying busyness and start embracing a life worth celebrating. Connect with Our Guest: Israa Nasir Website: https://www.israanasir.com/  Book: https://www.israanasir.com/toxic-productivity  IG: https://www.instagram.com/well.guide/ TikTok: https://www.tiktok.com/@israajnasir LI: https://www.linkedin.com/in/israanasir/ Related Podcast Episodes: A Better Way to Define Success with Stella Grizont 7 Keys to Unlock Your Dynamic Drive with Molly Fletcher Can't Get No Satisfaction with Dr. Julie Landry Share the Love: If you found this episode insightful, please share it with a friend, tag us on social media, and leave a review on your favorite podcast platform!

On this week's Loudini Rock & Roll Circus we dig deep into the history of distortion and the electric guitar and how is shaped the sound of rock music.     Topics Discussed: What we did this week: Loudini: Twan Moore & the Train, Black Snake Moan, Are meet and greets worth it? Perry & Dave, The VMA's are still a thing, why that's bad, How D2C is poised to destroy streaming, The tools that musician's need to get hired (not what you think), What Rick Beato (and others) don't understand about today's "charts". Why no bands on "the charts". Robert Epstein explains our "Google-fied" world. Mr. Pittsburgh: Selling guitar to the Wolf, What happened to The Donnas?     The History or Distortion: https://www.guitarworld.com/features/the-evolution-of-distortion-how-advances-in-gear-paved-the-way-for-heavy-music   https://thejhsshow.com/articles/what-you-need-to-know-about-overdrive-pedals       The history of distortion is deeply intertwined with the development of the electric guitar, as the two evolved together to shape the sound of modern music. Here's an overview:   ### **Early Days: Accidental Origins (1940s-1950s)** Distortion originally came about as a mistake. In the 1940s and early 1950s, guitarists accidentally discovered that pushing tube amplifiers beyond their normal limits created a gritty, overdriven sound. This was typically caused by damaged speaker cones or malfunctioning amp circuits. Guitarists like Willie Johnson of Howlin' Wolf and bluesmen such as Elmore James and Muddy Waters were among the early users of this overdriven tone, which gave their sound more power and raw emotion.   ### **First Deliberate Use: 1950s-1960s** By the late 1950s, guitarists started to intentionally seek out distorted sounds. Link Wray, known for his 1958 instrumental "Rumble," achieved distortion by poking holes in his amplifier's speaker cone. This gave the song a unique, menacing tone that laid the foundation for rock and roll's aggressive edge.   In 1961, the first commercially available distortion device, the Maestro Fuzz-Tone pedal (FZ-1), was created by Gibson, famously used in The Rolling Stones' 1965 hit "(I Can't Get No) Satisfaction." This marked a pivotal moment in the history of guitar distortion, as fuzz became a sought-after effect in rock music.   ### **The Rise of Fuzz and Overdrive (1960s-1970s)** The 1960s saw distortion evolve further with the fuzz effect. Artists like Jimi Hendrix and Keith Richards popularized fuzz pedals, using them to achieve a thick, saturated tone. Hendrix, especially, made innovative use of distortion in tracks like “Purple Haze,” helping to push the boundaries of what was possible with the electric guitar.   Around the same time, the concept of overdrive became more refined. Instead of extreme fuzz, overdrive pedals like the Ibanez Tube Screamer simulated the natural distortion that tube amps produced when cranked to high volumes. This allowed guitarists to achieve warm, harmonically rich distortion at lower volumes, making it more versatile for different styles of playing.   ### **Heavy Metal and High-Gain Amplifiers (1970s-1980s)** In the 1970s and 1980s, distortion became even heavier as bands like Black Sabbath, Led Zeppelin, and later Metallica pushed the limits of gain. Marshall amplifiers, known for their high-gain tone, became the go-to choice for hard rock and metal bands, allowing for more sustained and aggressive sounds. Guitarists like Tony Iommi (Black Sabbath) and Eddie Van Halen were known for their iconic distorted tones, which relied heavily on both amp overdrive and distortion pedals.   ### **The Modern Era: Digital Distortion (1990s-Present)** In the 1990s, digital technology revolutionized distortion. Digital pedals and multi-effects units began to emulate the classic sounds of tube amps and analog pedals with greater precision. This era also saw the rise of more extreme metal genres that demanded even more distortion and gain, pushing pedal manufacturers to create high-gain stompboxes like the Boss Metal Zone.   Today, digital amplifiers and software (e.g., Line 6 Helix, Kemper Profiling Amp) allow guitarists to access a wide range of distortion tones, from vintage fuzz to modern high-gain sounds, all in one device. Players can easily shape their sound using a combination of analog and digital tools, blending the warmth of traditional   New & Notable: Loudini: The Damn Truth; Love Out Of Luck Mr Pittsburgh: The Warning; Six Feet Deep

Watch the full message at Imagechurch.live  I Can't Get No Satisfaction! Ecclesiastes 2:1-26 1. Trying to Find Satisfaction through Hedonistic Pleasure. 2. Trying to Find Satisfaction through Philosophical Wisdom. 3. Trying to Find Satisfaction through Hard Work.

Paul Rutner in conversation with David Eastaugh Mumps were a popular band at clubs such as Max's Kansas City and CBGB. They also performed at Irving Plaza and Maxwell's (Hoboken, New Jersey), and opened for the Ramones at Hurrah in August 1978. Their concerts were lively and featured energetic, expressive performances from Lance Loud and other band members on songs like "We're Americans", "I Believe In Anyone But You", "Strange Seed", "Brain Massage", "Scream and Scream Again". Their first 45 record single was "I Like To Be Clean", backed by "Crocodile Tears" on Bomp Records. Their second was "Rock & Roll This & That" with two B-sides: "Muscleboys" and "That Fatal Charm". The recorded version of "Rock & Roll This & That" interpolated a short guitar riff from the Rolling Stones' "(I Can't Get No) Satisfaction", but in live performances, they would interpolate other riffs such as David Bowie's "Rebel Rebel". In spite of these two independently produced singles, they failed to secure a contract with a major record label, notably being told "'We don't want ‘the gay band'" by A&M

What were the cases and controversies that defined a decades-long career as an antitrust lawyer and scholar? Hosts Alicia Downey and Subrata Bhattacharjee welcome former Antitrust Law Section Chair Jon Jacobson back to the podcast to talk about his newly-published memoir of the highs and lows of litigating some of the biggest antitrust cases in U.S. legal history. Listen to this episode to learn how trial lawyers like Jon have helped to shape U.S. competition law and public policy. With special guest: Jonathan Jacobson, Partner (retired), Wilson Sonsini Goodrich & Rosati Related Links: Jonathan Jacobson, My Life in Antitrust (2024) "Rock Can't Get No Satisfaction? Antitrust and Rock 'n' Roll, Our Curious Amalgam, Episode #1 (Aug. 12, 2019) Bayou Bottling, Inc. v. Dr. Pepper Co., 725 F.2d 300 (5th Cir. 1984) Sewell Plastics, Inc. v. The Coca-Cola Co., 720 F. Supp. 1196 (W.D.N.C 1989) Hosted by: Alicia Downey, Downey Law LLC and Subrata Bhattacharjee, Borden Ladner Gervais LLP

Candyman and Cultural Contradictions: Grateful Dead's Egypt AdventureIn this episode of the Deadhead Cannabis Show, host Larry Mishkin highlights two key topics: a favorite Grateful Dead show and his recent experiences at Goose concerts. First, Larry talks about an iconic Grateful Dead concert that took place on September 16, 1978, at the Sun et Lumiere Theater in Giza, Egypt, near the pyramids and the Sphinx. This event is special not just for its unique location but also for featuring collaborations with Egyptian musician Hamza El Din, who joined the Dead for a jam session. The Egypt shows are remembered for their blend of American rock and ancient Egyptian culture, marking a historic moment in music history.Larry also reflects on the song "Candyman" by the Grateful Dead, exploring its themes of melancholy and contradiction within the counterculture of the 1960s. He discusses how the song portrays a sympathetic yet flawed character, and how it resonates with the complex dynamics of that era, blending elements of peace, revolution, and criminality.Switching gears, Larry shares his recent experiences attending two Goose concerts in Chicago. He highlights Goose's cover of Bob Seger's "Hollywood Nights" and talks about the band's growing popularity. Larry attended the concerts with family and friends and praises the outdoor venue in Chicago, noting its impressive atmosphere and the city's skyline as a backdrop. He fondly recalls his connections to Bob Seger's music from his youth and marvels at how younger bands like Goose continue to bring classic rock into their performances.   Grateful DeadSeptember 16, 1978  (46 years ago)Son Et Lumiere Theater (aka Sphinx Theatre)Giza, EgyptGrateful Dead Live at Sphinx Theatre on 1978-09-16 : Free Borrow & Streaming : Internet Archive Giza (/ˈɡiːzə/; sometimes spelled Gizah, Gizeh, Geeza, Jiza; Arabic: الجيزة, romanized: al-Jīzah, pronounced [ald͡ʒiːzah], Egyptian Arabic: الجيزةel-Gīza[elˈgiːzæ])[3] is the third-largest city in Egypt by area after Cairo and Alexandria; and fourth-largest city in Africa by population after Kinshasa, Lagos, and Cairo. It is the capital of Giza Governorate with a total population of 4,872,448 in the 2017 census.[4] It is located on the west bank of the Nile opposite central Cairo, and is a part of the Greater Cairo metropolis. Giza lies less than 30 km (18.64 mi) north of Memphis (Men-nefer, today the village of Mit Rahina), which was the capital city of the unified Egyptian state during the reign of pharaoh Narmer, roughly 3100 BC. Giza is most famous as the location of the Giza Plateau, the site of some of the most impressive ancient monuments in the world, including a complex of ancient Egyptian royal mortuary and sacred structures, among which are the Great Sphinx, the Great Pyramid of Giza, and a number of other large pyramids and temples. Giza has always been a focal point in Egypt's history due to its location close to Memphis, the ancient pharaonic capital of the Old Kingdom. Son et lumière (French pronunciation: [sɔ̃n e lymjɛʁ] (French, lit. "sound and light")), or a sound and light show, is a form of nighttime entertainment that is usually presented in an outdoor venue of historic significance.[1] Special lighting effects are projected onto the façade of a building or ruin and synchronized with recorded or live narration and music to dramatize the history of the place.[1] The invention of the concept is credited to Paul Robert-Houdin, who was the curator of the Château de Chambord in France, which hosted the world's first son et lumière in 1952.[1] Another was established in the early 1960s at the site of the Great Pyramid of Giza in Egypt. One of the Seven Wonders of the Ancient World and a star attraction in Egypt, the pyramids of Giza offer a completely different experience at night, when lasers, lights, and visual projections bring their history to life. Here's how to visit the pyramids after dark. The sound and light show at Giza takes place every night for 55 minutes by the Great Sphinx of king Kephren, it is a laser show with history narration of your own language.  Kyle FitzgeraldThe National Standing under a total lunar eclipse at the foot of ancient power by the Great Pyramid, the Grateful Dead were concluding the final show of their three-night run at the Sound and Light Theatre in Giza in 1978.His hair in pigtails, guitarist Jerry Garcia wove the outro of the percussive Nubian composition Olin Arageed into an extended opening of Fire on the Mountain. “There were Bedouins out on the desert dancing … It was amazing, it really was amazing,” Garcia said in a 1979 radio interview. The September 14-16 shows in Giza were the ultimate experiment for the American band – the first to play at the pyramids – known for pushing music beyond the realms of imagination. And just as the Grateful Dead were playing in the centre of ancient Egypt, a landmark peace treaty was being brokered in the US that would reshape geopolitics in the Middle East. For as the Grateful Dead arrived in Egypt as cultural ambassadors, on the other side of the world US president Jimmy Carter had gathered his Egyptian counterpart Anwar Sadat and Israeli prime minister Menachem Begin to broker the Camp David Accords that led to an Egyptian-Israeli peace settlement. “No show that they have ever done has the international significance of their three performances in Egypt,” said Richard Loren, the Grateful Dead's manager from 1974-1981. “When we left the stage on the last show, everybody was high on acid, and the first news that came on: They signed the Camp David agreement. Sadat, Begin and Carter signed the agreement in Camp David. This happened during those three days.” Loren, who produced the shows, credited his friendship with Jefferson Airplane vocalist Marty Balin, who had a keen interest in Egypt, for developing his own fascination with the country. “The lead singer for Jefferson Airplane is the seed that resulted in the Grateful Dead playing in Egypt,” he said. Loren recalled riding a camel around the pyramid site during a three-week visit in 1975. To his right were the pyramids. In front of him, the Sphinx. “And I look down and I see a stage, and a light bulb went off in my head immediately. The Grateful Dead ought to play in Egypt,” he said. Loren, associate Alan Trist and Grateful Dead bass player Phil Lesh formed a scouting committee that would be responsible for liaising with American and Egyptian officials, Secret Service members and Egyptian first lady Jehan Sadat to allow the Grateful Dead to play in front of the pyramids. After the mission to the proposed site, meetings in Washington and Egypt, discussions with government officials and a party for the consulate, the band still needed to convince officials the purpose of the show was to make music – not money. And so the Dead paid their own expenses and offered to donate all the proceeds.Half would be donated to the Faith and Hope Society – the Sadats' favourite charity – and the other to Egypt's Department of Antiquities. “It was a sales pitch by the three of us – Alan, Richard and Phil,” Loren said. A telegram was sent on March 21, 1978, confirming the Grateful Dead would perform two open-air shows at the Sound and Light in front of the Great Pyramid and Sphinx. They would go on to play three shows. Describing the planning, bassist Phil Lesh said, "It sort of became my project because I was one of the first people in the band who was on the trip of playing at places of power. You know, power that's been preserved from the ancient world. The pyramids are like the obvious number one choice because no matter what anyone thinks they might be, there is definitely some kind of mojo about the pyramids."[11]Rather than ship all of the required sound reinforcement equipment from the United States, the PA and a 24-track, mobile studio recording truck were borrowed from the Who, in the UK. The Dead crew set up their gear at the open-air theater on the east side of the Great Sphinx, for three nights of concerts. The final two, September 15 & 16, 1978, are excerpted for the album. The band referred to their stage set-up as "The Gizah Sound and Light Theater". The final night's performance coincided with a total lunar eclipse. Drummer Bill Kreutzmann played with a cast, having broken his wrist while horseback riding. The King's Chamber of the nearby Great Pyramid of Giza was rigged with a speaker and microphone in a failed attempt to live-mix acoustical echo.[12] Lesh recalled that through the shows he observed "an increasing number of shadowy figures gathering just at the edge of the illuminated area surrounding the stage and audience – not locals, as they all seem to be wearing the same garment, a dark, hooded robe. These, it turns out, are the Bedouin, the nomadic horsemen of the desert: drawn in by the music and lights... each night they have remained to dance and sway rhythmically for the duration of the show."[13] Kreutzmann recalls "Egypt instantly became the biggest, baddest, and most legendary field trip that we took during our entire thirty years as a band... It was priceless and perfect and, at half a million dollars, a bargain in the end. Albeit, a very expensive bargain."[14] The concerts weren't expected to be profitable (proceeds were donated to the Department of Antiquities and a charity chosen by Jehan Sadat). Costs were to be offset by the production of a triple-live album; however, performances did not turn out as proficient as planned, musically, and technical problems plagued the recordings.[10] The results were shelved as the band focused instead on a new studio album, Shakedown Street.   INTRO:                     Candyman                                    Track #3                                    2:54 – 4:50 From Songfacts:  the American Beauty album is infused with sadness. Jerry Garcia's mother was still seriously injured and her still fate uncertain following an automotive accident, while Phil Lesh was still grieving his father's passing. The melancholic aura comes through in "Candyman" as much as any other song on the album.The effect of the melodic sadness on the song's context is interesting, to say the least. It makes everything about the candyman character in the song seem sympathetic, when the lyrics suggest that he is anything but. Dead lyricist Robert Hunter said he certainly didn't resonate with the character's penchant for violence (more on that below).The Random House Historical Dictionary of American Slang defines the term "candyman" primarily as a drug dealer and secondarily as a man who is lucky in general and lucky with women in particular. The latter version seems to fit better with the song, as the character announces his arrival to all the women in town and tells them they ought to open their windows (presumably to let him in). While there's no evidence to suggest that Hunter was getting at anything too deep with the song, "Candyman" does provide an interesting perspective on the contradictions of the 1960s counterculture. Mixed in with all the peaceniks and flowers were hard-drug pushers, violent revolutionaries, and common criminals. By 1970, this stew had long since become so mixed-up that its attendant parts could no longer be cleanly extracted from each other. The fact that American Beauty came out in the midst of the Manson Family "hippie cult killings" trial says just about all that needs to be said about the complicated reality that had arisen out of the 1960s counterculture.Beyond all that, though, the outlaw song that romanticizes criminality is a long-held and cherished tradition in American music. With American Beauty, Jerry Garcia wanted the Dead to do something like "California country western," where they focused more on the singing than on the instrumentation.  So the sang Hunter's lyrics: Good mornin', Mr. BensonI see you're doin' wellIf I had me a shotgunI'd blow you straight to HellThis is an oddly violent line for a song by the Grateful Dead, who sought to embody the '60s peace-and-love ethos about as sincerely and stubbornly as any act to come out of the era. It always got a raucous applause from the audience, too, which seems equally incongruous with the Deadhead culture.Hunter was bothered by the cheers. In an interview published in Goin' Down the Road by Blair Jackson (p. 119), he brings this phenomenon up when asked if any of his songs has been widely misinterpreted. He mentions that he had first witnessed an audience's enthusiastic response to violence while watching the 1975 dystopian film Rollerball and "couldn't believe" the cheers.Hunter tells Jackson that he hopes fans know that the perspective in "Candyman" is from a character and not from himself. He stresses the same separation between himself and the womanizer in "Jack Straw." As far as the Mr. Benson in "Candyman," David Dodd in the Annotated Grateful Dead Lyrics makes a great case for that being Sheriff Benson from Leadbelly's "Midnight Special" (who may very well have been based on a real sheriff). If true, this might place "Candyman" in Houston, Texas (though Hunter might not have had anything so specific in mind). Almost always a first set song.  Often featured in acoustic sets, back in the day. This version features this awesome Garcia solo that we were listing to.  Maybe he was inspired by the pyramids or whatever magical spirits might have come out from within to see this American band the Grateful Dead.  Hopefully, it made those spirits grateful themselves. Played:  273First:  April 3, 1970 at Armory Fieldhouse, Cincinnati, OH, USALast:  June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA, USA  SHOW No. 1:         Hamza El Din                                    Track #10                                    7:30 – 9:00 Hamza El Din (Arabicحمزة علاء الدين) (July 10, 1929 – May 22, 2006) was an Egyptian Nubian composer, oudplayer, tar player, and vocalist. He was born in southern Egypt and was an internationally known musician of his native region Nubia, situated on both sides of the Egypt–Sudan border. After musical studies in Cairo, he lived and studied in Italy, Japan and the United States. El Din collaborated with a wide variety of musical performers, including Sandy Bull, the Kronos Quartet and the Grateful Dead. His performances attracted the attention of the Grateful Dead, Joan Baez, and Bob Dylan in the 1960s, which led to a recording contract and to his eventual emigration to the United States. In 1963, El Din shared an apartment in the San Francisco Bay Area with folk musician Sandy Bull. Following his appearance at the Newport Folk Festival in 1964, he recorded two albums for Vanguard Records, released 1964–65. His 1971 recording Escalay: The Water Wheel, published by Nonesuch Records and produced by Mickey Hart, has been recognized as one of the first world music recordings to gain wide release in the West, and was claimed as an influence by some American minimalist composers, such as Steve Reich and Terry Riley, as well as by Grateful Dead percussionist Mickey Hart.[1] He also performed with the Grateful Dead, most famously during their Egypt concerts of 1978. During these three shows, Hamza El Din, performed as a guest and played his composition "Ollin Arageed" He was backed by the students of his Abu Simbel school and accompanied by the Grateful Dead.  After Egypt, hamza el din played with the dead in the U.S. On October 21st, back in 1978, the Grateful Dead were in the midst of wrapping up a fiery five-night run at San Francisco's Winterland Ballroom. This string of shows was particularly special for the band, as they marked the first shows played by the Dead following their now-legendary performances near the Great Pyramid of Giza in Egypt a month prior. n an effort to bring their experiences in Northern Africa home with them to share with their fans, the Dead's '78 Winterland run saw sit-ins by Egyptian percussionist, singer, and oud player Hamza El Din. On October 21st, El Din opened the show solo, offering his divine percussion before the Grateful Dead slowly emerged to join him for an ecstatic rendition of “Ollin Arageed”, a number based off a Nubian wedding tune, before embarking on a soaring half-acoustic, half-electric jam, that we will get to on the other side of Music News: MUSIC NEWS: Lead in music:                  Goose — "Hollywood Nights" (Bob Seger) — Fiddler's Green — 6/8/24 (youtube.com)                  0:00 – 1:10             Goose covering Bob Seeger and the Silver Bullet Band's Hollywood Nights, this version from earlier this year but Goose did play it Friday night in Chicago at the Salt Shed's Festival stage outside along the Chicago river with the Skyline in the background. Very impressive. "Hollywood Nights" is a song written and recorded by American rock artist Bob Seger. It was released in 1978 as the second single from his album, Stranger in Town. Seger said "The chorus just came into my head; I was driving around in the Hollywood Hills, and I started singing 'Hollywood nights/Hollywood hills/Above all the lights/Hollywood nights.' I went back to my rented house, and there was a Time with Cheryl Tiegs on the cover...I said 'Let's write a song about a guy from the Midwest who runs into someone like this and gets caught up in the whole bizarro thing.'" [1] Seger also said that "Hollywood Nights" was the closest he has had to a song coming to him in a dream, similar to how Keith Richards described the riff to "(I Can't Get No) Satisfaction" coming to him in a dream. Robert Clark Seger (/ˈsiːɡər/SEE-gər; born May 6, 1945) is a retired American singer, songwriter, and musician. As a locally successful Detroit-area artist, he performed and recorded with the groups Bob Seger and the Last Heard and the Bob Seger System throughout the 1960s, In 1973, he put together the Silver Bullet Band, with a group of Detroit-area musicians, with whom he became most successful on the national level with the album Live Bullet (1976), recorded live with the Silver Bullet Band in 1975 at Cobo Hall in Detroit, Michigan. In 1976, he achieved a national breakout with the studio album Night Moves. On his studio albums, he also worked extensively with the Alabama-based Muscle Shoals Rhythm Section, which appeared on several of Seger's best-selling singles and albums. A roots rock musician with a classic raspy, powerful voice, Seger is known for his songs concerning love, women, and blue-collar themes, and is one of the best-known artists of the heartland rock genre. He has recorded many hits, including "Night Moves", "Turn the Page", "Mainstreet", "Still the Same", "Hollywood Nights", "Against the Wind", "You'll Accomp'ny Me", "Shame on the Moon", "Roll Me Away", "Like a Rock", and "Shakedown", the last of which was written for the 1987 film Beverly Hills Cop II and topped the Billboard Hot 100 chart. He also co-wrote the Eagles' number-one hit "Heartache Tonight", and his recording of "Old Time Rock and Roll" was named one of the Songs of the Century in 2001. Which leads us to: Goose plays three nights in Chicago: Wednesday, Thursday and Friday night at the Salt Shed.  I caught the Thursday and Friday show.  Went with my wife on Thursday and hung out with good friends John and Marnie, her brothers Rick and Joel, Stephan and others.  Friday with my son Daniel and good buddy Kevin who got us rock star parking and even more impressively killer seats dead center at the bottom of the grandstands in the back of the floor, a few feet off the floor and dead center so we could see everything, hear everything and have a place to sit and rest for a few minutes when needed. I have to say, I've now seen Goose five times and enjoy them more and more.  Great musical jams, great light show, lots of good energy from the band and the fans.  Rick Mitoratando is a first class guitartist and singer, Peter Anspach on keyboard and guitar and vocals, Jeff Arevalo, percussionist, Trevor Weekz on bass and newcomer, Cotter Ellis on drums, replacing original drummer, Ben Askind. Began playing in 2014 in Wilton Connecticut so this is their 10 year and they are just getting stronger.  They really love what they do and its shows in their live performances. Great set lists in Chicago: Thursday night they were joined on stage by Julian Lage, a jazz composer and guitarist for the last two songs of the first set, A Western Sun and Turned Clouds. If you have not yet seen Goose you need to see Goose.  Soon.  Jane's Addiction Concert Ends Abruptly After Perry Farrell Punches Dave Navarro Onstage 3.     Jane's Addiction Offer ‘Heartfelt Apology' for Fight, Cancel Sunday's Show Phish announce 3 night run in Albany Oct. 25 – 27 to benefit Divided Sky Foundation A residential program for people recovering from drug and alcohol abuse. The Divided Sky Foundation, a 46-bed nonprofit recovery center spearheaded by Phish frontman Trey Anastasio, will be an abstinence-based, nonmedical residence, one of the first ofits kind in Vermont. The Divided Sky Foundation is a charitable nonprofit founded by Anastasio; it purchased the Ludlow location to create a substance-use disorder treatment center back in 2021.  Anastasio, Phish's lead guitarist and vocalist, has dealt publicly with his own drug and alcohol use and later sobriety, a journey that brought him under the supervision of drug court in Washington County, New York, in the mid-2000s. There, he met Gulde, who worked in the court system at the time, and the two have stayed friends since.  Together, Gulde and Anastasio used their personal experiences with treatment facilities to implement a vision for the Ludlow space, she said.   Very cool organization, deserves everyone's support.  Trey turned it around which is why he is now 5 years older than Jerry was when he died in 1995 and Trey and Phish are just getting stronger and stronger. SHOW No. 2:         Ollin Arageed                                    Track #11                                    13:10 – 14:42 Musical composition written by Hamza El-Din.  He and members of the Abu Simbel School of Luxor choir opened the shows with his composition Olin Arageed on nights one and two, and opened set two of night three with the song as well.  Joined on stage by the band.  Fun, different and a shout out to the locals. The Dead played it a few more times with Hamza and then retired it for good.  SHOW No. 3:         Fire On The Mountain                                    Track #12                                    13:00 – end                                     INTO                                     Iko Iko                                    Track #13                                    0:00 – 1:37 This transition is one of my all time Dead favorites.  Out of a stand alone Fire (no Scarlet lead in) into a sublime and spacey Iko Iko.  Another perfect combination for the pyramids, sphinx and full lunar eclipse.A great reason to listen to this show and these two tunes. MJ NEWS: MJ Lead in Song            Still Blazin by Wiz Khalifa:  Still Blazin (feat. Alborosie) (youtube.com)                                                                        0:00 – 0:45 We talked all about Wiz Khalifa on last week's episode after I saw him headline the Miracle in Mundelein a week ago.  But did not have a chance to feature any of his tunes last week.  This one is a natural for our show. This song is from Kush & Orange Juice (stylized as Kush and OJ) is the eighth mixtape by American rapper Wiz Khalifa. It was released on April 14, 2010, by Taylor Gang Records and Rostrum Records. Kush & Orange Juice gained notoriety after its official release by making it the number-one trending topic on both Google and Twitter.[1] On the same day, a link to the mixtape was posted for download on Wiz's Twitter.[2] The hashtag#kushandorangejuice became the number-six trending topic on the microblogging service after its release and remained on the top trending items on Twitter for three days.[  1.                   Nixon Admitted Marijuana Is ‘Not Particularly Dangerous' In Newly Discovered Recording2.                  Marijuana Use By Older Americans Has Nearly Doubled In The Last Three Years, AARP-Backed Study Shows3.                  Medical Marijuana Helps People With Arthritis And Other Rheumatic Conditions Reduce Use Of Opioids And Other Medications, Study Shows4.                  U.S. Marijuana Consumers Have Spent More Than $4.1 Billion On Pre-Rolled Joints In The Past Year And A Half, Industry Report Finds   SHOW No. 4:         Sunrise                                    Track #162:08 – 3:37             Grateful dead song written, music and lyrics by Donna Jean Godchaux.  Released on Terrapin Station album, July 27, 1977             There are two accounts of the origins of this song, both of which may be true. One is that it is about Rolling Thunder, the Indian Shaman, conducting a ceremony (which certainly fits with many of the lyrics). The other is that it was written by Donna in memory of Rex Jackson, one of the Grateful Dead's crew (after whom the Rex Foundation is named). The song is about a Native American medicine man named Rolling Thunder, who spent a lot of time with the Dead."'Sunrise' is about sunrise services we attended and what Rolling Thunder would do," Godchaux said on the Songfacts Podcast. "It's very literal actually. Rolling Thunder would conduct a sunrise service, so that's how that came about."Donna Jean Godchaux wrote this song on piano after Jerry Garcia asked her to write a song for the Terrapin Station album. She said it just flowed out of her - music and lyrics - and was one of the easiest songs she ever wrote.The drumming at the end of the song was played by a real medicine man. "We cut it in Los Angeles, and he came and brought the medicine drum, so what you hear on the end is the real deal," Godchaux told Songfacts. "It was like a sanctuary in that studio when he was playing that. It was very heavy." It was played regularly by the Grateful Dead in 1977 and 1978 (Donna left the band in early 1979).This version is the last time the band ever played it. Played:  30 timesFirst:  May 1, 1977 at The Palladium, New York, NY, USALast:  September 16, 1978 at the Pyramids, Giza Egypt                                   OUTRO:                   Shakedown Street                                    Track #17                                    3:07 – 4:35                                   Title track from Shakedown Street album November 8, 1978 One of Jerry's best numbers.  A great tune that can open a show, open the second set, occasionally played as an encore, but not here.  It is dropped into the middle of the second set as the lead in to Drums.  This is only the second time the song is played by the band. Played:  164 timesFirst:  August 31, 1978 at Red Rocks Amphitheatre, Morrison, CO, USALast:  July 9, 1995 at Soldier Field, Chicago, IL – opened the second set, the final set of music ever performed by the band.  Shout outs:             Karen Shmerling's birthday                       This week my beautiful granddaughter, Ruby, is coming to town to visit.  Can't wait to see her and her parents.  .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

"Can't get no satisfaction" or "are you feeling satisfied?" "Well come on all you people, the time has come together. You gotta have a little rock 'n' roll music To get you through the stormy weather." (Boston, Feeling Satisfied) In this #podcast episode we discuss the #music of the #rollingstones and #boston and see how we all can feel more satisfied. So put your hands together, let go, and take a chance on rock 'n' roll so you can get that funky feeling to get you through any stormy weather in your life. Get to a peaceful easy feeling, when you stop comparing, stop trying to be someone else, and just settle into your authentic self. FOR FULL SHOW NOTES AND LINKS VISIT: https://www.jasonmefford.com/jammingwithjason385/ MEET WITH ME MONTHLY: Join me each month for live group calls in The Spiritual Campfire™ at: https://jasonmefford.mykajabi.com/the-spiritual-campfire CONNECT WITH ME ON SOCIAL MEDIA: My YouTube channel [https://www.youtube.com/c/jasonleemefford] and make sure to subscribe My Facebook page [https://www.facebook.com/jammingwithjasonmefford] My LinkedIn page [https://www.linkedin.com/in/jasonmefford/] My website [https://jasonmefford.com] LIKED THE PODCAST? If you're the kind of person who likes to help others, then share this with your friends and family. If you found value, the will too. Please leave a review [https://itunes.apple.com/us/podcast/jamming-with-jason-mefford/id1456660699] on Apple Podcasts so we can reach more people. STAY UP TO DATE WITH NEW CONTENT: It can be difficult to find information on social media and the internet, but you get treated like a VIP and have one convenient list of new content delivered to you inbox each week when you subscribe to Jason's VIP Lounge at: https://jasonmefford.com/vip/ plus that way you can communicate with me through email. --- Support this podcast: https://podcasters.spotify.com/pod/show/jammingwithjason/support

I can`t get no satisfaction - Wasted Efforts to NowhereWebsite: http://www.battle4freedom.com/studio/?i-cant-get-no-satisfactionNetwork: https://www.mojo50.comStreaming: https://www.rumble.com/Battle4Freedomhttps://www.biblegateway.com/passage/?search=Haggai%201:6&version=CJBYou sow much but bring in little; you eat but aren't satisfied; you drink but never have enough; you clothe yourselves, but no one is warm; and he who works for a living earns wages that are put in a bag full of holes.Haggai 1:6https://blog.hubspot.com/marketing/how-search-behaviors-are-changingThe Way People Search the Web is Changing: 4 Stats Marketers & SEOs Should Know [HubSpot Data]https://www.nielsen.com/data-center/top-ten/Top 10Discover what Americans are watching and playingThe Bored Cheaterhttps://mol.im/a/13636311Real estate experts reveal the home feature that is becoming extincthttps://mol.im/a/13636049The WORST-ranking US state to live welcomed 474K newcomers last yearhttps://mol.im/a/13637279Posters banning Ouija boards 'due to recent events' spark concernhttps://mol.im/a/13635805The 50 best small towns to raise a family revealedhttps://mol.im/a/13617279Why insurance costs are higher in a remote town than anywhere elsehttps://mol.im/a/13633625Revealed: Ten best walkable cities in the UShttps://mol.im/a/13635241The top 10 tips for Gen Z to improve their mannershttps://www.forbes.com/sites/robertwood/2024/07/11/as-more-people-leave-california-over-taxes-they-may-face-tax-audits/As More People Leave California Over Taxes, They May Face Tax AuditsHow long before leaving?

On this day in 1965, in a fit of nocturnal inspiration, Rolling Stones guitarist Keith Richards wrote “(I Can't Get No) Satisfaction.” See omnystudio.com/listener for privacy information.

Do you remember the song, I Can't Get No Satisfaction? If you don't recall this Rolling Stones hit, you likely know what it's talking about. The truth is for many, satisfaction is elusive. If that's you, join us on Thru the Bible for a new study in Colossians, where we'll find out where and how deep satisfaction can be found.