Podcast appearances and mentions of Tony Bennett

TVC 738.3: Part 2 of a conversation that began last week with Hall of Fame radio broadcaster Don Sainte-Johnn, author of San Francisco's Last Top 40 Disc Jockey, a memoir of Don's life and career behind the microphone. Topics this segment include how KFRC transitioned from Top 40 radio to big band in 1986—a successful format change that continued for seven years; why Don chose to stay at KFRC as part of the new format; why one benefit of the Magic 61 rebrand was that it allowed Don to interview some of his favorite artists from that genre (including Tony Bennett, Nancy Wilson, and Lionel Hampton); and how baseball Hall of Famer Lou Brock helped Don get a good deal on a new car one day while Don was a radio host in St. Louis. San Francisco's Last Top 40 Disc Jockey is available through Amazon.com.

还算趁热打铁，趁着记忆还很鲜活，来聊一聊总决赛，一个绝对算得上跌宕起伏的系列赛。关于总决赛：总决赛结束的那一刻你的感受是什么样的？马刺五场比赛都在第一节领先达到两位数，这肯定不是巧合，马刺做对了什么？尼克斯在四场获胜的比赛中有三场第四节净胜10分以上，尼克斯又做对了什么？关于马刺：现在他们的目标只有总冠军了：1.如何定位文班呢？2.需要外线的超级得分手吗？有没有可能的目标？3.怎么处理福克斯？（还剩4年合同）4.卡斯尔和哈珀的成长和培养方向关于尼克斯：赢家不换阵，留下全部核心阵容继续是最常规的选择，参考2024年的凯尔特人，会留下米罗吗？价位是？剩下的自由球员里沙美特，克拉克森和胡科波尔蒂都是总决赛出场过（好吧，索汉也出场过），他们下赛季还会留在球队吗？更期待在自由市场还是选秀大会里找到适合球队的拼图？什么位置？什么类型？MC：兔子 49Guest：小殷（殷文玉），五星体育/咪咕体育NBA解说嘉宾songlist：《New York，New York》by Frank Sinatra&Tony Bennett

Croon•er (n) ['kru:nər]: a singer, particularly a male one, who sings sentimental songs in a soft, low voice. Decades before Elvis, The Beatles, Michael Jackson, Justin Bieber, or Uncle Gregg captured the hearts, imaginations, and undergarments of a swooning audience, crooners ruled the earth. The term typically conjures up golden throated singers like Bing Crosby, Nat "King" Cole, Tony Bennett, and Mel Torme interpreting the timeless songs of Jerome Kern, Johnny Mercer, George Gershwin, Cole Porter, and Irving Berlin. But one crooner reigned supreme: Ol' Blue Eyes himself, Frank Sinatra. He was "The Voice," possessing an instrument of rare, pure, crystalline perfection, with a phrasing, tone, and ability to charge every word with such emotion that you can palpably sense his audience getting weak in the knees. Never has Sinatra's legendary 1940s performing career sounded as immaculately and pristinely alive as it does on the SING label's recent archival projects: At the Hollywood Bowl 1943-48; Christmas on the Air; and the 5-LP box set Long Ago, Far Away, all lovingly restored and mastered by an award winning team and featuring exquisitely detailed liner notes by no greater authority than record producer, historian, archivist, author of the acclaimed Sessions with Sinatra, and host of the weekly radio show Sinatra Standard Time, Chuck Granata. We are fortunate to have Chuck join us this week to chat about all things Sinatra: the innovative new sets, his important role in pop music's breakthrough, his classic and most underrated albums, and the use of AI for good. And, of course, because O3L is focused on classic alternative music, our lists cover some of our favorite singers who carried on crooning into the '70s, '80s & '90s. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we bring in our sports guy Jeff Grayson along with professional opera singer Mark Schowalter to celebrate the "Voice of the Century," Mr. Frank Sinatra. We start by hearing the moving story of how Jeff first truly discovered Sinatra's music through a stack of cassettes during his father's final days. Mark provides a professional's perspective on what made Sinatra a singular talent, focusing on his incredible storytelling ability, his vocal technique, and his mastery of the microphone. The conversation dives deep into the legendary stories that defined the man, including his generosity with blank checks, his infamous temper, and his rumored mafia ties. We also explore his complicated relationship with the Kennedys, his high praise for Tony Bennett, and the hilarious dynamic he shared with Don Rickles. Along the way, we discuss his career longevity, his work with greats like Nelson Riddle and Tommy Dorsey, and much, much more! Enjoy!

Toby Gad and Dave Eggar Interview (Eureka Concerts)Legendary German-born songwriter and producer Toby Gad and acclaimed crossover cellist/composer Dave Eggar have each spent decades redefining the boundaries between virtuosity, emotion, and modern popular music. Raised in a jazz-centered musical family in Munich, Gad combined classical piano training with jazz harmony and improvisation before becoming one of the most successful hitmakers of the modern pop era, writing and producing global hits including Beyoncé's “If I Were a Boy,” Fergie's “Big Girls Don't Cry,” and John Legend's “All of Me.” Eggar, a classically trained prodigy and adventurous improviser, built a remarkable career blending classical performance with jazz, rock, folk, film music, and contemporary crossover projects, collaborating with artists ranging from Coldplay, Pearl Jam, Amy Winehouse, Tony Bennett, Paul Simon and his mentor Michael Brecker.Together, their project Eureka Concerts captures the spontaneity and creative freedom that define both artists — a fully improvised musical dialogue where jazz intuition, classical sophistication, cinematic textures, and emotional storytelling collide in real time. The collaboration stands as a rare meeting of two fearless musical minds whose legendary careers continue to evolve through exploration and improvisation.For more info check out  Toby Gad at https://www.tobygad.com/ Dave Eggar https://www.domomusicgroup.com/daveeggar/Eureka Concerts https://open.spotify.com/album/0AqBO1SukqFI6SZ8IMbmni?si=eKdoOacNQMK32wplvahkSQ

Jean-Baptiste Tuzet met en lumière l'événement cinématographique français qui fait déjà vibrer les cœurs : la préparation du grand biopic consacré à l'immense Johnny Hallyday. Prévu pour sortir avant l'été 2027, ce projet monumental à 45 millions d'euros est confié au réalisateur Cédric Jimenez, habitué aux grands succès populaires. C'est le talentueux comédien Benjamin Voisin qui relève l'immense défi de prêter ses traits au rockeur, arborant une ressemblance troublante qui rappelle la folle énergie de l'artiste dans les années 60. L'intrigue nous plongera notamment dans l'été 1993, période charnière de sa vie, le tout validé par son entourage familial. Sur Crooner Radio, cette évocation est aussi l'occasion d'un magnifique parallèle musical grâce à une archive rare de Tony Bennett. Ce dernier y rappelle qu'Elvis Presley, le modèle absolu de Johnny, était au fond un crooner avec des rêves d'opéra. Une chronique tendre et fascinante pour saluer la voix inimitable de notre Johnny national, qui résonnera d'ailleurs dans le film grâce à la magie des ingénieurs du son.La Minute Crooner Attitude, le billet d'humeur de Jean-Baptiste Tuzet, tous les jours de la semaine, 9 h 15 et 19 h 15 sur Crooner Radio. Plus d'informations et podcasts www.croonerradio.frHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Kirk returns to Kind of Blue, taking a closer look at two more tunes off of the 1959 jazz classic. First, he digs into the modified 12-bar blues "Freddie Freeloader," with a focus on Wynton Kelly's much-emulated opening piano solo. He then compares and contrasts how John Coltrane and Cannonball Adderley approached the closing track, "Flamenco Sketches" on tenor and alto sax, respectively. Music by: Miles Davis and Bill Evans The Musicians: Miles Davis, Trumpet Julian "Cannonball" Adderley, Alto Sax John Coltrane, Tenor Sax Wynton Kelly & Bill Evans, Piano Paul Chambers, Bass Jimmy Cobb, Drums Produced by Irving Townsend; Engineered by Fred Plaud Album: Kind of Blue, 1959 Listen/Buy via Album.Link ALSO REFERENCED/DISCUSSED: The 2021 episode of Strong Songs about the album's opening track, "So What" Adam Maness and Peter Martin's excellent music podcast “You'll Hear It”  Kirk's 2025 “You'll Hear It” guest appearance discussing Tower of Power's 1973 self-titled album Kind of Blue: The Making of the Miles Davis Masterpiece by Ashley Kahn, 2000 “Cold Sweat” by James Brown, 1967 “Everybody Wants to Rule The World” by Tears For Fears from Songs From The Big Chair, 1985 “Some Other Time” by Leonard Bernstein by Bill Evans and Tony Bennett from The Tony Bennett Bill Evans Album, 1975 “A Love Supreme, Pt. 2: Resolution” - by John Coltrane from A Love Supreme, 1965 --------------------MAY 2026 WHOLE NOTE PATRONS Dave Florey - AccessViolation - Jeremy Dawson - Sami Samhuri - Paul Delaney - Jenness Gardner - Melanie Andrich - Ken Hirsh - Joe Laska - David Mascetti - Christopher McConnell - Jamie White - Christopher Miller - Daniel Hannon-Barry - Jay Swartz - Damon White - Catherine Warner - Ben Barron - Corpus Frisky - Cesar - Robyn Metcalfe - Scott Lystig Fritchie - Lisa Crotty - Andy - Melissa Lucas - Greg - Julie Rowe - Rich Fish - Butch Vig - Greg - Matt R MAY 2026 HALF NOTE PATRONS Colin Hodo - Paul De Surra - James Johnson - Arjun Sharma - Justin McElroy - Alexander Polson - Richard Toller - Melanie Stivers - Matt Betzel - Jeffrey Olson - Brett Douville - Brian Amoebas - Bill Thornton - Andrew Fair - Andrew Baker - Amanda Furlotti - Brad Callahan - Jennifer Bush - AJ Schuster - Tanner Morton - Gavin Doig - Chris K - Alexander - David - Naomi - Dave Sharpe - Caro Field - Jonathan Daniels - Eric Helm - Melmaniac - Dhu Wik - Tom Coleman - Diane Turner - Clare Holberton - Randy Souza - Pascal Rueger - Joshua Hill - Stephen Tsoneff - Michael Casner - Diane Hughes - Angela Livingstone - cbalmain - Eric Prestemon - Lauren Reay - Nathan Gouwens - Nell Morse - Karma Jay - Dallas Hockley - M Shane Borders - Kevin Potter - Eoin de Burca - Bonnie Prinsen - Linda Duffy - Ryan Rairigh - Achint Srivastava - Doug Belew - Abbie Berg - Jason Pratt - Geraldine Butler - Bernard Khoo - David Joske - Donald Mackie - Steve Paquin - Mino Capossela - Kelli Brockington - Adam W - Josh Singer - Rob Tsuk - Ailie Fraser - JRRJ - Jeffrey Bean - Rishi Sahay - Zak Remer - Adam Stofsky - Kenneth Jung - Bruno Gaeta - Paul Wayper - Lisa Turner - Wendy Gilchrist - Doreen Carlson - Janice Berry - Christian Hessmann - Richard Sneddon - Portland Eye Care - Deebs - Michael Shain - Jamie - David Futter - Jeff Ulm - Aaron Wade - Greg Henion - KenIsWearingAHat - Ethan Bauman - Catherine Clause - Charles McGee - Tim Sheehan - E Margaret Warton - Matt Baxter - Dr Arthur A Gray - Steve Martino - Stu Baker - Martín Salías - Peter Harding - John Halpin - Douglas H Frazer - Heather J - Alan Maass - Dave Malloy - Robert Granat - Kaya Woodall - Kellen Steffen - Sean Murphy - Jim Sellers - Ben Stein - Bla Blupp - Dick Morgan - Lee R. - Misty Haisfield - Carlos Lerner - Dent Earl - Aaron Wilson - Chris Remo - Brian Johan Peter - Ethan Laser - James McMurry - Anthony Mentz - Thomas - Matthew Jones - Eric Sp - Max - Rand LeShay - Stephen Wolkwitz - Paul Bigelman - Monica St. Angelo - Henry Mindlin - Dave Kolas - Lauren Knotts - Joe Gallo - Merv Adrian - Michael Singer - Inmar Givoni - Mordok's Vape Pen - Clint McElroy - Ol Parker - Dan Cutter - Jeff - Michael - James - Kevin Marcelo - Seattle Trans And Nonbinary Choral Ensemble - Ashley - Melissa Kuhns - Jordan Gatenby - Andrew Hofer - Ian Pidd - Irritable - Meryl Allison - Sy Jacobs - Lawrence - Praline - Kevin Stafford - Daniel Nervo - Philip Kelly - Bea - Julie Kellman - Daniel Kaberon - TB - Aruni Jayatilleke - Rachel - Kym Griffith - PhantomMare - Alison Dugan - Margaret McReynolds - HiddenJester - Brian Rinckenberger - RsP - Lottie Aron - Alex Miller - Steve B - Ian Karmel - Zach Putnam - Stephen - Adam Clark - Freddy Freeman - Erik - Mathias Schmidt - Cheryl Wilke - Tucker Ped - Sarah Vetters - Aaron Cain - Daniel Markoff - Alexis - Alex - Eric Stone - Alan Kress - R J Helow - Max Barnes - Michael Martin - John Domina - James - Andrew Knutson - Doug - Sam Grogan - EwokEater42 - MT - Linda Lange - James Hicks - Michael Adamski - Mark MacIntosh - Jeff Stormer - Michael Sumner - Edward Reisert - Klodrik - Aron - Kevin Davis - Matt - Louise Clarke - Richard Randall - AlanB - Will King - PJ and Ethan - TheShirtRipper - Rebecca Kline - Ned Rosen - Simon Hellman - Jim M - Ben Buddy Slack - Néa --------------------

In todays episode, we continue to honor Oregon Wine Month 2026 while combining our Wine is Like Music Series! French Horn player, Jennifer Brummett joins Bells Up Winery winemaker, David Specter, Shelley and Phil for another round of Wine is Like Music. #HappyFriday! #ItsWineTime! #CheersingPlease visit Wines featured this episode:2024 Bells Up Rhapsody Pinot Blanc ($38 at the winery) 2022 Bells Up Titan Pinot Noir ($52 at the winery)2022 Bells Up Maestro Pinot Noir ($58 at the winery)A HUGE thanks to our sponsors: Liberty Lake Wine Cellars andCinder Winery!Liberty Lake Wine Cellars: Looking for amazing wine? Taste Liberty Lake Wine Cellars' big, bold reds from Red Mountain, along with their delightful Tahija whites and Rosés. Join their Wine Club for exclusive benefits including their Thursday Wine Club night. Get all the details at https://www.libertylakewinecellars.com/ or call 509-255-9205. Liberty Lake Wine Cellars: Celebrating 20 years of making exceptional Washington wine!Cinder Winery: Crafting world-class wines in Idaho's Snake River Valley from award-winning Viognier to bold Tempranillo and Syrah, Cinder wines showcase the region's unique volcanic soils and ideal climate. Visit cinderwines.com for more information! Cinder: Savor the taste of Idaho's finest! And of course, a HUGE thank you to Tod Hornby who wrote and recorded our official Wine Time Fridays theme music. Please visit https://todhornby.com to see what Tod is up to! The Pilgrim's Market Wine Word of the Week - AttackIn Music: Attack refers to the very beginning of a note—how the player starts the sound (is it sharp and punchy or soft and gradual?). In Wine: Attack (or the entry) is the very first impression a wine makes on your palate. It's that initial burst of acidity or fruit before the "mid-palate" takes over. Pilgrim's Market: Check out Pilgrim's Market for an expansive selection of fine wines with wine club prices EVERY day, weekly complimentary tastings and just up the street from CDA Gourmet! Visit pilgrimsmarket.com or call 208-676-9730!Mentions: Sara Spector, Frank Sinatra, Tony Bennett, Spokane Symphoney, Whitworth University, Panhandle Symphony Orchestra and Mark Lathrop.Some wines we've enjoyed this week: Mauricio Lorca Angel's Selection Chardonnay, Hightower Reserve Red Blend, Cinder Syrah and a Liberty Lake Petit Verdot.Please find us on Facebook (https://www.facebook.com/WineTimeFridays), Twitter (@VintageTweets), Instagram (@WineTimeFridays) on our YouTube Channel, https://www.youtube.com/@winetimefridays and on Threads, which is @winetimefridays. You can also “Follow” Phil on Vivino. His profile name is Phil Anderson and will probably “Follow” you back! Wine Time Fridays Rating System: Phenomenal 

https://teachhoops.com/ It's the most common feedback from players who transition from high school to college, or college to the pros: "The game is just so much faster." But when we analyze the tape, the difference isn't always found in 40-yard dash times or vertical leaps. The "Speed Gap" is actually a Processing Gap. At the next level, the window of opportunity for a pass, a shot, or a defensive rotation shrinks from a second to a fraction of a second. If you haven't trained your players' Decision IQ, they will look like they're playing in slow motion, regardless of their athletic "measurables." In high school, a talented player can often "catch, hold, and survey." At the next level, that "hold" is a turnover or a blocked shot. We preach the "Zero-Second Decision"—players must know what they are going to do with the ball before it touches their hands. The "Mental Loading" Phase: While the ball is in flight, the player must scan the floor, locate the help-side defender, and identify the "Closeout Speed" of their primary defender. Rep Density: This isn't taught through lectures; it's taught through high-rep, small-sided games (2v2, 3v3) where the constraints are tight and the pressure is constant. The biggest shock for a freshman is the "Closing Speed." In high school, a "contested" shot often means a hand is in the general vicinity. In the college or pro game, a closeout is a violent, high-speed athletic event. This drastically changes the math of Effective Field Goal Percentage (eFG%): If a player's release is 0.2 seconds too slow, their eFG% doesn't just drop—it disappears because the shot never gets off. To prepare them, your drills must simulate "uncomfortable" pressure. If your players aren't failing in practice due to speed, your practice isn't fast enough. Physical speed is a talent; "Next Play" Speed is a choice. The fastest teams in the country (like those in the Jay Wright or Tony Bennett coaching trees) aren't always the most athletic; they are the most disciplined. The Transition of Vision: The moment a shot hits the rim, the brain must switch from "Scorer" to "Rebounder" or "Transition Defender." Eliminating "Hang-Time": We define "Hang-Time" as the 2–3 seconds players spend complaining to refs or hanging their heads after a mistake. At the next level, that hang-time results in a 5v4 advantage for the opponent. To build a "fast" team, you must ruthlessly eliminate emotional hang-time. Coach's Insight: "Speed isn't about running faster; it's about thinking faster. If you want to play at the next level, you have to sharpen your mind until it moves at the speed of the whistle." Think of the Trading Card Market. When a new rookie (like an Alex Sarr) hits the floor, the market moves at "Next Level" speed. A card that was worth $100 at 7:00 PM might be worth $40 by 9:00 PM if he struggles in his debut. Just like on the court, those who can't process the information and act with "Zero-Second" decisiveness are the ones who get left behind holding the bag. Basketball speed of play, transition to college basketball, basketball decision IQ, player development, high school basketball, athletic leadership, "The Villanova Way," Jay Wright leadership, eFG% analytics, "Next Play" speed, mental toughness, basketball processing speed, coach unplugged, teach hoops, basketball success, program building. Show Notes1. The "Zero-Second" Decision2. The Physics of the "Next Level" CloseouteFG%=FGAFGM+(0.5×3PM)​3. "Next Play" Speed: The Cultural AcceleratorThe Speed Audit: Are You Level-Ready?MetricThe High School LevelThe "Next" LevelPass Window12–18 inches of space.4–6 inches of space.Decision Time1.5 to 2.0 seconds.0.5 seconds or less.Help-Side Rotation"See the ball, then move.""Anticipate the pass, then arrive."Recovery SpeedCan "jog" back after a turnover.Must sprint to the "level of the ball" immediately.Export to SheetsThe "Wildcard": The Market ParallelSEO Keywords Learn more about your ad choices. Visit podcastchoices.com/adchoices

Joining host Michael Azevedo on this episode are Suzannah Herbert and Darcy McKinnon, the director and producer of the award-winning documentary "Natchez," which will air on PBS on May 11 as part of the Independent Lens Series.   The film is also currently available for VOD streaming on multiple platforms including Apple TV, Prime Video, and YouTube TV.   Winner of the best documentary feature award at the 2025 Tribeca film festival, "Natchez" captures an unsettling clash between history and memory in a small Mississippi town; it's a layered mosaic of people contending with the weight of the past in a place where it is always present.    Equal parts amusing and disturbing, "Natchez" grapples with a deeply troubled history that is so thoroughly ingrained in its present, we're left to wonder if it's actually past at all.   Suzannah Herbert is a documentary director and editor from Memphis whose directing work focuses on the American South. Herbert directed and produced the twice Emmy-nominated film "Wrestle." As an editor, she has collaborated on various Bob Dylan, Tony Bennett and Lady Gaga projects, music videos and award-winning films. "Natchez" is her second documentary feature.   Darcy McKinnon is a documentary filmmaker based in New Orleans whose work focuses on the American South and the Caribbean. Her work has been seen on the World Channel, POV, and Hulu and has screened at Sundance, Tribeca, SXSW, and more.   Making Media Now is sponsored by Filmmakers Collaborative, a non-profit organization dedicated to supporting media makers from across the creative spectrum. From providing fiscal sponsorship to presenting an array of informative and educational programs, Filmmakers Collaborative supports creatives at every step in their journey.   About the host: www.writevoicecreative.com and https://www.linkedin.com/in/michael-azevedo/   Sound Engineer: A.J. Kierstead    

Renowned bassist Marion Hayden will return to The Station at Michigan Central with the Grammy-nominated band Straight Ahead for a special Mother's Day edition of Fridays at The Station, on May 8, 2026. The Detroit-born Hayden was the first artist to perform at the first-ever Fridays at The Station event, in April 2025. She has performed and recorded with a number of leading musicians from the 1980s onwards and is considered one of the best acoustical bassists in the country. She began performing at age 15 under the tutelage of master trumpeter Marcus Belgrave and saxophonist Wendell Harrison. She would go on to perform with legends such as Regina Carter, Nancy Wilson, Lionel Hampton and George Benson. She also received the Kresge Eminent Artist Award in 2025, and is widely recognized as an advocate for the preservation of the cultural and artistic legacy of jazz. She is a co-founder of the Grammy-nominated ensemble Straight Ahead—the first all-woman jazz ensemble signed to Atlantic Records. Over the years, members of the band have shared the concert stage with a who's-who of the music world, including Ray Charles, Tony Bennett, George Duke, Stanley Clark, the Yellowjackets and Dianne Reeves. “Straight Ahead will present a celebration of women as creatives, composers, arrangers and conceptualists,” Hayden said. “The band will open a musical conversation, engaging the audience in themes of womanhood, power and intentionally creating a space where women are uplifted.” Featuring Hayden on bass, Alina Morr on keys, Gayelynn McKinney on drums, Ingrid Racine on trumpet and the vocal stylings of Kymberli Wright. Widely recognized for their eclectic and soulful approach to creating music, the Straight Ahead sound ranges comfortably from jazz, to Latin music and jazzy hip-hop.

This week on “Talk About Las Vegas With Ira,” Ira sits down with jazz pianist, vocalist, and bandleader Danny Sinoff, performing at Vic's May 1–2. With a style rooted in tradition and driven by storytelling, Danny is part of a new generation keeping the Great American Songbook alive—and swinging. In this engaging conversation, Danny shares insights into his upcoming album "Make Someone Happy," including his collaboration with Benny Benack III and working with three-time GRAMMY® Award-winning drummer Ulysses Owens Jr. He talks about his early shift from classical music to jazz, influenced by legends like Frank Sinatra and Bobby Darin—and how that spark turned into a lifelong passion. Danny also reveals how he carefully selected songs for the album, including a surprising classic made famous by Tony Bennett that he never expected to record. He discusses why the Great American Songbook continues to resonate across generations, emphasizing that “lyrics really make the melody come alive.” Plus, Danny reflects on his commitment to presentation—always performing (and even recording) in a suit—his memorable introduction to Las Vegas, and the moment he was inspired watching Harry Connick Jr. on “Saturday Night Live.” Above all, he shares his love for ballads and the powerful connection between performer and audience. (Also Watch Full Podcast Video)

Del disco de Paquito D´Rivera 'La fleur de la Cayenne', que el clarinetista y saxofonista cubano grabó en trío con el pianista Pepe Rivero y el vibrafonista Sebastián Laverde, la pieza que le da título, 'Paqman in La Pampa', 'Milonga gris' y 'Miriam' y 'Cinema Paradiso -ambas con la armónica de Antonio Serrano-. Del homenaje por el centenario de su nacimiento al cantante Tony Bennett 'Dear Mr. Bennett', por parte de John Pizzarelli, temas como 'Watch what happems' 'The best is yet to come' y 'Young and foolish'. Cierra Pat Metheny con 'Make a new world' de su último disco.Escuchar audio

What happens when you trust your talent before anyone else does? I had the pleasure of speaking with Spider Saloff, a jazz vocalist and performer whose journey shows what it means to truly create your own path. From secretly rehearsing as a teenager to performing for the Gershwin family and building a career in jazz and cabaret, Spider shares how taking risks, following curiosity, and trusting your instincts can open unexpected doors. We also explore her resilience through personal challenges, including overcoming an abusive relationship and rebuilding her life from nothing. You will hear how music, creativity, and lifelong learning became her anchors, and why choosing your own direction can lead to a life that is both meaningful and unstoppable. Highlights: 00:10 – Discover how a passion for music at a young age can shape an entire life path 02:04 – Learn how early opportunities and saying yes can open unexpected doors 10:00 – Understand why creating your own opportunities can redefine your career 16:20 – Hear how taking bold action led to a life-changing connection with the Gershwin family 30:00 – Discover how one decision can completely change where your life and career unfold 44:44 – Learn what it takes to break free from hardship and rebuild your life with resilience Bottom of Form About the Guest: What does it take to build a lasting career in music and performance? Spider Saloff has done exactly that, earning recognition as a multi-award-winning vocalist and entertainer known for her powerful voice, wide range, and captivating stage presence. Born in Philadelphia and raised in New Jersey, she began her journey in theater at a young age, studying acting at Rowan University and the University of London. Her early career in musical theater included more than 25 major roles, but everything shifted when she discovered her passion for jazz. That move led her to work with top musicians, gain critical acclaim, and begin touring both nationally and internationally. Over time, Spider became one of the most respected interpreters of the American Songbook, known for blending deep emotion with humor in her performances. Her connection with the Gershwin family helped launch signature shows like her tribute to George Gershwin, which has been performed around the world. She has also created tributes to icons like Cole Porter and Irving Berlin, performed at major venues and festivals globally, and hosted the syndicated radio series Words and Music. Beyond the stage, she is a teacher, writer, and creator who helps others find their unique voice, continuing to inspire audiences and students alike through a career built on passion, creativity, and authenticity. Ways to connect with Spider: Website: https://spidersaloff.com LinkTree: https://linktr.ee/spiderjazz Facebook: https://www.facebook.com/spidie.saloff Twitter (@spidersaloff): https://x.com/spidersaloff?s=21&t=XIFFgGFn7E5Hd_8J8Rexfg Spotify: https://open.spotify.com/artist/6gKiYyeoZyxZTAI2EpGWbU?si=WudPV-CUQPmMThTtV508Og YouTube (@TheMartinicat): https://www.youtube.com/channel/UCTLI-Gd51JdcMT0FVvvD9lA YouTube, “When You See Me”: https://www.youtube.com/watch?v=DTbO1FWrje4 Instagram (@spider.jazz): https://www.instagram.com/spider.jazz/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! 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Transcription Notes: Michael Hingson  00:04 What if the biggest thing holding you back isn't what's in front of you, but rather what you believe Welcome to unstoppable mindset where inclusion, diversity and the unexpected meet. I'm your host. Michael hingson, speaker, author and advocate for inclusion and possibilities. This podcast explores how the beliefs we carry shape the way we live, lead and connect with others. Each week, I talk with people who challenge assumptions, face adversity head on and show what's possible when we choose curiosity over fear, together, we focus on mindset resilience and the small shifts that lead to meaningful change. Let's get started. Hi everyone, and I want to welcome you to another episode of unstoppable mindset, and we have an unstoppable mindseted, oriented sort of person today. Spider Saloff. Spider is a vocalist. She's a comedian. She is in Chicago, as I recall, but she has been to a variety of places. She is a very highly acclaimed vocalist, a singer. She sings and deals with a lot of the songs that I like, like the Great American Songbook, Gershwin, Irving, Berlin and other things like that. And she has a lot of accolades that come from any number of famous people who you've probably heard of. And so in the course of the next hour or so, I'm sure we're going to hear about a bunch of that. But for now, spider, welcome to unstoppable mindset. We're really glad Spider Saloff  01:49 you're here. Well, I'm happy to be here. Thank you for inviting me. Michael Hingson  01:53 Well, you are, you are most welcome. So how did you get into doing, acting, singing and all the other things that you do. Spider Saloff  02:04 Well, it started when I was a kid. I always loved music, and you know, it was so in love with the arts. But when I was 14, I came home and told my parents that I could get them tickets to the high school variety show. And they said, What? And I told them, I'm in it. I'm going to be in it. And they said, well, doing what? And I said, singing. And they were they were shocked, and I didn't tell them. I used to rehearse at my girlfriend's home because her family was all over it. They thought I was wonderful, and I knew my family would tell me that I couldn't do it so because it's just too foreign and too scary to them. So I ended up performing at this variety show, and my my parents were absolutely shocked, and one thing led to another. And then I met a theater director who worked at my school, and he came, he was a professional guy from New York that they hired to come in to do a musical, and I was in it. And I ended up getting the opportunity to be in a summer stock company and my parents let me go, which was amazing. I think they were just relieved to get me out of the house for the summer, but whatever it takes, but I certainly learned a lot, and I was very young for that experience, but it was, it was so, so worth it. And then after I finished high school, I went to college for theater. Now, your parents are from Russia. Oh, no, no, no, no, they're descend. My father's descendants are from Russia. That's where the name is from. But they are, I think I am about 11 different nationalities. So it's we're real much we are real much of the world. Well, there you go, yeah. Michael Hingson  04:05 So now we need to just clone that combination, since obviously you sing, well, we need to get that in other people, just just, you know, just a thought, you know, Spider Saloff  04:16 sounds good. Sounds dangerous to me. Michael Hingson  04:18 Actually, I know it's either that or we're gonna Spider Saloff  04:21 have to get more, more of one than more than one of Michael Hingson  04:24 me, more than one spider? No, we can't have that. Well, either that or we get AI to to imitate you. But we don't want to do we don't want to do that either, scary stuff. 04:35 Yeah, yeah, it is. Michael Hingson  04:36 Well, so how did you encounter and come up with the name spider. Spider Saloff  04:44 I did not choose it. I, you know, I never thought that my real name made any sense from the time I was a child, it's, I'm like, that doesn't make sense. And then I got the nickname when I was in college, because I have, I'm. Really a small person, but I have very long arms and legs, and it was a nickname, and it just stuck with me. And then finally I surrendered to it as a professional name, and people don't forget it. They may not like me, but they don't forget the name. And then it just stuck. And it's been that way ever since, how could Michael Hingson  05:20 somebody not like you? Spider Saloff  05:23 Well, I don't know. I'm sure there's somebody out there. I would love to thank everyone. Just endorse me, but Michael Hingson  05:31 we'll see. Well, yeah, I mean, it'll all go so where did you go to college? Spider Saloff  05:37 I went to a college that doesn't exist anymore, actually, now it is Rowan University. It's in New Jersey, outside of Philadelphia, and it became Rowan University when it got the largest private donation in history. But it was a state college called Glassboro State College, and it was a fine arts school at the time. There were several of my friends, including the conductor for the Lion King and Broadway people, all went to school there, and now it has no arts program at all. But part of our program, I did get to study at University of London too. So that was really exceptional. And it was so wonderful, a wonderful school, great opportunity. You know, it's, it was outside of Philadelphia, close to New York, and now it's an engineering school. For the most part. There isn't, there are no fine arts there at all. Well, that's too bad. But, well, yeah, I know, but somebody's got to do the engineering, Michael Hingson  06:39 I guess. I Well, there's truth to that too. Now, have you seen THE LION KING LIVE on Broadway? I have Spider Saloff  06:46 never seen it, and it's never seen it. I gotta see it. I've got to see it. I it just never happened. I kept intending to go and I never saw it. And I know people that played for it as well. 06:59 You've seen the movie. No, you haven't seen the movie Spider Saloff  07:02 either, anything Lion King. My goodness, I know I better. That's one of my goals. By the end of the year, let me see if I can see it. Michael Hingson  07:10 Well, I'll tell you my lion king story. A my brother in law knew someone who knew some of the actors in Lion King, and he and his wife and their little girl, who at the time was like three or four, were coming through New Jersey, where we lived in Westfield, and we all arranged to go see The Lion King. It was a Wednesday afternoon. It was a matinee, and near the beginning when scar, the bad guy meets the hyenas, who he works with, they all come on, they come on stage and they're growling and all sorts of things like that. Well, in the theater, the hyenas come from the back of the theater, down the stairs, and they walk past everyone growling and making all these noises? Well, my wife was in a wheelchair her whole life. She was a t3 paraplegic, and when one of the hyenas came up next to her, because we were able to arrange for an accessible seat, which was right on the aisle, this hyena comes up right next to her and goes, you've never seen a woman who is totally paralyzed suddenly literally jump up and almost walk out of the theater. It was amazing. She he shocked her completely. But it was so much fun. And of course, Alanya, the little girl, was just there with these big, huge eyes over all of this. But what Karen, my wife, told me later was that what was interesting about it was that when she was obviously watching all of this, and she said, You got totally used to the the puppets being the animals they were. They didn't you. They didn't even look like puppets anymore. They were just the animals. Spider Saloff  09:05 And that's exactly what I've heard about it, that it's like, it was fascinating. You're completely swept away with it. Michael Hingson  09:10 Yeah, wow. So, so it's cool, but, yeah, you gotta, you gotta go see The Lion King. It is absolutely worth it. The music is wonderful and all that. Wow. So we got to see it on Broadway, which was cool. Well, so you, so you went to college, and then what did you do? Spider Saloff  09:32 Well, when I got out of college, I, you know, was doing theater, but I ended up in musicals because I sang, and I really my training, my formal training, really is acting. I did not train as a singer. I just started singing naturally when I was a teenager, and then I just did a ton of musicals. I was in musicals like forever and but. I always loved jazz, and that was always in my back pocket. And then at one point, I really decided I wanted to pursue jazz while it was still in musical theater, because it was getting harder and harder to get roles, because they wanted, this is in the late 80s. They wanted you to be a dancer as well, and that was not going to happen for me. So I really thought, you know, I just, I want to check out the whole nightclub scene, you know, in Cabaret, where you could produce your own show. And so I started to really pick the minds of the guys in the pit band. And I talked to all these pit musicians, and they would tell me about, you know, places to go, and how they there were guys I met there that introduced me to other people, that helped me to do my first demo, and then started working in clubs. And then that really changed everything for me. Michael Hingson  11:01 So you got very much involved in doing a lot of Spider Saloff  11:04 jazz, yeah, jazz and cabaret, and it was all small clubs. But then that was what got me major press attention. And then I started touring with a show that I co wrote with a guy named Ricky ritzel, who's from New York, and we did a show called 1938 and that was my first recording as well. And then then just kept going from there, and that's how a lot of things happened, was really just deciding to do my own thing and create my own world of performance. So you're also Michael Hingson  11:45 known for doing something related in one way or another to comedy? Spider Saloff  11:50 Well, yeah, I've always done comedic roles, and I can't say I have ever done stand up, but I may be getting close to it, I'm not sure, but I always involve a lot of comedic monologs in everything I do. Like, if you see me at a jazz club, I will tell stories. And, you know, it's part of, part of who I am, is a lot of the comedy stuff. And, you know, crazy stories and telling stories about people, and, you know, doing imitations of people that I've met over the years and that kind of stuff. So it's, it is part of my whole persona on stage. Michael Hingson  12:33 What's your favorite musical that you've done? Boy, it's probably a toughy. Spider Saloff  12:40 I did so many, I have to say, Guys and Dolls. Okay, guys and dolls. I was Adelaide and Guys and Dolls, one of the best roles I've ever done. It was really a good choice for me, and and I, and I have to say I was in what, four productions of Fiddler on the Roof, and I've been two seidels, one Hava and fru masera, so but I love that show. I think it's magical. Michael Hingson  13:21 Just it is. Have you ever been in numb? I like Guys and Dolls, but my favorite, and it's just been that way for a long time. I don't know why was the music? Man, were you ever in the music? Spider Saloff  13:32 Man, I was, but there's no, there's no role in that for me. But I was one of the pick a little ladies. Oh, it is one of my favorite shows. Though, I think it's a masterpiece. I love love love music, man. I think it's just brilliant. Michael Hingson  13:48 You don't think you could have done you? Lily capecni shim you know, Spider Saloff  13:53 I was too young to do it at the time. Michael Hingson  13:54 Yeah. Well, like always, now there's always Marion, Spider Saloff  14:00 no, I don't have the soprano chops for that. They let me do it in Sutton Foster's keys. Well, I was thrilled that they took it down for her, because I could actually do it in those keys. That would be great. Michael Hingson  14:16 I saw it a couple of times on Broadway. Now I'm blanking out on the person it was in. Well, we saw it in, like, 2002 1001 and I'm trying to remember I'm blanking out on the person who played Marion. She actually ended up getting Lou Gehrig's disease and passed away. Spider Saloff  14:43 I don't know who. I don't know, which Michael Hingson  14:45 totally shocked us. Spider Saloff  14:46 I'm drawing a blank, I don't know. Michael Hingson  14:48 Yeah, I'm blanking out on her name. I may think of it, but, Oh, forgive us. She did a she did a great, a great job. But, yeah, but there's nobody like Robert Preston to play Harold Hill. And. Spider Saloff  15:00 Anyway, oh, that movie is so beautiful. I love that movie. Yeah, music, man is brilliant. It really is brilliant. Well, that Michael Hingson  15:10 goes back to, you know, Mr. Mr. Meredith. Meredith Wilson, Spider Saloff  15:18 yes, and I read, I read his book. Have you ever do you know of his book called he doesn't know the territory? Michael Hingson  15:27 No, I'll have to see if I Spider Saloff  15:28 can find writing and production of music. Man, I love, love. Love that book. And it's about all the trials of getting it produced and how he did. They did one of the opening one of the readings when they were trying to raise the money to do it. And moss Hart. Moss and Kitty Hart were there, and they hated it so much they walked out the middle of it. Opening Night, moss Hart was there, and he he saw, he saw Meredith Wilson in the lobby, and he shook his hand, and he said, he said, Great show. But you know what, you still haven't licked that book. Oh gosh, because he was an outsider. I mean, he wasn't part of the Broadway team. And no, the fact that he actually played with a John Philip Sousa, like, what, yeah, couch or something. It was real deal. Like, real real, like, old timey marching band stuff. Michael Hingson  16:35 Yeah, amazing. Well, then he also did The Unsinkable Molly Spider Saloff  16:39 Brown, yes, yes, another great show, yeah, not produced very often. But no, Michael Hingson  16:45 no, it's not. It's, it's sort of sad. Oh, well. But you, you've been very much involved with with a lot of jazz and so on. Tell us about meeting the Gershwin family and and your your involvement with Gershwin, which, you Spider Saloff  17:01 know, he, of course, magical. It was. It was truly a life changing event for me, my partner and I, Ricky ritzel And I had been doing 1938 and then we decided to write this show that was called Porgy and Bess, a cabaret concert, oh boy. And it was in New York, and a very powerful guy from ASCAP came to see it, and Michael kirker, and he came to see it, and he said, this show is brilliant. He goes, but you guys are going to get shut down by the Gershwin family, so you need to call them and see if they'll give you permission. So I had the phone number for Leopold godowsky, the third who is the nephew of George and Ira. His mother is Frankie Gershwin, who was George and IRA's younger sister, and I was a wreck. My hands were shaking, and I called him on the phone and and he was very polite. He just had this incredibly mannered guy, you know, it was really lovely. He goes, Well, you know, I don't see that we could allow Porgy and Bess be performed in a night club, and it wasn't like we were doing the show. We were just right. We were telling a story about how it was written and then just performing the songs as separate entities, but they were enfolding into the story. So I said, Would you would you want to comment? Would you want to see it? If we put it on a videotape, and he goes, Oh, I don't know. He goes, let me think about it. So then I called him back right away. I had the nerve to call him back again. I said, Well, would you come to see the show. He said, you know, what would you and your partner be willing to come and perform it at my home in Connecticut? There you go. And I'm like, What? What? So this whole thing got put together, and we went up to the Gershwins home in Connecticut. We met Leopold and his fabulous wife, Elaine, and they had, they said, we're having, we're having 40 close friends here for dinner. They were cooking dinner themselves, and it was this magical house in Connecticut. They had 40 industry people there. It was crazy. I mean, there were all these famous people there, and we were, we did like, as he called it, a 30 minute musicale. We did highlights from the show in their living room by the great. End piano, and I believe the piano had belonged to George, because Leopold is classical pianist as well. So we did the show, and then we all had dinner, and this friendship started. So what evolved was they, they did, let us do the show, but then my relationship continued with them, and when the Gershwin Centennial started in 1996 it was Iris 100th birthday, two years before George's. In 98 I became part of the centennial presentation, so I got to tour with my Gershwin concert under their brand, and also record my Gershwin album with their brand on it. And it was the beginning of a beautiful friendship. And it was, it was a huge, you know, a huge mark in my career, and it opened a lot of doors for me. So wonderful, wonderful people. Michael Hingson  21:03 One of my favorite pieces of all times. Calling it a piece is probably not totally accurate. It's bigger than that, but one of my favorite things from classical music has always been Rhapsody in Blue. And I don't know why, but the very first time I heard it, I loved it, and I've enjoyed it ever since. I've heard the Boston Pops do it, you know, and and others do it. It's just one of those neat things I've just always loved. Spider Saloff  21:30 I'm getting chills just talking about it, because that was so groundbreaking at the time when Paul Whiteman had the contest right of who was going to be able to cross the borders of jazz and classical. And you know, who else was in that contest was Aaron Copland, oh my gosh, Eric Copeland, and he was always in competition with Gershwin, yeah, and Gershwin won and musically, that that changed the whole concept of jazz, I mean, to be accepted in a classical arena. It was really remarkable. What that what that piece did, like, amazing. Michael Hingson  22:18 I actually heard once the Paul Whiteman arrangement of Rhapsody in Blue was performed by a group I don't even recall where, but it was outside. It was a little different, but it still was just so neat to hear this. Spider Saloff  22:36 The first person to hear it, yep. I mean, Paul, my Paul Whiteman was incredible, though. I mean, what a what a groundbreaking person. He was artistically, right? Michael Hingson  22:48 Yeah, he, he did some amazing things, Spider Saloff  22:51 yeah, yeah, you know what I've got to mention. And I hope this doesn't make make our interview too dated. But last night, I saw the movie Blue Moon. That is about about Larry Hart. Oh, my God, I haven't seen that. I'm gonna have to. It just came out last week. Oh, okay, it's not gonna be very often. It's absolutely gorgeous, and Ethan Hawk plays Larry Hart. It it's it's beautiful and funny and heartbreaking, and it all the whole premise is Larry Hart has to go to opening night of Oklahoma, oh gosh, and how painful it is, and this whole cathartic thing he's going through. So the bulk of the entire it's more like, like a theater piece. The whole thing takes place at the bar at Sardi's when he's talking to the bartender and waiting for for Rogers and Hammerstein to show up. And it's, ah, Wowza, it's brilliant. It's brilliant. And talk about, I don't know how they ever got that produced, because it's definitely a movie that's not going to appeal to everybody, but boy, is it brilliant. Michael Hingson  24:14 Wow. Well, hopefully it will come out in some place where I can can watch it up here, and that'll be cool, yeah, Spider Saloff  24:22 and I think it's probably going to go to streaming pretty soon, I'm sure, yeah. So you'll have a lot of opportunities. But I really was happy to go to the theater and see it. But wow, and people in the audience were laughing at all the jokes they were getting, all the sly, Sly comments of Larry Hart, like, wow, witty, witty, witty, just brilliant, just brilliant. Michael Hingson  24:51 Well, your whole Gershwin relationship, obviously, is pretty significant. You even did some Gershwin concert. In Russia, Spider Saloff  25:02 yes, yes. That was why I went to Russia. They were having a Gershwin Centennial in St Petersburg in 1998 because that is the, that is the origins of the Gershwin family. They are from St Petersburg. And so I was hired with my pianist to go to St Petersburg. And do we? Did we were there for seven days, and I think we did like five concerts, and it was amazing to be there, because this was when Russia was getting good. This was, like the good part, and still was scary. It was scary. We stayed in this really creepy hotel that was like a government hotel, and the rooms were bugged. And then when the hallways there were padded walls, like where they could pull these panels out, and there was all kinds of wiring in there, bugging and strange stuff. The concert hall was absolutely magical. It was an old concert hall, and people went crazy, and when I sang the song vodka, which is an oddity, by Gershwin, by way, herbert stothard, Otto Harbach, Oscar Hammerstein and George Gershwin wrote this crazy song called vodka. And when I did the song, people stood on their chairs and screamed, the Russians just loved, loved, loved the concert, the audiences couldn't have been better, and the people that ran the organization couldn't have been weirder. It was, it was very strange. And when we went to leave, the guy that booked us and me and my pianist, they they took our passports, and we had to go to a little room where they said that we our visas were expired and and we had to pay money to get out of there, and they were mad at the guy that was our manager, because he sassed them. And anyway, we had to wait. We were afraid we're going to miss the plane. And then finally, they came out with, like a little, a little tape from an adding machine, and they, they said, you have to pay $58.23 American. So they charged us this $58 and we paid it and ran to get on the plane and and I'm like, I was never so scared in my life. I didn't know what they were going to do, but it was an experience, and it was thrilling and beautiful. But don't think I'm going back to Russia, not in the near term. Yeah. Oh, and then that's when all these people said, my name is sell off. You are my cousin. I come home with you like there were so many people with my name, because in this country, there aren't that many. Aren't that many sell offs. My family is pretty small, and occasionally I'll meet us a sell off. But they're usually, they're usually rabbis, or it's like there aren't that many of us out there, but it was, it was an amazing experience. Loved it. Michael Hingson  28:28 Now, did you when you were over there, sing any of the songs or anything in Russian, or did that matter? Spider Saloff  28:34 Oh no, oh no, let's didn't do that, huh? I'm not. No, I, you know, I'm good at doing accents, and sometimes I will learn to say, like I would learn a little bit of French to get by, but then they would start asking me questions, and I didn't know what they were saying, and then they thought I was just being a jerk, you know, I'm pretending I don't understand them or something. But it was, No, I don't speak. I can barely handle English, but I didn't know whether you might have Michael Hingson  29:05 tried to learn one of the songs just for fun. Spider Saloff  29:08 There wasn't time. This went together so fast. I think we only had, like, two weeks notice. They had rushed the visas and, you know, we had, we had passports in order, but it was a lot of legal red tape. Michael Hingson  29:25 But that's why it cost $58.33 to get out. I don't know, very crazy one of those things. Oh, yeah. Well, well, at least it was affordable. Spider Saloff  29:41 Well, it will, and it was exciting. I mean, everything was paid for. But, oh, this was another weird thing they paid. They paid us in cash, American dollars, and I needed to hide, I had to hide it in my boot. I put it in. Hide the soul of my boot when I'm okay, wow, yeah, it was, it was creepy all the way down the line. It was very strange. Oh, well, yeah, things happen. 30:11 Things happen. Yeah, I was, Spider Saloff  30:12 I'm very, very, very fortunate that I got, got to do it, yeah? Michael Hingson  30:19 So obviously a wonderful memory. And yeah, oh yeah, one of those things that you'll you'll always treasure. You bet. Well, so when did you move to Chicago? Spider Saloff  30:32 Oh, well, when? When I started to get get my feet wet in New York, in the nightclub scene and the jazz scene, I got some really fabulous reviews, including the New York Times. And there was a guy from Chicago who I met through the great Julie Wilson, and his name was Bill Allen, and he was partners with Bobby Short, and he opened this really crazy club in Chicago, very famous, called the Gold Star sardine bar. And both Liza Minnelli had played there the Basie band. He squeezed the Basie band in there, but it was this tiny little place right in downtown Chicago, and it was really wild. And a lot of people had played there. Tony Bennett had played there, and Liza and I kind of was courting the room. I kept talking to him. He had he had found my press kit. Think he had been sent three different press kits, and we don't know which one he opened, and he called me, and we kept this ongoing conversation about coming out to do performance there, and then finally, he decided to bring me out for New Year's Eve, and my husband and I flew out, and it was just we were we had a couple of friends here in Chicago that we visited, but we didn't know anybody here. I'd never been to Chicago, you know, but it was magical. And then he said, Well, I'm going to have you back. I'm going to have you back. And then I didn't hear from him. And finally, the following September, he asked if I could come and play for a month, and I had almost no warning, because he was very impulsive and really crazy. So he asked me to come out for a month, and I did. They put me up in a hotel, and I played with the musicians. Were magical. People were so great. And so I played for a month, and then he said, you know, what would you think about about moving here? And my husband and I were both excited about it. Then we didn't hear anything from him. And then right after So, the first week of February the following year, he calls me up and said, Could you move here? And I'm like, I guess so. Why he goes, Well, I'll book you here for a year, and we'll arrange to get an apartment. And can you start like next week? Oh, gosh, ah, so I did it. I came out, and then my husband came out. We took a sublet on an apartment right downtown in Chicago, sight unseen. We moved here with our cat, and the rest was history. I ended up having the best nobody has a gig for a year, yeah, and and hired partially by the only person that had a gig forever, who was Bobby Short. So because I had met Bobby Short in New York, and he kind of gave bill the okay, you know, he liked me. And then I, I met Tony Bennett there, and Liza interrupted my show one night and crawled on to the over the balcony, onto the stage. And it was magical. There were lines around the block and and I got, I was courted by the press in Chicago like you wouldn't believe. I mean, it was magical. So when my run was up there, I started working at other clubs, and also I started touring at concert tours of my shows, like the Gershwin show, and started to tour. So it just became another life for me. But I'm, I'm in Chicago forever. As far as I'm concerned. I adore it here. I just love it. Michael Hingson  34:45 So when did you move there? Spider Saloff  34:47 The beginning of 92 Michael Hingson  34:49 Okay, all right, so when Liza, when Liza invaded the stage? Did you guys sing together? Spider Saloff  34:55 No, this is what happened. I had met Liza. Yeah, well, I was still living in New York, and I was friends with Billy Stritch, who was liza's musical director. So he was a friend of mine, and he introduced me to Liza, and because she was he was conducting a bit that big show she did at Radio City Music Hall that was a tribute to Vincent Minnelli. Right? She did this spectacular show at Radio City, and Billy was musical directing, and that's when they really became partners. And he introduced me to Liza, and she was just a doll, one of the nicest, coolest people in show business. So I met her, and she was really kind to me, very friendly, very sweet. And so they were playing at the Chicago theater. Liza was doing her one woman show, and it was closing this particular Saturday that I was at the Gold Star, and I had sent Billy a note to to, you know, come by when they're we're done. So I'm doing the second set. And then crazy Bill Allen at the break. He goes, he goes, Okay, people are going to come in here. Joe Pesci is going to come in and and he's going to come up and meet you. And I'm like, Joe Pesci. Joe Pesci was doing a movie here, and his double, his gangster double, used to come in and see me at the gold star. So anyway, the break comes, I'm on stage, and all of a sudden the door opens, and they come in, and it's, it was Billy and Liza and Joe Pesci. And Joe Pesci comes up on stage with Billy and my band kind of crawls off the stage, because by now, there are, there's about, I don't know, 200 people packed in a 70 person room, and their people are coming out of the woodwork. They're like, sitting on top of the bar, and I can't even get off the stage. And Joe Pesci. Pesci leans down, he's like, hey, hey, honey, my my double. He thinks you're great. He goes, Yeah, we're gonna do some songs now. And I'm like, okay, so I sat there, and Billy came up and played. The bass player was there with them. Joe Pesci got up and sang. He was adorable. And then Liza is sitting right by this. They called it the opera box. There was a big, like private table that was right next to the stage. She crawls over the bar onto the stage, and people are just screaming. It was absolutely nuts. And she did like three songs, and she was losing her voice. She had just done a killer thing at the Chicago theater, and she was really, like, raspy. Did it anyway? And she ended with New York, New York, and people were like, screaming. It was just bonkers. It was bonkers. And so that's what the Gold Star was like. It was just a crazy place, and you didn't know who was going to come in the door, who was going to interrupt your show? You just, you just didn't know. Michael Hingson  38:24 Yeah. And they even had the Count Basie orchestra there, and that was, how'd they fit him? How'd they Spider Saloff  38:30 fit him in? Couldn't fit them. It was like a publicity stunt, yeah, and the band was all stuffed in there, and there were a few people that could get in the room, but people were standing in the hallway to hear Pacey pants. This is way before my time. Yeah, it was like in the early 80s, when they opened and they were way crazier then, then when, when I came, Michael Hingson  38:53 you settled them down. Did Spider Saloff  38:55 you No? No, but they, they, they, well, I was there for a year, and then the following year, I went back a few times on Saturdays, and then Bill told Jeremy Conn and I that we were going to be the regular actor because they were always on the verge of closing. They wouldn't have any liquor, and somebody would be coming in the back door with liquor because they didn't pay their liquor bill. And it was, he was in a lawsuit. And anyway, they told us that he goes, Yeah, yeah. Call me on Tuesday and we're gonna we're getting all the details straight. Now. You guys are going to be regular. Here Tuesday came and there were chains on the door. Oh, gosh. And that was the end of it. It ended, and it was a magical time, but there were a lot of problems, a lot of legal problems going on. Michael Hingson  39:50 I met Liza Minnelli once. That was the second or third time I was interviewed by Larry King, and she was now. She was going to perform on the show as well, but it was after September 11, and so I got, I got to meet her, and that was about it, but I did get to meet her, which was fun. Exciting. It was fun. How exciting. And every time we walked out after the interviews, there were lots of photographers outside. Everyone was taking pictures, and we had to put up with all that, but I guess it provided a lot of visibility, but it was kind of fun to be able to do that. Spider Saloff  40:34 How cool. I never met Larry King. I knew a lot of people were on his show. But well, how exciting that you did it twice? Michael Hingson  40:43 Well, actually we there were five interviews with Larry. The first one was right after September 11. It was on the 14th. And then there was another one. There was either one or two more. I think there was one more in November of 2001 and then on the anniversary, in 2002 was the third. But there there were five altogether, and during one of them, and I think it was the one on the anniversary or in 2002 but I have to go back and see if I can research it. But anyway, Hillary, Hillary Clinton and Chuck Schumer were, were there? Lisa Beamer, Todd Beamer, his wife Todd's the guy who said, let's roll on flight 93 when they took over the plane again and got it in a crash in Shanksville. Wow, and and Queen. Nor was there. So who I'm sorry, Queen nor from? Who is the queen of Jordan? Oh, wow. And she and she and Roselle had a thing for a while. Roselle was my guide dog at the time, so they visited. It was kind of fun. Oh, wow. But, yeah, it was, it was interesting. But as I say, then we, we did meet Liza briefly, and that was kind of fun. She said she's Spider Saloff  42:09 a doll, yeah, doll. Oh, yeah. What a great person, yeah. Michael Hingson  42:13 Well, so I was looking at all the things that you sent me, and I noticed Tony Bennett. I got to meet Tony Bennett once we were on Regis and Kelly live in November of 2001 and I was sitting there, and I heard that Tony Bennett was going to be on the show. And suddenly he comes over and he says, Hey, I'm Tony Bennett. Good to meet you. I've heard about you. So we chatted for a while, and he and Roselle had a thing too, and he and Roselle had a thing too. Spider Saloff  42:45 So that was good. Oh, that Roselle. Oh, but yeah, I met him at the Gold Star, and he because he had played there several times, you know, as a future act. And he was doing, he was in. He was in town to do something. Maybe it was at the Chicago theater as well, but he came in, hanging out in his in his white dinner jacket, absolutely charming. And he sat down and talked to me between sets. It's like talking to your uncle, like he's like, Yeah, what do you think of this weather here in Chicago, and it was like just the friendliest, most laid back, cool guy and and I've seen him perform several times. I adored him. Michael Hingson  43:32 I regret I never got to see him live other than hearing him do, other than hearing him on regents and Kelly, he did a New York state of mind. Spider Saloff  43:41 Oh, cool. Very cool, Michael Hingson  43:43 wow, very soft spoken guy. But when he can sing, he can he could Bell it, Bell it out, Spider Saloff  43:49 and he and he sang the same forever, like, that's my my idols are. I want to sound the same forever, and I have the two, the two, the two most remarkable preserved voices were Ella Fitzgerald and Mel Tormey, both of them, they had chops forever like that. They they were just very, very careful and smart about the way they use their voices. Michael Hingson  44:18 Yeah. Johnny Mathis lasted a long time. I don't know what he sounds like. Spider Saloff  44:24 He just sounded the same forever. Yeah, killer, woo hoo, wow. And I never got to see him live, but I know people that did, and I mean, not that long ago, and they were blown away. Like, just Yeah, killer, yep, Michael Hingson  44:43 amazing, another amazing guy. Well, so have you ever had any any real kind of challenges and sort of negative things that have happened to you in your life? You've obviously been very successful. And all that. But, you know, unstoppability oftentimes happens when you have a challenge. Spider Saloff  45:05 Oh yes, well, you know, small things, challenges. I mean, like the worst, though, was when I was very young, a young actress, I got swept away by a guy that was a director. He was 10 years older than me, and I ended up in a really terrible abusive relationship for years, and didn't know how to get out, and I did. I ended up doing a six part. I have a YouTube channel, and this was two years ago. I did a six part series called learning to love you, and it was the very subject of what happens in abusive relationships and why people stay and why they are convinced that they can't live without the person. They're convinced that they're powerless. They are told they have to depend on this person, and they're very afraid. And I I was so lucky to break away from there and get out. And when I got out. I mean, I this guy completely left me with no money, no home, no job, and I was so ashamed to tell my family. I didn't tell them till months after it had happened, and I went, you know, trying to get trying to get more work as an actress. I worked as a bartender in a comedy club, and I did that's what I had a lot of comedian friends because of that era, and my friends, and eventually my family, really helped me to get out of it. But I had to get I had to be independent through the whole thing, I my first place I ever I was homeless for six months, and I would go around on busses going between wherever and Atlantic City because the casinos were there. So I could get a free ride to Atlantic City and then get a free bus back to New York. I could get a bus back to Philadelphia. I could go around on these busses and just stay at people's houses a couple of nights a week, and not having a place to live, it was horrible. So when I finally moved somewhere, I moved in with an actor friend of mine who had just got out of his abusive relationship, and I slept on the floor of an attic for like, the first six months that I was living on my own, and I was so grateful to have that floor and and I just kept saying every night before I went To bed, it it gets better from here. It's going up, it's going up, and it did. It did. It was it's remarkable. It's remarkable. Michael Hingson  48:09 What? What did you learn from that relationship? Spider Saloff  48:14 Beware of predators. I really never, never lose sight that you're the person in charge. Yeah, you are the person in charge of your life, and you're the only one that's allowed to do that. And you don't, you don't bend to anybody that's asking you to do anything too far. You just, you have to be very skeptical about, you know, who's getting close to you? And I was married long after that, I was married to my husband, and he passed away, oh, 16 years ago, and but there's been, there's been a lot of strange loss and and trauma. But I I am blessed with resilience, and I have to say, the thing that keeps me steady music, music and beauty and art can carry me through anything, and I'm surrounded by that and the best, best, best friends in the world. Oh, man, and my family and my friends are amazing, and I'm very, very fortunate, very fortunate. Michael Hingson  49:32 How long were you married? Before he passed away, Spider Saloff  49:35 we would have been married 17 years. Oh, my wife, Michael Hingson  49:41 my wife. My wife and I were married 40 years. She passed away in November of 2022 lot. Well. Thank you. I appreciate that. And I I always say when I when I tell that to anybody that she's watching from somewhere, and if I misbehave, I'm going to hear about it, so I don't even. Chase the girls. I also point out that they're not chasing me, so it's okay, but, but, but, you know, so many wonderful memories after 40 years, and people say, Well, are you going to move on? And I say, No, I'll never move on. I'll move forward, but I won't move on. I don't want to forget, but I'll move forward. Spider Saloff  50:20 That's an interesting twist of words there. Yeah, no. I mean, I have moved my life has become, actually, way, way better since my husband passed. I was dealing with a lot, and he was, he was dealing with severe mental illness, and it was very it was very hard near the end, my life is beautiful now. And I, I'm just, I feel like everything is new all the time. And I, I don't really have any close relationships, in romantic relationships. I tried a couple since he passed, but I don't, I don't think I'm good at it. I do better on my own. I'm much better on my own. Michael Hingson  51:18 Yeah, yeah. I know what I know what you mean. And as I said, it'll be three years in two weeks for me and I, when we got married, we had both lived alone. And when she was when she passed, it wasn't totally all of a sudden. So I I had some time to prepare. But it it has worked out pretty well. And so now I have a dog and a cat who keep me honest. The cat especially, oh, we have a cat. Her name is stitch, and she likes to be petted while she eats, and she'll yell at me until I come and pet her while she's eating and what. And when I travel somewhere to speak and I come home, I hear about it for quite a while. How could I ever do that? But she's not left alone. You know, I've got somebody who comes in. She has to give me what for? Well, she does. That's her obligation. Just ask her, absolutely, yeah. And how come you took that dog with you and not me? It's a guide dog. Spider Saloff  52:20 So this is not fair, yeah. Michael Hingson  52:24 Well, the other side of it is, I don't want her to ever get the idea that she can go out of the house. She She developed, on her own, a fear of going outside we she went out into our garage once when we first moved in here, and I kept calling her, she wouldn't come in, so I turned the lights off and I closed the door, and 10 seconds later, she's at the door wanting in, and so she doesn't try to go out. So I really feel blessed that she Spider Saloff  52:49 Yeah, that's good, yeah, yeah, yeah. I had a cat that never wanted to go near the door either, because he had been an alley cat. Everything outside that door was the alley going back there. Yeah, he also was a, he was a big fat house cat. Like, just wanted to lay around and luxuriate and eat and, you know he was, he was really a sweetie. I don't have pets anymore because I'm I leave too often? Michael Hingson  53:21 Yeah, you travel a lot. Well, a lot we at least I have people to help take care of stitch when I'm not here. So it does work out. Yeah, so do you so with all the things that you've been doing and singing and so on, do you teach voice to people? Spider Saloff  53:40 I do. I've taught at a school I didn't start teaching till I moved to Chicago, and this guy named David bloom, he's kind of a Chicago icon. He's had a jazz school in Chicago for years, and he asked me to teach at the school about a year after I moved to Chicago, and I said, I don't know how to teach. He said, Yes, you do. You just teach what you know. And I started teaching. And then I did courses there for a long time. I met a lot of people, and I've had wonderful students, and I still work there on occasion when we have a course. But I teach privately now, and I am. I just love it so much. I mean, I learned so much from my students all the time. You know, they're, they're just amazing, and they're all different, all different voices, all different age groups, all different reasons why they want to sing. But it's, it's one of the joys of my life. Students, they're fantastic. And I adore teaching voice. And I really a coach, you know, I teach performance and coaching, and it's not so much technique. I do some technique, but mostly it's working with. What, what the singer has to offer. Michael Hingson  55:03 I like the way you put it though that you learn so much from students. I think the day we stop learning, the day we become useless, we we always need to learn, learning, and life is all about learning, every Spider Saloff  55:15 day, learning, you bet it's exciting. It keeps you ticking. Michael Hingson  55:21 It does. It's so much fun. And it's, you know, like the internet, I regard it as an as a wonderful treasure trove. There's always neat stuff to learn. So I don't worry about the so called dark web and all that. You know, I didn't know that I would Spider Saloff  55:35 learn as much as I did about, you know, the internet and and the things covid really well. I always, always had a website. I had a guy that became my webmaster, that heard me radio and like there were all. I always was connected with it. But to the extent that I learned how to produce videos that all happened during covid, I really thought I was never going to be performing again live. I you didn't know, you know, that talk, you know, it was just so such a weird world. All of a sudden it was but learning to adapt. That was what we all learned from covid, was adapting and being open to new experiences. You know, that was a major, major factor of the whole thing. Michael Hingson  56:23 And living alone, you have to cook your own food. Spider Saloff  56:25 And like I've always, cooked my own food. Oh, my God, do I love to cook. Yeah, every day for myself. I love cooking and throwing parties. I must be Michael Hingson  56:35 a little bit lazy. I enjoy cooking. But when Karen was here. We shared the responsibility, and it's it's a lot to cook for one person, so I don't do as much of it as I used to, but I don't suffer. I will Spider Saloff  56:50 point that out you guys suffer, no, but I probably I cook for myself. Every day I cook. Almost everything I eat, I don't cook for myself is when somebody magically takes me to dinner or I go to somebody's house. I've got a lot of friends, so I get to eat at other people's houses and go out to restaurants, but I do and look forward to cooking for myself. I just can't wait to see what am I gonna have today, like I get excited about it. You know, it's a joy for me. Michael Hingson  57:23 I cook more easy meals, but I also do my own cooking. I mean, I don't go out very often, and that's fine. Yeah, I enjoy being home. I enjoy being home with a puppy and a kitty and listening to the radio and all that sort of stuff. So I hear you fabulous, fabulous. So you did some work on on radio series. Spider Saloff  57:45 Oh, yes, one of the, actually, the very first pianist that I worked with at the Gold Star sardine bar is a guy named Brad Williams. And we've been friends for years, and then at one point, this, this this guy that was a big fan of mine, Bill Sheldon. He was an old way, older fellow. The three of us created a radio series that's called Words and Music, that's about the American Songbook, and we were on the air for two and a half years. We were on we were part of NPR, and we were syndicated internationally, all through our classical station here in Chicago, W FMT, and it was the most challenging but wonderful time to crank those shows out. We never worked so hard as we did for that show, but those are still out there, you know. And we the copies of that show are available on CD. People can purchase them, and you can learn about that on my website too. Michael Hingson  58:49 I have been collecting old radio shows since 19 Well, let's see, probably 1968 and I've collected a bunch, and I'm also part of the radio enthusiast of Puget Sound, so we recreate programs every year. So I wasn't able, I wasn't able to be at the one that they did up in Washington State in September, because I was speaking somewhere. But there's going to be another one around. Well at Christmas, it's actually going to be the fifth, fourth, fifth and sixth. I think it is. Of December, we're going to recreate something like 12 or 13 different shows, and that's a lot of fun. Spider Saloff  59:34 Wowza, what are the shows like? What is it comprised of performance or recordings or what? Michael Hingson  59:42 No, no, we're actually going to perform live up in Washington, and people are invited to come and be in the audience, and they'll also be broadcast on yesterday usa.com and yesterday usa.net whichever you go to yesterday, USA is a, is a network. It's, it's got a red net. Work in a blue network, just like NBC used to have, and they play old radio shows and a lot of interviews with people. So there's still some old radio actors who will be there as part of it, Carolyn Grimes, who played Zuzu and it's a wonderful life will be there, and Beverly Washburn, who was on the Jack Benny show, and and there'll be other people, and it's kind of neat. And Larry Albert, who will be doing some of the voices, and who's was Harry Niles for years, and still is, I guess, on NPR and and so on. But it's really fun. Spider Saloff  1:00:39 That's excellent. What a blast. Yeah, it is, wow. Well, have a happy holidays with that. Michael Hingson  1:00:46 And yeah, well, I want to thank you for being here. How do people reach out to you, if they'd like to, to reach out, or if you Spider Saloff  1:00:54 want them to my website, spider jazz, calm, and you can find everything and too much information about me, and then, and if you want to get in touch with me directly, write to my email address. Spider jazz@gmail.com makes it easy. And maybe you can take private lessons, because I teach on Zoom. Ah, there you go. Me how. Yeah, cool. Michael Hingson  1:01:20 Well, thank you for being here, and I want to thank you all for listening today and watching whichever you do or both. Love to hear your thoughts about our conversation. Feel free to email me. Michael H, i@accessibe.com that's m, I, C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, i, b, e.com, wherever you're monitoring us today, please give us a five star rating, and please give us a review. We love your reviews. We appreciate your input. If you can think of anyone who you think ought to be a guest, and if you listening out there want to be a guest, please reach out to me. We're always looking for more people to come on the podcast. We met spider through someone else who has been on the the podcast as well. And spider, if you know anyone who want who you think ought to be a guest, yep, love to hear from you. I got some ideas, cool. Well, I want to once again. Thank you for being here. This has been absolutely fun. Spider Saloff  1:02:16 Thank you, Michael, what a blast. I'll be talking to you soon. Michael Hingson  1:02:24 Thank you for being here with me on unstoppable mindset. I hope today's conversation left you with a fresh perspective, a new insight, or at least something worth thinking about if you're ready to go deeper into the ideas that shape how we see ourselves and others, I have a free gift for you. Head over to Michael hinkson.com and download my free ebook, blinded by fear. It explores the invisible beliefs that hold us back and shows you how to reframe them so you can move forward with clarity and confidence. Be sure to subscribe to our podcast, leave a review and share this show with someone who can use a reminder that growth starts with mindset. When people think differently, we all move forward together. Thanks again for listening. Keep learning, keep questioning and keep choosing to live with an unstoppable mindset you.

When Cover Me discusses musical from the 30s then God knows....Anything Goes. Covers by: Frank Sinatra, Ethel merman and The Buddy Cole Quartet, Tony Bennett and Lady Gaga, Noa Levy and Shimpei Ogawa Tidal playlist here

THE LONG AWAITED FINAL EDITION OF THE DANCING BETWEEN THE RAINDROPS TRILOGY, FEATURING BEHIND-THE-SCENES, NEVER-BEFORE-TOLD CELEBRITY ANECDOTES & “THE MAGNIFICENT MR. & MRS. MAPLE,” OUT IN TIME FOR EARTH DAY Nelson Aspen is releasing the last edition of his best-selling trilogy, "Dancing Between The Raindrops,” with “Happily Ever After,” following the most recent release of “The Hollywood Years." The books are loosely based on his own life, filled with larger-than-life stories from Hollywood and New York. "Dancing Between the Raindrops: Happily Ever After?” is the third installment in my steamy, star-studded semi-autobiographical series. Possible topics to discuss include: *** Jackie was Nelson's writing mentor. Tutored him on when to use a real name and when to use a faux name. Advising ... — "Don't be afraid to get your hands dirty handling cash. Books don't sell themselves.” — “Dont shy away from sexy scenes in your — Even if they claim they don't read that sort of thing, they'll be curious about it … if only to judge you for it!” *** Covering all the major awards, including the Oscars and Golden Globes. *** Other great personal anecdotes about … — Nicole Kidman's wedding to Keith Urban — Michael Jackson's death and subsequent investigation, funeral, and trial of Conrad Murray. — Robin Williams' and Heath Ledgers death. — The Arrest of Hugh Grant — Pulling a joke on Jodie Foster and having a prank pulled on Nelso by Tina Fey & Margot Robbie — Soap opera kinships with Julianne Moore & Sitcom star Jennifer Aniston — Friendship with Jamie Lee Curtis *** Nelson has many cute personal stories about other personalities including — Interviews with Dick Van Dyke, Julie Andrews, Farrah Fawcett, Whitney Houston, Harrison Ford, Betty White, Naomi Watts, Jeff Bloomberg, Reese Witherspoon, Jason Momoa, Barbara Eden, Debra Messing, Tony Bennett, Olivia Newton-John, Cate Blanchett, Hugh Jackman, Miley Cyrus, Susan Sarandon, Lynda Carter, Michael Buble', Loretta Lynn, etc *** In addition to his novel "Kindred Spirits: A Titanic Tale" being adapted as a screenplay by Award-winning writer Jude Gerard Prest, Nelson is also currently rehearsing a play by Joanna Pickering, "Sylvie & Sly." He and stage & screen star Ilene Kristen play the title characters in this outrageous two-person comedy being shot for screen and developed for vertical video. After leaving his long running position as Host of “Sunrise," Nelson published the first of the "Dancing Between the Raindrops" book series. Tracing Nelson's three-decade-long career as a reporter, the final tome in the trilogy (in 'fictionalised' form), 'Happily Ever After'. Book Description: "Dancing Between the Raindrops: Happily Ever After?" is the final installment in Nelson Aspen's steamy autobiographical trilogy which chronicles his alter-ego contending with a cutthroat showbiz nemesis and a forced reinvention in middle age all while searching for elusive, lasting love. From Tinseltown to Broadway, with glamorous international destinations in between, not even a global pandemic can keep our optimistic playboy from his determination to live "happily ever after." "Dancing Between The Raindrops: Happily Ever After” By Nelson Aspen Publisher: Red Sky Presents Hardcover/Paperback and/or Kindle. Paperback and Kindle. Audible soon. Pub Date: Jan 7 2026 ISBN: 979-8242694101 Size: 6 x 0.79 x 9 inches Price: $16.99 Pages: 347 ALSO ANNOUNCING THE PENDING RELEASE: In Time For Earth Day, April 22, 2026 *Release of "The Magnificent Mr. & Mrs. Maple" (slated for Earth Day, April 22). This is his 11th published book, but first one for kids! It is a children's book for kids 8-12 to open the discussion about fractured/separated families.

The story of how former University of Virginia Men's Basketball Head Coach Tony Bennett turned an individual honor into a celebration of everyone who was part of his journey. Programming Note: Nothing is changing with Andrew's weekly interview episodes. Andrew's interview episodes will continue to be in your podcast feed every Thursday morning. 

World-renowned guitarist, vocalist and Grammy Award winner, John Pizzarelli - the son of guitar legend Bucky Pizzarelli - has a fond and deep connection to one of the most revered vocalists of all-time, Mr. Tony Bennett.  John's father was a frequent sideman for the legendary singer, and even John had his own opportunity to accompany Mr. Bennett for a radio broadcast featuring pianist Ralph Sharon and bassist Jay Leonhart.  It should then come as no surprise that during Bennett's centennial celebration year, John  has released a heartfelt tribute album to the late singer called, “Dear Mr. Bennett.”  As preparation for this new release, John assembled a collection of some of Tony Bennett's most memorable and beloved songs, and will subsequently produce even more tunes for a 5-song EP to be released in conjunction with Bennett's 100th birthday in August.  All of this delightful music is delivered by John, along with bassist Mike Karn and pianist Isaiah J. Thompson.   In this episode, John shares with me his memories and stories about one of the greatest singers of the last century,  and how he developed this remarkable album “Dear Mr. Bennett.”  Making the conversation even more fun, John breaks out his acoustic guitar to help unfold the stories behind the music.

The Man Who Photographed Presidents, Rock Stars and History ItselfWHAT DO 11 U.S. PRESIDENTS, the DALAI LAMA and WHOOPI HAVE in COMMON? by Patrick O'Donnell with guest Peggy O'DonnellHe photographed 11 U.S. presidents. But this California photojournalist's 60-year career was about more than just the leaders of the free world. It was also about the evolution of modern journalism and one photographer's quest to capture iconic images along the way.Patrick O'Donnell's journey began in high school, when he caught the photojournalism bug from a master teacher. By college, he was taking pictures for his student newspaper, then working full-time for local papers while still in school. Early assignments included Richard Nixon's failed California governor bid and Eisenhower's 1964 Rose Bowl appearance.So began O'Donnell's front-row view of history. His warm, personal stories take you behind the lens and scenes of inside access chatting confidentially with George H.W. Bush at an event and capturing images of Nixon's resignation day at El Toro marine base.Much more than presidents alone, this memoir follows O'Donnell through adventures covering sports, local events, fairs and entertainers like Kevin Costner and Tony Bennett. We ride along to meet everyone from Dr. "Bee Man" Norm Gary to Groucho Marx feeding grapes to Alice Cooper. The Dalai Lama, Margaret Thatcher and Jerry Brown sprinkle the narrative too.Patrick received a number of awards including the prestigious Lifetime Achievement Award from the Press Photographers Association of Greater Los Angeles.Part journalism passion project, part who's who of 55+ years behind closed doors, this richly illustrated book memorializes an era when newspapers still ruled - before cell phones and digital film crowded out the dark room. Personal, humorous stories make this insider's chronicle a must-read photo memoir for any news junkie and photography buff.Peggy O'Donnell was Patrick's long time business partner and wife of 57 years.https://www.amazon.com/WHAT-PRESIDENTS-DALAI-WHOOPI-COMMON/dp/B0CVG1G21C/ref=monarch_sidesheet_titlehttps://patrickinfocus.com/https://www.ecpublishingllc.comhttp://www.bluefunkbroadcasting.com/root/twia/31226tba1.mp3   

Nat'l Media , Historic EventI am BOTH a Northerner & present Washingtonian who was born after the Historic Marches for My Civil Rights to Vote, Education, Public Accommodations,Transportation & EmploymentMajor Media Nationally & Internationally covered in the Marches. Citizens & Celebrities also participated:Joan Baez, James Baldwin, Harry Belafonte, Tony Bennett, Leonard Bernstein, Sammy Davis, Jr., Billy Eckstein, Dick Gregory, Lena Home, Mahalia Jackson, William Marshall, Johnny Mathis, Nina Simone, Susan Sarandon, Pernell Roberts, Peter,Paul & Mary....My Guest is the Reverend Clarence Varner who was in Grade School when he joined the Marches for Civil Rights in the 1960's. Although it cost Him is Part-Time Job while a Teenager, He held on to his Beliefs to Stay in the Fight, even getting Arrested Several times & Tear Gassed, Cattle Prod Shocked, Attack Dogs & Fire Hosed because he stood with others to Petition the the Governor for the Right for Blacks to Vote.Rev. Clarence Varner served  The United States in the Marine Corps for 8 years & served in during Vietnam during the War , he was wounded. Today he serves his God,  Country & Community in the continued fight for Civil Rights*In 1965, Blacks could not: *go to eat, Blacks were served at the Side or Back Door.*Social Movie Theatres, & Clubs too*Schools in the South & other State were Segregated*Housing was Segregated in Much of America. Redlining was the norm.* Thriving Middle Class Black Business's in Black Communities were forced out of Business due to the Federal Highway's that were built OVER that land.* Separate water Fountains & Bathrooms*Separate Transportation on Buses & Trains, etc.* Upper Corporate Jobs were not opened to most Blacks These Marches were ignited by the Death of SCLC local Jimmie Lee JacksonWhat did Jimmie Lee Jackson accomplish?Jimmie Lee Jackson, was a Vietnam veteran, Baptist deacon, activist and martyr of the Civil Rights Movement. Jackson, active in the fight for equal rights, had tried multiple times to register to vote in Alabama and was denied each time.When Jimmie Lee Jackson saw his frail 80-year-old grandfather rudely turned away from the registrar's office in 1962 after attempting to register to vote in Marion, Ala. He knew he had to join the civil rights movement.On Feb. 18, 1965, he was among more than 200 people participating in a night march in Marion. Before they had walked a block, they were confronted by state troopers and the police chief, who ordered them to disperse.Jackson and his mother huddled for safety in a café. When Jackson's grandfather entered the café bloodied and beaten, the young man tried to take him to a hospital. But they were quickly shoved back by a crowd of club-swinging troopers and terrified marchers. Another trooper pulled his pistol and shot Jackson in the stomach. It was two hours before Jackson arrived at the hospital in Selma. He died eight days later.At one of two services for Jackson, Dr. Martin Luther King Jr. told a crowd of 2,000: “Jimmie Lee Jackson's death says to us that we must work passionately and unrelentingly to make the American dream a reality. His death must prove that unmerited suffering does not go unredeemed.”© 2026 Building Abundant Success!!2026 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Back in the Tin Pan Alley (and Brill Building) days there were song-pluggers, and there were vocalists, and never the twain met, but this symbiotic relationship formed the successful division of labor for the great American capitalist record business. Whether they be based in NY, LA, or Nashville successful songwriters rarely had hits recording their own material. Hard to believe that it took Willie Nelson so many years to be recognized as his own best interpreter. Of course, that now seems ludicrous, given Willie's status as “national treasure”.  Tony Bennett, Frank Sinatra and the like had their go-to writers and arrangers, Phil Spector, Don Kirschner and others kept their stable of regular creatives like Carole King and Gerry Goffin in little cubicles laboring to churn out dozens of standards weekly for their employer's contracted recording artists.  But, just like any actor worth his salt in Hollywood will tell you: “without good writing, you ain't got shit”Two of Country Music's most covered songwriters are being honored here today, singing for you in their own voices: Guy Clark, doing “That Old Time Feeling”, and Harlan Howard performing “Heartaches by the Number.” These are craftsmen, whose practical, raw boned approach to their art yielded glittering treasures. HARLAND HOWARD (1927-2002)Harland Howard wrote over 4000 songs, 100 of which made the top ten Country charts. He was inducted into the Nashville Songwriters and Country Music Halls of Fame. There are tribute albums of his songs by Buck Owens, Waylon Jennings and Wille Nelson. He wrote I Fall to Pieces for Patsy Cline, Busted, made famous by Ray Charles, and the monster hit - I got a Tiger by the Tail for Buck Owens. Here he is singing Heartaches by the Number, which a cursory dip into YouTube reveals covers by Ray Price, Dwight Yoakam, Guy Mitchell, Leon Russell, Paul Carrack and Kitty Wells, among others. There are no frills here, but I contend that hearing the voice of the man who created the song is a more personal experience, like someone reading you their diary.GUY CLARK (1941-2016)The ultimate example of an unsung (pun intended) man of influence is “Old No. 1,” the luthier's luthier, Guy Clark. His Texas home-workshop was the Austin epicenter of the Outlaw Country Movement that transformed Country Music. Watch the scene from the documentary Heartworn HIghway with Steve Earle and Rodney Crowell sitting around Guy's kitchen table, trading songs. Townes Van Zandt may have been the most elusive doomed romantic poet of that group, but it was Guy they studied with and trusted - the one they could depend on, the Zen Master of song.And, what songs! They are like short stories, full of vivid characters, evocative dialogue, and carefully observed detail. Songs like Desperadoes Waiting for a Train, L.A. Freeway, My Favorite Picture of You (for his late wife Susanna - the magnetic beauty patiently putting up with the Outlaw's shenanigans). Today, he favors us with That Old Time Feeling, a tune that insinuates itself into your consciousness through a stream of unforgettable images. 

This week's throwback guest is Cal Fussman. This was a very special interview for me, because Cal is one of the major reasons why I started podcasting in the first place. He made an appearance on Tim Ferriss' show, to which Tim talked him into starting his own show. As both of them are my podcasting inspirations, I knew this was going to be a good one! Cal is a New York Times Bestselling Author, Professional Speaker, Storytelling Coach, and host of “Big Questions” Cal was best friends with Larry King and shared breakfast with him every morning. He also traveled around the world for 10 years straight after booking a 1 way ticket to start a trip. He worked his way around the world, bus by bus where locals would invite him to their house to stay (more about this in the episode).Cal was a former writer for Esquire Magazine, where he interviewed a very impressive list, including: Muhammad Ali, Mikhail Gorbachev, Jeff Bezos, Richard Branson, Jimmy Carter, Robert DeNiro, Donald Trump, Al Pacino, Joe Biden, Larry King, Ted Kennedy, Tony Bennett, Barbara Walters, Bruce Springsteen, Dr. Michael DeBakey (father of open-heart surgery), Pele, Vint Cerf (co-creator of the Internet), George Clooney, Lauren Hutton (first super model) Leonardo DiCaprio, Dr. Dre, Walter Cronkite, Clint Eastwood, Mary Barra (General Motors CEO), legendary coaches John Wooden, Bobby Bowden and Mike Krzyzewski, Salman Rushdie, Tom Hanks, Shaquille O'Neal In this episode, we discussed:How A Good Question Can Get You To The Most Powerful Person In The WorldUkraine and Their Fight For A Free SocietyBuilding The Connection Bridge How Every Step back Is A Step Forward Rethinking Healthcare in America How To Tell Your StoryMuch More! Please enjoy this week's episode with Cal Fussman____________________________________________________________________________I am now in the early stages of writing my first book! In this book, I will be telling my story of getting into sales and the lessons I have learned so far, and intertwine stories, tips, and advice from the Top Sales Professionals In The World! As a first time author, I want to share these interviews with you all, and take you on this book writing journey with me! Like the show? Subscribe to the email: https://mailchi.mp/a71e58dacffb/welcome-to-the-20-podcast-community

Hello my friends and welcome to another edition of my vinyl show. This installment revolves around my Frank Sinatra 45 collection. Some of my favorite old pieces and live performances. Sure, some of them sound terrible but get over it. I really enjoy them and it's what I wanted to do ova hea now for this episode. It did run a little short this week but I didn't want to play every Sinatra record or dig too deep into the Tony Bennett bag. Once I get to a certain spot in the Bennett bag you know Dean Martin and Jerry Vale's greatest hits will enter the chat and by that point it's all over. The Close To You mashup I expanded this episode to contain the Sinatra, Stevie Wonder talkbox live, Frank Ocean on vinyl and one of Ocean's live performances of the song from a few years back. As much as I like Burt Bacharach, the original version of the song is absolute garbage and will never see the light of day in my mashup. Sorry, Burt. The poor unassuming people have no idea that I'm publishing this podcast, putting on a sick hoochie daddy fit and I plan on kicking the door down at this card show. Taking the place by storm. No prisoners no mercy. Today I happily expand my Pokemon portfolio as a 33 year old man with no friends and absolutely no hint of a love life. Getting ready for this card show all I hear in my head is Russell Crowe. "Three weeks from now, I will be harvesting my crops. Imagine where you will be, and it will be so. Hold the line. Stay with me. If you find yourself alone, riding in green fields with the sun on your face, do not be troubled. For you are in Elysium and you are already dead. Brothers.. What we do in life.. Echoes in eternity." Maybe I'll be a super sick internet disc jockey forever in Elysium's comparative platforms to the interwebs. Maybe I'll forever be a super sick bro that totally crushes the local card scene of the Everafter. Not selling, but I am bringing some old stuff from my childhood to show the Brodie that works at the store. Just showing up to gloat my KD, Harden and Steph rookies. Some Jordan inserts. Whatever. I couldn't be more fired up about it. Hope you enjoyed the Frank The Tank installment, your favorite internet disc jockey will be here next timeThe Captain Kirk of this Enterprise,Throbert Duvall

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This year is the centennial birthday of the late Tony Bennett, who passed away at the age of 96 in 2023. Guitarist and vocalist John Pizzarelli has recorded a tribute album of Bennett's music, Dear Mr. Bennett, from which Pizzarelli performs live in our studio. He also discusses his family connection to Tony Bennett, and preview his residency at Birdland in support of the album through March 7. Photo by Jessica Molaskey

The guys are LIVE from Providence St. Joseph Hospital today for the “Still Standing” show - celebrating Morales' miraculous recovery from a cardiac episode one year ago! Kap asks Sedano about tonight's Lakers-Suns game and if we should “expect” a win with everyone assumingly healthy. But what about the Lakers' “Big 3” being BAD as Windy pointed out yesterday? Yesterday the Lakers named former UVA coach Tony Bennett as a 'draft advisor' to Rob Pelinka... Is this an indication of how the new regime feels about Pelinka's ability to draft? Evan Cohen from Unsportsmanlike swoops in and steals Michelle Smallmon's weekly spot (since she has jury duty) and gives a blazing hot Lakers take that Sedano wants no part of. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the newest episode of the Blue Ribbon College Basketball Podcast, hosts Chris Dortch—editor and publisher of Blue Ribbon College Basketball Yearbook—and Kevin Ingram—the radio voice of Vanderbilt men's basketball—discuss a variety of college basketball (and other) topics:• The boys talk about how championship week rivals the NCAA Tournament itself in terms of drama and excitement.• Retired Virginia coach Tony Bennett couldn't stay away from the game, much to the Los Angeles Lakers' advantage.• What did Kentucky coach Mark Pope do to draw a fine and reprimand from the NCAA? A hot mic didn't help.• Kevin gets to introduce a country music superstar before he performs, and Chris saw a documentary about the ultimate superstar and has been immersed in his music ever since.All Blue Ribbon college basketball podcasts are available on Apple Podcasts and Spotify.You can also listen in your email client or click on the “Listen In Podcast App” link above to listen in your podcast player of choice. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit blueribbon.substack.com

We have BREAKING NEWS to start the power hour of AWadd Radio,as legendary former UVA coach Tony Bennett has taken a position in the front office of the Los Angeles Lakers. Is this a move that means something or is that a nothing burger of a move? AWadd is CISCED as the 50th season of Survivor is BACK tonight for a three hour opening episode with all stars from seasons past. Sirius XMs Justin Fensterman joins us on the NBA fastbreak to go around the NBA as we hit the final stretch. Are the Pistons the real deal? Who are the favorites out of the east right now and have the Spurs caught the Thunder or is it their western conference to lose? All that and more as fensty sports joins us! We finish off the show as always with some Gameday on the fan. Today's gameday is a potential NBA finals matchup between the two one seeds in the east and west clash in Detroit and a rematch at the top of the Big East in a top 15 matchup between UConn and St. Johns! Tune in LIVE every weekday from 12-3 PM everywhere on the Audacy app and locally at 910 the fan and 105.1 FM for more AWadd Radio!!

The Jerry & Jerry Show headlines: Thoughts On Tony Bennett Court Ceremony At JPJ Tony Bennett Honored Players, Coaches & Staff Mallory, White & Cavs Send Canes Packing Where Does UVA Win vs Miami Stackup This Year? #11 UVA (24-3, 12-2 ACC) 2nd In ACC, 1 Game Back NC State (19-8, 10-4) at UVA (-6.5), 7PM, ACCN How Close Is UVA To Being A Top 5 Team? Inside The ACC: The Great, Good, Bad & Ugly Read Viewer & Listener Comments Live On-Air Jerry Ratcliffe & Jerry Miller were live on The Jerry & Jerry Show! The Jerry & Jerry Show airs live Tuesday from 10:15 am – 11:15 pm on The I Love CVille Network. Watch and listen to The Jerry & Jerry Show on Facebook, Instagram, Twitter, LinkedIn, iTunes, Apple Podcast, YouTube, Spotify, Fountain, Amazon Music, Audible and iLoveCVille.com.

The I Love CVille Show headlines: Thoughts On UVA's Tony Bennett Court-Naming Ceremony Henley Middle School ICE Truancy Protest – 9 Kids Sent Home Kudos To Henley & Principal Vrhovac For Protest Handling AlbCo v City: More Likely To Cut Real Estate Tax Rate? UVA Profs & Support Staff More Commoditized Than Ever? UVA Campus Workers Not In Collective Bargaining Bill The Most Important 3 Minutes Of News Today (2/23/26) Need CVille Office & Commercial Space, Contact Jerry Read Viewer & Listener Comments Live On-Air The I Love CVille Show airs live Monday – Friday from 12:30 pm – 1:30 pm on The I Love CVille Network. Watch and listen to The I Love CVille Show on Facebook, Instagram, Twitter, LinkedIn, iTunes, Apple Podcast, YouTube, Spotify, Fountain, Amazon Music, Audible, Rumble and iLoveCVille.com.

UVA MBB turns chapter from Tony Bennett to Ryan Odom by Ed Lane

A look at the enduring legacy of the songs of Rodgers and Hart, interpreted through the decades by Frank Sinatra, Nina Simone, Tony Bennett, the Supremes, Lady Gaga and more. 

Hard Parking Episode 313Jhae Pfenning is back with his high-energy solo intro and special guest Andre "Dre" Mullins (aka Dre Day) for another unforgettable episode of Hard Parking. This one fires on all cylinders—cars, culture, controversy, and real talk.Jhae delivers a no-holds-barred rant on Bad Bunny's Super Bowl halftime show: the electric energy, set design, crowd reactions, political hypocrisy on both sides, and why it still ranks as one of the all-time greats despite the backlash. He compares it to legendary (and bizarre) past performances, including the 1995 Disney/Indiana Jones halftime spectacular.Dre jumps in for wide-ranging conversation: the decline of originality in music (heavy sampling vs. the one-artist/producer era of the 80s/90s Grammys), the NFL's Pro Bowl turning into flag football, and his standout experience at the Southwest Speed Festival—track action, time attack, open-wheel racing, and why it felt like a breath of fresh air.Car fans eat good too: Dre's daily-driven Acura NSX philosophy (maintainer, not show queen), upcoming Arizona car events, an honest take on the new 2026 Honda Prelude (design, target buyer, and actual sales numbers), plus real-world advice on Dre's wife's next vehicle search (MDX lease ending— Kia Telluride? Lexus TX? Acura MDX Type S?).The vibe is fun, honest, and charismatic—exactly why listeners love having Dre on the show.Key moments include: • Unfiltered Super Bowl halftime analysis • Mind-blowing AI video demos (celebrity fight scenes and more realistic than ever) • Car culture, charity events, and community • Lease vs. buy debates and dealership insights Whether you're into JDM icons, modern performance cars, or just great conversation, this episode is a must-listen. Chapters (Timestamps) 00:00:00 — Intro & Bad Bunny Super Bowl Halftime Rant (Energy, Politics & Hypocrisy) 00:13:38 — Psy Dance 2.0 / AI Breaks the Internet 00:16:08 — Dre Mullins on the Grammys Then vs. Now 00:22:22 — Pro Bowl Flag Football Era & NFL Changes 00:23:57 — Dre Mullins recaps the Southwest Speed Festival 00:31:58 — Honda Prelude Hot or Not 00:42:02 — Wife's Next Car Search: Telluride, Lexus NX, MDX Type S 00:51:05 — Lease vs. Buy Philosophy Referenced Articles & Videos Bad Bunny Super Bowl Halftime Viewership: Nielsen data showed 128.2 million average viewers for the halftime window (one of the top 4 most-watched ever, strong social media records with billions of views).Sources: ESPN, ABC News Kyle Brandt Commentary on Bad Bunny & Halftime History: His X post highlighting the 1995 show as a wild comparison. 1995 Super Bowl Halftime Show (Indiana Jones & the Temple of the Forbidden Eye): Full promotional spectacle with Patti LaBelle, Tony Bennett, and Disneyland ride tie-in.Watch here: YouTube – 1995 Super Bowl Halftime 2026 Honda Prelude Sales: 174 units in December (first full month), 216 in January. Pricing starts around $43,195; annual target 4,000–5,000 units.Sources: Honda News, Carscoops, Autoblog Toyota GR Supra Early Sales: ~2,884 units in partial 2019 launch year (strong initial demand despite mixed reviews).Source: GoodCarBadCar.net sales data Connect with Jhae Pfenning & Hard Parking Email: Info@HardParking.com Website: www.Hardparking.com Patreon (bonus audio + swag): www.patreon.com/hardparkingpodcast/ Instagram: instagram.com/hardparkingpod/ YouTube: youtube.com/@HardParking Personal IG: Search @JhaePfenning (or the handle mentioned in episodes) Drop a review on Apple or Spotify if you enjoyed it, and tell a friend!New episodes drop weekly. Thanks for parking with us.

Performance and Works used with permission from the artist and venue. We are spoiled as a region with an immense amount of talent, as this episode of the program will illustrate. Jackie Warren is a legend behind the piano, from her work in the 3D Jazz Trio, to her work with Tito Puente and her place as one of the anchors of the Cleveland Jazz Orchestra. She leads this performance, where she's joined by Saxophonist Steve Kortyka. Beyond the four releases as a band leader, Steve is a core member of the Brian Newman Quintet and his work anchors releases by Tony Bennett and live performances with Lady Gaga. But wait, as they say, there's more. Jim Rupp joins this group on percussion and beyond some legendary performances with Woody Herman, Ray Charles and Natalie Cole and his extensive work as a drum educator Jim has forgotten more about drum performance than many of us will ever know. George Delancy rounds out this quartet on bass. George was a core member of the Larry Fuller Trio and has performed with Ben Patterson, Wynton Marsallis and Houston Person, among others. Enjoy this talented quartet as they perform a mix of standards and originals. From February 8th, 2025 it's the Jackie Warren Quartet…Live at the Bop Stop.

En este recorrido, Mario Gas no solo comparte un programa: nos ofrece un autorretrato sonoro, construido con esa sensibilidad escénica que siempre lo acompaña. Nos guía desde la calidez de Barbra Streisand con Loving You hasta la vitalidad del swing inagotable de Tony Bennett.Lo más llamativo es la naturalidad con la que pasa de la ensoñación de I Only Have Eyes for You al pulso de nuestra zarzuela, con esa Ronda de enamorados que nos toca tan de cerca. Incluye también El valzer del conformista que forma parte de la banda sonora de Il conformista (1970), compuesta por Georges Delerue. Para terminar nos deja con el optimismo de Louis Armstrong. Escuchar audio

If you're in, or approaching, a life transition and think, “I should have this figured out by now,” this conversation is for you. Today, mindfulness teacher Monique Rhodes shares how to move through that sticky in‑between space of “no longer who you were, not yet who you're becoming” without beating yourself up. You'll hear why happiness is an inside job, how to work with your mind when life blindsides you, and practical ways to rediscover joy and purpose with mindfulness—especially in retirement and other big life changes. We also discuss how mindfulness can help Type A people (like me and perhaps you…). Monique Rhodes joins us from Costa Rica. _________________________ Bio Monique is an internationally acclaimed Happiness Strategist who teaches students and corporations around the world how to master their lives. She has spent the last 25 years studying the mind and its relationship to happiness and she believes that happiness is not merely an emotion but a daily habitual practice. Over 70 universities and colleges use her program The 10 Minute Mind®. Her 8-week online course, The Happiness Baseline, has a 100% success rate in raising the mental wellness for every student who has completed it. Monique hosts the daily In Your Right Mindpodcast, where she discusses how a series of small habits determine our well-being. She is also a singer, songwriter and producer born in New Zealand. She has toured the world performing and composing music bridging the worlds of contemporary music with modern spiritual teachers. Monique has produced two platinum selling albums in New Zealand, toured Europe twice with Chuck Berry and collaborated on music projects with some of the most well-known inspirational teachers in the world including the Dalai Lama. _________________________ For More on Monique Rhodes MoniqueRhodes.com ________________________ Podcast Conversations You May Like Retire Happy – Dr. Catherine Sanderson The New Happy – Stephanie Harrison What Matters Most – Diane Button _________________________ Planning for retirement? Chexck out our summaries of the Best Books on Retirement _________________________ About The Retirement Wisdom Podcast There are many podcasts on retirement, often hosted by financial advisors with their own financial motives, that cover the money side of the street. This podcast is different. You'll get smarter about the investment decisions you'll make about the most important asset you'll have in retirement: your time. About Retirement Wisdom I help people who are retiring, but aren't quite done yet, discover what's next and build their custom version of their next life. A meaningful retirement doesn't just happen by accident. Schedule a call today to discuss how the Designing Your Life process created by Bill Burnett & Dave Evans can help you make your life in retirement a great one — on your own terms. About Your Podcast Host Joe Casey is an executive coach who helps people design their next life after their primary career and create their version of The Multipurpose Retirement.™ He created his own next chapter after a 26-year career at Merrill Lynch, where he was Senior Vice President and Head of HR for Global Markets & Investment Banking. Joe has earned Master's degrees from the University of Southern California in Gerontology (at age 60), the University of Pennsylvania, and Middlesex University (UK), a BA in Psychology from the University of Massachusetts at Amherst, and his coaching certification from Columbia University. In addition to his work with clients, Joe hosts The Retirement Wisdom Podcast, ranked in the top 1% globally in popularity by Listen Notes, with over 1.6 million downloads. Business Insider recognized Joe as one of 23 innovative coaches who are making a difference. He's the author of Win the Retirement Game: How to Outsmart the 9 Forces Trying to Steal Your Joy. __________________________ Wise Quotes On Getting Unstuck “So, one of the things that I see with my students is that the place that people get stuck most often is actually that we’re resisting what is. And so let’s say you make some New Year’s resolutions or you’re in the middle of a transition like retirement and you’re in the middle of that change and you think to yourself,  this shouldn’t be so hard and I should have figured this out by now. But what those thoughts do is they actually only tighten that knot. So if we’re looking at getting unstuck, you know, the way that I teach is we have to have this willingness to soften, to stop pushing, to actually sit with what’s here, even if it’s uncomfortable. And from what I’ve learned and what I’ve seen, this is really the ground of transformation. Because when we allow ourselves, Joe, just to be exactly where we are with all the uncertainty, with all the doubt, with all the longing, then we begin to loosen the grip on all the old habitual ways of being. And our heart opens. And in that openness, something new can emerge. So I invite you all to not push through, but just to rest in that middle place and let the aspiration be there, but also let the discomfort be there. And let yourself almost be held by this knowing that the moment that you’re in right now is actually part of the path.” On Mindfulness…for Type As “And this energy is very, very powerful, but it can also become a kind of armor and it can protect Type A people from seeing themselves, from vulnerability, from uncertainty. So, if I was talking to a Tai A personality who was a skeptic, I would first of all say it is mindfulness is amazing for Type A personalities. And what if you didn’t need to fix anything right now? What if there was nothing to improve, but just something to notice? Because at the heart of mindfulness, we’re not looking to change our nature or our personality. What we’re doing is we’re inviting you to become more intimate with yourself, to sit beside that aspect of yourself that strives and maybe ask, what am I afraid of and what am I avoiding? Because often as a Type A personality, what we’re avoiding is the discomfort of being with ourselves as we are. But if we can soften that resistance, even for a breath, even for 10 minutes a day, I tell you, something extraordinary happens. And we begin to feel so much more alive, more connected to ourselves. The endless, amazing results of meditation, our relationships change. We just deal with everything differently. We become more whole. So it’s really good for us to understand, which is why mindfulness is used in so many, you know, big companies around the world, is that mindfulness isn’t an enemy of ambition. It’s really a way to return to the ground beneath your striving, to be able to see that ground clearly, to feel deeply, to live more fully, which is why I totally believe it’s a superpower.” On Why Happiness is an Inside Job “The biggest misconception that I know is that people believe that happiness comes from outside of themselves. And that is such a mic drop moment to understand that happiness doesn’t. Happiness is an internal job. And the wonderful thing about that is it means that we’re in control of it. It means that if you want to be happier, you don’t have to be rich. You don’t have to be powerful. You don’t have to be the most beautiful person in the world. I remember some years ago going to Las Vegas to hear Lady Gaga sing. And she was doing these kind of acoustic jazz Tony Bennett style concerts. It were really incredible. She was getting paid a million dollars a gig, Joe, and it was extraordinary. Here she is. She’s super wealthy. She’s beautiful. She’s successful. She’s powerful. And it was shocking for her to talk about how incredibly unhappy she is. So I think that’s one of the biggest things we need to understand is that all the things that we’re sold to believe will make us happy actually don’t. Because if they did, we would be able to look around the world to so many of the people that have all of them. And we can wonder why they’re not happy. So when we begin to understand that happiness is an inside job, then we actually have the incredible power to take control of it. So I think that that is probably the biggest misconception, but also the most powerful thing about it. And so that means that we need to learn to work with the thing that drives our happiness and our suffering, which is our mind. And if we can learn to work with our mind, then we can change our whole experience of the world.”

Andrés Amorós dedica el programa al centenario del cantante Tony Bennett, recorriendo sus éxitos como "I Left My Heart in San Francisco".

On the latest episode of the CavsCorner Podcast, we put a wrap on the football transfer portal deluge and discuss the latest commits before turning our attention to Saturday's game against Carolina and the naming of the court in honor of Tony Bennett.   Credits: Brad Franklin (@Cavs_Corner) David Spence (@HooDaves) Justin Ferber (@Justin_Ferber)   Visit CavsCorner now!   Sign up for CavsCorner today – Join for $1, plus a complimentary year of access to The Athletic included.   https://www.on3.com/sites/cavs-corner/join/

Jacquie Franciulli, Wahoo 247, on Tony Bennett's importance to UVA, Odom's Spark, + Portal Pickups in FB by Ed Lane

Drew, Lewis, and Oswald turn Tracy's love life into a championship game, complete with announcers calling all their dirty plays. Discussion includes winter zoo visits, pedicures, and Tony Bennett's later work. I've never heard anyone describe bazongas as shabadoos. Episodes: "Boy Party/Girl Party" (S4E18) & "Tracy Bowl" (S4E19) http://youtube.com/@clevelandrockspodcast http://instagram.com/clevelandrockspodcast Email us: clevelandrockspodcast@gmail.com

Tony Bennett Court at JPJ was inevitable + McKay trusting LU MBB players by Ed Lane

Celebrating the 100th Birthdays of: Miles Davis, John Coltrane, Tony Bennett, Julie London, Big Mama Thorton, Buddy Greco, Stan Freberg, Chuck Berry, And Ray Brown. 

In connection with this week's “Fun For All Ages” encore episode about Johnny Carson's 100th birthday, GGACP revisits part one of this wide-ranging 2019 interview with comedian-historian and host of “The Carson Podcast,” Mark Malkoff.In this episode: Mel Brooks takes on Tony Bennett, Ed Ames performs a “bris,” the mystery of the Zsa Zsa Gabor story, and Johnny turns down “The King of Comedy”!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Lionel for the high-energy final hour of his New Year's Eve special on The Other Side of Midnight. This "mosaic of humanity" features a raw, unfiltered look at the world through the eyes of late-night callers. From nostalgic stories about transistor radios and chance encounters with Tony Bennett to intense discussions on rare cancers, and the "secret" side of overnight radio, Lionel navigates it all with his trademark wit and irreverence. Whether it's dodging boring international news or hearing from a nurse practitioner who tackled a psychiatric patient, this discussion proves that radio is the ultimate theater of the mind. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lionel rings in the new year with a high-stakes briefing on protecting children from predatory tech algorithms, AI-enabled toys, and "grooming environments" like Roblox. Far from your average New Year's special, the show explores why terrestrial radio is the "new vinyl"—a hip, high-quality medium for "radicalized wild talk" and raw human connection. From adventurous 82-year-olds to medical mishaps and stories of Tony Bennett, this is a witty, irreverent "mosaic of humanity" for the "ears" that listen in the dark. Learn more about your ad choices. Visit megaphone.fm/adchoices

12-24-25 - Entertainment Drill - MIX - Tony Bennett Battling Alzheimer's Planning 2nd Duet w/Lady Gaga - And 3x More - Feb 2021 - BOSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

12-24-25 - Entertainment Drill - MIX - Tony Bennett Battling Alzheimer's Planning 2nd Duet w/Lady Gaga - And 3x More - Feb 2021 - BOSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

THE FANTASTIC POUR Brett welcomes FW Godfather Rob Kelly to the Fantasti-Lounge for a very special holiday edition of the Fantastic Pour as we talk Santa Claus! We enjoy a Yoo-Hoo holiday cocktail and read Justice League of America #110. Join us in the Fantasti-Lounge as we discuss: How much nutmeg is too much? Death by Christmas ornament. The Phantom Stranger in a Hallmark movie. And much, much more! Secret Pour-igins: Drinking at Christmas Cocktail: Yoo-Hoo-ltide Ingredients 2 oz Baileys Irish Cream 1 oz vodka 4 to 5 oz Yoo Hoo 1 candy cane Chocolate syrup Nutmeg Instructions Crush candy cane and put pieces on a small plate Pour chocolate syrup on separate small plate Rim your cocktail glass with chocolate syrup Then roll rim of glass into crushed candy cane and set aside Pour Baileys, Vodka, Yoo Hoo into a shaker with ice Shake for 10-20 seconds Strain into rimmed cocktail glass neat or on the rocks Sprinkle nutmeg on top and be merry! Comic: Justice League of America #110, DC Comics, 1974 Have a question or comment? E-MAIL: fwpodcasts@gmail.com You can find The Fantastic Pour on these platforms: Apple Podcasts Amazon Music Spotify The Fantastic Pour podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Fire & Water website: http://fireandwaterpodcast.com Fire & Water Facebook page: https://www.facebook.com/FWPodcastNetwork Fire & Water on Bluesky: https://bsky.app/profile/fwpodcasts.bsky.social Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Play out music: Tony Bennett performing "I'll Be Home for Christmas"