Podcasts about Ritchie Blackmore

"Welcome back to The Rock and Blues Experience! video editionOn this edition, I'll be talking with the incredibly talented Candice Night, who's celebrating the release of her third solo album, Sea of Glass.It also marks an incredible 30 years since her debut with Rainbow back in 1995 — where she not only sang on the album Stranger in Us All, but also co-wrote several tracks.Since then, she and legendary guitarist Ritchie Blackmore have formed Blackmore's Night, a band that's been captivating fans for decades with their unique blend of Renaissance and folk rock.Candice will be joining us from her home in Long Island, where we'll talk all about the new album and what the future holds.David Crosby's final days as recalled by Steve Postell, who reveals the details about the band they had put together the album and touring plans that were in place all ready to go and after an evening phone call where they had their usual discussion and conversations Steve awoke the following morning to a text saying simply that David "had gone" . Steve like everyone else was left shocked by the sudden nature of his passing. Steve has been back in the studio "Walking Through These Blues" has just been released and new material from the "Immediate Family" is on the way.

ABOUT ​DON AIREY: Don has been a player on the rock scene for over 50 years, notching up almost 200 album credits & associations with major bands including Cozy Powell's Hammer, Colosseum II, Andrew Lloyd Webber, Ritchie Blackmore's Rainbow, Ozzy Osbourne, Whitesnake, Jethro Tull, ELO & has been in Deep Purple since 2001​. His latest solo album is out now called, "Pushed To The Edge". ABOUT THE PODCAST:  Candid discussions with and about those behind the scenes in the music business including industry veterans representing the segments of: Musician, Design & Live ABOUT THE HOSTS: All three Music Buzzz Podcast hosts (Dane Clark, Hugh Syme and Andy Wilson) have spent their careers working with the biggest names in entertainment and have been, and still are, a fly on the wall. Learn more about your ad choices. Visit megaphone.fm/adchoices

Så er vi nået til det herlige heavy år 1974, hvor de "gamle" forløbere Black Sabbath, Led Zeppelin og Alice Cooper ikke udgav nye albums, men forberedte hver deres monsterværk til året efter. Til gengæld var der debutudgivelser fra de unge knøse i Judas Priest, AC/DC og KISS, og de første par albums fra den nye udgave af Deep Purple. 1974 var også året, hvor Bachman-Turner Overdrive begejstrede med fængende hard rock-hits á la '74, Slade hev rockfans i biografen, læderklædte Suzy Quatro var kvinden på scenen, og The Sweet affyrede en tidlig heavy metal-raket med kurs mod sen-70'erne og 80'erne. Vi er atter i selskab med studievært Jens "Jam" Rasmussen og vores sublime gæsteduo, Steffen Jungersen og Michael Stützer Hansen. Nedslag: - Flammen tilbage i det nye Deep Purple line-up med "Burn" albummet og den unge frontmand David Coverdale. - Men... flammen brænder hurtigt ud for Ritchie Blackmore, der kvitter Deep Purple efter "Stormbringer" pladen. - Efter fem års tilløb albumdebuterer Judas Priest med et forvarsel om de nye metaltider. - AC/DC singledebuterer og fjoller lidt rundt i dresseringen. Skoleunifomen sidder dog godt fast på Angus Young. - KISS debuterer med deres ikoniske maskering og festklædte syng-med-rock-og-rul. - Amerikansk rock'n'roll og heavy fra Aerosmith, Lynyrd Skynyrd og Blue Öyster Cult, og sprød europæisk hard rock-lyd fra Free, Queen, The Scorpions og Thin Lizzy. - Canada byder sig til med Rush og Bachman-Turner Overdrive, der skaber eufori hos gæstepanelet 51 år efter. - I Danmark spiller den 15-årige guitarist Michael Denner progressiv rock og heavy med syre-elementer i Iron Space, mens Mo I Rana laver solid Led Zep-inspireret rock. - Slade går til filmen med "Slade in Flame", som Vesterbro-knægten Michael Trampenau ser tre gange på sin konfirmationsdag. - Amerikanske Suzy Quatro hitter med sin tætsiddende læderdragt og numre som "Devil Gate Drive". - Vi går i dybden og afrunder med The Sweets pioner heavy metal-nummer "Set Me Free". Hav en fin tur tilbage til 1974, og på snarligt genhør i det næste afsnit fra 1975, som udsendes om ca. 14 dage! Idé, tilrettelæggelse og research: Jens "Jam" Rasmussen Produktion: Jan Eriksen

Aniversarios de IRON MAIDEN y JUDAS PRIEST; discos de EPICA y ANIMAL; los 80 de RITCHIE BLACKMORE, noticias, anticipos, shows y más…

Show notes: https://deeppurplepodcast.com/2025/04/14/episode-313-ritchie-blackmore-at-80/Disclaimer: The video used on YouTube is a byproduct of producing our audio podcast. We post it merely as a convenience to those who prefer the YouTube format. Please subscribe using one of the links below if you'd prefer a superior audio experience.Subscribe to the podcast at Apple Podcasts, Spotify, Google Podcasts, Overcast, Pocket Casts, Anchor.fm, Breaker, PodBean, RadioPublic, Amazon Music, Pocket Casts, or search in your favorite podcatcher! Leave us a 5-Star Review on Apple PodcastsBuy Merch at Our Etsy Store!Donate on Patreon: https://www.patreon.com/deeppurplepodcastWebsite: http://deeppurplepodcast.com/Contact: info@deeppurplepodcast.comTwitter: https://twitter.com/deeppurplepodInstagram: https://www.instagram.com/deeppurplepodcastFacebook: https://www.facebook.com/The-Deep-Purple-Podcast-333239820881996YouTube: https://www.youtube.com/channel/UCxcThTTLtAC_k7m9sTV5HIwThreads: https://www.threads.net/@deeppurplepodcastBluesky: https://bsky.app/profile/deeppurplepod.bsky.social

Les primeres can

Join me, Phil Aston of Now Spinning Magazine, as I sit down with the wonderful Candice Night—singer, songwriter, and wife of legendary guitarist Ritchie Blackmore. In this revealing interview, Candice opens up about the deeply personal inspiration behind her new solo album, Sea Glass (out April 25th). She delves into stories of love, family, and loss, and explains how nature became her guiding light during dark times. Discover how these heartfelt experiences shaped the songs and why Sea Glass is as much about hope and healing as it is about reflection.Highlights in this interview:The moving story behind the title track, “Sea Glass”Candice's reflections on loss, especially in “Line Between”The beautiful family tribute on “Promise Me”Why nature and introspection remain her biggest creative muses.Be sure to like, share, and subscribe for more exclusive interviews and music reviews. Visit NowSpinning.co.uk for more insights, and consider joining our Patreon or becoming a YouTube member for bonus content and community hangouts!

Heute vor 80 Jahren wurde Ritchie Blackmore geboren, der als Gitarrist erst Welterfolge im Hardrock feierte – um sich dann neu zu erfinden.

Deep Purple, Rainbow, Black Sabbath, Michael Schenker Group… Purplen sukupuun äärellä paneudutaan maailman parhaisiin hard rock – ja hevilevyihin kautta aikojen. Reidar Palmgren ja Sami Ruokangas käyvät läpi suosikkejaan kiemuraisesta Deep Purple -sukukartasta. Purppuranmustasta sukupuusta käsitellään ensimmäisessä jaksossa levyt: Deep Purple: Burn (1974), Rainbow: Rising (1976), Rainbow: Down to Earth (1979), Black Sabbath: Heaven and Hell (huhtikuu 1980), Whitesnake: Ready An´ Willing (toukokuu 1980) ja Michael Schenker Group: Assault Attack (1982). Jakson soittolista: https://open.spotify.com/playlist/4fEFzzreD1qFAVxtJT4No8?si=c85f4c80a77748ad Menossa ovat mukana Uriah Heep, UFO, Von Herzen Brothers, Michael Schenker, Ritchie Blackmore, Ian Gillan, Roger Glover, Episode Six, Trapeze, Glenn Hughes, David Coverdale, Led Zeppelin, Pauli Kauppila, George Gershwin, Ricky Nelson, Jon Lord, Yngwie Malmsteen, Rainbow, Ronnie James Dio, Whitesnake, Ian Paice, Micky Moody, Bernie Marsden, Tommy Bolin, Elf, Cozy Powell, Jimmy Bain, Vivian Campbell, Dio, Def Leppard, Wild Horses, Thin Lizzy, Brian Robertson, Neil Carter, Clive Edwards, Tony Carey, Axel Rudi Pell, Over The Rainbow, Jeff Beck, Gary Moore, Don Airey, Kirka, Bee Gees, Gibb Brothers, Graham Bonnet, Alcatrazz, Steve Vai, David Lee Roth, Monsters Of Rock, Touch, Saxon, Riot, Nazareth, The Butterfly Ball and the Grasshopper's Feast, Rory Gallagher, Judas Priest, Mark Mangold, Motörhead, Def Leppard, Iron Maiden, Angel Witch, Witchfynde, Tygers Of Pan Tang, John Sykes, Metallica, Venom, Tony Iommi, Sapattivuosi, Marco Hietala, Ozzy Osbourne, Vinny Appice, Carmine Appice, Geezer Butler, Bill Ward, Nirvana, Aki Blomberg, MTV, Free, Andy Fraser, California Jam, Neil Murray, Allman Brothers Band, Lynyrd Skynyrd, Robert Plant, Paul Rodgers, Joe Lynn Turner, Baby Face, Phil Lynott, Bad Company, Mick Ralphs, Led Zeppelin, The Who, Martin Birch, Peter Green, Fleetwood Mac, Judas Priest, Blue Öyster Cult, Alex Harvey Band, Chris Glen, Ted McKenna, KISS, Aerosmith, Randy Rhoads, Robin McAuley, Gary Barden, Derek St. Holmes, Andy Nye ja Jack Douglas. RATB somessa: https://www.facebook.com/RockAroundTheBlogFinland/ https://www.instagram.com/samiruokangas

John Lydon a fermement exclu toute réunion avec les autres membres des Sex Pistols, accusant ses anciens compagnons de transformer l'héritage punk en "Walt Disney". Les icônes southern rock de Lynyrd Skynyrd s'apprêtent à sortir un album live historique, enregistré lors du dernier concert du guitariste fondateur Gary Rossington, intitulé ‘'Celebrating 50 Years - Live At The Ryman''. Brian May est revenu sur une décision prise par Queen à l'époque du boom du gangsta rap : refuser qu'un de leurs morceaux soit samplé par un artiste dont les paroles allaient à l'encontre des valeurs du groupe. Le légendaire guitariste de Deep Purple et Rainbow, Ritchie Blackmore, aujourd'hui âgé de 79 ans, a subi une crise cardiaque il y a 18 mois, c'est ce que révèle sa femme, Candice Night. Contourner la lutte anti-drogue dans un aéroport, Slash et Izzy Stradlin de Guns N' Roses ont un jour trouvé une solution : la consommer dans son entièreté avant de prendre l'avion. Mots-Clés : interview, Steve Jones, Paul Cook, Glen Matlock, tournée, nom, Sex Pistols Featuring Frank Carter, nord-américaine, actes ignobles, cœur, mythique, Nashville, performances, Rossington, That Smell, rappel, iconique, Freebird, violence, abus, époque, abusif, femmes, guitariste, identité, rappeur, question, discours, vigilance, musique urbaine, état de santé, mari, projet, couple, côte Est, États-Unis, déplacement, Europe, cardiologue, artiste, avion, projets internationaux, manager, Alan Niven, anecdote, international, Los Angeles, Japon, toilettes, zone d'attente, 747. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, en direct chaque jour à 7h30 et 18h30 sur votre radio rock'n'pop. Merci pour votre écoute Plus de contenus de Classic 21 sur www.rtbf.be/classic21 Ecoutez-nous en live ici: https://www.rtbf.be/radio/liveradio/classic21 ou sur l'app Radioplayer BelgiqueRetrouvez l'ensemble des contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Découvrez nos autres podcasts : Le journal du Rock : https://audmns.com/VCRYfsPComic Street (BD) https://audmns.com/oIcpwibLa chronique économique : https://audmns.com/NXWNCrAHey Teacher : https://audmns.com/CIeSInQHistoires sombres du rock : https://audmns.com/ebcGgvkCollection 21 : https://audmns.com/AUdgDqHMystères et Rock'n Roll : https://audmns.com/pCrZihuLa mauvaise oreille de Freddy Tougaux : https://audmns.com/PlXQOEJRock&Sciences : https://audmns.com/lQLdKWRCook as You Are: https://audmns.com/MrmqALPNobody Knows : https://audmns.com/pnuJUlDPlein Ecran : https://audmns.com/gEmXiKzRadio Caroline : https://audmns.com/WccemSkAinsi que nos séries :Rock Icons : https://audmns.com/pcmKXZHRock'n Roll Heroes: https://audmns.com/bXtHJucFever (Erotique) : https://audmns.com/MEWEOLpEt découvrez nos animateurs dans cette série Close to You : https://audmns.com/QfFankxDistribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

EPYSODE 31: "BullAngus". Guest: BullAngus bandleader Larry LaFalce In this epysode, we take a deep dive into BullAngus' 1971 self-titled album, a raw and heavy classic rock gem that has long been overlooked. Featuring exclusive commentary by band leader Larry Lafalce, we explore the creation of the album, the band's unique sound, and the impact it had on the rock scene of the early '70s. Plus, hear why Deep Purple's Ritchie Blackmore once called LaFalce "a mother***er"(!!) and get firsthand insights into the tensions and triumphs that defined this iconic era of rock history. I hope you dig BullAngus as much as I do. -FJ ==SEE ME, FEEL ME, TOUCH ME== Transport yourself into the realm of grooviness by supporting us on Patreon using this link -->   patreon.com/FarmerJohnMusic   Use this link to follow us on Facebook --> https://www.facebook.com/farmerjohnmusic/   Use this link to follow us on Instagram --> https://www.instagram.com/vinyl.relics.podcast/   Use this link to follow us on TikTok --> https://www.tiktok.com/@vinylrelicspodcast   Use this link to follow us on BlueSky --> https://bsky.app/profile/farmerjohnmusic.bsky.social   And find us on X here --> @VinylRelicsPod   Email me here --> farmerjohnmusic@gmail.com ==THE MUSIC== Songs used in this epysode, in order of appearance. Note that due to the fact the BullAngus album is not available on Spotify, there is no playlist for this week's epysode.   ZIOR “Before My Eyes Go Blind” THE 9 LA FALCE BROTHERS “Clementine” THE 9 LA FALCE BROTHERS “Home On The Range” CREAM “Strange Brew” THE JIMI HENDRIX EXPERIENCE “Manic Depression” THE JEFF BECK GROUP “Beck's Bolero” THE OXFORD WATCHBAND “Diagnosis” BULLANGUS “Run Don't Stop” BULL ANGUS “Mother's Favorite Lover (Margaret)” BULLANGUS “Uncle Duggie's Fun Bus Ride” BULLANGUS “A Time Like Ours” BULLANGUS “Miss Casey” BULLANGUS “Pot Of Gold” BULLANGUS “Cy” BULLANGUS “No Cream For The Maid” BULLANGUS “Savoy Truffle” BULLANGUS “City Boy” BULLANGUS “Loving Till End” FRANKE & THE KNOCKOUTS “Sweetheart” FRANKE & THE KNOCKOUTS “Hungry Eyes” FRANKE & THE KNOCKOUTS “I've Had The Time Of My Life” AMII STEWART “Why'd Ya Have To Be So Sexy?” THE GAP BAND “You Dropped A Bomb On Me” ??MYSTERY ARTIST??...tune in to the next epysode to find out... NEWPORT ELECTRIC "Them Pretty Lights" Learn more about your ad choices. Visit megaphone.fm/adchoices

Laut Roger Glover ist dies der “ultimative Deep Purple-Song": beeindruckendes Gitarrensolo von Ritchie Blackmore, energiegeladenes Tempo, markanter Gesang von Ian Gillan und catchy Lyrics.

In this episode of Talk2TheHand, we dive into the wild and eccentric life of Screaming Lord Sutch, the rock 'n' roll pioneer who became one of Britain's most notorious political pranksters. From his early days fronting the horror-infused rock band The Savages to his countless bids for public office as the leader of the Monster Raving Loony Party, Sutch carved out a career that was equal parts music, mischief, and madness. But behind the flamboyant costumes and outlandish policies was a man with a deep love for shaking up the establishment. We'll explore his influence on the British music scene, where he rubbed shoulders with legends like Jimmy Page, Ritchie Blackmore, and Keith Moon. Despite never landing a chart-topping hit, Sutch's theatrical stage presence and macabre-themed songs left an undeniable mark on rock history. His early performances, featuring coffins, skulls, and bloodcurdling screams, predated the shock-rock antics of Alice Cooper and Ozzy Osbourne by years, making him one of the genre's true pioneers. Of course, no discussion of Lord Sutch would be complete without delving into his political escapades. With policies ranging from mandatory pogo sticks for public transport to opening pubs for 24 hours, his satirical campaigns mocked the rigidness of British politics while endearing him to the public. But was he just a joke candidate, or did his absurdity hold a mirror up to the establishment? We'll examine the legacy of the Monster Raving Loony Party and how its spirit lives on in modern political satire. Beyond the larger-than-life persona, we'll also discuss the struggles that plagued Sutch later in life. Despite his public bravado, he faced personal demons, battling depression and financial difficulties. His tragic death in 1999 shocked fans and left many wondering about the toll of a lifetime spent in the limelight. Was his eccentricity a shield, or was he truly the eternal optimist he portrayed? Join us as we celebrate the highs, the lows, and the sheer lunacy of Screaming Lord Sutch—a man who blurred the lines between rock, politics, and performance art like no other. Whether you know him as the original shock rocker or Britain's most loveable political rebel, this episode is a deep dive into the unforgettable world of one of the UK's greatest cult figures. Talk2TheHand is an independent throwback podcast run by husband and wife, Jimmy and Beth. Obsessed with 90s nostalgia and 90s celebrities, we'll rewind the years and take you back to the greatest era of our lives.   New episodes bursting with nostalgia of the 90s released on Tuesdays. Please subscribe to our podcast and we'll keep you gooey in 1990s love. Find us on Twitter @talk2thehandpod or email us at jimmy@talk2thehand.co.uk or beth@talk2thehand.co.uk

Prepare-se para uma viagem pelo Stormbringer, o nono álbum de estúdio do Deep Purple, lançado em 1974!

Today I have an absolute legend on the show Mr Don Airey keyboard player on over 600 Hard Rock and Heavy Metal records. Don stops by and talks about his incredible career playing keyboards with all of the guitar legends including Ritchie Blackmore, Micheal Schenker, Randy Rhoades, Gary Moore and so many more. Don has played Keys on some of the most iconic records ever including Ozzy's Blizzard Of Oz, all of the great Raibow albums, and the huge 1987 Rainbow release. Don has a brand new solo record coming out in a few weeks called Pushed To The Edge and I gotta tell you this record fully rocks. Make sure you check it out March 28th 2025 on all the streaming platforms.   Come see me out on tour this week in San Francisco at The Punchline Feb 26th - Mar 1st Tickets here - https://www.punchlinecomedyclub.com/artist/K8vZ917CDF7/dean-delray-events  Join my Patreon for bonus episodes of Let There Be Talk - https://www.deandelray.com/patreon    Keep Rocking DDR

Henda fyrsta Rainbow-plátan verður framvegis spæld í føroyskum útvarpi, harav 'Temple of the King' og 'Man on the Silver Mountain' eru mest at hoyra. Ritchie Blackmore skrivaði mesta tónleikin og Ronnie James Dio skrivaði flestu tekstirnar. Tvey tøkuløg eru á plátuni. Gittaristurin Ritchie Blackmore var farin úr Deep Purple og fyrsta ætlanin var at innspæla ein singleplátu sum solistur. A-síðan skuldi vera ein endurinnspæling av Black Sheep Of The Family, ið enska trioin Quartermass átti. Sum B-síðu ætlaði hann Sixteenth Century Greensleeves, ið var nýkomponerað lag. Henda studiospæling skuldi fara fram í Florida saman við sangaranum og trummusláaranum í amerikanska rokkbluesorkestrinum ELF, Ronnie James Dio og Gary Driscoll. Eisini var fyrrverandi E.L.O.-sellospælarin, Hugh McDowell, við á studioliðnum. Men stutt seinni broytti Ritchie Blackmore útgávuætlanina frá einari singleplátu til eina heila Long Playing. Hann fekk teir eftirverandi limirnar í ELF at koma uppí dansin eisini; tangentspælaran Micky Lee Soule, og bassistin Craig Gruber, og upptøkan var flutt úr USA til Musicland Studios í Múnsjen, Týsklandi. Tann 4..august í 1975 var fyrsta Rainbow-plátan tøk í handlunum. Hon hevði fingið heitið 'Ritchie Blakcmore's Rainbow'. Umframt góðan rokktónleik og stóra sølu kom tað burturúr, at heimurin hevði fingið ein nýggjan rokksangara av fyrstu skuffu, Ronnie James Dio. Tá hann sum 67 ára gamal doyði í 2010, hevði hann selt 47 millónir album eintøk - bæði sum bólkalimur og solistur. Í Rainbow var hann við á teimum trimum fyrstu studioplátunum, umframt konsertplátuni On Stage (og øðrum konsertplátum, ið givnar vórðu út seinni), og síðani skiltust hann og Blackmore. Hóast nógvir lurtarar halda Rainbow Rising frá 1976 vera veruliga sveinastykkið hjá hesum bólki Blackmores, helt Ronnie James Dio sjálvur frum- og Temaplátuna, Ritche Blackmore's Rainbow, vera ta bestu. Í 2025 fer hon um hálva øld í aldri og tað er eisini hana, sum vit leggja dent á í hesi sending. Spæliskráin: 1..Still I'm Sad 2..Self Portrait 3..Catch the rainbow 4..Sixteenth Cetury Greensleeves 5..Snake Charmer 6..The Temple of The King 7..Man on the Silver Mountain 8..If you don't like rock and roll 9..Black Sheep of the Family Plátubarrin 22.2.25  

It is with heavy hearts that we deliver this week's episode honoring the passing of a guitar hero giant who also happened to be an awesome singer and songwriter: John Sykes. He was a guitarist deserving of the title guitar god who rarely got mentioned in the same circles as the Satches, Vais, Rhodes, and Van Halens. Most known for his brief stint in Thin Lizzy at the end of their career and as a brief member of Whitesnake. He should have been a household for playing on the Whitesnake 87 album that sold 25M records worldwide, but he was fired before it came out. Kevin's a huge fan of Blue Murder, so we will focus on that band and some of the lesser-known projects he was involved in while also paying homage to his mainstream successes. New to InObscuria? Typically, what we do is exhume obscure Rock n' Punk n' Metal in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. Rest In Peace John. Your pure musicality and amazing songs will live forever in our hearts!Songs this week include:Blue Murder – “We All Fall Down” from Nothin' But Trouble (1993)Streetfighter – “She's No Angel” from Lightnin' To The Nations: NWOBHM 25th Anniversary Collection (2005)Tygers Of Pan Tang – “Blackjack” from Spellbound (1981)John Sykes – “Pride And Joy” from Crossfire: A Salute To Stevie Ray (1996)Derek Sherinian – “God Of War” from Mythology (2004)Thin Lizzy – “Cowboy Song” from One Night Only (2000)John Sykes – “Cautionary Warning” from 20th Century (1997)Blue Murder – “Still Of The Night” from Screaming Blue Murder: Dedicated To Phil Lynott (1994)Blue Murder – “Jelly Roll” from Screaming Blue Murder: Dedicated To Phil Lynott (1994)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

Quand Ian Gillan, leader de Deep Purple, a refusé de rejoindre Rainbow : retour sur une offre inattendue de Ritchie Blackmore. Un avion appartenant au chanteur de Motley Crue, Vince Neil, a été impliqué dans un accident mortel en Arizona, ce lundi 10 février 2025, un mort et des blessés. Oasis célèbre les 25 ans de "Standing On The Shoulder Of Giants" avec une belle réédition. Un nouveau film comique inspiré des premières années de Green Day est actuellement en production, intitulé ''New Years Rev''. Le nouveau single d'Ozzy Osbourne, "Gods of Rock N Roll", déjà classé dans les charts avant sa sortie. David Johansen, chanteur emblématique des New York Dolls, a révélé être atteint d'un cancer en phase 4, qu'il qualifie de "pire douleur (qu'il ait) jamais ressentie". Mots-Clés : tensions, David Coverdale, Rainbow, Ronnie James Dio, rebondissement, difficulté, signer, contrat, projet solo, refus, raisons, refus, territoire musical, mort, identité, manager, Allen Kovac, appareil, compagne, Rain, Ashley, hospitalisée, soutien, victimes, aide, Go Let It Out, YouTube, groupe britannique, fête, anniversaire, spéciale, road trip, cinématographique, États-Unis, Billy Joe Armstrong, Los Angeles, Nouvel An, sortie officielle, implication, projet, fans, solo, puis, Black Sabbath, classement, Mainstream Rock Airplay, Billboard, explication, God Shaped Hole, Billy Morrison, coécrit, original, version orchestrale, guitare, Steve Stevens, fille, Leah Hennessey, réseaux sociaux, collecte de fonds, financer, soins, traitements intensifs, diagnostique, tumeur au cerveau, complications, escaliers, fracture, dos. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, en direct chaque jour à 7h30 et 18h30 sur votre radio rock'n'pop. Merci pour votre écoute Plus de contenus de Classic 21 sur www.rtbf.be/classic21 Ecoutez-nous en live ici: https://www.rtbf.be/radio/liveradio/classic21 ou sur l'app Radioplayer BelgiqueRetrouvez l'ensemble des contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Découvrez nos autres podcasts : Le journal du Rock : https://audmns.com/VCRYfsPComic Street (BD) https://audmns.com/oIcpwibLa chronique économique : https://audmns.com/NXWNCrAHey Teacher : https://audmns.com/CIeSInQHistoires sombres du rock : https://audmns.com/ebcGgvkCollection 21 : https://audmns.com/AUdgDqHMystères et Rock'n Roll : https://audmns.com/pCrZihuLa mauvaise oreille de Freddy Tougaux : https://audmns.com/PlXQOEJRock&Sciences : https://audmns.com/lQLdKWRCook as You Are: https://audmns.com/MrmqALPNobody Knows : https://audmns.com/pnuJUlDPlein Ecran : https://audmns.com/gEmXiKzRadio Caroline : https://audmns.com/WccemSkAinsi que nos séries :Rock Icons : https://audmns.com/pcmKXZHRock'n Roll Heroes: https://audmns.com/bXtHJucFever (Erotique) : https://audmns.com/MEWEOLpEt découvrez nos animateurs dans cette série Close to You : https://audmns.com/QfFankx

Il 1975 è stato un anno cruciale per il rock; da Peter Gabriel a Ritchie Blackmore tanti artisti hanno deciso di lasciare i propri gruppi di riferimento avviando una carriera solistica.

In this special crossover episode, we're spotlighting Buffalo's 1973 Volcanic Rock—a raw, proto-metal gem that helped shape the sound of 80s Metal and 90s Rock. With primal riffs and fearless energy, Buffalo laid the groundwork for the heaviness embraced by bands like Metallica and Soundgarden. Picture it: the airwaves dominated by Dark Side of the Moon, Zeppelin's Houses of the Holy, and Sabbath's Sabbath Bloody Sabbath. Rock was entering its teenage years, shedding its innocence for something darker, more primal. Halfway around the world, Australia was a raw, untamed frontier where danger lurked in every shadow. Venomous creatures, desolate outback stretches, and a wild, unrelenting spirit shaped the people and their art. It was here, in this harsh and unpredictable landscape, that Buffalo unleashed their sophomore album, Volcanic Rock, on Vertigo Records. Like the searing sun, it scorched a path for heavy music, standing defiantly alongside its better-known contemporaries.Buffalo was no Zeppelin or Sabbath knockoff. This Brisbane-to-Sydney transplant created their own blend of bluesy grit and proto-metal menace. Formed initially as “Head,” their pivot to Buffalo was guided by a manager who believed that bands starting with “B” (Beatles, Beach Boys) were bound for success. A dart on a map landed on Buffalo, and thus began a name and sound etched in volcanic fury.Heavy as Hell, Raw as the OutbackVolcanic Rock lived up to its name—primitive, thunderous, and unpredictable. With Dave Tice's raw vocal delivery leading the charge, and guitarist John Baxter's primal riffage painting sonic landscapes, the album combined blues-rock roots with a proto-doom intensity that felt otherworldly. Songs like “Freedom” deliver nine-minute odysseys, meandering through psychedelic jam territory before crashing back into riff-laden crescendos.Yet, the record wasn't just music—it was spectacle. Its controversial cover art—a volcano shaped like a female torso spewing lava—reflected the wild creativity and raw edge of the band's ethos. It was shocking then and remains iconic now, an image as bold as the sound within.Misfits in a Golden AgeDespite their innovative sound, Buffalo never quite broke through. Opening for heavyweights like Black Sabbath and Rainbow, they faced the mischief of tour mates like Ritchie Blackmore, who infamously sabotaged their set. Still, they soldiered on, creating an album that influenced generations of grunge, stoner rock, and doom metal—long before the labels existed.But Buffalo's story is also one of commercial failure and creative frustration. Pushed by their label to pivot toward radio-friendly fare, they resisted, choosing instead to blaze their own trail. By the time their final album, Average Rock 'n' Roller, hit shelves in 1977, the band was running on fumes. Yet, Volcanic Rock remains their defining statement, a timeless blueprint for heavy rock adventurers.The Legacy: Why Volcanic Rock Still MattersSo why revisit Volcanic Rock in 2025? Because it's an artifact of pure, unadulterated rock energy—a raw, imperfect gem that prefigures everything from Kyuss to Queens of the Stone Age. Its primal simplicity, coupled with its audacious ambition, captures the essence of a time when rock was still dangerous.Want to know more? Dive into the latest episode of the Dig Me Out podcast, where we explore Buffalo's story in greater detail. From the album's creation to its lasting influence, it's an in-depth discussion you won't want to miss. Stream Volcanic Rock, then tune in to our episode to join the conversation and rediscover the molten core of 70s hard rock.Songs in this Episode:* Intro - Intro: Pound of Flesh* 22:21 - The Prophet* 28:28 - Freedom* 32:01 - Shylock* 52:44 - Sunrise (Come My Way) - Dave Tice's Buffalo Revisited* Outro - 'Til My DeathMake Your Voice Heard!In our quest to explore the depths of 80s metal we rely on you, our listeners. Your suggestions drive our show – be it an underrated classic or a forgotten gem. By joining our DMO Union on Patreon, you help us stay independent and ad-free and gain the power to vote on and choose the albums we dive into each year. Let's unearth the treasures of 80s Metal, one listener-powered episode at a time.Rescue an Album → | Support the Mission → This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Robert Fleischman discussed his dual career in music and painting, emphasizing his 2,500-square-foot industrial painting space and a home recording studio. He reflected on his tenure with Journey, his brief collaboration with George Lynch, and his experiences with Van Halen and Tom Petty. Fleischman highlighted his latest album, "Emotional Atlas," which features synth-based music and was mixed in 5.1 surround sound. He also mentioned his interactions with notable figures like Gene Simmons and George Martin, and the challenges of the modern music industry, advocating for direct fan support through album purchases.0:00:00 - Intro0:00:20 - Music Career Vs. Painting 0:02:45 - Oni Logan & George Lynch Connection 0:04:50 - Guests on Solo Album0:07:21 - Touring with Van Halen 0:10:40 - Being a Musician & Solo Record 0:11:21 - Emotional Atlas & Creative Evolution 0:16:11 - Influences & Inspirations 0:19:05 - Solo Career & Royalties 0:21:40 - Wheel in the Sky, Journey & Singing0:26:05 - Working with Vinnie Vincent 0:33:35 - Relationship with Gene Simmons 0:37:35 - Legendary Producer George Martin 0:40:55 - Producer Jimmy Iovine 0:43:45 - Hanging with Tom Petty 0:45:55 - Bob Dylan 0:48:25 - Painting & Favorite Painters0:50:20 - Unconventional Song Template 0:51:55 - Good Art & Craziness 0:54:45 - How Voices Can Change 0:56:15 - Journey's Music & Legacy 0:58:15 - Michael Schenker & Ritchie Blackmore 1:05:15 - Dee Snider, Legends & Success1:06:25 - Emotional Atlas Album 1:07:48 - Challenges & Opportunities in the Music Industry1:08:12 - Final Thoughts & Future Plans 1:11:40 - Outro Robert Fleischmann website:https://www.robertfleischman.com/Chuck Shute link tree:https://linktr.ee/chuck_shuteSupport the showThanks for Listening & Shute for the Moon!

Graham Bonnet in conversation with David Eastaugh English rock singer. He has recorded and performed as a solo artist and as a member of several rocks bands including Rainbow, Michael Schenker Group, Alcatrazz, and Impellitteri. He is known for his powerful singing voice but is capable of also singing soft melodies. In 1979, Bonnet was approached to join  Sweet to replace Brian Connolly. However, he was chosen by Ritchie Blackmore to replace Ronnie James Dio as the vocalist of hard rock band Rainbow. This was something of a musical departure for Bonnet, who had previously identified himself more as an R&B singer. Bonnet would later credit his time in Rainbow and his collaboration with Blackmore, in particular, as fundamentally changing his musical outlook to a more hard rock focus. He sang on the Down to Earth LP, which would become his most successful album. It spawned two hit singles in 1979 and 1980: "Since You Been Gone" and "All Night Long". During Bonnet's time in the band, Rainbow also headlined the inaugural Monsters of Rock festival at Donington Park, Castle Donington.

From Ozzy Osbourne to Black Label Society to Zakk Sabbath to, most recently, his stint filling in for his old friend “Dimebag” Darrell Abbott in Pantera, Zakk Wylde has left an unmistakable mark on the hard-rock and metal music worlds. Fresh off performing “The Star Spangled Banner” at the Cleveland Browns game in October, and paying homage to his boss Ozzy at the 2024 Rock and Roll Hall of Fame induction ceremony, Wylde joins this episode of Shred With Shifty to share his teachings from the book of rock. When he was learning to play, Wylde studied Frank Marino, Al Di Meola, and John McLaughlin along with Sabbath shredder Tony Iommi, Jimmy Page, and “King Edward”—Eddie Van Halen—but Osbourne's original right-hand guitar-man Randy Rhoades was top of the crop. Little did Wylde know he'd go on to replace him after his tragic death, following up the work of Rhoades, Brad Gillis, and Jake E. Lee. He got to join his favorite band, but it wasn't an easy gig. “What's expected of you as an Ozzy player?” says Wylde. “The bar that Randy set was lights out.” After a quick pinch-harmonics tutorial, Wylde lays out how he used a Marshall JCM800 and Boss SD-1 with his “holy grail” bullseye Gibson Les Paul Custom to track the alternate-picking intensive on “Miracle Man,” a mix of “ingredients” from all the players Wylde loves. (“Pass the Ritchie Blackmore, boss!”) For those thinking of skimping and swapping in some hammer-ons and pull-offs, Shifty warns: “There are no shortcuts! Pick every note!” Along the way, Wylde discusses the inner workings of his tenure with Osbourne, including being the longest-running player in the group—like “working at the deli,” according to Wylde. And tune in to hear about Wylde's relationship to Ozzy's wife and manager Sharon Osbourne, who he refers to as “mom”—a role she performed well when she busted him at a nightclub while he was underage. Apple: https://podcasts.apple.com/podcast/id1690423642 Spotify: https://open.spotify.com/show/4B8BSR0l78qwUKJ5gOGIWb iHeart: https://www.iheart.com/podcast/269-shred-with-shifty-116270551/ Pandora: https://www.pandora.com/podcast/shred-with-shifty/PC:1001071314 Follow Chris Shiflett: Facebook: https://www.facebook.com/chrisshiflettmusic Instagram: https://www.instagram.com/shifty71 TikTok: https://www.tiktok.com/@chris.shiflett Twitter: https://twitter.com/chrisshiflett71 Website: http://www.chrisshiflettmusic.com Spotify: https://open.spotify.com/artist/5tv5SsSRqR7uLtpKZgcRrg?si=26kWS1v2RYaE4sS7KnHpag Producer: Jason Shadrick Executive Producers: Brady Sadler and Jake Brennan for Double Elvis Engineering support by Matt Tahaney and Matt Beaudion Video Editor: Addison Sauvan Graphic Design: Megan Pralle Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.

We're back to talk about all the latest, greatest, and strangest with Geekwire! Here's what we're covering this time! - Led Zeppelin to get the silver screen treatment - Ritchie Blackmore agrees with us - The Demon hits the road - Dexter Holland of The Offspring is brilliant - Uriah Heep is incredibly honest - Jack Russell to be honored in Hollywood by friends - Ross Valory invokes a Spinal Tap reference - AC/DC prepares to power up North America - Manowar triumphs on home soil - Some serious health news from Tony Harnell *Get checked out fellas.* It's a solid block of rock talk just for you! We hope you enjoy Geekwire for the week of 12.09.24 and SHARE with a friend! Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download   Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back to talk about all the latest, greatest, and strangest with Geekwire! Here's what we're covering this time! - Led Zeppelin to get the silver screen treatment - Ritchie Blackmore agrees with us - The Demon hits the road - Dexter Holland of The Offspring is brilliant - Uriah Heep is incredibly honest - Jack Russell to be honored in Hollywood by friends - Ross Valory invokes a Spinal Tap reference - AC/DC prepares to power up North America - Manowar triumphs on home soil - Some serious health news from Tony Harnell *Get checked out fellas.* It's a solid block of rock talk just for you! We hope you enjoy Geekwire for the week of 12.09.24 and SHARE with a friend! Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download   Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Steve welcomes back Shout It Out Loudcast host and bestselling author Zeus to talk about the first two Rainbow albums: "Ritchie Blackmore's Rainbow" and "Rising." Which album will they vibe with the most? Can they get behind the woodland folk influence of Blackmore? Tune in to find out! Hosted by Steve Wright, Brian "BC" Chapman and Ryan "BB" Bannon Special Guest: Zeus from Shout It Out Loudcast Produced by Dylan Wright Music by Mark Sutorka Shout It Out Loudcast: https://www.facebook.com/ShoutItOutLoudcast Spotify Playlist: https://open.spotify.com/playlist/0sEdgTO22i5dLj4GcBNXUb?si=4L4smvsATZyidz_ofxXGPA Facebook: https://www.facebook.com/PTHpodcast 

This week we respectfully welcome back to the show Slamfest Podcast host: Mad Brad Rusthoven. He has called us out on a grave mistake of not having played Black Country Communion on any of our recent New Wave Of Classic Rock episodes. Therefore, we give you “Grave Mistakes: BLACK COUNTRY COMMUNION Shoulda Been Huge”… scratch that: Should BE Huge!!! Celebrate this amazing supergroup with us. Apologies for a little hiss and background noise in the episode (our crack staff must have been smoking crack again).This episode is rooted in our Should Have Been category. This is a band that we mentioned before on the show and played an offshoot band from them. They contain some household names in classic blues and rock and have a hell of a pedigree, but unfortunately, their brilliance has yet to be recognized to the degree that it truly deserves. This is the bastard child of Deep Purple and Led Zeppelin for the love of Lemmy! We think they SHOULD BE HUGE… Songs this week include:Black Country Communion - “Beggarman” from Black Country Communion (2010)Black Country Communion - “The Outsider” from 2 (2011)Black Country Communion - “The Great Divide” from Live Over Europe (2012)Black Country Communion - “Midnight Sun” from Afterglow (2012)Black Country Communion - “Sway” from BCCIV (2017)Black Country Communion - “Stay Free” from V (2024)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

On the November 17 edition of the Music History Today podcast, John Lennon releases Double Fantasy, the Police debut, & Ritchie Blackmore quits Deep Purple...again. Also, happy birthday to Jeff Buckley & RuPaul. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday --- Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

This week, we manage to talk about 7 songs in just over 2 hours - appropriately, all are versions of "Train Kept a Rollin'"! The original is by Tiny Bradshaw, a 1951 jump blues number that contains a rock n roll instro break that clearly caught the ears of  the next crew, namely Johnny Burnette & The Rock n Roll Trio. They take Tiny B's joyous number and inject it with some wild hillfolk hiccupin' and hollerin'.' The train somehow made it to England by 1965, and Screamin' Lord Sutch (with Ritchie Blackmore) left the station at a fevered pace, but later that same year, The Yardbirds caught up. Keith Relf and the boys even did a follow-up rendition for the movie Blow Up which they titled "Stroll On," but the lyrics are super stoopid! We close off the episode with two garage versions that take passengers to places far off the usual route - dig The Rogues (these ones from Buffalo) and Steve Walker and The Bold and their hyperspeeds! Real gone!!!Screamin' Lord SutchThe Yardbirds (TKAR and "Stroll On")The RoguesSteve Walker and the Bold

Movie theaters are preparing for this year's gross out, make people sick movie for Halloween and it's called Terrifier 3...and someone has been scamming money from people by pretending to be Deep Purple guitarist Ritchie Blackmore!

Patrick returns to Musical Chairs as the guys cover two more epic bands from the pages of rock's history book. For several weeks now, Patrick has made it known that he planned on covering Alice In Chains for his next band, and that would come to pass with this Episode. Formed in the late 80s, Alice In Chains rose to rock prominence in the early 90's with some of the most iconic songs from that entire era. Despite losing one of the most recognizable frontmen of that time frame (Layne Staley), the band has forged on and is still making great music to this day. Dave, on the other hand, covers Rainbow. After leaving Deep Purple, Ritchie Blackmore created Rainbow, and despite an ever-changing lineup of singers and band members, Rainbow certainly left its mark and became a staple of the early days of MTV. It's another great installment of Musical Charis that you won't want to miss.Today's hosts: Dave Ungar (@AttitudeAgg) and Patrick O' Dowd (@WrestlngRealist)Episode 5 of Season 4 of Musical Chairs focuses on Alice In Chains & RainbowAbout Chairshot RadioThe rebirth of Chairshot Radio will see a rotating cast of hosts delivering you a new show EVERY day. Sports, Entertainment and Sports Entertainment is the umbrella under which we seek to invade your earballs. So sit back, relax and LET US IN...For the latest, greatest and up to datest in everything pro wrestling, sports and entertainment head to TheChairshot.com and remember to ALWAYS #UseYourHead.About the Chairshot Radio NetworkCreated in 2017, the Chairshot Radio Network presents you with the best in wrestling and wrestling crossover podcasts, including POD is WAR, Women's Wrestling Talk, Chairshot Radio daily editions, The #Miranda Show, Badlands' Wrestling Mount Rushmores, The Outsider's Edge, DWI Podcast, Bandwagon Nerds, the Greg DeMarco Show, 3 Man Weave, Five Rounds, Turnbuckle Talk, The Reaction and more! You can find these great shows each week at theChairshot.com and through our distribution partners, including podcasting's most popular platforms.Support this podcast at — https://redcircle.com/chairshot-radio-network/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Si hay una banda reconocida por sus reformadas alineaciones es Deep Purple. Y en medio de esos recambios aparece una de las rivalidades más icónicas del rock, la de Ian Gillan y Ritchie Blackmore. Alfredo Lewin repasa el conflicto en este nuevo capítulo.

https://youtu.be/nyav8Sk9Crc Exclusive Interview with Legendary Bob Daisley For over 50 years, bassist Bob Daisley has laid the foundation for some of the greatest rock and roll ever recorded. From blues and metal to ballads and progressive rock, Bob has worked with the biggest names in the music industry. Early Career At 21, Australian-born Daisley moved to London, joining Stan Webb's band Chicken Shack in 1972. In 1973, he joined Mungo Jerry, recording the hit single "Alright, Alright, Alright." Rise to Fame In 1975, Daisley co-founded Widowmaker, releasing two albums. In 1977, Ritchie Blackmore invited him to join Rainbow, featuring Ronnie James Dio and Cozy Powell, promoting the album Long Live Rock 'n' Roll. Blizzard of Ozz In 1979, Daisley met Ozzy Osbourne and formed Blizzard of Ozz with guitarist Randy Rhoads. Their debut album reached #7 in the UK charts and went platinum in the US, followed by Diary of a Madman in 1981, which also went platinum. Continued Success After parting ways with Osbourne, Daisley joined Uriah Heep and later rejoined Osbourne to record Bark at the Moon (1983). Gary Moore Collaboration Daisley contributed to Gary Moore's Victims of the Future and Still Got the Blues (1990), Moore's biggest selling album. Later Career Daisley worked with artists like Jeff Watson, Yngwie Malmsteen, and Ozzy Osbourne on No Rest for the Wicked (1988). In 1991, he co-wrote and performed on Osbourne's No More Tears. He formed Mother's Army with Jeff Watson and released several albums. Recent Years Daisley continued collaborating into the 2000s, forming Living Loud and revisiting classic Blizzard of Ozz songs. His autobiography, For Facts Sake, was published in 2013. Legacy Though retired from touring, Bob Daisley's passion for music continues to inspire musicians worldwide, ensuring his legacy in rock and roll history. #bobdaisley #randyRhoads #ozzyosbourne #johnnybeaneTV

Drummer David Keith talks about his work with guitar legend Ritchie Blackmore in both Blackmore's Night and in Blackmore's Rainbow, the mysterious death of original Rainbow drummer Gary Driscol, the greatness of Cozy Powell and the process of learning specific fills, Ian Paice as another badass whose parts he had to learn, internet backlash for playing a smaller kit (and the Ayotte drum manufacture expansion that redeemed him), ,the ironic story of how he got to play with 90's act Nelson, his work with Leilani Kilgore between touring and recording , his first band Mighty Purple, and much more!!!

In this weeks show we dive deep into some great records for a change. Tony Carey is back to talk about a brilliant collective of musicians who count Jethro Tull's Ian Anderson, Supertramp's John Helliwell and Simon Phillips amongst their number - plus his new efforts to remaster some of his most creative concept records as Planet P Project. The dark matter of Go Out Dancing Part 1: 1931 is fascinating and discussed in detail as is the follow up G.O.D. Part 2: Levittown. Tony shares a great insight into his thought provoking releases and his creative process. Please check out the previous episodes with Tony Carey - Episode 94 he discusses his career from working on the incredible Rainbow Rising album with Ritchie Blackmore and Ronnie James Dio & "Tony Carey My 5 Favourite" where he lets us in on his 5 favourite recording sessions from his storied career! Learn more about your ad choices. Visit megaphone.fm/adchoices

En MetalProgPop Cast nos juntamos 4 amigos para hablar y discutir sobre música. Guido Vilariño (el Rey Tut) es el fanático del Metal, Angel Appiani es el fanático del Rock Progresivo, Gonzalo Ares (El Colo, El Colorado, ex-Bombi) es el fanático del Pop, y Santi Grillo es el fanático del podcast.  Nosotros la pasamos muy bien, y esperamos que Uds también. En el día de hoy analizamos.... Rising (también conocido como Rainbow Rising) es el segundo álbum de la banda británica Rainbow, publicado en 1976. Ritchie Blackmore, conservó únicamente a Ronnie James Dio de la formación anterior, incluyendo a Tony Carey, Jimmy Bain y Cozy Powell para completar la nueva formación. Grabado en Múnich en menos de un mes, el álbum fue supervisado por el ingeniero de Deep Purple y productor de rock Martin Birch. 

On the 53rd Episode of the Album Review Crew of Shout It Out Loudcast, Tom, Zeus & special guest, rock journalist, author and fellow Pantheon podcaster, Martin Popoff review the 1981 rock album by Rainbow, "Difficult To Cure." Rainbow and was on its third incarnation by 1981. Rainbow was still led by one of the greatest guitarist of all time, Ritchie Blackmore. SIOL favorite Don Airey was still there on keyboards as was former bassist and chief lyricist, bassist Roger Glover. However, gone was drummer extraordinaire Cozy Powell and new singer Graham Bonnet, who only appeared on one album, the previously reviewed "Down To Earth", see Episode 25 of the Album Review Crew. Replacing Powell was American drummer, Bobby Rondinelli and replacing Bonnet, was another American, Joe Lynn Turner. JLT as he's known, gave Rainbow and even more commercial sound with his one of a kind melodic voice. Rainbow had come a long way from the Ronnie James Dio led Rainbow days. Ritchie wanted a more commercial band that could break through in America. Difficult To Cure's melodic sound was evident on the opening track, "I Surrender," another Russ Ballard song. The album featured a mixture of melodic, classical, hard rock and pop songs. There were two instrumental a signature of Ritchie Blackmore. The songs "Can't Happen Here" & "I Surrender" also received video plays, during the early days of MTV. The album was produced by Roger Glover and was the highest charting album in the UK for Rainbow and went Gold in the UK. As usual the boys breakdown and dissect the tracks and rank the songs. They then rank the album and the album cover against the previous 51 albums reviewed on the Album Review Crew. This was Zeus' pick. So tune in to hear to hear a battle on instrumentals, Martin's hilarious dry sense of humor and a wardrobe discussion about whether something rivals early Bon Jovi tight jeans. To Purchase Rainbow's “Difficult To Cure” On Amazon Click Below:   Rainbow's Difficult To Cure   For all things Shout It Out Loudcast check out our amazing website by clicking below:   www.ShoutItOutLoudcast.com   Interested in more Shout It Out Loudcast content? Care to help us out? Come join us on Patreon by clicking below:   SIOL Patreon   Get all your Shout It Out Loudcast Merchandise by clicking below:   Shout It Out Loudcast Merchandise at AMAZON   Shop At Our Amazon Store by clicking below: Shout It Out Loudcast Amazon Store   Please Email us comments or suggestions by clicking below: ShoutItOutLoudcast@Gmail.com   Please subscribe to us and give us a 5 Star (Child) review on the following places below: iTunes Podchaser Stitcher iHeart Radio Spotify   Please follow us and like our social media pages clicking below: Twitter Facebook Page Facebook Group Page Shout It Out Loudcasters Instagram YouTube   Proud Member of the Pantheon Podcast click below to see the website: Pantheon Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices

On the 53rd Episode of the Album Review Crew of Shout It Out Loudcast, Tom, Zeus & special guest, rock journalist, author and fellow Pantheon podcaster, Martin Popoff review the 1981 rock album by Rainbow, "Difficult To Cure." Rainbow and was on its third incarnation by 1981. Rainbow was still led by one of the greatest guitarist of all time, Ritchie Blackmore. SIOL favorite Don Airey was still there on keyboards as was former bassist and chief lyricist, bassist Roger Glover. However, gone was drummer extraordinaire Cozy Powell and new singer Graham Bonnet, who only appeared on one album, the previously reviewed "Down To Earth", see Episode 25 of the Album Review Crew. Replacing Powell was American drummer, Bobby Rondinelli and replacing Bonnet, was another American, Joe Lynn Turner. JLT as he's known, gave Rainbow and even more commercial sound with his one of a kind melodic voice. Rainbow had come a long way from the Ronnie James Dio led Rainbow days. Ritchie wanted a more commercial band that could break through in America. Difficult To Cure's melodic sound was evident on the opening track, "I Surrender," another Russ Ballard song. The album featured a mixture of melodic, classical, hard rock and pop songs. There were two instrumental a signature of Ritchie Blackmore. The songs "Can't Happen Here" & "I Surrender" also received video plays, during the early days of MTV. The album was produced by Roger Glover and was the highest charting album in the UK for Rainbow and went Gold in the UK. As usual the boys breakdown and dissect the tracks and rank the songs. They then rank the album and the album cover against the previous 51 albums reviewed on the Album Review Crew. This was Zeus' pick. So tune in to hear to hear a battle on instrumentals, Martin's hilarious dry sense of humor and a wardrobe discussion about whether something rivals early Bon Jovi tight jeans. To Purchase Rainbow's “Difficult To Cure” On Amazon Click Below:   Rainbow's Difficult To Cure   For all things Shout It Out Loudcast check out our amazing website by clicking below:   www.ShoutItOutLoudcast.com   Interested in more Shout It Out Loudcast content? Care to help us out? Come join us on Patreon by clicking below:   SIOL Patreon   Get all your Shout It Out Loudcast Merchandise by clicking below:   Shout It Out Loudcast Merchandise at AMAZON   Shop At Our Amazon Store by clicking below: Shout It Out Loudcast Amazon Store   Please Email us comments or suggestions by clicking below: ShoutItOutLoudcast@Gmail.com   Please subscribe to us and give us a 5 Star (Child) review on the following places below: iTunes Podchaser Stitcher iHeart Radio Spotify   Please follow us and like our social media pages clicking below: Twitter Facebook Page Facebook Group Page Shout It Out Loudcasters Instagram YouTube   Proud Member of the Pantheon Podcast click below to see the website: Pantheon Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices

"A Day on the Green: Celebrating 35 Years Since the Legendary Concert"Larry Mishkin  highlights a significant Grateful Dead concert from May 27, 1989, at Oakland Alameda County Stadium, part of an AIDS benefit organized by Bill Graham. The event featured artists like Tracy Chapman, John Fogerty, Los Lobos, Joe Satriani, and the Grateful Dead. Larry delves into Fogerty's set, backed by Jerry Garcia and Bob Weir, sharing insights and historical context. He also touches on the canceled Neil Young concert due to illness, expressing disappointment and hope for rescheduling. The episode mixes personal anecdotes, music history, and current events in the music world. Grateful DeadMay 27, 1989Oakland Alameda County StadiumOakland, CAGrateful Dead Live at Oakland-Alameda County Stadium on 1989-05-27 : Free Borrow & Streaming : Internet ArchiveA Day On The Green: Aids Benefit Concert:Tracy Chapman                an American singer-songwriter, widely known for her hit singles "Fast Car" from her debut album “Tracy Chapman” (1988) and "Give Me One Reason" from her fourth album which on that day was still a few years awat, “New Beginning” (1995).  Fast Car has enjoyed a resurgence thanks to Country star, Luke Combs, who's cover version went platinum in 2023 and by September that year was a No 1 country hit making Chapman the first black woman with a sole songwriting credit at No. 1 on the Country charts.John Fogerty                Of Credence Clearwater Revival fameLos LobosJoe Satriani              an American rock guitarist, composer, and songwriter. Early in his career he worked as a guitar instructor, with many of his former students achieving fame, including Steve Vai, Larry LaLonde, Rick Hunolt, Kirk Hammett, Andy Timmons, Charlie Hunter, Kevin Cadogan, and Alex Skolnick. Satriani went on to have a successful solo music career, starting in the mid-1980s. He is a 15-time Grammy Award nominee and has sold over ten million albums, making him the bestselling instrumental rock guitarist of all time.[3]In 1988, Satriani was recruited by Mick Jagger as lead guitarist for his first solo tour.[4] Satriani briefly toured with Deep Purple, joining shortly after another departure of Ritchie Blackmore from the band in November 1993.[5] He has worked with a range of guitarists during the G3 tour, which he founded in 1995.Tower of Power, and, last but not least Dead INTRO:                                 Althea                                                Track #3                                                4:51 – 6:21                From the Go To Heaven album (April, 1980), Garcia and Hunter masterpiece.  Always a Jerry favorite and loved by Deadheads everywhere, this was the third song of the show following the Touch of Grey opener (of course) and Greatest Story.  Great guitar work, lovely vocals, this song really launches the show and gets everyone in the groove. Played 273 timesFirst:  August 4, 1979 at Oakland Civic Auditorium, Oakland, CA, USALast:  July 8, 1995 at Soldier Field, Chicago          The weather for the Day On The Green concert was perfect. Bill Graham, apparently, had an exclusive arrangement with some greater power, so that it never, ever rained when he was having a major outdoor show, and his deal remained in place for the May '89 AIDS Benefit. Another oddity about the AIDS Benefit was that there were no less than five opening acts for the Grateful Dead, which I think was some kind of record for a Bay Area Grateful Dead show. To see that whole event would mean at least 12 hours in the sun, just to wipe yourself out for what we all really wanted to see at the very end.            It seems shocking today that a Benefit concert for a terrible disease would be seen as a progressive political act, but such was the Reagan 80s. At least in San Francisco, efforts to prevent AIDS and provide care for those suffering from it had finally expanded beyond the gay community into the general culture. Nonetheless it was still significant when major rock bands headlined a large benefit concert in the Bay Area's biggest venue. Concern for AIDS had finally reached parity with Amnesty International and the Rain Forest, which was a welcome thing. The Coliseum benefit was the largest of several events around the Bay Area, all organized by Bill Graham Presents, and meant to raise awareness as well as money.            Originally the Oakland show was supposed to have joint headliners, with both the Grateful Dead and Huey Lewis and The News. A few weeks before the show, however, Huey Lewis had to drop out of the show. Rather sheepishly, his management publicly conceded that the stadium show was cutting into ticket sales for Lewis around Northern California, and they couldn't afford to work for what was effectively nothing.             The Dead, of course, had no such concerns. At a press conference, Jerry Garcia graciously said that Huey had to listen to his management, it was part of the business.  Huey Lewis And The News were the biggest act in the Bay Area at the time with respect to record sales, and yet the Dead outdrew them by several multiples. The Dead were no longer an aging hippie band who hadn't broken up--they were the biggest draw in town.           By 1989, the Dead were huger than ever, thanks to "Touch Of Grey" – which the Dead opened with - and the Coliseum show was an opportunity for a lot of people who had always wanted to see the Dead but hadn't been been able to get tickets. Frost and Shoreline shows sold out pretty rapidly, so regular rock fans who wanted to see the Dead were out of luck. Thus the crowd was very Dead-positive, with plenty of Deadheads, but far less like the insular club of Deadhead veterans that were characteristic of Bay Area shows at the time.            There were many fascinating aspects to this event, but in retrospect the most fascinating was that former Creedence Clearwater Revival frontman John Fogerty was second on the bill, and it was known before the show that Jerry Garcia and Bob Weir would be part of his backing group.            Creedence had been hugely, titanically popular, but Fogerty had been in a bitter dispute with his record company since the mid-70s, and as a result had refused to play any of his great Creedence songs in concert. By 1989, however, although Fogerty's ire towards Fantasy Records had not subsided, for various reasons he had come to terms with his old songs, so it was widely known that not only would Garcia and Weir be backing Fogerty, but that they would be playing Creedence classics as well. Everything pointed towards an event of historic proportions.            There is a You Tube video of the entire Fogerty set that I encourage you to view.                   Fogerty had a unique status in the Bay Area at the time, and everyone was reminded of that when word was unofficially "leaked", I believe through Joel Selvin's Chronicle column, that not only would Garcia and Weir back Fogerty, but that Fogerty would be playing old Creedence songs.            John Fogerty hit the stage in the late afternoon, last up before the Grateful Dead. His band, previously announced, wasJohn Fogerty-lead guitar, vocalsJerry Garcia-guitarBob Weir-guitarRandy Jackson-bassSteve Jordan-drumsJackson and Jordan were well-known and well regarded as session players. Randy Jackson was a working member of Santana's band at the time, among many other gigs. Today, of course, Jackson is best known as a judge for the TV show American Idol, but that was far in his future. Jordan had played the Bay Area recently, on the 1988 tour with Keith Richards, whose album he had co-produced. Fogerty played 11 songs in about 45 minutes. Born On The BayouGreen RiverDown On The CornerRock And Roll GirlCenterfieldProud MaryMidnight SpecialBad Moon RisingFortunate Sonencores with Clarence Clemons-tenor saxophoneSuzie QLong Tall Sally             The question many would most like to have answered about this show is "who rehearsed?" From watching the video, it is clear that John Fogerty had run through the songs with Randy Jackson and Steve Jordan. Now, Creedence songs are delightfully basic, as well as famous worldwide, so pros like Jackson and Jordan hardly needed many takes. On every song, however, Jackson and Jordan both provide a funky bottom and plenty of accent. They knew the tunes, and they knew how to make them swing, so I think they had worked on them with Fogerty.            Jerry Garcia, however, was notorious for never wanting to rehearse. Weir is far less notorious for avoiding rehearsals, though it is also known that he is famously not on time, so it may amount to something similar. Since John Fogerty wasn't particularly close to any members of the Dead, it's clear that Bill Graham was the one who got Garcia and Weir to accompany Fogerty, and in so doing make it "an event," in classic Graham style. Could Graham have persuaded Garcia to rehearse? The alternative is strange, namely playing a show in front of 40,000 people with at least two band members completely flying blind.            On the day of the show the story is that Garcia and Weir had a dressing room run-through with Fogerty and the rhythm section, agreeing on the tempos and the intros. Sandy Rothman has described how the Jerry Garcia Acoustic Band did not really practice songs, they just agreed on an intro and tempo and sang a chorus together. Granted, Rothman, Garcia and David Nelson had played all those songs before, but it was usually twenty years earlier. Still, one chorus run through was sufficient. So I think Fogerty talked Garcia and Weir through the planned songs, but they had never really played together until they got on stage.            Creedence songs have a nice groove, but they aren't jamming platforms, so of course Garcia just plunks away through the entire show, maybe not his most memorable performance.  On one hand, Jerry Garcia's health in 1989 was as good as it had been in at least a decade, nor it would ever be that good again. Yet the stunning success of "Touch Of Grey," gratifying as it must have been, insured that the bubble of Garcia's life meant that he was more insulated than ever. Garcia wasn't just a legend to Deadheads, he was in the pantheon now, the biggest rock star in the Bay Area, in a beautiful cage with no escape.When Fogerty kicks off the familiar, booming riff of "Born On The Bayou," Garcia is tucked back on stage left, next to Steve Jordan's drums. Randy Jackson is on the other side of Jordan, and Weir is right next to Jackson. Although Garcia plays a very simple figure behind Fogerty for "Bayou," his eyes are on Jordan, and Jerry has a big, happy grin on his face. I'm not imagining this--Garcia has a big grin on his face throughout the entire set, and he mugs happily with Jordan as the drummer plays fills and accents through the set. Weir seems to be having the same kind of fun with Randy Jackson over on stage right. Fogerty is the star, front and center, but the band is getting their own groove on behind him. SHOW No. 1:                    Down On The Corner (and Band introductions)                                                John Fogerty (w. Jerry and Bobby)                                                JERRY GARCIA JOHN FOGERTY CLARENCE CLEMMONS AND BOB WEIR 5-27-1989 AIDS BENEFIT OAKLAND CA (youtube.com)                                                10:49 – 12:42                 "Down on the Corner" is a song by the American band Creedence Clearwater Revival. It appeared on their fourth studio album, Willy and the Poor Boys (1969). The song peaked at No. 3 on the Billboard Hot 100 on 20 December 1969. The flip side, "Fortunate Son", reached No. 14 on the United States charts on 22 November 1969, the week before Billboard changed its methodology on double-sided hits.           The Fogerty set isn't a big deal to Deadheads, but it's hard to get around the fact that Garcia is having a great time. Whether Fogerty was "bigger" than Garcia is beside the point. Fogerty is a genuine star, with genuine hits, so he is the center of attention while he is on stage. For any singer less important than Fogerty--as in, just about all of them--Garcia could not hang back, but he can do so here. For 45 minutes, it's like Garcia is at the Keystone Berkeley or something, hanging out with his peers, playing the guitar parts that are dictated by the music, simple though they may be. When they got to "Down On The Corner," Jerry is practically jumping up and down. In a small but fascinating moment, he steps up to the mic to sing the backing vocals. Now granted, the whole English speaking world knows that it goes "Down on the corner/Out in the street/Willie and The Poor Boys are playing/Bring a nickel, tap your feet," but Jerry actually steps up to sing. Over the years, Deadheads have seen and heard Garcia make lots of guest appearances with various artists. Yet how often did he sing the chorus of other people's hit songs? After "Down On The Corner," Fogerty introduces the band, and Garcia's back is turned when it is his turn, as he's tuning up. Fogerty says "wake him up!' and Garcia turns around. "On guitar, Jerry Garcia!" Garcia grins and goes back to tuning, and Fogerty says "Genius at work." This is just musicians goofing around, albeit goofing around on stage in front of 40,000 people, but Garcia gets to be just another dude on stage, perhaps for one of the last times. A few months later (August 2, 1989), he would share the stage with Carlos Santana and Ruben Blades but that was for a TV special where he was a featured guest. At the Oakland Coliseum, he's just a hired gun playing a bunch of top 40 songs.             As Deadheads, we always wanted certain things from Jerry. When Garcia didn't give us what we want, we grumbled, and thanks to the magic of tape and digital recording, we can collectively complain about it for decades. Good times! But we have to keep in mind that what we wanted wasn't always what Jerry wanted. For a Memorial Day Saturday, Garcia wanted to be in a band, playing songs the way they were written, singing his parts when they came around, grooving with the drummer and letting the front man do the heavy lifting. Did it ever come around again that Jerry got to play simple, popular songs with a front man with enough gravitational pull so that it wasn't All About Jerry? In that sense, Garcia's role as John Fogerty's backing musician is a last look backwards for Garcia, a time when he could just be in the band, if only for 45 minutes.             Or, as I like to think of it, the Fogerty set was a big pre-show jam session for Bobby and Jerry who soon came back out with the Dead for their standard 3+ hour performance.  However you look it at it, the Fogerty set was a fun throwback for Deadheads and a chance to see Jerry and Bobby play with another legend.  MUSIC NEWS: Neil Young show in Chicago canceled 90 minutes before show time  May 23, 2024 at Northerly Island in Chicago.Going to see Dead & Co. this Saturday, June 1, at the Sphere with a bunch of good friends including good buddy Marc from St. Louis.  I hope to be able to have a report on the show for next week's episode but with travel the next day, it may be hard to get the story ready in time.  If so, there will be a big report in two weeks.  Very excited to see the boys, the Sphere and all my good buddies.The Music Plays the Band – new Dead cover album  SHOW No. 2:                    Iko Iko w/Clarence Clemmons                                                Track #5                                                5:09 – 6:11                 The classic Dead cover of the Dixie Cups tune joined by the Big Man wailing on the sax.  Clarence had played a few tunes during Fogerty's set and joined the boys for this tune and a few others during the show.  In '89 the Boss was as big as ever and Clarence was a big part of that success.  But he enjoyed playing in the improv style embraced by the Dead.                 Clarence first played with the Dead at their New Year's run on December 27 and December 31, 1988 in Oakland and soon after this how, on June 21, 1989 at Shoreline Amphitheater.  He also played a number of times with JGB.  And it turns out that one of Clarence's final live performance was playing a show with Phil and Friends a few years back.               When the E Street Band went on hiatus at the end of the Eighties, Clemons, who by then had moved to the Bay Area, went in search of work and new musical experiences. In 1989, he toured with the first version of Ringo Starr's All Starr Band, cut an album with producer Narada Michael Walden, and — not surprisingly, given his new home base — befriended members of the Dead.Starting in early 1989, Clemons sat in with both the Dead and the Jerry Garcia Band (JGB) at several shows. With the Dead, he joined in on songs like “Estimated Prophet” and “Eyes of the World” and partook of the overall Dead vibe. “Clarence was an old pal, a soulful bro,” Bob Weir told RS in 2011, right after Clemons' death from complications of a stroke. “He was a good hang. Back in the late Eighties and early Nineties, he was living out here in Marin County. He was in moving-on mode, and he, Jerry, and I mixed it up a bit. We were dropping by clubs like Sweetwater and sitting in with various bands.”The association wasn't just musical. “Jerry and I were both single at that time, and Clarence suggested the three of us move in together and have a bachelor pad,” Weir recalled bemusedly. “Jerry and I almost went for it. It would've been a lot of fun, but I don't think anyone would have survived. Jerry was in good shape, but we were doing a little drinking.”  SHOW No. 3:                    Stuck Inside of Mobile w.the Memphis Blues Again w/Clarence                                                Track #6                                                2:26 – 3:51 "Stuck Inside of Mobile with the Memphis Blues Again" (also listed as "Memphis Blues Again") is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. It has nine verses, each featuring a distinct set of characters and circumstances. All 20 takes of "Stuck Inside of Mobile with the Memphis Blues Again" were recorded in the early hours of February 17, 1966, at Columbia Records's A Studio in Nashville, Tennessee, with the last take selected for the album. This version also appears on Dylan's second compilation album, Bob Dylan's Greatest Hits Vol. II (1971). Dylan played the song live in concert 748 times from 1976 to 2010. A live version recorded in May 1976 was included on the live album from that tour, Hard Rain (1976), and was also released as a single with "Rita May" as the B-side. The first live performance was at the University of West Florida, Pensacola, on April 28, 1976,[32] during the Rolling Thunder Revue tour. Played 70 times by the Dead.  Part of Bobby's first set rotation of Dylan tunes with Queen Jane Approximately, Desolation Row, Masterpiece and Ballad of a Thin Man.First:  March 17, 1988 at Henry J. Kaiser Convention Center, Oakland, CA, USALast:  April 2, 1995 at The Pyramid Arena, Memphis, TN, USA  MJ NEWS                 SHOW No. 4:                    Blow Away                                                Track #11                                                7:37 – 9:10                 A Brent tune, lyrics by John Barlow (? – seems like a lot of Brent rapping during the song)                When you listen to (and read, thanks to the transcription efforts of careful listeners like Alex Allan of The Grateful Dead Lyric and Song Finder site) to Brent's closing rap / rant from the version of “Blow Away” captured on Dozin' at the Knick, you have to acknowledge that, whether the words were improvised or not, they come from the heart, and have a strong sense of immediacy and urgency. Played 23 timesFirst:    June 20, 1988 at Alpine Valley Music Theatre, East Troy, WI, USALast:    July 16, 1990, Rich Stadium, Orchard Park (Buffalo), NY – it died with Brent   OUTRO:                               Wharf Rat                                                Track #17                                                3:59 – 5:26                 Not the closer this night, or most nights, but it could have been a perfect closer.  Hunter/Garcia masterpiece. Wharf Rats are a group of concert-goers who have chosen to live drug and alcohol-free. They arose out of the environment around the rock group the Grateful Dead and their followers the Deadheads, both of which were rooted in the drugs-embracing counterculture of the 1960s.[1]Their primary purpose is to support other concert goers who choose to live drug-free, like themselves. They announce their presence with yellow balloons, signs, and the Wharf Rats information table. At a set break during Grateful Dead (and related) concerts they hold self help style meetings but are not affiliated specifically with any 12-Step organization and have no requirement for attendance at one of their meetings besides providing some helpful drug free fellowship.[2] Like Deadheads, members of Wharf Rats come from all walks of life.[3] By 1990, the Wharf Rats mailing list had some 3,000 names.[1]The Wharf Rats began during the early 1980s[2] as a group of Deadheads under the name "The Wharf Rat Group of Alcoholics Anonymous". The Wharf Rats originally came from a small group of Narcotics Anonymous members who went to a Grateful Dead concert in Philadelphia and located each other by their Yellow balloons with the NA symbol drawn on in Magic Marker.[4] However due to operational differences they soon split off from Narcotics Anonymous, and are not affiliated with them, AA, or any other twelve-step program (though many of members of the Wharf Rats are members of AA, NA or other 12-step programs). The Wharf Rats see themselves as "a group of friends sharing a common bond, providing support, information and some traction in an otherwise slippery environment." The relationship between the Wharf Rats and more traditional such groups has been studied in the academic journal Deviant Behavior.[1]While the Wharf Rats originated at Grateful Dead concerts, they now have a presence at other concerts as well. Similar groups include The Phellowship for Phish, The Gateway for Widespread Panic, The Jellyfish for The String Cheese Incident, Much Obliged for Umphrey's McGee, Happy Hour Heroes for moe., the Digital Buddhas for The Disco Biscuits, Better Than Before for The Werks, the Hummingbirds for Bassnectar, and the Sunny Bunny Recovery for Ween, Dustie Baggies for Billy Strings and The Hot Tea Party for Goose—all based on the Wharf Rats, which remain the best-known.[2]The name of this group comes from the 1971 Dead song "Wharf Rat" (written by Jerry Garcia and Robert Hunter and appearing on Skull & Roses), which contains the self-told story of August West, a down-and-out dockside wino Played: 399 timesFirst:      February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:      June 25, 1995 at RFK Stadium in D.C. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

This is a special on Deep Purple. They have played a hard-driven rock sound for almost 60 years. The band has endured many lineup changes but have played a consistent powerful sound. These are select studio and live tracks from one f the greatest bands of all time. Please have a look at these special interest sites.If you would, please make a donation of love and hope to St. Jude Children's HospitalMake an impact on the lives of St. Jude kids - St. Jude Children's Research Hospital (stjude.org)Get your Vegan Collagen Gummies from Earth & Elle, available thru Amazon at this link.Amazon.com: Earth & Elle Vegan Collagen Gummies - Non-GMO Biotin Gummies, Vitamin A, E, C - Plant Based Collagen Supplements for Healthier Hair, Skin, Nails - 60 Chews of Orange Flavored Gummies, Made in USA : Health & HouseholdKathy Bushnell Website for Emily Muff bandHome | Kathy Bushnell | Em & MooListen to previous shows at the main webpage at:https://www.buzzsprout.com/1329053Pamela Des Barres Home page for books, autographs, clothing and online writing classes.Pamela Des Barres | The Official Website of the Legendary Groupie and Author (pameladesbarresofficial.com)Listen to more music by Laurie Larson at:Home | Shashké Music and Art (laurielarson.net)View the most amazing paintings by Marijke Koger-Dunham (Formally of the 1960's artists collective, "The Fool").Psychedelic, Visionary and Fantasy Art by Marijke Koger (marijkekogerart.com)For unique Candles have a look at Stardust Lady's Etsy shopWhere art and armor become one where gods are by TwistedByStardust (etsy.com)For your astrological chart reading, contact Astrologer Tisch Aitken at:https://www.facebook.com/AstrologerTisch/For booking Children's parties and character parties in the Los Angeles area contact Kalinda Gray at:https://www.facebook.com/wishingwellparties/I'm listed in Feedspot's "Top 10 Psychedelic Podcasts You Must Follow". https://blog.feedspot.com/psychedelic_podcasts/Please feel free to donate or Tip Jar the show at sonictyme@yahoo.com

Graham Bonnet talks about his career, Rainbow, Ritchie Blackmore, Michael Schenker, The Graham Bonnet Band and his latest plans in this very funny interview ! Thank you for all your support Phil Aston | Now Spinning Magazine

On the 58th Episode of Dorm Damage With Tom & Zeus, the guys welcome one of the greatest voices in hard rock music, Joe Lynn Turner. Joe Lynn Turner is the former lead singer of Rainbow, Yngwie Malmsteen, Deep Purple and more. He also has a successful solo career and worked in bands like, Sunstorm, Hughes Turner Project, Mother's Army and more. Joe Lynn Turner is known for his beautiful melodic voice and JLT always makes every album better. The guys talk about Rainbow, Ritchie Blackmore, Yngwie Malmsteen, and his amazing career. JLT shares incredible stories and laughs. A fun all encompassing conversation with one of Tom & Zeus' favorite singers. For all things Shout It Out Loudcast check out our amazing website by clicking below:   www.ShoutItOutLoudcast.com   Interested in more Shout It Out Loudcast content? Care to help us out? Come join us on Patreon by clicking below:   SIOL Patreon   Get all your Shout It Out Loudcast Merchandise by clicking below:   Shout It Out Loudcast Merchandise at AMAZON   Shop At Our Amazon Store by clicking below: Shout It Out Loudcast Amazon Store   Please Email us comments or suggestions by clicking below: ShoutItOutLoudcast@Gmail.com   Please subscribe to us and give us a 5 Star (Child) review on the following places below: iTunes Podchaser Stitcher iHeart Radio Spotify   Please follow us and like our social media pages clicking below: Twitter Facebook Page Facebook Group Page Shout It Out Loudcasters Instagram YouTube   Proud Member of the Pantheon Podcast click below to see the website: Pantheon Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of VRP Rocks, guitarist Tino Troy, co-founder of seminal rock band Praying Mantis, takes us on an incredible journey through the band's 50 year history. From their humble beginnings in the '70s to becoming part of the New Wave of British Heavy Metal movement, Tino shares captivating stories about their iconic releases, including "Time Tells No Lies" featuring the anthem "Children of the Earth" through to their latest album Defiance which was released on April 19th. Discover the rich legacy of Praying Mantis, including their encounters with bands like Iron Maiden and the bittersweet tale of a hit song that fell into the hands of Ritchie Blackmore, their success in Japan and the issues with management which stopped the rapid rise. Join us for an inside look at the band's incredible evolution and ongoing impact on the rock music scene. Learn more about your ad choices. Visit megaphone.fm/adchoices

The influential British shredder talks about how he formed his playing style and demonstrates how to rip one of his most iconic leads. To hear Phil Collen tell it, he joined Def Leppard almost by accident. He had loaned the band one of his amps, and when they asked him to play some leads on their upcoming record Pyromania, Collen thought he was just doing his friends a solid. The rest is history. He and Shifty talk through Collen's formative years on guitar, where he soaked up the scorching playing of classic guitar heroes: Jimmy Page, Ritchie Blackmore, Mick Ronson, Michael Schenker, and John Petrucci all played a hand in Collen's high-flying fretwork. How did Collen fit into the '80s arms race of speedy guitar playing? His participation might have had something to do with Thin Lizzy's Gary Moore. Collen's solo on “Photograph” is a perfect example of the sort of “ear candy” that producer Mutt Lange encouraged the band to chase in the studio—and yes, he did record individual notes to build a single guitar chord on Pyromania. But there weren't many tricks to Collen's sound on the solo. His Ibanez Destroyer and a 50-watt Marshall were all he needed to get the job done for the slick, Johnny Thunders-inspired solo. Tune in to see how he worked that two-piece setup to record one of the most influential guitar solos of the '80s. Click below to subscribe to the podcast! Full Video Episodes: http://volume.com/shifty  Apple: https://podcasts.apple.com/podcast/id1690423642 Spotify: https://open.spotify.com/show/4B8BSR0l78qwUKJ5gOGIWb iHeart: https://www.iheart.com/podcast/269-shred-with-shifty-116270551/ Pandora: https://www.pandora.com/podcast/shred-with-shifty/PC:1001071314 Follow Chris Shiflett: Facebook: https://www.facebook.com/chrisshiflettmusic Instagram: https://www.instagram.com/shifty71 TikTok: https://www.tiktok.com/@chris.shiflett Twitter: https://twitter.com/chrisshiflett71 Website: http://www.chrisshiflettmusic.com Spotify: https://open.spotify.com/artist/5tv5SsSRqR7uLtpKZgcRrg?si=26kWS1v2RYaE4sS7KnHpag Producer: Jason Shadrick Executive Producers: Brady Sadler and Jake Brennan for Double Elvis Engineering support by Matt Tahaney and Matt Beaudoin Video Editors: Dan Destefano and Addison Sauvan Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.

On the 58th Episode of Dorm Damage With Tom & Zeus, the guys welcome one of the greatest voices in hard rock music, Joe Lynn Turner. Joe Lynn Turner is the former lead singer of Rainbow, Yngwie Malmsteen, Deep Purple and more. He also has a successful solo career and worked in bands like, Sunstorm, Hughes Turner Project, Mother's Army and more. Joe Lynn Turner is known for his beautiful melodic voice and JLT always makes every album better. The guys talk about Rainbow, Ritchie Blackmore, Yngwie Malmsteen, and his amazing career. JLT shares incredible stories and laughs. A fun all encompassing conversation with one of Tom & Zeus' favorite singers. For all things Shout It Out Loudcast check out our amazing website by clicking below:   www.ShoutItOutLoudcast.com   Interested in more Shout It Out Loudcast content? Care to help us out? Come join us on Patreon by clicking below:   SIOL Patreon   Get all your Shout It Out Loudcast Merchandise by clicking below:   Shout It Out Loudcast Merchandise at AMAZON   Shop At Our Amazon Store by clicking below: Shout It Out Loudcast Amazon Store   Please Email us comments or suggestions by clicking below: ShoutItOutLoudcast@Gmail.com   Please subscribe to us and give us a 5 Star (Child) review on the following places below: iTunes Podchaser Stitcher iHeart Radio Spotify   Please follow us and like our social media pages clicking below: Twitter Facebook Page Facebook Group Page Shout It Out Loudcasters Instagram YouTube   Proud Member of the Pantheon Podcast click below to see the website: Pantheon Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Tom & Zeus welcome from SiriusXM, the host of Ozzy's Boneyard & Hair Nation, the lead singer and guitarist of The Dictators & Frankenstein 3000 and a huge KISS fan, the one and only Keith Roth! If you listen to SiriusXM then Keith Roth is a legend. He has been rock show host, musician and producer for years. He has interviewed some of the greatest rock stars ever, including KISS. The guys discuss Keith's KISStory and share some incredible stories, including an unforgettable one about Ritchie Blackmore and Ace Frehley. They also discuss several other bands and the rock scene. A fun and incredible discussion that can't be missed even if we try to hide it behind a "shower curtain." For all things Shout It Out Loudcast check out our amazing website by clicking below:   www.ShoutItOutLoudcast.com   Interested in more Shout It Out Loudcast content? Care to help us out? Come join us on Patreon by clicking below:   SIOL Patreon   Get all your Shout It Out Loudcast Merchandise by clicking below:   Shout It Out Loudcast Merchandise at AMAZON   Shop At Our Amazon Store by clicking below: Shout It Out Loudcast Amazon Store   Please Email us comments or suggestions by clicking below: ShoutItOutLoudcast@Gmail.com   Please subscribe to us and give us a 5 Star (Child) review on the following places below: iTunes Podchaser Stitcher iHeart Radio Spotify   Please follow us and like our social media pages clicking below: Twitter Facebook Page Facebook Group Page Shout It Out Loudcasters Instagram YouTube   Proud Member of the Pantheon Podcast click below to see the website: Pantheon Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices

Here on First Concert Memories, the monthly sidecast from your friends at The Ugly American Werewolf in London Rock Podcast, we endeavor to bring you stories from guests about the first time they saw a particular band and how that impacted their life. For FCM 9, we're joined by dear friend of the show Amanda Lehmann as she relates going to see Rainbow in 1980 as she was still a wee lass. Amanda has grown up to be an extraordinary singer and guitar player and you have to know that seeing a legend like Ritchie Blackmore when she was just 12 had a profound effect on her musical journey and career. We've hosted her on the show before (Eps 61 & 70) and seen her play live with Steve Hackett in the UK and so enjoyed hearing her tell the tale of this important night in her young life. Not only do we dive into the live performance by a star-studded band (Ritchie on guitar, Roger Glover on bass, Cozey Powell on drums, Don Airey on keys, Graham Bonnet on vocals) but we talk about her journey on the train, through town and up to the front of the stage to see her heroes in action. Hear Amanda talk about seeing Graham Bonnet with short hair, a Hawaiian shirt and shades and about returning to that same venue to play with Steve Hackett on his recent live release decades later. It's a full circle journey with Amanda Lehmann, one that we think you'll enjoy as much as we did. Check out Amanda's upcoming shows and activity at www.amandalehmann.co.uk Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10%!! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Tom & Zeus welcome from SiriusXM, the host of Ozzy's Boneyard & Hair Nation, the lead singer and guitarist of The Dictators & Frankenstein 3000 and a huge KISS fan, the one and only Keith Roth! If you listen to SiriusXM then Keith Roth is a legend. He has been rock show host, musician and producer for years. He has interviewed some of the greatest rock stars ever, including KISS. The guys discuss Keith's KISStory and share some incredible stories, including an unforgettable one about Ritchie Blackmore and Ace Frehley. They also discuss several other bands and the rock scene. A fun and incredible discussion that can't be missed even if we try to hide it behind a "shower curtain." For all things Shout It Out Loudcast check out our amazing website by clicking below:   www.ShoutItOutLoudcast.com   Interested in more Shout It Out Loudcast content? Care to help us out? Come join us on Patreon by clicking below:   SIOL Patreon   Get all your Shout It Out Loudcast Merchandise by clicking below:   Shout It Out Loudcast Merchandise at AMAZON   Shop At Our Amazon Store by clicking below: Shout It Out Loudcast Amazon Store   Please Email us comments or suggestions by clicking below: ShoutItOutLoudcast@Gmail.com   Please subscribe to us and give us a 5 Star (Child) review on the following places below: iTunes Podchaser Stitcher iHeart Radio Spotify   Please follow us and like our social media pages clicking below: Twitter Facebook Page Facebook Group Page Shout It Out Loudcasters Instagram YouTube   Proud Member of the Pantheon Podcast click below to see the website: Pantheon Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices

In a special bonus episode of VRP Rocks, iconic rock vocalist, Joe Lynn Turner, answers your questions! We delve into his time with Yngwie and Deep Purple, we hear stories of being thrown out of a bar with Johnny Rotten, how he first met Ritchie Blackmore, why he felt it was the right time to reveal his alopecia and how becoming a father again has changed him. He also talks about future plans with perhaps a surprising twist ahead! Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode is the World Premiere of Robert's new single, “The Rich Ones”, with guest artist Randy Brecker, world renowned trumpeter and original member of Blood Sweat & Tears. “The Rich Ones” is a Crossover instrumental - a return to my musical roots. Randy plays a wonderful flugelhorn solo and adds some lovely touches at the end.The track was produced by Tony Carey, singer-songwriter and keyboard genius, formerly with Ritchie Blackmore's Rainbow and producer for Joe Cocker and Eric Burdon.“The Rich Ones” is available for streaming on all the streaming platforms. Click Here For All Links---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“MILES BEHIND”, Robert's first album, was recorded in 1994 but was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com