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7 episodes with london records
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3 episodes with london records
2 episodes with london records
2 episodes with london records
2 episodes with london records
2 episodes with london records
2 episodes with london records
Jimi Hendrix is widely regarded as the best guitarist of all time, not least by our very own Chula. With unparalleled technical mastery, showmanship and innovation, Hendrix seemed to be one with his instrument. Over the course of his upsettingly brief career, he redefined the musical landscape of his time, and cemented himself as a cultural legend of the late 60's and early 70's.Yet behind the myth was a shy young man, whose early years were difficult, unsettled, and marked with emotional and physical neglect. He found music as an escape from his chaotic upbringing; but struggled with the immense fame and fortune that came along with it. In the final episode of the season, Chula goes beyond the myth of Jimi Hendrix and explores the public triumphs and private pains of his ultimate guitar hero. Drawing on his work as a psychotherapist, he discusses how Hendrix's unstable childhood, particularly as a child of alcoholic (ACA), might have contributed to his ability to experience and cope with fame and success in adulthood.This week's ‘ One For The Road' is ‘Electric Ladyland' - the third and final studio album by the Jimi Hendrix Experience - which Chula believes “everyone should listen to once before they die”. Treat yourself to a physical copy or stream it on your favourite platform.Content Warnings: childhood neglect, poverty, alcohol addiction, early loss of a parent, drug use, overdoseIf you or someone you know has been affected by the themes in this episode, there are some useful organisations on Attune's website that can be of help: www.we-are-attune.com/podcast Attune, as a dedicated provider of mental health and well-being services, is committed to delivering holistic support and resources. With its team of skilled professionals, Attune excels in recognising and responding to the intricate needs of people and teams in talent-based industries.You can learn more about Attune through our website: https://www.we-are-attune.com/Follow Attune on Instagram: https://www.instagram.com/we_are_attune/#Youtube: https://www.youtube.com/@weareattune and LinkedIn: https://www.linkedin.com/company/we-are-attune/ Empathy For The Devil is produced by Message HeardListen to more Message Heard shows through our website: https://messageheard.com/Follow Message Heard on LinkedIn: https://www.linkedin.com/company/messageheard/mycompany/ and Twitter: https://x.com/messageheard?lang=en-GB This is a Message Heard ProductionProducer and Editor - Emma WernerSenior Producer - Harry StottExecutive Producer - Sandra FerrariVideographer - Ethan JuddAudio Engineer - Lizzie AndrewsProduction Coordinator - Kirsty McLeanFilmed at ID Studios___Empathy For The Devil Season 2 is brought to you in partnership with London Records.
Today, the name “Sid Vicious” is practically synonymous with punk, nihilism and self-destruction. But before Sid, there was a young boy named Simon John Ritchie whose peripatetic childhood was marked by neglect, instability and drugs. As bassist of the Sex Pistols, Sid's rise to fame was driven not by musical talent but by his anarchic persona and darkly violent streak - “a living circus” as his fellow band member once described him. He was celebrated for his worst and pushed into the spotlight with little to no duty of care, eventually dying of an overdose at only 21 years old.In this episode, Matt takes us on the complex and shockingly short journey of Sid Vicious - or rather, Simon John Ritchie. Drawing on his experience as a mental health professional, Matt offers a more compassionate perspective on the infamous punk icon, revealing a sad but all too familiar tale of exploitation and spectacle at the expense of vulnerable individuals.Today's ‘One For The Road' is the Youtuber Mary Spender. First and foremost a brilliant musician, she also publishes fascinating video essays on her experience of the music industry. Do check out her channel - https://www.youtube.com/maryspender Content Warnings: drug addiction, overdose, childhood neglect, childhood abandonment, animal cruelty, self-harm, death by stabbingIf you or someone you know has been affected by the themes in this episode, there are some useful organisations on Attune's website that can be of help: www.we-are-attune.com/podcast Attune, as a dedicated provider of mental health and well-being services, is committed to delivering holistic support and resources. With its team of skilled professionals, Attune excels in recognising and responding to the intricate needs of people and teams in talent-based industries.You can learn more about Attune through our website: https://www.we-are-attune.com/Follow Attune on Instagram: https://www.instagram.com/we_are_attune/#Youtube: https://www.youtube.com/@weareattune and LinkedIn: https://www.linkedin.com/company/we-are-attune/ Empathy For The Devil is produced by Message HeardListen to more Message Heard shows through our website: https://messageheard.com/Follow Message Heard on LinkedIn: https://www.linkedin.com/company/messageheard/mycompany/ and Twitter: https://x.com/messageheard?lang=en-GB This is a Message Heard ProductionProducer and Editor - Emma WernerSenior Producer - Harry StottExecutive Producer - Sandra FerrariVideographer - Ethan JuddSound and Mix Engineer - Lizzie AndrewsProduction Coordinator - Kirsty McLeanFilmed at ID Studios___Empathy For The Devil Season 2 is brought to you in partnership with London Records. Check out their podcast ‘Hit That Perfect Beat - The London Records Story', a deep dive into the legendary label behind some of the most iconic hits of the last 50 years, featuring illuminating interviews with artists such as Bananarama, Allsaints and many more.
Few artists embody the term “iconoclast” more than Sinead O'Connor. A voice of rebellion, she spoke truth to power and stood for what she believed in, regardless of personal and professional cost.As a survivor of unspeakable trauma herself, Sinead denounced child abuse in the catholic church on live television years before the world was ready to hear it. And though this infamous act saw her blacklisted from TV networks and venues, she maintained that it put her career “back on the right track”. She was, and always would be, a protest singer - never a pop star.A new Sinead-devotee, Sam returns to tell us the story of the fearless feminist icon with compassion and admiration. Together with Matt and Chula, she reflects on how the media portrayal of Sinead O'Connor had insidiously fed her own pre-conceptions and unconscious biases.This week's ‘One For The Road' is the seminal feminist book ‘Women Who Run With The Wolves: Contacting the Power of the Wild Woman' by Clarissa Pinkola Estes. Find it here:https://www.waterstones.com/book/women-who-run-with-the-wolves/clarissa-pinkola-est-s/9781846046940 Content Warnings: physical, emotional and sexual child abuse, childhood neglect, early loss of a parent, mental health, depression, suicide, child loss.IMPORTANT: Alcohol withdrawal happens once an individual is physically dependent/chemically addicted and can be fatal and should only be attempted with medical guidance/assistance. The most serious form of withdrawal is called delirium tremens, or DTs. People with severe withdrawal symptoms or DTs should always have a drink if they need it while professional help is sought. If in doubt, call 999.If you or someone you know has been affected by the themes in this episode, there are some useful organisations on Attune's website that can be of help: www.we-are-attune.com/podcast Attune, as a dedicated provider of mental health and well-being services, is committed to delivering holistic support and resources. With its team of skilled professionals, Attune excels in recognising and responding to the intricate needs of people and teams in talent-based industries.You can learn more about Attune through our website: https://www.we-are-attune.com/Follow Attune on Instagram: https://www.instagram.com/we_are_attune/#Youtube: https://www.youtube.com/@weareattune and LinkedIn: https://www.linkedin.com/company/we-are-attune/ Empathy For The Devil is produced by Message HeardListen to more Message Heard shows through our website: https://messageheard.com/Follow Message Heard on LinkedIn: https://www.linkedin.com/company/messageheard/mycompany/ and Twitter: https://x.com/messageheard?lang=en-GB This is a Message Heard ProductionProducer and Editor - Emma WernerSenior Producer - Harry StottExecutive Producer - Sandra FerrariVideographer - Ethan JuddMix Engineer - Lizzie AndrewsProduction Coordinator - Kirsty McLeanFilmed at ID Studios___Empathy For The Devil Season 2 is brought to you in partnership with London Records.
Prince was perhaps one of the most accomplished, innovative and prolific artists of the last century. Through his seemingly limitless talent and electrifying performances, he transcended every genre and pushed every norm. With a catalogue of 40 studio albums, multiple film scores, not to mention a wealth of unreleased material, Prince's musical legacy is staggering. But his story is also one of inescapable contradictions. Offstage, he was softly-spoken and private - a stark contrast to the flamboyant, over-the-top artist audiences witnessed on stage. Though known for his unabashed sexuality and explicit lyrics, he espoused strict religious beliefs and even enforced a swear jar to discourage profanities around him. And despite his lifelong public shunning of any drugs or alcohol, Prince tragically passed away from an accidental fentanyl overdose in 2016 - leaving the world in disbelief.Sam Parker - CEO and Co-Founder of Attune - returns for the first time this season to tell the story of Prince Rogers Nelson, a complex genius on a relentless search for perfection. With an empathetic approach shaped by her experience as a mental health practitioner, coach and former artist manager, she explores the man behind the purple icon - and the forces that may have contributed to his shocking and devastating death.This week's ‘One for the Road' as chosen by Sam comes from The Artist himself. ‘The Beautiful Ones' is Prince's sadly unfinished autobiography - an intimate and illuminating memoir full of previously unseen photos and handwritten notes. You can find it here: https://www.londonreviewbookshop.co.uk/stock/the-beautiful-ones-prince Content Warnings: baby loss, miscarriage, substance use, addiction, overdoseIMPORTANT: Alcohol withdrawal happens once an individual is physically dependent/chemically addicted and can be fatal and should only be attempted with medical guidance/assistance. The most serious form of withdrawal is called delirium tremens, or DTs. People with severe withdrawal symptoms or DTs should always have a drink if they need it while professional help is sought. If in doubt, call 999.If you or someone you know has been affected by the themes in this episode, there are some useful organisations on Attune's website that can be of help: www.we-are-attune.com/podcast Attune, as a dedicated provider of mental health and well-being services, is committed to delivering holistic support and resources. With its team of skilled professionals, Attune excels in recognising and responding to the intricate needs of people and teams in talent-based industries.You can learn more about Attune through our website: https://www.we-are-attune.com/Follow Attune on Instagram: https://www.instagram.com/we_are_attune/#Youtube: https://www.youtube.com/@weareattune and LinkedIn: https://www.linkedin.com/company/we-are-attune/ Empathy For The Devil is produced by Message HeardListen to more Message Heard shows through our website: https://messageheard.com/Follow Message Heard on LinkedIn: https://www.linkedin.com/company/messageheard/mycompany/ and Twitter: https://x.com/messageheard?lang=en-GB This is a Message Heard Production.Producer and Editor - Emma WernerSenior Producer - Harry StottExecutive Producer - Sandra FerrariVideographer - Ethan JuddAudio and Mix Engineer - Lizzie AndrewsProduction Coordinator - Kirsty McLeanFilmed at ID Studios___________Empathy For The Devil Season 2 is brought to you in partnership with London Records. Website: londonrecords.co.uk
We are kicking off Empathy For The Devil Season 2 with perhaps our most requested artist - Amy Winehouse. A once-in-a-generation talent, Amy burst onto the scene in the mid-2000's with an inimitable soulful voice and deeply emotive lyrics. She shone brightly then flamed out right in front of our eyes, receiving an appalling lack of empathy as she became consumed by her addictions. Her story is a tragic tale of a would-be jazz club singer who found herself thrust into the machine industry, coming of age under the weight of fame and in the unforgiving public eye. Matt Thomas - Creative Lead and Co-Founder of Attune - guides us through the first episode of the season, and examines the harsh criticism and cruel mockery (often laced with thinly veiled misogyny) which Amy endured right when she needed help the most. Taking a kind and compassionate approach, he unpacks the modern tragedy of a unique talent taken far too soon, remembering just how fortunate we were to hear that extraordinary voice.This week's ‘One For The Road' is the podcast ‘A History of Rock Music in 500 Songs', written and presented by Andrew Hickey. It's a brilliantly researched, eye-opening look at the history of rock from the swing era to the end of the millennium. Find it on Spotify or wherever you get your podcasts.Content Warnings: substance use, addiction, alcoholism, alcohol poisoning, depression, eating disorders, bulimia.IMPORTANT: Alcohol withdrawal happens once an individual is physically dependent/chemically addicted and can be fatal and should only be attempted with medical guidance/assistance. The most serious form of withdrawal is called delirium tremens, or DTs. People with severe withdrawal symptoms or DTs should always have a drink if they need it while professional help is sought. If in doubt, call 999.If you or someone you know has been affected by the themes in this episode, there are some useful organisations on Attune's website that can be of help: www.we-are-attune.com/podcast Attune, as a dedicated provider of mental health and well-being services, is committed to delivering holistic support and resources. With its team of skilled professionals, Attune excels in recognising and responding to the intricate needs of people and teams in talent-based industries.You can learn more about Attune through our website: https://www.we-are-attune.com/Follow Attune on Instagram: https://www.instagram.com/we_are_attune/#Youtube: https://www.youtube.com/@weareattune and LinkedIn: https://www.linkedin.com/company/we-are-attune/ Empathy For The Devil is produced by Message HeardListen to more Message Heard shows through our website: https://messageheard.com/Follow Message Heard on LinkedIn: https://www.linkedin.com/company/messageheard/mycompany/ and Twitter: https://x.com/messageheard?lang=en-GB This is a Message Heard Production.Producer and Editor - Emma WernerSenior Producer - Harry StottExecutive Producer - Sandra FerrariVideographer - Ethan JuddAudio and Mix Engineer - Lizzie AndrewsProduction Coordinator - Kirsty McLeanFilmed at ID Studios__________________Empathy For The Devil Season 2 is brought to you in partnership with London Records. Website: londonrecords.co.uk
Empathy For The Devil is back for a new season, bringing you the stories of six iconic musicians who left us too soon and faced unforgiving judgement, blame and even derision both during their career and long after their passing.As three music industry veterans turned mental health professionals, Sam, Matt and Chula unpack these tragic tales with empathy and understanding, drawing on their unique professional and lived experiences. While this podcast may be about artists who have been and gone, their challenges remain all too current, still affecting individuals in the industry today.So join our three hosts once again as we delve into the turbulent lives of Amy Winehouse, Sid Vicious and many more, as they discuss not only what happened, but why it happened - and how things might have been different with more considered support, empathy and care.Attune, as a dedicated provider of mental health and well-being services, is committed to delivering holistic support and resources. With its team of skilled professionals, Attune excels in recognising and responding to the intricate needs of people and teams in talent-based industries.You can learn more about Attune through our website: https://www.we-are-attune.com/Follow Attune on Instagram: https://www.instagram.com/we_are_attune/#Youtube: https://www.youtube.com/ @weareattune and LinkedIn: https://www.linkedin.com/company/we-are-attune/ Empathy For The Devil is produced by Message Heard.Listen to more Message Heard shows through our website: https://messageheard.com/Follow Message Heard on LinkedIn: https://www.linkedin.com/company/messageheard/mycompany/ Twitter: https://x.com/messageheard?lang=en-GB ____________Empathy For The Devil Season 2 is brought to you in partnership with London Records. Check out their podcast ‘Hit That Perfect Beat - The London Records Story', a deep dive into the legendary label behind some of the most iconic hits of the last 50 years, featuring illuminating interviews with artists such as Bananarama, Allsaints and many more.
Experience the electrifying energy of the Stress Factor Drum and Bass Podcast episode number 321, where the legendary DJ Tribo returns to the decks with a brand-new studio mix that promises to elevate your auditory senses. This meticulously crafted mix spans an exhilarating 1 hour and 45 minutes, showcasing over 30 fresh tracks that embody the essence of Drum and Bass, all while celebrating an incredible 15 years of musical journey. Each beat pulsates with life, expertly woven together by Neil, who has curated a selection that not only honors the past but also propels listeners into the vibrant future of the genre. Whether you're a long-time supporter or a newcomer to the scene, this episode is a heartfelt tribute to the community that has fueled this passion for over a decade and a half. So turn up the volume, immerse yourself in the rhythm, and join us in raising a toast to another 15 years of unforgettable sounds and experiences! Hello, and welcome back to The Stress Factor Podcast! Experience the electrifying energy of the Stress Factor Drum and Bass Podcast Episode #321, when DJ TriBo returns to the decks with a brand-new studio mix. This mix spans an exhilarating 1 hour and 48 minutes, showcasing over 30 fresh tracks of Drum and Bass while celebrating an incredible 15 years of the Stress Factor Podcast. TriBo has curated a selection that not only honors the past but also propels listeners into the vibrant future of the genre. Whether you're a long-time supporter or a newcomer to the scene, this episode is a heartfelt tribute to the community that has fueled this passion for over a decade and a half. So turn up the volume, immerse yourself in the rhythm, and join us in raising a toast to another 15 years of unforgettable sounds and experiences! The episode features tracks and remixes by and the following labels Brothers Kind, Vortex Studios, Ill Truth, Truth Hertz, Deekline, TJA, L-Side, Jungle Cakes, Seba, Spearhead Records, Jubei, Carbon Music, Surreal, Motiv, Fokuz Recordings, Serum, Basslayerz, MC Spyda, Souped Up Records, Submarine, 1985 Music, KRAEK, NickBee, Flexout Audio, Jolliffe, Subten, DrumandBassArena, Revan, DJ Marky, Pola and Bryson, IYAMAH, Shogun Audio, Waeys, Verbz, Nathan Smoker, Hospital Records, Clipz, Sherelle, Hooversound Recordings, Goldie, London Records, Blade, Dispatch Recordings, Wink, Nikko, UKF, Zero T, Metalheadz, Kidsonic, Mustard Music LTD, Lestr, Data Music, DNMO, Confz, Hound, Transparent Audio, ATMOS, Crucast, Workforce, Tamara Blessa, Must Make Music, Mean Teeth, Optiv, CZA, Kursiva, C4C Recordings, Black Sun Empire, State of Mind, Neonlight, Lowqui, Blackout Music NL, Nymfo, TER3NCE, Lian Feldd, Love For Low Frequencies, OH91, Gutterfunk, YOSHUU, KVR, Blocksberg, Kleu, Isaac Maya, Gorilla Warfare, Blean, Oversight, Visionobi, Fokuz Recordings Tracklist 1. Brothers Kind - Warrior Mc's (instramental) [Vortex Studios] 2. Ill Truth - The Real [Truth Hertz] 3. Deekline, TJA, L-Side - Divine (L-Side Remix) [Jungle Cakes] 4. Seba - Air [Spearhead Records] 5. Jubei - Come To Me [Carbon Music] 6. Surreal, Motiv - Take Me Away [Fokuz Recordings] 7. Serum, Basslayerz, MC Spyda - So Cold [Souped Up Records] 8. Submarine - All I Need [1985 Music] 9. KRAEK, NickBee - Bermuda Triangle [Flexout Audio] 10. Jolliffe, Subten - Down For the Reload [DrumandBassArena] 11. Revan - We Learn [Flexout Audio] 12. DJ Marky, Pola and Bryson, IYAMAH - Be There [Shogun Audio] 13. Waeys, Verbz, Nathan Smoker - I Don't Wanna Know [Hospital Records] 14. Clipz, Sherelle - Meet Me At The Temple [Hooversound Recordings] 15. Goldie - What You Won't Do for Love (Instrumental) [London Records] 16. Blade - Machete [Dispatch Recordings] 17. Wink, Nikko - Can't Breathe [UKF] 18. Zero T - All Things Considered [Metalheadz] 19. Kidsonic - Bristol [Mustard Music LTD] 20. Lestr - Link Up [Data Music] 21. DNMO, Confz - Slumber [UKF] 22. Hound - Scorch [Transparent Audio] 23. ATMOS - Unwanted [Crucast] 24. Workforce, Tamara Blessa - Yours For The Taking [Must Make Music] 25. Mean Teeth, Optiv, CZA, Kursiva - Tough Business (Kursiva Remix) [C4C Recordings] 26. Black Sun Empire, State of Mind, Neonlight, Lowqui - Consume The Power [Blackout Music NL] 27. Nymfo, TER3NCE, Lian Feldd - Emotion Control [Love For Low Frequencies] 28. OH91 - Stokes Croft At Night [Gutterfunk] 29. YOSHUU, KVR, Blocksberg - Morbid [Blackout Music NL] 30. Kleu, Isaac Maya - Thats What Im Talkin Bout [Gorilla Warfare] 31. Blean, Oversight, Visionobi - Cordolium [Fokuz Recordings]
I've been wanting to revisit the legacy of the great African American soprano Gloria Davy (born in Brooklyn on 29 March 1931 and died in Genève on 28 November 2012) for some time now. In the first year of the podcast, I devoted one of my very first Black History Month episodes to exploring her career, recordings, and legacy. At that time, however, I had not yet acquired a commercial recording central to her recorded output: a 1957 LP on London Records entitled, simply, Concert Recital, which featured the soprano, accompanied by Giorgio Favaretto, in a varied program of Purcell and Brahms songs, followed by two important twentieth century song cycles, Poulenc's 1939 cycle Fiançailles pour rire, set to poems by his close friend Louise de Vilmorin, and Joaquín Turina's 1918 cycle, Poema en forma de canciones. A few years after posting that episode, I finally got my hands on this ultra-rare recording, which I am thrilled to present here. Recordings of either or both of those song cycles in particular were rare at the time this recording was made, and recordings of the complete Turina cycle remain so. On this record I supplement this record with her first London/Decca release from the year 1956, entitled simply Gloria Davy Spirituals. I have already played these recordings on the podcast, but they are always worth rehearing, especially because the spirituals, many of them quite off-the-beaten-path, are arranged and conducted by African American composer Julia Perry, who has only recently, particularly in the year of her centennial, been gaining the public exposure that she so richly deserves. In between I include additional examples of Gloria Davy in song, including excerpts from an early-career performance of Poulenc's Caligrammes, his final cycle of poems by Guillaume Apollinaire, as well as an obscure but rousingly rendered song by the Italian composer, conductor, pianist, and teacher Vittorio Maria Vanzo. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.
In Episode #176 of The XS Noize Podcast, host Mark Millar speaks to Neil Arthur from Blancmange about the career-spanning compilation Everything is Connected (The Best of Blancmange 1979-2024). Blancmange's story is one of two distinct chapters. In the early ‘80s, they infused the emergent synth-pop scene with oblique lyrics, wry British humour and occasionally tabla-tinged sonics, an unlikely mix which saw them soar into the Top 10 with singles such as Living On The Ceiling, Blind Vision and Don't Tell Me. And since 2011's Blanc Burn album, they've taken that singular style into a new century and somehow become more prolific than ever. Now Blancmange brings all – well, 38 to be precise – of these highlights together with the career-spanning collection Everything Is Connected, released on London Records on 11th May 2024. In this interview, Neil Arthur discusses the career-spanning collection Everything Is Connected, his love for Abba getting stopped by the police on his way to Top of the Pops and lots more. Previous XS Noize Podcast guests have been Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, John Lydon, Nick Heyward, Steven Wilson, Matt Goss, Billy Nomates, Tom Meighan, Toyah Wilcox, Midge Ure, Travis, New Order, The Killers, Tito Jackson, Simple Minds, Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, The Brand New Heavies. Listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here.
The tenth of fifteen children, Leona Mitchell began her musical journey by singing in her father's church choir. She received a scholarship from Oklahoma City University in 1971, earning a bachelor's degree in music.Leona debuted with the San Francisco Spring Opera Theater in 1972, and on December 15th, 1975, she made her Metropolitan Opera debut as Micaela in Bizet's Carmen, the same role she had sung at her San Francisco debut. This marked the beginning of her many performances in opera houses all over the world, including Geneva, Paris, Madrid, and Sydney.Mitchell performed for eighteen consecutive seasons at the Metropolitan.Well-known for her performances in operas by Puccini and Verdi, she also sang Bess with the Cleveland Orchestra in the London Records recording of the George Gershwin classic Porgy and Bess.Mitchell has received numerous awards, including induction into the Oklahoma Music Hall of Fame in 2001 and the Oklahoma Hall of Fame in 2004.In Leona's oral history interview, you will hear her talk about a special teacher in her life, and about singing with Placido Domingo and Luciano Pavarotti on the oral history website and podcast VoicesOfOklahoma.com.
Episode 119 Phonographic Education—a Sound Collage Playlist Because this episode is a collage of recorded sounds, there are no start times for individual selections. Enjoy the collisions, densities, and words combined with music. Start time for collage: 03:55 Some of the musical selections heard in this collage: The London Philharmonic Orchestra – A Sound Spectacular Stereo Space Odyssey (1973 Stereo Gold Award). UK disc. “A Speaker to Speaker Trip in Thrilling Spacial Stereo.” The London Philharmonic Orchestra with Pipe Organ and Electronic Synthesiser Effects. Charles Albertine – McDonnell Douglas Physician Systems Company Presents In Concert Charles Albertine (1985 Concert). Piano, Synthesizer, Composed By, Producer, Charles Albertine. “Postage-paid card ("For information on how Concert systems can help you manage the business aspects of patient care") enclosed.” Various – Rumanian Folk Songs And Dances (1958 Monitor). Song And Dance Ensemble ''The Lark.'' The Original Deutshmeisterband – The Most Beloved Marches From Austria (1978 Summit). Soviet Army Chorus & Band Conducted By Boris Alexandrov – Soviet Army Chorus & Band (1956 Angel). Jack Wilson – The Jazz Organs (1964 Vault). Bass, Leroy Vinnegar; Drums, Philly Joe Jones, Donald Bailey; Guitar, Gene Edwards, John Gray; Organ, Genghis Kyle, Henry Cain, Jack Wilson. Trombones Unlimited – Holiday For Trombones (1967 Libertty). Trombones, Frank Rosolino, Mike Barone. Костадин Варимезов – Bagpipe (1979 Балкантон). Bulgarian Bagpipe with orchestral accompaniment. Lightning – Lightning (1970 P.I.P. Records). Additional String Arrangement ARP Synthesizer, Herb Pilhofer. Enoch Light – 4 Channel Stereo (1971 Project 3 Total Sound). Compilation made specifically for Sylvania as a giveaway with their phonos. Terry Snyder And The All Stars – Persuasive Percussion (1959 Command). Featuring, Artie Marotti, Dick Hyman, Dominic Cortese, Jack Lesberg, Stanley Webb, Teddy Sommer, Tony Mottola, Willie Rodriguez,Terry Snyder. Producer, Enoch Light. Some of the spoken word educational recordings heard in this collage: Parakeet Training Record (1951? Hartz Mountain Products). “Your parakeet can teach itself to talk!” Presented in a carefully tested, scientific manner. Gertrude Behanna – God Isn't Dead! (1964 Word). “This is the story of my life . . . what occurred . . . and what life is now.” Lee B. Steiner – Sounds Of Self-Hypnosis Through Relaxation (1959 Folkways). Voice, Liner Notes – Lee R. Steiner. Subtitled: "a documentary recording with Mrs. Lee B. Steiner, Certified Psychologist.” "The content and timing of this recording have been validated with novices who learned the method in the process of making this recording." Improve Your Eyesight Without Glasses (1977 Wolf). “These techniques must be practiced daily until perfect vision is attained. The daily practice often becomes a tedious chore, thus defeating its goal: relaxation. The tedium is avoided by using this record album which combines contemporary music specially written for relaxation, with a narrative that takes the listener through the daily drills in a pleasant, relaxed way.” Domineau – Détente Avec Domineau (no date, no label). Concept By [Conception], Producer [Réalisation] – Domineau. Relaxation by a levitation expert. Michio Kushi – Spirals of Everlasting Change (1975 Inyo International). Lecture by macrobiotic expert. Jimmy Nelson With Comments By Danny O'Day And Farfel – Jimmy Nelson's "Instant Ventriloquism" And "Ventriloquism For The Beginner" (1964 Juro Celebrity). Professor J. J. Higgins, S.J., M.A., S.T.L. – Study Techniques: Relax & Concentrate (1964 Saint Louis University). Richard Carl Spurney – Bowl-A-Record (1961 Life Records). Relaxation And Successful Bowling Attitudes. Joe Wilman – Joe Wilman Shows You How To Bowl Your Best (1960 Epic). Park Richards – A Double-Barrel Blast (1962 Cook). “Unrehearsed Phone Conversation With Undertaker On Subject Of How Much It Costs To Get (Deceased) Uncle Willie Buried.” Steno Booster: Dictation Speed and Accuracy Training Course (1961 Conversa-Phone). Sample letters to dictate at various speed. Les Journalistes De R.T.L. / Jean-Pierre Farkas – Les Journées De Mai 68 (1968 Philips). Made in France. Recorded adaptation of a print publication highlights major events of the year. Adventures In Negro History Vol. 1 (1963 Highlight Radio Productions). Produced By Pepsi-Cola Co. John Charles Daly – The Space Age: The Age Of Reliability (1962 Raybestos-Manhattan). Is There A Place For Respiratory Stimulants In Anesthesiology? (1965 Excerta Medica Foundation). Professional Seminar: Advanced Investigations In Anesthesiology. Stephen Ettinger, D.V.M. – Canine Heart Sounds (1970? EVSCO Pharmaceutical Corp.) B. Barlow & W. A. Pocock – Auscultation Of The Heart (1966 London Records). Colette Maher – Détente (Le Sommeil Éveillé - Yoga Nidra) (1973 Select). French Canadian release. Russ Farnsworth – Revolutionary New Word Method To Learn Radio Code (1959 Epsilon Records). Russ Farnsworth – Learn Code With The AMECO Code Course (1965? AMECO Publishing Corp.) John P. Sykes – Sleep-Relaxation (1972 Folkways). Maharishi Mahesh Yogi – The Master Speaks (1967 World Pacific Recods). Narrator, Maharishi Mahesh Yogi. Instrument Flight (1960 Jeppesen & Co.) Daniel Akers, Phillip Masline – Listening & Concentration (1978 Automated Learning). Norman Singere – Instant Memory Power (1975 Automated Learning). Arthur Ashe, Learn Tennis (For Beginners & Advanced Players) (1974 Manhattan Recording Company). Vinyl, 12 ." Arthur Ashe teaches you Tennis. Comes with 8-page black/white instructional booklet. John Newcombe, Tennis With John Newcombe (1974 K-Tel). Limited Collectors Edition. Vinyl, 12 ." Narrator, unidentified. 12-Page Tennis tips Booklet Enclosed. Promotional item for Rawlings tennis products. Art by Telephone, complete transcript, Museum Of Contemporary Art Chicago (1969). An exhibition organized by the Museum of Contemporary Art under the sponsorship of the American National Bank and Trust Company of Chicago. November 1 to December 14, 1969. I have excerpted 10 minutes of the artist proposals. I couldn't help but notice that the only contributors to the exhibit were male artists, so I apologize in advance for this slice of chauvinism from the late 1960s. Still, the conversations are interesting. Excerpt from an 1940s recording of the radio horror drama, Lights Out, "The Coffin in Studio B," in which actors rehearsing an episode of Lights Out are interrupted by a mysterious coffin salesman peddling his wares. I have a test pressing of the program. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.
"Grateful Dead's Night Amidst Ann Arbor's Championship Riot: A 1989 Michigan Celebration"Larry Mishkin reflects on his experience in 2024, discussing the success of the Michigan Wolverines in football and their celebration. He reminisces about the Michigan men's basketball team's 1989 championship and the Grateful Dead's subsequent concerts in Ann Arbor. The podcast features excerpts from the Grateful Dead's performances and shares anecdotes, including a story about Jerry Garcia and Bobby Weir getting stuck in an Ann Arbor celebration after a national championship win, highlighting the connection between the Grateful Dead and Michigan celebrations. The episode also pays tribute to a late friend and celebrates the recent success of the University of Michigan..Produced by PodConx Larry's Notes:Ann Arbor timeline for the first week of April, 1989:April 1, 1989 – Hash BashApril 3, 1989 – Michigan beats Seton Hall in Seattle to win NCAA Men's Division I Basketball TournamentApril 5, 1989 – Grateful Dead play in Crisler Arena, home of the champion basketball team (first show in Ann Arbor since 1979)April 6, 1989 – Grateful Dead play in Crisler Arena When Michigan won the football national championship last week by beating Washington in Houston, made me think there is a history here – M wins a Natty and we play/go see live the Grateful Dead. Can't break the chain now. Links:April 5, 1989: Grateful Dead Live at Crisler Arena on 1989-04-05 : Free Borrow & Streaming : Internet Archive For Intro, Show No. 1 and Show No. 2 April 6, 1989: Grateful Dead Live at Crisler Arena on 1989-04-06 : Free Borrow & Streaming : Internet Archive For Show No. 3, Show No. 4 and Outro INTRO: Feel Like A Stranger 4/5/89 Track #1 2:02 – 3:32 Album: Go To Heaven Total: 208 First: March 31, 1980 at Capitol Theatre, Passaic, NJ, USA Last: July 5, 1995, Riverport Amphitheatre, Maryland Heights (St. Louis), MO Love this version, late ‘80's, when Bobby sings, “Yes and it feels, most like runnin' a red light”, love that “most like” Also sings, “bout like running a red light”; “just like running a red light”; SHOW No. 1: Franklin's Tower 4/5/89 Track #2 3:24 – 4:38 Album: Blues For Allah Total: 222 First: June 17, 1975 at Winterland Arena, San Francisco, CA, USA, (next on Aug. 13th, Great American Music Hall, S.F. – One From The Vault) Last: June 22, 1995, Knickerbocker Arena, Albany, NY During the Help/Slip/Frank hiatus (until Oct at Hampton), Stranger>Franklin's a very common opener) SHOW No. 2: Not Fade Away 4/5/89 Track # 19 5:29 – 6:59 "Not Fade Away" is a song credited to Buddy Holly (originally under his first and middle names, Charles Hardin) and Norman Petty (although Petty's co-writing credit is likely to have been a formality[3]) and first recorded by Holly and his band, the Crickets. Holly and the Crickets recorded the song in Clovis, New Mexico, on May 27, 1957, the same day the song "Everyday" was recorded.[1] The rhythmic pattern of "Not Fade Away" is a variant of the Bo Diddley beat, with the second stress occurring on the second rather than third beat of the first measure, which was an update of the "hambone" rhythm, or patted juba from West Africa. Jerry Allison, the drummer for the Crickets, pounded out the beat on a cardboard box.[3] Allison, Holly's best friend, wrote some of the lyrics, though his name never appeared in the songwriting credits. Joe Mauldin played the double bass on this recording. It is likely that the backing vocalists were Holly, Allison, and Niki Sullivan, but this is not known for certain.[1]"Not Fade Away" was originally released as the B-side of the hit single "Oh, Boy!" and was included on the album The "Chirping" Crickets (1957). The Crickets' recording never charted as a single. In 2004, this song was ranked number 107 on Rolling Stone's list of "The 500 Greatest Songs of All Time"Covered by: Rolling Stones (1964, their first big hit) The Rolling Stones' version of "Not Fade Away" was one of their first hits. Recorded in January 1964 and released by Decca Records on February 21, 1964, with "Little by Little" as the B-side, it was their first Top 10 hit in the United Kingdom, reaching number three.[5]London Records released the song in the US on March 6, 1964, as the band's first single there, with "I Wanna Be Your Man" as the B-side.[6] The single reached number 48 on the U.S. BillboardHot 100 singles chart. Rush Tanya Tucker John Scofield Florence and the Machine Dead No album (on 1971 Grateful Dead (band's second live album) Total: 560 First: February 19, 1969 at Fillmore West, San Francisco, CA, Last: July 5, 1995 Riverport Amphitheatre, Maryland Heights (St. Louis), MO SHOW No. 3: Althea 4/6/89 Track No. 6 3:47 – 5:20 Album: Go To Heaven Total: 272 First: August 4, 1979 at Oakland Civic Auditorium, Oakland, CA, USA Last: July 8, 1995 at Soldier Field, Chicago SHOW No. 4: Scarlet Begonias 4/6/89 Track No. 10 4:00 – 5:30 Album: From The Mars Hotel (June 27, 1974) Total: 317 First: March 23, 1974 at Cow Palace, Daly City, CA, USA Last: July 2, 1995, Deer Creek Music Theater, Noblesville (Indianapolis) IN Most often paired with Fire On The Mountain OUTRO: Brokedown Palace 4/6/89 Track No. 21 3:00 – 4:43 Album: American Beauty Total: 218 First: August 18, 1970 at Fillmore West, San Francisco, CA, USA Last: June 25, 1995 at RFK Stadium, Washington, D.C. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
This podcast is unpaid and survives on donations. You can donate here via paypal www.stephenmbland.com/olas-kool-kitchen or buy merch here olaskoolkitchen.dizzyjam.com. Ola's Kool Kitchen is a show on KCLA 99.3 FM in Los Angeles, Maximum Threshold Radio, Sword Radio UK, Jammerstream One, Kor Radio, Bombshell Radio, Pop Radio UK, Radio Wigwam, Rock XS Radio, Radio Candy Radio and Radio Lantau Show 493 1. Arlo Parks- Impurities-My Soft Machine-Transgressive 2. The Courettes-R.I.N.G.O.-Boom! Dynamite-Damaged Goods 3. bar italia- sounds like you had to be there -Tracey Denim-Matador 4. Alice Patton-Come Down Sally- Shapeshifter-self release 5. Brown Spirits-Dead End Exits-Solitary Transmissions-Soul Jazz 6. Dumb-Pull Me Up-Pray 4 Tomorrow-Mint 7. Shame-Adderall-Food for Worms-Dead Oceans 8. Quasi-Back in Your Tree-Breaking the Balls of History-Sub Pop 9. Simian Mobile Disco-I Believe-single-Wichita 10. Unloved-I did it- Polychrome: The Pink Album Postlude-Heavenly 11. SUNDANCe- JEWELED SCENE STEALER (Reaves)-Sundance-Kapp Records 12. Brigitte Bardot-Je danse donc je suis-B.B.-Philips Records 13. Chantels-Summertime-single-London Records 14. Fortunato Durutti Marinetti-All Roads-Memory's Fool-Bobo Integral
In Part 2 of our celebration of Rolling Stones Week, Jeremy and Mike Deep Dive into the Rolling Stones 1964 US debut album, "England's Newest Hitmakers".
Buckwheat, Beckaroo, and the Beginning of an AddictionJoin us for our third episode of the "Rediscovering Debbie Campbell Podcast" as we uncover the extraordinary life and career of Debbie Campbell with stories from Becky Hobbs, Marc Durham and Debbie herself. In these three parts, we dive into her early years, her journey through various bands, and the darker side of her success, including the night she started her battle with alcoholism. Act 1: We journey through the incredible life and career of Becky Hobbs, an accomplished songwriter and country singer. We explore Becky's experiences seeing the Kandy Kanes, being inspired by Debbie Campbell as a singer and guitarist in the all-girl band, and how she transitioned from playing with an all-female rock band to becoming a renowned songwriter. Act 2: We take you on a journey through the life of the band Buckwheat through the eyes of bassist Marc Durham. Discover how the band evolved from its early days with Jim Edgar and the Roadrunners to its transformation into Buckwheat, and how it ultimately fell apart. You'll get a glimpse into their incredible journey, the challenges they faced, and the moments of success that defined their career, from their big break with London Records to the evolution of their music across their four album career. Act 3: In the final part of this episode, we delve deep into Debbie's story, which revolves around her first drink and her subsequent alcoholism. Her story highlights how alcohol can become a crutch, a way to mask pain, and a path to addiction. From the moment she took her first drink, Debbie's life changed forever and her journey is a powerful reminder of the devastating effects of addiction and the importance of seeking help and support to overcome it. Coming Up In Episode 4: Don't miss the upcoming episode, where we'll continue to follow Debbie's path to recovery and her journey into the music scene in Tulsa Rediscovering Debbie Campbell This podcast is a labor of love, please consider donating here:Support Our Work with A Donation Website: Debbiepodcast.com IG: @debbiecampbellpodcast FB Page: @DebbiecampbellPodcast FB Group: @Rediscovering Debbie Campbell Producers: Lynz Floren - LinkedIn, IG, FB Page, Spotify Aubrey Allen - Website, LinkedIn, Instagram Show Notes...
Liam Ó Maonlaí is a founding member of the Irish band Hothouse Flowers. Liam blends an eclectic mix of folk, blues, gospel, soul, rock, and more with his amazing vocals and an array of instrumental mastery from piano to flute, harmonica to bodhran. Liam formed the Hothouse Flowers in 1985, cutting their teeth busking on the streets of Dublin their reputation grew and soon they would sign to U2 label, Mother Records, releasing the single "Love Don't Work This Way". The first album “People” would be released through London Records and was hugely successful with the global hit “Don't Go” which the band played at the interval at the 1988 Eurovision Song Contest propelling the band across the world. Let Christy Take It are proud to bring you Liam Ó Maonlaī Thanks to our sponsor Irish woodcraft please check them out at https://irishwoodcraft.ie If you enjoy our episodes please like and subscribe wherever you listen to podcasts. Photo credit- Kieran @ Gignoise
Richard Evans has worked in the music industry for over thirty years in a variety of roles, including positions at London Records, Factory Records and MTV Europe. In 1998 he set up marketing consultancy The Fan Base and has been connecting musical artists with their audiences ever since. He is the founder of the This Is Not Retro website and record label and has worked for Andy Bell, Vince Clarke and Erasure since 2009.During the pandemic, Richard set out to create a definitive record of electronic music during its earliest and most defining era, between 1978 and 1983. Instead of interviewing people with rose-tinted and distorted memories of that period, he instead decided to research the very magazines and publications being created as things happened to piece together an accurate record of the movement as it unfolded in real time.See the Show Notes for further details.Chapters00:00 - Introduction01:16 - Why chose this 5-year period?04:40 - What made you want to write this book?12:17 - What do you consider milestone songs in electronic pop?17:29 - Were producers and labels more important back then?20:07 - Why was British electronic pop at the forefront of the movement? 28:00 - The impact of Bowie31:29 - The influence of literature and politics on early electronic pop35:05 - Witnessing electronic music live40:00 - Will we ever see a musical revolution like that again? 44:05 - What did you learn about how underrepresented women were in this genre?Richard Evans BiogRichard Evans has worked in the music industry for over thirty years in a variety of roles, including positions at London Records, Factory Records and MTV Europe. In 1998 he set up marketing consultancy The Fan Base and has been connecting musical artists with their audiences ever since. He is the founder of the This Is Not Retro website and record label and has worked for Andy Bell, Vince Clarke and Erasure since 2009. Richard is based in Dorset where he lives in perpetual fear of being asked what his favourite record is. https://inventingelectronicpop.com/ Accompanying Spotify Playlist: https://open.spotify.com/user/ 31rfel5t6akji2obaa3g2bdyhpni Rob Puricelli BiogRob Puricelli is a Music Technologist and Instructional Designer who has a healthy obsession with classic synthesizers and their history. In conjunction with former Fairlight Studio Manager, Peter Wielk, he fixes and restores Fairlight CMI's so that they can enjoy prolonged and productive lives with new owners. He also writes reviews and articles for Sound On Sound, his website Failed Muso, and other music-related publications, as well as hosting a weekly livestream on YouTube for the Pro Synth Network and guesting on numerous music technology podcasts and shows. He also works alongside a number of manufacturers, demonstrating their products and lecturing at various educational and vocational establishments about music technology.www.failedmuso.comTwitter: @failedmusoInstagram: @failedmusoFacebook: https://www.facebook.com/failedmuso/
ACTUABD - bande dessinée, manga, comics, webtoons, livres, BD
48/64 Rassemblement ! Pour la première fois depuis le début de la saison, l'entièreté de l'équipe (et même un peu plus) s'est réunie pour l'enregistrement d'un épisode consacré aux liens unissant musique et bande dessinée. La parfaite émission à écouter sur le chemin de la fête de la musique de votre quartier. Bonne écoute à toutes et tous ! TIMECODE : 4'30 - Représenter le son en bande dessinée12'31 - Le Chant de la machine, un catalogue musical 27'42 - Le Multibulles : les mangas de danse43'41 - Le Bullistan : Billie Holiday, une biographie dessinée59'50 - Musique classique et BD muette, la collection Do Ré Mi Chat1'09'44 - Rap et 9e art : 16 mesures de bande dessinée Une émission de Thomas Figuères et Manon Dias Santos. Ingénieur du son : Léo Jacquet. Avec la participation de Théo Ancelin, Lyane Riguet, Louis Groult et Sacha Puaux et Thelma Susbielle. Le 48/64 est une production La Cab studio. Logo © Corto Malaise (@corto_malaise). Crédits musiques : Pink Floyd - Echoes (remastered) © 2016 Pink Floyd Music Ltd. Yukie Yassunaga, Vinicius Sadao – Itsuki no Komoriuta 竹田の子守唄 © DR Marios Anastasiou, Julie Rixinger - Paximadokleftra ℗ 2002 Aerakis The Beatles - A day in the life ℗ 2015 Calderstone Productions Limited Donna Summer, Giorgio Moroder - I feel love 12" extended ℗ UMG (au nom de Island Mercury) Kraftwerk - The Robots 2009 Remaster © 2009 Ralf Hütter/Kraftwerk under licence to Parlophone Records Ltd, a Warner Music Group Company Joy Division - Disorder © 2007 London Records 90 Ltd New Order - Blue monday '88 © 1987 Warner Music UK Limited Ghostface Killah – Slept on Tony ℗ 2008 The Island Def Jam Music Group Orelsan - Ils sont cools featuring Gringe © 2011 7th Magnitude / Warner Chappell Music France under exclusive licence to 3ème Bureau/Wagram Music 2fingz - One Punch man © 2016 75e session Disiz La Peste - La Rébellion d'un cœur © 2014 Carré Bleu Fabe - Juste à cause de ça © 2000 Double H Production - Butch design ℗ Dj cut killer Triplego - M'Envoler © 2023 TWAREG Slimka - Clark Kent℗ 2022 Colors Records © 2018 Tallac Records Zoro L'Frérot - RAP AKATSUKI PAIN AMV © DR ℗ Genjutsu Beats
A roundtable discussion with some of the student presenters from the 2023 Forum for Information Professionals (FIP) Conference, with the theme of: "LIS and the Climate Crisis: Transforming Talk into Action".Tunes courtesy of the Internet Archive.Acapulco Marimbas. “La Bamba” & “La Golondrina”, Marimba Echoes From South Of The Border, London Records, 1969, https://archive.org/details/acapulco-marimbas-marimba-echoes-from-south-of-the-border_202303/09+Sabor+a+M_.mp3Politics of Libraries - Upcoming March & April speaker serieshttps://sites.google.com/view/politicsoflibraries/politicsoflib23?authuser=0&pli=1 FIP 2023 presentations will be posted at the University of Alberta's Aviary repository:https://ualberta.aviaryplatform.com/
New-Old Recordings Making it into the Archive. Playlist Symphonic Electronic Rock Symphonic electronic is always a favorite of listeners of the podcast. I note these additions, including a scarce soundtrack recording of interest. Jeff Bruner, “Try To Escape,” “Night Saucer,” “Larry And Diane Go To Hell,” “On The Beach,” “The Investigator,” “Vic's Flashback,” “End” from (side 2) from Foes (Original Motion Picture Soundtrack) (1977 Not on Label). This interesting soundtrack combined electronic music with orchestral sounds for this little seen motion picture. Recorded and mixed at Santa Barbara Sound. Music composed and conducted by Jeff Bruner; electronic music production, Doug Scott; electronic music realized by Jeff Bruner and Doug Scott. I picked this up on a trip to Boston According to Jeff Bruner himself, this record was pressed for the movie staff only and there are less than 20 copies. “The music on this record is a perfect balance of rational sounds that you've heard before and even more rational sounds which because you've never heard them before seem quite irrational. 19:36 Claude Denjean, “Memories Of Moody Blues” from Moods (1976 London Records). A few years after the initial wave of albums produced using the Moog Modular synthesizer, Denjean returned to the instrument to make this collection of classic pop tunes in an electronic symphonic vein. This song seems to touch on every other note of the classic “Nights in White Satin” without actually causing any copyright issues, I imagine. This album is a new copy added to the archive. How could I resist? 4:09 Hugo Montenegro, “MacArthur Park (Allegro Part III)” from Moog Power (1969 RCA Victor). A rockin' album of symphonic pop tunes from the heyday of Moog Modular recordings. Montenegro had the magic touch for arranging such pop songs. He was aided by Moog programming by none other than Paul Beaver and playing by Mike Melvoin. This is an old copy from my collection that I unsealed just for this podcast. Only this one track has been played on this album. 3:21 Raymond Lefèvre Et Son Grand Orchestre, “Mille Colombes” from Love In Stereo Nº 1 (1978 Barclay). This German release of French album is one of many by keyboard player and arranger Lefèvre. This one features a variety of electronic music instruments used in conjunction with an orchestra. Bass, Dave Markee; Drums, Barry Morgan; Keyboards, Alan Hawkshaw; Percussion, Ray Cooper; Synthesizer players, Guy Boyer, Maurice Vander, Raymond Lefèvre. Synthesizers used: RMI Computer, Moog 3 P, Arp DGX, Omni Polyphonic, Korg 1000, Korg 2000, Ems/Arp Sequencer. Rhythm section recorded at Lansdowne Recording Studios, London. Strings recorded at Barclay Hoche, Paris. Synthesizers recorded at Studio Damiens. 3:10 Early Electronic Music Several recordings featuring vintage tape compositions and performances using the Moog Modular synthesizer were among our newest arrivals to the archive. Ralph Lundsten. “Snowstorm” (1967/68) from Shangri-La (1975 His Master's Voice). Swedish release of composer Lundsten music for Shangri-La, a commissioned work for Swedish Radio. However, the album also presents several early tape works, including Winter Music, a suite of works for the season of this which this one is a part. “Suddenly, a sleigh with lit-up torches emerges out of the whirling snowstorm. … Was it for real or just a dream?” 2:30 Jean Jacques Perrey, “The Alien Planet” from Musique Electronique Du Cosmos (Electronic Music From Outer Space) (1962 MusiCues). An earlier disc of Perrey, later known as the wizard of electronic pop sounds. He was using the Ondioline for this track, an early monophonic organ, and tape manipulation to provide effects. This was a recording of broadcast library sounds. 1:02 Jean Jacques Perrey, “Space Light” from Musique Electronique Du Cosmos (Electronic Music From Outer Space) (1962 MusiCues). Another early track from Perrey. 1:03 Jean Jacques Perrey, “Intercestial Tabulator” from Musique Electronique Du Cosmos (Electronic Music From Outer Space) (1962 MusiCues). Another early tape compositionfrom Perrey that might be his imagining what a future computer would sound like. 1:03 Jean Jacques Perrey, “Barnyard in Orbit” from Musique Electronique Du Cosmos (Electronic Music From Outer Space) (1962 MusiCues). Another early track from Perrey that shows his innate sense of humor that we would hear much more of in his music yet to come. 2:17 Jean Jacques Perrey, “Micro Cosmic PL 1” from Musique Electronique A Caractere Special Pour Illustrations Sonores Et Effets Speciaux (2017 Wah Wah Records). Spanish release of an original acetate disc of Perrey demonstration tracks and original compositions. I think these were made around 1967 after Perrey had begun using the Moog Modular synthesizer. 5:19 Doug McKechnie, “The First Exploration @ SF Radical Laboratories, 1968” (2020 VG+ Records). Recently released recordings of an original tapes made in 1968 from an early Moog composer and performer. McKechnie famously played a live Moog Modular set at the Altamont performance in 1969 by the Rolling Stones. He is ever-so briefly heard and seen the film Gimme Shelter (1970). In any event, McKechnie was a pioneer who used an instrument owned by one Bruce Hatch (not Bruce Haack). He worked with the instrument for about four years before Hatch sold it to Tangerine Dream around 1972. With that came the end of one musician's dreams and the beginning of someone else's. I am so happy that Doug was able to release this recording of his early work because so many of us have been curious to hear it. This track represents some clever droning with the sequencer and one can imagine this being performed in real-time. 8:30 Hydroelectric Streetcar, “I Realize” from The Cool-Aid Benefit Album Vol. 1 (1970 Arthfor Special Products). I was searching for this Canadian benefit disc for a long time so that I could add it to my collection of Moog Modular Synthesizer recordings. The Moog in this case was owned by my acquaintance Johns Mills Cockell who played in several rock bands and avant garde performance groups during this time. Remember Intersystems? In this case, he was playing as a sideman for Hydro Electric Streetcar, a folk-rock band to which he added synthesis. Bass, Vocals, Lee Stephens; Drums, Stan Tait; Guitar, Al Wiebe; Lead Vocals, Danny McInnes; Moog Modular Synthesizer, John Mills-Cockell. 3:48 Robots A few tracks in this batch of new arrivals worked around the theme of robots, machines, and synthesized voices. Skanfrom, “Mr. Robot Is Dead” from Split 12" (2000 A.D.S.R.). Now defunct electro synthpop label from Germany run by Skanfrom. Limited to 800 hand numbered copies. Mine is number 676. Skanfrom is Roger Semsroth. 3:25 I., “Gro Stadtleben” from Split 12" (2000 A.D.S.R.). Now defunct electro synthpop label from Germany run by Skanfrom. Limited to 800 hand numbered copies. Mine is number 676. B.I. (Bakterielle Infektion) was founded in Berlin in 1995, disbanded 2011. 2:34 Dee D. Jackson, “Automatic Lover” from Automatic Lover (1978 Jupiter Records). German release, 7” 45 RPM. Dee D. Jackson (Deirdre Elaine Cozier) is an English singer-songwriter, She was primarily a space disco/Italo disco concept artist, moving to Italy in the mid-1980s. The computer voice in this tune sounds like a person speaking monotone with some filtering. No artificial intelligence involved here. 3:54 Ralph Lundsten. “Robbie is Dancing the Waltz” (1975) from Shangri-La (1975 His Master's Voice). Swedish release of composer Lundsten music for Shangri-La, a commissioned work for Swedish Radio. It also includes his Heaven by Night suite from which this song comes. The robotic voice appears to be one that is amplitude modulated to provide a wavering tremolo effect. No vocoder here. 4:06 Odds and Ends Recordings that are becoming part of the archive as representative examples of the odd and curious in electronic sounds. The Marvelletes, “I Want a Guy” (1961 Tamla). Single featuring a Musitron played by Raynoma Liles Gordy (producer, arranger, musician and ex-wife of Motown executive Barry Gordy); Lead vocals by Wanda Young Rogers; background vocals by Gladys Horton, Georgeanna Tillman, Wyanetta "Juanita" Cowart, and Katherine Anderson; Other instrumentation by the Funk Brothers included Bass by James Jamerson, Drums by Benny Benjamin, Guitar by Eddie Willis, Piano by Marvin Gaye,Tenor saxophone by Hank Cosby, Baritone saxophone by Andrew "Mike" Terry. The Musitron was a modified, monophonic electric organ invented by Max Crook and featured on such well-known songs as Del Shannon's “Hats Off to Larry” and “Runaway.” Crook was the keyboard player in Del Shannon's band and they made that sound a key novelty in Shannon's songs beginning in 1961, the same year as “I Want a Guy.” 2:38 Living Shakespeare, “King Lear” excerpt from King Lear (1962 Living Shakespeare Inc.). US compilation release of various excerpts from the Living Shakespeare series. This was a series of recordings of the plays of William Shakespeare, adapted for recording and made in England. This series was available in various combinations of discs and usually featured some sort of incidental electronic music produced by a BBC Radiophonic-associated composer. I have a complete set of discs as packaged for the US market. But I came across this sampler disc and thought to include an example of the scene from King Lear where the King (as acted by Donald Wolfit) “calls down the rage of heaven in a violent thunderstorm,” with the storm sounds all being electronic. Text adapted by Fiona Bentley, Morys Aberdare; Directed by Sir Donald Wolfit; Musique Concrete and sound patterns composed by Desmond Leslie. 2:24 K-Tel, “Hit, Flop, Break Even” from K-Tel Super Star Chance-a-Tune (1973 K-Tel). 7” 45-rpm single. A triple-grooved record. (also known as 'Parallel', 'Mystery', or 'Trick-Track' record). Originally packaged as part of the board game "K-Tel Superstar Game.” The same tracks are pressed on both sides. “Players are rock stars” and collected gold records to win. Rolled the dice to move through the board. Squares had events for players to collect or lose money or release an album, which were subject to being a Hit, Flop, or Break-even by playing the disc. The game came with this Chance-A-Tune 45 RPM record which was played when a player landed on an album release square. The player drops the needle to see which of the tracks, and verdicts, comes up. The single only includes the three phrases I've edited here for the podcast. In reality, you could never tell which track would play with each drop of the needle. 0:29 Adams & Fleisner, “Surrounded In Mystery And Magic (Sounds Of The Inside)” from Space Effects Vol. 2 (1988 BCM). German recording of sound effects. I chose this one primarily because at 1:25 it was by far the longest track on this broadcast library record. 1:54 Yuri Rasovsky, “Interplanetary Adventurer” from The Chicago Language Tape And Other Aberations of El Fiendo In Glorious Mono (1979 Not on Label). A curious comedy record led by Yuri Rasovsky that consists primarily of sketches that are acted out and produced as would be a radio program. There is one piece of electronic music that might interest you: Hans Wurman, venerable Moog synthesist, contributed the opening music to this story that features the Moog Modular. I suspect that this was the last recorded Moog piece that Hans produced before laying down his golden patch cords. Musician, music by Hans Wurman; Voice Actor, Dick Simpson, Don Vogel, Gary Gears, Joan Lazzerini, John Hultman, Keneth Northcott, Mell Zellman, Michelle M. Faith, Yuri Rasovsky. I chose to reproduced only this musical segment, surrounded by some of the spoken parts for context. 1:46. Originals A few recordings are just unnecessarily difficult to categorize. Joakim, “Teenage Kiss (Dub)” from Transe / Teenage Kiss (2005 Kitsune). French, 12” maxi-single. Danceable, yet strange. Written by, Performed, and produced by Joakim Bouaziz. 4:58 Landscape, “From The Tea-Rooms Of Mars .... To The Hell-Holes Of Uranus” from From The Tea-Rooms Of Mars .... To The Hell-Holes Of Uranus (1981 RCA). English electro/pop/jazz band from London. This is the title track and features some electronic tunes in the dance styles of the beguine, mambo, and tango. Which seemed to go with the other dance related tracks I found in this batch of new-old records. Electronic trombone, Trombone, Vocals, Peter Thoms; Vocals, Keyboards, Grand Piano, Fender Rhodes, Christopher Heaton; Vocals, Programmed By, Electronic Drums, Electronic Percussion, Synthesizer, Drums, Richard James Burgess; Bass Guitar, Synthesizer Bass, Vocals, Andy Pask. 7:53 Ralph Lundsten. “Cosma Nova” (1975) from Shangri-La (1975 His Master's Voice). Another track from Mr. Lundsten, commissioned for Swedish Radio. From the Heaven by Night suite, this is a dreamy dance tune. 3:18 Allen Ravenstine, “Going Upriver,” “110 In The Underpass,” and “5@28” from Electron Music / Shore Leave (2020 Waveshaper). This recent Canadian release is a collection of Ravenstine”s work for electronic and instrumental media. Ravenstine was the electronics and synthesizer player in the original lineup of Pere Ubu. He has continued to make eclectic, highly original and thoughtful music over the years. 16:11 Don Voegeli, “A Piece Of Bubble Gum” from Instant Production Music/Volume 18: Fine (1980 University Of Wisconsin-Extension). This was the final disc Voegeli made in the Electrosonic Studio for NPR, saying, “Fine . . . used as the title for this record to signal another termination, the end of the CPB and NPR funded project which over the years has brought you a total of twenty-six records of special production music.” Intended for private use by and for public (non-commercial) radio and TV facilities, this was one of the many broadcast library records that Voegeli created in a well-equipped electronic music studio that included a Moog Modular III. 1:07 Don Voegeli, “Follow the Leader” from Instant Production Music/Volume 18: Fine (1980 University Of Wisconsin-Extension). Produced by the Electrosonic Studio. 1:52 Opening background music: Barton McLean, “Dimensions I For Single Instrument And Tape” (excerpt) from American Society Of University Composers (1979 Advance Recordings). Tape composition and recording engineer, Barton McLean; Violin, Stephen Clapp. Compositions From Volume VII Of The ASUC Journal Of Music Scores. Composed while McLean was director the Electronic Music Center at the University of Texas at Austin. 13:38 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation: For additional notes, please see my blog, Noise and Notations.
We've all come to love and appreciate in the tradition of great country music. This singer, songwriter, likened to Vince Gill for his tenor appeal, has made a great impact on the country music scene with his incredible talent, dynamic personality, and hypnotic voice. Born and raised in Houston, Texas, Carl Ray highlighted the major stage as a young person while opening the stage for The Spinners, BB King, Teddy Pendergrass, and Harold Melvin and The Blue Notes. He was soon discovered by Reggae International Artist, Johnny Nash. It was Ray's relationship with Nash that led this young prodigy and developed his love for country music. Carl Ray eventually penned songs for Nash on Epic and London Records. Today, we are here to celebrate Christmas with Carl Ray's new single, Mary's Very First Christmas and to highlight Carl Ray's Black Country Music Radio Playlist.
We've all come to love and appreciate in the tradition of great country music. This singer, songwriter, likened to Vince Gill for his tenor appeal, has made a great impact on the country music scene with his incredible talent, dynamic personality, and hypnotic voice. Born and raised in Houston, Texas, Carl Ray highlighted the major stage as a young person while opening the stage for The Spinners, BB King, Teddy Pendergrass, and Harold Melvin and The Blue Notes. He was soon discovered by Reggae International Artist, Johnny Nash. It was Ray's relationship with Nash that led this young prodigy and developed his love for country music. Carl Ray eventually penned songs for Nash on Epic and London Records. Today, we are here to celebrate Christmas with Carl Ray's new single, Mary's Very First Christmas and to highlight Carl Ray's Black Country Music Radio Playlist.
On this episode of Vinyl Verdict, Bell, Jamie and Plouffe are joined by Adam Sondergard to talk about his pick, Sleep's Dopesmoker. Their third record, Dopesmoker was recorded in 1996 and was supposed to be their major label debut, but it all went wrong. When the band presented this as their album, London Records balked at releasing an album that was a single long song. It went unreleased until 1999, when Earache Records released it as Jerusalem in a slightly different configuration. This version of the album was released in 2003 by TeePee Records, and the exact version Adam brought was released in 2012 by Southern Lords Records. An extremely heavy doom metal/stoner metal album, Dopesmoker is around an hour at its shortest and 75 minutes at its longest, all in a single song. Will the boys drop out of life with song in hand, or will the Weedians proceed to hate on the album? Come along and find out!
I'm so tall, I'm so tall. This episode is all about the comeback and consistency. It's incredible to think that since they reactivated, Neil Arthur has recorded 10 albums as Blancmange in just over a decade. Beginning as a duo (with Stephan Luscombe) at the dawn of the eighties, their lo-fi experiment electronic pop inspired Mute Records' Daniel Miller to call them “The Maiden Aunts of Techno”. Those timeless mega anthems, synonymous with that era like Living On The Ceiling followed, before they called it a day. Then, all of a sudden, 11 years ago, the project materialised again. Paul caught up with Neil, a true eighties survivor on something of a creative roll now.Blancmange's new album Private Life is available on London Records.This episode is sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by E.S.OTo support this show, head on over to Paul's Patreon at:www.patreon.com/paulhanford
Show #967 The Originals 01. Bob Dylan - Everything Is Broken (3:15) (Oh Mercy, Columbia Records, 1989) 02. Ray Charles - Hard Times (No One Knows Better Than I) [1955] (2:55) (The Genius Sings The Blues, Atlantic Records, 1961) 03a. Ray Charles - Mess Around (2:39) (45 RPM Single, Atlantic Records, 1953) 03b. Charles 'Cow Cow' Davenport - Cow Cow Blues (3:09) (78 RPM Shellac, Vocalion Records, 1928) 04. Fabulous Thunderbirds - Full Time Lover (4:43) (Girls Go Wild, Takoma Records, 1979) 05. Al Green - Love And Happiness (5:07) (I'm Still In Love With You, Hi Records, 1972) 06. Dire Straits - Money For Nothing (8:26) (Brothers In Arms, Vertigo Records, 1985) 07a. Screamin' Jay Hawkins - I Put A Spell On You (3:31) (45 RPM Single, Okeh Records, 1956) 07b. Screamin' Jay Hawkins - I Put A Spell On You (2:52) (Unreleased, Grand Records, 1955) 08. Sonny Boy Williamson II - Don't Start Me Talking (2:35) (45 RPM Single, Checker Records, 1955) 09. Atlanta Rhythm Section - So In To You (4:16) (A Rock And Roll Alternative, Polydor Records, 1976) 10. ZZ Top - Tush (2:14) (Fandango!, London Records, 1975) 11. Mothers Of Invention - Trouble Comin' Every Day (5:47) (Freak Out!, Verve Records, 1966) 12. Son House - Grinnin' In Your Face (2:07) (Father Of Folk Blues, Columbia Records, 1965) 13. Lynyrd Skynyrd - Gimme Three Steps (4:24) (Lynyrd Skynyrd, MCA Records, 1973) 14. Elvis Presley - Heartbreak Hotel (2:09) (45 RPM Single, RCA Victor, 1956) 15. Neville Brothers - Yellow Moon (3:58) (Yellow Moon, A&M Records, 1989) 16. Little Feat - Spanish Moon (4:50) (Waiting For Columbus, Warner Bros Records, 1978) 17a. Peggy Lee & Benny Goodman Orchestra - Why Don't You Do Right (3:14) (78 RPM Shellac, Columbia Records, 1942) 17b. Harlem Hamfats - Weed Smoker's Dream (3:17) (78 RPM Shellac, Decca Records, 1936) 17c. Lil Green - Why Don't You Do Right (3:00) (78 RPM Shellac, Bluebird Records, 1941) 18. Prince & the Revolution - Kiss (3:38) (Parade, Paisley Park/Warner Bros Records, 1986) 19. Fenton Robinson - Somebody (Loan Me A Dime) (2:23) (45 RPM Single, Palos Records, 1967) 20. Jimi Hendrix - Voodoo Child (Slight Return) (5:12) (Electric Ladyland, Polydor Records, 1968) 21. Tampa Red - It Hurts Me Too (2:28) (78 RPM Shellac, Bluebird Records, 1940) 22a. Leonard Cohen - First We Take Manhattan (5:58) (I'm Your Man, Columbia Records, 1988) 22b. Jennifer Warnes - First We Take Manhattan (3:47) (Famous Blue Raincoat, Cypress Records, 1986) 23. Albert King - Oh Pretty Woman (2:47) (Born Under A Bad Sign, Stax Records, 1967) 24. Fleetwood Mac - Black Magic Woman (2:49) (45 RPM Single, Blue Horizon Records, 1968) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.
Podcast from Defected Records Blaze feat. Barbara Tucker - Most Precious Love (Dennis Ferrer Remix) [Defected] 00:00Erro - Dont Change (Dave Lee Club Mix) [Z Records] 04:50ANOTR & Adel Balder - Vertigo [No Art] 09:37Curtis Hairston - I Want Your Lovin' [London Records] 13:44Ronnie Dyson - All Over Your Face (JM After-Session M&M Mix) [BBE Music] 18:27YSE Saint Laur'ant - I Know Ive Been Changed [Whiskey Disco] 22:41Ibibio Sound Machine - 17 18 19 [Merge Records] 27:43Martin Solveig - Jealousy (Club Mix) [Defected] 30:47LRS - A Part Of [Fresco Edits] 36:02Fresco Edits - Collins Avenue [White Label] 39:41Mark Picchiotti presents The Absolute - I Believe (Mark Picchiotti Remix) [Glitterbox Recordings] 43:28Gayle Adams - Let's Go All The Way (Never Dull Edit) [White Label] 48:07Coldcut feat. Lisa Stansfield - People Hold On (New Jersey Jazz Mix) [Ahead Of Our Time] 52:15Myomi & Amber Jolene - Sun In My Eyes (MJ Cole Vocal Remix) [Sunflower Records] 56:14
April 1970 Episodes 983 - 1005 May 1970 Episodes 1006 - 1025 As we enter Parallel time, we find our selves in Rebecca storylines as Dark Shadows tries to emanate the Hitchcock classic with Maggie trying to fill the shoes of the dead wife. Alexis/Angelique rework Edgar Allen Poe's Tomb of Ligeia as Robert Louis Stephenson's Dr Jekyll and Mr Hyde storyline gets its own Dark Shadows twist. We have a ghost of Dameon Edwards which no one knows the reasoning behind this odd twist and Barnabas gets involved and screws up everyone's storylines as he can't seem to get over Josette again. All this and more from Dark Shadows. We are joined by Patrick McCray. Opening Credits; Introduction (01.08); Firey Kitten Podcast (17.13); Into The Shadows: Scene One Curtis Does Hitchcock's Rebecca (17.46); Scene Two – AngeliqueAlexis – Which Witch Is Which (35.08); Scene Three – Curtis does Robert Louis Stephenson (57.49); Scene Four – And Then There Is This (1:25.24); Scene Five – Barnabas is Stuck on Repeat (1:43.01); (); Morning Has Broken (1:55.25); Character Breaks Tune In Next Time (2:10.41); Nothing To Say Podcast (2:44.42) Closing Credits (2:25.12); End Credits (2:26.06) Opening Credits – Dark Shadows Theme – by Robert Cobert Closing Credits – Monsters and Angels by Voice of the Beehive. Taken from the album Honey Lingers. Copyright 1991, London Records. Music Cues by Robert Cobert from Dark Shadows Catalogue All Rights Reserved. All songs used by Kind Permission. All Songs Available on Amazon
Episode 70 The Sonic Origins of Electronic Dance Music Trying to understand the evolution and history of electronic dance music (EDM) is a daunting task. We'll explore some of the sonic roots to see how we got to EDM—a beat-driven music powered by electronics and often focused on creating a trancelike musical state. Playlist Jesse Saunders, “On And On” from On and On (1984 Jes Say Records). Possibly the first DJ-created album created as a commercial public release. Produced, Performed, Arranged By Jesse Saunders; written by Jesse Saunders, Vince Lawrence. 8:02 Armin Van Buuren, “Sail” from Sail (2006 Armind). This 12” original mix was written by and produced by Armin van Buuren. 7:29 Amelie Lens, “Linger On” from Let it Go (2016 Second State). EDM performer and producer from Antwerp, Belgium. 7:41 Timmy Thomas, “Why Can't We Live Together,” from Why Can't We Live Together (1972 Glades). Timmy Thomas, Hammond organ and drum machine. Note the rapid-fire drum sequences sprinkled in here and there, a premonition around the future sound of drum machines. 4:38 Kraftwerk, “Uranium” from Radioactivity (1975 Kling-Klang). Not so much a danceable turn, but the choir sample was later repurposed by New Order in Blue Monday, so a worthy acknowledgement to Kraftwerk. 1:26 Kraftwerk, “Transistor” from Radioactivity (1975 Kling-Klang). Electronic percussion, Karl Bartos, Wolfgang Flür; Voice, Electronics, Florian Schneider, Ralf Hütter. 3:43 Kraftwerk, “Europe Endless” from Trans Europe Express (1977 Kling-Klang). Electronic Drums, Karl Bartos, Wolfgang Flur; Electronics, Voice, Florian Schneider, Ralf Hutter. 9:38 Biddu Orchestra, “Bionic Boogie” from Bionic Boogie (1976 Epic). A 45 RPM single from the disco era, featuring some electronics in the form of synthesizers. Biddu was an Indian-British music producer, composer, songwriter and singer. This was a departure for the Biddu Orchestra, which was normally engaged in full disco orchestrations, not the sonic textures of synthesizers, which are heard here, if somewhat overlayed by the other instruments. 2:59 Donna Summer, “I Feel Love” from I Remember Yesterday (1977 Casablanca). Written and sung by Donna Summer; produced by and Moog Synthesizer, Giorgio Moroder; Moog Synthesizer, Robby Wedel; Moog Bass, Thor Baldursson; Drums, Percussion, Keith Forsey; Bass, Les Hurdle.5:52 Space, “Save Your Love For Me” from Just Blue (1978 Vogue). Space was a French group, created around Didier Marouani (aka Ecama) and Roland Romanelli, acclaimed for their 1977 UK disco hit "Magic Fly." 5:45 Space, “Final Signal” from Just Blue (1978 Vogue). Space was a French group, created around Didier Marouani (aka Ecama) and Roland Romanelli. 4:21 Yellow Magic Orchestra, “Computer Game (Theme From The Invader)” from Yellow Magic Orchestra (1978 Horizon). Japanese techno band, parallel to later Kraftwerk. Drums, Percussion, Other Electronics, Vocals – Yukihiro Takahashi; Keyboards, Other [Electronics], Percussion, orchestrated by Ryuichi Sakamoto; Produced by Harry Hosono; Micro Composer programmer, Hideki Matsutake. 4:28 Mandré, “M3000 (Opus VI)” from M3000 (1979 Motown). Produced and Arranged By Andre Lewis. Lewis was a keyboardist who went on to collaborate with many artists, not the least of which for Frank Zappa for whom he played keyboards for The Mothers of Invention after the departure of George Duke. 5:43 New Order, “Blue Monday” from Blue Monday/The Beach (1983, Factory). This was a 12-inch 45 RPM single of the song which became a top seller. New Order was firmly entrenched in the synth-pop dance/crossover genre at that time and this song with its funky samples, mechanical progression and even references to Kraftwerk (the vocal choir heard is indeed a sample from Kraftwerk's “Uranium” released in 1975 effectively put a few more bricks in the bridge to electronic dance music. 7:27 Michel Huygen, “Take Now Music (Extended Instrumental Version)” from Capturing Holograms (1984 jive Electro). Recorded early 1984 in Barcelona (Spain). Composed, performed, produced, and programmed by Belgian born synthesist Michel Huygen, a member of the Spanish group Neuronium in 1976. 5:34 Kraftwerk, “Der Telefon Anruf (German Version)” from The Telephone Call (1987 EMI). Listen to this track and you will hear similarities in later work by New Order, particularly the comping synth chords and pattern. 3:47 New Order, “World (The Price Of Love) (Radio Edit)” from World. (The Price Of Love) (1993 London Records). CD single of the track also found on the album Republic (1993 London Records). This sounds as if New Order is still thanking Kraftwerk for their inspiration. 3:39 Opening background music: New Order, “Confusion (Instrumental)” (1983 Streetwise). Mixed by Arthur Baker and John "Jellybean" Benitez. New Order's sixth single and their first collaboration with Arthur Baker. Released August 22, 1983. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.
Démissionnaire de son poste à London Records, Bettina Richards souhaite créer un label en phase avec les attentes des artistes. Avec un capital de 35 000 dollars et inspirée par d'autres pionniers de la musique alternative comme Touch and Go, Sub Pop, et Dischord, elle fonde en 92 à New-York, le label Thrill Jockey. Un nom qui vient de celui d'une bande de délinquants d'un film de série B. Les premières années, elle gère le label depuis son appartement de Manhattan, tout en travaillant chez un disquaire alternatif du New-Jersey. Afin de se rapprocher de Touch and Go et de son réseau d'artistes, le label déménage à Chicago en 1995. Les taxes et les loyers y sont moins onéreux qu'à New-York et le label profite de la scène locale underground très active. Bettina Richards trouve un emploi de barmaid qui lui permettra de diriger le label sans se rémunérer pendant plusieurs années. Elle dirigera Thrill Jockey seule jusqu'en 1997. Le deuxième album de Freakwater devient le premier succès commercial de Thrill Jockey. Tortoise, en vendant 100 000 exemplaires des ses derniers albums, est la principale locomotive économique du label. Le groupe permet ainsi à d'autres projets de ne vendre que 2 000 disques pour rentrer dans leurs frais, offrant ainsi à Thrill Jockey une immense liberté artistique. John McEntire, membre des groupes Tortoise et The Sea & Cake, mais aussi ingénieur du son et propriétaire du studio d'enregistrement de Chicago : Soma, participe à la production de nombreux albums d'artistes du label ce qui contribue grandement à la baisse des coûts de production. Bénéficiant d'une structure légère et de capacités à se promouvoir en ligne, Thrill Jockey résiste à l'arrivée d'internet et du peer to peer qui voit le secteur de la musique s'effondrer au début des années 2000. Le label est ainsi l'un des premiers à proposer l'écoute gratuite, puis la vente en ligne de ses albums. Même si aux débuts du label, les artistes de Chicago constituaient l'essentiel du catalogue, il s'est rapidement élargi à d'autres groupes. Les collaborateurs du label piochent dans tous les genres musicaux en partant du principe que s'ils aiment un album il y a de fortes chances qu'ils ne soient pas les seuls. En plus de 25 ans, Thrill Jockey a sorti des albums de genres musicaux très différents, allant du rock indé, en passant par le metal, le punk, la folk, la musique électronique, et le rock d'avant-garde. Tortoise/The Equator The Sea and Cake/Parasol A Minor Forest/...It's Salmon!!! Trans AM/Black Matter Oozing Wound/Everyone I Hate Should Be Killed Eleventh Dream Day/Ground Point Zero Thalia Zedek Band/Lower Allston The Body/Wanderings The Skull Defekts/Clean Mind Colleen/The Crossing
A music business veteran for over 40 years, Ray has worked in marketing, promotion and A&R for various labels like London Records, TK Records, Atlantic Records and Warner Brothers Records where he was the head of their Dance Music Division. He then founded and presided over RFC Records, an imprint label of Warner Brothers Records. Through the years Ray has worked with many talented artists such as Al Green, The Rolling Stones, KC and the Sunshine Band, Grace Jones, Anita Ward, George McCrae, George Benson, B 52s, Devo, Peter Brown, Voyage, Boris Midney, Gino SOCCIO, Change, Chaka Khan, Rod Stewart , Ashford and Simpson. Ray signed Luther Vandross to his RFC label with the Gold album the GLOW of LOVE by CHANGE . Currently Ray is President of RFC Fresh RECORDS with artists Christopher Williams, Melissa Morgan, D train and new releases by Petawane, Ty Juan and Sons of Funk.
A casi 30 años del surgimiento Brit-Pop hoy en día se puede ver mas como un movimiento político y de marketing que musical. Luego del oscuro reinado de Margaret Thatcher sobre el Reino Unido los británicos necesitaban volver a sentirse orgullosos de su país, cosa que con la política de Thatcher se perdió y por otro lado las grandes discográficas necesitaban artistas que vendieran. La gran estrategia de las multinacionales fue comprar sellos independientes, así fue que Sony se hizo con Creation (Oasis), EMI con Food Records (Blur), Nude Records (Suede) tenía un acuerdo de distribución con Sony, London Records se hizo con Factory Records (Happy Mondays, New Order). Pero vamos a la música que es lo que nos interesa, ¿que fue exactamente el Brit-Pop? La verdad que no hay una idea concreta de lo que fue este movimiento… OK, canciones de 3 minutos formadas por estrofa-estribillo-estrofa-solo de guitarra-estribillo, reivindicación de bandas muy británicas como los Kinks, Jams, Who, Rolling Stone, Beatles y exaltación del nacionalismo británico. Fue más bien un “movimiento generacional” donde varias bandas surgieron, más o menos, en el mismo momento y que coincidieron en el tiempo con Oasis. Pero si los comparamos con Blur o con Suede la verdad que ninguna de las tres bandas se parece en absoluto. El primer disco de Blur es del 91 y es casi un álbum tardío del movimiento Madchester. Suede revolucionaron el mercado con su primer disco en el año 92, con un sonido más cercano al Glam Rock y el Punk Rock Newyorkino de los ‘70s que al sonido sesentero de los Who por ejemplo. Pulp venía dando tumbos hacia mas de 10 años cambiando de estilo y de sellos discográficos, hasta que en el 93 lanzaron “His ‘N' Hers” a través de Island Records. Un caso aparte son los Oasis, que fueron los que realmente definieron el sonido y por ende quedaron atrapados en el durante el resto de los 90s, cuando el movimiento ya era un recuerdo. El resto de bandas de “segunda línea” fueron presionadas por las discográficas para crear canciones en base a la radio-fórmula basadas en los artistas clásicos de los 60s. Su reinado fue entre los años 94 y 96, y a partir de aquí comenzó la lenta agonía del movimiento. Podríamos decir que el lanzamiento del primer disco de las Spice Girls fue el día que el Brit-Pop paso a segundo plano para los medios y las discográficas. Ya habían encontrado a la nueva gallina de los huevos de oro. Hubo excelentes discos, excelentes canciones que hoy en día muchos seguimos recordando, aunque posiblemente no han envejecido todo lo bien que nosotros queremos o deseamos. En este Podcast podréis escuchar varias de aquellas canciones que han marcado a toda una generación. TRACKLIST: 01 - Oasis - Live Forever 02 - Kula Shaker - Tattva 03 - Suede - Animal Nitrate 04 - Teenage Fanclub - What You Do To Me 05 - Pulp - Do You Remember The First Time? 06 - Sleeper - Inbetweener 07 - Manic Street Preachers - A Design For Life 08 - Mansun - Wide Open Space 09 - Ocean Colour Scene - The Riverboat Song 10 - The Verve - Slide Away 11 - Suede - Beautiful Ones 12 - Elastica - Connection 13 - Blur - Country House 14 - Supergrass - Alright 15 - The Boo Radleys - Wake Up Boo! 16 - Pulp - Common People 17 - Echobelly - Great Things 18 - Oasis - Roll With It 19 - Blur - Parklife
A casi 30 años del surgimiento Brit-Pop hoy en día se puede ver mas como un movimiento político y de marketing que musical. Luego del oscuro reinado de Margaret Thatcher sobre el Reino Unido los británicos necesitaban volver a sentirse orgullosos de su país, cosa que con la política de Thatcher se perdió y por otro lado las grandes discográficas necesitaban artistas que vendieran. La gran estrategia de las multinacionales fue comprar sellos independientes, así fue que Sony se hizo con Creation (Oasis), EMI con Food Records (Blur), Nude Records (Suede) tenía un acuerdo de distribución con Sony, London Records se hizo con Factory Records (Happy Mondays, New Order). Pero vamos a la música que es lo que nos interesa, ¿que fue exactamente el Brit-Pop? La verdad que no hay una idea concreta de lo que fue este movimiento… OK, canciones de 3 minutos formadas por estrofa-estribillo-estrofa-solo de guitarra-estribillo, reivindicación de bandas muy británicas como los Kinks, Jams, Who, Rolling Stone, Beatles y exaltación del nacionalismo británico. Fue más bien un “movimiento generacional” donde varias bandas surgieron, más o menos, en el mismo momento y que coincidieron en el tiempo con Oasis. Pero si los comparamos con Blur o con Suede la verdad que ninguna de las tres bandas se parece en absoluto. El primer disco de Blur es del 91 y es casi un álbum tardío del movimiento Madchester. Suede revolucionaron el mercado con su primer disco en el año 92, con un sonido más cercano al Glam Rock y el Punk Rock Newyorkino de los ‘70s que al sonido sesentero de los Who por ejemplo. Pulp venía dando tumbos hacia mas de 10 años cambiando de estilo y de sellos discográficos, hasta que en el 93 lanzaron “His ‘N’ Hers” a través de Island Records. Un caso aparte son los Oasis, que fueron los que realmente definieron el sonido y por ende quedaron atrapados en el durante el resto de los 90s, cuando el movimiento ya era un recuerdo. El resto de bandas de “segunda línea” fueron presionadas por las discográficas para crear canciones en base a la radio-fórmula basadas en los artistas clásicos de los 60s. Su reinado fue entre los años 94 y 96, y a partir de aquí comenzó la lenta agonía del movimiento. Podríamos decir que el lanzamiento del primer disco de las Spice Girls fue el día que el Brit-Pop paso a segundo plano para los medios y las discográficas. Ya habían encontrado a la nueva gallina de los huevos de oro. Hubo excelentes discos, excelentes canciones que hoy en día muchos seguimos recordando, aunque posiblemente no han envejecido todo lo bien que nosotros queremos o deseamos. En este Podcast podréis escuchar varias de aquellas canciones que han marcado a toda una generación. TRACKLIST: 01 - Oasis - Live Forever 02 - Kula Shaker - Tattva 03 - Suede - Animal Nitrate 04 - Teenage Fanclub - What You Do To Me 05 - Pulp - Do You Remember The First Time? 06 - Sleeper - Inbetweener 07 - Manic Street Preachers - A Design For Life 08 - Mansun - Wide Open Space 09 - Ocean Colour Scene - The Riverboat Song 10 - The Verve - Slide Away 11 - Suede - Beautiful Ones 12 - Elastica - Connection 13 - Blur - Country House 14 - Supergrass - Alright 15 - The Boo Radleys - Wake Up Boo! 16 - Pulp - Common People 17 - Echobelly - Great Things 18 - Oasis - Roll With It 19 - Blur - Parklife
Show #922 Twins! 01. Andy Peake - Johnny B Goode (4:08) (Mood Swings, Biglittle Records, 2021) 02. Balham Alligators - Johnny B Goode (4:17) (Gateway To The South, Proper Records, 1996) 03. Johnny Mastro & The Mama's Boys - Temperature (7:44) (Luke's Dream, Rip Cat Records, 2012) 04. Magic Dick & Jay Geils - Temperature (3:07) (Little Car Blues, Rounder Records, 1996) 05. Bonnie Lee - Next Time You See Me (4:03) (Sweetheart Of The Blues, Delmark Records, 1995) 06. The Blues Factory - Next Time You See Me (3:49) (Take A Stroll!, Continental Records, 1999) 07. Colin James - It Takes A lot to Laugh, It Takes A Train to Cry (2:47) (Open Road, Stony Plain Records, 2021) 08. David Gogo - It Takes A Lot To Laugh, It Takes A Train To Cry (3:18) (Silver Cup, Cordova Bay Records, 2021) 09. Levee Dwellers - Cut You Loose (3:33) (Leveling Up, Blueshine Redords, 2015) 10. Drippin' Honey - Cut You Loose (3:55) (Drip Drip, Me & My Records, 1997) 11. Chris Daniels, Hazel Miller And Dana Marsh - Born Under A Bad Sign (4:18) (What We Did, Moon Voyage Records, 2021) 12. Craig Chaquico - Born Under A Bad Sign (4:53) (Fire Red Moon, Blind Pig Records, 2012) 13. Dr. Feelgood - I'm A Real Man (3:02) (Brilleaux, Grand Records, 1986) 14. Robben Ford - I'm A Real Man (5:30) (Robben Ford & the Blue Line, Stretch Records, 1992) 15. Paula Lockheart - Red Rooster (4:00) (It Ain't The End Of The World, Flying Fish Records, 1979) 16. ElectroBluesSociety + Boo Boo Davis - Little Red Rooster (5:16) (Single, KuvVer Records, 2019) 17. McKinley James - Thunderbird (4:03) (Single, Fun-Guy Records, 2020) 18. ZZ Top - Thunderbird (3:03) (Fandango!, London Records, 1975) 19. Nightcaps - Thunderbird (2:27) (Wine Wine Wine, Vandan Records, 1961) 20. Little Mike & the Tornadoes - Rainy Day Women #12 & 35 (5:04) (Flynn's Place, Flying Fish Records, 1995) 21. Rick Holmstrom - Rainy Day Women #12 & 35 (3:27) (Late In The Night, MC Records, 2007) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.
Originally aired Sunday, October 31st 2021 on Dublab Radio. 1. Lucifer (Mort Garson) - “Witch Trial” 1971 / 2020 Sacred Bones 2. North Satellite - “Evil” 2021 Startree 3. Danger Boys - “Haunted Zone” 2021 Periodica, Italy 4. Haruomi Hosono With Friends Of Earth - “Strange Love” 1984, Japan 5. Brazil - “Tvoj Svijet” - 1990, Yugoslavia / 2020 Dark Entries 6. Betty Lavett - ‘Witch Craft In The Air” 1962 Lu Pine Productions 7. Quinn Harris - “Supernatural Thing” 1975 Cantilever / 2020 Tidal Waves/Day End 8. Ty Segall - “Despoiler of Cadaver” 2018 Drag City 9. Bam Bam - “Where's Your Child?” 1988 Desire, UK 10. Ramasandiran Somusundraam - “Electronic Heart” 1974 Magma, Italy / 2013 Leng 11. Sault - “Scary Times” 2020 Forever Living Originals 12. Beach Boys - “My Solution” 1970 / 2021 Capital/Brother 13. Virgil Caine - “Swamp Witch” 1971 Fulcrum 15. Sylvia - “Easy Evil” 1974 Vibration 16. Barry Reynolds - “I Scare Myself” 1982 Island 17. Froid Dub - “The Murderer” 2021 DELODIO, France 18. John DiStefano - “Knocking at My Door” 1982-1996 / 2019 Concentric Circles 19. Larry's Rebels - “Halloween” 1968 Columbia, Australia 20. Tommy Mandel - “Haunted (By The Girl He Always Wanted)” 1980-1987 / 2018 Invisible City Editions 21. Gazebo - “Lunatic” 1983 Baby Records, Italy 22. East Coast Love Affair - “Don't Be Afraid” 2020 Athens of the North, UK 23. Minoru 'Hoodoo' Fushimi - “Mizuko No Tamashii Hyakumademo (Unborn Fetus' Dream Lives For One Hundred Years)” 2017 Left Ear, Japan 24. Baal - “No God / Astaroth” 1996 / 2016 Mental Experience 25. Neil Young - “Vampire Blues” 1974 Reprise 26. Kevin Ayers - “Lunatics Lament” 1970 Harvest, UK 27. The Frantics - “Werewolf” 1960 Dolton 28. Nina Harker - “L'affreuse” 2020 Animal Biscuit/La République des Granges/Le Syndicat des Scorpions 29. The Mighty Ryeders - “Evil Vibrations” 1977 Sun Glo 30. The Poppy Family - “Shadows on My Wall” 1969 London Records, Canada 31. Prince - “Dance With the Devil” 1989
Show #907 The Losing Game In honor of three remarkable musicians who passed away recently. 01. James Harman - Swamp Night (4:13) (Do Not Disturb, Black Top Records, 1991) 02. James Harman - I'm Lookin' Sharp (3:06) (Two Sides To Every Story, Black Top Records, 1993) 03. James Harman - Cut To The Chase (4:10) (Black & White, Black Top Records, 1995) 04. James Harman - Let It Ride (5:04) (Takin' Chances, Vannonball Records, 1998) 05. James Harman - The Goat (2:47) (Mo' Nakins Please!, Cannonball Records, 2000) 06. James Harman - Yo' Family (Don't Like Me) (4:09) (Bonetime, Electro-Fi Records, 2015) 07. Chuck E. Weiss - The Other Side Of Town (4:35) (The Other Side Of Town, Select Records, 1981) 08. Chuck E. Weiss - Deelply Sorry (5:16) (Extremely Cool, Rykodisc, 1999) 09. Chuck E. Weiss - Anthem For Old Souls (4:19) (Old Souls & Wolf Tickets, Rykodisc, 2002) 10. Chuck E. Weiss - 23rd And Stout (An Incident With Marshall Bell) (5:29) (23rd & Stout, Teichiku Records, 2007) 11. Chuck E. Weiss - Boston Blackie (3:51) (Red Beans & Weiss, Anti- Records, 2014) 12. ZZ Top - Sure Got Cold After The Rain Fell (6:47) (Rio Grande Mud, London Records, 1972) 13. ZZ Top - La Grange (3:50) (Tres Hombres, London Records, 1973) 14. ZZ Top - Blue Jean Blues (4:38) (Fandango!, London Records, 1975) 15. ZZ Top - Arrested For Driving While Blind (3:03) (Tejas, London Records, 1976) 16. ZZ Top - Cheap Sunglasses (4:43) (Degüello, Warner Bros, 1979) 17. James Harman - Mo' Nakins Please! #1 (2:50) (Mo' Nakins Please!, Cannonball Records, 2000) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.
Tracklist: 1. St Germain - Sure Thing [PARLOPHONE (WARNER MUSIC)] 2. Mark Otten - Tranquility (Lightscape Lounge Mix) [ARMIND (ARMADA)] 3. The Metaluna Mutant - Blinky Blue Eyed Sunrise [CLOAK AND DAGGER RECORDS] 4. CamelPhat, Cristoph feat. Jem Cooke - Breathe (Camelphat Just Chill Mix) [MINISTRY OF SOUND] 5. London Grammer - Non Believer (Groove Armada's Revival Mix) [METAL & DUST] 6. Paul Hardcastle - Innocent [TRIPPIN ‘N' RHYTHM RECORDS] 7. Kaya Project - 65 Percent [INTERCHILL RECORDS] 8. Gelka - Eau Rouge, Pt. 1 [WAX ON] 9. Jeff Lorber - Chopsticks [VERVE RECORDS] 10. Genix - Open Your Eyes (Sunset Mix) [ANJUNABEATS] 11. Carmen Rizzo feat. Jem - Easy Way Out [THE LAB] 12. Jhillazz - Azur [JHILLAZZ] 13. Leftfield - More Than I Know [OUTER RHYTHM] 14. Vincent Ingala - Personal Touch [SHANACHIE] 15. 3rd Force - Big Shot [BAJA/TSR RECORDS] 16. Paul Hardcastle - Latitude [TRIPPIN ‘N' RHYTHM RECORDS] 17. Mark de Clive-Lowe - Day by Day (DJ Spinna Remix) [UNIVERSAL JAZZ/EMARCY/ANTIPODEAN RECORDS] 18. Chris Stranding - Static in the Attic [ULTIMATE VIBE] 19. Paul Hardcastle - Let It Go [TRIPPIN ‘N' RHYTHM RECORDS] 20. Métisse - Sousounde [WILDSTAR RECORDS] 21. All Saints - Black Coffee (Version 2) [LONDON RECORDS] 22. Bossasonic - Wicked Game [BLACK FLAME] 23. Kool & The Gang - Summer Madness (Rhythm Scholar Remix) {Nicolás Villa's Tempo Edit} [ISLAND DEF JAM (UMG)] 24. Paul Hardcastle - Dancing Galaxies [HARDCASTLE MUSIC]
Maurice Joshua, M.Terrel - Love Is Here To Stay (Maurice Joshua Tome Mix) Zepherin Saint, Sheree Hicks, Nathan Adams - Stay Forever (Tribe Vocal Mix) Doug Gomez - A Vida E Boa, A Vida E Sol (Original Mix) Din Jay - Give It To Me (Original) JEROME DROUOT, LiquidS, Eric Kupper - Sunshine (feat. liquidS) (Eric Kupper Remix) Jill Rock Jones, Daz-I-Kue - Tell The Story (Vocal Mix) D*Sol - Insane For Your Love (Original Mix) S.U.M.O. - Sedução (Original Bounce) Luis Radio - On And On (Original Mix) Soul Groove, Andrea Erre, Venessa Jackson - 2 Faced Lovers (Inaky Garcia & Roger Garcia) Luis Sanchez, Wilgenis Vergara - Farafi (Original Mix) All I Do - Rx - Stevie Wonder N'dambi - L.I.E.(Estranjeros Ghetto Touch) Fish Go Deep, Tracey K - Battery Man (Vocal Mix) Pat Rebell, Dj Romain, Emory Toler - He Is Able (Instrumental) Fuminori Kagajo ft. Jaidene Veda - New Day (Conway Kasey Remix) Inner City - big fun ( 12 Inch Mix ) 4 To The Bar - Slam Me Baby! (Feat. Alexis P. Suter) (Club Mix) Marshall Jefferson - The House Music Anthem (Move Your Body) Adonis - Do It Properly (No Way Back), ©1987 London Records 12'' Lonx 136 (Uk) Adonis - no way back, ©1986 trax records 12'' tx112 JT Donaldson - Stay Inside feat. Liv.e (Extended Remix) Booker T, Lee Wilson - Where Is The Love? (Main Vocal Mix)
No Words, Just Music Vol 1. Just Push Play: 1.- QUIET RIOT – Rise Or Fall – QRIII (1986 Pasha) 2.- Q5 – Livin´On The Borderline – When The Mirror Cracks (1986 Music For Nations) 3.- URIAH HEEP – On The Rebound – Abominog (1982 Bronze/Mercury) 4.- TOKYO BLADE – Moonlight In Martini – No Remorse (1988 Hot Blood Records) 5.- SIC VIKKI – Stop Breakin´ My Broken Heart – Kiss Me In French (1993 Polystar/Blue Martin) 6.- SLEEZ BEEZ – Raise A Little Hell – Powertool (1992 Atlantic) 7.- VON GROOVE – Disbeliever – Chameleon (1998 MTM Music) 8.- SHAKRA – Save You from Yourself – Powerplay (2013 AFM Records) 9.- IMPELLITTERI – Rat Race – Screaming Symphony (1996 JVC Kenwood Victor Entertainment) 10.- ONSLAUGHT – In Search Of Sanity – In Search Of Sanity (1989 London Records) 11.- HEED – Last Drop Of Blood – The Call (2005 Metal Heaven) 12.- TESTAMENT – Electric Crown – The Ritual (1992 Atlantic/Megaforce) 13.- FIFTH ANGEL – The Night – Fifth Angel (1986 Shrapnel/Roadrunner Records) 14.- DIO – I Speed At Night – The Last In line (1984 Vertigo Records) 15.- LEATHERWOLF – Thunder – Street Ready (1989 Island Records) 16.- ANNIHILATOR – The Edge – Set The World On Fire (1993 Roadrunner Records/Epic Records) 17.- ELEGY – Darkest Night – Supremacy (1994 T&T Records) 18.- YNGWIE MALMSTEEN – Another Time – Facing The Animal (1997 Pony Canyon) 19.- TAKARA – When Darkness Falls – Eternity: The Best 93-98 (2004 Lion Music) 20.- TEN – The Name Of The Rose – The Name Of The Rose (1996 MTM Music) 21.- NIGHTINGALE – Nightfall Overture – Nightfall Overture (2005 Black Mark Production) 22.- MILLENIUM – On And On (MICHAEL SCHENCKER GROUP´s Cover) – Hourglass: The Complete Sessions Remastered (2017 Divebomb Records) 23.- LILLIAN AXE – Those Who Pray – Psychoschizophrenia (1993 I.R.S./Grand Slam) 24.- QUEENSRYCHE – Hand On Heart – Empire (1990 Emi) 25.- AXE – Anyway On This Highway (Is Home) – Five (1997 Zero/MTM Music) 26.- JADED HEART – How Many Tears – Inside Out (1994 Long Island) 27.- BONFIRE – Shooting Star – Glorious (2015 Borila Records) 28.- GLENN HUGHES – From Now On – From Now On (1994 Roadrunner Records) 29.- TOTO – Time Is The Enemy – Tambu (1995 Legacy) 30.- KENS DOJO – Reincarnation (feat CHESNEY HAWKES) – Reincarnation (2010 Metal Heaven) Directed by Jesús Alijo LUX DON'T LET ANYONE GET AHEAD OF YOU! FEEL FREE TO REGISTER, ENJOY, COMMENT, FOLLOW AND SHARE, THANK YOU.
Den superoriginelle kompositören som ville få musiken att bokstavligen tala tjeckiska. En het kärlekspassion på ålderns höst förlöste en sällan skådad kreativitet. Lyssna på alla avsnitt i Sveriges Radio Play. Låtlista Mähriska danser för piano, nr 15 – Thomas Adès The Wandering Madman – Nederländska Kammarkören, Barbara Borden, Jetse Bremer, David Barick, Reinbert De Leeuw (Philips, 1993) In the mists – Leif Ove Andsnes (Virgin Classics, 1990) Jenufa: Uvertyr – Wienerfilharmonikerna, Elisabeth Söderström, Charles Mackerras m fl (Decca, 1982) Jenufa: Necham jeste The Diary of One Who Disappeared, JW V - 12 - No. 22, Sbohem, rodny kraju – Pavol Breslik Den listiga lilla räven, förspel – Wienerfilharmonikerna, Sir Charles Mackerras, Lucia Popp, Eva Randová, Dalibor Jedlička. (London Records, 1982) Den listiga lilla räven, ”1/19” Den listiga lilla räven, ”2/8” Kreuzersonaten – Mandelring Quartet (Audite, 1999) Sinfonietta, första satsen – Wienerfilharmonikerna, Claudio Abbado (DGG, 1987)
Skateboard Marketing Ltd. Company Overview: Skateboard Marketing Ltd. has been at the forefront of independent metal radio promotion for the past 30 years since forming in 1991. The company has worked with legendary rock and metal heavyweights such as Black Sabbath, Motorhead, Iron Maiden, Judas Priest, Metallica, Pantera, Soilwork, Testament, Morbid Angel, Black Label Society and Kid Rock, among countless others. Skateboard Marketing operates within North America and is located in New York. Their concept is to get radio airplay in any place that has metal or rock programming. They still believe in artist development and building a fan base for the unknown artist. Every band has their time to shine, but that takes artist development. Skateboard Marketing Ltd owner, Munsey Ricci, is a former PolyGram Records executive who was the Director of National Metal Promotion from 1989-1991 and created the first metal department for the label and all affiliated labels, including Mercury, Polydor, RooArt, and London Records. Ricci also worked for the famed Combat/In-Effect Records in Hollis, Queens. Ricci was also on the editorial staff and collated the magazine for CMJ Media and a former syndicated radio programmer prior to PolyGram Records. Ricci spent 5 years as MD/PD for his college station WQCC while attending college. Covering the entire spectrum of radio with syndicated, satellite, commercial, and college metal. Skateboard Marketing covers over 350 stations nationally for the US and Canada. This includes all the syndicated, commercial metal and rock specialty shows with college and public radio. "It's any outlet where a record can be heard" Artist development starts on the street, in someone's bedroom on their stereo, or even a fan listening to something new in their car. Today a new band will have 20 fans, tomorrow they will have 50. It's all a stepping stone to bring something cool to the masses. It all applies to heritage artists as well. The only difference is they sold 2 million records to go with it. It's about creating the new fan whether it's for Motorhead and Black Sabbath, or for new artists such as Misery Kills. The company's staple roster consists of, Overkill, Testament, Judas Priest, Black Sabbath, Exodus, Death Angel, Soilwork, Biohazard, Ozzy Osbourne, Doro Pesch, and Sepultura It's a huge pleasure to be graced by talent on all levels. There is nothing better than getting on the phones in the morning and "Making something from nothing" Music is in the blood of every band, industry executive and fan. The companies office is based 25 minutes east of Manhattan, in Neighboring Valley Stream. They have a staff of 2 people covering syndicated, commercial , and college radio, as well as social media on board. New York-based radio promotion powerhouse Skateboard Marketing Ltd., headed by music industry veteran Munsey Ricci, is celebrating its 30th anniversary of taking heavy metal and hard rock music to the airwaves. “It's been 30 years already,” Ricci says. “Time seems to fly when you're having fun. I've been blessed and graced to have the opportunity to work with the artist roster we have. Every morning I get up and still live to walk into the office and do this gig. I just don't get tired of it and need more!” Founded in 1991 by the former PolyGram Records executive, Skateboard Marketing Ltd. quickly established itself as the leader in radio and artist development with a focus on all formats of aggressive music for three decades. Love of music, longstanding relationships and profound respect from colleagues and artists have earned the company a reputation as the go-to company to for national radio promotion in North America. “Munsey and Skateboard Marketing do what they do because they LOVE IT,” says SiriusXM's Jose “Metal Ambassador” Mangin. “There's no one in the world that is as seasoned and dedicated to the art of metal promotion. I've been helping Munsey spread the good gospel of metal for 25 years, and we're both just getting started! Congrats on 30 f'in years of dominance!” Syndicated radio host and author Full Metal Jackie adds, “Munsey is integral to the heavy music scene. He carries the torch proudly and at this point he is basically a de facto member of most of your favorite metal bands. Cheers Munsey & Skateboard.” These sentiments are echoed by the artist's Skateboard Marketing Ltd. has represented, with many noting the integral part the company has played in their success. “Skateboard Marketing has been part of my team for 20 years now,” says Megadeth bassist David Ellefson. “They understand and connect with my fans and record buying customers which makes the business of music that much better and easier. Happy 30th Skateboard and thanks for all you do!” Says Overkill vocalist Bobby Blitz, “Congratulations to Munsey and Skateboard on 30 years of keeping the airwaves chock full of the heaviest metal! For decades now we call him the 6th member in the Overkill camp, as he has gone above and beyond to help bring our craft to those who crave it. Happy anniversary Skateboard, from Chaly and the boys!” Singerman Entertainment's Todd Singerman notes, “Skateboard Marketing, under the enthusiastic stewardship of Munsey Ricci, has helped consistently propel Motörhead's music to the ears and hearts of thousands upon thousands of ears for over three decades. Munsey remains that rare combination of class and action.” Add Wendy Dio, “Munsey Ricci and Skateboard Marketing have supported every Dio record throughout Ronnie's career and continue to support us.” While Director of National Metal Radio Promotion at PolyGram Records, Ricci created the first metal radio department for the label and all of its affiliates, including Mercury Records, Polydor Records, RooArt and London Records, where the artist roster included bands like Mortal Sin, Onslaught, Yngwie Malmsteen, Kiss, Doro Pesch, The Scorpions, Rush, Tony MacAlpine, and Vinny Moore. Ricci also previously worked for CMJ Media and Combat/In-Effect Records, and programmed radio for five years prior to his label stint, learning and working next to some of the most influential people in the radio promotion world and leading to the success of Skateboard Marketing Ltd. “I've had the pleasure of knowing Munsey for close to 25 years,” says Rob Rush, Program Director/PM Drive Jock 94.3 The Shark Long Island. “He is a consummate professional and has always gone above and beyond for the bands that he promotes, and the radio stations that play his bands. He is a true class act and I'm proud to call him one of my best friends! Here's to 30 more years of Munsey and Skateboard Marketing!!!” SiriusXM Volume's “TrunkNation” host Eddie Trunk conquers. “I've known and worked with Munsey for all 30 years of Skateboard Marketing and beyond,” he says. “He's always had a great passion for rock and metal music and all the projects he works. All the best for the next 30 to all at Skateboard!” Seeing a void for heavy music in the radio trades, Ricci launched Metal Contraband in 2016. Metal Contraband, in conjunction with Radio Contraband, fills that gap as a destination for labels, management and artists looking for accurate information, including a metal chart consisting of commercial, syndication as well as large college stations, a metal news section for up-to-date news on tours and festivals, ad dates and street dates. Also included is an overall release schedule for metal add dates at radio. Metal Contraband has become the most reliable source to gauge the success of a record at radio. Adds Joey Z of longtime Skateboard client Life Of Agony, “It's hard to believe that Munsey and the team at Skateboard Marketing have been grinding it out for all of us for 30 years. Life Of Agony is so grateful for all the help and support the team has given us throughout the years... We wish them continued success for at least another 30!!” “Munsey is the only metal radio game in town,” says Adrenaline PR's Maria Ferrero. “Period.” The company's roster has ranged from the smallest to the biggest heavy metal and hard rock bands. Its staple roster consists of Motörhead, Overkill, Testament, Judas Priest, Ronnie James Dio, Black Sabbath, Exodus, Death Angel, Soilwork, Parkway Drive, Ozzy Osbourne, Sepultura, Soulfly, and many labels including Napalm, Nuclear Blast, Century Media, E- One Entertainment, Warner Music, BMG, Sony, Pavement, Metalville, Spinefarm, Fearless and Universal. Skateboard Marketing Ltd. has also worked on radio campaigns with Iron Maiden, Monster Magnet, Crowbar, Metallica, Megadeth, Slayer, Doro Pesch, Veil Of Maya, At The Gates, Body Count, High On Fire and many others. “Rip Magazine and Skateboard Marketing rolled loud and proud together back in the day,” says Lonn M. Friend, author of Life on Planet Rock. “Congrats to Munsey on three decades of prosperous decadence.” SKATEBOARD MARKETING online: www.Skateboard-Marketing.com www.facebook.com/pages/Skateboard-Marketing-Ltd/102440986494312 www.instagram.com/skateboardmarketing https://twitter.com/Skateboardmkt www.pinterest.com/skateboardmkt http://skateboardmarketing.tumblr.com www.youtube.com/skateboardmarketing1 METAL CONTRABAND online: http://metalcontraband.com www.facebook.com/metalcontraband www.instagram.com/metalcontraband https://twitter.com/Metalcontraband For press inquiries and additional information, please contact Adrenaline PR: Maria Ferrero, 732-462-4262, maria@adrenalinepr.com Get your free 3 Keys to Freedom training at www.iFreedomHackNow.com
Die Resterampe und die Beschaffungskriminalität. Unsere Sendung auf Radio Corax (Halle) im Nachtprogramm der Freien Radios und als Ersatzsendung auf Pi Radio (Berlin Ost). Das Ende des Radios als Hoffnungsschub, insbesondere wenn sich die reichsten Teile der Welt aus einer Krise heraus impfen. ## April 2021 (#2) 1. $Ono$ Cliq Feat. Radrik Gee & Jonko2X — Kaassoufflé (Kaassoufflé — 14. März 2021 — Kumpelmusik) 2. Jimi Tenor — Plan 9 (Deep Sound Learning: 1993–2000 — 9. April 2021 — Bureau B) 3. Moscht — Hoss (Leg di hin, steh wieda auf — 12. Februar 2021 — Moscht Records) 4. Aphrodite — Cocaine: Remix (Stick Together: Remix/Cocaine: Remix — 2. März 2020 — Urban Wax/Vinyl Fanatiks) 5. The Armed — ULTRAPOP (ULTRAPOP — 16. April 2021 — Sargent House) 6. ltfll — two: ltfll DT1 (Deflect Trial — 4. März 2021 — Kaer'Uiks) 7. The Orb — Queen of Hearts: Duck or Drown/Moody Boyz Remix (Abolition of the Royal Familia: Guillotine Mixes — 19. November 2020 — Cooking Vinyl Limited) 8. Prefuse 73 — Sine Games (The Failing Institute of Season No.2 — 2. April 2021 — Not On Label) 9. The Psyched — Lucky Ducks (Body Buzz — 14. März 2024 — Specious Arts) 10. Interior Geometry — window glow (How to Be Invisible — 2. April 2021 — Interior Geometry) 11. Lee "Scratch" Perry — Ever Forward Dub (Dubz Of The Root — 12. März 2021 — MEGAWAVE) 12. Room Of Wires — Plague of People (Plague of People — 13. April 2021 — ant-zen) 13. Hainbach — Krisen (Landfill Totems — 8. April 2021 — SA Recordings) 14. Elegiac — He Folds (Elegiac — 30. April 2021 — UPP RECORDS) 15. Vatican Shadow — The Other Blackbirds Required Shipping To Their Final Resting Places Which Necessitated Their Wings Being Sawed Off By Worldwide Aircraft Recovery (SR-71 Blackbird Survivors — 29. April 2021 — Hospital Productions) 16. The Manges — Vengeance Is Mine (Go Down: Remastered — 2. Juni 2018 — Striped) 17. Jean-Michel Jarre — Amazônia, Pt. 1 (Amazônia — 19. März 2021 — Columbia/Sony Music) 18. Dry Cleaning — Scratchcard Lanyard (New Long Leg — 2. April 2021 — 4AD) 19. TANS — Contaminations (Contaminations — 30. März 2021 — Diffuse Reality Records) 20. Michael Kamen & Orbital — The Event Horizon (Event Horizon (Music From & Inspired By The Film) — 14. Oktober 1997 — London Records) 21. The Prodigy — Funky Shit (The Fat of the Land — 30. Juni 1997 — XL Recordings) 22. Godspeed You! Black Emperor — A Military Alphabet: Five eyes all blind-4521.0kHz 6730.0kHz 4109.09kHz/Job's Lament/First of the Last Glaciers/Where we break how we shine: Rockets For Mary (G_d’s Pee AT STATE’S END! — 2. April 2021 — Constellation) ### Informationen * Maisendung auf Pi Radio: 28. Mai 2021 um 1:00 Uhr * Maisendung auf dem Nachtprogramm der Freien Radios (zZ Radio Corax u.a.): 11. Juni 2021 um 0:00 Uhr (Wenn alles gut geht) * http://subtracks.funkwelle.org/ ## Subtracks Neuste Errungenschafften und ungespielte Neuveröffentlichungen. Das was von einer Hitparade übrigbleibt, trocken wiederverwendet, um die Datenhalden abzubauen. * https://subtracks.funkwelle.org
Alan Parks is a writer, who has, to date, published four highly-acclaimed crime novels set in Glasgow in the 1970s and featuring Detective Harry McCoy - Bloody January, February's Son, Bobby March Will Live Forever and, most recently in March 2021, The April Dead. He had previously worked in the music industry for over 20 years, initially with a music management company before joining London Records where he commissioned music videos, artwork and photography. He continued in that role when it became Warners. See acast.com/privacy for privacy and opt-out information.
RockerMike and Rob discuss the making of Rolling Stones Satanic Majesties Request Their Satanic Majesties Request is a studio album by the English rock band the Rolling Stones, released in December 1967 by Decca Records in the UK and by London Records in the US. It is their sixth British and eighth American studio album, and their first to be released in identical versions in both countries. The album's title is a play on the "Her Britannic Majesty requests and requires..." text that appears inside a British passport. Their Satanic Majesties Request Rolling Stones - Their Satanic Majesties Request - 1967 Decca Album cover.jpg Studio album by The Rolling Stones Released 8 December 1967 Recorded 9 February – 23 October 1967 Studio Olympic, London Genre Psychedelic pop[1][2] acid rock[3] experimental rock[4] psychedelic rock[5] Length 44:06 Label Decca (UK) London (US) Producer The Rolling Stones The Rolling Stones UK chronology Between the Buttons (1967) Their Satanic Majesties Request (1967) Beggars Banquet (1968) The Rolling Stones US chronology Flowers (1967) Their Satanic Majesties Request (1967) Beggars Banquet (1968) Singles from Their Satanic Majesties Request "In Another Land"/"The Lantern" Released: 2 December 1967 "She's a Rainbow"/"2000 Light Years from Home" Released: 23 December 1967 The band experimented with a psychedelic sound on Satanic Majesties, incorporating unconventional elements such as Mellotron, sound effects, string arrangements, and African rhythms. The album was self-produced by the band following the departure of manager/producer Andrew Loog Oldham, and the prolonged recording process was marked by drug use, court appearances, and jail terms by members of the band. The original LP cover features a lenticular image by photographer Michael Cooper. Please follow us on Youtube,Facebook,Instagram,Twitter,Patreon and at www.gettinglumpedup.com https://linktr.ee/RobRossi Get your T-shirt at https://www.prowrestlingtees.com/gettinglumpedup And https://www.bonfire.com/store/getting-lumped-up/ Subscribe to the channel and hit the like button --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/rob-rossi/support https://itunes.apple.com/us/podcast/getting-lumped-up-with-rob-rossi/id1448899708 https://open.spotify.com/show/00ZWLZaYqQlJji1QSoEz7a https://www.patreon.com/Gettinglumpedup #rocknroll #instamusic #alternative #art #guitar #singer #love #photography #punk #fashion #newmusic #beautiful #concert #musicians #metalhead #songwriter #rock #singersongwriter #guitarist #livemusic #photooftheday #artist #musician #rap #cute #beauty #producer #live #band #hiphop --- Support this podcast: https://anchor.fm/rob-rossi/support
Kieran and Derek are joined by Dave Browne from Dublin Band, PictureHouse. Originally signed to London Records in 1994, a rather tumultuous time resulted in the band returning to their native Dublin. They self-financed the release of their debut album "Shine Box". The album produced a number of popular singles such as "Somebody Somewhere", "The World and His Dog" and the smash hit "Heavenly Day". With success in their native Ireland the band toured with fellow Irish band The Saw Doctors on their UK tour in 1996. They later supported Bon Jovi in Dublin in the following year. We also talk of the smash hit Sunburst. Dave talks to the lads about the origins of the band and the stories behind touring with Meat Loaf and the perils of the recording industry. The episode is sponsored by Everyday Flowers. Beautiful faux silk flowers for every occasion. Please check out all the social media for great arrangements and don't forget to mention the podcast if ordering !
On this episode of Spaceport Radio, Reed and I catch up with my friend Tom Ashton about life as a guitarist for eminent post-punk band The March Violets. his long career as a composer for films. what it was like living in the 'goth ground zero' of Leeds in the 80s, producing albums in his Athens, Georgia studio, and what bands he has an eye on in 2021. I always enjoy getting to sit down with Tom and experience his stories and his special insight into the creative process, a perspective that goes beyond music and applies to any artistic discipline. Tom Ashton is an original founder member and guitarist of legendary early 80's British darkwavers The March Violets. Based in Gothic central, Leeds, UK, the band released many tracks which went on to be rated as classics of their genre. He also guested in bands such as Sisters Of Mercy, The Danse Society and toured with Clan Of Xymox. In 1987 his music was featured in director John Hughes' coming of age drama, Some Kind Of Wonderful. A year later he co-wrote the score for Zelda Barron's teen thriller Forbidden Sun during his stint in London Records' band Hard Rain. After reforming in 2007, The March Violets released their first proper studio album in 2013, Made Glorious. The band also toured extensively in the US and Europe. In 2012 Tom returned to film scoring and has now completed 8 features with director Daniel E. Falicki and two shorts for director Ryan Lieske. In 2016 he founded SubVon Studio based in Athens, Georgia, and since then has recorded, mixed, and mastered many Georgia based darkwave bands including Vision Video, Tears For The Dying, Hip To Death, and Entertainment! Reed Reimer Composer, Writer, Musician, Producer, Fable Factory Lead. He can also be found on Bandcamp and Spotify. Fable Factory A collective of Storytellers creating projects in all formats and genres. https://www.fablefactory.org Mobius Theory Apparel + Designs to Rekindle Awe & Wonder. https://www.mobiustheory.com --- Send in a voice message: https://anchor.fm/mobiustheoryco/message
Take your shoes and socks off, bow and get ready to step into the Cobra Kai Dojo where fear does not exist! This episode is filled with Karate Kid memories and Kaiti and Phil's take on the once YouTube series turned Netflix show Cobra Kai which just released it's third season last month. We start off the episode with movie news covering Spiderman, Game Stop and more. The episode is balanced out, just as Mr. Miyagi would like, with a quiz all about karate kids throughout the years. No one would miss the All Valley Karate Tournament or this episode of Muggle with a Mic! No Mercy! Intro Music: Take a Chance Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0 "Cruel Summer" Bananarama from the album Bananarama, April 1983, London Records, Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain, Keren Woodward. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/mugglewithamic/support
Andy Lopata has been a specialist in professional relationships and networking for over 20 years. He was called one of Europe's leading business networking strategists by the Financial Times, and a true master of networking by the Independent and Forbes.com. He is the author of five books. Andy is a fellow and a board member of the Professional Speaking Association UK and Ireland, and a fellow of the Learning and Performance Institute, as well as a Master of the Institute for Sales Management. He is also one of just 26 recipients of the PSA's top honor, the Award of Excellence. And, believe me, he didn’t take any shortcuts to accomplish any of those achievements. Andy came from a background where the expectation was that he'd be a lawyer or an accountant and he did study accountancy, then switched to political science. After two years at a university, he left to work in the music recording industry, something he had dreamed of for a long time. He scouted bands for London Records. Andy bounced around to many jobs in his twenties as he lacked direction. He worked as a civil servant, ran car parks, did sound engineering, tax collecting, worked on film sets, and at some of the finest golf clubs in the world. During this time, he traveled extensively around the world, working all along the way. Some of his jobs lasted a couple of years before he moved on to new places. In this week’s Work From The Inside Out podcast, learn more about Andy’s journey: Andy said working on film sets was one of his favorite experiences and next to that was working as a steward at the Royal Albert Hall in London. He wrote letters home to family and friends as he traveled and kept copies of his writing as he also wanted to become a professional writer. Andy’s father started a business networking organization with which Andy worked for seven years. He ran networking groups and developed a training and speaking program. He repositioned his career to focus on professional relationships and wrote his two most recent books: Connected Leadership and Just Ask: Why Seeking Support Is Your Greatest Strength. Andy also hosts The Connected Leadership Podcast in which he interviews a variety of business leaders discussing the role that networks and professional relationships play in leadership success. Learn more and connect with Andy here: http://www.twitter.com/andylopata http://www.facebook.com/networkingstrategy https://www.linkedin.com/in/networkingstrategy https://www.youtube.com/channel/UC7NXyzpWTNK9O_0l2NYyl3g https://www.instagram.com/connecting_is_not_enough https://lopata.co.uk/ Listen, subscribe and read show notes at www.tammygoolerloeb.com/podcasts/ - episode 110
Show #880 That's Old An episode with music of 40-plus years old. 01. ZZ Top - Precious And Grace (3:10) (Tres Hombres, London Records, 1973) 02. Taj Mahal - Bacon Fat (6:40) (Giant Step/De Ole Folks At Home, Columbia Records, 1969) 03. Dr. Feelgood - Drop Everything And Run (3:14) (Let It Roll, United Artists Records, 1979) 04. Sonny Jones - Love Me With A Feeling [1939] (2:51) (Carolina Blues Guitar 1936-1939, Old Tramp Records, 1994) 05. Memphis Slim & Canned Heat - Trouble Everywhere I Go (3:50) (Memphis Heat, Blue Star Records, 1974) 06. Johnny Burnette Trio - Chains Of Love [1956] (2:32) (The Legendary Johnny Burnette Rock'n'Roll Trio, Charly Records, 1984) 07. Fenton Robinson - Checking On My Woman (3:26) (Somebody Loan Me A Dime, Alligator Records, 1974) 08. Mississippi John Hurt - Spike Driver Blues (2:30) (Avalon Blues, Rounder Records, 1963) 09. Doc Watson - Spikedriver Blues (2:39) (Doc And The Boys, United Artists Records, 1976) 10. Charley Musselwhite Blues Band - Bag Gloom Brews (9:09) (Stone Blues, Vanguard Records, 1968) 11. Ruth Brown - Daddy Daddy (2:52) (Rock & Roll, Atlantic Records, 1957) 12. Charles Carson - Time Has Expired [1962] (2:22) (Gumbo Stew, Ace Records, 1993) 13. Son Seals - Telephone Angel (5:27) (Midnight Son, Alligator Records, 1976) 14. Dorothy Ellis - Slowly Going Out Of Your Mind [1952] (Rare Blues Girls From King, Sing Records, 1988) 15. Sonny Boy Williamson II - Lonesome Cabin [1960] (3:01) (Bummer Road, Chess Records, 1969) 16. Flavium - Nightlife (3:44) (No Kiddin', Polydor Records, 1979) 17. JB Lenoir - If I Get Lucky [1966] (3:00) (Vietnam Blues, Evidence Records, 1995) 18. John Sebastian - Harpoon (2:21) (Tarzana Kid, Warner Bros, 1974) 19. Paula Lockheart - Black Mountain Blues (3:48) (It Ain't The End Of The World, Flying Fish Records, 1979) 20. Frankie Miller - Mail Box (3:13) (Once In A Blue Moon, Chrysalis Records, 1972) 21. Johnny Mars - Cruisin' (3:18) (Johnny Mars And The Oakland Boogie, Big Bear Records, 1976) 22. Little Bill Gaither - Moonshine By The Keg [1941] (2:46) (Booze & The Blues, Columbia Records, 1996) 23. John Lee Hooker - One Bourbon, One Scotch, One Beer [1966] (3:02) (Chess Chartbusters Vol. 4, Chess Records, 2008) 24. John Dummer Blues Band - Nine By Nine (3:16) (John Dummer's Famous Music Band, Fontana Records, 1970) 25. Kenny Burrell & Jimmy Smith - Blues For Del (6:11) (Blue Bash!, Verve Records, 1963) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.
durée : 00:08:19 - Dans la playlist de France Inter - par : Jean-Baptiste AUDIBERT, Thierry Dupin, Muriel Perez, Julien Deflisque - Ce label anglais mythique a produit un grand nombre de tubes dans les années 80 et 90 en valorisant la scène dance pop-new wave alors naissante.
True House Stories Podcast with special guests by Lenny Fontana
TRUE HOUSE STORIES WITH FARLEY & HELLER INTERVIEW BY LENNY FONTANA PODCAST 025 (PART 2) Respected UK dance music producers and remixers, Terry Farley and Pete Heller initially found success in the UK in the early 90s. Londoner Terry Farley was a fan of Studio One reggae and ska before becoming involved with the London soul club scene during the 80s. Pete Heller grew up on the south coast of England and began his musical career by Djing in a Brighton discotheque, playing disco, hip-hop and house. After playing warm-up sets for Danny Rampling, Heller and Andrew Weatherall formed the Boy's Own collective, running a fanzine, Boy's Own club nights and eventually a record label - Junior Boy's Own. Farley and Heller's initial productions as a team with Hugo Nicholson were released as Bocca Juniors. Since then, they have remixed for many artists including Michael Jackson, Jamiroquai, Sunscreem, K-Klass, Simply Red, New Order, U2, Janet Jackson, Boy George, and the Pet Shop Boys. Their own productions have appeared under the name Fire Island and have been hugely popular on the club scene. As Fire Island, they covered Machine's 1979 classic ‘There But For The Grace Of God'. Their 1997 recording ‘Ultra Flava' was a huge hit in European clubs and Ibiza and eventually became a UK Top 40 hit when the vocals of Ultra Naté were added. In 1999, Heller's track ‘Big Love' was signed to Pete Tong's London Records and quickly became ubiquitous on European dancefloors (especially those in Ibiza) before entering the UK charts at number 12. Building on their reputation as excellent club DJs, they also mixed Late Night Sessions for the Ministry
Flowered up with Des Penney in conversation with David Eastaugh The band was formed in mid-1989 by singer Liam Maher along with lifelong friend, Darren 'Des' Penney. Des would co-write lyrics and manage the band. The original line up included the late John O'brien on drums, Joe Maher, Liam's younger brother, on guitar and bass player Andrew Jackson. Simon Gannon would guest on keyboard and this line up would play the first two gigs. After a few changes in personnel, the settled line-up included keyboardist Tim Dorney and drummer John Tuvey, with dancer Barry Mooncult adding to their live shows. After releasing two singles ("It's On" and "Phobia") on Heavenly Records, both of which were minor hits, Flowered Up signed to London Records and recorded their only album, A Life With Brian, in 1991. "Take It" had lyrics from Joe Strummer. The group appeared on the covers of both Melody Maker and NME before releasing the album. A Life With Brian contained many of their popular live songs, as well as new versions of the previously released singles. Not long afterwards, Flowered Up released the 13-minute-long single "Weekender" on Heavenly, with a video directed by W.I.Z. starring Lee Whitlock and Anna Haigh. Despite the group's - and Heavenly's - refusal to compromise on a standard-length edit for radio play (although two "radio edits" were circulated, neither really addressed the needs of radio programmers, as one was merely the full-length version but with the two instances of the phrase "fuck off" muted, while the other reduced the length of the intro, but still ran for over 12 minutes), the track went on to become their biggest hit, reaching number 20 in the UK Singles Chart. After much-publicised drug problems with some members of the band, and unproductive (and some unreleased) studio work, the band split up. Keyboardist Tim Dorney went on to form Republica.
Show #863 Do Not Play It Down The corona virus is still around. And playing it down is not wise. 01. Skylar Rogers - Like Father Like Daughter (3:01) (Single, self-release, 2020) 02. Paul Boddy & the SlideWinder Blues Band - Over The Hump (3:28) (Friends Of Tuesday, Slide Records, 2020) 03. Tammi Savoy & The Chris Casello Combo - Big Baby (3:25) (That Rock 'N' Roll Rhythm!, Swelltune Records, 2020) 04. Alastair Greene - Wontcha Tell Me (4:00) (The New World Blues, Whiskey Bayou Records, 2020) 05. Kim Wilson - If It Ain't Me (3:02) (Take Me Back!, MC Records, 2020) 06. Bonnie Raitt - The Spider And The Fly (3:12) (Live at Lennox Music Inn, August 25 1973) 07. Rolling Stones - The Spider And The Fly (3:39) (Out Of Our Heads, London Records, 1965) 08. Dennis Jones - Like Sheep (3:45) (Soft Hard & Loud, Blue Rock Records, 2020) 09. Clarence Spady - Surrender (4:13) (Single, Nola Blue Records, 2020) 10. Kevin Burt - I'm Busting Out (5:06) (Stone Crazy, Gulf Coast Records, 2020) 11. Dudley Taft - The End Of The Blues (4:15) (Cosmic Radio, American Blues Artist Group, 2020) 12. Tas Cru - Kinda Mess (3:47) (Drive On, Subcat Records, 2020) 13. Jack Blackman - Hard Place To Be (4:34) (Single, Tuery Records, 2020) 14. Savoy Brown - Feel Like A Gypsy (6:03) (Ain't Done Yet, Quarto Valley Records, 2020) 15. E D Brayshaw - When The Walls Come Down (6:10) (Fire Without Water, Mescal Canyon Records, 2020) 16. Whitney Shay - Stand Up! (2:57) (Stand Up!, Ruf Records, 2020) 17. Victor Wainwright & the Train - America (5:09) (Memphis Loud, Ruf Records, 2020) 18. Shemekia Copeland - Uncivil War (4:46) (Single, Alligator Records, 2020) 19. Annika Chambers & Derrick Procell - Black Man's Justice (4:02) (Single, Catfood Records, 2020) 20. Benjamin Adair Murphy - Let's Make A King (2:37) (Let’s Make a King, self-release, 2020) 21. Elvin Bishop & Charlie Musselwhite - What The Hell? (3:06) (100 Years Of Blues, Alligator Records, 2020) 22. ElectroBluesSociety - Umbrella (2:57) (Riffs & Blues EP, Instrumental Blues Records, 2020) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.
Hello dear listeners, and welcome back to another episode of The ODDentity Podcast on the PodMoth Media Network, your weekly foray into the weird, wonky, and sometimes downright spooky. After completing the research on Jack the Ripper last week, I came to the realization that this topic is so large that it actually needs a part 3. So, this week I'll tackle the last 2 canonical Ripper victims and also discuss the top 5 suspects for Jack the Ripper as well as take a look at more recent suspicions of who the Ripper may have been. I was going to incorporate all of the remaining information into a second episode but felt that the victims of Jack the Ripper deserved the extra airtime. If you've not yet listened to part 1 or part 2 of the Jack the Ripper series, please do so before listening to part 3. I've been podcasting since 2017 and I thought it was about time I created some merch. I know, I know, it's way past due. Merch is now available at Shop.spreadshirt.com/oddpodmerch. There are a few to choose from and I think you'll like them. There are also lots of options from mousepads and buttons to tees and hats. From now until September 25th, all orders are 15% off! Show off your weird side and support your favorite podcast! Before we proceed further, please note that the information in this episode may be distressing to some listeners. Listener discretion is advised. The ODDentity Podcast is brought to you on a weekly basis by host Janine Mercer. The podcast is written, produced, and edited by Janine Mercer (unless otherwise stated), and the music is provided by Garage Band. Find the odd pod on Twitter and Instagram @oddentitypod and Facebook as The Oddentity Podcast. You are welcome to email suggestions for future episodes to theoddentitypodcast@gmail.com and if you'd like a transcript of this episode, one will be available at theoddentitypodcast.wordpress.com. Please take a moment to leave a 5* review on iTunes and, if you haven't already, please make sure to mash that Subscribe button to be sure you're in the know when a new episode drops. Sincerest thanks to those who have promoted The ODDentity Podcast to their family, friends, and coworkers. Every little bit helps! UNICO NUTRITION Save $20 on your purchase at WWW.UNICONUTRITION.COM if you use code ODDENTITY at checkout! LUME Visit https://bit.ly/2BTUUSL and be entered every week to win a FREE Lume product! Orders over $20 get FREE first-class shipping. Merch! Shop.spreadshirt.com/oddpodmerch 15% off until Sept. 25th, 2020! Sources Medical report in Coroner's Inquests, no. 135, Corporation of London Records, quoted in Evans and Skinner, pp. 205–207 and Fido, pp. 70–74 Medical report in Coroner's Inquests, no. 135, Corporation of London Records, quoted in Evans and Skinner, pp. 204–205 and Fido, pp. 46–47 https://en.wikipedia.org/wiki/Catherine_Eddowes#:~:text=Catherine%20Eddowes%20(14%20April%201842,from%20late%20August%20to%20early https://strawberrytours.com/london/blog/the-5-most-likely-jack-the-ripper-suspects-and-the-facts-against-them The song Mary Jane Kelly was heard singing the night of her death. https://www.youtube.com/watch?v=0yyBAB8usQI&has_verified=1 Mary Jane Kelley obit The Daily Telegraph, 19 November 1888, page 3; 20 November 1888, page 3 https://en.wikipedia.org/wiki/Mary_Jane_Kelly#cite_note-77 https://en.wikipedia.org/wiki/James_Maybrick
Pod of the Pops: The Girlband Podcast and in series 2 we are deep diving into The Sugababes. We're covering the biggest pop singles of the 00s and deep diving into the solo careers. This week its the Sugababes debut album One Touch, including the era defining debut single Overload which celebrates its 20th anniversary in 2020. Find out how Mutya Keisha Siobhan went from Sugababies to Sugababes after being discovered by All Saints manager Ron Tom and why they were dropped by London Records
The Last special with Joe Nolte in conversation with David Eastaugh The band was initially inspired by the nascent CBGB’s scene as well as the first Modern Lovers album. Its sound was a mix of garage rock, surf rock, folk rock and psychedelic rock. The first settled line-up included Vitus Mataré (keyboards, flute), the Nolte brothers, and Jack Reynolds (drums). After three self-financed singles, the band was signed by Bomp! Records, who issued the debut album L.A. Explosion!in 1979 (described by Trouser Press as "a near-perfect debut").[2] It was also issued in Germany (Line Records), Japan Trio/Trash Records), and the UK by London Records. They recorded a second album, Look Again (1980), which has never been released. The original members began to disappear until its demise in November 1985, with David Nolte joining Wednesday Week and later Lucky, and Mataré forming Trotsky Icepick. The band was considered a major influence on the psychedelia-influenced LA bands of the mid-1980s, including The Bangles and The Three O'Clock, as well as the South Bay punk bands such as Black Flag and the Descendents. Joe reformed the band in 1988 with Mike Nolte along with new members Luke Lohnes (guitar, vocals), Larry P. Manke (bass guitar), and Dave Nazworthy (of Chemical People) (drums). This line-up signed to SST Records, releasing three albums between 1988 and 1996. The early 80’s lineup of the band reunited for occasional reunion shows in Southern California between 2005 and 2013. That year, The Last released a new album for the label End Sounds featuring the Descendents/All rhythm section of Karl Alvarez and Bill Stevenson.
Dans ce 13ème épisode, on ressort le CD 2 Titres de Overload, le premier single du girlband anglais Sugababes.Je reviens sur la formation de ce groupe iconique des années 2000 qui connaîtra pas moins de 3 changement de line-up, pour finir sans aucune des membres originelles... qui heureusement se sont retrouvées en 2012.Suivez-moi, j'appuie sur play ▶️ et c'est parti !Crédits Overload est une chanson écrite par Mutya Buena, Keisha Buchanan, Siobhan Donaghy, Felix Howard, Cameron McVey, Jony Rockstar; Paul Simm2000, London Records.Liens et référencesRetrouvez les titres évoqués dans l'épisode dans la playlist dédiée sur le site ou sur les plateformes de streaming SPOTIFY - APPLE MUSIC - DEEZEROverload live acoustique : https://youtu.be/DdtWK2Da698 Christina Aguilera - Make Over : https://youtu.be/9aiYOTKs3WMOverload reprise par Bastille : https://youtu.be/W5Dm3_zsVL8Sugababes V1 (Mutya, Keisha, Siobhan) - Run For Cover : https://youtu.be/AA85-bQtDukSugababes V2 (Mutya, Keisha, Heidi) - Hole In The Head : https://youtu.be/Lf0tUnUB27I Sugababes V3 (Amelle, Keisha, Heidi) - Denial : https://youtu.be/yYtIWpcNUkMSugababes V4. (Amelle, Heidi, Jade) - About A Girl : https://youtu.be/QCT9n-Mv9AgMutya Keisha Siobhan (MKS) - clip de Flatline : https://youtu.be/xAmm3W5CSBgMutya Keisha Siobhan (MKS) - Flowers (live) : https://youtu.be/L6RKIBu6-ywSiobhan Donaghy (solo) - So They Say : https://youtu.be/aWVjdYJVszUMutya Buena (solo) - Real Girl : https://youtu.be/6v_0zPGhh-gKeisha Buchanan parle de son expérience dans les Sugababes : https://youtu.be/ULUD2QsRt5Q--CD2Titres écrit et bricolé par Loïc Dumoulin Richet.Retrouvez moi sur Twitter et Instagram @CD2Titres_podN'hésitez pas à donner 5 étoiles à ce podcast s'il vous a plu !Générique et jingles composés exclusivement pour CD2Titres par Rod Thomas @brightlightx2
Ir a la navegaciónIr a la búsqueda Y&T 2016 Y&T - by 2eight - DSC7333.jpg La banda en vivo en 2016. Datos generales Nacimiento 1974 Origen Bandera de Estados Unidos Estados Unidos, California Información artística Género(s) Heavy metal, Hard rock, Glam metal Período de actividad 1974 - 1991 2001 - presente Discográfica(s) Varios Artistas relacionados Dave Meniketti Web Sitio web www.meniketti.com Miembros Dave Meniketti Phil Kennemore † John Nymann Mike Vanderhule Exmiembros Leonard Haze† Joey Alves† Jimmy DeGrasso Stef Burns [editar datos en Wikidata] Y&T (Yesterday & Today) es una banda de heavy metal formada en 1974. Provienen de la Costa Oeste de California, Estados Unidos. Dave Meniketti es su guitarrista y vocalista líder La banda grabó dos álbumes con el sello London Records en la década de 1970, antes de lanzar la mayoría de sus discos bajo A&M Records desde 1981. También han grabado con las discográficas Geffen y Avex, entre otras. Han vendido cerca de 4 millones de discos hasta la fecha en todo el planeta Actuales Dave Meniketti – voz, guitarra (1974–1991, 1995–presente) John Nymann – guitarra, coros (2003–presente) Mike Vanderhule – batería (2006–presente) Aaron Leigh – bajo, coros (2016–presente) Anteriores Leonard Haze – batería (1974–1986, 2001–2006; fallecido en 2016) Phil Kennemore – bajo, coros (1974–1991, 1995–2011; fallecido en 2011) Joey Alves – guitarra, coros (1974–1989; fallecido en 2017) Jimmy DeGrasso – batería (1986–1991, 1995–2001) Stef Burns – guitarra, coros (1989–1991, 1995–2003) Brad Lang – bajo, coros (2010–2016) Nombre real Dave Meniketti Nacimiento 12 de diciembre de 1953 (66 años) Nace en Oakland, California, donde inicia su carrera musical, destacándose de los demás por la proficencia con la que tocaba la guitarra y la calidad de su voz. Se vio influenciado por artistas como Jimi Hendrix, John Coltrane, James Brown y Led Zeppelin, lo que posteriormente se vería claramente en su estilo y dirección musical. Con la banda Y&T,3?4? Meniketti ha logrado vender cerca de 4 millones de copias de sus discos alrededor del mundo, grabando 17 trabajos discográficos y realizando extensas giras por Estados Unidos y todo el mundo. Su estilo ha influenciado muchas bandas de rock, y ha sido tenido en cuenta para fichar con agrupaciones tan importantes como Whitesnake y Ozzy Osbourne,5? pero sin llegar a hacerse realidad. Ha grabado dos discos en solitario, On the Blue Side, y Meniketti. En 1985 hizo parte de Hear n' Aid, proyecto liderado por Ronnie James Dio que buscaba recolectar fondos para mitigar el hambre en África. Dave compartió estudio con reconocidos músicos de la escena en la época, como Rob Halford, Geoff Tate y Don Dokken. OPEN FIRE 1985 01 - Open fire 02 - Go for the throat 03 - 25 hours a day 04 - Rescue me 05 - Summertime girls 06 - Forever 07 - Barroom boogie 08 - I believe in you
[GROUP PICK] In 1969, Black Sabbath helped breathe life into a new form of rock called heavy metal--and in 1991, Sleep did the same thing to heavy metal, ushering in a bigger, jammier, and smokier incarnation called stoner metal. Although metal had reached it's peak in popularity in that time, for a lot of fans it had lost it's luster. Metalheads and stoners went underground, finding refuge in genres like doom metal and bands that just jammed hard in their friend's basements, beer-in-hand and bong smoke filling the rooms, like the metal they fell in love with--and Sleep was there to help. Their 1992 release "Sleep's Holy Mountain" was stoner metal's early magnum opus, and set a high bar for those that followed. With widespread critical approval and murmurings in the metal scene about them being the second coming of Black Sabbath, they should have complete artistic freedom on their next project... right? Well... although promised complete artistic freedom at first, once actually signed to London Records, the A&R member who had made the promise was replaced, and Sleep had a dilemma. For the past several years, they had been crafting an hour long epic, referring to it as "Dopesmoker" (due to the massive amounts of cannabis that were "critical" to the writing process) when performing it live and in 1996, freshly out of their deal with Earache Records, they were ready to record it. The band felt as if it was one song and needed to remain that way, without editing it down, but London Records didn't agree. They wanted something that was a little more marketable and had David Sardy create a mixed down 6 track version of it. Sleep and London Records stayed in a deadlock over this and the band actually broke up over the negative experience, Al Cicerno and Chris Hakius going on to create the transcendent band Om and Matt Pike creating High On Fire. But the album was destined to be set free and in 1999 a bootleg version called "Jerusalem" was released, the title based on what the band had been calling the song late in the process, with a Middle Eastern desert theme in mind. However, it was only the 6 track cut of the album, so finally in 2003 they released "Dopesmoker," the song in it's entirety. Join Brad and Jon on this weedian odyssey, with a very special guest, Veronica Echavarria of Madison hardcore punk band Black Cat... Next Up: (05-04-20) The Ventures - The Colorful Ventures Black Cat links: https://www.facebook.com/BlackCatMadison/ https://blackcatmadison.bandcamp.com/releases Insta - @black_cat_madison_ SPOTIFY PLAYLIST NUMBER ONE: https://open.spotify.com/playlist/6Z67Ka5xedSfYIvWw6YNt4?si=GG5CAvtUQ0CWpr74gRn-_A Other Links: www.twitter.com/RevoloverAudio www.anchor.fm/AlbumConceptHour www.twitter.com/AlbumConceptPod www.myspace.com/AlbumConceptHour www.ko-fi.com/RevoloverAudio --- Support this podcast: https://anchor.fm/albumconcepthour/support
Show #840 King Thing Again It is the Dutch king's birthday this week. So Spinner put together a royal show agian. Stay safe and enjoy this King Thing. 01. ZZ Top - Nasty Dogs And Funky Kings (2:46) (Fandango!, London Records, 1975) 02. Bluesix - King Of The New York Streets (5:37) (Ready, Tramp Records, 2008) 03. Muddy Waters - I'm A King Bee (3:51) (King Bee, Blue Sky Records, 1981) 04. Monti Amundson - King's New Clothes (4:18) (The Obvious Rock, Munich Records, 1994) 05. The Radio Kings - Everything's Gonna Be All Light (5:20) (The Radio Kings, CoraZong Records, 2009) 06. Freddie King - Pulpwood (7:14) (The Texas Cannonbal, Shelter Records, 1972) 07. JP Soars - Freddie King Thing (3:17) (Let Go Of The Reins, Whiskey Bayou Records, 2019) 08. Ray Wylie Hubbard - The Ballad Of The Crimson Kings (4:44) (Dangerous Spirits, CRS/Philo Records, 1997) 09. Blues Boy Kings - Can't Get Any Worse (3:48) (Blues Boy Kings, self-release, 2011) 10. Blues 'n' Trouble - King Tut's Wah Wah Hut (1:00) (Down to the Shuffle, Tramp Records, 1991) 11. The Kokomo Kings - Silicone Brain (2:28) (Too Good To Stay Away From, Rhythm Bomb Records, 2017) 12. BB King - How Blue Can You Get (5:09) (Live in Cook County Jail, ABC Records, 1971) 13. Keb' Mo' - Riley B. King (5:17) (Keep It Simple, Okeh Records, 2004) 14. Dr. John - Kingdom Of Izzness (3:37) (Locked Down, Nonesuch Records, 2012) 15. Katy Hobgood Ray - Kings, Queens, And Jesters (4:06) (I Dream Of Water, Out Of The Past Music, 2019) 16. Eddie 9V - Bending With The Kings (3:01) (Left My Soul in Memphis, Hubbub! Music, 2019) 17. Danny Gatton - Sky King (6:41) (Cruisin' Deuces, Elektra Records, 1993) 18. Sass Jordan - Palace Of The King (3:40) (Rebel Moon Blues, Stony Plain Records, 2020) 19. Seth Rosenbloom - Palace Of The King (3:38) (Keep On Turning, Holmz Music, 2019) 20. Bugs Henderson Group - Shuffle King (6:28) (At Last, Armadillo Records, 1978) 21. Chris Daniels & the Kings - All For The Love Of Lill (2:47) (Louie Louie, Moon Voyage Records, 1998) 22. Guy King - King Thing (5:42) (Truth, Delmark Records, 2016) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.
Cleve Hattersley:Cleve Hattersley is a member of the Austin Music Hall of Fame with his band Greezy Wheels, which recorded two albums on London Records and served as the house band of Armadillo World Headquarters in Austin, Texas. He managed the Lone Star Cafe and Blue Note Jazz Club in New York, and traveled the world with Kinky Friedman.Greezy Wheels is an Austin, Texas-based rock/alternative/Americana band that formed in the 1970s. They played more frequently at the Armadillo World Headquarters than any other band in the history of the venue. They are regarded as the Armadillo house band and are elected members of the Austin Music Hall Of Fame.Greezy Wheels' music is a raucous blend of rock, funk, R&B, alt-country, and Ozarks. In their early days, they were the only band with a female fiddler, Sweet Mary Hattersley. Sweet Mary consistently brought the crowd to a screaming frenzy with her version of the "Orange Blossom Special." The music of Greezy Wheels reflected the cultural dichotomy of Austin in the 1970s — a unique place where hippies had roots deep in the heart of Texas. Greezy Wheels opened Willie Nelson's first ever Armadillo World Headquarters show, putting him in front of the hippies who then adopted him and have been his fans ever since. They have shared the stage with (literally) too many greats to name.The band played up to 1978, when they took a 23-year hiatus. Greezy Wheels reformed in 2001 and are now recording for their own label, MaHatMa Records, after releasing two CDs on the Tana Records label. Their music has become more sophisticated, but has kept its off-the-page personality and musical comparisons are difficult to make. Principal writer and leader, Cleve Hattersley, continues to write quirky music that gets good airplay around the country. Sweet Mary still blows people up with her fiddle.Current members of the band: Cleve Hattersley on vocals, guitar, slide guitar, Lissa Hattersley on vocals, Sweet Mary Hattersley on fiddle and vocals, Penny Jo Pullus on vocals, Brad Houser (original member of Edie Brickell & New Bohemians) on bass and baritone sax, John Bush (also an original New Bohemian) on drums, and Matt Hubbard (7 Walkers) on keyboards, harmonica, accordion and trombone.CD's: 'Millennium Greezy' (2001), 'HipPop' (2004), 'String Theory' (2007), 'Gone Greezy' (2011), Kitty Cat Jesus (2013), Unusual Thing (2014)Jeffrey Bryan:Born and raised in Los Angeles. Was a teen in the 80's pursing a solo music career, playing clubs like the Roxy, Wiskey-a-Go-Go, Madam Wongs and every where on the famed Sunset strip and beyond. During this time Jeff landed various Films and TV appearances (aka Jeff Fishman) including The Karate Kid and Hot Moves.He is a composer, singer, keyboard player & guitar player. He sang live on the Merv Griffin Show at the age of 15 and was producing music for local shows including the "Not Too Young For Prime Time Players" at the Roxy on Sunset. After being signed to A&M (Almo-Irving Publishing) as a staff writer, Jeff continued to grow as a musician & performer. He has formed many pop rock groups including the SunLions, with whom he recorded 2 albums and performed in numerous venues, opening for Classic Rock Artists such as E.L.O. and Great White.As a singer Jeff studied privately with Nate Lam for 6 years and Everette Gordon (Boston Phil Harmonic conductor and Musical Director for the Carpenters) for 8 years. He has worked with John Novello (Niacin and past Musical Director for Donna Summer), Francis Buckley (Grammy award winning producer/engineer) and has written music for dozens of independent productions including feature films such as Carnal Crimes (HBO) & Reunion (currently winning awards on the independent circuit).He is currently Keyboardist for the band SURVIVOR, past Musical Director and Keyboardist for Clive Farrington (When In Rome), playing with The K-Tel All Stars and world reknown percussionist C.G. Ryche. In the Studio Jeff is currently composing music for dozens of Cable TV shows (TLC, DISCOVERY, BRAVO, GAME SHOW NETWORK, including The Bachelor, Pawn Stars, The New Price Is Right and is playing keyboards & writing for new artists.Complete Radio Promotional Package: The Douglas Coleman Show is now offering a complete radio promotional package for music artists. 1. Your track aired for 4 weeks over ALL of our online platforms.2. Your track will always be played at the very beginning of the show before commercials or interviews. 3. A 15 minute interview to promote your album, single, upcoming gigs or anything you wish to talk about.4. Your photo, bio and links to your website and music on our website featured music artists section.5. Permanent archive of your interview and track play on Spreaker, Tune in, Stitcher, Itunes, Spotify, and other online platforms. This is a great opportunity for up and coming music artists to get exposure and airplay without any subscription or long term commitments. You get all of this for a one-time fee of $49.99https://douglascolemanmusic.com/crpp for complete details. Sponsorship:If you're interested in being a sponsor on The Douglas Coleman Show, please contact us directly. douglascolemanshow@gmail.comOR if you'd prefer to make a one-time donation, please check out our GoFundMe. http://gofundme.com/the-dcs-needs-your-helpAlso check out our great line of merchandise. https://www.douglascolemanmusic.com/merchandise/
Cleve Hattersley:Cleve Hattersley is a member of the Austin Music Hall of Fame with his band Greezy Wheels, which recorded two albums on London Records and served as the house band of Armadillo World Headquarters in Austin, Texas. He managed the Lone Star Cafe and Blue Note Jazz Club in New York, and traveled the world with Kinky Friedman.Greezy Wheels is an Austin, Texas-based rock/alternative/Americana band that formed in the 1970s. They played more frequently at the Armadillo World Headquarters than any other band in the history of the venue. They are regarded as the Armadillo house band and are elected members of the Austin Music Hall Of Fame.Greezy Wheels' music is a raucous blend of rock, funk, R&B, alt-country, and Ozarks. In their early days, they were the only band with a female fiddler, Sweet Mary Hattersley. Sweet Mary consistently brought the crowd to a screaming frenzy with her version of the "Orange Blossom Special." The music of Greezy Wheels reflected the cultural dichotomy of Austin in the 1970s — a unique place where hippies had roots deep in the heart of Texas. Greezy Wheels opened Willie Nelson's first ever Armadillo World Headquarters show, putting him in front of the hippies who then adopted him and have been his fans ever since. They have shared the stage with (literally) too many greats to name.The band played up to 1978, when they took a 23-year hiatus. Greezy Wheels reformed in 2001 and are now recording for their own label, MaHatMa Records, after releasing two CDs on the Tana Records label. Their music has become more sophisticated, but has kept its off-the-page personality and musical comparisons are difficult to make. Principal writer and leader, Cleve Hattersley, continues to write quirky music that gets good airplay around the country. Sweet Mary still blows people up with her fiddle.Current members of the band: Cleve Hattersley on vocals, guitar, slide guitar, Lissa Hattersley on vocals, Sweet Mary Hattersley on fiddle and vocals, Penny Jo Pullus on vocals, Brad Houser (original member of Edie Brickell & New Bohemians) on bass and baritone sax, John Bush (also an original New Bohemian) on drums, and Matt Hubbard (7 Walkers) on keyboards, harmonica, accordion and trombone.CD's: 'Millennium Greezy' (2001), 'HipPop' (2004), 'String Theory' (2007), 'Gone Greezy' (2011), Kitty Cat Jesus (2013), Unusual Thing (2014)Jeffrey Bryan:Born and raised in Los Angeles. Was a teen in the 80's pursing a solo music career, playing clubs like the Roxy, Wiskey-a-Go-Go, Madam Wongs and every where on the famed Sunset strip and beyond. During this time Jeff landed various Films and TV appearances (aka Jeff Fishman) including The Karate Kid and Hot Moves.He is a composer, singer, keyboard player & guitar player. He sang live on the Merv Griffin Show at the age of 15 and was producing music for local shows including the "Not Too Young For Prime Time Players" at the Roxy on Sunset. After being signed to A&M (Almo-Irving Publishing) as a staff writer, Jeff continued to grow as a musician & performer. He has formed many pop rock groups including the SunLions, with whom he recorded 2 albums and performed in numerous venues, opening for Classic Rock Artists such as E.L.O. and Great White.As a singer Jeff studied privately with Nate Lam for 6 years and Everette Gordon (Boston Phil Harmonic conductor and Musical Director for the Carpenters) for 8 years. He has worked with John Novello (Niacin and past Musical Director for Donna Summer), Francis Buckley (Grammy award winning producer/engineer) and has written music for dozens of independent productions including feature films such as Carnal Crimes (HBO) & Reunion (currently winning awards on the independent circuit).He is currently Keyboardist for the band SURVIVOR, past Musical Director and Keyboardist for Clive Farrington (When In Rome), playing with The K-Tel All Stars and world reknown percussionist C.G. Ryche. In the Studio Jeff is currently composing music for dozens of Cable TV shows (TLC, DISCOVERY, BRAVO, GAME SHOW NETWORK, including The Bachelor, Pawn Stars, The New Price Is Right and is playing keyboards & writing for new artists.Complete Radio Promotional Package: The Douglas Coleman Show is now offering a complete radio promotional package for music artists. 1. Your track aired for 4 weeks over ALL of our online platforms.2. Your track will always be played at the very beginning of the show before commercials or interviews. 3. A 15 minute interview to promote your album, single, upcoming gigs or anything you wish to talk about.4. Your photo, bio and links to your website and music on our website featured music artists section.5. Permanent archive of your interview and track play on Spreaker, Tune in, Stitcher, Itunes, Spotify, and other online platforms. This is a great opportunity for up and coming music artists to get exposure and airplay without any subscription or long term commitments. You get all of this for a one-time fee of $49.99https://douglascolemanmusic.com/crpp for complete details. Sponsorship:If you're interested in being a sponsor on The Douglas Coleman Show, please contact us directly. douglascolemanshow@gmail.comOR if you'd prefer to make a one-time donation, please check out our GoFundMe. http://gofundme.com/the-dcs-needs-your-helpAlso check out our great line of merchandise. https://www.douglascolemanmusic.com/merchandise/
Une série en 6 épisodes lus par Pierre Mikaïloff.Production : Radio Rectangle.Durée : 6 X 25 minutes.En six instantanés, la loose sous les néons clignotants de Las Vegas.Terminus Las Vegas, épisode 2 : Remettez-moi Barry ManilowAvec :• Randy Newman: You Can Leave Your Hat On | The Randy Newman Songbook Vol.1 (Nonesuch , 2003) • Beastie Boys: Fight For Your Right | Licensed To Ill (Def Jam Recordings, 1986)• The Rolling Stones: Off The Hook The Rolling Stones, Now! (London Records, 1965)• Johnny Thunders & The Heartbreakers: Born To Lose | L.A.M.F. (The Lost '77 Mixes) (Jungle Records, 1994)• Barry Manilow: It's A Miracle | Manilow Magic (The Best Of Barry Manilow) (Arista, 1979)
Une série en 6 épisodes lus par Pierre Mikaïloff. Production : Radio Rectangle. Durée : 6 X 25 minutes. En six instantanés, la loose sous les néons clignotants de Las Vegas. Terminus Las Vegas, épisode 2 : Remettez-moi Barry Manilow Avec : • Randy Newman: You Can Leave Your Hat On | The Randy Newman Songbook Vol.1 (Nonesuch , 2003) • Beastie Boys: Fight For Your Right | Licensed To Ill (Def Jam Recordings, 1986) • The Rolling Stones: Off The Hook The Rolling Stones, Now! (London Records, 1965) • Johnny Thunders & The Heartbreakers: Born To Lose | L.A.M.F. (The Lost '77 Mixes) (Jungle Records, 1994) • Barry Manilow: It’s A Miracle | Manilow Magic (The Best Of Barry Manilow) (Arista, 1979)
EVOLUTION est un podcast qui vous explique l’histoire d’un courant ou d’un genre musical. Pendant une heure, je vous explique la genèse et le développement de chaque genre, en vous faisant écouter les morceaux importants qui ont contribué à faire évoluer la musique populaire. Ce cinquième épisode s'intéresse à l'électronisation du disco dans les années 80, quand, dans la communauté noire et gay de Chicago naît un dérivé du disco, artisanal et synthétique, qui deviendra la forme de dance music la plus populaire dans les années 90 : la house music. Tracklist : Frankie Knuckles – The Whistle Song (E.K. 12’’ mix) [Virgin Records, 1991] Patrick Cowley – Menergy [Polydor, 1981] D Train – You’re The One For Me (special dub – vocal edit) [Prelude Records, 1981] Jesse Saunders – On and On [Jes Say Records, 1984] Steve ‘Silk’ Hurley – Jack Your Body (dub your body) [London Records, 1985] Phuture – Acid Tracks [Trax Records, 1987] Bam Bam – Where’s Your Child? [Westbrook, 1988] Paul Johnson – Feel My M.F. Bass [Dance Mania, 1994] DJ Funk – Booty Clap [Funk Records, 2003] Mr. Fingers – Can You Feel It? [Trax Records, 1986] Metro – Brownstone Express [Nu Groove Records, 1990] KB – Feelin U (Osunlade remix) [Yoruba Records, 2005] Moodymann – Tribute! (To The Soul We Lost) [KDJ, 1994] Nightcrawlers – Push the Feeling On (the dub of doom) [Great Jones, 1992] Masters At Work – I Can’t Get No Sleep feat. India (Ken/Lou 12’’ version) [Cutting Records, 1993] The Reese Project – The Colour of Love (Underground Resistance 12’’ mix) [Giant, 1992] Daft Punk – Around the World [Virgin Records, 1997]
Generating Steam HeatToday's Bombshell (Bombshell Radio)Bombshell Radio4pm EST 9pm BST 1pm PDT bombshellradio.com#GeneratingSteamHeat #Postpunk #punk #newmusic #60sClassics #Ska #60sGarage #StitcherRadio #Itunes #BombshellRadioNations On Fire-Four More Reasons (From the Strive Records MLP ‘Burn Again’ 1992)Petrol Girls-Restless (From the Bomber Music Records album ‘Talk Of Violence’ 2017)Acid Dad-2Ci (Greenway Records Flexi single 2018)Breakfast Muff-Patient (From the Prawnshell Records cassette EP ‘Crocodile’ 2018)Armada-Eterno Majuro (From the Pirates Press Records album ‘Bandeira Negra’ 2018)Boss-I’m the Dog (You’re the Ball)-Digital track 2018 (Self released digital single 2018)Velodrome-His Physique (Self released digital single 2018)Rixe-Nuit Rasoir (From the La Vida Es Un Mus Records cassette EP ‘Cassette Promo’ 2018)Mathematiques Modernes-Disco Rough (Celluloid Records 7’’ 1980)Monsula-Razors (From the Lookout Records EP ‘Nickel’ 1991)Cro-Mags-Hard Times (From the Profile Records album ‘The Age Of Quarrel’ 1986)Krimewatch-New York Nightmare (From the self titled Lockin’ Out Records album 2018)Sex Beat-Sex Beat (From the London Records album ‘Young Libs and Numb Hyms’ 1983)The Gun Club-Sex Beat (From the Ruby Records album ‘Fire Of Love’ 1981)Jenn Champion-O.M.G. (I’m Over It) (Hardly Art Records digital single 2018)The Fur Coats-Milkdromeda (From the Johann’s Face Records EP ‘Milkdromeda’ 2018)Iron Chic-My Best Friend (Is a Nihilist) (From the Side One Dummy Records album ‘You Can’t Stay Here’ 2017)
Show #728 Great Stuff from Past & Present For this show Spinner browsed thru his vinyl record collection and picked out a few tracks from the past. But he also presents to you some more recent music, even some brand new stuff. Enjoy! 01. Buzzy Linhart - The Bag I'm In (3:47) (Music, Eleuthera Records, 1970) 02. Ike & Tina Turner - Sho Ain't Me (3:08) (So Fine, London Records, 1968) 03. Steve Miller Band - Lucky Man/Gangster Of Love (4:26) (Sailor, Capitol, 1968) 04. Andy B.AND - Slow Dancin' Barefoot (4:22) (My Roots Are Showing, self-release, 2016) 05. Jack Mack & The Heart Attack Horns - Good Man Gone (3:07) (Lookin' Up, Superstar Records, 2013) 06. Imelda May with Jools Holland & his Rhythm & Blues Orchestra - Black Tears (4:37) (Live @ Jools Annual Hootenanny, January 1, 2017) 07. Jack Elliott - Black Snake Moan (3:21) (Jack Elliott, Vanguard, 1964) 08. Bad Brad & the Fat Cats - Other Side (4:36) (Take A Walk With Me, Tangle Eye Records, 2014) 09. Jr. Walker & the All Stars - San Ho Zay (2:47) (Road Runner, Tamla-Motown, 1966) 10. Ronnie Earl & the Broadcasters - San Ho Zay (3:29) (Smoking, Black Top Records, 1983) 11. Laurie Jane & the 45's - It's Been A Long Time (4:29) (Midnight Jubilee, Down In The Alley Records, 2017) 12. Leon Redbone - I Hate A Man Like You (3:40) (Champagne Charlie, Warner Bros, 1978) 13. The Bush League - Show You Off (5:16) (James RiVAh, self-release, 2018) 14. Walter 'Wolfman' Washington - Get On Up (The Wolfman's Song) [1981] (7:14) (Rainin' In My Life, Maison De Soul, 1987) 15. Senator Jones - Call The Sheriff (2:19) (45 RPM Single, Whurley Burley, 1963) 16. Bluesbones - Demon Blues (4:22) (Chasing Shadows, Naked, 2018) 17. Coleman Hawkins - September Song [1954] (3:28) (Confessin', Savoy Jazz, 2005) 18. Gary Primich - September Song (3:34) (My Pleasure, Amazing Records, 1992) 19. Delbert & Glen - More And More, Less And Less (2:53) (Blind Crippled And Crazy, New West, 2013) 20. Ghost Town Blues Band - I Get High (9:53) (Backstage Pass, Self-release, 2018)
Nueva sección de Asado vegano, bautizada Riff-Raff, historias y análisis sobre cada riff clásico del rock, emblema tan apreciado por el público argentino que cabecea y canta a coro aquellos solos de guitarra increíbles. Para inaugurarla, un favorito de Juanchi Baleirón proveniente del rock americano sureño y versionado por todo el mundo. Lo escuchamos y recordamos sus anécdotas. Suena La Grange, por ZZ Top (Brian Studios y Ardent Studios, London Records, 1973)
Joy Division's stripped-down sound signaled a new direction for music in 1978, but the lyrics to this song would prove horribly portentous. Credits: WM UK, London Records, Universal Music International Ltda, Palare, BBE See acast.com/privacy for privacy and opt-out information.
00:21 | 2016 | Substaat - Elusive (Bunker Dresden Remix)03:41 | 2016 | Covenant - If I Give My Soul 08:24 | 2016 | Eisfabrik - The Survival Of The Strongest Mind12:00 | 2016 | In Strict Confidence - Herz15:14 | 2016 | Leaether Strip - White As Chalk20:28 | 2015 | Autodafeh - Game Of Life23.41 | 2016 | Rabia Sorda - Monster26:41 | 2015 | Die Krupps - Kaltes Herz (Reworked By Darkhaus)30:20 | 2001 | Fad Gadget - Collapsing New People (Berlin Mix) (1)36:59 | 2016 | Mechanical Cabaret - Destroyed40:14 | 2016 | Dead When I Found Her - Shining Path44:19 | 2013 | Funker Vogt - Brüder47:26 | 2016 | Y-Luk-O - Autark (St. Eval) by Fakzility51:02 | 2016 | Marc Heal - Adult Fiction (Rhys Fulber Remix)56:48 | 2008 | Blancmange - Waves (2)(1) Song originally released in the EP "Collapsing New People (Extended Versions)" (1983) by Mute Records(2) Song originally released in the album "Happy Families)" (1982) by London Records
00:21 | 2016 | Mondträume - Free (Aesthetische Mix)05:09 | 2016 | Pride And Fall - The Angel At The Pillar10:04 | 2016 | Mechatronic - Lifelike Dreams V214:31 | 2016 | Cyborgdrive - Cell (Feat. Robert Eberl of Soulimage)19:29 | 2013 | Machine Rox - Nice Corruption22:14 | 2008 | Blancmange - That's Love That It Is (Extended Remix Version) (1)29:40 | 2016 | Prozium - Shanghai (Feat. Ben of Avarice In Audio) 33:22 | 2016 | Crisis Actor - Superstar37:51 | 2015 | Sirus - Neon Dominion (Aesthetic Perfection Remix)42:08 | 2016 | Y-Luk-O - Communion45:35 | 2016 | Dead When I Found Her - Braille50:17 | 2001 | Fad Gadget - Luxury (Remix) (2)57:07 | 2015 | Gabi Delgado - Tiere(1) Song originally released in the EP "That's Love That It Is" (1983) by London Records(2) Song originally recorded by Frank Tovey (EP "Luxury") and released by Mute Records in 1985
The guys are joined this week by DBG VIP The Rockin' Donkey for a Y&T Discussion. Formed in 1973 in Oakland, California, Y&T were originally known as Yesterday and Today. After two good, but poorly received, albums for London Records the band, featuring singer/guitarist Dave Meneketti, guitarist Joey Alves, bassist Phil Kennemore, and drummer Leonard Haze, were signed to A&M Records. 1981's Earthshaker would kick off the newly re-branded Y&T and launch a trilogy of albums that formed the backbone of their concert set list and solidified their fan base. Rounding out that trilogy were 1982's Black Tiger and 1983's Mean Streak. While these albums had moderate success, the higher positions of the Billboard charts continued to elude Y&T. That theme would continue with 1984's In Rock We Trust but the tide would change with the release of the song Summertime Girls. Originally appearing as the lone studio track on the live Open Fire album, the song would get added to 1985's Down for the Count and give Y&T some serious commercial attention. That attention would be fleeting however as Summertime Girls remains their biggest hit single and Y&T was subsequently dropped from A&M Records. Y&T 1987 saw the band re-emerge on the rock-heavy Geffen label. Original drummer Leonard Haze was out and new drummer Jimmy Degrasso was in. Contagious had every ingredient from the keyboard to the hooks to the hairspray that should've assured bigger success. Unfortunately, the guiding hand of John Kalodner couldn't pull Y&T to the success of which he had with Aerosmith. After releasing 1990's Ten album (featuring new guitarist Stef Burns replacing Alves), Y&T took a long break as the new wave of Grunge music started to take over. 1995 saw the band return with Musically Incorrect; an album that had solid material yet certainly was not flavor-of-the-week fare. That trend would continue with 1997's aptly titled Endangered Species. Y&T would go on an extended hiatus as guitarist/singer Dave Meneketti focused on a solo career. The band would come back to rave reviews in 2010 with Facemelter (featuring new drummer Mike Vanderhule); an album that showed a serious return to form for the band. Tragically, this would be the final album for bassist Phil Kennemore who succumbed to cancer during the touring cycle for the album. Y&T would soldier on with replacement bassist Brad Lang before being replaced in 2016 by Aaron Leigh. The band had two more tragic losses in 2016 as original drummer Leonard Haze and longtime sound man Tom Size both passed away. In this in-depth discussion your hosts and guest discuss the history of the band and go through each album in the studio discography. Favorite and least favorite tracks are discussed as well as album covers and lyrics. Underlining much of the conversation are theories of why this amazing band never achieved bigger success. It's a long, fun discussion about a band that continues to wow crowds 40 years after the release of their first album. We hope you enjoy Y&T Discussion - Ep263 and SHARE with a friend! Buy Music! Y&T iTunes Review: Okay... I'm hooked! by DaveChandler22 on Nov 09, 2016 Rating: ★★★★★ I just started listening a last week. I listened to "1974 in Review" and that was cool! I grew up a Kiss fan. I loved that so much Kiss came up and the Casablanca insight. Also, I really enjoyed the Ratt/Alexi show! I had forgotten how great Ratt was. I'll be looking for some of those songs you guys played. I will going back and listening to more past shows (more than likely all of the past shows) as well as looking forward to your new ones. Thanks guys! 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We had our first guest! Dug McCormack! He's a swella fella! Check out his band! https://psychicdog.bandcamp.com/ No Joke! is written by Curt Kirkwood and Chris Kirkwood and produced by Paul Leary under London Records. We don't claim to own their music because that's a dickish thing to do. Enjoy!
It was written for Otis Redding but he never sang it, became a hit for the Bee Gees and covered by numerous bands in various genres but who was the unlikely inspiration for 'To Love Somebody'? Ian McCann tells the story. Credits: Bee Gees/Reprise; Ace Records; Sanctuary; London Records See acast.com/privacy for privacy and opt-out information.
Nick Raphael of London Records explains how he signed the well known hip-hop artist Jay-Z, why most aspiring musicians are extremely unrealistic, how a great talent will not sell if they are unlikeable, and why any success in music, film and life is accomplished as a team.
Meticulously assembled then recorded down onto cassette, London producer Matt Whitehead reworks and splices together his two 30-minute sets from this year's Bloc Weekend (one performance being at Brackout, the tribute to the much-missed Ben Bracket that kickstarted the festval). Along with material released collaboratively as Cyantific and Signal Type, Matt has two essential electro 12"s out under his own name for London's Rebel Intelligence collective. Like his set from 2010's Bloc Weekend, this is the real deal. Play it loud. Tracklisting: Hollywood And The Heat - I Need You / (1988) Westside Records - 00:17 "Fast Eddie" Smith - Jack The House / (1987) Underground - 01:24 Reese - Just Want Another Chance / (1988) Incognito Records - 00:39 Julian Jonah - Jealousy And Lies / (1988) Cooltempo - 02:11 Nami Shimada - Sunshower (Original Version) / (1991) Colombia - 03:36 Fallout - Morning After (Sunrise Mix) / (1987) Fourth Floor Records - 04:07 Fast Eddie - Jack To The Sound Of The Underground / (1988) D.J. International Records - 04:54 Fingers Inc - Distant Planet / (1988) Jack Trax - 04:54 Jungle Wonz - Bird In A Guilded Cage / (1993) Trax Records - 05:33 Virgo Four - In A Vision / (1989) Trax Records - 06:59 Joe Smooth - Inside My Mind / (1988) D.J. International Record - 07:07 Rocky Jones - Choice Of A New Generation / (1987) D.J. International Records - 09:43 Risque III - Essence Of A Dream / (1987) Stride Records Inc - 11:12 Rhythm Track Tony Sineni - Rhythm Of The Beat / (Kenny Jammin Jason's Mix) (1987) Hot Mix 5 - 13:12 Rhythm Track Xperiment - Karn Evil #10 (Club) / (1987) Underworld Records - 15:00 Rhythm Track Chicago Music Syndrome - Work It / (1987) Dance-Sing Records - 15:47 Rhythm Track Risque Rhythm Team - More Than Just A Dance / (1988) Chicago Connection Records -16:26 Rhythm Track Risque Rhythm Team - The Jacking Zone / (1986) Chicago Connection Records - 17:35 Rhythm Track Mr. Lee - Come To House / (1987) Trax Records - 18:30 Rhythm Track Jackmaster Dick - Sensuous Woman Goes Disco / (1986) Trax Records - 19:31 Rhythm Track + TB-303 - 19:31 Jack Frost & The Circle Jerks - Cool Dry / (1988) Trax Records - 20:18 Rhythm Track Cool McCool - World Turns Around / (1988) Hot Mix 5 - 20:48 MDIII - Set Me Free / (1988) Underground - 21:35 Rhythm Track Maurice - This Is Acid (Original Mix) / (1988) Trax Records - 22:36 Maurice - This Is Acid (A New Dance Craze) (K&T Mix) / (1988) Breakout - 23:19 Members Of The House - Share This House (Radio Version) / (1988) ITM Records - 24:12 Rodney Bakerr presents Mystic - House Girl (Serge & Tyrell Edit) / (2007) Clone Classic Cuts - 25:37 Gentry Ice - Utilize The Beat / (1988) Westside Records - 26:23 The Housefactors - Play It Loud / (1988) Black Market International - 26:54 Phuture Pfantasy Club - Spank Spank / (1988) Low Fat Vinyl - 28:18 Maurice Joshua - I Got A Big Dick (with Hot Hands Hula instrumental) / (1988) Trax Records - 28:42 Adonis - Lost In Sound / (1988) Jack Trax - 29:50 A Guy Called Gerald - Blow Your House Down / (1988) Rham! - 30:05 MDIII - Face The Nation / (1988) Underground - 31:37 Rhythm Track + TB-303 – 32:01 Juan - Techno Music / (1988) 10 Records – 32:55 Bam Bam - Where Is Your Child (1988) Desire Records – 33:56 Rhythm Track + TB-303 – 34:27 Rhythm Track House Master Boyz And The Rude Boy Of House - House Nation / (1986) Dance Mania – 35:43 On The House - Pleasure Control (Radio) / (1986) Bright Star Records - 36:00 Kissing The Pink - Certain Things Are Likely (Garage) (1986) Magnet – 37:24 Rhythm Track Steve 'Silk' Hurley - Jack Your Body (Club Your Body) / (1986) London Records – 39:09 Rhythm Track Z Factor - Fantasy / (1984) Mitchbal Records – 39:19 Risque Rhythm Team - 122 House / (1986) Chicago Connection Records – 39:19 Rhythm Track Julian Jumpin" Perez - Jack Me 'Til I Scream (Jumpin' Mix) / (1987) D.J. International Records – 39:26 Rocky Jones - Choice Of A New Generation / (1987) D.J. International Records – 39:41 Subject - The Magic, The Moment (1985) Pow Wow Records - 40:28 Rhythm Track Ron Hardy - Liquid Love (Instrumental Mix) / (1997) Mirakkle Records - 40:36 Ron Hardy - Sensation (Dub) / (1985) Trax Records - 41:22 Rhythm Track Kevin Saunderson - Bounce Your Body To The Box / (1988) Kool Kat Music - 43:32 Farley "Jackmaster" Funk - This Acid Life / (1988) House Records - 44:18 Rhythm Track Cool McCool - World Turns Around / (1988) Hot Mix 5 - 44:34 The Party Boy - The Twilight Zone / (1988) Urban - 45:27 Farley "Jackmaster" Funk - It's You (House Mix) / (1987) D.J. International Records - 46:06 Rhythm Track Dr Derelict - That Shits Wild / (1988) Trax Records - 46:21 Rhythm Track Gene Hunt - Living In a Land / (1989) Housetime Records - 46:29 Fingers - Ecstasy / (1988) Hot Mix 5 - 47:36 Rhythm Track Mr. Fingers - Washing Machine / (1986) Trax Records - 47:54 Raze - Jack The Groove / (1986) Grove Street Records - 48:59 Justin Timberlake - Sexy Back / (2006) Jive - 49:29 Rhythm Track + TB-303 + SH-101 K. Alexi Shelby - My Medusa (1989) Transmat - 52:03 Rythim Is Rythim - Nude Photo / (1987) Transmat - 52:24 Rhythm Track Maurice Joshua - I Got A Big Dick (with Hot Hula Hands) / (1988) Trax Records - 52:54 Manuel Göttsching - E2-E4 / (1984) Inteam GmbH - 53:43 Mr. Fingers - Can You Feel It / (1986) Trax Records - 53:43 Rhythm Track Baby Ford - Fordtrax / (1988) Rhythm King Records - 54:14 Marcus Mixx - Without Makeup (Ron Hardy Mix) / (2006) Let's Pet Puppies - 54:29 Mr. Fingers - Ammnesia / (1989) Jack Trax - 55:15 Jack Frost - Cool Dry / (1987) FLEX Records - 55:46 Reese & Santonio - The Sound / (1988) Kool Kat Music - 56:09 Adonis - Rockin Down The House / (1986) Trax Records - 56:09 Rhythm Track Arnold Jarvis - Take Some Time Out (Dub / Instrumental) (1987) Fourth Floor Records - 56:24 Frankie Knuckles - Your Love / (1989) Btech - 56:40 Arnold Jarvis - Take Some Time Out (Original Club Mix) / (1987) Fourth Floor Records - 56:47 Fingers Inc. - Mystery Of Love (Club Mix) / (1986) D.J. International Records - 57:02 Mayday - Wiggin (Master Reese Mix) / (1988) Pheerce Citi - 59:34 Rhythm Track Jean Luc Ponty - Computer Incantations For World Peace / (1983) Atlantic - 01:00:06
"FRENCH CONNECT" presents RODRIGO LAFFERTT ("London Records", "Nocturna Music","Andes Music" VIVa MUSIC, "DEFECTED") from CHILE + DJ LISA LI (Blockheadz recordingz, France) in the mix on MEGAPOLIS 89,5 FM MOSCOW SUNDAY 12 PM MOSCOW TIME
Rod B. & Alvaro Garfunk bring you the Miami Underground Movement Rob Acid, Sontec, Dicabor, Alton Inc, Acid Warrior Straight out of Cologne in 1993, under the pseudonym Rob Acid, Babicz released his first single Happy Answer on London Records, which unexpectedly became a huge club hit. With the rise of acid house influenced records dominating the charts, Babicz was able to ride high on this new wave of club culture. In addition to becoming an in demand live performer using one of his other names, Acid Warrior, Babicz started to release singles on high profile imprints like Kompakt, Treibstoff and Steve Bug’s Audiomatique, as well as his own label, Junkfood In what Rob appropriately dubs “the rave years” in the mid-nineties, he was already playing all over the world. During this time Babicz teamed up with Mate Galic and psychedelic sonic experiences of every kind followed, which as Rob himself sums up perfectly came as a result of “excessive sound-research and absurd parties… transistor radio and porn films on big screen”. His affiliation with Force Inc a few years later brought a series of more experimental, less dancefloor-orientated works which suggested his theoretical musique concrete roots. By the turn of the new millennium, Babicz was striving for a different sound and thus began a new label, Shortcut. At the same time, he received multiple requests for sound design from hard and software producers, most notably resulting in the presets he produced for Native Instruments. In 2007 Robert released his landmark record, A Cheerful Temper on Systematic Recordings, which expertly moves between electronica, techno, minimal and classic house. Playing ‘live’ has always been a key feature of Babicz’s authentic musicianship; improvising instead of reeling off pre-determined sets has made his celebrated shows unquestionably unique events. He consistently delivers astonishing performances of his own productions built around warm melodies, blissed atmospherics & analogue bass - sometimes jacking, but mostly tripping and always around the foundations of his first love: techno. Consequently, Babicz has more than proven his worth in the world of dance music and his right to the title of pioneer and innovator, whether producing tech house, minimal or acid techno. With the release of Immortal Changes in early 2010, described by DJ Mag as a “marriage of organic groove and glistening electronic melodies” it is clear that Robert Babicz still has much more to give… Playlist: Intro r.babicz - remote kiss ( babiczstyle) r.babicz - the sun ( babiczsyle ) r.babicz - dark flower (fever album mix) ( systematic ) g.boratto - i feel ( babicz earth remix ) ( defray ) r.babicz - percofonik ( babiczstyle ) r.babicz - storm lunch ( babiczstyle ) r.babicz - astor (g.boratto rmx) ( systematic ) r.babicz - come closer ( lost babicz mix ) ( systematic ) r.babicz - simple feeling ( babiczstyle ) Special tanks to Luke Allen http://www.robertbabicz.de/ http://www.facebook.com/robertbabicz http://www.myspace.com/robertbabicz http://twitter.com/RobertBabicz http://soundcloud.com/robbabicz
Rod B. & Alvaro Garfunk bring you the Miami Underground Movement------------------------------------------------------------------------------Dance music afficiando Pete Heller is a 'one stop shop of kicking dance beats and modern soul music', and undoubtedly remains to be one of dance music¹s most influential producers and in demand DJs!------------------------------------------------------------------------------the break------------------------------------------------------------------------------1989, and Pete had the opportunity to became resident warm-up DJ to Danny Rampling at his legendary London house club, The Shoom Club. It was also at the Shoom Club where Pete met Terry Farley and together with Andy Weatherall, collaborated in his first co-production. The track, 'Raise' by Bocca Juniors, was released on the newly formed Boys Own Records label.Heller and Farley continued to work together remixing and producing for the likes of The Farm and Primal Scream. When the deal with London Records ended, both were instrumental in the formation of the independent Junior Boys Own label and continued to produce their own material under pseudonyms such as Fire Island, Roach Motel and Heller and Farley Project.------------------------------------------------------------------------------the music------------------------------------------------------------------------------Pete's impact on the world of dance music has been staggering. As part of 'Heller and Farley' , he has worked both as a remixer and producer, collaborating with artists as diverse as Kylie Minogue, Michael Jackson, Robert Owens, Janet Jackson, U2, Happy Mondays, Lisa Stansfield, aswell as producing the club classic 'Ultra Flava'.As a individual he has achieved chart success with 'Big Love', and produced club dynamite with tracks such as 'Sputnik' and 'Big Room Drama'. His sought after studio wizardry has provided the opportunity to remix the likes of Faithless, Fatboy Slim, Daft Punk, Chemical Brothers, Moby, Jamiroquai, to name but a few from the glittering list.------------------------------------------------------------------------------the mixes------------------------------------------------------------------------------Pete's most recent and well received mix 'Dirty Grooves' was released on NRK Nightlife series.------------------------------------------------------------------------------little known fact------------------------------------------------------------------------------Any questions on quantum theory, Pete's your man! He has a degree in Physics from Manchester University.------------------------------------------------------------------------------the label------------------------------------------------------------------------------Pete has recently established his 'Phela Recordings' label. The labels has the unmistakeable Heller stamp to it with the recent relesase of Stylus Trouble¹s 'Stellar¹ finding flavour with the scenes biggest djs. With an arsenal of new tracks and Phela remixes the label is set to go from strength to strength in 2005.Pete Heller – 1 Hour Promo Mix1 Ultra Flava 2008 Mix1 Heller & Farley Project Defected2 Lost in Acid - Ausfahrt Mix David Tort Joia3 Reality Check - Vincenzo Remix Audio Soul Project Dessous4 The Essence (Jesper Dahlback's DJ Tool 2) Berglund Featuring Krister Linder Soundz5 Adrian - Jerome Sydenham Remix Shigeru Tanabu Wave6 A EQD Equalized7 Split Paul Ritch Quartz8 Terminate Pig & Dan Cocoon9 Timing Guy Gerber Cocoon10 Sabotage New Mix Pete Heller BedrockSpecial Thanks to Mr Hugh B & Pete Heller
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