Podcast appearances and mentions of Kris Kristofferson

Send us a textIntro song: Savoy Truffle by They Might Be Giants20. Maxwell's Silver HammerCover 1: Ed HarlowCover 2: Zilla Rocca & the ShadowboxersCover 3: John Craigie19. In My LifeCover 1: Johnny CashCover 2: Boyz II MenCover 3: Madison Cunningham18. All My LovingCover 1: Me First and the Gimme GimmesCover 2: The StairwellsCover 3: The Well Pennies17. You've Got to Hide Your Love AwayCover 1: OasisCover 2: Chris CornellCover 3: Chris Stapleton, Kris Kristofferson, and Willie Nelson16. The Long and Winding RoadCover 1: Gladys Knight & the PipsCover 2: Aretha FranklinCover 3: Ruben StuddardOutro song: Happiness is a Warm Gun (The Gun Mix) by U2

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2017 conversation with Jimmy Webb. ABOUT JIMMY WEBBJimmy Webb emerged as a superstar songwriter and arranger in 1967 when two of his songs – The 5th Dimension's “Up, Up and Away” and Glen Campbell's “By the Time I Get to Phoenix” - were among the five nominees for the Grammy's Song of the Year award. He went on to write a string of major hits for Campbell, including “Wichita Lineman,” “Galveston,” "Where's the Playground Susie,” “Honey Come Back,” and many others. Additionally, he penned “MacArthur Park,” which was a hit for a diverse range of artists, including Richard Harris, Waylon Jennings, Tony Bennett, Andy Williams, and Donna Summer; “The Worst That Could Happen,” which was a Top 5 hit for The Brooklyn Bridge; “Didn't We,” which was recorded by Thelma Houston, Frank Sinatra, Diana Ross, and Barbra Streisand; “All I Know,” which became a Top 10 hit for Art Garfunkel; “The Moon's a Harsh Mistress,” which has been recorded by Joe Cocker, Judy Collins, Linda Ronstadt, and Josh Groban; and “If These Walls Could Speak,” which was recorded by Glen Campbell, Amy Grant, Nanci Griffith, and Shawn Colvin. Others who've covered material from the Jimmy Webb songbook include Diana Ross, Dusty Springfield, Nina Simone, The Four Tops, Roberta Flack, The Temptations, The Association, Tom Jones, Dionne Warwick, Cass Elliot, Harry Nilsson, Nancy Wilson, Cher, Bob Dylan, The Everly Brothers, Nick Cave, John Denver, Kenny Rogers, Sheena Easton, David Crosby, Rosemary Clooney, Michael Feinstein, R.E.M., Aimee Mann, America, Aretha Franklin, Isaac Hayes, Peggy Lee, Bette Midler, James Taylor, Carrie Underwood, Dwight Yoakam, and The Highwaymen (consisting of Johnny Cash, Willie Nelson, Waylon Jennings, and Kris Kristofferson), who took Jimmy's song “Highwayman” to #1, earning him a Grammy for Country Song of the Year. As an artist, he has released more than a dozen albums. One of the most celebrated songwriters on the planet, Jimmy is the only individual to win Grammy awards for music, lyrics, and orchestration. He was inducted into the Songwriters Hall of Fame, the Nashville Songwriters Hall of Fame, and the Great American Songbook Hall of Fame. Additionally, he has received ASCAP's Lifetime Achievement Award, the Influential Songwriter Award from the National Music Publishers Association, and the Academy of Country Music's prestigious Poets Award. In 2015 he was named among Rolling Stone magazine's 100 Greatest Songwriters of All Time. Jimmy's memoir, The Cake and the Rain, details his formative years and early career through 1973. It's available now from St. Martin's Press. 

Austin, Texas songwriting legend James McMurty talks about his latest release, a 10-song, Don Dixon produced long player called The Black Dog & The Wandering Boy (in stores June 20, from New West Records). In the course of previewing the album, our conversation touches on names like Dixon, John Prine, Kris Kristofferson, Betty Soo, Sarah Jarosz, Ken Kesey, and James' father, the legendary Texas writer, Larry McMurty. James is a man of few words, but none of them are lies. The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

Host J.D. Reager chats with producer, musician, songwriter, and music supervisor Fred Mollin - who he originally met in 2017 on a Memphis Flyer assignment to cover Lamont Dozier. They discuss the late Motown legend, Fred's early career in improv comedy, a few career highlights (Dan Hill, Kris Kristofferson, America, Rita Wilson, the Monkees' biopic Daydream Believers), and his new book, Unplugged. Get Fred's book here: fredmollinunplugged.com. Also, Memphis friends: meet Fred in-person - August 23 at Lansky Bros.!For more episodes and other fine podcasts, visit ⁠backtothelight.net⁠!

Our featured guest is legendary bassist Davy Dave Smith. After our Josheen Moisturizer shenanigans, we dig deep into Dave's history as a Memphis bass player both on stage and in the studio. He has worked with such acts as Kris Kristofferson and Rita Coolidge, Jonny Lang, Buddy Guy, John Mayall, Cat Power, Leo Kottke, Luther Allison, Al Green, Willie Mitchell, Steve Cropper, Kenny Wayne Shepherd, Scotty Moore, Dj Fontana, Rufus Thomas, Wilson Pickett, Ike Turner, BB King, and others. Currently, Dave works with The Deb Jam Band and Landslide: A Memphis Tribute to Fleetwood Mac Apple - https://bit.ly/3rqqZLP Spotify - https://bit.ly/3EJOGBO YouTube - https://bit.ly/3UgqsY2   TIP BUCKET If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.

This week, Dori takes us through some 80s fad diets — including the definitely-not-a-cult Breatharian Diet.The most iconic movie/music scene combo in 80s cinema history almost sounded very different — and we have James Belushi to blame.Dori discovers a Japanese version of "Holding Out for a Hero", and Paulo finds a time-travelling movie that learned nothing from Back to the Future.Jump To:- 80s Fad Diets (00:01:25) : https://soyummy.com/pop-culture/1980s-diets/- Say Anything & The Boombox Scene (00:10:04):  ⁠https://www.cracked.com/article_46773_john-cusack-originally-blasted-ska-music-in-say-anything-boombox-scene.html⁠- Bonin in the Boneyard: https://www.youtube.com/watch?v=fLoH7Ra2WxI- Tetris Movie Review (00:17:13): https://www.youtube.com/watch?v=loCVDF9Fu4g- Japanese version of “Holding Out for a Hero (00:22:32): https://www.youtube.com/watch?v=D193wSP0YLc- Millennium (1989) Movie Review (00:26:34): https://youtu.be/S0k8xDtHnNM?si=bQ0owvI6hMFVt7MU#1980s fad diets, #fitness trends, #Tetris, #nostalgia, #Hollywood Diet, #Scarsdale Diet, #Drinking Man's Diet, #Israeli Army Diet, #Rice Diet, #Banana and Milk Diet, #Breatharian Diet, #diet absurdity, #movie discussion, #political espionage, #video game history, #soundtrack, #cultural significance, #time travel, #Millenium1989 #KrisKristofferson, #CherylLadd, #That Dori Show.

This is an encore presentation of a previous episode, originally airing in April 2021. --- Over the last twenty-five years with acclaimed acts like Nickel Creek, I'm With Her and Watkins Family Hour (as well as her own solo material), Sara Watkins has become one of the most prolific musicians in folk and bluegrass. Dig into your record collection, and you'll also find her work on albums from Steve Earle, The Decemberists, Mandy Moore, Kris Kristofferson, Lyle Lovett and Father John Misty, to boot. Today, Sara discusses how vinyl has played a major factor in her life, right down to how her dad crafted a makeshift turntable out of a sewing needle and paper. Find Sara's socials, upcoming live dates and more info at SaraWatkins.com.

On this special episode of the 3 Geeks Podcast, we sit down with legendary writer, director, and producer Robert Boris, a true Hollywood storyteller whose work has helped shape the landscape of film and television. Known for classics like Electra Glide in Blue, Oxford Blues, Blood Feud, and Frank and Jesse, Boris joins us for an insightful and inspiring conversation about his remarkable career. Robert shares his journey from breaking into the industry to working with major stars and studios. We dive into the art of screenwriting, directing powerful performances, and the balancing act between creative vision and Hollywood realities. With decades of experience under his belt, he offers candid stories from behind the scenes, touching on collaborations with stars like Rob Lowe, Charlie Sheen, and Kris Kristofferson. But the conversation doesn't stop at film. Robert also talks about his newest venture into the world of fiction with the release of his debut novel, Black Sun: The Humanoid Condition—a gripping sci-fi thriller that explores humanity, technology, and survival in a dystopian future. Fans of Boris's cinematic storytelling will love this bold new narrative that brings his signature intensity and character depth to the page.

Escucha el programa de esta semana con Alfonso Cardenal y Javier Márquez

Présentée par Starchild. Pour ce vingt-et-unième chapitre de Country Connection, nous allons continuer de découvrir les meilleurs artistes et titres de ce que l'on appelle « The Outlaw Country » Pour ce dernier volet, Strarchild va mettre à l'honneur les artistes qui ont donné leurs lettres de noblesse au genre : Waylon Jennings, Margo Price, Hank Williams Jr, Chris Stapleton, Kris Kristofferson, Tanya Tucker, Sheryl Crow, Ashley McBryde et Loretta Lynn.

In this legendary episode of Dem Vinyl Boyz, we saddle up with four of country music’s most iconic outlaws—Johnny Cash, Willie Nelson, Waylon Jennings, and Kris Kristofferson—as we spin their unforgettable 1985 debut as The Highwaymen. Aptly titled Highwayman, this album wasn’t just a collaboration—it was a supergroup moment that brought together decades of grit, wisdom, and storytelling into one timeless record. The title track, "Highwayman," became an instant classic, featuring each artist taking a verse as a reincarnated soul traveling through time and history. From the haunting delivery to the poetic lyrics, it set the tone for an album that explores the American spirit, redemption, rebellion, and brotherhood. Other standout tracks like "Desperados Waiting for a Train" and "The Twentieth Century Is Almost Over" offer equal parts reflection and rowdiness, with that unmistakable outlaw flair. In this episode, we break down the formation of the group, the chemistry between these four legends, and how Highwayman became a defining moment not just for them—but for country music as a whole. It’s an album that honors tradition while forging its own trail across the dusty highways of Americana. Join Dem Vinyl Boyz as we celebrate Highwayman, an album where four rebel hearts came together and reminded the world what real country sounds like—raw, honest, and unforgettable.

The Second Annual Blazy Awards include recognition from Hall of Fame Songwriter Kent Blazy for Newcomer of the Year, Musician of the Year, Sound Engineer of the Year, Duo of the Year, Lifetime Achievement Award, Song of the Year and Album of the Year.Kent also pays special tribute to the truly significant that passed away over the last year including Kris Kristofferson, J.D. Souther, Joe Bonsall and select others. Enjoy a special visit from last year's Lifetime Achievement Award winner, Jay Boy Adams. This show is presented by Truly Significant. Buy the book at www.tinyurl.com/TrulySignificant1 and be inspired to lift others up. We also thank Wrangler, THE Blazy shirt used for the Lifetime Achievement Award. Visit www.kentblazy.com for information on Kent's next concert tour.Become a supporter of this podcast: https://www.spreaker.com/podcast/success-made-to-last-legends--4302039/support.

Föstudagsgestur Mannlega þáttarins í þetta sinn var tónlistarmaðurinn Grétar Örvarsson. Hann þekkja auðvitað flestir úr hljómsveitinni Stjórninni þar sem hann og Sigga Beinteins hafa sungið sig inn í hjörtu þjóðarinnar, til dæmis í Eurovision og mun víðar. Við fórum með honum aftur í tímann á æskuslóðirnar á Höfn í Hornafirði, þar sem hann ólst upp á heimili ömmu sinnar og afa. Hann sagði til dæmis sögur af því þegar heimilið breyttist í fæðingarheimili, því amma hans var ljósmóðir og svo þegar hann byrjaði að spila fyrir dansi fimmtán ára á hótelinu á Höfn. Við fórum á handahlaupum með honum í gegnum lífið til dagsins í dag en hann stendur fyrir tónleikum eftir viku í Salnum í Kópavogi undir nafninu Sunnanvindur - eftirlætislög Íslendinga. Sigurlaug Margrét var svo auðvitað með okkur í matarspjallinu og í dag, í upphafi sumars, töluðum við um kjúklingarétt með sólþurrkuðum tómötum, og hægeldaðan lambabóg úr smiðju Yotam Ottolenghi. Tónlist í þættinum í dag: Ég er kominn heim / Óðinn Valdimarsson (Imre Kálmán, texti Jón Sigurðsson) Eina nótt (láttu mjúkra lokka flóð) / Grétar Örvarsson (Kris Kristofferson, texti Jónas Friðrik Guðnason) Sumarlag / Stjórnin (Eyjólfur Kristjánsson, texti Aðalsteinn Ásberg Sigurðsson) UMSJÓN GUÐRÚN GUNNARSDÓTTIR OG GUNNAR HANSSON

This is the 1st hour of a special cannabis themed episode of The Land of Make Believe with Old Man Ratchet that aired on Saturday April 19th, 2025 from 8 to 9 pm (est) on WOZO-LP 103.9 FM Knoxville, TN and streamed online at wozoradio.com. This hour was mixed using Serato Dj Pro software using a Pioneer DDJ Rev 5 controller. Additional editing, vocals and production was done with Audacity Freeware for noncommercial use. WOZO is a non-commercial, community radio station that relies on listener support. To help us stay on the air, please consider a donation through Venmo @wozofm Thank You!Station ID - The Dandelion PSA - 37 Seconds Marijuana ArrestPSA - CannabisCypress Hill - I Want to Get High Instrumental Show IntroCypress Hill - I Wanna Get High Sonic Youth & Cypress Hill - I Love You Mary Jane Madvillian - America's Most Blunted Lords of Acid - Marijuana in Your Brain Clip Found on YouTube - Cannabis is in Your DNA NOVA PBS - Where Did the Cannabis Plant Come From?Peter Tosh - Legalize It Movie Sample from Meet The Parents - Are you a Pothead, Fokker? Gregory Isaacs - Puff The Magic Dragon Willie Nelson, Snoop Dogg, Kris Kristofferson, Jamey Johnson - Roll Me UpLeafly - Sour Diesel Cypress Hill - Everybody Must Get Stoned Prof - Designated HitterMuddy Waters - Champagne & Reefer Cab Calloway - Reefer Man (Dj Yoda remix) Cypress Hill - Legalize ItBlack Sabbath - Sweet Leaf SUNO AI - Tennessee Ganja Sunshine Outkast - Crumblin' ErbHour Outro Young Freeman - Effects of Grass (Interlude)

The chocolate Easter bunny of rock and roll news in highly nutritious and digestible fragments, such as …  … the Who's very public sacking of Zak Starkey. … why no band ever wants to play quietly. … how a magazine in a shop window sparked the Neil Tennant/Mark Springer album. … Katy Perry's space ‘mission' and the trenchant observations by her and the ‘crew' – “I can't put it into words but I looked out the window and we got to see the moon!” … The Thing In The Cellar, Dogs Are Everywhere, Roadkill … Pulp song or episode of The Good Life? … the brilliant new ‘One To One: John & Yoko' documentary and how we miss the days when rock stars went on live chat shows and said the first thing that came into their heads. … why musicians are fundamentally different from other entertainers. ... perilous domestic gadgets of the ‘60s. … the allure of songs about space. … “Ray's at the controls!” When Ray Charles went walkabout on the band's private plane.  … Pete Townshend: “We need bigger weapons!” … Ben Watt DJ-ing in ear defenders. … Ray Davies, Charlie Watts, Bill Wyman …? Who grew the first psychedelic moustache? Plus birthday guest Al Hearton on Kris Kristofferson, John Travolta, Bruce Dickinson, Gary Numan and the rock and roll/aviation crossover.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The chocolate Easter bunny of rock and roll news in highly nutritious and digestible fragments, such as …  … the Who's very public sacking of Zak Starkey. … why no band ever wants to play quietly. … how a magazine in a shop window sparked the Neil Tennant/Mark Springer album. … Katy Perry's space ‘mission' and the trenchant observations by her and the ‘crew' – “I can't put it into words but I looked out the window and we got to see the moon!” … The Thing In The Cellar, Dogs Are Everywhere, Roadkill … Pulp song or episode of The Good Life? … the brilliant new ‘One To One: John & Yoko' documentary and how we miss the days when rock stars went on live chat shows and said the first thing that came into their heads. … why musicians are fundamentally different from other entertainers. ... perilous domestic gadgets of the ‘60s. … the allure of songs about space. … “Ray's at the controls!” When Ray Charles went walkabout on the band's private plane.  … Pete Townshend: “We need bigger weapons!” … Ben Watt DJ-ing in ear defenders. … Ray Davies, Charlie Watts, Bill Wyman …? Who grew the first psychedelic moustache? Plus birthday guest Al Hearton on Kris Kristofferson, John Travolta, Bruce Dickinson, Gary Numan and the rock and roll/aviation crossover.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The chocolate Easter bunny of rock and roll news in highly nutritious and digestible fragments, such as …  … the Who's very public sacking of Zak Starkey. … why no band ever wants to play quietly. … how a magazine in a shop window sparked the Neil Tennant/Mark Springer album. … Katy Perry's space ‘mission' and the trenchant observations by her and the ‘crew' – “I can't put it into words but I looked out the window and we got to see the moon!” … The Thing In The Cellar, Dogs Are Everywhere, Roadkill … Pulp song or episode of The Good Life? … the brilliant new ‘One To One: John & Yoko' documentary and how we miss the days when rock stars went on live chat shows and said the first thing that came into their heads. … why musicians are fundamentally different from other entertainers. ... perilous domestic gadgets of the ‘60s. … the allure of songs about space. … “Ray's at the controls!” When Ray Charles went walkabout on the band's private plane.  … Pete Townshend: “We need bigger weapons!” … Ben Watt DJ-ing in ear defenders. … Ray Davies, Charlie Watts, Bill Wyman …? Who grew the first psychedelic moustache? Plus birthday guest Al Hearton on Kris Kristofferson, John Travolta, Bruce Dickinson, Gary Numan and the rock and roll/aviation crossover.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Tift Merritt is a Grammy-nominated singer-songwriter and practitioner-in-residence at the Franklin Humanities Institute and Duke University, she has released records via Lost Highway, Fantasy Records, and Yep Roc Records, performed with Joan Baez and Kris Kristofferson, and had a (pre-podcast type) show on Marfa Public Radio about the artistic process and integrity, called The Spark. We talk with Tift about intentionally stepping back from touring and the full-time music industry, seeking the growing edge, surviving without social media, the fallacy of constant flowering, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:Tift MerrittThe SparkRosanne CashDorris BettsClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

The 19th century Swedish philosopher and poet Henri Frederic Amiel wrote one of the most eloquent observations about music, saying “Music is harmony, harmony is perfection, perfection is our dream, and our dream is heaven.” If Amiel is right, and I have a feeling he is, then pairing Andrea Zonn and John Cowan in a setting where they can sing some of their favorite songs both old and new, is bound to take you at least a good part of the way to heaven. With their debut collaboration, the album Andrea Zonn & John Cowan Are The HercuLeons, the Nashville legends make the harmony part sound effortless, and with a cast of all stars behind them, have set their sights skyward. John Cowan and Andrea Zonn already had a harmonious relationship and had worked together in the decades leading up to now, but it was a quirk of having some more studio time together during the pandemic that set the stage for their first full length collaboration as band leaders. Here, Andrea and John detail that story behind their collaboration, as well as stories of their heroes like Leon Russell and Bill Monroe, and contemporaries like Tom Britt, their perspective on their own musical legacies, tales of their time in the shangri-la of western North Carolina's musical past, Green Acres Music Hall, and more, including music excerpts of songs from their new album. Andrea Zonn and John Cowan performing live Songs heard in this episode:“Face Of Appalachia“ by The HercuLeons, from Andrea Zonn & John Cowan Are The HercuLeons“Straight Up” by The HercuLeons, from Andrea Zonn & John Cowan Are The HercuLeons, excerpt“Resurrection Road” by The HercuLeons, from Andrea Zonn & John Cowan Are The HercuLeons, excerpt“Barbed Wire Boys” by The HercuLeons, from Andrea Zonn & John Cowan Are The HercuLeons, excerpt“Long Way From Home” by The HercuLeons, from Andrea Zonn & John Cowan Are The HercuLeonsNoteworthy but not mentioned in our interview is John Cowan's recent book Hold To A Dream: A Newgrass Odyssey, which features a foreword by HercuLeons' producer Wendy Waldman, and is built on a series of John's interviews with heroes like Kris Kristofferson, Rodney Crowell and Loretta Lynn as well as contemporaries like John Carter Cash. Thanks for being here! We hope you can help spread awareness of what we are doing. It is as easy as telling a friend and following this podcast on your platform of choice. You can find us on Apple here, Spotify here and YouTube here — hundreds more episodes await, filled with artists you may know by name, or musicians and bands that are ready to become your next favorites. This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes on Bluegrass Planet Radio here. Thanks to Jaclyn Anthony for producing the radio adaptations of this series on WNCW, where we worked with Joshua Meng, who wrote and performed our theme songs. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick

Pat Garrett & Billy the Kid directed by Sam Peckinpah and starring James Coburn, Kris Kristofferson and Bob Dylan. Episode Roundup: The Cowpunchers make some connections between this and The Assassination of Jesse James by the Coward Robert Ford. Amy wants to know who left their gun in the outhouse. Stu curses Bob Dylan for making him feel feelings. Mel uncovers the secrets of the "coot suit". Unexpectedly, this movie seems to have it out for birds.

MONOLOGUE Mark Carney: The Davos Devil Here to Dismantle Canada—And He's Just Getting Started NEWSMAKER Danielle Smith leaves the door open for a vote on Alberta leaving Canada https://calgaryherald.com/opinion/columnists/bell-danielle-smith-vote-alberta-leaving-canada   Sheila Gunn-Reid, Rebel News' Alberta Bureau Chief and Host of “The Gunn Show” Wednesday 8pm ET OPEN LINES THE CULT OF CLIMATE CHANGE Dramatic cuts in China's air pollution drove surge in global warming https://www.newscientist.com/article/2474067-dramatic-cuts-in-chinas-air-pollution-drove-surge-inglobal-warming/   Global warming of more than 3°C this century may wipe 40% off the world's economy, new analysis reveals https://theconversation.com/global-warming-of-more-than-3-c-this-century-may-wipe-40-off-the-worlds-economy-new-analysis-reveals-253032   Tony Heller- Geologist, weather historian, founder of Real Climate Science dot com MONOLOGUE Mark Carney: Canada's Climate Conman Unmasked—Brookfield's Billions Over Our Blood NEWSMAKER A Catholic's caution about Mark Carney - Questions raised about Liberal leader and his party's principles https://www.catholicregister.org/item/1935-a-catholic-s-caution-about-mark-carney   Scott Ventureyra is an Ottawa-based philosopher, theologian, and author. His books include Making Sense of Nonsense: Navigating through the West's Current Quagmire. OPEN LINES THIS DAY IN ROCK HISTORY 2 Apr 1969 Bruce Springsteen's new group Child made their live debut at the Pandemonium Club in Wanamassa, New Jersey.   2 Apr 1971 Janis Joplin was at No.1 on the US album charts with the posthumously released Pearl. The album features the No.1 hit 'Me and Bobby McGee', written by Kris Kristofferson and Fred Foster on which she played acoustic guitar.    2 Apr 1977 Fleetwood Mac went to No.1 on the US album chart with Rumours. The album is Fleetwood Mac's most successful release; along with winning the Grammy Award for Album of the Year in 1978, the record has sold over 45 million copies worldwide.   Learn more about your ad choices. Visit megaphone.fm/adchoices

The power of an immortal. The soul of a human. The heart of a hero. Superhero inSanity month concludes with 1998's BLADE. Wesley Snipes is Blade, a relentless vampire hunter who walks between the human and undead worlds. As a sinister vampire faction rises, Blade faces a deadly conspiracy threatening humanity while uncovering secrets tied to his own origins. With The Boys think this sucks in all the right ways? Find out here! Also this week: Sleep freaks Lance out, the movie that makes Ben go "Boi-oi-oi-oing", the sitcom "Grounded for Life", and a surprise guest schpiel! All this--and a whole lot more--on this week's episode of NEON BRAINIACS! "Some motherf---ers are always trying to ice-skate uphill." ----- Check out our Patreon for tons of bonus content, exclusive goodies, and access to our Discord server! ----- Blade (1998) Directed by Stephen Norrington Written by David S. Goyer Starring Wesley Snipes, Stephen Dorff, Kris Kristofferson, N'Bushe Wright, and Donal Logue ----- 00:00 - Intro & Opening Banter 24:00 - "The Schpiel" - Guest Schpiel by CJ Lightbourn 44:30 - Film Breakdown 01:36:35 - Stump The Brainiac & Outro

Sam Peckinpah embodies the essence of what the Kill or Be Killed project is all about like no other filmmaker.  Bleak, nihilistic and brutal, Bring Me the Head of Alfredo Garcia is a relentless journey through the dark landscapes of Mexico following the grisly journey of a desperate man expertly portrayed by Warren Oates. From top to bottom excellent performances are logged in by Oates, Isela Vega, Robert Weber and Kris Kristofferson.   Intro: “All the Dark Things” – Mike Hill Outro: “Adelita” – Jerry Fielding 

Text us about this show.Hunter Gatherer. He's a musician who is an observer of not just the obvious, but of those not so obvious little pieces and moments life throws at you. Those observations are often times set to music often in ways that are unexpected. His sound is Americana blending folk, country, and bluegrass with just the right amount of humor. That friendly vibe you catch off of his songs is authentic. He's excited about life and he wants you to know it through each song because there's a wonderful little story in each one. So sit a spell, get to know Hunter Gatherer, and enjoy some of his well crafted music."Strawberry Rhubarb" and "The Big Empty" written and performed by Hunter Gatherer℗ 2025 Hunter Hildebrandt. Used with permission of Hunter Hildebrandt."Frootenanny" written and performed by Hunter Gatherer℗ 2021 Hunter Hildebrandt. Used with permission of Hunter Hildebrandt.Support the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2025 by Project X Productions. All rights reserve...

WE'RE BORN AGAIN, BABY!! Comedy person Beckett Kenny ("The Big Finish" podcast) joins Andy & Steph once again for their next leap into the Star Is Born Cinematic Universe-- this time with 100% more Barbra! Barbra Streisand and Kris Kristofferson, together at last! Together, the gang unpacks 1976's "A Star Is Born," with loads of wackadoo Barbra and Jon Peters stories from the making of this movie. Andy talks about why this movie kept reminding him of The Muppets! Steph ODs on Barbra! And Beckett wants to see this movie with Sonny & Cher. check out Frank Pierson's article "My Battles with Barbra and Jon" at https://tinyurl.com/mybattleswithcheck out our patreon at patreon.com/dumbfun Hosted on Acast. See acast.com/privacy for more information.

The GBGB's are donning their black leather and katanas this week for a review of BLADE (1998). This pre-MCU Marvel adaptation stars Wesley Snipes as BLADE, a sword-wielding half-vampire on a mission to avenge the death of his mother and rid the world of vampires. But, *record scratch* it turns out the vampires also want to capture BLADE to use his special half-vampire blood for a ritual to awaken their ancient vampire god and eradicate humans? Also there's techno and Kris Kristofferson?  

By Walt HickeyDouble feature today!Welcome to the Numlock Sunday edition.This week, I spoke to Alissa Wilkinson who is out with the brand new book, We Tell Ourselves Stories: Joan Didion and the American Dream Machine.I'm a huge fan of Alissa, she's a phenomenal critic and I thought this topic — what happens when one of the most important American literary figures heads out to Hollywood to work on the most important American medium — is super fascinating. It's a really wonderful book and if you're a longtime Joan Didion fan or simply a future Joan Didion fan, it's a look at a really transformative era of Hollywood and should be a fun read regardless.Alissa can be found at the New York Times, and the book is available wherever books are sold.This interview has been condensed and edited. All right, Alissa, thank you so much for coming on.Yeah, thanks for having me. It's good to be back, wherever we are.Yes, you are the author of We Tell Ourselves Stories: Joan Didion and the American Dream Machine. It's a really exciting book. It's a really exciting approach, for a Joan Didion biography and placing her in the current of American mainstream culture for a few years. I guess just backing out, what got you interested in Joan Didion to begin with? When did you first get into her work?Joan Didion and I did not become acquainted, metaphorically, until after I got out of college. I studied Tech and IT in college, and thus didn't read any books, because they don't make you read books in school, or they didn't when I was there. I moved to New York right afterward. I was riding the subway. There were all these ads for this book called The Year of Magical Thinking. It was the year 2005, the book had just come out. The Year of Magical Thinking is Didion's National Book Award-winning memoir about the year after her husband died, suddenly of a heart attack in '03. It's sort of a meditation on grief, but it's not really what that sounds like. If people haven't read it's very Didion. You know, it's not sentimental, it's constantly examining the narratives that she's telling herself about grief.So I just saw these ads on the walls. I was like, what is this book that everybody seems to be reading? I just bought it and read it. And it just so happened that it was right after my father, who was 46 at the time, was diagnosed with a very aggressive leukemia, and then died shortly thereafter, which was shocking, obviously. The closer I get to that age, it feels even more shocking that he was so young. I didn't have any idea how to process that emotion or experience. The book was unexpectedly helpful. But it also introduced me to a writer who I'd never read before, who felt like she was looking at things from a different angle than everyone else.Of course, she had a couple more books come out after that. But I don't remember this distinctly, but probably what happened is I went to some bookstore, The Strand or something, and bought The White Album and Slouching Towards Bethlehem off the front table as everyone does because those books have just been there for decades.From that, I learned more, starting to understand how writing could work. I didn't realize how form and content could interact that way. Over the years, I would review a book by her or about her for one publication or another. Then when I was in graduate school, getting my MFA in nonfiction, I wrote a bit about her because I was going through a moment of not being sure if my husband and I were going to stay in New York or we were going to move to California. They sort of obligate you to go through a goodbye to all that phase if you are contemplating that — her famous essay about leaving New York. And then, we did stay in New York City. But ultimately, that's 20 years of history.Then in 2020, I was having a conversation (that was quite-early pandemic) with my agent about possible books I might write. I had outlined a bunch of books to her. Then she was like, “These all sound like great ideas. But I've always wanted to rep a book on Joan Didion. So I just wanted to put that bug in your ear.” I was like, “Oh, okay. That seems like something I should probably do.”It took a while to find an angle, which wound up being Didion in Hollywood. This is mostly because I realized that a lot of people don't really know her as a Hollywood figure, even though she's a pretty major Hollywood figure for a period of time. The more of her work I read, the more I realized that her work is fruitfully understood as the work of a woman who was profoundly influenced by (and later thinking in terms of Hollywood metaphors) whether she was writing about California or American politics or even grief.So that's the long-winded way of saying I wasn't, you know, acquainted with her work until adulthood, but then it became something that became a guiding light for me as a writer.That's really fascinating. I love it. Because again I think a lot of attention on Didion has been paid since her passing. But this book is really exciting because you came at it from looking at the work as it relates to Hollywood. What was Didion's experience in Hollywood? What would people have seen from it, but also, what is her place there?The directly Hollywood parts of her life start when she's in her 30s. She and her husband — John Gregory Dunn, also a writer and her screenwriting partner — moved from New York City, where they had met and gotten married, to Los Angeles. John's brother, Nick Dunn later became one of the most important early true crime writers at Vanity Fair, believe it or not. But at the time, he was working as a TV producer. He and his wife were there. So they moved to Los Angeles. It was sort of a moment where, you know, it's all well and good to be a journalist and a novelist. If you want to support yourself, Hollywood is where it's at.So they get there at a moment when the business is shifting from these big-budget movies — the Golden Age — to the new Hollywood, where everything is sort of gritty and small and countercultural. That's the moment they arrive. They worked in Hollywood. I mean, they worked literally in Hollywood for many years after that. And then in Hollywood even when they moved back to New York in the '80s as screenwriters still.People sometimes don't realize that they wrote a bunch of produced screenplays. The earliest was The Panic in Needle Park. Obviously, they adapted Didion's novel Play It As It Lays. There are several others, but one that a lot of people don't realize they wrote was the version of A Star is Born that stars Barbra Streisand and Kris Kristofferson. It was their idea to shift the Star is Born template from Hollywood entities to rock stars. That was their idea. Of course, when Bradley Cooper made his version, he iterated on that. So their work was as screenwriters but also as figures in the Hollywood scene because they were literary people at the same time that they were screenwriters. They knew all the actors, and they knew all the producers and the executives.John actually wrote, I think, two of the best books ever written on Hollywood decades apart. One called The Studio, where he just roamed around on the Fox backlot. For a year for reasons he couldn't understand, he got access. That was right when the catastrophe that was Dr. Doolittle was coming out. So you get to hear the inside of the studio. Then later, he wrote a book called Monster, which is about their like eight-year long attempt to get their film Up Close and Personal made, which eventually they did. It's a really good look at what the normal Hollywood experience was at the time: which is like: you come up with an idea, but it will only vaguely resemble the final product once all the studios get done with it.So it's, it's really, that's all very interesting. They're threaded through the history of Hollywood in that period. On top of it for the book (I realized as I was working on it) that a lot of Didion's early life is influenced by especially her obsession with John Wayne and also with the bigger mythology of California and the West, a lot of which she sees as framed through Hollywood Westerns.Then in the '80s, she pivoted to political reporting for a long while. If you read her political writing, it is very, very, very much about Hollywood logic seeping into American political culture. There's an essay called “Inside Baseball” about the Dukakis campaign that appears in Political Fictions, her book that was published on September 11, 2001. In that book, she writes about how these political campaigns are directed and set up like a production for the cameras and how that was becoming not just the campaign, but the presidency itself. Of course, she had no use for Ronald Reagan, and everything she writes about him is very damning. But a lot of it was because she saw him as the embodiment of Hollywood logic entering the political sphere and felt like these are two separate things and they need to not be going together.So all of that appeared to me as I was reading. You know, once you see it, you can't unsee it. It just made sense for me to write about it. On top of it, she was still alive when I was writing the proposal and shopping it around. So she actually died two months after we sold the book to my publisher. It meant I was extra grateful for this angle because I knew there'd be a lot more books on her, but I wanted to come at it from an angle that I hadn't seen before. So many people have written about her in Hollywood before, but not quite through this lens.Yeah. What were some things that you discovered in the course of your research? Obviously, she's such an interesting figure, but she's also lived so very publicly that I'm just super interested to find out what are some of the things that you learned? It can be about her, but it can also be the Hollywood system as a whole.Yeah. I mean, I didn't interview her for obvious reasons.Understandable, entirely understandable.Pretty much everyone in her life also is gone with the exception really of Griffin Dunn, who is her nephew, John's nephew, the actor. But other than that, it felt like I needed to look at it through a critical lens. So it meant examining a lot of texts. A lot of Didion's magazine work (which was a huge part of her life) is published in the books that people read like Slouching Towards Bethlehem and The White Album and all the other books. What was interesting to me was discovering (I mean, not “discovering” because other people have read it) that there is some work that's not published and it's mostly her criticism.Most of that criticism was published in the late '50s and the early '60s when she was living in New York City, working at Vogue and trying to make it in the literary scene that was New York at that time, which was a very unique place. I mean, she was writing criticism and essays for both, you know, like National Review and The Nation at the same time, which was just hard to conceive of today. It was something you'd do back then. Yeah, wild stuff.A lot of that criticism was never collected into books. The most interesting is that she'd been working at Vogue for a long time in various positions, but she wound up getting added to the film critic column at Vogue in, '62, I want to say, although I might have that date slightly off. She basically alternated weeks with another critic for a few years, writing that until she started writing in movies proper. It's never a great idea to be a critic and a screenwriter at the same time.Her criticism is fascinating. So briefly, for instance, she shared that column with Pauline Kael. Pauline Kael became well known after she wrote about Bonnie and Clyde. This was prior to that. This is several years prior to that. They also hated each other for a long time afterward, which is funny, because, in some ways, their style is very different but their persona is actually very similar. So I wonder about that.But in any case, even when she wasn't sharing the column with Pauline Kael, it was a literal column in a magazine. So it's like one column of text, she can say barely anything. She was always a bit of a contrarian, but she was actively not interested in the things that were occupying New York critics at the time. Things like the Auteur Theory, what was happening in France, the downtown scene and the Shirley Clark's of the world. She had no use for it. At some point, she accuses Billy Wilder of having really no sense of humor, which is very funny.When you read her criticism, you see a person who is very invested in a classical notion of Hollywood as a place that shows us fantasies that we can indulge in for a while. She talks in her very first column about how she doesn't really need movies to be masterpieces, she just wants them to have moments. When she says moments, she means big swelling things that happen in a movie that make her feel things.It's so opposite, I think, to most people's view of Didion. Most people associate her with this snobbish elitism or something, which I don't think is untrue when we're talking about literature. But for her, the movies were like entertainment, and entering that business was a choice to enter that world. She wasn't attempting to elevate the discourse or something.I just think that's fascinating. She also has some great insights there. But as a film critic, I find myself disagreeing with most of her reviews. But I think that doesn't matter. It was more interesting to see how she conceived of the movies. There is a moment later on, in another piece that I don't think has been republished anywhere from the New York Review of Books, where she writes about the movies of Woody Allen. She hates them. It's right at the point where he's making like Manhattan and Annie Hall, like the good stuff. She just has no use for them. It's one of the funniest pieces. I won't spoil the ending because it's hilarious, and it's in the book.That writing was of huge interest to me and hasn't been republished in books. I was very grateful to get access to it, in part because it is in the archives — the electronic archives of the New York Public Library. But at the time, the library was closed. So I had to call the library and have a librarian get on Zoom with me for like an hour and a half to figure out how I could get in the proverbial back door of the library to get access while the library wasn't open.That's magnificent. That's such a cool way to go to the archives because some stuff just hasn't been published. If it wasn't digitized, then it's not digitized. That's incredible.Yeah, it's there, but you can barely print them off because they're in PDFs. They're like scanned images that are super high res, so the printer just dies when you try to print them. It's all very fascinating. I hope it gets republished at some point because I think there's enough interest in her work that it's fascinating to see this other aspect of her taste and her persona.It's really interesting that she seems to have wanted to meet the medium where it is, right? She wasn't trying to literary-up Hollywood. I mean, LA can be a bit of a friction. It's not exactly a literary town in the way that some East Coast metropolises can be. It is interesting that she was enamored by the movies. Do you want to speak about what things were like for her when she moved out?Yeah, it is funny because, at the same time, the first two movies that they wrote and produced are The Panic in Needle Park, which is probably the most new Hollywood movie you can imagine. It's about addicts at Needle Park, which is actually right where the 72nd Street subway stop is on the Upper West Side. If people have been there, it's hard to imagine. But that was apparently where they all sat around, and there were a lot of needles. It's apparently the first movie supposedly where someone shoots up live on camera.So it was the '70s. That's amazing.Yes, and it launched Al Pacino's film career! Yeah, it's wild. You watch it and you're just like, “How is this coming from the woman who's about all this arty farty stuff in the movies.” And Play It As It Lays has a very similar, almost avant-garde vibe to it. It's very, very interesting. You see it later on in the work that they made.A key thing to remember about them (and something I didn't realize before I started researching the book)was that Didion and Dunn were novelists who worked in journalism because everybody did. They wrote movies, according to them (you can only go off of what they said. A lot of it is John writing these jaunty articles. He's a very funny writer) because “we had tuition and a mortgage. This is how you pay for it.”This comes up later on, they needed to keep their WGA insurance because John had heart trouble. The best way to have health insurance was to remain in the Writers Guild. Remaining in the Writers Guild means you had to have a certain amount of work produced through union means. They were big union supporters. For them this was not, this was very strictly not an auteurist undertaking. This was not like, “Oh, I'm gonna go write these amazing screenplays that give my concept of the world to the audience.” It's not like Bonnie and Clyding going on here. It's very like, “We wrote these based on some stories that we thought would be cool.”I like that a lot. Like the idea that A Star is Born was like a pot boiler. That's really delightful.Completely. It was totally taken away from them by Streisand and John Peters at some point. But they were like, “Yeah, I mean, you know, it happens. We still got paid.”Yeah, if it can happen to Superman, it can happen to you.It happens to everybody, you know, don't get too precious about it. The important thing is did your novel come out and was it supported by its publisher?So just tracing some of their arcs in Hollywood. Obviously, Didion's one of the most influential writers of her generation, there's a very rich literary tradition. Where do we see her footprint, her imprint in Hollywood? What are some of the ways that we can see her register in Hollywood, or reverberate outside of it?In the business itself, I don't know that she was influential directly. What we see is on the outside of it. So a lot of people were friends. She was like a famous hostess, famous hostess. The New York Public Library archives are set to open at the end of March, of Didion and Dunn's work, which was like completely incidental to my publication date. I just got lucky. There's a bunch of screenplays in there that they worked on that weren't produced. There's also her cookbooks, and I'm very excited to go through those and see that. So you might meet somebody there.Her account of what the vibe was when the Manson murders occurred, which is published in her essay The White Album, is still the one people talk about, even though there are a lot of different ways to come at it. That's how we think about the Manson murders: through her lens. Later on, when she's not writing directly about Hollywood anymore (and not really writing in Hollywood as much) but instead is writing about the headlines, about news events, about sensationalism in the news, she becomes a great media critic. We start to see her taking the things that she learned (having been around Hollywood people, having been on movie sets, having seen how the sausage is made) and she starts writing about politics. In that age, it is Hollywood's logic that you perform for the TV. We have the debates suddenly becoming televised, the conventions becoming televised, we start to see candidates who seem specifically groomed to win because they look good on TV. They're starting to win and rule the day.She writes about Newt Gingrich. Of course, Gingrich was the first politician to figure out how to harness C-SPAN to his own ends — the fact that there were TV cameras on the congressional floor. So she's writing about all of this stuff at a time when you can see other people writing about it. I mean, Neil Postman famously writes about it. But the way Didion does it is always very pegged to reviewing somebody's book, or she's thinking about a particular event, or she's been on the campaign plane or something like that. Like she's been on the inside, but with an outsider's eye.That also crops up in, for instance, her essays. “Sentimental Journeys” is one of her most famous ones. That one's about the case of the Central Park Five, and the jogger who was murdered. Of course, now, we're many decades out from that, and the convictions were vacated. We know about coerced confessions. Also Donald Trump arrives in the middle of that whole thing.But she's actually not interested in the guilt or innocence question, because a lot of people were writing about that. She's interested in how the city of New York and the nation perform themselves for themselves, seeing themselves through the long lens of a movie and telling themselves stories about themselves. You see this over and over in her writing, no matter what she's writing about. I think once she moved away from writing about the business so much, she became very interested in how Hollywood logic had taken over American public life writ large.That's fascinating. Like, again, she spends time in the industry, then basically she can only see it through that lens. Of course, Michael Dukakis in a tank is trying to be a set piece, of course in front of the Berlin Wall, you're finally doing set decoration rather than doing it outside of a brick wall somewhere. You mentioned the New York thing in Performing New York. I have lived in the city for over a decade now. The dumbest thing is when the mayor gets to wear the silly jacket whenever there's a snowstorm that says “Mr. Mayor.” It's all an act in so many ways. I guess that political choreography had to come from somewhere, and it seems like she was documenting a lot of that initial rise.Yeah, I think she really saw it. The question I would ask her, if I could, is how cognizant she was that she kept doing that. As someone who's written for a long time, you don't always recognize that you have the one thing you write about all the time. Other people then bring it up to you and you're like, “Oh, I guess you're right.” Even when you move into her grief memoir phase, which is how I think about the last few original works that she published, she uses movie logic constantly in those.I mean, The Year of Magical Thinking is a cyclical book, she goes over the same events over and over. But if you actually look at the language she's using, she talks about running the tape back, she talks about the edit, she talks about all these things as if she's running her own life through how a movie would tell a story. Maybe she knew very deliberately. She's not a person who does things just haphazardly, but it has the feeling of being so baked into her psyche at this point that she would never even think of trying to escape it.Fascinating.Yeah, that idea that you don't know what you are potentially doing, I've thought about that. I don't know what mine is. But either way. It's such a cool way to look at it. On a certain level, she pretty much succeeded at that, though, right? I think that when people think about Joan Didion, they think about a life that freshens up a movie, right? Like, it workedVery much, yeah. I'm gonna be really curious to see what happens over the next 10 years or so. I've been thinking about figures like Sylvia Plath or women with larger-than-life iconography and reputation and how there's a constant need to relook at their legacies and reinvent and rethink and reimagine them. There's a lot in the life of Didion that I think remains to be explored. I'm really curious to see where people go with it, especially with the opening of these archives and new personal information making its way into the world.Yeah, even just your ability to break some of those stories that have been locked away in archives out sounds like a really exciting addition to the scholarship. Just backing out a little bit, we live in a moment in which the relationship between pop culture and political life is fairly directly intertwined. Setting aside the steel-plated elephant in the room, you and I are friendly because we bonded over this idea that movies really are consequential. Coming out of this book and coming out of reporting on it, what are some of the relevances for today in particular?Yeah, I mean, a lot more than I thought, I guess, five years ago. I started work on the book at the end of Trump One, and it's coming out at the beginning of Trump Two, and there was this period in the middle of a slightly different vibe. But even then I watch TikTok or whatever. You see people talk about “main character energy” or the “vibe shift” or all of romanticizing your life. I would have loved to read a Didion essay on the way that young people sort of view themselves through the logic of the screens they have lived on and the way that has shaped America for a long time.I should confirm this, I don't think she wrote about Obama, or if she did, it was only a little bit. So her political writing ends in George W. Bush's era. I think there's one piece on Obama, and then she's writing about other things. It's just interesting to think about how her ideas of what has happened to political culture in America have seeped into the present day.I think the Hollywood logic, the cinematic logic has given way to reality TV logic. That's very much the logic of the Trump world, right? Still performing for cameras, but the cameras have shifted. The way that we want things from the cameras has shifted, too. Reality TV is a lot about creating moments of drama where they may or may not actually exist and bombarding you with them. I think that's a lot of what we see and what we feel now. I have to imagine she would think about it that way.There is one interesting essay that I feel has only recently been talked about. It's at the beginning of my book, too. It was in a documentary, and Gia Tolentino wrote about it recently. It's this essay she wrote in 2000 about Martha Stewart and about Martha Stewart's website. It feels like the 2000s was like, “What is this website thing? Why are people so into it?” But really, it's an essay about parasocial relationships that people develop (with women in particular) who they invent stories around and how those stories correspond to greater American archetypes. It's a really interesting essay, not least because I think it's an essay also about people's parasocial relationships with Joan Didion.So the rise of her celebrity in the 21st century, where people know who she is and carry around a tote bag, but don't really know what they're getting themselves into is very interesting to me. I think it is also something she thought about quite a bit, while also consciously courting it.Yeah, I mean, that makes a ton of sense. For someone who was so adept at using cinematic language to describe her own life with every living being having a camera directly next to them at all times. It seems like we are very much living in a world that she had at least put a lot of thought into, even if the technology wasn't around for her to specifically address it.Yes, completely.On that note, where can folks find the book? Where can folks find you? What's the elevator pitch for why they ought to check this out? Joan Didion superfan or just rather novice?Exactly! I think this book is not just for the fans, let me put it that way. Certainly, I think anyone who considers themselves a Didion fan will have a lot to enjoy here. The stuff you didn't know, hadn't read or just a new way to think through her cultural impact. But also, this is really a book that's as much for people who are just interested in thinking about the world we live in today a little critically. It's certainly a biography of American political culture as much as it is of Didion. There's a great deal of Hollywood history in there as well. Thinking about that sweep of the American century and change is what the book is doing. It's very, very, very informed by what I do in my day job as a movie critic at The New York Times. Thinking about what movies mean, what do they tell us about ourselves? I think this is what this book does. I have been told it's very fun to read. So I'm happy about that. It's not ponderous at all, which is good. It's also not that long.It comes out March 11th from Live Right, which is a Norton imprint. There will be an audiobook at the end of May that I am reading, which I'm excited about. And I'll be on tour for a large amount of March on the East Coast. Then in California, there's a virtual date, and there's a good chance I'll be popping up elsewhere all year, too. Those updates will be on my social feeds, which are all @alissawilkinson on whatever platform except X, which is fine because I don't really post there anymore.Alyssa, thank you so much for coming on.Thank you so much.Edited by Crystal Wang.If you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

Join us for an exciting episode of Diving in Deep with Sarah Evans as we welcome the incredibly talented Chayce Beckham, winner of American Idol and the voice behind the hit song "23." Chayce shares his journey from a shy singer to a celebrated artist, revealing the challenges and triumphs he faced along the way. Discover how Chayce found his voice, the impact of his upbringing in California and Oklahoma, and the lessons he learned while performing in dive bars and backyard parties. We dive into his experiences on American Idol, the pressure of performing live, and the importance of having a great team behind him.Chayce also opens up about his engagement, his love for fishing, and the creative process behind his debut album, Bad For Me. Whether you're a fan of country music or just love a good story, this episode is packed with inspiration and insight. Don't forget to like, subscribe, and leave a review! Tune in now to hear more about Chayce's incredible journey and the music that drives him. Listen to Unbroke: (https://ffm.to/seunbroke). About Chayce Beckham: Three years after becoming the only artist to win American Idol singing his own songs, 19 Recordings/Wheelhouse Records/BMG country artist Chayce Beckham is living proof of his belief that “You can't tell someone how to write a song.” Currently nominated at this year's CMT Music Awards for Breakthrough Male Video of the Year for his #1, PLATINUM hit single “23,” the fiery singer-songwriter laid out a course only he could follow, and today remains even more dedicated to his unique creative compass. A California native schooled on tough times and a mix of country, rock, hip hop and beyond, Beckham started a habit of heart-on-his-sleeve songwriting after some hard times when he felt he had nothing left – and when combined with his warm vocal rasp on “23,” that drive helped him charm the nation on Idol‘s 19th season in 2021. With more than 406 million streams and counting, the bluesy and brutally honest anthem debuted at #1 on both iTunes' Country and All Genre singles charts, and now leads Beckham's first album, Bad for Me – available now – as the emerging star finds his stride. Co-writing nine of 13 songs (three solo), the project shows Beckham opening his soul like most would never dare and embracing a timeless country-rock sound defined by fiddles, steel guitar, and plenty of against-the-grain attitude. With dusky shades of heroes like Johnny Cash, Waylon Jennings, and Kris Kristofferson, the set aims to reinforce next-big-thing predictions from CMT, Amazon Music, MusicRowand more, while Beckham hits the road with Luke Bryan this summer, Parker McCollum this fall and his own headlining 2024 “Bad for Me” Tour. LET'S BE SOCIAL: Follow Chayce Beckham: Instagram – (@chaycebeckhammusic) TikTok – (@chaycebeckhammusic) YT -- (@ChayceBeckhamMusic) Website -- (chaycebeckham.com) Follow Diving in Deep Podcast: Instagram –(@divingindeeppod) TikTok – (@divingindeeppod) Twitter – (@divingindeeppod) Facebook – (@divingindeeppod) Follow Sara Evans: Instagram – (@saraevansmusic) TikTok – (@saraevansmusic) Twitter – (@saraevansmusic) Facebook – (@saraevansmusic) Produced and Edited by: The Cast Collective...

Lee and Daniel pay a bit of tribute to the recently departed Gene Hackman by talking briefly about what he meant to each of them, and then covering a film he appeared in before he hit it big in "The French Connection". The film in question is the Bill Norton-directed "Cisco Pike" (1971), which was a tailor-made debut film for then upcoming musician Kris Kristofferson. The hosts conversation revolve around this film's place in the series of counterculture films that came in the wake of "Easy Rider", the overall vibe of the film, and the familiar character actors that pop up, as well as Gene Hackman making way more out of his role than one would think was needed. The hosts also talk about what they've watched as of late. "Cisco Pike" IMDB  Catch out Lee on the latest Cinema Beef and a recent Everything I learned From Movies.   Catch Daniel on I Don't Speak German.  Featured Music: "Michoacan" by The Sir Douglas Quintet & "Loving Her Was Easier (Than Anything I'll Ever do Again)" by Kris Kristofferson.

This week, North Dakota based 2023 SPBGMA International Bluegrass Band Champions the Waddington Brothers recorded live at the Ozark Folk Center State Park. Also, interviews with eldest brother Seth Waddington. “The Waddington Brothers, a band of four brothers from rural North Dakota, perform what they live: music that is real to them, that takes listeners on a journey through the heart of the American West. “Seth, Ethan, Jacob, and Job Waddington skillfully blend cowboy and bluegrass music, creating a style that's timelessly classic and yet refreshingly new and unique. With their rich, stirring vocal harmonies and instrumental versatility that ranges from hard-driving bluegrass to more mellow acoustic tones, this quartet has developed a sound that is truly as strong as it is special. And their gift for captivating an audience comes naturally to these men. Whether they're singing about cowboys or cabins, hunting or horseback riding, ranches or Indian reservations, The Waddington Brothers share heartfelt songs that evoke feelings of warmth, appreciation, and a genuine connection to the way life was lived by our country's pioneers. “This group shares their music as a well-polished craft: one that's been cultivated by four siblings who have been playing and singing together their entire lives. While their performing experience together traces back to 2004, the band officially came together as The Waddington Brothers in 2019. Their musical inspiration today is drawn from many pools of influences. Their sound might be described as a mixture of traditional bluegrass, gospel music, and Western strains reminiscent of The Sons of the Pioneers. Even more accurately, though, it can be described as something brand new—something powerfully different—a breath of fresh air to their audiences, that could only be created by four brothers with such an authentic synergy and blend. And it's been proven: in 2023 at the annual SPBGMA (Society for the Preservation of Bluegrass Music of America) Convention in Nashville, Tennessee, The Waddington Brothers took first place in the International Bluegrass Band Competition.” - https://www.waddingtonbrothers.com/about In this week's “From the Vault” segment, OHR producer Jeff Glover offers an archival recording of bluegrass legends the Country Gentlemen performing the Kris Kristofferson song “Darby's Castle,” from the Ozark Folk Center State Park archives. In this week's guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater demonstrates American clog dancing styles and their influences.

In 1992, then 25-year-old Sinéad O'Connor appeared on Saturday Night Live. She was a budding international musical superstar with two chart-topping records to her name. And, unbeknownst to producers, she had decided to use her platform to protest rampant child abuse in the Catholic Church. At the end of her performance, she stared straight into the camera, tore up a picture of Pope John Paul II and threw it at the camera as she shouted, “fight the real enemy.”Now remember, 1992 was almost a decade before the sexual abuse scandals in the Catholic Church would come to light in this country. Not only were most Americans unaware of the evils that had unfolded behind closed doors, but they were also outraged that a pop star would dare to dishonor and defame a venerated religious leader. Sinéad was immediately and very publicly scorned, mocked, and ridiculed.Two weeks later, she was scheduled to perform at a special Madison Square Garden concert. Country music star Kris Kristofferson introduced her by saying, “I'm real proud to introduce this next artist, whose name's become synonymous with courage and integrity, Sinéad O'Connor.” As soon as he says her name, the crowd begins to boo and jeer at her. Sinéad walks on stage and stands in the face of that hate for what seems like forever. She adjusts her mic, tries saying “thank you” the way she would begin any other performance, but the crowd just keeps screaming at her. The band tries to save her by starting her song, but she cuts them off. 20,000 people in the audience are still booing. Jeering. The hate doesn't end. She stares out, waiting. Kris returns. He leans in and whispers something in her ear, then walks away. Again, the band tries to temper the vitriol of the crowd with instrumentals to no avail. Finally, Sinéad says, “turn this up,” and then begins to sing/scream the same song she sang on Saturday Night Live. She gets out every word. The crowd is still booing. She finishes, turns and begins to walk off the stage. Kris meets her, hugs her, and the two exit together.As a performer, I cannot imagine the grit it took to stand strong in front of 20,000 angry, booing audience members; not only to stand strong but to have the presence of mind to be able to pause and reflect about what she wanted to do, how she wanted to proceed, to decide to sing the very same song that earned her all of this vitriol. Later she would share that she herself was the victim of abuse growing up. That the picture she shredded belonged to her abusive mother. That she wasn't just taking a stand for victims in general, but for herself and for every child that had ever been abused. That she believed that she was more than a pretty voice and had an obligation to stand for justice. Fundamentally she was right. A decade later, the country would be roiled by revelations of abuse, cover ups, and the church would begin paying out settlements. But she was a ahead of her time. That courageous stand ended her career.This story made the rounds in September of 2024, when Kris Kristofferson passed away, because this moment of support kindled a beautiful friendship that would last for the next thirty-one years. But it resurfaced in my memory this week for a very different reason.

There's nothing like the sound of Sunday Mornin' Comin' Down, and there's no voice that can sing it like the froggy croak of Kris Kristofferson, perhaps the smartest man in music! His eponymous debut album is full of character work and hit after hit of excellent storytelling. We'll discover how he abandoned his Rhodes scholar days and exploited his military pilot training to harass a superstar and break into the music biz! After churning out hits like Me And Bobby McGee and To Beat The Devil he even launched a lucrative acting career... The man doesn't Stop Stopperson! The Mixtaper delivers during his Kris-themed round of Fact Or Spin where we learn about wrestling refs, brutish rugby, and Kristory in the making. Even if you don't love his music, you'll want to listen to this episode just For The Good Times! Keep Spinning at www.SpinItPod.com!Thanks for listening!0:00 Intro3:07 About Kris Kristofferson13:00 About Kristofferson (The Album)17:51 Awards & Accolades18:19 Fact Or Spin22:22 A Rugby Krisis26:02 Kristastrophe At The Grand Ol' Opry30:23 Kris-Krossing In The Ring35:41 Kristory In The Making41:06 Album Art42:44 Blame It On The Stones47:04 To Beat The Devil49:34 Me And Bobby McGee52:45 Best Of All Possible Worlds54:46 Help Me Make It Through The Night57:11 The Law Is For Protection Of The People59:35 Casey's Last Ride1:01:08 Just The Other Side Of Nowhere1:02:31 Darby's Castle1:05:07 For The Good Times1:06:47 Duvalier's Dream1:08:37 Sunday Mornin' Comin' Down1:11:20 Final Spin Hosted on Acast. See acast.com/privacy for more information.

After Micheal Cimino's The Deer Hunter won five Oscars, United Artists gave him carte blanche for his next film and he really went to town. As in he built and rebuilt at least one whole town, on stilts in a National Park so as not to damage the landscape. If only he'd waited 45 years he could have just bought Glacier National Park outright and really become his film's villains. Anyway, the film was hemorrhaging money is what I'm saying, and is all the better for it. A slight fictionalization of the historical Johnson County War, Heaven's Gate (1980) is a beautifully shot epic western where Cimino sought to just tell the stories of real people and forgot that talking about real people in their historical context is what historical materialism is. Cimino's seemingly accidental Marxism was not lost on star Kris Kristofferson, and Cimino even changed some details to ratchet up the class conflict that was, historically, already at a fever pitch. And, hey, it's not often that the historical villains we see in our Criterion films are still around and even have a website that glosses over their government-approved extrajudicial mass murders. "Guardians of Wyoming's Cow Country since 1872" and still shaping society 150 years later, because that's what happens when you don't stop greedy men from seizing absolute power.

We always love a song with a complicated origin story, and here we get to pay tribute to an amazing songwriter and still indulge our favorite plot twists. Help Me Make It Through The Night, originally released by Percy Sledge, with versions by Kris Kristofferson, and by Gladys Knight and the Pips.  Outro music is Jump In The River by Sinead O'Connor — and if you don't know about the connection between Kris Kristofferson and Sinead O'Connor, you need to dig into that, because it's amazing. 

Welcome to another Cinema Sounds & Secrets Tribute episode! This week Janet, John, (and Pen) discuss influential American country songwriter, singer, actor, and outlaw country movement figure Kris Kristofferson! His debut album Kristofferson (1970) introduced us to iconic songs and he eventually fell into movie stardom with legendary roles like Pat Garrett and Billy the Kid (1973), A Star Is Born (1976) — for which he won a Golden Globe — and the Blade trilogy (1998–2004). To learn more about this episode and others, visit the official Cinema Sounds & Secrets website!

Mamas don't let your babies grow up to be podcasters. It's another edition of Altmania: Friends of Bob, continuing right along in our Alan Rudolph series. This time we're joined again by a returning champion, our pal from Podside Picnic, Chris Woodward. We get into this interesting leap in budget for ol' Rudolph, working alongside Kris Kristofferson and Willie Nelson in a fun little film about what it means to make art in the US of A. What does it mean to be an artist, to get tied up in the financial end of the music biz, and to avoid all those fat gangsters in suits? Well, you'll just have to tune in to find that out now won't you. Y'all come back now, ya hear? Follow Chris Woodward: https://twitter.com/cww_0 https://www.patreon.com/PodsidePicnic Podside Picnic Follow Este on Substack: https://estebannoel.substack.com/ Follow Altmania: Patreon Linktree Altman / Rudolph Archive

In this lively episode of Friends Talking Nerdy, Professor Aubrey and Tim the Nerd explore the music world, veterinary tales, and a captivating new documentary. Here's what to expect: Our Favorite Musicians from the Opposite Gender:Professor Aubrey and Tim the Nerd share their personal music heroes from outside their own gender. Professor Aubrey highlights iconic male artists, including Bob Dylan, Kurt Cobain, John Lennon, Kris Kristofferson, Billy Bragg, and Snoop Dogg. Tim the Nerd celebrates groundbreaking female musicians, such as Juice Newton, Patsy Cline, Janis Joplin, Cyndi Lauper, Aretha Franklin, and Carole King. Tune in for a heartfelt discussion about what makes these artists timeless and influential. Annie and Mimsy's Vet Adventure:The show's beloved feline mascots, Annie and Mimsy, recently had their one-year check-up at the Oregon Humane Society Community Veterinary Hospital. Professor Aubrey and Tim the Nerd share the details of their visit and discuss the importance of regular vet care for pets. Disney Plus Documentary Spotlight – Beatles 64:Professor Aubrey and Tim the Nerd dive into the new Martin Scorsese-produced documentary, Beatles 64, streaming on Disney Plus. They break down the highlights, the behind-the-scenes moments, and the enduring legacy of the Fab Four. As always, we wish to thank Christopher Lazarek for his wonderful theme song. Head to his ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for information on how to purchase his EP, Here's To You, which is available on all digital platforms. Head to Friends Talking Nerdy's ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠for more information on where to find us online.

A multi-Juno Award-winning songwriter and producer, he is the founder of Sundown Sessions Studios and the founder and CEO of SyncSongwriter, with five songs from two SyncSongwriter alumni artists having recently been featured in a Cannes Palme d'Or winning film. He has produced numerous hit songs for radio including gold and platinum records for several major-label artists. His credits include working with Blue Rodeo, plus working on albums by major artists like Kris Kristofferson and Bryan Adams, among others. There is a free, online, live event coming up this Sunday, January 12th, that he talks about during this conversation.

Conversations is bringing you a summer treat — a collection of Sarah's most memorable guests through out the years. A songwriter's songwriter, John Prine turned his often bemused view of people and politics into songs for fifty years. John Prine October 1946 — April 2020John first picked up a guitar at fourteen, encouraged by his older brother. He started writing songs when he couldn't remember the lyrics to existing ones.Growing up in Maywood, a suburb of Chicago, the Prine boys had a wealth of music around. There were country, folk, and rock and roll shows on the weekends, and The Grand Ole Opry on their father's radio. Just as influential were trips to visit family in Paradise, Kentucky.By the late 1960s after his first, reluctant performance at an open-mic night, John's song writing talent saw him become a regular on the folk circuit.Encouraged by Kris Kristofferson, he was persuaded to give away his regular gig as a mailman; and songs from John's first album, "John Prine", released in 1971, are still popular and relevant today.John toured and recorded regularly across five decades, as well as collaborating with and providing songs for many of the music industry's biggest names.Bob Dylan cites John as one of his favourite songwriters, and Johnny Cash recorded one of John's most famous songs, "Sam Stone".John won three Grammy awards and was inducted to both the Nashville Country Music Hall of Fame, and the Grammy Hall of Fame.John Prine passed away in 2020. This episode of Conversations contains discussion about music, guitar, postal services, American history, United States of America, USA, Chicago, Nashville, Johnny Cash, Bob Dylan, Elvis Presley, musicians, singing, singer-songwriters, songwriting, composition, country music, folk music, touring, Kentucky, music industry, lung cancer, cancer treatment, family, autobiograpy, The Tree of Forgiveness,  

Echoes of the trajectory of the Beatles still reverberate through music today, and they loomed quite large over the rock scene in the early 70's.  In 1972 a bootleg 4-album set of Beatles songs was produced called "Alpha Omega" which sold well when marketed on TV.  In response - in addition to suing - Apple and EMI/Capitol Records produced an authorized collection in two double albums.  The first was called 1962-1966, also known as the Red Album, while the second was called 1967-1970, also known as the Blue Album.    The Blue Album was a compilation of Lennon-McCartney original songs, avoiding many of the successful cover songs the early group had recorded.  Unfortunately it also did not contain any George Harrison compositions from this time period.  The Red Album did not contain any covers, as the Beatles were immensely popular on their own by this time.  However, it did contain songs from George Harrison and Ringo Starr along with the numerous Lennon-McCartney originals.The album covers are notable, as they are similar photos of the group at different points in life.  The cover to the Red Album used an image of the group looking down over the stairwell inside EMI's London headquarters.  This was a photograph taken for the group's 1963 debut LP.  The Beatles had recreated that shot in 1969 for their planned "Get Back" album, but did not use the image when the album was released in 1970 as "Let It Be."The compilation project was a success, and convinced other groups to release similar retrospective compilations.  It is also a terrific way to see the progression of the band in seven short years of their activity.  WSB Radio's Eric Von Haessler joins us to highlight these two influential albums in this week's podcast. Love Me DoThe very first single released by the Beatles was this track and the lead-off track from the Red album.  John Lennon and Paul McCartney provide duet vocals on this song, and Lennon is the harmonica player.  While it is credited as a Lennon-McCartney song, John Lennon provides the bridge, and has stated that it was a McCartney song before they began working together.Tomorrow Never KnowsThe concluding track from "Revolver" is the concluding track for the Red album, and shows how far the Beatles have taken their music in four short years.  They are utilizing techniques like looped drums, reverse guitar, and processed vocals that were new to the music scene at the time.Strawberry Fields ForeverThis track opens the blue album.  The inspiration for this song was a park in which Lennon played as a child, and evokes a childlike innocence.  The music style was a departure from the Beatles' previous style, and is considered the introduction of the psychedelic genre.Let It BeA profound piece after the psychedelic period, "Let It Be" is often considered the swan song for the Beatles, because it was the final single released before McCartney announced his intention to leave the band.  The  inspiration of the song was a dream Paul McCartney had about his mother. ENTERTAINMENT TRACK:Knocking on Heaven's Door by Bob Dylan (from the motion picture “Pat Garrett and Billy the Kid”)This western movie had a revisionist history and starred a number of celebrities, including James Coburn, Kris Kristofferson, and Bob Dylan himself.  STAFF PICKS:Kodachrome by Paul SimonBruce starts out the staff picks with the lead single from Simon's third studio album "There Goes Rymin' Simon." While it did well in the US, it received little airplay in the UK due to strict rules the BBC had in place regarding product endorsements.  The idea of the song is that we fit our memories to our worldviews like we frame shots in a camera.Money by Pink FloydRob brings us the lead single from the monster album "Dark Side of the Moon."  A rare song in 7/4 time with a 4/4 guitar bridge, the lyrics describe the desire and material trappings that cause people to chase after riches. Peaceful Easy Feeling by the EaglesLynch features an iconic song from the Eagles.  It was written long before this time by Jack Tempchen, a prolific singer-songwriter, but appeared on the Eagles debut album. Glen Frey is on lead vocals, and the harmonies are provided by Bernie Leadon and Randy Meisner. Right Place, Wrong TIme by Dr. John Eric finishes the staff picks with a funky tune from New Orleans-influenced Dr. John.  It was the first single from "In the Right Place," Dr. John's sixth studio album, and was also his biggest commercial hit, reaching number 9 on the Billboard Hot 100. COMEDY TRACK:The Cover of "Rolling Stone" by Dr. Hook & the Medicine ShowWayne presents the comedy single this week, as Dr. Hook seeks validation by appearing on the cover of Rolling Stone magazine. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

We're wrapping up our annual two-part memorial show, covering people we lost in the second half of 2024 from TV (Linda Lavin, John Amos, Bob Newhart), movies (Teri Garr, Shelley Duvall, James Earl Jones), music (Quincy Jones, John Mayall, Kris Kristofferson), and more. (Richard Simmons, Dr. Ruth, Famous Amos, the "You've got mail!" guy... our list has a lot of range.) The egg nog is flowing freely here at Chickentown Studios. Select a huge festive beverage for yourself and join us. And our regular links... The Flopcast website! The ESO Network! The Flopcast on Facebook! The Flopcast on Instagram! The Flopcast on Bluesky! The Flopcast on Mastadon! Please rate and review The Flopcast on Apple Podcasts! Email: info@flopcast.net Our music is by The Sponge Awareness Foundation! This week's promo: Cosmic Pizza!  

Jason and Randy are joined by a veritable clown car of stars for the new year: Steven Seagal, Mark Wahlberg, Stone Cold Steve Austin, Tom Hanks, Vince Vaughn, Donnie Wahlberg, Nicolas Cage x2, Michael Caine x3, Jason Statham, Robert Downey Jr., Paul Giamatti, Barack Obama, Donald Trump, Sam Elliott, Dennis Rodman, Michael Jordan, Charlie Sheen, Joe Biden, Tiger Woods, Matthew McConaughey, Kris Kristofferson, Alan Rickman, and Liam Neeson all stop by! Performers: Daniel Van Kirk, Jonathan Kite, Chris Cox, and Kenny Stevenson.

In our wrap up episode for 2024, we talk about the recently departed Jimmy Carter, our top five episodes (each) for 2024, those we lost that, including Kris Kristofferson, Jane McAlevey and others, and our hopes and dreams for the future. ----------------------------------------------------------- ANNOUNCED! We're doing a Green and Red Live Panel (called "Media in the Time of War and Resistance) in Berkeley, CA with Flashpoints' Dennis Bernstein, Bob Buzzanco and other speakers TBA on Thurday January 16th, 2025. RSVP here: https://bit.ly/Jan16PanelEvents ------------------------------------------------------------- Outro - "American Tune" by Paul Simon Links// + Jimmy Carter is a Liberal Saint Now, Was a War Criminal Then (https://bit.ly/4gBjIgE) Follow Green and Red// +G&R Linktree: ⁠⁠⁠https://linktr.ee/greenandredpodcast⁠⁠⁠ +Our rad website: ⁠⁠⁠https://greenandredpodcast.org/⁠⁠⁠ + Join our Discord community (https://discord.gg/uvrdubcM) +NEW: Follow us on Substack (https://greenandredpodcast.substack.com) +NEW: Follow us on Bluesky (https://bsky.app/profile/podcastgreenred.bsky.social) Support the Green and Red Podcast// +Become a Patron at https://www.patreon.com/greenredpodcast +Or make a one time donation here: ⁠⁠⁠https://bit.ly/DonateGandR⁠⁠⁠ Our Networks// +We're part of the Labor Podcast Network: ⁠⁠⁠https://www.laborradionetwork.org/⁠⁠ +We're part of the Anti-Capitalist Podcast Network: linktr.ee/anticapitalistpodcastnetwork +Listen to us on WAMF (90.3 FM) in New Orleans (https://wamf.org/) This is a Green and Red Podcast (@PodcastGreenRed) production. Produced by Bob (@bobbuzzanco) and Scott (@sparki1969). Edited by Scott.

Brenda Lee spent the early years of her life in Georgia, and though her family didn't have a lot of money, they always made sure she had batteries to run the radio so she could listen to the Grand Ole Opry. Between that and singing at their Baptist church, her interest in music became clear, and her extraordinary talent became even clearer. She was still a kid when her mother moved the family to Missouri so she could be a part of a TV program called Ozark Jubilee, and she was signed to Decca Records soon after that. Over the next handful of years, she set a record for the number of top 10 hits by a woman, and she also recorded one of the most famous Christmas songs of all time when she was just 13 years old: “Rockin' Around the Christmas Tree.” Sid talks to Brenda about her own Christmas traditions, her friendships with artists like Tanya Tucker and the late Kris Kristofferson, and her thoughts on the increased prominence of women in music over the course of her long career. For more info visit: southernliving.com/biscuitsandjam Biscuits & Jam is produced by: Sid Evans - Editor-in-Chief, Southern Living Krissy Tiglias - GM, Southern Living Lottie Leymarie - Executive Producer Michael Onufrak - Audio Engineer & Editor/Producer Jeremiah McVay - Producer Jennifer Del Sole - Director of Audio Growth Strategy & Operations Learn more about your ad choices. Visit podcastchoices.com/adchoices

Those madmen and women over at Warner Brothers Discovery have done the impossible, a sequel to the 2019 billion dollar smash Joker. Joker: Folie à Deux continues the adventures of Arthur Fleck this time joined by Harleen "Lee" Quinzel in a story everyone hates. Plus we also talk the passing of Kris Kristofferson, The Batman moving to the DCU, a new DC animated feature in Dynamic Duo, a Voltron update, Rugrats but real, a trailer for Better Man, Spider-Man updates including the return of Andrew Garfield, Nicholas Cage as Spider-Man Noir and a potential title for Spider-Man 4 plus studios resorting to superfan focus groups in order to increase streaming numbers and reduce backlash. Thanks for listening!Visit bigsandwich.co for bonus weekly shows including video game let's plays, exclusive movie commentaries, early stuff and ad-free podcast feeds for $9 per month.Aunty Donna & The Weekly Planet Team-Up: https://www.instagram.com/p/DAhoC6Iy0f2/Confessions & Wilosophy Livestreams with James & Maso (if still available): https://cheerfulearful.podlifeevents.com/Please be aware timecodes may shift due to inserted ads. Maybe skip an extra few minutes.00:00 The Start05:10 RIP Kris Kristofferson07:07 The Batman in New DCU Plans10:41 Dynamic Duo Movie Announced14:04 Voltron Live Action Lead Cast18:15 Rugrats Live Action Movie?20:30 Better Man (Monkey Robbie Williams) Trailer24:23 Spider-Man Stuff! Andrew Garfield & Joel Kinnaman Are Liars26:16 Spider-Man Noir Nic Cage Set Photos27:12 Spider-Man 4 Movie Plans with Venom Villain29:22 Toxic Fandom Variety Article: Hollywood Battling Fans40:27 Joker: Folie A Deux Review01:02:24 Joker: Folie A Deux Spoiler Segment (TW: sexual assault 01:04:38 to 01:06:30 or 3+ mins when discussion starts)01:16:46 What We Reading, What We Gonna Read01:22:54 Letters, It's Time For LettersJames' Twitter ► http://twitter.com/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownMaso's Instagram ► https://www.instagram.com/nickmaseauThe Weekly Planet Twitter ► https://twitter.com/theweeklyplanetThe Weekly Planet TikTok ►https://www.tiktok.com/@weeklyplanetpodThe Weekly Planet Clips Channel on YouTube ► https://www.youtube.com/@theweeklyplanetclipsPatreon ► https://patreon.com/mrsundaymoviesTWP iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767TWP Direct Download ► https://play.acast.com/s/theweeklyplanetTWP YouTube Channel ► https://goo.gl/1ZQFGHAmazon Affiliate Link ► https://amzn.to/2QbmwGj Hosted on Acast. See acast.com/privacy for more information.

Beloved British actor of stage and screen Maggie Smith died last week at age 89. Though the Oscar-winner had a long and successful career, it wasn't until she was in her 70s that she got approached by scores of fans. "It only happened to me since Downton Abbey, so I blame the whole thing on television." We revisit Dave Davies' 2016 interview with Smith. Also, we remember singer, songwriter, and actor Kris Kristofferson. He was a Rhodes Scholar, and an Army Ranger before taking a chance at songwriting. "Me and Bobby McGee" is perhaps his most famous song, recorded by Janis Joplin. He told Terry Gross in 1999. Also, John Powers reviews the new film Wolfs, starring George Clooney and Brad Pitt on Apple TV+.To keep up with what's on Fresh Air and get a peek behind the scenes, subscribe to our free weekly newsletter. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Ira and Louis discuss Francis Ford Coppola's expensive box office flop Megalopolis, Monsters: The Lyle and Erik Menendez Story, Ellen's Netflix special, and the deaths of Maggie Smith, Gavin Creel, Kris Kristofferson, and Drake Hogestyn. Michael Jaé Rodriguez joins to discuss her new album 33, her love of Mortal Kombat and X-Men, and more.Subscribe to Keep It on YouTube to catch full episodes, exclusive content, and other community events. Find us there at YouTube.com/@KeepItPodcast 

This is The Zone of Disruption! This is the I AM RAPAPORT: STEREO PODCAST! His name is Michael Rapaport aka The Gringo Mandingo aka  The Charles Oakley of The Jews, The Monster of Mucous aka Captain Colitis aka The Disruptive Warrior aka Mr. NY aka The Inflamed Ashkenazi aka The Smiling Sultan of Sniff aka The Flat Footed Phenom aka Milk aka Mitzvah Mike is here to discuss:  A thrilling comeback win in STERNFL & beating Bababooey, NFL Hot & Not, Knicks getting Karl Anthony Towns, RIP Dikembe Mutumbo, Pete Rose & Kris Kristofferson, destroying Hezbollah & a whole lotta mo'. This episode is not to be missed! To Win: https://www.winible.com/checkout/1357777109057032537?store_url=/captainpicks&c=kickoff Rate & Review on Apple Podcasts or Spotify Send questions & concerns to: iamrapaportpodcast@gmail.com Subscribe to Rapaport's Reality Feeds:  iHeartRadio: https://www.iheart.com/podcast/867-rapaports-reality-with-keb-171162927/ Apple Podcasts: https://podcasts.apple.com/us/podcast/rapaports-reality-with-kebe-michael-rapaport/id1744160673 Spotify: https://open.spotify.com/show/3a9ArixCtWRhfpfo1Tz7MR Pandora: https://www.pandora.com/podcast/rapaports-reality-with-kebe-michael-rapaport/PC:1001087456 Amazon Music: https://music.amazon.com/podcasts/a776919e-ad8c-4b4b-90c6-f28e41fe1d40/rapaports-reality-with-kebe-michael-rapaport Stand Up Comedy Tickets on sale at: MichaelRapaportComedy.com If you are interested in NCAA, MLB, NBA, NFL & UFC Picks/Parlays Follow @TheCaptainPicks on Instagram & subscribe to packages at www.CaptainPicks.com www.dbpodcasts.com   Produced by DBPodcasts.com Follow @dbpodcasts, @iamrapaport, @michaelrapaport on TikTok, Twitter & Instagram Music by Jansport J (Follow @JansportJ) www.JansportJMusic.comSee omnystudio.com/listener for privacy information.

Trump heads into the wake of Hurricane Helene, despite everyone asking him not to. Climate change is at our door, but conservatives pretend they don't hear all that knocking. Tim Walz and JD Vance carbo-load before the big VP debate, and we say goodbye to Kris Kristofferson, the man, the myth, the star of a movie called Millennium that Lovett and no one else saw. If you want donate to help disaster relief in the Southeast and know your money is going to organizations on the ground, please visit votesameamerica.com/helene today.

Van and Rachel remember the lives of Dikembe Mutombo and Kris Kristofferson (:15) and debate the appropriateness of a sexy TD Jakes R&B album (13:58), before discussing Boosie's most recent comments on his daughter's sexuality while on Yung Miami's podcast (28:34) and Caresha's involvement in the latest Diddy lawsuit (59:53). Then they dive into the latest and weirdest news out of the GOP (1:06:09) before Representative Maxwell Frost joins to talk about being the first Gen Z member of Congress (1:14:44). Plus, Chappell Roan's position on the 2024 election has the internet abuzz (1:44:59). Hosts: Van Lathan and Rachel Lindsay Guest: Representative Maxwell Alejandro Frost Producers: Donnie Beacham Jr. and Ashleigh Smith Learn more about your ad choices. Visit podcastchoices.com/adchoices