American jazz singer and songwriter
POPULARITY
4 episodes with billy holiday
3 episodes with billy holiday
4 episodes with billy holiday
2 episodes with billy holiday
2 episodes with billy holiday
2 episodes with billy holiday
3 episodes with billy holiday
2 episodes with billy holiday
2 episodes with billy holiday
(00:41) Oproep: Stuur je favoriete protestlied naar ovtlive@vpro.nl. (05:25) Mediëvist Janna Coomans onderzocht onontdekte dievenbekentenissen. Wie steelt er eigenlijk en wat zeggen deze daden over de middeleeuwse samenleving? Coomans is te gast met haar nieuwe boek Dievenland, over gewone mensen in onzekere tijden. (16:06) In de nacht van 23 op 24 januari 1954 treedt de dan al wereldberoemde Amerikaanse jazz-zangeres Billy Holiday op in het Concertgebouw in Amsterdam. Als ze het lied ‘Strange fruit' zingt, over de lynchpartijen in haar thuisland, breekt de zaal uit in luid gelach. Holiday verlaat woedend het podium. Het is een dramatisch einde van een toch al dramatisch verlopen dag, waar zij in haar biografie met geen woord over rept. Programmamaker Hans Hylkema reconstrueert wat er is gebeurd. Research: Rudie Kagie. Meer info: https://www.vpro.nl/programmas/ovt/luister/afleveringen/2025/11-05-2025.html# (https://www.vpro.nl/programmas/ovt/luister/afleveringen/2025/11-05-2025.html)
Jazz guru Blind Mango Chutney checks in with another ripping jazz set taking you from Ken Nordine's humour through to Billy Holiday's pathos.
#163 Broadcast 163 - Episode 156 - The Crooners - 20241005 - 3 in 1 = 1 hour Billy Holiday (live) by Jim Reeves
Comenzamos hoy también con una representación de artistas valencianos, primero el grupo Saó y después Isabel Julve. La cantaora nos ofrece una grabación en la que interpreta a Billy Holiday junto al trompetista Geoffrey Tamisier en un álbum titulado "Mujer con mantón". Con la visita de Carlos M. Ballester escuchamos algunos artistas que forman parte de la programación para los próximos meses del Círculo Flamenco de Madrid. Terminamos con Andrés Barrios y su piano.Escuchar audio
Podcast Jazztime 652 – 05.11.24 Diese Sendung hat Joachim Böskens zusammengestellt. Das LIVE- Anspiel ist diesmal: „Autumn Leaves“ – der „Herbst-Klassiker“ 1945 komponiert von Joseph Kosma. Folgende Titel sind zu hören: 1. Autumn Nocturne – Art Farmer 4:59 2. Autumn in New York – Billie Holiday & Oscar Peterson 3:56 3. No more Blues – Samara Joy 5:46 4. ‘Tis Autumn – Joe Pass & Jimmy Rowles 4:55 5. Autumn Leaves – Ruth Hohmann 4:29 6. Half the fun (Lately) – Duke Ellington & Orchestra 4:19 7. Walkin' – Quincy Jones 10:30 Bei Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!
If you think the importance of representation, diversity and the arts are some theoretical notions that don't have real effects on people's lives and their communities, Talia Young has a story to tell. The President and CEO of Newark Symphony Hall talks with Jersey Angle co-host Mark Bonamo on the stage of the storied century-old theater where everyone from Billy Holiday and the Rolling Stones to Jim Hendrix and Queen Latifah have performed. She describes growing up in the dizzyingly diverse suburb of Teaneck and how that prepared her first for a career in politics, and now as the leader of one of New Jersey's most iconic, historic and fabled arts institutions.
Chillout Classic w Radiu Spin #40 Tematem jest czterdziestka. W audycji przestawiam utwory na różny sposób związany z numerem 40. Czasem to opus, czasem czterdziesta symfonia a czasem czasy lat czterdziestych, czy tempo 40. Miłego słuchania. 1. J.S. Bach - Wariacje Goldbergowskie, Aria i 1,2,3 wariacja, Andreas Schiff. 2. F. Chopin - Polonez op.40 nr 2 g-moll, Artur Rubinstein. 3. W.A. Mozart - 3 koncert fortepianowy D-dur KV 40, cz.2 Andante, Murray Perahia, English Chamber Orchestra. 4. W.A. Mozart symfonia 40 g-moll ,cz.1 Molto Allegro, Marc Minkowski, Les Musiciens du Louvre. 5. Harold Arlen - Over The Rainbow, Judy Garland 6. Leigha Harline - When You Wish Upon a Star, Cliff Edwards. 7. Max Steiner - Temat Tary z Przeminęło z wiatrem, Itzhak Perlman, John Williams, Boston Pops Orchestra. 8. Herman Hupfeld - As Time Goes By, Billy Holiday. 9. A. Dworzak - IX Symfonia e- moll, cz. 2 Largo, New York Philharmonic, Alan Gilbert.
Robert Fico sa to pokúsil urobiť relatívne bystro: v čase, keď ľudia zháňajú darčeky a vianočný punč a dokončujú posledné tohtoročné úlohy čakajúc na Popolušku, sa pokúsil zrušiť špeciálnu prokuratúru a vyrovnať si účty s vyšetrovateľmi. No zrejme sa prerátal, v uliciach sú tisíce ľudí, čo asi neteší ani Petra Pellegriniho a jeho prezidentské ambície. Čo sa teda deje na námestiach slovenských miest a prečo? Tomáš Prokopčák sa v podcaste Dobré ráno pýta Jakuba Fila. Zdroj zvukov: Aktuality Odporúčanie Dnešné hudobné odporúčania ste tiež vybrali vy, a budú pesničkové: Anton Čípel vám zo slovenskej hudby odporúča Martina Geišberga a Timotej Jurčo menej známeho pesničkára, ktorý si hovorí Havrilla, a jeho EP Tenzie, ktoré vyšlo len pred pár dňami. Žaneta s Luciou si spomenuli na Tamaru Kramar a ja vám odporúčam pártýždňový album Kataríny Koščovej a Daniela Špinera Krehkosť. Úprimne, tento album je jedným z najkrajších slovenských albumov tohto roka. Zo zahraničných vecí vám Angela Hermanová odporúča islandskú džezovú pesničkárku Laufey. Ak vás baví Billy Holiday alebo Ella Fitzgerald a tie nádherné dávne ťahavé skladby z čias swingu, big bandov a rodiaceho sa popu, určite vyskúšajte. A keď už sme pri pesničkách s pridanou hodnotou a trochu sofistikovanejšom pope, Lujza Rippová vám odporúča nový album Hoziera Unreal Unearth. – Všetky podcasty denníka SME nájdete na sme.sk/podcasty – Odoberajte aj audio verziu denného newslettra SME.sk s najdôležitejšími správami na sme.sk/brifing – Odoberajte mesačný podcastový newsletter nielen o novinkách SME na sme.sk/podcastovenovinky – Ďakujeme, že počúvate podcast Dobré ráno.
Haz and JJ bring some pep to your November with the music of protest and revolt, whether it's Obama breaking into song, Chopin feeling heroic or Billy Holiday lamenting a dark past. And what is the opposite of goosebumps?Support the Show.www.artsactive.org.ukEmail a2@artsactive.org.ukTwitter @artsactiveInstagram artsactivecardiff Facebook artsactive#classicalmusic #stdavidshall #neuadddewisant #drjonathanjames #bravingthestave #musicconversations #funfacts #guestspeakers #cardiff
Die Maus zum Hören - Lach- und Sachgeschichten, Heute: mit kaputten Geldscheinen, der Jazzsängerin Billy Holiday, Snuffi Hartenstein, mit Verena und natürlich mit der Maus und dem Elefanten. Frage des Tages: Kaputte Geldscheine (04:06) Berühmte Leute: Bill Gates (11:06) Besuch bei einer Tafel (19:51) Billy Holiday (32:20) Snuffi Hartenstein (46:11) Rate mal (54:49) Von Verena Specks-Ludwig.
It's the delightful "Stars Fell On Alabama" under the Same Difference microscope this episode! Join AJ and Johnny as they listen to and discuss versions of this sometimes forgotten Jazz standard by Louis Armstrong, Billy Holiday, Ella Fitzgerald, Harry Connick Jr., Cannonball Adderley and John Coltrane, new-to-us artist the Boilermaker Jazz Band, and a special (and unplanned) tribute to the late Jimmy Buffett.
Battle Kat and I talk about the importance of Black Catholic Nuns in America. We highlight Mother Mary Elizabeth Lange. Topics St. Frances Academy Baltimore, Angel Reese, Vernable Pierre Toussaint, Billy Holiday, Sister Act, Lauryn Hill, Cuba, Haiti, Clovis, Jew, and the Holy Six. --- Send in a voice message: https://podcasters.spotify.com/pod/show/talkingchitpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/talkingchitpodcast/support
American Grooves celebrates the early career of the American Genius and Jazz icon LOUIS ARMSTRONG on what would have been his 122 birthday! - we will focus on Louis' early years up through 1933 plus a a surprising 1949 duet with Billy Holiday. --- Support this podcast: https://podcasters.spotify.com/pod/show/american-grooves-hour/support
Another fabulously far flung edition features Tim's look back at Taylor Swift's massive at many levels Arrowhead show, as well as other performances, anniversaries, recommendations, and reflections. In the mix John Coltrane and Billy Holiday, The Eagles, Shania Twain, Emerson, Lake and Palmer, even Shindig, and more, Enjoy!
On the July 17 edition of Music History Today podcast, the world loses Billy Holiday, John Lennon gets told to leave, and Handel gives us Water Music. Also, it's Phoebe Snow's birthday. ALL MY MUSIC HISTORY TODAY PODCAST LINKS - https://allmylinks.com/musichistorytoday CHECK OUT MY OTHER PODCAST, THE MUSIC HALLS OF FAME PODCAST: LINKS - https://allmylinks.com/musichallsoffamepodcast THE MUSIC HALLS OF FAME PODCAST SPOTIFY LINK: https://spotifyanchor-web.app.link/e/Bmry9hcMxAb --- Send in a voice message: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support
Humanitzar els ginys i riure-se'n dels robots. Crítica teatral de les instal·lacions de Cabosanroque. «No em va fer Joan Brossa». Concepte, creació, dramatúrgia, direcció, disseny de so, composició i escenografia: Cabosanroque (Laia Torrents Carulla, Roger Aixut Sampietro). Veus enregistrades de: COIET de Banyoles (Servei d’atenció especialitzada per a persones adultes amb discapacitat de la comarca del Pla de l’Estany): M. Àngels Verge Mata, Pau Fernández Pujol, Eduard Martí Vergé, Alex Alba, Jonathan Perasa, Carmelita Puigdemont i Jordi Saubí Gironès. Fotografia: José Hevia. Direcció: Cabosanroque. Grec'23. Sala Raval, Centre de Cultura Contemporània de Barcelona (CCCB), Barcelona, 9 juliol 2023. «Dimonis». Concepte, creació, dramatúrgia, direcció, disseny de so, composició i escenografia: Cabosanroque (Laia Torrents Carulla, Roger Aixut Sampietro). Text: Jacint Verdaguer, Maya Deren. Traducció del text de Maya Deren: Martí Sales. Música original: Cabosanroque i versions de Cabosanroque sobre el «Veni creator» de Raban Maur i «The Unanswered Question» de Charles Ives. Instal·lacions sonores: Cabosanroque. Disseny de la il·luminació: Cube.bz, Cabosanroque. Vídeo: Frau recerques visuals, Cabosanroque. Construcció de l’escenografia: Kike Blanco, Cabosanroque. Producció executiva i distribució: Helena Febrés Fraylich. Participació enregistrada: Niño de Elche (cantaor), Rocío Molina (bailaora), Enric Casasses (poeta), Manuel Delgado (antropòleg), Gerard Horta (antropòleg), Ricard Torrents (especialista en Verdaguer), Carme Torrents (museòloga), Lourdes Porquet (viròloga), Xavier Rebodosa (viròleg), Helena Pielias i Vicenç Viaplana (videoartistes), Laia Torrents i Roger Aixut (Cabosanroque). Interpretació dels versos de Jacint Verdaguer: Núria Martínez Vernis (poeta), Jordina Boix (directora de la Fundació Verdaguer). Interpretació del pare A. F. (exorcista): Joan Solana. Fotografia: José Hevia. Una coproducció de Cabosanroque, Grec20 Festival de Barcelona, Temporada Alta19, La Filature Scène nationale de Mulhouse i Fundació Lluís Coromina. Amb el suport de: Departament de Cultura de la Generalitat de Catalunya, Fundació Verdaguer i Centre de Cultura Contemporània de Barcelona. Direcció: Cabosanroque. Grec'23. Sala Raval. Centre de Cultura Contemporània de Barcelona (CCCB), Barcelona, 9 juliol 2023. «Flors i viatges». Concepció, creació, construcció, dramatúrgia i direcció: Cabosanroque. Text original: Mercè Rodoreda, Svetlana Aleksiévitx. Adaptació: Cabosanroque. Amb la participació enregistrada de: Rocío Molina, Mónica López, Núria Martínez Vernis i refugiades ucraïneses a Catalunya (Mariia Kashpurenko, Nadiia Rusanova, Olena Radko, Hanna Hrechana, Alexandra Hrechana, Maria Hrechana, Hanna Rei, Barbara Sokilovska i Mariia Sokolovska). Traduccions del rus al català: Miquel Cabal. Traduccions del català a l’ucraïnès: Olena Velykodna. Música original: Cabosanroque; versió de «Strange Fruit» de Billie Holiday, interpretada per Núria Graham; «Lux Aeterna», de György Ligeti, interpretada per Cor de Teatre (Mariona Callís, Sara Gómez, Nuri Hernández, Ànnia Pons) i dirigida per David Costa. Enregistraments d’Alan Lomax: Laments de dones russes en la mort del seu pare. Disseny de la il·luminació: Cabosanroque, Cube.bz. Vídeo: Frau recerques visuals. Assistència tecnològica: Julià Carboneras. Ceràmica: Toni Cumella i Cabosanroque. Fotografia: José Hevia. Una coproducció de Cabosanroque, Grec'23 Festival de Barcelona, Temporada Alta 2022, Naves del Español en Matadero 2023, Teatre Nacional de Catalunya 2023, Théâtre Garonne – Scène européenne 2024 i Centre de Cultura Contemporània de Barcelona (CCCB). Direcció: Cabosanroque. Grec'23. Sala Raval, Centre de Cultura Contemporània de Barcelona (CCCB), 15 juliol 2023. Veu: Andreu Sotorra. Música: Satrage fruit. Interpretació: Billy Holiday. Composició: Lewis Allan. Àlbum: Billy Holiday, 1957.
'Ik vind het belangrijk dat er een intentie in de woorden zit en een intentie in het verhaal' Ilse Huizinga is opgenomen in Scott Yanow's standaardwerk 'The Jazz Singers, the ultimate guide' als één van de beste jazz vocalisten ter wereld. Ze heeft meerdere veelgeprezen albums opgenomen, waarmee ze onder andere een Edison nominatie in de wacht sleepte en ze is regelmatig te zien en horen op tv en radio en podia over de hele wereld. Het overbrengen van de emotie en de intentie van het verhaal zijn voor haar steeds belangrijker geworden, met name sinds haar dochter 10 weken te vroeg geboren werd. Hoewel techniek nog steeds belangrijk is - in haar eigen woorden omschrijft ze zichzelf als een 'techniekfreak' - neemt ze nu als uitgangspunt de oprechtheid van een lied; het gevoel, de emoties overbrengen is veel belangrijker geworden. In de podcast komen de volgende onderwerpen langs: - Hoe haar liefde voor muziek begon met het binnen komen rollen van een piano - Niet direct naar het Conservatorium, maar eerst een andere richting gekozen - Een bijzonder compliment van haar zangdocent dat zorgde voor meer zelfvertrouwen - Een eigen jamsessie in Amsterdam in 'de Heeren van Aemstel' - De eerste cd in eigen beheer uitgebracht met waanzinnige recensies - De steeds grotere rol die het oprecht vertellen van het verhaal van een lied ging spelen nadat haar dochter 10 weken te vroeg werd geboren en de impact die dit had - Hoe het gedicht 'Caged bird' van Maya Angelou Ilse meteen raakte: A free bird leapson the back of the wind and floats downstream till the current endsand dips his wingin the orange sun raysand dares to claim the sky. But a bird that stalksdown his narrow cagecan seldom see throughhis bars of ragehis wings are clipped and his feet are tiedso he opens his throat to sing. The caged bird sings with a fearful trill of things unknown but longed for still and his tune is heard on the distant hill for the caged bird sings of freedom. - Het opnemen van het album 'Here's to Maya Angelou' - Tips voor zangers die jazz willen zingen: Luister naar de 3 'hogepriesteressen': Ella Fitzgerald ,Billy Holiday en Sarah Vaughn - Swing feel wat is het en hoe krijg je het? - Hoe ontwikkel je je als jazz zanger? - Hoe ga je om met zenuwen: zorg dat je voorbereid bent & krijg helder waar je precies bang voor bent - Hoe je de focus van jezelf kunt verleggen van 'bang zijn om te falen' naar 'ik kom hier om iets moois te delen' - Ilse's wens voor elke zanger Meer informatie over Ilse vind je op haar website: https://ilsehuizinga.com/ Op zangvakantie met Ilse? Kijk op www.zangvakanties.nl Op instagram kun je haar hier vinden: @ilsehuizinga
Primera capital del país, Philadelphia es mucho más que el lugar en el que se firmó la Declaración de Independencia de Estados Unidos en 1776. Es el hogar de la afición más feroz del país: la de los Sixers, los Eagles, los Phillies y los Flyers (y los Union de la MLS), sí, pero también es mucho más que eso. Tiene, además, la Liberty Bell y el Museo del Arte por cuyas escaleras sube Rocky Balboa. Y es la ciudad natal de Billy Holiday, Kobe Bryant y Will Smith. Muy bien. Pero, ante todo, allí se inventó el delicioso Philly Cheesesteak. Y esto bien merece un capítulo. * Síguenos en RRSS. Instagram: @lafranquicia.pod y Twitter: @Franquicia_Pod* Para cualquier consulta, duda o sugerencia: lafranquicia.pod@gmail.comGracias por escucharnos. ¡Seguimos!
Folgende Titel sind zu hören: Along came Betty – Quincy Jones 3:19 On the sunny side of the street – Quincy Jones & Swedish Radio Studio Orchestra 3:55 This can't be Love – Art Tatum & Roy Eldridge Quartet 3:49 I cover the waterfront – Billy Holiday 3:33 Joy Spring – Roger Cicero & After Hours 4:22 Continuum – Jaco Pastorius 4:34 Voodoo Chile – Howard Johnson & NDR Bigband 5:21 For no one – Brad Mehldau 2:28 Wild Cat Blues – Monty Sunshine's Jazz Band 3:11
The holidays are back and so are we! Megan and Naomi took a break to get into the holiday spirit as Lifetime kicks off the “It's a Beautiful Lifetime” series. They start the holiday in style with the Lifetime movie premiere of “Steppin' Into the Holiday.” Former Broadway star, Billy Holiday played by Mario Lopez, returns to his hometown for Christmas after being abruptly fired from the hit TV series "Celebrity Dance Off." While back home, Billy volunteers to help dance teacher Rae plan a holiday recital fundraiser, where romance is on the marquee. Plus we have a special guest the romantic lead Jana Kramer joins our hosts for a look inside “Steppin' Into the Holiday.” Hosted on Acast. See acast.com/privacy for more information.
Claira S is an 83 year old woman from Los Angeles CA, she is telling her story in August of 2008 at the Dynamics Speaker Group in Anaheim California. I didnt realize it until she started talking about partying with Billy Holiday that I had heard her speak at a roundup years ago, I never forgot her remarkable story, she led quite a life. Repost from 2019. Email: sobercast@gmail.com Support Sober Cast: https://sobercast.com/donate AA EVENT: Spring Fling 2023: Feb. 10-12, 2023 - Location: Sacramento, CA Conference Details: https://www.sacspringfling.org/index.html If you have an AA roundup, retreat or convention coming up, we would be happy to give you a shout out and list the event on the Sober Cast website. Visit our Linktree, click "Submit An AA Event" and fill out the short form. Linktree: https://linktr.ee/sobercast Sober Cast has 2000+ episodes available, visit SoberCast.com to access all the episodes where you can easily find topics or specific speakers using tags or search. https://sobercast.com
Unresearched Podcast Presents The Steve & Saul 20min Power HR!!!!
There is a recurring urban legend which claims that many people have committed suicide while listening to this song, Gloomy Sunday...so much so, it was banned from being played on the radio for over 80 yrs!! but why? does this song really hit some sort of emotional chord that mkes someone feel so hopeless that it drives them to do the most drastic act one can commit? or was the trauma already there, and the song was just a passive synchronicity that led to its notoriety? we discuss this topic and try to be as respectful as we can due to the subject matter... and always know yer not alone. you can talk to us,stupid podcast hosts, to loved ones, to councilors, to literally anyone. and if you feel you need to speak to someone, without judgement, call 1-800-273-8255 and speak to someone who will be there to just listen. --- Send in a voice message: https://anchor.fm/unresearchedpodcast/message Support this podcast: https://anchor.fm/unresearchedpodcast/support
On this episode of Riffin on Jazz, Howard, Chuck and Debra give you some of their favorites. as we hear from legends like Billy Holiday, Ray Charles and more, so make sure to tune into this brand new episode of Riffin on Jazz on the KUDZUKIAN App, Kudzukian.com or your favorite podcast provider.
Today we discuss Malcom X and Billy Holiday and there heroic stories and tragic deaths . This was Fun as usual but also incredibly interesting look into their lives , Come laugh , hang out and learn some shit from a drunk dad and his kids .
Acclaimed jazz and blues singer Mary Coughlan's first album “Tired and Emotional “ rocketed her to overnight fame in 1985. Since then, she has recorded 15 further solo albums, drawing heavily from her legendary heroes Peggy Lee, Edith Piaf and Billy Holiday (to whom she devoted a double album of her songs). In 2020 she released ‘Life Stories' a collection of songs that showcase her unique style and give some insight into her own remarkable life. We'll be chatting about that album and an exciting new project she has in the works involving the songs of acclaimed jazz singer Peggy Lee. Plus she warns me about the dangers of yoga and the ups and downs of rowing her own boat as an independent artist in the choppy waters of the music business! Enjoy the show Brendan Murphy, THE 4 OF US This podcast has been produced by Fuzion Communications.
Playlist: Dubbelaar: Steven Bernstein's Millennium Territory Orchestra: Yes We Can Can; Hans Theessink, Blue Groove: Yes We Can Can Jools Holland, Herbie Hancock, Moses Boyd: St. Louis Blues; Holly Cole, Holly Cole Trio: Whatever Lola Wants, Lola Gets; Billy Holiday: … Lees verder → Het bericht All That Jazzz – 25 jan 2022 – part 1 verscheen eerst op Jazzpodcast.nl.
Photo credit: Jamelle Dolphin - Own work/Wikipedia.orgUsage: CC BY-SA 4.0John Dolphin was also known as Lovin John, was an African American businessman, independent record label owner, concert promoter and music producer, who established Dolphin's of Hollywood, an influential record store that remained open 24 hours a day. John's record store Dolphin's of Hollywood was opened in 1948 on Central Avenue in Los Angeles Central Ave was a hub for jazz music in Los Angeles and attracted figures such as Duke Ellington, Nat King Cole, Louis Armstrong, Joe Turner, Billy Holiday, Sam Cooke, and Charlie Parker. Hits like “Earth Angel by the doo-whoop, the Penguins, we're first released during a live broadcast inside Dolphin's of Hollywood. So it was like having a radio station inside of a record store. He had the idea of having a record label that would produce out of the record store.In 1950, Dolphin started his first record label titled Recorded in Hollywood. Dolphin worked with artists such as Sam Cooke, Percy Mayfield, and Harry Caesar just to name a few. Dolphin produced several famous records under the Recorded in Hollywood label, and eventually created other labels. The sad thing about John Dolphin is he was murdered in 1958 by an angry singer and shipping clerk Percy Ivy. He was upset because Dolphin wouldn't give him a record deal. His wife, Ruth Dolphin, took over Dolphins of Hollywood after John's death. She died in 2005.John Dolphin's Recorded In Hollywood was before Berry Gordy and Motown. You're listening to Sound Flave ( Radiae Applis). I'm your host, Gail Nobles.
Do you think of "doing the right thing" as fun and joyful? Lara Downes does. In this episode of HearTOGETHER, pianist and podcast host (NPR's Amplify) Lara Downes joins host Tori Marchiony for an intimate conversation about growing up as an American abroad, exploring her identity through music, and expanding the cannon to create a more inclusive and vibrant future for concert music. You'll hear about her youth mentorship series, My Promise Project, her ambitious venture to create new recordings of works by Black composers, Rising Sun, and more. Music in this episode: HOLIDAY, I Cover The Waterfront, Lara Downes (A Billie Holiday Songbook)GOLSON, On Gossamer Wings, Lara Downes (American Ballads)PRICE, Some of These Days, Lara Downes (Lara Downes And Friends) STILL, Summerland, Lara Downes (The Bedtime Sessions)HOLT, Nora's Dance, Lara DownesBLAKE, Love Will Find a Way, Lara DownesThanks to Noel Dior & Tim German, Editorial Council Teng Chen, Audio Engineer
The boys are on a roll. 2 episodes in a row! The boys discuss harm reduction models, safe consumption sites, decriminalization, and so so much more. Patrick gets his harm reduction card back just minutes after it being taken away as he sloughs off the last of his more conservative views on the war on drugs. Yes. That's the correct spelling of "slough."
Earmuffs!!! We're back talking Mud Bums fantasy football and the language gets a little fruity as Frank Martini, Billy Holiday and WCSA Jeff Simmons break down what they like about the league, big trades, upcoming matchups and much more!
Todos os louvores ao Pai DEUS YAHWEH e ao Filho nosso Salvador JESUS. Bem, eu prometi a todos em minha amada Fortaleza e em todo o Brasil,'Esportes em Profundidade Se Transformando em,Música Em Profundidade.Com não Doc Stanley, mas(''Stan The Man The Music Man''0 Stan o Homem,o homem da musica, o Doutor da Música. Então, volte a ouvir a maravilhosa bela e ótima música e canções da Musica Negra e artistas lendários. Em uma edição prometida e especial de "Música Em Profundidade", trazida a vocês por'Sports In Depth'. DEUS Abençoe e aproveite Estão todos aqui, famosos e amados cantores americanos amados pelo Brasil.Billy Paul,Brasil,Valentine Day ballander. A primeira e mais importante dama de Disco e é uma e única Rainha, Gloria Gaynor.Oh sim, o visitante Stevie Wonder está aqui também.Com a lendária primeira dama de alma Aretha Franklin e o Padrinho da alma,James Brown.Miles Davis,Abby Lincoln e Billy Holiday lendas do jazz também estão aqui com Kirk whelam e Leila Hathaway.E onde há fogo soul music há também, Smokey Robinson. E onde você encontra Smokey você encontra, Motown.Supremes,Diana Ross,Mary Wilson and Florence Ballard. Temptations,David Ruffin,Paul Williams,Eddie Kendricks,Otis Williams and Melvin Franklin.E a Maravilha de Stevie(Wonder) e a Gayness trazida pela música de Marvin Gaye.Rainhas estão aqui também como Latifah e grandes grupos de soul e musica'Kool, o 'Kool and The Gang' e 'Earth WInd And Fire'.Agradeca a DEUS Primeiro,depois relaxe e ouca. *Confiança Em DEUS*
Here is music for your listening pleasure from my radio show "Bluesland" including Freddie King, Keb' Mo', Christone "Kingfish" Ingram, Doug McLeod, Ruthie Foster, Billy Holiday and more.
On the July 17 edition of Music History Today podcast, the world loses Billy Holiday, John Lennon gets told to leave, and Handel gives us Water Music.Also, it's Phoebe Snow's birthday. ALL MY LINKS - https://allmylinks.com/musichistorytoday
Playlist: Chet Singh - Red CanoeCharlotte Cardin - Big BoyLorez Alexander, featuring Catalist remix - Baltimore OrioleBegonia - The LightTroo Knot, featuring Shandi - MaybeKoffee - ToastChelsea Stewart - Lemonade StandJazmine Sullivan - BaltimoreBOB MARLEY & THE WAILERS - Want MoreQuantic - Westbound TrainThe Milk - 54/46 is my NumberGabriel Garzon-Montano - CrawlAmp Fiddler - Say SoBusty and the Bass - CloudsThe Weather Station, Bahamas - Don't You Want MeUs3 - I Got It Going OnJazz K Lipa, featuring Mish Mash - Lime SorbetKwanzaa Posse, Fela Kuti - Wicked FunkSade, featuring Heff's Mix - Turn My Back on YouBlockhead - Not So OK CorralThe Bamboos - TomorrowJustin Martin - Rabbit HoleDragon Fli Empire, featuring Gassam - InspirationAlex Gopher, Billy Holiday, featuring Kenny Dope mix - The childLittle Junior's Blue Flames - Feeling Good
Pam Williams is an extraordinary film and television producer with films like "The Butler", live telecasts like the Oscars and most recently, Golden Globe winning and Academy nominated (best actress) The US vs Billy Holiday. Pam partners with some of the best in the business including the late, great Laura Ziskin, Director- Lee Daniels and all star talent like George Clooney, Forest Whitaker and Oprah Winfrey. Pam seems to have an uncanny ability to recognize and dive into stories that shift social expectation and bias.
Tidbits - 1:11Review - 11:25Spoiler zone - 22:01https://www.instagram.com/wherethefckarethepopcornbags/https://discord.gg/Dz5bMs4https://twitter.com/wherethefckhttps://www.youtube.com/watch?v=HyGaICIPvpIMusic: Handsome People by Birocratic | https://birocratic.bandcamp.com Music promoted by https://www.free-stock-music.com Creative Commons Attribution 3.0 Unported License | https://creativecommons.org/licenses/by/3.0/deed.en_US Send us feedback at Wherethembagz@gmail.com
Esta semana, El FBI y la policía nos persiguen. Primero, porque están a verlas venir en la batalla del siglo de Godzilla Vs Kong, después porque se infiltrarán cual Judas dentro de las panteras negras en Judas and the black Messiah, y terminaremos con la persecución que sufrió Billy Holiday en Los estados unidos contra Billy Holiday todo ello como siempre sin spoiler. 3:15 — Repaso a los Actores Nominados a los Oscar 24:25 — Judas y El Mesias Negro (VOD) 38:50 — Godzilla Vs Kong 51:00 — Los Estados Unidos Contra Billie Holiday Únete a nuestro grupo de Telegram: https://t.me/PodcastEnSerio Y estamos en Twitter: https://twitter.com/PodcastEnSerio Correo: ivodelgadorivero@gmail.com Instagram: https://www.instagram.com/criticoenserio/?hl=en-gb www.IvoDelgado.com
Episode 016: When Sixteen Sirens Sing: A Celebration of Women in MusicElizabeth Cotten - Wilson Rag (US 1958)A self taught master of the guitar, Cotten played hers upside down - like Hendrix later would - and pioneered finger picking styles that would influence folk musicians for decades to come.Elyse Weinberg - Deed I Do (US 1969) Canadian singer-songwriter who moved to Los Angeles in the late 60's and quickly fell in with the canyon scene, her pal Neil Young not only spurred her move to the West Coast, but is also featured on her album from from which this stunning Bert Jansch cover is taken. Judy Henske & Jerry Yester - Charity (US 1969)After cutting her teeth with two solo albums for Elektra in the early 60's, this versatile singer recorded the folk-psych masterpiece Farewell Aldebaren with her then husband Jerry Yester. The album veers in all sorts of directions, but the center of it all is the intense voice of Henske as heard on this mini epic number.GTO's - Do Me In Once And I'll Be Sad, Do Me In Twice And I'll Know Better (Circular Circulation) (US 1969)Girls Together Outrageously are the inventors of the term "groupie" and a motley gang of women who formed a ballet art collective that opened for Frank Zappa around Los Angeles. Zappa produced an LP for the Girls on his Straight record label, which is one of the most fascinating time capsules of late 1960's Los Angeles.The Goodees - A Little Bit of You (US 1969)This Memphis band specialized in an updated "girl group" sound and scored a minor hit with their first single "Condition Red". This sweet love song is taken from their only album and captures the Goodees' sound perfectly.The Feminine Complex - Forgetting (US 1969)Also dabbling in girl group territory is this infectious song from these Nashville legends taken from their sole classic album Livin' Love. The LP offers a variety of different sounds, from sultry ballads to acid rock, but their tight harmonies shine on this adorable pop tune.Minnie Riperton - Oh By the Way (US 1970)Minnie is a superstar who needs little introduction! This tune is taken from her first solo effort Come Into My Garden which was produced by Charles Stepney - producer of her flagship band The Rotary Connection. The album's sound is similar, even covering a few of their classics, but the spotlight is solely on Minnie and her incredible voice.The City - All My Time (US 1968)The City was the first vehicle for singer-songwriter Carol King, who would prove to be one of the greatest of her generation. Their album Now That Everything's Been Said features many of King's early compositions as well her fantastic lead vocals. This album cut shows that she is already a master of the aching love song this early in the game.Linda Perhacs - Sandy Toes (US 1970)A former dental assistant who was urged to sing by one her clients, Perhacs cut her debut Parallelograms in 1970. Disappointed by the sound of the vinyl at the time, she then returned to a life away from the music business before returning with follow up albums more than 30 years later after her album became a cult classic.Penny Nichols - Look Around Rock (US 1968)Orange County singer-songwriter who released one album from which this beautiful song - featuring an incredible jazz inspired middle section - is taken .Karen Dalton - Katie Cruel (US 1971)Folk singer with a haunting voice reminiscent of Billy Holiday, Dalton was an integral part of the Greenwich Village folk scene that inspired so many to pick up a guitar and sing. Both of her albums are essential listens.
Today review two streaming films from Hulu and Netflix. Enjoy! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/sactownmoviebuffs/support
Ballads, de moeilijkste discipline in de jazz, met Dexter Gordon, Miles Davis ,Billy Holiday, Clifford Brown en J.J.Johnson. Reacties: jazztrain@studio040.nl
The boys have their fill of bad movies to watch this week and they make the best/worst of it. So many un-acting classes, so many ridiculous twisty-turnies, and one Red Dot. One. Come join us as we yell at more movies in one show than we have ever before. Then stick around for the full The Full Binge (patreon.com/bingemedia) where we get into the second round of our Movie Heroes Tournament which features beloved Star Wars favorites getting their asses handed to them, giant robots getting bitchslapped, and super hero super sweeps! CLICK ABOVE TO LISTEN NOW! Subscribe to Binge Cast on iTunes The JF Timestamp 00:00:00 Intro 00:09:00 What You Missed This Week on the Binge Media Podcast Network 00:19:47 GOOGLE VOICE (Part 1) 00:20:20 Nate P. has the audacity to suggest some Full Binge content 00:23:16 Chad C. calls in to review Cherry 00:28:40 TV ROUNDUP 00:30:13 Resident Alien (Alyx, Pete) 00:34:49 Servant (Law, Pete) 00:39:58 Murder Among the Mormons (Alyx, Pete) 00:42:30 This Country (Alyx, Pete) 00:52:41 South ParQ Vaccination Special (Alyx, Law, Pete) 00:59:55 WHAT DID YOU WATCH THIS WEEK 01:02:22 The United States vs. Billie Holiday (Alyx, Pete) 01:10:20 Monster Hunter (Alyx, Law, Pete) 01:16:10 Red Dot (Alyx, Law, Pete) 01:28:35 Girl in the Basement (Alyx, Law, Pete) 01:53:52 The Vanished (Alyx, Law, Pete) - Spoilers start at 02:01:45
1hr+ of Big Band Jazz. Artist include: Ella Fitzgerald, Etta James, Louis Armstrong, Nat King Cole, Dinah Washington, Nina Samone, Ray Charles, Billy Holiday. Licensed for digital streaming & play ASCAP 400009874 & BMI - 2021Enjoy and please share with your family & friends and your social media platforms. To Vote for the FedEx Grant for LoveSoulRadio goto https://smallbusinessgrant.fedex.com/entry/mCXOGKcmET Tips at cash app $djbenniejamesTo become a supporter, sponsor or investor goto djbenniejames.com/podcastSpecial Thanks as always to: Sheabutterlasvegas.com, Life Destiny SOULutions & Gardner FamilySupport the show (https://djbenniejames.com/podcast)
Let's start talking about Women in Jazz! We celebrate and champion Women in Jazz from all backgrounds and Jazz genres.Women in Jazz produces live events, radio shows and is working towards a three-day festival of live performances and workshops led by the most critically acclaimed female Jazz pioneers in the UK.This is the Soho Radio podcast, showcasing some of the best broadcasts from our online radio station, right from the heart Soho London.Across our Music and Culture channels, we have a wide range of shows covering every genre, along with chat shows, discussions and special broadcasts.To catch up on all Soho Radio shows from both our music and culture channels head on over mixcloud.com/sohoradio or tune in live anytime at sohoradiolondon.com.This is a Soho Radio Productions Podcast.Support this show http://supporter.acast.com/soho-radio. See acast.com/privacy for privacy and opt-out information.
#TheUnitedStatesVsBillieHoliday #LeeDaniels #Baltimore #KorrynGaines #MovieReviews #OccultStudies #EntertainmentIndustry #Colorism #SoulMounting #SoulSummoning #SoulHarvesting #Summoning -----------
#TheUnitedStatesVsBillieHoliday #StrangeFruit #LeeDaniels #Baltimore #KorrynGaines #MovieReviews #OccultStudies #EntertainmentIndustry #Colorism #SoulMounting #SoulSummoning #SoulHarvesting #Summoning #Reaganomics
Longtime local film critic Hap Erstein reviews "Tom & Jerry," "United States Vs. Billy Holiday" and "I Care A Lot."
This week, Celeste interviews the crew from Retrovaniacs, a retro inspired group and a partner (Billy Holiday) on our Talk the Walk series. You can catch One V One, part of our Boss Rush Expansion Pack, on Podcast Services and YouTube on Fridays. Anchor | Apple Podcasts | Spotify | Google | Twitch | Overcast | Pocket Casts Follow Celeste: Twitter | Instagram Follow Retrovaniacs: Twitter | Website | YouTube Follow us on Social Media: Twitter | Discord | Instagram | Twitch | YouTube | Facebook Group | Facebook You can find One V One interviews as part of Boss Rush Expansion Pack every Friday. Part of The Boss Rush Podcast feed or Boss Rush Expansion Pack podcast feed.
This week, Celeste interviews the crew from Retrovaniacs, a retro inspired group and a partner (Billy Holiday) on our Talk the Walk series. You can catch One V One, part of our Boss Rush Expansion Pack, on Podcast Services and YouTube on Fridays. Anchor | Apple Podcasts | Spotify | Google | Twitch | Overcast | Pocket Casts Follow Celeste: Twitter | Instagram Follow Retrovaniacs: Twitter | Website | YouTube Follow us on Social Media: Twitter | Discord | Instagram | Twitch | YouTube | Facebook Group | Facebook You can find One V One interviews as part of Boss Rush Expansion Pack every Friday. Part of The Boss Rush Podcast feed or Boss Rush Expansion Pack podcast feed.
Welcome back to The Reel Film Pod. The topics for episode 16 are as follows: What's Hot: Bridgerton (01:17), The little things (07:00), Cherry (15:15), Bliss (20:30), The United States vs. Billy Holiday (24:00), Critics Choice Awards (31:45), Chris Nolan and Steve McQueen Letter to UK market (37:15) Are you still Watching (41:20): American Skin (43:25), One Night in Miami (01:19:30), WandaVision (01:43:35) N-the-Q (01:52:35) Follow us @TheReelFilmPod on all socials.
As a humorous keynote speaker, Frank brings his corporate brand of comedy to educate, inspire, and finally, entertain…here on Jailhouse Radio, with his sprinkling of ha-ha’s, in a one of a kind presentation on matters of life and death.The music of Billy Holiday will be remembered for many years to come and it is presented on this Jailhouse Radio presentationGrady will be remembered for his crazy look at life through the lens of comedy.Enjoy!
This is the last episode of the LOP Chronicles...Bobby gets the shackles and chains cut off today! This episode was particularly informative as Bobby & the Cpt talk about the failed, 100 year old, war on drugs in our country. It didn't start with the 'Just Say No' policy of the Reagan administration, it started long before that. We hear how a man by the name of Harry J Anslinger made it a personal goal to attack Billy Holiday for her drug addiction, as well as lying and manipulating data in order to seek political changes which affected minorities. Hell, these same policies are still in effect today! It's why we are working hard for real prison reform. You can read more about Bobby and prison reform on our website: notesfromthepen.com Twitter: https://twitter.com/NotesFromThePen You can also find us on the following podcast platforms: Anchor Apple Podcasts Breaker Google Podcasts Radio Public Spotify Stitcher For those who’ve asked about helping with donations, please go to our website above for more info.
Billy Holiday from Retrovania joins Edward and Celeste again for the third installment of Talk The Walk: The Walking Simulator Deep Dive Show to discuss Soma, the psychological sci-fi horror game from Frictional Games. Talk the Walk is part of our restructured Expansion Pack series. Check out Expansion Pack on YouTube and The Boss Rush Podcast feed on your favorite podcast service. Edward Varnell: Twitter | Instagram | Twitch Celeste Roberts: Twitter | Instagram Billy Holiday: Twitter
Billy Holiday from Retrovania joins Edward and Celeste again for the third installment of Talk The Walk: The Walking Simulator Deep Dive Show to discuss Soma, the psychological sci-fi horror game from Frictional Games. Talk the Walk is part of our restructured Expansion Pack series. Check out Expansion Pack on YouTube and The Boss Rush Podcast feed on your favorite podcast service. Edward Varnell: Twitter | Instagram | Twitch Celeste Roberts: Twitter | Instagram Billy Holiday: Twitter
ESSRA MOHAWK Pt. 1 Show Notes Essra Mohawk has had a very long and storied career. To describe her music as eclectic is a gross understatement. Her songs run the gamut from pop to avant garden, and in between she covers a lot of bases including rock, folk, folk rock, motown, jazz, tv jingles, rhythm and blues, and beautiful, heartfelt ballads about love and lust. Born Sandra Elayne Hurvitz, her earlier influences were her parents, Anne and Henry. Through them she grew up listening to an eclectic list of artists such as Judy Garland, Nina Simone, The Coasters, Frankie Lymon and the Teenagers, Little Anthony & the Imperials, Thelonius Monk, Erik Satie, Billy Holiday, Otis Redding, The Beatles, The Stones, Ravi Shankar among others/ In 1964 she released a single as Jamie Carter titled “The Boy With the Way” which I personally think is a really cool song. It pronbably could have been a hit hat it received proper publicity and marketing. Essra sounded a little peeved talking about it. I don’t blame her, and it would turn out not to be the first time here career hit a snag or detour. Essra was also the first female member of the Mothers of Invention. In fact, she spent about a year in a relationship with Frank Zappa who thanks to band member Ray Collins suggestion for a rock star name, dubbed her, Uncle Meat. When I first met Uncle Meat, she was in Philly on hiatus, and I had no idea who Frank Zappa and the Mothers of Invention were at the time. I would shortly discover them through Philadelphia DJ Michael Tearson, and eventually make the connection. But, I was happy to finally talk to her again so I could tell her the story of my first Essra Mohawk encounter. At this point, I should probably apologize for hijacking the conversation, for which I was duly busted by Essra. As I mentioned, her career is multifaceted, so the Show Notes page at talesoftheroadwarriors-slash-Essra-Mohawk includes some Essra Mohawk Career Highlights, discography ands links to some of the songs we talked about in this conversation. In my conversation, BTW, I barely scratched the surface of her career, so this is really just a little slice of life in which I hopefully captured some of her essence and got a couple pretty good stories from her. Due to technical difficulties, I just couldn’t get good enough audio, so I’ll just tell you some things that were to garbled to include in the podcast. I did manage to capture a little about her “crazy courage” as a Philly girl, and her propensity to stick up for others against bullies - and her mom. The main story I was hoping to have her retell was how she was scheduled to be one of the performers at Woodstock, but her manager missed the turn, causing Essra to miss her debut on the most well known world stage of all time. LINKS: Essra’s Facebook Page ESSRA MOHAWK MUSIC VIDEOS Essra Mohawk as Jamie Carter “The Boy With The Way" Raindance I Am The Breeze (from Primordial Lovers album) 19th Amendment School House Rock From Hemifran MusicWebsite: DISCOGRAPHY Though you can stream most of Essra's Music on Spotify, iTunes, PAndora, etc., it is important to support your favorite artists as often as you can - by purchasing their albums. Purchase Essra Mohawk albums directly from her using this PDF. You can also order some from the Tales of the Road Warriors website by clicking on one of my affiliate links. Buying through these links will help keep the site AND Essra healthy! •1968 Sandy’s Album is Here at Last (as Sandy Hurvitz) produced by Frank Zappa •1970 Primordial Lovers •1974 Essra Mohawk •1976 Essra •1982 Burnin’ Shinin’ (released without knowledge of the artist) •1985 E-Turn •1995 Raindance •1999 Essie Mae Hawk Meets the KillerGrooveBand (My personal favorite. Killer band and killer grooves. This album was appropriately named!) •2003 You’re Not Alone •2006 Love is Still The Answer •2007 Revelations of the Secret Diva Info below from Essra’s bio both Hemifran Website Her 1st record release was a single “The Boy With the Way” /b-side “Memory of Your Voice” on Liberty records in 1964. “Newcomer Pick” in Cashbox, it was produced by Hutch Davie (He produced Shirley Ellis “Name Game”). A year later Shadow Morton who produced both the Shangri-Las and Vanilla Fudge, discovered her and her music and in1966 the Shangri-La’s recorded Essra’s song “I’ll Never Learn” . Soon after that, her song, “The Spell That Comes After” was recorded by Vanilla Fudge on their “Renaissance” album. In 1967, Essra was discovered once again. This time by Frank Zappa who, after hearing her play was so blown away, he immediately invited her to join his band, The Mothers of Invention, thus making her their first female member. Within a year he signed her and released her first solo album on Verve. While performing with the Mothers, Essra also opened for Cream (their first time in New York), Procol Harum(Keith Reid’s lyrics to “Quite Rightly So” are about Essra), Albert King, Electric Flag, Grateful Dead (their first performance in N.Y.), and Jimi Hendrix. By 1969 Essra was recording her second album in L.A. and S.F. for Reprise after Mo Ostin (then Vice President) discovered her singing at a club in N.Y. and asked her on the spot to come to the label. The result was “Primordial Lovers”, an LP that received a 5 star review in Downbeat, raves in Mix, and was stated as being “one of the best 25 albums ever made” in Rolling Stone magazine. Unfortunately, these reviews came over a year after the release of the album and new fans found it hard to secure the LP due to poor distribution and the sale of the Reprise label following the release. Nevertheless, this critically acclaimed musical work continues to generate a cult following for Essra. In fall of 2000 it was released on CD by Rhino Handmade. She wrote most of the songs while living in Mendocino, California. While recording the album, Essra married her producer, Frazier Mohawk, and from that time on was known as Essra Mohawk. She also sang in a background vocal trio with Carole King. Essra’s third album, released in 1974 on Elektra/Asylum, once again without proper promotion or distribution, led England’s music magazine, Melody Maker, to declare it, “the richest and most unheralded event in American music” that year. After moving back to Philadelphia in the 70’s, Ms. Mohawk continued to sing as a session vocalist. She is especially known for singing on Schoolhouse Rock, the popular educational and musical cartoon series that continues to air on TV. Essra’s vocals are on “Interjections”, “Sufferin’ Till Suffrage”, and “Mother Necessity”. After ABC Video released the cartoons on video in the 90’s, they received an upsurge of popularity and the troupe, led by music director, Bob Dorough, began performing live in the mid-90’s. A new album on which Essra sang wrote and produced a track entitled “Do You Wanna Party” about political parties in the U.S. was released on Rhino in Sept. ‘98 on an album called “Schoolhouse Rocks the Vote”. Ms. Mohawk’s fourth album was released on Private Stock records in 1976. After the same lack of support that has kept Essra’s remarkable music in the shadows, she left the label and moved back to California in 1977. Paul Kantner wanted her to be the lead singer in Jefferson Starship after Grace Slick dropped out for a while but he couldn’t convince the rest of the band to use another female vocalist so they chose a male, Micky Thomas, instead. In 1980-82 Essra performed as a background vocalist with the Jerry Garcia Band. During the same period she co-wrote “Haze” with Bobby Weir and his band “Bobby and the Midnights” for their Atlantic release. Also, Essra has collaborated with Al Jarreau, Bonnie Bramlett, Mark McEntee of the DiVinyls, Eric Bazilian, Al Stewart and Narada Michael Walden. She sang and recorded with John Mellencamp. (He’d seek her out wherever she lived for her advice and encouragement.) Essra’s music and ideas inspired Joni Mitchell’s “Woodstock” (Essra was scheduled to play at the original Woodstock, but her manager missed a turn and they arrived too late. She finally played at the 25th Anniversary at Bethel.) ***David Crosby’s “Deja Vu” was inspired by Essra’s song “I Have Been Here Before”. David would ask her to play it for him whenever he saw her and then wrote “Deja Vu” as a result. In 1982, Essra moved back to Philadelphia from L.A. and was brought into the McFadden & Whitehead pre-production sessions. She conjured up “Not With Me” overnight for the duo and they released it on their Capitol album that year. Essra recorded two more solo albums in the 80’s. Both were released independently and both were produced by her, then, husband Daoud Shaw (Van Morrison’s drummer for many years and original drummer for Saturday Night Live). They first met during those early days on Bleeker St. in New York’s Greenwich Village, where she jammed vocally with jazz greats: Mike Manieri, the Brecker Bros., Eddie Gomez and Jeremy Steig. As a result her vocal style developed more along the lines of a wind instrument than that of a typical pop singer. Being in the Mothers then also helped to propel the youth to such a creative and original stance as a vocalist. Three of her early LPs were reissued on CDs in Japan in spring 2003, followed by her recent tours to California, the East Coast and Japan. Essra’s first album on CD “Raindance” which was released on Schoolkids Records in ‘95 was reissued on Evidence Feb., 2005. Her 1999 CD, “Essie Mae Hawk Meets the Killer Groove Band”, was remastered and reissued on Essra’s own label, MummyPump, in 2003. Essra’s been living in Nashville, TN since 1993 where she continues to write and record, playing her music on piano, mandolin and guitar. Keb’ Mo’, Steve Cropper and Bonnie Bramlett are among the stellar performers who joined Essra on her 2003 Evidence CD “You’re Not Alone”. Her songs were used on the CBS series Joan of Arcadia in 2004 and 2005. The book, “Hotel California” is one of many books about music that mentions Essra.
Our Edith Finch Bookclub was so popular that we are spinning it off into it's own show! Talk the Walk celebrates the Walking Simulator Genre. Billy Holiday is back to join Celeste and Edward to discuss Gone Home, the seminal walking simulator exploring an unfolding relationship in the 90's. Edward Varnell: Twitter | Instagram | Twitch Celeste Roberts: Twitter | Instagram Billy Holiday: Twitter You can listen to The Boss Rush Podcast on your podcast service of choice or stream it on YouTube. Make sure you rate and review us on your service of choice, subscribe, and join us live on Mixer and Twitch Saturdays.
Our Edith Finch Bookclub was so popular that we are spinning it off into it's own show! Talk the Walk celebrates the Walking Simulator Genre. Billy Holiday is back to join Celeste and Edward to discuss Gone Home, the seminal walking simulator exploring an unfolding relationship in the 90's. Edward Varnell: Twitter | Instagram | Twitch Celeste Roberts: Twitter | Instagram Billy Holiday: Twitter You can listen to The Boss Rush Podcast on your podcast service of choice or stream it on YouTube. Make sure you rate and review us on your service of choice, subscribe, and join us live on Mixer and Twitch Saturdays. Episode analytics
Our Edith Finch Bookclub was so popular that we are spinning it off into it's own show! Talk the Walk celebrates the Walking Simulator Genre. Billy Holiday is back to join Celeste and Edward to discuss Gone Home, the seminal walking simulator exploring an unfolding relationship in the 90's. Edward Varnell: Twitter | Instagram | Twitch Celeste Roberts: Twitter | Instagram Billy Holiday: Twitter You can listen to The Boss Rush Podcast on your podcast service of choice or stream it on YouTube. Make sure you rate and review us on your service of choice, subscribe, and join us live on Mixer and Twitch Saturdays.
Celebrating the release of the GIRLS ARE LOUD compilation! Featuring tunes from the comp and the forthcoming GIRLS ARE LOUD All-dayer and compilation launch gig on Saturday 3rd October 2020 and more! Welcoming the wonderful Alan back to the airwaves, the 8th installment includes tunes from the wonderful: Pixie Styx, anarchistwood, Headstone Horrors, Dandelion Florence, The Cars That Ate Paris, Activistas, Radioactive Rats, The Duel, Kiss Me Killer, Myrkur, Not Right, Accidente, The Lab Rats, Alice Phoebe Lou, Binge Drinker, Poison Girls, Sour Bitch, Maid of Ace, Billy Holiday, Siouxsie and the Banshees... If you can, please donate to help Hope Orphanage in Sierra Leone that care and provide for 74 wonderful girls: https://www.peoplesfundraising.com/donation/punk4thehomeless
We are given native gifts whether we chose to access them or not. If we access these gifts then it comes down to doing the right thing, timing and some old fashioned good luck. My guest was one of the artists that put me on this path of interviewing musicians in the business of melodic invention. He started in upstate NY where he had the perfect balance of mathematics and love attending ESM and backing up Billy Holiday and Roy Eldridge. Stints in New Orleans was followed by a move to the left coast as he honed his chops with a west coast Titan in Harold Land and Leon Pettis and Donald Bailey and became a fixture in the percolating west coast scene where the clubs were flourishing and improvisational music was listened too. He came from a brotherhood of musicians that craved an original sound, original rhythms and original music. My guest came from the school of Bird, Dizzy, Duke....swing the band and adapt...to electric instrumentation which my guest did with ease as he played the slick sly funky fender Rhodes with Gene Cherrico and Dick Birk, Sam Most and Don Alias. Somehow he also found time to play with Elvis for 3 years. Right place and the right time with the right stuff Frank Strazzeri welcome to the JFS --- Support this podcast: https://anchor.fm/jake-feinberg/support
Billy Holiday from Retrovania joins Edward and Celeste as they take a major deep dive into What Remains of Edith Finch, the walking simulator from developer Giant Sparrow. Edward Varnell: Twitter | Instagram | Twitch Celeste Roberts: Twitter | Instagram Billy Holiday: Twitter You can listen to The Boss Rush Podcast on your podcast service of choice or stream it on YouTube. Make sure you rate and review us on your service of choice, subscribe, and join us live on Mixer and Twitch Saturdays.
On the July 17 edition of Music History Today podcast, the world loses Billy Holiday, John Lennon gets told to leave, and Handel gives us Water Music.Also, it's Phoebe Snow's birthday.
Dr. Dorthy Israel, our good friend "Deeh" agreed to share with Carter and me the real inside truth she's experienced throughout her long life, regarding the often misrepresented, or fragmented history of what it's like "Being Black in Modern America." Her story spans almost an entire century! Deeh met Eleanor Roosevelt when she was a young woman when the First Lady came to visit her Harlem school, a remarkable event that Deeh likens to "unbelievable" for the times. Deeh lived in the same neighborhood as the jazz great, Duke Ellington. Selected for her regal bearing and eloquence, she represented the United States as an ambassador to the governments of Caribbean nations. In the U.S. she crossed paths with influential Blacks as well as Whites: Harlem Renaissance writers, national and state politicians like Nelson Rockefeller, and rubbed shoulders with entertainers such as Billy Holiday. Always looking for ways to help her fellow human, Deeh's life was, and is still, about serving others no matter what color their skin, creed, or culture. Deeh is retired here in St. Augustine, but spent her entire professional career in New York City after getting her formal education. Born and raised and working mostly as a social worker in Harlem, she also was a counselor and then manager of an innovative mental health clinic in Bed-Sty, both predominantly Black communities that face every challenge imaginable to humanity. Deeh knew that knowing "others" was important to know herself better, so she traveled extensively throughout America, Europe, Africa, and the West Indies, and many other places. Currently Carter works with Deeh (both as volunteers) on a project to commemorate the first all-Black community in the New World, named Fort Mose. Today, a modern, high-tech museum stands on the site of the former wooden Fort, which is now in ruins. A campaign is underway to rebuild the original Fort that was given entirely to Blacks in 1738 by the Spanish, who owned Florida at the time. During those hard slave-years, any Black who could make it through the almost impenetrable terrain were granted freedom and given a safe place to live at Fort Mose. Deeh and Carter and I, teZa, agree this historical site could be the most important symbol of Freedom and Hope in the U.S. today. Deeh will return to share with ZLORD as many times as she wishes, so we can document her incredible story for all the world to hear. Besides being a published author, she's a wonderful speaker. This feisty woman is a force to be reckoned with, and, as Carter says, "She's pretty cute, too!"
Sam Harris, singer/songwriter, Tony-nominated, film &, TV star, writer, director, producer, author, 1st Star Search Winner, gave his all, as that's all he knows how to do. What a spectacular time. Opening with song, at my beg-quest, he picked the perfect COVID lead-in and treated us to the skinny on his just dropped, The Substance of All Things, which I am in the middle of, and must hurry through this recap to jump back in. It's masterfully written, thrillingly engaging, moving, disturbing, and immensely entertaining. Sam treated us to a delicious read of the prologue, goose-bump city. I love having my own experience with words, but I will be buying the audiobook when it lands. Sam took us through his beginnings, Oklahoma, an outcast with a gift, through his triumphant life-changer, being the inaugural winner of Star Search. There's Lucy, Sammy Davis Jr., Whitney Houston, Liza, Sinatra, Billy Holiday... stories, stories, stories. Plus, current events! In addition to his just dropped novel, he sold a TV show, and is COVID adjusting and in promotion, and, his film. HAM: A Musical Memoir, is readying to stream. This man doesn't let a little pandemic keep him down. Sam's blessed to be sharing corona with his beloved husband, Danny, their son, Cooper, and a couple of cute canines. His life is good. He knows and appreciates it all. What a gift to spend the time in Sam's great company. Damn, I adore him. Now. back to reading his book. The Substance of All Things https://amzn.to/321wu4z Sam Harris on Game Changers With Vicki Abelson Wed, 7/7/20, 5pm PT/ 8 pm ET Live on The Facebook Replay here: https://bit.ly/3gJ8Z4z All BROADcasts, as podcasts, also available on iTunes apple.co/2dj8ld3 Soundcloud http://bit.ly/2hktWoS Stitcher bit.ly/2h3R1fl tunein bit.ly/2gGeItj Thanks to Rick Smolke of Quik Impressions, the best printers, printing, the best people people-ing. quikimpressions.com Nicole Venables of Ruby Begonia Hair Studio Beauty and Products, for tresses like the stars she coifs, and regular peoples, like me. I love my hair, and I loves Nicole. http://www.rubybegoniahairstudio.com/ And Blue Microphones and Kevin Walt
David Harrington reflects on how he and his bandmates in the Kronos Quartet are keeping the flame of music alive during quarantine, as well as the ways in which music acts as a portal to a deeper truth.David Harrington is the artistic director, founder, and violinist of the Kronos Quartet. For over 45 years, the San Francisco-based Grammy-winning group and its nonprofit, the Kronos Performing Arts Association, have reimagined and redefined the string quartet experience through thousands of concerts, over 60 recordings, collaborations with composers and performers from around the globe, more than 1,000 commissioned works, and education programs for emerging musician Listen to “Groung” by Zabelle Panosian
Hi, I’m Victoria Lye. This is how you pronounce my name: |laɪ|. Coming from Novosibirsk, Siberia, I live in Germany since the age of 18. As a child I had no interest in singing at all. I even hated it. Besides I was very bad at it in a music school choir and wasn’t allowed to sing at concerts. Later on I noticed this: when I sing, it’s a magical moment for me. I’m like in a wonderland. My body rejoices because it can produce these voice sounds. I feel like I’m in in the right place and that I do what I’m meant to do. InspirationIn 2000, when I was 15, there was a hit by Whitney Houston and Enrique Iglesias – “Could I have this kiss forever”. My mom liked this song very much. So for her I bought a Whitney Houston CD with this song on it. (http://bettereachday.me/wp-content/uploads/2020/05/MG_5525-1024x683.jpg) I listened to the CD a lot more often than my mom. Whitney’s distinctive voice, it’s flow and spectacular power fascinated me. The music was so enchanting, and I sang along!!! My favourites were “The greatest love of all”, “One moment in time” and “Saving all my love for you”. It was clear to me: I want to sing this kind of music. At the age of 16 I sang in a choir at the university in Novosibirsk where I studied economics. I volunteered as an alto voice. At that time I didn’t believe that I could ever produce high notes as I do now. After that I took classical singing lessons for several years, and they helped me a lot to develop a good singing technique. Still it’s the soul music that makes my heart sing and my body vibrate and where I feel myself in a right place. In 2006, when I had a business internship in Toulouse, France, I got acquainted with the jazz and soul music – thanks to Carine, my singing teacher there. There was a CD library there, and I was its frequent visitor. I got to know music of Nina Simone, Ella Fitzgerald, Frank Sinatra, Billy Holiday, Nat King Kole, Lisa Ekdahl, Diana Krall. (http://bettereachday.me/wp-content/uploads/2020/05/DSC6009sw.jpg) But the singer who delighted me most of all was Aretha Franklin. She is still the best role model for me and whose music I listen regularly. She has songs that I heard thousands of times and I still can’t get enough of them. I also sing some of them. What I’m doing nowUntil recently, I only sang cover songs. I performed at concerts, sang at jazz jam sessions and recorded songs. Some of my favourites are “Angel” and “Never let me go” by Aretha Franklin, “Imagine”, “You make me feel brand new”, “My way”, “Moon River”. Although I like these songs very much, I always wanted to sing something of my own. But I didn’t dare to write. I didn’t even try because I was sure I wouldn’t be able to do it. Two years ago, after the birth of my third child, I suddenly had a sequence of two chords in my head, then a melody. Thus, I already had two bars. And step by step I wrote three songs. “My Path” and “Child in me” are written in English, “Я как цветок (I’m like a flower)” – in Russian. These three songs together with two covers are part of my (https://distrokid.com/hyperfollow/victorialye/child-in-me) that was released on streaming platforms on May 15th 2020. In all the recordings I also play the piano, the bass on a midi keyboard and the flute. Besides the music I’m interested in personal development, psychology and child education (I have three children of eight, five and two years old). The knowledge in these areas helps me immensely in my development as a singer. Through online courses I also learn how to run a business. I use these skills in my work as a musician and help my husband Christian Lye (https://imkerei-lye.de/) to build up his beekeeping business. For the last eleven years I’ve been working in sales at the software company Adobe. Thanks for reading this until the end. I’d be happy to stay in touch with you. The best way to do it is via Email. You’ll get my...
Hi, I’m Victoria Lye. This is how you pronounce my name: |laɪ|. Coming from Novosibirsk, Siberia, I live in Germany since the age of 18. As a child I had no interest in singing at all. I even hated it. Besides I was very bad at it in a music school choir and wasn’t allowed to sing at concerts. Later on I noticed this: when I sing, it’s a magical moment for me. I’m like in a wonderland. My body rejoices because it can produce these voice sounds. I feel like I’m in in the right place and that I do what I’m meant to do. InspirationIn 2000, when I was 15, there was a hit by Whitney Houston and Enrique Iglesias – “Could I have this kiss forever”. My mom liked this song very much. So for her I bought a Whitney Houston CD with this song on it. (http://bettereachday.me/wp-content/uploads/2020/05/MG_5525-1024x683.jpg) I listened to the CD a lot more often than my mom. Whitney’s distinctive voice, it’s flow and spectacular power fascinated me. The music was so enchanting, and I sang along!!! My favourites were “The greatest love of all”, “One moment in time” and “Saving all my love for you”. It was clear to me: I want to sing this kind of music. At the age of 16 I sang in a choir at the university in Novosibirsk where I studied economics. I volunteered as an alto voice. At that time I didn’t believe that I could ever produce high notes as I do now. After that I took classical singing lessons for several years, and they helped me a lot to develop a good singing technique. Still it’s the soul music that makes my heart sing and my body vibrate and where I feel myself in a right place. In 2006, when I had a business internship in Toulouse, France, I got acquainted with the jazz and soul music – thanks to Carine, my singing teacher there. There was a CD library there, and I was its frequent visitor. I got to know music of Nina Simone, Ella Fitzgerald, Frank Sinatra, Billy Holiday, Nat King Kole, Lisa Ekdahl, Diana Krall. (http://bettereachday.me/wp-content/uploads/2020/05/DSC6009sw.jpg) But the singer who delighted me most of all was Aretha Franklin. She is still the best role model for me and whose music I listen regularly. She has songs that I heard thousands of times and I still can’t get enough of them. I also sing some of them. What I’m doing nowUntil recently, I only sang cover songs. I performed at concerts, sang at jazz jam sessions and recorded songs. Some of my favourites are “Angel” and “Never let me go” by Aretha Franklin, “Imagine”, “You make me feel brand new”, “My way”, “Moon River”. Although I like these songs very much, I always wanted to sing something of my own. But I didn’t dare to write. I didn’t even try because I was sure I wouldn’t be able to do it. Two years ago, after the birth of my third child, I suddenly had a sequence of two chords in my head, then a melody. Thus, I already had two bars. And step by step I wrote three songs. “My Path” and “Child in me” are written in English, “Я как цветок (I’m like a flower)” – in Russian. These three songs together with two covers are part of my (https://distrokid.com/hyperfollow/victorialye/child-in-me) that was released on streaming platforms on May 15th 2020. In all the recordings I also play the piano, the bass on a midi keyboard and the flute. Besides the music I’m interested in personal development, psychology and child education (I have three children of eight, five and two years old). The knowledge in these areas helps me immensely in my development as a singer. Through online courses I also learn how to run a business. I use these skills in my work as a musician and help my husband Christian Lye (https://imkerei-lye.de/) to build up his beekeeping business. For the last eleven years I’ve been working in sales at the software company Adobe. Thanks for reading this until the end. I’d be happy to stay in touch with you. The best way to do it is via Email. You’ll get my...
Claira S is an 83 year old African American woman from Los Angeles CA, she is telling her story in August of 2008 at the Dynamics Speaker Group in Anaheim California. I didnt realize it until she started talking about partying with Billy Holiday that I had heard her speak at a roundup years ago, I never forgot her remarkable story, she led quite a life. Email: sobercast@gmail.com Support Sober Cast: https://sobercast.com/donate We have added a page of meetings that have moved online https://sobercast.com/online-meetings Sober Cast has 1000+ episodes available, visit SoberCast.com to access all the episodes where you can easily find topics or specific speakers using tags or search.
Je hoort muziek Billy Holiday, André Hazes, The Supremes, Loose Ends, Barry White, E.L.O, Danny Vera, The Walker Brothers Gedichten van Instagram van o.a. de rijdende dichter en van de stadsdichter van Arnhem Jesse Laport
“The theorem of turntablist as musician has been long proven in the capable hands of DJ LOGIC, whom with jazz as his foundation has become a wax innovator by crossing genres and mixing his sound across the map. As one of the world's most accomplished turntablist’s, DJ LOGIC is widely credited for introducing jazz into the hip - hop realms and is considered by most as a highly respected session musician and an innovative bandleader. Since his emergence in the early nineties amidst the Bronx hip-hop scene, the New York City based deejay has been amassing a veritable mountain of collaborations ranging from the likes of: MEDESKI MARTIN AND WOOD, CHRISTIAN MCBRIDE, VERNON REID, CHARLIE HUNTER, JACK DeJOHNETTE, JOHN MAYER, BEN HARPER, MOS DEF and THE ROOTS, to name but a few. DJ LOGIC and his role as an electronic-music ambassador keeps him at the top of his game. Whether the scratch artist instructs tablas to flirt with drum 'n' bass (such as on his NINA SIMONE and BILLY HOLIDAY remixes found on Sony Legacy's Remixed and Reimagined volumes) , or while meshing free styling MC's with Afro-Cuban rhythms (such as on 'Share Worldwide Funk' - a remix produced for JACK DeJOHNETTE and Golden Beams Collected, Volume 1 ) , LOGIC can always be found paying homage to his predecessors while contributing his vision to the deejay genre. While the context of his work may vary, DJ LOGIC’S spinning skills are definitely beyond reproach. He works with a phenomenal roster of invited guests, and he knows how to pick his collaborators as well as his samples. With a growing catalogue of recordings under his belt, DJ LOGIC’S supreme musicianship and catholic tastes will allow him to journey wherever an infectious groove may take him.
This is the second part of the critically acclaimed episode exploring the mass cultural appeal of global music. Astheris talks with Nate Sirmans, a musician in the band Open (@_._open_._), and Christian Dasher, a collegiate saxophonist, about music across the world and the interwoven nature of our melodic existences; the conversation went so in depth that it has been split into two halves. Also, many apologies for the title because it is going to be far longer than eighty minutes. On the bright side, we left a list of all the musical references associated with the episode as well as corrections to mistakes throughout the show. Enjoy! Playlist on Spotify Genres mentioned in the episode: American Pop, Austronesian, Bachata, Baroque, Bounce, Brazilian funk, Carnatic, Cinema/Television Scores, Classical, Click Song Number 1, Country, Disco, Fado, Folk, Guilty of Being White, Halo, Hip-Hop, Lo-Fi, Motown, North American Funk, Pata Pata, Punjab, Punk, R & B, Rap, Reggae, Reggaetón, Rock, Rumba, Samba, Screamo, Ska, Ska-Punk, Soca, Somali Funk, Southern Appalachian, Spirituals, The Banned (Spotify Playlist), Vaporwave, Zef, and Zouk. Artists and Composer: Alicia Keys, Ana Moura, Antwon Stanley, Ariana Grande, Benjamin Clementine, Beyoncé, Big Freedia, Billy Holiday, Bob Marley, Carminho, Childish Gambino, Chris Potter, Concha Buika, D'Angelo, Death, Death Grips, Destiny's Child, Die Antwoord, “Earth, Wind and Fire,” Edith Piaf, Florida Georgia Line, Frank Sinatra, Fugees, Gary Clark Jr, Hans Zimmer, Ice Cube, Ice T, Immortal Technique, Jay Chattaway, Jimi Hendrix, Jocelyne Béroard, John Coltrane, Jordan Sparks, Kane Brown, Katia Guerreiro, Kayna Samet, Kelly Rowland, Kendrick Lamar, KRS One, Leona Lewis, Lil Pump, Lil Yachty, Louis Armstrong, Lycinaïs Jean, Madeline Peyroux, Mariah Carey, Maître Gims, Marilyn Manson, MC Bella, MC Kekel, MC Kevinho, MC Livinho, MC Pedrinho, Michael Bublé, Mika, Miles Davis, Miriam Makeba, Ms. Lauren Hill, N.W.A., Niccolò Paganini, Nicki Minaj, Nikolai Rimsky-Korsakov, Notorious BIG, Open, Otis Redding, PEKKA, Pyotr Ilyich Tchaikovsky, Rage Against the Machine, Ray Charles, Run-D.M.C., Sia, Skinny Fabulous, Smokey Robinson, Soggy Bottom Boys, Solange, Stromae, The Hu, The Who, Trippie Red, Tupac Shakur, Victor O, Vulfpeck, and Ween. There was a bit of confusion in this episode around the 30:00 mark about Jeffree Star, and I would like to state that I tragically confused Jeffree with a Mandela Effect of sorts; please disregard the comments and conversation surrounding it if you would like, but we will leave it in the episode to demonstrate that we can all make significant mistakes.
This episode marks a critical time in the evolution of the podcast. Oz talks with Nate Sirmans, a musician in the band Open (@_._open_._), and Christian Dasher, a collegiate saxophonist, about music across the world and the interwoven nature of our melodic existences; the conversation went so in depth that it has been split into two halves. Also, many apologies for the title because it is going to be far longer than eighty minutes. On the bright side, we left a list of all the musical references associated with the episode as well as corrections to mistakes throughout the show. Enjoy! https://open.spotify.com/playlist/5FLpJsYYlvoy1uDQUOrXJj?si=v0yqdgjSRdarDndqDaz6Sw (Episode Spotify Playlist) Genres mentioned in the episode: American Pop, Austronesian, Bachata, Baroque, Bounce, Brazilian funk, Carnatic, Cinema/Television Scores, Classical, Click Song Number 1, Country, Disco, Fado, Folk, Guilty of Being White, Halo, Hip-Hop, Lo-Fi, Motown, North American Funk, Pata Pata, Punjab, Punk, R & B, Rap, Reggae, Reggaetón, Rock, Rumba, Samba, Screamo, Ska, Ska-Punk, Soca, Somali Funk, Southern Appalachian, Spirituals, The Banned (Spotify Playlist), Vaporwave, Zef, and Zouk. Artists and Composer: Alicia Keys, Ana Moura, Antwon Stanley, Ariana Grande, Benjamin Clementine, Beyoncé, Big Freedia, Billy Holiday, Bob Marley, Carminho, Childish Gambino, Chris Potter, Concha Buika, D'Angelo, Death, Death Grips, Destiny's Child, Die Antwoord, “Earth, Wind and Fire,” Edith Piaf, Florida Georgia Line, Frank Sinatra, Fugees, Gary Clark Jr, Hans Zimmer, Ice Cube, Ice T, Immortal Technique, Jay Chattaway, Jimi Hendrix, Jocelyne Béroard, John Coltrane, Jordan Sparks, Kane Brown, Katia Guerreiro, Kayna Samet, Kelly Rowland, Kendrick Lamar, KRS One, Leona Lewis, Lil Pump, Lil Yachty, Louis Armstrong, Lycinaïs Jean, Madeline Peyroux, Mariah Carey, Maître Gims, Marilyn Manson, MC Bella, MC Kekel, MC Kevinho, MC Livinho, MC Pedrinho, Michael Bublé, Mika, Miles Davis, Miriam Makeba, Ms. Lauren Hill, N.W.A., Niccolò Paganini, Nicki Minaj, Nikolai Rimsky-Korsakov, Notorious BIG, Open, Otis Redding, PEKKA, Pyotr Ilyich Tchaikovsky, Rage Against the Machine, Ray Charles, Run-D.M.C., Sia, Skinny Fabulous, Smokey Robinson, Soggy Bottom Boys, Solange, Stromae, The Hu, The Who, Trippie Red, Tupac Shakur, Victor O, and Vulfpeck
Today's Bombshell (Bombshell Radio) Bombshell Radio Lynchland - David Lynch Archivist 8am-10am EST 2pm-4pm CEST 1pm-3pm BSTbombshellradio.com Lynchland - David Lynch Archivist Repeats 2am-3am EST#davidlynch#lynchian#lynchland#bombshellradioFor our fourth guest mix, we are joined by none other than La Llorona de Los Angeles, the great Rebekah Del Rio! Her appearance in Mulholland Drive, during which she sang the Roy Orbison cover ìLlorandoî in the Silencio club scene, was arguably one of the most memorable moments of the movie. Needless to say, we canít wait to see her in the new Twin Peaks season. As usual in our show, we asked Rebekah to pick fifteen of her favorite songs. Her choices are deeply personal and evocative, and Rebekah was gracious enough to write a few lines about each one of these songs.Photo: Andrew HumphriesìLlorandoî by Rebekah Del Rio. This is my number one favorite song. I loved it in its original form written and sung by Roy Orbison but like Barbara Orbison told me once, my version felt like it was written in Spanish first 'then' translated into English. This hauntingly beautiful song is the single most number one reason why my career exists! I started singing ìCryingî a capella in 1993 and decided it would be really original to do it in Spanish. I met a woman who is a great songwriter for Spanish songs and asked her to translate it for me. I then finessed it into the song it became. I started singing this version around Los Angeles and I got a major management deal and then a record deal in Nashville. While I was finishing up my Country record, my CAA agent, Brian Loucks introduced me to David Lynch. I sang my ìLlorandoî and he recorded it unbeknownst to me and thus birthed club Silencio in Mulholland Drive and every other amazing opportunity that has come my way. Including Carnegie Hall with Sting, Sir Elton John, Nina Simone, a gold record with Il Divo, performance with the Royal Philharmonic, standing ovation after standing ovation… You see why this is my favorite song? It is the song that represents me the mostÖ my pain… my triumphsÖ my life.ìWhat Are You Doing the Rest of Your Lifeî by Dusty Springfield. Such a beautiful composition, words and melody, so complicated yet so simpleÖ like love, no?ìJe suis maladeî by Lara Fabian. I heard this song for 4 months straight during a show I did in San Francisco in 2011. The words are as powerful as Llorando and just as tragic… do you wonder why I love this song?ìCorcovado (Quiet Nights of Quiet Stars)î by Astrud Gilberto. All of Jobim's songs are amazing. I could listen to Astrud foreverÖ such a sweet voice… and lonelyÖìWichita Linemanî by Glen Campbell. Classic Country 70's song that tears my heart out… it's just beautiful! Reminds me of my childhood growing up with a Texan mother always listening to classic country. This is my soul.ìLove on the Brainî by Rihanna. This song really reminds me of a David Lynch song… I can relate to this song very much.ìVentura Highwayî by America. This is my happy place song. It reminds me of my late son Phillip. We used to put our harms out of the car and make waves in the wind with our handsÖ pure joy.ìHallelujahî by Jeff Buckley. This song was played at my son's funeral and when I laid his ashes down in Victoria at mile Zero…ìCoat of Many Colorsî by Dolly Parton. This song reminds me of my childhood. I was very poor and could relate to this song at the time… Flash forward 34 years later: refugees made me a coat of many colors in Australia for my performances there. Each lament I sang, they added a layer until I had a long hooded cape. Sooo beautifulÖ my coat of many colorsÖìOoh Baby Babyî by Linda Ronstadt. Linda Ronstadt was my vocal teacherÖ via vinyl records. When I was growing up, we didn't have money for extravagances like albums but my older brother bought me a used Linda Ronstadt album and I practiced every day to sound like my idol. Years later, I perform at Carnegie Hall with the original writer/performer of this amazing song, Mr. Smokey Robinson.ìNatural Highî by Bloodstone. I love this era of music! Cool and Sexy! Jackie Brown baby!!!ìYou Have Been Lovedî by Sia. This song is so true… I have been loved and have loved ó to my hearts annihilation.ìGloomy Sundayî by Billy Holiday. Although I prefer the original singer from the motion picture, this Hungarian suicide song is nothing short of tragic… sorrow at its deepest level.ìGoodbye to Loveî by Karen Carpenter. Growing up I idolized Karen Carpenter and of all of her many happy songs I love, this song is the one that strikes my heartstrings the most. ìI'll say goodbye to loveÖ no one ever cared if I should live or die…î I know how she feels.ìThankfulî by Rumer. This new artist from the UK is Dusty and Karen wrapped up in one. This song reminds me of my beloved son, Phillip C. DeMars, who said to me ìalways say thank you and I love you… especially to yourself… the G-d withinî.
Juan Gómez - Jurado viene generososérrimo y reparte chito a diestro y siniestro: dos monedazas de plata de 100 pesetas de Francisco Franco del año 1966 y, para Javi, un ejemplar de moneda de Adriano de hace 1940 años. Empezamos fuertecito.Rodrigo Cortés, por alguna obsesión que igual tiene con los espacios cerrados y angustiosos, nos habla de una película que nos tuvo atrapados y asfixiados durante 82 minutos. Su director, Joel Schumacher es el creador de los pezones de Batman, además de otras pelis que le vuelven loco a Arturo González- Campos.Javier Cansado, haciendo trampas, gana al piedra-papel-tijera y nos trae a la maravillosa Billy Holiday y a algunas de las voces que más se asimilan a la cantante. No os esperéis escuchar a Sara Vaughan, Nina Simone o Etta James. Javi al pensar en Billy Holiday piensa en otros sonidos muy diferentes. Atentos al juego que tiene preparado.Para terminar, Juan Gómez- Jurado viene con Ásterix y Óbelix, un cómic que ha despertado pasiones por todo el mundo, ha sido traducida a 111 idiomas y tiene 350 millones de ejemplares vendidos a sus espaldas. Todo muy incoherente. Como debe ser.
Roda Orelha Máquina 5 Vinheta: solo de flauta transversal de Gabriel Kolyniak e locução Paloma Klisys + Haroldo de Campos - “Isto não é um livro de viagem”, extraído de 16 fragmentos de “Galáxias”, Editora 34, 1992. - faixa: “Como quem escreve”. Fragmento de conteúdo vazado de grupos de WhatsApp durante a greve dos caminhoneiros ocorrida em maio de 2018. Arquivo Rádio Nacional. Fabiana Faleiros - voz e texto. “ Tudo que cresce em ti …” e “Cachorros não olham Relógios”. Lúdico - Dj Hidráulico. Elocubrações sobre o Espanto - fragmentos de escritos sobre Delinqüência Intelectual - Marcelo Nietzsche acompanhado de Osso Exótico. Fragmento da faixa: The New Stone Age. Henrique Santos - voz e texto. “Memimi”. Cátia Cernov texto e voz. Sem título. Acompanhada por Merzbow - Fragmentof da faixa Aimei Nawa Toinho Castro - texto e voz. “Penso no Recife” acompanhado por Turbbund Sturmwerk. Álbum Juche. Fragmento da faixa: Reunification Amelia Loureiro - texto e voz. “Maníaco” Acompanhada de Autentisk Film. Álbum: The Last Super. Fragmento da faixa: Polaroid Renato Limão - texto e voz “De Tardinha…” Flavia Spinardi - oração gravada em deriva sonora em Telaviv. Isadora Krieger - texto e voz. Sem título Acompanhada de ondas do mar e vento. Jornada das Letras Galegas 2018 Evento realizado na UERJ pelo PROEG, Programa de Estudos Galegos. Professora Lucia Sande. “Galícia ou Galiza?” Urbanutopias - micro-peça sonora captada e editada por Paloma Klisys para exposição de realidade expandida realizada no Sesc Osasco em março de 2018. “Ficou tão gostoso que…” João Reynaldo - voz e texto. Sem título João Sobral - faixa inédita do Álbum Monotranse Cavalo de Exuberância. Instrumentos criados e utilizados pelo compositor: Vassonora de baixo custo e páguitar. Paula Valéria - voz e texto: “Impulsos” Acompanhada por Gustavo Jobim. Álbum Retrospect. Fragmento da faixa: Farewell Rita Medusa. texto e voz. Blues semi à capela “Que tal um Café ?. Acompanhada por improviso de gaita de Gabriel Rath Kolyniak e sopro de trompete de Paloma Klisys Leitura de fragmento do livro: “Música e Repetição. A diferença na composição contemporânea” Autor: Silvio Ferraz”. EDUC - Editora da PUC-SP 1998. Fragmento do capítulo: Gesto e Tempo. Acompanhado por Debra Petrovich, Álbum: Extreme Music From Women. Fragmento da faixa: Dislocated.Contribuição anônima - Tema: Carinho Ruim.Solilóquio acompanhado por Contraktor. Álbum: Music For Sex Crimes - Fragmento da faixa 01, sem título.Sue Nhamandu - voz e texto. Acompanhada por Billy Holiday, fragmento de The Time goes e encerramento com fragmento da faixa “Je taimais je taime et je taimerai” na voz de Francis Cabrel. Off diário - Orfel Poeta - Vênus Kaozeira Acompanhada por Rosemary Malign. Álbum: Extreme Music From Women. Fragmento da faixa No You Listen. Maíra Mendes Galvão - voz e texto “Id”. Acompanhada por ambientação sonora de Paloma Klisys. Elke Maravilha - fragmento de entrevista do filme “De Corpo Inteiro”,Diretor Nicole Algranti. Thiago Venco - fragmento sobre a competição. Rageart - peça sonora.Rosane Preciosa - voz. Texto: “Meu Corvo” de autoria de Raymond Carver.Jingle arquivos da rádio Tupi. Propaganda da tecelagem Columbia.Roberto Piva - voz e texto. “Praça da República dos meus Sonhos”.Fragmento capturado de populares na internet. “Sem Paciência pra aturar certo tipos de coisas que compartilham…” Amandy Loba Poeta - voz e texto. “Peão” Acompanhada por fragmento da faixa Sherlock Medley, executada no violino por Taryn Harbridge.Ryana Gabech - voz e texto. “Vida e barro”Acompanhada por Sunn 0 ))). Álbum Live White (cd 1), fragmento da faixa: B-Alien Skeleton.Glaucus Noia voz. Texto “É necessário, o impossível” de autoria de Carla Ferro, publicado em São Paulo com edição independente após recusa de várias editoras por implicância no modo como a autora resolveu utilizar a vírgula no título do livro. Aline Binns Canto ancestral para abrir o céu.Baú da Internet - voz e texto de Maria Alice Vergueiro.
Blackwing 10001 Johnny Gamber's BW 10001 Review Bomo Art Notebook Lucifer TV Show Bird Box - Josh Malerman Thanks Alexander! Thanks Robert! The Handwritten Letter Appreciation Society Liquor / Liqueur Thanks Mark! 1857 EDC Episode Sportscoat Thanks Tamsyn! Writing Room Lyme Lyme Regis 1857 Notebooks II Episode Apologies Shiri & Thank you! Woodshed Pen Co Plumbago 4 Stuart's Music Angsty Public School Boy Lou Reed and the Velvet Underground Bauhaus Japan The The Killing Joke U2 Simple Minds Big Country Rockabilly Years Elvis Eddie Cochrane Stray Cats Uni Years The Farm The Levellers Happy Mondays Expat INXS Nirvana Pearl Jam Guns ’n Roses Metallica Rockin’ 1000 TJ's Music Teenage Kicks (so hard to beat) Angels & Airwaves Blink 182 Green Day Musicals (Meg’s fault) Rent American Idiot Hamilton Mean Girls Calming Influence Bach Lost in the Woods - Spotify Playlist Throwbacks Tennessee Ernie Ford, The Ink Spots, Billy Holiday, Eddy Arnold, Marty Wilde, Fats Domino, Little Richard, Buddy Holly Full playlist One of TJ's Favourite Albums: Hugh Laurie - Let them Talk Want to send us some snail mail? (yes, that means envelopes + stamps, old school!) Stuart Lennon & TJ Cosgrove 1857 Podcast 25 Walworth Enterprise Centre Duke Close, West Way Andover. SP10 5AP England, United Kingdom Nero's Notes (this show's sponsor) Wood & Graphite 1857 Facebook Page 1857 Website { 1857 } The Podcast about making the past, the present, in the future. Are you a US Listener? If you want to try audiobooks and want to help out the show, you can sign up for a 30 day trail, get a free audiobook and we get a commission, just go to http://www.audibletrial.com/1857 I (TJ) suggest American Gods by Neil Gaiman, Jurassic Park by Michael Crichton or Reamde by Neal Stephenson.
Robert ten Brink brengt om 21:00 uur een heerlijk uurtje RadioRobert op 40UP Radio. Muziek van George Harrison, Paul McCartney, John Lennon, Amy Winehouse, Tim Hardin, Bobby Hebb en Billy Holiday.
Doing something a little different this week -- before Retrovaniacs the podcast, there was just Retrovania.net, a site where we posted video reviews and gaming articles. One of those reviews was on Tomba! for the Sony Playstation. This review received the most criticism from folks who didn't agree with Jeremy Gregory -- including Jeremy Parmentier. One Jeremy loves it, one Jeremy hates it, and Billy Holiday is here playing for the first time. We're taking a second look at Tomba!, an interesting 2D/3D questing platformer for the Sony Playstation, and then we spend FAR too long discussing our thoughts on the first 10-20 hours of Final Fantasy XV! So -- if you have no interest in hearing about FFXV, you can skip the last half of the show!
We may be short one Billy Holiday this week, but don't be scared -- he will be back next episode! This week, however, the Jeremys take you on a journey spanning 4 years and 3 consoles to discuss Super Castlevania 4 (SNES), Castlevania Bloodlines (Genesis), Dracula X (SNES), and the japanese only Castlevania : Rondo of Blood (PC Engine CD)! Next week, we return to our usual format and take on Kid Icarus for the NES! Happy Halloween!
Good afternoon everyone and welcome to another edition of The Avid Reader. Today’s guest is Patrick Phillips, author of Blood at the Root: A Racial Cleansing in America. Published in September by Norton. This is Patrick’s first work of non-fiction. His poetry is, I guess, his first love, and his Elegy for a Broken Machine was named a finalist for The National Book Award in Poetry. His other works include Boy, When We Leave Each Other and Chattahoochee. His work has appeared in The NYT, WSJ and The Nation. Blood at the Root chronicles a southern county in Georgia, Forsyth County, where racism held sway for most of the 20th century. The impetus that gave rise to this long season in hell was an incident that occurred in 1912 and which we’ll talk about. Much of what is to a lesser degree still present in America is an attitude grounded in fear and anger and even now is being fomented in the current election cycle. Whether we talk about Ferguson or Trayvon Martin, or the incident the other day in which an unarmed black man, his arms raised in surrender was shot to death, point blank, by a female police office, while he was being tased is really not the question. Whether Black Lives Matter means anything to you as a motto or as a credo or as a symbol, or as an insult, what happened in Ferguson also happened in Forsyth County but to a degree much more evil and violent, reserving for the participants a seat in a much lower circle of hell. The epigraph of this gripping tale is an excerpt from Strange Fruit an uncanny and unnerving work, perhaps best heard as sung by Billy Holiday and written by Abel Meeropol under the pen name of Lewis Allen in 1937. Blood at the Root shines a harsh and unforgiving light on a time and place in America that we should all be ashamed of, yet the same horrible atrocities that occurred in Forsyth occur all over the world every day, some still by us. Where this leaves us, I don’t know, but perhaps we can gain some insights in today’s interview. Welcome Phillip and thanks for joining us today.
Good afternoon everyone and welcome to another edition of The Avid Reader. Today’s guest is Patrick Phillips, author of Blood at the Root: A Racial Cleansing in America. Published in September by Norton. This is Patrick’s first work of non-fiction. His poetry is, I guess, his first love, and his Elegy for a Broken Machine was named a finalist for The National Book Award in Poetry. His other works include Boy, When We Leave Each Other and Chattahoochee. His work has appeared in The NYT, WSJ and The Nation. Blood at the Root chronicles a southern county in Georgia, Forsyth County, where racism held sway for most of the 20th century. The impetus that gave rise to this long season in hell was an incident that occurred in 1912 and which we’ll talk about. Much of what is to a lesser degree still present in America is an attitude grounded in fear and anger and even now is being fomented in the current election cycle. Whether we talk about Ferguson or Trayvon Martin, or the incident the other day in which an unarmed black man, his arms raised in surrender was shot to death, point blank, by a female police office, while he was being tased is really not the question. Whether Black Lives Matter means anything to you as a motto or as a credo or as a symbol, or as an insult, what happened in Ferguson also happened in Forsyth County but to a degree much more evil and violent, reserving for the participants a seat in a much lower circle of hell. The epigraph of this gripping tale is an excerpt from Strange Fruit an uncanny and unnerving work, perhaps best heard as sung by Billy Holiday and written by Abel Meeropol under the pen name of Lewis Allen in 1937. Blood at the Root shines a harsh and unforgiving light on a time and place in America that we should all be ashamed of, yet the same horrible atrocities that occurred in Forsyth occur all over the world every day, some still by us. Where this leaves us, I don’t know, but perhaps we can gain some insights in today’s interview. Welcome Phillip and thanks for joining us today.
Billy Holiday's secular hymn was born out of a blazing family row and its swaying melody went on to become a jazz standard, with versions by Tony Bennett and Sonny Rollins. Mike Hobart follows its history. Credits: Jazz Moon, Saga, Columbia/Legacy, Island, Geffen Gold Mine See acast.com/privacy for privacy and opt-out information.
Cue the Billy Holiday song lyric, her plaintive sound, “Why not take all of me?” Can you hear it? Too young to know Billie Holiday? Ok, then. What about Coldplay's “Fix You”?That's the tone and the lyric “I'll try to fix you” ain't bad either. Today's podcast is titled, “Why not take less of me” or […] The post Why Not Take Less of Me? Podsnacks/Art of the Diet 036 appeared first on Art of the Diet.
Mission encre noire Tome 16 Chapitre 214 Nous nous interessons ce soir à deux icônes de la musique populaire: Oscar Peterson et Kim Gordon. Le premier roman présenté par Éric s'intitule Oscar paru en 2016 aux éditions du Boréal. L'imagination fertile de Mauricio Segura nous entraîne sur les pas du célèbre pianiste de jazz, Oscar Peterson. Montréal vit sous le règne de l'acier, les années cinquante se fument au bout des cheminées des usines, le Canadien Pacifique saigne la ville en deux. Mauricio Segura rend un très bel hommage appuyé à un musicien hors du commun. Le soleil refuse de se coucher sur les mélodies d'Oscar, les femmes paraissent plus belles, même s'il faut pour cela, peut-être, vendre son âme au diable, allez savoir ! Extrait: «Une semaine plus tard, avant de partir en tournée, comme Oscar jouait à quatre pattes dans le salon avec son fils aîné, moins par plaisir que pour se faire pardonner par Beverly ses absences répétées, le téléphone sonna. Au bout du fil, la voix moelleuse de norman G. lui rappela qu'il était l'homme de parole et lui suggéra d'écouter la radio publique avant de raccrocher sans lui dire au revoir. Quand Oscar alluma la radio, tandis que son fils était absorbé dans la construction d'un immeuble en briques emboîtables, une pause publicitaire vantait les vertus d'un savon à vaisselle ; bientôt, un animateur annonça un concours de pianistes de musique classique dédié à Franz Liszt. Si le premier participant le fit bayer au corneilles, il reçut un coup au coeur en écoutant le deuxième, car il reconnut de suite son jeu timide, inimitable.» Kim Gordon Girl in a band paru en 2015 aux éditions Le mot et le reste. La bassiste et ex-chanteuse du groupe phare du mouvement post punk expérimental des années 90 prend la plume pour nous faire explorer son évolution dans le milieu de la musique et des arts. Kim Gordon fascine. Plutôt discrète, au fil des trente ans de carrière avec Sonic Youth, elle a accumulé les rencontres et des anecdotes en pagaille. Dans un conversation inédite avec son lectorat, Kim Gordon nous raconte son parcours atypique de son enfance en Californie à son divorce final d'avec Sonic Youth, un soir de concert sous la pluie, au Brésil. Modèle pour toute une génération, plongez dans l'intimité d'une grande artiste, au coeur des heures les plus brutes du New York des années 1990. Un must. Extrait: « Adolescente, je n'ai jamais chanté, et encore moins chantonné sur de la musique ; je préférais me concentrer sur mes projets artistiques, fumer un peu d'herbe et écouter Bob Dylan, Buffalo Springfiels, Tim Buckley, les Beatles, Archie shepp et l'Art Ensemble Of Chicago. J'aimais les mêmes trucs que mon frère, à l'exception de Joni Mitchell et de Billy Holiday. Après la publication de mon article, Dan m'a demandé si j'avais envie de monter un groupe de filles pour remettre en scène une de ses performances les plus connues, Performer/Audience/ Mirror, qui examine et retourne la relation entre l'artiste et le public.» Young Fathers en show au Fairmount le 31 mars prochain !
Mission encre noire Tome 16 Chapitre 214 Nous nous interessons ce soir à deux icônes de la musique populaire: Oscar Peterson et Kim Gordon. Le premier roman présenté par Éric s'intitule Oscar paru en 2016 aux éditions du Boréal. L'imagination fertile de Mauricio Segura nous entraîne sur les pas du célèbre pianiste de jazz, Oscar Peterson. Montréal vit sous le règne de l'acier, les années cinquante se fument au bout des cheminées des usines, le Canadien Pacifique saigne la ville en deux. Mauricio Segura rend un très bel hommage appuyé à un musicien hors du commun. Le soleil refuse de se coucher sur les mélodies d'Oscar, les femmes paraissent plus belles, même s'il faut pour cela, peut-être, vendre son âme au diable, allez savoir ! Extrait: «Une semaine plus tard, avant de partir en tournée, comme Oscar jouait à quatre pattes dans le salon avec son fils aîné, moins par plaisir que pour se faire pardonner par Beverly ses absences répétées, le téléphone sonna. Au bout du fil, la voix moelleuse de norman G. lui rappela qu'il était l'homme de parole et lui suggéra d'écouter la radio publique avant de raccrocher sans lui dire au revoir. Quand Oscar alluma la radio, tandis que son fils était absorbé dans la construction d'un immeuble en briques emboîtables, une pause publicitaire vantait les vertus d'un savon à vaisselle ; bientôt, un animateur annonça un concours de pianistes de musique classique dédié à Franz Liszt. Si le premier participant le fit bayer au corneilles, il reçut un coup au coeur en écoutant le deuxième, car il reconnut de suite son jeu timide, inimitable.» Kim Gordon Girl in a band paru en 2015 aux éditions Le mot et le reste. La bassiste et ex-chanteuse du groupe phare du mouvement post punk expérimental des années 90 prend la plume pour nous faire explorer son évolution dans le milieu de la musique et des arts. Kim Gordon fascine. Plutôt discrète, au fil des trente ans de carrière avec Sonic Youth, elle a accumulé les rencontres et des anecdotes en pagaille. Dans un conversation inédite avec son lectorat, Kim Gordon nous raconte son parcours atypique de son enfance en Californie à son divorce final d'avec Sonic Youth, un soir de concert sous la pluie, au Brésil. Modèle pour toute une génération, plongez dans l'intimité d'une grande artiste, au coeur des heures les plus brutes du New York des années 1990. Un must. Extrait: « Adolescente, je n'ai jamais chanté, et encore moins chantonné sur de la musique ; je préférais me concentrer sur mes projets artistiques, fumer un peu d'herbe et écouter Bob Dylan, Buffalo Springfiels, Tim Buckley, les Beatles, Archie shepp et l'Art Ensemble Of Chicago. J'aimais les mêmes trucs que mon frère, à l'exception de Joni Mitchell et de Billy Holiday. Après la publication de mon article, Dan m'a demandé si j'avais envie de monter un groupe de filles pour remettre en scène une de ses performances les plus connues, Performer/Audience/ Mirror, qui examine et retourne la relation entre l'artiste et le public.» Young Fathers en show au Fairmount le 31 mars prochain !
Otis talks about Billy Holiday’s version of Strange Fruit and the 1930 lynching in Marion, Indiana that inspired it.
Here's a game I'm certain most of you haven't played -- Mansion of Hidden Souls for the Sega CD add-on for the Genesis. This is a classic point-and-click adventure title, like Myst, but about butterflies and poorly placed keys. A selection by one Billy Holiday, and an episode not to be missed!We also answer a listener question : What are our favorite / least favorite snow levels in classic gaming?Also, like every show, we reveal next show's topic. Our next show will be around Christmas, so what game do you think we picked?
Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! El tercer disco de la cantante Rebecca Ferguson, en el que reinterpreta temas de Billy Holiday, es el protagonista de esta edición, en la que seguimos repasando otras novedades protagonizadas por Nelson Rangell, Shashaty, Julia Fordham, Kenny G. y Juliana Areias. En los minutos para el recuerdo el primer trabajo del guitarrista Henry Johnson junto a otro álbum más reciente: el editado en 2014 por el vocalista Tank.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170
In a music world that is currently plagued by senseless sounds, Douye offers something soothing—and definitely real. In fact, she gives more than songs and lyrics. She pours out her soul and experience, letting every listener be with her in an incredible journey. Music Started Young Douye was born in Rhine River, in Lagos, Nigeria. Ever since she was young, she already had an inkling in music, her sound greatly influenced by the big soulstresses of the United States such as Ella Fitzgerald and Billy Holiday. But it wasn't until her father, Landy, saw her potential and supported her along with the rest of the family that she developed the courage to pursue it and eventually make music her career and life. In fact, she never loses that gratitude for the incredible familial support. Read Full Story...
SHARON MUSGRAVE Born in England of Dominican parents, Sharon Musgrave is heavily influenced by her ancestral roots. As a singer/songwriter Sharon has traveled the world, her generous soulful sound is familiar throughout dance clubs in the UK and Europe. With the earthy heart of a goddess, she embraces inner beauty in her collaborative melodies and applies an ointment of peace and love over the painful discords of life. Musical influences include Mavis Staples, Sade, Stevie Wonder, Bob Marley, Joni Mitchell, Prince, Chaka Khan, Jill Scott, Natalie Cole, Nina Simone, Dinah Washington and Billy Holiday. Musgrave shot to prominence in the 90's with Grammy winner William Orbit (Madonna "Ray of Light") while collaborating on the Bass-O-Matic project. Together, they achieved international status with the hit "Fascinating Rhythm" (Virgin Records), co-written by Sharon. interview with UK's Record Mirror, Orbit threw accolades Sharon's way saying, "I don't have to worry about playing live when I've got Sharon on stage with me, because she's a consummate singer," adding "No worries, she's done it all. The studio's my home, the stage is hers!"
rock falls aka Annie Reese joined us in the studio on her Birthday and we had a wonderful time. CAU Publicist Hannah Frank brought her in and Jeff Brown also joined us for this show. Equally adept on the Fender Telecaster and the ukulele with a hauntingly beautiful voice reminisent of the Jazz era female vocalists like Billy Holiday, Annie mesmerized us with her beautiful music.
Kenny interviews Ormond Beach resident Gers Yowell - whose apartment jam sessions in 1950 eventually became the Charlie Parker album "Apartment Sessions". Gers lived through the big band & bop eras all the way through to today's contemporary jazz; and at age 88 still plays and loves new music. Gers reflects on Bird, his own youth, Zoot Sims, life in NYC as a jazz musician in 1950 and much more. What a life! right click the link below and select "open in new tab" to view photos that go with the interview!Palm Coast Jazz BlogHosts: Kenny MacKenzie & Allison Paris 0:00 ~ Allison - introduction 2:00 ~ Joe Cinderella Quartet featuring Gers Yowell "Track 8" from the album 'Concept' Joe Cinderella - 8 String Guitar, Gers Yowell - alto sax, Chuck Sastré - bass, Dave Larson - drums 3:28 ~ Interview: Gers intro and childhood 5:15 ~ Bb blues jam recorded at Gers's House in NJ circa 1946 - musicians unknown 5:40 ~ Interview: Ger's gets his 1st clarinet, tenor sax & joins the "Sultans of Swing". 9:05 ~ Gers on tenor at same jam session in 1946 NJ 9:50 ~ Interview: life in the navy. 11:00 ~ Interview ~ after the war, swingin' in Miami (background music Gers solo Tenor sax) 12:55 ~ Interview: Washington D.C. Gers jams with Buddy Rich, Woody Herman & John Erdley bands. Gers picks up a Baritone! 15:10 ~ Gers jamming on Baritone sax circa late 1940's; musicians unknown. 15:30 ~ Interview: Gers gets a real job and swings at night. 16:40 ~ "Willie" Charlie Parker recorded at Gers's Apartment jam session, June 1950 CP - alto sax, Buddy Jones - bass, Phil Brown - drums, John Williams - piano (according to liner notes...)18:05 ~ Interview: The apartment, the sessions, the jazz life in 1950. 21:25 ~ "Scrapple" Zoot Sims at Gers's apartment Zoot Sims - tenor sax, Johnny Williams - piano, Buddy Jones - bass, Gers - drums 22:50 ~ Interview: Bird comes to play 23:55 ~ "Donna" Charlie Parker recorded at Gers's Apartment jam session, June 1950 CP - alto, Buddy Jones - bass, Phil Brown - drums, John Williams - piano (according to liner notes)26:25 ~ Interview: Gers clears up how the session was recorded & how it came to be released. 29:20 ~ "Dandy" Charlie Parker recorded at Gers's Apartment jam session, June 1950 CP - alto sax, Buddy Jones - bass, Phil Brown - drums31:35 ~ Interview: the drug scene. Gers remembers Bird, John Erdley, Gerry Mulligan, Zoot & Billy Holiday. 37:05 ~ Interview: Joe Cinderella, recording the Concept album & playing with Doug Ger's son (Background music "Foxes Lair" - Joe Cinderell Quartet from the album "Concept" Joe Cinderella - guitar, Gers Yowell - alto sax, Chuck Sastré - bass, Doug Yowell - drums, percussion) 41:15 ~ drum solo by Doug Yowell 42:15 ~ Interview: Gers' favorite gig, Gers's handcrafted jewelry,vinyl vs digital & closing thoughts. (Background music - another selection from the jam w/ Zoot) 47:45 ~ Kenny - postlude - Gers's kids etc 48:10 ~ Allison - closing announcements. Palm Coast Jazz closing theme by Seven Octaves.All jam session recordings are from the original tapes supplied by Gers Yowell and are his property - all rights reserved.Websites of Gers's musical children!Drew Yowell - guitarist, singer, composerGina Yowell-Gerszberg - composer, singer, musicianDoug Yowell - drummer, programmer, composerThis podcast copyright 2011 Kenny MacKenzie - all rights reserved. Contact for broadcast permission & modifications.
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