Podcasts about Otis Redding

Ahead of Atlanta’s hosting of its first FIFA World Cup 2026 match, “Closer Look” host Rose Scott met with Atlanta Soccer in the Streetsexecutive director Kaseem Ladipo at the organization’s mini pitch in East Point. Ladipo discusses the history and mission of Soccer in the Streets, efforts to elevate street soccer on a global scale, and how the organization is preparing local youth to participate in the world’s biggest sporting event. Plus, the Otis Redding Center for the Arts recently celebrated its first anniversary. The Macon-based creative hub continues the philanthropic legacy of legendary soul singer Otis Redding. “Closer Look” producer LaShawn Hudson recently toured the facility and spoke with Otis Redding Foundation leaders Zelma Redding and Karla Redding-Andrews, as well as Otis Redding Foundation All-Star Sara Mazanec. They discussed the center’s signature summer camps and year-round music education and arts programming.See omnystudio.com/listener for privacy information.

David Porter, a pivotal figure in soul music, was the first staff writer Stax Records, where he co-wrote iconic hits like "Soul Man," "Hold On I'm Comin'," "I Thank You," "When Something is Wrong with my Baby," and "Wrap it Up," many alongside Isaac Hayes. His songs, which have appeared on national charts over 200 times and amassed lifetime unit sales exceeding 450 million, are enshrined in the Grammy Hall of Fame and have influenced soul, R&B, and hip-hop, with over 450 samples in tracks like Mariah Carey's "Dreamlover," Will Smith's "Gettin' Jiggy Wit It," Wu-Tang Clan's "C.R.E.A.M.," and The Notorious B.I.G.'s "Who Shot Ya." Inducted into the Songwriters Hall of Fame in 2005 with Hayes,Porter was featured in HBO's 2023 Stax Records special and founded The ConsortiumMT, cementing his legacy as a genre-defining songwriter.Mr. Porter's memoir has been praised by luminaries like Bruce Springsteen ("essential reading for those who were touched by the magic and majesty of soul music"), Questlove ("he's the architect of the Memphis sound"), Keith Richards ("there ain't no soul music without David Porter.a great read") and Stevie Wonder (who just attended his LA book celebration). Rolling Stone> recently called him "one of the most important American popular songwriters" and Billboard added he's "penned and produced some of the most quintessential songs in music history".In the book, his profound stories range include firsthand tales of segregated Memphis during the height of the Civil Rights Movement, to helping Otis Redding write "Sitting On The Dock Of The Bay" just days before his tragic passing and many more. He defined an era of soul music working with luminaries like Otis, Booker T. Jones, Isaac Hayes, Carla Thomas and Sam & Dave writing credits). Then his songs did it all over again in the 1990s - when they were sampled by the likes of Notorious B.I.G., Wu-Tang Clan, Mariah Carey, Snoop Dogg, De La Soul and Jay-ZBecome a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Step into the vibrant world of music history as host Buzz Knight takes you on an unforgettable journey with the legendary songwriter David Porter. Known for his monumental impact on the Memphis soul sound and as the co-writer of timeless classics like "Soul Man" and "Hold On, I'm Coming," David's story is one of resilience, creativity, and inspiration. Growing up in segregated Memphis, he discovered the transformative power of music in church, setting him on a path that would lead to over 1,700 songwriting credits and collaborations with iconic figures such as Elvis Presley and Isaac Hayes. David's pivotal role at Stax Records as the first staff songwriter paved the way for his groundbreaking work, producing some of the most enduring songs in R&B history. As Buzz and David Porter walk through his remarkable journey, listeners will be captivated by poignant stories, including a touching moment with Otis Redding just days before his tragic passing, where David helped refine "Sitting on the Dock of the Bay. " This episode of "Taking a Walk" is not just about the past; it’s about the future of music. David passionately emphasizes the importance of giving back to the next generation of artists through his initiatives like The Consortium MMT, aimed at supporting young musicians in their creative journeys. Join us for this enlightening episode filled with music history insights, songwriter stories, and the emotional healing that music can bring on society and culture. David shares his thoughts on self-love and the profound influence of his mother's teachings on his life and career, making this episode a treasure trove of inspiration for aspiring artists and music lovers alike. Whether you're a fan of classic rock history, jazz music, or the indie music journey, Buzz Knight's "Taking a Walk" podcast offers a unique perspective on the stories behind the songs that have shaped American music. Tune in to explore the rich tapestry of music history, uncovering the emotional threads that connect us all through the art of songwriting. David Porter also reveals his answer to the question all iconic guests answer, the Dream Walk question. Don’t miss this chance to walk alongside one of the music industry's most legendary songwriters and gain a deeper understanding of the creative process, the struggles, and the triumphs that define a life in music. Experience the magic of storytelling in music as Buzz Knight and David Porter share their insights and journeys, making this episode a must-listen for anyone passionate about music and its power to inspire. Search Takin A Walk on Claude AI or any of your other favorite AI assistants. If you love Takin A Walk check out "A History of Rock Music in 500 Songs."Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Ce 3 juin, dans RTL2 Pop-Rock Station, Marjorie Hache convoque Motörhead, Van Halen, Aerosmith et Run-DMC, Smash Mouth, Linkin Park, Franz Ferdinand, Otis Redding, NOFX, Placebo, The Doobie Brothers, Sam & Dave, Pete Yorn et Scarlett Johansson, The Subways, Hot Chip et Black Sabbath. L'animatrice souligne le 58e anniversaire de Samantha Spracklin, alias Saffron, chanteuse de Republica, en diffusant "Drop Dead Gorgeous". Deep Purple fait monter la pression avec "Arrogant Boy". La primeur de la soirée met en lumière le groupe californien Dogstar, célèbre pour compter l'acteur Keanu Reeves parmi ses membres, avec "All In Now", morceau-titre de son quatrième album. L'album de la semaine se penche à nouveau sur "Your God Fearing Days Are About To Begin", le troisième disque du trio londonien Saint Agnes, dont on découvre le titre "Song For Mia", une belle déclaration d'amitié sur fond de métal industriel. Enfin, la reprise du jour nous vient de Manchester avec Inspiral Carpets, qui réinvente avec l'énergie de la scène Madchester le célèbre "Tainted Love", immortalisé par Gloria Jones puis Soft Cell. Deep Purple - Arrogant Boy Motörhead - Ace Of Spades Republica - Drop Dead Gorgeous The Hives - Legalize Living Van Halen - Hot For Teacher Smash Mouth - Walkin' On The Sun Linkin Park - Crawling Saint Agnes - Song For Mia Aerosmith & Run DMC - Walk This Way Franz Ferdinand - This Fffire (Version Cyberpunk) Otis Redding - (Sittin' On) The Dock Of The Bay Massive Attack & Tom Waits - Boots On The Ground Inspiral Carpets - Tainted Love NOFX - Linoleum Placebo - Special K Editors - Call It In The Doobie Brothers - Long Train Running Gemma Hayes - Back Of My Hand Graham Coxon - Alright Sam & Dave - Hold On, I'm Coming Scarlett Johansson & Pete Yorn - Relator Dogstar - All In Now Queen - Now I'm Here The Subways - Rock & Roll Queen Hot Chip - One Life Stand Fun Lovin' Criminals - Scooby Snacks Black Sabbath - WarningHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Step into the vibrant world of music history as host Buzz Knight takes you on an unforgettable journey with the legendary songwriter David Porter. Known for his monumental impact on the Memphis soul sound and as the co-writer of timeless classics like "Soul Man" and "Hold On, I'm Coming," David's story is one of resilience, creativity, and inspiration. Growing up in segregated Memphis, he discovered the transformative power of music in church, setting him on a path that would lead to over 1,700 songwriting credits and collaborations with iconic figures such as Elvis Presley and Isaac Hayes. David's pivotal role at Stax Records as the first staff songwriter paved the way for his groundbreaking work, producing some of the most enduring songs in R&B history. As Buzz and David Porter walk through his remarkable journey, listeners will be captivated by poignant stories, including a touching moment with Otis Redding just days before his tragic passing, where David helped refine "Sitting on the Dock of the Bay. " This episode of "Taking a Walk" is not just about the past; it’s about the future of music. David passionately emphasizes the importance of giving back to the next generation of artists through his initiatives like The Consortium MMT, aimed at supporting young musicians in their creative journeys. Join us for this enlightening episode filled with music history insights, songwriter stories, and the emotional healing that music can bring. David shares his thoughts on self-love and the profound influence of his mother's teachings on his life and career, making this episode a treasure trove of inspiration for aspiring artists and music lovers alike. Whether you're a fan of classic rock history, jazz music, or the indie music journey, Buzz Knight's "Taking a Walk" podcast offers a unique perspective on the stories behind the songs that have shaped American music. Tune in to explore the rich tapestry of music history, uncovering the emotional threads that connect us all through the art of songwriting. Don’t miss this chance to walk alongside one of the music industry's most legendary songwriters and gain a deeper understanding of the creative process, the struggles, and the triumphs that define a life in music. Experience the magic of storytelling in music as Buzz Knight and David Porter share their insights and journeys, making this episode a must-listen for anyone passionate about music and its power to inspire. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Hoy en La Gran Travesía podréis escuchar una selección de algunos grandes temas de la década de los años 60, con Procol Harum, Otis Redding, Spencer Davis Group, The Trashmen, los Kinks, las Ronettes, Marvin Gaye, Van Morrison, The Crystals, Dion, Smokey Robinson and the Miracles, Searchers, Martha Reeves… ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Alul, Piri, JBsabe, Juan Antonio Méndez Benítez, Antonio Vicente Álvarez, Aida Borrallo, Eduardo Gutiérrez, Rafa Navarro, José Carlos Lozano, Ikatza, Cabe1961, Guillermo Esteban, Diego Román, Raquel, Sergio Rodríguez Rojas, Jose Antonio Moral, Juanito, Octavio Oliva, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Francisco Quintana, Con, Tete García, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

Hoy en La Gran Travesía tenemos un programa repleto de soul y rythm and blues con Wilson Pickett, Otis Redding, Drifters, Sam Cooke, The Temptations, Mavis Staples, Solomon Burke, Amy Winehouse, Leona Lewis, Aretha Franklin...y muchos más. ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Alul, Piri, JBsabe, Juan Antonio Méndez Benítez, Antonio Vicente Álvarez, Aida Borrallo, Eduardo Gutiérrez, Rafa Navarro, José Carlos Lozano, Ikatza, Cabe1961, Guillermo Esteban, Diego Román, Raquel, Sergio Rodríguez Rojas, Jose Antonio Moral, Juanito, Octavio Oliva, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Francisco Quintana, Con, Tete García, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

On this episode, we continue our journey from last year through the history of Stax Records, the iconic label that defined Southern Soul music, as I play some of my favorite Stax tracks from 1964 to 1966. Sam & Dave, Otis Redding, Booker T & The MG's, Albert King, Rufus & Carla Thomas, Eddie Floyd... they're all here on some of the greatest singles ever released. Let's dig in, shall we? Learn more about your ad choices. Visit megaphone.fm/adchoices

Singer/Guitarist of Canadian indie rock band Born Ruffians Luke Lalonde joins us to talk about the band's new album--and short film--Beauty's Pride, appearing in Nirvanna The Band The Show The Movie, and the greatest song he's ever heard in his entire life, "Try A Little Tenderness" by Otis Redding. Check out the Beauty's Pride short film here, and find the album wherever you get your music. Follow Luke on instagram @lukelalonde and Born Ruffians @bornruffiansmusic You can rent Nirvanna The Band The Show The Movie from the letterboxd video store or wherever you rent your movies. @gr8songpod on instagram @ScottInterrante on instagram @Katherinethegr8 on instagram Theme music: "Kratos In Love" by Skylar Spence

Cette semaine dans la Cover du #LeDriveRTL2, Margaux Lassalle se penche sur un véritable standard intemporel de la musique : "Stand By Me". Écrite, composée et chantée à l'origine par Ben E. King en 1961, cette œuvre au succès immédiat aborde un thème profondément universel : le besoin de ne pas affronter seul les épreuves de la vie. Véritable hymne à l'amour, à l'amitié et à la confiance, le morceau a traversé les décennies grâce à sa mélodie et ses paroles inoubliables, inspirant des relectures dans des styles particulièrement variés. L'histoire des reprises de ce classique réserve bien des surprises, à l'image du légendaire boxeur Mohamed Ali qui, en pleine ascension en 1963 et encore sous le nom de Cassius Clay, s'est essayé à l'interprétation du titre. De son côté, Otis Redding en a livré une version soul à l'intensité vocale poignante. Preuve de son immense ancrage dans la culture populaire, la chanson a même été entonnée en 1995 par le célèbre duo animé Timon et Pumba, avant d'être transformée en un énorme tube de bachata en Amérique latine par le chanteur Prince Royce en 2010. Plus récemment, le titre a brillé par son minimalisme grâce à Tracy Chapman, qui en a offert une version extrêmement intime et dépouillée, seule à la guitare, lors d'une performance live mémorable chez David Letterman en 2015. À l'opposé, Florence + The Machine lui a conféré une dimension orchestrale, puissante et cinématographique en 2016 pour la bande-son du jeu vidéo "Final Fantasy XV". Enfin, cette riche rétrospective s'achève sur l'adaptation incontournable de John Lennon parue en 1975, où l'ancien Beatle réinvente ce doux classique en lui insufflant une énergie plus nerveuse et résolument rock'n'roll. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Welcome to Travel to Listen, a new Unpacked series hosted by veteran music journalist Tim Chester. Over four episodes rolling out every other week, Tim takes us into the cities where music is more than entertainment—it's the shortcut to a place's soul. This week, he goes to the source in Macon: meet the people keeping the city's legendary songbook alive, and find out why a trip here might be the most soulful detour you've never considered. In this episode How the Macon Music Revue transforms songs by Little Richard, the Allman Brothers, and R.E.M. into something new—without losing what made them legendary Why Charles Davis believes there's “something in the water” in Macon—and how the city's Indigenous roots may be part of its musical soul The story behind the new Otis Redding Center for the Arts: from a 1965 music camp at Otis's ranch to a full museum and education hub that opened in March 2025 What visitors to Macon often don't know about Otis Redding—the savvy businessman, devoted family man, and farmer who owned cows, chickens, and horses Where to eat, drink, and hear live music in Macon: from Capricorn Sound Studios to H&H Soul Food, where the Allman Brothers ate when they were broke Meet this week's guests Charles Davis is the frontman of the Macon Music Revue, a band that reinterprets the city's iconic catalog with a soul-forward sound all their own. A longtime Macon radio voice, Charles is one of the city's most active stewards of its musical legacy. Justin Andrews is the director of special projects and outreach at the Otis Redding Foundation, and the grandson of soul legend Otis Redding. He helped bring the Otis Redding Center for the Arts to life when it opened in March 2025. Guest host Tim Chester is a freelance travel and culture writer who has spent the past 20 years exploring the world through the lens of music. His reporting has appeared in NME, Spin, and Afar, and his travels have taken him from Manhattan to Malawi and Beijing to Berlin in search of the festivals, scenes, and stories that reveal a city's soul. Chapters 00:00:00 Welcome to Macon 00:01:15 Inside the Macon Music Revue 00:04:15 Something in the Water 00:06:15 A Tour Through Southern Rock 00:09:45 H&H Soul Food and the Allman Brothers 00:10:30 Otis Redding's Vision Comes Home 00:13:45 The Man Behind the Music 00:15:00 Where to Hear Otis in Macon A Music Fan's Travel Guide to Macon Macon is walkable, the downtown is compact, and most of the music landmarks sit within a few square miles. Here's how to do it like a fan. Start here: the essential stops Capricorn Sound Studios & Museum—the birthplace of Southern rock. The Allman Brothers Band Museum at the Big House—the Tudor-style house where Duane, Gregg, Berry Oakley, and their families lived from 1970 to 1973. The Otis Redding Museum—View plane tickets, telegrams, the briefcase from the wreckage, and pictures pulled from Zelma Redding's personal archive. The Otis Redding Center for the Arts (ORCA)—The newest piece of the puzzle, opened March 2025: a youth music education hub, the O3 Recording Studio, and the outdoor Zelma Redding Amphitheater, where a bronze statue of Otis now welcomes visitors. Hear live music Grant's Lounge—the historic dive that served as an audition spot for Capricorn Records. The Douglas Theatre—built in 1921 as a venue for African American performers during segregation, and where a teenage Otis Redding won the teen talent competition so many times the organizers asked him to stop entering. Hargray Capitol Theatre—a beautifully restored downtown venue that brings in touring acts across genres. Eat and drink like a local H&H Soul Food—the legendary downtown spot started by Mama Louise and Mama Inez, who fed the Allman Brothers when they were broke. The Rookery—Get the burger, stay for the music, and listen for the Otis Redding song that always seems to be playing when you walk in. Go a little deeper Rock Candy Tours—weekly guided walking tours that connect the dots between the studios, homes, and venues. The Macon Music Trail—a self-guided trail of 43+ music sites with a free companion mobile app, including the Little Richard House and Rose Hill Cemetery, where Duane Allman and Berry Oakley are buried. The Macon Music Revue (Terminus Records, 2024)—listen to Charles's reinterpretations of “Losing My Religion,” “Stand Back,” and more. themaconmusicrevue.com Up next on Travel to Listen Tim heads to Minneapolis to get bright and bouncy with the city's funk scene—and to hear how the city is planning to mark the 10th anniversary of Prince's untimely passing. New episode in two weeks. Learn more about your ad choices. Visit megaphone.fm/adchoices

"So" gehört nicht nur zu den erfolgreichsten Alben von Peter Gabriel, sondern ist auch noch ein Meisterwerk der 80er Jahre. Es erschien am 19. Mai 1986 und verkaufte sich über zehn Millionen Mal. Auch einige seiner größten Hits wie "Sledgehammer", "In Your Eyes" oder "Don't Give Up" sind auf dem Album vertreten. Nach seiner Zeit bei Genesis arbeitete Peter Gabriel 1976 an seiner Solo-Karriere. Bereits 1977 erscheint mit "Peter Gabriel" sein erstes Solo-Album. Auch die drei folgenden Alben tragen denselben Titel, was in den Plattenläden immer wieder für Verwirrung sorgte. Erst mit seinem fünften Album "So" veröffentlichte er erstmals ein Album mit einem anderen Namen. Der Titel "So" klingt zunächst eher minimalistisch. Musikalisch verbindet das Album jedoch Artrock, Soul, R'n'B, Pop, Progressive Rock und Weltmusik zu einem vielseitigen Sound. Peter Gabriel setzt dabei auf die damals noch relativ neuen Synthesizer-Klänge und nutzt moderne Studiotechnik. Für die Produktion arbeitet er mit Daniel Lanois, der zusammen mit Toningenieur Kevin Killen das Album entscheidend prägt. "Sledgehammer" wurde zum größten Hit von Peter Gabriel und war zugleich sein erster Nummer-eins-Hit in den USA. Im Juli 1986 verdrängte der Song "Invisible Touch" von Gabriels früherer Band Genesis von der Spitze der US-Charts. Musikalisch orientiert sich "Sledgehammer" an Soulmusik der 1960er Jahre. Besonders der Einfluss von Otis Redding ist deutlich zu hören, dessen Musik Gabriel auch stark geprägt hat. Bei einem Auftritt von Redding entdeckte er 1966 den Trompeter Wayne Jackson, der später die markanten Bläser auf "Sledgehammer" einspielte. "Don't Give Up" ist das legendäre Duett von Peter Gabriel und Kate Bush. Der Song wurde für viele Menschen zu einer wichtigen Quelle der Hoffnung. Elton John sagte, das Lied habe ihm geholfen, seine Alkoholprobleme zu überwinden. Auch ein bekannter US-Komiker erzählte Gabriel, der Song habe ihm in einer schwierigen Zeit das Leben gerettet. Mit "So" hat Peter Gabriel ein Album veröffentlicht, das die Musik der 80er Jahre weit über seine Entstehungszeit hinaus geprägt hat. Obwohl es mit Erscheinen dieser Meilensteine-Episode seinen 40. Geburtstag feiert, klingt es noch erstaunlich modern und aktuell. Das Album verbindet unterschiedlichste Musikrichtungen und zeigt auch immer wieder Gabriels große Begeisterung für Weltmusik. __________ Über diese Songs vom Album "So" sprechen wir im Podcast (04:30) – "Red Rain"(16:47) – "Sledgehammer"(35:56) – "Don't Give Up"(49:58) – "Mercy Street"(58:25) – "We Do What We're Told (Milgram's 37)01:08:00) – "In Your Eyes" Alle Shownotes und weiterführenden Links zur Folge "So" findet ihr hier: linkhttps://1.ard.de/peter-gabriel-so __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

"CLARENCE CARTER SLIPS AWAY ON THE MYSTERY TRAIN"When we speak of the deep soul drenched days when certain performers inhabited a heart full of soul so captivating and special that they were ordained as high priests of mournful and lustful magic, we will always recall Soul legend Clarence Carter.Clarence boarded The Mystery Train today, May 14, following struggles with prostate cancer and a battle with pneumonia and sepsis. He was 90.This  blind Southern star from Alabama scored two Top 10 hits in the late 1960s and early 1970s with “Slip Away” and “Patches,” After having hits on the R&B charts (including 1965's “Step By Step” and 1967's “Tell Daddy”), Carter landed on the pop charts – as well as, concurrently, the R&B lists – with 1968's “Slip Away,” a song that highlighted Carter's powerful and emotional baritone voice with a lyric in which the singer implores his married lover for a secret rendezvous Two years later Carter released his biggest pop hit, the Grammy-winning (for Best R&B song) “Patches,” which rose to #4 on the Billboard Hot 100. Mr. Carter also recorded a number of raunchy novelty songs eschewed by mainstream radio but finding success in later years: The 1968 “Back Door Santa” was sampled by Run-D.M.C. for the 1987 single “Christmas in Hollis,” and the even more explicit “Strokin'” from 1986 was featured on the soundtrack for Eddie Murphy's 1996 remake of The Nutty Professor as well as in William Friedkin's 2011 film Killer Joe.Sleep Well Clarence. The first of the six covers that appear on Please Please Me is a mid-tempo ballad called “Anna (Go to Him),” which was written and first recorded by Arthur Alexander. Chances are that most people who hear the version sung by John Lennon have no idea who Arthur Alexander is—but the Beatles certainly knew, and so did the Rolling Stones and Bob Dylan: Alexander is reportedly the only songwriter whose tunes have appeared on studio albums by those three hallowed acts. Elvis Presley recorded one of his songs as well—albeit one that Alexander co-wrote—and so did Otis Redding and Tina Turner and Jerry Lee Lewis and Percy Sledge.Don Covay  recorded for several labels, including Blaze, Sue, Big Top, Fire, Arnold, Fleetwood, Columbia, Epic and Scepter, releasing 'Popeye Waddle' b/w 'One Little Boy Had Money' in 1962 for Cameo Parkway, which became a hit.Don was, by now, recording solo material, and material under the name of Don Covay and the Goodtimers.He penned the U.S. number 1 single 'Pony Time' for Chubby Checker, wrote a hit song called 'I'm Hanging Up My Heart for You', for the Soul singer Solomon Burke, and wrote for Gladys Knight & The Pips, penning 'Letter Full of Tears', which made the top 20.Don formed partnerships with several associates including Horace Ott and Ronnie Miller.In 1964, when he signed to the Rosemart label.His debut single there with the Goodtimers, 'Mercy Mercy' featured Jimi Hendrix on guitar.The following year, Jimi Hendrix played again on the follow up single 'Take This Hurt Off Me' b/w 'Please Don't Let Me Know'.Clarence Carter didn't have it easy while growing up in Alabama; and being Black and blind was an extra burden, but he has overcome many other obstacles in so many ways. “I feel incredibly good about what I've been able to accomplish, but it was not easy. Our world presents challenges and barriers to success for people with disabilities, but I always wanted more in life and believe that the ADA helped me get to where I am today.”I would like to say that Carter now has three “B's” behind his name, Black, Blind and Blessed. Carter is known for serious Blues music, which includes a string of R&B hits. The songs “Back Door Santa,” “Slip Away,” “Patches,” “Too Weak to Fight” and the dance hall hit “Strokin” are part of his Blues legacy.

On this episode, we continue our journey from last year through the history of Stax Records, the iconic label that defined Southern Soul music, as I play some of my favorite Stax tracks from 1964 to 1966. Sam & Dave, Otis Redding, Booker T & The MG's, Albert King, Rufus & Carla Thomas, Eddie Floyd... they're all here on some of the greatest singles ever released. Let's dig in, shall we? Learn more about your ad choices. Visit megaphone.fm/adchoices

Cette semaine dans La Cover du #LeDriveRTL2, Margaux Lassalle met à l'honneur les légendaires Rolling Stones, qui s'apprêtent à faire leur retour le 10 juillet prochain avec l'album "Foreign Tongues". L'occasion parfaite pour se replonger dans l'un des riffs les plus célèbres de l'histoire de la musique avec l'incontournable "(I Can't Get No) Satisfaction". Sorti en 1965, ce classique a d'abord été censuré au Royaume-Uni pour ses paroles évoquant la frustration sexuelle, jugées trop provocantes à l'époque, avant de rencontrer un succès monumental, particulièrement aux États-Unis. Devenu un hymne indémodable, ce titre a traversé les soixante dernières années en inspirant des réinterprétations extrêmement variées. Quelques mois seulement après sa sortie, la légende de la soul Otis Redding s'en empare pour livrer une relecture sublimée par des cuivres puissants. En France, Eddy Mitchell l'adapte rapidement sous le titre "Rien qu'un seul mot". L'œuvre transcende ensuite toutes les frontières musicales : elle se métamorphose en salsa avec le Portoricain Frankie Ruiz en 1996, adopte des sonorités R&B très sensuelles avec Britney Spears dans les années 2000, et s'offre même un détour par la country-rock en 2023 lorsque Dolly Parton convie Pink et Brandi Carlile sur son album "Rockstar". Pour clore cette riche rétrospective, la chronique s'attarde sur l'une des réinventions les plus radicales du morceau, signée par le groupe américain Devo à la fin des années 70. En s'éloignant totalement de l'aspect sulfureux et rock de la version originale, la formation livre une adaptation surprenante, aux sonorités beaucoup plus rigides et hypnotiques, prouvant une nouvelle fois la formidable capacité de ce tube à se réinventer à l'infini. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Big Mac considers a potential studio visit from Rich Robinson before examining the tragic career of Otis Redding and the "deal with the devil" music theory. They analyze the Mets' trajectory toward a 100-loss season and debate Jazz Chisholm Jr.'s maturity following a rough performance for the Yankees. The conversation also explores humorous personal habits like whistling on the toilet to avoid family stress and a lunch review of sandwiches from Faicco's. 01:04 - Rich Robinson Studio Visit 04:13 - Otis Redding History 08:14 - Mets Relevance Crisis 11:41 - Bathroom Hiding Habits 18:24 - Jazz Chisholm Maturity Debate

He wrote some of the greatest songs in American music, Dark End of the Street, Do Right Woman, I’m Your Puppet, and now, at 84, Dan Penn is back with an excellent new album, Smoke Filled Room. Penn got his first chart record while still a junior in high school, went on to produce The Box Tops, was in the room when Otis Redding recorded You Left the Water Running, and co-wrote Do Right Woman over a guitar in Chips Moman’s front room, only to watch Aretha Franklin walk out of the Muscle Shoals session, before Jerry Wexler finished it in New York. And that falsetto at the end of the James Carr recording of Dark End of the Street? That was him too. He still performs, occasionally writes, and picks up the phone to Jason Barnard. Further information Dan Penn – Smoke Filled Room Support The Strange Brew Dan Penn podcast tracks Podcasts also available: Steve Cropper, John Paul White, Bettye LaVette, John Mayall, Rita Coolidge This podcast is also available on Apple Podcasts, YouTube, Spotify, Google apps and all usual platforms The post Dan Penn appeared first on The Strange Brew .

Rafa Panadero se sumerge en la trayectoria del legendario guitarrista y productor Steve Cropper, figura central de la era dorada del soul en Stax Records y colaborador de iconos como Otis Redding y Wilson Pickett. Se revelan las curiosas técnicas de composición de Cropper y se detalla su papel fundamental en el nacimiento de The Blues Brothers junto a Dan Aykroyd y John Belushi. Desde los estudios de grabación de Memphis hasta las anécdotas reales que inspiraron escenas míticas del cine.

Ce 6 mai, Marjorie Hache propose un habile mélange de classiques et de découvertes dans RTL2 Pop-Rock Station. L'émission redécouvre Janis Joplin, Linkin Park, The Specials, Nancy Sinatra, The Rolling Stones, Weezer, Garbage, Blur, Radiohead, Van Morrison, Chris Isaak, Bob Dylan ou encore The Subways. The Strokes ouvrent la marche des nouveautés avec "Going Shopping". Les Français de Howlin' Jaws s'illustrent avec "Troubled Mind", tandis que Saint Agnes dévoile "The Ghost" et qu'Anna Calvi fait résonner "God's Lonely Man". On retrouve également la collaboration entre Massive Attack et Tom Waits. La primeur de la soirée marque le grand retour de la formation indépendante française Syd Matters, avec "Many Years In The Making" . L'album de la semaine met à l'honneur "Peaches", le nouveau disque de The Black Keys, illustré aujourd'hui par la relecture du morceau "Tell Me You Love Me" de Jessie Mae Hemphill, témoignant de leur retour aux sources blues. Enfin, la reprise de la soirée nous vient de la chanteuse dublinoise Christine Tobin, qui s'approprie avec une élégante touche folk et jazz l'intemporel "God Only Knows" de The Beach Boys. The Strokes - Going Shopping Weezer - Beverly Hills Bee Gees - How Deep Is Your Love Keziah Jones - Rythm Is Love Garbage - Cherry Lips The Kingsmen - Louie Louie Blur - Beetlebum The Black Keys - Tell Me You Love Me Janis Joplin - Move Over Radiohead - Reckoner Linkin Park - Faint Saint Agnes - The Ghost Christine Tobin - God Only Knows Van Morrison - Brown Eyed Girl Chris Isaak - Baby Did A Bad Bad Thing Chalk - Longer Bob Dylan - All Along The Watchtower Suicidal Tendencies - Monopoly On Sorrow Massive Attack & Tom Waits - Boots On The Ground Black Sabbath - Iron Man The Subways - Rock & Roll Queen Syd Matters - Many Years In The Making Otis Redding - (I Can't Get No) Satisfaction Temples - Keep In The Dark Gary Glitter - Rock & Roll Part 2 Anna Calvi - God's Lonely Man (Feat. Iggy Pop) My Dying Bride - To Outlive The GodsHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Twitter: @podgaverock Insta: @podgaverock Special Guest Host: Matt Baetz Aretha Franklin “Respect” from her 1967 album "I Never Loved A Man the Way I Love You" single released on Atlantic. Written by Otis Redding and produced by Jerry Wexler and Arif Marden.  Personel: Aretha Franklin – lead vocals, piano Spooner Oldham – Hammond organ Chips Moman, Jimmy Johnson – guitar Tommy Cogbill – bass guitar Roger Hawkins – drums King Curtis – tenor saxophone Charles Chalmers – tenor saxophone Willie Bridges – baritone saxophone Melvin Lastie – cornet Carolyn Franklin – background vocals Erma Franklin – background vocals Cover: Performed by Neal Marsh and Josh Bond Intro Music: "Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.

Frédéric Adrian, journaliste et écrivain, a rédigé dʹinnombrables biographies sur les ténors de la black music, de Marvin Gaye à Aretha Franklin ou Otis Redding. Cette année étant celle des 50 ans du "Songs In the Keys of Life" de Stevie Wonder, on en a profité pour prendre un peu dʹavance sur les hommages à venir.

Music fan Brian Koppen chats with music critic Josh Friedberg as they discuss  Rock & Roll Hall of Fame artists:Leonard Cohen's “The Future” vs. Michael Jackson's “Will You Be There”Aretha Franklin's “Ain't No Way” vs. Nine Inch Nails' “March of the Pigs”Jay-Z & Kanye West's “Ni**as in Paris” vs. OutKast's “B.O.B.”They also discuss Nirvana's “Where Did You Sleep Last Night” and Otis Redding.Check out Josh Friedberg at https://linktr.ee/joshfriedberg, https://joshfrmusic.substack.com/, and https://www.instagram.com/joshfrmusic!Intro music is from Jussy's Down Open Roads.  Check out Jussy at https://soundcloud.com/user-214048265/sets/jussy-demos-1!Support the show

Twitter: @podgaverock Insta: @podgaverock Special Guest Host: Matt Baetz Aretha Franklin “Respect” from her 1967 album "I Never Loved A Man the Way I Love You" single released on Atlantic. Written by Otis Redding and produced by Jerry Wexler and Arif Marden.  Personel: Aretha Franklin – lead vocals, piano Spooner Oldham – Hammond organ Chips Moman, Jimmy Johnson – guitar Tommy Cogbill – bass guitar Roger Hawkins – drums King Curtis – tenor saxophone Charles Chalmers – tenor saxophone Willie Bridges – baritone saxophone Melvin Lastie – cornet Carolyn Franklin – background vocals Erma Franklin – background vocals Cover: Performed by Neal Marsh and Josh Bond Intro Music: "Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton. Other Artists Mentioned: Paul McCartney and Wings “Band on the Run” Man on the Run John Lennon The Beatles Paul McCartney and Wings “Let Me Roll It” Paul McCartney and Wings “Live and Let Die” James Bond Paul McCartney and Wings “Silly Love Songs” Paul McCartney “Maybe I'm Amazed” Paul McCartney and Wings “Jet” Vanity Fair Yoko Ono String Cheese Incident Moe. Widespread Panic Yonder Mountain String Band Bruce Springsteen Billy Joel CCR The Rolling Stones The Allman Brothers Band Lynyrd Skynyrd The Grateful Dead Bob Weir Dickie Betts Phil Lesh Dave Matthews Band “Listener Supported” Goose Phish Carter Beauford Boyd Tinsley Leroi Moore Butch Taylor Buddy Strong Robert Randolph Tim Reynolds Jeff Coffin The Flecktones Rashaun Ross Steffan Lessard Bob Seger Desperate Housewives Real Housewives Days of Our Lives William Shakespeare Johnny Cash The Band “Music From the Big Pink” Garcia, Grisman, and Rice “The Pizza Tapes” The Band “It Makes No Difference” Robert Johnson Flatt and Scruggs Hank Williams Sr. Marty Roibbins “El Paso” Elvis Ernest Tubb Roy Acuff Buddy Harman Lefty Frizzell “If You Got the Money, I Got the Time” Glen Campbell Marijohn Wilkin “One Day At A Time” Bobby Bare “Detroit City “I Wanna Go Home)” The Beach Boys Red Foley “God Walks These Hills With Me” Betty Gilpin Michael Shannon Death By Lightning American Primeval Glow Cate Blanchett Jessica Biel Bill Pullman Sammi Smith Derek and the Dominoes “Tell the Truth” Nancy Sinatra “Bang, Bang” Bob Dylan “Positively 4th Street” Vicki Lawrence “That's the Night That The Lights Went Out in Georgia” Willie Nelson “Red Headed Stranger” Merle Haggard Doc Watson George Jones “He Stopped Loving Her Today” The Beatles “Rocky Raccoon” Pete Townsend “Let My Love Open the Door” The Chieftains Mick Jagger Ken Burns The Rolling Stones “Exile on Main Street” Bob Dylan “New Morning” MJ Lenderman The Grateful Dead “Morning Dew” David Gray Show Less

This week we dig into the chaos of Trump's Strait of Hormuz oil blockade, and why the ASX is shrugging off the end of the world. Tony does a Pulled Pork on Perth property developer Peet (PPC) — a 130-year-old land syndicator with a Goldman Sachs-driven strategic review swirling around it — and we get a Stock Doctor data alert affecting 100+ dividend-paying stocks that every QAV investor needs to know about. After hours: Rory McIlroy at Augusta, John Candy, Otis Redding, and mangrove seeds.

“I just remember being fascinated by language, it felt like this treasure I was discovering,” says Arlo Parks, of her childhood affinity with words. “I remember being obsessed with the word ‘pebble,' and the sense of different shapes. Maybe it's because I learned French before English, so my approach to the English language was quite, like, seeking and grasping and understanding as I went along. But the dictionary, I remember being obsessed with it.” If you've been a fan of Arlo Parks' music over the course of her three beautiful albums, I'm sure it comes as no surprise to learn that the British singer-songwriter has been obsessed with words since childhood. In episode 137, she shares more about her early life explorations of poetry and song craft, memories of hearing Otis Redding from the backseat of her father's car, discovering Miles Davis and Prince in her uncle's vinyl collection, downloading Arctic Monkeys and Kaiser Chiefs onto her iPod, trying to play all of Elliott Smith's XO on guitar, and eventually beginning to make her own music near the end of high school. We also discuss her approach to her wonderful new album, Ambiguous Desire, and how going out to dance clubs and DJ nights brought new inspiration. And I especially loved that Arlo came over to my little LA bungalow to do this interview in person! Get tickets for her upcoming shows here. 

Así sonaba el pop en abril de 1966. Entrega mensual de la serie dedicada a recordar singles que alcanzaron su puesto más alto en el Billboard Hot 100 hace 60 años.Playlist;(sintonía) HERB ALPERT and THE TIJUANA BRASS “Spanish flea” (top 27)THE RIGHTEOUS BROTHERS “(You’re my) Soul and inspiration” (top 1)THE YOUNG RASCALS “Good lovin’” (top 1)CHER “Bang Bang (my baby shot me down)” (top 2)THE LOVIN’ SPOONFUL “Daydream” (top 2)THE OUTSIDERS “Time won’t let me” (top 5)MITCH RYDER and THE PLAYBOYS “Little Latin Lupe Lu” (top 17)JOHNNY RIVERS “Secret agent man” (top 3)THE KNICKERBOCKERS “One track mind” (top 46)THE ANIMALS “Inside looking out” (top 34)OTIS REDDING “Satisfaction” (top 31)THE TEMPTATIONS “Get ready” (top 29)LOU CHRISTIE “Outside the gates of heaven” (top 45)THE JAZZ CRUSDADERS “Uptight (everything's alright)” (top 95)THE IMPRESSIONS “Too slow” (top 91)THE DRIFTERS “Memories are made of this” (top 48)SOLOMON BURKE “I feel a sin comin on” (top 97)BRIAN WILSON “Caroline, no” (top 32)Escuchar audio

On this episode we sample the Ledaig 18 and the Bunnahabhain 18. We chat about Smokey Robinson or Otis Redding or Lionel Ritchie, why we mean all disrespect, having an easy Sunday, a little whiskey and coffee pairing, Rich Pete, a tobacco smoke texture, perpetually nursing the bottle, when age doesn't do it any favors, everyone's just making up prices, a stack of boozy pancakes, honestly- what's the point of vodka, selling a product to create the illusion of luxury, perceptions of quality, who's a fancy boy, we're guilty too, lobster, 7 Eleven oysters, a young man's price flex, when you've got to waste some money and some time, and an immediate status upgrade.  Support Us On Patreon: https://www.patreon.com/DrepandStone We'd love to hear from you! https://linktr.ee/DrepandStone Don't forget to subscribe! Music by @joakimkarudmusic Episode #341

Show #1146 Repeat Of #90 Cover show with Beardo & Spinner (April 2005) Beardo Takes Off: 01. Al Copley - Boogie At Midnight (original by: Roy Brown) 02. Tom Principato - Congo Square (original by: Sonny Landreth) 03. Whispering Smith - Texas Flood (original by: Larry Davis) Spinner Section: 04. Paladins - Lover's Rock (original by: Sonny Burgess) 05. Nighthawks - Yeah Man (original by: Eddie Hinton) 06. Eddie Hinton - Shout Bamalama (original by: Otis Redding) 07. Frankie Miller - Play Something Sweet (Brickyard Blues) (original by: Allen Toussaint) 08. Geoff Muldaur - Bad Feet (original by: Joe Tex) 09. Paul Carrack (with BB King & Jools Holland) - Bring It On Home To Me (original by: Sam Cooke) 10. Frankie Miller - Is This Love (original by: Bob Marley) Back To Beardo: 11. Mark Wenner & Switchblade - 16 Tons (original by: Merle Travis) 12. Mikey Jr. - Rockin' (original by: George Harmonica Smith) 13. Pat Boyack & Sweet Pea Atkinson - Who's Gonna Help A Brother Get Further (original by: Lee Dorsey) 14. Michael Powers - Shake Your Moneymaker (original by: Elmore James) 15. Kirk Flecher & Kim Wilson - Bad Boy (original by: Eddie Taylor) 16. The King Baumgardt Blues Band - She Caught The Katy (original by: Taj Mahall) 17. Guy Forsyth - My Love Will Never Die (original by: Willie Dixon) 18. John Mayall with Sonny Landreth - Black Cat Moan (original by: Don Nix) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Kick-off those worn-out shoes, let your hair down and pour yourself some lite roast, because the Bo-Hosts welcome you to: Sammy Sunday Mornings! The "BONUS OTIS" mini-episodes are bite-size and focus on the mellower side of the RedRocker's catalog!In this episode, the Bo-Hosts chill out and reflect on Sammy's 1979 classic cover of Otis Redding's  "(Sittin' On) The Dock of the Bay".  This soulful rendition definitely qualifies as a Sammy Sunday Mornings track!  Sammy has stated many times how much soul music has inspired him, and he definitely delivers soul on this laid-back track that could be the sibling-song to his Staples Singers cover of "I'll Take you There" which became "Let Me Take You There".So pour yourself a coffee, put your feet up and grab a seat on the dock for another lazy, hazy, Sammy Sunday!All songs available for purchase on iTunes! We bought it- so should you!Be sure to check out our Sammy Sunday Mornings playlist on Spotify!"What is understood...NEED be discussed"Facebook:https://www.facebook.com/profile.php?id=100085582159917Instagram: https://www.instagram.com/thebogusotisshow/?hl=enX:https://x.com/BogusOtisShowYouTube:https://www.youtube.com/@TheBogusOtisShowTik Tok:https://www.tiktok.com/@thebogusotisshowConnect with the Bo-Hosts:bogusotisshow@gmail.com

In this episode, we examine the four-part Peabody Award-winning HBO documentary series Stax: Soulsville USA through a conversation with the film's director, Jamila Wignot. The series chronicles the incredible rise and fall, and rise and fall again, of Stax Records, the Memphis soul record label that brought us incredible artists such as Otis Redding, Isaac Hayes, Rufus and Carla Thomas, Sam & Dave, and Booker T. & the MGs. Wignot explores how the history of Stax Records is interwoven with the history of the 1960s Civil Rights Movement, gave rise to the birth of soul music, and was built on a racially integrated musical community. We also discuss the business acumen of Stax leader Al Bell, and the ultimate threat of Black economic success. Following that conversation, host Gabe González speaks with radio and media personality Dyana Williams about the still-unfolding legacy of Stax Records. 

Episode 065: The morning-after haze has officially settled over Six Picks Music Club, and we are definitely feeling the weight of last night's decisions. We're attempting to hair-of-the-dog our way back to consciousness, starting with a loud, caffeinated jolt from Me First and the Gimme Gimmes to shake off the brain fog. Once the initial tremors subside, we're reaching for the dark-shades cool of ZZ Top and letting the smooth, soul-soothing medicine of Otis Redding coat our frayed nerves like a greasy diner breakfast. To keep the nausea at bay, we've got a pint of Jaya The Cat for those reggae-punk electrolytes, followed by a massive, stadium-sized headache courtesy of The Who. We're finally closing our eyes and leaning into the dreamy, fuzz-drenched lethargy of Dum Dum Girls until the room stops spinning. It's a dry-mouthed, shaky-handed tribute to the regrets we'd probably repeat next weekend—just keep the volume low and the lights off. Apple Podcasts Instagram Spotify Playlist Official Site

Two-time GRAMMY and Rock & Roll Hall of Fame nominee Rich Robinson joins us to chat about his songwriting with The Black Crowes. PART ONE Paul and Scott talk about their deep Black Crowes history that goes all the way back to high school. Then they revert to their high school selves and try to make each other laugh by proposing ridiculous imaginary partnerships between artists and restaurant chains (think Michael McDonald's or Ice-T.G.I. Fridays).PART TWO Our in-depth conversation with Rich Robinson of The Black CrowesABOUT RICH ROBINSON Rich Robinson is best known as the founding guitarist and one of the two primary songwriters of The Black Crowes alongside his brother Chris. Formed in Atlanta, the band's 1990 debut album $hake Your Money Maker produced the successful singles “Jealous Again,” “She Talks to Angels,” “Seeing Things,” and a wildly popular cover of Otis Redding's “Hard to Handle.” The album earned the band a Grammy nomination for Best New Artist and was eventually certified five-times platinum. The multi-platinum follow-up, The Southern Harmony and Musical Companion, debuted at number one on the Billboard album chart and yielded four consecutive chart-topping rock singles with “Remedy,” “Sting Me,” “Thorn in My Pride,” “and “Hotel Illness.” Subsequent releases such as Amorica, By Your Side, Lions, and Warpaint explored new sonic territory while remaining rooted in the quintessential Black Crowes aesthetic. In total, the band has released eleven studio albums, with 2024's Happiness Bastards, breaking a more than decade-long recording hiatus and earning the band another Grammy nomination. Over more than three decades of volatility, breakups, lineup shifts, and offstage drama, the Black Crowes are still making pure rock & roll at the highest level. Their latest album, A Pound of Feathers, was recently released, and they are among the nominees for potential induction into the Rock & Roll Hall of Fame for the class of 2026.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

CADENA 100 ofrece una variada programación musical que incluye la versión de M Clan de "Llamando a la Tierra", éxitos como los de Sia y "Dulce Locura" de La Oreja de Van Gogh. Damiano David lanza su single "Next Mover", y Gonzalo Hermida canta "Todos los besos llevaban tu nombre". La emisora prepara una playlist especial por el Día de la Mujer, "Cuando las mujeres han levantado la voz", destacando la reivindicación femenina con "Respect" de Aretha Franklin (original de Otis Redding) y el mensaje de concienciación de "Puertas Violetas" de Rozalén. Se subraya el poder de la música para la reflexión social, esperando un futuro donde el 8M celebre a todas las personas. Además, se narra la historia de superación de Manuel Carrasco, quien relata los desafíos de sus inicios tras Operación Triunfo como clave para su carrera actual. Los oyentes demuestran su fidelidad a la radio.

Our Black History Month episode is coming at you a little late, but it's packed full of important history. Sheena covers the African Cemetery at Higgs Beach in Key West, plus soul singer Otis Redding. Lori shares the story of groundbreaking chemist Alice Ball, who produced the first effective treatment for Hansen's disease (leprosy). Hannah covers stand-up comedian and actor Richard Pryor.

On December 10th, 1967, a crowd was gathering outside of The Factory in Madison, as Otis Redding was scheduled to play 2 shows there that evening. The Factory was a newer venue in Madison, and Otis Redding was one of the fastest growing musical acts in the world, just coming off his renowned performance at the Monterey Pop Festival earlier in the year.  Otis never played that night, and the tragedy of why will forever hover over the city of Madison like a shadow, also launching Otis into immortality.  Scott and Mickey discuss what happened in Madison over Lake Monona, Otis' personal and musical journey that led him there, and his place in music history.  Hear the story of how one of music's greatest rises to superstardom ever ended on an icy Wisconsin afternoon on Episode 61 of Badger Bizarre: "Otis Redding."    Facebook Twitter Website Email us:  badgerbizarre@outlook.com   Opening Trailer: Ed Gein Sound Byte : "Hard Copy" - Paramount Domestic/CBS Televsion Frank Lloyd Wright and Jeffery Dahmer Sound Byte - WISN 12 News - Milwaukee, WI Jeffery Dahmer Quotes: "Inside Edition"  - King World/CBS Television/CBS Media   Attribution for Music: Trailer: Composer: Adam Phillip Zwirchmayr https://www.pond5.com/ Intro: https://pixabay.com/ Outro: Composer: Viacheslav Sarancha  https://www.pond5.com/   Attribution for logo design: Red Claw Scratch Photo   Sources:   Freeman, Scott - "Otis!: The Otis Redding Story" Lauterbach, Preston - "The Day the Music Died" Memphis Magazine, 2007 Moe, Doug - "Soul Finale" Isthmus Cover Stories, 2017 Wisconsin State Journal - Archives   Songs:  Music samples used under "Fair Use" legal doctrine  Section 107 of the Copyright Act of 1976 (17 U.S.C. § 107)   "Green Onions" - Booker T & the MGs "These Arms of Mine" - Otis Redding "Hard to Handle"  - Otis Redding "Sitting on the Dock of the Bay" - Otis Redding   Please visit our Sponsor:  FrameMakers                

Send a textThis week Jeff is sharing his most beloved soul music and the artists who made them. 

Today's program features tuneage from Otis Redding, Pink Floyd, Peter Green, King Crimson, Pacific Gas & Electric, Radiohead, Red House Painters, The Four Tops, Supremes, Three Dog Night, Procol Harum, Rod Stewart, Rolling Stones, Walker Bros, Righteous Bros, Brian Auger w Julie Driscoll, Fortunes, Beatles, Tears For  Fears, Chicago, Colin Winfield Blues Band, Ray LaMontagne, Van Morrison and Blood Sweat & Tears.

Stax. Otis Redding. Carla Thomas. Booker T. Jones. Isaac Hayes. Steve Cropper. Donald Dunn. Al Jackson Jr. Wayne Jackson. 1967. King and Queen. Lowell Fulson.How much more soul can you be? The answer is "none"; "None more soul"!If Kev were to title this episode, he'd probably call it "Tramp", or possibly, "Minks and rats and frogs and squirrels and rabbits, oh my!"The twenty second installment in this podcast-within-a-podcast covers a song submitted by Kofi regular Al Dudeney, who is catering very much to the Cardinal's tastes here with a late 60s duet between the legendary Otis Redding and Carla Thomas; "Tramp" from the last studio album Otis recorded before his tragic, untimely death, "King and Queen". The song at the end is the Randy Woods Band horn-led remake of Absofunkinlutely's classic cut "Grow Your Love". You can find it here: https://youtu.be/fmyzddSY4QcIf you want to get involved in the Kofi Klub, you can make a donation here: https://ko-fi.com/seasidepodreview and let us know which song you want us to add to the wheel! We also have a private channel in our Discord community for donors.Follow us onFacebook: @seasidepodreviewDiscord: https://discord.gg/nrzr2mQjBluesky: @seasidepodreview.bsky.socialAlso, check out Kev's other podcastsThe Tom Petty Project: https://tompettyproject.comThe Ultimate Catalogue Clash: https://shows.acast.com/uccAnd if you want to check out Randy's music, you can find it here:https://randywoodsband.com Hosted on Acast. See acast.com/privacy for more information.

Teddy Pendergrass was a legendary singer and songwriter from the 60s and 70s that attracted the attention of women world wide. But when one of the closest women to him is murdered, and then he suffers a near fatal accident years later.. Are people wrong to suggest that the two may be connected? JOIN US as we discuss Teddy Pendegrass and the murder of Taaz Lang.RIP to the victims

Dan, Manny, & Billy put 5 classic Love Songs for Valentine's Day to the ultimate test—THE NOSTALGIA TEST! “Yo! 2026, Nostalgia Test declares love is dead.” -Billy Happy Valentine's Day nerds! On this special episode of The Nostalgia Test Podcast the guys open up their nostalgic hearts to rank and put to the test Michael Bolton's “When a Man Loves a Woman,” Celine Dion's “It's All Coming Back to Me Now,” Etta James' “At Last,” Otis Redding's “These Arms of Mine,” and Savage Garden's “Truly Madly Deeply.” This episode is filled with memories, laughs, and unreal nostalgia test tangents. They talk about the emotional toll and impact these songs have on them, why they're sick of hearing some of these hits, and do Love Songs even exist anymore? Find out how they each rank these 5 songs, what are the guys' honorable mention songs, and around 30 minutes into the episode they lose their minds about Manny's “winter chili.” Email us (thenostalgiatest@gmail.com) your thoughts, opinions, & episode idea for The Wheel of Nostalgia!   Suggest A Test & Be Our Guest! We're always looking for a fun new topic for The Nostalgia Test. Hit the link above, tell us what you'd like to see tested, and be our guest for that episode!   Approximate Rundown 00:00 Introduction and Valentine's Day Special 00:51 Valentine's Day Memories and Rants 03:28 The Decline of Love Songs and Movies 12:10 Ranking the Love Songs 24:37 Nostalgic Love Songs Discussion 26:04 Celine Dion's Power Ballads 28:05 Otis Redding's Timeless Classics 38:30 Honorable Mentions and Cheesy Love Songs 45:45 Valentine's Day Wrap-Up   Book The Nostalgia Test Podcast Bring The Nostalgia Test Podcast's high energy fun and comedy on your podcast, to host your themed parties & special events!  The Nostalgia Test Podcast will create an unforgettable Nostalgic experience for any occasion because we are the party! We bring it 100% of the time! Email us at thenostalgiatest@gmail.com or fill out the form at this link. LET'S GET NOSTALGIC!       Keep up with all things The Nostalgia Test Podcast on Instagram | Substack | Discord | TikTok | Bluesky | YouTube | Facebook   The intro and outro music ('Neon Attack 80s') is by Emanmusic. The Lithology Brewing ad music ("Red, White, Black, & Blue") is by PEG and the Rejected

Featuring brand new stuff from BK string wizard Brandon Seabrook; a true piano master, Argentine genius Leo Genovese; a fresh release from nyc percussion legend Phil Haynes; new bluegress from Boulder's Justin Konrad; a modern collab between pianist Emily Manzo and composer Aaron Siegel; and the utter brilliance of Georgia icons, Outkast and Otis Redding.

Otis Redding- The Dock of The Bay (Volt/Atco Records) Release Date  (Released February 23, 1968)The Dock of the Bay (1968) is a powerful and poignant posthumous release that captures Otis Redding at both his artistic peak and the edge of a new musical direction. Blending classic Memphis soul with a softer, more reflective sound, the album reveals a deeper introspective side, especially on the landmark title track. “(Sittin' On) The Dock of the Bay” became the first posthumous No. 1 single in U.S. history, reshaping soul music by proving it could be gentle, spacious, and emotionally inward. The record balances tender ballads, gritty grooves, playful duets, and blues standards, showcasing Redding's remarkable range. Backed by the Stax house band, the album preserves the rich Southern soul sound while hinting at creative paths he never got to explore. Its success cemented his legacy as a global icon and made the album one of the most important and influential posthumous releases in popular music history. (S5-EP 5)

Welcome back to AthCastMusic. My name is Marlene Sokol Stewart, and this is my Podcast.Today's Episode is about one of those stories that feels like the ghost of Athens past. The people. The places, the timing, and the music that couldn't have happened anywhere else.Our guest Bob Hay grew up right in the middle of the musical explosion of the ‘60's, learning guitar after the Beatles changed everything. Like so many of that generations, it started with Bob listening to bands and musicians like the Animals, Simon and Garfunkel, Donovan, Don McLean, Rick Derringer and then slowly realizing that writing your own songs was actually easier than trying to perfectly play someone else's.High school bands, college years, teaching for a bit, working whatever jobs paid the bills, even time spent at a lobster restaurant in Maine, started Bob down the long and winding road. By the late ‘70's, Athens was funky, cheap and wide open. Empty buildings, a brand new mall pulling business away from downtown, and just enough creative chaos for something special to grow. A conversation with Ken Starratt in the fall of '77, and one January in Athens was all it took to know this was home. Bob worked at the Eldorado vegetarian restaurant among other odd jobs. Listening to bands on Athens WEOG, and concerts at the 40 Watt, created a perfect storm for Bon and what was rambling in his mind.After hitchhiking across the country, stopping at the Grateful Dead's 15thAnniversary, and coming back to Athens, the songs poured out; dozens of them written not just for one person, but for a band that didn't exist yet. After talking with his friend Ken Starratt and a few other musicians, The Squalls became the band those songs were waiting for. Over 60 shows at the 40 Watt, a music scene taking shape, Jim Hawkins (yes, the same Jim Hawkins who played with the Embers and backed Otis Redding) producing the first record cemented Bob Hay and the Squalls as a vital part of Athens' music explosion in the ‘70's and ‘80's. Not to mention their songs being featured in the infamous film “Inside/Out which was a pretty big deal, too. .This episode, like all of the other AthCastMusic's 50 episodes isn't just about one band or one songwriter. It's about the people who were there before Athens was famous for being Athens and the ones who helped build the foundation that everything else stands on. So, settle in! This is going to be a good one!Here is my conversation with Bob Hay.

Frankie Miller has one of those voices that stops you mid-sentence — gritty, soulful, aching, and unmistakably real. It's the sound of lived experience, shaped by smoky pubs, late nights, hard miles on the road, and a deep love of rhythm and blues. Born William Malcolm Miller in 1949, in Glasgow, Scotland, Frankie grew up in a working-class environment where music wasn't a luxury — it was a lifeline.As a teenager, Frankie was already soaking up American blues and soul records, falling hard for artists like Muddy Waters, Otis Redding, and Ray Charles. Those influences never left him. You can hear them in every rasp, every shout, every tender moment in his singing. By the late 1960s, he was fronting his own band, Frankie Miller and the Powerhouse, building a reputation as a formidable live performer around the UK. Long before the record deals and chart success, Frankie was earning his stripes the old-fashioned way — on stage, night after night.His big break came in the early '70s when he signed to Chrysalis Records. His debut album Once in a Blue Moon (1972) immediately showcased his emotional range and powerful voice. The album also revealed something else: Frankie wasn't just a belter — he was a storyteller. Songs like “I'm Falling in Love” hinted at the soulful depth that would define his career.Over the next decade, Frankie Miller released a run of albums that firmly established him as one of the great blue-eyed soul singers of his generation. Records like High Life (1974), The Rock (1975), and Full House (1977) blended rock, soul, and blues with effortless confidence. The Rock in particular is often cited as a high point — raw, energetic, and brimming with personality. It also helped cement his reputation internationally, especially in the United States, where his sound resonated deeply.Frankie's songwriting talent didn't go unnoticed either. In fact, some of his most famous songs became hits for other artists. “Darlin',” co-written with Ian McLagan, was famously recorded by Elvis Presley, while “You Don't Know” was covered by artists including Ray Charles. Rod Stewart also became a close friend and champion, recording several Frankie Miller songs and helping introduce his music to an even wider audience. It was clear: musicians loved him as much as fans did.Despite the success, Frankie never chased trends or tried to polish away the rough edges that made him special. His voice remained raw and honest, often sounding like it might crack — and sometimes it did — but that vulnerability was exactly the point. He sang like someone who meant every word.Then, in 1994, everything changed. Frankie suffered a massive brain hemorrhage that left him unable to speak or sing, abruptly ending his performing career. It was a devastating blow, not just to fans, but to the music world as a whole. One of rock and soul's most distinctive voices was suddenly silenced.In the years that followed, Frankie's wife helped him through a long and difficult recovery. While he would never return to the stage, Frankie's spirit — and his music — endured. Fellow musicians rallied around him, and tribute albums like A Tribute to Frankie Miller helped reintroduce his catalogue to new listeners while honoring his immense influence.Today, Frankie Miller is remembered not just for his powerful voice, but for his authenticity. He was never a glossy superstar or a carefully manufactured rock icon. He was a singer's singer — admired by peers, respected by critics, and adored by fans who recognised something deeply human in his music.Frankie Miller's songs still feel alive because they come from a place of truth. Whether he was roaring through a blues rocker or whispering through a tender ballad, he sang like a man laying his heart on the line. Joining us this week is Scottish author, Davy Arthur who has recently penned a book to honour Frankie. You can pick up the book 'Long Way Home' - The Frankie MIller story here. It's published by New Haven

Ed Ward and Nate Wilcox continue their discussion of Ed's book "⁠The History of Rock & Roll, Volume 2: 1964–1977: The Beatles, the Stones, and the Rise of Classic Rock⁠" with a look at 1967, the year of Monterey Pop, when the Beatles lost Brian Epstein and gained the Maharishi, Brian Wilson blew it and Otis Redding died. ⁠⁠GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Women in sports, talking slow, upcut commercials, sharing secrets, Golden Globes, podcast nominations. Songs in this episode: “The Popcorn” James Brown (1969) “Green Onions” Booker T. and the MG’s (1962) “Soul Man” Sam and Dave (1969) “Sittin’ on the Dock of the Bay” Otis Redding (1968) “In the Midnight Hour” …

Welcome to an extraordinary edition of the Takin’ A Walk podcast from Buzz Knight music and the “Master of Music Mayhem,” Harry Jacobs. This comprehensive look at weekly music history explores one of the most emotionally complex weeks in rock and roll history, spanning December 8th through December 14th. From tragic losses to groundbreaking debuts, this week encompasses the full spectrum of music history’s most pivotal moments. John Lennon’s Assassination: December 8, 1980 - A Day That Changed Music Forever The episode opens with perhaps the darkest day in rock music history: December 8, 1980, when John Lennon was shot and killed outside The Dakota apartment building in New York City. Buzz Knight and Harry Jacobs provide intimate personal recollections of this Beatles tragedy that shocked the world. For listeners of this weekly music history episode note the Buzz Knight music podcast replay of "Takin A Walk" with the incredible Julian Lennon. The Beatles Reunion: Free as a Bird and the Anthology Era Moving from tragedy to reunion, the episode explores December 9, 1995, when the Beatles released “Free as a Bird”—the first new Beatles music in 24 years. Both hosts were working together at WZLX in Boston during this momentous release, bringing their firsthand perspective to this Beatles reunion moment. The track, built around a John Lennon demo with contributions from Paul McCartney, George Harrison, and Ringo Starr, represented a technological and emotional achievement in music history. Harry admits his initial underwhelm with the track, noting that while “Free as a Bird” generated enormous curiosity worldwide, it never achieved the status of Beatles classics like “Ticket to Ride,” “Help!,” or songs from Sgt. Pepper’s Lonely Hearts Club Band. The honest assessment reflects how even beloved artists can struggle to recapture past magic, and both hosts acknowledge they haven’t revisited the song since its release. This candid discussion provides valuable context for understanding fan expectations versus artistic reality in music reunion projects. The Blues Brothers Phenomenon: From Saturday Night Live to Cultural Institution December 9, 1978 marks the Saturday Night Live debut of the Blues Brothers, a moment that transformed comedy sketch into legitimate musical force. The episode provides deep insights into how Dan Aykroyd and John Belushi created this blues and R&B supergroup, enlisting Paul Shaffer, Lou Marini, Duck Dunn, and Steve Cropper, who just passed away—the latter two being legendary members of Booker T. and the MGs and key figures in the Stax Records sound that defined Memphis soul music and produced classics like “Soul Man” and “Green Onions.” Howard Shore, who served as Saturday Night Live’s musical director, recognized the potential in Aykroyd and Belushi’s blues performances and helped facilitate their transition from comedy bit to recording artists. The hosts discuss how this comedy-music crossover assembled world-class musicians around a satirical concept that became genuinely respected in the music community. The Blues Brothers represented a unique fusion of comedy and music that introduced younger audiences to blues legends and R&B classics. The conversation explores Tom “Bones” Malone, a guest on Buzz’s podcast, who joined the Blues Brothers band and played trombone with Blood, Sweat & Tears before becoming part of the SNL band. The episode details the evolution of the band from initial concept to full touring and recording entity, with Buzz noting the impressive live performances featuring the Blues Brothers’ acrobatic stage show, where the larger-than-life Belushi performed cartwheels, splits, and handstands that would later inspire Chris Farley’s physical comedy style. The Blues Brothers soundtrack, featuring “Briefcase Full of Blues” and subsequent albums, has “stood the test of time” according to both hosts. Songs like “Rubber Biscuit,” performed with Matt “Guitar” Murphy, and the memorable Aretha Franklin diner scene where Jake orders “four fried chickens and a Coke,” remain embedded in popular culture. The authentic musicianship combined with comedic brilliance created something that transcended both genres, making the Blues Brothers a permanent fixture in American music history. Otis Redding’s Legacy and Tragic Death: December 10, 1967 The episode takes a somber turn with December 10, 1967, the day Otis Redding died in a plane crash near Madison, Wisconsin, along with members of the Bar-Kays. The timing of this tragedy magnifies its impact—Redding had recorded ”(Sittin’ On) The Dock of the Bay” just three days earlier, and the song hadn’t yet been released. The track became a posthumous number-one hit, cementing Redding’s status as one of soul music’s greatest artists, though he never lived to see its success. Wings Over America: McCartney’s Epic Live Album - December 10, 1976 December 10, 1976 brought the release of Wings Over America, Paul McCartney’s triple live album documenting his 1975-1976 tour with Wings. The episode explores the rarity of triple albums in music history, particularly live albums of such scope and ambition. The hosts discuss the bootleg album called “Wings from Wings” that allegedly forced McCartney’s hand, rushing the official release to market before bootleggers could dominate sales. Harry reveals the meticulous production process behind Wings Over America, noting that McCartney collected 8,000 hours of live recordings from the tour. The legendary Beatles bassist and singer then personally mixed the album, listening to five different versions of every song before selecting the best performances. The final album was crafted to sound like a single concert experience, though it actually represented the best moments culled from the entire tour—a production approach that set standards for live albums. The episode highlights how “Maybe I’m Amazed” from this album became the definitive version for many fans, surpassing even the studio recording in emotional power and musical execution. The album also featured several Beatles songs including “Yesterday” and “Bluebird,” allowing McCartney to honor his past while showcasing his post-Beatles work with Wings. This balance between Beatles nostalgia and new material demonstrated McCartney’s artistic evolution while satisfying longtime fans. Early Genesis and Progressive Rock Evolution December 11, 1972 saw Genesis release “Foxtrot,” their fifth studio album and a landmark in progressive rock history. The episode explores this Peter Gabriel-era Genesis and the band’s evolution through various lineups. Harry recalls “Watcher of the Skies” as a standout track, while both hosts discuss later Genesis classics like “The Carpet Crawlers” from “The Lamb Lies Down on Broadway.” The conversation reveals differing perspectives on Genesis eras, with Buzz preferring the Peter Gabriel period and later Phil Collins-fronted work, while Harry admits his fandom developed more during the “Trick of the Tail” era following Gabriel’s departure. This honest exchange reflects how progressive rock bands often created distinct identities across lineup changes, appealing to different audiences in different eras. Buzz shares a memorable concert experience seeing Genesis with double drumming featuring Phil Collins and Bill Bruford (renowned for his work with Yes and King Crimson). This unique configuration represented Genesis at a transitional moment, experimenting with expanded instrumentation before settling into the trio format that would define their later commercial success. The “Trick of the Tail” tour demonstrated the band’s ability to continue without their iconic frontman, eventually leading to Collins taking over lead vocals permanently. The episode takes an unexpected turn to December 12, 1901, when Guglielmo Marconi sent the first transatlantic radio signal from Cornwall to Newfoundland. This moment in broadcasting history laid the foundation for everything that followed, including the careers of Buzz and Harry as radio professionals. Harry jokes about Buzz working for Marconi in 1901, highlighting the self-deprecating humor that characterizes their chemistry while acknowledging that without Marconi’s invention, they would never have met or built careers in radio. This historical perspective reminds listeners that music distribution, radio broadcasting, and the entire infrastructure of modern music industry traces back to pioneering moments like Marconi’s transmission. The evolution of radio technology from those first signals to contemporary podcast production represents over a century of innovation that transformed how humans experience and share music globally. The Clash’s London Calling: Punk’s Masterpiece - December 14, 1979 December 14, 1979 saw the Clash release “London Calling” in the UK, a double album that transcended punk rock limitations to incorporate reggae, rockabilly, ska, and R&B influences. The hosts recall the album’s innovative approach, including the hidden track “Train in Vain,” which became a hit despite not being listed on the original album cover—a marketing trick that created mystique and rewarded attentive listeners. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

We remember guitarist, songwriter, and producer Steve Cropper, who helped create the Memphis soul sound of the ‘60s and ‘70s. He died this week at age 84. Stax Records produced soul hits by Booker T. & the M.G.s, Sam & Dave, Isaac Hayes, and more. Cropper spoke with Terry Gross in 1990 about how he became part of the house rhythm section, and went on to help write hits for Otis Redding and Wilson Pickett.  Also, we remember the celebrated English playwright Tom Stoppard, who was considered a giant of theatre. He died at age 88. Stoppard wrote ‘Rosencrantz and Guildenstern Are Dead' and ‘The Real Thing,' and the screenplays for ‘Empire of the Sun' and ‘Shakespeare in Love.'Jazz historian Kevin Whitehead pays tribute to jazz organist Jimmy Smith, and John Powers reviews the new Brazilian film ‘The Secret Agent.'Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

FOLLOW UP starts with the realization that Spotify Wrapped thinks we are 82 years old, which honestly feels accurate, followed by a massive shout out to Bama Bryan on Bluesky for listening to us for over 3,000 minutes. We look at the grim stats from the Department of Government Efficiency regarding USAID deaths, then move to IN THE NEWS where the KALSHI CEO wants to monetize "any difference in opinion" because gambling on the news is the future. PALANTIR CEO Alex Karp claims making war crimes constitutional is bad for business, META STARTS KICKING AUSTRALIAN CHILDREN OFF their platforms to avoid fines, and TETHER gets a "weak" rating while U.S. BANK calls the ability to freeze stablecoins "appealing." We discuss the LEAK CONFIRMS OPENAI IS PREPARING ADS for ChatGPT while SAM ALTMAN DECLARES 'CODE RED' to catch up to Google. Speaking of which, ONE OF GOOGLE'S BIGGEST AI ADVANTAGES IS WHAT IT ALREADY KNOWS ABOUT YOU, even if GOOGLE DISCOVER IS TESTING AI-GENERATED HEADLINES that are complete lies. We cover how GROK WOULD PREFER A SECOND HOLOCAUST OVER HARMING ELON MUSK, the US PATENT OFFICE ruling on generative AI, a new report on DAVID SACKS profiting from his administration role, and INSTACART SUES NEW YORK CITY because paying workers a living wage is apparently unconstitutional. We wrap up the news with the HUMAN ROBOT HYPE SCARING CHINA, a sad story where CHILDREN SOB AS WAYMO RUNS OVER DOG, a video showing a WAYMO SELF-DRIVING TAXI TAKES PASSENGER THROUGH ACTIVE POLICE SCENE, and the fact that PASSENGERS FACE DISRUPTION AS AIRBUS UPDATES THOUSANDS OF PLANES due to solar flares.In MEDIA CANDY, the industry is shaking because NETFLIX BUYS WARNER BROS. FOR $82 BILLION, meaning they now own everything from Harry Potter to Batman. We look at upcoming releases including WAKE UP DEAD MAN: A KNIVES OUT MYSTERY, FALLOUT SEASON 2, ROMCON: WHO THE F**K IS JASON PORTER?, SEAN COMBS: THE RECKONING, THE LONG KISS GOODNIGHT, THE AMERICAN REVOLUTION, and A MAN ON THE INSIDE. Moving to APPS & DOODADS, we discuss the pure joy of uninstalling DROPBOX, our collective hatred for FUCK CENTER STAGE, and the report that APPLE EMPLOYEES ARE 'GIDDY' ABOUT ALAN DYE'S DEPARTURE. We also cover the horror show where GOOGLE'S AGENTIC AI WIPES USER'S ENTIRE HDD without permission, a study showing YOUR GLITCHY VIDEO CALLS MAY MAKE PEOPLE MISTRUST YOU, and how SCIENTISTS CREATED THE BLACKEST FABRIC EVER.Finally, in THE DARK SIDE WITH DAVE, we learn that CLAUDIA BLACK EXITS ‘AHSOKA' SEASON 2 over pay disputes because Disney is apparently broke, we scrutinize LEAKED CLIPS FROM THE RUMORED 50TH ANNIVERSARY RERELEASE OF THE ORIGINAL VERSION OF STAR WARS (still no R2D2), check out a STORMTROOPER SUIT ON FACEBOOK MARKETPLACE, and mention THE MAD MEN 4K release.Sponsors:Private Internet Access - Go to GOG.Show/vpn and sign up today. For a limited time only, you can get OUR favorite VPN for as little as $2.03 a month.SetApp - With a single monthly subscription you get 240+ apps for your Mac. Go to SetApp and get started today!!!1Password - Get a great deal on the only password manager recommended by Grumpy Old Geeks! gog.show/1passwordWatch on YouTube at https://youtu.be/4IRVvpdJC30Show notes at https://gog.show/725FOLLOW UPKalshi CEO Says He Wants to Monetize ‘Any Difference in Opinion'Palantir CEO Says Making War Crimes Constitutional Would Be Good for BusinessMeta starts kicking Australian children off Instagram and FacebookMeta reportedly plans to slash Metaverse budget by up to 30%IN THE NEWSCrypto's Most Trusted Stablecoin Given Lowest Possible ‘Weak' Rating By Major TradFi AgencyU.S. Bank Calls Ability to Freeze Stablecoins ‘Appealing' as Crypto Has Completely Lost the PlotLeak confirms OpenAI is preparing ads on ChatGPT for public roll outOpenAI CEO Sam Altman declares 'code red' as ChatGPT competition mountsOne of Google's biggest AI advantages is what it already knows about youGoogle Discover is testing AI-generated headlines and they aren't goodGrok would prefer a second Holocaust over harming Elon MuskUS patent office says generative AI is equivalent to other tools in inventors' beltsThe People Outsourcing Their Thinking to AINew report examines how David Sacks might profit from Trump administration roleInstacart sues New York City over minimum pay, tipping lawsHumanoid Robot Hype Is Officially Scaring ChinaChildren Sob as Waymo Runs Over DogWaymo self-driving taxi takes passenger through active police scene in downtown LA, video showsPassengers face disruption as Airbus updates thousands of planesMEDIA CANDYNetflix Buys Warner Bros. for $82 BillionWake Up Dead Man: A Knives Out MysteryFallout Season 2 on Prime VideoROMCON: Who The F**k is Jason Porter? - Season 1Sean Combs: The ReckoningThe Long Kiss GoodnightThe American RevolutionA Man On the InsideAPPS & DOODADSGruber: Apple employees 'giddy' about Alan Dye's departureGoogle's Agentic AI wipes user's entire HDD without permission in catastrophic failureYour glitchy video calls may make people mistrust youScientists Created the Blackest Fabric Ever, Then Made a DressTHE DARK SIDE WITH DAVEDave BittnerThe CyberWireHacking HumansCaveatControl LoopOnly Malware in the BuildingClaudia Black Exits ‘Ahsoka' Season 2 Over Alleged Pay DisputesLeaked clips from the rumored 50th anniversary rerelease of the original version of Star WarsThe Mad Men 4K on HBO debacleWilliam Shatner - Good King WenceslasAI boom kills Crucial as Micron shuts down consumer brandCLOSING SHOUT-OUTSSteve Cropper, guitarist for Booker T. & the MG's, Otis Redding, the Blues Brothers and many more, has died. He was 84.STAX: Soulsville, USA.'Mortal Kombat' Star Cary-Hiroyuki Tagawa Dead at 75See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Pat and Pilar play Soul songs as submitted by the Patreon Supporters!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.