Podcasts about Otis Redding

Our Black History Month episode is coming at you a little late, but it's packed full of important history. Sheena covers the African Cemetery at Higgs Beach in Key West, plus soul singer Otis Redding. Lori shares the story of groundbreaking chemist Alice Ball, who produced the first effective treatment for Hansen's disease (leprosy). Hannah covers stand-up comedian and actor Richard Pryor.

On December 10th, 1967, a crowd was gathering outside of The Factory in Madison, as Otis Redding was scheduled to play 2 shows there that evening. The Factory was a newer venue in Madison, and Otis Redding was one of the fastest growing musical acts in the world, just coming off his renowned performance at the Monterey Pop Festival earlier in the year.  Otis never played that night, and the tragedy of why will forever hover over the city of Madison like a shadow, also launching Otis into immortality.  Scott and Mickey discuss what happened in Madison over Lake Monona, Otis' personal and musical journey that led him there, and his place in music history.  Hear the story of how one of music's greatest rises to superstardom ever ended on an icy Wisconsin afternoon on Episode 61 of Badger Bizarre: "Otis Redding."    Facebook Twitter Website Email us:  badgerbizarre@outlook.com   Opening Trailer: Ed Gein Sound Byte : "Hard Copy" - Paramount Domestic/CBS Televsion Frank Lloyd Wright and Jeffery Dahmer Sound Byte - WISN 12 News - Milwaukee, WI Jeffery Dahmer Quotes: "Inside Edition"  - King World/CBS Television/CBS Media   Attribution for Music: Trailer: Composer: Adam Phillip Zwirchmayr https://www.pond5.com/ Intro: https://pixabay.com/ Outro: Composer: Viacheslav Sarancha  https://www.pond5.com/   Attribution for logo design: Red Claw Scratch Photo   Sources:   Freeman, Scott - "Otis!: The Otis Redding Story" Lauterbach, Preston - "The Day the Music Died" Memphis Magazine, 2007 Moe, Doug - "Soul Finale" Isthmus Cover Stories, 2017 Wisconsin State Journal - Archives   Songs:  Music samples used under "Fair Use" legal doctrine  Section 107 of the Copyright Act of 1976 (17 U.S.C. § 107)   "Green Onions" - Booker T & the MGs "These Arms of Mine" - Otis Redding "Hard to Handle"  - Otis Redding "Sitting on the Dock of the Bay" - Otis Redding   Please visit our Sponsor:  FrameMakers                

Send a textThis week Jeff is sharing his most beloved soul music and the artists who made them. 

Today's program features tuneage from Otis Redding, Pink Floyd, Peter Green, King Crimson, Pacific Gas & Electric, Radiohead, Red House Painters, The Four Tops, Supremes, Three Dog Night, Procol Harum, Rod Stewart, Rolling Stones, Walker Bros, Righteous Bros, Brian Auger w Julie Driscoll, Fortunes, Beatles, Tears For  Fears, Chicago, Colin Winfield Blues Band, Ray LaMontagne, Van Morrison and Blood Sweat & Tears.

Stax. Otis Redding. Carla Thomas. Booker T. Jones. Isaac Hayes. Steve Cropper. Donald Dunn. Al Jackson Jr. Wayne Jackson. 1967. King and Queen. Lowell Fulson.How much more soul can you be? The answer is "none"; "None more soul"!If Kev were to title this episode, he'd probably call it "Tramp", or possibly, "Minks and rats and frogs and squirrels and rabbits, oh my!"The twenty second installment in this podcast-within-a-podcast covers a song submitted by Kofi regular Al Dudeney, who is catering very much to the Cardinal's tastes here with a late 60s duet between the legendary Otis Redding and Carla Thomas; "Tramp" from the last studio album Otis recorded before his tragic, untimely death, "King and Queen". The song at the end is the Randy Woods Band horn-led remake of Absofunkinlutely's classic cut "Grow Your Love". You can find it here: https://youtu.be/fmyzddSY4QcIf you want to get involved in the Kofi Klub, you can make a donation here: https://ko-fi.com/seasidepodreview and let us know which song you want us to add to the wheel! We also have a private channel in our Discord community for donors.Follow us onFacebook: @seasidepodreviewDiscord: https://discord.gg/nrzr2mQjBluesky: @seasidepodreview.bsky.socialAlso, check out Kev's other podcastsThe Tom Petty Project: https://tompettyproject.comThe Ultimate Catalogue Clash: https://shows.acast.com/uccAnd if you want to check out Randy's music, you can find it here:https://randywoodsband.com Hosted on Acast. See acast.com/privacy for more information.

Teddy Pendergrass was a legendary singer and songwriter from the 60s and 70s that attracted the attention of women world wide. But when one of the closest women to him is murdered, and then he suffers a near fatal accident years later.. Are people wrong to suggest that the two may be connected? JOIN US as we discuss Teddy Pendegrass and the murder of Taaz Lang.RIP to the victims

Dan, Manny, & Billy put 5 classic Love Songs for Valentine's Day to the ultimate test—THE NOSTALGIA TEST! “Yo! 2026, Nostalgia Test declares love is dead.” -Billy Happy Valentine's Day nerds! On this special episode of The Nostalgia Test Podcast the guys open up their nostalgic hearts to rank and put to the test Michael Bolton's “When a Man Loves a Woman,” Celine Dion's “It's All Coming Back to Me Now,” Etta James' “At Last,” Otis Redding's “These Arms of Mine,” and Savage Garden's “Truly Madly Deeply.” This episode is filled with memories, laughs, and unreal nostalgia test tangents. They talk about the emotional toll and impact these songs have on them, why they're sick of hearing some of these hits, and do Love Songs even exist anymore? Find out how they each rank these 5 songs, what are the guys' honorable mention songs, and around 30 minutes into the episode they lose their minds about Manny's “winter chili.” Email us (thenostalgiatest@gmail.com) your thoughts, opinions, & episode idea for The Wheel of Nostalgia!   Suggest A Test & Be Our Guest! We're always looking for a fun new topic for The Nostalgia Test. Hit the link above, tell us what you'd like to see tested, and be our guest for that episode!   Approximate Rundown 00:00 Introduction and Valentine's Day Special 00:51 Valentine's Day Memories and Rants 03:28 The Decline of Love Songs and Movies 12:10 Ranking the Love Songs 24:37 Nostalgic Love Songs Discussion 26:04 Celine Dion's Power Ballads 28:05 Otis Redding's Timeless Classics 38:30 Honorable Mentions and Cheesy Love Songs 45:45 Valentine's Day Wrap-Up   Book The Nostalgia Test Podcast Bring The Nostalgia Test Podcast's high energy fun and comedy on your podcast, to host your themed parties & special events!  The Nostalgia Test Podcast will create an unforgettable Nostalgic experience for any occasion because we are the party! We bring it 100% of the time! Email us at thenostalgiatest@gmail.com or fill out the form at this link. LET'S GET NOSTALGIC!       Keep up with all things The Nostalgia Test Podcast on Instagram | Substack | Discord | TikTok | Bluesky | YouTube | Facebook   The intro and outro music ('Neon Attack 80s') is by Emanmusic. The Lithology Brewing ad music ("Red, White, Black, & Blue") is by PEG and the Rejected

Featuring brand new stuff from BK string wizard Brandon Seabrook; a true piano master, Argentine genius Leo Genovese; a fresh release from nyc percussion legend Phil Haynes; new bluegress from Boulder's Justin Konrad; a modern collab between pianist Emily Manzo and composer Aaron Siegel; and the utter brilliance of Georgia icons, Outkast and Otis Redding.

Otis Redding- The Dock of The Bay (Volt/Atco Records) Release Date  (Released February 23, 1968)The Dock of the Bay (1968) is a powerful and poignant posthumous release that captures Otis Redding at both his artistic peak and the edge of a new musical direction. Blending classic Memphis soul with a softer, more reflective sound, the album reveals a deeper introspective side, especially on the landmark title track. “(Sittin' On) The Dock of the Bay” became the first posthumous No. 1 single in U.S. history, reshaping soul music by proving it could be gentle, spacious, and emotionally inward. The record balances tender ballads, gritty grooves, playful duets, and blues standards, showcasing Redding's remarkable range. Backed by the Stax house band, the album preserves the rich Southern soul sound while hinting at creative paths he never got to explore. Its success cemented his legacy as a global icon and made the album one of the most important and influential posthumous releases in popular music history. (S5-EP 5)

Welcome back to AthCastMusic. My name is Marlene Sokol Stewart, and this is my Podcast.Today's Episode is about one of those stories that feels like the ghost of Athens past. The people. The places, the timing, and the music that couldn't have happened anywhere else.Our guest Bob Hay grew up right in the middle of the musical explosion of the ‘60's, learning guitar after the Beatles changed everything. Like so many of that generations, it started with Bob listening to bands and musicians like the Animals, Simon and Garfunkel, Donovan, Don McLean, Rick Derringer and then slowly realizing that writing your own songs was actually easier than trying to perfectly play someone else's.High school bands, college years, teaching for a bit, working whatever jobs paid the bills, even time spent at a lobster restaurant in Maine, started Bob down the long and winding road. By the late ‘70's, Athens was funky, cheap and wide open. Empty buildings, a brand new mall pulling business away from downtown, and just enough creative chaos for something special to grow. A conversation with Ken Starratt in the fall of '77, and one January in Athens was all it took to know this was home. Bob worked at the Eldorado vegetarian restaurant among other odd jobs. Listening to bands on Athens WEOG, and concerts at the 40 Watt, created a perfect storm for Bon and what was rambling in his mind.After hitchhiking across the country, stopping at the Grateful Dead's 15thAnniversary, and coming back to Athens, the songs poured out; dozens of them written not just for one person, but for a band that didn't exist yet. After talking with his friend Ken Starratt and a few other musicians, The Squalls became the band those songs were waiting for. Over 60 shows at the 40 Watt, a music scene taking shape, Jim Hawkins (yes, the same Jim Hawkins who played with the Embers and backed Otis Redding) producing the first record cemented Bob Hay and the Squalls as a vital part of Athens' music explosion in the ‘70's and ‘80's. Not to mention their songs being featured in the infamous film “Inside/Out which was a pretty big deal, too. .This episode, like all of the other AthCastMusic's 50 episodes isn't just about one band or one songwriter. It's about the people who were there before Athens was famous for being Athens and the ones who helped build the foundation that everything else stands on. So, settle in! This is going to be a good one!Here is my conversation with Bob Hay.

Frankie Miller has one of those voices that stops you mid-sentence — gritty, soulful, aching, and unmistakably real. It's the sound of lived experience, shaped by smoky pubs, late nights, hard miles on the road, and a deep love of rhythm and blues. Born William Malcolm Miller in 1949, in Glasgow, Scotland, Frankie grew up in a working-class environment where music wasn't a luxury — it was a lifeline.As a teenager, Frankie was already soaking up American blues and soul records, falling hard for artists like Muddy Waters, Otis Redding, and Ray Charles. Those influences never left him. You can hear them in every rasp, every shout, every tender moment in his singing. By the late 1960s, he was fronting his own band, Frankie Miller and the Powerhouse, building a reputation as a formidable live performer around the UK. Long before the record deals and chart success, Frankie was earning his stripes the old-fashioned way — on stage, night after night.His big break came in the early '70s when he signed to Chrysalis Records. His debut album Once in a Blue Moon (1972) immediately showcased his emotional range and powerful voice. The album also revealed something else: Frankie wasn't just a belter — he was a storyteller. Songs like “I'm Falling in Love” hinted at the soulful depth that would define his career.Over the next decade, Frankie Miller released a run of albums that firmly established him as one of the great blue-eyed soul singers of his generation. Records like High Life (1974), The Rock (1975), and Full House (1977) blended rock, soul, and blues with effortless confidence. The Rock in particular is often cited as a high point — raw, energetic, and brimming with personality. It also helped cement his reputation internationally, especially in the United States, where his sound resonated deeply.Frankie's songwriting talent didn't go unnoticed either. In fact, some of his most famous songs became hits for other artists. “Darlin',” co-written with Ian McLagan, was famously recorded by Elvis Presley, while “You Don't Know” was covered by artists including Ray Charles. Rod Stewart also became a close friend and champion, recording several Frankie Miller songs and helping introduce his music to an even wider audience. It was clear: musicians loved him as much as fans did.Despite the success, Frankie never chased trends or tried to polish away the rough edges that made him special. His voice remained raw and honest, often sounding like it might crack — and sometimes it did — but that vulnerability was exactly the point. He sang like someone who meant every word.Then, in 1994, everything changed. Frankie suffered a massive brain hemorrhage that left him unable to speak or sing, abruptly ending his performing career. It was a devastating blow, not just to fans, but to the music world as a whole. One of rock and soul's most distinctive voices was suddenly silenced.In the years that followed, Frankie's wife helped him through a long and difficult recovery. While he would never return to the stage, Frankie's spirit — and his music — endured. Fellow musicians rallied around him, and tribute albums like A Tribute to Frankie Miller helped reintroduce his catalogue to new listeners while honoring his immense influence.Today, Frankie Miller is remembered not just for his powerful voice, but for his authenticity. He was never a glossy superstar or a carefully manufactured rock icon. He was a singer's singer — admired by peers, respected by critics, and adored by fans who recognised something deeply human in his music.Frankie Miller's songs still feel alive because they come from a place of truth. Whether he was roaring through a blues rocker or whispering through a tender ballad, he sang like a man laying his heart on the line. Joining us this week is Scottish author, Davy Arthur who has recently penned a book to honour Frankie. You can pick up the book 'Long Way Home' - The Frankie MIller story here. It's published by New Haven

Ce jeudi 8 janvier, RTL2 Pop-Rock Station déroule deux heures dédiées au rock'n'roll. La soirée s'ouvre avec The Charlatans, avant de convoquer Otis Redding, The Who ou Joy Division. L'actualité musicale irrigue largement la programmation. Mélanie Pain, connue pour son travail avec Nouvelle Vague, présente "Dreamloop", extrait de son nouvel album "How and Why". La soirée fait également la part belle à Deftones, Weezer, Paramore, Tame Impala, Alanis Morissette, Garbage ou encore Guns N' Roses. Moment fort de la nuit, la Fresh Fresh Fresh est consacrée à Dynamite Shakers. Le jeune groupe vendéen dévoile "Nightclub" en exclusivité RTL2 Pop-Rock Station. Repérés pour l'énergie de leurs concerts et déjà remarqués en première partie de The Offspring, ils viennent d'enregistrer un deuxième album avec Lionel Limiñana. La soirée se referme enfin sur un hommage à David Bowie, disparu il y a dix ans jour pour jour, avec "Blackstar". The Charlatans - Deeper And Deeper Serge Gainsbourg - Initials B.B. Def Leppard - Pour Some Sugar On Me Placebo - Post Blue Paramore - Still Into You Trust - Antisocial Deftones - My Own Summer Melanie Pain - Dreamloop Otis Redding - My Girl Weezer - All My Favorite Songs XTC - Making Plans For Nigel Tame Impala - Dracula Steven Brown - Panic In Detroit Alanis Morissette - Underneath Daft Punk - Robot Rock Jay Buchanan - Caroline The Kinks - You Really Got Me Ben Harper - Ground On Down Gorillaz - The God Of Lying (Feat. Idles) The Who - Love Reign O'er Me Guns N' Roses - Welcome To The Jungle Dynamite Shakers - Nightclub Joy Division - Love Will Tear Us Apart Rival Schools - Used For Glue Garbage - Push It David Bowie - Blackstar (Version Longue)Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In which the Curmudgeons go way back--all the way back to 1960 for starters--to celebrate the sounds, the innovations and the incredible legacy of the musicians--and the labels--that created and performed Memphis's soul music. Stax/Volt, as the production house was known as, originated as a source for a kind of counterprogramming to what Elvis Presley, Johnny Cash and others were launching into cultural relevance across town. For Stax/Volt, R&B, blues and soul were the thing man. And they lined up an incredible roster of artists to help them introduce their Memphis swing to the world. Otis Redding, Isaac Hayes, Albert King, Rufus Thomas, Sam & Dave, Booker & the M.G.s, Wilson Pickett, Eddie Floyd, Rufus Thomas and Carla Thomas soothed, titillated and entertained tremendously all throughout the 1960s. It was glorious run, one we describe and analyze in detail during this episode.    Enjoy the wonderful music of 1960s Memphis by accessing our special Spotify playlist: https://open.spotify.com/playlist/0TZ5YELmBVZAuv0YVCFgkK?si=cdcbdc35f7eb4e1c   Here's a handy navigation companion for this episode:   (00:52 - 04:00) - Arturo Andrade sets the parameters for our discussion of 1960s Memphis soul   (04:02 - 22:10) - The Parallel Universe, featuring reviews of recent albums from Upchuck and YHWH Nailgun   (23:10 - 01:03:54) - We tell the tragicomic story of Stax/Volt's rise and fall, and celebrate songs and albums by Rufus Thomas, Carla Thomas, William Bell, the Mar-Keys, Booker T. & the M.G.s and Otis Redding   (01:05:34 - 01:33:41) - We celebrate songs and albums by Wilson Pickett, Sam & Dave, Eddie Floyd, Albert King, Johnnie Taylor and Isaac Hayes   Join our Curmudgeonly Community today! facebook.com/groups/curmudgeonrock   Hosted on Podbean! curmudgeonrock.podbean.com   Subscribe to our show on these platforms: https://podcasts.apple.com/us/podcast/the-curmudgeon-rock-report/id1551808911   https://open.spotify.com/show/4q7bHKIROH98o0vJbXLamB?si=5ffbdc04d6d44ecb   https://music.amazon.com/podcasts/5fea16f1-664e-40b7-932e-5fb748cffb1d/the-   Co-produced and co-hosted by The Curmudgeons - Arturo Andrade and Christopher O'Connor

Hoy en La Gran Travesía tenemos un recorrido por lo mejor de la Historia del Rock con Otis Redding, los Doors, Strokes, Elvis Presley, David Bowie, Mother Love Bone, Eddie Cochran, Red Hot Chili Peppers, The Black Crowes... y muchos más. También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo. Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas tiendas, Amazon, Fnac y también en La Montaña Mágica, por ejemplo https://www.amazon.es/GRAN-TRAVES%C3%8DA-DEL-ROCK-autoestopista/dp/8419924938 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Diego Román, Tole, Raquel, Poncho C, Contell Carles, Sergio Rodríguez Rojas, Javier, Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Samuel Sánchez, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

! Turn On - Choon In - Zig Zag ! - ! What's Past - Is Prologue ! ! !   Callin'  ALL  The  Boom Booms  &  The Zoom Zooms   ! ! . . .   GROUND  DOWN  TO  THE  REAL UNDERGROUND   . . . * * *  GROOVIN'  BLUE   25 - 12 * * * Groovin' Blue is dedicated to Sunny "Sweet Daddy Fonk" Wong.  "Sweet Daddy" was a much admired and much loved WAGRadio on-air performer and boyhood pal of the station's Vinyl Librarian William "Fats Is Back" Reiter.   In 2010 they accomplished a ten day mid to late October trip-of-a-lifetime to the U.S.A. through six Southern states driving mostly on back roads - South Carolina, Arkansas, Mississippi, Georgia, Tennessee and Alabama - home birth states of so many of their musical heroes . . . James Brown, Ray Charles, Elvis Presley, Otis Redding, Bobby "Blue" Bland, Brook Benton, Little Richard, "Brownie" McGhee, Eddie Floyd, Percy Sledge, Eddie Kendricks, Gladys Knight, Wilson Pickett . . . the list is endless.  Illness prevented Sunny from going with his brother from a different mother on a second planned road trip. The Vinyl Librarian is looking forward to DJZigZag putting up the eighth of eight "Southern Music Tour (Is Fun)" shows on Podbean and Soundcloud for the WAGRadio Prepared Lissener audience in the near future.  Show No. Seven has been well received - soundcloud - https://soundcloud.com/user-500142074/southern-music-tour-is-fun-num 1.  (4:28)  WAGRadio GB 25 - 12 Intro - Produced by WAGRadio Vinyl Librarian William "Fats Is Back" Reiter (formerly CKLG-FM 96.9 Boss Jock - 'Bill Reiter - The All-Niter') 2.  (4:29)  "Afrotronic Mirage" - CELLI MONTI [Tribalika Division] 3.  (  :37)  WAGRadio 2004 Update Id to be cont.  

BRIAN OWENS Sentado à mesacom Brian Owens, pode-se ter a sensação de estar conversando com uma pessoa calma e autoconfiante, mesmo sendo uma poderosa voz da soul americana. Ele não projeta a vida agitada de um artista de sucesso internacional, mas sim a energia profunda que domina sua música. Criado em St. Louis, sua música reflete uma cidade impregnada de blues, soul e folk, resultando em um estilo inconfundivelmente seu, mas que remete a artistas comoMarvin Gaye, Otis Redding, Al Green e seu pai, Thomas Owens. "Quero ter minha própria voz, mas de uma forma que seja familiar às pessoas", diz Owens. “Então, eu gosto das comparações porque significa que as pessoas se sentem confortáveis ​​com as minhas influências”. No início, como um dos vocalistas do Sidewinder, se tornou uma sensação no YouTube com 2,5 milhões de visualizações. “Estou muito animado com a exposição”, diz ele. “Exposição positiva é sempre boa, mesmoquando não estou no centro das atenções.  Em seu primeiro single com distribuição nacional, “I Just Want to Feel Alright”, Owens evoca suas experiências universais de dor e desespero, e ao mesmo tempo, esperançoso para os nossos tempos. Brian atribui grande parte do seu estilo de interpretação à constância da natureza humana. "Descobri que não há nada de novo sobre o que escrever – apenas novas maneiras de escrever sobre os ciclos empolgantes, da vida.  A música que toca as pessoas é sobre a natureza humana. Isso não muda. O que nos torna vulneráveis, o que nos assusta, o que nos faz felizes."O primeiro grande lançamento de Brian, “Moods & Messages”, é, segundo ele próprio, a trilha sonora de sua jornada como artista de soul. Teve o apoio da gravadora Destin Records, de St. Louis, e distribuição pela RED, de Nova York, da Sony Music. Owens afirma:“Moods & Messages fala sobre equilibrar os sentidos e transmiti-los.  “Moods & Messages” foi lançado em setembro de 2012 no Japão.  Encanta em Brian sua dedicação à esposa, Amanda, e aos quatro filhos, e seu compromisso como um cristão fervoroso, inclusive coordena programas comunitários da OrquestraSinfônica de St. Louis.  Discografia: 2008- The Cole Session2009- & Martha Mae, Live at The Sheidon Concert Hall 2012- Moods & Messages2014- You're All I Need, Sings Marvin Gaye2014- Preach!2017- Soul of Ferguson2017- Soul of Cash2021- & The Royal Five2025- Duets whith Dead       

BRIAN OWENS Sentado à mesacom Brian Owens, pode-se ter a sensação de estar conversando com uma pessoa calma e autoconfiante, mesmo sendo uma poderosa voz da soul americana. Ele não projeta a vida agitada de um artista de sucesso internacional, mas sim a energia profunda que domina sua música. Criado em St. Louis, sua música reflete uma cidade impregnada de blues, soul e folk, resultando em um estilo inconfundivelmente seu, mas que remete a artistas comoMarvin Gaye, Otis Redding, Al Green e seu pai, Thomas Owens. "Quero ter minha própria voz, mas de uma forma que seja familiar às pessoas", diz Owens. “Então, eu gosto das comparações porque significa que as pessoas se sentem confortáveis ​​com as minhas influências”. No início, como um dos vocalistas do Sidewinder, se tornou uma sensação no YouTube com 2,5 milhões de visualizações. “Estou muito animado com a exposição”, diz ele. “Exposição positiva é sempre boa, mesmoquando não estou no centro das atenções.  Em seu primeiro single com distribuição nacional, “I Just Want to Feel Alright”, Owens evoca suas experiências universais de dor e desespero, e ao mesmo tempo, esperançoso para os nossos tempos. Brian atribui grande parte do seu estilo de interpretação à constância da natureza humana. "Descobri que não há nada de novo sobre o que escrever – apenas novas maneiras de escrever sobre os ciclos empolgantes, da vida.  A música que toca as pessoas é sobre a natureza humana. Isso não muda. O que nos torna vulneráveis, o que nos assusta, o que nos faz felizes."O primeiro grande lançamento de Brian, “Moods & Messages”, é, segundo ele próprio, a trilha sonora de sua jornada como artista de soul. Teve o apoio da gravadora Destin Records, de St. Louis, e distribuição pela RED, de Nova York, da Sony Music. Owens afirma:“Moods & Messages fala sobre equilibrar os sentidos e transmiti-los.  “Moods & Messages” foi lançado em setembro de 2012 no Japão.  Encanta em Brian sua dedicação à esposa, Amanda, e aos quatro filhos, e seu compromisso como um cristão fervoroso, inclusive coordena programas comunitários da OrquestraSinfônica de St. Louis.  Discografia: 2008- The Cole Session2009- & Martha Mae, Live at The Sheidon Concert Hall 2012- Moods & Messages2014- You're All I Need, Sings Marvin Gaye2014- Preach!2017- Soul of Ferguson2017- Soul of Cash2021- & The Royal Five2025- Duets whith Dead  

On this episode of Reelin' In The Years... The Featured Five Theme is "You Say You Want A Revolution": Songs titles that include "revolution" in the title... A song by Squeeze that's loosely based on "White Punks On Dope" by The Tubes... What's the connection between the late actress - Carrie Fisher - and Elvis?... An Ike & Tina Turner song that was written by Tina's sister, Alline Bullock... An Eric Clapton song that features members of The Crickets & Stephen Stills... Gil Scott-Heron shares the actual meaning behind "The Revolution Will Not Be Televised"... Deep tracks from Van Morrison, Coco Montoya, Otis Redding, Squeeze, Gary Wright, Gregg Allman, and more! For more info, visit reelinwithryan.com

Ed Ward and Nate Wilcox continue their discussion of Ed's book "⁠The History of Rock & Roll, Volume 2: 1964–1977: The Beatles, the Stones, and the Rise of Classic Rock⁠" with a look at 1967, the year of Monterey Pop, when the Beatles lost Brian Epstein and gained the Maharishi, Brian Wilson blew it and Otis Redding died. ⁠⁠GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 4 of On The Record opens exactly as listeners now expect: however, the technology relents and the Christmas episode is officially underway. What follows is a warm, rambling, oddly moving conversation about Christmas music, memory, faith, food and survival, with plenty of laughs along the way. Michael Mackenzie declares Christmas music a minefield of bad taste, arguing passionately for carols, Sister Rosetta Tharpe, Otis Redding and Silent Night—while firmly rejecting novelty songs, forced cheer and anything involving Santa “rocking.” Brian revisits his Catholic childhood as an altar boy, including midnight mass duties, Latin confusion, and the moral courage it took to tell an aunt that Sadie the Cleaning Lady was, frankly, not a great gift for a teenage boy. There are transistor radios from Liverpool, early playlists, and the dawning realisation that taste can arrive early—and stay stubbornly intact. Michael counters with one of the great Christmas stories: a white Christmas spent working illegally in the Swiss Alps, dodging passport checks, sledding home from work, eating communal meals by candlelight, and throwing snowballs under fir trees. It's nostalgic, cinematic, and only mildly incriminating. Things take a darker, funnier turn with memories of Christmas stress, maternal meltdowns, and the single most divisive festive dish ever discussed on the podcast: mango pie with gelatin—described as having the texture of a stuntman landing on cardboard boxes. The episode winds down with gift ideas, band-of-the-year talk, the weaponisation of Santa for child behaviour management, and a surprisingly tender close as the year ends and real life intrudes. It's funny. It's nostalgic. It's messy. And it's the most On The Record Christmas you could hope for. Important Links: Elvis Christmas Album  Alligator Records - A Genuine Houserockin' Christmas (2003 Full Album)  Los Lobos Llegó Navidad  Otis Redding - White Christmas  Sister Rosetta Tharpe Silent Night

It's the obligatory New Year's show as the guys parlay a darker playlist that reflects their golden expectations for 2026. Included: Small Hoop; Mary Chapin Carpenter; Joe Purdy; Onety-One; Ricki Lee Jones; Otis Redding; Carla Thomas; Scrawl; Ray Wily Hubbard; Counting Crows; Bad Moves; Dan Fogelberg; George Bailey

The great soul singer Sam Cooke was killed on December 11, 1964, and, surprisingly, his tragic early death never seems to be mentioned in the same breath as other early rock and roll luminaries who died young, like Buddy Holly, Otis Redding, Jimi Hendrix, Janis Joplin, Jim Morrison and many others. Perhaps it's because of the brutal and suspicious nature surrounding it. The smooth, joyful soul singer was gunned down in the office of a seedy Los Angeles motel after being robbed by an alleged prostitute. In his latest article for the Strange Brew, Scott G. Shea celebrates the life, music and legacy of Sam Cooke through six songs that tell his story.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

The great soul singer Sam Cooke was killed on December 11, 1964, and, surprisingly, his tragic early death never seems to be mentioned in the same breath as other early rock and roll luminaries who died young, like Buddy Holly, Otis Redding, Jimi Hendrix, Janis Joplin, Jim Morrison and many others. Perhaps it's because of the brutal and suspicious nature surrounding it. The smooth, joyful soul singer was gunned down in the office of a seedy Los Angeles motel after being robbed by an alleged prostitute. In his latest article for the Strange Brew, Scott G. Shea celebrates the life, music and legacy of Sam Cooke through six songs that tell his story.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Women in sports, talking slow, upcut commercials, sharing secrets, Golden Globes, podcast nominations. Songs in this episode: “The Popcorn” James Brown (1969) “Green Onions” Booker T. and the MG’s (1962) “Soul Man” Sam and Dave (1969) “Sittin’ on the Dock of the Bay” Otis Redding (1968) “In the Midnight Hour” …

Back on this day in 1967 Otis Redding died in a plane crash. He died on his way to a TV appearance before finishing the song he was working on.

On the December 10 edition of the Music History Today podcast, Otis Redding passes away, Led Zeppelin reunites, CBGB opens up, & happy birthday to Meg White of the White Stripes For more music history, subscribe to my YouTube Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday 

Welcome to an extraordinary edition of the Takin’ A Walk podcast from Buzz Knight music and the “Master of Music Mayhem,” Harry Jacobs. This comprehensive look at weekly music history explores one of the most emotionally complex weeks in rock and roll history, spanning December 8th through December 14th. From tragic losses to groundbreaking debuts, this week encompasses the full spectrum of music history’s most pivotal moments. John Lennon’s Assassination: December 8, 1980 - A Day That Changed Music Forever The episode opens with perhaps the darkest day in rock music history: December 8, 1980, when John Lennon was shot and killed outside The Dakota apartment building in New York City. Buzz Knight and Harry Jacobs provide intimate personal recollections of this Beatles tragedy that shocked the world. For listeners of this weekly music history episode note the Buzz Knight music podcast replay of "Takin A Walk" with the incredible Julian Lennon. The Beatles Reunion: Free as a Bird and the Anthology Era Moving from tragedy to reunion, the episode explores December 9, 1995, when the Beatles released “Free as a Bird”—the first new Beatles music in 24 years. Both hosts were working together at WZLX in Boston during this momentous release, bringing their firsthand perspective to this Beatles reunion moment. The track, built around a John Lennon demo with contributions from Paul McCartney, George Harrison, and Ringo Starr, represented a technological and emotional achievement in music history. Harry admits his initial underwhelm with the track, noting that while “Free as a Bird” generated enormous curiosity worldwide, it never achieved the status of Beatles classics like “Ticket to Ride,” “Help!,” or songs from Sgt. Pepper’s Lonely Hearts Club Band. The honest assessment reflects how even beloved artists can struggle to recapture past magic, and both hosts acknowledge they haven’t revisited the song since its release. This candid discussion provides valuable context for understanding fan expectations versus artistic reality in music reunion projects. The Blues Brothers Phenomenon: From Saturday Night Live to Cultural Institution December 9, 1978 marks the Saturday Night Live debut of the Blues Brothers, a moment that transformed comedy sketch into legitimate musical force. The episode provides deep insights into how Dan Aykroyd and John Belushi created this blues and R&B supergroup, enlisting Paul Shaffer, Lou Marini, Duck Dunn, and Steve Cropper, who just passed away—the latter two being legendary members of Booker T. and the MGs and key figures in the Stax Records sound that defined Memphis soul music and produced classics like “Soul Man” and “Green Onions.” Howard Shore, who served as Saturday Night Live’s musical director, recognized the potential in Aykroyd and Belushi’s blues performances and helped facilitate their transition from comedy bit to recording artists. The hosts discuss how this comedy-music crossover assembled world-class musicians around a satirical concept that became genuinely respected in the music community. The Blues Brothers represented a unique fusion of comedy and music that introduced younger audiences to blues legends and R&B classics. The conversation explores Tom “Bones” Malone, a guest on Buzz’s podcast, who joined the Blues Brothers band and played trombone with Blood, Sweat & Tears before becoming part of the SNL band. The episode details the evolution of the band from initial concept to full touring and recording entity, with Buzz noting the impressive live performances featuring the Blues Brothers’ acrobatic stage show, where the larger-than-life Belushi performed cartwheels, splits, and handstands that would later inspire Chris Farley’s physical comedy style. The Blues Brothers soundtrack, featuring “Briefcase Full of Blues” and subsequent albums, has “stood the test of time” according to both hosts. Songs like “Rubber Biscuit,” performed with Matt “Guitar” Murphy, and the memorable Aretha Franklin diner scene where Jake orders “four fried chickens and a Coke,” remain embedded in popular culture. The authentic musicianship combined with comedic brilliance created something that transcended both genres, making the Blues Brothers a permanent fixture in American music history. Otis Redding’s Legacy and Tragic Death: December 10, 1967 The episode takes a somber turn with December 10, 1967, the day Otis Redding died in a plane crash near Madison, Wisconsin, along with members of the Bar-Kays. The timing of this tragedy magnifies its impact—Redding had recorded ”(Sittin’ On) The Dock of the Bay” just three days earlier, and the song hadn’t yet been released. The track became a posthumous number-one hit, cementing Redding’s status as one of soul music’s greatest artists, though he never lived to see its success. Wings Over America: McCartney’s Epic Live Album - December 10, 1976 December 10, 1976 brought the release of Wings Over America, Paul McCartney’s triple live album documenting his 1975-1976 tour with Wings. The episode explores the rarity of triple albums in music history, particularly live albums of such scope and ambition. The hosts discuss the bootleg album called “Wings from Wings” that allegedly forced McCartney’s hand, rushing the official release to market before bootleggers could dominate sales. Harry reveals the meticulous production process behind Wings Over America, noting that McCartney collected 8,000 hours of live recordings from the tour. The legendary Beatles bassist and singer then personally mixed the album, listening to five different versions of every song before selecting the best performances. The final album was crafted to sound like a single concert experience, though it actually represented the best moments culled from the entire tour—a production approach that set standards for live albums. The episode highlights how “Maybe I’m Amazed” from this album became the definitive version for many fans, surpassing even the studio recording in emotional power and musical execution. The album also featured several Beatles songs including “Yesterday” and “Bluebird,” allowing McCartney to honor his past while showcasing his post-Beatles work with Wings. This balance between Beatles nostalgia and new material demonstrated McCartney’s artistic evolution while satisfying longtime fans. Early Genesis and Progressive Rock Evolution December 11, 1972 saw Genesis release “Foxtrot,” their fifth studio album and a landmark in progressive rock history. The episode explores this Peter Gabriel-era Genesis and the band’s evolution through various lineups. Harry recalls “Watcher of the Skies” as a standout track, while both hosts discuss later Genesis classics like “The Carpet Crawlers” from “The Lamb Lies Down on Broadway.” The conversation reveals differing perspectives on Genesis eras, with Buzz preferring the Peter Gabriel period and later Phil Collins-fronted work, while Harry admits his fandom developed more during the “Trick of the Tail” era following Gabriel’s departure. This honest exchange reflects how progressive rock bands often created distinct identities across lineup changes, appealing to different audiences in different eras. Buzz shares a memorable concert experience seeing Genesis with double drumming featuring Phil Collins and Bill Bruford (renowned for his work with Yes and King Crimson). This unique configuration represented Genesis at a transitional moment, experimenting with expanded instrumentation before settling into the trio format that would define their later commercial success. The “Trick of the Tail” tour demonstrated the band’s ability to continue without their iconic frontman, eventually leading to Collins taking over lead vocals permanently. The episode takes an unexpected turn to December 12, 1901, when Guglielmo Marconi sent the first transatlantic radio signal from Cornwall to Newfoundland. This moment in broadcasting history laid the foundation for everything that followed, including the careers of Buzz and Harry as radio professionals. Harry jokes about Buzz working for Marconi in 1901, highlighting the self-deprecating humor that characterizes their chemistry while acknowledging that without Marconi’s invention, they would never have met or built careers in radio. This historical perspective reminds listeners that music distribution, radio broadcasting, and the entire infrastructure of modern music industry traces back to pioneering moments like Marconi’s transmission. The evolution of radio technology from those first signals to contemporary podcast production represents over a century of innovation that transformed how humans experience and share music globally. The Clash’s London Calling: Punk’s Masterpiece - December 14, 1979 December 14, 1979 saw the Clash release “London Calling” in the UK, a double album that transcended punk rock limitations to incorporate reggae, rockabilly, ska, and R&B influences. The hosts recall the album’s innovative approach, including the hidden track “Train in Vain,” which became a hit despite not being listed on the original album cover—a marketing trick that created mystique and rewarded attentive listeners. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

This week's show, after a John Lennon memorial: brand new Voxtrot, The Damned, DIIV, Joe Pernice, Trolley, Bevis Frond, Geese, and Flying Vipers (with Roger Miller), plus The Beatles, Otis Redding, Flying Burrito Brothers, Utopia, Faron Young, (the oth...

Welcome to an extraordinary edition of the Takin’ A Walk podcast with host Buzz Knight and the self-proclaimed “Master of Music Mayhem,” Harry Jacobs. This comprehensive music history podcast episode explores one of the most emotionally complex weeks in rock and roll history, spanning December 8th through December 14th. From tragic losses to groundbreaking debuts, this week encompasses the full spectrum of music history’s most pivotal moments. John Lennon’s Assassination: December 8, 1980 - A Day That Changed Music Forever The episode opens with perhaps the darkest day in rock music history: December 8, 1980, when John Lennon was shot and killed outside The Dakota apartment building in New York City. Buzz Knight and Harry Jacobs provide intimate personal recollections of this Beatles tragedy that shocked the world. The Beatles Reunion: Free as a Bird and the Anthology Era Moving from tragedy to reunion, the episode explores December 9, 1995, when the Beatles released “Free as a Bird”—the first new Beatles music in 24 years. Both hosts were working together at WZLX in Boston during this momentous release, bringing their firsthand perspective to this Beatles reunion moment. The track, built around a John Lennon demo with contributions from Paul McCartney, George Harrison, and Ringo Starr, represented a technological and emotional achievement in music history. Harry admits his initial underwhelm with the track, noting that while “Free as a Bird” generated enormous curiosity worldwide, it never achieved the status of Beatles classics like “Ticket to Ride,” “Help!,” or songs from Sgt. Pepper’s Lonely Hearts Club Band. The honest assessment reflects how even beloved artists can struggle to recapture past magic, and both hosts acknowledge they haven’t revisited the song since its release. This candid discussion provides valuable context for understanding fan expectations versus artistic reality in music reunion projects. The Blues Brothers Phenomenon: From Saturday Night Live to Cultural Institution December 9, 1978 marks the Saturday Night Live debut of the Blues Brothers, a moment that transformed comedy sketch into legitimate musical force. The episode provides deep insights into how Dan Aykroyd and John Belushi created this blues and R&B supergroup, enlisting Paul Shaffer, Lou Marini, Duck Dunn, and Steve Cropper, who just passed away—the latter two being legendary members of Booker T. and the MGs and key figures in the Stax Records sound that defined Memphis soul music and produced classics like “Soul Man” and “Green Onions.” Howard Shore, who served as Saturday Night Live’s musical director, recognized the potential in Aykroyd and Belushi’s blues performances and helped facilitate their transition from comedy bit to recording artists. The hosts discuss how this comedy-music crossover assembled world-class musicians around a satirical concept that became genuinely respected in the music community. The Blues Brothers represented a unique fusion of comedy and music that introduced younger audiences to blues legends and R&B classics. The conversation explores Tom “Bones” Malone, a guest on Buzz’s podcast, who joined the Blues Brothers band and played trombone with Blood, Sweat & Tears before becoming part of the SNL band. The episode details the evolution of the band from initial concept to full touring and recording entity, with Buzz noting the impressive live performances featuring the Blues Brothers’ acrobatic stage show, where the larger-than-life Belushi performed cartwheels, splits, and handstands that would later inspire Chris Farley’s physical comedy style. The Blues Brothers soundtrack, featuring “Briefcase Full of Blues” and subsequent albums, has “stood the test of time” according to both hosts. Songs like “Rubber Biscuit,” performed with Matt “Guitar” Murphy, and the memorable Aretha Franklin diner scene where Jake orders “four fried chickens and a Coke,” remain embedded in popular culture. The authentic musicianship combined with comedic brilliance created something that transcended both genres, making the Blues Brothers a permanent fixture in American music history. Otis Redding’s Legacy and Tragic Death: December 10, 1967 The episode takes a somber turn with December 10, 1967, the day Otis Redding died in a plane crash near Madison, Wisconsin, along with members of the Bar-Kays. The timing of this tragedy magnifies its impact—Redding had recorded ”(Sittin’ On) The Dock of the Bay” just three days earlier, and the song hadn’t yet been released. The track became a posthumous number-one hit, cementing Redding’s status as one of soul music’s greatest artists, though he never lived to see its success. Wings Over America: McCartney’s Epic Live Album - December 10, 1976 December 10, 1976 brought the release of Wings Over America, Paul McCartney’s triple live album documenting his 1975-1976 tour with Wings. The episode explores the rarity of triple albums in music history, particularly live albums of such scope and ambition. The hosts discuss the bootleg album called “Wings from Wings” that allegedly forced McCartney’s hand, rushing the official release to market before bootleggers could dominate sales. Harry reveals the meticulous production process behind Wings Over America, noting that McCartney collected 8,000 hours of live recordings from the tour. The legendary Beatles bassist and singer then personally mixed the album, listening to five different versions of every song before selecting the best performances. The final album was crafted to sound like a single concert experience, though it actually represented the best moments culled from the entire tour—a production approach that set standards for live albums. The episode highlights how “Maybe I’m Amazed” from this album became the definitive version for many fans, surpassing even the studio recording in emotional power and musical execution. The album also featured several Beatles songs including “Yesterday” and “Bluebird,” allowing McCartney to honor his past while showcasing his post-Beatles work with Wings. This balance between Beatles nostalgia and new material demonstrated McCartney’s artistic evolution while satisfying longtime fans. Early Genesis and Progressive Rock Evolution December 11, 1972 saw Genesis release “Foxtrot,” their fifth studio album and a landmark in progressive rock history. The episode explores this Peter Gabriel-era Genesis and the band’s evolution through various lineups. Harry recalls “Watcher of the Skies” as a standout track, while both hosts discuss later Genesis classics like “The Carpet Crawlers” from “The Lamb Lies Down on Broadway.” The conversation reveals differing perspectives on Genesis eras, with Buzz preferring the Peter Gabriel period and later Phil Collins-fronted work, while Harry admits his fandom developed more during the “Trick of the Tail” era following Gabriel’s departure. This honest exchange reflects how progressive rock bands often created distinct identities across lineup changes, appealing to different audiences in different eras. Buzz shares a memorable concert experience seeing Genesis with double drumming featuring Phil Collins and Bill Bruford (renowned for his work with Yes and King Crimson). This unique configuration represented Genesis at a transitional moment, experimenting with expanded instrumentation before settling into the trio format that would define their later commercial success. The “Trick of the Tail” tour demonstrated the band’s ability to continue without their iconic frontman, eventually leading to Collins taking over lead vocals permanently. The episode takes an unexpected turn to December 12, 1901, when Guglielmo Marconi sent the first transatlantic radio signal from Cornwall to Newfoundland. This moment in broadcasting history laid the foundation for everything that followed, including the careers of Buzz and Harry as radio professionals. Harry jokes about Buzz working for Marconi in 1901, highlighting the self-deprecating humor that characterizes their chemistry while acknowledging that without Marconi’s invention, they would never have met or built careers in radio. This historical perspective reminds listeners that music distribution, radio broadcasting, and the entire infrastructure of modern music industry traces back to pioneering moments like Marconi’s transmission. The evolution of radio technology from those first signals to contemporary podcast production represents over a century of innovation that transformed how humans experience and share music globally. The Clash’s London Calling: Punk’s Masterpiece - December 14, 1979 December 14, 1979 saw the Clash release “London Calling” in the UK, a double album that transcended punk rock limitations to incorporate reggae, rockabilly, ska, and R&B influences. The hosts recall the album’s innovative approach, including the hidden track “Train in Vain,” which became a hit despite not being listed on the original album cover—a marketing trick that created mystique and rewarded attentive listeners. Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

Today's show features music by Otis Redding

We remember guitarist, songwriter, and producer Steve Cropper, who helped create the Memphis soul sound of the ‘60s and ‘70s. He died this week at age 84. Stax Records produced soul hits by Booker T. & the M.G.s, Sam & Dave, Isaac Hayes, and more. Cropper spoke with Terry Gross in 1990 about how he became part of the house rhythm section, and went on to help write hits for Otis Redding and Wilson Pickett.  Also, we remember the celebrated English playwright Tom Stoppard, who was considered a giant of theatre. He died at age 88. Stoppard wrote ‘Rosencrantz and Guildenstern Are Dead' and ‘The Real Thing,' and the screenplays for ‘Empire of the Sun' and ‘Shakespeare in Love.'Jazz historian Kevin Whitehead pays tribute to jazz organist Jimmy Smith, and John Powers reviews the new Brazilian film ‘The Secret Agent.'Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

FOLLOW UP starts with the realization that Spotify Wrapped thinks we are 82 years old, which honestly feels accurate, followed by a massive shout out to Bama Bryan on Bluesky for listening to us for over 3,000 minutes. We look at the grim stats from the Department of Government Efficiency regarding USAID deaths, then move to IN THE NEWS where the KALSHI CEO wants to monetize "any difference in opinion" because gambling on the news is the future. PALANTIR CEO Alex Karp claims making war crimes constitutional is bad for business, META STARTS KICKING AUSTRALIAN CHILDREN OFF their platforms to avoid fines, and TETHER gets a "weak" rating while U.S. BANK calls the ability to freeze stablecoins "appealing." We discuss the LEAK CONFIRMS OPENAI IS PREPARING ADS for ChatGPT while SAM ALTMAN DECLARES 'CODE RED' to catch up to Google. Speaking of which, ONE OF GOOGLE'S BIGGEST AI ADVANTAGES IS WHAT IT ALREADY KNOWS ABOUT YOU, even if GOOGLE DISCOVER IS TESTING AI-GENERATED HEADLINES that are complete lies. We cover how GROK WOULD PREFER A SECOND HOLOCAUST OVER HARMING ELON MUSK, the US PATENT OFFICE ruling on generative AI, a new report on DAVID SACKS profiting from his administration role, and INSTACART SUES NEW YORK CITY because paying workers a living wage is apparently unconstitutional. We wrap up the news with the HUMAN ROBOT HYPE SCARING CHINA, a sad story where CHILDREN SOB AS WAYMO RUNS OVER DOG, a video showing a WAYMO SELF-DRIVING TAXI TAKES PASSENGER THROUGH ACTIVE POLICE SCENE, and the fact that PASSENGERS FACE DISRUPTION AS AIRBUS UPDATES THOUSANDS OF PLANES due to solar flares.In MEDIA CANDY, the industry is shaking because NETFLIX BUYS WARNER BROS. FOR $82 BILLION, meaning they now own everything from Harry Potter to Batman. We look at upcoming releases including WAKE UP DEAD MAN: A KNIVES OUT MYSTERY, FALLOUT SEASON 2, ROMCON: WHO THE F**K IS JASON PORTER?, SEAN COMBS: THE RECKONING, THE LONG KISS GOODNIGHT, THE AMERICAN REVOLUTION, and A MAN ON THE INSIDE. Moving to APPS & DOODADS, we discuss the pure joy of uninstalling DROPBOX, our collective hatred for FUCK CENTER STAGE, and the report that APPLE EMPLOYEES ARE 'GIDDY' ABOUT ALAN DYE'S DEPARTURE. We also cover the horror show where GOOGLE'S AGENTIC AI WIPES USER'S ENTIRE HDD without permission, a study showing YOUR GLITCHY VIDEO CALLS MAY MAKE PEOPLE MISTRUST YOU, and how SCIENTISTS CREATED THE BLACKEST FABRIC EVER.Finally, in THE DARK SIDE WITH DAVE, we learn that CLAUDIA BLACK EXITS ‘AHSOKA' SEASON 2 over pay disputes because Disney is apparently broke, we scrutinize LEAKED CLIPS FROM THE RUMORED 50TH ANNIVERSARY RERELEASE OF THE ORIGINAL VERSION OF STAR WARS (still no R2D2), check out a STORMTROOPER SUIT ON FACEBOOK MARKETPLACE, and mention THE MAD MEN 4K release.Sponsors:Private Internet Access - Go to GOG.Show/vpn and sign up today. For a limited time only, you can get OUR favorite VPN for as little as $2.03 a month.SetApp - With a single monthly subscription you get 240+ apps for your Mac. Go to SetApp and get started today!!!1Password - Get a great deal on the only password manager recommended by Grumpy Old Geeks! gog.show/1passwordWatch on YouTube at https://youtu.be/4IRVvpdJC30Show notes at https://gog.show/725FOLLOW UPKalshi CEO Says He Wants to Monetize ‘Any Difference in Opinion'Palantir CEO Says Making War Crimes Constitutional Would Be Good for BusinessMeta starts kicking Australian children off Instagram and FacebookMeta reportedly plans to slash Metaverse budget by up to 30%IN THE NEWSCrypto's Most Trusted Stablecoin Given Lowest Possible ‘Weak' Rating By Major TradFi AgencyU.S. Bank Calls Ability to Freeze Stablecoins ‘Appealing' as Crypto Has Completely Lost the PlotLeak confirms OpenAI is preparing ads on ChatGPT for public roll outOpenAI CEO Sam Altman declares 'code red' as ChatGPT competition mountsOne of Google's biggest AI advantages is what it already knows about youGoogle Discover is testing AI-generated headlines and they aren't goodGrok would prefer a second Holocaust over harming Elon MuskUS patent office says generative AI is equivalent to other tools in inventors' beltsThe People Outsourcing Their Thinking to AINew report examines how David Sacks might profit from Trump administration roleInstacart sues New York City over minimum pay, tipping lawsHumanoid Robot Hype Is Officially Scaring ChinaChildren Sob as Waymo Runs Over DogWaymo self-driving taxi takes passenger through active police scene in downtown LA, video showsPassengers face disruption as Airbus updates thousands of planesMEDIA CANDYNetflix Buys Warner Bros. for $82 BillionWake Up Dead Man: A Knives Out MysteryFallout Season 2 on Prime VideoROMCON: Who The F**k is Jason Porter? - Season 1Sean Combs: The ReckoningThe Long Kiss GoodnightThe American RevolutionA Man On the InsideAPPS & DOODADSGruber: Apple employees 'giddy' about Alan Dye's departureGoogle's Agentic AI wipes user's entire HDD without permission in catastrophic failureYour glitchy video calls may make people mistrust youScientists Created the Blackest Fabric Ever, Then Made a DressTHE DARK SIDE WITH DAVEDave BittnerThe CyberWireHacking HumansCaveatControl LoopOnly Malware in the BuildingClaudia Black Exits ‘Ahsoka' Season 2 Over Alleged Pay DisputesLeaked clips from the rumored 50th anniversary rerelease of the original version of Star WarsThe Mad Men 4K on HBO debacleWilliam Shatner - Good King WenceslasAI boom kills Crucial as Micron shuts down consumer brandCLOSING SHOUT-OUTSSteve Cropper, guitarist for Booker T. & the MG's, Otis Redding, the Blues Brothers and many more, has died. He was 84.STAX: Soulsville, USA.'Mortal Kombat' Star Cary-Hiroyuki Tagawa Dead at 75See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We remember guitarist, songwriter, and producer Steve Cropper, who helped create the Memphis soul sound of the ‘60s and ‘70s. He died this week at age 84. Stax Records produced soul hits by Booker T. & the M.G.s, Sam & Dave, Isaac Hayes, and more. Cropper spoke with Terry Gross in 1990 about how he became part of the house rhythm section, and went on to help write hits for Otis Redding and Wilson Pickett.  Also, we remember the celebrated English playwright Tom Stoppard, who was considered a giant of theatre. He died at age 88. Stoppard wrote ‘Rosencrantz and Guildenstern Are Dead' and ‘The Real Thing,' and the screenplays for ‘Empire of the Sun' and ‘Shakespeare in Love.'Jazz historian Kevin Whitehead pays tribute to jazz organist Jimmy Smith, and John Powers reviews the new Brazilian film ‘The Secret Agent.'Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

pWotD Episode 3138: Steve Cropper Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 151,245 views on Thursday, 4 December 2025 our article of the day is Steve Cropper.Steven Lee Cropper (October 21, 1941 – December 3, 2025), sometimes known as "The Colonel", was an American guitarist, songwriter and record producer. He was the guitarist of the Stax Records house band, Booker T. & the M. G.'s, which backed artists such as Otis Redding, Wilson Pickett, Sam & Dave, Carla Thomas, Rufus Thomas, and Johnnie Taylor. He also acted as the producer of many of these records. He was later a member of the Blues Brothers band. Rolling Stone magazine ranked him 36th on its list of the 100 greatest guitarists, while he won two Grammy Awards from his seven nominations.This recording reflects the Wikipedia text as of 03:57 UTC on Friday, 5 December 2025.For the full current version of the article, see Steve Cropper on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Kevin.

Steve Cropper falleció ayer, 3 de diciembre, a los 84 años de edad. Miembro de los MG’s y guitarrista de sesión de la casa Stax Records, el estudio de Memphis desde el que ayudó a desarrollar el Soul sureño de los años 60. Instrumentista, productor y compositor; su guitarra o su firma aparecen en clásicos inmortales del género a cargo de Otis Redding, Wilson Pickett, Sam and Dave, Eddie Floyd o Rufus Thomas. Colaborador incansable en incontables discos desde los años 70, e integrante de los famosos Blues Brothers con quienes revivió la música de aquellos años dorados para el blues y el sol que Cropper vivió en primera persona.(Foto del podcast por Bill Carrier Jr.)Playlist;(sintonía) BOOKER T. and THE MG’S “Green onions”PRINCE CONLEY “I’m going home”RUFUS THOMAS “Walking the dog”DON COVAY “Sookie, Sookie”OTIS REDDING “Ole man trouble”OTIS REDDING “Rock me baby”OTIS REDDING (Sittin' on) The dock of the bay”WILSON PICKETT “In the midnight hour”WILSON PICKETT “Ninety-one and half”EDDIE FLOYD “Knock on wood”SAM and DAVE “Soul man”WENDY RENE “Give you what I got”DELANEY and BONNIE “We can loveTHE BLUES BROTHERS “Messing with the kid”BIG STAR “Femme fatale”FRANK BLACK “My life is in storeage”Escuchar audio

On this episode of Talking Guitars on JohnnyBeaneTV, we opened with a heartfelt tribute to the legendary Steve Cropper, whose family announced his passing today. I share the story of meeting him nearly 30 years ago at the guitar shop I worked at—an unforgettable moment with a true icon. Legendary guitarist Steve Cropper — the soulful force behind Booker T. & the MG's, Otis Redding, and the Blues Brothers — has passed away at the age of 84. His son Cameron confirmed the news to Variety on Wednesday. Cropper's influence on Memphis soul is immeasurable. As a guitarist, producer, songwriter, and engineer at Stax Records, he shaped the sound of an era. His tight, tasteful, unmistakable guitar work powered Booker T. & the MG's, while also elevating recordings by Otis Redding, Wilson Pickett, Sam & Dave, Rufus and Carla Thomas, Eddie Floyd, and more. In 1996, Mojo magazine ranked him the second-greatest guitarist of all time, just behind Jimi Hendrix, praising his metronomic timing, razor-sharp riffs, and perfectly placed licks — always serving the song, never overstaying their welcome. As a songwriter, Cropper co-wrote classics like “Green Onions,” “Time Is Tight,” and “Soul-Limbo,” along with timeless R&B hits including Otis Redding's “(Sittin' On) The Dock of the Bay”, Wilson Pickett's “In the Midnight Hour” and “634-5789,” and Eddie Floyd's “Knock On Wood.” After leaving Stax in 1970, he continued making history. Booker T. & the MG's reunited into the '90s, backing icons like Bob Dylan, John Fogerty, Neil Young, and Levon Helm. Cropper also became widely known to new generations as the guitarist for The Blues Brothers, appearing on their platinum records and in both films. In 1992, Steve Cropper was rightfully inducted into the Rock and Roll Hall of Fame as a member of Booker T. & the MG's. Then it's off to the workbench! I swap out the strap pins on my TEASE Telecaster, tighten up some screws on a Squier Tele, and Ron jumps in to show off some killer 3D-printed guitar goodies he's been crafting. And somehow… we wrap the night talking about MASSIVE burgers—PermanI Brothers, local burger joints, and the monster creations Ron hunts down. Guess we were starving! Rock, mods, memories, and monster burgers—classic JohnnyBeaneTV energy.

On this week's show, we find out what happens when bad organizing, a biker gang, & beer mix together & we lose four music legends under completely different circumstances.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayCHAPTERS:00:00 Intro00:32 Altamont Festival07:52 Ad Break08:15 John Lennon passes away17:01 Dimebag Darrell Abbott passes away18:05 Break18:13 Otis Redding passes away27:24 Roy Orbison passes away 32:44 outro

Pat and Pilar play Soul songs as submitted by the Patreon Supporters!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of the XS Noize Podcast, Mark Millar is joined by Roland Gift — the iconic voice of Fine Young Cannibals and one of the most instantly recognisable singers in British music. With era-defining hits like "She Drives Me Crazy," "Good Thing," "Johnny Come Home," and their electrifying version of "Ever Fallen In Love," Fine Young Cannibals became global chart-toppers — selling over five million records and earning two BRIT Awards, an Ivor Novello, and three Grammy nominations. Their sharp, soulful sound continues to influence generations. Roland returns with two major releases — FYC40, a definitive 40-year anthology, and his brand-new festive single "Everybody Knows It's Christmas", showcasing that unmistakable voice in glorious form. Roland looks back on the band's beginnings, the explosive success of The Raw & The Cooked, and how his Otis Redding-inspired delivery fused with David Steele and Andy Cox's songwriting to create something completely unique. He also reflects on Fine Young Cannibals' continued cultural impact — including "She Drives Me Crazy" becoming the musical centrepiece of the 2025 Chanel campaign starring Dua Lipa and Jennie from BLACKPINK. We also talk about Roland's return to performing — touring with Jools Holland, shining at the 2022 Hootenanny, and his triumphant 40 Years of Songs tour, which launched with a sold-out London Palladium show. And we dive into "Everybody Knows It's Christmas" — a glam-rock, wall-of-sound celebration co-written with Ben Barson, full of warmth, nostalgia, and classic Roland soul. "Wherever you are I hope this song brings a bit of warmth, a smile, and maybe a bit of that Christmas magic your way." – Roland Gift Listen to Roland Gift discuss 40 years of Fine Young Cannibals, the making of FYC40, and the joy behind his new Christmas single — exclusively on the XS Noize Podcast. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

Frazey Ford has always loved soul music. She fell in love with Otis Redding at age 11 and discovered people like Ann Peebles along the way, but it was Al Green that really knocked her out. She loved the layers, the expression, and especially his voice. She completely dove in and even started an Al Green cover band. Although she had been perfecting her soul sound, the band that took off for Ford was, of course, The Be Good Tanyas. She talks in our Basic Folk interview about how the trio really worked to perfect quiet, beautiful country music rooted in her love of soul. She took that love into her solo career with her first record, 'Obadiah.' Even though her solo debut was mostly a folk record, documentary filmmaker Robert Gordon heard one of those songs on the radio. He sent her an email and invited her to work with Al Green's band, The Hi Rhythm Section. That invitation was the inception of her second album, 2014's 'Indian Ocean.'Now seeing a deluxe edition release in 2025, 'Indian Ocean' captured Frazey coming into her own as a solo artist. Working with brothers Charles (organ), Leroy (bass) and Teenie (guitar) Hodges, The Hi Rhythm Section taught her so much about groove, space, and collaboration. In our conversation, Frazey revisits those sessions and the lessons they brought. She talks about how the brothers had always wanted to record with a folk artist and what kind of care and attention they brought to her songs. She reflects on her time working with Teenie , who died before 'Indian Ocean' was released, but not before it was finished. We also get into her early life with her hippie family, her many creative outlets, and her fashion ethos.Follow Basic Folk on social media: https://basicfolk.bio.link/Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknewsHelp produce Basic Folk by contributing: https://basicfolk.com/donate/Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpodsAdvertising Inquiries: https://redcircle.com/brands

Nueva entrega de la serie mensual donde recordamos singles que alcanzaron su puesto más alto en las listas pop de EEUU en este mismo mes de hace 60 años. Un pequeño retrato de lo que era la música popular en aquellos días, la enorme variedad de estilos que abarcaba y cómo iba evolucionando en aquellos tiempos frenéticos.Playlist;(sintonía) HERB ALPERT and THE TIJUANA BRASS “Taste of honey” (top 7)THE ROLLING STONES “Get off of my cloud” (top 1)THE SUPREMES “I hear a symphony” (top 1)LEN BARRY “1-2-3” (top 2)OTIS REDDING “Respect” (top 35)FONTELLA BASS “Rescue me” (top 4)KIM WESTON “Take me in your arms (rock me a little while)” (top 50)MARVIN GAYE “Ain’t that peculiar” (top 8)THE TEMPTATIONS “My baby” (top 13)JAN and DEAN “I found a girl” (top 30)TRINI LOPEZ “Sinner man” (top 54)SAM THE SHAM and THE PHARAOHS “Ring dang doo” (top 33)THE BEAU BRUMMELS “Don’t talk to strangers” (top 52)BOB DYLAN “Positively 4th Street” (top 7)THE TURTLES “Let me be” (top 29)NANCY SINATRA “So long babe” (top 86)LITTLE RICHARD “I don't know what you've got but it's Got Me” (top 92)Escuchar audio

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2020 conversation with Stax legend David Porter.ABOUT DAVID PORTER Named one of Rolling Stone magazine's “100 Greatest Songwriters of All Time,” Porter is best known for his songwriting partnership with Isaac Hayes that helped define the sound of Memphis's legendary Stax Records. As the first African American staff songwriter at Stax, Porter, along with his partner, wrote and produced songs such as “B-A-B-Y” for Carla Thomas, “Your Good Thing (Is About to End)”—an R&B hit for Mable John that later became a pop and R&B smash for Lou Rawls, and his own recording of “Can't See You When I Want To.” Hayes and Porter are best known, however, for their work with Sam & Dave, including such classic hits as “You Don't Know Like I Know,” “You Got Me Hummin',” “Hold On! I'm Comin'” (which later became a country hit for Waylon Jennings and Jerry Reed), “Soul Man” (which became a hit a second time thanks to the Blues Brothers), “I Thank You” (which was later covered by ZZ Top), and “When Something is Wrong with My Baby” (which was reimagined as a memorable duet between Otis Redding and Carla Thomas, a country hit for Sonny James, and an adult contemporary hit for Linda Ronstadt and Aaron Neville). The list of artists who've covered Porter's songs includes Aretha Franklin, Bruce Springsteen, William Bell, Melissa Ethridge, Bonnie Raitt, Garth Brooks, Etta James, Celine Dion, Wilson Pickett, George Benson, Dusty Springfield, Jerry Lee Lewis, The Staple Singers, Solomon Burke, James Brown, Eric Clapton, B. B. King, Tina Turner, Jackie Wilson, and more. His songs have been used as samples in countless recordings by artists such as Jay-Z, Eminem, Wu-Tang Clan, The Notorious B.I.G., Justin Bieber, Mariah Carey, and others. A highly celebrated giant among celebrated songwriters, Porter was inducted into the Songwriters Hall of Fame in 2005.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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"Otis Blue/Otis Redding Sings Soul" (1965) ist das dritte Studioalbum des amerikanischen Soulsängers Otis Redding. Es besteht hauptsächlich aus Coverversionen zeitgenössischer R&B-Hits und hat bis heute einen festen Platz unter den wichtigsten Alben der Musikgeschichte. "Otis Blue/Otis Redding Sings Soul" erschien am 15. September 1965 und verkaufte sich mehr als 250.000 Mal. Entstanden ist das Album in den legendären Stax-Studios in Memphis – und das in gerade einmal 24 Stunden. Das Indie-Label Stax Records war neben Motown Records eines der wichtigsten Labels für Soulmusik und prägte den typischen "Memphis-Soul". Die Stax-Hausband Booker T. & The MG's war auch maßgeblich an der Produktion von "Otis Blue" beteiligt. In einigen Songs des Albums zeigt sich ein deutlicher Bezug zur amerikanischen Bürgerrechtsbewegung Mitte der 1960er Jahre. Ein Beispiel dafür ist der Song "Ole Man Trouble", in dem Otis Redding musikalische Brücken schlägt. Er verknüpft Elemente des als "weiß" wahrgenommenen Country mit den afroamerikanischen Traditionen der Soul- und Bluesmusik. Gerade in den Jahren des Höhepunkts der Bürgerrechtsbewegung war diese musikalische Verbindung mehr als ein Stilmittel. Sie wurde zur künstlerischen Aussage gegen Trennung und Ausgrenzung. Ein weiterer Song, der in diesem Zusammenhang genannt werden muss, ist "Change Gonna Come". Dabei handelt es sich um eine Coverversion des Songs "A Change Is Gonna Come" von Sam Cooke. Cooke, ein wichtiges Vorbild für Redding, hatte den Song nach einer eigenen rassistischen Erfahrung geschrieben. Zusätzlich zum Schreiben inspiriert wurde er, als er Bob Dylans "Blowin' In The Wind" hörte – ein Moment, der ihn dazu brachte, selbst ein Lied über die Ungerechtigkeiten gegenüber Afroamerikanern zu verfassen, diesmal aber aus der Sicht eines schwarzen Musikers. Nach Cookes frühem Tod im Jahr 1964 führte Otis Redding dieses Erbe weiter. Er kürzte den Titel zu "Change Gonna Come" und machte den Song endgültig zu einer Hymne der Bürgerrechtsbewegung, die heute sozusagen als amerikanisches Kulturerbe gilt. __________ Über diese Songs vom Album "Otis Blue/Otis Redding Sings Soul" sprechen wir im Podcast (16:12) – "Ole Man Trouble"(23:42) – "Respect"(32:23) – "Change Gonna Come"(49:15) – "I've Been Loving You Too Long"(54:58) – "Satisfaction" __________ Alle Shownotes und weiterführenden Links zur Folge: https://1.ard.de/otis-redding-otis-blue-otis-redding-sings-soul __________ Ihr wollt mehr Podcasts wie diesen? Abonniert "Meilensteine – Alben, die Geschichte machten"! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

Frederick “Toots” Hibbert grew up singing gospel in rural Jamaica before moving to Kingston. Alongside Henry “Raleigh” Gordon and Nathaniel “Jerry” Matthias, he formed The Maytals in 1962. Their stacked harmonies and call-and-response vocals carried a gospel intensity that set them apart. Church-honed harmonies: Toots grew up singing gospel; the trio formed in Kingston (1962). Their stacked, call-and-response vocals came straight from church to the dancehall. Name & lineup: The “Maytals” began as a vocal trio; by the 1970s, the touring/recording band—Beverley's All-Stars (Jackie Jackson, Paul Douglas, Hux Brown, Rad Bryan, Winston Wright, etc.)—became the powerhouse behind Toots & The Maytals. Why it mattered: That gospel and soul energy over Jamaican rhythms made their sound instantly human and uplifting—like Otis Redding fronting a ska/rocksteady band. It helped reggae feel familiar to global ears.   PLAYLIST Prince Buster; The Maytals - Dog War The Maytals - Sun Moon and Star The Maytals - Walk with Love The Maytals - 54-46 That's My Number The Maytals - Six & Seven Books The Maytals - One Eye Enos The Maytals - Sweet and Dandy The Maytals - It Must Be True Love The Maytals - Peeping Tom The Maytals - School Days The Maytals - Pressure Drop The Maytals - Pee Pee Cluck Cluck The Maytals - Monkey Girl The Maytals - Funky Kingston The Maytals - Struggle The Maytals - Monkey Man The Maytals - Bla, Bla, Bla The Maytals - We Shall Overcome Toots & The Maytals - Night and Day Toots & The Maytals - Just Tell Me Toots & The Maytals - Everybody Needs Lovin The Maytals - I'm A Big Man

Here is my music podcast from September 18, 2025 with the music of BB King, Tom Waits, John Hammond, The Tedeschi Trucks Band, Leon Russell, Otis Redding & Carla Thomas and more. Also my special in studio guest is musician Rob Hutchings, picture below, playing music live and telling about his musical journey. Thanks Rob. I enjoyed the heck out of your live appearance on Bluesland. See you all next Thursday 7-9 PM on KMRE 88.3 FM. 

What makes a classic compilation album? This week, Dude and Don explore the role compilations play in music history: introducing new genres, bridging musical generations, and proving the staying power of great songs. From Stax and Atlantic soul to KISS's stadium anthems reimagined, we celebrate two landmark compilations that defined eras for new listeners and longtime fans.The Theme: Why Compilations MatterVarious artist compilations curate the sound of a scene, a label, or a moment, letting listeners discover diverse voices side by side. Whether for promotion, charity, or creative tribute, these albums shape how entire generations experience and remember music.Album #1: This Is Soul (1968)Artists: Wilson Pickett, Aretha Franklin, Otis Redding, Carla Thomas, Percy Sledge, Sam & Dave, Ben E. King, moreBackground: Issued by Atlantic Records for the UK, showcasing both Stax and Atlantic soul stars; quickly became the UK's gateway to American soul. Features 12 definitive tracks from Pickett's “Mustang Sally” to Aretha's “I Never Loved a Man (The Way I Love You)”.Sound: Cohesive due to Muscle Shoals and Stax/Volt studio magic—tight grooves, big horns, urgent vocals.Legacy: Cemented soul's place in popular music; educated a generation; still one of the best introductions to the genre.Songs: “Mustang Sally,” “When a Man Loves a Woman,” “B-A-B-Y,” “Fa-Fa-Fa-Fa-Fa (Sad Song),” “Land of a Thousand Dances” and more.Album #2: Kiss My Ass: Classic Kiss Regrooved (1994)Artists: Lenny Kravitz (with Stevie Wonder), Anthrax, Garth Brooks, Shandi's Addiction, Toad the Wet Sprocket, moreBackground: Official 20th-anniversary KISS tribute, curated by Gene Simmons, uniting alt-rockers, country stars, and metal bands; gold-certified, sweeping styles from rock to orchestral piano.Sound: Every cover brings a new color—funk-infused by Kravitz, thrash by Anthrax, mellow by Toad. Highlights what makes KISS songs durable.Legacy: Shifted focus from KISS's image to their songwriting craft, underlining their influence across genres and eras.Songs: “Deuce,” “Calling Dr. Love,” “Rock and Roll All Nite,” “Black Diamond,” and more reimagined for the ‘90s and beyond.Diggin'Curtis Harding – Departures & Arrivals: Adventures of Captain Curt (2025): Space-funk concept album with deep soul roots.Ratt – Out of the Cellar (1984): Polished ‘80s glam metal and classic MTV glam hooks.Cut Copy – Moments (2025): Australian indie-dance euphoria.Anne Murray – Here You Are (2025): Canadian pop/country veteran covers timeless standards.Join the ConversationWhat compilations got you hooked on a genre or artist? Share with us on Instagram, Facebook, Threads, or BlueSky @albumnerds or email podcast@albumnerds.com. For more, check albumnerds.com and subscribe wherever you listen.Wrap up: “Classic compilations like these aren't just playlists—they're passports to musical worlds. Keep spinning, keep diggin', and keep sharing the records that move you!”

If you're like us, you're good and tired of living in unprecedented times. It's hard to truly hope after all we've been through, but dammit we're going to try our best. Top Ten Soulful Songs Of Hope is what we need. What we also need is an excellent hang with actual rock star and good friend to us here at ATTT HQ, drummer extraordinaire Michael Collins, who just got off an epic tour and here in TTSSOH Part 1, is ready to help us reveal picks 10-6 in this soulful and hopefully hopeful playlist.If you missed Top Ten Soulful Songs Of Hope Volume 1 with the great Rick Torres from 2020, check it out in the archives:https://www.mixcloud.com/beneisen/episode-428-top-ten-soulful-songs-of-hope-wrick-torres/?fbclid=IwY2xjawMPILpleHRuA2FlbQIxMABicmlkETFDbWRkbVNZQnlpb3lyVWNzAR7-4Ws8d6cH_rpJQ8DZ0JUZ09GY1wVNrNP1Nk53SJWnxVSPJGW6ttxVqHclZg_aem_I5V989hD0vYeaXQFJg76yAAll hail the great Michael Collins! Follow this gen-yu-wine rock star drummer on the socials:https://www.instagram.com/amichaelcollinsdrums/We've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. Volume 18 dropped August 1st featuring the delightful Matt Dinan in his solo EP debut. Good times! Find out more at https://www.patreon.com/c/alltimetoptenWe're having a blast chatting it up about music over on the ATTT Facebook Group. Join us and start a conversation!https://www.facebook.com/groups/940749894391295

email: rockpoprollpodcast@gmail.com website: www.rockpopandroll.com (Some of) My Favorite Covers: From the earliest days of rock and roll, cover songs have been a vital part of the music's forward movement, drawing on its past. Long before we knew about digital discovery, one of the fastest ways for new artists to connect with audiences was to reimagine an existing hit and put it on an album or 45—infusing it with their own style, energy, and attitude. A Chuck Berry riff might get filtered through the Beatles' harmonies, or an old blues song could get a new spin in the hands of the Rolling Stones. Musicians have always looked back to reinterpret the songs that shaped them, essentially creating a conversation across decades of music. Great rock and roll covers often redefine the song. Jimi Hendrix's “All Along the Watchtower” transformed Bob Dylan's stark folk ballad into a guitar-rock, psychedelic stomper. Aretha Franklin took Otis Redding's “Respect” and made it a soul-rock anthem of empowerment. Nirvana's raw take on David Bowie's "The Man Who Sold the World" introduced the track to an entirely new audience. In each case, the cover didn't just honor the original—it expanded its reach. The best covers don't just repeat the past—they rewrite it, proving that a great song can live many lives. 10 Iconic Rock and Roll Covers and How They Transformed the Original Jimi Hendrix – All Along the Watchtower (1968) Originally by Bob Dylan, Hendrix electrified the song with guitars and redefined it as a rock classic. Dylan himself later performed it in Hendrix's style. The Beatles – Twist and Shout (1963) Originally recorded by The Top Notes and popularized by The Isley Brothers, the Beatles turned it into their own via John Lennon's famously shredded vocal take. Aretha Franklin – Respect (1967) Originally by Otis Redding, Aretha flipped the perspective, injecting it with feminist firepower, gospel-inspired vocals, and made it an anthem for empowerment and equality. The Rolling Stones – Little Red Rooster (1964) Originally by Willie Dixon (recorded by Howlin' Wolf), the Stones slowed it down, leaning into the deep Chicago blues feel, introducing American blues to a younger audience. Nirvana – The Man Who Sold the World (1993) Originally by David Bowie, Nirvana's MTV Unplugged version stripped it to a haunting acoustic vibe that resonated with '90s alternative fans - and (re)introduced Bowie to them, Joe Cocker – With a Little Help from My Friends (1968) Originally by The Beatles, Cocker turned the Sgt. Pepper and Ringo song into a soulful, slow-burning rocker.  Killer organ and gospel vocals. Janis Joplin – Piece of My Heart (1968) Originally by Erma Franklin, Joplin's version with Big Brother and the Holding Company was a raw and bluesy. The Clash – I Fought the Law (1979) Written in 1958 and first released in 1960 by The Crickets (after Buddy Holly left) and popularized by The Bobby Fuller Four, The Clash injected punk. It was their first single in the United States. Creedence Clearwater Revival – I Heard It Through the Grapevine (1970) Originally by Gladys Knight & The Pips and made famous by Marvin Gaye, CCR turned the Motown hit into an 11-minute swamp-rock jam. Jeff Buckley – Hallelujah (1994) Originally by Leonard Cohen, Buckley's haunting performance influenced artists in the decades that followed. Further Listening: 4 Lesser-Known but Brilliant Beatles Covers The Black Keys – She Said, She Said (2002) A gritty, stripped-down garage-rock take on The Beatles' psychedelic classic from Revolver. Siouxsie and the Banshees – Dear Prudence (1983) The Beatles' ballad morphs in goth-tinged new wave.. Gov't Mule – She Said, She Said / Tomorrow Never Knows (1998) A jam-band fusion of two Beatles tracks Fiona Apple – Across the Universe (1998) Slowed to a languid pace, Apple leans into the cosmic melancholy

***This show is brought to you by DistroKid. Go to http://distrokid.com/vip/the500 for 30% off your first year!*** "(Sittin' On) The Dock of the Bay" was supposed to mark the beginning of a new phase in Otis Redding's career, not an ending. Nick Thune sits in to talk about one of Josh's favorite solo artists and some of the top songs Redding produced, including the first ever posthumous #1 single in the US, The Dock Of The Bay. Follow Nick on Social Media: https://www.instagram.com/nickthune/https://www.tiktok.com/@thicknoon https://www.facebook.com/nickthune/ DistroKid Artist Of The Week: Jalen Ngonda https://www.youtube.com/watch?v=jUzv6dBnEIs Follow Josh on Instagram: https://www.instagram.com/joshadammeyers/ Follow Josh on TikTok: https://www.tiktok.com/@joshadammeyers Follow Josh on Twitter: https://twitter.com/JoshAdamMeyers Follow Josh on Facebook: https://www.facebook.com/joshameyers Josh's Website: https://www.joshadammeyers.com/ Follow The 500 on Instagram: https://www.instagram.com/the500podcast/ Follow The 500 on Twitter: https://twitter.com/the500podcast Follow The 500 on Facebook: https://www.facebook.com/The500PodcastWithJAM/ Email the show: 500podcast@gmail.com Check the show's website: http://the500podcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices