Podcasts about abina

Festival Varhanní Vysočina, který letos vstupuje do svého čtvrtého ročníku, přináší milovníkům hudby sérii unikátních koncertů, jež postupně rozezní významné varhany na různých místech Vysočiny.

Festival Varhanní Vysočina, který letos vstupuje do svého čtvrtého ročníku, přináší milovníkům hudby sérii unikátních koncertů, jež postupně rozezní významné varhany na různých místech Vysočiny.Všechny díly podcastu Dobré dopoledne můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Dans cet épisode, nous parlons de géopolitique avec Gamal Abina, expert en questions internationales. Nous y discutons du dernier sommet de la Ligue Arabe qui s'est tenu à Djeddah et de la récente visite du Président de la République au Portugal. Suivez notre émission sur:- Facebook: https://facebook.com/ledzpodcast - Twitter: https://twitter.com/ledzpodcast- TikTok: https://tiktok.com/@ledzpodcast- Instagram: https://instagram.com/ledzpodcast Suivez  @GamalAbina sur Twitter: https://twitter.com/gamalabinaVisionnez les épisodes de l'émission en avance en soutenant la chaîne sur https://patreon.com/ledzpodcastRetrouvez tous nos épisodes au format audio sur: https://www.ledzpodcast.comMusique d'intro et de conclusion: - Titre: What We All Wanted- Artiste: Gerard Franklin - Licence: ℗ Epidemic SoundSupport the show

Liz Clarke is a South African illustrator who has been the artist behind seven graphic histories from Oxford University Press including Abina and the Important Men and Witness to the Age of Revolution, both of which have been discussed on the podcast. We talk about the process of making graphic histories and the challenges in creating a visual representation of the past. We discuss the collaboration between the historian and the illustrator and how her work has evolved over time.

Trevor Getz is a professor of African History at San Francisco State University. We discuss the what constitutes Africa, the tools for studying African history, misconceptions about Africa, and more. Trevor has written a number of books including Abina and the Important Men, Cosmopolitan Africa, and A Primer for Teaching African History. He is also Vice-President of the World History Association.   See here for a teaching worksheet for this episode at my website https://www.davidsherrin.com/cwh   Additional books recommended by Trevor Getz: African Dominion by Michael Gomez A Fistful of Shells by Toby Green Crossing the Color Line by Carina Ray  

Mehabooba from the movie/album KGF Chapter 2 / Ft ABINA ( BEd Student CPAS CTE ; ELANTHOOR )

Question Timestamps: George, Email (3:27) - Why is Matthew 17:21 left out of other translations of the Bible? Rolando, NY (10:08) - Who do we address when praying? Maria, FL (16:25) - Jesus says in Luke 16 that if a man puts away his wife and marries another, they commit adultery. Can you clarify this? Can you explain the feeling of the Holy Spirit or the anointing of the Holy Spirit? Armin, NJ (34:16) - How can we trust a bible translation that omits fundamental doctrinal elements for money? Steve, NY (41:31) - Is the actual donkey talking so God could get Balaam's attention? If Mose wrote most of the pentateuch, how could he have written about his death if he is dead? Abina, NY (46:22) - If I am to die today, will I be with Jesus in Eternity? Can I be assured that I am saved? Brenda, TN (50:27) - If we are baptized by God and the Holy Spirit, do I need to be baptized in Jesus's name as well? Zisa, MA (52:42) - What do I do if I have been saved, but I'm not living the proper way?   Questions? 888-712-7434 Questions@bbtlive.org

This episode brings us a lot of talk about two very important things.....Food....and TikTok! Alyssa has rocketed onto the food scene on TikTok in the past year....becoming a popular follow in the foodie community.  In this interview, we talk all about how Alyssa first got involved with TikTok, what caused her first viral moment, and what has happened since that point.  We answer a ton of food questions....how does she film? Does she eat all the food? What is it like when companies reach out to you? We also spend time talking about different foods....so you might get hungry.  Alyssa is a great guest with a great story...and I know that you'll enjoy getting to know her...both on TikTok and The Mic is Ahn!!!!Please rate and review and remind your friends and family to listen wherever they get their podcasts.Alyssa AbinaTikTok: alyssaabinaInstagram: alyssaabina & eat.w.alyssaPodcast email: themicisahn@gmail.comInstagram: ahniebpe

Growing up in Guyana with her single mother and seven siblings,  Abina appreciated the support her family received from the community.  As a family they were spared hunger and deprivation by the generosity and kindness of people in the community who helped them during those tough years. The experience had a lasting impact on Abina, and became the core driver of her intrinsic desire to provide similar acts of generosity and kindness to single parent families in similar circumstances.She founded the SHARE-ON project in January 2020, a charitable initiative that aims to relieve hunger in single mother households in her childhood hometown of Linden in Guyana, South America.Connect with Abina here:WEBSITE:https://www.shareonproject.org/LINKEDIN:https://www.linkedin.com/in/share-onproject-abina-gilbert

Gyazette checked in with Rawkus releasing their brand new song Abina and addressing how it relates to the time we live in and how we can use music to change the conversation around security and safety for society's most vulnerable.   The Saturday Brunch is live on Talk City 91.1fm every Saturday morning 9am-12 noon

In this week's episode of the Beers, Beats & Bailey podcast, I review the new Gyazette single "Abina" and the once-lost 1973 George A. Romero film "The Amusement Park", Ricardo and I review the full first season of Netflix's "Lupin" and we, alongside special guest Tracy Hutchings, discuss the series premiere of the latest MCU miniseries "Loki", the first trailer for Netflix's "Masters of the Universe: Revelation" and the Broadway musical film adaptation "In the Heights". 03:42 - Gyazette - Abina (Track Review) 10:18 - Loki (Series Premiere) 37:29 - Masters of the Universe: Revelation (1st Trailer) 50:23 - Lupin (Season 1 - FULL) 1:09:27 - The Amusement Park 1:36:13 - In the Heights LISTEN, STREAM AND DOWNLOAD "Abina": https://linktr.ee/gyazette BLACK COLLAR CREATIVE ON FACEBOOK: https://www.facebook.com/blackcollarcreativeltd Matthew Bailey / Beers, Beats & Bailey on Social Media, my Fiverr gigs (MUSIC REVIEWS) and where you can hear the Beers, Beats & Bailey podcast - https://linktr.ee/beersbeatsandbailey Ricardo Medina on Social Media https://twitter.com/Rmeddy https://facebook.com/ricardo.medina.7169 Tracy J. Hutchings on Social Media: https://www.facebook.com/joshanabetaknerai https://www.youtube.com/user/stealahb https://www.instagram.com/wearetracy/ https://vimeo.com/user11319107 Music by Jason Donnelly (audioblocks.com) Thanks for listening!

Večeras na natjecanju za najbolju pjesmu Eurovizije, Hrvatsku će predstavljati Albina Grčić s pjemom Tik Tock. Saznajte kako se Abina osjeća u Rotterdamu, što će se dogoditi ukoliko se netko iz delegacije zarazi koronavirusom i što Zagrepčani misle o ovogodšnjoj hrvatskoj predstavnici.

The boy's are join by childhood friend Angel. 4 segments of ridiculousness and laughs. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In this episode, Dr. Maryanne Rhett discusses race and comics in world history with Trevor R. Getz. Dr. Rhett is a Professor of World History at Monmouth University where she is the Director of the Graduate Program in History. She is the author of Representations of Islam in United States Comics, 1880-1822 (Bloomsbury Academic, 2021). Getz is a Professor of History in the Department of History at San Francisco State University. He is also the author of the award-winning text Abina and the Important Men: A Graphic History (Oxford University Press, 2011), principle content manager for the World History Project and the series editor for the Oxford University Press’s Uncovering History series.

Calvary Christian Church - Napa Valley

Calvary Christian Church - Napa Valley

Calvary Christian Church - Napa Valley

Calvary Christian Church - Napa Valley

Australiens svar på Golden State Killer.1966 försvinner de två ungdomarna Abina och Gary. Det ska ta 20 år innan man når en lösning och gärningsmannen visar sig vara skyldig till en jävvla massa mer dessutom luktar han fruktansvärt illa. Nämen det är äckligt. See acast.com/privacy for privacy and opt-out information.

Rozprávky nielen zo Zlatého fondu denníka SME pre vás načítal svojim charakteristickým hlasom úžasný herec a člen činohry Slovenského národného divadla Robert Roth.

Jeřabiny jsou symbolem prosluněného podzimu. Víte ale, že jsou také plné vitamínů? Podle bylinkářky Radky Svatošové jsou jedlé všechny druhy jeřabin. Jen se musí povařit, aby nezpůsobily žaludeční problémy. Přesto jsou jeřabiny, které jsou sladší, tedy jedlejší.

Frank Wright, John Revell, Jordan Abina, David Eaton, Shannon Popkin, Jami Amerine

O bylinkách, které můžeme sbírat v srpnu, v poradně hovoří bylinkářka Vladimíra Štenglová. Patří mezi ně také tužebník, levandule nebo řepík.

Welcome to the Living Stories Podcast! This week we talk to Tim Abina.  He talks about growing up in a broken home and recognizing he was headed down the same path of passing down the generational abuse.  Listen in as he shares how God showed up in a dream and how God has transformed his life. We then chat about the church and how it's handling the current social distancing situation.  We also talk about finding hope in God and living differently than the world in this Pandemic. Thanks for listening.  Make sure to subscribe, share, and rate this podcast so others so others can hear how God is working in people's lives. Subscribe to the Living Stories podcast on YouTube to watch the interview and "Like" us on Facebook. Email: LivingStoriesPodcast@gmail.com to contact us with questions or comments. --- Support this podcast: https://anchor.fm/livingstories/support

Abina and the great man

Over the past few issues, the AHR has begun broadening what it selects for review beyond the confines of the scholarly monograph. In the April 2018 issue, the journal featured a set of film reviews, in June documentary history, in October museums and public history sites—and in the December issue the graphic history, or history in comic book form. In this episode, we speak with the guest editor for that set of graphic history reviews, San Francisco State historian Trevor Getz. Getz is a historian of gender and slavery in West Africa. His recent work includes the books A Primer for Teaching African History (2018), published by Duke University Press, and, with illustrator Liz Clarke, Abina and the Important Men: A Graphic History (2011), which is now in its second edition with Oxford University Press.

Over the past few issues, the AHR has begun broadening what it selects for review beyond the confines of the scholarly monograph. In the April 2018 issue, the journal featured a set of film reviews, in June documentary history, in October museums and public history sites—and in the December issue the graphic history, or history in comic book form. In this episode, we speak with the guest editor for that set of graphic history reviews, San Francisco State historian Trevor Getz. Getz is a historian of gender and slavery in West Africa. His recent work includes the books A Primer for Teaching African History (2018), published by Duke University Press, and, with illustrator Liz Clarke, Abina and the Important Men: A Graphic History (2011), which is now in its second edition with Oxford University Press.

Episode 25 explores the world of Blogging and asks questions of Ms Abina George, author of the Thoughts Parsed Blog. See acast.com/privacy for privacy and opt-out information.

  This is a black arts and culture site. We will be exploring the African Diaspora via the writing, performance, both musical and theatrical (film and stage), as well as the visual arts of Africans in the Diaspora and those influenced by these aesthetic forms of expression. I am interested in the political and social ramifications of art on society, specifically movements supported by these artists and their forebearers. It is my claim that the artists are the true revolutionaries, their work honest and filled with raw unedited passion. They are our true heroes. Ashay! 1. Karla M. Wynn Diouf has served as ADACI's Director of Public Relations since 1994; Francisco J. Tovar B.,Venezuelan scholar and activist, also director and Founder of the Institute of Afro-Diasporic Studies (IEA); Luther Gray, Ashé Cultural Arts Center, with Danys “LaMora” Perez-Prades, dir. Oyu Oro Experimental Dance Ensemble from Cuba and Francisco Mores (musician).  2. Trevor R. Getz & Soumyaa Behrens join us to talk about Abina and the Important Men: A Graphic History, the film having its world premiere as a part of the SF Black Film Festival, free screening at the deYoung Museum, 6 p.m., Fri., June 16.  3. L. Peter Callender, Artistic Director, African American Shakespeare Company joins us to talk about The Winter's Tale opening, June 9 and continuing through June 17.     

Selles saates avastame finantsaruannete saladusi. Abina kasutame Rich Dad’i Financial Calculator excel tabelit. http://www.richdad.com/Resources/Tools.aspx#personal-financial-calculator Saadet juhivad Joel Järvela ja Peeter Pärtel. Tagasiside on teretulnud aadressil saade@kinnisvararaadio.ee PS. Kui sa arvad et Kinnisvararaadio oleks kasulik ka mõnele su tuttavale, ole hea ja soovita saadet ka temale. Suur tänu!     The post Finantsaruanded appeared first on Kinnisvararaadio.

Selles saates avastame finantsaruannete saladusi. Abina kasutame Rich Dad’i Financial Calculator excel tabelit. http://www.richdad.com/Resources/Tools.aspx#personal-financial-calculator Saadet juhivad Joel Järvela ja Peeter Pärtel. Tagasiside on teretulnud aadressil saade@kinnisvararaadio.ee PS. Kui sa arvad et Kinnisvararaadio oleks kasulik ka mõnele su tuttavale, ole hea ja soovita saadet ka temale. Suur tänu!    

Imagine this: a young African girl, barefoot but wearing a dress and head wrap, clenches her fists and looks you in the eye. Behind her a semi-circle of men, some in suits and some in kente cloth, turn their backs to her. The girl is Abina, the men are “Important Men,” and together they grace the cover of of Abina and the Important Men: A Graphic History (Oxford University Press, 2012), a collaborative effort of historian Trevor R. Getz and graphic artist Liz Clarke. In 1876 Abina took her former master to court in the British-controlled Gold Coast for having enslaved her. She had already escaped to freedom: she seems to have brought charges simply because she wanted her experience of slavery to be recognized. It wasn't. Abina lost her case. But in reconstructing Abina's story in graphic form, Getz and Clarke bring it to present-day readers. And they also bring important questions to the students who are the intended audience of this book: What background information do we need to understand Abina's story? Whose voices do we hear, and whose don't we hear? What do historians do when they don't know all the details of a story? Trevor R. Getz is Professor of History at San Francisco State University, and Liz Clarke is a professional artist and graphic designer based in Cape Town, South Africa. Together, they bring a silenced voice back to life, and they do it in an enormously engaging way. Learn more about your ad choices. Visit megaphone.fm/adchoices

Imagine this: a young African girl, barefoot but wearing a dress and head wrap, clenches her fists and looks you in the eye. Behind her a semi-circle of men, some in suits and some in kente cloth, turn their backs to her. The girl is Abina, the men are “Important Men,” and together they grace the cover of of Abina and the Important Men: A Graphic History (Oxford University Press, 2012), a collaborative effort of historian Trevor R. Getz and graphic artist Liz Clarke. In 1876 Abina took her former master to court in the British-controlled Gold Coast for having enslaved her. She had already escaped to freedom: she seems to have brought charges simply because she wanted her experience of slavery to be recognized. It wasn't. Abina lost her case. But in reconstructing Abina's story in graphic form, Getz and Clarke bring it to present-day readers. And they also bring important questions to the students who are the intended audience of this book: What background information do we need to understand Abina's story? Whose voices do we hear, and whose don't we hear? What do historians do when they don't know all the details of a story? Trevor R. Getz is Professor of History at San Francisco State University, and Liz Clarke is a professional artist and graphic designer based in Cape Town, South Africa. Together, they bring a silenced voice back to life, and they do it in an enormously engaging way.

Imagine this: a young African girl, barefoot but wearing a dress and head wrap, clenches her fists and looks you in the eye. Behind her a semi-circle of men, some in suits and some in kente cloth, turn their backs to her. The girl is Abina, the men are “Important Men,” and together they grace the cover of of Abina and the Important Men: A Graphic History (Oxford University Press, 2012), a collaborative effort of historian Trevor R. Getz and graphic artist Liz Clarke. In 1876 Abina took her former master to court in the British-controlled Gold Coast for having enslaved her. She had already escaped to freedom: she seems to have brought charges simply because she wanted her experience of slavery to be recognized. It wasn’t. Abina lost her case. But in reconstructing Abina’s story in graphic form, Getz and Clarke bring it to present-day readers. And they also bring important questions to the students who are the intended audience of this book: What background information do we need to understand Abina’s story? Whose voices do we hear, and whose don’t we hear? What do historians do when they don’t know all the details of a story? Trevor R. Getz is Professor of History at San Francisco State University, and Liz Clarke is a professional artist and graphic designer based in Cape Town, South Africa. Together, they bring a silenced voice back to life, and they do it in an enormously engaging way. Learn more about your ad choices. Visit megaphone.fm/adchoices

Imagine this: a young African girl, barefoot but wearing a dress and head wrap, clenches her fists and looks you in the eye. Behind her a semi-circle of men, some in suits and some in kente cloth, turn their backs to her. The girl is Abina, the men are “Important Men,” and together they grace the cover of of Abina and the Important Men: A Graphic History (Oxford University Press, 2012), a collaborative effort of historian Trevor R. Getz and graphic artist Liz Clarke. In 1876 Abina took her former master to court in the British-controlled Gold Coast for having enslaved her. She had already escaped to freedom: she seems to have brought charges simply because she wanted her experience of slavery to be recognized. It wasn’t. Abina lost her case. But in reconstructing Abina’s story in graphic form, Getz and Clarke bring it to present-day readers. And they also bring important questions to the students who are the intended audience of this book: What background information do we need to understand Abina’s story? Whose voices do we hear, and whose don’t we hear? What do historians do when they don’t know all the details of a story? Trevor R. Getz is Professor of History at San Francisco State University, and Liz Clarke is a professional artist and graphic designer based in Cape Town, South Africa. Together, they bring a silenced voice back to life, and they do it in an enormously engaging way. Learn more about your ad choices. Visit megaphone.fm/adchoices

Imagine this: a young African girl, barefoot but wearing a dress and head wrap, clenches her fists and looks you in the eye. Behind her a semi-circle of men, some in suits and some in kente cloth, turn their backs to her. The girl is Abina, the men are “Important Men,” and together they grace the cover of of Abina and the Important Men: A Graphic History (Oxford University Press, 2012), a collaborative effort of historian Trevor R. Getz and graphic artist Liz Clarke. In 1876 Abina took her former master to court in the British-controlled Gold Coast for having enslaved her. She had already escaped to freedom: she seems to have brought charges simply because she wanted her experience of slavery to be recognized. It wasn’t. Abina lost her case. But in reconstructing Abina’s story in graphic form, Getz and Clarke bring it to present-day readers. And they also bring important questions to the students who are the intended audience of this book: What background information do we need to understand Abina’s story? Whose voices do we hear, and whose don’t we hear? What do historians do when they don’t know all the details of a story? Trevor R. Getz is Professor of History at San Francisco State University, and Liz Clarke is a professional artist and graphic designer based in Cape Town, South Africa. Together, they bring a silenced voice back to life, and they do it in an enormously engaging way. Learn more about your ad choices. Visit megaphone.fm/adchoices

Imagine this: a young African girl, barefoot but wearing a dress and head wrap, clenches her fists and looks you in the eye. Behind her a semi-circle of men, some in suits and some in kente cloth, turn their backs to her. The girl is Abina, the men are “Important Men,” and together they grace the cover of of Abina and the Important Men: A Graphic History (Oxford University Press, 2012), a collaborative effort of historian Trevor R. Getz and graphic artist Liz Clarke. In 1876 Abina took her former master to court in the British-controlled Gold Coast for having enslaved her. She had already escaped to freedom: she seems to have brought charges simply because she wanted her experience of slavery to be recognized. It wasn’t. Abina lost her case. But in reconstructing Abina’s story in graphic form, Getz and Clarke bring it to present-day readers. And they also bring important questions to the students who are the intended audience of this book: What background information do we need to understand Abina’s story? Whose voices do we hear, and whose don’t we hear? What do historians do when they don’t know all the details of a story? Trevor R. Getz is Professor of History at San Francisco State University, and Liz Clarke is a professional artist and graphic designer based in Cape Town, South Africa. Together, they bring a silenced voice back to life, and they do it in an enormously engaging way. Learn more about your ad choices. Visit megaphone.fm/adchoices