Podcasts about architecture university

The Romanian Botanical Artist Irina Neascu began her career in architecture and now her journey transcends academia, science, art and illustration. Irina says: “I approached botanical art to continue investigating the cultural landscape from a natural perspective of the reciprocal influence and fragile intersections between culture and nature.” Irina was born in Bucharest in 1982, the only child of Daniela and Mihai who are both economists. She attended the Architecture University in Bucharest, Romania where she graduated with both a BA and MA. Irina then earned a postgraduate MA in Fine Arts at Rome University of Fine Arts. Following her graduation, she turned to interior design where her name became an international brand, with exhibitions at various fairs and events throughout Europe. The main collections focus on bespoke upholstery and chairs, crafted with textile collage techniques and digital printing. Irina has worked on both old and new furniture, restoring and customizing items according to the specific needs of her clients. Her interior design collections include home accessories and furniture, in unique series or limited series. In 2016, Irina moved north of Bucharest to the Transylvania area to be closer to nature; hiking is one of her favorite activities. Here, she opened the Irina Neacșu Studio then founded an art school, Cembra School of Botanical Art and Design, where she teaches courses and workshops in painting, drawing, textile art or design and encourages creative knowledge inspired by nature and heritage. Irina is currently  a PhD candidate at the Art University in Bucharest, and later this year she will be a Fulbright Visiting Scholar at Yale Graduate School of Arts & Sciences, History of Art Department. Irina lives in Brasov with her Weimaraner, Scala.Irina's website: https://irinaneacsu.com/Instagram: @irinaneascu https://www.instagram.com/irinaneacsu/ Some favorite feamle artists:Georgia O'KeeffeRachel RuyschGiovanna GarzoniHillary WatersJackie MulderChristiane Fashek Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

The Romanian Botanical Artist Irina Neascu began her career in architecture and now her journey transcends academia, science, art and illustration. Irina says: “I approached botanical art to continue investigating the cultural landscape from a natural perspective of the reciprocal influence and fragile intersections between culture and nature.” Irina was born in Bucharest in 1982, the only child of Daniela and Mihai who are both economists. She attended the Architecture University in Bucharest, Romania where she graduated with both a BA and MA. Irina then earned a postgraduate MA in Fine Arts at Rome University of Fine Arts. Following her graduation, she turned to interior design where her name became an international brand, with exhibitions at various fairs and events throughout Europe. The main collections focus on bespoke upholstery and chairs, crafted with textile collage techniques and digital printing. Irina has worked on both old and new furniture, restoring and customizing items according to the specific needs of her clients. Her interior design collections include home accessories and furniture, in unique series or limited series. In 2016, Irina moved north of Bucharest to the Transylvania area to be closer to nature; hiking is one of her favorite activities. Here, she opened the Irina Neacșu Studio then founded an art school, Cembra School of Botanical Art and Design, where she teaches courses and workshops in painting, drawing, textile art or design and encourages creative knowledge inspired by nature and heritage. Irina is currently  a PhD candidate at the Art University in Bucharest, and later this year she will be a Fulbright Visiting Scholar at Yale Graduate School of Arts & Sciences, History of Art Department. Irina lives in Brasov with her Weimaraner, Scala. Irina's website: https://irinaneacsu.com/Instagram: @irinaneascu https://www.instagram.com/irinaneacsu/ Some favorite feamle artists:Georgia O'KeeffeRachel RuyschGiovanna GarzoniHillary WatersJackie MulderChristiane Fashek Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.

Welcome to Episode 047! Today Arch, Tash and Jeremy interview Canadian architect Tye Farrow, who visited Aotearoa in October to promote his upcoming book Constructing Health. Tye is a captivating speaker, and works 'at the intersection of architecture and neuroscience', uniquely qualified in holding a Master of Neuroscience Applied to Architecture (University of Venice IUAV), a Master of Architecture in Urban Design (Harvard University), and a Bachelor of Architecture degree (University of Toronto). We hope you enjoying hearing from Tye as much as we did talking with him, and we thank Woodworks for bringing Tye to New Zealand for his lecture series. Pre-order Tye Farrow's book 'Constructing Health' here https://utorontopress.com/9781487557225/constructing-health/ Farrow Partners - https://farrowpartners.ca/ Theme Music: The Cosmic Wheels

Kristen Seaman is an associate professor in the Department of the History of Art and Architecture, and an affiliated faculty member in the Department of Classics at the University of Oregon. Seaman is a 2021–2022 Oregon Humanities Center Coleman-Guitteau Professor. The teaching fellowship has funded her development of a new undergraduate class “Ancient Jewish Art and Architecture” which she will teach in spring 2022. She discusses her research and the class.

Shelly-Anne Tulia Scot, AIA and Shani Chambers, AIA are both graduated from the Caribbean School of Architecture and graduated from Florida A&M University. In this episode, they share their Caribbean experiences, culture shock and racism. Become an insider by supporting the show at https://glow.fm/archispolly where you can support the show on a recurring or one-time basis! Shani Chambers is a Virginia based architect with over 15 years' experience in the planning, design and construction industry. Her specialties include Federal, Public Safety and Industrial Architecture. She excels at the integration of complex processes and user needs into high performance design. She also enjoys dabbling in weaving for lessons in architecture. Ms. Chambers graduated from Florid A&M University and The Caribbean School of Architecture University of Technology, Jamaica. Shelly-Anne Tulia Scott is the Director of Architecture at Sizemore Group in Atlanta GA. She is a Trinidadian born architect who started her architectural education at the Caribbean School of Architecture after completing an Associate of Arts degree in Interior Design. She worked both in Miami, Trinidad & Barbados before returning to do complete her M. Arch degree at Florida A&M University. She has seventeen years combined experience in Architecture and Interior Design with a broad range of experience in Award winning Libraries, Mixed Use Development, Religious, and Academic Buildings as well as in Feasibility Studies and Concept Design Projects. As an added bonus to her creative flare she is also a photographer with an eye for unique perspectives in the building environment and in the emotions of people. See some of her photography work here (http://tuliascott.com). She is also active with community and professional groups like USGBC Equity Committee, AIS HSDC, NOMA, Globalbike, Southern Scholarship Foundation Alumni and a graduate of the Leadership Greenville Class 42 and 2017 Greenville Dreams Grassroots Development Program with training in community leadership and leveraging community assets.

Next U2 design thesis studio podcast episodes coming up: all 13 students and 3 tutors met online today to discuss about our site visit around University of Malaya campus starting 13th July 2020, the first day of the pre-thesis course and the entire design thesis courses that would take 35 weeks long until June 2021. Here is an account by one tutor and what that tutor thinks (if being a student) the topics interesting enough to be tackled. This episode marks the first intention to do a series of podcasts "action-research" style, meaning, reporting as we go along week by week and from time to time doing impromptu "interviews", or reporting any interesting incidents during the process of design. 

A quick 5 minutes update previewing on the next batch 2020-2021 design thesis projects on University of Malaya, Kuala Lumpur Campus. 13 students have signed up for Unit 2, and with the studio tutors gearing up for another year of site-context issues driven approach to design, we can expect 13 different projects on dealing with a variety of topics from, redesigning the student union facilities and the library, or maybe redevelopment of the lake area, a few faculties being redesigned, some hostels and connections to the neighbourhood in Petaling Jaya or even Bangsar perhaps. We shall see. The podcasts on this "action research" and "on-going design" would provide for insights and fresh input on aspects of the design thesis approach in-situ and hopefully we can feel the close connections to the design process. These podcasts will start in July 13, 2020 onward for the special semester, while the interviews with graduated and graduating students will still proceed until August 2020.

Who thought we'd make it to 5? Certainly not us! The original Trio are back and have some interesting takes on Festivals, University and Toilet Architecture. If you enjoyed this episode, why not share it on Twitter? While you're there you may as well follow us - @LifeSucksPod

In this episode errant_praxis collaborator DK Osseo-Asare speaks with architect, novelist and visionary educator Dr. Lesley Lokko, an architect, educator and best-selling author. She served as founding Head of the Graduate School of Architecture at the University of Johannesburg, and is incoming Dean and Professor at The Bernard and Anne Spitzer School of Architecture at the City University of New York in New York City. She holds MArch from The Barlett and a PhD from the University of London. She is a frequent contributor to The Architectural Review (London), edited the pioneering book, White Papers, Black Marks: Architecture, Race, Culture, and founded FOLIO: Journal of Contemporary African Architecture (GSA Imprints). Prof. Lokko has authored numerous works of fiction, academic book chapters, scholarly publications; serves on architectural juries internationally; and speaks regularly to architecture and design audiences world-wide. Mentioned in this episode: https://www1.cuny.edu/mu/forum/2019/06/07/lesley-lokko-named-dean-of-ccnys-bernard-and-anne-spitzer-school-of-architecture/ https://www.ccny.cuny.edu/architecture The Graduate School of Architecture - University of Johannesburg, South Africa: http://www.gsa.ac.za/ African Mobilities: http://africanmobilities.org/

O’Neil Ford on Architecture (University of Texas Press, 2019) brings together Ford’s major professional writings and speeches for the first time. Revealing the intellectual and theoretical underpinnings of his distinctive modernism, they illuminate his fascination with architectural history, his pioneering uses of new technologies and construction systems, his deep concerns for the landscape and environment, and his passionate commitments to education and civil rights. An interlocutor with titans of the twentieth century, including Louis Kahn and J. Robert Oppenheimer, Ford understood architecture as inseparable from the social, political, and scientific developments of his day. An introductory essay by Kathryn E. O’Rourke provides a critical assessment of Ford’s essays and lectures and repositions him in the history of US architectural modernism. As some of his most important buildings turn sixty, O’Neil Ford on Architecture demonstrates that this Texas modernist deserves to be ranked among the leading midcentury American architects. Kathryn E. O’Rourke is an associate professor of art history at Trinity University in San Antonio, TX. She is the author of Architecture in Mexico City: History, Representation, and the Shaping of a Capital. Learn more about your ad choices. Visit megaphone.fm/adchoices

O’Neil Ford on Architecture (University of Texas Press, 2019) brings together Ford’s major professional writings and speeches for the first time. Revealing the intellectual and theoretical underpinnings of his distinctive modernism, they illuminate his fascination with architectural history, his pioneering uses of new technologies and construction systems, his deep concerns for the landscape and environment, and his passionate commitments to education and civil rights. An interlocutor with titans of the twentieth century, including Louis Kahn and J. Robert Oppenheimer, Ford understood architecture as inseparable from the social, political, and scientific developments of his day. An introductory essay by Kathryn E. O’Rourke provides a critical assessment of Ford’s essays and lectures and repositions him in the history of US architectural modernism. As some of his most important buildings turn sixty, O’Neil Ford on Architecture demonstrates that this Texas modernist deserves to be ranked among the leading midcentury American architects. Kathryn E. O’Rourke is an associate professor of art history at Trinity University in San Antonio, TX. She is the author of Architecture in Mexico City: History, Representation, and the Shaping of a Capital. Learn more about your ad choices. Visit megaphone.fm/adchoices

O’Neil Ford on Architecture (University of Texas Press, 2019) brings together Ford’s major professional writings and speeches for the first time. Revealing the intellectual and theoretical underpinnings of his distinctive modernism, they illuminate his fascination with architectural history, his pioneering uses of new technologies and construction systems, his deep concerns for the landscape and environment, and his passionate commitments to education and civil rights. An interlocutor with titans of the twentieth century, including Louis Kahn and J. Robert Oppenheimer, Ford understood architecture as inseparable from the social, political, and scientific developments of his day. An introductory essay by Kathryn E. O’Rourke provides a critical assessment of Ford’s essays and lectures and repositions him in the history of US architectural modernism. As some of his most important buildings turn sixty, O’Neil Ford on Architecture demonstrates that this Texas modernist deserves to be ranked among the leading midcentury American architects. Kathryn E. O’Rourke is an associate professor of art history at Trinity University in San Antonio, TX. She is the author of Architecture in Mexico City: History, Representation, and the Shaping of a Capital. Learn more about your ad choices. Visit megaphone.fm/adchoices

O’Neil Ford on Architecture (University of Texas Press, 2019) brings together Ford’s major professional writings and speeches for the first time. Revealing the intellectual and theoretical underpinnings of his distinctive modernism, they illuminate his fascination with architectural history, his pioneering uses of new technologies and construction systems, his deep concerns for the landscape and environment, and his passionate commitments to education and civil rights. An interlocutor with titans of the twentieth century, including Louis Kahn and J. Robert Oppenheimer, Ford understood architecture as inseparable from the social, political, and scientific developments of his day. An introductory essay by Kathryn E. O’Rourke provides a critical assessment of Ford’s essays and lectures and repositions him in the history of US architectural modernism. As some of his most important buildings turn sixty, O’Neil Ford on Architecture demonstrates that this Texas modernist deserves to be ranked among the leading midcentury American architects. Kathryn E. O’Rourke is an associate professor of art history at Trinity University in San Antonio, TX. She is the author of Architecture in Mexico City: History, Representation, and the Shaping of a Capital. Learn more about your ad choices. Visit megaphone.fm/adchoices

O’Neil Ford on Architecture (University of Texas Press, 2019) brings together Ford’s major professional writings and speeches for the first time. Revealing the intellectual and theoretical underpinnings of his distinctive modernism, they illuminate his fascination with architectural history, his pioneering uses of new technologies and construction systems, his deep concerns for the landscape and environment, and his passionate commitments to education and civil rights. An interlocutor with titans of the twentieth century, including Louis Kahn and J. Robert Oppenheimer, Ford understood architecture as inseparable from the social, political, and scientific developments of his day. An introductory essay by Kathryn E. O’Rourke provides a critical assessment of Ford’s essays and lectures and repositions him in the history of US architectural modernism. As some of his most important buildings turn sixty, O’Neil Ford on Architecture demonstrates that this Texas modernist deserves to be ranked among the leading midcentury American architects. Kathryn E. O’Rourke is an associate professor of art history at Trinity University in San Antonio, TX. She is the author of Architecture in Mexico City: History, Representation, and the Shaping of a Capital. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode Patti Anahory speaks with Tuliza Sindi, a lecturer of Architecture at the University of Johannesburg’s Graduate School of Architecture (GSA) and is the founder and CEO of South African-based experimental firm BRNWSH. She obtained her qualifications at the University of Pretoria (South Africa). She has taught at the University of the Witwatersrand as well as Tshwane University of Technology and is regularly invited to examine student work across several schools of architecture in South Africa. Her firm explores the socio-political construct of ‘service’ as a concept on which coloniality is both built upon and functions from; with service (as both verb and noun) being a condition that has and continues to function as a tool of permission, participation, legitimization, influence, dehumanization, exceptionalism, nobility and absolution. Service, and its many iterations, occupies 0.1% of the bible’s teachings as it remains framed as one of the most significant pillars on the spectrum of virtues that constitute healthy social practice and construction. Service has, however, provided the vehicle for the continued creation and abuse of power. The firm explores the implications of this construct and consequence of service on the make-up of societies and their corresponding spatial practices. BRNWSH borrows from and creates language for various disciplines, including media, linguistics, economics, sociology and psychology. https://www.brnwsh.co.za/ Soundtrack: Construction next door! Mentioned: Graduate School of Architecture - University of Johannesburg, South Africa http://www.gsa.ac.za Christina Sharpe's book In the Wake: On Blackness and Being https://www.dukeupress.edu/in-the-wake https://www.dukeupress.edu/Assets/PubMaterials/978-0-8223-6294-4_601.pdf

TS Episode Page: Inequity Shaping BaltimoreBaltimore is a diverse city with many strong communities and a unique arts scene. The physical landscape of the city has changed significantly over the years, in both good and bad ways. When we see the problems of crime and vacancy that permeate the city, the stories of a bygone Baltimore start to seem especially appealing. We cannot make the mistake of sensationalizing a golden past…Join Guest Host Gabriel Maslen as he explores the many Inequities shaping the city of Baltimore, Maryland.Support The Table Sessions today at: www.patreon.com/thetablesessionsEpisode Links:Lawrence Halprin - General Information (The Cultural Landscape Foundation, 2018)“White L, Black Butterfly” (City Paper, 2016)Race, Riots, Real Estate, Architecture - University of Maryland, Master’s Thesis, Robert Grooms (DRUM, 2017)Liz Ogbu TED Talk (TEDWomen 2017)Not In My Neighborhood, Antero Pietella, 2010Arch Social Club, Baltimore, MDThe Uses of Disorder, Richard Sennett, 1992The Baltimore Plan, 1954 (YouTube)Creating Defensible Space, Oscar Newman, 1996Fixing Broken Windows: Restoring Order And Reducing Crime In Our Communities, Kelling & Coles, 1998The Death and Life of Great American Cities, Jane Jacobs, 1961Good Design, Good Health - Gabriel Maslen & Vincenze Perla, 2019The Void - Adan Ramos, 2018

Jonathan M. Reynolds‘s new book looks carefully at how photographers, architects, and others wrestled with a postwar identity crisis as they explored and struggled with new meanings of tradition, home, and culture in modern Japan. Building on the work of Walter Benjamin, Allegories of Time and Space: Japanese Identity in Photography and Architecture (University of Hawaii Press, 2015) takes readers into a range of media in which writers and artists engaged with these questions. From photographs of rural inhabitants of the Snow Country of northern Japan to photobooks on Japanese architecture to special structures built to serve young female nomads in Tokyo, the objects of Reynolds’s study all served their makers as spaces for working through problems of identity, Japaneseness, and their transformations. It’s a fascinating study that beautifully integrates images as an integral part of the text, and it is well worth reading. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jonathan M. Reynolds‘s new book looks carefully at how photographers, architects, and others wrestled with a postwar identity crisis as they explored and struggled with new meanings of tradition, home, and culture in modern Japan. Building on the work of Walter Benjamin, Allegories of Time and Space: Japanese Identity in Photography and Architecture (University of Hawaii Press, 2015) takes readers into a range of media in which writers and artists engaged with these questions. From photographs of rural inhabitants of the Snow Country of northern Japan to photobooks on Japanese architecture to special structures built to serve young female nomads in Tokyo, the objects of Reynolds’s study all served their makers as spaces for working through problems of identity, Japaneseness, and their transformations. It’s a fascinating study that beautifully integrates images as an integral part of the text, and it is well worth reading. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jonathan M. Reynolds‘s new book looks carefully at how photographers, architects, and others wrestled with a postwar identity crisis as they explored and struggled with new meanings of tradition, home, and culture in modern Japan. Building on the work of Walter Benjamin, Allegories of Time and Space: Japanese Identity in Photography and Architecture (University of Hawaii Press, 2015) takes readers into a range of media in which writers and artists engaged with these questions. From photographs of rural inhabitants of the Snow Country of northern Japan to photobooks on Japanese architecture to special structures built to serve young female nomads in Tokyo, the objects of Reynolds’s study all served their makers as spaces for working through problems of identity, Japaneseness, and their transformations. It’s a fascinating study that beautifully integrates images as an integral part of the text, and it is well worth reading. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jonathan M. Reynolds‘s new book looks carefully at how photographers, architects, and others wrestled with a postwar identity crisis as they explored and struggled with new meanings of tradition, home, and culture in modern Japan. Building on the work of Walter Benjamin, Allegories of Time and Space: Japanese Identity in Photography and Architecture (University of Hawaii Press, 2015) takes readers into a range of media in which writers and artists engaged with these questions. From photographs of rural inhabitants of the Snow Country of northern Japan to photobooks on Japanese architecture to special structures built to serve young female nomads in Tokyo, the objects of Reynolds’s study all served their makers as spaces for working through problems of identity, Japaneseness, and their transformations. It’s a fascinating study that beautifully integrates images as an integral part of the text, and it is well worth reading. Learn more about your ad choices. Visit megaphone.fm/adchoices

That's a particularly tough but juicy episode folks! We turn a little bit inward and talk about the many challenges of teaching visualization. We have code artist Scott Murray on the show, the author of the lovely D3 book "Interactive Data Visualization for the Web" and our almost-cohost ever-present Andy Kirk with us from visualisingdata.com. Scott teaches visualization courses at Department of Art and Architecture University of San Francisco and Andy teaches some very popular 1-day workshop courses all around the world. We talk about our experience with teaching visualization, reporting about what seems to work and what does not. I think we mostly report about our constant struggle to make things work :) Hopefully this is going to be of help and fun for you guys! And once again, thanks to our audio editor Nathan Griffiths (twitter.com/njgriffiths) for taking care of this episode! Links Santiago Ortiz's: 45 ways to communicate two quantities John Swabisch's HelpMeViz (to teach by good/bad examples) Scott's Easy as Pi

John Wertschek is an Associate Professor in the Faculty of Culture + Community, specializing in the Foundation Program, where he teaches Creative Processes and Photography. He was Chair of Education Council (now Senate) for six years and is currently serving a three year term on the Board of Governors. He studied Honours Mathematics and Physics as an undergraduate before receiving his degree in Architecture (University of British Columbia, 1973) and Masters of Business Administration (Simon Fraser University, 2002). He has worked as an architectural designer, an urban planner, has built houses and has exhibited as an artist and photographer. He is the recipient of a Canada Council Grant and the City of Vancouver Heritage Award. In 1979, he founded the Vancouver League for Studies in Architecture and the Environment and initiated the Alcan Lectures in Architecture (Vancouver).

This week on the podcast we discuss how design for the ignored senses [Smell, Taste, and Hearing]. Segments: Sound Design Smell Design Guest: This weeks guest was Simon Weir, a professor of Architecture University of Sydney. http://sydney.edu.au/architecture/staff/homepage/simonweir.shtml Tracklist: Angel Echoes - Four Tet Mind Killa - Gang Gang Dance Lewis Takes His Shirt Off - Owen Pallet Lick the Palm of the Burning Handshake - Zola Jesus

This week on the podcast we discuss how music and architecture can inform each other. Segments: The Vocabulary Music Informing Design Design Informing Music Guest: This weeks guest was Michael Tawa, a professor of Architecture University of Sydney. http://sydney.edu.au/architecture/staff/homepage/michaeltawa.shtml Tracklist: Kush Cloud - Freddie Gibbs The Great Bay Shines - Sweet Valley Finer Feelings - Spoon The Faith Healers - SOS (abba cover) Mogwai - My Father My Son Mozart - L'ho Perduta, Me Meschina (I've Lost It, Poor Me), Le Nozze Di Figaro, Act 4, Scene 1 Arvo Part - Festina Lente The Faith Healers - Get The F**k Out Of My Face