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How can we better protect survivors? How can we learn from their stories without causing further harm? With a pen in one hand and watercolours in the other, graphic journalist Dan Archer embarks on an investigation into human trafficking and how comics can be used to empower survivors and raise awareness of human rights issues. Based on years of research and reporting, Voices from Nepal: Uncovering Human Trafficking through Comics Journalism (University of Toronto Press, 2024) holds a mirror up to the ways that international and local NGOs study and combat trafficking, reflecting on both the positive and negative impacts they can have. Featuring interviews with trafficking survivors across Nepal, as well as former traffickers themselves, Archer dispels common misconceptions around labour trafficking, sex trafficking, organ trafficking, and more. Through a combination of live sketches, illustrated reportage, and visual testimonies, he champions the use of graphic journalism in human rights reporting and emphasizes the need for a survivor-centric approach to this work. Carefully compiled and expressively illustrated, Voices from Nepal sheds light on an important issue while fostering a discussion about how we can improve the tools and methods we use to make change. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
How can we better protect survivors? How can we learn from their stories without causing further harm? With a pen in one hand and watercolours in the other, graphic journalist Dan Archer embarks on an investigation into human trafficking and how comics can be used to empower survivors and raise awareness of human rights issues. Based on years of research and reporting, Voices from Nepal: Uncovering Human Trafficking through Comics Journalism (University of Toronto Press, 2024) holds a mirror up to the ways that international and local NGOs study and combat trafficking, reflecting on both the positive and negative impacts they can have. Featuring interviews with trafficking survivors across Nepal, as well as former traffickers themselves, Archer dispels common misconceptions around labour trafficking, sex trafficking, organ trafficking, and more. Through a combination of live sketches, illustrated reportage, and visual testimonies, he champions the use of graphic journalism in human rights reporting and emphasizes the need for a survivor-centric approach to this work. Carefully compiled and expressively illustrated, Voices from Nepal sheds light on an important issue while fostering a discussion about how we can improve the tools and methods we use to make change. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
How can we better protect survivors? How can we learn from their stories without causing further harm? With a pen in one hand and watercolours in the other, graphic journalist Dan Archer embarks on an investigation into human trafficking and how comics can be used to empower survivors and raise awareness of human rights issues. Based on years of research and reporting, Voices from Nepal: Uncovering Human Trafficking through Comics Journalism (University of Toronto Press, 2024) holds a mirror up to the ways that international and local NGOs study and combat trafficking, reflecting on both the positive and negative impacts they can have. Featuring interviews with trafficking survivors across Nepal, as well as former traffickers themselves, Archer dispels common misconceptions around labour trafficking, sex trafficking, organ trafficking, and more. Through a combination of live sketches, illustrated reportage, and visual testimonies, he champions the use of graphic journalism in human rights reporting and emphasizes the need for a survivor-centric approach to this work. Carefully compiled and expressively illustrated, Voices from Nepal sheds light on an important issue while fostering a discussion about how we can improve the tools and methods we use to make change. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
How can we better protect survivors? How can we learn from their stories without causing further harm? With a pen in one hand and watercolours in the other, graphic journalist Dan Archer embarks on an investigation into human trafficking and how comics can be used to empower survivors and raise awareness of human rights issues. Based on years of research and reporting, Voices from Nepal: Uncovering Human Trafficking through Comics Journalism (University of Toronto Press, 2024) holds a mirror up to the ways that international and local NGOs study and combat trafficking, reflecting on both the positive and negative impacts they can have. Featuring interviews with trafficking survivors across Nepal, as well as former traffickers themselves, Archer dispels common misconceptions around labour trafficking, sex trafficking, organ trafficking, and more. Through a combination of live sketches, illustrated reportage, and visual testimonies, he champions the use of graphic journalism in human rights reporting and emphasizes the need for a survivor-centric approach to this work. Carefully compiled and expressively illustrated, Voices from Nepal sheds light on an important issue while fostering a discussion about how we can improve the tools and methods we use to make change. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
How can we better protect survivors? How can we learn from their stories without causing further harm? With a pen in one hand and watercolours in the other, graphic journalist Dan Archer embarks on an investigation into human trafficking and how comics can be used to empower survivors and raise awareness of human rights issues. Based on years of research and reporting, Voices from Nepal: Uncovering Human Trafficking through Comics Journalism (University of Toronto Press, 2024) holds a mirror up to the ways that international and local NGOs study and combat trafficking, reflecting on both the positive and negative impacts they can have. Featuring interviews with trafficking survivors across Nepal, as well as former traffickers themselves, Archer dispels common misconceptions around labour trafficking, sex trafficking, organ trafficking, and more. Through a combination of live sketches, illustrated reportage, and visual testimonies, he champions the use of graphic journalism in human rights reporting and emphasizes the need for a survivor-centric approach to this work. Carefully compiled and expressively illustrated, Voices from Nepal sheds light on an important issue while fostering a discussion about how we can improve the tools and methods we use to make change. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism
How can we better protect survivors? How can we learn from their stories without causing further harm? With a pen in one hand and watercolours in the other, graphic journalist Dan Archer embarks on an investigation into human trafficking and how comics can be used to empower survivors and raise awareness of human rights issues. Based on years of research and reporting, Voices from Nepal: Uncovering Human Trafficking through Comics Journalism (University of Toronto Press, 2024) holds a mirror up to the ways that international and local NGOs study and combat trafficking, reflecting on both the positive and negative impacts they can have. Featuring interviews with trafficking survivors across Nepal, as well as former traffickers themselves, Archer dispels common misconceptions around labour trafficking, sex trafficking, organ trafficking, and more. Through a combination of live sketches, illustrated reportage, and visual testimonies, he champions the use of graphic journalism in human rights reporting and emphasizes the need for a survivor-centric approach to this work. Carefully compiled and expressively illustrated, Voices from Nepal sheds light on an important issue while fostering a discussion about how we can improve the tools and methods we use to make change. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices
Katherine Kelp-Stebbins, Comics and Cartoon Studies, and 2023–24 OHC Faculty Research Fellow. “My project examines graphic reportage as a tool for documenting international human rights struggles. The book considers how reporter-artists use comics to tactically and ethically intervene in discourses of injustice and representation. Via their subjective verbal-visual mediality, comics challenge the differential optics by which some lives are made more or less visible and valuable. Questioning how journalistic objectivity has overdetermined the documentation of humanitarian crises, the book uses comics to rethink the evidentiary claims of the image.”
Multi-award winning comic letterer, Hassan Otsmane-Elhaou, is on the podcast for Ep. 419 to talk about his busy comics career at DC, Dark Horse, Image, and Dynamite, the importance of comics journalism, and gives a comprehensive break down of the comic lettering process and what it takes to be great at the craft Hassan is also the 2x Eisner-winning editor of the digital comic magazine PanelxPanel, the voice behind the seminal YouTube channel: Strip Panel Naked, and as of last year, a published comic writer with the release of The Unlikely Story of Felix and Macabber. All worth checking out! Watch the uncut & extended video version of this episode on YouTubeLINKS: Join our Patreon Community and get VIP treatment, bonus episodes, and other perks and rewards! Try out a free 7-day trial, here. No pressureGet 20% off your next purchase from our merch store by using the discount code: “YOO“Take your comic shopping experience to the limit, by shopping online at Gotham City Limit!Buy your single and three-day weekend passes for Collective Con 2024, here! Proudly sponsored by Collective Con! Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showGET IN TOUCH WITH US!
In the latest episode, The Fanbase Weekly co-hosts welcome special guest Celeste Bronfman (writer - Degrassi, Jackpot, Jackpot & Black Cat) to discuss the latest geek news stories of the week, including the possible return of the Comics Journalism category for the Eisner Awards, why Christopher Nolan is bothered about The Dark Night's most popular line, and why Starship Troopers is still so misunderstood.
Comic book 'cancel pigs' can officially mourn the loss of comic book journalism (that they CAUSED), as even the San Diego Comic-Con doesn't think comic book news sites are important enough to be given their own category this year. There is much weeping and gnashing of teeth. And some are sad they can't wear their best dress to the Eisners anymore. ➡️ Tip Jar and Fan Support: http://ClownfishSupport.com ➡️ Official Merch Store: http://ShopClownfish.com ➡️ Official Website: http://ClownfishTV.com Additional Context: The 2024 Eisner Awards, a prestigious event in the comic book industry, have sparked controversy with their decision to eliminate the "Comics-Related Periodical/Journalism" category. This move has been met with dismay by many in the comics journalism community, as it represents a significant shift in how the Eisners, often referred to as the "Oscars" of the comic book world, recognize excellence in the field. The Eisner Awards, overseen by Comic-Con International: San Diego and administered by Jackie Estrada since 1990, have faced criticism for struggling to appropriately recognize comics journalism. The recent decision to merge the Periodical/Journalism category with the Comics-Related Book category has exacerbated concerns. Critics argue that this consolidation dilutes the unique qualities of each medium, treating websites, magazines, and books as if they were the same, thereby undermining the distinct contributions of each form to the field of comics journalism. Historically, the Eisners have had a tumultuous relationship with the Comics Journalism category. The category was previously eliminated in 2003, only to be reinstated the following year. This pattern of removal and reinstatement has occurred multiple times, indicating ongoing uncertainty about the place of journalism within the awards structure. The decision to merge categories in 2024 has raised concerns about the future of comics journalism recognition at the Eisners. Some suggest that the solution would be to further divide and clarify categories to better champion and promote diverse forms of comics-related writing. This could include creating separate awards for Comics-Related Journalism and Comics-Related Periodicals, each with its own distinct criteria. The impact of this change is significant, as the Eisner Awards play a crucial role in highlighting the best work in the comic book industry. The exclusion of a dedicated journalism category has led to worries about the marginalization of comics journalism, which, even on its less impressive days, contributes to discourse and serves as a form of free marketing for the industry. The Eisner Awards' decision to remove the Comics-Related Periodical/Journalism category for 2024 has sparked a debate about the recognition and value of comics journalism. This move reflects broader challenges in how the comic book industry values and acknowledges different forms of media and content creation within its realm. About Us: Clownfish TV is an independent, opinionated news and commentary channel that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles. Disclaimer: This series is produced by Clownfish Studios and WebReef Media, and is part of ClownfishTV.com. Opinions expressed by our contributors do not necessarily reflect the views of our guests, affiliates, sponsors, or advertisers. ClownfishTV.com is an unofficial news source and has no connection to any company that we may cover. This channel and website and the content made available through this site are for educational, entertainment and informational purposes only. These so-called “fair uses” are permitted even if the use of the work would otherwise be infringing. #News #Commentary #Reaction #Podcast #Comedy #Entertainment #Hollywood #PopCulture #Tech #ComicBooks #Comics #CancelPigs
This episode's host, Adina Zemanek, invited Sherry Lee, Chief Operating Officer and Deputy CEO of the non-profit, independent media organization The Reporter, for a conversation on a recent graphic journalism series, The Reporter File. We talked about what inspired the inauguration of this series and its role alongside traditional news reporting, the characteristics of these graphic narratives, pathways for establishing collaboration with the publisher of the print edition and with comics artists, other works of comics journalism published by The Reporter, and further plans. The two graphic narratives can be accessed at the following links: 留學黑工/Study Abroad Illegal Workers (volume 1, 2022) and 神木下的罪行/Crime Under the Sacred Trees (volume 2, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
This episode's host, Adina Zemanek, invited Sherry Lee, Chief Operating Officer and Deputy CEO of the non-profit, independent media organization The Reporter, for a conversation on a recent graphic journalism series, The Reporter File. We talked about what inspired the inauguration of this series and its role alongside traditional news reporting, the characteristics of these graphic narratives, pathways for establishing collaboration with the publisher of the print edition and with comics artists, other works of comics journalism published by The Reporter, and further plans. The two graphic narratives can be accessed at the following links: 留學黑工/Study Abroad Illegal Workers (volume 1, 2022) and 神木下的罪行/Crime Under the Sacred Trees (volume 2, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
This episode's host, Adina Zemanek, invited Sherry Lee, Chief Operating Officer and Deputy CEO of the non-profit, independent media organization The Reporter, for a conversation on a recent graphic journalism series, The Reporter File. We talked about what inspired the inauguration of this series and its role alongside traditional news reporting, the characteristics of these graphic narratives, pathways for establishing collaboration with the publisher of the print edition and with comics artists, other works of comics journalism published by The Reporter, and further plans. The two graphic narratives can be accessed at the following links: 留學黑工/Study Abroad Illegal Workers (volume 1, 2022) and 神木下的罪行/Crime Under the Sacred Trees (volume 2, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies
This episode's host, Adina Zemanek, invited Sherry Lee, Chief Operating Officer and Deputy CEO of the non-profit, independent media organization The Reporter, for a conversation on a recent graphic journalism series, The Reporter File. We talked about what inspired the inauguration of this series and its role alongside traditional news reporting, the characteristics of these graphic narratives, pathways for establishing collaboration with the publisher of the print edition and with comics artists, other works of comics journalism published by The Reporter, and further plans. The two graphic narratives can be accessed at the following links: 留學黑工/Study Abroad Illegal Workers (volume 1, 2022) and 神木下的罪行/Crime Under the Sacred Trees (volume 2, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
This episode's host, Adina Zemanek, invited Sherry Lee, Chief Operating Officer and Deputy CEO of the non-profit, independent media organization The Reporter, for a conversation on a recent graphic journalism series, The Reporter File. We talked about what inspired the inauguration of this series and its role alongside traditional news reporting, the characteristics of these graphic narratives, pathways for establishing collaboration with the publisher of the print edition and with comics artists, other works of comics journalism published by The Reporter, and further plans. The two graphic narratives can be accessed at the following links: 留學黑工/Study Abroad Illegal Workers (volume 1, 2022) and 神木下的罪行/Crime Under the Sacred Trees (volume 2, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism
Award-winning author, and Editor-in-Chief of The Beat, Heidi MacDonald, joins Badr for Ep. 410 to talk about her 40 yr career in comics, how comics journalism has evolved throughout the years, her time as an editor for Disney and DC, and the state of the comic industry today and what can be done to save it Watch the uncut video version of this episode on our YouTube channelTOPICS & TIMESTAMPS: Career milestones - 11:34The duties of a comic book editor vs Editor-in-chief - 21:56The state of the comic industry - 42:49The history of The Beat (aka Comics Beat) - 57:52Heidi's Comic Mt. Rushmore - 1:05:47Heidi's advice for aspiring writers - 01:14:45ANNOUNCEMENTS: Join our Patreon Community and get VIP treatment, bonus episodes, and other perks and rewards! Try it out 7-days for free. No pressureGet 10% off your next purchase from our merch store by using the discount code: “YOO“Take your comic shopping experience to the limit by shopping online at Gotham City Limit!Proudly sponsored by Gotham City Limit! Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showGET IN TOUCH WITH US!
The Velvet Underground didn't sell many records at first but everyone who bought one went out and started a band*-- and now YOU can read a graphic novel about the Velvets! I interview cartoonist Koren Shadmi about his new graphic novel, All Tomorrow's Parties: The Velvet Underground Story. His book is about the formation and dissolution of one of our favorite bands, and one of the most important rock bands of all time. Eisner-nominated Koren Shadmi joins me to talk about The Velvet Underground's importance, why we love them and his process in making this new work of music history in comics form. Koren Shadmi is an American-Israeli, Award-winning illustrator and cartoonist. He studied illustration at The School of Visual Arts in New York where he now teaches. His books have been published internationally and include The Twilight Man: Rod Serling and the Birth of Television, and most recently Lugosi: The Rise and Fall of Hollywood's Dracula. All Tomorrow's Parties is published by Humanoids https://www.humanoids.com/y_catalog/book/id/1359 *I am paraphrasing the great Brian Eno on this. https://www.korenshadmi.com/
NY's 1st Socialist State Senator in 100 years, get's the graphic novel treatment in Sofia Warren's new graphic memoir -- Radical: My Year With a Socialist Senator. New York, Socialism, community organizng and COMICS are near the top of my list of interests so I'm excited to have cartoonist Sofia Warren on the show to talk about her book. Reading this graphic memoir might make you feel a little more hopeful and inspired and certainly a lot more well informed about how political organizing can win change for the better at the local level -- no matter where you are. Here's Sofia's instagram https://www.instagram.com/sofiawarrenart/?hl=en And here's the Opertation Save Abortion online event July 17 I promote in my intro - https://www.aafront.org/operation-save-abortion/
Toby Morris's comics (The Side Eye, The Pencilsword) have been making an impact in New Zealand for some time, but his collaborations with Dr Siouxsie Wiles communicating public health messages around the Covid-19 pandemic went truly global. Released under Creative Commons, these illustrations have been used by governments worldwide and ultimately the World Health Organisation. At the same time as all this, along with becoming The Spinoff's creative director and starting Daylight Creative, he also managed to write a book: Dad Man Walking. In this episode he tells Duncan Greive about the book, the Covid-19 illustrations and how he has developed his distinctive style of comics journalism over the years. See acast.com/privacy for privacy and opt-out information.
SDCC 2018: The Annual Comics Journalism Panel (Chronicling The New Comics Canon, 19th July 2018) Comics journalism is at such a crossroads at the moment, with journalism in all mediums itself under attack from all fronts (and even from within its own ranks); those that are tasked with reporting on the comics landscape and industry find themselves balancing many tightropes and under threat of being charged of bias, politically, sociologically, ideologically. It's a strange place to find oneself in. As it happens, the one that succeed the most in this field of journalism are those with strong voices and experience and willing to use those voices and that experience to defend their opinions and lead the charge for honest and respectable comics criticism. The Comics Beat's esteemed Heidi McDonald leads this collection of such voices in the San Diego Comic-Con Annual Comics Journalism Panel, under the title of 'Chronicling The New Comics Canon', in which they discuss the need and necessity for canon in both story and publication, as well as talking about the strengths of good comics appreciation, the desire for strong editorial leadership and guidance, and the current state of comics criticism. Thanks to the panel for allowing me to record the session for posting - they consisted of: Heidi MacDonald (The Beat) Valerie Complex (Braxton) Kat Overland (Women Write About Comics) Rob McMonigal (Panel Pater) Andrew Steven Harris (Former writer, Wizard Magazine) GATECRASHER Fred Van Lente (The Comic Book History of Comics) Albert Ching (former CBR Managing Editor)
Recorded live at the PULP Culture Comics Arts Festival & Symposium on October 21st in Burlington Vermont, this Comics Journalism roundtable brings Joe Sacco, Sophie Yanow, Iona Fox and the Party Boy himself, Mike Dawson to the stage to talk about their work specifically through the lens of journalism. Moderated by Andy Kolovos, and featuring James Kochalka and Glynnis Fawkes, this was a fun conversational chat, that was very illuminating. Thankyou to the organizers of the PULP festival for bringing these cartoonists to Vermont and putting on such a great show.
Recorded live at the PULP Culture Comics Arts Festival & Symposium on October 21st in Burlington Vermont, this Comics Journalism roundtable brings Joe Sacco, Sophie Yanow, Iona Fox and the Party Boy himself, Mike Dawson to the stage to talk about their work specifically through the lens of journalism. Moderated by Andy Kolovos, and featuring James Kochalka and Glynnis Fawkes, this was a fun conversational chat, that was very illuminating. Thankyou to the organizers of the PULP festival for bringing these cartoonists to Vermont and putting on such a great show.
We turn to David Harper (Off Panel, SKTCHD) and Augie De Blieck, Jr. (Pipeline Comics) for expertise on what's going on in comics news. Are the struggles of this niche industry indicative of something broader going on in our media? Is news a trustworthy advocate that can help us make informed decisions? Interested in the media we discussed this episode? Please support the show by purchasing it through our affiliate store: Understanding Comics Additional Resources: Off Panel Pipeline CBR Newsarama The Beat (Heidi MacDonald) Bleeding Cool The Comics Reporter (Tom Spurgeon) Den of Geek Gizmodo/io9 Paste The Outhouse The Comics Journal Ars Technica
Segment 1: Actress Parisa Fitz-Henley stops by to chat with is about her work on the NBC supernatural series Midnight, TX. Hosts: Jamie and Tora Segment 2: Singer/Songwriter Luke James chats with us about his work in movie and TV Hosts: Jamie, Kay-B, Joi, Kayla and Grace Segment 3: Jamie is featured on the Comics Journalism panel at San Diego Comic Con. Featuring Heidi MacDonald, Graeme McMillan, and Alexander Lu. Segments 1 & 2 edited by: Jamie Broadnax Segment 3 edited by: MR Daniel mrdaniel.net Music by: Sammus
This week Sean and Marco are off at Wrestlemania and Washington DC! The surprise “hiatus” of Comics Alliance makes Pete, Phil and Cale want to talk about issues with comics journalism and THAT turned into a discussion about journalism in general! How has it evolved in comics, America, and is that a good thing? Marvel thinks they have a “diversity problem”? Joss Whedon is on board at the DCEU for Batgirl. Plus, the Pals are thinking about adopting?! What've We Read This Week? News: Venom is Getting an R-Rated Feature Film! https://goo.gl/051y7x The Second Valerian Trailer has been released! https://goo.gl/Kez9Rv The CW's Released the First Image of Black Lightning! https://goo.gl/H6CgFI Joss Whedon to Direct, Write, and Produce Batgirl! https://goo.gl/rE1F05 The Justice League Film has a 2 Hour and 50 Minute Runtime! https://goo.gl/IGW3az Marvel's VP of Sales Wonders if Their Lineup of Diverse Characters is Hurting Sales? https://goo.gl/IZQhet Comics Alliance's Closure is Announced by Editor In Chief Andrew Wheeler: https://goo.gl/tIdZUB Main Topic: Comics Journalism! Congrats to friends of the show, the Lahlum family for the birth of their daughter, Gwen Marie! Plugs: Slack N' Slash: goo.gl/gDiLz4 Panels Publishing: sellfy.com/panelspublishing The Comics Pals is a weekly comic book podcast where a group of comic book journalists and friends get together to talk comics. The Pals: Sean: twitter.com/SeansSoapbox Pete: twitter.com/Loud_Pete Cale: twitter.com/Totointow Marco: twitter.com/WoeisMarco_ Phil: twitter.com/Cyborgbebop
Artist and journalist Anne Elizabeth Moore talks about her graphic novel Threadbare.
Artist and journalist Anne Elizabeth Moore talks about her graphic novel Threadbare.
Newsarama Editor Chris Arrant joins the show this week to talk writing about comics. Arrant discusses his comics journalism origin story, whether "comics journalism" is a proper term, the difference between his approach and that of his peers, how he made writing about comics his career, what makes for a good interview, how the landscape of writing about comics has changed over the years, recent redesigns and changes at comic sites, adapting to the changing nature of the internet, and more. As a special change of space, the five questions at the end? They're of Chris interviewing David, as opposed to the usual.
Visit Hideous Energy at the following places:Twitter - Facebook - hideousenergy@gmail.com - Fan Off.comFollow Austin on Twitter @austinRwilson; @HideousEnergy David @dc_hopkins and Super Cute artist Brent Hibbard @BrentHibbardEp. #247 - Comics Journalism• Intro - Our sponsors DCBS offer comics and comics-related objects for 20% - 40% off, including plenty of comics that are also journalism. Check it out. Warning: One or more comics creators may want to charge you money to sign their comics. Here.• Topic Thunder - After reading various tweets, small blog posts, and yes even some articles, we began wondering about the state of comics journalism. Controversies surrounding writers Brian Wood and Nathan Edmondson helped to contribute to this. A post by Sarah Horrocks highlighted the internet's willingness to hop on the shaming train, which also sparked our curiosity as to how this could be curbed.We researched, through reading and short interviews with creators, the topic of comics journalism. By reaching out to creators and other professionals in the comics field we gathered quotes from cartoonist Liz Suburbia, an anonymous comics professional, and artist David Marquez aimed at highlighting the failures and successes of journalism within the world of comics, along with possible reasons for the current state of writing about comics. In the course of the discussion with the anonymous comics professional, Janelle Asselin was brought up, and an article related to that topic can be read here.All opinions presented in this podcast are the representation of the speaker themselves, and no one else. We are dedicated to protecting anonymous sources, and will do so going forward when the situation arises. Any responses, opinions, or objections should be emailed to hideousenergy@gmail.com.
Grab your sources and hold on to your ledes!Recorded on September 29th, 2015.Featuring:Austin Wilson & David HopkinsRunning Time: 1:03:55Topics• We (meaning Austin) did some research and prep for today’s show, including gathering quotes from a few professionals within the industry, to talk about the state of comics journalism.
This week, it's a Zone 4 Classic as Cary Kelley and Chuck Kennedy return! They join Brant and John as they look at Convergence, Secret Wars, Flash, Gotham, Comics Journalism, and more! Not to mention James Franco naked at Chuck's house... Plus, the moratorium on Nicolas Cage and horse movies being banned from Zone 4 is lifted. And then they close out the show with announcements. (Original Numbering: Episode #295) Look for a special extra episode featuring the Silver Age cast in the upcoming weeks! If you'd like to sponsor an episode of Zone 4, go here for details, or email us. If you'd like to donate to the show (one-time or monthly) see details here. You can now find Zone 4 on Stitcher.com as well! LINKS Convergence Week 1 (First 10) Everything Ends, Secret Wars Commences Everything That's Wrong with Comics Journalism ---- Assailant Comics Dynagirl Comic Related Singularity: Rise of the Posthumans