Podcasts about DRM

Friend, put your phone down. Quit doomscrolling. You owe it to yourself and everyone else who came before you. It's time to get in the fight, and First Freedom: The Story of Opal Lee and Juneteenth by Angélique Roché, Alvin Epps, Millicent Monroe, and Bex Glendining is a comic designed to inject some serious motivation into your social media-addled, catatonic body. The fight may be new to you, but it's been raging for centuries. That's not a despairing thought; it's an activating one, and once you stand on the shoulders of the heroes that came before, you'll find the perspective required to block the hateful from gaining any more ground than they already have. As a comic book reader, you already have all the tools and knowledge to resist fascism. On this week's podcast, we chat with journalist, comic creator, and podcaster Angélique Roché. Once approached to write First Freedom: The Story of Opal Lee and Juneteenth, she threw herself into an intense research phase. We discuss the stress and excitement of the process, and the motivation she secured in telling Dr. Opal Lee's life story. Juneteenth was only recognized as a national holiday in 2021. It's the first new federal holiday since Martin Luther King Day was signed into law in 1983. It never would have happened without Dr. Opal Lee and the lessons she learned from other warriors over her extraordinary lifetime. First Freedom: The Story of Opal Lee and Juneteenth arrives in comic book shops and bookstores, thanks to Oni Press, on February 10th. Make sure you follow Angélique Roché via her website, Bluesky, and Instagram. This Week's Sponsors The Future is Calling! 2000 AD is the Galaxy's Greatest Comic, with new issues published every single week! Every 32-page issue of 2000 AD brings you the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper, and more. Get a print subscription to 2000 AD and it'll arrive to your mailbox every week - and your first issue is free! Or subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! Other Relevant Links to This Week's Episode: Subscribe to The Stacks, Comic Creators Name Their Favorite Comics The Comic Book Couples Counseling TeePublic Merch Page. Stand with Minnesota Buy Books from Greg Ketter and DreamHaven Books Daniel Warren Johnson on Absolute Batman Annual Comic Book Club: Black Arms to Hold You Up at Meanwhile...Coffee in Herndon, Virginia, on 2/1 at 3:30 PM Comic Book Film Club: Blade at the Alamo Drafthouse Winchester on 2/15 Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Those in the know have been (im)patiently waiting for The Peril of the Brutal Dark: An Ezra Cain Mystery. Of course, no one has been waiting as long as the comic's creators, Chris Condon and Jacob Phillips. The series originated when Condon was a student, determined to make the whole damn thing himself. Then, after discovering his That Texas Bloodcompatriot, Phillips, they did a draft for their Patreon, and even tried to manifest it into a legitimate Indiana Jones comics project. Their wishful thinking caught the attention of DC editor Chris Conroy, who suggested they make it part of their Vertigo Comics relaunch. Folding The Peril of the Brutal Dark into the iconic imprint solidified the concept and encouraged them to push its noir/adventure core to its highest potential. The comic wears its hardboiled blockbuster influences on its sleeve, while maintaining an aggressive intensity familiar to the readers of Condon and Phillips. That Texas Blood, The Enfield Gang Massacre, these are comics made by folks grown on bloody pop culture, but propelled into thematic realms that are anything but dusty. The Peril of the Brutal Dark is one of ten new titles launching within DC's new Vertigo imprint, resurrected six years after it was initially put away. The comic gives us an excuse to revisit the importance of Vertigo Comics within the industry when it launched, discuss its legacy, and consider what a new iteration means in an era when “Suggested for Mature Readers” no longer carries the allure it once did. We begin our conversation with Condon and Phillips by talking about their history with Vertigo Comics. How does The Peril of the Brutal Dark fit inside it? How has the comic evolved over the years? What separates their fedora-wearing hero, Ezra Cain, from the whip-cracking nazi-puncher that inspired him? If you think it's not punching nazis, you're wrong. More nazis get punched, like all should be. The Peril of the Brutal Dark: An Ezra Cain Mystery #1 arrives in comic book shops from DC Comics on 2/25. It's written by Chris Condon, illustrated and colored by Jacob Phillips, and lettered by Hassan Otsmane-Elhaou. Final Order Cutoff (FOC) is Monday, February 2nd. Follow Chris Condon on Bluesky. Follow Jacob Phillips on Blue Sky and Instagram. This Week's Sponsors The Future is Calling! 2000 AD is the Galaxy's Greatest Comic, with new issues published every single week! Every 32-page issue of 2000 AD brings you the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper, and more. Get a print subscription to 2000 AD and it'll arrive to your mailbox every week - and your first issue is free! Or subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! Other Relevant Links to This Week's Episode: Subscribe to The Stacks, Comic Creators Name Their Favorite Comics The Stampies: Best Comics of 2025 (Part One) The Stampies: Best Comics of 2025 (Part Two) Read The Stampies on GlobalComix Previously on CBCC: Jacob Phillips on Megalopolis Previously on CBCC: Chris Condon on News from the Fallout Previously on CBCC: Chris Condon and Jacob Phillips on The Enfield Gang Massacre Previously on CBCC: Jacob Phillip and Sean Phillips Previously on CBCC: Jacob Phillips on Everything Dead and Dying Previously on CBCC: Chris Condon and Jacob Phillips on That Texas Blood The Oblivion Bar Comics Fantasy Draft with Brad and Sal Comic Book Club: Black Arms to Hold You Up at Meanwhile...Coffee in Herndon, Virginia, on 2/1 at 3:30 PM Comic Book Film Club: The Phantom w/Billy Zane Virtual Intro at the Alamo Drafthouse Winchester on 1/25 Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Immediately after we recorded our last conversation with Brad Meltzer, we recorded a secret second episode. He was aching to discuss his next project, but he couldn't quite let the cat out of the bag until Marvel Comics released its press release. Well, friends, today's the day. The word is out: Brad Meltzer is writing the main story for the upcoming Spider-Man/Superman crossover. Now, we can release our secret conversation. In this exclusive interview with Brad Meltzer, we discuss what these icons mean to the bestselling author and what he hopes to achieve by bringing them together. Meltzer lavishes praise upon his collaborator, artist Pepe Larraz, and assures us that their story will speak directly to the two unique heroisms Spider-Man and Superman practice. We also consider how their origins might cause friction within a team-up. Our conversation with Brad Meltzer also provides another opportunity to debate those iconic words written by Stan Leein Amazing Fantasy #15: “With great power there must also come great responsibility.” We all know what those words mean, right? Right? Let's get into it. Spider-Man/Superman #1 will hit comic shops on April 15th. In addition to Brad Meltzer and Pepe Larraz's story, the comic will feature backup tales by Dan Slott, Marcos Martin, Geoff Johns, Gary Frank, Jason Aaron, Russell Dauterman, Louise Simonson, Todd Nauck, Joe Kelly, Humberto Ramos, Brian Michael Bendis, Sara Pichelli, and more. Make sure you head to your local bookstore to get your copy of The Viper, and follow Brad Melzer on Instagram and Bluesky. This Week's Sponsors The Future is Calling! 2000 AD is the Galaxy's Greatest Comic, with new issues published every single week! Every 32-page issue of 2000 AD brings you the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper, and more. Get a print subscription to 2000 AD and it'll arrive to your mailbox every week - and your first issue is free! Or subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! Other Relevant Links to This Week's Episode: Subscribe to The Stacks, Comic Creators Name Their Favorite Comics The Stampies: Best Comics of 2025 (Part One) The Stampies: Best Comics of 2025 (Part Two) Read The Stampies on GlobalComix Comic Book Club: Black Arms to Hold You Up at Meanwhile...Coffee in Herndon, Virginia, on 2/1 at 3:30 PM Comic Book Film Club: The Phantom w/Billy Zane Virtual Intro at the Alamo Drafthouse Winchester on 1/25 Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

No one makes comics like Dave Chisholm, and we don't allow him to make one without first making a stop at the podcast. His latest, Is Ted OK?, reveals an artist pushing himself to his very limit, built on an incredible run of 2025 books, our favorite Limited Series from last year, Spectrum, and the gnarly haunted horror, Plague House. Not to forget his work on High Strangeness, which is still in process. Chisholm learns something about himself and the medium every time he steps up to his drawing board, allowing the next project to always top the last. Is Ted OK? The title answers itself, but certainly not in the way you expect. Chisholm imagines a dystopian world, where Ted drones away as a graphic designer for a megacorporation owned by the world's first trillionaire. He's disconnected from those around him, friendly only with a cat, and plagued by horrendous night terrors. He's also being watched 24/7 by Sarah, another employee tasked with monitoring his suicidal and homicidal tendencies. She's concerned, she wants to help, and her first attempt to do so makes Is Ted Ok?'s first issue climax. This week, we welcome Dave Chisholm back on the podcast. We spent six months with him last year on the show, meticulously dissecting Spectrum with his collaborator Rick Quinn. It's fun to catch up. We discuss how his past work brought him to Is Ted OK? We talk about allowing comics to be comics and making sure that every panel carries story. In fact, we discuss how every element of a comic is a chance to carry story. FOC (Final Order Cutoff) for Is Ted OK? #1 is Monday, February 2nd. The comic will eventually be available at comic shops on February 25th, thanks to Mad Cave Studios. Make sure you get your order in, and follow Dave Chisholm on Instagram and BlueSky. This Week's Sponsors The Future is Calling! 2000 AD is the Galaxy's Greatest Comic, with new issues published every single week! Every 32-page issue of 2000 AD brings you the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper, and more. Get a print subscription to 2000 AD and it'll arrive to your mailbox every week - and your first issue is free! Or subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! Other Relevant Links to This Week's Episode: Subscribe to The Stacks, Comic Creators Name Their Favorite Comics The Stampies: Best Comics of 2025 (Part One) The Stampies: Best Comics of 2025 (Part Two) Read The Stampies on GlobalComix Previously on CBCC: Rick Quinn and Dave Chisholm on Spectrum Previously on CBCC: Dave Chisholm on Miles Davis and the Search for the Sound Comic Book Club: Black Arms to Hold You Up at Meanwhile...Coffee in Herndon, Virginia, on 2/1 at 3:30 PM Comic Book Film Club: The Phantom w/Billy Zane Virtual Intro at the Alamo Drafthouse Winchester on 1/25 Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

How can you build iconic characters that your readers want to keep coming back to? How can you be the kind of creator that readers trust, even without social media? With Claire Taylor In the intro, Dan Brown talks writing and publishing [Tetragrammaton]; Design Rules That Make or Break a Book [Self-Publishing Advice]; Amazon's DRM change [Kindlepreneur]; Show me the money [Rachael Herron]; AI bible translation [Wycliffe, Pope Leo tweet]. Plus, Business for Authors 24 Jan webinar, and Bones of the Deep. Today's show is sponsored by Bookfunnel, the essential tool for your author business. Whether it's delivering your reader magnet, sending out advanced copies of your book, handing out ebooks at a conference, or fulfilling your digital sales to readers, BookFunnel does it all. Check it out at bookfunnel.com/thecreativepenn This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Claire Taylor is a humour and mystery author, the owner of FFS Media, and a certified Enneagram coach. She teaches authors to write stronger stories and build sustainable careers at LiberatedWriter.com, and her book is Write Iconic Characters: Unlocking the Core Motivations that Fuel Unforgettable Stories. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes Why Claire left social media and how she still markets her books and services What the Enneagram is and how core fears and desires shape character motivation Using Enneagram types (including Wednesday Addams as an example) to write iconic characters Creating rich conflict and relationships by pairing different Enneagram types on the page Coping with rapid change, AI, and fear in the author community in 2026 Building a trustworthy, human author brand through honesty, transparency, and vulnerability You can find Claire at LiberatedWriter.com, FFS.media, or on Substack as The Liberated Writer. Transcript of the interview with Claire Taylor Joanna: Claire Taylor is a humour and mystery author, the owner of FFS Media, and a certified Enneagram coach. She teaches authors to write stronger stories and build sustainable careers at LiberatedWriter.com, and her book is Write Iconic Characters: Unlocking the Core Motivations that Fuel Unforgettable Stories. So, welcome back to the show, Claire. Claire: Thank you so much for having me back. I'm excited to be here. Joanna: It's great to have you back on the show. It was March 2024 when you were last on, so almost two years now as this goes out. Give us a bit of an update. How has your writing craft and your author business changed in that time? Claire: One of the things I've been focusing on with my own fiction craft is deconstructing the rules of how a story “should” be. That's been a sort of hobby focus of mine. All the story structure books aren't law, right? That's why there are so many of them. They're all suggestions, frameworks. They're all trying to quantify humans' innate ability to understand a story. So I'm trying to remember more that I already know what a story is, deep down. My job as an author is to keep the reader's attention from start to finish and leave them feeling the way I hope they'll feel at the end. That's been my focus on the craft side. On the author business side, I've made some big shifts. I left social media earlier this year, and I've been looking more towards one-on-one coaching and networking. I did a craft-based Kickstarter, and I'd been focusing a lot on “career, career, career”—very business-minded—and now I'm creating more content again, especially around using the Enneagram for writing craft. So there's been a lot of transition since 2024 for me. Joanna: I think it's so important—and obviously we're going to get into your book in more detail—but I do think it's important for people to hear about our pivots and transitions. I haven't spoken to you for a while, but I actually started a master's degree a few months back. I'm doing a full-time master's alongside everything else I do. So I've kind of put down book writing for the moment, and I'm doing essay writing and academic writing instead. It's quite different, as you can imagine. It sounds like what you're doing is different too. One thing I know will have perked up people's ears is: “I left social media.” Tell us a bit more about that. Claire: This was a move that I could feel coming for a while. I didn't like what social media did to my attention. Even when I wasn't on it, there was almost a hangover from having been on it. My attention didn't feel as sharp and focused as it used to be, back before social media became what it is now. So I started asking myself some questions: What is lost if I leave? What is gained if I leave? And what is social media actually doing for me today? Because sometimes we hold on to what it used to do for us, and we keep trying to squeeze more and more of that out of it. But it has changed so much. There are almost no places with sufficient organic reach anymore. It's all pay-to-play, and the cost of pay-to-play keeps going up. I looked at the numbers for my business. My Kickstarter was a great place to analyse that because they track so many traffic sources so clearly. I could see exactly how much I was getting from social media when I advertised and promoted my projects there. Then I asked: can I let that go in order to get my attention back and make my life feel more settled? And I decided: yes, I can. That's worth more to me. Joanna: There are some things money can't buy. Sometimes it really isn't about the money. I like your question: what is lost and what is gained? You also said it's all pay-to-play and there's no organic reach. I do think there is some organic reach for some people who don't pay, but those people are very good at playing the game of whatever the platform wants. So, TikTok for example—you might not have to pay money yet, but you do have to play their game. You have to pay with your time instead of money. I agree with you. I don't think there's anywhere you can literally just post something and know it will reliably reach the people who follow you. Claire: Right. Exactly. TikTok currently, if you really play the game, will sometimes “pick” you, right? But that “pick me” energy is not really my jam. And we can see the trend—this “organic” thing doesn't last. It's organic for now. You can play the game for now, but TikTok would be crazy not to change things so they make more money. So eventually everything becomes pay-to-play. TikTok is fun, but for me it's addictive. I took it off my phone years ago because I would do the infinite scroll. There's so much candy there. Then I'd wake up the next morning and notice my mood just wasn't where I wanted it to be. My energy was low. I really saw a correlation between how much I scrolled and how flat I felt afterwards. So I realised: I'm not the person to pay-to-play or to play the game here. I'm not even convinced that the pay-to-play on certain social media networks is being tracked in a reliable, accountable way anymore. Who is holding them accountable for those numbers? You can sort of see correlation in your sales, but still, I just became more and more sceptical. In the end, it just wasn't for me. My life is so much better on a daily basis without it. That's definitely a decision I have not regretted for a second. Joanna: I'm sorry to keep on about this, but I think this is great because this is going out in January 2026, and there will be lots of people examining their relationship with social media. It's one of those things we all examine every year, pretty much. The other thing I'd add is that you are a very self-aware person. You spend a lot of time thinking about these things and noticing your own behaviour and energy. Stopping and thinking is such an important part of it. But let's tackle the big question: one of the reasons people don't want to come off social media is that they're afraid they don't know how else to market. How are you marketing if you're not using social media? Claire: I didn't leave social media overnight. Over time, I've been adjusting and transitioning, preparing my business and myself mentally and emotionally for probably about a year. I still market to my email list. That has always been important to my business. I've also started a Substack that fits how my brain works. Substack is interesting. Some people might consider it a form of social media—it has that new reading feed—but it feels much more like blogging to me. It's blogging where you can be discovered, which is lovely. I've been doing more long-form content there. You get access to all the emails of your subscribers, which is crucial to me. I don't want to build on something I can't take with me. So I've been doing more long-form content, and that seems to keep my core audience with me. I've got plenty of people subscribed; people continue to come back, work with me, and tell their friends. Word of mouth has always been the way my business markets best, because it's hard to describe the benefits of what I do in a quick, catchy way. It needs context. So I'm leaning even more on that. Then I'm also shifting my fiction book selling more local. Joanna: In person? Claire: Yes. In person and local. Networking and just telling more people that I'm an author. Connecting more deeply with my existing email lists and communities and selling that way. Joanna: I think at the end of the day it does come back to the email list. I think this is one of the benefits of selling direct to people through Shopify or Payhip or whatever, or locally, because you can build your email list. Every person you bring into your own ecosystem, you get their data and you can stay in touch. Whereas all the things we did for years to get people to go to Amazon, we didn't get their emails and details. It's so interesting where we are right now in the author business. Okay, we'll come back to some of these things, but let's get into the book and what you do. Obviously what underpins the book is the Enneagram. Just remind us what the Enneagram is, why you incorporate it into so much of your work, and why you find it resonates so much. Claire: The Enneagram is a framework that describes patterns of thoughts, feelings, and actions that tend to arise from nine different core motivations. Those core motivations are made up of a fear–desire pair. So, for instance, there's the fear of lacking worth and the desire to be worthy. That pair is the Type Three core motivation. If you're a Type Three, sometimes called “The Achiever,” that's your fundamental driver. What we fear and desire above all the other fears and desires determines where our attention goes. And attention is something authors benefit greatly from understanding. We have to keep people's attention, so we want to understand our own attention and how to cultivate it. The things our attention goes to build our understanding of ourselves and the world. Being intentional about that, and paying attention to what your characters pay attention to—and what your readers are paying attention to—is hugely beneficial. It can give you a real leg up. That's why I focus on the Enneagram. I find it very useful at that core level. You can build a lot of other things on top of it with your characters: their backstory, personal histories, little quirks—all of that can be built off the Enneagram foundation. Why I like the Enneagram more than other frameworks like MBTI or the Big Five is that it not only shows us how our fears are confining us—that's really what it's charting—but it also shows us a path towards liberation from those fears. That's where the Enneagram really shines: the growth path, the freedom from the confines of our own personality. It offers that to anyone who wants to study and discover it. A lot of the authors I work with say things like, “I'm just so sick of my own stuff.” And I get it. We all get sick of running into the same patterns over and over again. We can get sick of our personality! The Enneagram is a really good tool for figuring out what's going on and how to try something new, because often we can't even see that there are other options. We have this particular lens we're looking through. That's why I like to play with it, and why I find it so useful. Joanna: That's really interesting. It sounds like you have a lot of mature authors—and when I say “mature,” I mean authors with a lot of books under their belt, not necessarily age. There are different problems at different stages of the author career, and the problem you just described—“I'm getting sick of my stuff”—sounds like a mature author issue. What are some of the other issues you see in the community that are quite common amongst indie authors? Claire: One that comes up a lot, especially early on, is: “Am I doing this right?” That's a big question. People say, “I don't know if I'm doing this right. I'm going to mess it up. This person told me this was the way to do things, but I don't think I can do it this way. Am I doomed?” That's the fear. A lot of what I help people with is seeing that there isn't a single “right” way to do this. There's a way that's going to feel more aligned to you, and there are millions of ways to approach an author career because we're all constructing it as we go. You were there in the early days. We were all just making this up as we went along. Joanna: Exactly. There was a time when ebooks were PDFs, there wasn't even a Kindle, and there was no iPhone. We were literally just making it up. Claire: Right. Exactly. That spirit of “we're all making it up” is important. Some of us have come up with frameworks that work for us, and then we tell other people about them—“Here's a process; try this process”—but that doesn't mean it's the process. Understanding what motivates you—those core motivations—helps you see where you're going to bump into advice that's not right for you, and how to start making decisions that fit your attention, your life, your desires in this author role. Early on we do a lot of that work. Then there are the authors who started a while ago and have a bunch of books. They hit a point where they say, “I've changed so much since I started writing. I need to figure out how to adjust my career.” Joanna: Tell us more about that, because I think that's you and me. How do we deal with that? Claire: Well, crying helps. Joanna: That is true! There's always a bit of crying involved in reinvention. From my perspective, my brand has always been built around me. People are still here—I know some people listening who have been with the podcast since I started it in 2009—and I've always been me. Even though I've done loads of different things and changed along the way, at heart I'm still me. I'm really glad I built a personal brand around who I am, rather than around one genre or a single topic. How about you? How do you see it? Claire: I'm the same. I just can't stick with something that doesn't feel right for me anymore. I'll start to rebel against it. There's also that “good girl” part of me that wants to do things the way they're supposed to be done and keep everybody happy. I have to keep an eye on her, because she'll default to “this is the way it should be done,” and then I end up constricted. As we advance through our careers, positioning around what motivates us and what we love, and allowing ourselves to understand that it's okay to change—even though it's painful—is crucial. It's actually destructive not to change over time. We end up forfeiting so many things that make life worth living if we don't allow ourselves to grow and change. We end up in this tiny box. People sometimes say the Enneagram is very restrictive. “It's only nine types, you're putting me in a box.” It's like: no. These are the boxes we've put ourselves in. Then we use the Enneagram to figure out how to get out of the box. As we start to see the box we've put ourselves in with our personality—“that's me, that's not me”—we realise how much movement we actually have, how many options we have, while still being ourselves. Joanna: So many options. This kind of brings us into your book, because part of the personal brand thing is being real and having different facets. Your book is Write Iconic Characters, and presumably these are characters that people want to read more about. It uses the Enneagram to construct these better characters. So first up— What's your definition of an iconic character, as opposed to any old character? And how can we use the Enneagram to construct one? Claire: An iconic character, in my imagination, is one that really sticks with us after we've finished the story. They become a reference point. We'll say, “This person is kind of like that character,” or “This situation feels like that character would handle it this way.” It could be our friends, our enemies, someone we meet on the bus—whoever it is might remind us of this character. So they really get lodged in our psyche. An iconic character feels true to some fundamental part of the human condition, even if they're not strictly human. So, all the alien romance people listening, don't worry—you're still in! These characters take on a life of their own. With an iconic character, we may hear them talking to us after the book is done, because we've tapped into that essential part of them. They can become almost archetypal—something we go back to over and over again in our minds, both as writers and as readers. Joanna: How can we use the Enneagram to construct an iconic character? I'm asking this as a discovery writer who struggles to construct anything beforehand. It's more that I write stuff and then something emerges. But I have definitely not had a hit series with an iconic character, so I'm willing to give your approach a try. Claire: It works with whatever your process is. If you're a discovery writer, start with that spark of a character in your head. If there's a character who's just a glimmer—maybe you know a few things about them—just keep writing. At some point you'll probably recognise, “Okay, it's time to go deeper in understanding this character and create a cohesive thread to pull all of this together.” That's where the Enneagram becomes useful. You can put on your armchair psychologist hat and ask: which of the nine core fears seems like it might be driving the parts of their personality that are emerging? Thankfully, we intuitively recognise the nine types. When we start gathering bits for a new character, we tend to pull from essentially the same constellation of personality, even if we don't realise it. For instance, you might say, “This character is bold and adventurous,” and that's all you know. You're probably not going to also add, “and they're incredibly shy,” because “bold and adventurous” plus “incredibly shy” doesn't really fit our intuitive understanding of people. We know that instinctively. So, you've got “bold and adventurous.” You write that to a certain point, and then you get to a place where you think, “I don't really know them deeply.” That's when you can go back to the nine core fears and start ruling some out quite quickly. In the book, I have descriptions for each of them. You can read the character descriptions, read about the motivations, and start to say, “It's definitely not these five types. I can rule those out.” If they're bold and adventurous, maybe the core fear is being trapped in deprivation and pain, or being harmed and controlled. Those correspond to Type Seven (“The Enthusiast”) and Type Eight (“The Challenger”), respectively. So you might say, “Okay, maybe they're a Seven or an Eight.” From there, if you can pin down a type, you can read more about it and get ideas. You can understand the next big decision point. If they're a Type Seven, what's going to motivate them? They'll do whatever keeps them from being trapped in pain and deprivation, and they'll be seeking satisfaction or new experiences in some way, because that's the core desire that goes with that fear. So now, you're asking: “How do I get them to get on the spaceship and leave Earth?” Well, you could offer them some adventure, because they're bold and adventurous. I have a character who's a Seven, and she gets on a spaceship and takes off because her boyfriend just proposed—and the idea of being trapped in marriage feels like: “Nope. Whatever is on this spaceship, I'm out of here.” You can play with that once you identify a type. You can go as deep with that type as you want, or you can just work with the core fear and the basic desire. There's no “better or worse”—it's whatever you feel comfortable with and whatever you need for the story. Joanna: In the book, you go into all the Enneagram types in detail, but you also have a specific example: Wednesday Addams. She's one of my favourites. People listening have either seen the current series or they have something in mind from the old-school Addams Family. Can you talk about [Wednesday Addams] as an example? Claire: Doing those deep dives was some of the most fun research for this book. I told my husband, John, “Don't bother me. I need to sit and binge-watch Wednesday again—with my notebook this time.” Online, people were guessing: “Oh, she's maybe this type, maybe that type.” As soon as I started watching properly with the Enneagram in mind, I thought: “Oh, this is a Type Eight, this is the Challenger.” One of the first things we hear from her is that she considers emotions to be weakness. Immediately, you can cross out a bunch of types from that. When we're looking at weak/strong language—that lens of “strength” versus “weakness”—we tend to look towards Eights, because they often sort the world in those terms. They're concerned about being harmed or controlled, so they feel they need to be strong and powerful. That gave me a strong hint in that direction. If we look at the inciting incident—which is a great place to identify what really triggers a character, because it has to be powerful enough to launch the story—Wednesday finds her little brother Pugsley stuffed in a locker. She says, “Who did this?” because she believes she's the only one who gets to bully him. That's a very stereotypical Type Eight thing. The unhealthy Eight can dip into being a bit of a bully because they're focused on power and power dynamics. But the Eight also says, “These are my people. I protect them. If you're one of my people, you're under my protection.” So there's that protection/control paradox. Then she goes and—spoiler—throws a bag of piranhas into the pool to attack the boys who hurt him. That's like: okay, this is probably an Eight. Then she has control wrested from her when she's sent to the new school. That's a big trigger for an Eight: to not have autonomy, to not have control. She acts out pretty much immediately, tries to push people away, and establishes dominance. One of the first things she does is challenge the popular girl to a fencing match. That's very Eight behaviour: “I'm going to go in, figure out where I sit in this power structure, and try to get into a position of power straight away.” That's how the story starts, and in the book I go into a lot more analysis. At one point she's attacked by this mysterious thing and is narrowly saved from a monster. Her reaction afterwards is: “I would have rather saved myself.” That's another strong Eight moment. The Eight does not like to be saved by anyone else. It's: “No, I wanted to be strong enough to do that.” Her story arc is also very Eight-flavoured: she starts off walled-off, “I can do it myself,” which can sometimes look like the self-sufficiency of the Five, but for her it's about always being in a power position and in control of herself. She has to learn to rely more on other people if she wants to protect the people she cares about. Protecting the innocent and protecting “her people” is a big priority for the Eight. Joanna: Let's say we've identified our main character and protagonist. One of the important things in any book, especially in a series, is conflict—both internal and external. Can we use the Enneagram to work out what would be the best other character, or characters, to give us more conflict? Claire: The character dynamics are complex, and all types are going to have both commonalities and conflict between them. That works really well for fiction. But depending on how much conflict you need, there are certain type pairings that are especially good for it. If you have a protagonist who's an Eight, they're going to generate conflict everywhere because it doesn't really bother them. They're okay wading into conflict. If you ask an Eight, “Do you like conflict?” they'll often say, “Well, sometimes it's not great,” but to everyone else it looks like they come in like a wrecking ball. The Eight tends to go for what they want. They don't see the point in waiting. They think, “I want it, I'm going to go and get it.” That makes them feel strong and powerful. So it's easy to create external and internal conflict with an Eight and other types. But the nature of the conflict is going to be different depending on who you pair them with. Let's say you have this Eight and you pair them with a Type One, “The Reformer,” whose core fear is being bad or corrupt, and who wants to be good and have integrity. The Reformer wants morality. They can get a little preachy; they can become a bit of a zealot when they're more unhealthy. A One and an Eight will have a very particular kind of conflict because the One says, “Let's do what's right,” and the Eight says, “Let's do what gets me what I want and puts me in the power position.” They may absolutely get along if they're taking on injustice. Ones and Eights will team up if they both see the same thing as unjust. They'll both take it on together. But then they may reach a point in the story where the choice is between doing the thing that is “right”—maybe self-sacrificing or moral—versus doing the thing that will exact retribution or secure a power-up. That's where the conflict between a One and an Eight shows up. You can grab any two types and they'll have unique conflict. I'm actually working on a project on Kickstarter that's all about character dynamics and relationships—Write Iconic Relationships is the next project—and I go deeper into this there. Joanna: I was wondering about that, because I did a day-thing recently with colour palettes and interior design—which is not usually my thing—so I was really challenging myself. We did this colour wheel, and they were talking about how the opposite colour on the wheel is the one that goes with it in an interesting way. I thought— Maybe there's something in the Enneagram where it's like a wheel, and the type opposite is the one that clashes or fits in a certain way. Is that a thing? Claire: There is a lot of that kind of contrast. The Enneagram is usually depicted in a circle, one through nine, and there are strong contrasts between types that are right next to each other, as well as interesting lines that connect them. For example, we've been talking about the Eight, and right next to Eight is Nine, “The Peacemaker.” Eights and Nines can look like opposites in certain ways. The Nine is conflict-avoidant, and the Eight tends to think you get what you want by pushing into conflict if necessary. Then you've got Four, “The Individualist,” which is very emotional, artistic, heart-centred, and Five, “The Investigator,” which you're familiar with—very head-centred and analytical, thinking-based. The Four and the Five can clash a bit: the head and the heart. So, yes, there are interesting contrasts right next to each other on the wheel. Each type also has its own conflict style. We're going into the weeds a bit here, but it's fascinating to play with. There's one conflict style—the avoidant conflict style, sometimes called the “positive outlook” group—and it's actually hard to get those types into an enemies-to-lovers romance because they don't really want to be enemies. That's Types Two, Seven, and Nine. So depending on the trope you're writing, some type pairings are more frictional than others. There are all these different dynamics you can explore, and I can't wait to dig into them more for everyone in the relationships book. Joanna: The Enneagram is just one of many tools people can use to figure out themselves as well as their characters. Maybe that's something people want to look at this year. You've got this book, you've got other resources that go into it, and there's also a lot of information out there if people want to explore it more deeply. Let's pull back out to the bigger picture, because as this goes out in January 2026, I think there is a real fear of change in the community right now. Is that something you've seen? What are your thoughts for authors on how they can navigate the year ahead? Claire: Yes, there has been a lot of fear. The rate of change of things online has felt very rapid. The rate of change in the broader world—politically, socially—has also felt scary to a lot of people. It can be really helpful to look at your own personal life and anchor yourself in what hasn't changed and what feels universal. From there you can start to say, “Okay, I can do this. I'm safe enough to be creative. I can find creative ways to work within this new environment.” You can choose to engage with AI. You can choose to opt out. It's totally your choice, and there is no inherent virtue in either one. I think that's important to say. Sometimes people who are anti-AI—not just uninterested but actively antagonistic—go after people who like it. And sometimes people who like AI can be antagonistic towards people who don't want to use it. But actually, you get to choose what you're comfortable with. One of the things I see emerging for authors in 2026, regardless of what tools you're using or how you feel about them, is this question of trustworthiness. I think there's a big need for that. With the increased number of images and videos that are AI-generated—which a lot of people who've been on the internet for a while can still recognise as AI and say, “Yeah, that's AI”—but that may not be obvious for long. Right now some of us can tell, but a lot of people can't, and that's only going to get murkier. There's a rising mistrust of our own senses online lately. We're starting to wonder, “Can I believe what I'm seeing and hearing?” And I think that sense of mistrust will increase. As an author in that environment, it's really worth focusing on: how do I build trust with my readers? That doesn't mean you never use AI. It might simply mean you disclose, to whatever extent feels right for you, how you use it. There are things like authenticity, honesty, vulnerability, humility, integrity, transparency, reliability—all of those are ingredients in this recipe of trustworthiness that we need to look at for ourselves. If there's one piece of hard inner work authors can do for 2026, I think it's asking: “Where have I not been trustworthy to my readers?” Then taking that hard, sometimes painful look at what comes up, and asking how you can adjust. What do you need to change? What new practices do you need to create that will increase trustworthiness? I really think that's the thing that's starting to erode online. If you can work on it now, you can hold onto your readers through whatever comes next. Joanna: What's one concrete thing people could do in that direction [to increase trustworthiness]? Claire: I would say disclosing if you use AI is a really good start—or at least disclosing how you use it specifically. I know that can lead to drama when you do it because people have strong opinions, but trustworthiness comes at the cost of courage and honesty. Transparency is another ingredient we could all use more of. If transparency around AI is a hard “absolutely not” for you—if you're thinking, “Nope, Claire, you can get lost with that”—then authenticity is another route. Let your messy self be visible, because people still want some human in the mix. Being authentically messy and vulnerable with your audience helps. If you can't be reliable and put the book out on time, at least share what's going on in your life. Staying connected in that way builds trust. Readers will think, “Okay, I see why you didn't hit that deadline.” But if you're always promising books—“It's going to be out on this day,” and then, “Oh, I had to push it back,” and that happens again and again—that does erode the trustworthiness of your brand. So, looking at those things and asking, “How am I cultivating trust, and how am I breaking it?” is hard work. There are definitely ways I look at my own business and think, “That's not a very trustworthy thing I'm doing.” Then I need to sit down, get real with myself, and see how I can improve that. Joanna: Always improving is good. Coming back to the personal brand piece, and to being vulnerable and putting ourselves out there: you and I have both got used to that over years of doing it and practising. There are people listening who have never put their photo online, or their voice online, or done a video. They might not use their photo on the back of their book or on their website. They might use an avatar. They might use a pen name. They might be afraid of having anything about themselves online. That's where I think there is a concern, because as much as I love a lot of the AI stuff, I don't love the idea of everything being hidden behind anonymous pen names and faceless brands. As you said, being vulnerable in some way and being recognisably human really matters. I'd say: double down on being human. I think that's really important. Do you have any words of courage for people who feel, “I just can't. I don't want to put myself out there”? Claire: There are definitely legitimate reasons some people wouldn't want to be visible. There are safety reasons, cultural reasons, family reasons—all sorts of factors. There are also a lot of authors who simply haven't practised the muscle of vulnerability. You build that muscle a little bit at a time. It does open you up to criticism, and some people are just not at a phase of life where they can cope with that. That's okay. If fear is the main reason—if you're hiding because you're scared of being judged—I do encourage you to step out, gently. This may be my personal soapbox, but I don't think life is meant to be spent hiding. Things may happen. Not everyone will like you. That's part of being alive. When you invite in hiding, it doesn't just stay in one corner. That constricted feeling tends to spread into other areas of your life. A lot of the time, people I work with don't want to disclose their pen names because they're worried their parents won't approve, and then we have to unpack that. You don't have to do what your parents want you to do. You're an adult now, right? If the issue is, “They'll cut me out of the will,” we can talk about that too. That's a deeper, more practical conversation. But if it's just that they won't approve, you have more freedom than you think. You also don't have to plaster your picture everywhere. Even if you're not comfortable showing your face, you can still communicate who you are and what matters to you in other ways—through your stories, through your email list, through how you talk to readers. Let your authentic self be expressed in some way. It's scary, but the reward is freedom. Joanna: Absolutely. Lots to explore in 2026. Tell people where they can find you and your books and everything you do online. Claire: LiberatedWriter.com is where all of my stuff lives, except my fiction, which I don't think people here are necessarily as interested in. If you do want to find my fiction, FFS Media is where that lives. Then I'm on Substack as well. I write long pieces there. If you want to subscribe, it's The Liberated Writer on Substack. Joanna: Brilliant. Well, thanks so much for your time, Claire. That was great. Claire: Thanks so much for having me.The post Leaving Social Media, Writing Iconic Characters, and Building Trust With Claire Taylor first appeared on The Creative Penn.

In this episode of the Self-Publishing with ALLi Member Q&A podcast, hosts Michael La Ronn and Sacha Black discuss whether authors who narrate their own audiobooks should file for copyright registration of the performance rights in addition to registering the text. Other questions include: What affordable alternatives exist to expensive PO boxes for UK authors who need a postal address for their newsletter Should authors delay book publication if they cannot obtain a Library of Congress control number during a government shutdown How can middle-grade authors market their books while complying with laws around children and content What should authors do when experiencing quality control problems with Ingram Spark orders Should authors enable or disable DRM on Amazon in light of new policies allowing readers to download epub files And more! Find more author advice, tips, and tools at our Self-Publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. And, if you haven't already, we invite you to join our organization and become a self-publishing ally. About the Hosts Michael La Ronn is ALLi's Outreach Manager. He is the author of over 80 science fiction & fantasy books and self-help books for writers. He writes from the great plains of Iowa and has managed to write while raising a family, working a full-time job, and even attending law school classes in the evenings (now graduated!). You can find his fiction at www.michaellaronn.com and his videos and books for writers at www.authorlevelup.com. Sacha Black is a bestselling and competition winning author, rebel podcaster, speaker and casual rule breaker. She writes fiction under a secret pen name and other books about the art of writing. When Sacha isn't writing, she runs ALLi's blog. She lives in England, with her wife and genius, giant of a son. You can find her on her website, her podcast, and on Instagram.

Dr. Shaurice Mullins, known as Dr. M, is a distinguished business strategist, entrepreneur, and thought leader with over 25 years of experience driving transformational change for individuals, organizations, and communities worldwide. As President and CEO of multiple successful enterprises including The Elite Group, Inc., Elite Disaster Consulting International, and Shaurice Mullins International, she has established herself as a premier voice in economic innovation, leadership development, and sustainable business growth.Through these ventures, she delivers actionable strategies that help clients unlock new levels of access, leadership, and financial freedom. Dr. M's hallmark is her unique ability to transform challenges into opportunities. By fusing cultural insights with cutting-edge solutions, she elevates individuals and communities to their fullest potential—cultivating a legacy of wealth, empowerment, and enduring success. Her vision resonates deeply with creatives, professionals, entrepreneurs, and industry leaders seeking strategic guidance to elevate performance, lead with purpose, and achieve generational impact.Her expertise has earned prestigious recognition including the Presidential Lifetime Achievement Award for volunteer service, JPMorgan Chase "Woman to Know in America" honor, "North Carolina Woman to Know" award, and induction into the exclusive BOW Collective. Dr. Mullins' insights have been featured across major media platforms including The VUE, Thrive, Millennium, Forbes, CBS, FOX, NBC, ABC, and prominently displayed in New York City's Times Square.What sets Dr. Mullins apart as a speaker is her ability to seamlessly integrate cultural intelligence with cutting-edge business strategy, delivering practical frameworks that audiences can immediately implement. As a board-certified Holistic Health Practitioner, she brings a unique whole-person approach to leadership and performance optimization that resonates with diverse audiences from Fortune 500 executives to emerging entrepreneurs.Dr. Mullins' presentations combine deep strategic insight with inspirational storytelling, leaving audiences equipped with actionable strategies for breakthrough performance. Her clients and audience consistently report measurable improvements in leadership effectiveness, team performance, and organizational growth following her engagements. Through her unwavering leadership, Dr. Mullins inspires established and emerging leaders to make a global impact while cultivating financial independence.Contact Details:Email: hello@shauricemullins.com Company: Shaurice Mullins InternationalWebsites: www.shauricemullins.com Social Media: LinkedIN - dr-shaurice-e-mullins-dr-m-49709b5aFacebook - @shaurice-mullinsInstagram - @shauricemullinsTiktok - @shauricemullinsX - @shauricemullins Remember to SUBSCRIBE so you don't miss "Information That You Can Use." Share Just Minding My Business with your family, friends, and colleagues. Engage with us by leaving a review or comment on my Google Business Page. https://g.page/r/CVKSq-IsFaY9EBM/review Your support keeps this podcast going and growing.Visit Just Minding My Business Media™ LLC at https://jmmbmediallc.com/ to learn how we can help you get more visibility on your products and services. 

PC makers are shaking up CES with wild designs and next-gen chips, but the real story is Microsoft's bold software moves, AI's hardware hunger, and a candid debate over whether any tech company still puts users first. Come for the Windows updates, stay for the whisky warnings and robot bathroom assistants. CES 2026 is here with the 4K hummingbird feeder of your dreams New PCs and more from HP consumers/commercial, HP gamers, Lenovo, others The first official Copilot+ PC desktops Snapdragon X2 Plus joins X2 Elite and X2 Elite Extreme Intel Panther Lake has meaningful CPU and graphics performance gains, but predictable reliability issues AMD Ryzen AI 400 series is a minor bump Windows Paul was the first to report that Microsoft is refactoring it all with Rust A Microsoft distinguished engineer wrote about his desire to refactor all C/C++ code in the company with Rust by 2030 Some mistook this to mean "rewriting Windows with Rust,ˮ so he had to issue a clarification. But I never wrote that. Heads-up: That will happen, but this is really about Azure first and the core underlying code in Microsoftʼs most important platforms Microsoft released hardware-accelerated BitLocker in late 2025 and never told anyone. It requires the latest PC CPUs Copilot app update that adds text editing actions to Copilot Vision across channels Dev and Beta got first previews of AI agents on the Taskbar, starting with the Researcher agent, plus underlying Agent Launchers experience IDC says the global memory shortage (thanks, AI!) could screw up PC and smartphone growth this year AI ChatGPT now has an app store, but it has a ways to go Mozilla Firefox will have a "killswitchˮ for AI Our national nightmare will soon be over, LG will let users remove Copilot app from their smart TVs Xbox and gaming First Xbox Game Pass releases of 2026 include Resident Evil Village and Star Wars Outlaws Xbox Cloud Gaming is coming to Hisense smart TVs and to the latest Fire TV smart TVs GOG goes independent, will continue DRM-free push "Have a blastˮ and other FPS throwbacks from the 1990s Valve quietly killed the LCD Steam Deck model Tips and picks Tip of the week: Itʼs time to give Little AI a look App pick of the week: Bonjourr RunAs Radio this week: What AI can do for SysAdmins in 2026 with Cecilia Wiren Brown liquor pick of the week: The Singleton of Dufftown 12 Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Download or subscribe to Windows Weekly at https://twit.tv/shows/windows-weekly Check out Paul's blog at thurrott.com The Windows Weekly theme music is courtesy of Carl Franklin. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Sponsors: threatlocker.com/twit cachefly.com/twit

When you read The Viper, the new Zig and Nola novel from Brad Meltzer, it doesn't take long to see how comics inform the author's creativity. As he says during our conversation, “It's Superman and Batman. It's Spider-Man and Wolverine.” Meltzer grew up a comic book kid, and the ideas he found in Marvel Comics and DC Comics remain at the forefront of his imagination. It's been a minute since he's played in our favorite medium, having written stellar runs on Green Arrow and Justice League of America, and we can never forget the monumental event that was Identity Crisis. However, he's never been far from comics, and it's evident to anyone who's experienced his Ordinary People Change the World series with Chris Eliopoulos and his novels. The Viper, released this week from William Morrow, is Meltzer's return to the thriller. It's a zippy, twisty narrative about a dying man who delivers his suit to the funeral home tasked with handling his body, shortly before he's murdered, advancing his earthly exit. The death quickly reunites Meltzer's heroes from The Lightning Rod and The Escape Artist, Zig and Nola, his Superman and Batman, and plunges them into a conspiracy with ties to Nola's past. We got a lot from The Viper, and we bring it all to Brad Melzer on this week's podcast. We discuss his life as a comic book kid, how he can't escape comics, and what he might have on the horizon in terms of the four-color medium. Yes, his Ghost Machine collaboration with Geoff Johns and Gene Ha is coming, but there seems to be something else, too. We try to tease the news out of him. Make sure you head to your local bookstore to get your copy of The Viper, and follow Brad Melzer on Instagram and Bluesky. This Week's Sponsors The Future is Calling! 2000 AD is the Galaxy's Greatest Comic, with new issues published every single week! Every 32-page issue of 2000 AD brings you the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper, and more. Get a print subscription to 2000 AD and it'll arrive to your mailbox every week - and your first issue is free! Or subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! Other Relevant Links to This Week's Episode: Subscribe to The Stacks, Comic Creators Name Their Favorite Comics The Stampies: Best Comics of 2025 (Part One) The Stampies: Best Comics of 2025 (Part Two) Read The Stampies on GlobalComix Comic Book Club: Black Arms to Hold You Up at Meanwhile...Coffee in Herndon, Virginia, on 2/1 at 3:30 PM Comic Book Film Club: The Phantom w/Billy Zane Virtual Intro at the Alamo Drafthouse Winchester on 1/25 Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

PC makers are shaking up CES with wild designs and next-gen chips, but the real story is Microsoft's bold software moves, AI's hardware hunger, and a candid debate over whether any tech company still puts users first. Come for the Windows updates, stay for the whisky warnings and robot bathroom assistants. CES 2026 is here with the 4K hummingbird feeder of your dreams New PCs and more from HP consumers/commercial, HP gamers, Lenovo, others The first official Copilot+ PC desktops Snapdragon X2 Plus joins X2 Elite and X2 Elite Extreme Intel Panther Lake has meaningful CPU and graphics performance gains, but predictable reliability issues AMD Ryzen AI 400 series is a minor bump Windows Paul was the first to report that Microsoft is refactoring it all with Rust A Microsoft distinguished engineer wrote about his desire to refactor all C/C++ code in the company with Rust by 2030 Some mistook this to mean "rewriting Windows with Rust,ˮ so he had to issue a clarification. But I never wrote that. Heads-up: That will happen, but this is really about Azure first and the core underlying code in Microsoftʼs most important platforms Microsoft released hardware-accelerated BitLocker in late 2025 and never told anyone. It requires the latest PC CPUs Copilot app update that adds text editing actions to Copilot Vision across channels Dev and Beta got first previews of AI agents on the Taskbar, starting with the Researcher agent, plus underlying Agent Launchers experience IDC says the global memory shortage (thanks, AI!) could screw up PC and smartphone growth this year AI ChatGPT now has an app store, but it has a ways to go Mozilla Firefox will have a "killswitchˮ for AI Our national nightmare will soon be over, LG will let users remove Copilot app from their smart TVs Xbox and gaming First Xbox Game Pass releases of 2026 include Resident Evil Village and Star Wars Outlaws Xbox Cloud Gaming is coming to Hisense smart TVs and to the latest Fire TV smart TVs GOG goes independent, will continue DRM-free push "Have a blastˮ and other FPS throwbacks from the 1990s Valve quietly killed the LCD Steam Deck model Tips and picks Tip of the week: Itʼs time to give Little AI a look App pick of the week: Bonjourr RunAs Radio this week: What AI can do for SysAdmins in 2026 with Cecilia Wiren Brown liquor pick of the week: The Singleton of Dufftown 12 Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Download or subscribe to Windows Weekly at https://twit.tv/shows/windows-weekly Check out Paul's blog at thurrott.com The Windows Weekly theme music is courtesy of Carl Franklin. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Sponsors: threatlocker.com/twit cachefly.com/twit

PC makers are shaking up CES with wild designs and next-gen chips, but the real story is Microsoft's bold software moves, AI's hardware hunger, and a candid debate over whether any tech company still puts users first. Come for the Windows updates, stay for the whisky warnings and robot bathroom assistants. CES 2026 is here with the 4K hummingbird feeder of your dreams New PCs and more from HP consumers/commercial, HP gamers, Lenovo, others The first official Copilot+ PC desktops Snapdragon X2 Plus joins X2 Elite and X2 Elite Extreme Intel Panther Lake has meaningful CPU and graphics performance gains, but predictable reliability issues AMD Ryzen AI 400 series is a minor bump Windows Paul was the first to report that Microsoft is refactoring it all with Rust A Microsoft distinguished engineer wrote about his desire to refactor all C/C++ code in the company with Rust by 2030 Some mistook this to mean "rewriting Windows with Rust,ˮ so he had to issue a clarification. But I never wrote that. Heads-up: That will happen, but this is really about Azure first and the core underlying code in Microsoftʼs most important platforms Microsoft released hardware-accelerated BitLocker in late 2025 and never told anyone. It requires the latest PC CPUs Copilot app update that adds text editing actions to Copilot Vision across channels Dev and Beta got first previews of AI agents on the Taskbar, starting with the Researcher agent, plus underlying Agent Launchers experience IDC says the global memory shortage (thanks, AI!) could screw up PC and smartphone growth this year AI ChatGPT now has an app store, but it has a ways to go Mozilla Firefox will have a "killswitchˮ for AI Our national nightmare will soon be over, LG will let users remove Copilot app from their smart TVs Xbox and gaming First Xbox Game Pass releases of 2026 include Resident Evil Village and Star Wars Outlaws Xbox Cloud Gaming is coming to Hisense smart TVs and to the latest Fire TV smart TVs GOG goes independent, will continue DRM-free push "Have a blastˮ and other FPS throwbacks from the 1990s Valve quietly killed the LCD Steam Deck model Tips and picks Tip of the week: Itʼs time to give Little AI a look App pick of the week: Bonjourr RunAs Radio this week: What AI can do for SysAdmins in 2026 with Cecilia Wiren Brown liquor pick of the week: The Singleton of Dufftown 12 Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Download or subscribe to Windows Weekly at https://twit.tv/shows/windows-weekly Check out Paul's blog at thurrott.com The Windows Weekly theme music is courtesy of Carl Franklin. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Sponsors: threatlocker.com/twit cachefly.com/twit

PC makers are shaking up CES with wild designs and next-gen chips, but the real story is Microsoft's bold software moves, AI's hardware hunger, and a candid debate over whether any tech company still puts users first. Come for the Windows updates, stay for the whisky warnings and robot bathroom assistants. CES 2026 is here with the 4K hummingbird feeder of your dreams New PCs and more from HP consumers/commercial, HP gamers, Lenovo, others The first official Copilot+ PC desktops Snapdragon X2 Plus joins X2 Elite and X2 Elite Extreme Intel Panther Lake has meaningful CPU and graphics performance gains, but predictable reliability issues AMD Ryzen AI 400 series is a minor bump Windows Paul was the first to report that Microsoft is refactoring it all with Rust A Microsoft distinguished engineer wrote about his desire to refactor all C/C++ code in the company with Rust by 2030 Some mistook this to mean "rewriting Windows with Rust,ˮ so he had to issue a clarification. But I never wrote that. Heads-up: That will happen, but this is really about Azure first and the core underlying code in Microsoftʼs most important platforms Microsoft released hardware-accelerated BitLocker in late 2025 and never told anyone. It requires the latest PC CPUs Copilot app update that adds text editing actions to Copilot Vision across channels Dev and Beta got first previews of AI agents on the Taskbar, starting with the Researcher agent, plus underlying Agent Launchers experience IDC says the global memory shortage (thanks, AI!) could screw up PC and smartphone growth this year AI ChatGPT now has an app store, but it has a ways to go Mozilla Firefox will have a "killswitchˮ for AI Our national nightmare will soon be over, LG will let users remove Copilot app from their smart TVs Xbox and gaming First Xbox Game Pass releases of 2026 include Resident Evil Village and Star Wars Outlaws Xbox Cloud Gaming is coming to Hisense smart TVs and to the latest Fire TV smart TVs GOG goes independent, will continue DRM-free push "Have a blastˮ and other FPS throwbacks from the 1990s Valve quietly killed the LCD Steam Deck model Tips and picks Tip of the week: Itʼs time to give Little AI a look App pick of the week: Bonjourr RunAs Radio this week: What AI can do for SysAdmins in 2026 with Cecilia Wiren Brown liquor pick of the week: The Singleton of Dufftown 12 Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Download or subscribe to Windows Weekly at https://twit.tv/shows/windows-weekly Check out Paul's blog at thurrott.com The Windows Weekly theme music is courtesy of Carl Franklin. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Sponsors: threatlocker.com/twit cachefly.com/twit

PC makers are shaking up CES with wild designs and next-gen chips, but the real story is Microsoft's bold software moves, AI's hardware hunger, and a candid debate over whether any tech company still puts users first. Come for the Windows updates, stay for the whisky warnings and robot bathroom assistants. CES 2026 is here with the 4K hummingbird feeder of your dreams New PCs and more from HP consumers/commercial, HP gamers, Lenovo, others The first official Copilot+ PC desktops Snapdragon X2 Plus joins X2 Elite and X2 Elite Extreme Intel Panther Lake has meaningful CPU and graphics performance gains, but predictable reliability issues AMD Ryzen AI 400 series is a minor bump Windows Paul was the first to report that Microsoft is refactoring it all with Rust A Microsoft distinguished engineer wrote about his desire to refactor all C/C++ code in the company with Rust by 2030 Some mistook this to mean "rewriting Windows with Rust,ˮ so he had to issue a clarification. But I never wrote that. Heads-up: That will happen, but this is really about Azure first and the core underlying code in Microsoftʼs most important platforms Microsoft released hardware-accelerated BitLocker in late 2025 and never told anyone. It requires the latest PC CPUs Copilot app update that adds text editing actions to Copilot Vision across channels Dev and Beta got first previews of AI agents on the Taskbar, starting with the Researcher agent, plus underlying Agent Launchers experience IDC says the global memory shortage (thanks, AI!) could screw up PC and smartphone growth this year AI ChatGPT now has an app store, but it has a ways to go Mozilla Firefox will have a "killswitchˮ for AI Our national nightmare will soon be over, LG will let users remove Copilot app from their smart TVs Xbox and gaming First Xbox Game Pass releases of 2026 include Resident Evil Village and Star Wars Outlaws Xbox Cloud Gaming is coming to Hisense smart TVs and to the latest Fire TV smart TVs GOG goes independent, will continue DRM-free push "Have a blastˮ and other FPS throwbacks from the 1990s Valve quietly killed the LCD Steam Deck model Tips and picks Tip of the week: Itʼs time to give Little AI a look App pick of the week: Bonjourr RunAs Radio this week: What AI can do for SysAdmins in 2026 with Cecilia Wiren Brown liquor pick of the week: The Singleton of Dufftown 12 Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Download or subscribe to Windows Weekly at https://twit.tv/shows/windows-weekly Check out Paul's blog at thurrott.com The Windows Weekly theme music is courtesy of Carl Franklin. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Sponsors: threatlocker.com/twit cachefly.com/twit

In this episode of The Game Deflators Podcast, John and Ryan dive into a packed week of gaming chatter, starting with a look at their latest pickups. John reveals an unexpectedly massive haul of Dungeons & Dragons books, while Ryan contemplates purchasing a PlayStation Portal. The conversation then shifts to industry news, where John and Ryan unpack reports of rising RAM costs and what that could mean for a potential PlayStation 5 price increase. They also discuss the recent separation of GOG from CD Projekt's corporate structure, exploring what this move might signal for the future of DRM‑free gaming and why it matters to players who value ownership and preservation. From there, the duo jumps into this week's game review, putting the original Driver for the PlayStation through its paces. They revisit the game's notoriously tough tutorial, its cinematic car chases, and the legacy it left on the genre, all while debating whether its current market price truly reflects the experience it offers today.   00:00 Introduction and Game Picks 09:53 D&D Book Collection and Value 19:53 Current Gaming Experiences 26:51 GOG's New Ownership and Future 30:10 PlayStation 5 Price Hike Discussion 32:30 Driver Game Review: Nostalgia vs. Reality   Want more Game Deflators content? Find us at www.thegamedeflators.com     Find us on Social Media Twitter @GameDeflators Instagram @TheGameDeflators Facebook @TheGameDeflators YouTube @The Game Deflators   Permission for intro and outro music provided by Matthew Huffaker http://www.youtube.com/user/teknoaxe 2_25_18 

In this episode, Tony sits down with award‑winning author, activist, and digital rights advocate Cory Doctorow to explore his acclaimed story collection Radicalized — four near‑future novellas that channel our deepest cultural anxieties into sharp, human‑centered speculative fiction. Doctorow's work has always lived at the crossroads of technology, power, and personal agency, and Radicalized distills those themes into four unforgettable narratives: “Unauthorized Bread” — a tale of immigrant resilience in a world where even your toaster is locked behind DRM. “Model Minority” — a superhero story that interrogates complicity, policing, and the myth of the “good immigrant.” “Radicalized” — a darkly empathetic look at healthcare injustice and the online communities that form around desperation. “The Masque of the Red Death” — a survivalist fantasy turned moral reckoning. #corydoctorow

Welcome back, friend. Our end-of-the-year celebration concludes with The Stampies: Best Comics of 2025 (Part Two). If you missed the Part One party, click here, and discover the comics we considered the saddest of 2025, the most stylish, the most genre-bendy, etc, etc. For this week's second half award show ceremony, we're tackling the more traditional categories of Best Limited Series, Best Ongoing, Best Original Graphic Novel, and more. We wrap it all up by anointing the Jesse Tapia II Champ Stamp in honor of our dear departed friend, and announce how we'll be kicking off 2026 next week. As was the case in our first half, The Stampies: Best Comics of 2025 (Part Two) features several guest-stars from folks across the industry. Each and every one of these cool cats is worth your attention, and we encourage you to follow their work and their socials listed below. This year produced too many dang great comics, but thankfully, these creatives helped us break beyond our limited perspective, and you benefit with even more titles to add to your ever-expanding to-read pile. The Best Comics of 2025 Part One Guest-Stars: Gregg Katzman (Bluesky), IDW Publishing's Senior Publicity Manager. Owen (Bluesky), Owen Likes Comics. Tyler Crook (Bluesky), The Lonesome Hunters, Out of Alcatraz, etc. Avery Kaplan (Bluesky), The Beat, Star Trek, TCJ, etc. BJ Kicks (Bluesky), Comics Are Dope. David Brooke (Bluesky), Owner, Writer, Host at AIPT. Chris Condon (Bluesky), That Texas Blood, Green Arrow, Ultimate Wolverine, etc. Chris Piers (Bluesky), Host of ComicTropes. Christian Ward (Bluesky), Batman: City of Madness, Event Horizon: Dark Descent, Two-Face, etc. This Week's Sponsors GlobalComix is the all-in-one digital comics platform offering unlimited reading of thousands of titles from top publishers, indie creators, across comics, manga, and toons. With GlobalComix Gold, members unlock access to more than 100,000 books and genres - superheroes, horror, sci-fi, manga, fantasy, romance, and more. Right now, GlobalComix is running a special Holiday Gold promotion: when you sign up for a year of GlobalComix Gold for $69, you'll get a bonus premium comics bundle from Dark Horse, DC, Kodansha, and Marvel - included for free. This bundle is valued at $67, making the annual plan essentially pay for itself with the bonus alone. How to Redeem: Use the link https://globalcomix.com/holiday-bundle-2025 to sign up. The offer is live now and available for a limited time (through January 4, 2026). Once subscribed, the bonus bundle will be added to your GlobalComix library. Are you ready to face the future? Look no further than 2000 AD – it's the Galaxy's Greatest Comic! Every week 2000 AD brings the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper and more! Get a print subscription to 2000 AD, and it'll arrive at your mailbox every week, and your first issue is free. You'll also receive the HUNDRED PAGE 2000 AD Christmas Special this December at no extra cost! Or, subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! This Winter, from IDW Publishing, the Heroes in a Half-Shell take on the King of the Monsters! Teenage Mutant Ninja Turtles x Godzilla #1 crashes into comic shops on November 12th. Written by Godzilla Kei-Sei Scribe Tim Seeley and illustrated by the brilliant Turtle artist behind the Nightwatcher series, as well as the Stranger Things/TMNT crossover, Fero Pe, this new series finally brings two of our favorite franchises together. How can this reptilian miracle be?  Long before the organization was corrupted by Shredder, the Foot Clan's original purpose was to save Japan from Kaiju! Now, in the present day, Godzilla and its fellow monsters have reappeared. Not only is the Foot not prepared to stop them…it would seem Shredder himself is behind the attacks! The Turtles are always crossing over into rad nerd realms, but this one might be the king crossover of them all.  The Best Comics of 2025 Part One Category Timestamps: Intro (New Year's Intentions) - 2:52 Global Comix Gold Bundle - 12:23 Best Sleeper Superhero Story - 19:16 - WINNER (TIE): Supergirl: Universe End and Two-Face: Trial Separation (DC Comics) Best Anthology - 30:45 - WINNER: Monkey Meat: The Summer Batch (Image Comics) Best Adaptation - 37:47 - WINNER: Dracula Book II: The Brides (Dark Horse Comics) Best Memoir - 44:26 - WINNER: The Ephemerata (Fantagraphics) Most Engaged Comic - 53:28 - WINNER: Black Arms to Hold You Up (Pantheon) Best Limited Series - 1:02:23 - WINNER: Spectrum (Mad Cave Studios) Best Ongoing Series - 1:13:18 - WINNER: Absolute Batman (DC Comics) Best Original Graphic Novel - 1:24:38 - WINNER: Drome (23rd St. Books) Cartoonist of the Year - 1:31:38 - WINNER: Patrick Horvath (Beneath the Trees Where Nobody Sees: Rite of Spring) Jesse Tapia II Champ Stamp - 1:37:27 - WINNER: Randy Clute (Our Day) Lisa's Pick - 1:42:52 - WINNER: The Confessional (Silver Sprocket) Brad's Pick - 1:45:40 - WINNER: More Weight (Top Shelf Productions) Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Disney reached a settlement with the Department of Justice over a COPPA violation, sources claim Nvidia approached TSMC to ramp up production of AI chips to meet large increase in demand from China, and GOG changes owners but not mission to sell DRM-free games. MP3 Please SUBSCRIBE HERE for free or get DTNS Live ad-free.Continue reading "Disney Settles with DoJ over COPPA Violation – DTH"

Filmajánló szilveszterre: 9 film, ami szuper választás lesz estére Szilveszter retró: Ezt ettük a 80-as, és a 90-es évek utolsó estéin Hogyan fojtsuk vízbe, avagy kétéltűek tündöklése és bukása: Régi idők fénye Részleteket árult el a következő Terminátor-filmről James Cameron A Stranger Things vége: mihez kezd a Netflix a legnagyobb sikersorozata után? DrMáriás: Mára megint egy diktatúraszerű világban élek 5 film, ami lendületet ad az új évhez Kállay Borit ünnepli az olasz sajtó Netflix szilveszter: ezek a legjobb bulis filmek A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Filmajánló szilveszterre: 9 film, ami szuper választás lesz estére Szilveszter retró: Ezt ettük a 80-as, és a 90-es évek utolsó estéin Hogyan fojtsuk vízbe, avagy kétéltűek tündöklése és bukása: Régi idők fénye Részleteket árult el a következő Terminátor-filmről James Cameron A Stranger Things vége: mihez kezd a Netflix a legnagyobb sikersorozata után? DrMáriás: Mára megint egy diktatúraszerű világban élek 5 film, ami lendületet ad az új évhez Kállay Borit ünnepli az olasz sajtó Netflix szilveszter: ezek a legjobb bulis filmek A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

-Considering the caliber of President Trump's other appointees, Jared Isaacman is probably the best candidate for the job. Outside of being a successful entrepreneur, he has flown fighter jets and been to space twice as part of the Inspiration4 and Polaris Dawn private missions. -Michał Kiciński, co-founder of CD Projekt, has acquired total ownership of the DRM-free video game storefront GOG. The digital video game platform was started by CD Projekt in 2008 with a stated mission to preserve "Good Old Games" (hence the GOG acronym). -Ubisoft had to shut down Rainbow Six Siege's servers and roll back transactions, a situation that came from a widespread breach that left various players with billions of in-game credits, ultra-rare skins of weapons, and banned accounts. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Máriás Béla, azaz DrMáriás januárban lesz 60 éves, az általa alapított Tudósok zenekar pedig 40. Az évfordulókat egy életmű-kiállítás és egy különleges jubileumi album kíséri. Az Éljen a diktatúra! című kötet hatvan életrajzi írásban beszél a festő-zenész-író összetéveszthetetlen művészeti víziójáról, életútjáról a Tito-korszak Jugoszláviájában eltöltött gyerekkortól és a menekülés-szerű Magyarországra költözéstől mostanáig. A hol ironikus, hol groteszk, hol pedig megrendítő könyv központi kérdése: lehetséges-e a művészi szabadság eszközeivel kritikusan viszonyulni a diktatórikus rendszerekhez, vagy eleve illúzió bármiféle lázadás. 2025 utolsó Buksója egyben a podcast záró epizódja is a 24.hu-n. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

This is a recap of the top 10 posts on Hacker News on December 19, 2025. This podcast was generated by wondercraft.ai (00:30): Hacker News front page now, but the titles are honestOriginal post: https://news.ycombinator.com/item?id=46326588&utm_source=wondercraft_ai(01:52): Amazon will allow ePub and PDF downloads for DRM-free eBooksOriginal post: https://news.ycombinator.com/item?id=46324078&utm_source=wondercraft_ai(03:14): GotaTun – Mullvad's WireGuard Implementation in RustOriginal post: https://news.ycombinator.com/item?id=46324543&utm_source=wondercraft_ai(04:36): Garage – An S3 object store so reliable you can run it outside datacentersOriginal post: https://news.ycombinator.com/item?id=46326984&utm_source=wondercraft_ai(05:58): Noclip.website – A digital museum of video game levelsOriginal post: https://news.ycombinator.com/item?id=46321619&utm_source=wondercraft_ai(07:20): CSS Grid LanesOriginal post: https://news.ycombinator.com/item?id=46331586&utm_source=wondercraft_ai(08:42): TikTok Deal Is the Shittiest Possible Outcome, Making Everything WorseOriginal post: https://news.ycombinator.com/item?id=46327406&utm_source=wondercraft_ai(10:04): You can now play Grand Theft Auto Vice City in the browserOriginal post: https://news.ycombinator.com/item?id=46329696&utm_source=wondercraft_ai(11:27): Getting bitten by Intel's poor naming schemesOriginal post: https://news.ycombinator.com/item?id=46322540&utm_source=wondercraft_ai(12:49): 2026 Apple introducing more ads to increase opportunity in search resultsOriginal post: https://news.ycombinator.com/item?id=46322556&utm_source=wondercraft_aiThis is a third-party project, independent from HN and YC. Text and audio generated using AI, by wondercraft.ai. Create your own studio quality podcast with text as the only input in seconds at app.wondercraft.ai. Issues or feedback? We'd love to hear from you: team@wondercraft.ai

In this episode, I'm joined by Joe Rey (Founder & CCO), Oliver Fuselier (COO & CMO), Mykola Smorgun (CTO) from Popology Network.We talk about why curation might matter more than AI in a world of infinite content, how Popology uses a “meta search” to pull media from multiple platforms into curated popcasts, and how they aim to decentralize digital rights management by making users the curators and ledger operators.We also cover influencer-brand sponsorship selection, permissioned data ownership, and what they're raising to scale the platform.Key Timestamps[00:00:00] Intro: Popology's mission – redesigning the attention economy, curation, and decentralized DRM. [00:02:00] Joe + Oliver's background: Decades in film/music video production and why they moved into Web3. [00:07:00] Finding the CTO: Why they needed “30,000 ft” technical architecture to scale the vision. [00:10:00] Core product: Meta search + drag/drop curation into popcasts across multiple content platforms. [00:11:00] DRM angle: Users become the “operators” by curating and ledgering content. [00:14:00] “Pathologists”: Viewers earn tokens and become members by engaging and logging in. [00:18:00] Big debate: Swipe algorithms vs intentional curation (and how they gamify adoption). [00:31:00] Monetization: Sponsorship ads + permissioned data marketplace + subscription tier.[00:47:00] Ask: Influencers/marketers + private sale (two rounds) leading into a larger public raise.Connecthttps://www.popologynetworks.com/https://www.linkedin.com/company/popology-corporation/about/https://www.linkedin.com/in/joe-rey-7539415/https://x.com/Joe_Reyhttps://www.linkedin.com/in/oliverfuselier/https://x.com/OFuselierDisclaimerNothing mentioned in this podcast is investment advice and please do your own research. It would mean a lot if you can leave a review of this podcast on Apple Podcasts or Spotify and share this podcast with a friend.Get featuredBe a guest on the podcast or contact us – https://www.web3pod.xyz/

On this episode of the Self-Publishing with ALLi podcast, Dan Holloway breaks down two major Amazon stories, including a controversial change to Kindle's DRM policy that will allow DRM-free books to be downloaded as EPUB and PDF files, raising fresh concerns about piracy. He also looks at Audible's new partnership with TikTok to surface trending BookTok titles inside the Audible app, and examines Australia's new ban on social media use for under-sixteens and what it could mean for book discovery, especially in YA and New Adult markets. Sponsor Self-Publishing News is proudly sponsored by PublishMe—helping indie authors succeed globally with expert translation, tailored marketing, and publishing support. From first draft to international launch, PublishMe ensures your book reaches readers everywhere. Visit publishme.me. Find more author advice, tips, and tools at our Self-publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. And, if you haven't already, we invite you to join our organization and become a self-publishing ally. About the Host Dan Holloway is a novelist, poet, and spoken word artist. He is the MC of the performance arts show The New Libertines, He competed at the National Poetry Slam final at the Royal Albert Hall. His latest collection, The Transparency of Sutures, is available on Kindle.

Friends, let's celebrate. We've made it through another year, and no matter how you felt about the world outside your local comic book shop, you certainly read some great comics. Welcome to our annual award show, The Stampies: Best Comics of 2025. Part One. Every year is a good year for comics. You just have to go out and read them. That's the secret. We try not to imprison ourselves with characters, genres, publishers, or even our preferred tastes. As long as you're only interested in good comics, you'll find them if you read enough, and the brilliant thing about 2025 is that we read a lot, and found so many great comics, but we still didn't read enough to read all the great comics. Thankfully, we sent out the Comic Book Couples Counseling distress call, and a bunch of our friends from across the industry answered. Peppered throughout our Stampies ceremony are our podcaster, journalist, publicist, and creator friends, each offering their favorite comics from 2025. See a list of them below, and make sure you support their work and follow them on socials. As we do every year, we select our favorite comics and then create the Stampies around them. This two-part episode reflects our weird, collective tastes as a couple. Listeners will recognize several of the titles, but hopefully, we've thrown in several surprises, too. You can also find the award categories and (SPOILERS) winners below, listed alongside their timestamps in case you want to hop around or revisit later. For the first time ever, we've created physical Stampy Awards to be delivered to the creators. We're only able to do this thanks to our new sponsor, Global Comix. The all-in-one digital comics platform is currently offfering a great comics bundle when you sign up for their Global Comix Gold program. Make sure you give them a click (more details below), then start browsing their incredible digital comics library. The Best Comics of 2025 Part One Guest-Stars: Lance (Bluesky) and Jeremy (Bluesky) of Comic Book Keepers. Eamon Winkle (Instagram): The Principles of Necromancy, Geiger, etc. Jenna Anderson (Bluesky) of Phase Hero and Go Read Some Comics. Chris Hacker (Bluesky) and Aaron Knowles (BlueSky) of The Oblivion Bar Podcast. Ollie Kaplan (Bluesky) of Comics Beat, Prism Comics, etc. Barbra Dillon (Bluesky): Co-founder and Editor-in-Chief of Fanbase Press. David Harper (Bluesky) of SKTCHD and Off Panel. Patrick Horvath (Bluesky): Beneath the Trees Where Nobody Sees. Badr Milligan (Bluesky) of The Short Box Podcast. This Week's Sponsors GlobalComix is the all-in-one digital comics platform offering unlimited reading of thousands of titles from top publishers, indie creators, across comics, manga, and toons. With GlobalComix Gold, members unlock access to more than 100,000 books and genres - superheroes, horror, sci-fi, manga, fantasy, romance, and more. Right now, GlobalComix is running a special Holiday Gold promotion: when you sign up for a year of GlobalComix Gold for $69, you'll get a bonus premium comics bundle from Dark Horse, DC, Kodansha, and Marvel - included for free. This bundle is valued at $67, making the annual plan essentially pay for itself with the bonus alone. How to Redeem: Use the link https://globalcomix.com/holiday-bundle-2025 to sign up. The offer is live now and available for a limited time (through January 4, 2026). Once subscribed, the bonus bundle will be added to your GlobalComix library. This Winter, from IDW Publishing, the Heroes in a Half-Shell take on the King of the Monsters! Teenage Mutant Ninja Turtles x Godzilla #1 crashes into comic shops on November 12th. Written by Godzilla Kei-Sei Scribe Tim Seeley and illustrated by the brilliant Turtle artist behind the Nightwatcher series, as well as the Stranger Things/TMNT crossover, Fero Pe, this new series finally brings two of our favorite franchises together. How can this reptilian miracle be?  Long before the organization was corrupted by Shredder, the Foot Clan's original purpose was to save Japan from Kaiju! Now, in the present day, Godzilla and its fellow monsters have reappeared. Not only is the Foot not prepared to stop them…it would seem Shredder himself is behind the attacks! The Turtles are always crossing over into rad nerd realms, but this one might be the king crossover of them all.  Are you ready to face the future? Look no further than 2000 AD – it's the Galaxy's Greatest Comic! Every week 2000 AD brings the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper and more! Get a print subscription to 2000 AD, and it'll arrive at your mailbox every week, and your first issue is free. You'll also receive the HUNDRED PAGE 2000 AD Christmas Special this December at no extra cost! Or, subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! The Best Comics of 2025 Part One Category Timestamps: Intro (The Year that Was) - 3:51 Global Comix Gold Bundle - 14:04 The Style is the Substance Award - 22:15 - WINNER: News from the Fallout (Image Comics) Best Genre Mashup - 30:38 - WINNER: Absolute Martian Manhunter (DC Comics) Saddest Comic of the Year - 40:00 - WINNER: Everything Dead and Dying (Image Comics) Best All-Ages Comic - 49:29 - WINNER: The Cartoonists Club (Scholastic) Best Young Adult Comic - 55:17 - WINNER: Clementine Book Three (Skybound/Image Comics) Best Nonfiction Comic - 1:06:23 - WINNER: "Dr. Werthless" (Dark Horse Comics) Best Crime Comic - 1:17:49 - WINNER: Out of Alcatraz (Oni Press) Best Short Story - 1:27:40 - WINNER: "Untitled" from Absolute Batman Annual #1 (DC Comics) Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

What's the best Apple gear to give this year? Should every nerd build their own 8-bit computer? Dom Bettinelli, Joanne Mercier, and Leo Devick share Christmas gift ideas, plus the troubling truth behind Amazon's DRM changes and Instacart's shifting prices. The post The Gift Guide for Apple Fans, DIY Geeks, and Office Productivity appeared first on StarQuest Media.

With the release of Absolute Batman #15 and the big reveal of Absolute Joker, we're excited to welcome artist Jockonto the show for the first time. We would consider this comic an event even without the gnarly origin story at its center. This is also a big reunion for the artist and his writer collaborator, Scott Snyder. They've been delivering killer Batman comics since The Black Mirror, and have already re-invented the Joker concept in The Batman Who Laughs. However, the Absolute Universe allows them to swing for the fences in a way that the main continuity never could. And, as you'll hear, this required a little recalibration from Jock. Thankfully, Jock grew up consuming some of the most radical comics on the planet, 2000 AD. These Mega-City One stories, often featuring the iconic Judge Dredd, shaped Jock's imagination and taught him the unique power of a visual narrative. They also revealed why we must never be too enamored of the characters and stories we adore. Conformity is abhorrent. Toys are meant to be broken because that's the direct result of good, continuous, serious play. If you keep them precious on the shelf, they get dusty and stiff. To understand characters like Batman and Judge Dredd, we must constantly redefine them, whittling them down to their defining characteristics. We discuss with Jock how he had to recalibrate his idea of Batman and Joker before taking on Absolute Batman #15. We talk about his new 2000 AD release, The Art of Judge Dredd by Jock. We examine how 2000 AD continues to influence his work, including Absolute Joker, and how he crafts certain two-page spreads in this comic. Absolute Batman #15 is out now from DC Comics. It's written by Scott Snyder, illustrated by Jock, colored by Frank Martin, and lettered by Clayton Cowles. You can continue this conversation with Jock by following him on Blue Skyand Instagram. This Week's Sponsors Are you ready to face the future? Look no further than 2000 AD – it's the Galaxy's Greatest Comic! Every week 2000 AD brings the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper and more! Get a print subscription to 2000 AD, and it'll arrive at your mailbox every week, and your first issue is free. You'll also receive the HUNDRED PAGE 2000 AD Christmas Special this December at no extra cost! Or, subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! This Winter, from IDW Publishing, the Heroes in a Half-Shell take on the King of the Monsters! Teenage Mutant Ninja Turtles x Godzilla #1 crashes into comic shops on November 12th. Written by Godzilla Kei-Sei Scribe Tim Seeley and illustrated by the brilliant Turtle artist behind the Nightwatcher series, as well as the Stranger Things/TMNT crossover, Fero Pe, this new series finally brings two of our favorite franchises together. How can this reptilian miracle be?  Long before the organization was corrupted by Shredder, the Foot Clan's original purpose was to save Japan from Kaiju! Now, in the present day, Godzilla and its fellow monsters have reappeared. Not only is the Foot not prepared to stop them…it would seem Shredder himself is behind the attacks! The Turtles are always crossing over into rad nerd realms, but this one might be the king crossover of them all.  Other Relevant Links to This Week's Episode: Subscribe to The Stacks, Comic Creators Name Their Favorite Comics Previously on CBCC: Daniel Warren Johnson on Absolute Batman Annual Previously on CBCC: Scott Snyder and Nick Dragotta on Absolute Batman Comic Book Film Club: 30 Days of Night at the Alamo Drafthouse Winchester on 12/14 Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Sorry to inform you, friends, but it's December already. The gift-giving season is here, and with it, if you're at all like us, a month filled with tremendous anxiety. We may love putting together a Comic Book Holiday Gift Guide, but we stress profusely over the actual process of selecting and distributing gifts to our friends and family. Thankfully, just in time, we spoke with Mutts cartoonist Patrick McDonnell about his latest book, The Gift of Everything, which truly helped us center ourselves during a tumultuous moment. Patrick McDonnell is one of our great living cartoonists. For more than thirty years, he has put everything of himself into his comic strip Mutts. It's where he goes to understand the world around him, using characters like Mooch and Earl to contextualize what's happening outside his panels and inside his very being. Reading his work, you get the impression that he's figured something out that you have not, but is that actually the case? We get to the heart of everything in today's conversation. The Gift of Everything is out now from Little, Brown and Company. It's a spiritual sequel to McDonnell's The Gift of Nothing, which was published twenty years ago. It tells the desperate story of Mooch searching for the perfect gift for his pal Earl, and discovering exactly that, but not in the manner he expected. Follow Mutts on Instagram, and sign up for the Daily Mutts strip HERE. This Week's Sponsors Are you ready to face the future? Look no further than 2000 AD – it's the Galaxy's Greatest Comic! Every week 2000 AD brings the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper and more! Get a print subscription to 2000 AD, and it'll arrive at your mailbox every week, and your first issue is free. You'll also receive the HUNDRED PAGE 2000 AD Christmas Special this December at no extra cost! Or, subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! This Winter, from IDW Publishing, the Heroes in a Half-Shell take on the King of the Monsters! Teenage Mutant Ninja Turtles x Godzilla #1 crashes into comic shops on November 12th. Written by Godzilla Kei-Sei Scribe Tim Seeley and illustrated by the brilliant Turtle artist behind the Nightwatcher series, as well as the Stranger Things/TMNT crossover, Fero Pe, this new series finally brings two of our favorite franchises together. How can this reptilian miracle be?  Long before the organization was corrupted by Shredder, the Foot Clan's original purpose was to save Japan from Kaiju! Now, in the present day, Godzilla and its fellow monsters have reappeared. Not only is the Foot not prepared to stop them…it would seem Shredder himself is behind the attacks! The Turtles are always crossing over into rad nerd realms, but this one might be the king crossover of them all.  Other Relevant Links to This Week's Episode: Subscribe to The Stacks, Comic Creators Name Their Favorite Comics A CBCC Tribute to Lisa's Father Previously on CBCC: Patrick McDonnell on Guard Dog Watch Patrick McDonnell Inducted into the Harvey Hall of Fame Comic Book Film Club: 30 Days of Night at the Alamo Drafthouse Winchester on 12/14 Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

There are big swings, and then there are huge swings. Writer Adam Rose and artist Magenta King go for the fences with Huge Detective, a genre mashup mystery where giants roam the Earth and wind up dead like any other sacks of meat. The series was recently collected in a pretty trade paperback from Titan Comics, and it immediately had us craving sequels and sidequels. Where's our Gyant/Bean romance? We're ready for it. We met Adam Rose earlier this year at San Diego Comic-Con, and bonded quickly over our love for the eighties cartoon series M.A.S.K. After a few minutes of chatting, we knew we wanted to get him on the show, and after a few months of wrangling our schedules, we finally made it happen. Unfortunately, we did not spend the entire time discussing how Matt Trakker is currently running through the panels of Joshua Williamson and Tom Reilly's G.I. Joe comic. Next time, next time. In this episode, we discuss Adam Rose's love for fantasy and detective fiction. And we force him to choose his preferred genre. Our conversation explores the massive sandbox they've created in Huge Detective and the numerous other genres they could possibly explore in future comics. We make our case for romance. We consider Dollsville, too. Huge Detective issues one through five are now available in trade paperback from Titan Comics. They're written by Adam Rose, illustrated by Magenta King, colored by King and Minimone, and lettered by DC Hopkins. To continue this conversation, follow Adam Rose on Blue Sky and Instagram. This Week's Sponsors Are you ready to face the future? Look no further than 2000 AD – it's the Galaxy's Greatest Comic! Every week 2000 AD brings the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper and more! Get a print subscription to 2000 AD, and it'll arrive at your mailbox every week, and your first issue is free. You'll also receive the HUNDRED PAGE 2000 AD Christmas Special this December at no extra cost! Or, subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! This November, Event Horizon: Dark Descent, the terrifying comic book prequel series to the classic, 90s, hellraising sci-fi film, reaches its epic third issue, and if you always wanted to know the gory details about exactly what went down when the Event Horizon crew were transported to hell, this is the issue you cannot miss. From writer Christian Ward and artist Tristan Jones, Event Horizon: Dark Descent #3 lands in comic book shops on November 12th courtesy of IDW Publishing, with a killer cover by Jeffrey Alan Love and a variant cover by Chris Burnham. "The dead have appeared to me — and there is something else loose upon the ship. If you can hear me, it may be too late for you. LIBERA TE TUTEMET EX INFERIS!" Other Relevant Links to This Week's Episode: Subscribe to The Stacks, Comic Creators Name Their Favorite Comics A CBCC Tribute to Lisa's Father Previously on CBCC: Grant Morrison on Batman/Deadpool Live at New York Comic Con: The Massive Comic Book Podcast Crossover Comic Book Film Club: 30 Days of Night at the Alamo Drafthouse Winchester on 12/14 Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

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Send us a textWords can trigger audits, budget panic, or calm execution, and few words carry more weight than “leak” and “breach.” We unpack the real differences, the legal and regulatory implications of each, and how precise language shapes incident response. From there, we get hands-on with CISSP-ready concepts—data states, DLP, CASB, DRM, minimization, sovereignty, and sensitivity labels—and translate them into moves you can make this week.We start by mapping data states—at rest, in transit, in use—and explaining why data in use often deserves the strongest controls. You'll hear how teams over-index on storage encryption while under-protecting live workflows, and how to fix that with device posture checks, least privilege, just-in-time access, and application-layer monitoring. Then we dive into data minimization: setting clear retention rules, automating deletion, and killing the “we might need it someday” habit that inflates breach impact and eDiscovery pain. Along the way, sensitivity labels become the glue for governance, tying classification to access, encryption, and audit.Next, we stress-test common tools. DLP is great at stopping careless exfiltration but struggles with insiders who have legitimate access, so we show how to tune policies, coach users, and add approvals for mass exports. DRM protects intellectual property but introduces compatibility and friction; we outline how to pilot it with high-value content and measure productivity impact. For cloud journeys, CASB delivers visibility into sanctioned and shadow SaaS, enforces consistent policies, and even helps manage data egress costs—vital for budgets and compliance. Finally, we navigate data sovereignty, cross-border flows, and practical tactics like regional storage, masking, and pseudonymization to keep regulators satisfied and data safe.Whether you're studying for the CISSP or leading security strategy, you'll leave with clear definitions, sharper communication, and a toolkit for governing what you keep, protecting what you use, and deleting what you don't. If you found this helpful, subscribe, leave a review, and share it with a teammate who still calls every incident a breach.Gain exclusive access to 360 FREE CISSP Practice Questions at FreeCISSPQuestions.com and have them delivered directly to your inbox! Don't miss this valuable opportunity to strengthen your CISSP exam preparation and boost your chances of certification success. Join now and start your journey toward CISSP mastery today!

Toward the end of our last conversation with Grant Morrison, they mentioned how they would soon be returning to comics, writing a new Batman story. We were ecstatic to hear, but we could not have possibly imagined that the new Batman story would actually be a DC/Marvel Comics crossover featuring the Hollywood darling Deadpool. Even better, it's a reunion between Morrison and his Klaus collaborator, Dan Mora, which also features numerous backup stories by other rad creators, including Scott Snyder, James Tynion IV, Joshua Williamson, Hayden Sherman, Tom Taylor, Bruno Redondo, Amanda Conner, G. Willow Wilson, and Denys Cowan. The comic is possibly the most surprising book of the year, but not as surprising as Morrison's willingness to return to the show for an in-depth discussion all about it. You're in for another treat, friends. Our Grant Morrison Batman/Deadpool conversation is full-spoilers. You must read the comic before pressing play. If you read the book quickly, as our Brad did the first time, you'll probably miss a great deal. The comic is crammed with Easter eggs and winks, many of which we eventually caught, and a few others we did not until Grant Morrison pointed them out to us. Dan Mora and Grant Morrison's Batman/Deadpool is very different from Greg Capullo and Zeb Wells' Deadpool/Batman, which Marvel ran point on a few weeks ago. It's a fun adventure, but it's also a story commenting on comics, crossovers, and the writer/reader's relationship with the fourth wall. Initially, the team-up between Batman and Deadpool felt a little cynical, and/or capitalistic - and it's still that! However, given Grant Morrison's relationship with Animal Man and smashing the fourth wall, Deadpool is kind of the perfect character for them. Batman/Deadpool also allows Grant Morrison to right a wrong that occurred in the pages of...well, read the comic first, will ya? Dear listeners, welcome to Grant Morrisoin's Revenge! We get into it with The Writer, discussing their initial idea for the crossover, their evolving relationship with the fourth wall, and what they hope for future DC and Marvel crossovers. Batman/Deadpool #1 is out now from DC Comics. “The Cosmic Kiss Caper” is written by Grant Morrison, illustrated by Dan Mora, colored by Alejandro Sánchez, and lettered by Todd Klein. If you wish to continue this conversation with Morrison, follow them on their Website, Substack, Instagram, and Bluesky. This Week's Sponsors This November, Event Horizon: Dark Descent, the terrifying comic book prequel series to the classic, 90s, hellraising sci-fi film, reaches its epic third issue, and if you always wanted to know the gory details about exactly what went down when the Event Horizon crew were transported to hell, this is the issue you cannot miss. From writer Christian Ward and artist Tristan Jones, Event Horizon: Dark Descent #3 lands in comic book shops on November 12th courtesy of IDW Publishing, with a killer cover by Jeffrey Alan Love and a variant cover by Chris Burnham. "The dead have appeared to me — and there is something else loose upon the ship. If you can hear me, it may be too late for you. LIBERA TE TUTEMET EX INFERIS!" Are you ready to face the future? Look no further than 2000 AD – it's the Galaxy's Greatest Comic! Every week 2000 AD brings the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper and more! Get a print subscription to 2000 AD, and it'll arrive at your mailbox every week, and your first issue is free. You'll also receive the HUNDRED PAGE 2000 AD Christmas Special this December at no extra cost! Or, subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! Other Relevant Links to This Week's Episode: Subscribe to The Stacks, Comic Creators Name Their Favorite Comics Previously on CBCC: Grant Morrison on All-Star Superman Live at New York Comic Con: The Massive Comic Book Podcast Crossover Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

In this week's episode, we discuss the advantages of digital content ownership for both readers and writers. This coupon code will get you 50% off the audiobook of Cloak of Ashes, Book #3 in the Cloak Mage series, (as excellently narrated by Hollis McCarthy) at my Payhip store: CLOAK2025 The coupon code is valid through November 24, 2025. So if you need a new audiobook this fall, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 277 of The Pulp Writer Show. My name is Jonathan Moeller. Today is November 14th, 2025, and today we are discussing the benefits of owning your own content for both readers and writers. Before we get to our main topic, we will start off with Coupon of the Week and then a progress update on my current writing, publishing, and audiobook projects. First up is Coupon of the Week. This week's coupon code will get you 50% off the audiobook of Cloak of Ashes, Book #3 in the Cloak Mage series (as excellently narrated by Hollis McCarthy), at my Payhip store. That coupon code is CLOAK2025. And as always, the coupon code and the links to my Payhip store will be available in the show notes. This coupon code is valid through November 24th, 2025, so if you need a new audiobook for your Thanksgiving travels this month, we have got you covered. Now for an update on my current writing, publishing, and audiobook projects. I'm pleased to report the rough draft of Blade of Shadows is done. This will be the second book in my Blades of Ruin epic fantasy series. Right now, it is just about exactly as long as Blade of Flames. It may be a little longer or a little shorter depending on how editing goes since there's some stuff I'm going to cut out, but there's also some scenes I'm going to add. I also wrote a short story called Elven Arrow. Newsletter subscribers will get a free ebook copy of Elven Arrow when Blade of Shadows comes out, which will hopefully be before American Thanksgiving at the end of the month. I'm about 23% of the way through the first editing pass, so making good progress there and hope to keep up with the good progress. I am 11,000 words into Wizard-Assassin. That will be my next main project once the Blade of Shadows is published and probably the final book I publish in 2025, because I think the first book I do in 2026 will be Blades of Ruin #3, if all goes well. In audiobook news, the recording for Blade of Flames is done and it's gradually making its way out into the world (as excellently narrated by Brad Wills). I think as of the time of this recording, the only place where it's actually live is Google Play, but hopefully more stores will come online soon, and it would be cool if the Blade of Flames audiobook was available everywhere before Blade of Shadows came out. Hollis McCarthy is still working on Cloak of Embers and we hope to have that to you before the end of the year, if all goes well. So that's where I'm at with current writing, publishing and audiobook projects. 00:02:25 Main Topic: Digital Content Ownership as a Reader and Writer Now let's move on to our own topic, the ownership of digital content as both a reader and a writer. As the digital revolution has gone on and on and put more decades behind it, people are increasingly building very large digital content libraries and it's an increasingly tangled point of law what happens to those digital libraries when for example, their account gets suspended, or for example, someone else dies and wants to leave their Steam library of games to their heirs. We're today going to be focusing on digital content ownership for readers and writers, and we'll start with readers. Although the price of an ebook and print book of many traditionally published books are roughly the same at this point (and sometimes bafflingly, the ebook versions cost more), the rights you have as the owner of the ebook copy are substantially less powerful. In fact, technically speaking, you aren't actually the owner of an ebook purchased from Amazon or other retailers. It's more accurate to say that you purchased a long-term conditional lease. As a side note, I'm talking about this from the perspective of United States Copyright law and ebook/audiobook stores there. The laws and standards in your own country may be different. Also, I am not a lawyer and nothing in this episode should be taken as legal advice. You obtain legal advice by hiring a lawyer licensed to practice in your jurisdiction. But now back to the main argument. In America, there is something known as the First Sale Doctrine. This section of the US Copyright Act allows physical media to be lent out and resold, among other things. For example, someone who purchases a physical book is considered its owner and the publisher can't take it back from them. The physical version of books can be used in libraries or as classroom materials until they literally fall apart, unlike their electronic equivalents, which face complicated licensing agreements that generally offer far less favorable terms of use for a much larger cost (especially for libraries and academic institutions). In the US, electronic content ownership is covered by contract law instead of the First Sale Doctrine. Although each seller has their own licenses and standards, a few things tend to remain consistent across those licenses: the inability to lend or resell the content, the inability to remove DRM from the content, and the right of the seller to alter or even remove the content. Ownership is not a right guaranteed for digital content. There is an American lawsuit currently challenging Amazon Prime Video and its use of words like "purchase" and "buy" for its video content. The lawsuit accuses Amazon of misrepresenting a heavily conditional license as a purchase, giving the average customer the impression that they own the content in perpetuity. Amazon lawyers argue that the average customer understands the difference, but frequent outrages over content being removed from users' libraries suggests otherwise. Here are four reasons owning your ebook content is important. #1: Keeping access to the content if the company closes or gets bought out. One of the early leaders in the US ebook store market way back at the start of the indie revolution was Sony. When their Sony Reader store closed, they gave readers the option to migrate their libraries to Kobo. Books that were not available through Kobo were not able to be transferred, so some purchased content was lost for readers. A more egregious example comes from, as you might expect, Microsoft with the closing of the Microsoft ebook store in 2019. When the store closed, they offered refunds instead of giving readers an opportunity to self-archive or transfer their purchases. Any margin notes taken by readers were lost, and they were given a $25 credit for the inconvenience. Although refunding customers was a good gesture, it's not a guarantee that readers are able to repurchase the ebooks elsewhere or even that the price would be the same when they did. As an aside, I spent a good chunk of time in 2018 trying to figure out how to get into the Microsoft ebook store and then finally gave up because it was too complicated, which in hindsight turned out to be a good decision. Owning your ebooks outright gives them independence from the store that you bought them from. #2: Keeping content from being altered. Ebooks can be altered anytime. Most of the time these changes are harmless, such as updating a cover, fixing a typo, or adding a preview chapter. I do that myself all the time. Every time I get typo corrections, I upload a new version. Yet there is a potential for books to be edited or censored from the original copy that you purchased. Chapters could be removed, scenes altered, or in extreme cases, the entire book could be removed. Owning a hard copy means that you have a version that cannot be changed without your knowledge. #3: The ability to self-archive. Most ebook stores use a form of digital rights management (DRM) that makes it difficult to transfer or permanently store your collection outside of their collection or library. Trying to do so is a violation of the license you purchased from the store, so I won't discuss how to do that. Amazon recently made self-archiving more difficult by discontinuing the feature to download and transfer Kindle books via USB. Finding DRM-free ebook stores is important if you want to organize and store your ebook collection as you see fit. Two examples of stores with DRM-free ebooks are Smashwords and direct [sales] sites like My Payhip store. Other stores like Kobo have a dedicated section devoted to DRM-free ebooks. #4: Keeping your reading habits private. Companies like Amazon track reading data, mostly out of a desire to sell you similar books or ad space. They track what you're reading, the amount of time you spend reading, your reading speed, and the highlights that you make in a book. Now, most of the time this is generally pretty harmless. It's mostly used for…you look on Amazon, you see that the section "customers who enjoyed this book also enjoyed this". Then if you use the Kindle app on your phone a lot, it has a lot of badges and achievements and it tends to be used for that kind of thing. However, there could be sinister undertones to this, especially if you're reading things you would prefer other people not know about. So if this concerns you, if there are some settings that you can adjust, but if you want complete privacy, outright ownership of your ebooks is the way to go. So what is the easiest way to own your own ebooks as a reader? The easiest way and perhaps the safest way to own your content outright is to buy print copies of books. That said, buying direct from authors or finding ebooks that have more favorable license terms is easiest way to own your ebook purchases. One of the reasons that opening a Payhip store was important to me was I gave my readers a chance to outright own purchased copies of my work and self-archive them in the way that they saw fit, if that was important to them. The price is the same on my Payhip store as other ebook or audiobook stores (and sometimes even cheaper if you're using Coupon of the Week). The ebooks and audiobooks there are DRM-free and untethered from specific stores and companies. You have the option to download files in a variety of file formats and store them in a way that makes the most sense to you. Buying direct also gives a greater share of the sale price to the authors, especially in the case of audiobooks. In conclusion, ebooks lag behind print books in terms of ownership rights for purchasers here in the United States (at the time of this recording). That said, you can be an informed consumer by reading terms of use carefully and educating yourself to make sure that you have the most possible access to your purchased content. Now, we've covered that from the reader side, and let's look at it from the side of the content creators, specifically writers. This can also apply to other content creators such as musicians, and we're going to use a very famous example for that, Taylor Swift. The general public learned about the importance of fully owning your content as a creator during the long and very public battle between musician Taylor Swift and the record company that sold her work to a private equity firm associated with someone she personally disliked. She owned the copyrights to the works (along with her various collaborators), but not the masters, the specific recordings of each song. As long as she didn't own her masters, she didn't have control over song choices for her public performances, the label releasing older content against her wishes, or how her music would be licensed out for commercial use. Swift reasserted control by rerecording old albums (a strategy previously used by the musician Prince), which gave her ownership of these new masters and devalued the original masters to the point where she could later afford to buy them outright. Many artists, including Olivia Rodrigo, credit Swift for helping them to negotiate adding the ownership of their masters into their contracts. As predatory as the publishing industry can be, the music industry tends to make them look like rank amateurs in terms of sheer evil. So it is a testament to her popularity and business success that she was able to convince them to do this. The world's most famous pop star taught millions of fans that owning your work is the ultimate goal of a creative. Why is ownership of your work important for writers specifically and not just American pop stars? We'll discuss six reasons why it's important for content creators and specifically writers in this episode. And as a reminder yet again, I'm talking about this from the perspective of United States law. Laws and standards in your own country may be different. Also, I am not a lawyer and nothing in this episode should be taken as legal advice. You obtain proper legal advice by contacting a lawyer licensed to practice in your jurisdiction. So with that in mind, let's get into the topic. What is ownership as a writer? Writers generally keep the copyrights to works they sell to publishers. Writers are essentially selling the right or a license to produce and distribute their book in a certain format, language, and geographic area. Most of the time, geographic area rights are sold separately. For example, rights for the Harry Potter books are owned by Scholastic in the United States and Bloomsbury in the United Kingdom. Sometimes writers will keep the rights in a specific format, like when I signed with Tantor to give them the audio rights to the first five Frostborn books while keeping the rights to my print and ebook formats. What writers lose in the process of selling to publishers is the ability to control how their work is marketed, packaged, and sold. They do not have the freedom to make major decisions such as when a book is released or where it is marketed. Today I am going to share six reasons that retaining ownership is important for writers and what things you generally sacrifice when you sign with a traditional publisher instead of self-publishing or indie publishing. #1: Creative control. It is not standard to have complete control over your book's cover design. Often an artist is able to submit suggestions to the designer, but the publisher has ultimate authority over the book's cover. Sometimes covers end up being wildly inappropriate for the book, but the author has no recourse. The same is usually true with the ability to pick an audiobook narrator or change anything about the narration. At times, writers (especially new ones) are pressured into changes they do not want by editors. The surest way to completely lose all creative control is signed with a book packager like Alloy Entertainment. If you want to hear the story of how L.J. Smith was fired from her own series due to a plot dispute with that publisher, YouTuber Jenny Nicholson covers it in her epic length summary of The Vampire Diaries show. Although a certain paycheck from a book packager is tempting, you'd be wisest not to create any fictional characters or worlds for this type of publisher for that reason. #2: Dead Series Syndrome. If the first book in a series does not sell well, the publisher tends to abandon the series. The next book in the series might be ready for publication, but they're not obligated to publish it if they suspect it will not be profitable. Unfinished series are extremely common in traditional publishing, unfortunately. Writers who are locked into a contract for a series are generally out of luck putting out the books on their own. Even if they put out later books on their own, not having the rights to the first book in the series makes it difficult for a writer to sell and market subsequent books. I had a series (Demonsouled) that I wanted to continue even though the first book was released by my publisher. I was able to get the rights back for it and then was able to self-publish this rest of the series. This was much easier to do 14 years ago than it is now. Modern contracts, especially from larger publishers, are not so generous in letting authors do this. It would be much easier to start as a self-published author and have full control over the trajectory of your series and make sure readers are able to finish it instead of waiting for a contract to elapse or fighting a difficult, hard to win battle to get the rights back. #3: The ability to change. One of the perks of owning your book is the ability to make quick changes that react to data. For example, I was able to retitle the Stealth and Spells series fairly quickly when it became immediately clear upon release that some found the original title confusing. A traditional publisher would likely not have bothered to make the effort unless there was a legal reason for doing so. The ability to change covers, repackaging books in different ways (like omnibus editions), and to make quick changes to the book on the fly (such as fixing typos or continuity errors), is the unique privilege that comes with owning your own work. Publishers are slow to make these types of changes, if they do it at all. #4: Profit. Writers typically only receive an advance (an initial lump sum) when working with a traditional publisher. The complexities of publisher accounting usually ensure that only great successes receive royalties, and often even those that do can take a while to reach that benchmark. Royalties are typically doled out quarterly or semi-annually, for those who make enough to receive them. The earning statements are fairly byzantine. It's hard for the average person to understand them fully to make sure they're being paid exactly what is owed to them. Owning your own work and publishing yourself means that you keep all of the profit after the cut taken by the ebook store and whatever you pay cover designers, editors, and so on. You can see all of the sales as they come in and don't have to wait for those two to four royalty checks each year in order to get paid. It's much easier to make a living as a writer and to feel confident that you can pay others when you have more accurate data on the money coming in. Indie publishing sacrifices the certainty of an advance for a far, far greater share of the profits in the long run. Additionally, agents typically take a 15 to 20% commission on author earnings, and they are an essential part of the process in traditional publishing. It's just about impossible to get foot in the door with traditional publishing without one. Most self-published writers don't bother with an agent, which means they're able to keep that cut of the money and don't have to shape their work around the preferences and whims of an agent. They also spared the stress and hassle of working with an unethical or bad agent (of which they're unfortunately far too many). #5: Professional freedom. The publisher decides when the books are released or if they're released at all. Are you ready to publish a book two months after the first one is released? Too bad. A publisher is not going to put out the next one that quickly. The traditional wisdom of publishing schedules seems wildly out of date in the content-heavy modern world, where algorithms reward recent titles and frequent publishing. Publishing more often also helps fans stay connected to your work, and frankly, it's much easier to make a living as a writer putting out several books a year instead of just one. Additionally, traditionally published writers do not control how a book is marketed. Are you upset that your book is being marketed as a romance when you think it's complex literary fiction? Too bad. It's not your call. In fact, writers may be contractually obligated to post content to their social media pages written or approved in advance by the marketing department at the publisher. You might have to put your name publicly to marketing copy you dislike or disagree with in order to not violate your contract. In a related vein, you might find that if you post heavily on your social media pages about political or controversial topics, you may be reprimanded by the publisher or in some cases, have your contract canceled entirely. Although indie authors aren't immune from social consequences of what they post, no publisher is holding them back from posting what they want just because they're writers and the publisher is scared of what the shareholders might think. #6: The publisher being sold. One of the biggest problems for traditionally published writers is when their publisher is sold to another one. This may mean restructuring that takes away staff they worked with a long time (like a favorite editor being replaced by an inexperienced one). As smaller publishers are eaten up by the larger ones, you might find that your books become an afterthought and you don't have any power to fix that. You might even have to fight to get paid what you're owed in your own contracts, which writers of Star Wars books found out when Disney acquired Lucasfilm. Apparently when Disney bought Lucasfilm, it decided it no longer owed royalties to several writers of Star Wars tie-in novels that Lucasfilm had published and weren't going to pay them until it went public and caused a bit of controversy. Finally, a settlement was reached. This is sort of the shifty behavior that Disney is well known for in certain circles, and it is something you have to watch out for with large publishers and media conglomerates. The easiest way to keep this from happening is, once again, to publish yourself and keep ownership of your work. In conclusion, when traditional publishing was the only way to become a writer, their restrictions and control were something you had to live with because you had no other option. Now that self-publishing is extremely accessible and traditional publishing is shrinking, it's no longer worth making the trade-offs that authors once had to in order to gain readers of their work. Although I never actually listened to a Taylor Swift song all the way through, her career and business ventures are proof that owning your work as a creative is the best way forward. Ownership should be the starting point, not the end goal of anyone who values creative control and fair, transparent payment for their creative work. So that is it for this week. I hope that illuminated the importance of owning your own work, especially if you are a writer or other creative. Thanks for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.

Send us a textCheck us out at:  https://www.cisspcybertraining.com/Get access to 360 FREE CISSP Questions:  https://www.cisspcybertraining.com/offers/dzHKVcDB/checkoutGet access to my FREE CISSP Self-Study Essentials Videos:  https://www.cisspcybertraining.com/offers/KzBKKouvA graphing calculator running ChatGPT might make headlines, but our real job is keeping sensitive data from walking out the door. We break down the data states that matter most—at rest, in transit, and in use—and show how to pair encryption, access control, and monitoring without drowning in complexity. Along the way, we share a pragmatic blueprint for classification and labeling that teams actually follow, from visual tags and watermarks to tightly governed upgrade and downgrade paths that keep owners accountable.From there, we zoom out to strategy. Risk tolerance drives control selection, so we talk through scoping and tailoring: how to apply NIST and ISO 27001 sensibly, where GDPR and HIPAA come into play, and why focused logging beats “collect everything” fantasies. You'll hear the real differences between DRM and DLP—licensing and usage enforcement versus data path control—and when each tool earns its keep. We also lay out transfer procedures that work in the wild: SFTP with verified keys, email encryption, FIPS‑validated USBs, and restricted cloud shares with time‑boxed access.Cloud isn't a blind spot when a CASB sits between your users and SaaS. We explain how a CASB delivers visibility into shadow IT, enforces policy across apps, integrates with identity for conditional access, and even helps you rein in egress costs. Tie it all together and you get a layered, test‑ready approach that helps you pass the CISSP while protecting what matters most. If this helped sharpen your plan, follow the show, share it with a teammate, and leave a quick review so we can keep building tools that move you forward.Gain exclusive access to 360 FREE CISSP Practice Questions at FreeCISSPQuestions.com and have them delivered directly to your inbox! Don't miss this valuable opportunity to strengthen your CISSP exam preparation and boost your chances of certification success. Join now and start your journey toward CISSP mastery today!

A podcast doesn't last without the support of its friends. We're beyond grateful to fellow comic book maniacs like Badr Milligan of The Short Box, Chris Hacker and Aaron Knowles of The Oblivion Bar, and David Harper of Off Panel. Hopefully, you already subscribe to these shows, and if not, after this week's episode, you will. In October, we assembled in the Javits Center basement during New York Comic Con in an effort to share our four unique vibes with a single crowd. Weeks later, you can now experience the MaCoBoPoCro Event (or, Massive Comic Book Podcast Crossover Event). And, guess what? If video is your thing, you can actually watch the event on the Comic Book Couples Counseling YouTube page. This Week's Sponsors This November, Event Horizon: Dark Descent, the terrifying comic book prequel series to the classic, 90s, hellraising sci-fi film, reaches its epic third issue, and if you always wanted to know the gory details about exactly what went down when the Event Horizon crew were transported to hell, this is the issue you cannot miss. From writer Christian Ward and artist Tristan Jones, Event Horizon: Dark Descent #3 lands in comic book shops on November 12th courtesy of IDW Publishing, with a killer cover by Jeffrey Alan Love and a variant cover by Chris Burnham. "The dead have appeared to me — and there is something else loose upon the ship. If you can hear me, it may be too late for you. LIBERA TE TUTEMET EX INFERIS!" Are you ready to face the future? Look no further than 2000 AD – it's the Galaxy's Greatest Comic! Every week 2000 AD brings the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper and more! Get a print subscription to 2000 AD, and it'll arrive at your mailbox every week, and your first issue is free. You'll also receive the HUNDRED PAGE 2000 AD Christmas Special this December at no extra cost! Or, subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! Other Relevant Links to This Week's Episode: Subscribe to The Stacks, Comic Creators Name Their Favorite Comics CBCC at NYCC: Michael Walsh and Tristan Jones CBCC at NYCC: Alex Firer and Fred C. Stressing CBCC at NYCC: The Doughboys CBCC at NYCC Watch The Harvey Awards on Popverse Comic Book Film Club 11/16 at 5 PM EST: The Life and Death of Colonel Blimp at the Winchester Alamo Drafthouse, co-sponsored by Four Color Fantasies Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

In this week's episode, I take a look at my direct sales for 2025, and consider six lessons for improving direct sales. I also answer a reader question about Kobo Plus. This coupon code will get you 50% off the audiobook of Shield of Battle, Book #5 in The Shield War series, (as excellently narrated by Brad Wills) at my Payhip store: SHIELD2025 The coupon code is valid through November 17, 2025. So if you need a new audiobook this fall, we've got you covered! TRANSCRIPT 00:00:00 Hello, everyone. Welcome to Episode 276 of The Pulp Writer Show. My name is Jonathan Moeller. Today is November 7, 2025, and today we are discussing how I had a 300% increase in direct sales for 2025 so far, and the challenges that might pose. We'll also have Coupon of the Week, an update on my current writing progress, and a reader question about Kobo Plus. First up is Coupon of the Week. This week's coupon code will get you 50% off the audiobook of Shield of Battle, Book #5 in The Shield War series (as excellently narrated by Brad Wills) at my Payhip store, which seems appropriate because we're talking about direct sales. That coupon code is SHIELD2025 and as always, links to my store and the coupon code will be in the show notes for this episode. This coupon code is valid through November 17th 2025. So if you need a new audiobook for this fall, we have got you covered. Now for an update on my current writing progress. As of this recording, I am 70,000 words [into] Blade of Shadows, the second book in my Blades of Ruin epic fantasy series. That puts me on chapter 16 of 20, so I'm about three quarters of the way through. I think the rough draft is going to land at about 85 to 90,000 words. So if all goes well, I'm hoping to finish that rough draft next week and hopefully get the book out before Thanksgiving, but we'll see how the rest of this month goes. I'm also 8,000 words into Wizard-Assassin, which will be the fifth book of my Half-Elven Thief series. If all goes well, I want to have that out in December, which will make it the final book I publish in 2025. In audiobook news, Brad Wills is working on recording Blade of Flames, the previous book in the Blades of Ruin series and good progress is being made there. And Hollis McCarthy is also working on the audiobook of Cloak of Embers, which was Book 10 in the Cloak Mage series. So if all goes well, we should have both of those audiobooks to you before the end of the year. So that is where I'm at with my current writing and publishing and audiobook projects. 00:02:00 Thoughts on Kobo Plus Let's talk a little bit about Kobo Plus before we move on to our main topic. A reader recently asked if I made more money from sales on Kobo from direct sales on the Kobo platform or through Kobo Plus, which is Kobo's subscription service. And the answer is, well, it depends. My primary answer always is that readers should read my books on whatever platform they prefer and which is most convenient for them (with the exception of piracy). As for the specific details, it gets a little bit more complicated. I suspect at this point more Kobo readers use Kobo Plus than actually buy ebooks off Kobo. Like in September alone (which is the last month I have complete figures for), 75% of my Kobo revenue came from Kobo Plus. So very clearly not having my books in Kobo Plus is a non-starter of an idea. That said, Kobo Plus (unlike Kindle Unlimited) runs off minutes read rather than pages read that KU uses, which makes it a lot harder to game the way some people do with Kindle Unlimited because the system is more opaque. So obviously longer books do a lot better with Kobo Plus and I have a lot of longer books in the form of various omnibus editions. Even a fast reader is going to take a while to get through Frostborn: Omnibus One, so I know for a fact those do quite well on Kobo Plus. So I suspect with individual novels I make less with Kobo Plus than I do with ebook sales, but for the omnibus editions, I make more from Kobo Plus than I do with the individual sales. Overall, I would say if you're a Kobo user and you want to read a book just once, Kobo Plus is probably the economical choice, but if you want to reread the book many times, you're better off buying it outright. For an interesting bit of data, here are my 10 most read Kobo Plus books for 2025 so far. Thanks for reading them, everyone! 1.) Shield of Deception 2.) Cloak Mage Omnibus One 3.) Shield of Battle 4.) Ghost in the Assembly. 5.) Cloak of Illusion 6.) Ghost in the Corruption 7.) Cloak of Embers 8.) Dragontiarna Omnibus One 9.) Dragonskull Omnibus One 10.) Cloak of Masks So as you can see, there were three different omnibus editions in that Top 10 list, so those do quite well on Kobo Plus. 00:04:00 Main Topic: Six Lessons Learned from a 300% Increase in Direct Sales Now onto our main topic, six lessons learned from a 300% increase in direct sales for 2025. By means of some background, in 2021 I started a direct sales site for my books and audiobooks using the Payhip platform. I'd been thinking about this for some time and the instigation was that at the time I was about to publish Ghost in the Vision. The Barnes and Noble site had problems with a ransomware attack that made it impossible to upload new books to the Barnes and Noble site for about three weeks (if I remember correctly). And obviously this was concerning because I had Ghost in the Vision coming out during that time and I wanted to be able to get it to Barnes and Noble readers, but I couldn't because the Barnes and Noble site was having technical difficulties. So that's when I started using Payhip and mentioned that hey, Barnes and Noble readers, I know I can't upload it to the Barnes Noble site right now, but you can get it from Payhip and obviously Barnes Noble restored the website and I was able to upload a book again, but I kept going with the Payhip site. Why did I do that? Well, as I've said before for direct sales, it makes sense for me to have a place that I could fully control since (barring technical difficulties that we talked about) the main ebook platforms can take a day or two before the books are ready to be sold. And as we mentioned before, sometimes oddities happen and a book can get delisted on a site like Amazon or a site could suffer a cybercrime attack like Barnes and Noble did in 2021. Direct sales also give authors a greater percentage of the profits, especially for audiobooks. The highest rate of royalty I get for any audiobook sales is definitely through direct sales. Progress was slow for getting people to use the Payhip site for obvious reasons. People are locked into the platforms where they feel the most comfortable (the Kindle Library, for example). It takes a lot to get people to change their buying behaviors, but over the last year, I've seen a 300% increase in sales at my Payhip store over what I had made in 2024. And there are six reasons why I think that happened that I'd like to share with you in this week's episode. #1: The first reason is it gives people an alternative. For a variety of reasons, many people are frustrated with Amazon or Google and the other big tech companies and are boycotting them for a number of reasons. If you've paid attention to the news at all over the last five years, you can probably guess what a few of those reasons might be. Others are concerned with the amount of tracking data on these sites and having their browsing data sold as advertising info. Having a direct sales platform gives readers who have these concerns a way to support you. Payhip is great for those with privacy concerns because it provides us with very, very little user data and there's no way to put ads on the site or even sell ad space there. The only customer data I get from a transaction through Payhip is the email address, which is obviously necessary since there needs to be a place to send the ebooks and the audiobooks. I don't sell or share that data with other companies or even other authors, so that is a good way to buy my books while leaving a minimal data footprint that can't be used for any kind of tracking. #2: The second reason and one that I think is about 50% of the sales growth this year, is new releases. And that is because my Payhip site is always the first place to find any of my new releases since I have complete control over the uploads there. How fast books appear on other sites is out of my control and can sometimes take a day or two (or in extreme cases, even longer than that). But I have complete control on Payhip of upload time (so long as Payhip is working and my internet connection is working). Consistently having the new releases available on my Payhip site right away also makes people feel like they're not missing out by shopping there. Having someone to help me with my Payhip store has made that a lot easier to do that consistently over the past couple of years. I did hire someone to help me out with that and it's been light years forward in having all my ebooks and audiobooks available on the Payhip store. #3: Number three, which I think is the other 50% of the reason I had a direct sales increase this year, is Coupon of the Week, which we already listened to on this episode. Coupon of the Week only takes about a minute to set up, but it has been an effective way to get people to buy ebooks and audiobooks at my Payhip site. The discount amounts I use means I'm still getting paid roughly the same amount that I would from a sale on Audible or Amazon, but the reader is getting a pretty substantial discount. Discount amounts are usually 25% off for an ebook or 50% off for an audiobook. It's enough of a discount to make it worthwhile for my readers. I've also been experimenting with discounting entire series in a Coupon of the Week instead of only one book. This change has been good for sales. It lets readers stock up on a whole series for a fraction of the price. That kind of whole series discount is also a good response to (only a few) readers who want omnibus editions that cover every single book in the series, which frankly isn't profitable to me for a couple of reasons. One is that if it's on Amazon, a file that size would incur a significant delivery fee from Amazon, which would cut into the profits. Another reason is that the file size for that just gets to be unwieldy. Frostborn is 15 books and 15 fairly long novels combined into a single ebook file does get pretty unwieldy. #4: The fourth reason and one that has consistently been helpful is the free short stories. Switching ebook platforms is a big change for many readers and it's best to give them a good incentive to do that. The old saying that it's easier to draw someone in with a carrot instead of a stick is true in ebook sales, as is in every other facet of life. Free items are a low-pressure way for someone to try out the site and test out the experience of downloading a book through my direct sales page. Direct sales pages are the best way to have control of free content that you're giving out to readers since price changes on other sites can vary wildly in when they occur, which makes setting up promotions very difficult if you're not sure when the price change will be live on all platforms. It's also a lot easier than what people used to do in the early 2010s for this kind of thing, which is directly email ebook files to readers, whereas having them nicely delivered through Payhip and then the Book Funnel backend is much more convenient. Coupon codes can be too much of a hassle for some readers, and setting up coupon codes on multiple platforms is definitely a massive hassle and can't be done on some platforms as frequently as I would like, so giving away free short stories via Payhip is an effective use. #5: The fifth reason is my direct sales page [content] is DRM free. This winter, Amazon removed the option to download and transfer Kindle books via USB for any books purchased through Amazon, which created a stir on social media even though most readers weren't using the feature and weren't even aware that it existed. What the outrage over the change did was make many people aware that they weren't truly owners of the content they bought from Amazon. It might be your instinct as a writer to put DRM in your ebooks and audiobooks in the belief that doing so prevents piracy. As anyone in the music industry can tell you, people will always find a way around DRM. All it does is punish the honest people who are supporting you by buying your content legally and making it more difficult for them to use in the ways to make the most sense to them. Selling books without DRM gives people a chance to truly own the content and archive it the way that works best for them. Everything on my Payhip store is DRM free for those reasons. Because the books can be downloaded and stored without restrictions, they can't be removed from your collection like a book in a Kindle Library can. A book purchased from Payhip is one that you can truly and completely own. #6: The sixth reason that has been helpful I think is honestly simple patience. Direct selling ebooks is a lot harder than just putting them on Amazon because Amazon is very well optimized for getting people to buy things and direct sales are often not. The very first year I did direct sales in 2021, by the end of the year I made a grand total of $10. This year I am probably going to make high three figures (if all goes well), which still is not a lot compared to some of the sales people can report off platforms like Amazon. But if you go from $10 in 2021 to high three figures in 2025, that is quite a growth trajectory. So again, if you were to start using direct sales, be patient and bear in mind it might take a long time of using things like free short stories and Coupon of the Week to gradually build up interest in the site. I also want to talk a little bit about what I think will be future challenges with direct sales and a big one that will happen if my direct sales continue to grow at this rate will be US sales tax. In 2018, the US Supreme Court ruled that states can charge sales tax for any purchases online. Previously they had not been able to do so and the law has been changed and challenged and tweaked a little bit since then, but it's boiled down to that for most of the states (it varies by states, and this is not legal advice), the rule is if you are selling more than $100,000 worth of product in their state or more than 200 individual transactions in that state, then you're obliged to pay sales tax on those sales to that individual US state. For me, obviously that is not a problem right now. I believe as of this recording, I have had a total of 95 individual transactions for direct sales. If you divide that out among the 50 US states and UK and several EU countries, I'm nowhere near the reporting thresholds for any individual US state, even the most restrictive ones. That said, it could happen if direct sales continue to grow, that will be a problem I need to address in the future. Payhip collects a VAT for EU countries, but it doesn't do any sales tax collecting for the US. So if my direct sales continue to grow to the point where I'm hitting sales tax thresholds for the individual states, I would probably have to change platforms from Payhip to something like Shopify where there are a number of plugins on Shopify (like Tax Jar for example) that will take care of the sales tax reporting and filing and paying for you. But that is obviously not a problem right now unless my direct sales grow a good bit. But that is something to keep in mind for future endeavors. So in conclusion, Payhip has been a growing source of income for me (although still far from my primary one) because of these strategies. Payhip has been a great platform for direct sales and has given my readers another choice in where to buy my books and audiobooks. And as always, I would like to thank everyone who has bought and read my books from either Payhip or any other platform. And even though I have this direct sales platform, a reminder that my preferred answer to the question "where should I get your books?" is "wherever is most convenient for you" (with the exception of piracy, of course). So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting by form of choice. Stay safe and stay healthy and see you all next week.  

Apple's newest visionOS 26.2 developer beta delivers small but meaningful upgrades — especially for creators, stylus users, and anyone following app optimization on Vision Pro.Primary Source: Apple Developer Documentation — https://developer.apple.com/documentation/visionos-release-notes/visionos-26_2-release-notesKey Details 1. Logitech Muse Stylus Support   - The Muse now communicates more consistently with VisionOS.   - Pressure and button readings are normalized — meaning drawing, writing, and sculpting feel smoother and more predictable across apps.2. App Performance Tracking Fixes   - Apple's “Instruments” tool correctly reports Swift app performance again.   - Developers can spot memory leaks and sluggish code with better accuracy.3. Subscription Testing Enhancements   - Simulated renewals and re-joins for paid plans in Xcode work reliably.   - Known delay: subscription status changes may still take up to 24 hours to refresh.4. TV App SharePlay Limitation   - SharePlay for DRM-protected shows/movies temporarily unavailable.   - Apple has identified the issue and plans a future fix.Email: ThePodTalkNetwork@gmail.comWebsite: ThePodTalk.netYouTube: YouTube.com/@VisionProFiles

MUST HEAR!!!!And if you want to watch, here you go:Rumble Video for this EpisodeYour LINKS:Get Dr Monzo's Whole Food Supplements for your 90 Essential Revitalizing Nutrients here: https://SemperFryLLC.comClick His Picture on the Right for the AZURE WELL products and use code BB5 for your discount.Join Dr. Glidden's Membership site:https://leavebigpharmabehind.com/?via=pgndhealthCode: baalbusters for 25% OffFind clickable portals to Dr Monzo and Dr Glidden on Dan's site, and it's the home of the best hot sauce, his book, and Clean Source Creatine-HCL.Subscribe to the NEW dedicated channel for Dr Glidden's Health Solutions Showhttps://rumble.com/c/DrGliddenHealthShowPods & Exclusives AD-FREE! Just $5/mohttps://patreon.com/c/DisguisetheLimitsDon't be a schmoe, Support the Show!Become a supporter of this podcast: https://www.spreaker.com/podcast/ba-al-busters-broadcast--5100262/support.

Every October, New York Comic Con (NYCC) rolls around. Normally, they don't acknowledge their proximity to the spooky season, but this year, as crowds reached pre-pandemic sizes, they embraced Halloween. Cosplay took on a more deliciously grisly vibe, and we found ourselves feeling more ghoulish than usual, too. The conversations we sought ventured into bloodier tales of both good and bad natures. Michael Walsh joined us in the Tiny Onion booth to explain the game design that birthed Exquisite Corpses, and how such play was influenced by his recent stint on Frankenstein. We met artist Tristan Jones upstairs in the infamous “Butter Corner,” where the IDW Publishing booth found itself this year. We discussed his collaboration with Christian Ward on the utterly surprising Event Horizon: Dark Descent series, and how he finally delivered what the movie only hinted at back in the nineties. Exquisite Corpses Volume 1 is now available from Tiny Onion and Image Comics. Event Horizon: Dark Descent issues 1-2 are now available from IDW Publishing. Issue 3 arrives in comic book shops everywhere on November 12th. Follow Michael Walsh on Blue Sky and Instagram. Follow Tristan Jones on Blue Sky and Instagram. This Week's Sponsors This November, Event Horizon: Dark Descent, the terrifying comic book prequel series to the classic, 90s, hellraising sci-fi film, reaches its epic third issue, and if you always wanted to know the gory details about exactly what went down when the Event Horizon crew were transported to hell, this is the issue you cannot miss. From writer Christian Ward and artist Tristan Jones, Event Horizon: Dark Descent #3 lands in comic book shops on November 12th courtesy of IDW Publishing, with a killer cover by Jeffrey Alan Love and a variant cover by Chris Burnham. "The dead have appeared to me — and there is something else loose upon the ship. If you can hear me, it may be too late for you. LIBERA TE TUTEMET EX INFERIS!" Are you ready to face the future? Look no further than 2000 AD – it's the Galaxy's Greatest Comic! Every week 2000 AD brings the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper and more! Get a print subscription to 2000 AD, and it'll arrive at your mailbox every week, and your first issue is free. You'll also receive the HUNDRED PAGE 2000 AD Christmas Special this December at no extra cost! Or, subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! Other Relevant Links to This Week's Episode: Subscribe to The Stacks, Comic Creators Name Their Favorite Comics Previously on CBCC: Christian Ward on Event Horizon: Dark Descent The Comics Crossover Event with The Short Box, Oblivion Bar, Off Panel, and CBCC Watch The Harvey Awards on Popverse Comic Book Film Club 11/16 at 5PM EST: The Life and Death of Colonel Blimp at the Winchester Alamo Drafthouse, co-sponsored by Four Color Fantasies Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

This is Sarah Jeong, features editor at The Verge. I'm standing in for Nilay for one final Thursday episode here as he settles back into full-time hosting duties. Today, we've got a fun one. I'm talking to Cory Doctorow, prolific author, internet activist, and arguably one of the fiercest tech critics writing today. He has a new book out called Enshittifcation: Why Everything Suddenly Got Worse and What to Do About It. So I sat down with Cory to discuss what enshittification is, why it's happening, and how we might fight it.  Links:  Enshittification | Macmillan Why every website you used to love is getting worse | Vox The age of Enshittification | The New Yorker Yes, everything online sucks now — but it doesn't have to | Ars Technica The enshittification of garage-door openers reveals vast, deadly rot | Cory Doctorow Mark Zuckerberg emails outline plan to neutralize competitors | The Verge Google gets to keep Chrome, judge rules in antitrust case | The Verge How Amazon wins: by steamrolling rivals and partners | WSJ A new web DRM standard has security researchers worried | The Verge Netflix, Microsoft & Google just changed how the web works | The Outline Subscribe to The Verge⁠ to access the ad-free version of Decoder! Credits: Decoder is a production of The Verge and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Ursa Wright.  The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

There's zero doubt, Absolute Batman Annual #1 will be one of the year's most talked-about comics. Featuring three stories by Daniel Warren Johnson, Mike Spicer, James Harren, Dave Stewart, Meredith McClaren, and Clayton Cowles, this hefty comic centers on the early Absolute Universe adventures of Bruce Wayne, revealing how that chonky Batmobile came to be, and just how Black Mask's party animals first encountered the Dark Knight. We read the comic a couple of weeks back, and the instant we flipped that last page, we were compelled to get Daniel Warren Johnson into a Zoom room. Thankfully, he obliged. Johnson's untitled story makes up the bulk of the Absolute Batman Annual. It propels Absolute Batman against a white supremacist horde, showcasing some of the most brutal action from the ongoing series so far, while doing so in a way that questions that violence's effectiveness. As Daniel Warren Johnson has showcased in other comics like Murder Falcon, Do a Powerbomb!, and his recent run on Transformers, badass, jaw-dropping visuals are only half his might as a creator. DWJ breaks hearts as often as he breaks bones. “It's in my blood and it's boiling, and I have to get it out.” In an exclusive conversation with Comic Book Couples Counseling, Johnson explains how his tale in the Absolute Batman Annual came to pass. We discuss his reluctance to contribute to the world so expertly crafted by Scott Snyder and Nick Dragotta, and how one single image eventually caused him to put everything he had into this character and universe. Daniel Warren Johnson tells us why supplying only compelling, catastrophic action isn't enough for him as a storyteller. He requires more than an exclamation point to climax his stories. He needs a question. Absolute Batman Annual is now available from DC Comics. Make sure you're following Daniel Warren Johnson on Blue Sky, Instagram, and his Website. This Week's Sponsors Judge Dredd Megazine turns thirty-five years old this October, and it'll be celebrating with a very special issue perfect for first-time readers! Featuring the return of the critically acclaimed series Dreadnoughts and Megalopolis, this 100-page issue is a brilliant way to jump into the crazy world of 2000 AD. You'll also find incredible new stories featuring Judge Dredd, Judge Anderson, and much more inside! Get a print subscription to the Megazine and it'll arrive through your American mailbox every month – or get a combi subscription and receive 2000 AD each week as well! If you subscribe digitally, you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! Launching this October, it's the latest entry in IDW Publishing's Kei-Sei line of Godzilla comics: Starship Godzilla, a cosmic adventure. It's written by award-winning scribe Chris Gooch (of In Utero fame) and illustrated by inventive artist Oliver Ono (I mean, come on, did you read their Godzilla: Monster Island Summer Camp? Insta-Classic). The Kai-Sei Era is the only ongoing Godzilla story of its kind, crafted for comics readers who have never bought a Godzilla book and Godzilla fans who have never read a comic. Starship Godzilla #1 is out now wherever rad comic books are sold. Other Relevant Links to This Week's Episode: Subscribe to The Stacks, Comic Creators Name Their Favorite Comics Previously On CBCC: Daniel Warren Johnson Live at Now or Never Comics Previously On CBCC: Daniel Warren Johnson and Riley Rossmo on The Moon is Following Us Previously On CBCC: Daniel Warren Johnson on Transformers Previously On CBCC: Daniel Warren Johnson on Do a Powerbomb! Previously On CBCC: Daniel Warren Johnson on Beta Ray Bill Previously On CBCC: Scott Snyder and Nick Dragotta on Absolute Batman The Comics Crossover Event with The Short Box, Oblivion Bar, Off Panel, and CBCC Watch The Harvey Awards on Popverse Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

We all crave a good meal. The challenge is savoring it once it's placed before you. Kelley Jones and Matt Wagner have wickedly, and delightfully, discovered a way to make Bram Stoker's Dracula not one good dish, but three...and possibly four and five. For the last several years, they've transformed the classic vampire novel into a feast impossible to gobble down in one sitting. By taking throwaway sentences in the book and building two graphic novels out of them (Dracula Book I: The Impaler, Dracula Book II: The Brides), they've miraculously extended their love affair with Vlad, and ours in the process as well. Now, with Dracula Book III: The Count, which only has a week left on Kickstarter, Jones and Kelley properly excavate Bram Stoker's book. This third entry tackles the iconic plot, but only from Count Dracula's perspective. We all know this story from Jonathan Harker, Mina, and Van Helsing's point of view, but how did the vicious beast at the center of their fear experience the whole endeavor? No more letters. Only the Count's singular, hungry howl of self. We've read and watched many Dracula adaptations, but none as exhaustive and creative as this. As a result, this week's podcast had to match Jones and Wagner's studious passion. All together, we dig deep into their previous entry, Dracula Book II: The Brides. We discuss how, in chaining themselves to Dracula's perspective, they create unparalleled empathy for the monster and his godless pursuits. Is there danger in that? Again, Dracula: The Count only has seven days left on its Kickstarter campaign. Please visit the crowdfunding project by clicking HERE. You can continue the conversation with Kelley Jones by visiting his Instagram. You can follow Matt Wagner on Blue Sky and Instagram. This Week's Sponsors Launching this October, it's the latest entry in IDW Publishing's Kei-Sei line of Godzilla comics: Starship Godzilla, a cosmic adventure. It's written by award-winning scribe Chris Gooch (of In Utero fame) and illustrated by inventive artist Oliver Ono (I mean, come on, did you read their Godzilla: Monster Island Summer Camp? Insta-Classic). The Kai-Sei Era is the only ongoing Godzilla story of its kind, crafted for comics readers who have never bought a Godzilla book and Godzilla fans who have never read a comic. Starship Godzilla #1 is out now wherever rad comic books are sold. Judge Dredd Megazine turns thirty-five years old this October, and it'll be celebrating with a very special issue perfect for first-time readers! Featuring the return of the critically acclaimed series Dreadnoughts and Megalopolis, this 100-page issue is a brilliant way to jump into the crazy world of 2000 AD. You'll also find incredible new stories featuring Judge Dredd, Judge Anderson, and much more inside! Get a print subscription to the Megazine and it'll arrive through your American mailbox every month – or get a combi subscription and receive 2000 AD each week as well! If you subscribe digitally, you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! Other Relevant Links to This Week's Episode: Previously on CBCC: Kelley Jones and Matt Wagner on Dracula Book 1: The Impaler Subscribe to The Stacks, Comic Creators Name Their Favorite Comics Watch The Harvey Awards on Popverse NYCC 2025 Patreon Dispatch: Michael Walsh on Exquisite Corpses Grab Your Tickets for Addams Family Values on 10/26 at the Alamo Drafthouse Winchester, co-sponsored by Four Color Fantasies Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Transplanting the Doughboys from one medium to another demands collaborators with a firm grasp on both worlds. Podcasters Mike Mitchell and Nick Wiger know their realm, but require a few comic book maniacs to hurl them confidently into the sequential playground. Enter writer Alex Firer and artist Fred C. Stressing (also, colorist Meg Casey). Not only did Firer and Stresing grow up stewing in comics, but they've spent the last several years working together on the Rick and Morty books from Oni Press. They bring with them a strong passion for Harvey Kurtzman, Grant Morrison, and Krazy Kat. They're equally pickled in Doughboys lore, and after a little back and forth with Mitch and Wiger, could decipher the podcast into the epic quest called Doughboys: The Comic Book - Mitch and Wiger Chew America - Crisis on Infinite Girths. Last week, we spoke with Mike Mitchell and Nick Wiger about how they found their way into a comic book, and this week, we're speaking with Alex Firer and Fred C. Stresing about how they helped make that wild fantasy a reality. Also, as a result of hosting the Harvey Awards at New York Comic Con last weekend, we're stewing in Harvey Kurtzman's world ourselves, and his influence is easily identified in the Doughboys Comic Book. It's a joy to discuss madcap comedy, especially the funny book variety, with these two. Make sure you're following the Doughboys on your favorite podcast app, or just click here. Follow Alex Firer on Blue Sky and Instagram. Follow Fred C. Stresing on Blue Sky and Instagram. You can purchase Doughboys: The Comic Book - Mitch and Wiger Chew America - Crisis on Infinite Girths on BeOurKids.com. This Week's Sponsors Judge Dredd Megazine turns thirty-five years old this October, and it'll be celebrating with a very special issue perfect for first-time readers! Featuring the return of the critically acclaimed series Dreadnoughts and Megalopolis, this 100-page issue is a brilliant way to jump into the crazy world of 2000 AD. You'll also find incredible new stories featuring Judge Dredd, Judge Anderson, and much more inside! Get a print subscription to the Megazine and it'll arrive through your American mailbox every month – or get a combi subscription and receive 2000 AD each week as well! If you subscribe digitally, you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! Launching this October, it's the latest entry in IDW Publishing's Kei-Sei line of Godzilla comics: Starship Godzilla, a cosmic adventure. It's written by award-winning scribe Chris Gooch (of In Utero fame) and illustrated by inventive artist Oliver Ono (I mean, come on, did you read their Godzilla: Monster Island Summer Camp? Insta-Classic). The Kai-Sei Era is the only ongoing Godzilla story of its kind, crafted for comics readers who have never bought a Godzilla book and Godzilla fans who have never read a comic. Starship Godzilla #1 is out now wherever rad comic books are sold. Other Relevant Links to This Week's Episode: Subscribe to The Stacks, Comic Creators Name Their Favorite Comics Watch The Harvey Awards on Popverse NYCC 2025 Patreon Dispatch: Michael Walsh on Exquisite Corpses Grab Your Tickets for Addams Family Values on 10/26 at the Alamo Drafthouse Winchester, co-sponsored by Four Color Fantasies Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

The podcast crossover event no one was expecting is here. The Doughboys, Mike Mitchell and Nick Wiger, arrive on Comic Book Couples Counseling ready to examine their feelings and suss out why they've propelled their podcast life into comic book form. Collaborating with writer Alex Firer, artist Fred C. Stresing, and colorist Meg Casey, Mitch and Wiger boil down their obsession with fast food and chain restaurants into a delicious four-color stew. It's a six-issue series called Doughboys: The Comic Book - Mitch and Wiger Chew America - Crisis on Infinite Girths. Everything you need to know about the vibe is right there in the title. The book is comic book-y, and a Where's Waldoquest for Wednesday warriors, as well as longtime fans of the podcast. You can nab the first issue here. For ten years, Mitch and Wiger have met weekly to battle it out over Red Lobster, Steak n Shake, and Taco Bell, usually inviting fellow comedy maniacs like Jon Gabrus or Lauren Lapkus to weigh in. The Doughboys comic book operates in a similar fashion, but cranks everything to eleven. Demonic and heavenly forces are at play here, friends. We return from New York Comic Con with the perfect episode. We discuss with Mitch and Wiger what drew them to comics, what they've learned about themselves while spending years talking about food, and how insignificant you can feel when sitting in a football stadium or the New York Javits Center. Make sure you're following the Doughboys on your favorite podcast app, or just click here. You can also follow them on Blue Sky and Instagram. This Week's Sponsors Launching this October, it's the latest entry in IDW Publishing's Kei-Sei line of Godzilla comics: Starship Godzilla, a cosmic adventure. It's written by award-winning scribe Chris Gooch (of In Utero fame) and illustrated by inventive artist Oliver Ono (I mean, come on, did you read their Godzilla: Monster Island Summer Camp? Insta-Classic). The Kai-Sei Era is the only ongoing Godzilla story of its kind, crafted for comics readers who have never bought a Godzilla book and Godzilla fans who have never read a comic. Starship Godzilla #1 is out now wherever rad comic books are sold. Judge Dredd Megazine turns thirty-five years old this October, and it'll be celebrating with a very special issue perfect for first-time readers! Featuring the return of the critically acclaimed series Dreadnoughts and Megalopolis, this 100-page issue is a brilliant way to jump into the crazy world of 2000 AD. You'll also find incredible new stories featuring Judge Dredd, Judge Anderson, and much more inside! Get a print subscription to the Megazine and it'll arrive through your American mailbox every month – or get a combi subscription and receive 2000 AD each week as well! If you subscribe digitally, you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! Other Relevant Links to This Week's Episode: Subscribe to The Stacks, Comic Creators Name Their Favorite Comics Chris Condon in The Stacks at Third Eye Comics Brad and Lisa Gullickson in The Stacks at Third Eye Comics Sanford Greene in The Stacks at Third Eye Comics Philip Kennedy Johnson in The Stacks at Third Eye Comics Steve Anderson in The Stacks at Third Eye Comics David Brothers and Chip Zdarsky in The Stacks at Third Eye Comics Benjamin Percy in the Stacks at Third Eye Comics Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

You can’t stop every pirate, but you can slow them down—and keep real customers smiling. Today we cover low-cost deterrents, “soft DRM,” and community perks that make stealing less attractive. Side Hustle School features a new episode EVERY DAY, featuring detailed case studies of people who earn extra money without quitting their job. This year, the show includes free guided lessons and listener Q&A several days each week. Show notes: SideHustleSchool.com Email: team@sidehustleschool.com Be on the show: SideHustleSchool.com/questions Connect on Instagram: @193countries Visit Chris's main site: ChrisGuillebeau.com Read A Year of Mental Health: yearofmentalhealth.com If you're enjoying the show, please pass it along! It's free and has been published every single day since January 1, 2017. We're also very grateful for your five-star ratings—it shows that people are listening and looking forward to new episodes.

Weeks ago, we told you to keep an eye glued to the Macabre Valley #1 Kickstarter from writer Zack Quaintance and artist Anna Readman. Now, you have only one week left to back the project and secure yourself a copy of this fiendishly fun comic. Based on Quaintance's own experiences reporting along the American/Mexican border, Macabre Valley tells a viciously recognizable story, energized by Anna Readman's gnarly creature designs and trippy sequential storytelling. You can even support the project knowing you'll receive your comic soon, as Macabre Valley has surpassed its funding goal spectacularly. To celebrate and encourage last-minute stragglers, we're thrilled to have Zack Quaintance back on the podcast this week to discuss the werewolf priest at Macabre Valley's center, and he's even joined this time by his talented collaborator Anna Readman (making her podcast debut, no less). We discuss what makes the best werewolves and how both creators relate to the real-life horror that surrounds the fantastical horror throughout Macabre Valley. The conversation considers uniforms, from the lawful to the hirsute, and the influence they have on those who wear them. Finally, it leaves the listener imagining a wild, wonderful alternate reality where Cormac McCarthy wrote for EC Comics. Again, Macabre Valley #1 is currently seeking funding via Kickstarter. It's written by Zack Quaintance, illustrated by Anna Readman, colored by Brad Simpson, and lettered by Becca Carey. Please follow Zack Quaintance on Blue Skyand Instagram, and follow Anna Readman on her Website and Instagram. This Week's Sponsors Judge Dredd Megazine turns thirty-five years old this October, and it'll be celebrating with a very special issue perfect for first-time readers! Featuring the return of the critically acclaimed series Dreadnoughts and Megalopolis, this 100-page issue is a brilliant way to jump into the crazy world of 2000 AD. You'll also find incredible new stories featuring Judge Dredd, Judge Anderson, and much more inside! Get a print subscription to the Megazine and it'll arrive through your American mailbox every month – or get a combi subscription and receive 2000 AD each week as well! If you subscribe digitally, you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! Launching this October, it's the latest entry in IDW Publishing's Kei-Sei line of Godzilla comics: Starship Godzilla, a cosmic adventure. It's written by award-winning scribe Chris Gooch (of In Utero fame) and illustrated by inventive artist Oliver Ono (I mean, come on, did you read their Godzilla: Monster Island Summer Camp? Insta-Classic). The Kai-Sei Era is the only ongoing Godzilla story of its kind, crafted for comics readers who have never bought a Godzilla book and Godzilla fans who have never read a comic. Starship Godzilla #1 is out now wherever rad comic books are sold. Other Relevant Links to This Week's Episode: Subscribe to The Stacks, Comic Creators Name Their Favorite Comics Zack Quaintance on The Death of Comics Bookcase Watch The Harvey Awards 2024 via Popverse Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

When Francis Ford Coppola shoots you an email asking you to transform his new movie into a comic book, you say yes and worry about the details later. Chris Ryall got the email. Once he got over the shock ot it, he immediately knew who to contact next: Comic Book Couples Counseling regular, Jacob Phillips. They couldn't have possibly understood what an undertaking they were committing to during those early days, but nearly five years later, they have the Megalopolisgraphic novel in their hands. It's something special. As you'll hear on this week's podcast, Francis Ford Coppola wanted Ryall and Phillips to make the comic their own. If that meant chopping up the script or fabricating the designs, so be it. Jacob Phillips approaches the likenesses the way he would any corporate comic character. If he were on Batman, he'd do his version of Batman. So, he'd apply the same logic to Adam Driver. The actor is the design, but the pencils and inks belong to Phillips. The magic is in how the movie and the comic, crafted independently of each other, aligned so well together. Chatting with Ryall and Phillips allowed us to celebrate both artistic mediums. We discuss the challenges of translating cinematic ideas onto panels, the need for repertoire stories, and the hope within Francis Ford Coppola's humanism. Before all that, however, we also discuss the new documentary, Shopping for Superman. Directed by Wes Eastin, the film travels across America, from one comic book shop to another. It's a must-watch for every comic book reader, as it honors the industry while contemplating where it's all going in the wake of Diamond Comic Distributors' destruction. Megalopolis, the comic, is published by Abrams ComicArts and arrives in shops on October 7th. Make sure you're following Chris Ryall on his Substack, Instagram, and Blue Sky. Also, follow Jacob Phillips on Instagram and Blue Sky. This Week's Sponsors Launching this October, it's the latest entry in IDW Publishing's Kei-Sei line of Godzilla comics: Starship Godzilla, a cosmic adventure. It's written by award-winning scribe Chris Gooch (of In Utero fame) and illustrated by inventive artist Oliver Ono (I mean, come on, did you read their Godzilla: Monster Island Summer Camp? Insta-Classic). The Kai-Sei Era is the only ongoing Godzilla story of its kind, crafted for comics readers who have never bought a Godzilla book and Godzilla fans who have never read a comic. Starship Godzilla #1 is out now wherever rad comic books are sold. Judge Dredd Megazine turns thirty-five years old this October, and it'll be celebrating with a very special issue perfect for first-time readers! Featuring the return of the critically acclaimed series Dreadnoughts and Megalopolis, this 100-page issue is a brilliant way to jump into the crazy world of 2000 AD. You'll also find incredible new stories featuring Judge Dredd, Judge Anderson, and much more inside! Get a print subscription to the Megazine and it'll arrive through your American mailbox every month – or get a combi subscription and receive 2000 AD each week as well! If you subscribe digitally, you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! Other Relevant Links to This Week's Episode: Subscribe to The Stacks, Comic Creators Name Their Favorite Comics Chris Condon in The Stacks at Third Eye Comics Brad and Lisa Gullickson in The Stacks at Third Eye Comics Sanford Greene in The Stacks at Third Eye Comics Philip Kennedy Johnson in The Stacks at Third Eye Comics Steve Anderson in The Stacks at Third Eye Comics David Brothers and Chip Zdarsky in The Stacks at Third Eye Comics Benjamin Percy in the Stacks at Third Eye Comics Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Not again! Chip Kidd and Michael Cho are the latest comic book creators to find their way, literally, into comics. The Avengers in the Veracity Trap, published as part of the Marvel Arts imprint of Abrams ComicArts, propels the titular superheroes from their dimension into ours, revealing that Kidd and Cho control their free will. The oversized original graphic novel is a stunning-looking comic, thanks to Michael Cho making magic with sequentials, taking a short break from his usual stellar cover work. What is it about comics? Read enough of them, and suddenly you want to be in them. The medium invites invasion, calling folks like Stan Lee, Jack Kirby, Grant Morrison, Brian Michael Bendis, Ta-Nehisi Coates, and others to throw themselves upon the panels. Maybe it's because, as children, we wrap this flatland universe around us like a blanket. It's comfy and protective. It's where we want to go when the third dimension reveals itself as too damn physical with our soft little bodies. Chip Kidd joins the podcast this week to discuss how he once again wormed his way into comic book panels (yeah, this is not his first offense. See also, Batman: Death by Design and Alex Ross's Marvelocity). We discuss how "The Veracity Trap" has become a valuable concept for us personally as we struggle with the strings that direct our movements these days. As usual, the conversation gets philosophical, breaking down free will and the troubled waters between artist and audience. The Avengers in the Veracity Trap is now available wherever rad comics are sold. Make sure you follow Chip Kidd on Instagram. This Week's Sponsors Looking for sci-fi comics that go further than you've ever been before? Then you need  2000 AD – it's the Galaxy's Greatest Comic! Whether you're a new or returning reader, September is the perfect time to try out 2000 AD, with the launch of 2000 AD issue 2450 -- a jump-on issue with a fresh start for every story! Featuring a terrifying new Judge Dredd story by Rob Williams and Henry Flint, the issue also has a major new Rogue Trooper story from the team of Alex de Campi and Neil Edwards! Get a print subscription to 2000 AD and it'll arrive through your letterbox every week, and your first issue is free. Or, subscribe digitally and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! For thirty years, Street Sharks has remained a fan-favorite franchise, but the fearless Bolton Brothers have been cruelly absent from comic book shops. Until now. This September, IDW Publishing launches a brand new five-issue Street Sharks mini-series from writer Stephanie Williams and artist Ariel Medel. The new series celebrates the JAW-SOME characters you already love while exploring new depths to their souls and universe. So, get ready to return to the chaotic streets of Fission City as Ripster, Jab, Streex, and Big Slammu fight to protect their home against twisted experiments gone wrong, including muscle-bound mutant lobsters, ruthless squids, and deranged scientists. Other Relevant Links to This Week's Episode: Subscribe to The Stacks, Comic Creators Name Their Favorite Comics Chip Kidd's Jurassic Park TED Talk Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. Don't forget to grab your tickets for our September 28th Alamo Drafthouse Winchester screening of Event Horizon, co-sponsored by Four Color Fantasies. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Every few months, the discourse turns to comics journalism. What is it? What's its value? Does it even exist anymore? Of course, if you read SKTCHD or listen to Off Panel every week, these questions are easy to answer. For years, David Harper has been our go-to source for what's happening within the comics industry, and due to recent events in his own life, he's upped his game and committed to comics journalism in a fashion he previously has not. Can the industry sustain him? That all depends on us. This week, we chat with David Harper about his total immersion into SKTCHD/Off Panel. We confront him about his pivot to video, the state of comics journalism, and how he ignores the recurring Chicken Little screams of “The sky is falling.” It's not all so dire, though. We also discuss his ideal comic book shop and the books he's absolutely loving in 2025. Stories and storytellers are vital to human existence, but for various, always frustrating, reasons, we must continually be reminded of this. You, dear listener, are already fighting the good fight, but how do we get others to join us? Share, baby, share. Below you'll find links not only to David Harper's good work, but also to the good work of others working within the field of comics journalism. Give them your clicks, give them your eyes, and maybe, just maybe, if you can afford to do so, give them your dollars. Support Comics Journalism Subscribe to SKTCHD Become an Off Panel Patron Become a Patron of The Beat Become an AIPT Patron Get Your Copy of The Comics Courier Support a Journalist on his Journey to Creator Become a Comic Book Couples Counseling Patron This Week's Sponsors Looking for sci-fi comics that go further than you've ever been before? Then you need  2000 AD – it's the Galaxy's Greatest Comic! Whether you're a new or returning reader, September is the perfect time to try out 2000 AD, with the launch of 2000 AD issue 2450 -- a jump-on issue with a fresh start for every story! Featuring a terrifying new Judge Dredd story by Rob Williams and Henry Flint, the issue also has a major new Rogue Trooper story from the team of Alex de Campi and Neil Edwards! Get a print subscription to 2000 AD and it'll arrive through your letterbox every week, and your first issue is free. Or, subscribe digitally and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! For thirty years, Street Sharks has remained a fan-favorite franchise, but the fearless Bolton Brothers have been cruelly absent from comic book shops. Until now. This September, IDW Publishing launches a brand new five-issue Street Sharks mini-series from writer Stephanie Williams and artist Ariel Medel. The new series celebrates the JAW-SOME characters you already love while exploring new depths to their souls and universe. So, get ready to return to the chaotic streets of Fission City as Ripster, Jab, Streex, and Big Slammu fight to protect their home against twisted experiments gone wrong, including muscle-bound mutant lobsters, ruthless squids, and deranged scientists. Other Relevant Links to This Week's Episode: Subscribe to the CBCC YouTube Channel and Prepare for The Stacks Zack Quaintance on The Death of Comics Bookcase Tiffany Babb on The Comics Courier Chip Zdarksy on Zdarksy Comic News Brad and Lisa Guest-Star on Off Panel Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. Don't forget to grab your tickets for our September 28th Alamo Drafthouse Winchester screening of Event Horizon, co-sponsored by Four Color Fantasies. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Cloudflare's latest moves to police who can access the internet and governments' push for age verification set off alarms for the future of the open web, as panelists debate the hidden costs of centralization and regulation. Microsoft fires four workers for on-site protests over company's ties to Israel Taco Bell rethinks AI drive-through after man orders 18,000 water Nvidia says two mystery customers accounted for 39% of Q2 revenue FBI cyber cop: Salt Typhoon pwned 'nearly every American Mastodon says it doesn't 'have the means' to comply with age verification law UK's Online Safety Act censors the internet — a preview of US proposal Meta updates chatbot rules to avoid inappropriate topics with teen user Meta reportedly allowed unauthorized celebrity AI chatbots on its service UK's demand for Apple backdoor may have been broader than previously though Bluesky now platform of choice for science community SpaceX's giant Starship Mars rocket nails critical 10th test flight in stunning comeback FCC rejects calls for cable-like fees on broadband providers The web does not need gatekeepers Intel warns a US equity stake could trigger "adverse reactions" US firms are racing through a $1 trillion buyback spree in record time Microsoft reveals two in-house AI models Authors celebrate "historic" settlement coming soon in Anthropic class action A rule exempting small packages from tariffs is ending today Framework is working on a giant haptic touchpad, Trackpoint nub, and eGPU for its laptops Germany fines economist Thomas Vierhaus €16,100 for sarcastic X posts Google wants to make sideloading Android apps safer by verifying developers' identities South Korea bans smartphones in all middle and elementary school classrooms Host: Leo Laporte Guests: Shoshana Weissmann, Cory Doctorow, and Louis Maresca Download or subscribe to This Week in Tech at https://twit.tv/shows/this-week-in-tech Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: shopify.com/twit ZipRecruiter.com/twit NetSuite.com/TWIT zscaler.com/security smarty.com/twit