Podcasts about DRM

If you're a comic book reader like we are, around the same time you learn about Batman and Robin, you're introduced to the medium's scariest boogeyman, Dr. Fredric Wertham. The publication of his Seduction of the Innocent in 1954 thrust Wertham into the popular consciousness, sparking hysteria and moral panic, hindering the medium's growth, and significantly harming the artists who worked within it. We assumed that Harold Schechter and Eric Powell's latest true crime collaboration would roast Wertham viciously, but Dr. Werthless is far too good a work to be an attack. Schechter and Powell reveal a much more complicated character, one who devoted years of his life to the Civil Rights movement and experienced tremendous horror while working with some of this nation's most notorious human monsters. Eric Powell, the creator of The Goon, knows a thing or two about this art form and how it can stir an intense reaction from “concerned citizens.” The era in which Wertham's book dominated boob tube conversation does not feel too far away from 2025, as politicians charge against graphic novels and libraries. The concerns around what stories can be told and who should be telling them indicate their power to influence and broaden our perspectives beyond the tiny universe within our eyeline. The desire to police narratives stems from fear and a need to control. If someone tells you not to read a book or watch a movie, you must read that book and watch that movie. As you'll hear, we had a wonderful time chatting with Harold Schechter and Eric Powell about Dr. Werthless. We discuss comic books' greatest boogeyman and all the complexities that brought him to write Seduction of the Innocent. We dig into this medium's power, the artists who were hurt by Werthem's attack, and how it all relates to what we're seeing around us today. Also, we may argue about what is and is not a comic book. Fun stuff! Dr. Werthless is now available as a hardcover from Dark Horse Comics. You can find more information on the comic by visiting Powell's site or Schecter's site. You can find Eric Powell on Bluesky and Instagram, and Harold Schechter on Facebook HERE. This Week's Sponsors We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Do you want in on the biggest secret in comics today? IDW Publishing's Godzilla line of books is comics' greatest secret weapon. They're constantly snagging rockstar creators like James Stokoe, Tom Scioli, Andrew MacLean, Louie Joyce, Jake Smith, Eric Powell, Rosie Knight, and Oliver Ono to unleash their talents on cinema's most significant kaiju universe. And this July, IDW is taking their Godzilla books to the next level by introducing the Kei-Sei era. This new shared universe line begins with Godzilla #1 by Tim Seeley and Nikola Čižmešija. There's a new Godzilla design, a mess load of Kaiju antagonists…and protagonists - plus, superpowered human characters. Thanks to IDW Publishing, it's a good time to be a fan of the Big G and quality comics. In stores this June, Oni Press proudly presents a science fiction icon's unlikely return to existence in Benjamin #1 - a new, prestige format limited series from Philip K. Dick Award winner Ben H. Winters and artist Leomacs. Do you remember the work of acclaimed novelist Benjamin J. Carp? Across more than 44 novels and hundreds of short stories, Carp established himself as a counterculture revolutionary. He died in 1982, after years of Southern Californian excess finally claimed his life...until 2025...when Benjamin Carp awakens, alive, in a burned-out motel room on the fringes of Los Angeles. Explore the metatextual nexus between existence and oblivion, past and future, genius and madness, this June in Benjamin #1 – only from Oni Press. Other Relevant Links to This Week's Episode: Subscribe to the CBCC YouTube Channel and Prepare for The Stacks Steve Anderson in The Stacks at Third Eye Comics David Brothers and Chip Zdarsky in The Stacks at Third Eye Comics Benjamin Percy in the Stacks at Third Eye Comics Join Comic Book Club in Person CBCC's Comic Shop Road Trip Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Em um mundo onde você pode saltar de Londres para Lisboa ou de Sydney para São Paulo com apenas um clique no dial, o rádio vive uma revolução silenciosa. Neste episódio, você vai entender o que é rádio digital terrestre (DAB+, HD Radio, DRM e outros) e descobrir por que ele não é a mesma coisa que rádio via internet. De forma clara e dinâmica, o programa revela como essas tecnologias estão mudando o cenário global e questiona: o rádio digital vai realmente dar voz a mais pessoas ou só repetir as grandes redes em formato digital? Apesar de já estar presente em diversos países, o rádio digital ainda não existe oficialmente no Brasil, onde o dial continua dominado pelo FM analógico. O episódio explica os motivos dessa estagnação, desde custos até questões políticas e econômicas, e mostra o que está em jogo para o futuro do rádio brasileiro. Essa reportagem foi produzida para a disciplina de Áudio e Radiojornalismo do curso de Jornalismo da Universidade Federal de Santa Catarina, no primeiro semestre de 2025.Roteiro, Locução e Edição por Yan Calheiros Monitoria de Danielly Alves. Coordenação técnica por Peter Lobo e Roque Bezerra. Orientação da professora Valci Zuculoto.

Not too long ago, the United States Government confirmed the existence of UFOs, but we had too much going on to care at the time. Maybe we needed more concrete evidence. What if ET arrived on our doorstep? But he was already dead? That's the premise of Alienated, the new Comixology Original written, colored, and lettered by Taki Soma, with art by John Broglia and covers by Michael Avon Oeming. Alienated begins with one of our great mysteries solved, but done so in a horrifying, unsatisfying way. Alien arrival on Earth shakes society's core, spreading panic and existential dread...until people get distracted and move on to the next day's news cycle. There's only one problem: a single Alien survives, and it's on one disconnected family to keep them breathing. We're ecstatic to have creative couple Taki Soma and Michael Avon Oeming on the podcast this week. We discuss how storytelling impacts every element of their relationship, their fascination with UFO mythology, and how Taki Soma's graphic novel memoir Sleeping While Standing impacted her method of creating fiction. The first four Alienated issues are out now, and the fifth issue will arrive on August 5th. Please follow Taki Soma on Blue Sky and Instagram, and follow Michael Avon Oeming on Blue Sky, Instagram, and his Website. This Week's Sponsor We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. This July, IDW Publishing's Eisner-nominated cozy horror hit series returns in Beneath the Trees Where Nobody Sees: Rite of Spring #1. Superstar Cartoonist Patrick Horvath's delightfully twisted tale about an anthropomorphic serial killer bear is returning to comic shops for a new story that is guaranteed to shock readers. Return to the seemingly idealistic suburban town of Woodbrook as Samantha, the bloodlusting brown bear, got away with her crimes and is now the town's one and only serial killer. Beneath the Trees Where Nobody Sees: Rite of Spring #1 is out now from IDW Publishing. This July, one of the greatest creator-owned comic series of all time begins a powerful new chapter! From Oni Press, return to the Eisner-nominated world of The Sixth Gun as creators Cullen Bunn and Brian Hurtt reunite for The Sixth Gun: Battle for the Six #1 – an extra-sized comics' event told across three prestige format issues. The Sixth Gun is about to be Reborn anew - as it has been countless times across the centuries. This time, however, a brigade of familiar fighters is ready and waiting to challenge a secret cabal. The Sixth Gun: Battle for the Six #1 arrives in comic shops everywhere on July 23rd. Other Relevant Links to This Week's Episode: Subscribe to the CBCC YouTube Channel and Prepare for The Stacks David Brothers and Chip Zdarsky in The Stacks at Third Eye Comics Benjamin Percy in the Stacks at Third Eye Comics Join Comic Book Club in Person CBCC's Comic Shop Road Trip Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Welcome to THE CONCUSSIONOLOGY Podcast where Inch BY Inch Concussion Recovery Is A Cinch! Together with Dr. Mladenoff we will unravel the intricate complexities of concussions and embark on a profound journey of discovery and recovery. This podcast is designed to not only educate but also inspire and uplift, providing a supportive environment where patients can connect, share their stories, and find hope in their healing process. AND now Dr. Mladenoff shares with us today's episode “NeuroWorsening?” . . . . . . . . DrM

Stop Killing Games: Una petición busca proteger el derecho de jugar lo que ya pagaste      Por Félix Riaño @LocutorCo     Más de 1,2 millones de personas ya firmaron la petición “Stop Killing Games”, impulsada por Ross Scott, para evitar que las empresas borren videojuegos que ya fueron comprados. El caso de Ubisoft con The Crewdesató el movimiento.     Comprar un videojuego y después perder el acceso sin derecho a devolución. Esa práctica, que ya no es una excepción, ha generado protestas masivas. La campaña Stop Killing Games, creada en 2024 por el creador Ross Scott, denuncia cómo los contratos de usuario están permitiendo a las grandes empresas borrar juegos comprados. Ubisoft es el caso más discutido, luego de eliminar The Crew y exigir que se destruyan las copias. La campaña ya reunió más de un millón doscientas mil firmas en la Unión Europea, buscando una legislación que proteja a los jugadores. Pero no todo son festejos: también surgieron amenazas y conflictos dentro de la comunidad. ¿Qué está pasando con la propiedad digital de los videojuegos y por qué esta protesta se volvió tan viral?  Cláusulas que nadie lee, pero duelen: La letra pequeña de los contratos digitales encendió una batalla global.  Cuando compras un videojuego, parece lógico pensar que es tuyo. Lo pagaste, lo descargaste, lo juegas. Pero hay una trampa escondida: los acuerdos de usuario o EULA (por sus siglas en inglés) que aceptamos al instalarlo. Muchas veces incluyen cláusulas que permiten al desarrollador borrar el juego en cualquier momento, sin compensación. Una de las más polémicas es la de Ubisoft, que dice literalmente: “Debes desinstalar el producto y destruir todas las copias en tu posesión si se cancela por cualquier motivo”. Esta frase, que parece exagerada, es una realidad legal. Y como los juegos son ahora en su mayoría digitales, eso equivale a hacerlos desaparecer de tu consola o tu computadora.  Ross Scott, conocido por su canal en YouTube, decidió tomar acción cuando Ubisoft cerró los servidores de The Crew en 2024, haciendo que el juego dejara de funcionar, incluso para quienes lo habían comprado. Scott argumenta que esto es una forma de obsolescencia programada digital: vender productos con fecha de muerte no anunciada. Desde entonces, ha liderado la campaña Stop Killing Games, una iniciativa ciudadana europea que ya reunió firmas, presentó denuncias y ganó presencia en medios.  La campaña apunta a que la ley europea cambie, obligando a los estudios a mantener juegos accesibles, aún sin soporte. Algunos jugadores propusieron mantenerlos a través de servidores privados, como ocurre con juegos antiguos. Pero las grandes empresas se resisten, alegando problemas de seguridad, derechos de autor y costo. Aun así, el descontento sigue creciendo.  Uno de los argumentos más fuertes de la campaña es que los juegos no deberían tener fecha de vencimiento si se vendieron como productos completos. Hoy, el 87 % de los videojuegos lanzados antes de 2010 no son accesibles fácilmente, según un estudio de la Video Game History Foundation. Esto significa que miles de títulos han desaparecido por completo. Y eso no solo afecta a los jugadores, también a los archivistas, investigadores y quienes desean estudiar la historia del videojuego como forma cultural.  El caso de The Crew fue el detonante, pero no el único. En los últimos dos años, Electronic Arts ha cerrado los servidores de 61 juegos. Muchos más han sido retirados de tiendas digitales como Steam, PlayStation Network o Xbox Live, dejándolos inaccesibles para siempre. Y aunque algunas tiendas como GOG tratan de conservar títulos antiguos sin DRM, son la excepción. Además, las quejas han llegado a agencias de protección al consumidor en Alemania, Francia y Australia. La campaña plantea una pregunta difícil: ¿hasta qué punto lo digital es realmente nuestro?  El objetivo de Stop Killing Games no es simbólico: si la iniciativa alcanza suficientes firmas validadas, el Parlamento Europeo tendrá que considerar una ley. Ya hay más de un millón doscientas mil firmas recogidas, pero el propio Ross Scott advierte que muchas podrían ser inválidas, por errores en el llenado o firmas falsas. Por eso, están apuntando a llegar a un millón seiscientas mil. Tienen hasta el 31 de julio.  No todo ha sido celebración. El desarrollador indie Pirate Software, también conocido como Thor, recibió amenazas y fue blanco de acoso masivo luego de criticar algunos aspectos vagos del movimiento. Se retiró del estudio Offbrand Games y denunció ataques a su equipo. Esto abrió un nuevo frente: ¿cómo se puede protestar por derechos digitales sin cruzar la línea del odio? A pesar de estas tensiones, Scott dejó claro que esto es más que una queja: se trata de crear leyes que garanticen que lo que compramos no desaparezca de la noche a la mañana.  La industria ha respondido con resistencia. La organización Video Games Europe, que agrupa a estudios como EA, Nintendo y Microsoft, publicó un comunicado en contra de la propuesta. Dicen que forzarlos a mantener juegos vivos puede elevar los costos y limitar el diseño. Plantean que muchos juegos son online por diseño, y mantenerlos sin soporte sería inseguro. Pero eso no ha frenado al movimiento, que ya dejó en evidencia una discusión global: la brecha entre lo que compramos y lo que realmente poseemos.  El conflicto de Stop Killing Games no es nuevo, pero su impacto sí lo es. La Unión Europea ya ha intervenido antes en defensa de los consumidores, por lo que la posibilidad de legislar a favor de los jugadores no es remota. Si se aprueba una ley que prohíba la eliminación unilateral de juegos ya vendidos, podría sentar un precedente global. América Latina y Estados Unidos podrían seguir ese camino.  En paralelo, iniciativas como el Programa de Conservación de Juegos de GOG intentan rescatar títulos antiguos sin protección DRM, para garantizar que las personas puedan acceder a lo que ya pagaron. Más de cien juegos clásicos están disponibles allí. También surgen propuestas técnicas, como permitir que la comunidad mantenga servidores de juegos abandonados, algo común en títulos como World of Warcraft o Halo.  Esta campaña va más allá del videojuego: es una discusión sobre los derechos del consumidor en la era digital. ¿Tenemos derecho a conservar lo que compramos, o solo estamos alquilando por tiempo indefinido sin saberlo? La respuesta, por ahora, depende de leyes que aún no existen. Pero gracias a más de un millón de firmas, esa respuesta ya está en debate.  Más de un millón de personas piden que no se borren videojuegos ya pagados. Stop Killing Games busca cambiar las leyes en Europa. ¿Ya firmaste tú?Sigue el pódcast Flash Diario en Spotify Más de un millón de personas firmaron para impedir que empresas borren videojuegos comprados. La campaña busca cambiar la ley en Europa.  

In maart 2003 probeert Eric Hofman het onmogelijke: Radio Maeva terug op de FM. Onder de naam Maeva FM sluit hij een deal met vier ex-Radio Mango-stations, Live radio blijft uit, programma's worden op voorhand opgenomen en soms zelfs gewoon herhaald. Vanaf mei klinkt er dan toch een eerste live-uitzending, en in september staat er eindelijk een volledige dagprogrammatie. Bekende stemmen keren terug — Marc Hermans, Ron Vandeplas, Luc De Groot, Ton Schipper, Frans Babbelaar en Eric Hofman zelf. Alles in die herkenbare, warme Maeva-stijl. Het netwerk groeit, maar de technische en financiële problemen blijven zich opstapelen. In februari 2005 valt het doek. Het nieuwe frequentieplan maakt verder uitzenden onmogelijk, en Hofman haalt uit naar het beleid. Een laatste experiment via DRM op de korte golf volgt, maar ook dat loopt dood. Wat rest, is een staaltje radiopassie dat het nét niet haalde — maar wel gehoord mocht worden.

We love a good comic book explosion. The Writer smashes superheroes, comic book history, Jewish Folklore, Indiana Jones, The Princess Bride, Mike Mignola, and a little Looney Tunes existential dread. It's born from a unique sibling collaboration between the Berkowitz Bros., Max and Ben, as well as actor Josh Gad, master illustrator Ariel Olivetti, and letterer Frank Cvetkovic. At its center is the aggressively middle-aged Stan Siegel, a comic book writer avoiding life's next big chapter, who gets sucked into a supernatural battle with demons and nazis. And drags his mother and daughter into that war alongside him. The Writer is a meta feast for those steeped in comics and pop culture, nodding to the iconic and not-so-iconic characters who populate our collective imagination. With the trade paperback now available from Dark Horse Comics, we were eager to have the Berkowitz Bros. on the show this week. We discuss their comic book origin stories, a particular Bob Kane painting, middle-aged hero worship, and celebrating family. The conversation stirs intense feelings about siblings and why they make the best and worst collaborators. Also, during this week's introduction, we dive into our first HeroesCon experience. Did we meet all the creators we wanted to meet? Did we buy all the comics we wanted to buy? Are Rick Quinn and Dave Chisholm as cool in person as they are in our six Spectrum podcast episodes? We get into it. And don't forget to follow the Berkowitz Bros. on Blue Sky, Instagram, and their website. This Week's Sponsor We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: Subscribe to the CBCC YouTube Channel and Prepare for The Stacks Brad and Lisa Gullickson Talk Heroes Con on The Short Box Podcast The Best Superman Comic for the Curious Reader Join Comic Book Club in Person CBCC's Comic Shop Road Trip Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Once again, fear and dread shroud the world outside our window. Chris Condon and Jeffrey Alan Love offer assistance with their terrifyingly relatable News from the Fallout, a zombie story that chews on the military-industrial complex, belief in apocalyptic certainty, and humanity's stumbling response. You can read their series as a scary, thrilling, atmospherically rich shock-fest or recognize its narrative as our past, present, but hopefully not future. The zombie genre has served humanity well since Night of the Living Dead hit drive-ins in 1968. The Walking Dead subgenre allows creators to house all their political anxieties into a thrilling narrative, offering cathartic relief to their hungry audience. When there's no more doom to scroll, the dead will stalk your imagination. Of course, News from the Fallout's shambling creatures is not necessarily zombies. They're the Rotten, poor fools who followed orders and got their face full of some unknown agent after a military test goes wrong...or right. Only Otis Fallows was smart enough to slap on a gas mask and flee across the Nevada desert. With beasts on his heels, the soldier finds solace in a diner full of patrons. They should all listen to reason and band together against a ravenous horde. Tune in next month for the second issue. Until then, enjoy our hearty conversation with Chris Condon and Jeffrey Alan Love. We discuss George R. Romero's zombie legacy, the Criterion Collection, and how it feels to work in a terrifying narrative that doesn't look much different than what we see daily on TV and our phones. News from the Fallout looks unlike anything else in comic shops right now, thanks to Jeffrey Alan Love's incredible work, which embraces distortion and atmosphere to achieve emotional reality. So, naturally, we gotta dig into the whole look, too. News from the Fallout #1 is out now from Image Comics. It's written by Chris Condon, illustrated by Jeffrey Alan Love, lettered by Hassan Otsmane-Elhaou, and designed by Michael Tivey. Follow Chris Condon on Bluesky. Follow Jeffrey Alan Love on Instagram and his Website. This Week's Sponsor We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: The Best Superman Comic for the Curious Reader Join Comic Book Club in Person CBCC's Comic Shop Road Trip Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. Don't forget to grab your tickets for our June 29th Alamo Drafthouse Winchester screening of James Gunn's THE SUICIDE SQUAD, co-sponsored by Four Color Fantasies. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

It's really not right that Fell Hound has taken this long to find their way onto the podcast, but we're grateful they're here now, and we get to discuss with them such an exciting bit of comic book action romance like S.I.R. While the delay is entirely our fault, Fell Hound has been busy occupying our imaginations with comics like Commander Rao, an award-winning debut book that's pretty much dominated our thoughts and social media feeds since its release. They make damn fine comics, and they're impossible to ignore. Published under the BOOM! Box imprint at BOOM! Studios, S.I.R. is a properly melodramatic romance set within the violent arena of collegiate motorcycle jousting. No mortal comic book reader can resist such a setup. Fell Hound delivers heartache, action, villainy, heroism, and lewks. My god, the designs in this comic are truly craveable. Fell Hound wrote and drew everything while Eleonora Bruni provided S.I.R.'s colors with assistance from Freddie Tanto. Becca Carey designed the letters and logo. The new trade paperback from BOOM! is out now. Put your mitts on it. Also, make sure to follow Fell Hound on Instagram and Bluesky. This Week's Sponsor We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: The Best Superman Comic for the Curious Reader Join Comic Book Club in Person CBCC's Comic Shop Road Trip Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. Don't forget to grab your tickets for our June 29th Alamo Drafthouse Winchester screening of James Gunn's THE SUICIDE SQUAD, co-sponsored by Four Color Fantasies. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

İnternetin temel bir sorunu var: Bilgi, özgür olmak ister ve genellikle 'bedava' hale gelir. Ancak bu 'bedava' görünen dünyanın gizli maliyetleri var. Bugün içeriklerin çoğu dikkat ekonomisi üzerinden dönüyor; yani biz, dikkatimizle ödeme yapıyoruz. Hatta daha da kötüsü, ürün biziz: verilerimiz toplanıp satılıyor, platformlar kârlarını maksimize etmek için ne gördüğümüzü, ne okuduğumuzu, hatta ne düşündüğümüzü algoritmalarla şekillendiriyor. Bu sistem, yüzeysel etkileşimi, kutuplaşmayı ve sansürü teşvik ediyor. Kamusal söylem parçalanmış durumda ve fikirlerimizi özgürce ifade etmemiz giderek zorlaşıyor.Geleneksel dijital içerik para kazanma yöntemleri de sorunlu. İçeriği bir ödeme duvarının arkasına koymak, zihinsel işlem maliyetleri (MTX) nedeniyle genellikle işe yaramıyor. Ayrıca, DRM paradoksu gerçeği var: eğer içerik gerçekten iyiyse, kopyalanması ve ücretsiz yayılması kaçınılmazdır. Dijital bilgi fiziksel bir eşya gibi değildir; kopyalanabilir, paylaşılabilir ve bir fikir gibi yayılır.İşte bu noktada Değer-için-Değer (Value-for-Value) modeli devreye giriyor. Bu model, bilginin doğasını kabul eder. İçeriğinizi kısıtlama olmadan sunarsınız ve eğer dinleyicileriniz, izleyicileriniz veya okuyucularınız ondan değer bulursa, gönüllü olarak size değer geri verirler. Tıpkı dijital çağın sokak sanatçısı gibi.Değer-için-Değer, teşvikleri değiştirir. Artık tıklama veya izlenme süresi gibi metrikleri değil, izleyiciniz için değer yaratmayı amaçlarsınız. Bu model, aracıları ("onlar") ortadan kaldırır; sansürleyen, platformdan çıkaran "onlar" artık yoktur. Bireyi ve yaratıcıyı yeniden merkeze koyar. Reklamlara, sansüre ve platformların kısıtlamalarına karşı gerçek ve yaşayabilir bir alternatif sunar. Bitcoin, Lightning Network ve Podcasting 2.0 gibi teknolojilerle desteklenen Değer-için-Değer, internetin para kazanma modelinde anıtsal bir değişimin kapısını aralıyor. Platformlardan protokollere doğru bu evrime tanıklık ediyor, hatta onu inşa ediyoruz.Kaynak

¡Regalo GRATIS en nuestra LISTA DE CORREO! ➡️https://www.letraminuscula.com/suscribirse-lista-de-correo/ Visita nuestra WEB https://www.letraminuscula.com/ SI deseas PUBLICAR escríbenos : contacto@letraminuscula.com Llámanos☎ o escríbenos por WhatsApp:+34640667855 ¡SUSCRÍBETE al canal! CLIC AQUÍ: https://bit.ly/2Wv1fdX RESUMEN: ¿Debes activar el DRM al publicar un eBook en Amazon KDP? En este vídeo se analiza qué es el DRM, sus ventajas y desventajas, cómo afecta la experiencia del lector y las recomendaciones de expertos. Una guía clara para autores que quieren tomar la mejor decisión al autopublicar en Kindle. ⏲MARCAS DE TIEMPO: ▶️00:00 ¿Activar o no el DRM en Amazon KDP? ▶️01:11 Qué es el DRM y cómo funciona ▶️02:24 Problemas del DRM para el lector ▶️03:39 El DRM puede afectar las ventas ▶️04:50 Por qué recomiendo no usar DRM ▶️06:06 Servicios de Letra Minúscula

A Cuba con Podcast e Musica - Onde corte cubane e non solo - DRM dove non arriva internet

Two hundred and ninety-nine episodes ago, we could not have possibly imagined George Takei appearing on the podcast. Some version of the actor has hung in our imaginations for most of our lives, and we spent many days of our early marriage obsessing over Star Trek, the original series, and its subsequent films. Thankfully, through this beautiful medium called comic books, our paths have crossed, and we get to celebrate our three-hundredth episode with one of our creative and cultural heroes. Takei's latest graphic novel, It Rhymes With Takei, reunites him with the same creative team behind They Called Us Enemy: artist Harmony Becker and writers Steven Scott and Justin Eisinger. Together, they tell the rest of Takei's story, which includes his time in the Japanese American internment camps during World War II. It Rhymes With Takei explores the many lessons George Takei learned from that experience, how it shaped his activism, and gave him the courage to battle through the numerous other injustices he would face and fight for and alongside others. The word "dystopia" gets thrown around a lot these days. It's certainly a go-to for us, and when you look outside your window or scroll through your phone, it's an easy, seemingly apt descriptor. Star Trek has started to feel like fantasy, not science fiction. However, George Takei encourages us to hang onto utopian possibilities. He asks us to accept the inevitability of change but strive toward a brighter, better future. As the news continuously fills us with dread, we needed this conversation with George Takei, and we're grateful to share it with you, beautiful comic book friends. Thank you for spending your time with us over these three hundred (or so) episodes. Your presence gets us to our recording table every week, and you've given new meaning to our lives. It Rhymes With Takei is out now from Top Shelf Productions. Get it wherever rad comics are found. Follow George Takei on Facebook, Instagram, Bluesky, and his Website. This Week's Sponsor We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: Join Comic Book Club in Person CBCC's Comic Shop Road Trip Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. Don't forget to grab your tickets for our June 29th Alamo Drafthouse Winchester screening of James Gunn's THE SUICIDE SQUAD, co-sponsored by Four Color Fantasies. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Como bien dijo JRR Tolkien "A Café Fandango no le interesa ni la mitad de las cosas que se mostraron en los eventos de la Summer Game Fest, y lo que Café Fandango querría es cubrir menos de la mitad de lo que la mitad de los eventos se merecen." En este Ep559 Gus se adentra un poco más en los detalles del Monster Train 2, mientras que Edu maneja una tienda de Ramen en Minami Lane, sigue enamorado de Clair Obscur y Old Skies, y vuelve a mojar los pies en las reconfortantes aguas del FM24. Luego de repasar un poco lo que fue el lanzamiento de la Switch 2, nos adentramos (más o menos) en lo más interesante que nos dejó la State of Play, la Summer Game Fest y el Xbox Games Showcase, junto con algunos anuncios salpicados de otros eventos, para cerrar con una novedad de GOG que sigue ofreciéndonos comodidades sin DRM.

When you love comics, you become comics. Denis Kitchen began as a self-published underground cartoonist in 1969, but he quickly sprang into other roles, all serving the medium that first called to him. A year later, he launched Kitchen Sink Press, which would house numerous pioneers from the industry (R. Crumb, Howard Cruse, Art Spiegelman, Trina Robbins, Will Eisner, Harvey Kurtzman, etc). His role as publisher would eventually force him into the position of defender, fighting for the rights of his artists and creating the Comic Book Legal Defense Fund. Now, Denis Kitchen's career is the topic of a new documentary, Oddly Compelling: The Denis Kitchen Story, which is currently seeking funding via Kickstarter. The film gathers an astonishing array of talent to praise Denis Kitchen and offer context to a life that has shaped all comic readers, whether they know it or not. In this week's podcast, we sit down with Denis Kitchen for a long chat about making comics and serving comics. The artist is an icon, but a humble one. He kindly accepts adulation while dismissing it in the same breath. We discuss how comics are "just pictures on paper," but simple images can have a world-altering effect. If you want to fall deeper in love with the art form, this episode is for you. Please find the Kickstarter for Oddly Compelling: The Denis Kitchen Story here. Follow Denis Kitchen on Instagram and visit his website. This Week's Sponsor We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: Join Comic Book Club in Person CBCC's Comic Shop Road Trip Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. Don't forget to grab your tickets for our June 29th Alamo Drafthouse Winchester screening of James Gunn's THE SUICIDE SQUAD, co-sponsored by Four Color Fantasies. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

It's always a sunny day when Patrick Horvath wanders into our Love Nest. Two years after his first appearance on the podcast, he's back with another first issue, and this time, it's the sequel to the comic that made him a sensation. Beneath the Trees Where Nobody Sees: Rite of Spring takes us back to Woodbrook, years after the events of the original series, where Sam the Bear nearly lost control and many furry citizens lost their lives. Sequels are scary. We crave them desperately, but too often, they leave us full of regret and not satisfaction. With our hands on our bellies, we grumble, frustrated at how we fooled ourselves into a second taste, knowing it could never be as delicious as the first. Patrick Horvath wickedly understands sour sequelitis and subverts its toxicity through revelation. Danny the Duck, the first victim we saw Sam take in Beneath the Trees Where Nobody Sees, haunts every panel of Rite of Spring #1. His sister, Monica, takes center stage, as does her tremendous grief, which threatens to annihilate the person she was and the person she could have been. We didn't know it at the time, but Danny's death would slowly drill Monica toward Sam, and we both fear and delight at their eventual confrontation. In this episode, we ask Patrick Horvath why he couldn't stay away from Woodbrook. We discuss the function of the time jump between the first series and its new sequel, Monica's prominence in Rite of Spring #1, Danny the Duck's vengeance, and the beauty of childhood cliches. Final Order Cutoff (FOC) for Beneath the Trees Where Nobody Sees: Rite of Spring #1 is Monday, June 2nd. The first issue will arrive in shops from IDW Publishing on July 9th. Continue this conversation with Patrick Horvath by following him on Bluesky, Instagram, and his Website. This Week's Sponsor We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: The Ultimate Beneath the Trees Where Nobody Sees Spoiler-Filled Episode Patrick Horvath at NYCC 2024 Our First Beneath the Trees Where Nobody Sees Episode CBCC's Comic Shop Road Trip Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

After half a year, our Spectrum Book Club podcast series with collaborators Rick Quinn and Dave Chisholm finds its ending. It's bittersweet but equally exhilarating. The sixth issue in the Mad Cave Studios series lands the thesis, connecting every reader to every creator and revealing their powers in the process. You. Yeah, you. You're probably a maker, whether or not you're actively aware of your creations, and your tiny results forever bind you to those who came before, those who surround you today, and those who will come after you. Through Spectrum 6, Rick Quinn and Dave Chisholm plot a course through human history, and damn, we're super excited to follow. Our final Spectrum Book Club session explores endings, forces our interpretations upon Rick Quinn and Dave Chisholm, and sits in their squirmy silence as they let us hang with our unconfirmed story solutions. These episodes are a unique set within the Comic Book Couples Counseling catalog, and we're thrilled with those who have followed along from November 2024 to nearly June 2025. Even more exciting are those ears that will discover these conversations months and years from now. All six Spectrum issues are currently available from Mad Cave Studios, and the trade paperback release is scheduled for July 15th. Make sure you're following Dave Chisholm on his Website, TikTok, Instagram, and Bluesky. And follow Rick Quinn on his Website, Bluesky, and Instagram. This Week's Sponsor We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: CBCC's Comic Shop Road Trip Spectrum Book Club Part One Spectrum Book Club Part Two Spectrum Book Club Part Three Spectrum Book Club Part Four Spectrum Book Club Part Five Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Everyone has a Batman opinion. Inside your imagination is a definitive Batman: a Batman who should behave this way, and a Batman who should not behave that way. Your tight grip on your Batman is why Scott Snyder and Nick Dragotta's carefully considered Absolute Batman works so damn well. They fully understand and appreciate how the character has congealed over the last eight decades into a rock-solid idea. For the last eight months, alongside collaborators like Gabriel H. Walta, Marcos Martín, Frank Martin, Muntsa Vicente, and Clayton Cowles, Snyder and Dragotta have chipped away at the quintessential Dark Knight. They've altered elements of his origin, removed his social position, and rearranged his relationship with his rogues. Their Absolute Batman is a Bruce Wayne in motion, moving toward the impenetrable idea in your head, but struggling to match it. Here is a character growing into something, evolving into a recognizable hero for 2025. After confronting Mr. Freeze in issues seven and eight and facing the final days of Matches Malone, Bruce Wayne must reassess his war on Gotham City crime. What lessons did he learn from that awful day at The Zoo? Do his nights as Batman honor his father's sacrifice? As he fights to find himself, a grotesque demonic doppelganger appears - Bane, the nineties sensation who once broke a bat from another universe. FOC for Absolute Batman #9 is today (5/19/25)! Tell your retailers to order a copy for ya. With this comic, Scott Snyder and Nick Dragotta have cooked an undeniable banquet. As the best alternate reality stories should, they've weaponized your knowledge of these characters against you, subverting in radically compelling ways, while delivering what should never be manipulated. Today's podcast features two conversations. Up first, Scott Snyder joins us for a lengthy look back at the last eight months of Absolute Batman. We discuss Bruce Wayne's continuing development into the Dark Knight, his complex relationship with Joe Chill, his father's killer, and why Bane had to arrive sooner rather than later. Secondly, Nick Dragotta pops in for a conversation about his ultra chonky Bane design, and how what we've seen so far is only a hint of his true monstrosity. Absolute Batman #9 will finally arrive in stores, courtesy of DC Comics, on June 11th. Follow Scott Snyder on Bluesky and Instagram, and subscribe to his Substack. Follow Nick Dragotta on Bluesky and Instagram. This Week's Sponsor We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: Scott Snyder on CBCC: The First Absolute Batman Episode Nick Dragotta on CBCC: The Second Absolute Batman Episode Join Comic Book Club in Person Patreon Exclusive: Married to Singles - Sarah Myer on The Duck Knight Returns Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Kids can take it. You can coddle them. You can protect them with everything you have, but life is not simply coming for them; it already has them. Last year, Armored, the spectacularly spooky adventure story from writer Michael Schwartz and artist Ismael Hernandez, struck a deep emotional chord in us. The series seemingly came out of nowhere and walloped us with a powerfully relatable ghost story about family, loss, and perseverance. We gave it the Stampie for Best Surprise Comic, and the more times we re-read it, the more comfortable we are with that declaration. Armored traffics in recognizable tropes, but executes them perfectly through a singular vision. At the story's core is Andy, a child forced into the foster system after his parents mysteriously vanish. He's planted in a home dealing with its own awful tragedy, which propels him into a confrontation with a haunted suit of armor. With the ghostly Sir William by his side, Andy seeks to solve the disappearance of his folks while stumbling into battle with ancient evil. Having devoured the single issues from Clover Press, we patiently awaited word of a proper hardcover collection. Friends, we're ecstatic to be the first to tell you this: the Armored hardcover is almost here, and its Kickstarter Pre-Launch Page is already up and running (CLICK HERE AND GET NOTIFIED). Not only that, but we also have the first look at the new Armored hardcover collection artwork by artist Francesco Tomaselli. Please bask in its beauty while you listen to this week's podcast with author Michael Schwartz discussing Armored, how the theft of his comic book collection only intensified his comic book addiction, and why kids need stories with emotionally dark realities. Armored is published by Clover Press, written by Michael Schwartz, illustrated by Ismael Hernandez, lettered by Ferran Delgado, and edited by Chris Stevens. To continue this conversation, follow Michael Schwartz on Bluesky and Instagram. This Week's Sponsor We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: Married to Singles: Michael Schwartz on Darkhold: Iron Man Spectrum Book Club with Rick Quinn and Dave Chisholm Join Comic Book Club in Person Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

With the Invincible animated series propelling more and more fans to the comic books, now is the perfect time for Robert Kirkman and Ryan Ottley to reteam on a new series. In a universe populated with numerous rich, wild characters, they could have revamped an infinite number of ideas. They chose Battle Beast, the white lion-like humanoid cursed with an unquenchable rage, and in doing so, Kirkmann and Ottley create an opportunity to reframe the character's original narrative. Battle Beast first appeared in Invincible #19 (2004) and did not return until Invincible #55 (2008). Between those comics is a massive swath of time, and the new series, Invincible Universe: Battle Beast, will explore it fully. The first issue arrives in comic shops next Wednesday. If it's any indication, when this series is over, it will radically alter our understanding of Battle Beast's narrative and its place within the larger Invincible storyline. This week, we trap Robert Kirkman and Ryan Ottley in our Zoom room. We examine how this first issue challenges our previous interpretation of the title character, the pain at Battle Beast's core, and the brilliant action that erupts from it. Having built a utopia on his homeworld through violent combat, Battle Beast seeks an end through a worthy opponent. You should know that this episode ventures into conversations about suicide and mental health crises. Helplines are available if you do not already have a support system. For the Suicide and Crisis Lifeline - dial 988 or visit www.988lifeline.org to chat with someone online. You can reach the Mental Health Hotline in Virginia by dialing 1-866-903-3787 or CLICK HERE. Invincible Universe: Battle Beast #1 is written by Robert Kirkman, illustrated by Ryan Ottley, colored by Annalisa Leoni, and lettered by Rus Wooton. It's published by Skybound Entertainment, operating in partnership with Image Comics. To continue this conversation, follow Robert Kirkman on Bluesky and Instagram. Also, follow Ryan Ottley on Blueskyand Instagram. This Week's Sponsor We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: Robert Kirkman on CBCC: The Energon Universe Robert Kirkman on CBCC: Invincible CBCC on Invincible: Modern Family CBCC on Invincible: Reboot? CBCC on Invincible: Full House CBCC on Invincible: The End of All Things Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. Don't forget to grab your tickets for our May 11th Alamo Drafthouse Winchester screening of DREDD, co-sponsored by Four Color Fantasies. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

First issues are hard. Last issues are hard. Second-to-last issues are hard. Maybe...all issues are hard? Book Club is back in session with creators Rick Quinn and Dave Chisholm, discussing Spectrum #5, the penultimate issue in their brilliant Mad Cave Studios series. With the end just around the corner (the final issue arrives in shops on May 21st, as does our final Book Club episode with Quinn and Chisholm, so mark your calendars), Spectrum #5 must elevate and explode a bunch of grandiose ideas about art that the comic has so far been teasing or suggesting. Spectrum #5 is a BIG comic following two central characters while traversing multiple timelines and encountering alternate-dimension stand-ins for iconic cultural figures and places from our world. Quinn and Chisholm might not say it, but we will: PBGBs is CBGBs, and Gloria Bell is Patti Smith. Half the pleasure of reading Spectrum is tracking their sci-fi alternatives of real-world legends, which recalls similar joys had when devouring Alan Moore and Kevin O'Neill's The League of Extraordinary Gentlemen. However, as Spectrum #5 ramps toward its fiery conclusion next month, the fervor with which Quinn and Chisholm explore vital artistry is the ultimate appeal. Why do humans sing? Why do they paint? Why do they tell stories to one another? During a moment when artistic expression is recklessly dismissed or downright eradicated, Spectrum #5 shows its readers how they're constantly engaged with creative expression and why only the most vile and pathetic people are detached from it. Last month's Spectrum Book Club was extremely process-heavy in its conversation. Now, for the penultimate issue, it's time to dig into the thematic weeds, have a serious chat about human connection, and worry not about labels of pretension. We're all friends here. Spectrum 1 - 5 are currently available from Mad Cave Studios, and the final issue will arrive in shops on April 21st. Make sure you're following Dave Chisholm on his Website, TikTok, Instagram, and Bluesky. And follow Rick Quinn on his Website, Bluesky, and Instagram. This Week's Sponsor We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: Spectrum Book Club Part One Spectrum Book Club Part Two Spectrum Book Club Part Three Spectrum Book Club Part Four Four Color Fantasies Charity Sketch Cover Auction Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

June. 1962. Two men do the impossible: break Out of Alcatraz. The legendary escape almost immediately caught the public's imagination, becoming fodder for TV, film, and prose. Maybe you've encountered a few of these stories; maybe you haven't. Whatever the case, you certainly have not read an interpretation like the Oni Press comic from Christopher Cantwell and Tyler Crook. Their Out of Alcatraz begins in the crashing waters outside the prison. From there, it dips into a storm of speculation, terror, and hope. Through their story, Cantwell and Crook explore a critical moment in the American narrative. The Civil Rights movement hasn't quite popped off. John F. Kennedy still stands righteously in the White House. The confidence of Post-war America is about to burst. Three criminals taste freedom with all its bitterness and desperately attempt to choke it down. This week's podcast considers the American story and those who were left out of it or forced from it. We chat with Cantwell and Crook about the real men who broke free from Alcatraz and the fictional men they became in Cantwell and Crook's imaginations. We discuss the allure of prison narratives and the cells we all find ourselves in at some point. Issues one and two of Out of Alcatraz are now available wherever rad comics are sold, and issue three will arrive in shops on May 21st. Continue this conversation by following Christopher Cantwell on BlueSky and Tyler Crook on BlueSky, Instagram, and his Website. Also, you can listen to his music through his Bandcamp page (although it's also available on Spotify, Apple Music, and the like). This Week's Sponsor We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: Tyler Crook on CBCC: The Ultimate Lonesome Hunters Interview Tyler Crook on CBCC: Mage - The Hero Discovered Brad Appears on The Oblivion Bar to Review Sinners and Warfare Four Color Fantasies Charity Sketch Cover Auction Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Surprise, friends. Grant Morrison joins the show for Superman Day! As the writer behind the seminal All-Star Superman, which observes its 20th anniversary this November, we cannot think of a better person to help us celebrate the Last Son of Krypton on his 87th birthday. Action Comics #1, featuring the first appearance of Superman by Jerry Siegel and Joe Shuster, hit newsstands on April 18th, 1938. It is the source of everything you love about superhero comics. When Action Comics first arrived, America was in economic ruin. The world was about to enter its second great war. Despair was easily accessible, but two Jewish kids from Cleveland imagined a Man of Steel who could do the impossible and would act for those who could not act for themselves. As we look outside our windows in 2025, we see an incredible darkness, but we strive for a future beyond it. We can imitate the devils in the dark, or we can seek Superman, who reflects the best version of ourselves. Like most people, probably, we first encountered Superman through television and film; it was the All-Star Superman comics by Grant Morrison, Frank Quitely, Jamie Grant, Phil Balsman, and Travis Lanham that solidified our passion for the character. Those twelve issues showcased the joyous, awful, absurd, and adventurous universe Superman populated, making us fall in love with it and our own realm in return. As Morrison writes in Supergods, we are the stories we tell ourselves. In Superman, we see who we've been, who we are, and who we could be. We're positively chuffed to chat Superman with Grant Morrison. We discuss their approach to the character in All-Star Superman and how it differs from the version they wrote in JLA, Action Comics, Final Crisis, and other stories. We discuss the significance of Jerry Siegel and Joe Shuster and what it means for Grant and others to extend their great idea. We talk about Lois and Clark, Lex Luthor, Samson, and Atlas, and Grant Morrison reveals their next big comic project somewhere along the line. Continue our conversation with Grant Morrison by visiting their Website, Substack, Instagram, and Bluesky. This Week's Sponsor: We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: Dan Slott and Mark Waid on Action Comics #1 Joshua Williamson, Dan Slott, and Mark Waid on Summer of Superman Missing Frames: Celebrating Superman Geeksplained: All-Star Superman - Chapter 3 w/CBCC CBCC on Grant Morrison's New X-Men Four Color Fantasies Charity Sketch Cover Auction Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Did y'all catch that Daredevil Born Again finale? Cause that was pretty damn good. Everyone in the industry comments on the Switch 2, Xbox has some leaks, and and CD Projekt Red is fighting rumors. Plus Ubisoft is trying to say we dont own our games???? Meanwhile HBO confirms some of its Harry Potter Cast, The Oscars finally are going to recognize Stunts, and Star Wars is getting a different kind of re-release.

Get ready for a theme park tech adventure and some unexpected ambient Apple features in this special birthday episode!

Get ready for a theme park tech adventure and some unexpected ambient Apple features in this special birthday episode!

Welcome to THE CONCUSSIONOLOGY Podcast where Inch BY Inch Concussion Recovery Is A Cinch! Together with Dr. Mladenoff we will unravel the intricate complexities of concussions and embark on a profound journey of discovery and recovery. This podcast is designed to not only educate but also inspire and uplift, providing a supportive environment where patients can connect, share their stories, and find hope in their healing process. AND now Dr. Mladenoff shares with us today's episode “The Consequences of Concussions?”” . . . . . . . . DrM

If you listen to comic book podcasts beyond Comic Book Couples Counseling, you've probably already encountered Aubrey Sitterson. The writer has been making the rounds, discussing his radical new science fiction series Free Planet, made in collaboration with artist Jed Dougherty, colorist Vittorio Astone, letterer Taylor Esposito, and designer Mark Kaufman. Sitterson LOVES comics, and he LOVES talking about comics. He's spent years percolating in the medium, absorbing the code of how to make the best comics in the best way possible for his particular talents. Aubrey Sitterson has developed something he calls "The Approach." It's a new method of storytelling discovered during the making of other such comics as The Worst Dudes, No One Left to Fight, and Savage Hearts. Sitterson is not just design-focused; he's design-obsessed, and it was a delight to chat with him about this intensely, carefully sharpened obsession. We're in the weeds this week. We wanted to double down on a comics-making meal, possibly inspired by the last episode's heavy process conversation with Rick Quinn and Dave Chisholm about Spectrum #4. Aubrey Sitterson appears reinvigorated by Free Planet, and his enthusiasm for the craft is infectious and should encourage your leap into storytelling. Final Order Cutoff for Free Planet #1 is Monday, April 14th (That's Today!), and Image Comics will finally drop the first issue in shops on May 7th. It's not a title you want to sleep on. Everyone involved is going for it, swinging for the fences. You can view the Preview Pages here, which are overwhelming in the best way possible. Follow Aubrey Sitterson on Bluesky, Instagram, Substack, and his Website. We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode Four Color Fantasies Charity Sketch Cover Auction Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

In this enlightening episode of Nodes of Design, we sit down with Prof. Amaresh Chakrabarti to explore his journey into design. We discuss how designers can create meaningful societal impact, the evolving role of artists in the AI era, and key takeaways from the DRM method. Prof. Chakrabarti also shares valuable recommendations for designers looking to innovate and push boundaries. Tune in for a masterclass in design thinking, research, and real-world application!Amaresh Chakrabarti is a Senior Professor and current Chair, Department of Design & Manufacturing, Indian Institute of Science (IISc) Bangalore. He did BE from IIEST Shibpur, ME from IISc Bangalore, and PhD from the University of Cambridge UK, where he led the Design Synthesis group of its Engineering Design Centre (EDC) for 10 years before joining IISc as an Associate Professor. He published 35 books, over 300 peer-reviewed articles, and has 13 patents granted/pending. He co-authored DRM, a methodology used widely as a framework for design research. He founded IDeAS Lab – India's first Design Observatory, and India's first indigenous Smart Factory. He is the founding chair for the Intl Conf Series on Research into Design (ICoRD) and Intl Conf Series on Industry 4.0 & Adv Manufacturing (I4AM). He received the Careers360 Faculty Research Award 2018 for being the 'Most Outstanding Researcher' in Decision Sciences, and among the global top 2% of researchers in 'Design Practice & Management'. He received IISc's Alumni Award for Excellence in Research in Engineering (2022). He is a Fellow of the Design Society, an Honorary Fellow of the Institution of Engineering Designers, UK, and the current Editor-in-Chief of Artificial Intelligence for Engineering Design, Analysis and Manufacturing Journal (AI EDAM) published by CUP.Springer Book Series Design Sc. & Innov: http://www.springer.com/series/15399Webpage: http://cpdm.iisc.ac.in/people/ac/ac.htmCitations: https://scholar.google.co.in/citations?user=VvD5STUAAAAJ&hl=enThank you for listening to this episode of Nodes of Design. We hope you enjoy the Nodes of Design Podcast on your favorite podcast platforms- Apple Podcast, Spotify, Google Podcasts, Amazon Music, and many more.If this episode helped you understand and learn something new, please share and join the knowledge-sharing community Spreadknowledge.This podcast aims to make design education accessible to all. Nodes of Design is a non-profit and self-sponsored initiative by Tejj.

There are not many opportunities like this one. Every month, we devour the latest Spectrum comic and then jump on the phone with creators Rick Quinn and Dave Chisholm. It's an intimate, super nerdy book club, and you're all invited. But you gotta bring your own wine. With issue four, we're more than halfway through the series, but we're just getting started regarding a thorough excavation into their creative process. Spectrum #4 is the most dense chapter in the series so far. Multiple threads weave the narrative, and several of those introduce new concepts and characters. We travel to "The Twilight of the Gods," witnessing a massive mythology dump while our heroes Melody and Ada traverse time through song. We witness the beginning of everything and must prepare for its end. This week's podcast starts with Rick Quinn and Dave Chisholm taking ownership of the Book Club, wrestling the reins from us, and guiding us to the discussion topics they want to tackle. We discuss how the series has swerved unexpectedly, resulting in radical issues like Spectrum #4. We got tangents and anecdotes, wild theories, and sidequests. But before all that, we must discuss our recent WonderCon excursion, offering a little recap on dollar bins and panels. The Anaheim convention rests in the shadow of Disneyland, offering a unique vibe from other comic cons. It was Lisa's first time. Will she return? Spectrum 1 - 4 are currently available from Mad Cave Studios, and the fifth issue will arrive in shops on April 23rd. Make sure you're following Dave Chisholm on his Website, TikTok, Instagram, and Bluesky. And follow Rick Quinn on his Website, Bluesky, and Instagram. You wake in a hospital bed. Your hand feels heavy, there's a ringing pain in your head. Machine parts have replaced what could not be repaired with flesh. Did the doctors save you, or strip you of your humanity? This is the question facing Adam in Futility Shapes, a one-shot comic live on Kickstarter now! Created by Edward Kane and Dave Fowler. Futility Shapes is a weird blend of The Terminator, The Machinist, and Mass Effect. What shapes you? Visit EdwardKane.net. We're also sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: Spectrum Book Club Part One Spectrum Book Club Part Two Spectrum Book Club Part Three Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. Join us at the Alamo Drafthouse in Winchester, Virginia, on 4/13 at 5:00 PM for Robert Altman's Popeye, co-sponsored by Four Color Fantasies. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Brandon Liu is an open source developer and creator of the Protomaps basemap project. We talk about how static maps help developers build sites that last, the PMTiles file format, the role of OpenStreetMap, and his experience funding and running an open source project full time. Protomaps Protomaps PMTiles (File format used by Protomaps) Self-hosted slippy maps, for novices (like me) Why Deploy Protomaps on a CDN User examples Flickr Pinball Map Toilet Map Related projects OpenStreetMap (Dataset protomaps is based on) Mapzen (Former company that released details on what to display based on zoom levels) Mapbox GL JS (Mapbox developed source available map rendering library) MapLibre GL JS (Open source fork of Mapbox GL JS) Other links HTTP range requests (MDN) Hilbert curve Transcript You can help correct transcripts on GitHub. Intro [00:00:00] Jeremy: I'm talking to Brandon Liu. He's the creator of Protomaps, which is a way to easily create and host your own maps. Let's get into it. [00:00:09] Brandon: Hey, so thanks for having me on the podcast. So I'm Brandon. I work on an open source project called Protomaps. What it really is, is if you're a front end developer and you ever wanted to put maps on a website or on a mobile app, then Protomaps is sort of an open source solution for doing that that I hope is something that's way easier to use than, um, a lot of other open source projects. Why not just use Google Maps? [00:00:36] Jeremy: A lot of people are gonna be familiar with Google Maps. Why should they worry about whether something's open source? Why shouldn't they just go and use the Google maps API? [00:00:47] Brandon: So Google Maps is like an awesome thing it's an awesome product. Probably one of the best tech products ever right? And just to have a map that tells you what restaurants are open and something that I use like all the time especially like when you're traveling it has all that data. And the most amazing part is that it's free for consumers but it's not necessarily free for developers. Like if you wanted to embed that map onto your website or app, that usually has an API cost which still has a free tier and is affordable. But one motivation, one basic reason to use open source is if you have some project that doesn't really fit into that pricing model. You know like where you have to pay the cost of Google Maps, you have a side project, a nonprofit, that's one reason. But there's lots of other reasons related to flexibility or customization where you might want to use open source instead. Protomaps examples [00:01:49] Jeremy: Can you give some examples where people have used Protomaps and where that made sense for them? [00:01:56] Brandon: I follow a lot of the use cases and I also don't know about a lot of them because I don't have an API where I can track a hundred percent of the users. Some of them use the hosted version, but I would say most of them probably use it on their own infrastructure. One of the cool projects I've been seeing is called Toilet Map. And what toilet map is if you're in the UK and you want find a public restroom then it maps out, sort of crowdsourced all of the public restrooms. And that's important for like a lot of people if they have health issues, they need to find that information. And just a lot of different projects in the same vein. There's another one called Pinball Map which is sort of a hobby project to find all the pinball machines in the world. And they wanted to have a customized map that fit in with their theme of pinball. So these sorts of really cool indie projects are the ones I'm most excited about. Basemaps vs Overlays [00:02:57] Jeremy: And if we talk about, like the pinball map as an example, there's this concept of a basemap and then there's the things that you lay on top of it. What is a basemap and then is the pinball locations is that part of it or is that something separate? [00:03:12] Brandon: It's usually something separate. The example I usually use is if you go to a real estate site, like Zillow, you'll open up the map of Seattle and it has a bunch of pins showing all the houses, and then it has some information beneath it. That information beneath it is like labels telling, this neighborhood is Capitol Hill, or there is a park here. But all that information is common to a lot of use cases and it's not specific to real estate. So I think usually that's the distinction people use in the industry between like a base map versus your overlay. The overlay is like the data for your product or your company while the base map is something you could get from Google or from Protomaps or from Apple or from Mapbox that kind of thing. PMTiles for hosting the basemap and overlays [00:03:58] Jeremy: And so Protomaps in particular is responsible for the base map, and that information includes things like the streets and the locations of landmarks and things like that. Where is all that information coming from? [00:04:12] Brandon: So the base map information comes from a project called OpenStreetMap. And I would also, point out that for Protomaps as sort of an ecosystem. You can also put your overlay data into a format called PMTiles, which is sort of the core of what Protomaps is. So it can really do both. It can transform your data into the PMTiles format which you can host and you can also host the base map. So you kind of have both of those sides of the product in one solution. [00:04:43] Jeremy: And so when you say you have both are you saying that the PMTiles file can have, the base map in one file and then you would have the data you're laying on top in another file? Or what are you describing there? [00:04:57] Brandon: That's usually how I recommend to do it. Oftentimes there'll be sort of like, a really big basemap 'cause it has all of that data about like where the rivers are. Or while, if you want to put your map of toilets or park benches or pickleball courts on top, that's another file. But those are all just like assets you can move around like JSON or CSV files. Statically Hosted [00:05:19] Jeremy: And I think one of the things you mentioned was that your goal was to make Protomaps or the, the use of these PMTiles files easy to use. What does that look like for, for a developer? I wanna host a map. What do I actually need to, to put on my servers? [00:05:38] Brandon: So my usual pitch is that basically if you know how to use S3 or cloud storage, that you know how to deploy a map. And that, I think is the main sort of differentiation from most open source projects. Like a lot of them, they call themselves like, like some sort of self-hosted solution. But I've actually avoided using the term self-hosted because I think in most cases that implies a lot of complexity. Like you have to log into a Linux server or you have to use Kubernetes or some sort of Docker thing. What I really want to emphasize is the idea that, for Protomaps, it's self-hosted in the same way like CSS is self-hosted. So you don't really need a service from Amazon to host the JSON files or CSV files. It's really just a static file. [00:06:32] Jeremy: When you say static file that means you could use any static web host to host your HTML file, your JavaScript that actually renders the map. And then you have your PMTiles files, and you're not running a process or anything, you're just putting your files on a static file host. [00:06:50] Brandon: Right. So I think if you're a developer, you can also argue like a static file server is a server. It's you know, it's the cloud, it's just someone else's computer. It's really just nginx under the hood. But I think static storage is sort of special. If you look at things like static site generators, like Jekyll or Hugo, they're really popular because they're a commodity or like the storage is a commodity. And you can take your blog, make it a Jekyll blog, hosted on S3. One day, Amazon's like, we're charging three times as much so you can move it to a different cloud provider. And that's all vendor neutral. So I think that's really the special thing about static storage as a primitive on the web. Why running servers is a problem for resilience [00:07:36] Jeremy: Was there a prior experience you had? Like you've worked with maps for a very long time. Were there particular difficulties you had where you said I just gotta have something that can be statically hosted? [00:07:50] Brandon: That's sort of exactly why I got into this. I've been working sort of in and around the map space for over a decade, and Protomaps is really like me trying to solve the same problem I've had over and over again in the past, just like once and forever right? Because like once this problem is solved, like I don't need to deal with it again in the future. So I've worked at a couple of different companies before, mostly as a contractor, for like a humanitarian nonprofit for a design company doing things like, web applications to visualize climate change. Or for even like museums, like digital signage for museums. And oftentimes they had some sort of data visualization component, but always sort of the challenge of how to like, store and also distribute like that data was something that there wasn't really great open source solutions. So just for map data, that's really what motivated that design for Protomaps. [00:08:55] Jeremy: And in those, those projects in the past, were those things where you had to run your own server, run your own database, things like that? [00:09:04] Brandon: Yeah. And oftentimes we did, we would spin up an EC2 instance, for maybe one client and then we would have to host this server serving map data forever. Maybe the client goes away, or I guess it's good for business if you can sign some sort of like long-term support for that client saying, Hey, you know, like we're done with a project, but you can pay us to maintain the EC2 server for the next 10 years. And that's attractive. but it's also sort of a pain, because usually what happens is if people are given the choice, like a developer between like either I can manage the server on EC2 or on Rackspace or Hetzner or whatever, or I can go pay a SaaS to do it. In most cases, businesses will choose to pay the SaaS. So that's really like what creates a sort of lock-in is this preference for like, so I have this choice between like running the server or paying the SaaS. Like businesses will almost always go and pay the SaaS. [00:10:05] Jeremy: Yeah. And in this case, you either find some kind of free hosting or low-cost hosting just to host your files and you upload the files and then you're good from there. You don't need to maintain anything. [00:10:18] Brandon: Exactly, and that's really the ideal use case. so I have some users these, climate science consulting agencies, and then they might have like a one-off project where they have to generate the data once, but instead of having to maintain this server for the lifetime of that project, they just have a file on S3 and like, who cares? If that costs a couple dollars a month to run, that's fine, but it's not like S3 is gonna be deprecated, like it's gonna be on an insecure version of Ubuntu or something. So that's really the ideal, set of constraints for using Protomaps. [00:10:58] Jeremy: Yeah. Something this also makes me think about is, is like the resilience of sites like remaining online, because I, interviewed, Kyle Drake, he runs Neocities, which is like a modern version of GeoCities. And if I remember correctly, he was mentioning how a lot of old websites from that time, if they were running a server backend, like they were running PHP or something like that, if you were to try to go to those sites, now they're like pretty much all dead because there needed to be someone dedicated to running a Linux server, making sure things were patched and so on and so forth. But for static sites, like the ones that used to be hosted on GeoCities, you can go to the internet archive or other websites and they were just files, right? You can bring 'em right back up, and if anybody just puts 'em on a web server, then you're good. They're still alive. Case study of news room preferring static hosting [00:11:53] Brandon: Yeah, exactly. One place that's kind of surprising but makes sense where this comes up, is for newspapers actually. Some of the users using Protomaps are the Washington Post. And the reason they use it, is not necessarily because they don't want to pay for a SaaS like Google, but because if they make an interactive story, they have to guarantee that it still works in a couple of years. And that's like a policy decision from like the editorial board, which is like, so you can't write an article if people can't view it in five years. But if your like interactive data story is reliant on a third party, API and that third party API becomes deprecated, or it changes the pricing or it, you know, it gets acquired, then your journalism story is not gonna work anymore. So I have seen really good uptake among local news rooms and even big ones to use things like Protomaps just because it makes sense for the requirements. Working on Protomaps as an open source project for five years [00:12:49] Jeremy: How long have you been working on Protomaps and the parts that it's made up of such as PMTiles? [00:12:58] Brandon: I've been working on it for about five years, maybe a little more than that. It's sort of my pandemic era project. But the PMTiles part, which is really the heart of it only came in about halfway. Why not make a SaaS? [00:13:13] Brandon: So honestly, like when I first started it, I thought it was gonna be another SaaS and then I looked at it and looked at what the environment was around it. And I'm like, uh, so I don't really think I wanna do that. [00:13:24] Jeremy: When, when you say you looked at the environment around it what do you mean? Why did you decide not to make it a SaaS? [00:13:31] Brandon: Because there already is a lot of SaaS out there. And I think the opportunity of making something that is unique in terms of those use cases, like I mentioned like newsrooms, was clear. Like it was clear that there was some other solution, that could be built that would fit these needs better while if it was a SaaS, there are plenty of those out there. And I don't necessarily think that they're well differentiated. A lot of them all use OpenStreetMap data. And it seems like they mainly compete on price. It's like who can build the best three column pricing model. And then once you do that, you need to build like billing and metrics and authentication and like those problems don't really interest me. So I think, although I acknowledge sort of the indie hacker ethos now is to build a SaaS product with a monthly subscription, that's something I very much chose not to do, even though it is for sure like the best way to build a business. [00:14:29] Jeremy: Yeah, I mean, I think a lot of people can appreciate that perspective because it's, it's almost like we have SaaS overload, right? Where you have so many little bills for your project where you're like, another $5 a month, another $10 a month, or if you're a business, right? Those, you add a bunch of zeros and at some point it's just how many of these are we gonna stack on here? [00:14:53] Brandon: Yeah. And honestly. So I really think like as programmers, we're not really like great at choosing how to spend money like a $10 SaaS. That's like nothing. You know? So I can go to Starbucks and I can buy a pumpkin spice latte, and that's like $10 basically now, right? And it's like I'm able to make that consumer choice in like an instant just to spend money on that. But then if you're like, oh, like spend $10 on a SaaS that somebody put a lot of work into, then you're like, oh, that's too expensive. I could just do it myself. So I'm someone that also subscribes to a lot of SaaS products. and I think for a lot of things it's a great fit. Many open source SaaS projects are not easy to self host [00:15:37] Brandon: But there's always this tension between an open source project that you might be able to run yourself and a SaaS. And I think a lot of projects are at different parts of the spectrum. But for Protomaps, it's very much like I'm trying to move maps to being it is something that is so easy to run yourself that anyone can do it. [00:16:00] Jeremy: Yeah, and I think you can really see it with, there's a few SaaS projects that are successful and they're open source, but then you go to look at the self-hosting instructions and it's either really difficult to find and you find it, and then the instructions maybe don't work, or it's really complicated. So I think doing the opposite with Protomaps. As a user, I'm sure we're all appreciative, but I wonder in terms of trying to make money, if that's difficult. [00:16:30] Brandon: No, for sure. It is not like a good way to make money because I think like the ideal situation for an open source project that is open that wants to make money is the product itself is fundamentally complicated to where people are scared to run it themselves. Like a good example I can think of is like Supabase. Supabase is sort of like a platform as a service based on Postgres. And if you wanted to run it yourself, well you need to run Postgres and you need to handle backups and authentication and logging, and that stuff all needs to work and be production ready. So I think a lot of people, like they don't trust themselves to run database backups correctly. 'cause if you get it wrong once, then you're kind of screwed. So I think that fundamental aspect of the product, like a database is something that is very, very ripe for being a SaaS while still being open source because it's fundamentally hard to run. Another one I can think of is like tailscale, which is, like a VPN that works end to end. That's something where, you know, it has this networking complexity where a lot of developers don't wanna deal with that. So they'd happily pay, for tailscale as a service. There is a lot of products or open source projects that eventually end up just changing to becoming like a hosted service. Businesses going from open source to closed or restricted licenses [00:17:58] Brandon: But then in that situation why would they keep it open source, right? Like, if it's easy to run yourself well, doesn't that sort of cannibalize their business model? And I think that's really the tension overall in these open source companies. So you saw it happen to things like Elasticsearch to things like Terraform where they eventually change the license to one that makes it difficult for other companies to compete with them. [00:18:23] Jeremy: Yeah, I mean there's been a number of cases like that. I mean, specifically within the mapping community, one I can think of was Mapbox's. They have Mapbox gl. Which was a JavaScript client to visualize maps and they moved from, I forget which license they picked, but they moved to a much more restrictive license. I wonder what your thoughts are on something that releases as open source, but then becomes something maybe a little more muddy. [00:18:55] Brandon: Yeah, I think it totally makes sense because if you look at their business and their funding, it seems like for Mapbox, I haven't used it in a while, but my understanding is like a lot of their business now is car companies and doing in dash navigation. And that is probably way better of a business than trying to serve like people making maps of toilets. And I think sort of the beauty of it is that, so Mapbox, the story is they had a JavaScript renderer called Mapbox GL JS. And they changed that to a source available license a couple years ago. And there's a fork of it that I'm sort of involved in called MapLibre GL. But I think the cool part is Mapbox paid employees for years, probably millions of dollars in total to work on this thing and just gave it away for free. Right? So everyone can benefit from that work they did. It's not like that code went away, like once they changed the license. Well, the old version has been forked. It's going its own way now. It's quite different than the new version of Mapbox, but I think it's extremely generous that they're able to pay people for years, you know, like a competitive salary and just give that away. [00:20:10] Jeremy: Yeah, so we should maybe look at it as, it was a gift while it was open source, and they've given it to the community and they're on continuing on their own path, but at least the community running Map Libre, they can run with it, right? It's not like it just disappeared. [00:20:29] Brandon: Yeah, exactly. And that is something that I use for Protomaps quite extensively. Like it's the primary way of showing maps on the web and I've been trying to like work on some enhancements to it to have like better internationalization for if you are in like South Asia like not show languages correctly. So I think it is being taken in a new direction. And I think like sort of the combination of Protomaps and MapLibre, it addresses a lot of use cases, like I mentioned earlier with like these like hobby projects, indie projects that are almost certainly not interesting to someone like Mapbox or Google as a business. But I'm happy to support as a small business myself. Financially supporting open source work (GitHub sponsors, closed source, contracts) [00:21:12] Jeremy: In my previous interview with Tom, one of the main things he mentioned was that creating a mapping business is incredibly difficult, and he said he probably wouldn't do it again. So in your case, you're building Protomaps, which you've admitted is easy to self-host. So there's not a whole lot of incentive for people to pay you. How is that working out for you? How are you supporting yourself? [00:21:40] Brandon: There's a couple of strategies that I've tried and oftentimes failed at. Just to go down the list, so I do have GitHub sponsors so I do have a hosted version of Protomaps you can use if you don't want to bother copying a big file around. But the way I do the billing for that is through GitHub sponsors. If you wanted to use this thing I provide, then just be a sponsor. And that definitely pays for itself, like the cost of running it. And that's great. GitHub sponsors is so easy to set up. It just removes you having to deal with Stripe or something. 'cause a lot of people, their credit card information is already in GitHub. GitHub sponsors I think is awesome if you want to like cover costs for a project. But I think very few people are able to make that work. A thing that's like a salary job level. It's sort of like Twitch streaming, you know, there's a handful of people that are full-time streamers and then you look down the list on Twitch and it's like a lot of people that have like 10 viewers. But some of the other things I've tried, I actually started out, publishing the base map as a closed source thing, where I would sell sort of like a data package instead of being a SaaS, I'd be like, here's a one-time download, of the premium data and you can buy it. And quite a few people bought it I just priced it at like $500 for this thing. And I thought that was an interesting experiment. The main reason it's interesting is because the people that it attracts to you in terms of like, they're curious about your products, are all people willing to pay money. While if you start out everything being open source, then the people that are gonna be try to do it are only the people that want to get something for free. So what I discovered is actually like once you transition that thing from closed source to open source, a lot of the people that used to pay you money will still keep paying you money because like, it wasn't necessarily that that closed source thing was why they wanted to pay. They just valued that thought you've put into it your expertise, for example. So I think that is one thing, that I tried at the beginning was just start out, closed source proprietary, then make it open source. That's interesting to people. Like if you release something as open source, if you go the other way, like people are really mad if you start out with something open source and then later on you're like, oh, it's some other license. Then people are like that's so rotten. But I think doing it the other way, I think is quite valuable in terms of being able to find an audience. [00:24:29] Jeremy: And when you said it was closed source and paid to open source, do you still sell those map exports? [00:24:39] Brandon: I don't right now. It's something that I might do in the future, you know, like have small customizations of the data that are available, uh, for a fee. still like the core OpenStreetMap based map that's like a hundred gigs you can just download. And that'll always just be like a free download just because that's already out there. All the source code to build it is open source. So even if I said, oh, you have to pay for it, then someone else can just do it right? So there's no real reason like to make that like some sort of like paywall thing. But I think like overall if the project is gonna survive in the long term it's important that I'd ideally like to be able to like grow like a team like have a small group of people that can dedicate the time to growing the project in the long term. But I'm still like trying to figure that out right now. [00:25:34] Jeremy: And when you mentioned that when you went from closed to open and people were still paying you, you don't sell a product anymore. What were they paying for? [00:25:45] Brandon: So I have some contracts with companies basically, like if they need a feature or they need a customization in this way then I am very open to those. And I sort of set it up to make it clear from the beginning that this is not just a free thing on GitHub, this is something that you could pay for if you need help with it, if you need support, if you wanted it. I'm also a little cagey about the word support because I think like it sounds a little bit too wishy-washy. Pretty much like if you need access to the developers of an open source project, I think that's something that businesses are willing to pay for. And I think like making that clear to potential users is a challenge. But I think that is one way that you might be able to make like a living out of open source. [00:26:35] Jeremy: And I think you said you'd been working on it for about five years. Has that mostly been full time? [00:26:42] Brandon: It's been on and off. it's sort of my pandemic era project. But I've spent a lot of time, most of my time working on the open source project at this point. So I have done some things that were more just like I'm doing a customization or like a private deployment for some client. But that's been a minority of the time. Yeah. [00:27:03] Jeremy: It's still impressive to have an open source project that is easy to self-host and yet is still able to support you working on it full time. I think a lot of people might make the assumption that there's nothing to sell if something is, is easy to use. But this sort of sounds like a counterpoint to that. [00:27:25] Brandon: I think I'd like it to be. So when you come back to the point of like, it being easy to self-host. Well, so again, like I think about it as like a primitive of the web. Like for example, if you wanted to start a business today as like hosted CSS files, you know, like where you upload your CSS and then you get developers to pay you a monthly subscription for how many times they fetched a CSS file. Well, I think most developers would be like, that's stupid because it's just an open specification, you just upload a static file. And really my goal is to make Protomaps the same way where it's obvious that there's not really some sort of lock-in or some sort of secret sauce in the server that does this thing. How PMTiles works and building a primitive of the web [00:28:16] Brandon: If you look at video for example, like a lot of the tech for how Protomaps and PMTiles works is based on parts of the HTTP spec that were made for video. And 20 years ago, if you wanted to host a video on the web, you had to have like a real player license or flash. So you had to go license some server software from real media or from macromedia so you could stream video to a browser plugin. But now in HTML you can just embed a video file. And no one's like, oh well I need to go pay for my video serving license. I mean, there is such a thing, like YouTube doesn't really use that for DRM reasons, but people just have the assumption that video is like a primitive on the web. So if we're able to make maps sort of that same way like a primitive on the web then there isn't really some obvious business or licensing model behind how that works. Just because it's a thing and it helps a lot of people do their jobs and people are happy using it. So why bother? [00:29:26] Jeremy: You mentioned that it a tech that was used for streaming video. What tech specifically is it? [00:29:34] Brandon: So it is byte range serving. So when you open a video file on the web, So let's say it's like a 100 megabyte video. You don't have to download the entire video before it starts playing. It streams parts out of the file based on like what frames... I mean, it's based on the frames in the video. So it can start streaming immediately because it's organized in a way to where the first few frames are at the beginning. And what PMTiles really is, is it's just like a video but in space instead of time. So it's organized in a way where these zoomed out views are at the beginning and the most zoomed in views are at the end. So when you're like panning or zooming in the map all you're really doing is fetching byte ranges out of that file the same way as a video. But it's organized in, this tiled way on a space filling curve. IIt's a little bit complicated how it works internally and I think it's kind of cool but that's sort of an like an implementation detail. [00:30:35] Jeremy: And to the person deploying it, it just looks like a single file. [00:30:40] Brandon: Exactly in the same way like an mp3 audio file is or like a JSON file is. [00:30:47] Jeremy: So with a video, I can sort of see how as someone seeks through the video, they start at the beginning and then they go to the middle if they wanna see the middle. For a map, as somebody scrolls around the map, are you seeking all over the file or is the way it's structured have a little less chaos? [00:31:09] Brandon: It's structured. And that's kind of the main technical challenge behind building PMTiles is you have to be sort of clever so you're not spraying the reads everywhere. So it uses something called a hilbert curve, which is a mathematical concept of a space filling curve. Where it's one continuous curve that essentially lets you break 2D space into 1D space. So if you've seen some maps of IP space, it uses this crazy looking curve that hits all the points in one continuous line. And that's the same concept behind PMTiles is if you're looking at one part of the world, you're sort of guaranteed that all of those parts you're looking at are quite close to each other and the data you have to transfer is quite minimal, compared to if you just had it at random. [00:32:02] Jeremy: How big do the files get? If I have a PMTiles of the entire world, what kind of size am I looking at? [00:32:10] Brandon: Right now, the default one I distribute is 128 gigabytes, so it's quite sizable, although you can slice parts out of it remotely. So if you just wanted. if you just wanted California or just wanted LA or just wanted only a couple of zoom levels, like from zero to 10 instead of zero to 15, there is a command line tool that's also called PMTiles that lets you do that. Issues with CDNs and range queries [00:32:35] Jeremy: And when you're working with files of this size, I mean, let's say I am working with a CDN in front of my application. I'm not typically accustomed to hosting something that's that large and something that's where you're seeking all over the file. is that, ever an issue or is that something that's just taken care of by the browser and, and taken care of by, by the hosts? [00:32:58] Brandon: That is an issue actually, so a lot of CDNs don't deal with it correctly. And my recommendation is there is a kind of proxy server or like a serverless proxy thing that I wrote. That runs on like cloudflare workers or on Docker that lets you proxy those range requests into a normal URL and then that is like a hundred percent CDN compatible. So I would say like a lot of the big commercial installations of this thing, they use that because it makes more practical sense. It's also faster. But the idea is that this solution sort of scales up and scales down. If you wanted to host just your city in like a 10 megabyte file, well you can just put that into GitHub pages and you don't have to worry about it. If you want to have a global map for your website that serves a ton of traffic then you probably want a little bit more sophisticated of a solution. It still does not require you to run a Linux server, but it might require (you) to use like Lambda or Lambda in conjunction with like a CDN. [00:34:09] Jeremy: Yeah. And that sort of ties into what you were saying at the beginning where if you can host on something like CloudFlare Workers or Lambda, there's less time you have to spend keeping these things running. [00:34:26] Brandon: Yeah, exactly. and I think also the Lambda or CloudFlare workers solution is not perfect. It's not as perfect as S3 or as just static files, but in my experience, it still is better at building something that lasts on the time span of years than being like I have a server that is on this Ubuntu version and in four years there's all these like security patches that are not being applied. So it's still sort of serverless, although not totally vendor neutral like S3. Customizing the map [00:35:03] Jeremy: We've mostly been talking about how you host the map itself, but for someone who's not familiar with these kind of tools, how would they be customizing the map? [00:35:15] Brandon: For customizing the map there is front end style customization and there's also data customization. So for the front end if you wanted to change the water from the shade of blue to another shade of blue there is a TypeScript API where you can customize it almost like a text editor color scheme. So if you're able to name a bunch of colors, well you can customize the map in that way you can change the fonts. And that's all done using MapLibre GL using a TypeScript API on top of that for customizing the data. So all the pipeline to generate this data from OpenStreetMap is open source. There is a Java program using a library called PlanetTiler which is awesome, which is this super fast multi-core way of building map tiles. And right now there isn't really great hooks to customize what data goes into that. But that's something that I do wanna work on. And finally, because the data comes from OpenStreetMap if you notice data that's missing or you wanted to correct data in OSM then you can go into osm.org. You can get involved in contributing the data to OSM and the Protomaps build is daily. So if you make a change, then within 24 hours you should see the new base map. Have that change. And of course for OSM your improvements would go into every OSM based project that is ingesting that data. So it's not a protomap specific thing. It's like this big shared data source, almost like Wikipedia. OpenStreetMap is a dataset and not a map [00:37:01] Jeremy: I think you were involved with OpenStreetMap to some extent. Can you speak a little bit to that for people who aren't familiar, what OpenStreetMap is? [00:37:11] Brandon: Right. So I've been using OSM as sort of like a tools developer for over a decade now. And one of the number one questions I get from developers about what is Protomaps is why wouldn't I just use OpenStreetMap? What's the distinction between Protomaps and OpenStreetMap? And it's sort of like this funny thing because even though OSM has map in the name it's not really a map in that you can't... In that it's mostly a data set and not a map. It does have a map that you can see that you can pan around to when you go to the website but the way that thing they show you on the website is built is not really that easily reproducible. It involves a lot of c++ software you have to run. But OpenStreetMap itself, the heart of it is almost like a big XML file that has all the data in the map and global. And it has tagged features for example. So you can go in and edit that. It has a web front end to change the data. It does not directly translate into making a map actually. Protomaps decides what shows at each zoom level [00:38:24] Brandon: So a lot of the pipeline, that Java program I mentioned for building this basemap for protomaps is doing things like you have to choose what data you show when you zoom out. You can't show all the data. For example when you're zoomed out and you're looking at all of a state like Colorado you don't see all the Chipotle when you're zoomed all the way out. That'd be weird, right? So you have to make some sort of decision in logic that says this data only shows up at this zoom level. And that's really what is the challenge in optimizing the size of that for the Protomaps map project. [00:39:03] Jeremy: Oh, so those decisions of what to show at different Zoom levels those are decisions made by you when you're creating the PMTiles file with Protomaps. [00:39:14] Brandon: Exactly. It's part of the base maps build pipeline. and those are honestly very subjective decisions. Who really decides when you're zoomed out should this hospital show up or should this museum show up nowadays in Google, I think it shows you ads. Like if someone pays for their car repair shop to show up when you're zoomed out like that that gets surfaced. But because there is no advertising auction in Protomaps that doesn't happen obviously. So we have to sort of make some reasonable choice. A lot of that right now in Protomaps actually comes from another open source project called Mapzen. So Mapzen was a company that went outta business a couple years ago. They did a lot of this work in designing which data shows up at which Zoom level and open sourced it. And then when they shut down, they transferred that code into the Linux Foundation. So it's this totally open source project, that like, again, sort of like Mapbox gl has this awesome legacy in that this company funded it for years for smart people to work on it and now it's just like a free thing you can use. So the logic in Protomaps is really based on mapzen. [00:40:33] Jeremy: And so the visualization of all this... I think I understand what you mean when people say oh, why not use OpenStreetMaps because it's not really clear it's hard to tell is this the tool that's visualizing the data? Is it the data itself? So in the case of using Protomaps, it sounds like Protomaps itself has all of the data from OpenStreetMap and then it has made all the decisions for you in terms of what to show at different Zoom levels and what things to have on the map at all. And then finally, you have to have a separate, UI layer and in this case, it sounds like the one that you recommend is the Map Libre library. [00:41:18] Brandon: Yeah, that's exactly right. For Protomaps, it has a portion or a subset of OSM data. It doesn't have all of it just because there's too much, like there's data in there. people have mapped out different bushes and I don't include that in Protomaps if you wanted to go in and edit like the Java code to add that you can. But really what Protomaps is positioned at is sort of a solution for developers that want to use OSM data to make a map on their app or their website. because OpenStreetMap itself is mostly a data set, it does not really go all the way to having an end-to-end solution. Financials and the idea of a project being complete [00:41:59] Jeremy: So I think it's great that somebody who wants to make a map, they have these tools available, whether it's from what was originally built by Mapbox, what's built by Open StreetMap now, the work you're doing with Protomaps. But I wonder one of the things that I talked about with Tom was he was saying he was trying to build this mapping business and based on the financials of what was coming in he was stressed, right? He was struggling a bit. And I wonder for you, you've been working on this open source project for five years. Do you have similar stressors or do you feel like I could keep going how things are now and I feel comfortable? [00:42:46] Brandon: So I wouldn't say I'm a hundred percent in one bucket or the other. I'm still seeing it play out. One thing, that I really respect in a lot of open source projects, which I'm not saying I'm gonna do for Protomaps is the idea that a project is like finished. I think that is amazing. If a software project can just be done it's sort of like a painting or a novel once you write, finish the last page, have it seen by the editor. I send it off to the press is you're done with a book. And I think one of the pains of software is so few of us can actually do that. And I don't know obviously people will say oh the map is never finished. That's more true of OSM, but I think like for Protomaps. One thing I'm thinking about is how to limit the scope to something that's quite narrow to where we could be feature complete on the core things in the near term timeframe. That means that it does not address a lot of things that people want. Like search, like if you go to Google Maps and you search for a restaurant, you will get some hits. that's like a geocoding issue. And I've already decided that's totally outta scope for Protomaps. So, in terms of trying to think about the future of this, I'm mostly looking for ways to cut scope if possible. There are some things like better tooling around being able to work with PMTiles that are on the roadmap. but for me, I am still enjoying working on the project. It's definitely growing. So I can see on NPM downloads I can see the growth curve of people using it and that's really cool. So I like hearing about when people are using it for cool projects. So it seems to still be going okay for now. [00:44:44] Jeremy: Yeah, that's an interesting perspective about how you were talking about projects being done. Because I think when people look at GitHub projects and they go like, oh, the last commit was X months ago. They go oh well this is dead right? But maybe that's the wrong framing. Maybe you can get a project to a point where it's like, oh, it's because it doesn't need to be updated. [00:45:07] Brandon: Exactly, yeah. Like I used to do a lot of c++ programming and the best part is when you see some LAPACK matrix math library from like 1995 that still works perfectly in c++ and you're like, this is awesome. This is the one I have to use. But if you're like trying to use some like React component library and it hasn't been updated in like a year, you're like, oh, that's a problem. So again, I think there's some middle ground between those that I'm trying to find. I do like for Protomaps, it's quite dependency light in terms of the number of hard dependencies I have in software. but I do still feel like there is a lot of work to be done in terms of project scope that needs to have stuff added. You mostly only hear about problems instead of people's wins [00:45:54] Jeremy: Having run it for this long. Do you have any thoughts on running an open source project in general? On dealing with issues or managing what to work on things like that? [00:46:07] Brandon: Yeah. So I have a lot. I think one thing people point out a lot is that especially because I don't have a direct relationship with a lot of the people using it a lot of times I don't even know that they're using it. Someone sent me a message saying hey, have you seen flickr.com, like the photo site? And I'm like, no. And I went to flickr.com/map and it has Protomaps for it. And I'm like, I had no idea. But that's cool, if they're able to use Protomaps for this giant photo sharing site that's awesome. But that also means I don't really hear about when people use it successfully because you just don't know, I guess they, NPM installed it and it works perfectly and you never hear about it. You only hear about people's negative experiences. You only hear about people that come and open GitHub issues saying this is totally broken, and why doesn't this thing exist? And I'm like, well, it's because there's an infinite amount of things that I want to do, but I have a finite amount of time and I just haven't gone into that yet. And that's honestly a lot of the things and people are like when is this thing gonna be done? So that's, that's honestly part of why I don't have a public roadmap because I want to avoid that sort of bickering about it. I would say that's one of my biggest frustrations with running an open source project is how it's self-selected to only hear the negative experiences with it. Be careful what PRs you accept [00:47:32] Brandon: 'cause you don't hear about those times where it works. I'd say another thing is it's changed my perspective on contributing to open source because I think when I was younger or before I had become a maintainer I would open a pull request on a project unprompted that has a hundred lines and I'd be like, Hey, just merge this thing. But I didn't realize when I was younger well if I just merge it and I disappear, then the maintainer is stuck with what I did forever. You know if I add some feature then that person that maintains the project has to do that indefinitely. And I think that's very asymmetrical and it's changed my perspective a lot on accepting open source contributions. I wanna have it be open to anyone to contribute. But there is some amount of back and forth where it's almost like the default answer for should I accept a PR is no by default because you're the one maintaining it. And do you understand the shape of that solution completely to where you're going to support it for years because the person that's contributing it is not bound to those same obligations that you are. And I think that's also one of the things where I have a lot of trepidation around open source is I used to think of it as a lot more bazaar-like in terms of anyone can just throw their thing in. But then that creates a lot of problems for the people who are expected out of social obligation to continue this thing indefinitely. [00:49:23] Jeremy: Yeah, I can totally see why that causes burnout with a lot of open source maintainers, because you probably to some extent maybe even feel some guilt right? You're like, well, somebody took the time to make this. But then like you said you have to spend a lot of time trying to figure out is this something I wanna maintain long term? And one wrong move and it's like, well, it's in here now. [00:49:53] Brandon: Exactly. To me, I think that is a very common failure mode for open source projects is they're too liberal in the things they accept. And that's a lot of why I was talking about how that choice of what features show up on the map was inherited from the MapZen projects. If I didn't have that then somebody could come in and say hey, you know, I want to show power lines on the map. And they open a PR for power lines and now everybody who's using Protomaps when they're like zoomed out they see power lines are like I didn't want that. So I think that's part of why a lot of open source projects eventually evolve into a plugin system is because there is this demand as the project grows for more and more features. But there is a limit in the maintainers. It's like the demand for features is exponential while the maintainer amount of time and effort is linear. Plugin systems might reduce need for PRs [00:50:56] Brandon: So maybe the solution to smash that exponential down to quadratic maybe is to add a plugin system. But I think that is one of the biggest tensions that only became obvious to me after working on this for a couple of years. [00:51:14] Jeremy: Is that something you're considering doing now? [00:51:18] Brandon: Is the plugin system? Yeah. I think for the data customization, I eventually wanted to have some sort of programmatic API to where you could declare a config file that says I want ski routes. It totally makes sense. The power lines example is maybe a little bit obscure but for example like a skiing app and you want to be able to show ski slopes when you're zoomed out well you're not gonna be able to get that from Mapbox or from Google because they have a one size fits all map that's not specialized to skiing or to golfing or to outdoors. But if you like, in theory, you could do this with Protomaps if you changed the Java code to show data at different zoom levels. And that is to me what makes the most sense for a plugin system and also makes the most product sense because it enables a lot of things you cannot do with the one size fits all map. [00:52:20] Jeremy: It might also increase the complexity of the implementation though, right? [00:52:25] Brandon: Yeah, exactly. So that's like. That's really where a lot of the terrifying thoughts come in, which is like once you create this like config file surface area, well what does that look like? Is that JSON? Is that TOML, is that some weird like everything eventually evolves into some scripting language right? Where you have logic inside of your templates and I honestly do not really know what that looks like right now. That feels like something in the medium term roadmap. [00:52:58] Jeremy: Yeah and then in terms of bug reports or issues, now it's not just your code it's this exponential combination of whatever people put into these config files. [00:53:09] Brandon: Exactly. Yeah. so again, like I really respect the projects that have done this well or that have done plugins well. I'm trying to think of some, I think obsidian has plugins, for example. And that seems to be one of the few solutions to try and satisfy the infinite desire for features with the limited amount of maintainer time. Time split between code vs triage vs talking to users [00:53:36] Jeremy: How would you say your time is split between working on the code versus issue and PR triage? [00:53:43] Brandon: Oh, it varies really. I think working on the code is like a minority of it. I think something that I actually enjoy is talking to people, talking to users, getting feedback on it. I go to quite a few conferences to talk to developers or people that are interested and figure out how to refine the message, how to make it clearer to people, like what this is for. And I would say maybe a plurality of my time is spent dealing with non-technical things that are neither code or GitHub issues. One thing I've been trying to do recently is talk to people that are not really in the mapping space. For example, people that work for newspapers like a lot of them are front end developers and if you ask them to run a Linux server they're like I have no idea. But that really is like one of the best target audiences for Protomaps. So I'd say a lot of the reality of running an open source project is a lot like a business is it has all the same challenges as a business in terms of you have to figure out what is the thing you're offering. You have to deal with people using it. You have to deal with feedback, you have to deal with managing emails and stuff. I don't think the payoff is anywhere near running a business or a startup that's backed by VC money is but it's definitely not the case that if you just want to code, you should start an open source project because I think a lot of the work for an opensource project has nothing to do with just writing the code. It is in my opinion as someone having done a VC backed business before, it is a lot more similar to running, a tech company than just putting some code on GitHub. Running a startup vs open source project [00:55:43] Jeremy: Well, since you've done both at a high level what did you like about running the company versus maintaining the open source project? [00:55:52] Brandon: So I have done some venture capital accelerator programs before and I think there is an element of hype and energy that you get from that that is self perpetuating. Your co-founder is gungho on like, yeah, we're gonna do this thing. And your investors are like, you guys are geniuses. You guys are gonna make a killing doing this thing. And the way it's framed is sort of obvious to everyone that it's like there's a much more traditional set of motivations behind that, that people understand while it's definitely not the case for running an open source project. Sometimes you just wake up and you're like what the hell is this thing for, it is this thing you spend a lot of time on. You don't even know who's using it. The people that use it and make a bunch of money off of it they know nothing about it. And you know, it's just like cool. And then you only hear from people that are complaining about it. And I think like that's honestly discouraging compared to the more clear energy and clearer motivation and vision behind how most people think about a company. But what I like about the open source project is just the lack of those constraints you know? Where you have a mandate that you need to have this many customers that are paying by this amount of time. There's that sort of pressure on delivering a business result instead of just making something that you're proud of that's simple to use and has like an elegant design. I think that's really a difference in motivation as well. Having control [00:57:50] Jeremy: Do you feel like you have more control? Like you mentioned how you've decided I'm not gonna make a public roadmap. I'm the sole developer. I get to decide what goes in. What doesn't. Do you feel like you have more control in your current position than you did running the startup? [00:58:10] Brandon: Definitely for sure. Like that agency is what I value the most. It is possible to go too far. Like, so I'm very wary of the BDFL title, which I think is how a lot of open source projects succeed. But I think there is some element of for a project to succeed there has to be somebody that makes those decisions. Sometimes those decisions will be wrong and then hopefully they can be rectified. But I think going back to what I was talking about with scope, I think the overall vision and the scope of the project is something that I am very opinionated about in that it should do these things. It shouldn't do these things. It should be easy to use for this audience. Is it gonna be appealing to this other audience? I don't know. And I think that is really one of the most important parts of that leadership role, is having the power to decide we're doing this, we're not doing this. I would hope other developers would be able to get on board if they're able to make good use of the project, if they use it for their company, if they use it for their business, if they just think the project is cool. So there are other contributors at this point and I want to get more involved. But I think being able to make those decisions to what I believe is going to be the best project is something that is very special about open source, that isn't necessarily true about running like a SaaS business. [00:59:50] Jeremy: I think that's a good spot to end it on, so if people want to learn more about Protomaps or they wanna see what you're up to, where should they head? [01:00:00] Brandon: So you can go to Protomaps.com, GitHub, or you can find me or Protomaps on bluesky or Mastodon. [01:00:09] Jeremy: All right, Brandon, thank you so much for chatting today. [01:00:12] Brandon: Great. Thank you very much.

A year ago, Scott Morse found himself adrift, severed from a stable income and a defined creative path. Panic was an option. So was fear. Instead, he chose collaboration and creation. This Ink Runs Cold: Short Stories from the Space-Crime Continuum smashes two of his favorite genres between its pages. It's an anthology of one-page pulp stories written by 89 different writers, all drawn by Scott Morse and colored by José Villarrubia. Many of these writers are seasoned comic veterans, animators, and filmmakers. The table of contents includes Mike Allred, Brian Michael Bendis, Jorge Gutierrez, Derek Kirk Kim, Dave McKean, Fábio Moon, Scott Mosier, Eric Powell, Stan Sakai, and on and on and on. Even better, for our purposes anyway, This Ink Runs Cold includes numerous comic book newcomers, including us - Brad and Lisa Gullickson! As of this writing, This Ink Runs Cold has one week left on Kickstarter. Scott Morse and Allen Spiegel Fine Arts offer two editions: the Full-Color version featuring José Villarrubia's wizardry and the limited Black and White Noir version, showcasing Scott Morse's beautiful brushwork. Having knocked out some stretch goals, those backing the Bookplate and Noir/1-2 Punch tiers will get an extra book, The Brush-Offs. This is a 24-page bonus book featuring unused art, abandoned pages, scripts, an alternate prologue/epilogue, and an analysis of this unique writer/artist collaboration. We're beyond honored to contribute one page to This Ink Runs Cold; we're practically in disbelief. Today's podcast is the first time we have featured a story we helped create, and it's an incredibly emotional experience. We're grateful to Scott Morse for coming on the show, explaining how This Ink Runs Cold grew from a mini-devastation, and why this intense injection of collaboration reinvigorated him. We also had the opportunity to explain what our short story "The ADHD P.I." means to us and how it helped us process some anxiety and self-loathing. Working with one page was ridiculously challenging, and what's most exciting is seeing how 88 other writers tackled that challenge and used that finite space in infinite ways. We also start this week's episode with our recent trip to WonderCon and an LAX nightmare we will never forget. If you're here only for the Scott Morse chatter, we won't begrudge you for skipping ahead, but you'll miss out on another outlandish story. This Week's Sponsors: You wake in a hospital bed. Your hand feels heavy, there's a ringing pain in your head. Machine parts have replaced what could not be repaired with flesh. Did the doctors save you, or strip you of your humanity? This is the question facing Adam in Futility Shapes, a one-shot comic live on Kickstarter now! Created by Edward Kane and Dave Fowler. Futility Shapes is a weird blend of The Terminator, The Machinist, and Mass Effect. What shapes you? Visit EdwardKane.net (spell out the name for ease) We're also sponsored by the sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Plus, the Beyond the Cape Podcast. If you enjoy Comic Book Couples Counseling, you'd undoubtedly enjoy their show. Beyond the Cape is a laid-back talk show in which every episode highlights their love of this beautiful comic book medium, their personal journey with it, and the respective artists they feature on each podcast. This June will mark their second anniversary, which we certainly recognize as a massive accomplishment. So, follow them on Instagram @BeyondTheCapePodcast and Spotify with The Uncensored Nerds Network. Other Relevant Links: Patreon Exclusive: Read The ADHD PI Script Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. Join us at the Alamo Drafthouse in Winchester, Virginia, on 4/13 at 5:00 PM for Robert Altman's Popeye, co-sponsored by Four Color Fantasies. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Monolith Productions, the studio behind 'Shadow of Mordor,' 'Shadow of War,' and 'FEAR,' is being closed by Warner Bros. In this episode, hosts Paul John Spaulding, Kyle Haglund, VP, Audio Engineering at Cybercrime Magazine, and Sam White, Video Producer at Cybercrime Magazine, discuss this decision, what it means for the broader gaming industry and game preservation, including the value of DRM-free stores, and more. • For more on cybersecurity, visit us at https://cybersecurityventures.com

If you're not reading Juni Ba comics, you're missing out on a living legend pushing the form to its extreme potential. Since Djeliya, we haven't missed a panel from the cartoonist, and we've watched him develop into an undeniable talent, producing one essential comic after another. Just when we think he can't possibly top himself (seriously, did you read Mobilis: My Life with Captain Nemo and The Boy Wonder?), he drops Monkey Meat: The Summer Batch, his sequel to the Image Comics anthology series. It's a radical, rageful commentary on the world we're all trapped on, but it contains profound joy through its creation. THIS. IS. COMICS. Today's podcast is a thorough conversation with Juni Ba about Monkey Meat: The Summer Batch. Why did he adopt a new aesthetic for this series? Is it too hopeless to be considered dystopian? What does Britney Spears have to do with Monkey Meat: The Summer Batch? We dig in and chow down. The first issue of Monkey Meat: The Summer Batch is now available wherever rad comics are sold. The second issue will arrive on April 2nd. We're begging you not to let this series, destined for legendary status, slip through your fingers. Be sure to continue this conversation with Juni Ba by visiting his Instagram, Bluesky, and Twitter. This week's episode is sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. We're also sponsored by the Beyond the Cape Podcast. If you enjoy Comic Book Couples Counseling, you'd undoubtedly enjoy their show. Beyond the Cape is a laid-back talk show in which every episode highlights their love of this beautiful comic book medium, their personal journey with it, and the respective artists they feature on each podcast. This June will mark their second anniversary, which we certainly recognize as a massive accomplishment. So, follow them on Instagram @BeyondTheCapePodcast and Spotify with The Uncensored Nerds Network. Other Relevant Links to This Week's Episode: Juni Ba on CBCC: Djeliya Juni Ba on CBCC: Mobilis Juni Ba on CBCC: Nightwatcher This Ink Runs Cold Kickstarter Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

It's not about the plot. That's why Matthew Rosenberg was not worried about spoiling it all in the solicits for We're Taking Everyone Down With Us, his new Image Comics series done in collaboration with artist Stefano Landini, colorists Roman Titov and Jason Wordie, letterer Hassan Otsmane-Elhaou, and designer Becca Carey. For the writer, the comic is everything surrounding the narrative: character, emotion, theme, style, etc. AKA, the perfect Comic Book Couples Counseling comic. The first issue of the new sci-fi spy thriller releases this Wednesday (March 26th) and celebrates numerous influences, but it's sharpened into something extraordinarily fresh. The tropes will be familiar to any James Bond obsessive, but We're Taking Everyone Down With Us shifts the perspective from problematic double o to the child of one of his greatest mad scientist rivals. Thirteen-year-old Annalise merely wants more time with her father, but he's too busy plotting earthly destruction in his lab. So, she's stuck with her robot babysitters. We're Taking Everyone Down With Us starts with a bang, and it reveals a whole new world to the child, and that revelation will become quite the problem for any wannabe James Bond lurking in the plot. Matthew Rosenberg makes his CBCC podcast debut, and we're eager to discuss the inspirations behind We're Taking Everyone Down With Us and his relationship with super spy melodrama. We also discuss the personal saga behind the story, our frustration with spoiler culture, and why no artistic expression feels as good as comic book collaboration. Stay current on Matthew Rosenberg by following his Substack, Podcast, Bluesky, and Instagram. This week's episode is sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. We're also sponsored by the Beyond the Cape Podcast. If you enjoy Comic Book Couples Counseling, you'd undoubtedly enjoy their show. Beyond the Cape is a laid-back talk show in which every episode highlights their love of this beautiful comic book medium, their personal journey with it, and the respective artists they feature on each podcast. This June will mark their second anniversary, which we certainly recognize as a massive accomplishment. So, follow them on Instagram @BeyondTheCapePodcast and Spotify with The Uncensored Nerds Network. Other Relevant Links to This Week's Episode: We Should Improve Society Somewhat by Matt Bors How to Resist Amazon and Why by Danny Caine This Ink Runs Cold Kickstarter Support Your Local Comic Shop - Episode 2 - Now Or Never (San Diego, CA) Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. Join us at the Alamo Drafthouse in Winchester, Virginia, on 3/09 at 5:00 PM for Popeye, co-sponsored by Four Color Fantasies. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

With Usagi Yojimbo: Ten Thousand Plums, Stan Sakai enters his forty-first year as the rabbit ronin's chronicler. Each decade represents about a year in the title character's life, which you can track if you're paying attention to the seasons surrounding Usagi's adventures. If you're paying even closer attention, you can map his footsteps across sixteenth-century Japan and anticipate his next conflict or reunion, but don't worry if you lack such concentration. As you'll hear in today's episode, Sakai certainly does not. Usagi Yojimbo Ten Thousand Plums begins with a fox spirit and her daughter struggling to survive. Sickness has taken the child, and the mother seeks help from a nearby village. They reject her despite having access to the Shogun's prized plum orchard and the healing umeboshi (pickled plums) it produces. By the time Usagi, his cousin Yukichi, and the bounty hunter Gen arrive, fury has rained down upon the town, creating a dangerous suspicion of outsiders. With Ten Thousand Plums, Stan Sakai continues to explore the themes of deceptive appearances, selflessness, and selfishness, which he thoroughly dug into with the previous Usagi Yojimbo storyline, The Crow. We chat with Sakai about this current preoccupation, how it challenges Usagi and Yukichi, and where it could lead the cousins. No major spoilers lie within our conversation, but Stan Sakai does tease a few things that will undoubtedly spark intense curiosity for longtime Usagi Yojimbo readers. The Sword of Narukami is in play. Could another famous sword re-appear, too? Following Ten Thousand Plums' first three issues, a new story entitled "Tabo" should prove to be Stan Sakai's most personal comic yet. It was written shortly after his younger brother Kenneth passed away, and Sakai kindly expands on what this tale means for him and his family. You'll hear how "Tabo" places Usagi and Yukichi on a pilgrimage in search of the miraculous goddess called "The Mother," forcing Usagi to confront his skepticism in ways he never has before. The first issue of Usagi Yojimbo Ten Thousand Plums is now available from Dark Horse Comics and Dogu Publishing. The second issue will arrive on April 16th, and we have an exclusive preview of its first five pages on the Comic Book Couples Counseling website. Make sure to keep up to date on all things Usagi Yojimbo by visiting Stan Sakai's website and Instagram. This week's episode is sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. We're also sponsored by the Beyond the Cape Podcast. If you enjoy Comic Book Couples Counseling, you'd undoubtedly enjoy their show. Beyond the Cape is a laid-back talk show in which every episode highlights their love of this beautiful comic book medium, their personal journey with it, and the respective artists they feature on each podcast. This June will mark their second anniversary, which we certainly recognize as a massive accomplishment. So, follow them on Instagram @BeyondTheCapePodcast and Spotify with The Uncensored Nerds Network. Other Relevant Links to This Week's Episode: Stan Sakai on CBCC: Samurai Rabbit Stan Sakai and Julie Sakai on CBCC: Ice and Snow This Ink Runs Cold Kickstarter Support Your Local Comic Shop - Episode 2 - Now Or Never (San Diego, CA) Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Steam's Year in Review reveals 330 million hours of Deck usage in 2024, hacking AMD FSR 4 support into DLSS games, Zink murders Nouveau GL, Box64 gains bonus DRM compatibility, and running Steam on Rockchip-powered single-board computers because why the hell not.

Some of the minor news discussed include Defiance coming back 4 years after servers were shut down, BlizzCon 2025 not happening, Moon Studios going full indie, buying No Rest For the Wicked's publishing rights from Take-Two and Final Fantasy 16 PC version removing Denuvo Anti-tamper DRM. The Gaming Flashback is 2015's Bloodborne. The news includes: Humble Games Showcase Killing Floor 3 delayed to later in 2025 Next-gen Xbox reportedly coming in 2027, handheld rumored for this year Let us know what you think.

Some of the minor news discussed include Defiance coming back 4 years after servers were shut down, BlizzCon 2025 not happening, Moon Studios going full indie, buying No Rest For the Wicked's publishing rights from Take-Two and Final Fantasy 16 PC version removing Denuvo Anti-tamper DRM. The Gaming Flashback is 2015's Bloodborne. The news includes: […] The post Episode 747: The Next Xbox first appeared on .

Reading Judge Dredd in 2025 is a helluva thing. The gap between Anycity USA and Mega-City One shortens seemingly with every passing second, causing us to re-evaluate dystopia's purpose. A Better World, the latest 2000 AD collection from writers Rob Williams and Arthur Wyatt, featuring gorgeously gnarly art from Henry Flint, Boo Cook, Jake Lynch, and Jim Boswell, is a vicious mirror to gaze into. And anxiety rests in what to do after you pull your head away. The story begins with Judge Maitland discovering the impossible amongst her accounts. If the Chief Justices would allow her to reallocate a few resources, say feed money into education and a few other social services, crime in Mega-City One would likely plummet. They give her a sector to manage, and her theory becomes reality. Oh, no. Judge Dredd: A Better World knocked us flat when we first read it last year. We, and a lot of other comic lovers, ranked it as one of 2024's best stories. Now that it's properly collected, we were eager to get Rob Williams and Arthur Wyatt on the podcast to break it down and challenge our understanding of Mega-City One's top cop and the people he polices. We discuss how and why they brought Judge Maitland to her findings, how she relates heavily to Dredd, and why he responds so warmly to her. Or as warmly as Dredd possibly can. Our conversation dips into the joys of dystopia as well as the danger that can occur when folks give it a light reading. The trick being to make light readings impossible. Follow Rob Williams on Bluesky, Instagram, and Twitter. Follow Arthur Wyatt on Bluesky, Instagram, and Twitter. Yes, this week's episode is sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. We're also sponsored by the Beyond the Cape Podcast. If you enjoy Comic Book Couples Counseling, you'd undoubtedly enjoy their show. Beyond the Cape is a laid-back talk show in which every episode highlights their love of this beautiful comic book medium, their personal journey with it, and the respective artists they feature on each podcast. This June will mark their second anniversary, which we certainly recognize as a massive accomplishment. So, follow them on Instagram @BeyondTheCapePodcast and Spotify with The Uncensored Nerds Network. Other Relevant Links to This Week's Episode: Rob Williams on Judge Dredd: End of Days This Ink Runs Cold Kickstarter Support Your Local Comic Shop - Episode 2 - Now Or Never (San Diego, CA) Married to Singles: Michael Schwartz on Darkhold: Iron Man Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

We chat with Marcin Paczyński, Senior Business Development Manager at Good Old Game, and Adam Ziółkowski, Technical Engineer, to hear about their new Preservation Program. Launched in November 2024, this initiative is dedicated to ensuring classic games remain playable on modern and future systems. We hear about the challenges of maintaining compatibility, the process of updating and bug-fixing classic titles, and GOG's commitment to DRM-free gaming. GOG Preservation Program: https://www.gog.com/en/gog-preservation-program Contents: 00:00 - The Week's Retro News Stories  44:05 - Good Old Game Interview Please visit our amazing sponsors and help to support the show: Bitmap Books - https://www.bitmapbooks.com Take your business to the next level today and enjoy 3 months of Shopify for £1/month: https://shopify.co.uk/retrohour The Retro Hour Book: https://retrohour.myshopify.com/ We need your help to ensure the future of the podcast, if you'd like to help us with running costs, equipment and hosting, please consider supporting us on Patreon: https://theretrohour.com/support/ https://www.patreon.com/retrohour Get your Retro Hour merchandise: https://bit.ly/33OWBKd Join our Discord channel: https://discord.gg/GQw8qp8 Website: http://theretrohour.com Facebook: https://www.facebook.com/theretrohour/ X: https://twitter.com/retrohouruk Instagram: https://www.instagram.com/retrohouruk/ Bluesky: https://bsky.app/profile/theretrohour.com Twitch: https://www.twitch.tv/theretrohour Show notes Terminator 2D No Fate: https://tinyurl.com/2jcsa8mn RIP Skype: https://tinyurl.com/3ahrj2cp Lost PC game Big Brother archived online: https://tinyurl.com/33kt64td Sonic Unleashed 360 Recomp: https://tinyurl.com/pe34prja Bandai Namco want to license out classic IPs: https://tinyurl.com/4ez98jhn

Lords: * Andi * Casey Topics: * Lifehacks as communion with the divine * I decided to fire my computer * Winston is starting to forget things Microtopics: * A Star Trek watchalong podcast that doesn't exist yet. * Positing that what you said is no longer an NDA violation by the time this episode comes out. * Plugging a fake game that you worked on. * Astrobot. * Horror movie clinky noises that you can't hear over the PS4 fan noises. * Caffeine-infused mints with Tux the Penguin branding on Think Geek dot com. * The pre-eminent source for Life Hacks. * Using a hotel shower cap to bake bread. * Anime girls that are happy to see you. * That one time Film Crit Hulk broke character. * The joy of moving efficiently through the world. * More efficient ways to set the microwave timer. * Hotel rooms that you can bake bread in. * Whether bread should contain hair. * Tricking yourself into not being bored while doing something you have to do. * Reading 50 life hacks and applying none of them because. * Viral Life Hack that's killed 33 people. * A life hack that already had a body count in the double digits before someone made a TikTok about it. * Getting really fed up with computers. * Cryptographic signing processes that you can't participate in. * The HDCP certification board taking steps to ensure nobody can take a screen shot of their Crunchy Roll anime. * The analog hole. * Open source web browsers that can't see DRM content. * Microsoft-authenticated Linux installations. * Designing a circuit that solves a math problem. * Stamping a circuit onto your circuit clay. * An independent circuit re-implementation of video game hardware. * Should you use FPGA to do a thing? * Ridiculous multi-level memory caching systems. * Bootstrapping an FPGA design tool that runs on an FPGA device. * Every single circuit doing something on every single cycle. * Voltages going high and/or low. * Making a bunch of CPUs and testing them afterwards to see how many GHz they have. * Why the PS3 Cell processor had 7 SPUs * The industrial uses of the Cell processor. * A GLSL compiler that outputs FPGA circuits. * Mr. MiSTer. * Open-hardware laptops. * Inventing an open-source GPU. * Multics or Minix. * Writing a Breakout clone in Rust targeting the weird CPU your friend just invented. * Making a terrible first effort that is the right kind of good enough. * A laptop that has a FPGA where the CPU/GPU usually goes. * 1970s-era TV games. * The Epoch Cassette Vision. * A game console with interchangeable cartridges where the CPU is on the cartridge. * The Glasgow Interface Explorer. * Describing your FPGA circuit in Python. * Manufacturing homebrew Cassette Vision Homebrew cartridges for the audience of zero Cassette Vision owners. * Making art just for you, in the most overly elaborate and overly complicated way possible. * The programmer equivalent of going to swim with the dolphins. * Diagonal pixels. * Childhood amnesia. * Remembering your memories. * Using 10% of your brain. (And also the other 90%.) * Knowing things about stuff. * When one brother dies, the other brother gets their memories. * Memories that are formed before vs. after you learn to talk. * Being persecuted for being friends with a girl. * Rules of heteronormativity being enforced by three year olds. * Getting off of Wordpress.

Segui Melambrosia su Instagram: https://www.instagram.com/melambrosia/ Con il codice DAILYCOGITO7 puoi iniziare un percorso su Serenis per prenderti cura del tuo benessere mentale a un prezzo convenzionato. Scopri di più su https://bit.ly/serenisdufer MITOLOGOS a fine marzo: https://www.cogitoacademy.it/prodotto/seminario-mitologos/ MITOLOGOS a maggio: https://www.cogitoacademy.it/prodotto/seminario-mitologos-maggio/ ⬇⬇⬇SOTTO TROVI INFORMAZIONI IMPORTANTI⬇⬇⬇ Il video che ti spiega come togliere il DRM dai tuoi ebook kindle per poterli convertire in PDF: https://www.youtube.com/watch?v=TIjvNB2Ojk0 Abbonati per live e contenuti esclusivi ➤➤➤ https://bit.ly/memberdufer I prossimi eventi dal vivo ➤➤➤ https://www.dailycogito.com/eventi Scopri la nostra scuola di filosofia ➤➤➤ https://www.cogitoacademy.it/ Racconta storie di successo con RISPIRA ➤➤➤ https://cogitoacademy.it/rispira/ Impara ad argomentare bene ➤➤➤ https://bit.ly/3Pgepqz Prendi in mano la tua vita grazie a PsicoStoici ➤➤➤ https://bit.ly/45JbmxX Il mio ultimo libro per Feltrinelli ➤➤➤ https://amzn.to/3OY4Xca La newsletter gratuita ➤➤➤ http://eepurl.com/c-LKfz Tutti i miei libri ➤➤➤ https://www.dailycogito.com/libri/ Il nostro podcast è sostenuto da NordVPN ➤➤➤ https://nordvpn.com/dufer #rickdufer #amazon #kindle INSTAGRAM: https://instagram.com/rickdufer INSTAGRAM di Daily Cogito: https://instagram.com/dailycogito TELEGRAM: http://bit.ly/DuFerTelegram FACEBOOK: http://bit.ly/duferfb LINKEDIN: https://www.linkedin.com/pub/riccardo-dal-ferro/31/845/b14 -------------------------------------------------------------------------------------------- Chi sono io: https://www.dailycogito.com/rick-dufer/ -------------------------------------------------------------------------------------------- La musica della sigla è tratta da Epidemic Sound (author: Jules Gaia): https://epidemicsound.com/ - la voce della sigla è di CAROL MAG (https://www.instagram.com/carolmagmusic/) Learn more about your ad choices. Visit megaphone.fm/adchoices

Bookshop.org is now offering a Kindle alternative. How hackers are hijacking WordPress sets to put out malware. And how people are freaking out about DeepSeek since it made a huge splash this past week. Dan Moren is joining Mikah Sargent this week! Dan talks about how Bookshop.org is now selling e-books, but Dan has concerns about how this could present technological challenges with DRM and app store fees. Mikah shares how hackers are hijacking WordPress sites and using them to push out malware for both Windows and Mac machines. Mikah also talks about how DeepSeek has made a huge splash in the technology world since this past Sunday and what has happened with the technology community and AI as a whole. And Eric Migicovsky, founder of the smartwatch company Pebble, joins Mikah to talk about exciting news with Pebble. Hosts: Mikah Sargent and Dan Moren Guest: Eric Migicovsky Download or subscribe to Tech News Weekly at https://twit.tv/shows/tech-news-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: uscloud.com zscaler.com/security veeam.com

Bookshop.org is now offering a Kindle alternative. How hackers are hijacking WordPress sets to put out malware. And how people are freaking out about DeepSeek since it made a huge splash this past week. Dan Moren is joining Mikah Sargent this week! Dan talks about how Bookshop.org is now selling e-books, but Dan has concerns about how this could present technological challenges with DRM and app store fees. Mikah shares how hackers are hijacking WordPress sites and using them to push out malware for both Windows and Mac machines. Mikah also talks about how DeepSeek has made a huge splash in the technology world since this past Sunday and what has happened with the technology community and AI as a whole. And Eric Migicovsky, founder of the smartwatch company Pebble, joins Mikah to talk about exciting news with Pebble. Hosts: Mikah Sargent and Dan Moren Guest: Eric Migicovsky Download or subscribe to Tech News Weekly at https://twit.tv/shows/tech-news-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: uscloud.com zscaler.com/security veeam.com

Bookshop.org is now offering a Kindle alternative. How hackers are hijacking WordPress sets to put out malware. And how people are freaking out about DeepSeek since it made a huge splash this past week. Dan Moren is joining Mikah Sargent this week! Dan talks about how Bookshop.org is now selling e-books, but Dan has concerns about how this could present technological challenges with DRM and app store fees. Mikah shares how hackers are hijacking WordPress sites and using them to push out malware for both Windows and Mac machines. Mikah also talks about how DeepSeek has made a huge splash in the technology world since this past Sunday and what has happened with the technology community and AI as a whole. And Eric Migicovsky, founder of the smartwatch company Pebble, joins Mikah to talk about exciting news with Pebble. Hosts: Mikah Sargent and Dan Moren Guest: Eric Migicovsky Download or subscribe to Tech News Weekly at https://twit.tv/shows/tech-news-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: uscloud.com zscaler.com/security veeam.com

The panel discusses CES 2025 How Watch Duty's wildfire tracking app became a crucial lifeline for LA Worst in Show awards 2025 Aaron Swartz v Sam Altman We've not been trained for this: life after the Newag DRM disclosure All the Meta stuff (fact checking, etc.) Heritage Foundation plans to 'identify and target' Wikipedia editors The Government Wants to Protect Robux From Hackers Twitch Streamers Come Home After Big-Money Contracts at Rivals Dried Up Candy Crush, Tinder, MyFitnessPal: See the Thousands of Apps Hijacked to Spy on Your Location Host: Leo Laporte Guests: Nicholas De Leon, Fr. Robert Ballecer, SJ, and Cory Doctorow Download or subscribe to This Week in Tech at https://twit.tv/shows/this-week-in-tech Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: coda.io/twit expressvpn.com/twit threatlocker.com for This Week in Tech uscloud.com bitwarden.com/twit

The panel discusses CES 2025 How Watch Duty's wildfire tracking app became a crucial lifeline for LA Worst in Show awards 2025 Aaron Swartz v Sam Altman We've not been trained for this: life after the Newag DRM disclosure All the Meta stuff (fact checking, etc.) Heritage Foundation plans to 'identify and target' Wikipedia editors The Government Wants to Protect Robux From Hackers Twitch Streamers Come Home After Big-Money Contracts at Rivals Dried Up Candy Crush, Tinder, MyFitnessPal: See the Thousands of Apps Hijacked to Spy on Your Location Host: Leo Laporte Guests: Nicholas De Leon, Fr. Robert Ballecer, SJ, and Cory Doctorow Download or subscribe to This Week in Tech at https://twit.tv/shows/this-week-in-tech Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: coda.io/twit expressvpn.com/twit threatlocker.com for This Week in Tech uscloud.com bitwarden.com/twit

The panel discusses CES 2025 How Watch Duty's wildfire tracking app became a crucial lifeline for LA Worst in Show awards 2025 Aaron Swartz v Sam Altman We've not been trained for this: life after the Newag DRM disclosure All the Meta stuff (fact checking, etc.) Heritage Foundation plans to 'identify and target' Wikipedia editors The Government Wants to Protect Robux From Hackers Twitch Streamers Come Home After Big-Money Contracts at Rivals Dried Up Candy Crush, Tinder, MyFitnessPal: See the Thousands of Apps Hijacked to Spy on Your Location Host: Leo Laporte Guests: Nicholas De Leon, Fr. Robert Ballecer, SJ, and Cory Doctorow Download or subscribe to This Week in Tech at https://twit.tv/shows/this-week-in-tech Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: coda.io/twit expressvpn.com/twit threatlocker.com for This Week in Tech uscloud.com bitwarden.com/twit

Just Some of the Topics Covered in this Episode:Copyright Lawsuit Dismissal: A federal judge dismissed a copyright lawsuit against OpenAI, filed by news outlets claiming misuse of their content in AI model training.Truth Social's Stock Drop: Despite a political victory for Donald Trump, shares in his media platform, Truth Social, have plummeted by 22%, leaving investors wary of its future value. Layoffs Roundup:Mozilla Foundation reduces its workforce by 30%, affecting advocacy and global programs.iRobot (makers of Roomba) lays off 105 employees following Amazon's abandoned acquisition attempt.Nissan announces 9,000 job cuts and a CEO pay reduction by 50%.Tech Housing Crisis in San Francisco: High demand for $700 monthly pod-style beds emphasizes the city's ongoing housing struggles.NYT Strikes and AI Replacement Controversy: The CEO of Perplexity offered to replace striking New York Times staff with AI, sparking debate over ethical implications.Disney's New Tech Office: Disney establishes an Office of Technology Enablement focused on AI, AR, and VR, led by former NFL tech executive Jamie Voris.Meta's Halted Nuclear-Powered Data Center: Meta's plans for a nuclear-powered data center face delays due to environmental concerns, including a rare bee species found at the site.AI's Real-World Impact: Thousands in Dublin fell for an AI-generated fake Halloween parade announcement, demonstrating AI's unintended consequences in misinformation.Canadian TikTok Ban: Canada mandates TikTok to shut down operations, impacting the social media giant's presence in the country.Australia's Proposed Social Media Ban for Minors: Legislation aims to limit under-16 access to social media, pushing for stricter age verification.Tesla Summon Feature Update Malfunction: A Tesla owner's vehicle becomes immobile due to recent software changes, highlighting software update issues in electric cars.Sponsors:Mint Mobile - Get a new 3-month premium wireless plan for just 15 bucks a month at MintMobile.com/Grumpy. 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Go to SetApp and get started today!!!1Password - Get a great deal on the only password manager recommended by Grumpy Old Geeks! gog.show/1passwordShow notes at https://gog.show/673FOLLOW UPOpenAI defeats news outlets' copyright lawsuit over AI training, for nowTruth Social Stock Is Crashing Even Though Trump WonIN THE NEWSMozilla Foundation cuts 30 percent of its staffiRobot lays off another 105 employeesNissan is laying off 9,000 workers and giving its CEO a pay cutSan Francisco Startup Sees Big Demand for Sleeping Pods That Cost $700 a MonthPerplexity CEO offers to replace striking NYT staff with AIStriking ‘NYT' workers are asking you to skip Wordle—but they made other games for you to playDisney forms dedicated AI and XR group to coordinate company-wide use and adoptionEndangered bees stop Meta's plan for nuclear-powered AI data centerAI Slop Website Sent Thousands of People to a Halloween Parade That Didn't ExistNew report details ‘vast spying' by China-linked telecom hackersCanada orders TikTok to shut down its business operations in the country due to 'national security risks'Australia proposes 'world-leading' ban on social media for children under 16Tesla updated its summon feature. Now this owner can't get to his car.Google has no duty to refund gift card scam victims, judge findsNvidia ousts Intel from Dow Jones Index after 25-year runNorth Korean Soldiers Deployed to Ukraine Reportedly "Gorging" on Uncensored Internet's PornMEDIA CANDYAI Replaced All the Staff at a Radio Station in PolandYou can now post tracks to TikTok from Spotify and Apple MusicSquid Game: Season 2 | Official Teaser | NetflixThe Apprentice - An American Horror StoryThe Diplomat Season 2THE CURE :: SONGS OF A LOST WORLD :: FULL LIVE STREAMAPPS & DOODADSAmazon Kindle Colorsoft e-reader shipping is cancelledX now lets blocked users see your postsAI Has Come for Sweet, Innocent NotepadNew Apple repair program will fix iPhone 14 Plus' rear camera issue for freeiPod fans evade Apple's DRM to preserve 54 lost clickwheel-era gamesApple Acquires Photo Editing Software Company PixelmatorAmazon reportedly bumped back its AI-powered Alexa to next yearWant to make a website look like Windows 98? You'll be needing 98.cssTHE DARK SIDE WITH DAVEDave BittnerThe CyberWireHacking HumansCaveatControl LoopOnly Malware in the BuildingGuy calls the ISS with an Amateur RadioA New Star Wars Trilogy Is Coming, and It Could Be Episodes 10, 11, and 12Police Freak Out at iPhones Mysteriously Rebooting Themselves, Locking Cops OutCLOSING SHOUT-OUTSGreg Hildebrandt, iconic Star Wars and Lord of the Rings artist, has died at 85Quincy Jones, music legend who shaped Michael Jackson's career, dies at 91Voice of AOL's Iconic ‘You've Got Mail' Alert Dies at 74See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.