Off Panel: A Comics Interview Podcast

In this week's road show episode of Off Panel, cartoonist Kazu Kibuishi, writer Ryan North, and cartoonist Lucy Knisley join the show to talk about why they love comics so much, albeit in individual segments. Up first, Kibuishi discusses the original appeal of comics, what stood out about the medium, comic strips and picture books, his reader self versus creator self, information compression, the excitement of the new, the power of Dog Man, and more. Then, North chats about his own love of comics, his view of the medium as a reader and creator, whether making them has changed his feelings about reading them, what keeps him excited about comics, knowing where the walls are, and more. To close, Knisley discusses her own love of comics, the primal impact of words and pictures, the comics that unlocked the medium for her, multi-generational creator relationships, the low barrier of entry for comics, diversifying what you do, what keeps her excited about comics, and more.

In the landmark, hologram-covered 500th episode of Off Panel, my pal Brandon Burpee returns to the show to hand out some awards and to answer questions from friends of the podcast. We discuss favorites and surprises from the first 500 episodes, the comics that aged the best and worst from the past decade, comic book crushes, advice for our previous and future selves, comics that made us cry, comic character influencers, what we would change in comics, the comic we think everyone should read, our favorite X-Men comic ever, my approach to interviews, detail in art, our Star Wars connections, comics that get better with rereads, who won the past decade, favorite birthdays and Halloween costumes, our favorite writer, artist, and comic from the past decade, comic and music pairings, and more.

Writer/editor Alejandro Arbona joins the show to talk about his shift towards writing and his upcoming Kickstarter for his new graphic novel Lake Yellowwood Slaughter. Arbona discusses how he views himself these days, shifting how he's perceived, navigating the current publisher landscape, how he decides which projects to take on, the big things he learned from his editorial work, the origins of Lake Yellowwood Slaughter, his slasher movie background, the roots of its name, Suspiria Vilchez's cover, making a horror comic work, the difference between film and comics, the format of the book, his view of the current state of comics, the wonder of Goats Flying Press, and more.

Writer Jonathan Hickman joins the show to talk about this phase in his career and the varying projects he's working on. Hickman discusses his love of the World Cup, the phase he finds himself in, his current reality versus his previous one, why Imperial is a focus, his project mix, whether he has to think differently because the current market, promotional materials, working with artists, the origins of Aliens vs. Avengers, notable pitches, the space side of Marvel, Imperial's roots, finding new corners to work in, editorial experiences, the type of writer he is, Ultimate Spider-Man's timeline, delivering what people don't expect, creator-owned versus for-hire, the lasting feelings of his X-Men run, leeping things fresh, how he finds the right fit for himself, and more.

Writer/artist Sophie Campbell joins the show to talk about her career in comics and her work on the upcoming Supergirl at DC Comics. Campbell discusses her comic origins, the SCAD experience, her evolving relationship with comics, her writer/artist lean, how Teenage Mutant Ninja Turtles became her for-hire home, the project she learned the most from, writing for other artists, the evolution of her art, the origins of Supergirl, its classic feel, being character first, finding joy in the work, Tamra Bonvillain's colors, her Mothra: Queen of the Monsters series, managing the workload, her preferred role in comics, and more.

Cartoonist Craig Thompson joins the show to chat about his comics career and life before diving into his upcoming graphic novel, Ginseng Roots. Thompson discusses his journeys as a creator, the people he meets, his comics connection, his lean towards black and white, his relationship with Blankets, how memoir work changes relationships, the Space Dumplins experience, how projects affect one another, the roots of Ginseng Roots, figuring out what to include in memoir work, the story's serialization, comic rhythms, how he thinks of comics, the color and challenges of the book, the physical act of making comics, how making comics has changed how he sees the world, and more.

The Beat's Heidi MacDonald returns to the show to chat about a particularly wild time in the comic industry. MacDonald discusses the insanity of this moment, staying on top of everything, the Diamond Comic Distributors bankruptcy mess (note: This was recorded before the final decision of who won was in), the varying players, why Diamond may have favored Universal/Ad Populum, whether it matters who won, the importance of institutional knowledge, the infamous podcast appearance of Alliance's head, how the direct market responded to the bankruptcy, tariff concerns, actual and perceived impacts, the current state of the direct market, the ComicsPRO experience, what helps her in tough times, and more.

Writer James Tynion IV and artist Michael Walsh join the show to share the story behind their upcoming Image Comics series Exquisite Corpses. They discuss their recent travel, convention experiences, the origins of Exquisite Corpses, it as a game, the book's summits, how they shaped the book, its iterative nature, the people and killers in the story, the importance of rules, making it feel cohesive, cosplayability, making it big, navigating this moment, and more.

Cartoonist Zander Cannon joins the show to chat about the post-Kaijumax life and his upcoming Image Comics series, Sleep. Cannon discusses how he decides what projects to take on, the consolidation of art roles, coming off Kaijumax, losing momentum, his gap between big projects, palate cleansers, projects as business cards, the origins of Sleep, conspiracies and speculation, whether he's a horror fan, sleep as a horror angle, creative exercises, the appeal of restrictions, how he develops stories, its locations and characters, the monster in the story, working with Image, managing this moment, and more.

Writer Matt Fraction joins the show to chat about the past few years of his life as a writer and storyteller. Fraction discusses what exactly happened to Matt Fraction, how we perceived creators, the Monarch: Legacy of Monsters experience, what he missed about comics, collaboration and control, what made their approach on AdventureMan the right one, the appeal of fun, the vibe he wants, counterprogramming, working with Jorge Jiménez, where Batman comes from for him, figuring the book out, what he thought Sex Criminals would be, the idea of hits, what his Batman pitch was, outlining vs. guidelines, how he decides what projects to take on, what keeps him passionate about comics, and more.

Cartoonist Daniel Warren Johnson joins the show to chat about his recent stretch on comics like Transformers and The Moon is Following Us. Johnson discusses managing the moment, physical media, the physical act of drawing, the phase he's in, original art's impact, whether Transformers has changed how he's viewed, engaging with fans, Transformers' length, what he learned about his art from Transformers, the importance of fun, what goes into The Moon is Following Us, how it feels different, the creative process, the appeal of new things commissions as tools, how much happens in his comics, the stories he tells, his livestreams, and more.

Retailer Katie Pryde joins the show to discuss the recent annual meeting for ComicsPRO and what's happening at her comic shop in Portland, Oregon, Books with Pictures. Pryde discusses this moment in time, separating from the job, the realities of owning a comic shop, the ComicsPRO experience, the standouts of the event, how the perception of ComicsPRO has shifted, the vibes of the event, an upcoming Books with Pictures anniversary, how much the shop has changed, building a community, how things are going at the shop, what's standing out in the shop, tastemaking, surprises in the shop, how varying hats affect each other, managing the current environment, and more.

Artist Klaus Janson joins the show to discuss his legendary career and his approach and viewpoints on art. Janson discusses his introspective nature, a recent gallery show that celebrated his career, where artists are these days, where they were when he first started, what the 1970s and 1980s felt like for creators, learning from collaborations, the power of restrictions, penciling vs. inking, whether he draws for himself, how he works, whether teaching made him more open to change, the story behind his cover to 1987's The Punisher #1, how handling multiple roles changes things, storytelling and spectacle, how he views comics, the most gratifying part of his teaching career, what keeps him excited to do the work, and more.

Kenny Meyers joins the show to discuss his work at Sweet, a company that makes software for comics folk like Bindings, a marketing tool, Find Your Comic Shop, and the upcoming digital comic store, Sweet Shop. Meyers discusses what Sweet is exactly, his starting point for new projects, the complicated nature of his work, why he wanted to focus his skills on comics, the ethos that guides him, discoverability, what guides him, the "Scott Snyder problem," the ideal use case for Bindings, creator buy in, building relationships, why he wanted to build another digital comic shop, working with publishers, what he learned from his previous digital comics effort, how his products work together, why he decided to get back into comics, and more.

Writer/artist Tradd Moore joins the show for a sprawling chat about his life, art, and work on projects like Doctor Strange: Fall Sunrise. Moore discusses being social media free, external pressures, knowing yourself, his intentional nature, whether he always wanted to make comics, going to Savannah College of Art and Design, influences, his holistic approach, why he's writing and drawing comics, the impact of people on his life, whether his art reflects his worldview, the impact of original art sales, what he looks for in projects, two of his most recent efforts, the importance of freedom, drawing for himself, the merits of Waffle House and more.

Polygon's Susana Polo joins the show to talk about the upcoming slate of comics adaptations and to highlight things in comics we didn't get to write about but would like to talk about. Polo discusses fandom, what she reps for, her coverage of comic adaptations, the shift in interest in them, how we're feeling about comic movies and shows, flaws from the recent stretch, how important this year is for comic movies, what we're most excited for, how adaptations could connect better with comics, Marvel's struggles on that front, Vertigo's theoretical return, DC's art, Batman's strange stretch, the return of arc titles, the year of manga, writing and podcasting about comics, how she manages to keep going amidst everything, and more.

Writer Matthew Rosenberg returns to the show to talk about his past few years in comics. Rosenberg discusses his podcast Ideas Don't Bleed, what he gets from it, what his Substack Pro Grant ultimately allowed him to do, the power of time, figuring out what's next, work/life balance, what kind of swing guy he is, collaboration, his humor, the marriage of ideas in his new series We're Taking Everyone Down with Us, its origins, long titles, how the creator-owned space has evolved, how that evolution is changing what he wants for himself, and more.

Writer Kyle Higgins joins the show to talk about his career and his work on Radiant Black and The Massive-Verse. Higgins discusses the power of curiosity, how creating changes your relationship with the creation, Radiant Black as a response to his career to date, the importance of other people, his journey as a creator, the origins of Radiant Black, how The Massive-Verse became what it is, its improvisational nature, its leads, the biggest things they've gotten right and wrong to date, what makes comics such a draw, and more.

Writer Deniz Camp joins the show to talk about his career and his current slate of projects. Camp discusses creator realities, being a Barnes and Noble kid, JLA's impact, the power of restrictions, the impact of experiencing different cultures, varied influences, what made him want to make comics, 20th Century Men's impact, working on PanelxPanel, collaborating with artists, what guides him as he decides on projects, figuring Ultimates out, swinging for the fences, the upcoming Assorted Crisis Events, how he approaches his own writing, being musical with his work, the book's title, navigating the darker side of comics, what he wants his future to look like, and more.

The writer and artist behind the recently launched The Lucky Devils, Charles Soule and Ryan Browne, join the show to talk about the year their new Image Comics series and the path to bringing it to life. Browne and Soule discuss new release anticipation, how their projects evolve, the rules of these worlds, what they learned from Eight Billion Genies, how they balance each other out, the structure of 8BG, its Wishworld one-shot, what made them want to develop The Lucky Devils, its leads, the darkness of the series, how their collaborations evolve, the sins that tempt them, promotional efforts, how they continue to build, and more.

Retailer Patrick Brower joins the show to talk about the year that was in his Chicago comic shop, Challengers Comics + Conversation. Brower discusses the slow open to years, the top comics of the year at Challengers, stimulating foot traffic, the year that was at Challengers, Saga's immortal nature, Absolute learnings, what else is moving the needle at Challengers, the impact of handselling, how customer behaviors have changed, the world of comics distribution, behind the scenes work, managing the amount of product, his view on the broader world of comics retail, the evolution of that space, and more.

Writer Wyatt Kennedy joins the show to talk about his career and his work on the Image Comics series, Nights. Kennedy discusses managing stress, his comic origins, finding your things, influences outside of comics, figuring things out in real time, comic book rules, the origin of Nights, his artistic collaborators, the world of Nights, its season model, the work of making a comic, what he wants to do next, and more.

Cartoonist Guillaume Singelin joins the show to talk about one of my comics of the year, his graphic novel Frontier, and his career in comics. Singelin discusses his origins as a comic reader, France's relationship with comics, the works he originally connected with, what he originally wanted to do, his love animation, where inspiration comes from, working by himself or with others, creating French comics vs. American ones, the origins of Frontier, developing ideas, his process for creating Frontier, his cute characters, drawing environments, the political nature of the story, how the characters push each other, what he wants to do next, and more.

My pal Brandon Burpee returns to the show for Off Panel's annual year in review episode. Burpee joins me to discuss the year that was in comics, the different flavors of comics, how we read these days, the appeal of micro lines, where the Big Two are, the From the Ashes era for the X-Men, surprise standout moments for us, and more, before we both count down our 20 favorite comics of the year.

In this week's episode of Off Panel, writers Scott Snyder, Kelly Thompson, and Jason Aaron join the show to talk about their work in the Absolute Universe at DC with Absolute Batman, Absolute Wonder Woman, and Absolute Superman respectively. Snyder kicks things off, as he discusses the roots of Absolute DC, events as the thing before the thing, the environment Absolute grew in, and the power of jumping on points, before Thompson and Aaron join to talk about taking on this type of project, the idea of competition, collaboration, figuring out how varying pieces fit, the "big" of it all, their favorite art so far, the most challenging part, trying to make something sustainable, and more.

In a special year end episode of Off Panel, we look at the defining themes of 2024 in comics with the help of retailer Steve Anderson from Third Eye Comics, The Beat's Heidi MacDonald, and writer Joshua Williamson. Up first is Anderson (1:12), who talks about a time of struggle for Marvel in comic shops, the area of effect that can have on other publishers, what seems to be fueling those struggles, his hopes for the future, and more. After that is MacDonald (29:26), who discusses "The Big Lie," which is all about the intersection of comic publishers and media rights, the focus publishers have on media rights these days, the new publishers chasing IP plays, the impact that has on the rest of the industry, and more. And to close is Williamson (1:01:02), who talks a year defined by the phrase "go big or go home," varying examples of that thinking, why that's so important, the importance of big swings, how that affects creators and publishers alike, and more.

Writer Alex Segura joins the show to talk about his busy dance card and about how his different roles and mediums interact. Segura discusses his marketing brain, handling promotion, trend chasing, deciding on projects, prioritizing mediums, the origins of The Question: All Along the Watchtower, its cast, Renee Montoya's appeal, the core murder mystery, minis vs. ongoings, how Alter Ego came together, the power of IP, being character centric, advice for aspiring novelists, what Zestworld was, how he's managing the current environment, and more.

Cartoonist Jamie McKelvie joins the show to talk about his new DSTLRY series One for Sorrow and his journey to making it happen. McKelvie discusses the coloring process for One for Sorrow, figuring out new collaborations, how The Killing Horizon shaped him, his perception as a creator, going to DSTLRY, his story in The Devil's Cut, deciding which projects to take on, the origins of One for Sorrow, its different influences, pacing the story, research for the project, character design, its twist on the Sherlock Holmes mythos, what he wants for himself creatively, and more.

Writer Geoff Johns joins the show to talk about his career and his work at his Image Comics imprint, Ghost Machine. Johns discusses his average day, the appeal of collaboration, the advantages to doing your own thing, his art background, starting out hot in comics, the most influential people from his comic journey, the projects he learned the most from, the draw of characters who need love, Ghost Machine's appeal, its origins, how the group came together, what drives him creatively now, and more.

Retailer and distributor Christina Merkler joins the show to talk about the year at Discount Comic Book Service (or DCBS), In-Stock Trades, and Lunar Distribution. Merkler discusses her New York Comic Con experience, wearing multiple hats, the advantages of being a retailer and a distributor, the weird year at DCBS and In-Stock Trades, finding new customers, the timing of Ultimate and Absolute, the publisher mix, nostalgia comics, 2019 comparisons, readers versus collectors, DC's Compact Comics, manga, views from a distributor standpoint, the biggest things she's learned as a distributor, DC's return to Wednesday, relationship management, her outlook on the direct market, and more.

Writer Ryan North joins the show to talk about his career and relationship with comics, as well as his work on Fantastic Four and the upcoming The Rise of Emperor Doom. North discusses his busy travel schedule, balancing his life, how he got into comics, the origins of Dinosaur Comics, the advantages of constraints, the impact of his computer science brain, collaboration, how he chooses projects, Fantastic Four's structure, his approach to continuity, how he builds arcs, Johnny Storm's mustache, The Rise of Emperor Doom, the greatness of Doom, working at the center of Marvel, what keeps him coming back to comics, and more.

Designer Tim Leong joins the show to talk about his recently released book, Marvel Super Graphic: A Visual Guide to the Marvel Comics Universe. Leong discusses his comic origins, the lasting nature of comics, the comics that hooked him, how his Eisner-nominated comics magazine Comic Foundry came together, his journalism background, the design of magazines, the importance of having something for yourself, the origins of Super Graphic, the variety in that book, how comics have evolved, taking on the House of Ideas with Marvel Super Graphic, how he's evolved as a designer, the subjects he included in the book, the research process, his creative process, what excites him about the current state of comics, and more.

Artist Michael Allred joins the show to talk about his life and career in comics and his soon-to-be-Kickstarted art book, The Marvel Art of Michael Allred. Allred discusses the importance of having non-comic outlets, his early journey with comics and art, his quiet influences, the impact of his passions, time as a restricting factor, what goes into successful collaborations, the story behind Doop, why Madman has been home for him, the origins of The Marvel Art of Michael Allred, what went into the book, his art process, how he's perceived, the projects he leaned on for the book, keeping his original art, continuing to learn, and more.

The hosts of the podcast Comic Book Couples Counseling, Brad and Lisa Gullickson, join the show to chat about the story behind their show and their first work in comics. The team discusses their busy October, work/life balance, the role of stories in their lives, how their different vibes work, the development of Comic Book Couples Counseling, editing's impact, the couples counseling side of the podcast, their lean into interviews, figuring out which direction to take, programming the show, imposter syndrome, their improvements as podcasters, the upcoming Pots & Panels anthology, their comic in it, how collaborating has affected their relationship, their relationship with comics, and more.

The creative team behind the upcoming DC graphic novel This Land is Our Land: A Blue Beetle Story, Jacoby Salcedo and Julio Anta, join the show to chat about that book and their careers to date, both together and separate. The team discusses convention experiences, the build up to This Land is Our Land's release, the pace of graphic novel releases, how they met, how well they really know each other, the impact of Sonic comics on Julio, what inspired Jacoby to draw, their biggest influences, how their friendship affects their collaborations, the origins of This Land is Our Land, their Blue Beetle backgrounds, Easter Eggs, the art and design of the book, tackling immigration, their collaborators, what they learned from the project, what they want next, and more.

It's time, folks! Comics critic Oliver Sava returns to the show for the seventh annual Superhero State of the Union! Sava joins for a discussion about his return to The AV Club, why we read superhero comics, leaning towards art, superhero comics outside the Big Two, following creators, art and arcs, where DC is right now, its hits and misses, DC editorial's moves, where Marvel's at, the new Ultimate universe, our Ultimate rankings, where Fantastic Four fits, the power of cool, the From the Ashes era for the X-Men, Jonathan Hickman's recent stretch, Marvel's safer path, what we'd like to see more from the Big Two, and more.

Writer/artist Declan Shalvey joins the show to talk about his rather considerable mix of projects. Shalvey discusses his busy dance card, the value of time, putting out fires, why he wanted to work on Mystique, cool versus good, writing and drawing an X-Book, what Mystique started with, how he's handling the character, how Old Dog Operations came together, what it's about, the creators of the project, what's next for Old Dog, the Thundercats explosion, becoming a licensed guy, the stigma around those titles, what he's missing, and more, before we close with a conversation about John Cassaday.

Writer/artist Caitlin Yarsky joins the show to talk about her upcoming Dark Horse Comics series Living Hell and what goes into soloing a comics project. Yarsky discusses her current slate, working on Black Hammer, how she engages with comics, influences outside of comics, overthinking art, the origins of Living Hell, the appeal of folklore and mythology, domestic life, writing for yourself, the different levels of ideas, the hook of the book, pulling from real life, her process, working with Dark Horse, the business side of comics, the Portland art community, and more.

Writer Kelly Sue DeConnick joins the show to talk about her upcoming Dark Horse Comics series FML and everything that comes with it. DeConnick discusses current stress levels, the origins of FML, its evolution, the glory of David López, FML's visual styles, her collaboration with López, building from her own life, FML's personal nature, embracing the pandemic, finding humor in the nightmare, relearning creator-owned, marketing comics, Dark Horse's fit, figuring out next steps, the human side of creation, and more.

Artist Chris Samnee joins the show to talk about Batman and Robin: Year One and how he does what he does. Samnee discusses how he works, his collaboration with Mark Waid, its evolution, learning about how he wants to work, managing multiple titles at once, the RC Coda experience, how Batman and Robin: Year One came together, what it's all about, the pressure of this project, how his own taste has guided the project, the joy of drawing Batman, working with Mat Lopes, tackling The Last Halloween, Mark Chiarello, the importance of always learning, and more.

Artist Dustin Nguyen joins the show to talk about his career and his upcoming crowdfunded art book, The Art of Descender. Nguyen discusses convention life, what he's working on these days, working with other publishers, his early days as an artist, figuring out your art, the impact of influences, watercolors, breaking in, learning on the job, his Wildstorm experience, comfort's place in his career, working with Jeff Lemire, the origins of The Art of Descender, what's going into the book, his pencils, how he decided what to include, crowdfunding, how the role of an artist has changed, what keeps him excited about art and comics, and more.

IDW Associate Editor Jake Williams and Assistant Editor Nicolas Niño join the show to talk about their roles in the editorial ecosystem and their journeys in comics. The pair discusses the daily life of an editor, how editorial works, being roommates and co-workers, how different their roles are, drawing in new readers, how they got into comics, the value of big, bold takes, carrying that into their editorial work, why they wanted to work in comics, breaking in, finding your angle on properties, figuring out the job, their favorite part of the work, cover artists they'd like to work, a project they nailed, the new TMNT era, what has them excited about comics, hair choices, and more.

Writer/artist Dustin Weaver joins the show to chat about his career, path in comics, and his work on Image Comics releases like Paklis and 1949. Weaver discusses his night owl nature, maintaining a schedule, following whims, embracing himself, revisiting old work in Paklis, when he first got into comics, how his interest in the medium has evolved, being creatively autobiographical, his Wildstorm internship, what he learned at Marvel, the origins of Paklis, doing his own thing, existing on multiple sides, how he decides what to include, his creative process, writing but not drawing, continuing to evolve, and more.

Writer/artist Michael Walsh joins the show to talk about his incredibly busy workload on titles like Universal Monsters: Frankenstein, The Sacred Damned, and Nullhunter. Walsh discusses his full dance card, drawing Magic the Gathering cards, how that Frankenstein book came together, eliciting emotions, the looming shadow of its history, double page spreads, The Horizon Experiment, the twists of The Sacred Damned, the horror shift, Nullhunter's origins, why he's not drawing it, its visuals, pairing interests together, balancing wants and needs as a creator, the world of Magic the Gathering, managing an increasingly busy life, and more.

The Beat's Heidi MacDonald returns to the podcast to talk about Penguin Random House's acquisition of BOOM! Studios and our expectations for San Diego Comic Con. MacDonald discusses the big PRH/BOOM! news, why the former may have wanted to acquire the latter, the big news ahead of San Diego Comic Con, where things are right now, DSTLRY's big move, how SDCC is shaping up, how unique SDCC is relative to other conventions, the big plans The Beat has for the event, her upcoming daily TV show, celebrating 20 years of The Beat, the evolution of comic cons, what keeps her excited about The Beat, and more. There are two corrections from the podcast. First, Filip Sablik's title at BOOM! Studios was actually President of Publishing & Marketing, not Sales & Marketing as I stated in the episode. Second, while Tiny Onion does a lot of design and production work for DSTLRY, Emma Price, Erika Schnatz, Jared K. Fletcher, Francesco Francavilla, and Lee Garbett have also done design work on a variety of individual titles and logos.

Writer/aritst Christian Ward joins the show to talk about his new art book, Many Worlds - The Art of Christian Ward - Volume One and his series at DSTLRY, Spectregraph. Ward discusses how his schedule works, leaning into momentum, idea generation, his crowdfunding emotions, the origins of his art book and why he wanted to do it, figuring out what to include in it, revisiting his work, what guides his art, his approach to Spectregraph, thinking out visuals, the appeal of horror, writing for himself, how the role of an artist has changed, and more.

Writer/aritst Ryan Stegman joins the show to talk about his work on the upcoming X-Men at Marvel and the upcoming The Missionary at DSTLRY. Stegman discusses his work on the X-Men, refining his process, how his input changed the team, his personal X-Men history, the energy he wants for the team, character designs, finding his own visual identity, how the project came together, The Missionary's mash up nature, canon texts, the origins of The Missionary, collaborating with Jason Howard, his work as a writer, idea creation, and more, before we close with a little talk about the Detroit Pistons and the NBA.

Writer James Tynion IV joins the show to talk about his busy dance card of late on books like The Department of Truth and The Nice House by the Sea. Tynion discusses Stephen Sondheim's influence, learning from other creators, finding power in old forms, how adaptations shift his view of his work, balancing everything, what exactly the new Tiny Onion is, maintaining momentum, the importance of availability, w0rldtr33's surprises, the new direction in The Nice House by the Sea, what he learned from his recent Kickstarter, crowdfunding's power, how far his plans go out, and more.

Artist Terry Dodson joins the show to talk about his life as a working artist on comics like AdventureMan and The Manchurian. Dodson discusses his recent European trip, his European lean, the Lake Como Comic Art Festival experience, keeping himself excited, his video game work, how he decides which projects to take on, the appeal of risk, collaborating with his wife and inker Rachel, his recent art book, how his decision making process has evolved, what covers do for him, the places his job take him, how industry variance affects his thinking, his longevity, and more.

Popverse's Editor Graeme McMillan joins the show to talk about his new role at the comics and pop culture site before we dig into an array of hot topics and trends in the world of comics. McMillan discusses his new role at Popverse, how it came together, the evolution of the comics journalism space, the impact of adaptations on comics, the end of Krakoa, what's next for the X-Men, the destruction of social media, comics marketing, the fractured conversation, newsletters, the power of comic lines, publishers crowdfunding, converting comics to other formats, Miracleman's struggles, The Power Fantasy, what he's excited for in the rest of the year, and more.

Writer/artist Jim Starlin joins the show to talk about his career and the soon-to-be crowdfunded omnibus for his comic series, Breed. Starlin discusses his freestyling ways, how he approaches storytelling, the projects he's the most proud of, learning from his collaborators, The Death of Captain Marvel, the comings and goings of publishers, bringing Breed back, how he views himself, where he starts with his stories, creating and building on characters, writing for others, KGBeast, the evolution of comics, what keeps him motivated, and more.