Podcasts about criteria studios

Send us a textThere's only so many harmonically pleasing combinations… the goal is to make something tried and true feel new.If you would like to SUPPORT the podcast, JOIN our Patreon page.https://www.patreon.com/RiffsnRhythmsPodcastLISTEN on Apple Podcast, Leave us a RATING and Reviewhttps://podcasts.apple.com/us/podcast/drums-and-rums/id1503281559?uo=4In this episode, Kevin and Paul are joined by returning guest Apostoli Floyd, who shares the story behind his unique name and the international roots of his musical identity. Apostoli discusses the influences behind his eclectic sound—from blues to rock, hip-hop to R&B—and how collaboration is at the core of his next creative chapter. He also gives insights into recording his album Dusk Till Dawn at the legendary Criteria Studios in Miami.The crew reviews David Kimes Jr.'s track "Live It Up,"  in their signature "Riffs & Rhythms" breakdown. https://www.youtube.com/watch?v=PykWQr-qGSkSpirited banter, stories from bike week, and plenty of laughs make this episode as lively as ever.

Main Course (1975) es el decimotercer álbum de los Bee Gees, lanzado en 1975, y su último álbum lanzado por Atlantic Records en los Estados Unidos bajo el acuerdo con Robert Stigwood. Este álbum significó un cambio para los Bee Gees ya que fue su primer disco en incluir éxitos de música disco. Trabajando con el productor de Atlantic Arif Mardin, quien había además producido el álbum anterior, Mr. Natural, y el ingeniero Karl Richardson en Criteria Studios en Miami, su música se volvió mucho más influenciada por el R & B. Main Course además marca el debut del falsetto de Barry Gibb.  La famosa portada del álbum fue diseñada por la artista estadounidense Drew Struzan. 

Late one evening in 2019, I spent a couple of hours trading studio war stories in the control room (pictured below) with Trevor Fletcher, the Vice President of the legendary Criteria Studios in Miami. Trevor's mom (Margie Curry) was my awesome boss when I worked at Criteria nearly 50 years ago. She remains a cherished friend of mine to this day. When Trevor was a kid, he'd come to the studio after school, allegedly, to do his homework. Instead of reading, writing, and arithmetic, he learned what made Criteria one of the top recording studios in the world. Today, he's the Vice President and General Manager of Criteria, and it could not be in better hands. They have had clients like The Bee Gees, The Eagles, Eric Clapton, Fleetwood Mac, The Beach Boys, James Brown, Rod Stewart, Bob Marley, Bob Dylan, Crosby, Stills, Nash & Young, Jaco Pastorius, Billy Joel, Drake, The Allman Brothers, Shakira, Gloria Estefan, Jay-Z, Justin Bieber, Aerosmith, and dozens (likely hundreds) of others, one can imagine what might have happened behind closed doors when records like "Hotel California," "Stayin' Alive," "I Shot the Sheriff," "Layla," "I Feel Good," and countless other Gold, Platinum, and Diamond albums and singles were recorded. Trevor Fletcher is a living encyclopedia that knows the good, the bad, and the ugly. He also knows where the skeletons are buried. You'll be riveted by the stories he's going to share with us. He's also a classy, professional guy who won't name names (when he can't), but trust me when I tell you that you're going to hear some pretty amazing behind-the-scenes stories. I'm also going to ask him... - What makes a great song? - What traits (if any) do superstars share? - What traits do great producers share? - Contrast the producer's role back in the day VS today. - How do great engineers and producers become great at their craft? - Why do artists still go to world-class, large format studios when they can make records at home? - How much does outboard gear get used VS plugins? - When somebody under the roof is recording a song that sounds like an obvious hit, does the staff still get buzzed about it? I can't wait to hang out and chat with Trevor! I have a feeling you're going to love this unique episode of TAXI TV, so don't miss it! Win a FREE Criteria Studios T-Shirt! Criteria's shirts are beloved by superstars around the world! They've become collector's items, and I'd like to buy one for one of our viewers. All you've got to do to have a shot is show up and be in the chat room during the live broadcast!

Last Friday, September 30, 2022 was the 25th anniversary of the release of Time Out of Mind, an album whose artistic and commercial success proved an important contributor to Dylan's continued reinvigoration and late career success, a success that has continued to this day. This episode celebrates that album with a consideration of its making, its distinctiveness, and, of course, through its music. In "20 Pounds of Headlines," we update you on Dylan's European tour itinerary, tell you who will be reading the audiobook version of Dylan's forthcoming THE PHILOSOPHY OF MODERN SONG, and mark the passing of a powerful and distinctive songwriter and singer. In "Who Did It Better?" we ask you to go to our Twitter page @RainTrains to vote for which version of “Mississippi,” as recorded for TIME OUT OF MIND, is better: The outtake from the 1996 Teatro recording sessions in Oxnard, California, or outtake #2 or #3 from Criteria Studios in Miami.Please check out the Dylan.FM podcast over at the Freak Music Club: https://dylanfmc.castos.com. Craig Danuloff has put together a nice collection of essays celebrating the 25th anniversary of TIME OUT OF MIND and his work is a wonderful contribution to our understanding of Bob Dylan's masterpiece, now a quarter of a century old. I would like to again thank Mr. Danuloff for his permission to replay part of his interview with Scott Warmuth, a perennial friend to HARD RAIN & SLOW TRAINS: BOB DYLAN & FELLOW TRAVELERS.  

25 years ago Bob Dylan released an album whose artistic and commercial success proved an important contributor to his continued reinvigoration and late career success, a success that has continued to this day. This episode celebrates that album with a consideration of its making, its distinctiveness, and, of course, through its music. In "20 Pounds of Headlines," we update you on Dylan's European tour itinerary, remind you about a great Youtube Channel, and provide more information about both the SHADOW KINGDOM and T-Bone Burnett Ionic Originals recording sessions from 2021. In "Who Did It Better?" we ask you to go to our Twitter page @RainTrains to vote for which version of “Can't Wait” is better: The alternate version from the Teatro in Oxnard, California, the alternate version from Criteria Studios in Miami, or the album version.

Multi-instrumentalist and singer Chris Hillman, whose illustrious career started with The Byrds, then went on to The Flying Burrito Brothers, Manassas, Souther-Hillman-Furay Band, McGuinn, Clark & Hillman and Desert Rose Band joins us.  In this follow-up to our Episode 096 show, Chris shares (during our interview in January of 2021) his insights with multi-award winning program director Ray White on Manassas, SHF and the historic Criteria Studios in Miami.  Several months ago he released a book titled "Time Between" and his most recent studio album is Bidin' My Time.  In our showcase segment we'll feature Stephen Stills and Judy Collins, who recently teamed up on Everybody Knows, in addition to Ann Wilson of Heart  who has a new solo tune - Black Wing.  The superstars of the wide-world of rock/pop music are on the CAT!   

We continue our twelve-part series featuring the cities where Dylan recorded his studio albums over the decades. Part five features Miami, where Dylan recorded TIME OUT OF MIND at Criteria Studios in January of 1997. You'll hear songs about Miami, recordings made in Miami, and recordings made specifically at Criteria studios. In "20 Pounds of Headlines" we round up news from the world of Bob Dylan, which includes news about an upcoming conference and an online Bob Dylan college course. In "Who Did It Better?" we ask you who did "'Till I Fell in Love With You" better: Bob Dylan (recorded in Miami) or Miami-native Albert Castiglia.

“Eat A Peach” is the third studio album by Allman Brothers Band which was released on Feb 12th, 1972 on Capricorn. It is comprised of some studio tracks which were recorded between September and December 1971, at Criteria Studios in Miami, and some live tracks from their breakthrough live album “At Fillmore East” which were recorded on March 12th and 13th, and also June 27th, 1971 in New York City. Prior to release of this album...  For reading the whole article you can check : https://bluesrockhistory.com/f/eat-a-... --- Support this podcast: https://podcasters.spotify.com/pod/show/bluesrockhistory/support

Grammy Award-winning engineer Bruce Hensal joins co-host Chase Steele from the Melrose Center in welcoming special guest Joe Foglia to the Reel to Real podcast. Joe is an Emmy Award-winning sound mixer noted for his work on television shows Scrubs and Miami Vice, as well as the HBO miniseries From the Earth to the Moon. He talks to Bruce about their time working together at Criteria Studios in Miami, his transition from studio work to sound production for film and TV, and how he applied the skills learned in the studio to working in field production, like pioneering the use of studio mics on location. Joe also talks gear with Bruce and Chase, covering the top location audio recorders required to work in the industry today.

Grammy Award-winning engineer Bruce Hensal joins co-host Drigo Garcia-Salas from the Melrose Center audio team in welcoming guests David Schweizer and Howard Albert to the Reel to Real podcast. David is an Orlando songwriter, engineer and producer with a number of credits, including his kids music project Davey Rocker and the Barnyard Jam. He also owns and operates Richter Records. Howard is a producer, engineer and keyboard player. He teamed with his brother Ron to form Fat Albert Productions in the 1970s, producing several noteworthy artists out of the famous Criteria Studios in Miami. 

Michael Laskow has been helping songwriters, artists, and composers become successful in the music business since 1974. He began his career as an engineer at Criteria Studios in Miami during the studio’s golden era of the 1970s. Some of the artists Laskow worked with include Eric Clapton, Crosby, Stills, Nash, and Young, Neil Young, Firefall, Melanie, Joe Cocker, and many more. Helping independent songwriters, artists, and composers get their music heard by record labels, publishers, and film and TV music supervisors became his passion.Michael founded TAXI, the world’s first independent A&R company in 1992. For more than 27 years Laskow and his team of music industry experts have helped thousands of musicians land Indie and Major Record Label deals, Publishing deals, and countless Placements in Hit TV Shows, Feature Films, TV Commercials, and Movie Trailers.You can learn more about TAXI at https://www.taxi.com/

Join Dave this evening for another episode of Famous Spaces.  Tonight the Famous Criteria Recording Studios https://www.facebook.com/hashtag/onlineradio?source=feed_text&__xts__%5B0%5D=68.ARBZiv6K16wrzsAybdSiPwfcQ9J2SoyKkOGPTi2tt88M0DHXEvKksxW6nJyH0HHF6ukLgqUJduhumzy5RF_2svPzKjEz6hDWQZCQIvmn9EvTw0jcEWZdqW-iI8RJ6q15haAHshQt7J-EDwpitEQIlsew4Kc-kkV7vUH6eoNlvV5xFPsPuSvfxQ&__tn__=%2ANK-R (#onlineradio) https://www.facebook.com/hashtag/freeradio?source=feed_text&__xts__%5B0%5D=68.ARBZiv6K16wrzsAybdSiPwfcQ9J2SoyKkOGPTi2tt88M0DHXEvKksxW6nJyH0HHF6ukLgqUJduhumzy5RF_2svPzKjEz6hDWQZCQIvmn9EvTw0jcEWZdqW-iI8RJ6q15haAHshQt7J-EDwpitEQIlsew4Kc-kkV7vUH6eoNlvV5xFPsPuSvfxQ&__tn__=%2ANK-R (#freeradio) https://www.facebook.com/hashtag/rockandroll?source=feed_text&__xts__%5B0%5D=68.ARBZiv6K16wrzsAybdSiPwfcQ9J2SoyKkOGPTi2tt88M0DHXEvKksxW6nJyH0HHF6ukLgqUJduhumzy5RF_2svPzKjEz6hDWQZCQIvmn9EvTw0jcEWZdqW-iI8RJ6q15haAHshQt7J-EDwpitEQIlsew4Kc-kkV7vUH6eoNlvV5xFPsPuSvfxQ&__tn__=%2ANK-R (#rockandroll)http://pacificnorthwestradio.com/ (pacificnorthwestradio.com)…  http://www.pacificnorthwestradio.com/contribute.html (Support the show.) Support this podcast

A session guitar player with The Nashville Cats, recording with Tom Dowd at Criteria Studios, the difference between a Nashville vs Muscle Shoals recording session, and much more! My guest today is Mac Gayden considered a musician’s musician for his intricate playing. He started playing guitar in Nashville as a teenager in the 1960s and quickly become a top session guitar player playing on iconic records such as Bob Dylan’s Blonde On Blonde. Mac was also known for his unique slide guitar sound through a wah pedal made famous on JJ Cale’s record Crazy Mama. And years later in 2013 He was finally inducted into the Country Music Hall Of Fame as one of the original “Nashville Cats”. Thanks to our sponsors! Roswell Pro Audio: https://RoswellProAudio.com Tegeler Audio Manufaktur: https://www.tegeler-audio-manufaktur.de/ Hear Mac's music on Youtube:  https://www.youtube.com/watch?v=0k8fepmmBOY&list=PLbJhbD1bWQswZUZZtKHISY0QntRehlaH1 If you love the podcast then please Leave a review on iTunes here Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/132

It’s always a pleasure to have the opportunity to interview someone on the show that I consider a mentor, and our current guest, Lij Shaw, definitely fits the bill. As the host of the highly successful podcast Recording Studio Rockstars, Lij provides his guests with a peek behind the curtain and into the minds of some of the most successful record producers and engineers working today. In addition to Recording Studio Rockstars, Lij owns the Toy Box recording Studio in Nashville, TN., a Grammy certified studio, which now houses one of the most famous MCI consoles from Criteria Studios in Miami, built by hand from it’s founder, Jeep Harned. Here’s a small list of the artists Lij has worked with during his long career: Aimee Mann, Ben Harper, Audley Freed, Blues Traveler, Edward Sharpe and the Magnetic Zeros, Dawes, Citizen Cope, and Band of Horses.

Ep. 92 - Grammy Award winning music producer Albhy Galuten is this week's podcast guest, along with his son Noah- who is the pitmaster of Bludso's Bar & Cue in Los Angeles and host of the Food Feeder on You Tube's Tasted Channel.  We break format a bit, letting Noah coax some amazing stories from his Dad, who produced an astouding 18 #1 hits.  Within the first 10 minutes Albhy admits to turning the Bee Gees vegetarian, turning Clapton on to Bob Marley, and turning Peter Tosh on to synth (in addition to being credited with inventing the drum loop.) He also goes on to tell stories about Michael Jackson, Aretha Franklin, David Crosby, the Allman Bros, and producers Tom Dowd, Arif Mardin, and Jerry Wexler (who he workd with at Criteria Studios in Miami.) The show is a long one, but it's a must listen for any fan of music and music production.