Podcast appearances and mentions of Washington Square

Stories have a way of helping us recognize ourselves, and that's exactly what happened in my conversation with Nana Ekua Brew-Hammond. Nana shares what it was like to grow up in Queens, then suddenly move to a boarding school in Ghana, and how that experience shaped her identity in ways she's still uncovering today. As Nana describes her path from writer to author, her years of persistence, and the curiosity that led to books like Powder Necklace and Blue, I felt a deep connection to her commitment to keep creating even when the process feels uncertain. We also explored trust, partnership, and the lessons my guide dogs have taught me—all ideas that tie into the heart of Nana's storytelling. This conversation is an invitation to see your own life with more clarity, courage, and compassion. Highlights: 00:00:10 – Step into a conversation that explores how stories shape courage and connection. 00:01:41 – See how early environments influence identity and spark deeper questions about belonging. 00:02:55 – Learn how a major cultural shift can expand perspective and redefine personal truth. 00:23:05 – Discover what creative persistence looks like when the path is long and uncertain. 00:27:45 – Understand what distinguishes writing from fully embracing authorship. 00:33:22 – Explore how powerful storytelling draws people into a moment rather than just describing it. 00:46:45 – Follow how curiosity about history can unlock unexpected creative direction. 00:59:31 – Gain insight into why treating a publisher as a partner strengthens both the work and the audience reach. About the Guest: Nana Ekua Brew-Hammond is the author of Powder Necklace: A Novel, the award-winning children's picture book Blue: A History of the Color as Deep as the Sea and as Wide as the Sky, the collection Relations: An Anthology of African and Diaspora Voices, and My Parents' Marriage: A Novel.  Tapped for her passion about Africa's rich fashion traditions and techniques, Brew-Hammond was commissioned by the curators of Brooklyn Museum's "Africa Fashion" exhibit to pen and perform an original poem for the museum's companion short film of the same name. In the clip, she wore a look from the made-in-Ghana lifestyle line she co-founded with her mother and sister, Exit 14. The brand was featured on Vogue.com. Every month, Brew-Hammond co-leads the Redeemed Writers Group whose mission is to write light into the darkness. Learn more about it here.Learn more at nanabrewhammond.com. Ways to connect with Nana**:** Instagram, Facebook and Threads: @nanaekuawriter Twitter: @nanaekua  www.NanaBrewHammond.com  ORDER my new novel   MY PARENTS' MARRIAGE Read 2023 NCTE Award Winner & NAACP Image Award Nominee   BLUE: A History of the Color as Deep as the Sea and as Wide as the Sky   Read RELATIONS: An Anthology of African and Diaspora Voices , stories, essays & poems by new and established Black writers   Shop Exit 14 , all weather, uniquely designed, 100% cotton apparel sustainably made in Ghana About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson  01:20 And a pleasant, Good day to you all, wherever you happen to be, I would like to welcome you to another episode of unstoppable mindset. Today, we get to have a conversation with Nana Ekua Brew-Hammond And Nana has a lot of interesting things to talk about. She's written books, she's done a variety of different things, and rather than me giving it all away, it'll be more fun to let her tell the stories and get a chance for us to listen to her. She is in Oakland, California, so she's at the other end of the state for me, and we were just comparing the weather. It's a lot colder where she is than where I live down here in Victorville, where today it's 104 degrees outside. And Nana, you said it was like, what, somewhere around 70. Yeah, it's 68 There you go. See lovely weather. Well, Nana, I want to welcome you to unstoppable mindset. We're really glad you're here, and I want to thank you for taking the time to be with us. Nana Ekua Brew-Hammond  02:23 I feel the same way. Thank you for having me on your amazing show. And it's so wonderful to be in conversation with you. Michael Hingson  02:30 Well, I'm glad we get a chance to spend some time together and we can, we can talk about whatever we want to talk about and make it relevant and interesting. So we'll do that. Why don't we start with what I love to do at the beginning of these is to talk about the early Nana growing up and all that. So take us back as close to the beginning as your memory allows. Nana Ekua Brew-Hammond  02:52 Oh gosh, as my memory allows. Um, I so I was born in Plattsburgh, New York, which is upstate near Montreal, Canada. Michael Hingson  03:06 Been there. Oh, cool in the winter. I even crossed the lake in an icebreaker. Nana Ekua Brew-Hammond  03:12 But yeah, oh my gosh, wow. Okay, yeah. Bring back memories. Well, I was only there for till I was, like two years old. So, but I do, I have gone up there in the winter and it is cold. Yes, it is cold, yeah. So I was born there, but I grew up in New York City and had that really was sort of my life. I lived in New York, grew up in Queens, New York, and then at 12 years old, my parents decided to send me to Ghana to go to school. And that was sort of like a big, the biggest change of my life, like I know that there was a before Ghana and an after Ghana, Nana and so, yeah, wow. Michael Hingson  04:02 So, so when was that? What year was that that you went to Ghana? Nana Ekua Brew-Hammond  04:06 That was 1990 August of 1990 actually. Michael Hingson  04:11 So what did you think about going to Ghana? I mean, clearly that was a major change. Nana Ekua Brew-Hammond  04:15 Yeah, you know, I, you know, my parents are from Ghana originally. So when, you know, they would always talk about it. We, you know, back then phones, long distance phone calls to Ghana. I, you know, that was, that was the extent of my sort of understanding of Ghana, the food that we ate at home, etc. So going to Ghana was just sort of mind blowing to me, to sort of be crossing, you know, getting on a plane and all of that, and then being in the country that my parents had left to come to the United States, was just sort of like, oh, wow, connecting with family members. It was just, it was a lot. To process, because life was very, very, very, very different. So yeah, it was just sort of a wild eye opening experience about just the world and myself and my family that ultimately inspired me to write a book about it, because it was just, I just, it was a lot to process. Michael Hingson  05:25 Why did they want you to go to to Ghana to study? Nana Ekua Brew-Hammond  05:30 Yeah, so in the 90s, in New York City or and in the late 80s, there was the crack epidemic was happening, and we, you know, I mean, I remember, we lived in a house in Queens, and when we would, you know, part of our chores was to sweep in front of the house, you know, rake the leaves, that kind of thing in the fall. And we would, all the time there would be crack files, you know, like as we're sweeping up, and I didn't get there where we were young. My sister was, you know, a teenager. I was 12, and my, you know, my younger brother had just been born. He was just like a, like, a little under a year old. And I think my parents just didn't feel that it was a safe place for us as kids to grow up. And so, yeah, they wanted to kind of give us an opportunity to get out of, you know, that environment for a while. Michael Hingson  06:33 What did you think of it? Nana Ekua Brew-Hammond  06:35 I mean, you know, as a kid, you never want to leave what to you. So it was, I would say it was, it was, it was interesting. Because initially I loved it. I was like, I actually campaigned, you know, I was like, I really, you know, would like to stay in Ghana, but I didn't want to stay for, you know, the three years, which is what I what happened? I wanted to stay for maybe, like a year, kind of try it, you know, go to school for a year. I found it this really cool adventure, go to boarding school and on all of that. But my parents made the decision that we should just sort of ride it out and finish like I had to finish high school. And, yeah, so, so great for me. Michael Hingson  07:25 So you were there for three years, yes. So by you were 12, so by 15, you had finished high Nana Ekua Brew-Hammond  07:32 school, yeah, because the system there is different. It's it was at the time the British system. So it was like a form system where I saw I entered in form three, because it was, it wasn't quite the equivalent in the sense that I probably should have started in form two or form one, but I was also an advanced student, and and they, the way the system there works is you have to take a common entrance exam from primary school to get into secondary school. So it's very difficult to get into school midstream there. So we had to go through all of these hoops. And, you know, there was an opening in form three, and that was higher than my, you know, than where I should have been, but I was advanced, so I was able to get into that school that way. You did okay. I assume I did. I mean, I struggled, which was interesting, because I was a very, you know, good, strong student in the States, but I struggled mightily when I first got there, and throughout, it was never easy, but I was able to manage. Michael Hingson  08:49 Now, did your sister also go to Ghana? She Nana Ekua Brew-Hammond  08:52 did, and she was hopping mad. Michael Hingson  08:55 How old was she when you were 12, she was Nana Ekua Brew-Hammond  08:59 17, so she Okay, yeah, almost about to go to college. She was really excited about, like, that portion of life. And then it was like, okay, she's in Ghana. She was hopping mad. Michael Hingson  09:13 Well, how long did she stay? Nana Ekua Brew-Hammond  09:16 Well, so she stayed for two years. Because what Ghana has is sort of like, at the time it was something called sixth form, which is, again, the British system. So it's sort of like a college prep in between the equivalent of that. So she basically did that in Ghana. Michael Hingson  09:38 Okay, well, and your little brother didn't go to Ghana, Nana Ekua Brew-Hammond  09:44 not yet, not not yet. You Michael Hingson  09:47 mean they didn't send him over at one year? No, okay, well, that's probably a good idea. Well, so looking back on it, what do you think about having spent three years in. Nana Ekua Brew-Hammond  10:00 Ghana, looking back on it, I think it was actually really, really good for me. I mean, it was that doesn't take away from the fact that it was very difficult. It was very, very challenging, not only academically. It was I was bullied really hard at this boarding school that I went to. The girls just kind of made my life hell. But what was amazing about it for me was that I had, I had exposure to Ghanaian culture in a way that I would never have had in the States. As I mentioned to you, Ghana was sort of that country over there when I lived in America. And you know, it existed as you know, family members coming to visit, long distance phone calls, the food that we ate, that you know, the accents that we had, things that made us different, and at the time, that was not cool. You know, as a kid, you just want to fit in and you don't want to be different. And going to Ghana was my opportunity to learn that, wow, I didn't have to be embarrassed or ashamed of that difference. There was so much to be proud of. You know, my family was, you know, a sprawling family, you know, my my grandmother owned a business, my grandfather owned a business, you know, it was, it was really, it was eye opening, just to sort of be in another environment. People knew how to, you know, pronounce my name, and I didn't have to, you know, just explain things. And that was really affirming for a 12 year old and a 13 year old when you're going through that, you know. So it was really good for me. And in Ghana is where I came to know Christ. I became a Christian, and it was something that spiritually, I was not really, I don't know, I just didn't really think about spiritual. I did on some level. But going to Ghana, it everything just felt so palpable. It was really like we're praying for this. And it happened, you know what I mean, like, yeah. It felt very Yeah. It was just a time in my life when life really felt very the mysteries of life really felt like they were open to me, Michael Hingson  12:37 interesting and so you clearly gained a lot of insight and knowledge and experience over there that you were able to bring back with you when you came Yes, yes. Nana Ekua Brew-Hammond  12:55 When I returned to the States, I was just, I think of myself, I guess, as a weirdo. Like, when I came back, I just felt so weird because I couldn't really, fully, you know, connect with my friends, because I had missed out on three years of culture, you know. And you You don't realize how much culture means, like, until, like, you know, you don't have those references anymore. I didn't know the songs that were popular. I didn't, you know, know about, I forget, there was some sort of genes that were really popular while I was gone. I didn't know what they were. I didn't have a pair of them. So it was just sort of this, this interesting time. And I was also young, because I had finished high school, and I was 15, yeah, my friends were, you know, sophomores, yeah, you know, and I was beginning the process of looking into college. So it was just a really isolating time for me and I, but also, you know, interesting and I, again, I say it was, it was ultimately in the in the wash of it. I think it was good because it enabled me to sort of, I guess, mature in a way that enabled me to start college earlier. And, you know, sort of see the world in a much different way. Michael Hingson  14:26 So when you went to college, what did you want to do? Or had you had you decided to start laying plans for a major and what you wanted to do post college, Nana Ekua Brew-Hammond  14:36 I did not know what I wanted to do. I kind of, I mean, I kind of thought I wanted to be a doctor. I thought I wanted to be a doctor. Like, all my life, growing up, I was like, I'm going to be a doctor. And I was a science student in Ghana, but I struggled mightily. But still, I went. I entered college with us. You know, the plans? To become a bio psychology major. And you know, I took two, three classes, well more than that, I did, like, a year of classes. And I was just like, This is not for me, not for me at all. But yeah, yeah. So it was, it was that was a little rough. Michael Hingson  15:21 Things happen. So what did? What did you go off and do? Nana Ekua Brew-Hammond  15:25 Then I ended up majoring in political science and Africana Studies, and it was, I remember taking a political science class my freshman year, and I, my my professor was amazing, but it was, it was interesting to me. I think looking back now, being able to think about the world in a way that was sort of linking history and politics and culture together. And I think that was interesting to me, because I had just come from Ghana and had been exposed to, like, sort of this completely different culture, completely different political system, and, you know, kind of having that, I that thinking, or that wonderment of like, wow, you can Life can be so different somewhere else, but it's still life, and it's still happening, but also having that connection as an American to America and what's happening there. And so holding both of those things in my hands when I got to college, I think I was, I just what I was really sort of intrigued by the idea of studying politics and studying culture and society, Michael Hingson  16:48 and that's what you did. Yes, I did. So you got a degree in political science. Nana Ekua Brew-Hammond  16:54 Yes, a double degree political science and Africana Studies. Michael Hingson  16:57 Africana Studies, okay, and again, that that's probably pretty interesting, because the the Ghana influence had to help with the Africana Studies, and the desire to to do that, and you certainly came with a good amount of knowledge that had to help in getting that as a part of your major. Nana Ekua Brew-Hammond  17:16 Well, interestingly, my focus was on African American Studies, because I really growing up as an immigrant, like with immigrant parents, their understanding or their their thought process wasn't necessarily, I don't know they weren't. They didn't really raise us to think about race or being black, because their consciousness wasn't about that. It was they were immigrants. You know what? I mean, they weren't thinking about that. So I was actually quite curious, because I did grow up in America and I was black, but I didn't understand, you know, the history of America in that way. And I remember, actually, when I was in was it the third or maybe it was the second or third grade, or maybe it was fifth grade. I did a project on the Civil War, and I remember being so interested in it, because I had, I just didn't, you know, it wasn't. I was so fascinated by American history because I really wasn't. I didn't, I didn't understand it in the way that maybe somebody who wasn't the child of immigrants, you know, might, you know, connect with it. So I was just Yeah, so I was really fascinated by African American history, so I ended up double majoring in it and concentrating on African American politics, which was really fascinating to me. Michael Hingson  18:55 Yeah, and there certainly has been a fair amount of that over the years, hasn't there? Yes, there has, but you can, you can cope with it and and again. But did your time in Ghana, kind of influence any of what you did in terms of African American Studies? Did it help you at all? Nana Ekua Brew-Hammond  19:15 Um, I, I don't know, because I don't because, because I think what, what I what, what Ghana helped me with was, I remember, I'll say this. I remember one time in Ghana, in class, we were reading a book by an author who had we were reading a play, actually by a Ghanaian writer who was writing about a Ghanian man who married an African American woman and brought her to his home. And there was a lot of clash between them, because, you know, they were both black, but they had different sort of backgrounds. Yeah, and I remember the teacher asking, because the. The the wife that he brought home, the African American woman, mentioned certain things about America, and no one in the classroom could answer any questions about America, and I was the only one who could. And I was, you know, very, very sort of shy in that in that school and in that context. But I remember that day feeling so emboldened, like I was, like, I can actually contribute to this conversation. And so maybe, you know, in on some level, when I got back to the states, maybe there was some interest in linking those two things together. But it wasn't as as is in life. It wasn't obvious to me. Then it was sort of just kind of me following my interest and curiosity. And I ended up, I didn't set out to be an Africana Studies double major, but I ended up taking so many classes that I had the credits. And, you know, I was like, Okay, I guess I'm I have two degrees now, or two, two concentrations, Michael Hingson  21:02 yeah, did you go and do any advanced work beyond getting bachelor's degrees? Nana Ekua Brew-Hammond  21:08 No, I did not. When I graduated, I initially thought I might get interested, get in, go to law school. But this was me again, following my muse. I realized that my real interest was in writing papers when I was in college. You know, give me a 15 page paper, 20 page paper, I was ecstatic. I loved writing papers. And I think that's one of the reasons, too, why I loved political science and Africana Studies, because we were assigned tons of papers, and it enabled me to sort of, you know, writing these papers enabled me to kind of think through questions that I had, or process what I was reading or thinking about or feeling. And so when I graduated from college, you know, I got, you know, a job, and was working, trying to figure out, Okay, do I want to go to law school? But at the time that I graduated, that was also during the time of, like, the.com boom, and there were a lot of online magazines that were looking for writers, and so I started, kind of, you know, submitting, and I got some some things published. And as that was happening, I was like, I think this is what I want to focus on. Michael Hingson  22:30 So when did you really know that you were a writer? Then? Nana Ekua Brew-Hammond  22:34 I mean, I don't I think that when I got back, when I started working, so I, ultimately, I got a job in advertising, and I was working, you know, as an assistant in the on the account side of things, but there was this whole creative department that, you know, got to, you know, come up with all of the, you know, the the taglines and write commercials and write jingles and all that kind of stuff. And I was, like, so fascinated by that, and that's what I thought, okay, I could if you know, I need a job, I need money, and I want to write, so maybe this is what I need to be doing. And so I ultimately did get a job as a copywriter and and I still, you know, do that work today, but I think I always knew that I needed to write, and I wanted to actually write about my experience in Ghana. So I remember, you know, I started kind of very fledgling. Would began to write into that, and I ultimately started writing that the book that became my first book, powder necklace, on the subway to and from work. Every morning I would wake up very early, write what I could get ready for work, right on the bus, right on the subway, you know, get to work after work. You know, repeat. And it took me many years, but that's what I did. And I wrote my first book, Michael Hingson  24:14 and that was published in 2010 right? Yes, it was, did you self publish? Nana Ekua Brew-Hammond  24:18 Or I well, I did not self publish. I was published by Simon and Schuster. Simon and Schuster's Atria Books, Washington Square press. And part of my process was I started just kind of, you know, the Internet. The Internet was new. It was something that was available to me. So I started just kind of Googling, how do you get published? And they said you needed a literary agent. So I started looking online for literary agents. And because I lived in New York City at the time, I would literally write my my query letters and like, hand deliver them different agencies. 90s, and one woman, after four years of looking, said, Okay, this sounds interesting. I'd love to meet with you. And I didn't believe. I was like, wow, I've been rejected for four years, and somebody actually wants this, and she was able to sell the book. And I was shocked. I was like, Simon and sister, okay? And at the time they bought it, the, you know, the America, the US, was going through the whole financial, you know, crisis, the recession, in 2008 so they held my book for a year, and then we began the process in 2009 and then they, you know, we were on track to publish it in 2010 Michael Hingson  25:46 Wow. Well, tell me about that book. Yeah. Nana Ekua Brew-Hammond  25:51 Powder necklace is a novel. It's a fictionalized account of my experience going to high school in Ghana. I when I went to school in Ghana. I went to a girls boarding school in the mountains of Ghana central region, and that school was going through a major water crisis. We did not, I mean, we the short story is that, I guess, because of we were on the mountain, the water pressure was very low, and so it was really difficult to get the water up that mountain. And they didn't have like enough, you know, tanks around the school and what have you. So we had one artificial well, and then we had, like, an underground well, and that was it. And the underground well wasn't always, you know, full of water to service the whole school. It was really difficult. So, you know, we had to bring in our own water, some. And then it became, if you had money, you could bring water. But if you didn't have money, you didn't and it was a very desperate time for for young girls without being not being able to take a shower on demand. And it was, it was wild. Michael Hingson  27:15 Where does the title powder necklace come from? Nana Ekua Brew-Hammond  27:19 So the title, I named it powder necklace, because, as I mentioned, taking a shower became this like symbol of the haves and the have nots. And, you know, all of this having water, really. And if so, what, what the girls, what we would do is, you know, after you've taken a bath, people would put tons of powder on their necks. And it was sometimes it was okay we didn't take a bath, so we're going to put powder on our necks to scented powder to cover the odor. But it was also a way, like if you had bathed, to sort of, you know, show off that you'd bathed. So for me, it was as I was reflecting on the on this as I was writing this story and reflecting on that whole experience, I thought, wow, it was sort of our way of holding our heads up, you know, in the difficult situation, and kind of making the best of it. So that's why I called it powder necklace, Michael Hingson  28:17 okay? And that was for children. Nana Ekua Brew-Hammond  28:20 Well, it was for young adults, young adults, but Michael Hingson  28:25 it was more writing than pictures. Nana Ekua Brew-Hammond  28:27 Yeah, it was a young adult novel. I actually, I mean, this was my first book. I really didn't know what I was doing. I just, I wrote the book and I didn't know that it was a young adult novel, until people were like, Yeah, you wrote a young adult novel. I'm like, okay, Michael Hingson  28:47 works for me. Well, what does, what does being a writer mean to you? Nana Ekua Brew-Hammond  28:54 Um, I think being a writer means to me being able to articulate. A time, a place, a mood, a moment, being able to articulate it, one for myself, but also to create a record that helps people who don't necessarily have that gift to be able to sort of put words to the experience of living at a time place, having a certain feeling about something. Michael Hingson  29:34 Do you think there's a difference between being considered a writer and being an author, are they the same, or are they really different? Nana Ekua Brew-Hammond  29:45 I do think that there is a difference, and not in a sort of, you know, highfalutin way. I think the difference is the fact that when you I think, like, when you asked me initially, like, when do you think that you you became. Became a writer. My My instinct is to say that I think I was always a writer, because I think if you write, you're a writer. And whether you're published or not, you're a writer. If you have that inclination, that gift, and you sort of invest in that gift, and invest and develop it. I think you're a writer, but I think with an author, I think then that's to me. I think of it as the business of being a writer, or the business of being, yeah, you are now sort of in business with your publisher. Publisher has invested a certain amount in you, and it then becomes a more sort of public facing thing. The work is not just for you anymore. The work is now being disseminated to a group and hopefully to as many people as possible, and you as the writer now have to figure out, like, how do I get to my audience? How do I maximize or expand the reach of this thing that I wrote? How do I connect with people around the story and build build a readership. And how do I ultimately, you know, the my desire and goal would be to live off of this. How do I make turn this into something that I can, I can do, you know, full time and live off of Michael Hingson  31:38 so you turn from a writer to being an author. Nana Ekua Brew-Hammond  31:42 I'm, yes, I am an author, and I'm and I'm hoping to get to the to the, you know, the point where I can do it 100% full time, and it be, you know, 100% lucrative in that way. Michael Hingson  31:56 So what are you doing now? In addition to doing books, I Nana Ekua Brew-Hammond  32:01 also freelance as a copywriter, so I'm still copywriting, Michael Hingson  32:05 okay, I was wondering what you what you did? So you're doing, still marketing and jingles and all those things, yeah, well, I Nana Ekua Brew-Hammond  32:13 I'm my focus. I do do that, but my focus is mainly in the digital space. So I write lots of websites and web ads and social media copy, and, you know, things of that nature, campaign work. Michael Hingson  32:33 Well, that's, is there anything that you've written or copy written that we would all know, Nana Ekua Brew-Hammond  32:42 yeah, I mean, I did. I've done a lot. I guess the maybe the most recent thing that I've done that people might be aware of, or some people might be aware of, is the Brooklyn Museum in New York, did a an exhibition called Africa fashion. And I, they created a short film to promote it, and I, they commissioned me to write an original piece for it. And so I wrote that piece and and performed it in the film. So, you know, people who are into that kind of thing a museum, that that museum might be aware of it. But I've also written for, I did a lot of work for L'Oreal Paris, USA, and I've just done a lot of beauty work. So many of the beauty brands you might be aware, you know, you might know, I've done some work for them, cool. Michael Hingson  33:45 Well, that, you know, you do have to do things to earn an income to to be able to afford to write until you can do it full time. Nana Ekua Brew-Hammond  33:53 Yeah, yeah. And I actually really love copywriting. I think it's an it's been an incredible teacher in the sense of how to how to crystallize an idea in very short, you know, in just a few words, how to convey emotion in just a few words. And also that storytelling is not just the words, it's how you deliver the story that's all part of it. So I think it's been an incredible teacher in that way. Michael Hingson  34:28 I know for me as a speaker, it is how you tell the story. And I've learned over 23 and a half years of speaking how to take people inside the World Trade Center and actually have them travel with me and do all the things that, and experience all the things that that I went through, and then come out of the other side and I and I say that because so many people after I speak somewhere, well. Come up and say, we were with you in the building. We were with you with everything that you did. And I appreciate that there is a real significant art to storytelling, and part of it is also, and I'm sure that this is true for you as a writer and an author, that part of it has to be that you have to actually connect with the audience. You've got to understand the audience. You've got to connect with them, and you have to bring them along, because they're not expecting to go with you. Nana Ekua Brew-Hammond  35:33 Absolutely, absolutely. And I will say that I started one of your books just the beginning of it, and I was just running with Roselle, and I was so taken, so absorbed by the first few pages of it. You really do immerse us. And I think that that's the best kind of of writing. You know, when you're able to kind of present material that people may or may not be familiar with, and make it riveting and really bring us into it, and then have us invest being, feel invested well. Michael Hingson  36:16 And I think the last book that we did last year live like a guide dog. I worked really hard to make sure that we were drawing people into the experiences, because every chapter is actually taking lessons from one of my guide dogs and also from Fantasia, which who is my wife's service dog, but each chapter relates to one of those dogs, and I wanted them to be environments where people again were drawn in and appreciate the dogs for what they are and what they do, not just some dumb Animal that comes along. Yeah. Nana Ekua Brew-Hammond  37:00 Yeah, absolutely. I mean, yeah, so interesting. I think there's, there's so much, I guess. I don't want to use the word, I guess what I want to say, there's a lot of mystery in in the sort of human animal interaction, and people just aren't aware of how powerful it is, and I can, I'm saying that I speak for myself, because growing up, actually, I was really, really scared of dogs and animals, all animals, and I so there's, there's two, there's kind of two stories I'll share. But one is when we were, when we were growing up, my parents, you know, were from Ghana. They wanted to eat goat meat. And at the time, you couldn't just go to a supermarket goat meat. So we used to go to a farm out in New Jersey that had goats, and we would have to go and have the goat, you know, slaughtered and, you know, cut up and all that kind of stuff for the meat. And I remember that whenever the hand would go into, you know, the pen where the goats were, the goats would just were. They would be so stressed out, they would like, you know, part like the ocean walked in, and if he picked, when he picked one out. There would be other people, other goats in the pen that would start screaming in agony, along with the goat that had been picked out. And I was just like, Oh my gosh. That must be his family members, like, or his loved ones. And it was so I remember that was so eye opening to me, like, wow. So I ended up years, years later, I wrote a short story, and I actually did some research on goats and how brilliant they are, and I was just like, wow, oh my goodness, I remember that so well. But I have a cat right now, and my kitty cat is just such a such a joy, like just sort of to build that relationship with, with my with my pet, is just such a beautiful thing, and how she just kind of, because I grew up really scared of pets, and I sort of inherited her when I got when I got married, you know, she's been very patient with me, like, because at first I was so skittish around her, and I could see her, kind of like rolling her eyes, like, I mean, you no harm. You can pick me up. It's all good. And she's just been so wonderfully patient with me. We've built that bond over time. Michael Hingson  39:31 Well, yeah, I have, of course, my my eighth guy, dog, Alamo, and stitch the cat. Stitch is 15 and a half and a real cutie pie. We rescued her. Actually, there were people who were living next to us, and he was moving out. His wife had died, and he just told the people who were moving all of his stuff out, take the cat to the pound. I don't want anything to do with it. And we, we said, Absolutely not. We'll find it a home. And then I asked, What the. Cat's name was, and they told me the cat's name was stitch. And I knew that this cat wasn't going to go anywhere because my wife had been, well, my wife had been a quilter since 1994 and a quilter is never going to give away a cat named stitch. Yes. Nana Ekua Brew-Hammond  40:14 Oh, I'm so glad stitch found a home with you. Michael Hingson  40:18 Oh, yeah. Well, we found a stitch. Nana Ekua Brew-Hammond  40:20 Oh, that's right, that's right. Michael Hingson  40:23 And, and, and so she's, she's got lots of personality. And so it really works out pretty well. No, no complaints. And I've always said, Whenever I get a guide dog, because my wife has always had cats, when I get a new guide dog, I've always said, and will continue to say, it has to be a dog that's been raised around cats and has no problems with cats. I have seen a couple of Guide Dogs, actually, that hated cats, and one almost killed a cat, and that's I will never tolerate that. Yeah, they have to get along. Yeah, absolutely, absolutely now, when we brought Alamo home, stitch had a few concerns about this dog in her house. She got over it when she decided that Alamo wasn't going to do anything to bother her and they they talk all the time now and rub noses and all that sort of stuff. Oh, that's so cool, yeah, but, but it's, it is great, and they, they bring so much joy and so many lessons to us that I think it was really important to learn. Nana Ekua Brew-Hammond  41:34 Yeah, yeah. You're reminding me the first dog, because my grandmother actually loves animals, and when I went to Ghana, she got a dog, and, you know, as a kid, so we got a puppy. And I remember the puppy was initially supposed to be a guard dog, but we I, I would feed the I would hand feed the dog sausages and just spoil the dog so much. Could not be a guard dog, so I loved that dog. Joshua, yeah, Joshua, Michael Hingson  42:07 well, but you and Joshua got along really well. On we got along great. One of the things that people sometimes ask me is if my dog trained to protect and the answer is no, they're not trained, and then they've said, Well, what would happen if somebody were to decide to attack you with the dog around? And my response will always be and rightly so, I wouldn't want to be the person to try that and find out what will happen, because much more than guarding, there's love. And I've always believed that dogs love unconditionally. I think trusting is a different story. They are open to trust, but, but you have to earn their trust. They'll love you, but will they trust you? That depends on you. And so it's it's really pretty cool, but I would not want to be the person to ever decide to try to attack us, because I, I am sure that Alamo would not tolerate that at all. Nana Ekua Brew-Hammond  43:10 Oh, not at all. How do, how do you or how have you built trust with your your pets? Michael Hingson  43:17 Well, a lot of it has to do with they want us to be the pack leaders. They want us to be their team leader. And so I have to set the ground rules. So, for example, no jumping on the furniture and all that. But again, it's also how you convey that. So if my dog is going to jump up on something and I don't want that, I'll say, leave it. And as soon as the dog obeys, I'll give the dog a food reward, a kibble, to let the dog know, and I'll also use a clicker, but I'll let the dog know I approve of what you did, not punishing them for, you know, something else. Yeah, so it's not punishment, it's positive rewards. I think that's extremely important, but also it is in the stressful times being very focused and calm. So if we're walking somewhere and we get lost, that is not the dog's fault, because it's my job to know where to go and how to get where I'm going, and it's the dog's job to make sure that we walk safely to get there, so if we get lost, that's on me. And what I can't do, or shouldn't do, is panic and become very fearful and upset, because the dog will sense that I have to stop and figure it out and continue to praise the dog, saying what a good job you're doing, and so on. And those kinds of things are the things that will, over time, build that trust. I think it takes a good year to truly build a trusting relationship that is second. To none. And that's the kind of teaming relationship that you want, whether it's a guide dog or any dog. And even as far as that goes, although they're different cats, yeah, but it's, it's all about building that relationship and conveying the command and conveying that you want to trust and be trusted? Nana Ekua Brew-Hammond  45:24 Yeah, yeah. I think you're you. What you said that really resonated with me is that they want to know. They want you to be the pack leader and the and part of that is, you know, you lay down the ground rules, but also you're responsible for them and their well being. And, yeah, that really, that really resonated with me. Michael Hingson  45:48 Well, so you wrote your first book, and then when did you write your second book? Nana Ekua Brew-Hammond  45:55 My second book came out in 2022, so it was a 12 year spread in my first book and my second book, Why so long? Oh my gosh, my book, I was the book I was working on, like to sort of follow, was just rejected for, for all that whole time, and I was, you know, in more and more distraught, and, you know, in despair about it. I didn't know what to do about it. And I actually, you know, I was actually reading the Bible, and I came across the fact that there was a curtain, a blue curtain, in King Solomon's temple. And I was like, why does it matter that the curtain was blue? And so I just started googling casually, and I discovered that there was a snail in antiquity that was harvested for the blue drops that it it secreted, or it secreted drops that were ultimately oxidized to turn blue. And I was like, what I've never heard about this? I started doing some more research, and I realized, like, oh my gosh, the color blue has such a fascinating history. Kids need to know about this. And so I wrote it really as a poem initially, but then I thought, you know, I really want to see if I can get this published. And I was able to get it published, and that became my children's book blue, which was such a bomb to my soul, because after sort of a decade of getting, you know, rejected, and, you know, close to a decade of getting rejected, this, this sort of beautiful, like, sort of knowledge, you know, I came across, But I was able to create a book, and it's just been a wonderful experience with the children's Michael Hingson  47:45 book, wow, so the full title of blue is, Nana Ekua Brew-Hammond  47:51 it's blue a history of the color as deep as the sea and as wide as the sky. Wow. Michael Hingson  47:57 That should be enough to get the book sold. But as you point out, there's, there's a lot of history, yes, and that, that's pretty cool. So it was, it was released in 2022 and they finally, the publishers finally bought into that, huh? Nana Ekua Brew-Hammond  48:16 Well, yeah, I mean, that wasn't the novel that I've been working on. So I was still working. I ultimately, I did sell the novel, but that was its own journey, and I ended up writing another book that became the book is called my parents marriage, and it is not about my actual parents marriage. It's a novel about a young woman for adult readers. It's my first book for adult readers, and it is about a young woman whose parents are in a polygamous union, and how they're they have a really turbulent polygamous union, and how that relationship kind of kind of cast a shadow on this woman's, you know, choices in relationships and marriage for herself. Michael Hingson  49:10 So you you publish that my parents marriage. You also did a collection relations. Tell me about relationships. Nana Ekua Brew-Hammond  49:18 I did. Yeah, so relations is an anthology of its stories, essays and poems that are by writers from all across the continent of Africa. So I have Egyptian poets and Libyan you know essayists and you know, Nigerian storytellers, just it was, it was a really amazing project to work on. I started working on it during August of 2020, which was sort of like I've heard it described as peak pandemic, right? You know, we were several months. Into lockdown, and you know, it became this wonderful way for me to kind of connect while I was sort of holed up in my apartment in New York. Michael Hingson  50:15 Okay, now, were you married by then? Nana Ekua Brew-Hammond  50:18 No, I was not. I had just started dating my now husband, and I was like, Am I ever gonna see this man again? Because he lived in California, so at that time, the planes were grounded. I remember we were, like, on the first, very first flights that were able to start, you know, that started and be on planes, there'd be like, four people on the entire plane. Michael Hingson  50:42 Yeah, hopefully you both weren't on planes going against each other at the same time. No, you did communicate a little more than that. Oh, good. Well, so you published. So when was well? What was relations published? Nana Ekua Brew-Hammond  51:02 Relations came out in 2023 okay, February of 2023, and my parents marriage came out in July of 2024. Just came out in July of 2025, Michael Hingson  51:14 which one the paperback of the paperback? Oh, okay. Have any of them been converted to audio Yes, Nana Ekua Brew-Hammond  51:23 all, but my first book, are audio books. So blue is an audio book, beautifully read, and then their relations, the stories and essays and poems are read by two speaking artists, and then my parents, marriage is is also wonderfully performed. So, yeah, they're all an audience. Michael Hingson  51:50 That's cool, yeah. So when you're writing, what, what's kind of the difference, or, how do you differentiate between writing for young people and writing for adults. There must be differences. Nana Ekua Brew-Hammond  52:07 Yeah, I think, I think with for young people, and the practical thing that I try to do is make sure that the vocabulary is are is familiar to them, mostly familiar. I like to put in a stretch word now and then to kind of get them to, like, get to the dictionary and find out what. But if I'm right, when I when I wrote blue, for example, knowing that, you know, the the age group is, the age spread is four to 888, year olds are in third grade. Four year olds are in pre K, so that's that's pretty big spread. So my sweet spot is first and second grade vocabulary words. Okay, it has to be something that they've been exposed to. So thinking of it in that way, the other thing too is breaking down concepts that are, you know, as adults, you know, we just assume that you know, or you can go look it up, but just kind of thinking it through. So if I'm talking about, instead of saying that, you know, there was a snail in antiquity who, you know, heart, you know, dyers were harvesting blue dye from these snails through after a process of oxidation. I wouldn't use any of those words. I would say, snail produced some drops that when exposed to the air and the sun turned blue. And so just sort of really, kind of being mindful of that, and also thinking very visually, writing, very visually. How can I create pictures with words that would be familiar to a child, that can sort of ignite their imagination? Michael Hingson  53:53 Yeah, I think it's extremely important to to deal with the visual aspects of it, but using words and really drawing again, drawing people in because if you just say, well, you can see this in this picture. That doesn't mean a lot, and you're also, I would think, helping to teach or create the concept that some people might some children might want to go off and write because they like how you say and what you say Nana Ekua Brew-Hammond  54:24 absolutely and when I when I talk to kids, I go or visit schools, I invite them like I wrote about the color blue. What's your favorite color? These are some some things that I did to kind of learn about it. You can do these things to learn about your favorite color and write your own book? Michael Hingson  54:42 Yeah, yeah, it's, I think, so important to really draw people in and get them to think. And I think it's so much fun for me, I do some of that, but I have probably more of a chance. Challenge, because kids want to play with the dog. Yeah, it's all about the dog. I did a lecture at a K through six elementary school in San Francisco several years ago. I'm trying to remember what school it was anyway, and the teacher said you can only talk for about 10 or 12 minutes, because they just won't pay attention any longer than that. 35 minutes later, I finally ended the discussion, because they were so fascinated to hear me talk about what my dog did. And then I carried that over to how blind people work and function and all that. And the fact is, they were fascinated. The teachers couldn't believe it, but for me, it was a great lesson to know that it's all about creating these pictures that people can follow, Nana Ekua Brew-Hammond  55:53 yeah, and also to extending those pictures or those words into an experience for kids. Yeah, they really, they really appreciate, sort of like seeing it, kind of, you know, see if the having the concept come to life, yeah, way. And so I'm sure when they see your dog, or are able to interact with your dog, that must be so wonderful for them, Michael Hingson  56:22 but it's important for them to understand what the dog is all about. So by the time they get to interact with the dog, we've talked about things like, you never pet a guide dog in harness. This is what a guide dog does, and this is what they don't do. There are a lot of things to to cover. So it's great when I have the opportunity to really teach them. And sometimes we'll walk around a classroom and I'll show them what he does. Yeah, it's important to be able to do that. Oh, I love that. I love that. And he loves it, of course, all the way. So no question about that. He's you haven't lived until you've seen two or 300 kids all wanting to pet this dog. And the dog knows what to do. He's down on the floor with every appendage stretched out as far as he can go to maximize petting places, petting. Oh, it is so funny. I love that. He loves it. He's, he's, he's so happy. He doesn't care whether he'll do it more with kids even than adults, but, yeah, he'll do it with everybody. It's all about petting me and just remembering I'm the dog. I love that. Well, you've gone through a fair amount of time between books, and I'm sort of curious, what do you think about all the various kinds of changes and ebbs and flows that have come along in the book business, in the book publishing business and so on. Nana Ekua Brew-Hammond  57:56 Yeah, there have been a lot of changes. Um, I think, um, when my first book came out, like things like, you know, Instagram Bookstagram did not exist. There weren't many sort of podcasts or things of that nature. So I think that there is, there's definitely, there are more venues and more platforms to, you know, get the message out about the book. But I think also there is, it's also just hard. It's in some ways, it also feels in some ways more challenging to get the word out, because in addition to, like, yes, there are more venues in that way, regard, there are fewer book reviewers and fewer places to get a book reviewed, and there's a whole kind of interesting business about around getting reviews. So it's just not the same in that way. But then at the same time. I think what remains the same is connecting with readers. I think the most effective thing is, you know, writing a book that's good and then getting people who have read it and liked it to evangelize, to tell people I liked it, please buy it, or you should have you heard of and because at the end of the day, you know, that's what's going to, you know, give it some wind Michael Hingson  59:30 when thunder dog came out, and we did mention about reviews, and it actually has had, like well over 1600 reviews since it came out in 2011 live like a guide dog hasn't had, of course, so many yet, but every time I get a chance to talk about that book, I ask people to go review it and tell them why it's so important, because potential readers want to know what people think of the book. Yeah, for sure. For sure, it's. It really is important for readers to review and just be honest and say what you think. It's fine, but people should do that. For me, I think one of the biggest things that I see that publishers are doing less of is in a lot of ways, true marketing. You don't, you know, you don't see them doing nearly as much. Of course, I know it's more expensive, but to help create book tours or anything like that, they focus only on social media, and that's not the way to market the book. Nana Ekua Brew-Hammond  1:00:33 Yeah, I think, I mean, I've never worked inside a publishing office, so I don't know what actually, how they make these decisions and what goes on, but I do. I think what I have come to sort of think, how I've come to think of it, is the publisher is my business partner, sort of invested in terms of, they've given me an advance. They're going to do the turn key things like, you know, make sure the book gets reviewed by Publishers Weekly, or, sorry, Publishers Marketplace, or no Publishers Weekly. I was correct, and Kirkus review, Kirkus right, and all those kinds of things. And maybe they'll do a mailing to you know who they believe are the people that they need to mail it to. But outside of that, unless you know you, you know it's stipulated in your contract, or you know you are that high, yeah, you know that that celebrity author, or that that best selling author that they you know, are willing to put that money behind. You're working with some your publicist, who's been assigned to your book has is probably working on 10 other books. Can devote so much to it. And so what I've learned is thankful. I'm thankful that, you know, I have this publisher, but I also know that I need to do a lot of work on my own to get Michael Hingson  1:02:04 you've got to be your best marketer, yes, but, but there's value in that too, because you can tell the story whatever it is, like no one else, exactly, exactly. And so that's that's really pretty important, yeah, Nana Ekua Brew-Hammond  1:02:18 for sure, for sure. And you can be, you know that I think, also giving yourself permission to be creative, yeah, you know, how can you get the word out in really creative ways, like, again, the publisher. These are things that like, if there was, you know, people, there were many people dedicated to your book for this amount of time, they could kind of sit there and brainstorm and do all those things. But, you know, the reality is, in most cases, it's a small it's a lean and mean team. They don't have that bandwidth, so yeah, just kind of coming up with creative ways. And at times, what I have learned to do is, how can I, if I have an idea that is maybe low cost and but I can't necessarily do it on my own? How can I ask them for support, because they do have, you know, a little bit more resources, Michael Hingson  1:03:16 yeah, and, and the how is really pretty simple. Actually, you just ask exactly, exactly, and you know either they will or they won't, or you'll share it, or whatever. And I have found that same thing to be true. Well, Nana, if people want to reach out to you, how do they do that? If they might want to talk about you doing copywriting for them or whatever, how can people find you? Nana Ekua Brew-Hammond  1:03:41 So my website is Nana brew-hammond.com, can you spell please? It's n, a n, a, b, r, e, w, H, A, M, M, O, N, d.com, and I have a newsletter there. So a newsletter sign up. So they can sign up to be a part of my newsletter and connect with me that way. They can also find me on Instagram, I'm at n, a, n, a, e, K, U, a writer on Instagram, and I'm also on Facebook at that same name, and then on Twitter, I am that without the writer. So, n, a, n, a, e, K, U, a, Michael Hingson  1:04:28 okay, cool. Well, I hope people will reach out and and I hope that they will read your books and like them and review them. I hope the same thing. Well, I want to thank you for being here, and I want to thank all of you for listening and watching us today. We really appreciate you being here with us. I'd love to hear what you think. Please feel free to email me. I'm reachable at Michael H, I m, I C, H, A, E, L, H i at accessibe, A, C, C, E, S, S, I. B, e.com, Michael H i@accessibe.com love to hear your thoughts and love to get your your opinions. I would really appreciate it if you would give us a five star rating when you have the opportunity to review this podcast. We really value your ratings and reviews very highly, and definitely want to know what you think, but please give us a great rating. We love that. If you know anyone who wants to be a guest on a podcast, or you think ought to be a guest, we're always looking for guests. And Nana you as well. If you know anyone, we're always looking for more people to come on the podcast and tell their stories. So we appreciate it. If you'd let us know. By the way, you can also go to my podcast page, www dot Michael hingson, M, I C, H, A, E, L, H, I N, G, s o n.com/podcast, that's another way to reach out to me as well. But definitely anything you can do to bring more folks to us, we value it very highly. And so with that, once again, Nana, I want to thank you for being here. This has been great. Nana Ekua Brew-Hammond  1:06:01 Thank you so much. I really appreciate you having me on, and you are such an inspiration. And thank you. Michael Hingson  1:06:13 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

The Untold Story of Spikey Goldbach and His Musical Journey /////////////// In this episode, we're joined by Chris “Spikey” Goldbach, a longtime figure in Florida's punk and alternative music scene. He talks about growing up in Tamarac, getting his first drum kit at 10, and discovering early influences like The Ramones, Devo, and AC/DC. Spikey walks through the South Florida scene of the 1980s and 1990s, mentioning venues such as the Cameo, Club Soda, and Washington Square, and the impact of seeing bands like Black Flag, Bad Brains, and Descendents.He reflects on his work with bands including Distant Anger, Blatant View, Nuclear Beer, RadioBaghdad, Collapsing Lungs, Irish Car Bomb, Hudson, Shai Hulud, and others, sharing stories from touring, recording with Jeremy Staska and Bill Stevenson, and experiencing a major-label run. Spikey continues to perform with Against All Authority and remains active in music today while living in Indiana.

The Untold Story of Amboog-a-Lard and the Making of “A New Hope” with Chad Steinhart, Dan Fontana, & John Somerlade //////// One of our most anticipated episodes is finally here! For the first time, three-quarters of the “A New Hope” Amboog-a-Lard lineup, Chad Steinhart (keyboards), Dan Fontana (guitar/vocals), and John Somerlade (drums), join the podcast to share the full story of the band.From their late 1980s roots in Coral Springs, FL, and influences like KISS, Iron Maiden, Metallica, and Anthrax, to rehearsal spaces and local venues including Club Soda (Coral Springs), The Treehouse and The Button South (Hallandale), Reunion Room and The Edge (Ft. Lauderdale), and Washington Square and the Cameo Theater (Miami Beach), as well as guidance from TCA Management (John Tovar and Frank Callari), this episode covers it all. The band talks about the origins of their name, lineup changes, album artwork, the making of their 1993 album “A New Hope” (recorded at Studio 13 in Deerfield with Jeremy Staska, mastered at Criteria Studios in Miami, and recently remastered at TyFy Studios in Orlando by Dan Fontana), several close calls being signed by major labels like Atlantic, Capitol, and Island Records, and stories from opening for Overkill, Exodus, Anthrax, Corrosion of Conformity, and punk legends The Ramones, as well as sharing the stage with countless local bands of the era including Malevolent Creation, Raped Ape, Cynic, Saigon Kick, Marilyn Manson, and The Itch, and their relationship with Glenn Richards, South Florida radio DJ on 103.5 WSHE.The band also shares stories about Jeordie White, the band's bassist who later joined Marilyn Manson (though he does not appear in this episode), along with untold anecdotes from their early days. For anyone who experienced the South Florida metal and alternative scene of the late 1980s and early 1990s, this episode is pure nostalgia. For those discovering it now, it is packed with rich history and behind-the-scenes stories never shared before.

Originally uploaded July 1st, reloaded July 7th, Chris Holman welcomes Kate Litwin, Community Development Director at DLI (Downtown Lansing Incorporated). Can you talk about what Middle Village is? How did this program get started? How does Middle Village support Lansing's business community? What types of stores can be found in Middle Village? Can you talk about Middle Village's space? Where can listeners go for more information? » Visit MBN website: www.michiganbusinessnetwork.com/ » Watch MBN's YouTube: www.youtube.com/@MichiganbusinessnetworkMBN » Like MBN: www.facebook.com/mibiznetwork » Follow MBN: twitter.com/MIBizNetwork/ » MBN Instagram: www.instagram.com/mibiznetwork/ Middle Village to Celebrate 2025 Cohort with Grand Opening on June 25, Featuring New and Returning Shops New shops offer a great addition to the Downtown Lansing shopping scene LANSING, Mich. (June 20, 2025) - Middle Village, a retail accelerator program presented by Downtown Lansing Inc. (DLI) and powered by Lake Trust, announces three new businesses participating in its fifth cohort. Middle Village's 2025 Grand Opening will be held on Wednesday, June 25, at 11 a.m. at 215 S. Washington Square in the historic Atrium Building in Downtown Lansing. Middle Village is a dynamic retail accelerator program that empowers business owners by lowering barriers to entrepreneurship. Located in the historic Atrium Building, the 2000-square-foot space features three micro shops in one shared space. "Middle Village is creating a pipeline for more retail entrepreneurs to find their home in Michigan's Downtown, and we're thrilled to welcome this year's cohort," said Kate Litwin, Community Development Director at Downtown Lansing Inc. "Each shop brings something unique to the shared space, and we can't wait for the community to experience the unique products, energy and creativity they're bringing to Michigan's Downtown." This year's participating shops include BeBe's Boutique, returning for a full-year run with a fresh new look, along with two exciting newcomers to Downtown Lansing: BHouzeOriginals and Blueprint of Beauty Boutique. Middle Village's newest cohort introduces a fresh lineup of curated women's boutique fashion, original designs that celebrate individuality, holistic skincare, jewelry, and more, all offering something unique for every shopper. Guests can visit and shop at Middle Village from 11 a.m. - 7 p.m. Tuesday through Saturday. For more information about Middle Village, visit MiddleVillageShops.com. ABOUT MIDDLE VILLAGE Middle Village is a dynamic retail accelerator program presented by Downtown Lansing Inc. (DLI) and powered by Lake Trust that empowers business owners by lowering barriers to entrepreneurship. With a focus on women and minority-owned businesses, Middle Village is an ever-evolving space in Downtown Lansing where shopping local is a catalyst for positive change, connecting individuals and fostering a sense of community. Middle Village is supported in part by federal funds awarded through the Lansing Economic Area Partnership (LEAP), award number [SLFRP0127], and the United States Department of the Treasury. To learn more about Middle Village, visit MiddleVillageShops.com. ###

Fantastic Four #164 (1975)There's a new Fantastic Four movie about to show up in a few weeks so let's catch back up with Marvel's first family as we check out the debut (return?) of the Crusader! Crusader is back from space and he's SHAKING WITH ANGER to the point that he's flinging middle-aged men across Washington Square. Also, Johnny Storm's first date with a debuting Frankie Raye gets ruined and NOT because of his terrible outfit. Plus, we got flaky skin, Sue about to get spanked, Mel Brooks and the Fantastic Four takes on…Scientology?!?*** PROPER COMIC BOOK DISCUSSION STARTS AT 00:13:30 ***Plus, Jen and Shawn share their thoughts on the SUPERMAN movie. Please be aware that there will be MINOR SPOILERS so feel free to jump ahead to the comic conversation if you haven't seen the film yet.Promo: THE FANTASTIC POUR (https://fireandwaterpodcast.com/show/the-fantastic-pour/)Continue the conversation with Shawn and Jen on Twitter / Instagram / Facebook / Threads / Bluesky or email the show at worstcollectionever@gmail.comAlso, get hip to all of our episodes on YouTube in its own playlist! https://bit.ly/WorstCollectionEverYTDownload the podcast on Spotify, Apple Podcasts and wherever you get your favorite shows. Please rate, review, subscribe and tell a friend!

Jeffrey Mosher welcomes Julian Delos Reyes, company president, Craig Ryan Fine Clothing, started in Grand Blanc, and now at multiple Michigan locations. Welcome Julian, for the Michigan business community, bring us briefly up to speed on the company. Julian, congratulations on the new location! Why was Downtown Lansing the right next step for Craig Ryan Fine Clothing? You've expanded across Michigan over two decades—what makes this Lansing store feel like a personal milestone for you? What can shoppers expect from the new store in terms of experience, atmosphere, and selection? How does the Atrium Building's history—and Lansing's future—align with the Craig Ryan brand? As someone who grew up in the area and went to MSU, what does it mean to bring your business back home? » Visit MBN website: www.michiganbusinessnetwork.com/ » Watch MBN's YouTube: www.youtube.com/@MichiganbusinessnetworkMBN » Like MBN: www.facebook.com/mibiznetwork » Follow MBN: twitter.com/MIBizNetwork/ » MBN Instagram: www.instagram.com/mibiznetwork/ Craig Ryan Fine Clothing Announces Expansion of Fifth Location in Downtown Lansing Michigan State alum returns to open new store in Michigan's Downtown LANSING, Mich. (June 18, 2025) - Craig Ryan Fine Clothing is proud to announce the opening of its fifth location in Downtown Lansing in July 2025, bringing over two decades of elevated style and personalized service to Michigan's Capital City. Founded in Grand Blanc more than 20 years ago, Craig Ryan has grown to include locations in Harbor Springs, Petoskey, and Birmingham. Located in the historic Atrium Building on Washington Square, the Lansing store marks the next chapter in the company's steady expansion and long-standing commitment to delivering a premium shopping experience. This opening is also a personal milestone for company president Julian Delos Reyes, who grew up in the Lansing area and is a Michigan State University alumnus. “This feels like a homecoming,” said Delos Reyes. “I'm excited to reconnect with the community and bring our signature blend of style and service to a city that means so much to me.” The new location will feel both fresh and familiar, with a team of experienced professionals that customers will recognize. Shoppers can expect the same curated selection, personalized attention, and warm atmosphere that have defined Craig Ryan since day one. “The Atrium Building is an important part of Downtown Lansing's history, and with the construction of New Vision Lansing underway, it will continue to be integral to its future,” said Paul Gentilozzi, president and CEO of Gentilozzi Real Estate and New Vision Lansing LLC. “Welcoming Craig Ryan Fine Clothing to this historic space is an exciting addition. Craig Ryan will bring value not just to future residents, but to anyone who shops, visits or invests in Downtown Lansing.” Craig Ryan joins a list of new tenured tenants in the Atrium Building, including Clark Hill - Lansing, Middle Village, Downtown Lansing Inc., Element Massage, Craig Corey Vacations, Michigan's Children and more. The store will feature a full range of fine men's clothing, including standout brands like Peter Millar, Canali, Kiton, Jack Victor, Eton and more. About Craig Ryan Fine Clothing Craig Ryan Fine Clothing has been setting the standard in style and service for over 20 years. Known for its commitment to quality, timeless fashion, and personalized customer care, Craig Ryan offers a curated selection of fine menswear and accessories. With locations in Birmingham, Grand Blanc, Harbor Springs, and Petoskey and a new storefront coming soon to Lansing, Craig Ryan continues to expand its legacy across Michigan. For more information, visit craigryan.com.

Unsolved Mysteries 36-xx-xx (xx) Washington Square Mystery

Hundreds of people marched from Washington Square to the State Capitol building last night, protesting ICE arrests in Los Angeles and across the country. KSL NewsRadio Producer Andy Cupp was in person at the protests and explains what happened. Salt Lake City Police Spokesman Brent Weisberg joins Greg and Holly to discuss what happened and how police are preparing for the possibility of more protests.

Haverhill's first Pride Parade kicks off the Fifth Annual June Art Walk this Saturday.Art Walk runs in downtown Haverhill on Washington and Wingate Streets, between Washington Square and Railroad Square. As WHAV has reported, it will be proceeded by the annual Pride Flag raising at Haverhill City Hall at 12:30 p.m. The Pride Parade will then form across the street at the Grand Army of the Republic Park and step off at 1:30 p.m., down Bailey Boulevard to Emerson Street and then into Washington Square.Downtown Events Coordinator Hailey Pearson, a recent guest on WHAV's “Win For Breakfast” program, discussed various artists and performers who are part of this year's Art Walk.“We are really excited to be incorporating the first Pride Parade to kick off Art Walk this year. So, it has been about a year in the making from the time that we starting talking about this idea of bringing in a parade and it has just been an incredible experience to witness the support from the community, the people who came together to really make this happen.”The Haverhill Art Walk, which is a project of Creative Haverhill, is bigger than ever, Pearson said. The free event will run Saturday, June 7, from 2-6 p.m., rain or shine.“We're going to have over a dozen businesses participating in activities so everything from live music to family-friendly interactive activities in both Railroad Square, the Columbia Park area to Washington Square. So those squares bookend the activities,” Pearson said.She added a Pride Resource Fair will be set up at the top of Wingate Street.“We've got our Alley Art Market in the alleyways along Washington Street. We've got Punctuate4. That's a theater group that is hosting the “Abolitionist's Refrain.” So that's a theater performance in the empty space at 90 Washington St. We really love utilizing these vacant storefronts to show people what could be and invite people to step into these spaces that are transformed for the weekend,” Pearson added.Performances of the Abolitionist's Refrain are at 3 and 5 p.m. The play, written by Michael Cormier, features Haverhill native John Greenleaf Whittier as he comes to terms with what freeing of slaves following the Civil War means to a divided nation and the new challenges the 13th amendment to the U.S. Constitution brings. The River Bards, a local group of poets, will be reading the works of Whittier. Yankee Clipper Tours will offer cruises down the Merrimack River and the staff from the Buttonwoods Museum will lead a “Pentucket on the Merrimack walking tour.Live music performers include Fake Leather Jacket, Liz Bills and The Change and The Party Band. The Irise Dance Program from Lawrence will present a dynamic performance that includes an interactive drumming session.Family-friendly art projects include masking making, rock painting and zine making.The Museum of Printing is offering hands-on screen printing and the Haverhill Studio will offer complimentary portraits.Pearson said there is still a need for volunteers. Those interested may visit CreativeHaverhill.org or email Pearson at HaverhillArtWalk@gmail.com.Besides WHAV.net, WHAV's “Merrimack Valley Newsmakers” podcasts are available on your favorite platforms, including Apple Podcasts, Amazon Music, Spotify, iHeart, Support the show

Beginning in July the frequency of bus service between Haverhill, Lawrence, Methuen and Lowell will increase during the week.Merrimack Valley Transit, or MeVA Administrator Noah S. Berger, a recent guest on WHAV's “Win for Breakfast program,” said beginning Monday, July 7, the bus will run every 20 minutes. Currently, service is provided every 30 minutes to Methuen, Lawrence and Lowell from its hub in Washington Square, Haverhill. Berger said he is excited for the service improvement.“Frequency makes all the difference. You don't have to fumble through a schedule to figure out when the next bus is. You just literally go out to where the bus is and know that at the very worst you will have to wait 19 minutes, but most of time it will probably be five or 10 minutes,” Berger said.As reported by WHAV in December 2024, the increased service is made possible through at $1.2 million “connectivity” grant the transit authority received from the Massachusetts Department of Transportation. The bus, which originates as Route 1 in Haverhill, makes one more stop at Lowell and River Streets and then four stops in Methuen before arriving at the McGovern Transportation Center in Lawrence 45 minutes later. The bus then becomes Route 24 and proceeds to Lowell which takes about 40 minutes. It then makes the return trip.“What that does is tie the four gateway cities of Haverhill, Methuen, Lawrence and Lowell together with really robust service so we couldn't be more excited,” Berger added.Berger said Route 24 has the second highest ridership of all the routes in the system.Berger also said four new “low floor” 12-passenger vans will go into service this month as part of MeVa's on-demand service. The low floor design allows those who use mobility devices such as wheelchairs and scooters to roll right onto the van rather than having to negotiate steps. The design accommodates strollers as well. Five more vans will be added to the fleet in July allowing the transit authority to remove older vans from service. Then an additional six will arrive next year.Finally, Berger asked for the public's help in finding a new location for MeVa's bus hub. He pointed out Haverhill's hub in Washington Square has never worked well because the site is too small to accommodate buses and passengers comfortably.Berger said he is working with the city to find a location, and that two possibilities are Bailey Boulevard near the Haverhill Police Station and the Granite Street garage the transit authority already owns.“It's got to be a central location. It has got to have enough space for the buses and enough space to have that welcoming environment for passengers.” Berger said.Berger said that while there is no timeframe associated with the hub relocation, he believes with the various redevelopment projects going on in downtown Haverhill, the time is ripe for finding a better, more welcoming location for a new central bus depot.Support the show

If you were ever lucky enough to catch one of the late Dave Van Ronk's shows, you almost certainly heard “Green Rocky Road,” which became sort of his theme song over the years.He'd perform it in a variety of ways, sometimes at a lively clip, a tribute to its roots as a children's play party tune. Other times it would be slow and meditative, making you wonder if you were missing some secret tucked away in those seemingly simple lyrics.Dave's tune inspired an eclectic slew of followers, ranging from Peter, Paul and Mary (as “Rocky Road” in 1963), Tim Hardin (1966) and Fred Neil (1967) to Ricky Nelson (as “Promenade in Green” in 1967), Wendy Waldman (1975) and Van Morrison (2023).The Song's StoryVan Ronk remembered first hearing the song from beat poet Bob Kaufman who was hanging out in Greenwich Village's Gaslight Cafe in the early 1960s. Kaufman learned it as a child when he was growing up in New Orleans. It was a popular African American children's game song throughout the South, Kaufman said. In fact, the song is among those featured on a 1950 Folkways album called Ring Games: Line Games and Play Party Songs of Alabama, collected from the children of Lilly's Chapel School in York, Alabama, recorded by Harold Courlander.Of the game associated with the song, the album notes said, “The children form a circle with the leader in the center. The group sings ‘Green, green' and the leader answers, ‘Rocky road,' skipping around the ring. As the chorus is sung the leader is deciding which person to choose. As he picks one, the group sings the first line of the verse, naming the child selected. The leader brings his choice to the center and kisses her…” (Hence, “Tell me who you love, tell me who you love.”)Enter Len ChandlerBut the song as we know it today was largely composed by Len Chandler, who was, as writer Elijah Wald notes, “one of the most musically sophisticated writers on the Village folk scene. Chandler had been a classical oboe player in Akron, Ohio, and Dave recalled Variety referring to him as ‘musician turned folksinger.'”As Chandler always told it, Van Ronk was the first person to bring him down to Washington Square and introduce him around, and he shortly became the house musician at the Gaslight Cafe. Chandler came up with a new melody for the tune, Dave learned it from him, recorded it in 1963 and, for the rest of his life, it became one of the most enduring and requested songs in Dave's repertoire.Remembering KaufmanBut the real hero of this tale is Bob Kaufman, the poet who played a key role in preserving the song.As composer/singer Richard A. Séguin recently commented in an online article, “Bob (Robert Garnell) Kaufman (1925-1986) once famously said ‘I want to be anonymous. My ambition is to be completely forgotten.' I hope he will forgive me for disregarding his wishes, but he is too important an artist to forget.”Choosing San Francisco for his home, Kaufman founded and edited Beatitude poetry magazine and many argue that it was he — rather than the often-credited newspaper columnist Herb Caen — who actually coined the term “beatnik.”Wikipedia quotes writer Raymond Foye (from an introduction to a Kaufman poetry volume) as observing that Kaufman's life was filled with a great deal of suffering. In San Francisco, for instance, he was the target of beatings and harassment by the city police, while his years living in New York were filled with poverty, addiction and imprisonment. Kaufman often incurred the wrath of police simply for reciting his poetry aloud in public; it is said that in 1959 alone, he was arrested 39 times by the San Francisco cops on disorderly charges.In 1963, he was arrested for walking on the grass of Washington Square Park. He was incarcerated on Rikers Island, then sent as a “behavioral problem” to Bellevue Psychiatric Hospital.At Bellevue, Séguin notes, he “underwent electro-shock treatments that greatly affected his already bleak outlook on society.” After John F. Kennedy's assassination, Kaufman, a Buddhist, took a vow of silence that lasted 10 years.“Even though Bob Kaufman's life was filled with a great deal of suffering,” Séguin concludes, “many will remember him for his wonderful idea that became the musical butterfly we know as ‘Green Rocky Road.'” This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Biographical Bytes from Bala: Laurel Hill West Stories #044 for mid-May, 2025   John W. “Jack” Merriam made his fortune in real estate development – Oxford Valley Mall, Cedarbrook Apartment Complex, and many others. Among his acquisitions was the Curtis Publishing Building on Washington Square, with its magnificent Maxfield Parrish / Louis Comfort Tiffany glass mosaic in the lobby. Another was Maybrook Castle next to the Wynnewood Train Station on the Main Line. He was namesake for the Merriam Theater on South Broad Street, and he left tens of millions of dollars in support of local art institutions. Yet despite his massive wealth Jack Merriam and his wives are interred under a simple flat bronze marker at Laurel Hill West.

Actualmente, 2 de cada 10 personas que se encuentran con Isabel Vázquez por la calle o en cualquier de los mil eventos a los que acude esta intelectual de referencia la felicitan por lo bien que toca el piano. Nuestro trabajo aquí es seguir insistiendo fuertemente en esa línea hasta que al menos 4 ó 5 personas de cada diez le digan ‘joé, Isabel, qué bien tocas el piano, tía'. ¡Adelante, Isabel! Karaoke: Estuve en New York, fue genial, Su cultura gira, brilla, salta, Uhhh uhhhhuhhhhh Vete a New York, es vital Tienes freedom, moda, people, arte y tú uuuuuuuuuuu Todo el tiempo en la rueda, derrapando para dejarse ir. La rutina te azota. te golpea, cualquiera diría que eres el hazmerreir.Un día de pronto te escapas, ves el hueco, hay puerta de embarque para ti.Estás en Harlem, hermano. Bienvenido a Madison con 43 street.Tengo entradas para el Whitney Museum, vas a flipar con Amy Sherald. Oh my goss, qué mirada, hermanos de la raza negra os quiero, Black Lives Matter, hey man, what the fuck mielmano del Bronx. Busquen sus pinturas, Amy Sherald, Canelita en rama. Me he tomado un Old Fashion en el Blue Note, soy el super héroe Marvel que te dé la gana sobrevolando Vanderbilt, he visto a Carlito Brigante serpenteando por Grand Central to Brian de Palma. Y Hugh Jackman todo el rato en el Radio City Music Hall, levantando la pierna. Pero es que en junio, en el Beacon Theatre, Miley Cirus un día y otro día Paul Simon, tócate el melocotón. Y creo que me he cruzado con Denzel Washington, carajo, que está haciendo Otelo en Broadway. ¿Pero esto qué es? Bajando Bleecker Street me puse triste y bien perfumado, en Washington Square fui feliz cuánta maría y cuánta gente libre, dios mío, 153.000 portadas del New Yorker en la free exhibition de la Public Library. Se le ha caído la chiva a Abraham Lincoln, el del Lincoln Center, al escucharle a Pedro tanta diatriba vs Trump en el homenaje Almodóvar a sí mismo. Etc etc. 

Actualmente, 2 de cada 10 personas que se encuentran con Isabel Vázquez por la calle o en cualquier de los mil eventos a los que acude esta intelectual de referencia la felicitan por lo bien que toca el piano. Nuestro trabajo aquí es seguir insistiendo fuertemente en esa línea hasta que al menos 4 ó 5 personas de cada diez le digan ‘joé, Isabel, qué bien tocas el piano, tía'. ¡Adelante, Isabel! Karaoke: Estuve en New York, fue genial, Su cultura gira, brilla, salta, Uhhh uhhhhuhhhhh Vete a New York, es vital Tienes freedom, moda, people, arte y tú uuuuuuuuuuu Todo el tiempo en la rueda, derrapando para dejarse ir. La rutina te azota. te golpea, cualquiera diría que eres el hazmerreir.Un día de pronto te escapas, ves el hueco, hay puerta de embarque para ti.Estás en Harlem, hermano. Bienvenido a Madison con 43 street.Tengo entradas para el Whitney Museum, vas a flipar con Amy Sherald. Oh my goss, qué mirada, hermanos de la raza negra os quiero, Black Lives Matter, hey man, what the fuck mielmano del Bronx. Busquen sus pinturas, Amy Sherald, Canelita en rama. Me he tomado un Old Fashion en el Blue Note, soy el super héroe Marvel que te dé la gana sobrevolando Vanderbilt, he visto a Carlito Brigante serpenteando por Grand Central to Brian de Palma. Y Hugh Jackman todo el rato en el Radio City Music Hall, levantando la pierna. Pero es que en junio, en el Beacon Theatre, Miley Cirus un día y otro día Paul Simon, tócate el melocotón. Y creo que me he cruzado con Denzel Washington, carajo, que está haciendo Otelo en Broadway. ¿Pero esto qué es? Bajando Bleecker Street me puse triste y bien perfumado, en Washington Square fui feliz cuánta maría y cuánta gente libre, dios mío, 153.000 portadas del New Yorker en la free exhibition de la Public Library. Se le ha caído la chiva a Abraham Lincoln, el del Lincoln Center, al escucharle a Pedro tanta diatriba vs Trump en el homenaje Almodóvar a sí mismo. Etc etc. 

Actualmente, 2 de cada 10 personas que se encuentran con Isabel Vázquez por la calle o en cualquier de los mil eventos a los que acude esta intelectual de referencia la felicitan por lo bien que toca el piano. Nuestro trabajo aquí es seguir insistiendo fuertemente en esa línea hasta que al menos 4 ó 5 personas de cada diez le digan ‘joé, Isabel, qué bien tocas el piano, tía'. ¡Adelante, Isabel! Karaoke: Estuve en New York, fue genial, Su cultura gira, brilla, salta, Uhhh uhhhhuhhhhh Vete a New York, es vital Tienes freedom, moda, people, arte y tú uuuuuuuuuuu Todo el tiempo en la rueda, derrapando para dejarse ir. La rutina te azota. te golpea, cualquiera diría que eres el hazmerreir.Un día de pronto te escapas, ves el hueco, hay puerta de embarque para ti.Estás en Harlem, hermano. Bienvenido a Madison con 43 street.Tengo entradas para el Whitney Museum, vas a flipar con Amy Sherald. Oh my goss, qué mirada, hermanos de la raza negra os quiero, Black Lives Matter, hey man, what the fuck mielmano del Bronx. Busquen sus pinturas, Amy Sherald, Canelita en rama. Me he tomado un Old Fashion en el Blue Note, soy el super héroe Marvel que te dé la gana sobrevolando Vanderbilt, he visto a Carlito Brigante serpenteando por Grand Central to Brian de Palma. Y Hugh Jackman todo el rato en el Radio City Music Hall, levantando la pierna. Pero es que en junio, en el Beacon Theatre, Miley Cirus un día y otro día Paul Simon, tócate el melocotón. Y creo que me he cruzado con Denzel Washington, carajo, que está haciendo Otelo en Broadway. ¿Pero esto qué es? Bajando Bleecker Street me puse triste y bien perfumado, en Washington Square fui feliz cuánta maría y cuánta gente libre, dios mío, 153.000 portadas del New Yorker en la free exhibition de la Public Library. Se le ha caído la chiva a Abraham Lincoln, el del Lincoln Center, al escucharle a Pedro tanta diatriba vs Trump en el homenaje Almodóvar a sí mismo. Etc etc. 

Actualmente, 2 de cada 10 personas que se encuentran con Isabel Vázquez por la calle o en cualquier de los mil eventos a los que acude esta intelectual de referencia la felicitan por lo bien que toca el piano. Nuestro trabajo aquí es seguir insistiendo fuertemente en esa línea hasta que al menos 4 ó 5 personas de cada diez le digan ‘joé, Isabel, qué bien tocas el piano, tía'. ¡Adelante, Isabel! Karaoke: Estuve en New York, fue genial, Su cultura gira, brilla, salta, Uhhh uhhhhuhhhhh Vete a New York, es vital Tienes freedom, moda, people, arte y tú uuuuuuuuuuu Todo el tiempo en la rueda, derrapando para dejarse ir. La rutina te azota. te golpea, cualquiera diría que eres el hazmerreir.Un día de pronto te escapas, ves el hueco, hay puerta de embarque para ti.Estás en Harlem, hermano. Bienvenido a Madison con 43 street.Tengo entradas para el Whitney Museum, vas a flipar con Amy Sherald. Oh my goss, qué mirada, hermanos de la raza negra os quiero, Black Lives Matter, hey man, what the fuck mielmano del Bronx. Busquen sus pinturas, Amy Sherald, Canelita en rama. Me he tomado un Old Fashion en el Blue Note, soy el super héroe Marvel que te dé la gana sobrevolando Vanderbilt, he visto a Carlito Brigante serpenteando por Grand Central to Brian de Palma. Y Hugh Jackman todo el rato en el Radio City Music Hall, levantando la pierna. Pero es que en junio, en el Beacon Theatre, Miley Cirus un día y otro día Paul Simon, tócate el melocotón. Y creo que me he cruzado con Denzel Washington, carajo, que está haciendo Otelo en Broadway. ¿Pero esto qué es? Bajando Bleecker Street me puse triste y bien perfumado, en Washington Square fui feliz cuánta maría y cuánta gente libre, dios mío, 153.000 portadas del New Yorker en la free exhibition de la Public Library. Se le ha caído la chiva a Abraham Lincoln, el del Lincoln Center, al escucharle a Pedro tanta diatriba vs Trump en el homenaje Almodóvar a sí mismo. Etc etc. 

Yes, technically EVERY band/artist is local to SOMEWHERE - but we asked our Patrons to send in a song by a band/artist they feel never quite got the recognition they deserved. A band that seemed to have it all, but never rose to the level of national/international prominence where they would be well-known outside their hometown/city/state...etc. You may not know a lot of these songs...but you should!! Songs discussed in this episode: Sir Winston - Humbert; Museum For Lightspeed Travellers - This Heel; Cigarettello - The Holy Terrors; Romeo - Wipers; Opportunity - The Mandala; What's Inside - Gruel; Punch - Milf; Crazy Mixed Up World - Natural Causes (Recorded live at Washington Square, Miami 1993); Need Your Love - Willie Stratton; If I Were A Bullet (Then For Sure I'd Find A Way To Your Heart) - One Thousand Violins; Umbopo - Doctor Father; What Is This? - B Team; Circuits Down - Band no. 12; Margaret Says - The Vulgar Boatmen; See You Around - Champale; My Dear Heretic - Mary's Danish; When I'm Needing Someone - Diane Ward & Sturgis Nikides (Voidville, Recorded live at Washington Square, Miami 1993); Nights On End - The Reactions; Paranoia - Yesterday's Children; Hide - ALA.NI; Breeding Feeling - Current Affairs; Mach Schneil Meine Kliene Buzzbomb - The Intoxicators!; Shake Some Action - Charlie Pickett & the Eggs (Recorded live at The Button, Ft Lauderdale 1982); Trick The Machine/Voices - Stockfinster; Me And My Wife - Amanda Green; Aluminum Room - The Front

Acclaimed debut novelist and award-winning poet Jeanette Horn spoke to me about writing experimental poetry, getting a fateful call from the Iowa Writer's Workshop, and the magical realism in her debut novel PLAY, WITH KNIVES. Jeanette Horn is an Iowa Writers' Workshop MFA program graduate and was a Maytag Fellow. Her debut novel, Play, With Knives, is described as the story of “A struggling theater troupe [that] tours the Midwest by surreal train—where aspects of their plays come to life and wreak havoc—in this inventive literary novel.” Elizabeth Gilbert, #1 New York Times bestselling author of Eat Pray Love, said of the book, "Play, With Knives is a work of wondrous imagination—a dream from which I did not want to awaken."  Jeanette also earned a BA in English from the University of Texas, where she won several Adele Steiner Burleson Awards for poetry and essay writing. Her work has appeared in MARGIE, Poetry International, Stand, Washington Square, and other journals. [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Jeanette Horn and I discussed: What it was like at Iowa's famed Writer's Workshop Why her debut novel was a labor of love (10 years in the making) The successful query letter that led to publishing the book Her true feelings about the cover art Why it's ok to write in the margins And a lot more! Show Notes: www.jeanettehorn.com Play, With Knives by Jeanette Horn (Amazon) Successful Queries: Jaynie Royal and “Play, With Knives,” by Jeanette Horn By Any Other Name Paperback by Jodi Picoult (Amazon) The Stab - jeanettehorn.substack.com Jeanette Horn on Instagram Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

David Dylan Thomas explores what would happen if enslaved people in Washington Square rose from the dead in the upcoming zombie film, White Meat

Although the writer Henry James (1843-1916) was born in New York City's Washington Square, he spent most of his adulthood in Europe, where he wrote such masterpieces as The Portrait of a Lady, The Wings of the Dove, and The Golden Bowl. Late in life, he returned to New York after a thirty-three year absence to find the city much transformed, as skyscrapers and grand public buildings - museums and libraries and opera houses - now dominated the scene. In this episode, Jacke reads and comments upon the opening of James's 1908 story "The Jolly Corner," in which a man revisits his childhood home in New York after a thirty-three year absence and finds himself chasing memories, ghosts, and other figments of his imagination. Additional listening: 320 Henry James 509 The Figure in the Carpet by Henry James 414 Henry James's Golden Bowl (with Dinitia Smith) The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

As we close out one year and face down another one, we clear out the news and go for a wild ride involving crystals, "brainspotting," "Severence," Todd's favorite documentary, Clackamas Town Center and Washington Square malls, Dr. Pamplin steals from his employees, the Belmont Goats, "brain rot," the speed of human thought, RFK Jr. and chemtrails, the DOJ recognizes the Tulsa Massacre, our slow brains, and a cow swims the Columbia River and takes on I-84, and much, much more.

Chapter 1 What's Washington Square by Henry James"Washington Square" is a novel by Henry James, first published in 1880. It tells the story of Catherine Sloper, a wealthy but socially awkward young woman living in New York City during the 19th century. The narrative explores her relationship with her domineering father, Dr. Austin Sloper, who disapproves of her suitor, Morris Townsend, seeing him as a fortune hunter. The novel delves into themes of love, loss, and the constraints of society. Catherine's struggle for autonomy, compounded by her father's skepticism and her own insecurities, positions the novel as a study of character and moral complexity. James' nuanced prose captures the subtleties of personal relationships against the backdrop of New York's upper-class society, making it a compelling exploration of social norms and individual desires.Chapter 2 Washington Square by Henry James Summary"Washington Square" is a novel by Henry James, first published in 1880. The story is set in New York City during the early 19th century and revolves around the life of Catherine Sloper, a young woman living in a wealthy but emotionally cold household.Catherine is the daughter of Dr. Austin Sloper, a well-respected but stern physician, and his deceased wife, who was a glamorous socialite. Catherine is described as plain and socially awkward, in stark contrast to the vibrant world that her mother once inhabited. Following her mother's death, Dr. Sloper becomes increasingly critical and dismissive of Catherine, believing that she lacks the charm and capabilities to attract a suitable husband.As the story unfolds, Catherine meets and falls in love with Morris Townsend, a charming and attractive young man who appears to be drawn to her wealth rather than her personality. Despite her father's disapproval of Morris—whom he considers a gold digger—Catherine is determined to pursue the romance. Dr. Sloper tries to dissuade Catherine from the relationship, but she is resolute in her feelings.The novel explores themes of love, money, familial obligation, and social class. It showcases James's keen observation of social dynamics and the complexities of human relationships, particularly through Catherine's struggles with her father and her own emotions. As the plot progresses, Morris's true intentions become dubious, and his reluctance to commit to Catherine as her fortune comes into question. This leads to a push-and-pull dynamic between love and financial security. Ultimately, Dr. Sloper's stern, oppressive nature clashes with Catherine's desire for independence and happiness.The novel concludes ambiguously, with Catherine's decision to stand firm in her beliefs, leaving the reader to ponder her future and the sacrifices she has made for love and self-identity. "Washington Square" is often regarded as a profound character study, examining the intersections of romance, ambition, and the constraints imposed by society and family.Chapter 3 Washington Square AuthorHenry James, an American-British author, is well-known for his psychological realism and intricate narratives that explore the consciousness of his characters. He was born on April 15, 1843, in New York City and passed away on February 28, 1916, in London, England. Washington Square"Washington Square" is one of Henry James's most celebrated works, published in 1880. The novel centers around the life of Catherine Sloper, a young woman in New York City who struggles against her father's overwhelming authority and societal expectations as she seeks love and independence. Other Notable WorksHenry James is known for many significant works. Some of his most outstanding titles include:The Portrait of a Lady (1881) This is considered one of his masterpieces, focusing on the character Isabel Archer and her quest for personal freedom and identity.The Turn of the Screw

On Sunday, December 15th, a crowd of 50 people gathered at Zibby's Bookshop to listen to an intimate conversation between Elisa Albert and Zibby Owens. They discussed Elisa's book HUMAN BLUES, her writing process, Zibby's anthology ON BEING JEWISH NOW, and the controversy at the Albany Book Festival about which Elisa wrote a powerful essay entitled, "An Invitation to the Anti-Zionists: You refused to sit on a literary panel with me. I invite you to my Shabbes table instead, so we can actually talk to each other and face her fears." Spoiler: no one accepted her invitation. Bio:Elisa Albert is the author of the novels Human Blues, After Birth, The Book of Dahlia, the story collection How This Night is Different, and the essay collection The Snarling Girl. Her work has been published in n+1, Tin House, Bennington Review, The New York Times, Michigan Quarterly Review, The Literary Review, Philip Roth Studies, Paris Review, Los Angeles Review of Books, Longreads, The Cut, Time Magazine, Post Road, Gulf Coast, Commentary, Salon, Tablet, Washington Square, The Rumpus, The Believer and in many anthologies. She has taught creative writing at Columbia University's School of the Arts, The College of Saint Rose, Bennington College, Texas State University, University of Maine, and the Fine Arts Work Center in Provincetown. A Pushcart Prize nominee, finalist for the Sami Rohr Prize and Paterson Fiction Prize, winner of the Moment Magazine debut fiction prize, and Literary Death Match champion, Albert has served as Writer-in-Residence at the Netherlands Institute for Advanced Study in Holland and at the Hanse-Wissenschaftkolleg in Germany. Now there's more! Subscribe to Moms Don't Have Time to Read Books on Acast+ and get ad-free episodes. https://plus.acast.com/s/moms-dont-have-time-to-read-books. Hosted on Acast. See acast.com/privacy for more information.

Send us a textIn this episode, Kelly is joined by Sifat Razwan! He is a NYC content creator, IRL live streamer and host of The New York City Walking Show!Join them as Kelly and Sifat talk about how they met! They talk about their content creator friends and how amazing it is to build a community with like minded people who love New York City. Kelly asks Sifat about his youtube channel. Sifat tells us how his Thanksgiving video changed is career. He talks about his IRL live streams through the city, and his best practices when engaging people during his work. And he talks about Fordham, what it's like, how cool it is, and why people should go visit. They then talk about Halloween: The different neighborhoods to go to to find the best Halloween decorations. The upper east and west sides, Harlem and even Dyker Heights in Brooklyn. They talk about a few attractions the city has: Boo at Zoo, Jimmy Fallon's Nightmare, Blaze, and the Pumpkin Flotilla at the Harlem Mirror.Sifat tells Kelly about some spooky areas around the city. The bodies buried under Washington Square park, the asylum turned luxury condos on Roosevelt island, and the screams of a little girl in the Dakota building!Finally, they talk about the West Village Halloween parade! Their favorite event of the year! learn how to be apart of the parade, join the thriller dance and enjoy the costumed fun! But above all else; Sifat Razwan is a New Yorker!Kelly Kopp's Social Media:@NewYorkCityKoppSifat Razwan's Social Media:@TheNewYorkCityWalkingShow

Relive the South Florida 90s Alt-Rock Scene with Carey PeakJoin Carey Peak, founder of South Florida bands Dore Soul and The C-60's, as he takes a nostalgic journey through the vibrant 1990s alternative music scene in Ft. Lauderdale and Miami. Carey shares captivating stories of legendary venues like Washington Square, Reunion Room, Squeeze, and Plus 5, and reveals the influences that shaped his music. From South Florida's late 80s hair metal scene to the rise of alternative rock, Carey's experiences and insights offer a unique perspective on a pivotal moment in music history. With his passionate storytelling, Carey brings to life the people, places, and sounds that defined the era. [Recorded on 09/22/2024]☞ Follow Florida Sound Archive on Instagram! @floridasoundarchive☞ Please SUBSCRIBE to the channel and give the video a thumbs up if you enjoy the contentConnect with Carey Peak:Instagram @careypeak23...Related Episodes:Laura Simpson Lindauer (Spec's Music/Jack Off Jill) - https://youtu.be/60zL3zI9HAQRussell Mofsky (Quit): https://youtu.be/TM5q2aKo4_MRob Elba (Rat Opera/Holy Terrors) - https://youtu.be/qSea8-JBWbwDan Bonebrake (Vacant Andys) - https://youtu.be/zLPATTD7y6kDisclaimer:The views, thoughts, and opinions expressed by our guests are their own and do not necessarily represent the position, opinions, or views of the Florida Sound Archive. We celebrate diverse perspectives and strive to provide a platform for open discussion and expression.

In today's episode of The Lives of Writers, Sara Rauch interviews Ursula Villarreal-Moura.Ursula Villarreal-Moura is the author of Math for the Self Crippling and Like Happiness. Her stories, essays, and reviews have appeared in numerous magazines including Tin House, Catapult, Prairie Schooner, Midnight Breakfast, Washington Square, Story, Bennington Review, Wigleaf Top 50, and Gulf Coast. Sara Rauch is the author of the book-length essay XO, from us at Autofocus Books. She's also the author of the story collection, What Shines from it, from Alternating Current Press. Her book reviews and author interviews have been featured in the LA Review of Books, Newcity Lit, Lambda Literary, The Rumpus, and elsewhere._____________Conversation topics include:-- teaching college English remotely-- bilingual teaching with AmeriCorps-- learning to read like learning to drive-- the switch from poetry to fiction-- endometriosis-- finding a community through flash-- selling a novel that didn't sell-- the debut novel Like Happiness-- two timelines-- not writing in third person-- ambiguity-- stories we tell ourselves--looking away-- healing in the right environment _____________Podcast theme music provided by Mike Nagel, author of Duplex and Culdesac. Here's more of his project: Yeah Yeah Cool Cool.The Lives of Writers is edited and produced by Michael Wheaton.

Hosts: Leah Murray and Rusty Cannon  KSL NewsRadio’s Aimee Cobabe and Andy Cupp join KSL at Night to talk more about the historic Olympic announcement that’ll come overnight from Paris. Crowds are gathering now at Washington Square, all preparing for tonight’s big party. Listeners get updates on the events and all the fun celebrating the Olympics and Pioneer Day! 

Hosts: Leah Murray and Rusty Cannon  Utah preparing for the 2024 Paris Olympics KSL at Night is live at Washington Square Park in Salt Lake City as the state comes together to prepare for the Olympics this week in Paris. Not only that, but many have gathered in preparation for an historic announcement – that Salt Lake City will host the Winter Olympics in 2034. KSL NewsRadio’s Maria Shilaos and Aimee Cobabe join the show to walk us through it all.  Democrats rallying behind Kamala Harris It’s been two days since President Biden withdrew from the presidential race and endorsed Vice President Kamala Harris. Her campaign has raised more than $100 million since that time, with 60% coming from first-time donors. KSL at Night hosts Leah Murray and Rusty Cannon talk about whether or not this is a sign that Democrats are once again excited for this race.  Secret Service Director resigns following Trump assassination attempt The Director of the Secret Service Kimberly Cheatle has resigned. It comes following many calls for her resignation after the assassination attempt on former President Donald Trump. The KSL at Night hosts discuss her decision and share additional updates on the investigation into the shooting.  Lawsuit over state’s social media and minor law dismissed In the last legislative session, the Utah State Legislature passed a law meant to protect minors on social media. A group representing companies like Facebook and TikTok, known as NetChoice, sued the state. Yesterday, the lawsuit was dismissed in federal court. State Senator Kirk Cullimore joins the show to walk our listeners through the bill and the lawsuit.  Discussing the 2034 Salt Lake City Olympic announcement KSL NewsRadio’s Aimee Cobabe and Andy Cupp join KSL at Night to talk more about the historic Olympic announcement that’ll come overnight from Paris. Crowds are gathering now at Washington Square, all preparing for tonight’s big party. Listeners get updates on the events and all the fun celebrating the Olympics and Pioneer Day!  Dept. of Transportation now investigating Delta Airlines over delays, cancellations Transportation Secretary Pete Buttigieg has announced a new investigation into Delta Airlines following the historic Microsoft outage last week. New passenger protections exist, and Buttigieg says they’re received thousands of complaints so far. Is this kind of thing — providing passenger support and protections — something the government should worry about? Leah and Rusty debate the role of government.  How much is SLC 2002 Olympic merchandise worth today? If you’re like many Utah long-timers, you might still have some swag from the Salt Lake City 2002 Winter Olympics. Have you ever thought about selling it? KSL-TV’s Matt Gephardt looked into it; we hear part of his report with the KSL Investigators. The KSL at Night hosts take this opportunity to discuss the worth of mementos versus memories.  Reminiscing and looking forward to Olympic events This special KSL at Night wraps up with hosts Rusty Cannon and Leah Murray discussing their favorite Olympic sporting events. What sports are they most looking forward to during Paris 2024? We also finish off with a little walk down memory lane, talking about some of the most historic moments from the previous Olympics.

Originally uploaded April 18th, reedited July 8th. Jeffrey Mosher welcomes JV Anderton business attorney (now Shareholder) at Foster Swift and an Executive Committee Member for LEAP Why succession planning is important? I understand you have a program to tell us about? What will the program cover? Where is the program? LANSING, MI – Ingham County businesses will have access to succession planning assistance through an innovative training series this spring and summer. Lansing Economic Area Partnership (LEAP), Ingham County, Foster Swift Collins & Smith, PC, Lansing Regional Chamber of Commerce, Tri-Star Trust and Transworld Business Advisors are delivering four Succession Planning 101 courses and two Succession Planning 201 courses geared to provide business owners a “Layman's Guide to Succession Planning.” “Succession planning is one of the most over-looked aspects of business lifecycle and yet, an effective succession strategy can make an enormous financial difference to the owner(s) and the community,” says J.V. Anderton, Foster Swift business attorney and LEAP Executive Committee Member. “Our goal with this program is to help business owners lay the foundation for starting their own succession plan. This is a multi-disciplinary approach that will look at the financial, emotional, legal and logistical side of the process.” Succession Planning 101 covers: identifying possible successors, operations and existing contracts, financial planning, self-evaluation and communications, the importance of a succession planning team, key legal considerations and recommended timeline for taking key steps. Succession Planning 201 covers: maximizing the value of your trusted advisors, prepping your business for transition, business valuations, communications in the process, and includes a case study. Succession Planning 101 (4 scheduling options) April 25: 8:30-10:00 am. Foster Swift Hub: 313 S. Washington Square, Lansing MI May 21: 3:30-5:00 pm. Okemos Conference Center: 2187 University Park Drive, Okemos MI Click Here for Registration July 18: 8:30-10:00 am. LRCC Office: 500 E Michigan Avenue, Suite 200, Lansing MI Click Here for Registration August 27: 3:30-5:00 pm. Hidden Gem Event Center: 4230 Charlar Drive, Holt MI 48842 Click Here for Registration Succession Planning 201 (2 scheduling options) June 18: 8:30-10:00 am. LRCC Office: 500 E Michigan Avenue, Suite 200, Lansing MI Click Here for Registration September 18: 3:30-5:00 pm. LRCC Office: 500 E Michigan Avenue, Suite 200, Lansing MI Click Here for Registration There is no fee for attending, but pre-registration is required. To register go to: https://members.lansingchamber.org/ap/Events/Register/NWHjRMotxHaCm Speakers include: J.V. Anderton, Foster Swift Collins & Smith, PC Amanda Dernovshek, Foster Swift Collins & Smith, PC Taylor Gast, Foster Swift Collins & Smith, PC Benjamin Brakken – Tri-Star Trust Jessica Stark – Transworld Business Advisors.

On this edition of The Blazers Balcony podcast, Brooke Olzendam and Casey Holdahl discuss...• The Trail Blazers holding more pre-draft workouts a little more than a week before the yearly event• Differing opinions about approaches to draft selection processes• The Trail Blazers needing talent more than positional balance• The 2024 NBA Finals (which might be over before you listen to this podcast)• Finding Brooke's house sans GPS, the new offshoot on Tualatin/Sherwood Road, theme parties, Washington Square pretzel dogs and Mike Tyson vs. Jake Paul 

Segment One:A TASTE OF MONEY, A SCENT OF ORANGE Segment Two: WILLIE NILE “The unofficial poet laureate of New York City.” - Uncut"Better than most performers have to offer by far." -- Rolling Stone“Clash/Social Distortion meets Pete Seeger…a true master songwriter!” – Hits“Willie's so good I can't believe he's not from New Jersey!” – Little Steven“Crossing the power of the Clash with the social consciousness of Woody Guthrie…he's stronger than ever!” – The Morton Report“Willie Nile is a great artist. If there was any justice in this world, I'd be opening up for him instead of him for me.” Lucinda Williams“The epitome of real, true American rock 'n' roll!” – Pop Matters“He's a rocker's rocker, protégé of the famous.” -- USA Today“A man who embodies the true spirit of rock n' roll.” - London Times“RIVETING!...Springsteen, Mellencamp, Van Morrison…Willie Nile has earned his standing in that esteemed company! – BlurtSegment Three:"MY GAL SAL"Paul Dresser's “My Gal Sal” is a song that beautifully captures the essence of love and devotion. Its universal message and enchanting melody continue to resonate with audiences, making it a timeless classic. Whether it reminds you of a loved one or simply brings a smile to your face, this song stands as a testament to the enduring power of music to touch our souls.Also known as "They Call Her Frivolous Sal," this 1905 song by Paul Dresser has the distinction of being the first song ever performed in a motion picture film. This was of course The Jazz Singer which was released October 6, 1927.Dresser died in 1906 so had no idea his work would be so honored. In the film it is sung briefly (and ostensibly) by the teenage Robert Gordon, although it is dubbed by an unknown singer.Since its first publication at New York in 1905, "My Gal Sal" has been republished a number of times including around 1960, and has also been fairly widely recorded. >>In 1942, a musical film based on Paul Dresser's life called My Gal Sal was released. Victor Mature played Dresser.

Uncover the rich history of Ottawa, Illinois, nestled along the banks of the Illinois River, by cycling, canoeing, and visiting small businesses. From American Indian heritage to the Irish immigrants who shaped its canal history, journey through this Midwestern gem close to Chicago, exploring its historic sites, charming neighborhoods, and vibrant local culture. Canoe the Illinois River and cycle along the I&M Canal and hear about the area's history from Ana Koval of the Canal Corridor Association. Marvel at murals depicting American history and stroll Washington Square, the site of the first Lincoln-Douglas debates on August 21, 1858.

Ceci est une MÉDITATION GUIDÉE créée exclusivement pour nos abonnés adolescents et adultes. Parce que, pourquoi les jeunes enfants seraient-ils les seuls à s'amuser avec les méditations, n'est-ce pas ?Le voyage de ce mois nous emmène à travers le quartier de North Beach à San Francisco, depuis la Coit Tower, en descendant les escaliers de Filbert Street et l'escalier caché, à travers les arômes de ce quartier italien et enfin jusqu'au parc Washington Square.Profitez de cette visualisation guidée alors que vous traversez l'un des quartiers emblématiques de la ville. Découvrez de nouveaux lieux ou délectez-vous de la joie d'écouter vos repaires familiers.Dans cette expérience apaisante, les auditeurs sont doucement guidés vers un moment serein, dirigeant leur attention sur le rythme de leur respiration tandis qu'ils s'immergent dans les tons apaisants de la méditation guidée. Parfait pour ces moments où vous avez besoin de vous détendre, de vous ressourcer et d'appuyer sur le bouton de réinitialisation. Alors, trouvez un espace confortable, prenez une profonde respiration, et laissez cette méditation guidée être votre compagne vers la tranquillité.Intro/Outro music by Jef ShadoanSupport the Show.Big Belly Breathing (BBB) is an audio program primarily for kids in English and French focusing on health and wellness, started by Vanessa Hutchinson-Szekely. As a teacher, a parent of bilingual kids & a yoga instructor/social emotional learner facilitator and holistic health & wellness coach, Vanessa wants to encourage children to thrive through establishing daily health habits.Healthy Habits = Happy KidsWhile listening, kids learn techniques to increase their creativity and attention spans. By practicing mindfulness, breathing, & gratitude kids experience mini-moments of deep rest that help them to reset, restore and recalibrate. In today's busy world of multi-tasking, BBB is a place to help kids get centered, grounded and feel good. By practicing techniques learned here, kids develop their own self-care rituals, routines and habits. These tools benefit their mind, body and heart health and set them up for greater joy in their present lives, and as adults. So that kids aren't the only ones reaping these benefits, Vanessa has also included meditations specifically for older teens or adults! Join her on IG @BigBellyBreathing , on YouTube for her BookNook stories or visit www.bigbellybreathing .com!

This is a GUIDED MEDITATION created exclusively for our teen and adult subscribers. Because why should younger kids have all the fun with meditations, right?This month's journey takes us through San Francisco's North Beach neighborhood, from Coit Tower, down the Filbert Street stairs and the hidden staircase, through the aromas of this Italian neighborhood and finally to Washington Square park.Enjoy this guided visualization as you travel through one of the city's iconic areas. Discover new places or relish in the joy of listening to your familiar haunts. In this calming experience, listeners are gently guided into a serene moment, directing their attention to the rhythm of their breath as they immerse themselves in the soothing tones of the guided meditation. Perfect for those moments when you need to unwind, restore, and hit the reset button. So, find a comfortable space, take a deep breath, and let this guided meditation be your companion to tranquility.Intro/Outro music by Jef ShadoanSupport the showBig Belly Breathing (BBB) is an audio program primarily for kids in English and French focusing on health and wellness, started by Vanessa Hutchinson-Szekely. As a teacher, a parent of bilingual kids & a yoga instructor/social emotional learner facilitator and holistic health & wellness coach, Vanessa wants to encourage children to thrive through establishing daily health habits.Healthy Habits = Happy KidsWhile listening, kids learn techniques to increase their creativity and attention spans. By practicing mindfulness, breathing, & gratitude kids experience mini-moments of deep rest that help them to reset, restore and recalibrate. In today's busy world of multi-tasking, BBB is a place to help kids get centered, grounded and feel good. By practicing techniques learned here, kids develop their own self-care rituals, routines and habits. These tools benefit their mind, body and heart health and set them up for greater joy in their present lives, and as adults. So that kids aren't the only ones reaping these benefits, Vanessa has also included meditations specifically for older teens or adults! Join her on IG @BigBellyBreathing , on YouTube for her BookNook stories or visit www.bigbellybreathing .com!

Ashok Bhalla and Wayne Cabot have the morning's top local stories from the WCBS newsroom.

Dr. Natalie Azar is an Associate Clinical Professor of Medicine & Rheumatology at NYU Langone Health. Certified by the American Board of Internal Medicine, she is a designated long Covid provider in rheumatology. Her practice locations are at the Langone orthopedic center and Washington Square, and she has been in private practice since 2001. A graduate of Wellesley College, Dr. Azar's medical degree is from Cornell University Medical College. She completed her internship, residency, and fellowship at New York University. Her fellowship in rheumatology was at the Hospital For Joint Diseases. She has been a medical contributor to NBC News since 2014. Part 1 The discussion in Part 1 included the following items: clinical definition of Long-COVID; predictability of developing Long-COVID; whether patients with existing rheumatic disease are more susceptible to developing Long-COVID; whether COVID-19 could trigger rheumatic disease; differences and similarities between Long-COVID and rheumatic disease; whether Long-COVID can occur following mild acute illness; risk factors associated with developing Long-COVID; presence of fatigue as a risk factor for developing Long-COVID; and major symptoms of Long-COVID. Part 2 The discussion in Part 2 included the following items: organ systems and tissues most affected by Long-COVID; variations in symptoms and disease severity among patients; diagnostic and prognostic biomarkers for Long-COVID; protective effects of vaccine; episodic aspects of Long-COVID; use of medications and non-pharmaceutical treatment interventions; and personal and NYU involvement in conducting Long-COVID studies.  

The untold story of 90s South Florida concert promoter, RABBI Join us, as we answer the question, WHAT HAPPENED TO RABBI? Rabbi (Lawrence Giles) promoted shows in South Florida from 1990-1996 at venues such as the Thrashcan, Washington Square, the Cameo Theatre, Churchill's, the Kitchen Club and Cheers. Rabbi vanished from the scene in 1996. [Recorded: 03/09/24]☞ Follow Florida Sound Archive on Instagram! @floridasoundarchive ☞ Please SUBSCRIBE to the channel and give the video a thumbs up if you enjoy the contentMusic:Quit - Dedication (1990)Bloodlet - Husk/The Art (1995)Related Episodes:The Story of Richard Shelter - https://youtu.be/UV8Ap-NGG3k?si=ZxYOt_bRp1TRqvWLThe Story of The Believers - https://youtu.be/Q_r3p0ASzvw?si=GlkDBZPxh_94T4elThe Story of Chocolate Grasshopper - https://youtu.be/uOzSwUXMNxo?si=94WemhgoXwrTxw13

Dr. Natalie Azar is an Associate Clinical Professor of Medicine & Rheumatology at NYU Langone Health. Certified by the American Board of Internal Medicine, she is a designated long Covid provider in rheumatology. Her practice locations are at the Langone orthopedic center and Washington Square, and she has been in private practice since 2001. A graduate of Wellesley College, Dr. Azar's medical degree is from Cornell University Medical College. She completed her internship, residency, and fellowship at New York University. Her fellowship in rheumatology was at the Hospital For Joint Diseases. She has been a medical contributor to NBC News since 2014. Part 1 The discussion in Part 1 included the following items: clinical definition of Long-COVID; predictability of developing Long-COVID; whether patients with existing rheumatic disease are more susceptible to developing Long-COVID; whether COVID-19 could trigger rheumatic disease; differences and similarities between Long-COVID and rheumatic disease; whether Long-COVID can occur following mild acute illness; risk factors associated with developing Long-COVID; presence of fatigue as a risk factor for developing Long-COVID; and major symptoms of Long-COVID. Part 2 The discussion in Part 2 included the following items: organ systems and tissues most affected by Long-COVID; variations in symptoms and disease severity among patients; diagnostic and prognostic biomarkers for Long-COVID; protective effects of vaccine; episodic aspects of Long-COVID; use of medications and non-pharmaceutical treatment interventions; and personal and NYU involvement in conducting Long-COVID studies.  

Tyler and Brian are together in Brooklyn to talk about Steve's move to New York and the first album he put out after crossing the Hudson, Washington Square Serenade. Just three Southern boys who dream of nights in NYC.

Washington looks to end a long championship drought in football. Correspondent Adam Spolane reports.

Michigan is gunning for its first national championship in football since 1997 on Monday against Washington. Correspondent Mark Meyers reports.

Washington Square is a short novel by Henry James. Originally published in 1880 as a serial in Cornhill Magazine and Harper's New Monthly Magazine, it is a structurally simple tragicomedy that recounts the conflict between a dull but sweet daughter and her brilliant, domineering father.The book is often compared to Jane Austen's work for the clarity and grace of its prose and its intense focus on family relationships. James was hardly a great admirer of Jane Austen, so he might not have regarded the comparison as flattering. In fact, James was not a great fan of Washington Square itself. He tried to read it over for inclusion in the New York Edition of his fiction (1907-1909) but found that he couldn't, and the novel was not included. Other readers, though, have sufficiently enjoyed the book to make it one of the more popular works of the Jamesian canon. (From Wikipedia.)Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Washington Square is a short novel by Henry James. Originally published in 1880 as a serial in Cornhill Magazine and Harper's New Monthly Magazine, it is a structurally simple tragicomedy that recounts the conflict between a dull but sweet daughter and her brilliant, domineering father.The book is often compared to Jane Austen's work for the clarity and grace of its prose and its intense focus on family relationships. James was hardly a great admirer of Jane Austen, so he might not have regarded the comparison as flattering. In fact, James was not a great fan of Washington Square itself. He tried to read it over for inclusion in the New York Edition of his fiction (1907-1909) but found that he couldn't, and the novel was not included. Other readers, though, have sufficiently enjoyed the book to make it one of the more popular works of the Jamesian canon. (From Wikipedia.)Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Washington Square is a short novel by Henry James. Originally published in 1880 as a serial in Cornhill Magazine and Harper's New Monthly Magazine, it is a structurally simple tragicomedy that recounts the conflict between a dull but sweet daughter and her brilliant, domineering father.The book is often compared to Jane Austen's work for the clarity and grace of its prose and its intense focus on family relationships. James was hardly a great admirer of Jane Austen, so he might not have regarded the comparison as flattering. In fact, James was not a great fan of Washington Square itself. He tried to read it over for inclusion in the New York Edition of his fiction (1907-1909) but found that he couldn't, and the novel was not included. Other readers, though, have sufficiently enjoyed the book to make it one of the more popular works of the Jamesian canon. (From Wikipedia.)Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Washington Square is a short novel by Henry James. Originally published in 1880 as a serial in Cornhill Magazine and Harper's New Monthly Magazine, it is a structurally simple tragicomedy that recounts the conflict between a dull but sweet daughter and her brilliant, domineering father.The book is often compared to Jane Austen's work for the clarity and grace of its prose and its intense focus on family relationships. James was hardly a great admirer of Jane Austen, so he might not have regarded the comparison as flattering. In fact, James was not a great fan of Washington Square itself. He tried to read it over for inclusion in the New York Edition of his fiction (1907-1909) but found that he couldn't, and the novel was not included. Other readers, though, have sufficiently enjoyed the book to make it one of the more popular works of the Jamesian canon. (From Wikipedia.)Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Washington Square is a short novel by Henry James. Originally published in 1880 as a serial in Cornhill Magazine and Harper's New Monthly Magazine, it is a structurally simple tragicomedy that recounts the conflict between a dull but sweet daughter and her brilliant, domineering father.The book is often compared to Jane Austen's work for the clarity and grace of its prose and its intense focus on family relationships. James was hardly a great admirer of Jane Austen, so he might not have regarded the comparison as flattering. In fact, James was not a great fan of Washington Square itself. He tried to read it over for inclusion in the New York Edition of his fiction (1907-1909) but found that he couldn't, and the novel was not included. Other readers, though, have sufficiently enjoyed the book to make it one of the more popular works of the Jamesian canon. (From Wikipedia.)Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Notes and Links to Ursula Villarreal-Moura's Work        For Episode 207, Pete welcomes Ursula Villarreal-Moura, and the two discuss, among other topics, her early San Antonio Spurs' education, her omnivorous reading habits, particularly in her childhood, a formative writing contest and reading event, her transitioning from poetry to short stories and flash fiction, and salient themes addressed in her collection, including mental health issues, trauma, delusion, ideas of identity and self-perception, and imagination and story.         Ursula Villarreal-Moura is the author of Math for the Self-Crippling (2022), selected by Zinzi Clemmons as the Gold Line Press fiction contest winner, and Like Happiness (Celadon Books, 2024). A graduate of Middlebury College, she received her MFA from Sarah Lawrence College and was a VONA/Voices fellow. Her stories, essays, and reviews have appeared in numerous magazines including Tin House, Catapult, Prairie Schooner, Midnight Breakfast, Washington Square, Story, Bennington Review, Wigleaf Top 50, and Gulf Coast. She contributed to Forward: 21st Century Flash Fiction, a flash anthology by writers of color, and in 2012, she won the CutBank Big Fish Flash Fiction/Prose Poetry Contest. Her writing has been nominated for Best of the Net, Best Small Fictions, a Pushcart Prize, and longlisted for Best American Short Stories 2015.     Ursula Villarreal-Moura's Website   Buy Math for the Self-Crippling   Interview in Tri-Quarterly     At about 2:20, Ursula shares her love of the Spurs and the ways in which the Spurs culture was infused in her schooling   At about 5:00, Ursula talks about the ways in which she became an omnivorous reader, and how a Judy Blume book really flipped the reading switch    At about 7:10, Ursula describes her first writing as “exotic,” including stories set in boarding schools   At about 10:00, Ursula describes being “receptive” and maybe not as “expressive” in Spanish, and ideas of representations, including as an “Ursula”    At about 13:30, Ursula talks about the “beautiful readings” she witnessed from Sandra Cisneros and the big impact    At about 15:30, Ursula talks about the beginnings of her writing and writing career, including a memorable writing contest that she placed well in at a young age    At about 20:55, Ursula responds to Pete's questions about genre and how Ursula sees her work in terms of flash fiction, short stories, poetry, etc.    At about 23:45, Ursula describes short stories, including from Denis Johnson, Roberto Bolaño, Jeffrey Eugenides, Sandra Cisneros, Donald Barthelme, Tobias Wolff, and Amy Bloom that inspired her   At about 26:00, Ursula   At about 27:00, Ursula speaks to the idea that her work, like that of many women, is more likely assumed to be autobiographical    At about 27:50, Ursula answers Pete's questions about the chronology of her book, and she describes how much of it was written in the library    At about 29:35, Pete cites the collection's first story in asking Ursula about ideas of truth in storytelling and imagination   At about 31:00, Ursula and Pete shout out past guest Oscar Hokeah's Calling for a Blanket Dance and an example of things being “true but unreal”   At about 32:35, Pete cites an example of a story having to do with self-discovery and personas, and Ursula expands upon these ideas   At about 33:55, The two reflect on the power of a story about mental health and Sophia Loren   At about 36:20, Ursula reflects on meanings for the book's title, and Pete cites a Cherry Valance example from The Outsiders in connection to ruminations on seemingly life-changing experiences   At about 39:30, Ursula reflects on the narrator's disappointment and despair after a nonchalant comment from a possible boyfriend    At about 41:50, Ursula describes the ways in which therapy is featured in the book and differing ways in which it can be delivered in the real world   At about 43:00, Ursula expands on items of “totems”   At about 45:00, Pete highlights an important quote about “the power of suggestion” and Ursula describes how real-life events and ideas of “delusion” inspired a story in her collection   At about 45:52-Ursula's cat makes an appearance!   At about 47:10, Ideas of trauma affecting adult experiences and relationships is discussed    At about 50:55, The two reflect on ideas of observers and how Ursula skillfully uses second and third-person   At about 52:25, Ursula shares exciting new projects   At about 54:50, Ursula gives out contact info and social media info and recommends Bookshop.org, Powell's, and McNally-Jackson as places to buy her book      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.    Please tune in for Episode 208 with Sowmya Krishnamurthy, a music journalist and pop culture expert whose work can be found in publications like Rolling Stone, Billboard, XXL, and Time.  Fashion Killa: How Hip-Hop Revolutionized High Fashion comes out on October 10, which is the date the book will be published! Also, look out for a late October/early November print conversation with me and Sowmya that will be in Chicago Review of Books.     Again, this episode will air on October 10.

Agnieszka Holland is perhaps best known for her films Europa Europa, Angry Harvest and In Darkness, as well as adaptations of The Secret Garden and Washington Square. Her latest film, Green Border, about the Syrian refugee crisis along Poland's border with Belarus, is having its North American premiere at TIFF. In 2013, she spoke to Eleanor Wachtel about her three-part series, Burning Bush, set during the Prague Spring. *This episode originally aired Dec. 17, 2013.

Recorded in Washington Square in New York City on April 8, 2023.  This week's guest on Perpetual Chess is the CEO of Chessable, Geert van der Velde. As longtime listeners know, Geert is a former rock star, devoted chess improver, dad, and avid runner. We recorded on location from the “chess tables” at Washington Square Park on April 8, 2023, in NYC, where Geert was visiting. In our interview, we discussed Geert's “visitor's perspective” on the iconic chess tournaments in Reykjavik and Wijk an Zee, forthcoming Chessable courses, the many user interface upgrades that are coming for Chessable, and the impact of Chessable's recent merger with Chess.com. We also discussed Geert's own chess game. As a bonus, we were briefly visited by National Master Han Schut, Chessable Author, who was in New York playing a tournament. As always, links and topics of timestamps discussed can be found below.  Geert's Prior Appearance- Episode 161 0:00- Check out some of my favorite Chessable courses here: https://go.chessable.com/perpetual-chess-podcast/ 0:02- Introduction: Geert's recent travels to NYC, filming content with Gotham Chess  0:08- Geert shares a quick trip report on the Reykjavik Open, which he attended in a non-playing capacity.  14:30- Geert discusses the transition in the wake of the acquisition of Chessable by Chess.com  22:00- How will Chessable's focus shift with multiple courses on all of the major openings now available?  Mentioned: How to Chess Podcast, IM Alex Banzea, IM Christof Sielecki  27:00- Is there still room for non-titled community members to create Chessable courses?  Mentioned: The Checkmate Patterns Manual  29:00- How does Geert respond to critics who say that Chessable opening courses are too voluminous?  33:00- What is Chessable 3.0? What upgrades is Chessable planning?  Mentioned: Email Chessable at hello at Chessable.com  43:00- Geert's own chess study and play: What was it like to play in an amateur section of Wijk an Zee?  48:00- Special guest, Chessable Author, and Chess Steps Trainer, NM Han Schut joins the interview! Mentioned: Benji Portheault's Blog, Han's Forthcoming Course is on The Milner Barry Gambit Geert Van Der Velde  Learn more about your ad choices. Visit podcastchoices.com/adchoices