Podcasts about eduard tubin

Inside this Episode with host, Mitch Hampton Christoph Schülren, one of the guests to whom I was so kindly introduced by pianist Beth Levin, will be the first time on our podcast that a musician whose professional career is devoted to the art and practice of conducting has been featured.  I thought it indispensable for many reasons to feature him: musical conducting is ubiquitous in many styles of music yet is perhaps little understood or appreciated outside of the worlds of music.  I was most happy with our discussion: he is quite articulate and able to get into the details of his craft in a relatable way to a most general audience and he has quite an intriguing biography as can be gleamed from our episode. Christoph Schlüren's Biography  “Uniting the well-known with the unknown” Conductor, Music Researcher,Musical Mentor, Music Editor, Program Adviser, Chamber Music, Coach  Christoph Schlüren studied with the late Sergiu Celibidache from 1981 to 1996. Other strong influences were the composers Anders Eliasson, Pehr Henrik Nordgren, and Per Nørgård, the musicians Paul Zukofsky, Sándor Végh, Murray Perahia, Juha Kangas, and many more.  As a conductor (Symphonia Momentum, Deutsche Kammerakademie Neuss am Rhein, St Michel Strings Mikkeli) Christoph Schlüren led first performances of works by Peter Michael Hamel and Anders Eliasson. Some of the lesser established composers he particularly favors are:Heinz Tiessen, Eduard Erdmann, Anders Eliasson, Jean-Louis Florentz, Paul Büttner, John Foulds, Vittorio Giannini, Nicolas Flagello, Giorgio Federico Ghedini, Peter Mennin, Bernard Stevens, Felix Draeseke, Heinrich Kaminski, Max Butting, Reinhard Schwarz-Schilling , Heinz Schubert, Philipp Jarnach,  Emil Bohnke, Matthijs Vermeulen, Harald Sæverud, Georges Migot, Eduard Tubin, Vagn Holmboe, Douglas Lilburn, Robert Simpson, Per Nørgård, Boris Tishchenko, Ketil Hvoslef, Pehr Henrik Nordgren, Tristan Keuris, Halvor Haug, Peter Michael Hamel, John Pickard, Håkan Larsson, and Juan José Chuquisengo.  He combines their works in dramaturgically correlated programs with the established great composers. Read more about conducting He is a music researcher, author and journalist as well (Frankfurter Rundschau, Gramophone, Tempo, Fono Forum, Crescendo, Neue Musikzeitung, Bayerischer Rundfunk, Deutschland Radio, etc.) and works as main editor and researcher on the rare music scores series Repertoire Explorer. Christoph Schlüren wrote the first basic introduction into Musical Phenomenology as it was created as a universal approach to music by Sergiu Celibidache developing further on. As a program adviser he collaborates with orchestras and conductors (Bavarian Radio Symphony Orchestra, Münchner Philharmoniker, Ostrobothnian Chamber Orchestra, Arcos Orchestra, Münchener Kammerorchester, etc.; Lavard Skou Larsen, Juha Kangas, José Serebrier , Mario Venzago, Christoph Poppen, Israel Yinon, etc.), and created commissions for the Musica Viva series of the Bavarian Radio Symphony Orchestra (Anders Eliasson's Fourth Symphony, Cynthia Lee Wong, and Onute Narbutaite, as well as arranging the world première of Artur Schnabel's Third Symphony). Read more essays and evaluations Christoph Schlüren works as a musical mentor with soloists and  chamber ensembles (Rebekka  Hartmann, Ottavia Maria Maceratini, David Frühwirth, Masha Dimitrieva, Omar Rahbany, Margarita Oganesjan, etc.). Read more about mentorship Links to more about Mr. Schlüren's beautiful works  www.christophschlueren.com #classicalmusic #music #opera #bartok #germany #progrock #rock #symphony #classicalmusic #orchestra #strings #brass #woodwind #percussion #piano #concert #theatre #fritzbrun #bethlevin #mozart #whiplash #donellis #tar #cateblanchett #leonardbernstein #brunowalter #frankzappa #contemporarymusic #modernmusic #romanticism #navarrastringquartet #igorstravinsky #antonbruckner #vienna #schoenberg #webern #serialism #tonality #meoldy #harmony #rhythm #baroque #earlymusic  --- Support this podcast: https://podcasters.spotify.com/pod/show/mitch-hampton/support

Stuudios on muusikateadlane Tiia Järg.

4. novembril on Arvo Volmeri 60. sünnipäev.Eesti Riiklik Sümfooniaorkester dirigent Arvo Volmeri juhatusel esitab Kaljo Raidi ja Eduard Tubina orkestriteoseid. Heliplaadi andis välja 1995. aastal Koch International Classics.

Melodija 1966. aasta 10-tollisel vinüülplaadil on heliloojate Jaan Räätsa ja Eduard Tubina helitööd. Mängivad Eesti Raadio Sümfooniaorkester ja Kammerorkester dirigent Neeme Järvi juhatusel.

Eduard Tubin kirjutas ooperi „Reigi õpetaja“ 50 aastat tagasi: sel sügishooajal on publikul võimalik osa saada kahest „Reigi õpetaja“ etendusest. Saates on külas Catharina osatäitja Karmen Puis, kellega räägime „Reigi õpetajast“ Vanemuises ja festivalist TubIN. Saadet juhib Tiiu Rööp.

Eduard Tubin kirjutas ooperi „Reigi õpetaja“ 50 aastat tagasi: sel sügishooajal on publikul võimalik osa saada kahest „Reigi õpetaja“ etendusest. Saates on külas Catharina osatäitja Karmen Puis, kellega räägime „Reigi õpetajast“ Vanemuises ja festivalist TubIN. Saadet juhib Tiiu Rööp.

Stuudios on muusikateadlane Tiia Järg.

Synopsis On today's date in 1985, a brand-new piece of music had its premiere in a brand-new concert hall in Minnesota. The American composer Paul Fetler wrote his jaunty "Capriccio" to celebrate both the first concert of the 7th season of conductor Jay Fishman's Minneapolis Chamber Symphony and the new Ordway Music Theater in St. Paul, which had just opened its doors to the public that year. "When Jay Fishman commissioned me to compose a dedicatory work for their opening concert," wrote Fetler, "I immediately thought of a composition which would be light-hearted, buoyant, and playful. I felt for once that the 'serious' contemporary music scene (which I often find to be 'super-serious') could stand a bit of contrast. Perhaps the time is ripe to have a few pieces which are less 'profound,' something with the flair of Rossini to divert the listener from the 'daily burdens of life.'" And Fetler concluded: " There is no story behind the 'Capriccio,' but the whimsy and playfulness are intended to suggest a musical caper of a kind. To bring this out, I made primary use of the woodwinds, in particular the flute and piccolo, with their skips, runs, and arpeggios." Music Played in Today's Program Paul Fetler: Capriccio (Ann Arbor Symphony; Arie Lipsky, cond.) Naxos 8.559606 On This Day Births 1757 - Austrian-born composer and piano maker Ignaz Joseph Pleyel, in Ruppertsthal, near Vienna; He studied with Haydn and was one of the older composer's favorite pupils; 1904 - Birth of French composer and conductor Manuel Rosenthal, in Paris; His ballet arrangement of Offenbach melodies, "Gaîté Parisienne," is his best-known work; 1843 - Austrian cellist and composer David Popper, in Prague; 1905 - Estonian-born Swedish composer Eduard Tubin, in Kalaste, near Tartu (Dorpat) (Julian date: June 5); 1942 - English singer, composer and former Beatle, Sir Paul McCartney, in Liverpool; Deaths 1726 - French composer Michel-Richard de Lalande (La Lande, Delalande), age 68, at Versailles; Premieres 1821 - Weber: opera "Der Freischütz" (The Freeshooter), in Berlin at the Königliches Schauspielhaus; 1923 - Gershwin: musical revue, "George White's Scandals of 1923" at the Globe Theater in New York City; 1958 - Britten: opera "Noye's Fludde," in Orford Church, near Aldeburgh; 1980 - Persichetti: "Three Toccatinas" for Piano, by contestants in the International Piano Festival and Competition at the University of Maryland; 1992 - Anthony Davis: opera "Tania" at the American Music Theater Festival in Philadelphia; Others 1837 - Mendelssohn finishes his String Quartet in e, Op. 44, no. 2, in Freiburg (Germany), while on his honeymoon.

Synopsis On today's date in 1985, a brand-new piece of music had its premiere in a brand-new concert hall in Minnesota. The American composer Paul Fetler wrote his jaunty "Capriccio" to celebrate both the first concert of the 7th season of conductor Jay Fishman's Minneapolis Chamber Symphony and the new Ordway Music Theater in St. Paul, which had just opened its doors to the public that year. "When Jay Fishman commissioned me to compose a dedicatory work for their opening concert," wrote Fetler, "I immediately thought of a composition which would be light-hearted, buoyant, and playful. I felt for once that the 'serious' contemporary music scene (which I often find to be 'super-serious') could stand a bit of contrast. Perhaps the time is ripe to have a few pieces which are less 'profound,' something with the flair of Rossini to divert the listener from the 'daily burdens of life.'" And Fetler concluded: " There is no story behind the 'Capriccio,' but the whimsy and playfulness are intended to suggest a musical caper of a kind. To bring this out, I made primary use of the woodwinds, in particular the flute and piccolo, with their skips, runs, and arpeggios." Music Played in Today's Program Paul Fetler: Capriccio (Ann Arbor Symphony; Arie Lipsky, cond.) Naxos 8.559606 On This Day Births 1757 - Austrian-born composer and piano maker Ignaz Joseph Pleyel, in Ruppertsthal, near Vienna; He studied with Haydn and was one of the older composer's favorite pupils; 1904 - Birth of French composer and conductor Manuel Rosenthal, in Paris; His ballet arrangement of Offenbach melodies, "Gaîté Parisienne," is his best-known work; 1843 - Austrian cellist and composer David Popper, in Prague; 1905 - Estonian-born Swedish composer Eduard Tubin, in Kalaste, near Tartu (Dorpat) (Julian date: June 5); 1942 - English singer, composer and former Beatle, Sir Paul McCartney, in Liverpool; Deaths 1726 - French composer Michel-Richard de Lalande (La Lande, Delalande), age 68, at Versailles; Premieres 1821 - Weber: opera "Der Freischütz" (The Freeshooter), in Berlin at the Königliches Schauspielhaus; 1923 - Gershwin: musical revue, "George White's Scandals of 1923" at the Globe Theater in New York City; 1958 - Britten: opera "Noye's Fludde," in Orford Church, near Aldeburgh; 1980 - Persichetti: "Three Toccatinas" for Piano, by contestants in the International Piano Festival and Competition at the University of Maryland; 1992 - Anthony Davis: opera "Tania" at the American Music Theater Festival in Philadelphia; Others 1837 - Mendelssohn finishes his String Quartet in e, Op. 44, no. 2, in Freiburg (Germany), while on his honeymoon.

16th-21st Centuries This week we hear works by Orazio Vecchi, Michel Lambert, François Francœur, Franciszek Ścigalski, Joseph Rheinberger, Eduard Tubin, and Andrea Tarrodi. 146 Minutes – Week of May 10, 2021

Eesti Rahvusmeeskoor laulab Ants Sootsi dirigeerimisel Eduard Tubina meeskoorilaule. Album on ilmunud 1998. aastal Forte märgi all.

Göteborgi Sümfooniaorkester Neeme Järvi juhatusel mängib Eduard Tubina loomingut. Kontrabassil soleerib Håkan Ehrén ja viiulil Gustavo Garcia.

Stuudios on muusikateadlane Tiia Järg.

Stuudios on muusikateadlane Tiia Järg.

Eduard Tubin - kontsert kontrabassile ja orkestrile (1948) -70 aastat loomisest

Eduard Tubin - kontsert kontrabassile ja orkestrile (1948) -70 aastat loomisest

Eduard Tubin. Sümfoonia nr. 2 "Legendaarne"

Eduard Tubin. Sümfoonia nr. 2 "Legendaarne"

Eduard Tubin - 35. surmaastapäevaks

I programmet diskuteras Brahms serenader med Gävle symfoniorkester, norska verk med trumpet i fokus, Frank Almond spelar på 300-årig violin samt Prokofjevs Romeo och Julia med Petrenko på pulten. I panelen Camilla Lundberg, Kalle Moraeus och Tony Lundman som tillsammans med programledaren Johan Korssell betygsätter följande skivor:  JOHANNES BRAHMS Serenader Gävle symfoniorkester Jaime Martin, dirigent Ondine ODE 1291-2 VARIATIONS OVER VARIATIONS Musik av Alfred Janson, Jan Erik Mikalsen, Knut Vaage och Maja S. K. Ratkje Tine Thing Helseth, trumpet Norska radions orkester Miguel Harth-Bedoya, dirigent Aurora ACD 5096 A VIOLINS LIFE (2) Musik för violin och piano av Amanda Maier-Röntgen, Eduard Tubin och L v Beethoven Frank Almond, violin William Wolfram, piano Avie AV 2363 SERGEJ PROKOFJEV Romeo och Julia Oslos filharmoniska orkester Vasily Petrenko, dirigent LAWO LWC 1105 Referensen - Prokofjev Johan jämför med och refererar till Sergej Prokofjevs balett Romeo och Julia med Berlins filharmoniker under Esa-Pekka Salonen, inspelad 1988 på skivmärket Sony.  Sofia möter Victoria Borisova-Ollas Sofia Nyblom träffade kompositören i hemmet under takåsarna i Gamla stan i Stockholm inför den stundande premiären av operan Dracula på Stockholmsoperan 28 oktober. Samtalet kretsade bland annat runt komponerandet kring operan, den första symfonin samt  den försenade premiären i Göteborg av den andra symfonin. Andra i programmet nämnda eller rekommenderade inspelningar: Brahms serenader med Londons filharmoniker under ledning av Adrian Boult på EMI; Gewandthausorchester, Leipzig, ledd av Riccardo Chailly på Decca; Concertgebouw-orkestern dirigerad av Bernard Haitink på Philips; Londons symfoniorkester tillsammans med dirigenten Michael Tilson Thomas på Sony samt med New Yorks symfoniker under ledning av Leonard Bernstein på Sony. Griegs Ballad g-moll med Artur Rubinstein på märket RCA. Maier-Röntgens Violinsonat h-moll med Cecilia Zilliacus och Bengt Forsberg på dB Productions. Prokofjevs balett Romeo och Julia i komplett version med Cleveland-orkestern ledd av Lorin Maazel på skivmäket Decca; med Bostons symfoniorkester ledd av Seiji Ozawa på DG; Mariinsky-teaterns orkester, S:t Petersburg under Valerij Gergijev på Philips; Londons symfoniorkester under Valerij Gergijev på LSO Live; Tjeckiska filharmonin ledd av Karel Ancerl på Supraphon samt med Berlins filharmoniker dirigerad av Esa-Pekka Salonen på Columbia och Sony (Referensen). Prokofjevs Violinkonserter nr 1 D-dur och nr 2 g-moll Berlinfilharmonikerna under Herbert von Karajan  spelar Vivaldis Årstiderna med Anne-Sophie Mutter som solist. Svepet Johan sveper över ett album med musik av Camille Saint-Saëns, närmare bestämt Orgelsymfonin och Djurens karneval, Daniele Rossi spelar orgel, Antonio Pappano leder Santa Cecilia-akademins orkester samt spelar också piano tillsammans med Martha Argerich. Inspelad på Warner Classics.

Eduard Tubin - 35. surmaastapäevaks

Jaan Rääts, Eduard Tubin (Melodija, 1966)

Jaan Rääts, Eduard Tubin (Melodija, 1966)

Here is a full-length recital showcase featuring a performance from double bassist Phillip Serna.  Visit Phillip online at www.phillipwserna.com Northwestern University School of Music Presents a Doctoral Recital Phillip Woodrow Serna, double bass In Partial Fulfillment of the Requirements for the Degree Doctor of Music in Double Bass Performance Double Bass Student of Michael Hovnanian Viola da Gamba Student of Mary Springfels assisted by: Shirley Trissell, piano Sunday, April 27, 2003, 8:30 p.m. Regenstein Recital Hall 60 Arts Circle Drive Evanston, Illinois Sonata in E-Minor, Op.38 (1862-1865)           Johannes Brahms For Violoncello and Piano                                     (1833-1897)     Allegro non troppo     Allegretto quasi Menuetto             Allegro       SHORT INTERMISSION Sonata No.2 in E-Minor, Op.6                               Adolf Mišek For String Bass and Piano                                     (1875-1955)     I. Con fuoco     II. Andante cantabile     III. Furiant: Allegro energico             IV. Finale: Allegro appassionato       SHORT INTERMISSION Sonata (1956)                                                    František Hertl For String Bass and Piano                                           (b. 1906)     I. Allegro moderato     II. Andantino     III. Rondo: Alla polka, moderato         [ENCORE] Vocalise, Op.34, No.14              Serge Rachmaninoff                                                                               (1873-1943) Program Notes Johannes Brahms' Sonata in E-Minor, Op.38 (1862-1865)     In the summer of 1862, Johannes Brahms composed the first two movements of the Sonata for Piano and Violoncello, Op. 38. He later added the final Allegro in June of 1865. Intended as an "homage to J.S. Bach," Brahms based the principal themes of the outer movements on Contrapuntctus 4 and Contrapunctus 13 from "The Art of Fugue." Indeed, beyond these thematic references, fugal interplay is the prevailing device employed throughout the work. The sonata was first performed in July of 1865, and submitted for publication to both Breitkopf & Härtel and Simrock in September of the same year. Breitkopf & Härtel refused to publish the work. Simrock soon accepted it, however, and it was probably published in early 1866. Brahms' famous description of the work, which accompanied his submission to Simrock, remarks that it is "a violoncello sonata which, as regards both instruments, is certainly not difficult to play.     David Cardon, Discordia Music     Discordia Music, a publishing company run by Professor Michael Hovnanian, publishes the edition used for this performance. Discordia specializes in publishing new works and transcriptions for the double bass, as well as to publish premium quality, well-researched, scholarly editions of music part of the standard double bass solo literature. Adolf Mišek's Sonata No.2 in E-Minor, Op.6     The typesetter, composer, conductor, and double bass player Adolf Mišek was born in Modletin, Czechoslovakia in 1875. At age 15, Mišek attended the Academy of Vienna, later conducting as choirmaster of The Czech Choir ,,Tovaovský" and Slavonic Chorus. Additionally, he conducted The Czech Academic Orchestra in Vienna. From 1890 to1894 Mišek was a student of the famous lecturer, Franz Simandl (1840-1912), who in Mišek's time was associated with the Vienna Conservatory, an institution that Mišek would later be engaged as bass professor. From 1920 to 1934 Mišek returned to his place of birth in Bohemia. He returned to Prague where he built a career as a soloist with the National Theatre. He died in Prague in 1955.     Mišek composed various works in different genres for voice, violin, chamber ensembles, and lastly for the double bass. His works for bass include a Scales Study, Legend op. 3 for Double Bass and Piano, a Capriccio (1899), Concert Polonaise, Sonata No.1 in A Major, Op. 5, Sonata No.2 in e minor, Op. 6, Sonata No.3 in F Major, and a Concert in C-major. František Hertl's Sonata (1956)     Composer and double bassist František Hertl was an active member in Czech music throughout his career. From 1920 to1926, Hertl studied double bass at the Prague Conservatory with Professor Fr. Cerny, also studying composition from 1933 to1936. Hertl was solo double bassist in the Czech Philharmonic Orchestra (1929-1935) and Czechoslovak Radio Orchestra Prague (1935-1950).  Hertl was director as well as performing member of the Czech Nonet from 1936 to 1950 and 1963 to1966 in addition to his duty as conductor of the Radio Orchestra in Brno (1950-1961). As a pedagogue, Hertl was professor at the Prague Conservatory (1951-1961), at the Leoš Janácek Academy of Music Arts in     Brno (1954-1961), and at the Academy of Music in Prague (1953-1973).     Hertl wrote 35 compositions for orchestra including a Czech Suite (1947), Czech Dances (1947), and a Symfonietta for Oboe and Small Orchestra. Hertl composed a Sonata for Violoncello and Piano as well as various choral works. Hertl also composed a Concert Polka (1948) and a Concert for Double Bass (1957) premiered by František Pošta in 1958. He additionally composed a Prelude, Burlesca, Nocturno, and Tarantella (1969). As pedagogical works, Hertl wrote a Double Bass School  (1962) and 20 Studies  (1965) for Double Bass. The Sonata for Double bass and Piano (1956) was first recorded by his pupil Pavel Horak, a member of Brno Philharmonic Orchestra, now in retirement.  Hertl was directing during the recording process.     Information courtesy of Miloslav Jelinek of the Czech Society of Double Bassists Biography A native of Houston Texas, Phillip W. Serna (viola da gamba) is an active and enthusiastic performer of early music, as well as the contemporary, solo, orchestral, and chamber repertoires. Phillip earned his Bachelor of Music in double bass performance with Stephen Tramontozzi at the San Francisco Conservatory of Music in 1998. Phillip later completed his Master of Music at Northwestern University School of Music in 2001 as a Civic Orchestra of Chicago Graduate Fellow. On June 16, 2007, Phillip will receive the Doctor of Music degree from Northwestern University where he studied double bass with international soloist DaXun Zhang and formerly with Chicago Symphony Orchestra member Michael Hovnanian. Phillip studied viola da gamba with Newberry Consort founder Mary Springfels. Since 2003, Phillip has been principal double bass of the Northbrook Symphony Orchestra and has been recently elected to a two-year term on the Board of Directors of the Northbrook Symphony.  In addition, Phillip has performed regularly with other orchestras such as the Bach Chamber Orchestra & Choir, Chicago Symphony Orchestra's Civic Orchestra of Chicago, Elmhurst Symphony Orchestra, Fort Wayne Philharmonic Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, Kankakee Valley Symphony Orchestra, Kenosha Symphony Orchestra, New Philharmonic Orchestra, Quad Cities Symphony Orchestra, Racine Symphony Orchestra, Rockford Symphony Orchestra, Southwest Michigan Symphony Orchestra, Waukesha Symphony Orchestra, Wisconsin Chamber Orchestra as well as the Memphis Symphony Orchestra. In March of 2007, Phillip will perform Giovanni Bottesini's Concerto No.2 in b-minor with the Waubonsie Valley High School Orchestra in Aurora, IL after having already performed Estonian composer Eduard Tubin's stirring Concerto for Double Bass and Orchestra with Northwestern University's Summer Orchestra under the direction of Robert Hasty in July of 2003. Recently joining the board of the Early Music Chicago arts advocacy & performance organization, Phillip regularly performs on viola da gamba and period double bass/ violone with period instrument ensembles and organizations such as the Apollo Chorus of Chicago, Ars Antigua, Chicago Early Music Consort, Period Opera Cosi fan Tutte with Chicago Opera Theater, Classical Arts Orchestra, Comic Intermezzo, Early Music Chicago, the Janus Ensemble, the Newberry Consort, the Evelyn Dunbar Memorial Early Music Festival at Northwestern University, the Oriana Singers, the Second City Musick, and the Spirit of  Gambo - a Chicago Consort of  Viols, as well as the Concert for Compassion Viol Consort & the Forces of Virtue Ensemble and Choir, dedicated to raising money for disaster relief and other charities. In addition to his intense performance schedule, Phillip teaches lessons on double bass, bass guitar, guitar, viola da gamba, and presents master classes and workshops on modern and period double bass. As a passionate advocate of early music, Phillip has championed the viola da gamba with his initiative 'Viols in Our Schools,' bringing solo and chamber music for viols into Chicago area classrooms. Phillip also currently teaches at numerous institutions around the Chicago area. Phillip lives in Plainfield, IL with his best friend and wife, Magdalena.Program