Podcasts about Tarantella

In this powerful conversation, I sit down with Alessandra Belloni, an internationally acclaimed singer, percussionist, teacher, and author, to explore her profound journey as both an artist and a medicine woman. With over 40 years of fieldwork studying Southern Italian folk music and the traditions of the Black Madonna, Alessandra shares how her creative expression is deeply connected to her healing work. We dive into the ancient trance dance of the Tarantella, a practice rooted in healing trauma, particularly in women, and in reconnecting to the body as a sacred vessel of ancestral wisdom. Alessandra speaks about the transformative power of dance and ritual as tools for integration, embodiment, and spiritual awakening. Together, we explore the mystical presence of the Black Madonna across different traditions and how she serves as a powerful archetype of spiritual guidance, resilience, and unconditional love. This conversation is filled with ancient wisdom, black void potency, and the deep holding of the great ancient mother. We also touch on the importance of surrender, the role of community in healing, and how ancient practices can offer insight and strength for the challenges we face today. Alessandra's work is a reminder that through rhythm, movement, and connection to the sacred, we can remember who we truly are and return home to our bodies, our ancestors, and each other. So settle in. This is a deep, beautiful, and potent episode. Discover Alessandra's work ❤️‍

The Tarantella can't be danced alone.Host: Anna Harsh MA degree Communication, BA degree in Dance, Certified in Yoga & Pilates32 Years of research in Italy & TeachingThis episode explores the social nature of the Tarantella. The Tarantella, in many of its forms, requires a partner—not for choreography, but for connection, rhythm, and a conversation between dancers. It's about the community and healing the dancer in the center of the circle.This is only a small piece of research that is being shared. Learn more by taking classes with Anna.www.AnnaHarsh.com

What if I told you the Tarantella isn't just onedance—but an entire genre? Hosted by Anna Harsh Benvenuti a tutti! Welcome back to Step into Italy: The Dance Diaries. I'm so glad you're here.Today, I want to share a little history about the Tarantella…It's not just one dance.It's a whole genre of them with differentsongs, steps and stories.I know. You probably grew up thinking of the Tarantella as that one iconic Italian dance—fast, upbeat, with twirling skirts and clapping hands. And yes, that version exists. But here's the truth? The Tarantella is actually a genre—a whole family of folk dances that stretch across southern Italy, each with its own heartbeat, its own story, its own soul.Listen to this episode for more details. REGISTER NOW THE ITALIAN DANCE CHALLENGE 2025https://us02web.zoom.us/meeting/register/GdOy9l8hSf21FFvt3--W3A#/registration For more details> www.AllegroDanceCompany.net

The Tarantella is NOT a wedding dance.Hosted by: Anna HarshCiao, dancers, Welcome to Step into Italy: The Dance Diaries,where every step tells a story, and every rhythm carries theheartbeat of a culture.Today, I want to unravel a dance you think you know—theTarantella. Learn the origin story. THE ITALIAN DANCE CHALLENGE - FREE EVENT ONLINEJOIN US NOW https://us02web.zoom.us/meeting/register/GdOy9l8hSf21FFvt3--W3A#/registrationLike, Share & Follow THE DANCE FLOOR PODCASTAnna's Website www.AnnaHarsh.comAllegro Dance Company www.AllegroDanceCompany.net #TARANTELLA #AncientDance #ItalianCulture #ItalianDance #FolkDance #SacredDance #HealingDance #MovementIsMedicine #PodcastForWomen

This week's show is with Caitlín Matthews. Caitlín is an internationally renowned author, a teacher of shamanic training programme, a facilitator of Systemic Ritual® and the co-founder of the Foundation for Inspirational and Oracular Studies (FÍOS). Caitlín is the author of over 80 books, including Diary of a Soul Doctor, Singing the Soul Back Home, the Art of Celtic Seership, Celtic Devotional and The Celtic Book of the Dead. Her books have won a number of awards. She is known internationally for her work on the spiritual, mythic and ancestral traditions of Britain and Ireland. She teaches and works with communities and spiritual institutions worldwide from Iceland to Portugal and from USA to Australia. Caitlín is a co-founder of the Foundation for Inspirational and Oracular Studies (FÍOS), which is dedicated to the sacred arts that shape the landscape of the soul, via vision, dream and memory. FÍOS hosts masterclasses with exemplars of living, oracular sacred traditions that are rarely recorded in writing or given an honourable place in modern society. Caitlín has had a shamanic healing practice in Oxford for the last 30 years, working in the community to deepen connections to the ancestral traditions which are our heritage. In this conversation, Lian and Caitlín journey into the systemic context of shamanism - understanding how deeply interconnected we are, not only to each other but to our ancestors and the broader web of life. Together, they explore how our personal stories intertwine with ancestral narratives, shaping who we are in profound and often unseen ways. Lian and Caitlín reflect on how rituals, myths, and collective stories hold powerful keys to healing, transformation, and understanding. They journey through ancient mysteries and modern examples - from the Tarantella rituals of Southern Italy to the haunting power of ancestral stories triggered in unexpected moments. Drawing on the metaphor of the spider's web, they illuminate the delicate balance of our interconnectedness. These threads reveal how epigenetics and cultural perspectives deeply influence our experiences of illness, healing, and personal crisis. This episode invites listeners to reconnect with the hidden threads of their own lives, transforming unconscious ancestral burdens into sources of wisdom, insight, and strength. We'd love to know what YOU think about this week's show. Let's carry on the conversation… please leave a comment wherever you are listening or in any of our other spaces to engage. What you'll learn from this episode: Healing isn't solely individual; it requires recognition of our systemic context, including familial and ancestral influences, to uncover deeper truths and lasting transformation. Myths and stories are not merely tales; they can either awaken healing narratives or stir unresolved ancestral wounds, influencing our lives profoundly. Cultivating daily awareness of our interconnectedness helps us navigate life's complexities with greater sensitivity, understanding, and alignment. Resources and stuff that we spoke about: For Caitlín's books & courses see: www.hallowquest.org.uk For more of Caitlín's writing on a range of topics, including a year-long course, Blessings of the Celtic Year, see her Hallowquest Sanctuary at www.hallowquest.substack.com Be Mythical Join our mailing list for soul stirring goodness: https://www.bemythical.com/moonly Discover your kin & unite with your soul's calling to truly live your myth: https://www.bemythical.com/unio Go Deeper: https://www.bemythical.com/godeeper Follow us: Facebook Instagram TikTok YouTube Thank you for listening! There's a fresh episode released each week here and on most podcast platforms - and video too on YouTube. If you subscribe then you'll get each new episode delivered to your device every week automagically. (that way you'll never miss a show).

Round 1 – Apéritif: Willet Rye, Martini & Rossi Sweet Vermouth, Cynar Round 2 – Appetizer: Woodford Reserve Bourbon, Martini & Rossi Sweet Vermouth, Lillet Blanc, Angostura Bitters, Orange Bitters Round 3 – Entrée: Angel's Envy Rye, Averna, Ginger Liqueur, Angostura Bitters Round 4 – Dessert: Knob Creek Single Barrel Bourbon, Pedro Ximenez Sherry, Spice Persimmon Syrup, Angostura Bitters Round 5 – Digestif: Knob Creek Single Barrel Bourbon, Worcestershire syrup, Cynar, Ginger Liqueur, Angostura Bitters Tangents: Marty and Rachel join us for a five-course “meal” of cocktails we tried on our Kentucky trip! • Ed says “Cynar” correctly! (but “butter” incorrectly) • Pay attention to your glassware temperature • Ed jerseys are tight • Lillet Blanc's James Bond connection • Rachel gets distracted by wood • Marty slaps Scott once • #pullyourpantiesup • Marty slaps Scott twice • Grease 2 sing-along! • Rachel rubbed it on the rim • To muddle or not to muddle • Rachel gets Gabed • Joker's Wild joke • Rachel says “deconstruct” wrong • The ginger liqueur bottle is ribbed for her pleasure • Ed doesn't need Scott's thumbs anywhere, thanks • Ginger v. Maryanne v. Jeannie • Marty was shorter than Scott thought • England has a thirst for butts • How to fat wash your whiskey • Scott's persimmon journey • Ed's cleavage shots • Asian pairs sell Asian pears • Marty slaps Scott thrice • Chelbi shade! • Scott's surprise final cocktail (with an assist from Anders) • Ed fills Marty & Rachel's pool with ginger beer • Everyone rates the cocktails • Ed sends Rachel a d***kpic • Everyone loves Scott • Brokeback persimmmons • Royal Farms > KFC Music Credits: Whiskey on the Mississippi, Parisian, and Laid Back Guitars by Kevin MacLeod from https://incompetech.com/music/royalty-free/music.html • Tarantella by Steve Oxen from https://www.FesliyanStudios.com

"La calme au Ch

Music from: Kindred Spirits, Painted Trillium, Old Goat Skiffle Band, Minstrel_rav'n, Merry Measure, LandLoch'd, Joni Minstrel, Vana Mazi, Haggis Rampant, Brobdignagian Bards, Dan The Bard, Rambling Sailors, Sea Dog Slams Poems, Black Oak Shillelagh, Flying Fish Sailors, Gallows Humor, Chuckawalla Rhythm Kings, Empty Hats, Ceann, Darren Raleigh, New Minstrel Revue, Sam Kesler, Abby Green, and 2 Merry Men VISIT OUR SPONSORS The Louisiana Renaissance Festival https://www.larf.org/ The Ren List http://www.therenlist.com/ Happy To Be Coloring Pages https://happytobecoloring.justonemore.website/ RESCU https://rescu.org/ The Patrons of the Podcast https://www.patreon.com/RenFestPodcast SONGS Daphne[1] performed by Kindred Spirits from the album Dispelling All Woes www.thekindredspirits.com The Fox[7] performed by Painted Trillium from the album Painted Trillium www.paintedtrillium.com Sailors Prayer performed by Old Goat Skiffle Band from the album Just Kidding www.facebook.com/OldGoatSkiffleBand Sea Elf performed by Minstrel_rav'n from the album Tales from the Sea www.facebook.com/TheMinstrelRavn/ I Wish They'd Do It Now[2] performed by Merry Measure from the album Faire Warning Mist-Covered Mountains[4] performed by LandLoch'd from the album Whiskey'd Out to Sea www.landlochd.com Whiskey and Beer performed by Joni Minstrel from the album Joni Minstrel Kicks the King www.store.cdbaby.com/Artist/JoniMinstrel Sandansko performed by Vana Mazi from the album Izam Anav www.vanamazi.com Gravel Path, First Slip, Poisoned Dwarf, and Back in Black performed by Haggis Rampant from the album Trì www.haggisrampant.com Lish Young Buy-a-Broom performed by Brobdignagian Bards from the album Songs of Ireland www.thebards.net You Know Nothing, Jahn Snough performed by Dan The Bard from the album Cross-Genre References! www.danthebard.com One More Day[3] performed by Rambling Sailors from the album Wanderlust www.facebook.com/RamblingSailors Raising Black Flags[2] performed by Sea Dog Slams Poems from the album The Call www.facebook.com/seadogslam/ Jennie Mccall performed by Black Oak Shillelagh from the album Och, The Places We've Been www.blackoakshillelagh.com Ringa Dinga Da[2] performed by Flying Fish Sailors from the album Remnant Stew www.flyingfishsailors.coM Anne Boleyn[1] performed by Gallows Humor from the album Necrodancer www.gallowshumorband.com/ The King Of Ballyhooley performed by Chuckawalla Rhythm Kings from the album No Bedrolls Or Backpacks www.chuckawallark.com Raggle Taggle Gypsies[6] performed by Empty Hats from the album Released www.emptyhats.com Raggle Taggle Gypsies[1] performed by Ceann from the album Last Ones Standing www.reverbnation.com/ceann The Summer Before the War performed by Darren Raleigh from the album Silverwheel www.darrenraleigh.com/ Tarantella[2] performed by New Minstrel Revue from the album Many Hands Humors of Whiskey[5] performed by Sam Kesler from the album The Toasted Clover www.samkesler.bandcamp.com/ Red Is the Rose[1] performed by Abby Green from the album Why Should I AbbyGreen.com Mingulay Boat Song[1] performed by 2 Merry Men from the album Bawdy Drunken Song-Filled Merriment www.facebook.com/2MerryMen/ HOW TO CONTACT US Please post it on Facebook https://www.facebook.com/renfestmusic Please email us at renfestpodcast@gmail.com HOW TO LISTEN Patreon https://www.patreon.com/RenFestPodcast Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/

Two friends and academics recap classic literature and take it off its pedestal. In our sixty-first episode, we finally cover the most glaring omission on the show: Joseph Conrad's 1899 pre-modernism Imperial Gothic novella, Heart of Darkness. We close the circuit on our Things Fall Apart episode from S2 and get a cool International Man of Mystery sting which can sadly never be used in another episode.Cover art © Catherine Wu.Episode Theme: Karol Szymanowski, 'Nocturne and Tarantella, Op. 28', 1915. Hosted on Acast. See acast.com/privacy for more information.

For to månader siden lurte Quang AK til å kjøpe ein tarantella så no skal den tarantellen, og andre insekter, endeleg bli ete! Som dykk gjetta riktig så ville INGEN i Umami vere med å ete insekter så då fekk Abnormale AK inn tre gjester, Avskyelige Astrid, Djevelske Dennis og Ekle Elisabeth inni studio. Av og med Anne Kristin Villar Sundal, Astrid Tryggestad Sevre(Skumma Kultur), Elisabeth Vesterheim Knutsen (Tekniker) og Dennis Xie(Sorgenfri)

Camillo Sivori - TarantellaMauro Tortorelli, violin Angela Meluso, pianoMore info about today's track: Tactus TC811901Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Send us a text Welcome back Soap Fiends!! Picture this: a room full of glamorous 80s fashion, dramatic stares, and family secrets simmering just beneath the surface. Join us as we explore the unforgettable Falcon Crest episode "Tarantella" from season four, where the Auntie-drama top tier. Remember those toy commercials from the 80s and 90s that promised the world but never delivered? We draw parallels between those misleading ads and the soap's intricate storylines, making a case for the importance of reading the fine print in life. Expect anecdotes and a healthy dose of humor as we celebrate the over-the-top antics of our favorite aunt character and her fashionable faux pas.We're diving into a tangled web of love, betrayal, and shifting alliances that would make any soap opera aficionado's heart race. The tension between Chase and Francesca takes center stage, with cultural clashes adding a fascinating layer to their familial conflict. Meanwhile, Pam confronts Richard over his secretive dealings, and Aunt Terry finds herself caught between newfound wealth and a coked out ex with an insatiable appetite for drugs, money and lurking in low places. With Richard's intentions toward Francesca's land shrouded in mystery, we expose the precarious balance of power, wealth, and desire that keeps Falcon Crest fans on the edge of their seats.The spotlight shifts to Francesca as she navigates a maze of manipulation and hidden agendas. A party she throws becomes a theatrical battleground, showcasing her struggle for control against Angela's cunning schemes. Revel in the spectacle of her audacious performance that leaves everyone stunned, and heed our light-hearted advice on avoiding the pitfalls of real-life drama. As Francesca's evening in San Francisco with Richard raises questions of personal worth, the episode serves as a reminder: sometimes the party you least expect becomes the one you'll never forget. Engage with us, share your thoughts, and let's keep the conversation going beyond the screen.

Prosegue in Victoria il Segmento Tarantella Festival. Abbiamo ospitato Ciccio Nucera e Emy Vaccari, due degli artisti coinvolti, Giuseppe Marasco di Calabria Sona e l'organizzatore dell'evento, Giovanni Butera.

Giovanni Butera, direttore del Segmento Tarantella Festival 2024, racconta cosa prevede il programma di quest'anno.

Desciframos músicas de códigos ancestrales desde la más auténtica tradición y también jugamos a recodificarlas en variadas recombinaciones, con diferentes experimentaciones y tecnificaciones. Comenzamos con sones ibéricos, que nos pasean por sones flamencos, también de Andalucía, Castilla y Portugal, con conexiones francesas, para después pasar un buen rato en Sicilia, con grabaciones de artistas populares y también nuevos proyectos. Continuamos con una conexión afroiraquí en Canadá, con electrobeduinos en Francia y terminamos solazándonos con el evocador canto drupad de la India. We decipher music of ancestral codes from the most authentic tradition and we also play to recode them in varied recombinations, with different experimentations and technifications. We start with Iberian sounds, which take us through flamenco sounds, also from Andalusia, Castile and Portugal, with French connections, and then spend some good time in Sicily, with recordings of traditional artists and also new projects. We continue with an Afro-Iraqi connection in Canada, with electro-Bedouins in France and end enjoying the evocative dhrupad singing of India. – Código Jondo – Romance del cisne blanco – Taifa norte – Trío Fernández – Te recuerdo, Amanda – Cante gitano – Sandra Carrasco & David de Arahal – Luna del mes de enero (serrana) – Recordando a Marchena – Vigüela – We – We – Marion Cousin & Éloïse Decazes – Dona Filomena – Com a lanceta na mão – Boémia – Esgueiro-me em repasseado – Génese – Felice Currò & Salvatore Vinci – Sunata – Italie-Sicily: Musiques populaires [V.A.] – Angela Cucinotta & Giuseppa Cucinotta – Stanotti cci passai malanuttata – Italie-Sicily: Musiques populaires [V.A.] – Areasud Electric Roots – Tarantella iblea – Areasud Electric Roots – Ahmed Moneka – Oh mother – Kanzafula – Bedouin Burger – Nomad – Ma li beit – Niloy Ahsan – Bhairav (bandish) – Breathing raga 📸 Vigüela (Araceli Tzigane)

New Combinations host and Associate Artistic Director Wendy Whelan is joined by Principal Dancers Tiler Peck and Roman Mejia, the performers of the latest world premiere work created on the Company: Resident Choreographer Justin Peck's Dig the Say. Roman shares the way in which the ballet was tailor made for the two dancers, in the mode of a "modern day Tarantella," in Tiler's words, that capitalizes on their history of partnering in some of the most challenging works in the repertory. Imbued with a sense of competition yet always playful and fun, they both relish Peck's invitation to contribute to the ballet's shape, invigorated by the live jazz score. (45:18)  Edited by Emilie Silvestri Music: "Sisyphus" by Andrew Wegman Bird Wixen Music Publishing, Inc. as agent for Muffet Music Co

Hy Here my new Mashup! Enjoy & Share! Free Download Facebook Page; https://www.facebook.com/Deejaylilboy12

Salvatore Rossano, musicista, etnomusicologo, compositore e direttore del Taranta Festival di Bellingen, è attualmente in tour a Melbourne.

Il Segmento Tarantella Festival che andrà avanti in Victoria fino al prossimo 3 dicembre, celebra la cultura calabrese attraverso la danza, la musica e l'interconnessione culturale.

L'edizione di quest'anno del Segmento Tarantella Festival partirà domenica da Geelong per concludersi il 3 dicembre all'Abruzzo club di Brunswick.

Did he trick me? Do I call it off? And don't poke the bear!

Fluent Fiction - Italian: Dancing Across Cultures: Marco & Sofia's Unforgettable Moment Find the full episode transcript, vocabulary words, and more:fluentfiction.org/dancing-across-cultures-marco-sofias-unforgettable-moment Story Transcript:It: Era una tiepida giornata di primavera a Roma e Marco, un italiano appassionato di musica e danza, si trovava nella rinomata Piazza Navona.En: It was a warm spring day in Rome and Marco, an Italian passionate about music and dance, was in the renowned Piazza Navona.It: Gli artisti di strada si esibivano, attirando l'attenzione dei turisti affascinati.En: Street artists performed, attracting the attention of fascinated tourists.It: Marco era particolarmente entusiasta di ballare la tarantella, una danza tradizionale del sud Italia.En: Marco was especially excited about dancing the tarantella, a traditional dance from southern Italy.It: Quel giorno, sentendosi pieno di energia e felicità, non riuscì a resistere alla tentazione di mettersi in piedi nel mezzo della piazza e iniziò a muovere i piedi e le mani a ritmo di questa coinvolgente melodia.En: That day, feeling full of energy and happiness, he couldn't resist the temptation to stand in the middle of the square and start moving his feet and hands to the rhythm of this captivating melody.It: La folla intorno a lui si fermò ad osservare, attratta dal suo spirito contagioso.En: The crowd around him stopped to watch, drawn by his infectious spirit.It: Gli occhi si illuminarono e i sorrisi si allargarono.En: Eyes lit up and smiles widened.It: Il suono delle risate e degli applausi si diffuse nell'aria, creando un'atmosfera di allegria e divertimento.En: The sound of laughter and applause rippled through the air, creating an atmosphere of merriment and fun.It: La gente apprezzava la spontaneità di Marco e la sua voglia di condividere una parte della sua cultura con loro.En: People appreciated Marco's spontaneity and his desire to share a part of his culture with them.It: Tra il pubblico c'era Sofia, una turista straniera che aveva deciso di visitare Roma per la prima volta.En: Among the audience was Sofia, a foreign tourist who had decided to visit Rome for the first time.It: Rimase affascinata da Marco, tanto da non riuscire a staccare gli occhi da lui.En: She was fascinated by Marco, so much so that she couldn't take her eyes off him.It: Sorpresa dalla sua determinazione a ballare in pubblico, si sentì attratta dal suo entusiasmo.En: Surprised by his determination to dance in public, she felt drawn to his enthusiasm.It: Nonostante non avesse mai ballato la tarantella prima, Sofia sentiva dentro di sé il desiderio di unirsi a Marco in quella danza coinvolgente.En: Although she had never danced the tarantella before, Sofia felt the desire to join Marco in that enthralling dance.It: Con cautela ed emozione si avvicinò a lui, cercando di imitare le movenze e i passi che lui faceva con tanta sicurezza.En: With caution and emotion she approached him, trying to imitate the movements and steps that he did with such confidence.It: Marco, con sorpresa, riconobbe il desiderio di Sofia di ballare con lui.En: Marco, with surprise, recognized Sofia's desire to dance with him.It: Nonostante le differenze culturali e linguistiche, iniziarono a ballare insieme, in perfetta sintonia.En: Despite cultural and linguistic differences, they began to dance together, in perfect harmony.It: I loro movimenti imperfetti ma pieni di passione e impegno si fusero nella coreografia spirito della tarantella.En: Their imperfect but full of passion and commitment movements merged in the spirit choreography of the tarantella.It: La folla intorno a loro fu conquistata da questa scena insolita, e l'applauso si trasformò in un entusiastico incitamento.En: The crowd around them was won over by this unusual scene, and the applause turned to enthusiastic cheering.It: Persone di diverse nazionalità si unirono alla festa spontanea, cercando di seguire i passi di Marco e Sofia.En: People of different nationalities joined the spontaneous party, trying to follow in the footsteps of Marco and Sofia.It: La piazza si riempì di risate, sorrisi e un connubio multiculturale di danza.En: The square filled with laughter, smiles and a multicultural mix of dance.It: Quel momento diventò indimenticabile per Marco, Sofia e per tutti coloro che si ritrovarono in Piazza Navona quel giorno.En: That moment became unforgettable for Marco, Sofia and for all those who met in Piazza Navona that day.It: La gioia e la condivisione di una passione comune avevano superato le barriere culturali e linguistiche, creando un'esperienza di scambio culturale autentico e positivo.En: The joy and sharing of a common passion had overcome cultural and linguistic barriers, creating an experience of authentic and positive cultural exchange.It: Quando finalmente la melodia della tarantella si spense, Marco e Sofia si guardarono negli occhi, grati l'uno dell'altro per aver condiviso un momento così speciale.En: When the melody of the tarantella finally died away, Marco and Sofia looked into each other's eyes, grateful for sharing such a special moment.It: Con un sorriso e un caloroso abbraccio, si separarono, lasciando la piazza con una nuova dose di energia e allegria nel cuore.En: With a smile and a warm hug, they parted ways, leaving the square with a new dose of energy and happiness in their hearts.It: Marco tornò a ballare la tarantella nelle piazze di Roma, portando con sé il ricordo di quel giorno in cui la sua passione aveva creato un ponte tra culture diverse.En: Marco returned to dancing the tarantella in the squares of Rome, bringing with him the memory of that day when his passion had created a bridge between different cultures.It: E così, la magia della musica e della danza continuò a risuonare nelle piazze di Roma, creando connessioni umane e momenti di gioia che arricchivano la vita di chiunque avesse il coraggio di seguire il ritmo del proprio cuore.En: And so, the magic of music and dance continued to resonate in the squares of Rome, creating human connections and moments of joy that enriched the life of anyone brave enough to follow the rhythm of their heart. Vocabulary Words:It: Erawas: unaa: tiepidawarm: giornataspring: diday: primaverain: aRome: Romaand: eMarco: Marcoan: unItalian: italianopassionate: appassionatoabout: dimusic: musicaand: edance: danzawas: siin: trovavathe: nellarenowned: rinomataPiazza: PiazzaNavona: NavonaStreet: Gliartists: artistiperformed: si esibivanoattracting: attirandothe: l'attention: attenzioneof: deifascinated: turistitourists: affascinati

“The universities do not teach all things, so a doctor must seek out old wives, gypsies, sorcerers, wandering tribes, old robbers, and such outlaws and take lessons from them. A doctor must be a traveler… Knowledge is experience.” — Paracelsus“They indulged in disgraceful immodesty, for many women, during this shameless dance and mock-bridal singing, bared their bosoms, while others of their own accord offered their virtue.” — C. Browerus describing the 1374 Dancing Plague Weird seems like the most appropriate word to describe today's subject, and yet ‘weird' feels like an understatement. On July 14, 1518, in Strasbourg, a lady named Troffea began dancing in the streets. Ok… that doesn't sound too weird. Just bare with me… Troffea didn't reply to questions or requests from her frustrated husband that she stopped. She had somehow slipped in a whole different state of consciousness and kept dancing until she passed out from exhaustion. As soon as she woke up, she started dancing again. This process of compulsive dancing and passing out went on for days until Troffea's feet were covered in blood. But the real problem began when others fell under the same spell and joined in the dance… And that's not the worst part. Before long, many of them began dropping off dead from heart attacks caused by the excessive effort. No matter how self-destructive the dance could be, the people afflicted simply couldn't stop. Strasbourg had been hit with the weirdest plague in history… a dancing plague. As we explore the mystery of the dancing plague, we end up discussing the black plague, anti-Semitism, the corruption of the church, martyrs and saints, creepy fairy tales, the origin of Tarantella music, the limits of medicine in the 1500s, Paracelsus, mass hallucinations, collective hysteria, the placebo effect, and much more. If you feel generous and enjoy History on Fire, please consider joining my Patreon at https://www.patreon.com/historyonfire to access plenty of bonus content. All the links to History on Fire social media can be found at https://linktr.ee/danielebolelli Including the HOF YouTube Channel: https://www.youtube.com/channel/UCFCiqHbWJO26nFzUP-Eu55Q Substack: https://substack.com/@danielebolelliInstagram: https://www.instagram.com/historyonfire/TikTok: https://www.tiktok.com/@historyonfirepodcast Bison is some of the healthiest meat you could possibly eat. Get yours at https://dakotapurebison.com/ History on Fire listeners get a discount by using the code HOF10 at checkout. This episode is sponsored by HelloFresh, America's # 1 meal kit. Go to https://www.hellofresh.com/hof16 and get 16 free meals plus free shipping! Also, thank you to Hillsdale College for sponsoring this episode. Checkout Hillsdale.edu/historyonfire to have access to free online courses.

Time to learn a thing or two with Brit Crampsie! What are the Republicans doing wrong? What could Democrats be doing right? How do we talk about the budget without boring people to death?

A sequence of photographs suggests all the photographs missing from the sequence. What does it mean when one person in a relationship takes all the photos? When is a key not a key?   On this episode, we talk: Surviving the heat, big horn sheep, snake invasion, roadrunners, Tim Powers novels, the Tarantella, the Theatre Royale of Castlemaine, the Radical Nudist Psychedelic Jug Band Band, public nudity, nude Starbucks, codpieces, Eldridge Cleaver, cognitive dissonance, the autonomous instinctive animal network within humans, mowing the lawn late at night, documenting subjectivity objectively, phantom forms, reverse pareidolia, Tom Waits, garage bands, believing in characters, the most photographed person of all time, sticking to an image, late-night TV show hosts, “real comes before important,” compulsively photographing things, the need to document, beck and call, trunks full of old photographs, intent, pictures of the moon, the end of photography as a fine art, just seeing the image, the musicality of language vs. the concrete rules of plot, holograms, simple principles, skirting around elitism, Round Table imaginative challenge, The Last Room, creating riddles, DIY instruments, translating the avant garde into pop culture, and cold tundra.

We're back yet again with a new composer bio and music analysis! We hope you enjoy it! Be sure to like and share with a friend!  Music: https://imslp.org/wiki/Category:Szymanowski,_Karol https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode

We're back, now wherever you get your podcasts! This week we get up to speed with the words that Gen Z are using, chat about our trip to Dubai and try to make the most of our new connections to get our song Tarantella by Joel Fletcher x Orkestrated on the radio. Get more Sooshi at sooshimango.com CREDITS  Hosts: Joe Salanitri, Carlo Salanitri, Andrew ManfreProducer: James Blake Social and Digital Producer: Nick Barrett Audio Imager: Nat MarshallManaging Producer: Sam Cavanagh  See omnystudio.com/listener for privacy information.

Uno spettacolo multidisciplinare che esplora la tradizione, il significato e il simbolismo della Pizzica e della Tarantella in chiave moderna.

Our Taren-Tell-All continues in this very special bonus episode. Bree and Claire catch up with this week's superb guest star, Amy Acker. They discuss their audition room stories, how Amy got into character, and all the amazing work she's done post Grimm!To leave Claire, Bitsie, and Bree a message for them to answer on the show, please go to https://bit.ly/TheGrimmCastHosts: Claire Coffee, Bitsie Tulloch, Bree TurnerExecutive Producers: Rebecca Eisenberg & Todd MillinerCoordinator & Researcher: Riley VilliersResearcher: Emily BentonProduction & Editing by: Rabbit Grin ProductionsOriginal Music by: Richard MarvinOriginally developed and produced by: Claire Coffee and Erica Tuchman

This week it's a Taren-Tell-All with the one and only Sasha Roiz! Bree, Claire and Sasha reminisce about their time on the show, Sasha's charity work in Portland, and how much Sasha was told about the future of Captain Renard.To learn more and donate to Doernbecher, you can visit https://give.ohsufoundation.org/To leave Claire, Bitsie, and Bree a message for them to answer on the show, please go to https://bit.ly/TheGrimmCastHosts: Claire Coffee, Bitsie Tulloch, Bree TurnerExecutive Producers: Rebecca Eisenberg & Todd MillinerCoordinator & Researcher: Riley VilliersResearcher: Emily BentonProduction & Editing by: Rabbit Grin ProductionsOriginal Music by: Richard MarvinOriginally developed and produced by: Claire Coffee and Erica Tuchman

Domenica 20 novembre, nel quartiere di Reservoir, si tiene la prima edizione di un festival tutto dedicato alla musica e alle danze tradizionali del Sud Italia.

"Progetto Tarantella" si esibirà domenica 20 novembre all'evento “Segmento Tarantella Festival”. Abbiamo parlato con tre dei quattro musicisti di questo gruppo.

Abrimos con sones afrolatinos, desde Venezuela, Perú y con conexión madrileño-habanera. Seguimos con diversas perspectivas de las raíces sonoras europeas, desde Polonia, Serbia e Italia, y terminamos con conexiones afrofuturistas entre Bélgica y el Congo y el sonido del "afrobeat", enlazando Chile con Nigeria y Mali y desembocando en Brasil. We open with Afro-Latin sounds, from Venezuela, Peru and with a Madrid-Havana connection. We continue with different visions of the European musical roots, from Poland, Serbia and Italy, and we finish with afrofuturist connections between Belgium and Congo and the sound of afrobeat, linking Chile with Nigeria and Mali and ending in Brazil. El Combo Batanga - Toca la campana - El que la rompe la paga [single] Los Dementes - Rareza en mozambique - Manicomio a locha Mario Allison y su combo - El boogashake - El boogashake [single] Tuleje - Dziczka - Ciche miejsca Alice in WonderBand - Uci me majko karaj me - Rikataka Chi Sonâ e Cantâ No Nmórë Majï - Tarantella di Sannicandro - Chi sonâ e cantâ no nmórë majï Nyati Mayi & The Astral Synth Transmitters - Elderflower - Lulunga tales Newen Afrobeat ft Seun Kuti & Cheick Tidiane Seck - Opposite people - Mukambo presents: Global afrobeat movement, vol. 3 [V.A.] Abayomy Afrobeat Orquestra - Eru - Mukambo presents: Global afrobeat movement, vol. 3 [V.A.] Imagen: / Image: Nyati Mayi

David Popper - Tarantella Maria Kliegel, cello Bernd Glemser, piano More info about today's track: Naxos 8.550785 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Franz Liszt - Venezia e Napoli: Tarantella Jeno Jando, piano More info about today's track: Naxos 8.550549 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Muzio Clementi - Tarantella Dominic Cheli, piano More info about today's track: Naxos 8.573711 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Giuseppe Martucci - Tarantella Orchestra Sinfonica di Roma Francesco La Vecchia, conductor More info about today's track: Naxos 8.570930 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Smith says, “When a wave begins, it gathers momentum, so with this collection of music I see a gathering of energy into our modern era. I perceive this momentum in each of these composers' works as propelling the arts forward in their time… And so, we continue today in the wave of momentum which began long ago.”Momentum Track ListSergei Sergeyevich Prokofiev (1891-1953) – Cello Sonata in C Major, Op. 119     1. I. Andante grave [11:59]     2. II. Moderato [5:07]     3. III. Allegro ma non troppo [8:23]Igor Fyodorovich Stravinsky (1882-1971) – Suite Italienne     4. I. Introduzione [2:25]     5. II. Serenata [3:16]     6. III. Aria [5:21]    7. IV. Tarantella [2:20]     8. V. Minuetto e Finale [4:48]Nadia Boulanger (1887-1979) – Trois Pièces pour violoncelle et piano     9. I. Modéré [3:10]     10. II. Sans vitesse et à l'aise [1:49]    11. III. Vite et nerveusement rythmé [2:46]Total Time: 51:24Purchase the music (without talk) at:Momentum (classicalmusicdiscoveries.store)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Katy Salomon representing Primo Artists.

Episode #251 of BGMania: A Video Game Music Podcast. This week on the show, Bryan and Bedroth from RPGera are back with a late-posting episode (apologies!) with our usual quarterly Composer Appreciation, this time focusing on the work of Austin Wintory! Email the show at bgmaniapodcast@gmail.com with requests for upcoming episodes, questions, feedback, comments, concerns, whatever you want really! Special thanks to our Executive Producers: Jexak & Xancu. EPISODE PLAYLIST AND CREDITS Spirit of the Cosmos -Main Theme- from Ages of Athiria [Austin Wintory, Unreleased] Top Hats and Sword Canes from Assassin's Creed Syndicate [Austin Wintory, 2015] Bellafide's Tarantella from Tooth and Tail [Austin Wintory, 2017] Can't Resist from Monaco: What's Yours Is Mine [Austin Wintory feat. Laura Vall, 2013] No Life Goes Forever Unbroken from The Banner Saga [Austin Wintory, 2014] Our Steps, To the Night from The Banner Saga 2 [Austin Wintory, 2016] Ruin Beyond the Walls from The Banner Saga 3 [Austin Wintory, 2018] Is That Her from Erica [Austin Wintory, 2019] Larry Reloaded from Leisure Suit Larry: Reloaded [Austin Wintory, 2013] Balaenoptera Musculus from Abzu [Austin Wintory, 2016] Atonement from Journey [Austin Wintory, 2012] Risryn Rogue from Absolver [Austin Wintory, 2017] Elysium from John Wick Hex [Austin Wintory, 2019] The Path to Salvation from The Pathless [Austin Wintory, 2020] SUPPORT US Patreon: https://patreon.com/rpgera CONTACT US Website: https://rpgera.com Discord: https://discord.gg/cC73Heu Twitch: https://twitch.tv/therpgera Twitter: https://twitter.com/OriginalLDG Instagram: https://instagram.com/bryan.ldg/ Facebook: https://facebook.com/leveldowngaming RPGERA PODCAST NETWORK Very Good Music: A VGM Podcast --- Send in a voice message: https://anchor.fm/bgmania/message

Severed Sons PresentsRolling in the NetherdeepEpisode 8After helping Verin Thelyss fend off a demonic incursion, Lapuhs, Orgoth, and North split up and explore the town.Watch us live on Wednesdays 4:30 Eastern/1:30 Pacific on Twitch!Thanks to Wizards of the Coast, DnD Beyond, and Critical Role for helping us build worlds of adventure!Ron Murphy – DM, @ron88keysRBDMWilvan Grandmane – Ross Griffin, @griffRMLaphus Prismawing - Jaiden, @foxtrotfalloutOrgoth Skullcrusher - Bill Roper, @billroperNorth Star Maedrick - Jaime, @suburbancrypticFollow us on Twitter at @SeveredSonsDnD!Join our Discord! Join our Patreon!Give us a review on Apple Podcasts, Podchaser, Spotify,  GoodPods or on our Twitter page and we'll read it on the air.  Keep on rolling! Support the show

Ay oh! Oh ay! It's time to revisit Double Identity! Dance the Tarantella with QLP hosts Allison Pregler, Matt Dale and Christopher DeFilippis as they travel to 1965 Brooklyn to review Sam's Leap as a mafia hitman making it with the Don's goomah. Banga-banga-banga! You'll have more fun than Nona at bingo. If we're lyin', […]

In this episode Gyles and Aphra Brandreth meet award winning poet Grace Nichols, recipient of the 2021 Queen's Gold Medal for Poetry. Meeting at her home in Lewes, East Sussex, Grace takes us on a journey to Guyana sharing stories of growing up in a small country village before moving to the capital George Town and eventually migrating to England.  Poems this episode include: Picture my Father, Wha Me Mudder Do and For Forest, all by Grace Nichols, Looking At Your Hands By Martin Carter and Tarantella by Hilaire Belloc. 

Pizzica, Taranta, Tarantella ... tanti nomi e varianti per una danza dalla storia antica e sorprendente. Se anche oggi possiamo ammirare esperti musicisti e ballerine esibirsi in queste danze ritmate e estremamente coinvolgenti, sappiate che la loro storia e il loro significato sono molto più complessi di quanto appare. La leggenda vuole che tutto sia nato con il morso di un insetto velenoso .... Pizzica, Taranta, Tarantella ... many names and variants for a dance with an ancient and surprising history. If even today we can admire expert musicians and dancers performing these rhythmic and extremely engaging dances, know that their history and their meaning are much more complex than it appears. Legend has it that it all started with the bite of a poisonous insect ....

How does a composer capture the spirit of a country, especially if it's not his native land?  Mendelssohn, in his Italian Symphony, gives us one of the best examples of someone doing just that, giving us a tightly integrated, yet highly independent set of 4 snapshots from his travels all over Italy.  And yet, despite the piece being called the Italian Symphony and being indelibly associated with the country, the symphony remains a relatively traditional 4 movement German classical symphony.  What we hear then is a brilliant amalgamation of a symphony and a tone poem that is among the first of its kind.  The symphony tells no story, has no narrative, and yet, when we finish the breathless Tarantella that ends the piece, we feel like we've been flicking through a photo album of Felix's vacation, smiling (mostly) all along the way. Today we'll talk all about how Mendelssohn builds this symphony and how each movement captures such a distinctive character, while remaining Mendelssohnian to its core - kind, warm-hearted, and full of bubbling energy. Join us!

JOSÉ MARÍA PRESENTA: JUNIO DE BALLETS     Leo Délibes: “Coppélia” (Mazurka)    Claude Debussy: “La boîte à joujoux” (“La caja de juguetes”)   ·        El sueño de la caja   ·        La tienda de juguetes    Josef Bayer: “La muñeca hada”   ·        Preludio   ·        Marcha triunfal   ·        Galop   ·        El regreso a las cajas    Gioachino Rossini - Ottorino Respighi: “La boutique fantasque” (“La juguetería fantástica”)   ·        Tarantella   ·        Mazurka    Erik Satie: “Jack in the box” (Orq. Darius Milhaud).

Synopsis Merriam-Webster's defines a “gazebo” as “a freestanding roofed structure usually open on the sides. To most Americans, however, “gazebo” conjures up warm, summer days spent out-of-doors: If you imagine yourself inside a gazebo, you're probably enjoying a cool beverage while gazing out at the greenery – or, if you fancy yourself outside one, you're probably seated in a lawn chair, gazing at a group of gazebo-sheltered band musicians playing a pops concert for your entertainment. In the early 1970's, the American composer John Corigliano wrote a series of whimsical four-hand piano dances he dedicated to certain of his pianist friends, and then later arranged these pieces for concert band, entitling the resulting suite “Gazebo Dances. “ “The title,” explained Corigliano, “was suggested by the pavilions often seen on village greens in towns throughout the countryside, where public band concerts are given in the summer. The delights of that sort of entertainment are portrayed in this set of dances, which begins with a Rossini-like Overture, followed by a rather peg-legged Waltz, a long-lined Adagio, and a bouncy Tarantella.” The concert band version of Corigliano's “Gazebo Dances” was first performed in Indiana on today's date in 1973, by the University of Evansville Wind Ensemble, with Robert Bailey conducting. Music Played in Today's Program John Corigliano (b. 1938) – Gazebo Dances (University of Texas Wind Ensemble; Jerry Junkin, cond.) Naxos 8.559601

VISIT OUR SPONSORS: Louisiana Renaissance Festival https://www.larf.net/   The Ren Cruise https://www.therencruise.com/    SONGS Simon Saz performed by Masala Fusion from the album Primero https://www.masalafusiondance.com Sally Gardens performed by Kathleen Johnson from the album Faire Music http://kathleen-johnson.com A Declaration of Independence performed by Ye Banished Privateers from the album First Night Back In Port http://yebanishedprivateers.com/ Tarantella performed by New Minstrel Revue from the album Many Hands Unknown Website Stella Splendens performed by Peter D'Piper from the album Intempore Spiritus http://www.peterdpiper.com/ Whiskey In The Jar performed by King's Busketeers from the album Boston To Belfast - The Bedroom Sessions https://www.thekingsbusketeers.com Star of the County Down performed by The Cross Jacks from the album The Cross Jacks https://sites.google.com/site/thecrossjacks/ Tourdion performed by Wolgemut from the album Schauspeluden I https://wolgemut.net Rattlin' Bag performed by Mickle a Do from the album Dear Friends And Gentle Hearts Unknown Website A Crayon Box performed by O' Carolan's Daughters from the album O'Carolan's Daughters: Having Fun Unknown Website Siem radasciaŭ (Los Set Gotxs) performed by Stary Olsa from the album Kola Rycerska http://staryolsa.com/en/home.html Pastime With Good Company performed by Merry Mischief from the album Heroes & Rogues http://www.merrymischief.net Traveling Minstrels performed by Rowan and the Rose from the album Friendly Traveling Minstrels https://rowanandtherose.com Fiddler's Green performed by Master 'Bones' Jangle and the Voodoo Island Cannibals from the album Lots O' Booty http://masterbonesjangle.webs.com/ SEGMENTS Festival update brought to you by The Ren List http://www.therenlist.com HOW TO CONTACT US Post it on Facebook https://www.facebook.com/renfestmusic Email us at renfestpodcast@gmail.com HOW TO LISTEN Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Pandora http://www.pandora.com/ Podbay http://www.podbay.fm/show/74073024 Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/  

Domenica 20 marzo su Sydney Road si celebra il ritorno alla normalità cantando e ballando i brani della tradizione italiana.

“The universities do not teach all things, so a doctor must seek out old wives, gypsies, sorcerers, wandering tribes, old robbers, and such outlaws and take lessons from them. A doctor must be a traveler… Knowledge is experience.” — Paracelsus“They indulged in disgraceful immodesty, for many women, during this shameless dance and mock-bridal singing, bared their bosoms, while others of their own accord offered their virtue.” — C. Browerus describing the 1374 Dancing Plague Weird seems like the most appropriate word to describe today's subject, and yet ‘weird' feels like an understatement. On July 14, 1518, in Strasbourg, a lady named Troffea began dancing in the streets. Ok… that doesn't sound too weird. Just bare with me… Troffea didn't reply to questions or requests from her frustrated husband that she stopped. She had somehow slipped in a whole different state of consciousness and kept dancing until she passed out from exhaustion. As soon as she woke up, she started dancing again. This process of compulsive dancing and passing out went on for days until Troffea's feet were covered in blood. But the real problem began when others fell under the same spell and joined in the dance… And that's not the worst part. Before long, many of them began dropping off dead from heart attacks caused by the excessive effort. No matter how self-destructive the dance could be, the people afflicted simply couldn't stop. Strasbourg had been hit with the weirdest plague in history… a dancing plague. As we explore the mystery of the dancing plague, we end up discussing the black plague, anti-Semitism, the corruption of the church, martyrs and saints, creepy fairy tales, the origin of Tarantella music, the limits of medicine in the 1500s, Paracelsus, mass hallucinations, collective hysteria, the placebo effect, and much more. If you'd like to keep following my work on Luminary, please follow my personal link to their platform to sign up. Thank you for understanding that this move is necessary to keep History on Fire viable. luminary.link/history Onnit has shown me love from day 1. So, please check out their supplements, special foods, clothing, and exercise equipment at http://www.onnit.com/history and receive a 10% discount. My lady (and author of History on Fire logo, plus producer and editor of History on Fire) has a FB public page about her art & fighting: https://www.facebook.com/NahryEm/. This is my public FB page: https://www.facebook.com/danielebolelli1/ Here is a link to the audiobook of my “Not Afraid”: http://www.danielebolelli.com/downloads/not-afraid-audiobook/ For those of you who may be interested, here is a lecture series I created about Taoist philosophy: http://www.danielebolelli.com/downloads/taoist-lectures/