Podcasts about finale allegro

Antonin Dvoràk (1841 - 1904) - Trio per pianoforte n. 3 in fa minore, op. 65 (B.130)1.       Allegro ma non troppo2.       Allegretto grazioso [14:00]3.       Poco adagio [20:40]4.       Finale: Allegro con brio [30:36] Claremont Piano Trio Emily Bruskin (violin)Julia Bruskin (cello)Donna Kwong (piano) 

Claude Debussy (1862-1918)Danses per arpa cromatica e orchestra d'archi, L 113Danse sacrée - Très modéré (fa maggiore)Danse profane - Modéré (re maggiore)Elena Gorna, arpaOrchestra Sinfonica d'ItaliaFlavio Emilio Scogna, conductor *****10:29Sonata n. 2 in fa maggiore per flauto, viola e arpa, L 145Pastorale - Lento, dolce rubatoInterlude - Tempo di minuetto (fa minore)Finale - Allegro moderato ma risolutoEmmanuel Pahud, fluteYulia Deyneka, violaAline Khouri, harp

César Franck (1822 - 1890) – Sinfonia in re minore, FWV 481.       Lento - Allegro non troppo2.       Allegretto3.       Finale Allegro non troppo Orchestre de ParisHerbert von Karajan, conductor 

Aleksandr Konstantinovič Glazunov (1865 - 1936) - Rapsodia orientale, op. 29 1. Andante (0:00)2. Presto (6:07)3. Andante (11:15)4. Moderato: all Marcia (18:00)5. Finale: Allegro (20:50) USSR State Symphony OrchestraFyodorovich Svetlanov, conductor

Riccardo Zandonai (1883 - 1944) - Concerto andalusoPer violoncello solista e piccola orchestra1.       Seguidillas: Allegretto Largo - Allegro                          [00:05]2.       Malaguenas: Allegretto                                                 [04:41]3.       Finale: Allegro non troppo, ma brillante                       [10:12] Orchestra Orchestra da Camera di TrentoGiancarlo Guarino, conductor ******- Serenata medioevale                                                            [19:30]Per violoncello solista, due corni, arpa ed archiOrchestra Orchestra da Camera di TrentoGiancarlo Guarino, conductor ******- Colombina Ouverture (sopra un tema popolare veneziano) [29:25]Orchestra del Teatro la Fenice di VeneziaCarlo Felice Cillario, conductor

Inside The Music explores works of composer Robert Schumann and the effect his love for his wife Clara had on his music. Join Derek Delaney, Artistic Director of Capital Region Classical, as he explores Schumann's compositions through live CRC performances by pianists Christian Zacharias and Arnaldo Cohen, mezzo Bernarda Fink and pianist Anthony Spiri, and the Nash Ensemble of London.Schumann: Davidsbundlertanze, Op. 6Lebhaft Innig Mit Humor Ungeduldig Einfach Christian Zacharias, piano [10/20/2016 performance]Schumann: Arabeske in C Major, Op. 18 Arnaldo Cohen, piano [1/31/1999 performance]Schumann: Frauenliebe und -leben, Op. 42 Seit ich ihn gesehenEr, der Herrlichste von allenIch kann's nicht fassen, nicht glauben Du Ring an meinem FingerHelft mir, ihr SchwesternBernarda Fink, mezzo-soprano & Anthony Spiri, piano [11/13/2016 performance]Piano Quintet in E-flat Major, Op. 44 Scherzo: Molto vivace Finale: Allegro ma non troppoThe Nash Ensemble of London [5/10/2001 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

Claude Debussy (1862-1918)Danses per arpa cromatica e orchestra d'archi, L 113Danse sacrée - Très modéré (fa maggiore)Danse profane - Modéré (re maggiore) Elena Gorna, arpaOrchestra Sinfonica d'ItaliaFlavio Emilio Scogna, conductor *****10:29Sonata n. 2 in fa maggiore per flauto, viola e arpa, L 145Pastorale - Lento, dolce rubatoInterlude - Tempo di minuetto (fa minore)Finale - Allegro moderato ma risoluto Emmanuel Pahud, fluteYulia Deyneka, violaAline Khouri, harp More info:https://www.flaminioonline.it/Guide/Debussy/Debussy-Dansarpa.htmlhttps://www.flaminioonline.it/Guide/Debussy/Debussy-Sonata145.html 

Sergei Rachmaninoff (1873 - 1943) - Youth Symphony, in re minore (1891)Grave - Allegro molto Royal Concertgebouw OrchestraVladimir Ashkenazy, direttore**********Max Bruch (1838 - 1920) - Concerto per violino n° 2, Op. 44 (1878)1. Adagio, ma non troppo2. Recitative: Allegro moderato (14:55)3. Finale: Allegro molto (19:27)London Symphony OrchestraLydia Mordkovitch, violin Richard Hickox, direttore*********Antonín Dvořák (1841-1904) - The Water Goblin Op.107Czech Philharmonic OrchestraSir Charles Mackerras, direttore

Linton Stephens tries out a classical playlist on actor and West End star Karl Queensborough. Karl's Playlist: Pyotr Tchaikovsky - Symphony no. 4 in F minor Op.36: 4th movement; Finale (Allegro con fuoco) Nathalie Joachim - Madan Bellegarde Faure - Requiem for soprano, baritone, chorus and orchestra (Op.48), Kyrie Barbara Croall - Nbiidaasamishkaamin Vincente Lucitano - Emendemus in melius Shida Shahabi - Futo

Jesus Ministries, Joan Boney  ...   Exodus 32:1  And when the people saw that Moses delayed to come down out of the mount, the people gathered themselves together unto Aaron, and said unto him, Up, make us gods, which shall go before us; for as for this Moses, the man that brought us up out of the land of Egypt, we wot not what is become of him.   They didn't even recognize the God who created the heaven and the earth was the God who brought them out of Egypt.  They thought it was Moses who brought them out.  Though they had witnessed the great wonders which God performed upon the Egyptians and how God had led them through the Red Sea and had killed Pharaoh and his men who chased after them by causing the waters of the Red Sea to go back and cover their enemies and kill their enemies.  (Ex. 14)   Exodus 32:35  And the LORD plagued the people, because they made the calf, which Aaron made.  

Jesus Ministries, Joan Boney  ...   Exodus 24   12 And the LORD said unto Moses, Come up to ME into the mount, and be there: and I will give thee tables of stone, and a law, and commandments which I have written; that thou mayest teach them.   13 And Moses rose up, and his minister Joshua: and Moses went up into the mount of God.   14 And he said unto the elders, Tarry ye here for us, until we come again unto you: and, behold, Aaron and Hur are with you: if any man have any matters to do, let him come unto them.   15 And Moses went up into the mount, and a cloud covered the mount.   Exodus 31:18  And HE (God) gave unto Moses, when HE had made an end of communing with him upon mount Sinai, two tables of testimony, tables of stone, written with the finger of God.   Church goers today often long for those tables of stone written by God as if they can worship some type of idol seen by the natural eye.   But they deceive themselves for the Bible shows us the New Covenant is far better than the Old Covenant for the New Covenant is founded on better promises of God.   If you think the Old is better, try reading the Book of Leviticus.  (I really don't want to do that again!)

F. J. Haydn (1732-109)Symphony n. 93 In D, H 1_931. Adagio - Allegro Assai 2. Largo Cantabile 3. Menuetto: Allegro - Trio - Menuetto 4. Finale: Presto ma non troppo Symphony n. 94 In G, H 1_94 ''Surprise''1. Adagio Cantabile - Vivace Assai 2. Andante3. Menuet: Allegro molto - Trio - Menuet 4. Finale: Allegro di moltoAustro-Hungarian Haydn OrchestraAdam Fischer, conductor

Anton Bruckner (1824 - 1896) - Sinfonia n. 3 in re minore "Wagner-Symphonie"1.       Gemäßigt, mehr bewegt, misterioso [00:06]2.       Adagio: Bewegt, quasi Andante: [22:02]3.       Scherzo: Ziemlich schnell: [38:29]4.       Finale: Allegro: [45:25] Berliner PhilharmonikerHerbert von Karajan, conductor

The recording is an impressive collaboration with the Grammy Award-winning partnership of Yannick Nézet-Séguin and the Philadelphia Orchestra cementing Goosby's ever-growing stature as a multifaceted talent. Building on his debut album Roots (2021), which celebrated Black classical composers, this album showcases the trailblazing composer Florence Price and German romantic composer and conductor Max Bruch.Track Listing:1 Max Bruch: Violin Concerto No.1 in G minor Op.26 / I. Vorspiel: Allegro moderato2 II. Adagio3 III. Finale: Allegro energico4 Florence B. Price: Adoration arr. Jim Gray5 Florence B. Price: Violin Concerto No.1 in D / I. Tempo moderato6 II. Andante7 III. Allegro8 Florence B. Price: Violin Concerto No.2 15.52Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

George Whitefield Chadwick (1854 –1931)Sinfonietta in Re maggiore (1904)I.        Risolutamente (0:00)II.       Canzonetta: Allegretto (4:56)III.      Scherzino: Vivacissimo e leggiero (8:41)IV.      Finale: Assai animato (14:02)BBC Concert OrchestraKeith Lockhart, direttore**********Inizia da 19'01”Suite Sinfonica in Mib maggiore (1909)I.         Allegro molto animatoII.        Romanza: Andantino espressivoIII.       Intermezzo e Humoreske: Poco allegretto IV.       Finale: Allegro molto ed energico Czech State Philharmonic Orchestra Brno Jose Serebrier, direttore

Alexander Borodin (1833-1887)-          Sinfonia n. 1 in Mib maggiore (1867) Adagio. Allegro (mi bemolle minore) Scherzo. Prestissimo (mi bemolle maggiore) Andante (re maggiore) Allegro molto vivo (mi bemolle maggiore) Royal Philharmonic Orchestra Vladimir Ashkenazy, direttore*************-          Sinfonia n. 2 in si minore "Eroica" Allegro - Animato assai (si minore) Scherzo: Prestissimo (fa maggiore) - Trio. Allegretto, prestissimo (la minore) Andante (sol bemolle maggiore) Finale: Allegro (si maggiore) Mariinsky Theatre OrchestraValery Gergiev, direttore

Carl August Nielsen (1865 –1931)Sinfonia n. 1 in sol minore,  Op. 7 (1892)I. Allegro orgoglioso II. Andante III. Allegro comodo IV. Allegro con fuoco *******[33:03]Sinfonia n.3 Op.27 "Sinfonia Espansiva" (1911)I. Allegro espansivo;II. Andante pastorale;III. Allegretto un poco;IV. Finale: Allegro. The San Francisco Symphony Herbert Blomstedt, direttore

Riccardo Zandonai (1883 - 1944) - Concerto andaluso (Per violoncello solista e piccola orchestra)1.       Seguidillas: Allegretto Largo - Allegro                    [00:05]2.       Malaguenas: Allegretto                                           [04:41]3.       Finale: Allegro non troppo, ma brillante                 [10:12] Orchestra Orchestra da Camera di TrentoGiancarlo Guarino, conductor ******- Serenata medioevale                                                                [19:30]Per violoncello solista, due corni, arpa ed archiOrchestra Orchestra da Camera di TrentoGiancarlo Guarino, conductor ******- Colombina Ouverture (sopra un tema popolare veneziano) [29:25]Orchestra del Teatro la Fenice di VeneziaCarlo Felice Cillario, conductor

Luigi Cherubini (1760 - 1842) - Sinfonia in re maggiore (1815)1.       Largo - Allegro                                                 [00:05]2.       Larghetto cantabile                                       [10:23]3.       Menuetto: Allegro non tanto - Trio        [18:37]4.       Finale: Allegro assai                                       [23:50] Orchestra Regionale della ToscanaDonato Renzetti, conductor

Anton Bruckner (1824 - 1896) - Sinfonia n. 3 in re minore "Wagner-Symphonie"1.       Gemäßigt, mehr bewegt, misterioso [00:06]2.       Adagio: Bewegt, quasi Andante: [22:02]3.       Scherzo: Ziemlich schnell: [38:29]4.       Finale: Allegro: [45:25] Berliner PhilharmonikerHerbert von Karajan, conductor

George Whitefield Chadwick (1854 –1931)Sinfonietta in Re maggiore (1904)I.         Risolutamente (0:00)II.       Canzonetta: Allegretto (4:56)III.     Scherzino: Vivacissimo e leggiero (8:41)IV.    Finale: Assai animato (14:02)BBC Concert OrchestraKeith Lockhart, direttore**************Inizia da 19'01”Suite Sinfonica in Mib maggiore (1909)I.         Allegro molto animatoII.       Romanza: Andantino espressivoIII.     Intermezzo e Humoreske: Poco allegretto IV.    Finale: Allegro molto ed energico Czech State Philharmonic Orchestra Brno Jose Serebrier, direttore

Alexander Borodin (1833-1887)Sinfonia n. 1 in Mib maggiore (1867) Adagio. Allegro (mi bemolle minore) Scherzo. Prestissimo (mi bemolle maggiore) Andante (re maggiore) Allegro molto vivo (mi bemolle maggiore) Royal Philharmonic Orchestra Vladimir Ashkenazy, direttore*************Sinfonia n. 2 in si minore "Eroica" Allegro - Animato assai (si minore) Scherzo: Prestissimo (fa maggiore) - Trio. Allegretto, prestissimo (la minore) Andante (sol bemolle maggiore) Finale: Allegro (si maggiore) Mariinsky Theatre OrchestraValery Gergiev, direttore

Carl August Nielsen (1865 –1931)Sinfonia n. 1 in sol minore,  Op. 7 (1892)I. Allegro orgoglioso II. Andante III. Allegro comodo IV. Allegro con fuoco *******[33:03]Sinfonia n.3 Op.27 "Sinfonia Espansiva" (1911)I. Allegro espansivo;II. Andante pastorale;III. Allegretto un poco;IV. Finale: Allegro. The San Francisco Symphony Herbert Blomstedt, direttore

Antonin Dvoràk (1841 - 1904) - Serenata per archi in mi maggiore, op. 22 (B. 52)I. ModeratoII. Menuetto: Allegro con moto - TrioIII. Scherzo: VivaceIV. LarghettoV. Finale: Allegro vivace Academy of St. Martin in the FieldsSir Neville Marriner, direttore __________________________________________Antonin Dvoràk (1841 - 1904) - Sinfonia n. 7 in re minore, op. 70 (B. 141)I. Allegro maestosoII. Poco adagioIII. Scherzo: Vivace - Poco meno mossoIV. Finale: AllegroCzech Philharmonic OrchestraVáclav Neumann, direttore 

Todos os anos, o dia 20 de julho é lembrado como o Dia do Amigo. Mas o que é a amizade? Uma das respostas é que ela é parte fundamental da vida. A Filosofia oferece uma visão profunda sobre o tema, entendendo-a como força de união entre os seres humanos, que implica em esforço, amor e compromisso. Participantes: Thiago Almada e Pedro Guimarães Trilha: Mozart - Simfonia 39 - Finale - Allegro

Welkom bij de Podcast Napraten van het Zeeuws Orkest. In deze Podcast laten we fragmenten horen van de concerten en bespreken deze met Ivan Meylemans onze chef-dirigent en Jakko van der Heijde, directeur van de opname studio Zefir, die de registratie van de concerten voor ons verricht. De maart concerten 2022 waren voor strijkorkest met een programma voor de pauze van Elgar en Dvorak en na de pauze Putz en Schostakovich. Met een bijzondere combinatie van solisten een piano en een trompet. De concerten van Het Zeeuws Orkest die worden opgevoerd in de Zeeuwse Concertzaal nemen we als het maar enigzins mogelijk is, op.   De delen waar het orkest heel tevreden over is, worden in onze playlist hoogtepunten  van 2022 op spotify opgenomen. Dit keer laten we u in deze Podcast ook delen horen, die niet op spotify komen. Een concert is een levende ervaring en hoeft niet altijd perfect te zijn. En dat is ook niet geschikt voor spotify. Maar wij denken dat onze vaste bezoekers het wel leuk vinden om mee te luisteren met de deskundigen en hun verklaringen te horen. Wat wij deze Podcast voor het eerst doen is een kwetsbaar proces. Het zou ervaren kunnen worden als kritiek, maar dat is het juist niet. Het menselijke van de concertervaring is juist dat het niet altijd perfect is, maar wel zeer gewaardeerd wordt.   In het eerste deel van deze podcast serie hebben wij dit uitgebreid toegelicht.,   Het volledige programma van het concert was: Edward Elgar – Serenade for strings                            I.          Allegro                           II.          Larghetto                         III.          Allegretto   Antonin Dvorák – Serenade for strings                            I.          Moderato                           II.          Tempo di Valse                         III.          Scherzo: Vivace                         IV.          Larghetto                          V.          Finale: Allegro vivace   ---------pauze------------   Marco Pütz  – Conversations for trumpet, piano and stringorchestra 1 – Interview  2 – Eerste gesprek 3 – Levendige Dialoog met… ?  4 – Disputatie/onenigheid 5 – Verzoeningspraatje  6 – Monoloog  7 – Slotgesprek   Dmitri Shostakovich – Concerto nr 1 for piano, trumpet and stringorchestra                            I.          Allegro moderato                           II.          Lento                         III.          Moderato                         IV.          Allegro con brio

Welkom bij de Podcast Napraten van het Zeeuws Orkest. In deze Podcast laten we fragmenten horen van de concerten en bespreken deze met Ivan Meylemans onze chef-dirigent en Jakko van der Heijde, directeur van de opname studio Zefir, die de registratie van de concerten voor ons verricht.   De maart concerten 2022 waren voor strijkorkest met een programma voor de pauze van Elgar en Dvorak en na de pauze Putz en Schostakovich. Met een bijzondere combinatie van solisten ee piano en een trompet. Op de achtergrond hoort u zijn Pianoconcert nr 1   De concerten van Het Zeeuws Orkest die worden opgevoerd in de Zeeuwse Concertzaal nemen we als het maar enigzins mogelijk is - op.   De delen waar het orkest heel tevreden over is, worden in onze playlist hoogtepunten van 2022 opgenomen.   Dit keer laten we u in deze Podcast ook delen horen, die niet op spotify komen. Een concert is een levende ervaring en hoeft niet altijd perfect te zijn. En dat is ook niet geschikt voor spotify. Maar wij denken dat onze vaste bezoekers het wel leuk vinden om mee te luisteren met de deskundigen en hun verklaringen te horen.   Wat wij deze Podcast voor het eerst doen is een kwetsbaar proces. Het zou ervaren kunnen worden als kritiek, maar dat is het juist niet. Het menselijke van de concertervaring is juist dat het niet altijd perfect is, maar wel zeer gewaardeerd wordt.   In het eerste deel van deze podcast serie hebben wij dit uitgebreid toegelicht.,   Het volledige programma van het concert was: Edward Elgar – Serenade for strings                            I.          Allegro                           II.          Larghetto                         III.          Allegretto   Antonin Dvorák – Serenade for strings                            I.          Moderato                           II.          Tempo di Valse                         III.          Scherzo: Vivace                         IV.          Larghetto                          V.          Finale: Allegro vivace   ---------pauze------------   Marco Pütz  – Conversations for trumpet, piano and stringorchestra 1 – Interview  2 – Eerste gesprek 3 – Levendige Dialoog met… ?  4 – Disputatie/onenigheid 5 – Verzoeningspraatje  6 – Monoloog  7 – Slotgesprek   Dmitri Shostakovich – Concerto nr 1 for piano, trumpet and stringorchestra                            I.          Allegro moderato                           II.          Lento                         III.          Moderato                         IV.          Allegro con brio

Alexandre Tansman (1897-1986) – Strijkkwartet nr.2 (1922) Modéré, 2. Lent, 3. Scherzo: molto vivace, 4. Finale: Allegro giusto Uitvoerenden: Silesian String Quartet Jerzy Fitelberg (1903-1951) – Strijkkwartet nr.1 (1926) Presto, 2. Andante, 3. Allegro, 4. Molto allegro, 5. Presto Uitvoerenden: ARC Ensemble Jerzy Fitelberg (1903-1951) – Strijkkwartet nr.2 (1928) Presto. 2. Andante, 3. Presto Uitvoerenden: […]

制作本期节目的时候，已经是北京朝阳区居民居家的第 7 天，集体核酸的第 4 轮，更是上海居民熬过的第 2 个月。我们不知道大家都是如何在这样的状况下，平复自己不断波动的情绪，或许我们可以把目光转移到更久、更远的地方，比如历史里、虚构的世界甚至地下世界里。本期节目，我们从两部影像作品出发，一部考古题材电影《发掘》(The Dig)，一部由陈丹青老师讲述北朝墓葬壁画的影像作品《线条的盛宴》，展开去聊一聊历史与当下，时间与生死，以及在时间长河中那些被发掘的与被埋葬的。重新确认并守护好那些微小而顽强的火光。当我们将目光投向远方的时候，我们的心其实从来未曾离开过当下。【欢迎加入听友群】入群方式 A：微信添加小助手 Amber (ID: hellomarcast)，拉你入群入群方式 B：关注公众号「午夜飞行」 (ID: midnightflyfly)，回复「听友群」三个字，即可获取入群通道【节目主播/制作】VC (微博: @VividCrystal https://weibo.com/u/1241505120 )节目微博：@午夜飞行Official https://weibo.com/u/7298580324公众号：午夜飞行【本集涉及作品】1. 电影《发掘》(The Dig) Netflix 20212. 陈丹青《线条的盛宴》 看理想3. 王瑞芸《西方艺术三万年》 看理想4. CCTV《故事里的中国》第三季 20220508 樊锦诗【参考资料】1.《发掘》里被湮没的女性故事：萨顿胡遗址背后的女性们https://movie.douban.com/review/13639270/2.The British Musume - Curator's Corner：萨顿胡船藏头盔（中文字幕）https://www.bilibili.com/video/BV1of4y1s7X9?spm_id_from=333.337.search-card.all.click【本集音乐】All music credits to:1. Concerto No.3 In D Minor After Alessandro Marcello, Bwv 974 Ii. Adagio - 坂本龍一2. Má vlast (My Fatherland)：No. 2. Vltava (Moldau) - Rafael Kubelík,Symphonieorchester des Bayerischen Rundfunks3. Symphony No.40 in G minor K.550：4. Finale (Allegro assai) - Sir Georg Solti,Chamber Orchestra of Europe4. The Dig 电影原声 - Stefan Gregory http://www.stefangregory.com.au/【关于节目】「午夜飞行」是一档关注旅行、城市、文化和生活的播客节目，由 VC 主持/制作，力求用声音将多彩的城市故事带给你。微博：@午夜飞行Official / 公众号：午夜飞行 本播客由 Marcast Media 制作出品。也欢迎你订阅收听 Marcast 旗下的其他播客节目，微博/公众号：@Marcast，商务合作联系：hello@marcastmedia.com https://weibo.com/u/2743283854

George Whitefield Chadwick (1854 –1931)Sinfonietta in Re maggiore (1904)I.         Risolutamente (0:00)II.       Canzonetta: Allegretto (4:56)III.     Scherzino: Vivacissimo e leggiero (8:41)IV.    Finale: Assai animato (14:02)BBC Concert OrchestraKeith Lockhart, direttore**********Inizia da 19'01”Suite Sinfonica in Mib maggiore (1909)I.         Allegro molto animatoII.       Romanza: Andantino espressivoIII.     Intermezzo e Humoreske: Poco allegretto IV.    Finale: Allegro molto ed energico Czech State Philharmonic Orchestra Brno Jose Serebrier, direttore

Alexander Borodin (1833-1887)-          Sinfonia n. 1 in Mib maggiore (1867) Adagio. Allegro (mi bemolle minore)  Scherzo. Prestissimo (mi bemolle maggiore) Andante (re maggiore) Allegro molto vivo (mi bemolle maggiore) Royal Philharmonic Orchestra Vladimir Ashkenazy, direttore*************-          Sinfonia n. 2 in si minore "Eroica" Allegro - Animato assai (si minore) Scherzo: Prestissimo (fa maggiore) - Trio. Allegretto, prestissimo (la minore) Andante (sol bemolle maggiore) Finale: Allegro (si maggiore) Mariinsky Theatre OrchestraValery Gergiev, direttore

Carl August Nielsen (1865 –1931)Sinfonia n. 1 in sol minore,  Op. 7 (1892)I. Allegro orgoglioso II. Andante III. Allegro comodo IV. Allegro con fuoco *******[33:03]Sinfonia n.3 Op.27 "Sinfonia Espansiva" (1911)I. Allegro espansivo;II. Andante pastorale;III. Allegretto un poco;IV. Finale: Allegro.The San Francisco Symphony Herbert Blomstedt, direttore

Béla Bartók (1881-1945) – Strijkkwartet nr.5 (1934) Allegro, 2. Adagio molto, 3. Scherzo, alla bulgarese, 4. Andante, 5. Finale (Allegro vivace)   Uitvoerenden: Ragazze Quartet Béla Bartók (1881-1945) – Strijkkwartet nr.6 (1939) Mesto – Più mosso, pesante – vivace, 2. Mesto – Marcia, 3. Mesto – Burletta – moderato, 4. Mesto   Uitvoerenden: Ragazze Quartet […]

¿Qué es la música de cámara? ¿Cómo se le llama al conjunto de dos instrumentos? ¿Y a los conjuntos de tres, cuatro o más? ¿Por qué este tipo de música estaba tan de moda en el siglo XIX? ¿Y qué instrumentos podemos escuchar en la música de cámara? En este episodio nerdeamos un poco y se lo explicamos todo de forma sencilla a los niños. Vamos de dos a 9 instrumentos y escuchamos un poco de música sin olvidarnos de nuestro compositor del mes, Johannes Brahms.  La música que vas a escuchar en el episodio de hoy sobre agrupaciones musicales en la música de cámara.    00:37   16 Waltzes, Op. 39: Waltz No. 13 in B Minor, por Johannes Brahms. Interpretado por Jenő Jandó.  01:21   Sonata No. 5 in F Major for Violin and Piano, Op. 24, "Spring": I. Allegro, por Ludwig van Beethoven. Interpretado por Nora Chastain & Friedemann Rieger.  02:53   Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi menuetto por Johannes Brahms. Interpretado por Maria Kliegel & Kristin Merscher.  03:22   Clarinet Sonata in F Minor, Op. 120, No. 1: III. Allegretto grazioso, por Johannes Brahms. Interpretado por Kalman Berkes & Jenő Jandó.  04:01   Piano Trio in G Minor, Op. 17: II. Scherzo: Tempo di Menuetto, por Clara Schumann. Interpretado por Andrea Noferini, Francesco Nicolosi & Rodolfo Bonucci.  05:11   Trio for Violin, Horn and Piano in E-Flat Major, Op. 40: IV. Finale: Allegro con brio, por Johannes Brahms. Interpretado por Madoka Inui, Wolfgang Tomboeck & Johannes Tomboeck.  05:44   Quartet for Strings No. 12 In F Major, Op. 96 "American String Quartet": Molto Vivace por Antonín Dvořák. Interpretado por Bamberg Quartet.  06:28   Quartet for Flute, Guitar, Viola & Cello, D. 96 (After Wenzel Matiegka's Nocturne, Op. 21): V. Tema con variazioni, "Mädchen o schlumm're noch nicht" por Franz Schubert. Interpretado por Luise Walker, Gottfried Hechtl, Jürgen Geise & Wilfried Tachezi.  06:54   Quartet for Oboe, Violin, Viola and Violoncello In F Major, K. 370: III. Rondo-Allegro por Wolfgang Amadeus Mozart. Interpretado por Endres Quartet, Alfred Sous, Heinz Endres, Fritz Ruf & Adolph Schmidt.  07:31   Piano Quintet in A Major, D. 667 "The Trout": II. Andante por Franz Schubert. Interpretado por Colorado String Quartet & Emmy Verhey.  08:05   String Sextet No. 1 in B-Flat Major, Op. 18: II. Andante ma moderato por Johannes Brahms. Interpretado por Stuttgart Soloists.  08:56   Septet In e Flat Major, Op.20: III. Tempo Di Minuetto por Ludwig van Bethoven. Interpretado por Ostgota Symphonic Wind Ensemble & Olof Boman.  10:29   String Octet in E-Flat Major, Op. 20: III. Scherzo: Allegro leggierissimo por Felix Mendelssohn. Interpretado por Auer Quartet & Kodály Quartet.  11:48   Nonet in E flat major, Op. 38: III. Scherzo: Vivace por Louise Farrenc. Interpretado por Kevin Geraldi & Minerva Chamber Ensemble.    Si te gusta el episodio, califícalo en tu app favorita  o puedes dejar tu review. :)  No te pierdas ningún episodio. Suscríbete a la newsletter en allegromagico.com/suscribirme y aprendan conmigo sobre música clásica. Síguenos en: Facebook, Twitter, Instagram y Pinterest.  Web: allegromagico.com    ¿Quieres aprender lo básico de música clásica de forma fácil? Checa nuestra guía para jóvenes y adultos.  ¿Ya han escuchado tus niños uno de los cuentos musicales más llamativos que existen? Las Cuatro Estaciones de Vivaldi es una obra ideal para niños. 

HISTORIAS DE COMPOSITORES PARA NIÑOS Muy, muy famoso, y con una barba larga en sus últimos años (casi como Papá Noél / Santa Claus), es considerado uno de los grandes compositores de todos los tiempos: Brahms -junto con Beethoven y Bach- es parte de “Las tres B's” o “La Sagrada Trinidad” de la música clásica. Su música es tremendamente emocional y expresiva: una joya por descubrir para toda la familia.  La Música de Johannes Brahms que podrás conocer en este episodio 00:33  21 Hungarian Dances, WoO 1 (Version for Orchestra): Hungarian Dance No. 10 in F Major [Orch. J. Brahms], interpretado por Andrew Mogrelia & Philharmonia Cassovia.  02:11   Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi menuetto, interpretado por Maria Kliegel & Kristin Merscher. 05:59   Piano Concerto No. 1 in D Minor, Op. 15: III. Rondo: Allegro non troppo, interpretado por Jenő Jandó, Antoni Wit & Polish National Radio Symphony Orchestra. 07:58   Symphony No. 1 in C Minor, Op. 68: I. Un poco sostenuto - Allegro, interpretado por Alexander Rahbari & Belgian Radio and Television Philharmonic Orchestra.  09:39   3 Intermezzi, Op. 117: No. 1 in E-Flat Major, interpretado por Laszlo Baranyay.  11:40   5 Lieder, Op. 49: IV. Wiegenlied (Arr. P. Nagy), interpretado por Peter Nagy. 12:25   21 Hungarian Dances, WoO 1 (Version for Orchestra): Hungarian Dance No. 5 in G Minor [Orch. Schmeling], interpretado por Andrew Mogrelia & Philharmonia Cassovia.  13:31   16 Waltzes, Op. 39: Waltz No. 1 in B Major, interpretado por Jenő Jandó.  14:06   Violin Concerto in D Major, Op. 77: II. Adagio, interpretado por Takako Nishizaki, Stephen Gunzenhauser & Slovak Philharmonic Orchestra.  15:06   Ein deutsches Requiem (A German Requiem), Op. 45: Wie lieblich sind deine Wohnungen, interpretado por Slovak Philharmonic Chorus, Alexander Rahbari & Slovak Radio Symphony Orchestra.  16:16   Trio for Violin, Horn and Piano in E-Flat Major, Op. 40: IV. Finale: Allegro con brio, interpretado por Madoka Inui, Wolfgang Tomboeck & Johannes Tomboeck.  ___________________ Si te gusta el episodio, califícalo en tu app favorita  o puedes dejar tu review. :)  No te pierdas ningún episodio. Suscríbete a la newsletter en allegromagico.com/suscribirme y aprendan conmigo sobre música clásica. Síguenos en: Facebook, Twitter, Instagram y Pinterest.  Web: allegromagico.com    ¿Quieres aprender lo básico de música clásica de forma fácil? Checa nuestra guía para jóvenes y adultos.  ¿Ya han escuchado tus niños uno de los cuentos musicales más llamativos que existen? Las Cuatro Estaciones de Vivaldi es una obra ideal para niños. 

Anton Bruckner (1824 - 1896) - Sinfonia n. 3 in re minore "Wagner-Symphonie"1.Gemäßigt, mehr bewegt, misterioso [00:06]2.Adagio: Bewegt, quasi Andante: [22:02]3.Scherzo: Ziemlich schnell: [38:29]4.Finale: Allegro: [45:25] Berliner PhilharmonikerHerbert von Karajan, conductor

Um dos grandes mistérios da Humanidade é a Morte, e o que acontece no pós-vida. A animação dos estúdios Disney, "Soul" (2020), aborda de uma maneira lúdica esse caminho da Alma, trabalhado ao longo da história da humanidade por diversos filósofos. Participantes: José Roberto e Danilo Gomes Trilha: Mozart, Symphony No. 39. Finale (Allegro) (verificado com o audio). Imagem: extraída do filme "Soul" da Walt Disney Pictures e Pixar Animation Studios.  

George Whitefield Chadwick (1854 –1931)Sinfonietta in Re maggiore (1904)I.Risolutamente (0:00)II.Canzonetta: Allegretto (4:56)III.Scherzino: Vivacissimo e leggiero (8:41)IV.Finale: Assai animato (14:02)BBC Concert OrchestraKeith Lockhart, direttoreInizia da 19'01”Suite Sinfonica in Mib maggiore (1909)I.Allegro molto animatoII.Romanza: Andantino espressivoIII.Intermezzo e Humoreske: Poco allegretto IV.Finale: Allegro molto ed energico Czech State Philharmonic Orchestra Brno Jose Serebrier, direttore

Alexander Borodin (1833-1887)-Sinfonia n. 1 in Mib maggiore (1867)1.Adagio. Allegro (mi bemolle minore)2.Scherzo. Prestissimo (mi bemolle maggiore)3.Andante (re maggiore)4.Allegro molto vivo (mi bemolle maggiore)Royal Philharmonic Orchestra Vladimir Ashkenazy, direttore*************-Sinfonia n. 2 in si minore "Eroica"1.Allegro - Animato assai (si minore)2.Scherzo: Prestissimo (fa maggiore) - Trio. Allegretto, prestissimo (la minore)3.Andante (sol bemolle maggiore)4.Finale: Allegro (si maggiore)Mariinsky Theatre OrchestraValery Gergiev, direttore

Carl August Nielsen (1865 –1931)Sinfonia n. 1 in sol minore, Op. 7 (1892)I. Allegro orgoglioso II. Andante III. Allegro comodo IV. Allegro con fuoco *******Sinfonia n.3 Op.27 "Sinfonia Espansiva" (1911)I. Allegro espansivo;II. Andante pastorale;III. Allegretto un poco;IV. Finale: Allegro.The San Francisco Symphony Herbert Blomstedt, direttore

En este episodio hablamos de: Los personajes emblematicos del clan Toreador. Los hermosos, sensuales, seductivos, emocionales y glamorosos con excesos y obsesiones ¿Quienes son los miembros del clan de la rosa?  Marcas de Tiempo: 00:09:05 Helena 00:59:44 Rafael de Corazon 01:17:33 Françoise Villon 01:31:48 Kathy Glens 01:37:58 Geneviève Orseau 01:41:30 Ransam 01:57:26 Joaquin Murietta 02:10:31 Victoria Ash 02:24:00 Vidal Jarbeaux 02:37:20 Annabelle Triabell 02:47:38 Mercy Knight Inquisitor 03:03:47 Melinda Galbraith 03:17:20 Christopher Houghton 03:47:27 Opiniones/Saludos Nuestras Redes Sociales: https://linktr.ee/juarezbynight Nuestro Canal de Discord:  https://discord.gg/k39sEzA Nuestro Canal de Youtube:  https://www.youtube.com/c/juarezbynight Nuestro Canal de Twitch: https://www.twitch.tv/juarezbynight -------------------------------------------------------------------------------- Nuestros patrocinadores: Vaping Jrz: https://www.facebook.com/VapingJRZ/ Oliver de la Parra, el Jugador Causal está en:  https://www.facebook.com/oliverjugadorcasual/   https://www.youtube.com/channel/UCW264O8WM1sJwj2yqUdqIzQ   https://open.spotify.com/show/4CpeDuA2sk1KxNBQul8fIy  https://www.instagram.com/jugador.casual/ Vlad: https://www.instagram.com/antlered_head/ Gelial:  www.twitch.tv/gelialtron www.facebook.com/GelialGaming Edgar Meritano: https://www.instagram.com/emeritano/  https://www.flickr.com/photos/emeritano/ https://twitter.com/emeritano https://www.youtube.com/channel/UCFeI6hHnrfpCn8AMekTk4Dw Odile Clio: https://twitter.com/OdileClio www.twitch.tv/thatOdileClio https://www.instagram.com/odileclio/ Sophidia https://www.instagram.com/sophidia/ Nuestro amigos: WOD Latino America:  https://www.facebook.com/WoDLatinoAmerica https://www.instagram.com/wodlatinoamerica/ https://www.youtube.com/channel/UCz-Lx1LTQ-dkQlW9hRxcSCA El Gremio de la Frontera: https://www.facebook.com/groups/443096336234894/ Ones for all Roleplay: https://www.instagram.com/ones_for_all_roleplay/ Shire Filaments: https://www.instagram.com/shire_filaments/ Master Phase:  https://open.spotify.com/show/64fwdiaY5eivxzS5qZDYyf https://www.youtube.com/channel/UCBhZefZH7kIpDPkXuh4SKbQ Jose Antonio Badia:  https://twitter.com/ElBadiablo  https://www.instagram.com/elbadiablo/ El Dollop:  https://www.youtube.com/channel/UCgtRDZyErd_QQwnclSyyo4A https://open.spotify.com/show/5o5VNgyXWpa1161ppev6ml https://twitter.com/eldollop?lang=en https://www.instagram.com/eldollop/ Leyendas Legendarias: https://www.youtube.com/channel/UCugC9R-gE-6mgUgIqNy387Q/featured https://open.spotify.com/show/6wF969GfLUfypoKaicH5gr https://twitter.com/leyendaspodcast?lang=en https://www.instagram.com/leyendaspodcast/?hl=en Vargulf: https://www.facebook.com/Vargulfmxr https://www.instagram.com/vargulfmx/ Recuerden que pueden contactarnos con comentarios, sugerencias y preguntas a juarez.by.night@gmail.com y seguirnos en https://www.instagram.com/juarez.by.night/ y en https://www.facebook.com/juarez.by.night/ para conocer más de Juárez by Night y noticias sobre Vampiro la Mascarada. Y si tienen algún evento, grupo o mesa de juego que gusten publicitar con mucho gusto los mencionaremos en el programa. Algunas partes de los materiales son derechos de autor y marcas registradas de Paradox Interactive AB, y se usan con permiso. Todos los derechos reservados. Para obtener más información, visite white-wolf.com Este programa no forma parte del material oficial del Mundo de Tinieblas de White Wolf. Música de Fondo: Suite in A Minor I Prélude à limitation de Froberger - Louis Couperin Nocturne Op. 55, No. 1 in F Minor - Frédéric Chopin Keyboard Sonata in B Minor K.197 / L.147 - Domenico Scarlatti Estampes, L. 100: 1. Pagodes - Claude Debussy English Suite No. 6 in D Minor BWV 811 V Double - Johann Sebastian Bach Violin Concerto in E Minor Op.64, 1st movement: Allegro molto appassionato - Felix Mendelssohn Keyboard Sonatas: No. 118 in A Minor, Allegro - Antonio Soler Keyboard Suite in D Minor, HWV 437: III. Sarabande - George Frideric Handel Sinfonia Concertante in E-Flat Major, K. 364 - 2. Andante - Wolfgang Amadeus Mozart Partita No. 2 in C Minor, BWV 826: II. Allemande - Johann Sebastian Bach Sonata No. 12 in E Minor, Op. 3, No. 6 - Niccolò Paganini Serenade - Franz Schubert 13 Pieces for Piano Op. 76: 2. Etude - Jean Sibelius Swan Lake Op. 20 Act II: No. 10 Scene - Pyotr Ilyich Tchaikovsky Six Pieces Op. 51, TH 143: 6 Valse sentimentale Tempo di Valse - Pyotr Ilyich Tchaikovsky Nocturne No. 19 in E Minor Op. 72 No. 1 - Frédéric Chopin Syrinx, L. 129 - Claude Debussy Slavonic Dance in E Minor Op. 72 No. 2 Dumka - Antonín Dvořák Piano Trio No. 2 in E flat Op. 100 D.929: 2. Andante con moto - Franz Schubert Prelude in E Minor Op. 28 No. 4 - Frédéric Chopin Symphony No. 3 in F Major, Op. 90: 3rd Movement - Johannes Brahms Hungarian Rhapsody No 2 in C-Sharp Minor, S. 244/2 - Franz Liszt Caprice for Solo Violin Op. 1 No. 5 in A Minor - Niccolò Paganini Le Carnaval des Animaux, R. 125: 7. Aquarium - Camille Saint-Saëns String Quartet No. 3 in F Major Op. 73 III Allegro non troppo - Dmitri Shostakovich Fantasie (Allegro, Andante) in F Minor K.608 - Wolfgang Amadeus Mozart Cello Sonata in G Minor Op. 19 II Allegro scherzando - Sergei Rachmaninoff Harmonies poétiques et religieuses S. 173 No. 7 Funérailles - Franz Liszt Concerto No. 2 in G Minor, RV 315 Summer: III. Presto - Antonio Vivaldi Cello Sonata in D Minor Op. 40 II Allegro - Dmitri Shostakovich Passacaglia In C Minor BWV 582 - Johann Sebastian Bach Messiah, HWV 56, Pt. 1: No. 10, For Behold, Darkness Shall Cover the Earth - George Frideric Handel Piano Sonata No. 23 in F Minor Op. 57 Appassionata I Allegro assai - Ludwig Van Beethoven Symphony No.40 in G minor, K.550 - 4. Finale (Allegro assai) - Wolfgang Amadeus Mozart Concerto No. 2 in G Minor, RV 315 "Summer": I. Allegro non molto - Antonio Vivaldi Moonlight Sonata, III Movement "Presto Agitato" - Ludwig Van Beethoven Nuages gris (Trübe Wolken), S. 199 - Franz Liszt

A historiografia francesa nos últimos cem anos se afastou da história política e narrativa dos chamados grandes feitos e grandes nomes. Entretanto, uma tarde em Flandres no dia 27 de julho de 1214, um domingo, acabou por chamar a atenção e a imaginação investigativa de um dos grandes nomes da historiografia francesa dos últimos 60 anos: estamos falando da Batalha de Bouvines. Mas o que foi a Batalha de Bouvines? Na trilha sonora: Antonín Dvořák: Sinfonia Nº 9 em Mi menor, "Do Novo Mundo" IV. Finale Allegro con fuoco arr. Jonathan Scott Para aumentar a sua experiência com esse episódio separamos algumas imagens para ilustrar ele, você pode conferir esses conteúdos clicando aqui. Contato: medievalissimo@gmail.com Texto: Bruno Rosa Edição de Áudio: Bruno Rosa Capa: Bruno Rosa Visite a Livraria da Musa, livraria virtual com a curadoria dos membros do Clio! Pix: cliohistoriaeliteratura@gmail.com Conheça a nossa linha de camisetas com temáticas históricas na Vandal clicando aqui Você pode apoiar a Podcasts Clio a continuar produzindo cada vez mais e melhores conteúdos no Catarse e no PicPay. Financiadores desse episódio: Claudia Bovo, Gabriel Bastos, Gui Aschar, Henrique Mundim, Juliana Santoros, Paula Guisard, Rosana Vecchia, Rosi Marques, Suzana Athayde, Vanessa Spinosa Para todos vocês, nosso muito obrigado! Siga o Medievalissimo nas redes sociais Instagram: @medievalissimo Telegram: t.me/cliohistoriaeliteratura

Chaque jour Nicolas Blanmont met en avant une nouveauté parmi les sorties discographiques classiques.

Chaque jour Nicolas Blanmont met en avant une nouveauté parmi les sorties discographiques classiques.

En este episodio los niños podrán conocer a siete compositores viajeros que, por una razón u otra, decidieron dejar su país e instalarse en otro. Los compositores que elegí son de diferentes periodos de la historia: comenzamos con  Domenico Scarlatti, del barroco, y terminaremos con Chen Yi, compositora contemporánea. Lo que van a escuchar en este episodio: 01:15 Sonata in E Major K.531 de Domenico Scarlatti, interpretado por Vladimir Horowitz 03:40 Hallelujah! from The Messiah de George Frideric Händel, interpretado por Bratislava City Choir, Capella Istropolitana & Jaroslav Krček. 05:05 Trumpet Concerto in E-Flat Major, Hob. VIIe:1: III. Finale: Allegro de Franz Joseph Haydn, interpretado por Jurgen Schuster, Helmut Müller-Brühl & Cologne Chamber Orchestra. 07:25 Nocturne No. 2 in E-Flat Major, Op. 9 de Frédéric Chopin, interpretado por Finghin Collins.  09:34 Norma, Acto 1: Casta Diva por Vencenzo Bellini, interpretado por Anna Netrebko, SWR Symphony Orchestra. 12:33 Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato por Sergei Rachmaninoff, interpretado por Khatia Buniatishvili, Paavo Järvi & Czech Philharmonic Orchestra 14:26 Percussion Concerto por Chen Yi, interpretado por Stony Brook Symphony Orchestra   Si te gusta el episodio, califícalo en tu app favorita (Podcasts iTunes, iVoox, Spotify) o puedes dejar tu review. :)  No te pierdas ningún episodio. Súscríbete al newsletter en allegromagico.com/suscribirme.  Síguenos en: Facebook, Twitter, Instagram y Pinterest. 

Segunda entrega para conocer a compositoras de música clásica de la historia a propósito del mes de la mujer en la música en Allegro Mágico. En esta ocasión les traigo el resumen de 7 compositoras: 1 del barroco, 2 del romántico, 2 del moderno, y 2 contemporáneas.  Isabella Leonarda Louise Farrenc Cécile Chaminade María Teresa Prieto Sofía Cancino de Cuevas Elena Kats-Chernin Sally Beamish 00:36. 12 Sonatas, Op. 16, Sonata quarta: II. Presto, interpretada por Cappella Strumentale del Duomo di Novara 02:17 Symphony No. 3 in G Minor, Op. 36: IV. Finale (Allegro), interpretada por Johannes Goritzki & North German Radio Symphony, Hannover 05:02. Guitare, Op. 32, interpretada por Cécile Chaminade 07:39. El palo verde: III. Scherzino, interpretada por Jose Luis Temes & Cordoba Orchestra 09:32.  Cuarteto Op.38: II. Minuetto, interpretada por Cuarteto La Matraca. 11:53. Russian Rag in A Minor, interpretada por Tamara-Anna Cislowska & Elena Kats-Chernin 13:40.  Awuya, interpretada por Anne Denholm Síguenos en: Facebook, Twitter, Instagram y Pinterest.  Si te gusta el episodio, califícalo en tu app favorita (Podcasts iTunes, iVoox, Spotify) o puedes dejar tu review. :)  No te pierdas ningún episodio. Súscríbete al newsletter en allegromagico.com/suscribirme. 

Uploaded: March 13, 2021 Playlist Anonymous (Spanish, c. 1700): Batalha de 6. Ton [5:05] Sigfrid Karg-Elert: Homage to Handel, Op. 75b [12:58] Anonymous, incorrectly attributed to Johann Sebastian Bach: Organ Concerto in E-flat Major, BWV 597 I. – [4:20] Marco Enrico Bossi: Cinque pezzi per organo in stile libero, Op. 132, #3: Scena pastorale Allegretto Pastorale – Rondo (Allegro vivace) – Allegretto pastorale come prima [8:50] Stanley Weiner: Phantasy on Mozart's Turkish March, Op. 142 Andantino – Allegro [7:01] Sigfrid Karg-Elert: Partita Retrospettiva, Op. 151 Phantasie – Dialogue – Minuetto malinconico – Finale alla Solfeggio [19:18] Paul Wißkirchen, organ MOTETTE CD 11161 Richard Heuberger: Nachtmusik, Op. 7 I. Allegretto [3:04] II. Allegro vivace [4:03] III. Andante [4:15] IV. Presto [5:53] Robert Fuchs: Serenade No. 3 in E Minor, Op. 21 I. Romanze (Andante sostenuto) [3:24] II. Menuetto [4:19] III. Allegretto grazioso [5:39] IV. Finale alla Zingarese (Allegro con fuoco) [4:44] Oscar Straus: Serenade in G Minor, Op. 35 I. Allegro comodo [6:23] II. Scherzino/Allegretto vivace [2:55] III. Andantino (im Volkston) [3:48] IV. Walzer Grazioso [3:36] V. Alla marcia (Finale) Allegro moderato [4:21] RIAS-Sinfonietta Jiří Starek KOCH SCHWANN MUSICA MUNDI CD 316 039 F1

A cura di Massimiliano SamsaSergei Rachmaninoff (1873 - 1943) - Youth Symphony, in re minore (1891)Grave - Allegro molto Royal Concertgebouw OrchestraVladimir Ashkenazy, direttore**********Max Bruch (1838 - 1920) - Concerto per violino n° 2, Op. 44 (1878)1. Adagio, ma non troppo2. Recitative: Allegro moderato (14:55)3. Finale: Allegro molto (19:27)London Symphony OrchestraLydia Mordkovitch, violin Richard Hickox, direttore*********Antonín Dvořák (1841-1904) - The Water Goblin Op.107Czech Philharmonic OrchestraSir Charles Mackerras, direttore“Il folletto d'acqua” è uno dei cinque poemi sinfonici di Antonín Dvořák ispirati alle ballate della raccolta Kytice del poeta Karel Jaromír Erben.Nella leggenda il Vodník non ha sembianze mostruose, raccoglie le anime delle persone che annegano, in particolare bambini e giovani che decidono di fare il bagno a mezzanotte; di certo è una figura richiamata dalle madri per ammonire i propri bambini.Come molti poemi di Erben, anche questo assume connotazioni truci; la musica di Dvořák segue con precisione la narrativa e la forma di rondò rende ancora più evidente la continua riapparizione minacciosa del folletto.Il malvagio folletto affamato è in attesa in riva al lago; è un venerdì e una ragazza, ignorando l'avvertimento di sua madre, inizia a fare il bucato; cade in acqua, viene rapita, portata nel castello subacqueo e diventa sua sposa. La giovane canta una ninna nanna al loro primogenito, ma il folletto ne é infastidito; lei cerca di calmarlo e lo supplica di farla andare da sua madre almeno per un giorno. Il Vodník dapprima rifiuta, poi acconsente a tre condizioni: non deve abbracciare nemmeno un'anima, compresa la madre; deve lasciare il bambino nel castello e deve fare ritorno prima che suonino i vespri. Il Vodník attende invano e dopo i rintocchi delle campane le ordina furibondo di tornare da lui; al suo rifiuto scatena la sua rabbia sul bambino, lo uccide e, furente, lo scaglia davanti alla casa della madre. Quando aprono l'uscio, le due donne scorgono sulla soglia la piccola testa staccata dal corpicino.Il primo giugno 1896, in un concerto al Conservatorio di Praga diretto da Antonín Bennewit, si esegue un'anteprima del poema sinfonico; la presentazione ufficiale al pubblico ha luogo a Vienna il 22 novembre 1896, l'Orchestra Filarmonica è diretta da Hans Richter. Al critico musicale Robert Hirschfeld, incaricato di scrivere le note al programma, Antonín Dvořák invia una lettera nella quale descrive le soluzioni adottate per tradurre in musica il poema di Erben.•Allegro vivace: Il folletto da solo (flauti).•Andante sostenuto: La madre (violini) racconta alla ragazza (clarinetto) il suo brutto sogno e l'avverte di non avvicinarsi al lago.•Allegro vivo: La giovinetta ignora l'ammonizione della madre (violini e oboi) e cade nel lago, preda del folletto dell'acqua.•Andante mesto come prima: Il miserabile mondo sottomarino.•Un poco più lento e molto tranquillo: La ragazza canta una ninna nanna per il suo bambino (flauto e oboe).•Andante: Il folletto, furioso, le intima di smettere di cantare; dopo un litigio concede alla ragazza di andare a trovare sua madre, ma deve tornare prima che le campane chiamino per il vespro.•Lento assai: La ragazza torna a casa da sua madre (violoncelli e tromboni); incontro dominato da profonda tristezza.•Allegro vivace: Tempesta sul lago, suonano le campane della chiesa; si ode poi una violenta esplosione quando quando il folletto lancia il bambino morto contro la porta.•Andante sostenuto: gracidio di rane (ottavino e flauti) profezia di disastri; il gemito della madre che ricorda quel triste e sfortunato venerdì (corno inglese e clarinetto basso), la terribile angoscia della madre (oboi, violoncelli e contrabbassi). La misteriosa scomparsa del folletto d'acqua nelle profondità del lago.Testo tratto da: https://diesisebemolle.wordpress.com/2018/08/14/dvorak-il-folletto-dacqua/

A cura di Massimiliano SamsaVincenzo Bellini (1801-1835) – I Capuleti e i Montecchi, Overture New Philharmonia OrchestraGiuseppe Patanè, direttore******Petr Ilic Cajkovskij (1840-1893) - Romeo e Giulietta Ouverture-fantasia in si minore Berliner PhilharmonikerClaudio Abbado, direttoreL'ouverture-fantasia Romeo e Giulietta, a ragione considerata come il primo capolavoro di Caikovskij, nacque dalla frequentazione dell'autore con Milij Balakirev, negli anni Sessanta dell'Ottocento figura carismatica della musica russa. In effetti a Balakirev sono dovute tanto l'idea di una composizione ispirata alla tragedia di Shakespeare quanto le direttive secondo le quali il progetto fu realizzato. E Balakirev fu la sola persona che con le sue critiche riuscì a persuadere Caikovskij a rielaborare più volte una composizione: dopo aver composto l'ouverture-fantasia nel 1869, l'autore vi rimise mano l'anno seguente modificandone l'introduzione, parte dello Sviluppo e la conclusione, e ancora nel 1880 riscrivendone l'epilogo. La terza e ultima versione è quella, oggi comunemente eseguita, di un pezzo che risente, sotto vari aspetti, di Liszt e di Glinka, oltreché dello stesso Balakirev, e nel quale Caikovskij concilia con efficacia le esigenze della forma sinfonica (lo schema di sonata) con i presupposti di caratterizzazione e rappresentazione drammatica della musica, accentuando i contrasti tra i diversi soggetti tematici.Testo tratto da: https://www.flaminioonline.it/Guide/Cajkovskij/Cajkovskij-Romeo42c.html******Felix Mendelssohn-Bartholdy (1809 - 1847) - Sogno di una notte di mezza Estate, op. 61 (MWV M13)1.Ouverture - Allegro vivace (mi maggiore)2.Scherzo - Allegro molto vivace (sol minore)3.Marcia degli Elfi - Allegro molto vivace (sol minore)4.Bunte - lied per coro - Allegro non troppo (la maggiore - la minore)5.Intermezzo - Allegro appassionato (la minore)6.Notturno - Con moto tranquillo (mi maggiore)7.Hochzeitmarsch (Marcia nuziale) - Allegro vivace (do maggiore)8.Prologo (Marcia funebre) - Allegro commodo (do maggiore)9.Ein Tanz con Rupeln (Danza dei contadini) - Allegro molto (mi maggiore)10.Finale - Allegro vivace (do maggiore)Royal Scottish OrchestraWalter Weller, direttoreAddì 19 novembre 1826 a Berlino, nella lussuosa residenza paterna della Leipziger Strasse, presente una piccola udienza di familiari e di amici, Felix Mendelssohn suonò al pianoforte a quattro mani con la sorella Fanny la sua nuovissima composizione ispirata da Shakespeare. Si trattava di un'ouverture da concerto, nella quale il ragazzo diciassettenne aveva tradotto in suoni le impressioni riportate dalla lettura del Sogno di una notte di mezza estate. Come era solito fare, aveva buttato giù le sue note direttamente in partitura: per una ragazza di buona famiglia come Fanny, leggere a quattro mani una partitura fresca d'inchiostro non costituiva un problema, anche se non si fosse chiamata Mendelssohn-Bartholdy e non avesse avuto a fianco un fratellino come Felix. In questa serra domestica affettuosa, un tantino sofisticata e satura di una cultura mondanamente eclettica non meno che solidissima, s'aprì dunque questo fiore di un talento precoce e prodigioso: non sapremmo se più per l'intrinseca qualità di ciò che andava producendo o per quella quasi provocante felicità che non sempre aveva accompagnato i favolosi esordi dello stesso Mozart. Il quale - sia detto a sua maggiore gloria - come ogni grande santo conobbe fin dagl'inizi dubbi, smarrimenti, dolore e perfino (o eroica virtù) si lasciò indurre in tentazione con qualche strafalcione di contrappunto, pazientemente corretto dal buon Padre Martini.Testo tratto da: https://www.flaminioonline.it/Guide/Mendelssohn/Mendelssohn-Sogno-ouverture.html

A cura di Massimiliano SamsaLa puntata di questa sera è dedicata interamente a Antonin Dvoràk (1841 - 1904).La Serenata per archi op. 22 fu scritta nel 1875 in soli 12 giorni. Quello fu un anno speciale per il compositore ceco: il governo austriaco infatti, grazie ad una commissione di cui erano membri fra gli altri il critico Eduard Hanslick e Johanncs Brahms gli concesse una borsa di studio che costituì per Dvorak il vero e proprio trampolino di lancio verso i più importanti circoli musicali europei. Nessuno dei membri della commissione lo conosceva personalmente, ma, come raccontò lo stesso Hanslick più tardi, essi rimasero colpiti da quel talento straordinario. E in seguito fu proprio Brahms a raccomandare Dvorak al prestigioso editore Simrock, presso il quale uscirono tutte le sue opere principali.La prima esecuzione della Serenata era stata prevista per la fine del 1875 a Vienna sotto la direzione del celebre direttore Hans Richter (con il quale Dvorak intesse una preziosa amicizia) ma alcuni inconvenienti costrinsero a rimandarla all'anno seguente a Praga sotto la direzione di un'altra celebre bacchetta, Adolf Cech. Ripartita in cinque movimenti in forma di suite, la Serenata op. 22 è un brano di intensa carica melodica e di grande fascino.Le nove Sinfonie sono il punto d'incontro del Dvorak popolare e del Dvorak educato alla tradizione tedesca, in quanto la ricca invenzione melodica s'unisce alla riflessione su come fosse possibile, dopo Beethoven e Schubert e accanto a Brahms, espandere la Sinfonia oltre le regole convenzionali. La Sinfonia n. 7 in re minore op. 70 (fino ad alcuni anni fa indicata come n. 2: quest'oscillazione dipende dal fatto che quattro Sinfonie giovanili sono state riscoperte solo in tempi recenti) ha un carattere equilibrato, compatto e austero, che si potrebbe definire brahmsiano: in effetti pare che il successo della Terza Sinfonia di Brahms avesse fatto nascere in Dvorak - la cui notorietà era allora legata al successo delle Danze slave - il desiderio di dimostrare di non essere inferiore al grande maestro tedesco, nei cui confronti provava ammirazione e amicizia. Diretta dallo stesso Dvorak a Londra nel 1885, questa Sinfonia ebbe un immediato successo, tuttavia fu poi eclissata dalla celeberrima Sinfonia "Dal Nuovo Mondo". Ingiustamente, perché è una delle Sinfonie più mature e profonde del compositore boemo.Sitografia:https://www.flaminioonline.it/Guide/Dvorak/Dvorak-Serenata22.htmlhttps://www.flaminioonline.it/Guide/Dvorak/Dvorak-Sinfonia7.htmlAntonin Dvoràk (1841 - 1904) - Serenata per archi in mi maggiore, op. 22 (B. 52)I. ModeratoII. Menuetto: Allegro con moto - TrioIII. Scherzo: VivaceIV. LarghettoV. Finale: Allegro vivaceAntonin Dvoràk (1841 - 1904) - Sinfonia n. 7 in re minore, op. 70 (B. 141)I. Allegro maestosoII. Poco adagioIII. Scherzo: Vivace - Poco meno mossoIV. Finale: Allegro

The holidays are nearly here and, as we all know, this is the driest time of year for the human body. Your favorite podcast boys would like to give some helpful tips and tricks on how to stay hydrated during these exceptionally dry holiday times. As you certainly already know, one must always practice good hydration during these dark winter months so as not to fully dry out the mind, body, and soul. Also, the boys receive a very rude question from a student at a rival institution which, if you've been paying attention, is especially odd considering the Podfordcast is not officially syndicated outside the bounds of the campus. Episode Outline Podford University Podfordcast Quad Remote Meditation Station: Moonlit Breakfast Topic Deep Dive: How to stay hydrated this Holiday Season Question Quorner Future History 101 Podford Concert Orchestra Show and Tell 409 Learn more about today's episode at Podford University's Official website, podford.com. You can write-in to our show by contacting us at registrar [at] the aforementioned domain. This episode features the works of Wolfgang Amadeus Mozart, courtesy of Mozart and the fine folks at Musopen: Oboe Concerto in C, K.314/271k - II. Andantino Symphony No. 3 in E Flat Major Eroica, Op. 55 - IV. Finale Allegro molto

코로나19 때문에 침체되었던 클래식계에 활기를 불어넣어 줄 페스티벌이 찾아옵니다. 실황공연에 목말라 있던 관객들의 갈증도 해소시켜 줄 수 있을 것 같은데요. 마룻바닥에 앉아 온몸으로 체험하는 음악을 표방하는 하우스콘서트의 '줄라이 페스티벌'입니다. 7월 1일부터 한 달간 매일 공연이 진행되고, 베토벤 탄생 250주년을 맞아 베토벤의 곡들을 테마로 합니다.이 '줄라이 페스티벌'에 부조니 국제 피아노 콩쿠르 1위를 수상한 문지영 피아니스트가 참여해 큰 주목을 받고 있습니다. 문지영 피아니스트는 마지막 날 베토벤 피아노 소나타 전곡 릴레이 공연의 첫 번째 순서를 장식합니다. 베토벤 교향곡을 4 hands 버전으로 편곡한 무대도 준비되어 있다는데요. 한 피아노 위에서 두 명의 피아니스트가 어떻게 베토벤 교향곡을 구현해낼지 기대됩니다.코로나 시대를 살아가는 예술가와 공연기획자들의 고민도 함께 들어봅니다.오늘 방송에서는 문지영 피아니스트의 실황 연주를 들을 수 있습니다.♬ B. Galuppi - Piano Sonata No.5 in C major 1. Andante (문지영 피아니스트 연주)♬ A. Grünfeld - Soirée de Vienne (박영성 피아니스트 연주)♬ E. Dohnanyi - Sextet for Violin, Viola, Cello, Clarinet, Horn and Piano, Op.37 Finale - Allegro vivace, giocoso (클럽M 연주)진행: 김수현 기자, 박찬민 아나운서 | 출연: 문지영 피아니스트, 하우스콘서트 강선애 수석매니저

ROSSINI: El Barbero de Sevilla (Obertura) (7.42). London Festival Orchestra. Dir.: A. Scholz. BEETHOVEN: Obertura Leonora nº 3, Op. 72A (14.44). Orq. Fil. de Berlín. Dir.: A. Vandernoot. PERGOLESI: Stabat mater dolorosa (Stabat mater) (3.27). J. Faulkner (sop.), A. Gonda (mez.), Camerata Budapest. Dir.: M. Halasz. BEETHOVEN: Sinfonía nº 3 en Mi bemol mayor, Op. 55 "Eroica" (Cuarto movimiento: Finale: Allegro) (12.04). Academy of Ancient Music. Dir.: C. Hogwood. Escuchar audio

1、《我控诉》与德雷福斯事件2、本片的优缺点BGM.1、Quatuor avec piano No. 2, Op. 45- I. Allegro molto moderato2、Quatuor avec piano No. 2, Op. 45- IV. Finale- Allegro molto3、Alfred Dreyfus

1、《我控诉》与德雷福斯事件2、本片的优缺点BGM.1、Quatuor avec piano No. 2, Op. 45- I. Allegro molto moderato2、Quatuor avec piano No. 2, Op. 45- IV. Finale- Allegro molto3、Alfred Dreyfus

  سه‌شنبه 22 آگوست 1911، حوالی ظهر بود که یه نقاشی می‌ره مونالیزا رو ببینه؛ اما فقط با چهارتا میخ مواجه می‌شه و جای خالی تابلو روی دیوار!   روایت و تدوین: محسن خدابخشی | ترجمه: سوده سعادتی و گلنار ابراهیمی | ضبط: حمید محمدی | با تشکر ویژه از: فائزه میرموسوی، امیر شمس و مهدی زارعی   ما همه جا هستیم:ایمیل | توییتر | اینستاگرام | تلگرام از ما حمایت کنید (به صورت ریالی یا ارزی)     اسپانسرها:منیو | سایت| اینستاگرام تستادی | سایت| توییتر منابع: "The Missing Piece: Mona Lisa, Her Thief, the True Story" (Documentary) By: Joe Medeiros "Theft of the Mona Lisa" (Documentary) By: Suzanne Duroux - Barry Stoner "Stealing Mona Lisa" By: Dorothy AND Thomas Hoobler "When Picasso Went on Trial for Stealing the Mona Lisa" By: Ian Shank "Did Picasso Try to Steal the Mona Lisa?" By: Nick Mafi "When Pablo Picasso Was Suspected of Stealing the Mona Lisa" By: Lucas Reilly "9 Facts About Picasso‘s Groundbreaking Painting ‘Les Demoiselles d‘Avignon‘" By: Kelly Richman-Abdou "Picasso's African-influenced Period - 1907 to 1909" "یکصدمین سالمرگ گیوم آپولینر؛ عاشقانه‌های یک شاعر در جنگ جهانی اول" By: Reza Noori "Guillaume Apollinaire" - Poets.org "Guillaume Apollinaire (1880–1918)" "100 Years Ago: The Mastermind Behind the Mona Lisa Heist" By: Jeff Nilsson "Day they Stole the Mona Lisa" (Book) By: Seymour Reit "Musée du Louvre" موسیقی‌های استفاده شده: "Rynos Theme" By: Kevin MacLeod "Intrepid hi" By: Kevin MacLeod "The Symphony No. 9 in E minor, "From the New World", Op. 95, B. 178 4.Finale: Allegro con fuoco, common time, E minor, ends in E major on a Picardy third over an altered form of the plagal cadence" By: Antonín Dvořák

INAPPROPRIATE COUSIN CANOODLING! MASSIVE MYSTERY BOXES!! POP GOES THE WEASEL??! All these quite weird things [and more] await your gorgeous ears and fabulous mind-brains in this episode of That Classical Podcast. Enjoy!Music Featured in this Episode:"Má Vlast, JB1:112 2. Vltava" - Bedřich Smetana"String Quartet No.1 E minor "From My Life": 3. Largo sostenuto" - Bedřich Smetana"Das Lied von der Erde: Das Trinklied vom Jammer der Erde" - Gustav Mahler"Symphony No.6 in A minor: 4. Finale (Allegro moderato)" - Gustav Mahler See acast.com/privacy for privacy and opt-out information.

durée : 01:58:02 - Récital de Jean Rondeau et Thomas Dunford à l'Auditorium du musée du Louvre - par : Gaëlle Le Gallic - ## Concert [Thomas Dunford](https://www.thomas-dunford.com/), luth [Jean Rondeau](http://www.jean-rondeau.com/fr/concerts/), clavecin **Robert de Visée** _Suite en ré mineur (Pièces de théorbe et de luth) I. Allemande La Royale II. Courante III. Sarabande IV. Chaconne V. Gavotte VI. Mascarade_ **Marin Marais** _Les Voix humaines (Deuxième Livre de Pièces de viole)_ **François Couperin** _La Ménetou (Deuxième Livre de Pièces de clavecin, Septième Ordre) Le Dodo ou l'amour au berceau (Troisième Livre de Pièces de clavecin, Quinzième Ordre) Passacaille (Deuxième Livre de Pièces de clavecin, Huitième Ordre)_ **Jean-Henri d'Anglebert** _Suite en ré mineur (Pièces de clavecin), extraits : Prélude / Sarabande_ **Jean-Baptiste Forqueray** _Extraits des Pièces de viole composées par M. Forqueray le Père, mises en Pièces de clavecin : La Portugaise (Première Suite en ré mineur) La Sylva (Cinquième Suite en ut mineur) Jupiter (Cinquième Suite en ut mineur)_ _**Enregistré le 12 octobre 2017 à l'[Auditorium du Louvre](https://www.louvre.fr/musiques)**_ ## Au disque **Georg Philipp Telemann** _Nouveaux Quatuors parisiens : Quatuor n° 6 en mi mineur TWV 43:e4 (extrait) VI. Modéré_ Nevermind [Alpha](https://outhere-music.com/fr/news/nevermind-telemann-quatuors-parisiens) {% image 8b7395f0-7fdf-4d3b-8769-80df4bd91218 %} **Josef Suk** _Quatuor pour piano et cordes en la mineur op. 1 (extraits) I. Allegro appassionato II. Adagio_ Josef Suk Piano Quartet [Supraphon](https://www.supraphon.com/articles/75-josef-suk-piano-quartet) {% image 0500a058-c861-49a2-a4e0-9910bfcde0c1 %} **Gabriel Fauré** _Sonate pour violoncelle et piano n° 2 en sol mineur op. 117 I. Allegro II. Adagio III. Finale : Allegro vivo_ Louis Rodde, violoncelle / Gwendal Giguelay, piano [NoMadMusic](https://nomadmusic.fr/fr/label/sonates-faure-ropartz) {% image e8d5017f-9a75-4973-a538-2fa33f99ad9b %} **Felix Mendelssohn / transcription pour quatuor de saxophones Quatuor Morphing** _Quatre Pièces pour quatuor à cordes op. 81 (extraits) I. Andante sostenuto et variations en mi majeur II. Scherzo en la mineur III. Capriccio en mi mineur_ Quatuor Morphing [Klarthe](http://www.klarthe.com/index.php/fr/enregistrements/ravel-mendelssohn-detail) ## Agenda **[Piano Campus Festival, 17ème édition](https://www.piano-campus.com/) Festival et Concours International de piano Du 13 janvier au 8 février** **Le Ban des Arts de Gadagne propose [Les Musicales de l'Orangerie](http://lebandesartscdg.wixsite.com/leban-2) : 2ème saison En partenariat avec Génération jeunes interprètes 7 concerts d'octobre 2017 à avril 2018 Dimanche 14 janvier - 16 h : Louis Rodde, violoncelle, et Gwendal Giguelay, piano OEuvres de Beethoven, Mendelssohn, Prokofiev, Bartok Domaine de Blanche Fleur, 84470 Châteauneuf de Gadagne** **Journée de la culture roumaine Virgil Boutellis-Taft, violon, et Suzana Bartal, piano OEuvres d'Enesco, Debussy, Tanguy, Bartok Lundi 15 janvier - 19 h 30 Paris, [Hôtel de Béhague](http://paris.mae.ro/)** **Fanny Robilliard, violon, et Paloma Kouider, piano OEuvres de Debussy, Szymanowski, Hahn, Ravel Jeudi 18 janvier - 20 h[ Concerts Sinfonietta](http://sinfoniettaparis.org/)** ## Réseaux sociaux [La page facebook du Fan club de Génération jeunes interprètes](https://fr-fr.facebook.com/generationjeunesinterpretes/)

Your host for this edition is Julius H. MarxIt is entitled Every Love But True LoveThis edition was programmed by Zach MitchellThe ContentFirst Sequence:Neutral Milk Hotel - Song Against SexR. Stevie Moore - Cool DaddioJohn Maus - Keep Pushing OnThe War On Drugs - Holding OnHannah Diamond - Make BelieveSecond Sequence:Charlie Parker - Bird's NestNeon Indian - Street LevelThe Rolling Stones - Fingerprint FileBud Powell - Sure ThingPyotr Ilyich Tchaikovsky - Symphony No. 4 in F Minor, Op. 36: IV. Finale - Allegro con fuoco (Leningrad Philharmonic Orch.; Yevgeny Mravinsky, cond.)Third Sequence:Ariel Pink's Haunted Graffiti - Immune to EmotionJoanna Newsom - Have One On MeSun Ra - IndiaTyler, the Creator - ForewordT. Rex - JewelFourth Sequence:ABBA - The VisitorsPrimus - Lee Van CleefDestroyer - Bay of Pigs (Detail)The Stereos - I Really Love YouArt Tatum - Love for SaleSummation:Captain Beefheart and His Magic Band - Mirror Man

Un episodio dedicado a Franz Joseph Haydn y su legado a la música clásica. Hablaré sobre su vida, sus encuentros con Mozart y Beethoven, y sus viajes a Londres. Además escucharemos partes de sus sinfonías y algunos cuartetos para cuerda. 6 curiosidades de Haydn, videos mencionados y las notas del episodio en allegromagico.com/8. En este episodio escucharás: [00:48] Sinfonía no. 104, “Londres” I. Adagio-Presto [01:43] Insanae et Vanae Curae [02:54] Cuarteto para cuerdas no. 62, op.76, no.3 “Emperador” II. Poco Adagio. Cantabile [03:57] Concierto para violonchelo I. Allegro Moderato - Cadenza [05:46] Sinfonía no. 104, “Londres” I. Adagio-Presto [06:52] Concierto para trompeta, Hob.VII e 1, III.Finale Allegro [07:49] Sinfonía no. 82, “El oso”, IV. Finale Vivace [08:18] Sinfonía no. 83, “La Gallina”, I. Allegro Spiritoso [08:46] Sinfonía no. 73, “La Cacería”, IV. Presto [09:08] Sinfonía no.96, “El Milagro”, I. Adagio-Allegro [09:49] Sinfonía no. 100, “Militar” II. Allegretto [10:11] Sinfonía no.101, “El Reloj” II. Andante [10:42] Sinfonía no.8, “La Tarde” IV. Presto - “La Tempestad” [11:16] Sinfonía no. 104, “Londres” I. Adagio-Presto [11:30] Sinfonía no.45, “De los adioses” IV. Finale [12:45] Cuarteto para cuerdas, op.76, no.4, “El Amanecer”, I. Allegro con spirito [13:31] Cuarteto para cuerdas, op.50, no.6, “La Rana”, IV. Finale [13:42] Cuarteto para cuerdas, op. 33, no.3, “Las Aves”, I. Allegro Moderato   ¿Te gustó el programa de hoy? Si sí, suscríbete y califica el podcast en iVoox o en iTunes.  ¿Qué temas te gustaría escuchar en el podcast? Escríbenos aquí.  Síguenos en: •Facebook @allegromagicopodcast •Twitter @AllegroMagico •Instagram @allegromagico  

durée : 01:58:44 - Concert de Cornelius Zirbo à Bucarest - par : Gaëlle Le Gallic - ## Concert **[Cornelius Zirbo](https://fr-fr.facebook.com/cornelius.zirbo), violoncelle Dana Badoï, piano** **Niccolo Paganini** _Variations sur une seule corde en sol majeur sur un thème de Moïse en Egypte de Gioacchino Rossini_ **Ludwig van Beethoven** _Sonate pour piano et violoncelle n° 4 en ut majeur op. 102 n° 1 I. Andante - Allegro vivace / II. Adagio - Tempo d'andante - Allegro vivace_ **Bohuslav Martinu** _Variations sur un thème de Rossini_ **Serge Rachmaninov** _Vocalise_ **Astor Piazzolla** _Le Grand Tango_ **Alexandre Aroutiounian** _Impromptu_ _**Enregistré le 7 mars 2017 à la Petite Salle, Athénée Roumain, Bucarest**_ ## Au disque {% image f8ad88d1-971b-43e1-b93e-71d0a21fbc40 %} **Joseph Bodin de Boismortier** _Sonate pour flûte, violon et basse continue en sol majeur op. 41 n° 3 I. Allegro / II. Affettuoso / III. Vivace / IV. Presto_ Le Petit Trianon : Olivier Riehl, flûte / Amandine Solano, violon / Xavier Marquis, basson / Cyril Poulet, violoncelle / Paolo Corsi, clavecin [Ricercar](https://www.outhere-music.com/fr/albums/sonatas-trios-ric-381) {% image 9fc5dc2d-3483-4da5-9e66-050904a678ba %} **Maurice Ravel** _Le Tombeau de Couperin (extraits) I. Prélude / II. Fugue / V. Menuet / VI. Toccata_ Ryutaro Suzuki, piano [Claves Records](https://www.claves.ch/products/ryutaro-suzuki-piano-scarlatti-ravel-mozart-liszt) **Ryutaro Suzuki sera l'invité de Génération jeunes interprètes le lundi 18 décembre** {% image 13b694fb-e704-4d1a-9f05-d5b79c574750 %} **Robert Schumann** _Quatuor à cordes n° 3 en la majeur op. 41 n° 3 I. Andante espressivo - Allegro molto moderato / II. Assai agitato / III. Adagio molto / IV. Finale - Allegro molto vivace_ Quartet Gerhard Lluis Castán Cochs, violon / Judit Bardolet Vilaró, violon / Miguel Jordà Saún, alto / Jesus Miralles Roger, violoncelle Harmonia Mundi (collection [Harmonia Nova](http://www.harmoniamundi.com/|#!/albums/2292)) ## Agenda [Les Pianissimes](http://www.pianissimes.org/), saison 2017/18 **Lundi 13 novembre - 20 h** : Vikingur Olafsson aux Récollets (Paris) [Les Grandes Voix de demain](http://spectacles.aixlesbains-rivieradesalpes.com/programmation/par-genre-par-mois/detail/les-grandes-voix-de-demain-4718532/) au Théâtre du Casino d'Aix-les-Bains Récital Marie Perbost et Joshua Morris **Dimanche 12 novembre - 16 h** Mozart contre la barbarie : [Don Giovanni à Bobino](http://operaenherbe.fr/don-giovanni-bobino-13-novembre-2017/) Hommage aux victimes des attentats du 13 novembre 2015 **Lundi 13 novembre - 19 h 30** [Journées de musiques anciennes](https://journees-musiques-anciennes.org/), Vanves Du 15 au 19 novembre La Nouvelle Génération : **dimanche 19 novembre - 16 h** [Le Nain de Zemlinsky à l'Opéra de Lille](https://opera-lille.fr/fr/-saison-17-18/bdd/cat/opera/sid/99693_le-nain-der-zwerg-) Avec l'ensemble Ictus et une jeune distribution soutenue par l'Unité scénique de la Fondation Royaumont **Du 16 au 20 novembre** Musique de chambre à la [Salle Cortot](http://www.sallecortot.com/concert/beclassical1.htm?idr=7721) Onze musiciens dont la plupart familiers de Génération jeunes interprètes : Alexandra Conunova, Manuel Vioque-Judde, Joséphine Olech, Anaïs Gaudemard, Célia Oneto-Bensaïd... **17 novembre - 20 h 30** **Le Ban des Arts de Gadagne propose [Les Musicales de l'Orangerie](http://lebandesartscdg.wixsite.com/leban-2) : 2ème saison En partenariat avec Génération jeunes interprètes 7 concerts d'octobre 2017 à avril 2018 Dimanche 19 novembre - 16 h : Guilhem Fabre, piano Schumann, Debussy, Rachmaninov Domaine de Blanche Fleur, 84470 Châteauneuf de Gadagne** ## Réseaux sociaux[](https://fr-fr.facebook.com/generationjeunesinterpretes/) [La page facebook du Fan club de Génération jeunes interprètes](https://fr-fr.facebook.com/generationjeunesinterpretes/) - réalisé par : Jean-Pierre Collard

Eddie and Leena receive a strange lesson on musical instruments from a classical string quartet.Recorded live at The Slipper Room as part of our show, “An Ear for Music,” on Sunday, April 30th 2017.Featured in the cast:Michael Pate as EddieKacie LaForest as LeenaMary Murphy as JanaJames Rieser as the cellistEirik Davey-Gislason as the first violinistBill Heidrich as the second violinistNarrated by Ali SilvaAdditional music:Franz Joseph Haydn, String Quartet, IV. Finale Allegro spiritoso — European ArchiveOriginal story and radioplay by Silbin SandovarDirected by Holly Payne-StrangePodcast production by Ali Silva & Daniel GravesMusical score improvised by Steve BlancoTheme music by Jason GravesSound designer & engineer Joe JungTechnical director Johnny GoddardProduction coordinator Dalia MoraliProduced by Gustavo Rodriguez, Ali Silva, Daniel Graves & Rebecca Graves for Fireside Mystery ProductionsCopyright 2017 Fireside Mystery Productionshttp://www.firesidemysterytheatre.com@firesidemystery

Schon mit ungefähr drei Jahren hat mich das Klavier im Wohnzimmer magisch angezogen und ich begann im wörtlichen Sinn damit zu spielen. Seitdem begleitet mich die Musik in unterschiedlichster Form in meinem Leben. Am liebsten spiele ich frei und spontan – und quasi alles hier ist so entstanden. Es ist die Möglichkeit für mich, Gefühle und das, was nicht gesagt werden kann, auszudrücken. Ich sehe immer wieder, dass Menschen tief berührt sind, innerlich ruhig werden und Freude oder Entspannung erleben, wenn sie mein Spiel hören. Ich selbst glaube ja, dass viel mehr hinter den Tönen stecken kann, als bloß der Klang :-). – Und da es heute ein Leichtes ist, habe ich mich dazu entschlossen, einige Stücke mit den Menschen da draußen zu teilen. Ich wünsche viel Freude damit! ~Michael I was born in Upper Austria and live now in Salzburg. Since I was about three years I had the affinity to play with the piano; in the beginning it was litterally playing :-). Since then music was always my companion till today. I also play violine and Djembe, but the piano stays the most important for me. I always preferred to play free and spontaneous. It's an important way for me to express feelings and what cannot be said. Music is the way to do that. I noticed that many people are touched when they hear my playing and get calm inside or feel joy. Since it is easy nowadays, I decided to share many pieces I record for free. All the best, Michael

Schon mit ungefähr drei Jahren hat mich das Klavier im Wohnzimmer magisch angezogen und ich begann im wörtlichen Sinn damit zu spielen. Seitdem begleitet mich die Musik in unterschiedlichster Form in meinem Leben. Am liebsten spiele ich frei und spontan – und quasi alles hier ist so entstanden. Es ist die Möglichkeit für mich, Gefühle und das, was nicht gesagt werden kann, auszudrücken. Ich sehe immer wieder, dass Menschen tief berührt sind, innerlich ruhig werden und Freude oder Entspannung erleben, wenn sie mein Spiel hören. Ich selbst glaube ja, dass viel mehr hinter den Tönen stecken kann, als bloß der Klang :-). – Und da es heute ein Leichtes ist, habe ich mich dazu entschlossen, einige Stücke mit den Menschen da draußen zu teilen. Ich wünsche viel Freude damit! ~Michael I was born in Upper Austria and live now in Salzburg. Since I was about three years I had the affinity to play with the piano; in the beginning it was litterally playing :-). Since then music was always my companion till today. I also play violine and Djembe, but the piano stays the most important for me. I always preferred to play free and spontaneous. It's an important way for me to express feelings and what cannot be said. Music is the way to do that. I noticed that many people are touched when they hear my playing and get calm inside or feel joy. Since it is easy nowadays, I decided to share many pieces I record for free. All the best, Michael

音乐是财富、是一种心情、是一个改变自己的方式。 它能表达出你的心情，释放你的压力，找到你的共鸣！

OSG - Lorin Maazel (director) Grabación de Radio Galega realizada el 17.05.2012 en el Palacio de la Ópera de A Coruña

Cedille Chicago Presents new releases from Rachel Barton Pine and Matthew Hagle, and from Jorge Federico Osorio. Subscribe to the Cedille Email List to receive one free music track from each week's show!  This week's download is: JEAN SIBELIUS (1865–1957) Berceuse (Lullaby), No. 6 from Six Pieces, Op. 79 (2:25) From Violin Lullabies Cedille Records CDR 90000 139 (Tracks 3–7) Rachel Barton Pine, violin Matthew Hagle, piano   Playlist for April 24, 2013 VLADIMIR REBIKOV (1866–1920) Berceuse (Lullaby), No. 1 from Trois Morceaux, Op. 7 (1:44) AMY BEACH (1867–1944) Berceuse (Lullaby), No. 2 from Three Compositions, Op. 40 (3:44) LUDWIG SCHWAB (1880–1943) Berceuse écossaise (Scottish Lullaby) (3:54) OTTORINO RESPIGHI (1879–1936) Berceuse (Lullaby), No. 1 from Sei Pezzi (3:30) GEORGE GERSHWIN (1898–1937) "Summertime" from Porgy and Bess (3:45) From Violin Lullabies Cedille Records CDR 90000 139 (Tracks 3–7) Rachel Barton Pine, violin Matthew Hagle, piano CARLOS CHÁVEZ (1899–1978) Piano Concerto (1940) III. Finale: Allegro non troppo (7:05) From Carlos Chávez Piano Concerto and solo piano works by Chávez, Moncayo & Zyman Cedille Records CDR 90000 140 (Track 3) Jorge Federico Osorio, piano Orquesta Sinfónica Nacional de México Carlos Miguel Prieto, conductor JOSÉ PABLO MONCAYO (1912–1958) Muros Verdes (1951) (6:36) From Carlos Chávez Piano Concerto and solo piano works by Chávez, Moncayo & Zyman Cedille Records CDR 90000 140 (Track 5) Jorge Federico Osorio, piano JEAN SIBELIUS (1865–1957) Berceuse (Lullaby), No. 6 from Six Pieces, Op. 79 (2:25) PAULINE VIARDOT-GARCÍA (1821–1910) Berceuse (Lullaby), No. 3 from Six Morceaux (2:34) ALAN HOVHANESS (1911–2000) Oror (Lullaby), Op. 1 (2:38) IGOR STRAVINSKY (1882–1971) Berceuse (Lullaby) from The Firebird (2:55) MAURICE RAVEL (1875–1937) Berceuse sur le nom de Gabriel Fauré (Lullaby on the name “Gabriel Fauré”) (2:25) From Violin Lullabies Cedille Records CDR 90000 139 (Tracks 10–14) Rachel Barton Pine, violin Matthew Hagle, piano

OSG - Jesús López Cobos (director) Grabación de Radio Galega del 16.11.2012 (Palacio de la Ópera de A Coruña)

From 2011 to 2013 the Orchestra of St Cecilia performed the first three series of Haydn symphonies (18 concerts and 54 symphonies)at the Newman University Church, St Stephen's Green, Dublin, a building possessing splendid acoustics and architectural magnificence. The Orchestra of St Cecilia was formed in January 1995. Drawn from the finest of Dublin’s professional musicians, it has a notable reputation for the excellent quality of its performances. The Orchestra of St Cecilia was formed in January 1995. Drawn from the finest of Dublin’s professional musicians, it has a notable reputation for the excellent quality of its performances. Conducted by Proinnsías Ó Duinn Lindsay Armstrong, Manager/Artistic Director 1st Violins Therésè Timony - leader symphonies 36 & 71 Margaret Burns - leader symphonies 3, 4 & 39 Sylvia Roberts Anita Vedres Sebastian Liebig Clodagh Vedres 2nd Violins Dara O’Connell Melanie Briggs Elena Quinn Jenny Burns Violas Elizabeth Csibi Lisa Quinn Cellos Niall O’Loughlin Claire Fitch Moya O’Grady Bass Aura Stone Harpsichord Gillian Smith Rachel Factor Flute Madeleine Staunton Oboes Patricia Corcoran Jenny Magee Bassoons John Hearne Horns Andre Cavanagh Tom Briggs Fearghal O Ceallacháin Declan McCarthy The Orchestra of St Cecilia Collection was kindly donated to Dublin City Library & Archive, 138-144 Pearse Street in 2016.

From 2011 to 2013 the Orchestra of St Cecilia performed the first three series of Haydn symphonies (18 concerts and 54 symphonies)at the Newman University Church, St Stephen's Green, Dublin, a building possessing splendid acoustics and architectural magnificence. The Orchestra of St Cecilia was formed in January 1995. Drawn from the finest of Dublin’s professional musicians, it has a notable reputation for the excellent quality of its performances The Orchestra of St Cecilia Collection was kindly donated to Dublin City Library & Archive, 138-144 Pearse Street in 2016.

MIT OCW: 21M.542 Interdisciplinary Approaches to Musical Time, IAP 2010

MIT OCW: 21M.542 Interdisciplinary Approaches to Musical Time, IAP 2010

Trauermarsch (In gemessenem Schritt – Streng – Wie eis Kondukt) Stürmisch bewegt, mit gröBter Vehemenz Scherzo (Kräftig, nicht zu schenelli) (Stefan Dohr, Horn/cor) Adagietto (Sehr langsam) Rondo – Finale (Allegro)

Here is a full-length recital showcase featuring a performance from double bassist Phillip Serna.  Visit Phillip online at www.phillipwserna.com Northwestern University School of Music Presents a Doctoral Recital Phillip Woodrow Serna, double bass In Partial Fulfillment of the Requirements for the Degree Doctor of Music in Double Bass Performance Double Bass Student of Michael Hovnanian Viola da Gamba Student of Mary Springfels assisted by: Shirley Trissell, piano Sunday, April 27, 2003, 8:30 p.m. Regenstein Recital Hall 60 Arts Circle Drive Evanston, Illinois Sonata in E-Minor, Op.38 (1862-1865)           Johannes Brahms For Violoncello and Piano                                     (1833-1897)     Allegro non troppo     Allegretto quasi Menuetto             Allegro       SHORT INTERMISSION Sonata No.2 in E-Minor, Op.6                               Adolf Mišek For String Bass and Piano                                     (1875-1955)     I. Con fuoco     II. Andante cantabile     III. Furiant: Allegro energico             IV. Finale: Allegro appassionato       SHORT INTERMISSION Sonata (1956)                                                    František Hertl For String Bass and Piano                                           (b. 1906)     I. Allegro moderato     II. Andantino     III. Rondo: Alla polka, moderato         [ENCORE] Vocalise, Op.34, No.14              Serge Rachmaninoff                                                                               (1873-1943) Program Notes Johannes Brahms' Sonata in E-Minor, Op.38 (1862-1865)     In the summer of 1862, Johannes Brahms composed the first two movements of the Sonata for Piano and Violoncello, Op. 38. He later added the final Allegro in June of 1865. Intended as an "homage to J.S. Bach," Brahms based the principal themes of the outer movements on Contrapuntctus 4 and Contrapunctus 13 from "The Art of Fugue." Indeed, beyond these thematic references, fugal interplay is the prevailing device employed throughout the work. The sonata was first performed in July of 1865, and submitted for publication to both Breitkopf & Härtel and Simrock in September of the same year. Breitkopf & Härtel refused to publish the work. Simrock soon accepted it, however, and it was probably published in early 1866. Brahms' famous description of the work, which accompanied his submission to Simrock, remarks that it is "a violoncello sonata which, as regards both instruments, is certainly not difficult to play.     David Cardon, Discordia Music     Discordia Music, a publishing company run by Professor Michael Hovnanian, publishes the edition used for this performance. Discordia specializes in publishing new works and transcriptions for the double bass, as well as to publish premium quality, well-researched, scholarly editions of music part of the standard double bass solo literature. Adolf Mišek's Sonata No.2 in E-Minor, Op.6     The typesetter, composer, conductor, and double bass player Adolf Mišek was born in Modletin, Czechoslovakia in 1875. At age 15, Mišek attended the Academy of Vienna, later conducting as choirmaster of The Czech Choir ,,Tovaovský" and Slavonic Chorus. Additionally, he conducted The Czech Academic Orchestra in Vienna. From 1890 to1894 Mišek was a student of the famous lecturer, Franz Simandl (1840-1912), who in Mišek's time was associated with the Vienna Conservatory, an institution that Mišek would later be engaged as bass professor. From 1920 to 1934 Mišek returned to his place of birth in Bohemia. He returned to Prague where he built a career as a soloist with the National Theatre. He died in Prague in 1955.     Mišek composed various works in different genres for voice, violin, chamber ensembles, and lastly for the double bass. His works for bass include a Scales Study, Legend op. 3 for Double Bass and Piano, a Capriccio (1899), Concert Polonaise, Sonata No.1 in A Major, Op. 5, Sonata No.2 in e minor, Op. 6, Sonata No.3 in F Major, and a Concert in C-major. František Hertl's Sonata (1956)     Composer and double bassist František Hertl was an active member in Czech music throughout his career. From 1920 to1926, Hertl studied double bass at the Prague Conservatory with Professor Fr. Cerny, also studying composition from 1933 to1936. Hertl was solo double bassist in the Czech Philharmonic Orchestra (1929-1935) and Czechoslovak Radio Orchestra Prague (1935-1950).  Hertl was director as well as performing member of the Czech Nonet from 1936 to 1950 and 1963 to1966 in addition to his duty as conductor of the Radio Orchestra in Brno (1950-1961). As a pedagogue, Hertl was professor at the Prague Conservatory (1951-1961), at the Leoš Janácek Academy of Music Arts in     Brno (1954-1961), and at the Academy of Music in Prague (1953-1973).     Hertl wrote 35 compositions for orchestra including a Czech Suite (1947), Czech Dances (1947), and a Symfonietta for Oboe and Small Orchestra. Hertl composed a Sonata for Violoncello and Piano as well as various choral works. Hertl also composed a Concert Polka (1948) and a Concert for Double Bass (1957) premiered by František Pošta in 1958. He additionally composed a Prelude, Burlesca, Nocturno, and Tarantella (1969). As pedagogical works, Hertl wrote a Double Bass School  (1962) and 20 Studies  (1965) for Double Bass. The Sonata for Double bass and Piano (1956) was first recorded by his pupil Pavel Horak, a member of Brno Philharmonic Orchestra, now in retirement.  Hertl was directing during the recording process.     Information courtesy of Miloslav Jelinek of the Czech Society of Double Bassists Biography A native of Houston Texas, Phillip W. Serna (viola da gamba) is an active and enthusiastic performer of early music, as well as the contemporary, solo, orchestral, and chamber repertoires. Phillip earned his Bachelor of Music in double bass performance with Stephen Tramontozzi at the San Francisco Conservatory of Music in 1998. Phillip later completed his Master of Music at Northwestern University School of Music in 2001 as a Civic Orchestra of Chicago Graduate Fellow. On June 16, 2007, Phillip will receive the Doctor of Music degree from Northwestern University where he studied double bass with international soloist DaXun Zhang and formerly with Chicago Symphony Orchestra member Michael Hovnanian. Phillip studied viola da gamba with Newberry Consort founder Mary Springfels. Since 2003, Phillip has been principal double bass of the Northbrook Symphony Orchestra and has been recently elected to a two-year term on the Board of Directors of the Northbrook Symphony.  In addition, Phillip has performed regularly with other orchestras such as the Bach Chamber Orchestra & Choir, Chicago Symphony Orchestra's Civic Orchestra of Chicago, Elmhurst Symphony Orchestra, Fort Wayne Philharmonic Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, Kankakee Valley Symphony Orchestra, Kenosha Symphony Orchestra, New Philharmonic Orchestra, Quad Cities Symphony Orchestra, Racine Symphony Orchestra, Rockford Symphony Orchestra, Southwest Michigan Symphony Orchestra, Waukesha Symphony Orchestra, Wisconsin Chamber Orchestra as well as the Memphis Symphony Orchestra. In March of 2007, Phillip will perform Giovanni Bottesini's Concerto No.2 in b-minor with the Waubonsie Valley High School Orchestra in Aurora, IL after having already performed Estonian composer Eduard Tubin's stirring Concerto for Double Bass and Orchestra with Northwestern University's Summer Orchestra under the direction of Robert Hasty in July of 2003. Recently joining the board of the Early Music Chicago arts advocacy & performance organization, Phillip regularly performs on viola da gamba and period double bass/ violone with period instrument ensembles and organizations such as the Apollo Chorus of Chicago, Ars Antigua, Chicago Early Music Consort, Period Opera Cosi fan Tutte with Chicago Opera Theater, Classical Arts Orchestra, Comic Intermezzo, Early Music Chicago, the Janus Ensemble, the Newberry Consort, the Evelyn Dunbar Memorial Early Music Festival at Northwestern University, the Oriana Singers, the Second City Musick, and the Spirit of  Gambo - a Chicago Consort of  Viols, as well as the Concert for Compassion Viol Consort & the Forces of Virtue Ensemble and Choir, dedicated to raising money for disaster relief and other charities. In addition to his intense performance schedule, Phillip teaches lessons on double bass, bass guitar, guitar, viola da gamba, and presents master classes and workshops on modern and period double bass. As a passionate advocate of early music, Phillip has championed the viola da gamba with his initiative 'Viols in Our Schools,' bringing solo and chamber music for viols into Chicago area classrooms. Phillip also currently teaches at numerous institutions around the Chicago area. Phillip lives in Plainfield, IL with his best friend and wife, Magdalena.Program

This week the castaway on Desert Island Discs is the psychologist Dorothy Rowe, author of groundbreaking books on depression such as Choosing not Losing, Breaking the Bonds and The Courage to Live. Translated into 12 languages, her books have helped many people round the world learn about themselves. In conversation with Sue Lawley, she talks about her life and work and chooses eight records to take to the mythical island.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: Finale (Allegro vivace) by Franz Schubert Book: The Oxford Companion to the Body by Professor Colin Blakemore Luxury: A snorkelling suit with prescription goggles

This week the castaway on Desert Island Discs is the psychologist Dorothy Rowe, author of groundbreaking books on depression such as Choosing not Losing, Breaking the Bonds and The Courage to Live. Translated into 12 languages, her books have helped many people round the world learn about themselves. In conversation with Sue Lawley, she talks about her life and work and chooses eight records to take to the mythical island. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Finale (Allegro vivace) by Franz Schubert Book: The Oxford Companion to the Body by Professor Colin Blakemore Luxury: A snorkelling suit with prescription goggles