Podcasts about graveyard shift sisters

Our guest this week was film producer Ashlee Wellenreiter. Ashlee is the co-writer/producer of the feature length documentary film "Horror Noire: A History of Black Horror," which looks at a history of horror through the black point of view and how its evolved to where it is today. Watch the trailer here https://www.youtube.com/watch?v=BmyueIwsMlo To obtain the Zoom link for upcoming live interviews, you must register at The Filmmaker's Life webpage at https://www.filmmakersuccess.com/The-Filmmakers-Life-Home . Ashlee Wellenreiter (nee Blackwell) is a Pennsylvania born independent scholar from the Philadelphia and Delaware County areas. She is the creator of the award nominated Graveyard Shift Sisters, a digital archive preserving the legacy of Black women in horror cinema. She is the co-writer/producer of the award-winning documentary, "Horror Noire: A History of Black Horror" and the host and writer of the Shudder podcast "Horror Noire: Uncut." She also is a podcast producer, editor, and the co-host of" Rhythm & Schooled," a history podcast miniseries about 1990s R&B with screenwriter Robin Shanea. Ashlee is currently producing a micro-budget sci-fi thriller and an adjunct professor of film and television studies who enjoys Fall weather, dachshunds, and cooking. #femalefilmmaker #blackfilmmakers #filminterview #filmpodcast #blackfemalefilmmaker #blackdocumentary #blackhorror #documentaryfilmmakers #documentaryfilmmaking

It's a Business Woman's Special with this week's episode featuring Carolyn Mauricette, who joins Becky and Alicia in Beverly Hills to revisit 1997 comedies Romy & Michele's High School Reunion and B.A.P.S. Carolyn is a film programmer and Development Coordinator for the Blood in the Snow Film Festival and a contributing author to the first edition of the Women in Horror Annual, The Encyclopedia of Japanese Horror Films, and The Encyclopedia of Racism in American Film. She is a Rotten Tomatoes-approved critic and has also written pieces for Graveyard Shift Sisters, film reviews for Cinema Axis, and articles for Grim Magazine. She deep dives into race and representation of people of color in genre film on her website, View from the Dark, and co-hosts the podcast Reely Melanated with Ashlee Blackwell where they talk about movies they love. See acast.com/privacy for privacy and opt-out information.

Technical Note: Unfortunately Nicole had some technical issues with her recording, so you may notice a change in the quality of her audio for the final 30 minutes of the episode. In the final episode of season one of The Celluloid Mirror we invited Ashlee Blackwell to join us to talk about two teen films: Jennifer Reeder's Knives and Skin from 2019 and Stephen Herek's Don't Tell Mom the Babysitter's Dead from 1991. Ashlee is the creator of the online scholarship Graveyard Shift Sisters, a resource highlighting the history of Black women in the horror genre and is one of the writers and producers of the Shudder Original documentary, Horror Noire: A History of Black Horror. She's currently an adjunct professor of film studies. Knives and Skin and Don't Tell Mom the Babysitter's Dead are both films about suburban) teenagers coming of age in the absence of parental guidance, catalyzed by an unexpected and obfuscated death. We talk about those similarities, our reactions, and how in some ways the teens in Knives and Skin are the children of the teens in Don't Tell Mom the Babysitter's Dead. This is our last episode for season one of the show. We're going to take a little break and be back soon with more episodes. Let us know what movies or pairing you'd be interested in us diving into. Links and Further Reading: Graveyard Shift Sisters Horror Noire; A History of Black Horror Knives And Skin (2019) Is An Amazing Pastel Noir Therapy Session - Ashlee Blackwell Knives and Skin on Rotten Tomatoes Don't Tell Mom the Babysitter's Dead on Rotten Tomatoes Roger Ebert on Don't Tell Mom the Babysitter's Dead Ebert.com on Knives and Skin Vincent Canby on Don't Tell Mom the Babysitter's Dead Ben Kenigsberg on Knives and Skin Hollywood Movies from the Nineties: Don't Tell Mom The Babysitter's Dead (1991) - Stones of Erasmus Blog Rural Magic Realism and Perpetual Adolescence in KNIVES AND SKIN - Father Son Holy Gore Blog Knives and Skin Explained - If Twin Peaks was a Panty-Sniffing Musical - Signal Horizon Magazine "Knives and Skin" - Berlin Review All music in the episode is by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3788-funkorama License: http://creativecommons.org/licenses/by/4.0/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/thecelluloidmirror/message

The phrase “Mind Over Matter” refers to the power of thought, regardless of physical limitations. Not only was this phrase uttered by her character, Sheila, in A Nightmare on Elm Street 4: The Dream Master, it is also a phrase Toy Newkirk has grown up practicing. Coming from a father in entertainment, Toy was encouraged to build her own path. She pushed limits, enthusiastically sought learning opportunities, and stood strong in the face of adversity. Even today, Toy Newkirk is a force of persistence and a source of inspiration. Whether it's a “killer physics test” or a film production, Toy Newkirk lets her Sheila shine. Host Diandra is joined by special guest host Ashlee Blackwell of Graveyard Shift Sisters, whom you might remember from an earlier episode exploring the importance of Sheila. Together Ashlee and Diandra discuss Sheila and willpower with Toy Newkirk.

Bill speaks to writer, producer/screenwriter and professor Ashlee Blackwell about her various endeavors, from organizing events like Philly Loves Women In Horror and developing the Graveyard Shift Sisters website to teaching film at St. Joseph’s University and co-writing, co-producing and appearing in the documentary HORROR NOIRE: A HISTORY OF BLACK HORROR. Topics include: James Bond III, the value in narrowing one’s focus, R. Shanea Williams, THE EXORCIST, Dr. Robin R. Means Coleman, unwinding to stand-up comedy and having one’s feminist sensibilities awakened by A NIGHTMARE ON ELM STREET 4: THE DREAM MASTER.   Follow Ashlee Blackwell on Twitter:  https://twitter.com/AshleeTakesNote     Read Graveyard Shift Sisters:  https://www.graveyardshiftsisters.com     Watch HORROR NOIRE: A HISTORY OF BLACK HORROR: https://www.shudder.com/movies/watch/horror-noire-a-history-of-black-horror/4548652     Listen to Ashlee Blackwell and Diandra Lazor interview actress Toy Newkirk on Elm Street Radio: https://www.youtube.com/watch?v=YeWEUoYmqek   Read "Why We Exist: A Call For Community": https://www.graveyardshiftsisters.com/2013/10/why-we-exist-call-for-community.html   Watch the films of R. Shanea Williams:  https://vimeo.com/user3681349

Welcome to Everything Trying to Kill You, the comedy podcast that talks about horror movies! In episode 59, about Ari Aster’s Midsommar, your hosts Mary Kay, Mary, and Rachel answer important questions like these:What country (besides Sweden) are you most afraid to visit? Is Australia where the devil keeps his pets? Was Christian raped? But is he ALSO the worst? What does Josh mean by his comment about “maybe you’re not paying attention to the right thing?” Are Christian’s actions defensible? What about the sequence of walking through the house where Dani’s sister annihilated her family? What is Ari Aster going through that he wrote THIS right after Hereditary? What’s the most identifiable-with moment in this movie? Why does Dani stay with Christian? Where are Dani’s friends? Why are any of these people friends with Mark—how did he find his way into this social circle? What’s the deal with the bad trips in the movie? How does the brightness and the beauty of this film work for a horror film? Why does Josh withhold his information about the Attestupa ritual? How dare you, Christian, try to take Josh’s idea? Is this type of anthropological study immoral? Is this movie scary? What was the scariest part? What do you make of Dani’s insomnia-sleeping-pills-dream? Why does she look into the mirror while she’s on mushrooms? What’s the deal with that A-frame building? Why do we like cult movies? Why were we set up to think that it was a BAD thing to be the May Queen? Did you get “The Lottery” vibes from it, too? Why doesn’t the anesthesia work?! Was the prophet’s coloring as funny to you as it was to Rachel? Were Pelle’s parents also sacrificed? Why were the bodies stuffed with straw? What is the “blood eagle?” What animal corpse would you burn your ex inside of?Midsommar (2019)– Written and directed by Ari Aster; performances by Frances Pugh, Jack Reynor, William Jackson Harper, Will Poulter, Vilhelm BlomgrenGenre: Horror, Thriller, Suspense, Cult, Folk HorrorWhere to watch: Amazon PrimeSummary: A couple travel to Sweden to visit their friend's rural hometown for its fabled midsummer festival, but what begins as an idyllic retreat quickly devolves into an increasingly violent and bizarre competition at the hands of a pagan cult.Tags: horror, drama, thriller, suspense, cult, pagan, Florence Pugh, Ari Aster, Jack Reynor, William Jackson Harper, Will Poulter, Vilhelm Blomgren, ritual, brainwash, family annihilator, ritual suicideLinks: This Podcast Will Kill You’s episode about the Corona Virus.Pandemic Netflix series.How MIDSOMMAR Utilizes and Subverts Horror Movie Tropes of People of Color on Graveyard Shift Sisters blog (hosted by Ashlee Blackwell)Preacher Boys, by our sound editor Eric SkwarczynskiPre-order Mary Kay’s book on Indiebound, Amazon, or from her person via email.

Special interview along with radio show Pulling Focus host Gretjen Clausing where we talk with Ashlee Blackwell, horror movie expert and founder of the website, Graveyard Shift Sisters. We talk to her about representation in horror, black films/directors/actors and the unique approach to telling our stories through genres like horror. --- Send in a voice message: https://anchor.fm/black-tribbles/message

Special interview along with radio show Pulling Focus host Gretjen Clausing where we talk with Ashlee Blackwell, horror movie expert and founder of the website, Graveyard Shift Sisters. She is the co-writer and co-producer of Horror Noire: A History of Black Horror. We talk to her about represention in horror, black films/directors/actors and the unique approach to telling our stories through genres like horror. If you're in the area - catch the screening on Friday, July 26th and the Q&A discussion with Ashlee and Gabe. --- Support this podcast: https://anchor.fm/the-ghouls-next-door/support

Welcome to Everything Trying to Kill You, the comedy podcast that talks about horror movies! In episode 45, “A Rocketshit” your hosts Mary Kay McBrayer and Mary Beyer welcome on Ashlee Blackwell, founder of Graveyard Shift Sisters, and producer and co-writer of the documentary on Shudder, Horror Noire to discuss the film The Perfection. They answer important questions like these: What would make you shit on the sidewalk? Is this movie scary? What could be worse than getting sick like that on a bus? Is Mary clairvoyant? Could you get past someone tricking you into cutting off your own arm, even if it was “for your own good?” How accurate is this abuse to the musical training? Did you like the image of them playing the cello at the end? Which example of the body horror was the MOST horrific? Was it the bugs? Why? Why should we play through the pain? What could have motivated a woman to revenge besides sexual abuse? Did you find that cause a little lacking in imagination? Did the structure of the Movements work for you? What exactly motivated those decisions? Do you like Charlotte and Lizzie? If Lizzie is coded as queer… does it have anything to do with the fact that she’s been tortured and raped? Is it implying that someone BECOMES and orientation? (In the film.) Is that what the STORY is saying? Is convincing Lizzie to cut off her hand the ONLY way to save her? What ibuprofen pills are that large? What did you think about the film angles and camerawork? What was your favorite shot in the movie? How did Jeffrey and Theus come into this job? Who invented that scary Saw rape apparatus? If you were attacking scary cello rapist man, what song would play while you dismembered and blinded him? The Perfection (2019)—Directed by Richard Shepard, written by Eric C. Charmelo, Richard Shepard; performances by Allison Williams, Logan Browning, Steven WeberGenre: Horror, Thriller, Suspense, Music, Body Horror, SlasherWhere to watch: NetflixSummary: When troubled musical prodigy Charlotte (Allison Williams) seeks out Elizabeth (Logan Browning), the new star pupil of her former school, the encounter sends both musicians down a sinister path with shocking consequences.Links: Graveyard Shift Sisters, Ashlee Blackwell’s amazing site that “purges the black female horror fan from the margins”Watch Horror Noire: Delving into a century of genre films that by turns utilized, caricatured, exploited, sidelined, and finally embraced them, Horror Noire traces the untold history of Black Americans in Hollywood through their connection to the horror genre. Adapting Robin Means Coleman’s seminal book, HORROR NOIRE will present the living and the dead, using new and archival interviews from scholars and creators; the voices who survived the genre’s past trends, to those shaping its future.

We are so happy to bring to our audience this long-form interview with Ashlee Blackwell, founder of Graveyard Shift Sisters and writer/producer of Shudder's amazing documentary "Horror Noire: A History of Black Horror". We cover A LOT in the interview, taking a look at representation in horror classics from "Night of the Living Dead", "Blacula", "The Shining" and of course, the works of Jordan Peele. So sit back, relax, and enjoy the interview!! 1:40 - Get to Know Ashlee 28:00 - Genesis of "Horror Noire" 36:35 - "Night of the Living Dead" (1968) 44:00 - "Blacula" (1972) 52:20 - "Candyman" (1992) 62:40 - Fear of Atomic Age vs Fear of the Other 67:50 - 'Blacks Die First' 89:50 - "Tales from the Hood" (1995) 96:00 - Jordan Peele 137:10 - Closing  

We’re celebrating Women in Horror Month all February long on Corpse Club, and to kick things off, Heather Wixson is joined by special guest Ashlee Blackwell, co-writer and producer of the new documentary Horror Noire: A History of Black Horror and the founder and editor of Graveyard Shift Sisters, “an online resource dedicated to the scholarship surrounding the experiences, representations, achievements, and creative works of Black women and women of color in the horror and science fiction genres.” Listen as Ashlee discusses her horror roots, her insightful writing on Graveyard Shift Sisters, and her unforgettable experiences working on Horror Noire. Heather and Ashlee also talk about the everlasting impact of Candyman and memorable black female characters from horror movies, including Sheila (Toy Newkirk) from A Nightmare on Elm Street 4: The Dream Master and Jeryline (Jada Pinkett Smith) from Tales from the Crypt: Demon Knight. So, sit back, relax, and enjoy the first installment of our Women in Horror Month 2019 celebration!

This week we're talking about the most awkward prom ever with writer/performer/podcaster Don P. Hooper stopping by to watch the horror classic Carrie for the first time.  Join us as we talk about horror movies that scared us growing up, blunt 1970s teaching methods, old-school movie effects, the Carrie musical episode of Riverdale, real-life Get Out moments and much more.  Follow Don on Twitter and check out Jamtown Films to see his horror short film Page One and other work. Also give a listen to his podcast Brothers From Another Planet.  For a smart, feminist perspective on Carrie and other horror films, check out the Switchblade Sisters podcast and Graveyard Shift Sisters.  Like Movies My Friends Have Never Seen on Facebook and follow us on Twitter. You can also get the show on iTunes and Stitcher. Or paste the RSS feed into the preferred podcast player of your choice to get new episodes when they're released. 

6-year-old Alistair and CadaverDad were among the panelists at DePaul University's 2018 Pop Culture Conference: A Celebration of Slashers. On this episode, Al takes on a real big boy role at A Celebration of Slashers, serving as the panel chair of a roundtable discussion on horror podcasting that culminates in a hypothetical discussion about fighting a totally made-up monster! Also on the panel are CadaverDad, Linnie Sarah Helpern (The Horror Honeys), Dawn Humphrey (Women in Caskets) and writer Ashlee Blackwell (Rue Morgue, Graveyard Shift Sisters). You can support CadaverCast with your ratings and positive reviews on iTunes, by donating to our network at patreon.com/wordsalad, and spreading the word about CadaverCast to your friends (or enemies). We sure do appreciate it! Email us at: CadaverCast@gmail.com Follow us on Twitter at: twitter.com/Cadaver_Cast Check us out on Facebook at: facebook.com/cadavercast CadaverCast theme by Aaron Ewalt Series cover art by Angel Onofre Episode edited by Jef Burnham © 2018 Jef Burnham

Bill speaks with critic and author Alexandra Heller-Nicholas about her many pursuits, from co-founding Fiend Magazine and writing books like RAPE-REVENGE FILMS and FOUND FOOTAGE HORROR FILMS to editing for Senses Of Cinema and co-curating the Pioneering Women program on Australian women filmmakers of the 1980’s and 1990’s. Topics covered include: Carol Clover, Plato’s Cave, date movies, masks, MEGAN IS MISSING, writing and editing tips, Hal Hartley, THE STENDHAL SYNDROME, Graveyard Shift Sisters and the predatory behavior of Pepé Le Pew. Visit Alexandra Heller-Nicholas’s official site: Alexandra Heller-Nicholas   Visit Alexandra Heller-Nicholas’s site Generation Starstruck, focusing on Australian women’s filmmaking made between 1980-1999: https://generationstarstruck.tumblr.com/   Visit Alexandra Heller-Nicholas’s Amazon author page: https://www.amazon.com/Alexandra-Heller-Nicholas/e/B0050PI6V0/ref=sr_ntt_srch_lnk_1?qid=1520336609&sr=8-1   Watch this panel on cinephilia, featuring Alexandra Heller-Nicholas, Jonathan Rosenbaum, David Jenkins, Conor Bateman and Cerise Howard: https://www.youtube.com/watch?v=XyCOFM66Ns8   Visit the online film journal Senses Of Cinema: http://sensesofcinema.com/ Hear Alexandra Heller-Nicholas on The Cinephiliacs: http://www.thecinephiliacs.net/2017/03/episode-90-alexandra-heller-nicholas-ms.html Buy the Region B Arrow Video edition of Brian De Palm’s CARRIE, featuring audio commentary by Alexandra Heller-Nicholas and Lee Gambin: https://www.arrowfilms.com/product-detail/carrie-blu-ray/FCD1686 Read Daphne du Maurier’s THE BLUE LENSES: http://moellerlit.weebly.com/uploads/1/0/2/4/10248653/shorts_--_the_blue_lenses_dumaurier.pdf Read a roundtable discussion conducted by Alexandra Heller-Nicholas on LOST GIRLS: https://fourthreefilm.com/2017/05/lost-girls-a-jean-rollin-roundtable/ Read Alexandra Heller-Nicholas on Andrzej Zulawski: https://overland.org.au/2016/02/andrzej-zulawski-and-the-powerlessness-of-language/ Read Alexandra Heller-Nicholas' celebrated essay on MAD MAX: FURY ROAD: https://overland.org.au/2015/05/furious-and-furiosa/ Hear Alexandra Heller-Nicholas on the Plato’s Cave radio program: https://www.rrr.org.au/program/plato-s-cave/ Visit the official site of Graveyard Shift Sisters: http://www.graveyardshiftsisters.com

Greetings, and welcome back to Horror Business. We have one awesome episode in store for you guys. On this episode we’re celebrating the Women In Horror Month, and we were lucky enough to be joined by Ashlee Blackwell from Graveyard Shift Sisters to discuss the role of black women in horror films. In a bit of a departure from our usual format we’ll be discussing three short films instead of two feature length films: R. Shanea Williams Paralysis, Maria Wilson’s Venefica, and Bree Newsome’s Wake. First and foremost we want to give a shoutout to our sponsors over at Lehigh Valley Apparel Creations, the premiere screen-printing company of the Lehigh Valley. Chris Reject and his merry band of miscreants are ready to work with you to bring to life your vision of a t-shirt for your business, band, project, or whatever else it is you need represented by a shirt, sweater, pin, or coozy. Head on over to www.xlvacx.com to check them out. Thanks! We begin by talking about what we’ve done in horror recently. Ashlee talks about seeing The Ritual and the current season of Syfy’s Channel Zero, as well as the Exorcist TV series. Justin talks about rereading Joe Hill’s horror fantasy comic series Locke & Key. Liam talks about reading Red Dragon.  Ashlee begins by talking about why she started Graveyard Shift Sisters. She talks about being a “minority within a minority” and starting the website in order to bring black women in from the outskirts of the horror community and within horror films, and to highlight the role black women often play in horror films. She notes that the underrepresentation of black women in horror films, both starring in and consuming, is something that needs to be addressed. The problem of horror being a culture somewhat resistant to addressing issues of race and misrepresentation/underrepresentation is discussed, as is the concept of the ‘white gaze’ in horror film. There is a brief discussion on Jordan Peele’s work in the film Get Out and how it brought to light subjects some people were uncomfortable with. First up is 2010’s Wake. Ashlee talks about her acquaintance with the film, and how it personifies the idea of a “Southern Gothic horror film.” She talks about the recent phenomenon of black women staying single, or “black women ain’t gonna get married”, and the desirability of black women as a whole. The phenomenon of rootwork is touched upon, and black horror’s highlight of non-Christian religions and folk magic is discussed. Ashlee argues that the three bystanding women in the film represent society as a whole telling black women they aren’t good enough for a man. Some of the technical aspects of the film are discussed, as are some of the tragic aspects of the film. The idea of gaining power in a world in which you have none is discussed. The concept of short films being great because of their length is briefly touched upon. Up next is R. Shanea Williams’ 2015’s Paralysis. Ashlee talks about her background with the filmmaker and about being a fan of her other works. She talks about Williams’ ability to craft well defined characters, as well as her ability to craft mood and tone. The difference between the feeling of “horror” and “terror” is discussed. Justin talks the recent upswing in interest in the concept of sleep paralysis, and how the film deals with the idea of questioning ones own sanity. The idea of which is scarier (external forces acting upon you, or your own mind creating something) is examined. The idea of the unknown, and the uncertainty around it, being truly scary is touched upon. The lack of access to mental health care black women suffer from is discussed. Ashlee discusses seeing the film with an all black audience and how that lent to the experience. Finally we have 2016’s Venefica. We talk about how the film was written, directed, and starred by one person, the unspoken way some of the more horrific elements of the film are introduced. Justin talks about how he loved the abrupt ending of...

Nolan is joined by Paul Farrell and Kat Adams, as well as special guests Anya Stanley and Jordan Byrd, to discuss Roman Polanski's ROSEMARY'S BABY (1968) and Jordan Peele's GET OUT (2017). The group celebrates Women in Horror Month by recommending some of their favorite horror movies directed by women and catches up on their latest horror discoveries before becoming embroiled in a conspiracy which seeks to exploit and control marginalized bodies. Other movies discussed on this episode: NEAR DARK (1987), THE LOVE WITCH (2016), XX (2017), REVENGE (2018), THE INVITATION (2016), OPERA (1987), HAPPY DEATH DAY (2017), CLASS OF 1999 (1990), THE CLOVERFIELD PARADOX (2018), WINCHESTER (2018), BONE TOMAHAWK (2015). As will always be the case with this show, be aware that our discussion contains spoilers. If you want to watch the movies before listening to the show, there are a couple of ways you can do so. ROSEMARY'S BABY is available to stream on Starz or rent via VOD from Amazon, YouTube, VUDU, iTunes, and Google Play. GET OUT is available to stream on HBO Now or rent via VOD from VUDU. Links of interest and/or sources cited for research on this episode: Not Your Trophy: Deer Imagery in Jordan Peele’s ‘Get Out’ by Anya Stanley (Vague Visages) Get Out Is a Horror Movie Only a Black Person Could Have Made by Evan Narcisse (i09/Gizmodo) In Get Out, the Eyes Have It by Lenika Cruz (The Atlantic) Waking Nightmares: A Conversation with Jordan Peele by Andrew Chan (Criterion) "Get Out" Syllabus by Dr. Crystal Boson Horror Blackademics: The Get Out (2017) Syllabus by Ashlee Blackwell (Graveyard Shift Sisters) — a curated list of readings to supplement the "Get Out" Syllabus The Horror, The Horror: "Get Out" And The Place of Race in Scary Movies by Gene Demby and Eric Deggans (NPR) — podcast featuring excerpts from an interview with Jordan Peele The Sunken Place: Racism, Survival and Black Horror by Tananarive Due and Steven Barnes — registration for a six-week workshop conducted at UCLA (as well as online) Gender Bashing: Horror And Sisterhood in Tragedy Girls by Anya Stanley (Dread Central) Crew Expendable: The Consequences Of Empathy In Alien by Anya Stanley (Birth.Movies.Death) Cosmic Beasts: Lovecraftian Elements in Gojira (1954) by Anya Stanley (Daily Grindhouse) Women In Horror Month (website)

The Gate with Graveyard Shift Sisters’ Ashlee Blackwell This week on Scream Addicts, Jinx welcomes Ashlee Blackwell to the show!  A writer for numerous horror print and online publications and creator of Graveyard Shift Sisters, Ms. Blackwell has chosen Tibor Takács’ 1987 horror film The Gate for discussion this week. Now celebrating its thirtieth anniversary, The Gate inspires a discussion which touches on the film’s practical effects, impressive child performances, and the heavier themes that the movie tackles.  Along the way, we touch on the film’s relative obscurity, star Stephen Dorff’s career, and…Freddy vs. Jason?! It’s a great chat with a fantastic guest, and it’s one we hope you enjoy! Make certain to scream at us on Facebook and Twitter! We are: @GraveyardSister @Jinx1981 @ScreamAddicts

  Hello and welcome to Devour the Podcast 119 On this episode we’re joine by Vanessa McEnery of the VD Clinic podcast to discuss the often overlooked 1973 film Ganja and Hess We have merch! You should buy some! teespring.com/stores/devour-the-merch News: -Netflix announces Season 2 of Castlevania -Zach Snyders Dawn of the Dead remake coming to Blu-Ray thanks to Scream Factory -Blood Feast remake is coming to theaters, followed by a resounding “They remade Blood Feast?” -RL Stine’s Fear Street is coming to theaters from 20th Century Fox -The Cabal cut of Nightbreed is coming to Blu-Ray Our Feature Presentation: Ganja and Hess (1973) Bo: A- David: B+ Jamie: B+ Vanessa: A- Coming Soon: Next episode we will be joined by Ashley of the Girls Will be Ghouls and Graveyard Shift Sisters blog to discuss Tales from the Crypts: Demon Knight Email us: Cenobitedave@gmail.com maven1974@gmail.com vdclinicpod@gmail.com Follow Us on Twitter: @Ddellamorte @maven1974 @VDClinicpod Like Us on Facebook: facebook.com/devourtheblog Subscribe on Itunes-Search Devour the Podcast Buy a shirt:teespring.com/stores/devour-the-merch Visit the site-devourthepodcast.blogger.com The post Devour the Podcast 119: Ganja and Hess appeared first on Legion.

In today's episode of Signal Boost, Ashlee Blackwell, founder and editor of Graveyard Shift Sisters, joins Shaun to talk about the goal of her website, #FridayNightHorror, and some recommendations for essential Black horror films. Then Paul is joined by Carrie Patel, author and game designer, to discuss the narrative design of DLC & sequels for computer games and expanding […]

The Graveyard Shift Sister herself - ASHLEE - returns to lead Len and Vince in a spirited review of Rusty Cundieff and Darin Scott's TALES FROM THE HOOD . For more Ashlee, check out her podcast GIRLS WILL BE GHOULS https://girlswillbeghouls.wordpress.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Technical difficulties can't keep the Men of Micheaux from their appointed duty to review emails and critique director Bill Gunn's intriguing 'vampire' urban-gothic Ganja & Hess. And who else to critique it with than the person who brought it to our attention, Ashlee of the Girls Will Be Ghouls podcast and Graveyardshift Sisters. Learn more about your ad choices. Visit megaphone.fm/adchoices

Segment 1: Actress Rachel True chats with Jamie and Ashlee from Graveyard Shift Sisters about her career, health, spirituality and hobbies of tarot card reading. Segment 2: Creator of the hashtag #OscarsSoWhite, April Reign is interviewed by Jamie, Mel, and Grace and discusses systemic racism within the Academy and the future of the Oscars. Segment 3: Caron interviews actor Stefan Kapicic star of the new film about Marvel superhero Deadpool. Stefan plays the role of Colossus and also gets personal with Caron. Segment 4: Jewels Smith is creator of the comic Hafrocentric that unapologetically discusses race, class, and gender in a prolific way. Joelle and Jamie interviews Jewels and features a soundbite from the Hafrocentric mixtape which is found at soundcloud.com/hafrocentric Rachel True interview edited by John Bauer Jewels Smith interview edited by MR Daniel http://mrdaniel.net Music By: Sammus, Shubzilla, and SkyBlew

In 1973, African American director Bill Gunn was tasked with making the next “Blacula.” Instead, he gifted the world with the strangest rumination on identity, addiction, and religion that we are just beginning to appreciate. Starring Duane Jones, who gave a revolutionary performance in George A. Romero’s “Night of the Living Dead,” and the magnetic […] More

On this scary podcast we had a panel of horror film aficionados to discuss their favorite scary movies as well as current projects they’re working on! Panelists include filmmaker L.C. Cruell of 7 Magpies, writer Eden Royce of Spook Lights and Ashlee Blackwell creator of Graveyard Shift Sisters. Happy Halloween!

We’re cheating a little this week and presenting to you a revisit to the first ever episode of It Came From the Indies. Why? THE DROWNSMAN has just hit store shelves in North America and we want to celebrate by again sharing the talk Martin and Ashlee from Graveyard Shift Sisters had with some of […] The post It Came From the Indies – The Drownsman Revisited appeared first on Nerdy Little Secret dot com.

Women in Horror Month! We’re kicking things off by talking to writer Ashlee Blackwell whose website Graveyard Shift Sisters has earned her praise for talking about the experience of being a black female horror fan and for looking into the history of black women and horror. Women in Horror Month is primarily about creators but […] The post It Came From the Indies – Ashlee Blackwell appeared first on Nerdy Little Secret dot com.

Women in Horror Month! We’re kicking things off by talking to writer Ashlee Blackwell whose website Graveyard Shift Sisters has earned her praise for talking about the experience of being a black female horror fan and for looking into the history of black women and horror. Women in Horror Month … The post It Came From the Indies – Ashlee Blackwell appeared first on Nerdy Little Secret.