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Struggling artist Reno paints to survive, but the pulsating paranoia of the city squirms and crawls in his psyche, splitting his mind from the strain. Reno's response is a fast finger on the trigger of a killer drill. Plug into terror with The Driller Killer! We are joined by Bill Ackerman and brave a few technical hiccups (no video tracks for Justin or Bill) to deliver one of our longest shows in a while, deep diving into the sketchy world of Abel Ferrara's The Driller Killer (1979), looking at everything from the sleazy atmosphere to its sordid release history (including its status as a Video Nasty), and a lot more in between!
Summer is drawing to a close and with it, our Summer Slasher Season has one more sorority to visit before September begins. Released in the twilight of The Golden Age of Slashers, The Initiation follows a sorority pledge who is plagued by a reoccurring nightmare. Tasked with breaking into the local mall, the sorority pledges find out that there's scarier things than 80s fashion waiting inside for them. Featuring a healthy slew of kills, there's a strange euro-horror vibe to this that features some twists and turns that try to keep a stale formula fresh Make sure to pledge to Cast Me To Hell sorority and be sure to leave us a lovely review. There're new episodes every week, and we cover horror movies from new releases with spoiler filled and spoiler free reviews, to old classics and B movie gems. You can find us on twitter and instagram @cmthpodcast or check out our website at https://castmetohell.podbean.com Theme by Dan Motti
Estranged siblings, Scott and Ashley, look to mend their relationship on a 3-day hiking trip. As tensions rise, Scott gets lost and falls into a 10-foot-deep spike pit, impaling him through his leg and leaving him trapped. He and his friends soon learn that his fall was no accident, but the beginning of a deadly hunt perpetrated by a deranged madman whose use of deadly traps each adds a gory notch to his body count, one by one. A sight-unseen choice from Erik, we give our general thoughts on this backwoods throwback and also discuss the cast, crew, and what's next for director James Kondelik.
Brandon, James, and Britnee discuss a grab bag of summer camp slashers, starting with Sleepaway Camp II: Unhappy Campers (1988) https://swampflix.com/ 00:00 Welcome 02:30 The End of Oak Street (2026) 05:55 I Woke Up Early the Day I Died (1998) 09:11 Sequels of the Blind Dead 13:15 Popcorn (1991) 17:00 Nightborn (2026) 24:31 Sleepaway Camp II - Unhappy Campers (1988) 40:43 Madman (1981) 57:50 The Burning (1981) 1:09:00 Cheerleader Camp (1988)
Director Jane Schoenbrun's latest film has had a certain kind of movie fan salivating for months now, and it's finally in theaters. So, are we still...salivating? Is this getting gross? Editor of RUE MORGUE Magazine, Andrea Subissati, joins us to discuss. Then, we get our tongues tied up with a movie quiz about film titles even longer than TEENAGE SEX AND DEATH AT CAMP MIASMA. What's Good Alonso: Jeni's Dark Chocolate Bombe Drea: Full-body skin care Andrea: Double cone, the American way Kevin: finally solving the Vitamin C face care situation (Paula's Choice C5 Superboost Moisturizer) ITIDICEllison Says Paramount Will Exit CA if Suit Isn't Settled By OctoberWB Promotes The End of Oak Street on AI Dog PodcastOne Night Only Director Removed Says Audiences Don't Like Sex Scenes All titles from our Long Titles Movie Quiz as a Letterboxd list Staff Picks Alonso: Trick (1999) Drea: Wet Hot American Summer Andrea: Milk & Serial Kevin: Undertone Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinmaxfilm Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher
Our Summer Slasher Season continues as the boys take a trip to the House on Sorority Row! After playing a prank on their Sorority House Mother that results in her death, seven sorority sisters find themselves the victims of a slasher rampage, but is this a case of vengeance or has their house mother come back from the grave. Releasing in the midst of the Golden Age of Slashers, House on Sorority Rows promises blood, scares and a pool you definitely don't want to take a dip in Make your pledge to the Cast Me To Hell sorority by hitting that subscribe button and be sure to leave us a lovely review. There're new episodes every week, and we cover horror movies from new releases with spoiler filled and spoiler free reviews, to old classics and B movie gems. You can find us on twitter and instagram @cmthpodcast or check out our website at https://castmetohell.podbean.com Theme by Dan Motti
This week we are psyched to have Sarah Alexandra Marks and Louis James on the show to chat about their new creature feature Bone Keeper!We also discuss tech gone wrong in movies and our Top 5 slashers without sequels. Plus, the Boneheads and more...
Send us Fan MailThis week we're ranking Summer Camp Slashers. We debate which killers deserve legendary status, defend unforgettable camp icons against modern challengers, and sort twelve slashers into four definitive tiers. In this episode's b-side, we explore real-life adult summer camps, imagine a Hack or Slash meetup at Camp Crystal Lake, and tease future Summerween plans.Create Your Summer Camp Slasher Tier ListSupport the showThanks for listening to Hack or Slash! Want more from the show? Join us on Patreon for extended episodes, bonus reviews, B-sides, watchalongs, behind-the-scenes extras, and more ways to help keep the show alive and slashing.Support us on PatreonYou can also hang out with us between episodes in our community spaces. Join the Discord for watch parties, episode discussions, horror recommendations, and general spooky nonsense.Join our DiscordFollow Hack or Slash:WebsiteYouTubeRedditInstagramTikTokHave thoughts on this week's movie? Leave a comment, send us a voicemail, or tag us online. We love hearing your thoughts on the movies we cover.Happy slashing!Music Credits: "Hack or Slash" by Daniel Stapleton
In this episode of Pizza and Side Hug, the hosts discuss the challenges faced by youth ministers who juggle multiple roles within their ministries. Inspired by a listener's email, they explore how to balance various responsibilities, avoid the comparison trap, and maintain a positive mindset. In this conversation, the speakers discuss the challenges of managing multiple roles in ministry, emphasizing the importance of prioritizing tasks, setting boundaries, and effective communication with supervisors. They explore the balance between pursuing new ideas and maintaining existing responsibilities, as well as the necessity of letting go of certain projects to allow for growth. Listen now!Chapters00:00 Welcome Back and Listener Engagement02:20 Balancing Multiple Ministries06:02 Mindset for Slashers in Ministry08:58 Setting Priorities and Realistic Goals12:00 Techniques for Managing Multiple Roles14:50 The Value of Versatility in Ministry21:56 Focusing on Priorities in Ministry23:21 Navigating Expectations and Boundaries24:30 The Art of Saying Yes and No27:51 Dreams vs. Reality in Ministry30:45 Letting Go for Growth34:40 Identifying Unjust Expectations39:21 Effective Communication with SupervisorsLinksWorking Genius: https://www.workinggenius.com/"Working Genius" episode: https://www.buzzsprout.com/697273/episodes/19212883"How to Say No" episode: https://www.buzzsprout.com/697273/episodes/19296875"Recruiting a Team" episode: https://www.buzzsprout.com/697273/episodes/15101244"Volunteer Onboarding" episode: https://www.buzzsprout.com/697273/episodes/15643596pizzasidehugs@gmail.com
Happy 40th Anniversary to Jason Voorhees! A little while ago, I decided to re-release older episodes that are uncut. Back when I first started podcasting, having sharp, finely trimmed episodes were all the rage. Since nothing is recorded that way, it needs to be edited. Now, everyone wants to hear everything about the interview, wrinkles and all. So, here are classic episodes of Classic American Movies: Uncut. Can you believe it's been four decades since “Friday the 13th Part VI: Jason Lives” slashed its way into our hearts? When I first kicked off the podcast during the pandemic, I was interviewing legends left and right, but landing writer/director Tom McLoughlin was a total “pinch-me” moment! I'll admit, my interview skills were a bit rough around the edges back then, but Tom was an absolute pro and on his A-game. It was such a treat to dive deep into the history and behind-the-scenes magic of this slasher classic.Ready for the ultimate fan experience? There's a special Halloween screening happening this year at the actual camp where the movie was filmed! Don't lose your head—grab your tickets here After listening to the pod, check out the blog at www.ClassicAmericanMovies.com ! If you think listening to me talk about movies is great, wait till you read my reviews.
An abandoned cargo ship, two brothers in law enforcement, blood-thirsty Dobermans, and a mysterious killer con dos conjuntos diferentes comprise this double-bill featuring a string of gruesome murders in Texas and across the Rio Grande in The Day Of The Jackal (1984), and its sequel, Massacre In Rio Grande (1988). Along with our general thoughts on both films, we take a look at the landscape of Mexican slasher cinema, the similarities to the Golden-Age American counterparts, hideous red sofas, silky mustaches, boozy mothers, body-popping strip clubs, and much, much more!
Hey kid, there’s a spider in your bed! From Kingdom of the Spiders (1977) We’re going back to horror history class with Episode 212: Slashers Come of Age and Horror Finds Religion 1975-1979. Seven years ago, in the early days of the Scariest Things, we did some horror history, diving into some of the more obscure titles that you may not be aware of. We stopped at the early seventies, and then went on a very long hiatus. But now we are back with some (maybe) forgotten gems from 1975 to 1979. Friend of the podcast Ian Parker joins Eric and Mike in this deep dive. It took a while, but we are back to our chronology of horror movies. We have picked up the baton and are moving our movie history lessons forward. The seventies were a turbulent period in history. The Hayes Code, now dead and defeated, is no longer. The early seventies started playing around in the margins with movies that pushed the boundaries of what was possible. The advent of the massive summer blockbuster began to separate movies into big-budget and indie-budget films, and horror was part of that trend. Jaws (1975) and The Exorcist (1972) proved that with the right director, scary movies could bring in big money and be legitimate critical darlings as well. The doors opened for studios to pour big money into movies that would become The Omen, Alien, Invasion of the Body Snatchers, and Carrie, landmark movies all. Big-name actors with great pedigrees were coaxed into performing in big studio horror projects. Gregory Peck did The Omen. Faye Dunaway at the height of her career did The Eyes of Laura Mars. It wouldn’t be long before Jack Nicholson got cast in The Shining (1980), but we’ll get to that one later. Having said all that, the studios weren’t quite all-in yet. There were a few pet projects out there. But the domain of the horror movie was still in the dilapidated old downtown movie houses and drive-in theaters. You couldn’t yet rent movies for home viewing. If you wanted to go see independent horror movies, you had to be willing to get down and dirty. The Cineplex wasn’t yet ready for showing off the gory delicacies that were being cooked up in the era when the boundaries between R and X hadn’t been settled yet. Slasher Movies Come of Age Horror never forgot its roots. You could still make a low-budget movie, with no-name actors, scare some teenagers, and turn a profit. But a guy in a rubber suit wasn’t going to cut it anymore. Real explicit violence and raw visceral horror are now how to make a memorable mark. Following in the footsteps of Black Christmas (1972), Last House on the Left (1972), and The Texas Chainsaw Massacre (1974), the slasher film was going to find the sweet spot of low budget and mass appeal. Enter Halloween (1978). Stabbing and spooking were now moving into the suburbs. On a budget of $325,000, Halloween would go on to earn $47,160,000. On a budget of $325,000, Halloween would go on to earn $47,160,000. Hollywood noticed. The impact of Halloween would be felt primarily in the early eighties, but a few filmmakers picked up on the trend early. The slasher films influenced directly in the wake of Halloween include: Don’t Go Into the House (1979), Silent Scream (1979), Tourist Trap (1979), Driller Killer (1979), Prom Night (1980), Maniac (1980), Friday the 13th (1980), Don’t Go into the Woods (1981), Madman (1981), Happy Birthday to Me (1981), My Bloody Valentine (1981), The Burning (1981), The House on Sorority Row (1982), and The Slumber Party Massacre (1982). All of these films featured a masked killer (usually) and some sort of stabbing weapon (usually), and oblivious teen victims (usually), with sexual activity usually as part of the equation (usually)… and a final girl (usually). That’s the modern slasher template. It didn’t take long for filmmakers to figure out the formula. Our great directors who would lead horror for the next twenty years were in place. John Carpenter, Tobe Hooper, and Wes Craven had their knives out and were ready to dominate the field. This genre still felt fresh. The sequels had yet to take control of the industry, and the concept felt raw and scary. This trend would find its killer’s stride in the 80’s, but this is when the slasher movie came out of the shadows. Horror Gets Really Weird, and Discovers God While the sixties still had a safety belt on, and the eighties went for the reliable thrills, the seventies was a period that allowed directors to stretch out their ideas. The early seventies also contributed a number of strange films, but it is hard to match the back half of the seventies with the likes of The Manitou (1976), Phantasm (1979), Hausu (1977), and Eraserhead (1977), which brought wildly original concepts to the table. Religion was a big thing too. Conventionally, there were movies like The Omen and The Exorcist that were, while very scary, using traditional good-and-evil concepts. This era also had a more counter-cultural and artistic interpretation of holy horror. God Told Me To (1976) and The Visitor (1979) were gonzo strange concepts that never found an audience, but were challenging with their takes of what celestial beings might be. What is Jesus, really? For that matter, what is God? An alien? Perhaps. Truly strange, blasphemous stuff. Perhaps it was all the hallucinogens that were popular of the era. Cosmic horror found truth in a far-out metaphysical moment. It wouldn’t take long for the politicians and the morality police to put an end to such wild concepts. But in truth, the conservative backlash was waiting in the next decade. In the seventies, the liberal notions of acceptable content had plenty of room. That would be coming to an end soon, especially when movies could come home on cable TV and VHS. The Scariest Things History of Horror Episodes Episode 22: The Silent Era 1920s Episode 25: The Rise and Fall of the Golden Age 1930’s and 1940s Episode 29: Horror Comes Back – The Matinee Era Part 1 1950-1954 Episode 31: The Height of the Atomic Age – The Matinee Era Part 2 1955-1959 Episode 51: The International Gothic Trend – Horror From 1960-1964 Episode 53: The Diversification of Horror – Horror From 1965-1969 Episode 57: Horror Gets Trippy – Horror From 1970-1974 Episode 213: Slashers Come of Age and Horror Finds Religion 1975-1979 Friend of the Podcast Ian Parker joins Eric and Mike to talk about some deep cut movies from the late seventies. We have tried to avoid the obvious stuff and to notify our audience about some curious gems that you might have missed when shuffling through your streaming options: Burnt Offerings (1976) Don’t Go Into the House (1979) God Told Me To (1976) Kingdom of the Spiders (1977) Rabid (1977) Shock Waves (1977) The Witch Who Came From the Sea (1976) The Eyes of Laura Mars (1978) The Manitou (1978)
The Lost Boys, Friday the 13th Part VI: Jason Lives, Fright Night, The Village, and The Collector headline this episode of This Week in Horror History, covering July 27 through August 2. Summer horror gets vampiric, supernatural, folklore-soaked, and dangerously familiar as we revisit an iconic 1980s vampire movie, the resurrection of Jason Voorhees, M. Night Shyamalan's isolated village nightmare, a brutal home-invasion trap thriller, and a modern Métis horror novel about a loved one who returns profoundly wrong. Inside this episode:July 28, 2020 — Empire of Wild receives its U.S. publicationCherie Dimaline's supernatural horror novel follows Joan, a woman searching for her missing husband. When she discovers a charismatic preacher who looks and sounds almost exactly like him—but insists he is someone else—her search leads toward Métis folklore, the rogarou, stolen identity, grief, and an ancient hunger wearing a familiar face. July 30, 2004 — The Village releases in the United StatesM. Night Shyamalan transforms an isolated community surrounded by forbidden woods into a haunting story about fear, control, ritual, and the dangerous power of a carefully protected lie. The villagers have been taught that creatures wait beyond the boundary, certain colors must never be worn, and safety depends upon everyone obeying the same rules. July 31, 1987 — The Lost Boys releases in the United StatesJoel Schumacher gives vampire horror leather jackets, motorcycles, beach fog, neon boardwalks, and unforgettable 1980s style. Beneath the lights and nightlife of Santa Carla, a gang of young vampires offers danger, immortality, and the seductive promise of never having to grow up. August 1, 1986 — Friday the 13th Part VI: Jason Lives releasesTommy Jarvis accidentally resurrects Jason Voorhees with a bolt of lightning, transforming the Crystal Lake killer into a fully supernatural slasher icon. Faster, funnier, and more self-aware than many earlier entries, Jason Lives combines gothic cemetery imagery, summer-camp terror, black comedy, and one of the franchise's most memorable versions of Jason.Deep-Cut Spotlight — The Collector A desperate thief breaks into a wealthy family's home and discovers that a masked killer has already transformed the property into an elaborate maze of wires, traps, locked rooms, and carefully arranged suffering. The Collector captures the brutal energy of late-2000s horror, combining home-invasion suspense, post-Saw trap horror, survival-thriller momentum, and the terrifying idea that every possible escape route has already been anticipated by someone waiting inside.Horror Birthdays This Week: David Warner, Arnold Schwarzenegger, Michael Biehn, and Wes Craven enter the birthday roll, bringing connections to The Omen, Waxwork, Predator, The Terminator, Aliens, Planet Terror, The Last House on the Left, The Hills Have Eyes, A Nightmare on Elm Street, and Scream.Weekly Recommendation — Fright Night A teenage horror fan becomes convinced that his charming new neighbor is a vampire—but nobody believes him. Desperate for help, Charley Brewster turns to Peter Vincent, a washed-up television horror host who has spent his career pretending to battle monsters. Funny, stylish, spooky, and filled with practical-effects vampire horror, Fright Night remains one of the great horror-comedies of the 1980s. It combines the vampire-next-door premise with suburban paranoia, late-night horror television, supernatural action, and the realization that imaginary courage may suddenly need to become real.From Empire of Wild and The Village to The Lost Boys, Friday the 13th Part VI: Jason Lives, The Collector, and Fright Night, this week in horror history proves that the most dangerous monsters do not always remain hidden. Sometimes they wear the face of someone you love, live inside your community, move into the house next door, or rise from the grave when lightning strikes.
Someone's killing the beautiful young majorettes at the local high school. Could it be Harry, the voyeuristic janitor? Tommy, the nerdy photographer for the high school yearbook? Mace Jackson, the sleazy local drug pusher? Jeff Holloway, the star quarterback for the high school football team? Or could the identity of the killer be just one of the many incredibly shocking twists you'll discover as you watch The Majorettes? Along with our general thoughts, we dissect this slasher/action mashup (from page to screen) from director Bill Hinzman, looking at its origins dating all the way back to its 1979 novelization from John Russo, its sordid release history at some point between 1986 and 1988, and much, much more!
We always talk about comic books getting turned into movies, but what happens when the traffic moves backward? In this special One Shot episode of Moving Panels, host Laramy Wells is joined by co-hosts Tim Williams, Nicholas Pepin, and Gerry D. to dive deep into the massive, chaotic, and awesome world of comic books directly inspired by cinema and television.From canonical continuation series that picked up where canceled TV shows left off to insane crossover events Hollywood could never afford, we break down how the comic medium expands our favorite screen universes.What we're unpacking tonight:The Official Continuations: Joss Whedon's massive, budget-free Buffy the Vampire Slayer Season 8 and the incredible DC Universe expansions in Smallville Season 11 (including Clark becoming a Green Lantern and his tactical showdown with Batman!).The McClane Files: A deep dive into John McClane's comic history, featuring the prequel series Die Hard: Year One and Laramy's recent read, A Million Ways to Die Hard.The Slashers & Sci-Fi Icons: How Ash Williams (Army of Darkness/The Evil Dead) became a comic book staple, the iconic Dark Horse Alien vs. Predator runs, and the massive Ghostbusters and Star Trek comic universes.The 80s Cartoon Toy Box: The deep-cut lore of Transformers, G.I. Joe, M.A.S.K., Voltron, ThunderCats, Dino-Riders, Bravestarr, Visionaries, SilverHawks, and Inhumanoids.⚠️ ANNOUNCEMENT: We hit a bit of a snag behind the scenes tonight. At one point during the recording, Laramy suffered a massive computer glitch. We kept the tapes rolling anyway, and the guys carried the torch to the finish line. We're curious to see if the audience can actually catch exactly when Laramy is no longer a part of the episode! Let us know your timestamps in the comments!Follow the Panel:Instagram: @MovingPanelsX (Twitter): @MovingPanelsFacebook: Moving Panels Podcast
Pack your bags and grab your bug spray, because we are officially kicking off our brand-new themed month: SUMMER CAMP SLASHERS! For the next few weeks, we are leaving the comfort of the studio behind to head deep into the woods, exploring the campgrounds, the urban legends, and the creative kills that defined the golden age of 1980s horror. We are launching the series with an absolute heavyweight of the genre—the 1981 masterpiece of practical effects and summer dread: THE BURNING! We are breaking down the legendary legend of Cropsy, Tom Savini's mind-blowing special effects makeup, and that infamous, jaw-dropping raft scene. To help us navigate the woods and look at this film from every angle, we've assembled a phenomenal panel of heavy hitters in the booth: Shawn C. Baker from @thehorrorvision Chris Higgs, physical media connoisseur and host of the Beyond the Blood podcast. Whether you're a die-hard fan of boutique Blu-ray restorations or you just love a classic 80s creature feature/slasher vibe, this is going to be an incredible deep dive into one of the absolute best independent horror films of its era. SCORE THE KILLS WITH US! As always, your voice is the final word on the show! The Official Average Scorecard is live at the link in our bio right now. We want your ratings on the practical effects, the slasher atmosphere, and the ultimate kill count. Submit your scores before or during the stream, and we'll read your reviews and hottest takes live on the air! #TheAveragePodcast #TheBurning #TheBurning1981 #SummerCampSlashers #SlasherMovies #TomSavini #80sHorror #PhysicalMedia #TheHorrorVision #BeyondTheBlood #MovieReview #LivePodcast #MovieScorecard #HorrorCommunity #Cropsy
14-year-old Lisa (Staci Keanan) and her mother Katherine (Cheryl Ladd) share everything, but Lisa has one secret: she and her best friend engage in brief flirtations with attractive men. The girls are just having a little fun, until Lisa encounters Richard (D.W. Moffett), a handsome charmer who's also the notorious Candlelight Killer, strangling unsuspecting women in the area. Drawn into his deranged world, Lisa's innocent game of phone tag becomes deadly serious, and the stakes are people's lives! Along with our general thoughts, we dissect this psycho-thriller/home invasion/From Hell/slasher mashup from director Gary Sherman, looking at its origins dating all the way back to 1981, its failed cinematic release in 1990, and how it became a smash hit on VHS and cable channels.
This week on Slashers Podcast, Mikey, Ade, and Lance hit the open road to review Passenger! This month we are reviewing pics from our amazing Patreon members and this episode is dedicated to Bruce Magnus!The Slashers team drives into the film's eerie atmosphere, questionable jump scares, creature design, and whether the "haunted road trip" was worth the ride.Buckle up, avoid picking up hitchhikers, and join Mikey, Ade, and Lance for another spoiler-filled race through the backroads of horror.
Matt and Tim go head to head in their second Deadly Debate! And this time they're talking about Halloween III: Season of the Witch and Friday the 13th Part III. Both of these sequels have their fans and detractors. But which one is better? Happy Horror Time Youtube Channel - Please Subscribe!
All the hosts share their thoughts on Zach Snyder's classic film. No wait. Oops, wrong episode. All of the hosts talk about this Hello! This is the Doomed Show milestone! What happens when you have five guys in a room and it has nothing to with hamburgers? Find out by listening now!http://legionpodcasts.comhttp://doomedmoviethon.comhttp://doomedmoviethon.blogspot.com
Danielle Breton (Margot Kidder) is a beautiful young model, the kind of girl you meet only in your dreams. But this dream turns into a nightmare when young reporter Grace Collier (Jennifer Salt) witnesses a brutal murder in Danielle's apartment. Danielle has a secret: she lives half a life, and the other half is lived by her formerly-conjoined, murderous sister Dominique. One sister is lovely, gentle, and kind - the other is quite mad, and you never know which one you're holding in your arms. We're joined by author, director (1991's Guilty As Charged and 2001's Elvira's Haunted Hills, among others), and screenwriter Sam Irvin for a look at the 1972 psycho-thriller, Sisters, with Sam's treasured memories of working with director Brian De Palma on The Fury (1978), Home Movies (1979), and Dressed To Kill (1980) acting as a retrospective backdrop on the famed director. This 90+ minute special episode bypasses our usual shtick (no Joke Of The Week or Recently Seen) for a candid interview (we'll return to our regular format on the next episode), with fascinating insights into the wide world of Brian De Palma, our general thoughts on Sisters, and more.
We're back for a chilly good time with Cold Prey 2 (2008), the Norwegian slasher sequel that picks up directly where the last one left off, with shades of Halloween 2 (1981) and Friday The 13th: The Final Chapter (1984) serving as inspiration points as Jannicke once again faces The Mountain Man in a mad, slashery jaunt through a spooky hospital. Thankfully, nary a sign of Chris Martin to be had, but that doesn't mean we don't have jokes!
Mark and Richard are headed back to college as BHHOCs (that's Big Head Hunter On Campus (IYKYK)). And they're talking about Night School (1981) too! This is THE EPISODE YOU SHOULD HAVE ALREADY LISTENED TO BEFORE IT CAME OUT. Sorry about that. Caps lock got stuck.More Mark:https://www.instagram.com/mark_and_a_movie/http://doomedmoviethon.comhttp://doomedmoviethon.blogspot.comhttp://legionpodcasts.com
Matt ranks his top 7 horror movie hotties, specifically the nice ones! Check out our youtube channel for all of our ranking videos and news commentary segments that haven't appeared in our audio feed.Happy Horror Time Youtube Channel - Please Subscribe! Top 7 Hunks of Horror: Good Guy Edition! (video)
Come and knock on our cabin door for the slasher/horror/comedy of farcical error, Tucker And Dale VS Evil (2010), which pits a group of college kids against a duo of backwoods, psychotic rednecks, or pits a couple of well-meaning rednecks against a group of psychotic collegiate yuppies, depending on the degree of misunderstanding at any given moment.
The boys are back and this time they are starting along journey into the world of the Slasher Film. This time they will be looking at school set slashers with Student Bodies, Graduation Day, and Happy Birthday to Me.
This Week in Horror History for May 4–10 dives into a killer week of horror movie history, slasher movie anniversaries, cult horror films, horror comics, survival horror games, and classic monster adventure. This episode revisits the bloody legacy of Friday the 13th, the 2005 remake of House of Wax, the serial-killer comic-book mystery Nailbiter, the retro survival-horror game Crow Country, and this week's Deep-Cut Spotlight: The Burning, one of the most brutal and underrated 1980s camp slasher movies.Inside this episode:May 7, 2014 — Nailbiter #1A modern horror comic favorite from Image Comics introduces Buckaroo, Oregon—a small town with a terrifying reputation for producing serial killers. If you love crime horror, serial killer stories, creepy small-town mysteries, and horror comics, this one belongs on your radar.Where to read (U.S., this week): Image Comics, Kindle/Comixology, and collected editions from Image and major booksellers.May 6, 2005 — House of WaxThe 2005 House of Wax remake brings glossy 2000s horror, slasher-movie chaos, and a gruesome wax museum setting together in one sticky nightmare. A cult favorite of the era, it mixes road-trip horror, trapped-tourist terror, melting bodies, and brutal setpieces.Where to watch (U.S., this week): Tubi; rent/buy on Prime Video, Apple TV, and Fandango at Home.May 9, 1980 — Friday the 13thOne of the most important slasher movies of all time hits theaters and turns Camp Crystal Lake into horror history. From isolated cabins and doomed counselors to the birth of a franchise that would make Jason Voorhees a horror icon, Friday the 13th helped define the modern summer-camp slasher.Where to watch (U.S., this week): Paramount+; rent/buy on Prime Video, Apple TV, and Fandango at Home.May 9, 2024 — Crow CountryThe indie horror game Crow Country brings retro survival-horror atmosphere back with eerie puzzles, abandoned amusement-park dread, old-school tension, and modern genre polish. Fans of Resident Evil-style horror games, PlayStation-era survival horror, creepy theme parks, and indie horror games should take note.Where to play (U.S., this week): Steam, PlayStation Store, Xbox, and Nintendo Switch.Deep-Cut Spotlight — May 8, 1981: The BurningThis week's Deep-Cut Spotlight heads back to summer camp for The Burning, a grimy 1981 slasher packed with Tom Savini effects, campfire trauma, garden shears, and one of the most infamous raft massacre scenes in horror history. Overshadowed in the original slasher boom, it has since become a true cult horror classic and one of the essential 1980s camp slasher films.Where to watch (U.S., this week): Tubi, The Roku Channel, MGM+; rent/buy on Prime Video, Apple TV, and Fandango at Home.Birthday Roll:Lance Henriksen, David Keith, Kevin Peter Hall, and Meg Foster.Weekly Recommendation — May 7, 1999: The MummyFor a lighter but still monster-packed pick, revisit The Mummy, the 1999 Brendan Fraser and Rachel Weisz adventure that revived Universal monster energy with cursed tombs, scarab swarms, ancient rituals, undead horror, and blockbuster pulp fun. It is the perfect date-window recommendation for fans of classic monster movies, action horror, Universal horror, and summer adventure films.Where to watch (U.S., this week): HBO Max, Peacock; rent/buy on Amazon Video, Apple TV, and Fandango at Home.
We've covered a lot of movies, but for one episode only, we're covering a thirteen episode slasher miniseries that aired on the loudest network channel of all time, CBS; it's Harper's Island (2009), about a wedding party on a remote island beset by a mystery killer, with at least one death (sometimes more) per episode. Don't change the channel before we reveal Erik is the killer.
As I started to look to 2026, I knew there was still more to cover in this series beyond what we hit upon in the five episodes last year in discussing authoritarianism in cinema. One of the richest genres doing that was science fiction which, coincidentally, is what led to my emphasis on the genre this year. With such a vast subject, there was only one choice to join me on this episode- the person who started this series with me, Jason from Binge Movies and The Slashers. This is probably the most obvious lineup we've had yet, but when you have movies like Fritz Lang's "Metropolis", John Carpenter's "They Live" and Paul Verhoeven's "Starship Troopers", you already have not just compelling films to watch, but a wealth of depth to cover. I hope you enjoy!
Back to the forest expanse of West Virginia (by way of Bulgaria) we go for our peek at the straight-to-DVD second sequel in the backwoods hillbilly Wrong Turn saga: Wrong Turn 3: Left For Dead (2009). We discuss where the film stacks against its predecessors, three-fingered (and toed) mutants, criminal escapees, whether or not Erik is an AI creation, and much, much more!
Tonight we catch up and we rate our favorite scream moives 1-7!
Eight episodes of Fresh Immigrants, Rotten Fascists in, it's time to pause, take a breath, and invite someone to help us recap what we've gone through so far. Enter the always articulate, always passionate, Jason from Binge Movies (and also The Slashers) - a very smart friend of the show who partially inspired this FIRF venture. Listen as Alex, Julio, and Jason talk about the eight films covered on FIRF since July 2025, rank them, and give them made-up awards!Thank you for checking this new project out, whether you are a long-time Contrarians fan or someone who's just trying to listen to people talking positively about immigrants and negatively about fascism. If you have any recommendations for future entries in the series, let us know!Many thanks to the amazing Jordan Cooper for composing our intro and outro. Fantastic collaborator to work with - and he has a They Might Be Giants podcast: DON'T LET'S START. You can also check out Jordan's band TROUBLE'S AFOOT on Bandcamp!- Check out Jason's fantastic work over at BINGE MOVIES and The SLASHERS!- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemoniospe on Instagram or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!
For the gore hounds, we're sending in the clowns - Art The Clown that is - the demented, painted psycho stalking anyone within eyesight in Damien Leone's 2016 splatter movie phenomenon, Terrifier. We discuss the shocking endurance of Art as a new horror icon, the extreme gore, bits and pieces of the sequels, and much, much more!
Jack's Back in The Ripper (1985)! With his spirit now resurrected by a mafioso crackerjack ring, Jack The Ripper goes on a gory killing spree, setting his sights on students, faculty, and fringe hangers-on of a film school studying true crime in cinema - entrails will spill and mustaches will be twirled! We discuss Tom Savini's infamous "starring" role, whether or not this was shot on video (16mm?), ring this/ring that, and much, much more! Clarification: it was shot on video!
We're back after some technical difficulties. And we may have missed Friday the 13th by a few days, but we were determined to get this episode out to you. The New Blood is an entry in the F13 franchise that has always been very polarizing, especially for boasting some of the greatest FX that never were seen, thanks to extensive cuts by the studio. Anyway, as always, we've picked out the most loathsome characters from the film, so join us at the end of the episode in voting for which one was the most deserving to die. If you would like to join our livestream recordings for The Cherry Picker, we would be thrilled to have you with us. Check out Zack's Patreon (Link below) to take part.● ● ●▶️ Watch the Video Podcast☑️ Vote in the Cherry Picker● ● ●
Countdown #511 A long time ago, in a galaxy exactly like this one, three podcasters recorded their regular crossover event in which the American joined the two Australians to talk the best films of the previous calendar year. But the stars were not aligned that day, my friends. For the American had technical difficulties and his end of the conversation was lost to the Dark Movie Overl- sorry, wrong show - to the ether, forever. It took many moons until the Australians felt ready to again scale the mountain that is this massive topic, knowing they would be doing so without their American friend. But here, now, eventually, finally, that episode is yours to enjoy. But while doing so, spare a thought for the American in this story. Maybe go over and give his final season of Binge Movies a listen - one of the Australians did, after all, feature on the most recent ranking episode - the supposedly second last in that show's existence. Or, if you're ready for some blood and gore, hit up that same American-Australian combo with ANOTHER (lovely) American over on the soon to be completed second season of The Slashers. But whatever way you cut it, get ready to hear about the very best films that last year had to offer. In mid-March of the following year (but whatever) ... Want more? Find heaps more Countdowns - all the way back to Episode 40! - on our Podbean site. Join The Countdown Podcast Listener Community on Facebook so you can interact more directly with Paul and Wayne and the great listeners of the show. While you're at it, check out Wayne's new YouTube channel, Waxing & Wayning!
On this episode of Slashers Podcast, Mikey, Ade, and Lance head to summer camp for a twisted tale of childhood fears and campfire nightmares as they review the 2025 horror film Marshmallow.The crew dives into this eerie coming-of-age horror story set at a seemingly innocent summer camp where ghost stories start to feel a little too real. As a shy young camper struggles to fit in, the legend of a terrifying campfire tale begins to blur the line between imagination and reality, leading to a twist that no one saw coming.We discuss film's nostalgic camp setting, and whether the story delivers more sweet marshmallow fluff or burnt horror goodness. .So grab your sleeping bag and join the Slashers as they decide if Marshmallow is a toasty horror treat or something that should've stayed in the fire.
On the 106th episode of the Slice By Slice podcast, Jesse and Josh return to Camp Crystal Lake and discuss Freddy vs Jason and Friday the 13th 2009. Recorded on 03/08/2026. Intro News and Announcements Corrections and Updates What We Watched Film Discussions Freddy vs. Jason (2003) Friday the 13th (2009) Outro
We're heading to Camp Crystal Lake circa 1980! JLB is joined by his friend and horror expert Meagan Navarro from Bloody Disgusting to talk about the movie that jumpstarted the 80s Golden Era of Slashers! Follow That Was Pretty Scary on Instagram and TikTokFollow Jon Lee Brody on Instagram Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
On this mini-episode of the Slice By Slice podcast, Jesse and Josh discuss Scream 7 in a fully spoiled review. Recorded on 3/1/2026. Website: https://slicebyslice.com/ Email: info@slicebyslice.com X and Instagram: @sbyspodcast
1979: A youthful group of pornographers shooting a "farmer's many daughters" adult film on an isolated farm are besieged by the passing of time in the form of a reclusive, exceptionally-horny septuagenarian who can't get hers unless they get theirs first! We discuss director Ti West's accidental start to a trilogy, the rousing bloodletting, the genial cast of characters, and of course: father time (with blood spatter) - and much, much more! We are joined on this excursion into murderous smut by listener/viewer Lee Taylor of Buzzy Film Productions. Link: / @buzzyfilmproductions
Watch the best scene reading: https://www.wildsound.ca/videos/horror-festival-1st-scene-reading-grad-nite-by-sion-raize-interview While enjoying an overnight celebration at a regional theme park, a group of graduating high school students are targeted by a vicious killer wearing a dragon mask. What is your screenplay about? Grad Nite centers around a group of high school seniors on an overnight field trip to a theme park where mutilated bodies begin to pile up. What genres does your screenplay fall under? This is a slasher, a horror slasher, with a dash of coming-of-age for depth. Why should this screenplay be made into a movie? Slashers as a horror subgenre are unique in that nostalgia and familiar beats are expected and celebrated just as much as originality. It's the originality in Grad Nite that is unlike any other slasher you've ever read or seen. These are characters that are sidelined in other stories, taking center stage here, with a unique tone and energy that is patented me (Sion-Raize). —— Subscribe to the podcast: Tweets by wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod
In this podcast, Stephen Graham Jones talks about Night of the Mannequins, writing slashers, his best prank gone wrong, and much more. About Stephen Graham Jones Stephen Graham Jones is a Blackfoot Native American author of experimental fiction, horror fiction, crime fiction, and science fiction. His books include Don't Fear the Reaper, My Heart is a Chainsaw, The … Continue reading
Adrien Brody puts his nose to the grindstone as a detective out to stop a yellow-skinned, mad killer who is abducting females by way of his taxi in Dario Argento's Giallo from 2009, featuring Brody in a dual role and... Not much else according to at least three of us. We discuss the film's lack of signature Argento-isms, whether or not it is a giallo, Adrien Brody's court case against the producers, and much more! Also, the ghost of Skype has infiltrated our new recording digs, making completion of the episode about as difficult as sitting through this movie!
William Castle channels his inner Hitchcock with this sordid tale of selfish relatives (re: inheritance plot) and gender bending minutiae; it's 1961's Homicidal, featuring a lead pulling double duty, bad teeth, and a gimmicky fright break. It's also our 15th birthday, so we've collectively surpassed Erik's mental age by a couple of spins around the sun. We discuss the obvious (though unintentional?) riffs on Alfred Hitchcock's Psycho (1960), the labyrinthine murder plot, decapitated mutes, fright break theater experiences, and much, much more!